Tag Archives: murder

John Wick 3

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What is the movie about? :: John Wick (Keanu Reeves) had murdered Santino D’Antonio (Riccardo Scamarcio) at The Continental Hotel, violating the rule that there would be no blood on its grounds. Winston (Ian McShane), the owner and manager of the hotel had delayed announcing the resulting excommunication and global bounty by an hour to give him a head start. Now being an excommunicado, John is on the run, and is confronted by lesser assassins even before his time started. With a fourteen million bounty on his head, and on the run from assassins, he manages to gain a safe passage to Casablanca in Morocco by claiming a favour from a lady known as the Director (Anjelica Huston). There he meets Sofia (Halle Berry) who owes him a favour and asks her to lead him to the Elder (Saïd Taghmaoui), a high ranked member of the high table who could take the bounty off his head.

So, what happens with the events to follow? :: It is during the same time that an adjudicator (Asia Kate Dillon) from the high table meets with Winston, who is asked to give up his office in seven days. Bowery King (Laurence Fishburne), the leader of a network of vagrant assassins is also asked to give up his position. There would be serious consequences if both were to disagree. An assassin known as Zero (Mark Dacascos) is recruited by her for the mission. He, along with his assassin team members, take on the helpers of John Wick. At the same time, John does come up with a deal, but there is more to be done, and there are so many assassins after him. He would wish to stop this and live in the memories of his wife, but that wouldn’t be possible that easily. Winston and Bowery King wishes to keep their part too, but that will be quite difficult too.

The defence of John Wick: Chapter 3 – Parabellum :: We have watched the previous two chapters, and one can safely say that the franchise has had a clear improvement, with the second chapter being better than the first, and this third chapter rising above the predecessors. The improvements come in different fields – one is the action, which is surely better, and each sequence and each kill seems to have something in it. There are some interesting sequences in the beginning itself, and in the end, we have another grand one. The ending also assures us of another sequel, and more blood bath. The visuals are also part of the improvement, as what we see on the screen, with the shots from the distance, or even inside the fighting places are all really good. The humour also sees a certain improvement, and a few are there when least expected. Most of us have played the game Hitman, on the silent assassin, and John Wick goes loud, like Need For Speed: Hot Pursuit.

The claws of flaw :: The phrase “Si vis pacem, para bellum”, means “If you want peace, prepare for war”, and “parabellum” in the movie name calls for war, which brings a lots of blood and gore which may not be acceptable for everyone – its actually a lot more than the previous movie, but as we won’t have the original uncut version here, that won’t be a problem for our audience here. One would also wonder why the movie decided not to have a better storyline behind all the big action. While Keanu Reeves is too good here, we miss Ruby Rose with that intensity in the last movie – Asia Kate Dillon never comes up with any action, and Halle Berry is wasted in a small role looking the same all the time. More of Laurence Fishburne would have also been appreciated. Everything also comes together in a way that makes a number of incidents in the movie not worthy, and some replacements could have made it feel better.

How it finishes :: John Wick 3 undoubtedly brings the best full action movie in a long time, maybe the most significant one after Mission Impossible: Fallout. Well, there are many other genres which those usual action movies could fit in, but this one is perfectly suited for exactly one category. But one thing that will surprise the movie fans is related to this flick’s availability in the theatres. As of now, it seems to be available in only one multiplex in Cochin, which is PVR Cinemas in Lulu Mall. The closest place where one can find the same is many kilometres away, in the next district, at INOX in Sobha City Mall, Thrissur. With Avengers: Endgame reigning and breaking all records, there might be no place for another English movie, but with John Wick shows running full, there has to be more, and it is one thing which the assassin deserves. At least it should stay for more.

Release date: 17th May 2019
Running time: 131 minutes
Directed by: Chad Stahelski
Starring: Keanu Reeves, Halle Berry, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Anjelica Huston, Ian McShane

*Below is a short review on another movie which I watched during this weekend – Ishq.

[Short Review: Ishq (2019: Malayalam) – The movie talks about two lovers who are harassed by moral policing locals. It has some fine performances from whole of its cast, and the idea is definitely a good one, with a reflection of certain incidents which have happened in the past. The Shine and Shane combination works like a dream. There is also one beautiful song and the first few moments are nicely done until they get repetitive, and the ending is nice. But with its story and the execution as a whole, the movie struggles. There is also the lack of some good characterization, and wastes its female characters except for the moments in the beginning and the end. The characters act in strange ways as in a brainless slasher movie, leaving the realistic side a long way behind. A journey from a road thriller to home invasion, from “In Fear” to “Funny Games” can always be better.

If there were messages intended, then also the movie gives the wrong ones, as reflected in the response of the audience – they are clapping to those mass scenes which go against the spirit of the movie itself, and in the end, except for the people online, especially on Facebook, others are not seen as giving the highly positive opinions. Giving a tagline which nobody really cares to read is also not an excuse to not living up to what the title says. The movie seems to be something created out of anger rather than with a mission, and to work with the common audience, we need the latter – the intellect has advantage over instinct, and it is something to be kept in mind when dealing with an issue like this one. This was a movie which had a great chance at being something brilliant, but fails to be there, as it embraces mediocrity.]

Also refer to similar movies like Varathan and Uncle which were better.

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Tattooist

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Vampire Owl: The title here is something that caught my attention early.

Vampire Bat: It rarely happens related to short-films, right?

Vampire Owl: I stopped differentiating between short-films and long films some time ago.

Vampire Bat: This is actually a micro short-film, much shorter.

Vampire Owl: That saves a lot of time then.

Vampire Bat: So, you are going for the shortest of them now.

Vampire Owl: Why not? It is best to show the most, within the shortest period of time.

Vampire Bat: Everyone is too busy these days.

Vampire Owl: I don’t see why they won’t be. The challenges are too many. Shorter movies are thus helpful in saving time.

Vampire Bat: It is a competitive world. Let us take that option of saving time then.

[Gets some vegetable puffs and three cups of cardamom tea].

What is the movie about? :: The Tattooist (Wang Yanhu) is a very popular man in the town who gets many customers, as his skill as well as the resulting work is something which has been widely appreciated. Most of his clients are young men and women who are enamoured by what he does. His reputation in his field is so high that it is near impossible for anyone else to work and gain such popularity. But there is something sinister behind his much acclaimed work. There are people drugged, imprisoned and tortured in a secret lair under his tattoo studio. Can at least one of these people survive and escape to tell the tale of brutality to others? Or will the tattooist continue to have more victims, and enjoy his run as the best of them all in the field – the grand villain? Is there hope in between the chaos, or will it be all about evil and extreme violence?

Similar Dark Legends from the Past :: The first thing that came to my mind while watching this was regarding Sweeney Todd. This tale which we literature graduates have studied as part of Victorian age literature had a barber who makes his customer victims fall down through a trap door by pulling a lever on the side of the chair on which they sit. The people who land in the basement usually dies which broken necks or skulls, and the rest are finished off. He also has a partner in crime, Mrs. Lovett, who assists him in getting rid of the bodies by making meat pies from the corpses and selling them to the u customers at her pie shop. The two shops are also connected through an underground passage. We had also heard about the same as a movie, Sweeney Todd: The Demon Barber of Fleet Street starring Johnny Depp and Helena Bonham Carter as the main characters. Such dark legends of villainy never ceases being amazing.

More about The Tattooist :: We are quickly taken through this vision of the director, which keeps us asking for more. We begin by seeing the tattooist at work, and it seems like some elegant work being done there – all of a sudden, the mood changes, and we are taken to the bloody, gory side. We also see how the music changes, and the sound effects are used to a fine effect. We see what the tattooist actually manages to do, and there is that transformation from a paradise-like atmosphere to inferno. There are people imprisoned inside cages and cells, people being dragged away, corpses, and a lot of blood and gore. Then we are back to what is happening in the world of beautiful tattoos – it has us expecting the terror which is to come for the customer who is having her tattoo done by the same person. This is exactly how our imaginations are made to run far, and how we are made to wish for a longer version.

The Beauty of The Tattooist :: The charm of the movie lies not in just one element, as this creates a perfect collection of things, something that would make a near perfect horror movie if the same tempo is maintained. There are movies like American Mary which talks about body modification and the horror that comes related to that. It had one of the queens of horror, Katharine Isabelle playing a medical student desperate for money ending up taking clients from the body modification community to solve her financial troubles. Well, tattoos can have the same effect as long as the right elements are added, and we can see that Michael Wong has succeeded in doing exactly the same. Well, as of now, tattoos have come to this part of the world very rarely in movies, like in some funny sequences like the fainting moments in the Malayalam movie Aanandam.

How it finishes :: Watching The Tattooist as a full-length movie will be a horror movie lover’s dream, as this one could serve as a fine trailer about what can come. Michael Wong’s directorial debut short film The Story of 90 Coins was a lovely flick which dealt with an entirely different topic, and extreme opposite if we look at it. It had picked up more than sixty accolades from different international film festivals including the Best Direction and Best Cinematography. The Tattooist hasn’t been far behind in creating some grand waves all around. As he has easily gone through two different genres, creating two interesting movies with ease, we can be sure that there is more to expect from him. Until then, enjoy watching this micro short-film, and the same can be found at the bottom of the review. Along with the same, enjoy the summer vacation going on at this part of the world!

[Returning after the movie and snacks].

Vampire Owl: You can see that my opinion about having a micro short-film remains the same.

Vampire Bat: I see that you have enjoyed watching this short-film, and at the same time, keeping your valuable time to make a good use of the same.

Vampire Owl: Yes, and still we have watched what we needed.

Vampire Bat: It is an idea which stays and expands further in our minds, after we finish watching the movie.

Vampire Owl: Yes, we can even contribute with our own version to add to the already existing idea through imagination.

Vampire Bat: It makes me wonder what the tale of each victim would be.

Vampire Owl: This is certainly worth a longer version too.

Vampire Bat: I would keep my hope high about that.

Vampire Owl: I am recommending this for the whole vampire community.

Vampire Bat: I would be doing the same thing too.

[Takes a long walk into the darkness].

