Tag Archives: soul

Hello Mummy

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Vampire Owl: I am sure that this movie has a vampire mummy.

Vampire Bat: We are dealing with real ghosts around here.

Vampire Owl: Mummies are animated corpses, right? Not ghosts.

Vampire Bat: I do not think that this is that kind of a mummy.

Vampire Owl: Because the character is not Egyptian?

Vampire Bat: They are referring to the mother-in-law of main character.

Vampire Owl: But this is still horror, so other mummies could also be around.

Vampire Bat: What can a mummy do to reach South India from Egypt?

Vampire Owl: I do not know. Maybe, take a flight?

Vampire Bat: Even Count Dracula is known to have taken only a ship.

[Gets a chilly chicken puffs and three cups of mixed tea].

What is the movie about? :: Boney (Sharafudheen) who has been running a pet shop – one of the biggest in the city, and trying to evade marriage for quite a long time, much to the dismay of his father Philip (Johny Antony), mother Soyamma (Ganga Meera) and sister Tincy (Sruthy Suresh). But when he goes through the usual process of seeing and rejecting girls, he comes across Stephy (Aishwarya Lekshmi), whom he really likes and decides not reject her. But Stephy comes with a condition that he should move to her house after wedding, and even though Boney’s parents show some hesitation, everyone is just happy that he is finally going to be married. But one day, she stops responding to him, and when he asks, she tells him that her dead mother still talks to her and that she does not approve of her marriage with him. She says that it is the best for the future of both of them that they do not proceed to the wedding ceremony. But Boney feels that she is just making things up to avoid him, and tells her that he believes her – and that he is ready to adjust in whatever ways possible.

So, what happens with the events here as we just keep looking? :: This impresses Stephy and they go on with the process. But on the first day itself, Boney realizes that she was not joking or making an excuse, and his father-in-law Samuel (Jagadish) asserts the same. The ghost mummy begins attacking him whenever he does something that she does not like. Stephy reveals that the mummy has prevented any physical union between them for now, and there some strange rules which he has to obey – this includes not wearing chappals inside the house, keeping the refrigerator open for more than ten seconds, dropping any food particle on the floor and a few more. Boss (Aju Varghese) who is running an investigative channel from the neighbouring house feels that there is something wrong, and tries to find a solution, while Boney’s best friend Bichu (Joemon Jyothir) tries to help only to find him at the receiving end of the mummy’s fury. Boney and Stephy tries to twist the situation by telling the mummy that they are going to be parents. But how can they sneak away from the powerful spirit which keeps the watch all the time?

The defence of Hello Mummy :: Here is one merging of horror and comedy that works well on the lines of Bollywood movies like Stree and Bhool Bhulaiyaa, but this is not a genre that has been working too well in this particular industry. In comparison, black comedy has had more success, like in the case of the recent work, Maranamass. There are moments that would be remembered, along with some dialogues which can stay for quite a long time. There seems to be a lot of energy in various parts of the movie, and that keeps the level of the movie high. This is also one horror movie that one can watch with family without too much of terror and no unsuitable comedy to go with it. The performances from the leading cast remains the highlight of the movie along with the fine support with the veteran actors around. The way in which the movie makes the fantasy tale blend into a world which was normal, makes it a world of magic realism in one way or the other. Cinematography and background score adds well to the whole thing.

The claws of flaw :: The movie’s focus on horror is rather less on comparison to the side of comedy which rises much above the other. The blending is rather one-sided when we look closely, and there is not much of an explanation of the supernatural elements. There is also a lot of predictability associated with the movie, even though most people might have expected the same. The lack of hype might have left many people without having watched the movie – if focused on the strengths, this would have become more popular from the day of release itself. There is a certain amount of silliness that can be seen around, and the lack of seriousness means some loss of the overall quality of the movie. The cliches are surely there, and the tale could have kept a stronger centre. Some of the emotional moments could have been avoided to make the movie shorter, as there is not that much of focus on the story, as situations are above everything else. The lack of consistency can be seen here in relation to the content, and horror also falls flat at times.

The performers of the soul :: Sharafudheen shines in the humorous role which seems to suit him so well, even though there is a subtle emotional side that runs through here. There are some fine one-liners which are there to stay, and some of these moments can be seen in the television in parts regularly. The movie also has Aishwarya Lekshmi who continues to prove that there are not many actresses who can match her grace and variety of performances in this generation. From a grand beginning with movies like Njandukalude Nattil Oridavela, Mayaanadhi, Varathan, Vijay Superum Pournamiyum and Brother’s Day with range from romance and feel-good to drama and thriller mode, she has come a long way, and deserves even more. She is in full strength here in a role which does not challenge her, but she assures that things are now better. We just need to remember how good Kaanekkaane was, to be reminded of her capabilities. The group of Jagadish, Johny Antony, Aju Varghese and Joemon Jyothir adds to the fun, while Bindu Panicker’s role is something that we will remember for a long time. Sunny Hinduja makes a fine villain at the same time.

How it finishes :: We know that good horror comedy is really hard to create, especially to make both sides work. This movie aligns more on the side of comedy, but there is always that hidden horror which comes out at rarely, but by the end of the movie, we see the blending of the two genres becoming one effectively. There is no lack of enjoyment at any part of the movie, as we see the situations, and feel the entertainment. There are not many movies that make us think too much about the situations, and we can focus on enjoying the whole thing without second thoughts. There is the scope left for a sequel, and we can expect this to get better. After all, there are so many questions to be answered from the first movie, and there might be a little too much to be done for what could be a series of movies. We can always accept the movies with a certain amount of silliness that worked so well, like Adi Kapyare Koottamani and Kunjiramayanam that keeps us laughing for a very long time.

Release date: 21st November 2024
Running time: 92 minutes
Directed by: Vaishakh Elans
Starring: Sharafudheen, Aishwarya Lekshmi, Sunny Hinduja, Jagadish, Johny Antony, Aju Varghese, Joemon Jyothir, Bindu Panicker, Arun Cherukavil, Ganga Meera, Sruthy Suresh, Adhri Joe

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@ Cemetery Watch
✠ The Vampire Bat.

Hridayapoorvam

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Vampire Owl: So, this is the one other movie of the Onam season.

Vampire Bat: Yes, the movie that came up with the second position.

Vampire Owl: And the movie which received what remained at the box office.

Vampire Bat: The second movie of a festival also does well enough.

Vampire Owl: Unless there are movies from other languages also coming in.

Vampire Bat: We have managed to keep it our own this time.

Vampire Owl: This Onam has been pretty well managed as we see it.

Vampire Bat: Onam is for the Malayalam movie industry.

Vampire Owl: What Lokah Chapter One: Chandra achieved has been remarkable.

Vampire Bat: Well, Avengers or Justice League of this world is ready to go.

[Gets a paneer masala dosa and three cups of Ceylon tea].

What is the movie about? :: Sandeep Balakrishnan (Mohanlal) is a wealthy and successful businessman who runs a popular restaurant chain in Cochin named Lunch Box, and has been spending most of his time for the same. This group of restaurants are known to be the cleanest and the tastiest around. But he is forced to keep away from the business as he need to undergo a heart surgery, and receives the heart of a colonel who recently passed away. Even though his brother-in-law OK Panicker (Siddique) and other relatives around, they do not usually visit him except for when there is need, and the hospital assigns him a male nurse Jerry (Sangeeth Prathap) so that things are under control. It is then that a young woman named Haritha (Malavika Mohanan) contacts him as the daughter of the man whose heart was donated. She invites him to Pune for her engagement, and there he meets her mother Devika (Sangita Madhavan Nair). The function is grand, as they family have been settled there for many years, and Haritha is also an established architect.

So, what happens with the events here as we just keep looking? :: But not that much into the ceremony, Haritha declares the ceremony cancelled, leading to a quarrel, and Sandeep sustains a back injury while trying to intervene in the matters. Unable to return to Kochi due to this condition and he has to remain with Colonel’s family and Jerry to support him. Sandeep is not really happy about it in the beginning, as he feels the need to be back to his daily routine. But soon, he starts to get closer with Haritha and Devika. There he meets Haritha’s family friend Jacob (Lalu Alex) and Devika’s brother Manoj (Baburaj), which leads to him knowing more about his life as well as his habits. Despite his early feeling that a heart is just an organ, he feels the love and memories of the heart donor. Maybe this is the change that Sandeep needed, but how long can he stay in Pune and remain like the person who had donated the heart? How far will his world be changed, and how much does it change for the people around her?

The defence of Hridayapoorvam :: The movie goes on well with the feel-good idea. The movie would appeal to the family audience more than any other, and the director himself is reflected around here. There is a certain amount of happiness related to this movie, which stays on with us as we move away from the movie. The emotional side is also pretty strong for most of the time, and the mood with the death of a person and his hearth living inside another person keeps us going. There are also those light moments without even a pinch of dark that works, and the humour has itself moving in the right way. The background music and the songs keep working well for the overall mood of the movie. The people going for this movie because of the other two releases of the time being at the extremes, one becoming the industry hit and the other not getting audience, has kept the audience choosing this movie when the tickets for the all-time blockbuster was not available, getting this one to one of the top hits of the year.

The claws of flaw :: The movie feels a little bit too long for the content that it serves. It keeps on moving on and on even without much happening in between. Many things that happen in between seems to be not too relevant, and even then, they just keep happening in front of us, leaving us not focusing on the whole thing. The predictability factor is too high, and we know what is happening and feel like what could happen next can also be known in advance, with characters also acting in the ways we feel that they are going to act. Some jokes which seem to have been added here might serve no purpose at all, as a few dialogues and situations just fall flat, and were really not needed around here. Some characters just seem to have come out of nowhere, and never really even needed the big names to play them. The emotional loss is also seen at times. There are no real ups and downs here, as the movie keeps on going on in an average level, and sometimes gets just above average during its journey.

The performers of the soul :: Mohanlal, as expected, holds the movie together. His screen presence remains the biggest thing about this movie, and both humour and emotional depth stays strong within his arms it is due to him that simple moments become so strong and situations that would look dumb and absurd are converted into an effective side. His ability to turn the meaningless to the relevant with a certain amount of charm is on display here. Malavika Mohanan is a perfect addition as this character as she seems to blend in with cent percent accuracy. Sangita Madhavan Nair on another appearance after that memorable Anand Sreebala brings the charm of the past and our own nostalgia. Sangeeth Prathap brings the humour after Premalu, and this time, most of it comes smoothly and blends into the usual. Siddique and Lalu Alex, even though going on well, does not get their characters at full potential, and Janardhanan along with Baburaj only have a limited screen presence. The focus never really comes to the side characters, as it remains at one space, and the central character remains the heart.

How it finishes :: Lokah Chapter One: Chandra won the Onam in style, remarkably bypassing Lucifer 2: Empuraan unlike what was predicted, rising above all expectations. It does not bring anything new and with the old model of feel-good factor brought into the new world, manages to keep the audience interested, especially those who like similar flicks. There might be question if the movie could have been something bigger, but it keeps on being stuck to the safe mode – something greater is just kept away because it could be, to keep the family audience happy. If you are into this kind of movies, and stay happy with moments that bring nothing negative, pessimistic and disappointing, this is really the movie that keeps you there, even though that length might pull things back. The Onam mood nicely reflected here for sure, and we stay close to the same due to the mood never getting dark, and there seems to be the happiness that keeps on growing with hope for the better. We see that this is one of those paths that work, and that kind of audience will be watching it on the OTT and survive.

