Survive

Vampire Owl: Do you think that we really need another movie on survival?

Vampire Bat: Well, we are surviving right now. So, this is a realistic movie.

Vampire Owl: Does this have someone’s survival for centuries?

Vampire Bat: I think that this is just about a few days, maximum.

Vampire Owl: So, they are dealing with some crisis which would not matter for vampires.

Vampire Bat: You should understand that everything matters for vampires.

Vampire Owl: We are people of the past. So, future should not matter to us.

Vampire Bat: We live in the present whether we are in the past or future.

Vampire Owl: We do not live in timelines, we never did.

Vampire Bat: We blended in, and we become part of the nocturnal world then.

[Gets a kathi roll and three cups of Munnar tea].

What is the movie about? :: A family of four have been celebrating togetherness – Tom (Andreas Pietschmann), an expert oceanographer, Julia (Émilie Dequenne), an experienced doctor, and their two children Cassie (Lisa Delamar) and Ben (Lucas Ebel) are on a yacht named Orca somewhere in the Caribbean area, celebrating the boy’s thirteenth birthday and enjoying vacation, even though the girl does seem to miss her boyfriend too much, and finds the trip boring without his presence. She keeps making video calls to him even though the network connectivity is very low, often ruining family moments. This is a family vacation that occurs after quite a long time. There is something strange happening around though, as expert swimmer Julia almost drowns with sea getting rougher than usual, and whales also seems to flee, with some problems seemingly occurring with the compass too. There is a violent storm that also follows, and the family keeps themselves safe within the deck of the ship, passing out in the process.

So, what happens with the events here as we just keep looking? :: As they wake up next morning after the storm, the family is shocked to find out that the ocean has disappeared — there is no water, as the ocean bed has exposed itself as a strange desert. Tom feels that the poles of the planet have been reversed, leaving the oceans at what used to be land and vice versa. Even though there is no reply to their distress calls, they are finally able to contact Nao (Olivier Ho Hio Hen), a submariner who found himself on land from underneath the ocean floor all of a sudden. He feels that the poles will flip again in about a week and that the seas will return violently, devouring everything without trace. He offers his submarine as a safe location, with space for two more people, and Tom and wife quickly asks him to save their children. Nao gives them the coordinates, and they decide to start their journey only to find that something more has been unleashed there. Can they survive the unexpected terror on the way?

The defence of Survive :: A family trying to survive when there is almost no chance to do so is always worth our attention. After all, families staying together these days has been a rare thing as we look at most of them. The apocalyptic twist used here is nice, and nicely changed from the usual things which we keep finding everywhere. The end of the world has been shown clearly with only a few characters and grandeur of destruction is still felt. The visuals of a dry world nicely add to the same, and feels like a classic apocalypse with a twist to the incidents causing the same. The fine looks along with the sounds to set the mood has us interested early enough. The newly formed desert world is as interesting as the creatures and the debris that goes through them to make us feel the effect of the catastrophe rather than to spread fear. With action here and there and the family bonding moments, it does not drag, but keep the pace going – it is quite a short film indeed, and we are never out of the apocalyptic mood.

The claws of flaw :: The grand idea could have had further grandeur could have come up with a spectacle that we would remember for what is shown on the screen. There could have been some shots which would stay in our minds forever and remind us of this movie – the iconic shots could have been here, as the opportunity was clearly there. The idea of being terrifying is not that much around, and it never really gets into full fun either. Also, everything happens all of a sudden, and there is not much of an explanation for all these strange of end of the world incidents. The characters do not develop that much, and children show irritating side at times. The end also seems rushed, as if it has come around too soon after accelerating a little too much in the final moments. This is not that kind of a movie which we would feel the need to watch again, even with moments. The idea had possibilities from not just the ocean, but also from the newly formed wastelands and nature behaving strange.

The performers of the soul :: The movie had to depend on its performances, as there are only a few characters and the focus is so much on them. There is no scope for falling behind with this particular aspect, as the grandeur of the visuals make way for the characters with ease. Émilie Dequenne plays the mother and doctor figure trying to save her family, and she shows the fight so well, fighting against all odds. Andreas Pietschmann plays the protector, the strong father who keeps hoping to save his children and wife even at the cost of his own life. The two manages the role so well that they make the perfect parents. Lucas Ebel adds more or less to the emotional side as the child who needs support. Lisa Delamar lays the younger child with emotional problems and tension with other members of the family. From the beginning stage itself, we see she wants to be with her boyfriend and not with the family, and the rebel role is managed well. Arben Bajraktaraj and Olivier Ho Hio Hen adds well in support.