Watch the film here:

Release date: 9th June 2018
Running time: 2 minutes
Directed by: Michael Wong
Starring: Yanhu Wang, Li Lu, Myra Mala, Mayela Magrou, Dan Litza, Simon Shiyamba, Chase Lichtenberg

<— Click here to go to the previous review

@ Cemetery Watch
✠ The Vampire Bat.

Balan Vakeel

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What is the movie about? :: S Balakrishnan (Dileep) is a lawyer who works under the reputed advocate Pramod Sujanapalan (Arjun Nandakumar). But he hasn’t been able to achieve much in his professional career due to his stammer, even though he was known to be a smart & intelligent person during his college days. His father and mother (Siddique and Bindu Panicker) are concerned about him, but are sure that he can only be a failure in life, with former also being a chain smoker who tries different drugs. His first successful case is that of Ansaar Ali Khan (Aju Varghese), a local goon who is involved in a robbery case. Ansaar doesn’t have the cash to pay as his fees, and therefore provides him with a place to stay at low rent. But this new place has Irumbu Babu’s (Bheeman Raghu) presence, and he considers it to be his own room and wants him to leave. But it will be the smallest of his problems.

So, what happens with the events to follow? :: It is then that his brother-in-law P Mohanan Pillai (Suraj Venjaramoodu) comes up with a plan to make some easy money. He asks Balakrishnan to be a part of it, and she accepts the same reluctantly. He sends a notice to a given address asking for compensation in the name of a woman (Priya Anand) who claims to have been abused by the person at the address. But it turns out that it is the address of the DGP of Kerala Police, KE Eapen (Renji Panicker) who is suprised to get the same. The charge of investigation goes to Indhulekha Marar (Lena) who gets only a limited amount of time to solve the case. Meanwhile it turns out that the person whose name is in the letter is Anuradha Sudharshan (Mamta Mohandas), a woman who is completely unaware of this. There seems to be some conspiracy behind all these. But there is no clue regarding where to begin.

The defence of Kodathi Samaksham Balan Vakeel :: There are the twists in store in Kodathi Samaksham Balan Vakeel for sure, and there is mystery awaiting to be revealed, related to a conspiracy. We also have incidents which seems to reflect reality, but there is the certainty of exaggeration regarding the same. The emotional flashback in the movie becomes effective with the last twist, but otherwise it feels strange, and makes you wait the whole time trying to find something out of it. There is also the presence of a fine cast to support everything out there, making sure that they manage all that this movie can provide. There is some good humour out there, even though not throughout the flick. It is seen more in the initial stages, starting from the introduction of the main character itself. The interval punch is strong enough to make one interested in the second half, even though the first half wasn’t that much there.

The claws of flaw :: It can be seen that there is no attempt to make this movie go through a fully entertaining path, and there is no plan to make this a perfect journey as an investigation thriller either, as this is caught somewhere in between. The jokes are also just partially effective, and we see that the funny side in the name of children hitting older men, people falling on electricity lines and surviving, a drug addict father instead of the usual alcoholic one etc – they are just there for the sake of adding some strange funny side. There is also the presence of some unnecessary mass scenes, and the hero sending people flying around comes in, and the struggling protagonist that we wanted to watch from the trailer is lost. Having such a protagonist beating up people all of a sudden works against the overall mood of the movie, and what we know about the protagonist. The songs are not that good either.

The performers of the soul :: This seems to be a movie nicely made for Dileep, as he has this in control, just like many other movies of the same kind. There is no problem here, as he had played advocate trying to serve justice before in Passenger, and there was Mamta Mohandas there too, with the same name for her character, Anuradha. Well, Passenger is a movie long way ahead of this one, without doubt. Mamta Mohandas is here for a full role unlike what she had in 9. There is not much for her to do regarding the investigation here though, as she is the victim and there is the protagonist to save the day. A little romantic side added there seems to be rather forced though, as this movie could have done without it. The focus on its main idea would have been enough, and trying to play cupid between the main character didn’t do both of them any good.

Further performers of the soul :: Siddique’s father character is kind of strange, but brings the funniest moments of the movie with ease. There is his comic timing that lightens up the movie really well. Aju Varghese is the next person in the comedy department, and it works well for him most of the time too – he does get some memorable funny ones. Suraj Venjaramoodu also has the comedy working in his favour, even though at parts it seems out of order. Priya Anand gets another smart role after Ezra and Kayamkulam Kochunni, but with lesser time spent on the screen. Veterans like Ganesh Kumar and Renji Panicker right there, doing what they do the best in police roles. Another person who shines so well inside the uniform is Lena, who is also there Varikkuzhiyile Kolapathakam, and mystery-solving journey of puzzles which is also running in the theatres.

How it finishes :: For B Unnikrishnan, this movie comes after Villain, which was a smart one for sure. Kodathi Samaksham Balan Vakeel does take the path of Vikadakumaran and Jolly LLB, a trend related to a struggling lawyer whenever the same is the protagonist. This one has its moments of thrills and twists are brought into the scene, but there is not doubt about the fact that this could have done better. There is the fine premise already set, and the idea that has scope for a lot, but it is not utilized in the best way. Maybe we have to wait to get something better out of a story related to courtroom, and we can do that. Until then, lets watch Kodathi Samaksham Balan Vakeel and enjoy the interesting side. For those who wants the more realistic side, there is always Kumbalangi Nights & June running, and seemingly good enough to keep doing the same for a long time.

Release date: 21st February 2019
Running time: 155 minutes
Directed by: B Unnikrishnan
Starring: Dileep, Mamta Mohandas, Priya Anand, Aju Varghese, Siddique, Ganesh Kumar, Renji Panicker, Bindu Panicker, Suraj Venjaramoodu, Saiju Kurup, Vamsi Krishna, Harish Uthaman, Lena, Arjun Nandakumar, Pramod Sujanapalan, Bheeman Raghu, Veena Nair, Pradeep Kottayam, Thesni Khan, Sajid Yahiya

@ Cemetery Watch
✠ The Vampire Bat.

Cult of Chucky

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Vampire Owl: There was this question for VPSC.

Vampire Bat: You mean Vampire Public Service Commission? You are writing exams out there?

Vampire Owl: Yes, my exam centre was on the Old Vampire Isles, and there was this particular question which caught my attention.

Vampire Bat: You travel a little too much to write a silly examination.

Vampire Owl: It is not my point. The real point is related to that question.

Vampire Bat: I know how strange the question of VPSC are. They rarely make sense, and they never really wanted anyone deserving to get a good score.

Vampire Owl: They asked about the greatest doll of all-time. the options were Annabelle, Chucky, Barbie and Shrek.

Vampire Bat: So, you only had to choose from two.

Vampire Owl: Yes, and I ticked on the last option, Shrek.

Vampire Bat: You and VPSC should make best friends, in that case.

[Gets three cups of ginger tea with Hide and Seek biscuits].

What is the movie about? :: Years after the events of Curse of Chucky, a lot of things remain the same, including the existence of Chucky (Brad Dourif). Andy Barclay (Alex Vincent) who had shot him in the previous movie, has his head kept at his house, and keeps punishing it for the crimes which were committed. At the same time, Nica Pierce (Fiona Dourif) has been spending her in life in a mental institution, most of the time restrained and sedated for the murders of her family. After being watched at all times through cameras, and going through never-ending therapy, she murdered everyone in her family, and that the doll was just a creation of her mind as a result of her seeing things. Doctor Foley (Michael Therriault), who is sexually attracted to her, has her transferred to his own medium security facility where he can watch her at all times. There, the nurses Nurse Carlos (Zak Santiago) and Nurse Ashley (Ali Tataryn) are in charge, and are nice to her.

So, what happens next in the movie? :: Nica has an interesting group of people to give her comany, with Malcolm (Adam Hurtig), a confused man with multiple identity disorder who is instantly interested in being with her; Angela (Marina Stephenson Kerr), an older woman who believes that she is dead and nobody can see her; Claire (Grace Lynn Kung), a woman who is known to have burned her own house down; and Madeleine (Elisabeth Rosen) who is believed to have killed her own son by suffocation even as she believes that he is not dead yet. To make things more interesting, Foley adds a Good Guy doll, as if bringing Chucky back between them again – nobody really likes that idea, except for Madeleine who believes that it is her child that has come back to her. Claire is more hostile to Nica than anybody else, believing that she is a mass murderer who killed her own family.

And what is to follow next in this adventure? :: Nica is visited by Tiffany Valentine (Jennifer Tilly), who has been the legal guardian of her niece, Alice. Tiffany reveals that Alice has died and leaves her a Good Guy doll, which she claims was a gift from Alice Pierce (Summer H Howell). After informing her that the kid is dead, she says that Alice wanted Nica to have her Good Guy doll, and that night, she tries to commit suicide by slicing her wrists. Chucky, who has woken up at the hospital, finds it out, and stitches her wound back, leaving a message that she won’t die that easily. At the same night, Angela is found dead, and Claire follows, as Chucky makes his impacy felt. Now the question remains about which doll is the one that is possessed, and despite Nica’s best efforts, nobody believes that there is a serial killer doll killing people – the doctor himself is not interested in her words, as his attention is only towards her body. Now, the question remains about who all will survive the Chucky attack.

The defence of Cult of Chucky :: If you like this never-ending franchise with Chucky, the charming serial killer doll at the centre of it, there is no reason why you need to miss this movie, as there is that murderer doll spirit being carried on to this one too. You have fun, and you have those scary moments, most of them with the elements of blood and gore though – well, Chucky is not Annabelle, and as most of you already know, his motives are significantly different. Well, in a seventh movie of a franchise, you have so many characters returning, and if you are a fan of the series, you are up for the treat again. The one you need to watch out for is indeed Fiona Dourif, who plays the helpless one with a lot of strength from within, and the supporting cast is also very good. The setting is also nice, as the mental hospital brings the appropriate environment to make sure that Chucky shines even after so many years. Well, you need to come back because Chucky needs you.