Release date: 28th August 2025
Running time: 151 minutes
Directed by: Sathyan Anthikad
Starring: Mohanlal, Malavika Mohanan, Sangeeth Prathap, Sangita Madhavan Nair, Lalu Alex, Baburaj, Nishan, Janardhanan, Siddique, Sabitha Anand, Saumya Bhagyan Pilla, Chandu Naik, Faheem B

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@ Cemetery Watch
✠ The Vampire Bat.

The Red Door

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Vampire Owl: I have always loved the red door.

Vampire Bat: There is no red door in the castle.

Vampire Owl: There are doors in many colours?

Vampire Bat: You were colouring the stone doors all these times?

Vampire Owl: It already had enough colours with them.

Vampire Bat: We only paint everything black.

Vampire Owl: Not everything is black in the castle.

Vampire Bat: Yes, in the Dracula Castle, some are very dark grey.

Vampire Owl: You cannot question Doctor Frankenstein’s choice of colours.

Vampire Bat: So, Mr. Frankenstein is responsible for all of these.

[Gets a blueberry cake and three cups of kadak chai].

What is the movie about? :: Josh Lambert (Patrick Wilson) has lived many years after the earlier incidents of possession and traveling through the Further, a realm full of tortured souls through which the family had projected in an astral mode bringing chaos and destruction to their world. Renai Lambert (Rose Byrne) is now divorced from him, and this separation has not come up with positive things for him or her. His relationship with his son Dalton Lambert (Ty Simpkins) has only managed to worsen over time, and his attempt to make things better by staying closer to him only makes the whole thing even more terrible. As Dalton joins a new course, Chris Winslow (Sinclair Daniel) becomes his new best friend after they are given the same room despite the latter being a girl. He joins the class of Professor Armagan (Hiam Abbass) as he wishes to be an artist, but a painting that he makes when asked to go deep into memory makes things very weird. The painting is of a red door which has served as a portal to the Further and the darkness of evil that awaited.

So, what happens with the events here as we just keep looking? :: This is when both father and son seems to have some hallucinations, and dead people seem to come to meet them. Dalton seems to have travelled to some other world which is connected to this, but he does not remember the Further – both Josh and Dalton had their memories wiped out and seeing the spirits is the first-time experience for them. The demons that haunt them only seem to get worse. Chris shows Dalton YouTube videos about astral projection to help him understand the situation, as he gets into the Further again, which brings into this world an unknown entity that attacks Chris. Despite the repeated warnings by Chris, Dalton decides to go into the Further again and search for answers, which locks him there. Josh who understands that the situation is terrible, meets Renai and after knowing about the painting of the red door, decides to travel to the terrifying dimension once again to save Dalton. Can he do it without being lost there?

The defence of Insidious V: The Red Door :: We are always interested in a world beyond, brought together by astral projection, and having its demons. The reminder about another dimension existing in the dark and waiting to pounce upon us, is something that has immense possibilities. We get the feeling that this brings everything together, and the franchise’s journey focusing on this particular family might end here. The use of picture and some of the moments within the other dimension brings some horror here, and the mystery remains strong. The bonding for family is nicely shown without holding back. The emotional side works for most of the time too. The idea of focusing on the red door through a painting is nicely done. The astral projection’s extension can be seen as effective enough to bring other films focusing on the same idea. The journey through the memories also brings some of the nostalgia back here too. We are looking forward for the red door to open and bring something more through the portal that connects between all of these, for we understand again that death is only the beginning of a torment that never ends.

The claws of flaw :: Insidious V: The Red Door reminds us that the franchise was once very frightening with elements that were to stay in our memories. One can be sure that this one does not live up to that power, as the scares are never focused on. The darkness and the evil that lurks in the Further is not explored well enough, as we look closer. The demons basically could have had a grand tale with deep myths running through, but the same cannot be seen here. There is a certain amount of struggle that this movie goes through, this many years after it made its classic point through another dimension, and that feels too strange. There are moments when we think what went wrong with this world, as there was so much to explore, and instead this movie spends its time to focus on the family and how the members bond together to destroy evil that comes back to haunt them – it also leaves us with the hope of bringing the whole family together yet again; not the best choice for a fifth horror movie in a frightening franchise which should live forever.

The performers of the soul :: Patrick Wilson also becomes the director in this movie, as he goes through the journey both as the main character and the man behind all of these with ease. He has been a clear part of the horror world with works in The Conjuring universe as well as this one, along with the journey through the Aquaman franchise. His journeys seem to have created so many horror enthusiasts in this part of the world, and he leaves us confident about more. The beginning as the director works out well for him too. Rose Byrne has been part of this franchise for long, and contributes well as one would expect in a film which does not focus on her that much. Ty Simpkins’s son character works pretty well, while Sinclair Daniel bring the comic side to the scene, even though a little bit more than it was needed in a movie like this, and not always working that well with the humour. The supporting work just happens, and do not go that much forward with the same strength with which the earlier movies came and conquered without second thoughts.

How it finishes :: Insidious V: The Red Door tries to bring the sequel horror right back here again. The attempts of Annabelle, Sinister, The Conjuring, The Nun, Don’t Breathe and others have already been seen, and this particular movie here is at number five with its sequels. We know that horror is forever, but we also understand that none of these movies had their sequel providing a higher quality than the original flicks which started the series with a certain amount of strength. It leaves a certain amount of chance for another sequel which can explore the demons and the other dimension better. But we know that a sequel might not have that much of a power as we would have expected from an original, and the next one would be the sixth movie in the series which would require more plans to elevate the overall status. Not many movies have managed to come up with a sixth film in the franchise, and for horror movies, it is even more difficult. This movie just manages to live on as a sequel, and we have to see how far can the next entry raise the level.

Release date: 7th July 2023
Running time: 107 minutes
Directed by: Patrick Wilson
Starring: Patrick Wilson, Rose Byrne, Ty Simpkins, Sinclair Daniel, Hiam Abbass

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Soul of the Dragon

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Vampire Owl: Do you know that Uncle Dracula once owned a dragon?

Vampire Bat: Vampires don’t own dragons. The sorcerers do.

Vampire Owl: Well, with the rise of the witches, there are not many left.

Vampire Bat: At least, the necromancers live well with the zombies.

Vampire Owl: You should know that the dragons lived in the dungeons of this castle.

Vampire Bat: You are talking about a legend spread by the villagers.

Vampire Owl: Dr Frankenstein has assured me that it is true.

Vampire Bat: Well, he is one scientist who knows nothing.

Vampire Owl: You don’t know the doctor enough.

Vampire Bat: Well, I know Mr Frankenstein well enough.

[Gets a paneer biriyani and three cups of iced tea].

What is the movie about? :: Bruce Wayne a.k.a. Batman (David Giuntoli) has a visit from Richard Dragon (Mark Dacascos), an old from a very long time ago, and Bruce is very glad to see him again, but they are attacked by some strangers with axes in their hands. It is then revealed that before he became the vigilante crime fighter known to the world as Batman, he had traveled to Nanda Parbat, a secret monastery in the Hindu Kush area of the Himalayas where he received training in martial arts. There, he was trained by the master of the arts, O-Sensei (James Hong), along with other students, and Richard was one of them. The others included Lady Shiva (Kelly Hu), Ben Turner (Michael Jai White), Jade Nguyen (Jamie Chung) and Rip Jagger (Chris Cox), who are supposed to among his best students – those who are already well-trained in the art. Bruce decides to train among them despite the doubts being present there. He had also learned to control his emotions and redirect them efficiently, along with using the darkness to his advantage.

So, what happens with the events here as we just keep looking? :: O-Sensei bestows upon Shiva, the responsibility of guarding a Muramasa sword called Soul Breaker, after Rip who also claims the same is defeated by her with ease. But Rip has other plans with the sword. He takes the sword, murders Jade who seems to blindly trust him with everything, and ends up opening a portal with the weapon. The area has a magical gate which is guarded by the master, and it would open this portal to world of the serpent god who is mentioned more as a demon, Naga. They had closed the gate once after a long fight against the giant serpents, but not without the sacrifices which had to be made including that of the master himself. Richard had discovered that the millionaire Jeffrey Burr (Josh Keaton) who leads a cult based on snakes named Kobra had taken control of the gate, and hopes to stop him and his allies at any cost. The strangers who attacked them were also mercenaries sent by him, and were expected to stop any progress.

And what more is to be offered here with the bat and his people on the hunt? :: They look for allies, and also hope to find and protect the sword before it is used to open the gate to the other world. For the same, they travel all the way to the Chinatown in Gotham where Shiva who is still in possession of the sword, and is controlling the world of crime out there. Batman is aligned to the opposite side of the law, but she is only happy to see a good friend again. But they are attacked by a bigger group of trained cultists, and the sword is also taken. The cult now owns a highly fortified island where they hope to open the gate using the sword and along with the same, sacrifice a number of kidnapped children. Now, they have to think differently to stop the worst from happening. They do find Ben and manage to make him a part of the team. But will they be enough to stop the evil from spreading? Are they fast enough to make the difference around here? Can Bruce Wayne contribute to all of these better as the Batman with all the equipment?

The defence of Batman: Soul of the Dragon :: There is something divergent about this particular animated movie that we see as following a different path. We do have the feeling of watching something nostalgic around here, reminding us of the animated series which came in the television, and this one surely has a lot of action along with some nice background music to go with it. You know that there is something about those times which we would wish to remember. The memories of the old kung-fu and karate movies also seem to come back to us to make an impact. It seems that there is also the chance to bring a sequel which can prove to be better than the original – a lot of action seems to be waiting to be unleashed, as we look at the final moments. With a short run-time that goes even below one and half hours, there is no drag in this particular movie as it keeps on going quick and smooth throughout its run. The antagonist of this movie serves really well as the one force of another world which seems to be near impossible to stop.

The claws of flaw :: There is not that much of a strength as in a Batman movie, whether as a detective or a superhero thing; for this one chooses a different path in comparison. It is certainly not the kind of DC movie which is expected too. The title is rather misleading as this is not really about Batman, as not just battle is shared – we just have the superhero in this movie which belongs more to the other characters. Well, Batman seems to be more like the guest who has decided to stay and own parts of the flick. The myth on the demon could have also been used in a better way. This also changes the Batman a little too much than what we know from the other movies, and that feels strange as so many things about our dark superhero seems to go some other way. When you have Batman in what feels more like a martial arts movie, this is expected, but the question still remains if it is what the fans of Gotham’s favourite vigilante would want. Well, you have supernatural forces, and Batman is also forced to go Mortal Kombat against them instead of being himself.

How it finishes :: Batman: Soul of the Dragon reminds one of the many interesting animated movies which DC has come up with in the last few years. Justice Society: World War II, Batman: The Long Halloween Part One and Batman: The Long Halloween Part Two are a few of them which made the impact earlier, and there are a lot of more of them which seems to be ready to contribute further to the world of the live-action, supplementing Aquaman, Batman, Wonder Woman, Superman and everyone around. While Marvel doesn’t seem to have these, DC surely has managed to keep one in the animated world too. Well, we know that animated superheroes have been our first love, and any reminder of the same only helps things further. We are all waiting for the bigger movies from DC, and there is no shortage of love for superheroes. After all, there is none in real life, as the only people who are termed super in our world are the most evil among them all.