How it finishes :: Survival against all odds when even nature goes against you is something a lot more interesting than one can think about. This movie manages to be successful in doing the same even though not without the feeling that the grand idea did not get the execution it really deserved – still, it manages to rise well and create something of interest and remain entertaining from the beginning stages itself. With quality added to its visuals and the tense moments which brings the thrills in an apocalyptic world, one would appreciate the effort behind the movie. We would still keep wondering how huge this movie with such a premise and idea could have become, as we see movies like Lokah Chapter 1: Chandra and Minnal Murali doing so much with such a low budget in this part of the world. Then you see a family surviving in a world without hope, and it could even have a sequel that could expand things. Well, good people will always find themselves in trouble, and evil survives and thrives, doesn’t it?

Release date: 19th June 2024
Running time: 86 minutes
Directed by: Frédéric Jardin
Starring: Émilie Dequenne, Andreas Pietschmann, Lisa Delamar, Lucas Ebel

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@ Cemetery Watch
✠ The Vampire Bat.

Damsel

Vampire Owl: So, we are going to have a damsel without distress.

Vampire Bat: Distress is for all, and there is no escape.

Vampire Owl: I would believe the vampire world to be free from them.

Vampire Bat: Distress in vampire world would still return in case of a war.

Vampire Owl: The werewolves, zombies and witches are not good enough for another war.

Vampire Bat: The werewolves are preparing for an attack. The others would follow.

Vampire Owl: So, you say that even brainless zombies are coming for war.

Vampire Bat: Yes, there has been the rise of the Lich Queen.

Vampire Owl: Dr Frankenstein had warned me about it.

Vampire Bat: This will surely be a lot different than what Mr Frankenstein had said. This is going to be a bloodbath one day.

[Gets a chicken dosa and three cups of Vagamon tea].

What is the movie about? :: The Dragon (Shohreh Aghdashloo), the last of its kind, had faced a human king of the Kingdom of Aurea with his army of knights, and had managed to defeat them. There is not much known about the dragon after the incident, but the riches of the kingdom have been well-known throughout the realm. Many centuries later, Elodie (Millie Bobby Brown), the daughter of Lord Bayford (Ray Winstone), receives a proposal from Queen Isabelle of Aurea (Robin Wright) asking her to marry her son, Prince Henry (Nick Robinson). Despite confusing in the beginning, Elodie agrees to the marriage due to the situation of her lands, which is undergoing lack of resources and people are dying in need of food. Her younger sister Floria (Brooke Carter) is particularly interested in this situation with a Prince Charming and a Fairy-tale kind of kingdom associated with the wedding. Lady Bayford (Angela Bassett), Elodie’s stepmother, also feels that this is for the best interest of their dying lands.

So, what happens with the events here as we just keep looking? :: After arriving in Aurea, the family is very much impressed by what they witness in the rich kingdom with greenery and abundance. Elodie and Henry, even though uninterested in each other in the beginning, becomes attached to each other due to their interest in horse-riding and travel. Lady Bayford, becomes suspicious of the motives of Queen Isabelle, and warns Elodie, but Bayford remains reluctant to act. The family decides to go on with the wedding ceremony anyway, as there are not many options left for them. The wedding is a grand ceremony which was to be remembered for long. After the function, they go to take part in an ancient ritual far above on the mountains to further celebrate this with a ritual. Following this ritual in which their palms are cut and held together, the most unexpected happens, and Elodie would not have expected something like this. But she has to survive this battle with more than what she would have done in a usual situation.

The defence of Damsel :: Damsel has done a good job in building the fairy-tale kind of world and providing that medieval age effect of kings, queens, nights and castles set with a classic dragon wandering around. The movie does look good, even though the caverns should have looked better with more detail, the whole thing is powered up by visuals nicely. The main character goes through this well, especially during those survival moments involving climbing and the glowing worms, even though not that much with a fight brought to the dragon – the tension is definitely maintained even though the sequence feels stretched. The message against the rich and the royal would stand beyond all times, and as it is implied again, one can only be successful by birth or by treachery; there would always be a dark side if one gets to triumph with that much ease life – this is also shown in a Malayalam movie starring Vineeth Sreenivasan, but I see that people cannot accept that because they are used to celebrating the winners and detesting those who try so hard, but would not be successful enough.