The claws of flaw :: The movie could have surely been better, with a lot of scary moments – this one, with its one and half hours of length, doesn’t add that many of them, which could make the whole thing bigger. The previous movie, Curse of Chucky was surely ahead in that case, and was surely the better movie in comparison. Chucky needs to scare more characters, and here, right after people know that he is alive, they are just killed within minutes – give the poor doll some more time, will you? At least in the next movie? Why would someone need more than one Chucky? Why would one of them be in distress for so long? Why couldn’t the doll get more serious at least with a few things? We need the character to be better, and we need the doll to be creepier. This is not that age of old horror any more – ask many movies including last year’s Don’t Breathe, Lights Out and The Autopsy of Jane Doe for some ideas about innovation, or this one’s own predecessor about being better.

How it finishes :: We have one of the most popular horror dolls of all-time returning to action here, and due to the same reason, we just can’t stop the need to watch this particular flick, as we have felt the urge for so long, and it can only get stronger with time. Child’s Play has been an integral part of our horror lives, just like The Evil Dead, A Nightmare on Elm Street, Wishmaster, The Texas Chainsaw Massacre, Halloween and Friday the 13th, all of them, never really leaving our childhood, and all of these movies beginning before I was born. Along with accepting the fact that this one is not going to please everybody, you will accept that this is still good, and Chucky franchise is one of those things of horror which you need; if not now, at some other point. Remember this when you come across a nice looking dolls next time. Maybe there is more to it too, than what meets the eye.

Release date: 3rd October 2017
Running time: 91 minutes
Directed by: Don Mancini
Starring: Fiona Dourif, Michael Therriault, Adam Hurtig, Elisabeth Rosen, Grace Lynn Kung, Marina Stephenson Kerr, Alex Vincent, Jennifer Tilly, Brad Dourif, Zak Santiago, Ali Tataryn, Jennifer Tilly, Summer H Howell, Christine Elise

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Joseph

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What is the movie about? :: Joseph George (Joju George) is a retired police officer spending his time with alcohol and cigarettes. He doesn’t have much time for the outside world except for some of his friends from police department, and lives alone in his house. He is a brilliant police officer who never really managed to use his skills to the best effect. He has suffered losses in his family life too, with his daughter Dayana Joseph (Malavika Menon) being lost to an accident a few years ago. He is separated from his wife Stella (Aathmiya) who is now married to Peter (Dileesh Pothan). When Stella meets an accident and dies, it sends him into further depression, as he had always loved her, despite not being able to express his feeling well enough. As an expert investigator who still helps the police department with finding clues to twisted cases, he feels something strange when standing near the place where Stella had the accident.

So, what happens with the events to follow? :: Joseph finds a few things to be out of place there. He tries to read all the reports together, but is able to feel that this is more or less a planned incident rather than an accident. He calls his friends in the police department who are also retired, and Sudhi (Sudhi Koppa) who was a senior of his daughter in the engineering college, and is now working in the cyber wing. The result is that Joseph finds something shocking behind all these. There is one link between everything, and the roots go deep, and long. To solve this mystery and bring those behind the crime to justice, he would have to travel through those paths less traveled, and take that kind of a risk which someone else wouldn’t even think about. So the question remains if he is ready to do that, and can his friends support him in the same?

The defence of Joseph :: There are many other movies, and then there is Joseph. The movie thrives on the strength of its emotions, and with its investigation, there is even more. There are some twists to follow, and the music nicely supports the mood as well as the elements of mystery that goes right through. The songs are pretty good, and we are sure to enjoy listening to them. There is also one thing that we can value the most, and it is staying close to reality. Joseph has no exaggeration, something which similar thrillers with superstars would have. As there are no superstars who want to beat up their villains, we have a story here which is very much believable. There is no action here, and the police officer here does nothing physical – he is just the smart one, and yet not the perfect one in any way. He is with his flaws, and he is an everyman police officer in whom we can find someone whom we know.

Positives and negatives :: Considering the mood of this movie, it is Memories that we remember before any other movie, with one protagonist, a police officer who has lost his wife and child looking forward to solve a murder mystery or two. The next movie that it reminds us of, is Angels, a movie which had its own twisted ending – something we were not expecting at all. The idea in that movie as well as that of Apothecary can find the reflections here. There might be certain doubts about the genre, as the movie goes on between more than one of them. People can feel that the flashbacks were somewhat longer, but they are all beautiful – almost every moment of this movie has beauty in one way or the other. The visuals are nice, and the feeling of terror that is shown is real, that too without showing anything disturbing with blood and gore.

The performers of the soul :: Joju George is indeed the biggest asset of this movie, as he comes up with a terrific performance as the protagonist, the man with the scar who has lost almost everything he held close to his heart. There is abiding sadness on his face which strikes the hearts of the audience very hard. There is a beautiful scar that he leaves in our souls, and it is due to a performance that stays with us for long. With his career best performance, he has our admiration, and the choice for the protagonist here is perfect, with no seeking perfection to become a hero – Joju’s police officer is the common man, and someone whom we can relate to, because he is not in the sky, but on Earth. From the beginning to the end, we are into his journey, from those simple moments in life to the complex times. Along with the same, we also carry the weight of his emotions, as the character gets so close to the depth of our souls. We, with our waxen winged hearts, like Icarus, burn in the fire of those emotions, and we are delighted about the same.

Further performers of the soul :: Dileesh Pothan, the master of Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum is one the other side, showing the enduring sadness from another side, and he contributes with the same as does the rest of the supporting cast. Irshad and team bring nothing less than some wonderful support. Aathmiya also has a memorable performance in there as the wife, and it is also an emotionally touching role from her side. Malavika Menon has a rather small, but notable role here. Johny Antony is once again good in the role of a priest after doing the same in Shikkari Shambhu. You also notice how solid Sudhi Koppa is once again – we had seen the range of his performance in Paippin Chuvattile Pranayam, and here he plays a solid police officer in the cyber wing. His character can actually have a spin-off – I might be asking for a lot, but that is certainly a nice possibility.

How it finishes :: Joseph is that kind of an emotional investigative thriller which will stay with you for so long, and the melancholy that it provides will stay strong. The sadness that this movie possesses has the power to take over you too, as the feelings of the protagonist here are the same as any other common person would have. There is a certain amount of skill in the way in which the whole thing is presented, and we have the kind of protagonist who stays close to life rather than go for the exaggerated heroism. The way in which the whole story is built, will have you interested in each moment, and as the final scenes point to something that needs our attention, everything comes together and we have the best Malayalam movie of the year so far – Joju George can be proud of this one.
Release date: 18th November 2018

Running time: 138 minutes
Directed by: M Padmakumar
Starring: Joju George, Dileesh Pothan, Madhuri Braganz, James Elia, Sudhi Koppa, Johny Antony, Idavela Babu, Irshad, Aathmiya, Malavika Menon, Jaffer Idukki

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Aanakkallan

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What is the movie about? :: The central character of the movie is Pavithran (Biju Menon) who is a man spending his time in prison for committing robbery in a palace and museum. But his life gets better when a skeleton is found in the palace while the place was undergoing renovation. It is found out that the skeleton is almost as old as the time when the person was committing the robbery at the place. The police figures out that he could be either the suspect or the witness, and Pavithran agrees to the fact that he witnessed the murder taking place, and the killer getting rid of the body. As he assures them that he can recognize the killer, the police officers in charge KV Esthappan (Siddique) and Rajendra Babu (Suresh Krishna) decides to get him a parol. With a special permission from their superior officer Alex T Kuruvilla (Shivaji Guruvayoor), they make a master plan.

So, what happens with the events to follow? :: This master plan involves taking Pavithran to Esthappan’s wife house, from where he eloped with his wife Nancy Palakkal (Sarayu) a long time ago. By returning there, they would get a chance to stay close to Anandapuram Palace where the body was found. Pavithran would be forced to stay in the house as Esthappan’s friend who is a rich businessman from Palai. Despite their doubts, the parents of Nancy, Thomachan Palakkal (Sai Kumar) and Kochu Tresia (Bindu Panicker) welcomes them home. From there, a series of confusing events occur related to their lives. There are secrets to be revealed and mysteries to be solved, about Pavithran’s past, and that particular night on which the murder is supposed to have taken place. But as someone who is in prison for robbery and cheating, can Pavithran be trusted to help the police well enough?

The defence of Aanakkallan :: Being a movie which has a certain amount of confusion in itself, Aanakkallan can use some defence in its favour. There is no doubt about the fact that the movie begins well, and even before Biju Menon makes his entry, the beginning is set. The idea is good here, with an attempt made to solve a mystery regarding a skeleton found in a palace – to solve the case, a thief is needed too, and that man has a strange past. Well, this could have surely developed into something bigger as there is no shortage of content, and the fun is always there to be added. We remember how well Biju Menon added to the same in Rakshadhikari Baiju Oppu. The funny side gets some regular contributions even when there are those problems of repetitions as well as the confusions.

The claws of flaw :: There is much that one would expect from a movie like Aanakkallan with Biju Menon in the lead, as people will have their own idea about how it would turn out to be. But the movie struggles to do the same, to meet the expectations. There are moments when the movie keeps making us feel the drag, as it goes above two and half hours, without that much of a content to boast about. The songs are all bad, and unnecessary – all of them seem to drag this piece of work towards that eternity, and most of the viewers won’t appreciate the same. There is so much of repetition here, not just with the old jokes, but also with the same kind of jokes used within the movie. The first and the second parts seem to be confused in where the movie is heading, and the long flashback in the second half is the worst part. The predictability factor is also very high.

The performers of the soul :: Biju Menon was supposed to be the one person who could hold the parts together, and one surely can’t doubt his ability in doing that – the movie surely depends on him a lot. He seems to find things easy here, as no surprises are added here in any department. Hareesh Perumanna and Dharmajan nicely contributes to the comedy at the same time, and Sudheer Karamana also joins in. But it is to be noted that none of these performers are used in a way that evokes that kind of fun to be remembered for long – there were opportunities present. Dharmajan’s Baahubali moment stands out, and Hareesh with his counters keep the movie on a better path. Suraaj Venjarammoodu once again has a rather serious role to perform here, and he has no problems in getting into this character of a thief.

Further performers of the soul :: The main female characters in this movie, Shamna Kasim, Sarayu and Anusree fail to have much to do. While Shamna Kasim’s role is more or less about being the fairest of them all, the other two are given even lesser work to do. It strange that we can’t have more. Siddique plays the police officer with ease, as he has the second most important character related to this one. Suresh Krishna does leave an impact with his funny police role here, being divergent from the serious one he played in Abrahaminte Santhathikal. Indrans is also here with an interesting character, even though limited in scope. Bala and Kailash are also there, contributing nicely to the story. But the focus, as we all know is on one person, and it is no surprise at all.