Release date: 12th January 2021
Running time: 83 minutes
Directed by: Sam Liu
Starring: David Giuntoli, Kelly Hu, Jamie Chung, Mark Dacascos, Michael Jai White, James Hong, Josh Keaton

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@ Cemetery Watch
✠ The Vampire Bat.

The Soul

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Vampire Owl: Do you think that vampires can have an extra soul?

Vampire Bat: I don’t understand why one would require one as extra.

Vampire Owl: What if a soul is lost? We can use the other one.

Vampire Bat: The souls are not lost as long as we are living dead.

Vampire Owl: When did we start referring to the undead as living dead?

Vampire Bat: I am sure that we have always been the living dead.

Vampire Owl: Well, I wouldn’t argue as death is only the beginning.

Vampire Bat: There is no undead without the appropriate kind of death.

Vampire Owl: Maybe humans will also understand that death is the true solution.

Vampire Bat: They are less afraid to kill than to die, which is strange.

[Gets a mango cake and three cups of Munnar tea].

What is the movie about? :: Wang Shi-Cong (Samuel Ku), a very rich man and the founder of a medical firm developing cancer treatment based on ultra-modern technology is found murdered. His wife who has also remained a respectable figure, Li Yan (Sun Anke) is discovered to be holding the weapon used for the brutal murder, quite a strange knife-like blunt thing indeed. There are also some strange writings on the door and all over the walls. At the same time, Ah-Bao (Janine Chang), a detective is expecting a child very soon. Liang Wen-Chao (Chang Chen), her husband is having an advanced stage of cancer, and it doesn’t seem to get any better. His cancer seems to be spreading and resisting the existing modes of treatment, and the doctor gives them the advice to consider doing a RNA restoration technology. Liang, who has been working as a prosecutor, decides to join back, as a lot of money is required for his treatment – he had asked her to let him skip that costly treatment, but she has been very adamant in keeping him alive.

So, what happens with the events here as we just keep looking? :: Ah-Bao is assigned the case of Wang’s murder, and Liang goes on to become the prosecutor once again, much to the surprise of his wife who was expecting him to take rest. Li Yang tells them that it was their son, Wang Tian-You (Erek Lin) who committed some strange rituals in the same room and murdered his father who had earlier disinherited him because of his strange and unacceptable behaviour. They remember that he only comes back home rarely, and has the same symbol which was seen in the room, tattooed on his body. He has a lot of magical symbols tattooed on his body, and talks about some particular gods and spirits which are not that well-known. He was heartbroken after his mother, the first wife of Wang died, and has been talking about vengeance since then. It seems that other than his wife, the dead man had left another inheritance as the next in line. The detective also understands that the dead man used to have different affairs with many women, which had ruined their world. The first wife also had enough information about hier husband’s life.

What lies beneath the secrets which are unveiled around here? :: There is also the talk about the first wife placing a curse on Wang before death, and about the second wife coming out of an orphanage, with no roots. But they do understand that this particular woman had changed a lot after coming to the mansion. In the beginning, she was very nice to everyone around, and very careful in her behaviour. It felt as if she wanted to be good to make an impression. But that seems to change soon, as they look through the CCTV cameras for some old footages. She wasn’t the person whom she used to be, as she even started talking to nothingness, which she understood as ghosts. They wonder if it was a case of possession or the result of some drugs which were introduced by the medical firm. A bigger surprise is that she who was a right-hander is now a left-hander. Is it science or some dark curse which is behind all of these? After all, isn’t science the modern necromancy? How many secrets can this particular world hold? There seems to be something really strange going on around here, and is anyone good enough to find the truth?

The defence of The Soul a.k.a. Ji Hun :: The movie never stops keeping us interested in the mystery of science or magic, whichever seems to surround a grand investigation. It does keep us guessing through its run, and is very much effective in doing the same. The twists are very much unpredictable, and with so many red herrings around, one only keeps wondering about how good are the characters who have figured it out inside the tale. At a specific point, you make a guess about the characters, and then you have to think differently about them. At one point, you feel that there is the talk about soul in its original form, but then all you see is science. You wonder about psychological problems and demonic possession at the same time. In the end, it is not anywhere close to what you were thinking in the early stages, and there is so much going on around there. Any more revealing would annihilate the beauty of the surprise and twists in here. The movie moves forward beautifully, as if it is poetry in motion, and the level of immersion of the audience that it provides is simply magnificent. The emotional side does help further in its movement forward – you do feel them running strong. The visuals and the music also remains extraordinary and contributes well to the dark beauty.

Positives and negatives :: The movie’s slowness also has a certain amount of beauty related to it, and we watch it move as if part of an elegy written in memory. Well, there is no doubt that it could have traveled somewhat a quicker path as it seems to be in need of being called a thriller rather than anything else – yet, it can be said that The Soul keeps us immersed around here, even without picking up the pace that much when it could have done the same. The details in each moment will still make sure that you are always attentive around here, and there are some top performers to support the same. Chang Chen gets into this character so well that we become attached to the same – there is a lot of immersion into the plight of the character taking place here, and that feels unbelievably realistic. In the beginning, one feels that Janine Chang is the one playing the protagonist, and even though she is not the one doing that, blends in perfectly, and excels in the emotional moments. Then there is Sun Anke who plays the woman in identity crisis with a lot of perfection – it is a role which requires a lot of dedication, and her different expressions are so much of the reflection of her calibre.

How it finishes :: The movie has one of the most complicated plots than any film has had in a long time, and it makes sure that we are always guessing. There has not been many movies which had our guesses going wrong by such a long way. By the end of the film, you are standing on a lot different ground than where you found yourself in the beginning. Well, the world of science and spiritual beliefs can both be strange enough, and this one makes use of both, while placing them in a corporate world where the only thing that reigns supreme is selfishness and a display of a fake “normal” image. I would consider this to be the best movie of the year and also the best film which I have found on Netflix among the last few years’ releases. Then, there is also those final questions which the movie leaves for all of us – what makes one a person? Is it the soul? In that case, where does the soul lie? In the memories of the brain or the emotions of the heart? Or is it something which has no real shape or size to be seen? Well, we will never know, that seems to be a surety. Until then, there are some fine Chinese movies to watch.

Release date: 29th January 2021 (China); 14th April 2021 (Netflix)
Running time: 130 minutes
Directed by: Cheng Wei-hao
Starring: Chang Chen, Janine Chang, Sun Anke, Christopher Lee, Baijia Zhang, Erek Lin, Samuel Ku, Daniel Chang, Lu Hsueh-feng

<<< Click here to go to the previous review.

<<< Click here to go to the first Chinese movie review on the site.

<<< Click here to go to the last Chinese movie review on the site.

<<< Click here to go to a special Chinese short-film review.

@ Cemetery Watch
✠ The Vampire Bat.

Let Her Out

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Vampire Owl: I remember having said this at the other world to save Lady Death‘s evil twin sister.

Vampire Bat: What? You mean to say that she used to be a damsel in distress?

Vampire Owl: Yes, she was in hell’s prison for pouring water into hellfire.

Vampire Bat: So, it is true that she used to work with firefighters during her exile among humans.

Vampire Owl: Yes, she even earned a medal for saving two dead bodies.

Vampire Bat: I don’t understand. How could she save dead bodies?

Vampire Owl: She worked with Lady Death to delay their soul transfer, letting them die in a plane crash a few days later.

Vampire Bat: And earned the medal for herself. She is the smart one indeed.

Vampire Owl: I have heard that this movie also has twins.

Vampire Bat: Yes, and one of them is the cool evil twin.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: Helen (Alanna LeVierge) is just another normal person who is working at a courier company which makes deliveries by bikes. Her best friend is Molly (Nina Kiri) who is an actress at her lover Ed’s (Adam Christie) drama company. Helen actually has a troubled mind due to the thoughts about her mother (Brooke Henderson) who tried to kill herself and the baby in her womb, coming to her regularly. A man named Roman (Michael Liipka) is in love with her, and orders more and more couriers from her to see her again, along with drawing pictures of her. Things seem to go just normally until she meets with an accident on the road which lands her on the hospital, and keeps her on the bed for some time. When she feels that things are better gets back to her normal life, there is a party arranged to her, but it just doesn’t seem normal anymore.

So, what happens next? :: Helen begins to have hallucinations of someone being with her, and sometimes, she wakes up at place where she has no memory of going. She regularly losses track of what she has been doing – among all things, there is her waking up at a parking lot with her bicycle, walking around the city in just a towel, and standing naked in front of her friends. They consult Doctor Headly (Kate Fenton) who has a scan and finds out that she has a tumour growing inside her. The biggest possibility here is that she had a twin and the other person got killed with the mother, but a part of it was growing inside her brain. The doctor fixes a date for operating and removing the tumour, and everyone assures her that things are going to be just fine. But it turns out that things are not the easy to get better.

And what is to follow with this adventure? :: With only a few days left for the operation, Helen has more visions of the twin who looks just like her except for the eyes. She also figures out that she has done terrible things to people under the control of her twin who wishes to get out and gain control of the body. She hopes to keep her evil twin out, but she just can’t, with her losing control of both her body and mind. She ties herself to the bed and locks the door, but it doesn’t stop her unborn twin sister from doing things that would make her life difficult. Molly figures out that there is something wrong about her than just a tumour, and confronts her, but the evil twin is not something which humans can figure out that well. So, how many others close to Helen will have to suffer because of the presence of her evil twin? Will it one day gain full control and get to live her life or can she, with the help of her best friend stop this menace early enough?

The defence of Let Her Out :: There is something interesting about how this one progresses, as we have that feeling of mystery in the way it is taken. Alanna LeVierge does a great job here as the protagonist on whom the movie is focused as the others just becomes random additions in comparison – she surely makes us feel the protagonist’s pain and sadness, and it is something which is not that common among these horror movies which are rather less noticed. The movie also has its scares, and with a dark setting, and with the protagonist having to face all these alone, there is the certainty of terror. A horror movie with an emotional side is nice – they never really try to develop on that situation of no hope though. There are also those moments which make us wonder if it is all in the mind – that is also a probability in these kinds of movies, isn’t it? At least up-to an extent – after all, there was a trauma there. There should be a day when these lesser known, lower budget horror movies should rise above the big ones.

The claws of flaw :: From what we have in this movie, we are all sure that more could be done. There has been so many options to add more and more scares here and there. Even the evil twin in the shower doesn’t appear when we need to be scared by her, and the final big event gets less than it should have while it could have actually transformed the movie into something else – such simple moments could have been utilized better to elevate this movie. We have seen what evil twins can do, from The Unborn to many more movies which have dealt with a similar idea. One also has to wonder if some of the characters in this movie are present more to be killed rather than to stay alive. Also the people who are facing a situation of life and death, just seem not to try hard enough to save their own lives. It would be nice to have a better development of this idea another time, because there is so much scope when concerning the same.

How it finishes :: There is the chance that this movie will remind one of the Chloe Grace Moretz starrer, Let Me In, which was one of the best vampire movies around, and maybe this title is also intended to make us feel some connection, but the relation is indeed more to The Unborn rather than any other. But you can’t deny that this movie does have a similar kind of an atmosphere prevailing, as our protagonist is also going through a winter in her life. It will surely feel like going through two different personalities, one evil and one good, but the movie is surely more than that, working on the vanishing twin syndrome. This is surely not going to get into any list of a favourites in the genre, as it is not something that will bring something that new or divergent for the horror of our times. Yet, Let Her Out is the flick that will have enough for most people looking for more horror fun, as evil once again finds a way.