The claws of flaw :: The movie, even though not that long, still feels stretched, and it is because of those moments within the dragon’s cavern which do not provide that needed effect. There seems to be a confusion on what the movie is trying to prove, and the flashback is not that really well executed, even in the later stages. The movie remains predictable throughout its run, and with the beginning that it had, the same was surely expected to come – we know most of the things that are to come, and none of the seemingly twisty moments seem to bring any surprise at all. There is also the case of people of the kingdom and the dragon being dumber than anyone would expect, despite the later even having human qualities. The quick rush to remove the damsel in distress also feels rather foolish, as it is not really thought enough about, and made to be believed rather than constructed with smartness; just like the emotional shifts and wasted characters.

The performers of the soul :: The movie rests on the shoulders of Millie Bobby Brown, as expected, with focus clearly on her. She has to carry this one a long way, as the moments with focus on her are rather too much, and we do not even remember the others, except for the dragon. We are glad to see that she does her job so well, that she becomes the titular character with such ease. Even when it is often lost in those forced messages and dull sides of caves, she elevates the movie, and raises expectations as the adventurer as much as the princess in waiting. Angela Bassett plays the stepmother, and a good one, but with some expressions, one feels that she is more evil than the evil queen herself, very well portrayed by Robin Wright. Nick Robinson is clearly wasted in her role and Ray Winstone could have also done more to do in this movie which is too much fixed on the main character than it forgets that this is no one character flick. Brooke Carter does well as the younger sister at the same time.

How it finishes :: Damsel just serves its purpose, not trying to elevate itself to that huge divergence and not trying to stay strong in its own territory either. It is not that big an action thriller or adventure that we will remember for long, and it never stays in the fairy-tale or even reverse fairy-tale categories, and the dark fantasy idea seems to be non-existent in the proceedings. With the queen and step-mother around seemingly looking strange, this could have easily been another Maleficent with more power. With the plot holes and lack of focus except for the love for the main character, the movie remains entertaining and can be worth watching for most of the time, and when it tries to be over smart, just avoid those moments. After all, a fantasy level movie with dragons cannot be that bad, whatever absurd things a film tries to put in there. Even without that grand an execution, this one works, and entertains, keeping us in the fire-breath of that dragon looking out for vengeance.

Release date: 8th March 2024 (Netflix)
Running time: 109 minutes
Directed by: Juan Carlos Fresnadillo
Starring: Millie Bobby Brown, Ray Winstone, Nick Robinson, Shohreh Aghdashloo, Angela Bassett, Robin Wright

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<<< Click here to go to a true thriller.

<<< Click here to go for a classic fantasy.

@ Cemetery Watch
✠ The Vampire Bat.

Frozen Empire

Vampire Owl: I feel that this movie is about the Lich Queen.

Vampire Bat: Are you talking about that witch who called herself the Lich?

Vampire Owl: She is the Lich Queen, and it is a status bigger than the regular witch.

Vampire Bat: Only an undead female sorcerer qualifies as a lich.

Vampire Owl: Well, witches are hard to kill in the world of magic.

Vampire Bat: You should see that undead sorcery is of another level, outside regular magic.

Vampire Owl: I am sure that she possesses the ancient frozen power.

Vampire Bat: Well, only if she is already dead and risen.

Vampire Owl: That would make her a vampire, a nosferatu, right? A vampiric officer on duty?

Vampire Bat: Liches once tasted the frozen evil would never be vampires. They also have no nocturnal qualities, and wait until dawn to unleash their full potential. The separation can be clearly seen in the atlas.

[Gets a masala bonda and three cups of Munnar tea].

What is the movie about? :: The team of Gary Grooberson (Paul Rudd), Callie Sengler (Carrie Coon), Trevor Spengler (Finn Wolfhard) and Phoebe Spengler (Mckenna Grace) goes through a fight in the streets of New York, three years after the battle in the countryside. The come across Hell’s Kitchen Sewer Dragon which they manage to capture, but only after causing quite some destruction to the city. The mayor of the city Walter Peck (William Atherton) finds this as a fine opportunity to threaten the team and close the Ghostbusters down for the best. He fins Phoebe to be under eighteen years old, and as a minor, warns her in specific. This leads to the team leaving Phoebe behind during their adventures, much to her dismay. As she is disappointed and wanders around in the park, she comes across the ghost of a girl who was killed in fire, Melody (Emily Alyn Lind), with whom she becomes a friend and plays chess to free her mind.