How it finishes :: The movie doesn’t go on to become a Vellimoonga, and it doesn’t even go on to become a Swarna Kaduva. This one is rather closer to Sherlock Toms which was a half-baked movie unable to stay within any genre, or do justice to at least one of them well enough. The director’s previous movie was Ivan Maryadaraman, and in comparison to that, this flick is surely an improvement. But the question would remain if that much is enough. The fact that there is still the use of the same kind of strange stereotypes and cliches after so many years and movies of attempts, doesn’t leave a true movie lover a happy one. But Aanakkallan does serve to waste some time for a lazy weekend, and this particular weekend is indeed one. There is just Kayamkulam Kochunni to make you think otherwise.

Release date: 18th October 2018
Running time: 155 minutes
Directed by: Suresh Divakar
Starring: Biju Menon, Siddique, Suraaj Venjarammoodu , Shamna Kasim , Anusree, Dharmajan Bolgatty, Sudheer Karamana, Suresh Krishna, Hareesh Perumanna, Bindu Panicker, Saikumar, Sarayu, Bala, Shivaji Guruvayoor, Indrans, Kailash

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✠ The Vampire Bat.

Deadpool 2

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What is the movie about? :: Years after murdering the man who gave him the mutant superpowers the hard way in the first movie, Wade Wilson a.k.a. Deadpool (Ryan Reynolds) is working as a mercenary, but on his own terms, while mocking Wolverine. He hopes to start a family with his girlfriend Vanessa Carlysle (Morena Baccarin). But it is then that one of his targets whom he missed, manages to strike back, killing Vanessa in the process. Wade is quick to kill the man who is responsible for her death, and even tries to kill himself in an explosion; but he grows back as Colossus (Stefan Kapicic) takes him to join the X-Men, with Negasonic Teenage Warhead (Brianna Hildebrand) not being fond of the not-so-superhero joining the team. But Colossus has him as a trainee and lets him join them on their very next mission.

So, what happens with the events to follow? :: After a vision of Vanessa, and trying to put his heart at the right place, he decides to help the X-Men to deal with a teenage mutant Russell Collins a.k.a. Firefist (Julian Dennison) who has gone violent at an orphanage for mutants. X-Men join with human soldiers to gain control over the mutant who is looking highly unstable. As Deadpool realizes that Russell was abused and tortured by the orphanage staff, he decides to help him, and ends up killing one of the staff members too, before being stopped by Colossus. Russell and Wade are taken to an isolated prison for mutants, known as Icebox. Collars are used to negate their powers, and without them, Wade slowly and steadily begins to go back to his previous state, with tumout growing inside him – he gets weaker than ever.

And what is follow with the events? :: It is then that a cybernetic soldier Cable (Josh Brolin) whose family is murdered by Russell in the future, travels back in time to kill him before he becomes that brutal murderer. Wade tries to defend Russell against Cable, but denies any attachment to him so that the boy could be safe inside the prison without him. Wade ends up outside the prison, and after having a vision of Vanessa again, decides to help Russell, no matter what happens. For the same, he assembles a team which he calls X-Force – Domino (Zazie Beetz), Bedlam (Terry Crews), Shatterstar (Lewis Tan), Zeitgeist (Bill Skarsgard), Peter (Rob Delaney) and Vanisher (Brad Pitt) are hired to be part of the group, as they hope to stop the mutant warrior from future. But Russell has his own ideas to stop Cable, and it will not prove to be nice for the newly formed X-Force.

The defence of Deadpool 2 :: This one’s capability to bring some entertainment can never be questioned, especially with the comic side, and some action to go with it. You can see that it refers to movies in both Marvel and DC Universe, with references including the latter being so dark. The movie does have some nice main characters, other than its superhero and a kid who is conveniently placed in the middle of everything – it has one lady whose superpower is luck, and one of the most powerful mutants, along with a time traveler mutant warrior from the future – these two are of more strength than anyone else, and you can do nothing but to love them so much. Deadpool 2 is that kind of a movie which won’t apologize for its nonsense which is surely there, and is it is that kind of fun nonsense that we need to be prepared for, unlike our usual Thor: Ragnarok, Logan, Captain America: Civil War or Black Panther from Marvel.

The claws of flaw :: Well, Deadpool 2, just like Deadpool, is not the superhero movie for the kids and families – it just not the right kind of film. The violence and gore remains rather not that good, that too with the whole thing being censored to arrive at this level. Unlike the other superheroes, Deadpool is surely that kind of a person whom we can’t admire – he is that selfish hero in one way or the other, that we need to see dead; but he just doesn’t. This movie surely has no real respect for anyone either, and that is reflected on the character as well as the dialogues of the main character. Some of the dialogues which seem to be close to being funny never really gets there, and there are those jokes which go wandering away, leaving no effect at all. The action sequences could have been better too, and the emotional side struggles, thanks to some stupid dialogues in between.

The performers of the soul :: The movie is about the two people more than anyone ele – these two have played two big characters on the big screen in two different movies. Ryan Reynolds has been Green Lantern before, and it is that DC Universe that he makes fun of in this movie as Deadpool. Then there is Josh Brolin whom we last saw as Thanos, and here he is, as Cable, in the same Marvel Universe. Both of them are really good, making this movie better than what it really is, with its low level plot that doesn’t raise the bar. Zazie Beetz is great fun in this movie, and you also love Brianna Hildebrand who has less time on the screen, but has that special effect when there. Morena Baccarin is another actress whom we wanted to see more here, and as lovely as she is here, there is only less time for her to show here skills. The rest of the cast is just mostly okay.

How it finishes :: Deadpool was never known to be the superhero that someone would wish to admire for anything other than saving the day. Being a rather selfish hero, this one was never supposed to appeal to the usual superhero admirers – even with that selfless act added in the end. There seems to be no real attempt to make this one feel better than the first movie, and there is certainly no special ingredient added to it. But we can safely say that it will provide some entertainment with the funny side and the action that comes with it. The family audience will surely have to choose Avengers: Infinity War over this one or one of those Malayalam movies in the theatres. Well, the ‘A’ certificate is sure to make that happen easily.

Release date: 18th May 2018
Running time: 119 minutes
Directed by: David Leitch
Starring: Ryan Reynolds, Morena Baccarin, Josh Brolin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, Jack Kesy, Stefan Kapicic, Terry Crews, Lewis Tan, Bill Skarsgard, Rob Delaney, Brad Pitt (cameo)

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Vikadakumaran

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What is the movie about? :: Binu Sebastian (Vishnu Unnikrishnan) is a lawyer who gets only those smaller cases which don’t get him any appreciation in life. Even though his dreams are huge, he never really gets close to achieving them. He goes through a mundane existence in and out of court, and this has lead to a certain lack of interest which makes him careless in dealing with those lesser cases which gets too. His best friend and support is Manikandan Pillai (Dharmajan Pillai) who helps him to get some new cases. Binu is in love with Sindhu (Manasa Radhakrishnan) who runs a canteen near the court. The fact that he only has his mother and a sister with hearing problems, and that his father had left nothing much for the family makes his consider all options to get to fame and money.

So, what happens with the events to follow? :: It is then that Roshi Balakrishnan (Jinu Joseph) and Aishwarya Nair (Rosin Jolly) enters the scene. There is an incident involving the death of a home guard, a hit and run case in which both of these are involved. The former is a rich and young businessman who is known for many illegal activies, and the latter is a popular film actress who is looking to leave cinema field after getting engaged. Soon, the actress is also found dead, and Binu finds himself fighting against Roshi in the beginning, and later defending his case. His friends as well as the media remains divided on this, but it is to be seen how Binu would end up in his career with this kind of a big case. Will there be justice served for anyone in the end?

The defence of Vikadakumaran :: There are enough funny moments in this flick to keep it going. The credit for the same goes to Vishnu and Dharmajan attempting to repeat what was done in Kattappanayile Rithwick Roshan. There are some nice moments in the court, both funny and effective, even though there is nothing that raises the bar, in a world where there have been movies like Yes Your Honour, Melvilasom, Jolly LLB, Jolly LLB 2, and Pink – it is still better than that over-hyped disaster of a movie throwing a court-scene out of nowhere, called Queen; the Malayalam one. The movie also nicely ends up with poetic justice being served at the final moments. A common person’s story is depicted well enough, and in doing the same, the main performers do good job. The songs are just okay, not providing too much. There will be fun in store for sure, with some twist to come in the end which will be satisfactory.

The claws of flaw :: There is no doubt that this movie could have done more with each and every aspect, whether it is the comedy, thrills, twists or the court-room drama. There is the presence of a little too many co-incidences, and we could have had better explanations and even better situations both inside and outside the court. There is also the problem of the villain’s overall smartness going with the wind, and the hero getting the smartest of them all, without nothing much happening in between. We could have also had some social issues being dealt with, considering the premise, and those who thought that something was going to be done by the lawyer regarding the first scene in the movie, one is certainly going to be disappointed. Considering its similarities with other movies with a lawyer as the protagonist, it had to do better, but it never really even try to bring a special ingredient – it could have, but that might not have been the priority.

The performers of the soul :: Vishnu Unnikrishnan is back this year after the memorable fun ride which was Shikkari Shambhu. He rightly suits this role, and has no problems in blending in here. If he was co-staring with Kunchacko Boban in that movie, this Easter weekend, he is in competition with the same actor who has Kuttanadan Marpappa at the theatres, both flicks focusing on the comic side. The combination of Vishnu and Dharmajan gets all the attention from us with the funny side which never ends. Baiju also contributes to the fun without second thoughts, and Rafi has his funny moments too. Jinu Joseph plays a powerful negative character in this movie, and he does that in style as he did in Iyobinte Pusthakam. He is the kind of villain that we always need, with a level of antagonism that stays afloat at all times. Indrans’ small role is very much memorable.