Release date: 25th August 2016
Running time: 89 minutes
Directed by: Cody Calahan
Starring: Alanna LeVierge, Nina Kiri, Adam Christie, Kate Fenton, Michael Lipka, Brooke Henderson, Glen Reid, Deborah Jayne Reilly Smith, Kyle Hytonen, Paul McGinnis, Eric Picard, Rachel Sellan, Heather Dicke, Kerstin Bradler, Michael Francavilla

<— Click here to go to the previous review, and the one before that.

@ Cemetery Watch
✠ The Vampire Bat. 

Kubo and the Two Strings

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Vampire Owl: I know this person, for I remember this name, but just can’t figure out from when and where.

Vampire Bat: Do you need to go through a memory recovery programme? It is a new method.

Vampire Owl: I know what Doctor Frankenstein does with his new series of programmes. So, let me figure it out myself.

Vampire Bat: It is a simple name, but certainly not common. You should have remembered the person if there was a chance.

Vampire Owl: Yes, I should have at least remembered the two strings.

Vampire Bat: Are you sure that you don’t need at least a memory vial?

Vampire Owl: Don’t ask me to have those chemicals made of dark matter.

Vampire Bat: Then, what would you need instead, to remember?

Vampire Owl: What about some inner peace?

Vampire Bat: The Kung Fu Panda has taken all of the same, after taking the form of the Vampire Panda.

[Gets three cups of ginger tea with a piece of ghee cake].

What is the movie about? :: Kubo (Art Parkinson) is a one-eyed young boy who spends his time in a cave near a colourful village. Living with his ill mother Sariatu (Charlize Theron), he makes a living with art of paper folding known as origami, and music with a three-stringed, Japanese musical instrument known as shamisen, both which he uses to tell the tales of a samurai warrior who is supposed to be his father. They just manage to survive, with his mother’s mental state getting worse, and they having just enough to make a living. But Sariatu keeps warning him about her twin sisters Karasu and Washi (Rooney Mara), as well as her father, the Moon King (Ralph Fiennes) who would take his other eye, as they had killed her husband, the samurai warrior of the tales of bravery, Hanzo (Matthew McConaughey). She forbids him from going out at night, in the moonlight.

So, what happens next in the movie? :: One day, Kameyo (Brenda Vaccaro), an old widow who loves Kubo like her grandchild, tells him about a festival which occurs at night, that involves people talking to their loved ones who had died. So, for a change, Kubo decides to stay through the darkness, and try to find the soul of his dead father, and know more of the story about them. But even with the other villagers seemingly having success over talking to the souls of their beloved, he seems to have no success at all. As he forgets to return home before the sunset, he is found by Sariatu’s evil twin sisters, who waste no time in asking him for his one remaining eye. The realisation is also upon Sariatu though, as she is quick to appear and save the boy, sending him away, while trying to go on a final battle with her sisters who will stop at nothing to get their nephew’s one remaining eye.

And what follows the same in the movie? :: Kubo wakes up later, in a land far away, with only a snow monkey to give him company, which is the last piece of his mother’s magic, and has promised to keep the boy alive at any cost. They go on hoping to find Hanzo’s armour which becomes necessary for their survival as they face a force as strong and hateful as the Moon King. On the way, they also meet a beetle in human form, which believes that it used to be a follower of Hanzo, and had fought many battles with him, even as nothing remains of those memories. But the evil twin sisters are already on their trail, and even after finding the Sword Unbreakable, they are still at a disadvantage against the strongest forces of their world. There is a long way to go, there is danger ahead – can Kubo and his two strange friends be brave and strong enough to face the threat?

The defence of Kubo and the Two Strings :: This one certainly has the story that will appeal to people of all ages. There is the tale of courage, faith, hope and belief which runs right through this movie. The sadness in the movie is beautiful, and the evil twin sisters make some nice villains in the moonlight. There are battles which will remind us that we miss Kung Fu Panda, and all main characters remain lovable, and kids are going to love the Monkey and the Beetle without doubt. There is also that variety in this world, and the visuals make another path, which is also nothing less than beautiful in its own way. There is the quest in the centre of all these, and we have one boy’s tale of courage that will keep things moving. There is also the strength of love, and the ultimate power of memories that humans hold on to, which become significant in the story of Kubo too. As you go deep, this is another animated movie which is not just for kids. There is also some humour here and there, but it is mostly for kids.

The claws of flaw :: The animation doesn’t stand a chance when compared to the other big animated movies like Moana, Zootopia, Frozen, How to Train Your Dragon, Inside Out, Epic and the rest who have made the effect of a spectacle, and Kubo and the Two Strings never even tries to do the same. The tale of the relatives and creatives seems rather too comfortable with how they end up becoming what they are. We are not much interested in the tales with monkey and beetles as warriors in a human world these days, as the turtles had found it the hard way in Teenage Mutant Ninja Turtles and its sequel. There is also that same programme, with everyone coming together and everything being brought together by the end, and there is something rather too comfortable around here. It can also be considered a little too dark for the liking of some people. Even with those strange twists, the movie is also very much predictable within its own tale, as the missing and gaining of parents doesn’t make one feel that much in such a darker animated flick – could have been more imaginative.

How it finishes :: Kubo and the Two Strings could have actually been better, with all the possibilities it has with the myth already there – not just with the story, but also with the rest of the elements, all making this a bigger visual experience. There is a lesson or two which this movie can take from Rise of the Guardians which looks similar with its characters, but is a better movie than this. We usually expect to connect to the main character more, and not as just a random kid who is special because his parents made the choice of a strange union. The movie seems to be more sincere to itself rather than its audience, and even the message sometimes feel strange – it tends to happen when there are talking monkeys and beetles who gets more importance than humans in a tale of a human child. But the importance of relationships with fellow human beings, memories, family and love are those things that come over the rest, it could be the main reason that won the flick, BAFTA for Best Animated Film and why it was nominated for the Academy Award for Best Animated Feature Film, which eventually went to Zootopia.

PS: Have you watched The Mummy, Wonder Woman and Pirates of the Caribbean: Dead Men Tell No Tales, yet at the theatres?

Release date: 19th August 2016
Running time: 102 minutes
Directed by: Travis Knight
Starring: Charlize Theron, Art Parkinson, Ralph Fiennes, George Takei, Matthew McConaughey, Cary-Hiroyuki Tagawa, Brenda Vaccaro, Meyrick Murphy, Minae Noji, Alpha Takahashi, Laura Miro, Ken Takemoto

@ Cemetery Watch
✠ The Vampire Bat.

The Remaining

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Vampire Owl :: This movie seems to be about the end of the world.

Vampire Bat :: Yes, it is about that and also what happens during this ultimate horror being unleashed on Earth.

Vampire Owl :: Do you think that mankind has a chance to see this possible end before they kill each other with their deadly weapons?

Vampire Bat :: I strongly believe that mankind will destroy itself in wars before God decides to bring his wrath on them.

Vampire Owl :: It is a strange thing, isn’t it? People blame God and sometimes the religions a lot, but can’t even love their own people even when they are outside the beliefs.

Vampire Bat :: A lot of things that these humans do are strange. If we think about them, we will only have a lot of negativity in our lives.

Vampire Owl :: For now, I will only hope that at least this movie happens to be good.

Vampire Bat :: Well, the movies about the end of the world are usually better than those which talk about the things like romance, which are mostly fake and exaggerated.

Vampire Owl :: Lets watch this soon, before mankind kills each other. Otherwise, there will be nobody left to read your review.

Vampire Bat :: Lets go for the movie right now!

[Gets a cup of tea with butter cookies].

What is it about? :: Dan (Bryan Dechart) and Skylar (Alexa Vega) are getting married and the friends are enjoying the occasion. The occasion is well-planned and the wedding ceremony goes great. Among their friends, Tommy (Johnny Pacar) has been in love with Allison (Italia Ricci) for quite some time, but she is in a relationship with Jack (Shaun Sipos) who is another person in their friends circle. Everything after the ceremony also seems to be going on well with an abundance of joy, and while people are having fun, suddenly some people start dropping down dead. With some people in the party dead in a second and the others having no idea what to do, Dan, Skylar and Jack run out of the building, in hope to find Allison who had left earlier. Outside the building, they find terror being unleashed in the streets with chaos and destruction all around.

So what is this sudden death and panic all about? :: The incident is associated with rapture which is related to the Second Coming of Jesus Christ to Earth, and all the believers who are dead as well as the good believers among the living have their souls taken into eternal life. Skylar finds the reference to the same in the Holy Bible, but is attacked by a winged demon which is unleashed on Earth for the end of days. Joined by a girl called Sam (Liz E. Morgan), the find sanctuary in a church where a lot of others including Allison have also found shelter. There they find Pastor Shay (John Pyper-Ferguson) who tells them that he has been a pastor only by name and he has used his title only for his comfort, and took God’s name just for the sake of doing it. Surrounded by demons, and Skylar fatally injured, time runs out here.

The defence of The Remaining :: There is a certain amount of mixture with the genres with the horror elements, the thriller side and the disaster moments which make the most of it. The drama side is also present as the survivors ponder over their lives, the flashbacks and what remains their hope. There are also some elements of the found footage genre which are well-used. Some scary moments will justify the same, and that makes one wonder if this could be made into a video game; something in which survival is impossible – the certainty of death which prevails in this movie works very much in its favour, as death is the safe place to go, as always. The performances are pretty good even though there is nothing extraordinary around here. Italia Ricci is the one who gets the most attention, and I have felt that Liz E Morgan provided the most interesting performance here.

Claws of flaw :: The special effects are kept minimal here, and one might think that there is not enough disaster here for a disaster movie, and not that much horror that such evil mentioned in the movie could bring. A collection of better horror and disaster elements might be required by many. People might also have problems with its idea, and it won’t always be easy to take the right point of the theme for everyone. There is also the presence of some cliche elements here and there, but horror needs them up-to an extent. In the end, you will ask why this one couldn’t be better, especially as it has the theme and everything else ready right here. There seems to be a problem here about understanding what exactly should be the focus, but that only shows at times; there are questions like we had gone through in The Lazarus Effect.

Soul exploration :: The movie’s idea of rapture is rather far-fetched for most of the main Christian congregations. I haven’t heard about this myself except for the meaning of that word in the dictionary. But lets leave that behind and take the right point out of it, and take the secular meaning here. We know that unlike the Western idea about secularism which goes for the separation of the religion and the state, the concept of secularism in India has equal participation of all religions instead. Taking the exact meaning of this movie through its context might be easier, but what I have thought about more is about what I can take out of it for use in the common man’s life. The questions that we can take back home are about being the good person related to all religions – are we really good just because we keep visiting the religious places?

Further soul exploration :: No, the questions don’t end there, as more needs to be asked. Does goodness come naturally by saying that we believe in God and are part of certain religious groups? What does it take to be a good person in a materialistic world which has comfort written all over it, and people are just by the monetary gains rather than the goodness factor? Do we have what it take to be a good person instead of being the great achiever – why are stories of achievers considered inspiring instead of tales of good men and women? Shouldn’t good people be given all the attention rather than those who are branded as achievers only to mock and abuse those who are struggling in their lives? How many people go for a good man or a good woman in wedding without looking for the high salary, family status and dowry? Lets give these questions a few thoughts.