So, what happens with the events here as we just keep looking? :: Things change when a man named Nadeem Razmaadi (Kumail Nanjiani) sells a strange brass orb with Mesopotamian ritual markings to them. There seems to be something sinister about it, as Nadeem also disappears, and it also seems to affect other artefacts. As something seems to be coming and as they can feel the energy, they contact Dr. Hubert Wartzki (Patton Oswalt), a New York Public Library research librarian and anthropologist, but what they do not understand here is that an ancient power is ready to be awakened, and it would not stop until it takes over the world. It is revealed that the orb was supposed to be a prison built over four thousand years ago somewhere in South West Asia by four sorcerers serving as the masters of fire to imprison a creature of ice that wished to conquer humanity with its power of Death Chill. Now, things would get more serious – can they stop this villain from being unleashed in the modern world?

The defence of Ghostbusters: Frozen Empire :: The movie tries to keep up with the spirit of its predecessor and is partially successful in doing the same. There is fun in between and the spirit has its role to play too. The presence of a dumb little kid who makes all the mistakes to unleash the evil is once again here in the form of the foolish daughter who is not really old enough to be even talking to ghosts, as revealed in being the silliest creature in the universe – well, we require a usual dose of such dumb people to bring evil upon this world so that it can be saved. There are some fine visuals at the end of the movie to support the same time too. The ancient monstrous entity looks good, even though it is there for only a few moments. The ghosts look fine, even though there could have been bigger and better-looking ones. The combination of science and supernatural is good, even though the talking could have been less and action should have been more. The performers do try to bring as much fun in here as possible.

The claws of flaw :: The movie is surely too long for anyone, and there are too many dialogues in a film that should focus on action. It would have served the previous movie more as some introduction was needed, but not this time. Too much talking kills more than one ghost cinema for sure. After all, people in this part of the world are not fans of this particular series of movies, and the nostalgia that means to these people about it is very low. This kind of an approach is also not going to be appealing for the children of this age who are looking for quick results and have very less patience in comparison to our generation and the one that follows it. The funny side could have also been stronger, and the danger often leaks in its strength, even though there Is something greater needs to be there for this work for bringing the entertainment. Well, with kids not acting like they need to be, you know this movie also has its limitations. The grandeur that we were expecting is not really there and the evil struggles even though it is ancient and all – it should have been creating that demonic spectacle that we never get here.

The performers of the soul :: This seems to be one fun-loving cast that tries to keep this world interesting, even when there seems to be some limitations regarding the same. They also seem to keep a certain amount of nostalgia going, even though most of do not have it due to our love focused on other movies like Evil Dead and more. But this cast makes it work indeed. Paul Rudd is the one who leads the way in style, even though we keep wondering why he was not given more action. The movie focuses more on Mckenna Grace, and even though she does good, there is too much of focus on her character while others are shown less in comparison. Carrie Coon and Finn Wolfhard follows well, even though gets limited. Kumail Nanjiani nicely adds to the fun and there is some humour whenever he is around – he also gets it big in the final stages of the film. Emily Alyn Lind makes a fine ghost with a melancholic side that would stay with us for long. The other characters play along well.

How it finishes :: This version of ghostbusting tries the best to bring some nostalgia along with some scares and fun, and all these are partially effective as we look at them. There are many funny and scary ways that this film could have gone, and it is surprising to say that it is sticking to the minimum instead of bringing some innovation of our times. Without even a classic ending, it does struggle, but manages to hold on at times to keep some entertainment going. The movie required to have more of a soul than what it displayed. The lack of enough screens here does not come as a surprise as people do not really think about a movie like this, as it might not have had much with the earlier version too. It is that kind of a movie which we can go through on an OTT platform, and speed things up in between. This will make us feel like the overall length has been reduced, and is enough for us to spend a weekend when there is not much to do.

Release date: 22nd March 2024
Running time: 115 minutes
Directed by: Gil Kenan
Starring: Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Kumail Nanjiani, Patton Oswalt, Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, William Atherton

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Apocalypse Z

Vampire Owl: Are we going to watch the end of the world again?