Further performers of the soul :: Manasa Radhakrishnan, the lady lead might be remembered more for playing Jaseela, the protagonist’s sister in Tiyaan. She does a fine job here, even though there is not that much of an opportunity provided for her – being just the love interest of the hero seems to be the priority. Lets have more of her in the industry. Rosin Jolly has an interesting role to play in this one, which she manages well, even though it is surprising that so many of the popular reviewers have mistaken her to be Leona Lishoy. It is understandable to make mistakes for the common man and the bloggers, but when the big names who are claimed as professionals do it, one has to doubt one’s purpose of writing a review. Megha Mathew’s role is restricted in such a way that there is almost nothing for her to make even the least impact. The female characters never really get the boost they need with this one.

How it finishes :: The movie is more or less a fight for justice, for two dead people, one a common man and the other a celebrity, and the responsible person being the same. We expect a lot of sparks as well as emotional sequences, but they are never really things of concern here. We also notice that it never really reaches the level of the movies like Yes Your Honour, Jolly LLB, Jolly LLB 2 and Pink. But if you are looking for some simple fun with a purpose, you can surely choose Vikadakumaran – just don’t expect too much, and enjoy the entertainment, for this one is never really boring at any moment. The same mood seems to be carried on towards the end, as we get to that end. It is more or less the harmless family movie, the kind of flick that Sreenivasan would do again.

Release date: 30th March 2018
Running time: 131 minutes
Directed by: Boban Samuel
Starring: Vishnu Unnikrishnan, Manasa Radhakrishnan, Dharmajan Bolgatty, Baiju, Rosin Jolly, Jinu Joseph, Jayan Cherthala, Megha Mathew, Nelson, Arun Ghosh, Indrans, Mahesh, Rafi, EA Rajendran, Nizhalgal Ravi, Sunil Sukhada, Seema G Nair

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@ Cemetery Watch
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Ira

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What is the movie about? :: Dr. Aryan (Gokul Suresh) arrived at Cochin from Kolkata, trying to leave a mark in his own home state, but is accused of murdering the Minister of Forests and Wildlife Protection, KP Chandy (Alencier Ley Lopez) who seemingly dies due to cardiac arrest. The much discussed case becomes a favourite for the media, as the minister was already in the news for corruption allegations, and his son, the next big name in politics, Jacob Chandy (Shanker Ramakrishnan) is looking forward to punish the man who is supposed to have murdered his father. Aryan is accused of being a naxalite and part of a group which is known to target politicians, and police is very much interested in making him confess to this crime. It is during these times that Inspector Rajeev (Unni Mukundan) arrives to take over the investigation from Delhi.

So, what happens with the events to follow? :: Rajeev doesn’t have a smooth run with the investigation, as the Commissioner of Police, Satheesh Varma (Kailash) is not interested in helping him. Even the people at the hospital seems to be not that much interested in helping him. But beginning with the taxi driver who dropped Aryan at the nearby church, Rameshan (Saju Navodaya), Rajeev begins to solve the mystery. There is more than what meets the eye with this tale, and he soon finds one love story which becomes the core of the whole thing, with Jennifer Jacob (Niranjana Anoop), the neighbour of Aryan, and his own tale of love with a girl whom he met in a forest near Kothamangalam, a long time ago – Karthika (Miya George). Now, the question remains about who is so much interested in framing Aryan as the murderer of a minister, and it is a difficult question to solve.

The defence of Ira :: We can see that the suspense stays strong throughout the movie, and there is the nice use of opportunities for twists towards the end. The first half as well as the second, has its thrilling moments as well as an effective emotional side. The entertainment side is strong throughout its run, and it has the audience interested in the investigation, and the predicament of the main characters. It is something offering a full run of entertaining moments, even adding some jokes here and there, with some of them working well. We can see how much the politicians manipulate people, and how so many incidents are twisted to be of advantage to them – we see where the common man’s place is, and what they are made to believe by putting them into a coma of indirect oppression. The visuals are very good, especially those of the forest, as we see that it is close enough to the locations where Pulimurugan and Shikkari Shambhu were shot – the beautiful world on the other side of Kothamangalam.

The claws of flaw :: There seems to be reflection of real life moments in the movie, but they really have no point here, and we see that they are unable to affect the movie well enough to make an impact worth remembering – these are more or less like the ingredients added to catch the attention of the viewers with the manifestation of a strange visage. We can also guess a number of things about this movie, as there is not that much focus on making sure that all minor twists hold ground. The movie could have also focused more on its title, as its oppressed including the tribals and the common people facing powerful politicians, never really get enough of justice, even though the poetic justice is delivered by vengeance. This could have been a better thriller, no doubt about that – it could have had a smarter investigation, and a stronger backstory which would be able to connect better with the right kind of bridges between the past and the present.

The performers of the soul :: Unni Mukundan doesn’t have any problem with this police role, the kind which he has already done before. From the nice entry in the beginning, he has things under control, with no real challenge being present in there to play this particular police officer for him. Gokul Suresh seems to be getting better with every movie, and we see how things have managed to rise in quality from Mudhugauv to Masterpiece, and now here. Even though Unni Mukundan’s police officer is established as the hero very early, we come to know in the end that all that Gokul’s character did was of high purpose, from the very first moment itself, with or without him knowing about it. There are also signs of a younger Suresh Gopi with his work, and the viewers are sure to wait for more from him. The significance of him being in an action-thriller is displayed so.

Further performers of the soul :: As you will notice here, the movie does have quite an interesting list of actors. The main female lead would be Miya George, even though she has lesser time on the screen, arriving late, and leaving rather early – she is very good in her work here. It is rather surprising that we don’t see that much of her work these days, Niranjana Anoop has more presence, and has done a pretty good job. There is a long way to go for her, in the industry for sure. Alencier Ley Lopez plays the corrupt politician in a nice way, Shanker Ramakrishnan plays a pretty good negative character for most of the time. Lena plays a strong character, that of a lawyer with ease, and Saju Navodaya only has a few moments to bring the laughter, which he manages; so does Nelson during the flashback moments.

How it finishes :: Ira has enough to make sure that the viewers are engaged at all moments. It might not be the best investigative thriller of our times, but it possesses enough in there to make sure that the audience is entertained. One might think that it could have been made better, as the premise was set very well. But it has been difficult to make good stories of investigation for some time in Malayalam industry, and Ira makes sure that something more is added to that genre. Well, thrillers don’t usually have enough support from the audience, unless it has those family elements like Drishyam, and also has a big superstar at the helm. Let us hope that this one has that support, as experimentation in the genre seems to have stopped rather too early. If the early opinions about the movie is going to continue, Ira might be followed by more of similar flicks.

Release date: 16th March 2018
Running time: 139 minutes
Directed by: Saiju SS
Starring: Unni Mukundan, Gokul Suresh, Miya George, Lena, Alencier Ley Lopez, Niranjana Anoop, Shanker Ramakrishnan, Neeraja, Saju Navodaya, Kailash, Nelson, Mareena Michael Kurisingal

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Masterpiece

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What is the movie about? :: An arrogant Roshan Cherian (John Kaipallil) and an adamant Mahesh Raj (Maqbool Salmaan) leads two rival gangs at the Travancore Maharaja College in the centre of the city. These two gangs, Royal Warriors and Real Fighters fight for domination, with hockey sticks, cricket bats, cycle chains, table legs or whatever they can find, sometimes in the remote corners of the huge college campus, and at other right times, right in front of the students and faculty, much to the dismay of the Roshan’s father, Vice Principal Cherian Philip (Mukesha) and Principal Narayana Kaimal (Sunil Sukhada). There is no shortage of chaos already, but the love story of a Real Fighters member Unnikrishnan (Gokul Suresh) with a girl named Vedhika (Mahima Nambiar) from the nearby college makes things even worse. They soon find the dead body of Vedhika in the college premises, and first suspect for the crime is Unnikrishnan who is arrested.

So, what happens with the events to follow? :: Soon, Unnikrishnan is found hanging inside his cell in the police station, and things get worse. A.C.P. John Thekkan I.P.S. (Unni Mukundan) who was leading the investigation lands up in the hospital after college students attack the police, and S.I. Ramakrishnan (Kalabhavan Shajohn) is suspended after being held responsible for the death of the student. There are wide protests in the city by student organisations which take over the whole thing, and as Vedhika comes from a reputed and rich family, and is the daughter of an influential politician, pressure mounts on the officials, and a new team lead by A.C.P Bhavani Durga I.P.S. is brought to action. With John Thekkan expected to return and join the team soon, the group decides to take quick and firm action against the possible culprits before new orders come from the top again.

And what comes next with this murder mystery? :: After questioning the peon of the college, Sankarankutty (Santhosh Pandit), canteen in charge Maniyan (Saju Navodaya) and helper Reji (Bijukuttan), the police comes to know that Roshan had alcohol mixed in Unnikrishnan’s drink making sure that he wouldn’t get to meet Vedhika who was waiting for them at the beach, where she was last spotted. Roshan becomes the suspect, and the police tries to enter the campus to arrest him, only to be stopped by protesting students, with the exception of Real Fighters who welcome the move to arrest the leader of Royal Warriors. As police and students fight inside the campus, the new English professor arrives to take charge – Edward Livingstone (Mammootty) who has a record of police cases for himself. He decides to change the whole setup in the college, and re-unite its students, as police looks for the murderer.

The defence of Masterpiece :: It is after Mammootty arrives that this movie gets better, as the latter part of the movie is surely better. There will also be a lot for the fans, and that is for sure – as I skipped the early fan shows and watched the movie with normal hardworking people, there was no focus on those mass scenes in the theatre. The suspense is maintained till the end, and the revelation awaits at the final moments. Just like Aadu 2, this one is for more the fans, and the other categories of viewers will find only limited impact. The festival mood of this holiday season is also maintained in this movie. This leaves no surprise about how well the movie began at the theatres, as the first of the many flicks of Christmas including Mayaanadhi, Vimaanam, Aadu 2 and Aana Alaralodalaral. Well, it is always good to go back to the campus isn’t it? And nothing better than a murder mystery in a college campus to provide a grand entry for the hero who is all prepared to go invincible and immortal in a world of cheap mortal humans.