Release date: 5th September 2014
Running time: 88 minutes
Directed by: Casey La Scala
Starring: Alexa Vega, Italia Ricci, Johnny Pacar, Shaun Sipos, Bryan Dechart, Liz E Morgan, Kimberley Drummond, John Pyper-Ferguson, Erin Murphy, Kim Pacheco, Hayley Lovitt, Mary Austin, Judd Lormand, Rusty Martin Sr, Katie Sawhill, Defecio Stoglin, Kaitlyn Christian

theremaining

@ Cemetery Watch
✠ The Vampire Bat.

The Lazarus Effect

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Vampire Owl :: The zombie minions have sent us a request signed by four hundred and fifty seven of them.

Vampire Bat :: As Uncle Dracula is in the hospital after watching a few terrible superstar Bollywood movies, I guess that we have to deal with this ourselves.

Vampire Owl :: It is sad. We have to accept their request though, or the Lich Queen will take away all our zombie labour.

Vampire Bat :: Yes, they consider the Lich Queen as a weird revolutionary ruler and we shouldn’t just give her the advantage.

Vampire Owl :: So, what do you think about this? They are asking for the review of a movie, The Lazarus Effect. It is about death and return to life.

Vampire Bat :: Coming back from the dead? I don’t believe that the zombies can come up with a better request.

Vampire Owl :: It is a horror movie, and so it should work for the vampire clan too. The request can be honoured without much trouble.

Vampire Bat :: It is a shame that we have to watch this movie without Uncle Dracula. But it is time he realize that he should choose actors over superstars when watching a movie.

Vampire Owl :: So, we will reply to the minions with a yes?

Vampire Bat :: Yes, and lets have some tea and get ready for a movie adventure.

[Gets a cup of tea and butter cookies].

What is it about? :: Two scientists, Frank Walton (Mark Duplass) and his lover Zoe McConnell (Olivia Wilde) have developed a special serum which they have named Lazarus. They are helped by Niko (Donald Glover) and Clay (Evan Peters), while they are joined by the videographer Eva (Sarah Bolger) as this particular serum attempts to do something huge. Even though it was intended to assist coma patients to give them a second chance at life, it turns out that it actually brings the dead back from life. They do manage to bring a dog back from the dead, and all of a sudden, a major pharmaceutical company buys the firm that funded their research and shuts them down. They decides to repeat the experiment, but Zoe gets electrocuted. Frank decides not to lose her and uses the Lazarus serum on her, but it turns out that the returning lady is not the same as the one who left.

The defence of The Lazarus Effect :: I am sure that most of you can agree to the fact that the movie is scary. It is loaded with the scary moments here and there. The moments of the return from the dead, for both the dog and the human are very well portrayed. Another nice design in relateed to the depiction of hell and the ideas behind the same. There are some jump scares which are very well used to make sure that the audience will feel that there is more horror coming. Not only the visual stuff, but the sound effects and the music contributes well to the frightening situations. It also asks us the relevant questions about life, death, soul and hell. The gore is also kept to the very least, even though a movie like this which combines science fiction and horror could have had a lot of it, especially with the death and return from the dead around. Over everything else, it knows how to entertain.

Claws of flaw :: There is no doubt that this movie could have been a better horror movie because it had all which was needed in its story, even though with similarities to other horror movies – the basic idea is not new and so are the scares. This one could have used the abundant darkness to a more creepy effect instead of using the same for some quick scares. The idea of life, death, hell and soul could have been expanded further more. The battle here between the living and dead is also too one-sided and predictable. With the movie being short in length, more scary and explanatory sequences could have been added here and there. The ending could have also been a little more creative. But it is surely better than what the critics claim that it is, no doubt about that – far ahead of this year’s other big horror; the remake called Poltergeist.

Performers of the soul :: The acting department looks safe around here. The best moments in the movie undoubtedly belongs the one who plays the returning loved one an scientists from the dead – Olivia Wilde as Zoe McConnell is clearly the leader here. She begins as the heroine and returns as the demon, balancing both really well. The transformation that happens is not that gradual either as she turns and embraces the dark side further and further after the return from the other world. She is not someone whom we usually associated with the horror genre, but it has suited her very well. Sarah Bolger plays the lead who doesn’t really belong to the group, and she does that fine enough. Mark Duplass has a good run in the movie, and the rest of the cast does some good job in this flick which mixes two genres effectively.

Soul exploration :: The three movies that come to your mind when you watch The Lazarus Effect are Event Horizon, Carrie and Lucy even though this flick is no match for all the three – consider the original movie from long ago when I am talking about Carrie this time. Do you know what else this movie is? It is Frankenstein, as here is an even more modern Prometheus than what Mary Shelley had intended. The idea of bringing back someone from the dead hasn’t gone that well for many characters; Victor Frankenstein paid for it. The Biblical Lazarus of Bethany on whom the title seems to be based did have a fine return from the dead after four days, and may be the serum in the movie was also supposed come out positive, but unfortunately for the characters in the movie and fortunately for the horror fans, it didn’t.

More of the soul exploration and the finish :: The movie’s idea of hell is also interesting; it talks about how hell is your worst nightmare repeated again and again. Its journey to hell and back is like Event Horizon, but not that strong. It has the returning person with the powers of Carrie, and also comparable to Lucy – there is also that idea about using more than ten percent of the brain. This movie has those elements which bring the horror about not just what is seen, but also what extends beyond that. Jason Blum who has been behind horror and thriller movies like Insidious, The Purge, Sinister, Dark Skies, Paranormal Activity, Ouija, The Lords of Salem, Jessabelle, Area 51, The Boy Next Door, The Gallows and The Gift along with the sequels of some of them, has produced this one too. With its collections, The Lazarus Effect will make into the list of the successful ones.

Release date: 27th February 2015
Running time: 83 minutes
Directed by: David Gelb
Starring: Mark Duplass, Olivia Wilde, Sarah Bolger, Donald Glover, Evan Peters, Ray Wise, Amy Aquino

thelazaruseffect

@ Cemetery Watch
✠ The Vampire Bat.

Darling

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darling!

Vampire Owl :: You mean Darling Darling?

Vampire Bat :: No Darling just once, unless you want to create an echo.

Vampire Owl :: Vampire Owls don’t echo. We are immune to such inferior special effects.

Vampire Bat :: Then its easy to follow. This is the remake of the Telugu horror comedy romance, Prema Katha Chitram.

Vampire Owl :: That movie in which Nanditha Raj plays a Nanditha?

Vampire Bat :: Yes, and here Nikki Galrani plays someone not Nikki.

Vampire Owl :: You mean Nikki Galrani of Om Santhi Oshaana, 1983 and Vellimoonga, the not-so-owlish movie?

Vampire Bat :: Yes, with no doubt. How many other Nikkis do you know?

Vampire Owl :: Well, what about Nikki of Neal ‘n’ Nikki?

Vampire Bat :: That ruins my day. Why did you have to even try to mention that movie?

[Gets the tickets].

What is it about? :: Kathir (G. V. Prakash Kumar) is looking to commit suicide and for the same, he is joined by two other people consisting of his friend and another girl, seemingly leading to a nice small group suicide. Kumaran (Bala Saravanan) and Nisha (Nikki Galrani) who become part of the suicide gang, try to make their last wishes happen before committing the awesome act of self-destruction. There are things which they do, like having a new car which they steal and slapping an MLA in front of the news channels. They escape from the police and goons and go to a house accompanied by another man trying to suicide, Athisaya Raj (Karunas). Nisha is in love with Kathir, and her real plan is to stop him from killing himself, and Kumaran is also hoping to stop his friend from doing the act. But the house where they are staying has a back-story and things won’t go as planned.

The defence of Darling :: There are some improvements on Prema Katha Chitram that this movie has made here as the remake. The best of them is the climax and the ending which has some interesting changes. It is quite faithful to the original, but not a blind copy. The movie is funny and scary in parts, and does full justice to its genre of horror-comedy which hasn’t been an easy thing to do. It is time Bollywood also has some horror-comedies of this quality. There is ghost, romance, comedy, mystery and even the ghost slayer Ghost Gopal Varma. All four of the main actors are very good, and one thing that you can’t fail to notice from the posters of the movie in Kerala is that Nikki Galrani is the Queen of Luck or the Goddess of Fortune – judging from the Malayalam movies which she has acted in: Om Santhi Oshaana, 1983 and Vellimoonga; the three big hits – can we dare to disagree?

The Claws of Flaw :: As a remake of Prema Katha Chitram, the movie might seems redundant for a few. There are some scenes which doesn’t improve the original, and there is no big improvement in quality here. The original was a movie which a lot of people had watched here too, but Darling should still be a new experience for another good number of people. The movie does have some of the same problems as the original, with some misplaced jokes and some loss in the horror department, but those were expected as the remake. One big change which they could have done was with the face of the ghost, and even the first possession moment was no surprise. A scarier ghost could have been there, and the total spooky atmosphere should have been enhanced. Some innovation could have only done this move good, with a shorter flashback and more elements of mystery. Yes, more scares would have brought the awesomeness here, and there was the need to match the comedy.

Soul exploration :: The resurrection of horror genre in the right manner is a need among all the Indian movie industries. Bollywood seems to combine it too much with erotica and spoil the whole thing, or just copy something from Hollywood and add below average things here and there. Horror no longer seems to a genre that is interested in being spoken in Hindi. But a better working combination at this part of the world is horror with comedy and simple romance as it has been proven here. It is a good form for the horror genre to exist, without the extra seriousness that comes in and often fails to connect with the audience. There will always be people who want to laugh at the horror movies, and may be what people deserve more is the horror comedy. I would expect better times for horror with this mixture of genres in work, and I hope for such a movie in Malayalam too, without going too stupid or absurd.

How it finishes :: It is surprising how well the movie has attracted the audience here even as there is only one popular face for the people here, which is Nikki Galrani. It has come to only selected theatres here and at some places just to fill in the blanks, and may be that is a reason. The multiplexes hadn’t had much shows. I would say that Darling was a movie which could have done wonders here with some better promotion – after all, Nikki is one of the favourite actresses of the common movie fans here, and that has been accomplished by her presence in just one year – 2014. It is a sure entertainer and has its existence at a number of theatres in Kerala – you might have to search for them, but if you haven’t watched Prema Katha Chitram, this a movie that you should give a chance for the effort and the difference that it brings to the screen.

[After the movie]

Vampire Owl :: You didn’t tell me about the special 3D effects in the theatre.

Vampire Bat :: 3D at that theatre? We were in the same theatre, right?

Vampire Owl :: Yes, didn’t you see those effects?

Vampire Bat :: What exactly are you talking about?

Vampire Owl :: Didn’t you see the black kitten and the smoke outside the screen?

Vampire Bat :: That actually seemed like a rat. The smoke was just people with the cigarettes. This is why you should go to local theatres more often.

Vampire Owl :: It is still a special effect. We should have brought the Vampire Cat.

Vampire Bat :: So do you think that the hiking of ticket price by twenty rupees was justified?

Vampire Owl :: Absolutely not. These conditions deserve a maximum of fourty five rupees, thats all. We have better effects at the Dracula Castle.

Vampire Bat :: Then lets hope for another theatre next time.

