Charlie’s Angels

Vampire Owl: I remember having watched those two older versions.

Vampire Bat: You mean the movies with Cameron Diaz, Drew Barrymore and Lucy Liu.

Vampire Owl: Yes, during those times, it was a change from the usual action movies which we managed to get locally.

Vampire Bat: Yes, I watched the movie at a time when the CD versions were just getting to be popular, replacing the video cassettes.

Vampire Owl: We have to go, like twenty years backwards. We are really old, aren’t we?

Vampire Bat: It is still a very small number of years in vampire time.

Vampire Owl: That is true, but when we look at the actresses involved here, we know that there is more to it than just vampire time.

Vampire Bat: Unless they come with something like Charlie’s Vampires.

Vampire Owl: I don’t think that they would want vampires doing this job.

Vampire Bat: I don’t see why not, especially if they start running out of the usual options.

[Gets some potato chips and three cups of ginger tea].

What is the movie about? :: John Bosley (Patrick Stewart), a senior operative, plans and executes a mission with his angels perfectly, and soon, enters retirement, with a programme which appreciates what he had done for a long time during his stay in the organization. Meanhile, Elena Houghlin (Naomi Scott), an engineer working under the millionaire Alexander Brok (Sam Claflin), wants to take a secret out regarding their new project Callisto, and their head of development, Peter Fleming (Nat Faxon) who is planning something sinister. She understands that the device which was supposed to be used for clean and cheap energy, has potential to be weaponized, and some people already have eyes on that. She has a meeting with Edgar Dessange (Djimon Hounsou), and the two angels operatives Jane Kano (Ella Balinska) and Sabina Wilson (Kristen Stewart) has an eye on them in case something happens.

So, what happens with the events here? :: But, they are attacked by an assassin known only as Hodak (Jonathan Tucker), and are chased all around the city by him, until they end up in a river, and Edgar is dead. Rebekah Bosley (Elizabeth Banks) who is in charge, gets them together, and their injuries and troubles are taken care of by the person whom they referred to as the Saint (Luis Gerardo Mendez). They decide to sneak into Brok’s corporate headquarters so that they can steal the remaining Calisto prototypes before someone manage to use it, and make copies of it. Along with Elena, the other two angels also gets in using different ids, but despite their best efforts, they fail. Fleming has the only existing Callisto models, and they find him traveling to Istanbul, Turkey – they decide to follow them, with Elena also given the angel equipments, to serve as the electronics and computer expert, or rather the hacker. But can they find out the real villain here?

The defence of Charlie’s Angels :: Elizabeth Banks not only acts in this movie, but is also the director, and she has nicely managed to make this version of the angels a very entertaining one. There are some nicely managed action sequences, as heists, explosions and chases become just part of this movie which also manages to have a certain amount of humour maintained throughout its run, and its two hours of run-time ends quickly enough. Most of the credit for the same goes to Naomi Scott, both directly and indirectly. The visuals are good, with some interesting locations being explored by the camera along with the angels. It has to be said that was high time they had another movie in this franchise, as we always have space for films like these which takes things lightly, along with the serious ones which get all the sequels – Mission Impossible kind of stuff. This one is sure to make you ask for a sequel, not making one waiting too long.

The claws of flaw :: Considering the fact that this is a movie which has arrived years after the earlier version, there was a lot of time to bring some innovation, but there is no such thing being attempted here. The movie focuses more on action thriller cliches to make the best out of its material, but it should have opted for changes. The plot also has its own predictable elements, and the twist that it has is rather minute, and is not there to stay. As usual, there is the new recruit, the rookie who will learn things, and finally join the team, as beating up some evil men becomes a reason for them travel all around the world at a time when there was no COVID-19 – maybe they wouldn’t do that these days. You might also miss the great popularity of Cameron Diaz, Drew Barrymore, and Lucy Liu, the three leads of the original version, as the actresses who play the same roles in this movie are those whom most of the film lovers of this part of the world might not be familiar with, except for Kristen Stewart.