The claws of flaw :: You will find Masterpiece to be too similar to Mohanlal starrer Velipadinte Pusthakam, but the mass elements are rather too much in this one. A college professor with a complicated past coming into a college where students battle each other as part of two separate gangs with a murder behind – just the same idea that you had seen on the big screen earlier. The shots of hero throwing the goons to the Mahindra Scorpios parked there, destroying the vehicles too easily will have the makers of the vehicles wonder what would happen if a Scooty is to hit them in the middle – will the SUV be split into two then? Then there is a modified vehicle which goes through walls – are they promoting this vehicle against Mahindra? Is that a foreign-made SUV that is declared to be better than Mahindra SUVs? The hero also throws a heavily built villain around with one hand a little too many times, and the movie could have done without these scenes. In this too long a movie, the jokes are less effective and there is confusion about where it is going. Slow motion is used badly as expected.

The performers of the soul :: It takes just above an hour for Mammootty to come in, and it might be because of the presence of too many characters that it takes so long. It is after he arrives that things begin to get interesting, as he immediately makes the impact as the college professor. The two female characters who are there till the end, Poonam Bajwa and Varalaxmi Sarathkumar got not much to contribute, playing stereotypes. Mahima Nambiar gets better but the character goes dead. Unni Mukundan has to go a little too much towards the stylish side, but has our attention. Kalabhavan Shajohn is someone who never struggles in this one, as a cop suits him so well just like in Oppam and Drishyam. Gokul Suresh did believable work here. John Kaipallil and Maqbool Salmaan were good playing what Arun Kurian and Sarath Kumar played in Velipadinte Pusthakam. Saju Navodaya brings some comedy here and here with Bijukuttan, but not that much as we would expect. Captain Raju brings some laughs, even though we see more going over the head.

How it finishes :: The movie is something which seems to be exactly opposite what the title says. Masterpiece is exactly what this movie isn’t, but if we separate the word into two, and say “Master in pieces”, that would be more appropriate. But as Velipadinte Pusthakam itself was, this is not really a terrible movie. There is something here and there for the fans, and we know that the core idea had more potential. The hero worship in this movie is exactly what brings this movie down – it is always the superstar’s fans and their needs that brings a wonderful actor down, as it is proven on so many occasions. We need to forget a few moments defying gravitational force along with slow motion, and some unnecessary dialogues about respecting women without meaning the same when there is no need, and we have one twist awaiting us in the end, and a villain whom we least expected. As a thriller, the idea at the base is surely good, but we have to often wonder at the final product.

Release date: 21st December 2017
Running time: 160 minutes
Directed by: Ajai Vasudev
Starring: Mammootty, Unni Mukundan, Poonam Bajwa, Varalaxmi Sarathkumar, Kalabhavan Shajohn, Mahima Nambiar, Megha Mathew, Lena, John Kaipallil, Mukesh, Gokul Suresh, Maqbool Salmaan, David John, Santhosh Pandit, Kailash, Nandu, Divya Pillai, Sunil Sukhada, Arjun Nandhakumar, Saju Navodaya, Thesni Khan, Divyadarshan, Ameer Niyaz, Bijukuttan, Shivaji Guruvayoor, Udaykrishna, Renji Panicker, Manikkuttan, Anjali Nair, Captain Raju

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✠ The Vampire Bat.

Descent into Darkness

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Vampire Owl: Do you remember the famous quote which has been very much applicable to us?

Vampire Bat: There has been more than one of them that applied to us.

Vampire Owl: I am talking about the one which was regularly referred to, during our first few classes for vampire apprentices.

Vampire Bat: You are talking about one of those quotes about darkness, aren’t you?

Vampire Owl: Yes, it was also written on the first page of our vampire texts.

Vampire Bat: I didn’t realize that you actually read those books.

Vampire Owl: Yes, I read them when I want to sleep. Reading them gives me sleep at times when it evades me.

Vampire Bat: Now you are talking like one of those strange school kids.

Vampire Owl: Well, the quote was about the need for vampires to get into that darkness.

Vampire Bat: Yes, about descending into darkness.

[Gets three cups of masala tea with Arrowroot biscuits].

What is the movie about? :: Sorgoi Prakov (Rafael Cherkaski) arrives in Paris from an Eastern European country, to make a documentary about the European Dream, in the lines of the American Dream which is rooted in the Declaration of Independence, that proclaims that all men are created equal” with the right to life, liberty and the pursuit of happiness. In the beginning, his journey through the capital of France seems to be all going well, with wonderful places to visit and people being very nice to him. It seems to him that his European Dream is going to work so well. There seems to be happiness all around, and Paris seems to be the perfect place to begin his European Dream. It makes him believe that he has taken the right decision to go on this journey, and that things can only get better. But it turns out that it is the other way around.

And what is to follow in this particular adventure? :: Things were certainly not going to get any better for him, as there was always the chance for all going worse, with some bad decisions, and bad luck – being at the wrong place at the wrong time was just one of the villains. He does get beaten up by people who tries to steal his camera, which is broken, because of which he has to buy another one. He runs short of money, as he doesn’t hear from his producer, and has to adjust in many ways living in the city. He still thinks that everything is in control, but it turns out that not much remains in his hands. The artificial world of pubs and parties with drugs and alcohol adds to him being further away from the reality, creating one of his own, which includes brutality in his madness. His world changes, and he goes on becoming the exact opposite of what he was, bringing in a European Nightmare instead of European Dream.

The defence of Descent into Darkness :: The movie’s highlights come in the last few minutes, with the madness reaching a terrible level. The last scene at the house brings the best of them all. It deserves applause about how those scenes are managed in a realistic, but cruel manner. In the end, we realize how the world changes people, and the idea about hope is mostly that much of a lie, as this party culture with alcohol and drugs contribute to making a person worse through pubs and all their unnecessary additions to the life of youth. The performances are good, not just with the lead, who excels, the rest also follows up well even if they are only those smaller roles. The alternate title of the movie somehow reflects The European Dream: How Europe’s Vision of the Future Is Quietly Eclipsing the American Dream, a book, by Jeremy Rifkin. But in the end, we know that there is no big dream that can be achived by a common man all by himself.

The claws of flaw :: The accent used in this movie might feel a little difficult to understand for people at this part of the world at some points. There are moments in there which seems to be added for the sake of being there, or maybe to have the flick at a good length in totality. We also feel that the movie could have been really scary with its madness, and while some are surely part of the madness in a depressing manner, others are just funny – but it gets really better in the end. The dark humour is somewhat there, and the cultural differences might be bringing it down for our audience here. There is also the feeling of the need for more after we watch the trailer, and the expectations were surely bigger. The movie also misses out on having a memorable female character; even as the movie was based on one person in particular. Someone whom he meets in the city, maybe? Or someone whom he decides to murder?

The newfound love for the subgenre :: There are not many people who love to watch the found-footage horror around here, and I am myself a new person interested in the genre. When a found-footage horror movie can catch your attention, you know that it is going to get better for the genre here. There was The Last Witch being an interesting one made in low budget in the genre, and now there is this one. We remember the movies like Cannibal Holocaust, The Blair Witch Project, Paranormal Activity, [REC] and Cloverfield which were talked about a lot, with The Blair Witch Project and Paranormal Activity becoming the representations of the subgenre a lot. With this movie showing signs of some smart plans, maybe, we are awaiting more to come in the found-footage horror, and the best might be yet to come, as did horror with The Autopsy of Jane Doe, Lights Out and Don’t Breathe last year.

[Walks into the balcony with another cup of tea].

Vampire Owl: The strange things that humans do these days. Even Doctor Frankenstein is better.

Vampire Bat: Their control over their own mind and heart is rather questionable.

Vampire Owl: I am sure that most of these humans are already insane.

Vampire Bat: Well, they are better blood-suckers than vampires are, and they have proven the same with their wars.

Vampire Owl: There is the certainty of evil in them.

Vampire Bat: They possess inherent evil, and still call themselves to be of neutral alignment between good and evil, while holding that evil in mind.

Vampire Owl: I am pretty sure that they are more aligned to evil than our kind ever had been.

Vampire Bat: I would rank them with werewolves and dark elves, and at times with the zombies.

Vampire Owl: With their latest technology, they are already zombies enough.

Vampire Bat: Yes, more or less like your zombie minions.

[Walks into the silence of darkness].

Release date: 15th December 2017 (World-wide release on Amazon Video, POV Horror Roku, POV Horror Amazon Fire TV, and all Android devices)
Running time: 92 minutes
Directed by: Rafael Cherkaski
Starring: Simon-Pierre Boireau, Elodie Bouleau, Rafael Cherkaski, Roland David, Charles Dhumerelle, Xavier Kerf, Corentin Koskas, Denis Larzilière, Loïc Lefebvre, Philippe Pasquini, Omar Salim

<— Click here to go to the previous review. Movies of the Soul recommends Thor: Ragnarok as the movie not to be missed this year.

@ Cemetery Watch
✠ The Vampire Bat.

Mrithyumjayam

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Vampire Owl: I am sure that they are talking about us.

Vampire Bat: Why would you think that when going through a non-vampire movie?

Vampire Owl: Because it seems to be about someone who defeated death.

Vampire Bat: We haven’t defeated death; at least not yet.

Vampire Owl: Dude, we have come back from the dead. Anyone would coming back from the grave as a miracle and a victory.

Vampire Bat: It might be a case of victory for us, the same is not the defeat of death.

Vampire Owl: Why wouldn’t death be defeated by our victory?

Vampire Bat: We haven’t left the world of the dead. We are still connected to it. We never came back to the living, and we are just undead.

Vampire Owl: Does that really make a difference?

Vampire Bat: Yes, it surely makes a lot of difference. Death is only a passage, and we went through one of it to another stage – it is different from coming back.

[Gets three cups of special tea with Tiger biscuits].

What is the movie about? :: The idea of becoming a respected gangster is to kill the most feared gangster of all-time. But the question remains about what would happen if that man of terror is considered rather immortal? The doctors had told him that he would die in a few months, and he has gone one to live for so many years, and that too at the top of the food chain, doing his business with ease. He was stabbed multiple times, and has so many scars on his body. He was also shot so many times, and people say that he even took bullets on his head and still managed to be what he is now. There is also a tale which goes about twenty years back, about him being surrounded by fifty people armed with weapons, and he murdered them all without even a stick in his hands. He is also known to possess special weapons which are so sharp and poisoned that he can deliver the fatal blow in a second or two.