[Runs to the Indian Coffee House].

Release date: 15th January 2015
Running time: 126 minutes
Directed by: Sam Anton
Starring: G. V. Prakash Kumar, Nikki Galrani, Karunas, Bala Saravanan, Srushti Dange, Rajendran

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@ Cemetery Watch
✠ The Vampire Bat.

Deliver Us from Evil

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Vampire Owl :: You are obviously talking about me.

Vampire Bat :: No, I am not. Why should I talk about you now when I am going to watch a horror movie?

Vampire Owl :: You said “deliver us from evil”. I am evil.

Vampire Bat :: No, you are not evil, not even remotely close to being a bad guy.

Vampire Owl :: But I am bad. Super evil.

Vampire Bat :: Owls are not evil. It is impossible. Bats are evil.

Vampire Owl :: You cannot take my right to be evil. I am going to owlify the world and establish my greatness.

Vampire Bat :: As if that is going to happen. You said you would do it before Mangalyan reached Mars.

Vampire Owl :: Damn. It all happens too fast. These strange space related things are not covered by the vampire newspapers.

Vampire Bat :: I would say that it is more due to your brain’s clock working so slow.

[Gets into the theatre].

What is it about? :: A cop Ralph Sarchie (Eric Bana) is going through some strange situations, as weird incidents happen in the city, and some of them has almost no reason or solution. A Spanish priest Mendoza (Édgar Ramírez) tries to convince the police officer that these incidents have something with it than what meets the eye. There are three former soldiers from Iraq who seems to be involved with the crimes that has occured in the city, and the priest warns Sarchie that it is beyond the human comprehension as there are two types of evil, primary and secondary, and it is only the second about which the humanity can find answers with its ability to understand things in the scientific way. At first, the cop refuses to believe that the three men are possessed, but he might not be able to hold on with that viewpoint for too long, as things go out of control, and it affects even his own relationships with his wife and daughter.

The defence of Deliver Us from Evil :: The scares are surely working, especially with a number of scenes in the basement which brings the best out of horror. The atmosphere is creepy, and is successfully kept that way and the tension is efficiently maintained. The darkness and the rain are two elements that nicely supports the shocks that the movie dares to come up with. The movie nicely manages to stay in control with the blood and gore elements as well as the horror, and this intermediate path which it has taken can make it a safer bet. There is an attempt to explain evil with the need for faith, and there is some skill in the characterization of the two leading characters who go on to fight evil. The moments in the zoo and the basement of a family with a complaint are two very nicely done scenes, invoking terror as well as mystery, and a certainty that there is something yet to come. The cast is also a fine boost for this movie.

The claws of flaw :: The movie needed a lot more explanations about what is happening around with demons possessing people and making them do things, and by passing through the portal into this world from the other dimension, the question would remain about what they achieve other than scaring people and in the process, killing a few. There had to be a plan which isn’t seen anywhere here. A comparison to The Exorcism of Emily Rose and Sinister which comes from the same director is not possible as this belongs to a lower level, and any comparison to The Conjuring is clearly impossible. The movie should have used more special effects, and it could have given a much needed boost to the scary sequences. The end scene is also weaker with a usual exorcism performed in not that powerful manner as it was expected from the way the movie was working with its creatures from the other world. The second half is weaker compared to the first which was an impressive start.

Performers of the soul :: Eric Bana is in full control of things here in one of my favourite performances from him ever. There is something about him that makes him good with this character, and I would guess that his looks and style is pretty much best suited to playing this role. Édgar Ramírez also has left a mark as the new generation priest who has kept himself modern, but has still remained within his priestly world. I remember him mostly as Ares from Wrath of the Titans, and here he seems to fit in better. The prettiest one around, Olivia Munn has an admirable stay, and her character has presence, but she is left is not much to do in a world of demons repelled by one priest and a police officer. Sean Harris as Santino is impressive with his possessions and nicely compliments the horror elements of the movie with his performance. Meanwhile, Joel McHale is also good in his supporting role. Olivia Horton also delivers some terror with her role as the possessed lady.

Soul exploration :: The movie is based on the real life experiences of Ralph Sarchie recorded in his book, Beware the Night also co-written by Lisa Collier Cool. I would guess that it would add to the spookiness and surely has me wishing to read the work some day – it would be difficult to get it here, but there will be a way. The title of the movie is the ending of the Lord’s Prayer. It is that need to be saved from evil that we can see in this movie. There will always be things which are not in our control, and humanity’s minuteness and vulnerability are among those factors which will solidify the same fact. It is a clear thing that we can’t know everything, and no mater how or to whom we pray, there is something that prayer can always do. There is evil in this world, and however we categorize them, there is the need for God’s grace to save ourselves. The free will is there, but it is not the permission to do evil; as there is the presence of sinister forces at work, and only by goodness and faith that one can be redeemed.

How it finishes :: The reviews from critics which were negative, has now improved and the movie has come close to getting a fifty percent, and I would expect it to increase further as the opinions from most of my acquaintances have been quite positive. The other movie of the week happens to be November Man which should have its own audience due to the presence of Pierce Brosnan. Surprisingly, Lucy and The Maze Runner are the movies which stay on to this week, and I wonder more about the former, as it seems to have stayed there so much longer than it was expected to thrive. Deliver Us from Evil should be the movie of the week, and it is going to be replaced by Annabelle as the most awaited horror movie of the year. There is also that expectation for Haider the Hindi contemporary adaptation of William Shakespeare’s Hamlet along with the seemingly dumb remake of Knight and Day which has been named Bang Bang! which attempts to repeat what Besharam did during last year’s Gandhi Jayanthi. Let’s hope that horror will find a way to thrive!

Release date: 26th September 2014 (India); 2nd July 2014 (US)
Running time: 118 minutes
Directed by: Scott Derrickson
Starring: Eric Bana, Édgar Ramírez, Olivia Munn, Sean Harris, Joel McHale, Chris Coy, Olivia Horton, Dorian Missick, Rhona Fox, Valentina Rendón

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@ Cemetery Watch
✠ The Vampire Bat.

London Bridge

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Malayalam movies in 2014 :: This year hasn’t started really well for me, as I don’t think that any movie from Kerala in 2014 has been even average, may be because of that extending the limits by Drishyam, but with London Bridge, there is a some comeback. I do have to warn you in advance that it is a love story, but not your usual romantic love story – the romance factor is not the point here, and what takes over is humanity or rather compassion and goodness in its most innocent form. So, if you are expecting too much of intimate scenes and the dialogues professing eternal love, you are going to be disappointed. But the love in this movie still manages to be more genuine than what was seen in most of the love stories, especially those repetitive romantic love tales of the same kind. This love might look kind of ordinary, but there is so much going through the background, a flurry of emotions which takes one’s heart by storm, and it is clear that even nature comes in just to help and leave after taking a bow. Why wouldn’t gaia wish to contribute when it can see the loss of mankind’s loss of inherent evil? If there is another movie to which this one can be connected, that should be Diamond Necklace – you will know!

What is it about? :: The movie tells the story of Vijay Das (Prithviraj Sukumaran), a promising young businessman in the city of London who after starting off in a student visa has made it big with the help of his mentor Francis (Mukesh). As he runs a number of shops and money lending business, and in his path, Vijay comes face to face with a huge business tycoon CS Nambiar (Prathap Pothen), one of the richest Keralites in the United Kingdom. Even as they start off against each other in the beginning, Nambiar is impressed by the ambitions and hardwork of his fellow Malayali, decides that he will be a nice choice for his daughter Pavithra Nambiar (Andrea Jeremiah) who is determined to be a social worker and is not interested in marriage. As Vijay works on Nambiar’s instructions and attempts to please Pavithra, he comes to know that she is interested only in art, literature and charity works, while he is always after money. He struggles to keep with her, but as Vijay’s car hits Merin Elsa John (Nanditha Raj), he finds a chance. Merin has just come to the country and is just about to start her job as a nurse when this ends up in he hospital – she is regularly visited by Vijay to show his compassion to Pavithra who starts falling for him, but Merin also starts developing feelings for him, which he also develops.

The defence of London Bridge :: I am sure that a lots of people will be asking me to this, after watching this or while reading the other reviews. Yes, I am going to start by admiring this movie for its assertion of compassion and goodness. One can’t avoid the emotional power of the movie either. There are simply good-looking people and breath-taking scenery – I have never seen the beauty of England and Scotland being captured in this manner. There is the countryside at its best and also London, especially the London Bridge, Big Ben, Tower of London and London Eye. There are also the support of some brilliant shots which help the movie. It creates an incredible amount of nostalgia in me, related to my last visit to the United Kingdom. I know my brethren will be having nostalgia about many things, but this is one completely belonging to me, and increasing my desire to visit the place again; may be there was something that I left unfinished. The movie should make the United Kingdom tourism proud, especially the countryside and London in the way in which they are portrayed. This will remain one of the most visually stunning movies as far as capturing nature is concerned. Now you know why William Wordsworth and company had to write poems; how could they not see such beauty while being such visionaries?

The claws of flaw :: London Bridge doesn’t try to be different with its script, as it goes on and on with what the audience has known for quite a long time. There are dialogues which doesn’t really like to pick up, and there moments which were to be awesome, but remains ordinary. The movie drags a bit, and it can make the audience looking for entertainment asking for more, especially as this movie lacks exaggeration of any kind with its good length. There is no creation of a romantic world for these three people and the romance might look kind of weak from the outside. There are simple human emotions, fear, compassion, love, pain and frustration; even if it is quite normal to have these in a normal way, most people are not going to like it, that is for sure. This might also be my favourite movie from this director who has touched a new area, but I know there are skeptics who will disagree. They might feel that this is not “cinematic” enough, but I would disagree as usual. I am a person who love to agree to disagree when it comes to movies, so you should know. It needed some polishing that is for sure, still there is a typical flow and the movie can do a Hobbit-dwarves-barrel-escape, as it is pushed into the river of love and emotions powered by humanity. May be they could do better with a few wood-elves with nice archery skills, especially as this is such a competitive world that hitting the bulls-eye is so important (unless you wish to be devoured by impatient entertainment-orcs).

Performers of the soul :: The performance department is led by Prithviraj Sukumaran who fits into his role with ease. The transformation that his character has, and the variation that happens to his attitude as well as his relationship with others are admirable; especially from a heartless businessman to the man with the golden heart. He has once again rightly chosen not to be a superhuman character, but a normal human. Nanditha Raj as Merin is one of the most lovable characters ever, and with a stunning cuteness, she has done her agonized character so much life that, her eyes and expressions tell the story better than the words. I would be surprised if anyone would be cuter in a role such as this. But she is still never a weak character as she holds on to life without giving up or asking for favours, and never does she cease to care or be good. One has to love that change in expression when she comes to know that he is the one who hit her, and that was a nice sweet moment. She’s most impressive in those moments of sadness, and incredibly cute in those moments of happiness. Merin Elsa John is a character in pain from the moment she is introduced to us, but there is always a certain amount of innocence associated with her which touches our heart, and the way she finds cute smiles between tears and agony is wonderful success to Nanditha’s debut in Malayalam. She makes us feel for Merin each and every moment like a needle piercing through out hearts, and you have to say that the teeth adds to that innocence!