Performers of the soul :: Elizabeth Banks, the director plays a major role in this movie, and does that well, and most people will always remember her for the role in the dystopian science fiction thriller, The Hunger Games, and its sequels. But the one who catches our attention the most is Naomi Scott, who plays the girl who changes from being clueless to becoming the angel. She was recently seen in Aladdin, and she was there in Power Rangers with Elizabeth Banks, playing one of the protagonists and the antagonist respectively. Ella Balinska is the next one to catch our attention, a relatively new face to most of us, who hasn’t really watched the movies in which she acted, and she makes one fine angel. Kristen Stewart was the one person whom I doubted when playing an angel because I had only seen her in the Twilight series and Snow White and the Huntsman, but she is surprisingly good here, and along with the other angels, she brings a lot of the funny side into action. Patrick Stewart and Jonathan Tucker are the appreciable male members of the cast.

How it finishes :: When we compare this new version of Charlie’s Angels to the old ones, this one seems to have a certain advantage with what seems to be a very energetic young cast and more fun than those which we had watched a long time ago, but we remember that we also loved them, and had that novelty with bigger names related to it. Not many movies which come back after a long time makes an impact, unless you have a Stephen King novel for support like Doctor Sleep. The movie is one light-hearted, quick, smart and humorous adventure which you will remember for long, and even bring a certain amount of nostalgia related to those older versions. There are only a few movies like Jumanji which can effectively use action and comedy, and Charlie’s Angels is a movie which has risen again to try and do that, and even though not as good as that movie on a game, this one is also a lot of fun to watch.

Release date: 15th November 2019
Running time: 119 minutes
Directed by: Elizabeth Banks
Starring: Naomi Scott, Ella Balinska, Kristen Stewart, Elizabeth Banks, Djimon Hounsou, Sam Claflin, Noah Centineo, Nat Faxon, Patrick Stewart

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@ Cemetery Watch
✠ The Vampire Bat.

Pink

Vampire Owl: You know, Lady Death was very much interested in this colour.

Vampire Bat: Why is she interested in colours, when she has been colour-blind since her resurrection from the other world?

Vampire Owl: There are just rumours regarding the same, as she was referring to this movie.

Vampire Bat: You mean to say that the news about this movie had reached the land of the dead?

Vampire Owl: Yes, the land of the dead as well as the land of the undead.

Vampire Bat: It is quite an achievement for a human movie.

Vampire Owl: Except for those movies in which vampires are shown to be bad.

Vampire Bat: Almost all of them think that vampires are bad because they don’t understand our culture.

Vampire Owl: They instantly hate anything and everything that they can’t understand.

Vampire Bat: It is quite natural for a race which has fought each other for so long.

[Gets three cups of Ceylon tea with Arrowroot biscuits].

What is the movie about? :: The movie tells the tale of three indepdendent women, Minal Arora (Taapsee Pannu), Falak Ali (Kirti Kulhari) and Andrea Tariang (Andrea Tariang), working hard and self-sufficient, living in South Delhi. While Minal and her family are from Delhi itself, Falak is from Uttar Pradesh and Andrea from Meghalaya. They go through a happy life with their little moments of fun, and care for each other, but things quickly take a twist, with people looking at them in a rather strange way. Their landlord is asked to get the three girls out of his home, and when he doesn’t do the same he is attacked by two young men who reminds him of the same. Andrea sees that she is being stalked by unknown people and Falak ends up losing her job; Minal gets it even worse, as a flashback goes to what had happened a few days ago.

So, what happens next? :: The flashback incident involves Raunak Anand (Raashul Tandon), Vishwajyoti Ghosh (Tushar Pandey) and Rajveer Singh (Angad Bedi) who had met the three girls at a rock concert. Rajveer was hit on the head with a bottle by Minal which left him in a hospital, and that had put his friend Ankit Malhotra (Vijay Verma) on a revenge trail, causing a lot of trouble for the girls. This person who has decided to teach the girls the worst lesson possible, will not stop at anything, as the boys are quite rich and powerful, with influence among politicians as well as the police. Troubled with all which have been going through, the girls still refuse to complaint, but Minal, despite all the warnings about what could happen if she approaches the police, goes to the police station. The result is that she is kidnapped and molested by the men who are after her.