So, what happens next? :: The movie tells the story of a young man named Appu (Jitin Puthanchery) who has always wanted to be a gangster. He was born into a mafia family, and had grown up listening to their big tales of crime. These tales were talked about a lot of the common people who feared them, and there were even books and movies in their name. All these has made the young man want to be more and more like them. For the same, he takes on the mission, and it is to murder the man, Mrithyumjayam (Selvaraj Raghavan) known more to everyone as the the gangster who can’t die. It is his uncle (Sudhish Gopinath) himself who gives him with this objective even though he and his people have the doubt if he is really ready. But he decides to take it on – but the question remains if he can kill the man who can’t die? Can he accomplish what so many people and diseases couldn’t, and thus rise above the legend of the immortal gangster?

Soul exploration 1: Desire to follow the wrong path to fame :: Well, what people want is more about fame and money, and for the same, young people tend to take the wrong path, as they just seem easier – there is no need to study, and there is absolutely no need to follow the rules. This quick need for money and fame are driving forces behind them taking the terrible path. Once they take this path, there is no changing, and there is no coming back. We can see the protagonist in this short-film too, taking the same road, inspired by his own people and also by movies. Well, considering the state of our own movie industry, there seems to be too much criminal activities there too. It is a sad thing, as common people tend to lose their interest in movies too – you can see that the theatres are not that full as they used to be, and there are shows getting cancelled, or movies getting completely removed from a theatre. In the end, the wrong path can never be justified, and it all comes together to haunt you.

Soul exploration 2: A new generation lost in desire for more :: The new generation seems to find these things rather cool – there is the glorification of violence in the movies like Django Unchained, Kill Bill and many others which seems to show the same as the only solution to problems. This has made the youth choose the same to get what they want to have. The inherent evil in man just makes things easier – it is only that special push that most of them need to go against law, and you will feel such things happening with ease when you read the newspapers these days. The need for becoming the gangster which the protagonist in this movie has, does seem rather foolish and due to dumb reasons; he doesn’t even seem to be ready, but we see that he is ready to kill when there is the need. The most terrible acts of violence seems to be ready to come out when there is a chance – the question remains if it is how our new generation is turning into!

How it finishes :: Mrithyumjayam is taken in such a stylish way that you will have the feeling of this being more global in character – the black and white on the screen works nicely for the movie, and throughout the movie, it provides that kind of a feeling which keeps us immersed right inside. The only colour used otherwise is red, and that is nice to see – the only exceptions are the colours shown on a television screen and on the protagonist’s shades. The first thing that the movie reminds us of, is Sin City. It is actually nice to see that our own people are capable of making short-films like this – it is actually worthy enough to make a full length movie, with this particular gangster’s legend going on, leading the rise of a new one, and showing how things change, but the core remains the same while history repeats itself without any kind of remorse as it sheds so much of blood.

[Walks into the balcony with another cup of tea].

Vampire Owl: Throughout my life, I have never wanted to be a gangster.

Vampire Bat: It is a good thing because Werewolf Anger would have killed you otherwise. He hates gangsters.

Vampire Owl: Do they make him angry too? Like vampires, zombies, wood elves, dark elves, high elves, satyrs, orcs, goblins, halflings, witches and centaurs do?

Vampire Bat: He is always angry. He just hates the gangsters.

Vampire Owl: You mean to say that he hate them so much that no gangster will ever see the light of the day in his territory?

Vampire Bat: Yes, something like that, but only until the Lich Queen re-animates their remains. She raises the undead from such people.

Vampire Owl: You mean to say that the gangsters never really die either?

Vampire Bat: As long as the Lich Queen gets her hands on them.

Vampire Owl: So, there is really the defeat of death.

Vampire Bat: As I said earlier, this is not the defeat of death either, but the opening of another passage while traveling to the other world.

[Walks into the silence of darkness].

Release date: 30th January 2016
Running time: 15 minutes
Directed by: Dominic Arun
Starring: Rafeeq Aman, Dominic Arun, Ananthu Balachander, Sudhish Gopinath, Anil Narayanan, Jitin Puthanchery, Selvaraj Raghavan, Shabin, Nandhan Unni, Balu Varghese

Watch the movie Mrithyumjayam here:

PS: Check out the reviews of the latest movies in the theatres, Kadam Katha, Sunday Holiday and Basheerinte Premalekhanam.

<— Go back to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Culprit

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Vampire Owl: Do you know that I am a culprit in love?

Vampire Bat: How is that relevant right now?

Vampire Owl: I just wanted to remind you that the word applies to me too.

Vampire Bat: I am sure that your experience cannot match the genre of this short-film.

Vampire Owl: You mean to say that you are not finished reviewing short-films?

Vampire Bat: I don’t see why I should ever stop doing that.

Vampire Owl: What about those big movies which have got you most of the hits?

Vampire Bat: They have stopped being something that matter. I am supporting smaller ones right now; they are the future. There is more material in them.

Vampire Owl: You are talking like a true vampire apprentice.

Vampire Bat: I am the first vampire apprentice to write movie reviews. So, my opinion counts more than most of the others in the New Vampire World.

[Gets some potato chips and three cups of Ceylon tea].

What is the movie about? :: Amal (Akhil Vivek) reaches Mumbai from Cochin to meet Jithu (Danish Ashokan), a friend and an elder brotherly figure. It turns out that he has run away from Kerala after the circumstances which lead to a girl named Ancy Kuriyan Thomas (Dona Shankar) going missing, pointed fingers at him. There hasn’t been much progress in the case which only has him as the sole link to the events, but about which he has no clue. Amal tells Jithu his story, which has his best friend Sooraj (Akash Sheel), and an unknown phone call from a female voice which introduced itself as a girl named Devika Varma. As they get closer, Amal asks for her to meet up with him instead of being the random voice on his phone. But despite her agreeing to meet up at Cherai, later calls him to warn him against calling her again unless he wishes to get in trouble.

So, what happens next? :: As they attempt to investigate on the matter, it leads them to Dr. Shafeeq (Anwar Shereef) on whose name, the sim card is taken. He tells them something about the missing girl in the news, Ancy Kuriyan Thomas, which shocks them. But it turns out that they can’t tell that to anyone else, as it would put the shadow of doubt on them. But the police ends up getting a photo which works against Amal, and puts him directly in trouble from the cops as well as the media. Now, he has come directly to Maharashtra and hopes to solve this confusing problem. Can he do that before time runs out? Who is this Devika Varma and how is she related to the mysterious disappearance of Ancy Kuriyan Thomas? Is there a chance than Ancy might be alive after so many days? Why does all this point to Amal when it seems to be clear that he has nothing to do with the girl named Ancy?

The defence of Culprit :: The suspense that the movie has is pretty much huge, and we enjoy how it is told, and it is twisted, in a positive way. From the first few moments, it is established that we have a thriller in store, and then, after a few minutes of the usual stuff to set up the whole thing, we are taken back to staying on the edge of our seats. One would still feel that the end was too quick, and wonder if the absence of the explanation for some deeds were the need – it still lets us think more, and come up with our own conclusions. The movie is actually longer than most of those usual short-films that you see, and so there is plenty of time for the viewers to get drawn into it. With its half an hour run-time over, we end up wishing for the length to be little more, and that is surely a rare thing. Whenever the movie seems to stray away from its path, there will be something, a moment or a dialogue to bring it back on track, and it has a smooth run all the way.

Soul exploration :: Culprit explores what all are there as more than what meets the eye. It shows a protagonist being clueless against a force which seems to have worked against him right from the beginning. There is a mystery here that needs to be solved, as it threatens his own existence, and he understands it should be done as quickly as possible. What we see here is a crime committed, and the person who does that goes to any end to make sure that he is not convicted; for it is something planned well enough to have more than one escape route – there is not much of friendships here to save the day, as the protagonist can trust nobody. We see the movie slowly and steadily getting hold of things, leading to that wonderful revealing in the end. There are things that the movie doesn’t try to tell, and on everything else, what you see and understand gets the clarity.

How it finishes :: Culprit is a fine example of how the right talent shows itself when there is a chance. On one side, we have those big movies struggling to become interesting thrillers, and even with that high budget and big stars, they fail – but here, we have something small in scale, but strong with the idea, which is presented really well on screen. We get a great quality here, without waiting in the queue or spending that extra money on online booking, along with those increased ticket prices – we just need a few MB of data to get into some nice thrilling moments. Culprit also comes at a time when there have been too many short-films dealing with the great nonsense romance in many absurd ways. A well-made thriller lasting half an hour is something that has the strength to go far, and it is hence proven by this short-film.

[Walks into the balcony with another cup of tea].

Vampire Owl: Do you think that such people can exist in our society too?

Vampire Bat: We are an alcohol-free society – so it would be difficult, but evil always finds a way.

Vampire Owl: Do you think that they could come through the portal which Doctor Frankenstein had opened earlier?

Vampire Bat: Mr. Frankenstein can only be the means to evil if we allow him to be.

Vampire Owl: It could be through anyone, someone whom we trust the most.

Vampire Bat: Yes, Evil as a person is a clever manipulator.

Vampire Owl: It could be the Lich Queen, Werewolf Anger, Vampire Kung Fu Panda…

Vampire Bat: Why do you keep waiting for evil to come, when there is the chance to embrace goodness?

Vampire Owl: Well, you just can’t see so much evil, and still go with goodness.

Vampire Bat: Goodness is difficult, and evil is easy. It is on this that we wonder, and get inspired to think more about the same.

[Walks into the silence of darkness].

Release date: 9th July 2017
Running time: 31 minutes
Directed by: Jithin S Babu
Starring: Akhil Vivek, Danish Ashokan, Dona Shankar, Akash Sheel, Anwar Shereef, Santhu Bhai

Watch the interesting thriller, Culprit here:

@ Cemetery Watch
✠ The Vampire Bat.