Other performers :: I have to say that I was also touched by the performance of Andrea Jeremiah which is second only to Nanditha. There has always been something mysterious about her, and the way she deals with Pavithra is worth mentioning anywhere. Her character as the rich heiress to a huge business should have been the exact opposite of our other lady character, but she develops something more of her own, and actually surprises us in a pleasant manner, right in the beginning and particularly in the end. She comes up with something by the end which gives this movie an extra emotional boost. I didn’t like her in Annayum Rasoolum, but not this time. Prathap K. Pothan has a strong role to play, as his character is special, and different from what you usually see with such a character, a rich businessman looking to marry off his daughter. Sunil Sukhada catches the attention with his character and Lena Abhilash has a very good presence as Gracy which is boosted by her own performance. Mukesh contributes as he always does, and it is nice how he fits into such characters. Yes, they all did well and it made me feel very good in the end, I was happy when it finished, and the performance of each of them made sure that I was with them, that is for sure. The songs are nice performers too, especially “Kannadi Vaathil” and “Venmegham”; while “Ennum Ninne Orkkanayullil” is cute and “Chinni Chinni” is fine. They look the best with the visuals.

How it finishes :: I am recommending London Bridge for anyone who likes to watch a feel-good movie and not some random glorification of anything, whether it is cricket, violence or sex. The credit of the same goes to our three leading actors, the superstar who accepted the role of a normal guy in an ordinary movies, and the two leading actresses, one giving life to an innocent girl from Thiruvalla and the other to a true humanist and charity worker who is more alive than anyone else. The movie is strong at soul, even as it displays its strengths so less due to its execution problems. Its ends up telling us that we will know the importance of someone in our life only when we feel that we are going to loose them. Prithviraj and Nanditha makes us feel it, so much more and more as the movie progresses to the end. But I would like to add that this is not that much for mindless entertainment; this is for serenity, and this is a tribute to that love which is not based on lust and infatuation, as we see in most of the other love stories. Thank you Anil C. Menon, for this perfect cast, and it is the best thing, along with the incredibly beautiful visuals of the United Kingdom and the feeling that it leaves us with. It makes me wish to go to the British Isles again, and re-create my time there. The flaws might be many, but the pain is perfect and it strikes as it touches your good side as long as it exists! I would also ask the viewers to keep away from the usual conventions about a love story, as it is not how this works!

Release date: 1st February 2014
Running time: 150 minutes (estimate)
Directed by: Anil C. Menon
Starring: Prithviraj Sukumaran, Andrea Jeremiah, Nanditha Raj, Prathap K. Pothan, Mukesh, Sunil Sukhada, Lena Abhilash, Amritha Anil

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@ Cemetery Watch
✠The Vampire Bat.

Extracted

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What is Extracted? :: “The mind is its own place, and in itself can make a heaven of hell, a hell of heaven” — John Milton, Paradise Lost. Well, the mind creates not just heaven and hell, but a lot of other things. As long as the minds are concerned, the physical existence of hell and heaven can take a heavy toll. If the mind keeps you burning, you shall feel the inferno, and if the mind is going through peace, hell is not coming down. Yes, going to paradise, inferno or purgatory in the physical manner is to be left for life after death, but for what happens on Earth, it is all about the mind. This is the same reason why two people might experience the exact same thing in different manner. Each person is unique and so is the mind in every man. Extracted takes us into the mind of one man, where there are memories which keep playing, and there is this another man who is trapped right in there with no chance for an escape. So what are his memories and how does it work? Does the man escape from that world?

What is it about? :: It follows Tom (Sasha Roiz), who invents a machine which can help a person to enter the mind of another man and read his memories, or rather walk around in it (rather like walking around the dreams of a particular person in Inception, but this being more of a scientific device which reacts to instructions and keeps the person who just entered the memory walk through them as he wants to, unaffected by that world and not influencing anything in the mind). Our scientist is a good man, and wishes to use this in treating trauma and for other medical purposes. But once again, government becomes the temporary villain as they make him enter the mind of a suspected killer of a woman, Anthony (Dominic Bogart) with promises of money which he needs as well as a little threatening. But then the system refuses to log him off the mind of that man and his body is left motionless with his mind trapped in the memories of the murderer with nobody having any idea how to get him out. He keeps wandering in the memories until he starts trying to communicate with the owner of the memories.

The defence of Extracted :: Even without the use of that much of a budget, they have made this one interesting. There is absolutely no need for special effects of the highest quality to make a science fiction movie (listen Krrish 3, you never needed those horrible special effects which is not even fit to be called special, if you ever had a good story supported by fine acting). The graphics are kept at a simple level and the story is given the importance it deserves. There is not even a real villain, even as they do get into the mind of someone who is the bad guy. The scene when the infiltrator and the owner of the memory meet each other inside the mind in a fine point. The atmosphere they have created is not really that of a special effects aided fantasy with strange happenings, as the mind itself becomes just another reality with only two of them and of course the computer. There is no external or internal factor affecting the same, and that adds to the simplicity of the movie and way in which it progresses. These people are smart indeed.

Claws of flaw :: The memories doesn’t have anything special, as this is the mind of a man who is into drugs and a lot of illegal activities. His world is simple and often lacks details as the computer is forced to fill those areas with certain kind of fillers which dominates a good part of his memory. That would make the special effect lovers sad, as there is nothing to feel awesome out of this world. There are ambiguities, that is for sure, but of a very small kind. There are moments which could have been made better, and there was more scope for this movie in the way the narrative progresses, and the manner in which the whole situation is being built up. The simplicity is often the movie’s enemy, as the impression it creates stay within certain limits. If you are expecting a special effects marvel like The Matrix, an incredibly awesome looking creation like Inception or something as serene and yet powerful like The Cell, you are going to be disappointed. This one is a movie of this world and not anything else. There is almost nothing to take you to the highest levels of fantasy with visual awesomeness.

Performers of the soul :: The performances are surprisingly good, and it is one of the highlights of a movie which has been rather unknown. Sasha Roiz has done a great work in the movie, and if anything matches or betters that, it should be the performance of Dominic Bogart. While the former is more of a flat character, the latter is as dynamic as he can get, and moves on to the realization about himself not before thinking and coming into his own conclusions. The two female leads are also very good with the limited screen presence that they have, but they do have quite the emotional stuff to go through. If there was more character development in the case of the characters other than the owner of the mind, this could have been a great field for performances. There is nothing extraordinary out there, as everything remains so simple and believable. There is nothing of exaggeration even in a science fiction movie of complicated ideas, as there is a high chance for the same as we have seen in many such movies. These characters are done in a simple manner and the acting works in the right manner, even as most of us might not know any of these actors or actresses.

Soul exploration :: I wish to leave you with a few lines from a song in the Malayalam movie Memories: “Time flows like a river running wild, my mind’s swimming, swimming like a child, I watch the yesterdays go by, like moving patterns in the sky, memories never die”. The movie has a protagonist who is a drunkard living in the memories of his wife and daughter who were killed by a criminal, and he is as much caught in those memories as our hero here. Yes, that was an investigative thriller in which he gets out of them to solve a mystery, but here, we have a device and science fiction. We are all slaves to the past, and memories are all that he have, but when the memories are not ours, there comes the surprise, and just like Inception and The Cell, Extracted also sends someone into the mind of another person. I would recommend that song by the way, as its lines “I take a train into the past” and “Trapped in the desert of my mind” with the way in which it is sung and the scenes are shown in brilliant – it is that which comes to my mind when I watch this movie.

How it finishes :: Extracted is worth a watch if you liked Inception and The Cell, or may be even The Matrix. If there needs to be the reminder of another title, that would be Source Code. Be careful about expecting something spectacular, but expect something simple instead. I would compare this one more to The Cell rather than any other movie, and this is a lower budget version of such movies, taken in the right manner so that it can make an impression without too much quality. Its final plot twist is rather not that impressive, and the ending is adjusted than rather created with full power. It could have tried a little bit harder, and then it could have come up better. Whether you like it or not, we have to appreciate the efforts they have done to create so much out of a low budget movie without losing out. The movie proves that memory can be simple, and yet valuable, and there is no need for blue aliens or space station or inter-planetary travel to make a good science fiction movie. The ideas of The Matrix, Inception and The Cell can be further used, and none of them are finished. Even as budget matters, it is the attitude that matters more. In the end, there is that fine work which might not stay in our memories forever!

Release date: 10th March 2012
Running time: 85 minutes
Directed by: Nir Paniry
Starring: Sasha Roiz, Dominic Bogart, Jenny Mollen, Frank Ashmore, Nick Jameson, Richard Riehle, Sara Tomko, Brad Culver, Richard Riehle, Rodney Eastman, Augie Duke

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@ Cemetery Watch
✠The Vampire Bat.

Geethanjali

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What is Geethanjali? :: Even as all of us literature students have to answer this with Rabindranath Tagore’s Gitanjali, the collection which made him the first non-European to win the Nobel Prize for Literature, and the only Indian to win the same so far. But as the Vampire Bat is not alive enough to talk about such great works of Indian literature, he is talking about a movie of the same name, not about the National Film Award-winning Telugu movie of the same name, but the recently released indirect sequel to the masterpiece which was Manichitrathazhu. It once again has Mohanlal as Dr. Sunny Joseph, one of the most loved characters in the Malayalam movie industry. Its been a long time since there was a Mohanlal movie too. Thanks to the hype and the well-made trailer, this became one of the most anticipated releases of the time, even when colliding with the other movies which released during the same weekend – Thira, Insidious: Chapter 2 and Ram-leela.

What is it about? :: There were two twins, Geetha and Anjali (both Keerthy Suresh) (together making the movie Geethanjali – if one of them was Chitra, the movie would have been Chitranjali, like the name of the studio which was used by the film?) and only Anjali is alive now, as the other is supposed to have committed suicide by jumping into the sea – and body not found. Anjali comes back to her home where she lived till her youth after her mother falls down from the terrace and goes into a comma. Her fiancee is also with him, and at the house, she has visions of her dead sister who also loved the same person. The vision of the ghost who seem to try to end her life to keep the lover away from her, makes life uncomfortable for the young lady. The fiancee Anoop (KP Nishan) calls Nakulan (Suresh Gopi) who recommends Dr. Sunny Joseph (Mohan Lal) for the case, but the question remains if the future bride can remain alive or at least in his senses before the man arrives, and if he can solve this mystery before anything horrible happens.

The defence of Geethanjali :: It is hard to defend a movie which has been so much critically panned in a nation where even Krrish 3 gets positive reviews in another corner. Yes, this corner is famous for movies which usually get two or two point five out of five, and this miserly area doesn’t give away much. But let me tell you that Geethanjali scores with its environment, the almost effective scary scenes and the added twist, with the funny elements supporting it quite well. The cinematography helps the movie a lot, and this should be the first visually superior horror movies in Malayalam movie industry. The last good horror movie was Sahasram, released in 2010, starring Suresh Gopi. This doesn’t live up to that either, but the attempt is there, even if not original or with the right flow. Check out for Keerthy Suresh too, as she scores in her first movie – there is something called legacy, and she might be some of the few who might be proving it. There should be no comparisons to Manichitrathazhu though – who compares Dracula or Interview with the Vampire to Twilight? And as Alexander Pope says in Epistle to Dr Arbuthnot: “Who breaks a butterfly upon a wheel?”