Vampire Bat: We are never tired of watching it.

Vampire Owl: Would this be like World War Z?

Vampire Bat: Well, there is never really a shortage of movies showing the end.

Vampire Owl: How beautiful can the end of the world be?

Vampire Bat: I would say that it would be a life with less anxiety and depression.

Vampire Owl: Train to Busan showed a lot of anxiety.

Vampire Bat: It was lessened with Peninsula, right?

Vampire Owl: You know where Resident Evil stands.

Vampire Bat: Still, not all sequels of Resident Evil stands at the same level.

[Gets a paneer puffs and three cups of Sikkim tea].

What is the movie about? :: Manel (Francisco Ortiz) and his wife Julia (Iria del Río) returns home after visiting his sister Belén (Marta Poveda) and her husband Mario (Oriol Ruiz), and meets with an accident on road while losing focus during an argument about having children. Following the incident, he leaves the town and lives in isolation with his cat. Due to the same reason, he does not care about a new virus called TSJ which has spread around the nation and even outside the continent like COVID-19 pandemic of 2020. Then, the one thing which is not said in the news is that this particular pandemic differs from the corona virus and would cause people to turn into flesh-eating zombies. The whole Europe has been under attack and going down for some time, and the Germans had already evacuated Berlin. As Belén’s family is evacuated to the Canary Islands, Manel tries to join them, the government closes the borders, and declares a general state of emergency which cancels all the flights and leaves people where they are.

So, what happens with the events here as we just keep looking? :: With no option to join his sister and brother-in-law, and having all routes closed, he promises her that he will stay there safe and within the house, only to lose all internet and communications soon enough. While going out to collect supplies, he finds out that people are quickly turning into zombies, and finds even police officers turning into zombies or killing themselves to escape from the terrible fate. Running out of supplies and while searching for food in nearby homes, he comes across an old lady named Gabriela (Amalia Gómez) who has also run out food herself. They help each other, as she knows where he could find the food and he get them with relative ease. Soon, they are able to intercept a radio transmission which has a message from the survivors who feel that they would be evacuated soon and it is safe where they were staying. This provides hope for both of them, even though Gabriela is not sure if she would survive the journey.

And what more can follow in a zombie-infested world? :: Gabriela understands that she would only slow him down and could end up being a burden, and commits suicide when Manel comes to get her on the next day. This leaves him and his cat to go through the journey to the place which might be a safe haven. With the cat Lúculo, and with a diving suit and a speargun for defense, Manel barely manages to escape from a zombie horde, but finds all larger boats either taken away or unusable. After finding a little zombie toddler, he is only able to use an inflatable dinghy to travel to his destination, with all roads taken over by zombies. On the way, he finds a few Russians who asks for his help while on the way and offers him a cabin to stay in their big boat. But Manel feels that the Russians are not that straightforward as they claim to be, even though the only person in the ship who can speak Spanish denies his suspicions. Now, it seems that it would not be that easy to get away and reach the new place which is claimed as a safe house. Can he somehow do what he has been planning to?

The defence of Apocalypse Z: The Beginning of the End :: Some of the most interesting foreign movies which I have watched were in Spanish, and the movies like The Platform has always gained the attention of a wider audience. As the main character grapples with the zombie-powered societal collapse and fights to reunite with his only family, this movie remains strong both as an emotional as well as terrifying one, with an adventure that keeps us going. The man’s survival from a tragic loss makes this another journey of a flawed character who wishes to finally get back to his family from that self-inflicted solitude. All those real‑world COVID-19 pandemic responses like acts of selfishness which are not limited to panic buying, along with those lockdowns and quarantine that we have experienced will keep us close to the movie’s reality, for it does not give away the fact that there are zombies involved until quite some time into the film. The terrifying elements do follow, and they are pretty much effective along with the emotional side.

Positives and negatives :: There might be similarities to the other titles dealing with similar topics, and it is not easy to come out of that feeling that we know what would happen, and it is know how this would keep going. Yet, powered by the performance provided by Francisco Ortiz, the movie rises above the usual expectations. One cannot help wondering how well the Spanish movies have managed to keep its side strong, no matter what kind of a genre it deals with. The support is really good too, even from the kids and one cat. There is a certain amount of realism when the zombies are shown, as they also seem as much desperate as humans for food, seemingly emotional too, unlike the usual mindless displays. It is also based on the novel by Manel Loureiro, and how much this one stay close or deviates from the original, is something we can only understand from the fans of book. The heartfelt zombie film seems to be appreciated enough to bring more viewers to the same on OTT.