C/O Saira Banu

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What is the movie about? :: Saira Banu (Manju Warrier) is a post woman who lives for her adopted son, Joshua Peter (Shane Nigam). Joshua is the son of a photographer who went missing in the forest and was declared dead long time ago, and this particular award winning photographer, Peter George (Mohanlal – voice only) had adopted Saira a long time ago, after her whole family had committed suicide. Joshua is in love with Arundhati (Niranjana Anoop) who studies in the law college just like him, but it goes on only with interest from his side. His other love is for photography like his father, and he tries hard to make something out of this passion with the support of his young mother. He is finally rewarded one day for his hard work as he wins a contest and is selected to go to Paris. But on the same day, some twist of events happen.

So, what happens next? :: There is a case registered against Joshua, which happens to be not as simple as Saira had thought, as this one is a hit and run case, and the victim had died, with witnesses there to testify. As it threatens to destroy his life and career even though he claims that he is innocent, Saira decides to prove that her adopted son is telling the truth. But fighting the case against Joshua is Annie John Tharavady (Amala Akkineni), one of the most successful lawyers, and is determined to win this case too. Joshua and Saira has no option with all lawyers backing out due to one reason or the other. But she will not surrender – still the question remains if she stands a chance against Annie who is determined to get his side to win every time? Where does Joshua’s future go from this situation from where there seems no chance of redemption?

The defence of C/O Saira Banu :: The movie goes through some interesting incidents in the society, including the case of migrant workers, noodles ban, kiss of love protest, and one other thing which was in the news, but can’t be revealed due to its effect on the suspense factor. There is some comedy that is working in the first half, and there is a second half which has a good amount of thrills to go with that unexpected twist to go with the climax – it succeeds in making people guess and come up with an ending which will be acceptable to most of the viewers along with being a nice surprise for everyone. There is also the message about the reality of this world, on what has been happening with a society which has been divided on the basis of class more than anyone can imagine. Along with the same, C/O Saira Banu is a good-looking movie too.

The claws of flaw :: The first half of the movie will feel a bit longer for one’s liking, as the time taken in establishing the mother-son relationship is a little too much, and some of jokes are not that effective either; same is the case of melodrama too. Better comic stuff in the first half would have helped to keep a momentum in the first half, maybe with some more sequences in the college or the post office – even the neighbourhood was a place which had some good scope. The end credits scene also ends without a warning, when you feel that there was going to be something to be added in the end. You will also feel that there is more than one side to a happy climax and ending; there will be questions if that good feeling is really that good, or is it just an illusion of the same.

Performers of the soul :: This one has Manju Warrier playing the titular character, and the most important role in this movie, and we are glad to see her in another role which provides her the prominence that she deserves and works on really well – Rani Padmini was the last one to get her to that level, even though Karinkunnam 6s and Vettah did show the signs. It is for those emotional moments that we need to look out for the most, and there is that bit of determination in her character against all odds which works so well for her. It is her return that has helped the Malayalam movie industry so much to bring the heroine-oriented roles to the front, something that has been struggling to be there. I don’t see anyone doing such roles like she did for quite some time, something that started so well for her with How Old Are You? and might continue in the same way, as we are seeing now.

Further performers of the soul :: Meanwhile, Amala Akkineni makes her return to Malayalam movies after a very long gap – her last two movies were Ente Sooryaputhrikku and Ulladakkam, with Suresh Gopi and Mohanlal respectively, both releasing in the year 1991 – those were also her only two Malayalam movies before this one. She remains solid in her lawyer character in this one, and the character’s determination has a clear reflection on her. Shane Nigam has his second big role after Kismath despite being there for longer – here he plays a character that has almost no happiness, and there are so many similarities to his role in his previous movie; but he manages the same well. Niranjana Anoop has less to do, which she does fine. It is Biju Sopanam who scores the most outside the main list. There are also those names which are underused, from Joy Mathew to Sujith Shankar.

How it finishes :: Unlike what some people had said, Mohanlal is not making a special cameo appearance in this movie, even though his voice is there. There is enough for everyone with C/O Saira Banu, and the family audience will be the one to benefit the most. Coming from a debutante director, this one is more than one can expect while dealing with a topic like this. It is surely the best movie in Malayalam to have released so far – forget those people who are claiming the same for movies which claim to be realistic when they are not, because C/O Saira Banu is the flick that follows the path of Drishyam, as a family movie as well as a thriller, becoming part of two different genres in two halves. This one is certain to weave its magic among the audience, even if a little bit late – watch it now, and try not to figure out why you didn’t watch this one earlier.

Release date: 17th March 2017
Running time: 156 minutes
Directed by: Antony Sony
Starring: Manju Warrier, Amala Akkineni, Shane Nigam, Niranjana Anoop, P. Balachandran, Joy Mathew, Indrans, John Paul, Ganesh Kumar, Jagadeesh, Sunil Sukhada, Biju Sopanam, Sujith Shankar, Mohanlal (voice only)

@ Cemetery Watch
✠ The Vampire Bat.

See No Evil 2

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seenoevil2 (2)

Vampire Owl :: I feel that we shouldn’t watch this movie.

Vampire Bat :: Why? You didn’t like the first movie?

Vampire Owl :: No, not that; even if we tell others that we see See No Evil, we actually see the evil which is committed on the screen, but it should be about seeing no evil. So, it implies that we are lying. You will be writing about this movie. So, if you write that you saw See No Evil, that means that you saw all the evil deeds on the screen and in the end, it means that you saw evil instead of not seeing the evil. That is a lie. Vampires don’t lie.

Vampire Bat :: I don’t get this see-saw evil. What are you talking about?

Vampire Owl :: I am saying that this movie asks us not to watch it, and it is a fact.

Vampire Bat :: I don’t really think that you should create a complicated issue out of a horror slasher movie and its title.

Vampire Owl :: How can you say that? I demand the right to use my owlish brain.

Vampire Bat :: Why does it never work when needed?

Vampire Owl :: I can’t help it. I am an evil genius and my needs are different.

Vampire Bat :: So, it is true that the branch of a tree fell on your head?

[A few minutes of silence].

What is it about? :: Amy (Danielle Harris), Seth (Kaj-Erik Eriksen) and Holden (Michael Eklund) are working at a morgue late night. As it is Amy’s birthday and with her getting ready to leave, they get to know that the bodies of nine victims of a murderer are being brought, along with that of the killer, Jacob Goodnight (Kane); and she decides to stay and help them instead of going for a party. Due to her absence, her friends Tamara (Katharine Isabelle), Kayla (Chelan Simmons) and Carter (Lee Majdoub) sneak in to celebrate her birthday along with her brother Will (Greyston Holt) as they begin a party in the morgue. But what will they do when they find out that the killer is alive and is killing one after the other?

The defence of See No Evil 2 :: Coming from the Soska sisters Jen Soska and Sylvia Soska who came up with the movie American Mary in 2012, this is a sure improvement from there – that movie itself had some nice elements, but none that effective. They have also starred in the nice beginning credit scenes as corpses. There is nice treatment of this regular slasher movie which makes it rise above the ordinary. See No Evil 2 is surely going to be something of interest for the WWE fans. There is Kane doing what he has done in WWE for a long time; there is total devastation as he used to do with his opponenets. Jacob Goodnight is sure to become a character to be remembered for a long time, and the setting and the style only adds to the overall terror quality of the movie. The elements of fear nicely focuses on the killer and the environment. It is good fun with thrills.

The claws of flaw :: There are things that go on without reaching anywhere, with the attraction between the co-workers and the brother-sister relationship being just two of them. The return of the villain doesn’t have any explanations, as we can’t stop feeling that it is just an attempt to make things work once again with the same character and the actor. There is a certain supernatural feeling about the character with surely damages things. The flashbacks which go back to the first movie only makes things too strange and less interesting to follow as they break the continuity of the story. The horror elements never really go above a certain limit which has been set by the inability to do anything special. The killings are nothing beyond the ordinary, and the ending is just something which could have been better planned.

Performers of the soul :: Glenn Thomas Jacobs whom we know as the WWE wrestler Kane remains the biggest asset of this movie, and it surely was a good idea to bring the character back for him, as he seems to do this role with certain ease. Working as the brother of The Undertaker and being part of The Brothers of Destruction was a job too good with the mask, and this one has him returning with another mask. Danielle Harris is one of those scream queens who has been there in horror movies doing similar roles for a very long time, mostly related to two movies of Hatchet series and four belonging to the Halloween franchise, and the list doesn’t end there. She is right there with the role, but it is Katharine Isabelle, the other queen of horror who steals the show – the one from Ginger Snaps franchise and American Mary, not easily recognizable in this new style, but this is a different character for her as she adds humour and fun to this movie.

How it finishes :: With some fun and scares here and there, this one is a sure improvement from the first movie. The environment, the leading character and the two leading ladies are those factors which make sure that this works better than the previous movie. We have had some interesing killers including Jason Voorhees, Freddy Krueger, Michael Myers and Victor Crowley; so Jacob Goodnight will only add nicely to that list which has the stranger names like Rusty Nail and Chrome Skull. There is one certain thing about this franchise, and it is that the whole thing has managed to move away from the weaknesses of the first movie. See No Evil 2 works, and how much it works is dependent on the taste.

[After watching the movie].

Vampire Owl :: I think that we should follow the pattern.

Vampire Bat :: What pattern?

Vampire Owl :: This one tells us how to establish a base at the morgue. Why didn’t we ever thing about it?

Vampire Bat :: I am currently thinking that this is better than the predecessor.

Vampire Owl :: Yes, that is established already. What about the pattern?

Vampire Bat :: I don’t think that we should establish new vampire bases without permission from Uncle Dracula.

Vampire Owl :: Yes, the permission has to be taken, but this is one place where we can establish the base without further trouble.

Vampire Bat :: You don’t think that the current cemetery bases will be enough?

Vampire Owl :: No, there is something big coming. I can feel it. We need the morgue.

Vampire Bat :: It is Insidious: Chapter 3. Just make sure that you watch it.

Release date: 21st October 2014
Running time: 90 minutes
Directed by: Jen Soska, Sylvia Soska
Starring: Kane, Danielle Harris, Katharine Isabelle, Chelan Simmons, Michael Eklund, Kaj-Erik Eriksen, Greyston Holt, Lee Majdoub, Sylvia Soska, Jen Soska

seenoevilii

@ Cemetery Watch
✠ The Vampire Bat.