And, what is to follow next in the tale that goes deep? :: Minal is shocked, but doesn’t have the time to think or react, as she is arrested by the police on the very next day, as she is accused of prostitution as well as attempting to murder Rajveer. Andrea and Falak remain rather clueless about what to do in the police station, and at home, they find Deepak Sehgal (Amitabh Bachchan), their neighbor at their door. He helps them and even decides to take up their case, returnning back to his life as a criminal lawyer years later. He had left his job due to declining mental health and also because of his wife Sara (Mamta Shankar) being bed-ridden. In the court, he would have to face Rajveer’s lawyer, a younger and healthier Prashant Mehra (Piyush Mishra) who would go to any length to show his loyalty for the money which received as fees. So, where does the fate of the girls stand?

The defence of Pink :: The movie smartly chooses not show the incidents until the credits show up – it is a nice move to establish the idea that “no means no”, which is rather the one thing that gets the focus because we are there without getting much of an idea about how things really happened. It helps us to come to a viewpoint without taking sides, and it is the smart way to proceed. Pink is the kind of movie that is needed, for it shows how much of a hypocrite the society aspires to be. It has different rules for the boys and the girls, rich and the poor and also for people from one part of the nation and those from some other area. The movie shows how difficult it is to get rid of those prejudices, no matter how smart and educated you are. The movie’s biggest asset in establishing its ideas is Amitabh Bachchan, who is so good that you feel the need to clap again and again – you saw his grief in TE3N already, and this one once again shows the determination in grief that powers his character to become more than what the lawyer has been. The girls are all good, just playing to the need, raising the level so much at some scenes in the court.

The claws of flaw :: The movie before the courtroom drama begins, doesn’t manage to be that interesting, with the whole thing taking so much of time to get going. Maybe things could have been made more tense in the first half to keep one feel the tension. People would also feel not that happy with Amitabh Bachchan being there to save the girls – but you will have to admit that it is him who takes it to the next level as far as performances are concerned. Also, the talk about the girl being from North East, is not taken that much further, maybe because the cultural identity is a little bit less important, just as the fact that the men in question as just too rich an influential – these two things come into the picture and just disappears, but needed better mention here. There is another question which should have been raised in this movie – “Why should anyone drink at all?” It could have been great if the message should have also been against alcohol consumption, rather than having things as okay if everyone is allowed to drink. There is even more that Pink could have achieved, but it chooses to finish with just one message that takes off.

How it finishes :: The big thing about Pink is that, the movie is surely what you call the giant leap – something which has been very much difficult for Bollywood which has been caught in repetitions for such a long time; it might be the only thing that is repeated, with consistency in repetition like no other. Pink not only makes the giant leap, as it also gets to the other end with ease. The movie which was widely appreciated by both the common audience as well as the critics, and had also the National Film Award for Best Film on Other Social Issues – it is good to watch this movie and understand why there is so much appreciation going around. When people say that Pink is the kind of movie that everyone needs to watch, they are surely not wrong. It is the kind of movie that not just Bollywood needs to save its face, but it is also the one that the society needs – it is bigger than what would be the biggest cinematic experience we have for a society which needs its lessons regularly.

PS: There are three movies for this Eid, Role Models, Oru Cinemakkaran and Avarude Raavukal – do check the reviews on the same.

Release date: 16th September 2016
Running time: 136 minutes
Directed by: Aniruddha Roy Chowdhury
Starring: Amitabh Bachchan, Andrea Tariang, Taapsee Pannu, Kirti Kulhari, Angad Bedi, Dhritiman Chatterjee, Piyush Mishra, Mamata Shankar, Arjun Chakrabarty, Mamta Malik, Dibang, Tushar Pandey, Raashul Tandon

@ Cemetery Watch
✠ The Vampire Bat.