The claws of flaw :: The worst thing that could happen to this movie is that it released with Thira, which is already a hit as it comes from a man who has cent percent success rate. I can remember that Vineeth Sreenivasan’s Thattathin Marayathu was a hit months before it released. I am also sure about watching it myself. The problem is that the more we praise that one, the more we tend to downgrade this movie. To add to it, there are the copied things, along with the ghost who looks like the daughter of the Avatar guy and The Ring girl. The mirror and the ceiling fan leaks instead of the television and there is a lot of hair like The Grudge. More details about similarities can be found in the details with spoilers section. One can say that the movie tried too much to be like Manichitrathazhu, and there is a big problem, for it can’t be the same as the world has changed and so did a lot of things. People are also looking for something of variety just like the original classic, and more flawless stuff including no small mistakes (like Armenian Orthodox Church cross having Latin inscriptions and there might be quite some concerning the twins).

Performers of the soul :: Mohanlal is the star psychatrist yet again, but this time he has less screen presence, and this surely won’t be the Dr Sunny that we remembers. He makes his entrance just before the second half of the movie, and once he enters, there is a lot of hope being built up – even as he lives up to it with his performance, there is not that much in the story. His combination with Innocent is very good and Swapna Menon is a pleasant surprise and a fine addition to the funny side of the movie. Harisree Ashokan also contributes in a lesser manner to the comic side. Nishan has a weak role, but does the romantic part very well, but not that much in he climax scene where the debutant Keerthy Suresh takes over with a wonderful performance to support the beautiful screen presence. She doesn’t go on to become another beautiful young actress who can’t act – she does incredibly well as the two sisters, too good for a debutant. Well, the beauty gets more than just the pass marks. Its her movie, as she is both the protagonist and the antagonist. Siddique and Nassar provides nice support, and Seema’s role is too limited – Madhu’s character was almost not needed.

Details with spoilers :: The story has so much in common with Nadiya kollappetta Rathri and Chaarulatha, the former was one of my favourites, and this impersonation for love was well performed by Kavya Madhavan and rightly investigated by the character of Suresh Gopi. The latter which was a remake of a 2007 movie Alone, had a lot of things which this movie now has in common. The twins who impersonate and kill for love was told as an investigative thriller in the first case, and as a pure ghost story in the second. The good thing is that they are not conjoined twins like the latter. Our movie has a psychological twist to the same, seemingly attempting to make it just like Manichitrathazhu, and also adding some comedy in between. If you haven’t watched the two movies, this shall be a new experience for you, or if you want to repeat the experience in another way, this movie can help. Those who don’t like the two movies much and don’t want any more of it, might want to skip it though. I felt so from some of the reactions from a few.  This is not going to be remembered in the later days like the well-crafted Devadoothan either.

How it could have been :: This could have been a lot better, there is no doubt about that. The ghost and the supernatural would have been better not shown and not observed by the family other than the girl. The blue ghost could have done better if shown just in the shadows without the support of water and the fallen hair. The sea on one side is a clear negative on a house which formerly made us feel that it is at a remote location on some hill or mountain. The darkness itself could have been an ally to a possible psychological thriller in this one. The songs might have done better if not coming up when not needed. The suspense could have been made more shocking even without the support of deaths. Mohanlal could have made an entry earlier. Overall, there should be no following the policy of the early classic, instead having some life of its own, keeping further distance from the movies which were used as inspirations. I would be surprised if even the C.I.D Moosa sequel can be any good considering the limited imagination involved with making sequels. Meanwhile, a horrible drop for this movie might discourage horror movies in Malayalam, and I am not going to stand that!

Release date: 14th November 2013
Running time: 150 minutes
Directed by: Priyadarshan
Starring: Mohanlal, Keerthy Suresh, KP Nishan, Swapna Menon, Siddique, Innocent, Ganesh Kumar, Nassar, Madhu, Seema, Harisree Ashokan, Chris Gayle Kuttappan, Suresh Gopi (cameo)

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@ Cemetery Watch
✠The Vampire Bat.

The Conjuring

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We are all going to die – I would hope that the same would happen as fast as possible. I watched The Conjuring and it was scary, and I am hundred percent sure that it can give anybody sleepless nights. But what has happened to me? Why am I not afraid of the supernatural movies? There should be something wrong with my intellect that all these supernatural things have become such an integral part of my life that humanity and its inherent evil scares me more than the dead. Death has always been more beautiful than the living, and with its presence among the humans, the evil makes its score ahead by a long margin, and the good waits for death. Death makes us even, being the great leveller that it is, and as the dead stays dead, it is the living that suffer in their memories, but if they come alive, then too, it is the living who are tormented by their unrest. Being tormented both by the living and the dead, the human life is a vessel full of Sulphuric acid, and we lack adamantium, both in the soul and the body, for we get broken by the supernatural as well as those which are super and natural. They are all part of the big shame of that torment which is brought down upon us not by the dead, but by the living. The dead are indeed better, for they do what they are supposed to do, and it is just the living creatures that contradict themselves.

Believe in the world of the dead and not of the living, for the latter is full of pathetic fools who know nothing about the other world, and it is from their lack of knowledge and extreme stupidity that I would indeed discourage each and everyone of you from doing anything on the supernatural, at least in India. In the name of science, some have denied their own roots, and how can they even look into the dead and the undead worldwide? Do they think that everything can be answered? Some questions have no answers, and others have many. There are some others which should be found out. Some of them can’t be explained, and some of them need to have a life of their own, and make more out of themselves. I would want most of you to know this before you go and watch this movie, and please be prepared to be scared; otherwise you might end up like some arrogant people who despise this world of horror and think that they are inferior works of art. They belong to that category which loves butterflies and despises bats. I am a Vampire Bat myself, but I can’t help it and I shall never choose to be not a crocodile even if I live in Lake Placid surrounded by hunters. I can tell you what an inferior work of art is, but I shall do that later. For now, let me assure you that this is one of the best works, both as an art of horror and also as fantastic entertainment.

The first thing I would like to make clear about this movie is that it has a great build-up. It has its humble beginnings of horror in the form of the supernatural in one of the most interesting dolls which has ever graced the big screen since the Child’s Play series, Annabelle doll – it should have had a significant role in The Demonologist: The Extraordinary Career of Ed and Lorraine Warren by Gerald Brittle; from page 39 to 53, it seemed to have a presence which can only be confirmed by someone who has seen this book outside the Amazon preview. Annabelle is not just another doll, as it is that thing which was part of what the famous paranormal investigators Ed and Lorraine Warren faced during the early 1970s. The Conjuring is more about what the name suggests, but what do we conjure, or summon? Can the spirits summon themselves? In Annable’s case, it was summoned into the doll, but the same can’t be said about the others, especially the haunted house we are dealing with. The story and presence of Annable is more important as the symbol of everything evil that exists within the movie. It is also the scariest image which exists without the help of an visual or sound effects, as the doll itself becomes the visual representation of all the evil that tries to break free in the human world.

The story goes back to 1971, when Carolyn (Lili Taylor) and Roger Perron (Ron Livingston) move into an old house in the middle of nowhere, with their five daughters – Andrea, Nancy, Christine, Cindy and April (Shanley Caswell, Hayley McFarland, Joey King, Mackenzie Foy and Kyla Deaver). Their dog refuses to enter the house and is later found dead, and they also come across a cellar which might have been supposed to be hidden. Carolyn has strange bruises on her body and Christine is pulled down from her bed on multiple occasions. Cindy begins to sleep-walk a lot. April, the youngest of the girls become friendly with one of the spirits. One night, the spirits get more aggressive, as Carolyn is locked in the cellar and the spirits indulge in direct attacks. Even as they don’t believe in that kind of stuff, they are forced to contact paranormal investigators Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) for a solution. The Warrens conduct an initial investigation and find out the existence of spirits, for which an exorcism might be required. They try to get evidence for the same, so that they could get authorization from the Catholic Church.

During a background check, Ed and Lorraine discover that the house and the plot once belonged to a lady who was accused to be a witch, Bathsheba, who killed herself after cursing all those people would try to take her land, and the Perrons were among them. A lot of murders and suicides have already occured in those houses that have since been built upon the property, and the house of Perrons was just a part of the big cursed neighbourhood. Bathsheba’s speciality has been about possessing the mother and making them kill their children, as she herself had sacrificed her child to the dark powers already during her lifetime. There are so many spirits around, and they belong to those mothers who were possessed and forced to kill their own children. There are also the spirits of dead children who were killed. There is rather a soul collection in the house, and considering the strength which Bathsheba has possessed through the years of doing the will of darkness, the Lorraines might be up against more than what they could handle with ease. Bathsheba is also able to move out of the house and follow Lorraines to their world involving the Annable doll which they have kept in their house. Even as Carolyn is to be possessed only to kill her daughters Christine and April, the Warrens has the fight brought to them at their house, and it turns out to be a battle which is beyond a house and a family.

How does this movie score over The Haunting in Connecticut 2: Ghosts of Georgia and Evil Dead, the other two much expected horror movies which graced us with their presence this year? Well, this is the exact opposite of Evil Dead in its portrayal, as it is no gore fest, and not much blood is shed. There are no body parts being thrown at you and the insides never come out. There is no use of bad words, and even with so much less use of special effects, this movie creates a world which is no less creepier than Evil Dead. This one has powerful microseconds of thrill and suspense, for this quiet one is a beautiful world of the supernatural, the world of infinite horror. The use of silence is worth mentioning, and the sound effects are not extravagantly wasted. When Evil Dead tried to sell blood and gore, The Conjuring tries to sell artistic horror of high quality even as the end is slightly lesser in effect after an excellent climax. The Haunting in Connecticut 2: Ghosts of Georgia could have been this movie, as both have similar settings and stories of history which involves random evil people and victims. But our movie scores in its treatment of the subjects and some wonderful acting. It is smartness and creativity that should define our movie which will continue to score and scare more people. Check for Evil Dead anyway: https://moviesofthesoul.wordpress.com/2013/08/01/evil-dead/

Vera Farmiga as Lorraine Warren and Patrick Wilson as Ed Warren steals the show, and from the beginning itself, we are given the power to feel that they can be nothing other than the paranormal investigators. They don’t try to be heroic at any moment, and the movie doesn’t try to take any heavy load from the earlier movies which it can’t carry. The ghosts may be familiar, but they are not similar enough, and they are surely not the same. We know that there is also a sequel in development. You can enjoy it with a willing suspension of disbelief or by stopping being a moron. You have to accept that you are not that kind of person who knows everything, and feels that the supernatural is a lie. There is God, the devil, the demons and the witches – there are demonic possessions and there exist the need for exorcisms, the earlier you come to know about it, that much the better. But there are no real romanticized versions of the vampires in reality, and the title “vampire” is the cultural construct. The more you know that, the better it is for you – there is a world which you shall never know; embrace the same, and stop asking questions. Your disbelief shall be your end, and it shall lead you to your doom, an annihilation which you might have deserved by them with your lack of belief and that basket of nonsense you always carry in the name of science, logic and reason.

Release date: 19th July 2013 (USA); 2nd August 2013 (India)
Running time: 112 minutes
Directed by: James Wan
Starring: Vera Farmiga, Patrick Wilson, Ron Livingston, Lili Taylor, Shanley Caswell, Hayley McFarland, Joey King, Mackenzie Foy, Kyla Deaver, Shannon Kook, John Brotherton, Sterling Jerins

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@ Cemetery Watch
✠ The Vampire Bat.