How it finishes :: We are never short of some fine zombie movies, and the apocalypse is something we can never stop waiting for, whether in fiction or in reality as an inevitable fate. There is a fine journey through the world affected by the terrifying zombie reality which is slowly destroying the world as it is known. The terrible situation is shown with a fine scary side as much the emotional moments which makes this one a thriller drama as well as part of the genres of horror and adventure. This movie becomes another addition to that fine list. The ending makes sure that a scope for sequel is there to be taken, and from what is heard, it is there to come soon enough. Among the movies about the end of the world, it seems that the Spanish has managed to get on a higher level. We can have many similar movies to follow, but in between the earlier movies and those which are to come, this one has maintained some fine class while keeping the entertaining side high enough.

Release date: 31st October 2024
Running time: 118 minutes
Directed by: Carles Torrens
Starring: Francisco Ortiz, José María Yazpik, Berta Vázquez, Iria del Río, Marta Poveda, Amalia Gómez, María Salgueiro, Yuri Mikhaylychenko, Oriol Ruiz

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Venom 3

Vampire Owl: I have always believed in the capability of Venom to be a future vampire.

Vampire Bat: We are not taking applications from aliens right now.

Vampire Owl: So, we are receiving applications from the demons, but not aliens.

Vampire Bat: There are exceptions when both are just the same.

Vampire Owl: It was first talked about by Doctor Frankenstein, right?

Vampire Bat: I am sure that Mr Frankenstein had nothing to do with it.

Vampire Owl: He is the greatest scientist of the realm, and he has something to do every time.

Vampire Bat: He creates fiction works out of nothing really well.

Vampire Owl: So, you think that great discoveries can only be fictional.

Vampire Bat: Well, there is realistic fiction, but not in his case.

Vampire Owl: You fail to have respect for such great men.

Vampire Bat: If he is a great man, there is not much to say about greatness.

Vampire Owl: You should stop even talking about him. He has ears everywhere.

Vampire Bat: I know that he can do nothing.

Vampire Owl: He has not come this far by doing nothing in his eventful life.

Vampire Bat: Creating that useless Frankenstein monster do not count.

Vampire Owl: Not all monsters are forever.

Vampire Bat: Yet, we are immortals and monsters for humans.

Vampire Owl: Yet, that was one fine monster of science.

Vampire Bat: Science itself is a monster and murderer of many species.

Vampire Owl: Do you feel that it is soon bringing the apocalypse here too?

Vampire Bat: That is indeed a nearby possibility, not a distant one.

Vampire Owl: So, the humans will kill themselves and even take us with them to the grave.

Vampire Bat: We have come out of the grave. It is our chance to live again and again.

[Gets a box with cheese popcorn and three cups of ginger tea and moves into theatre].

Vampire Owl: The series remains a fine one, but I am not sure about this particular entry.

Vampire Bat: There was a lot more that a Venom movie could do.

Vampire Owl: This is basically supposed to be an epic conclusion.

Vampire Bat: Well, for this to be epic, there should have been such grandeur and a classic final battle, and in both cases, the movie struggles.

Vampire Owl: The battles here, despite scoring in between, often becomes a struggle.

Vampire Bat: It reminds me of X-Men: Days of the Future Past, where the mutants had no chance of survival against the newly created robots and keep dying. The case is the same with the symbiotes facing these monsters.

Vampire Owl: The performances have been really good though, especially from Tom Hardy.

Vampire Bat: Juno Temple also has a certain amount of mystery running through.

Vampire Owl: The different symbiotes seem to have a variety of attributes too.

Vampire Bat: The terror brought by the ruination of humans continues to work.

Vampire Owl: This time, there is a fine villain, but does not come to the front enough. He keeps sitting there like a hermit when imprisoned.

Vampire Bat: The terror of infinity of villains from space never ceases to amaze us.

Vampire Owl: Well, the idea that varieties of hell might me somewhere in space keeps everyone going to discover more out there through unparalleled creativity.

Vampire Bat: You are going back to the good old computer games in outer space. We remember even those shooting tournaments in other worlds of space, don’t we?

Vampire Owl: And those game to movie adaptations with Resident Evil scoring the highest with those box-office collections and never-ending fame.

Vampire Bat: You were not that much of a fan of those particular adaptions, and fought against the creation of game-based movies.

Vampire Owl: We see all these aliens, different types, coming right out of space, and symbiotes and transformers are only a few of them.

Vampire Bat: The human imagination has been everywhere these days, wandering through the stranger worlds and often not making that much of sense.

Vampire Owl: Human creativity has been messed up whenever sequels are involved.

Vampire Bat: Still, the details on the creatures are good, and the powerful villain leaves scope for more in the future.

Vampire Owl: There is no future for humanity and this film is supposed to be the end.

Vampire Bat: But we see the possibility for continuation in the end with the post-credits scene.

Vampire Owl: In a world where humans are bigger monsters than symbiotes, there is the infinite possibility of evil to bring new movies.

Vampire Bat: Well, Venom needs fear factor with humour, and the second one somewhat works in this particular movie.

Vampire Owl: I keep wondering why this movie could not improve from the previous movie, even when there were so many deviations that could have been chosen.

[Disappears into the darkness of the day because the clouds have done the trick, and awaits the darkest bloody night of the week].

Release date: 25th October 2024
Running time: 109 minutes
Directed by: Kelly Marcel
Starring: Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Stephen Graham, Peggy Lu, Clark Backo, Alanna Ubach, Andy Serkis

<<< Click here to go to the previous review.

<<< Click here to go to the previous English film review.

@ Cemetery Watch
✠ The Vampire Bat.

Warriors of Future

Vampire Owl: I don’t know these warriors at all.

Vampire Bat: They are from the future. We belong to the past.

Vampire Owl: Eternity is not something of the past.

Vampire Bat: The quality of eternity is that it always begins in a past.

Vampire Owl: We do not always sit in a future to see it.

Vampire Bat: We are currently in a future of that eternity’s past.

Vampire Owl: Why do you sound like parts of an X-Men movie?

Vampire Bat: You could also ask your Frankenstein for answers.

Vampire Owl: Doctor Frankenstein do not answer to speculations.

Vampire Bat: Well, it is because he is not a real doctor at all.

[Gets a chicken puffs and three cups of Munnar tea].

What is the movie about? :: The story moves to a world in crisis in a distant future. Humans have been fighting each other for years without thinking about the consequences of their actions, and the invention of battle robots which were made specifically for combat and mass destruction made things even worse. There have been countries going against each other and people against their own kind. Humans never learned their lessons, and people had to pay the price for the non-stop wars which led to devastation of environment with polluted air and water, as well as devastated ecological balance. Earth has turned not suitable for living for most creatures, and it particularly affected the health of humans. The newly born children had terrible diseases, and some of them barely lived past a few years. Then, the governments all around the world wishes to fix things, and built machines called Skynets to purify the air. These Skynets do manage to bring fresh air to some sectors of the major cities, but in a restricted manner. Then on one day, a giant meteorite falls into one of those sectors, and a giant plant begins to emerge out of it.

So, what happens with the events here as we just keep looking? :: The plant would wreak havoc everywhere whenever it comes into contact with water, and scientists called it Pandora after the box from the Greek myth. The plant has the power to reclaim environment and get Earth to its previous state, but it only goes on destroying cities as it grows when it comes into contact with water. Scientists feel that there should be some method through which it could be made useful to humanity, instead of causing chaos, but that seems to be hope against all hope. Pandora’s growth has been proportional to the amount of rain it gets. It absorbs pollutants, then releases hydrogen, and the new idea of the scientists is to use a virus to alter Pandora. If the plant can be stopped from growing using the virus before the next thunderstorm, it could actually save a lot of lives, as the air will be purified, and the plant would not grow to take over anything more. But the mission is a very difficult one, as nobody knows how exactly the alien plant would reach to the humans coming near it with machines and trying to drop a virus which it would consider harmful.

And what more can happen in this future world of chaos and destruction? :: There could be side-effects to the initial Plan A, and Plan B is not something positive, as there would be massive destruction all around. The only backup plan is to destroy the whole plant from a distance along with the many people and structures which surround it. The number of corpses would then be more than anyone could have seen before from a single event. Usually, people would not keep such a plan at all with lives at stake. But there are people who wishes to keep the Skynets working instead of Pandora replacing the machines. They would want to keep their prized possession at the top. So, not everyone wants this mission to be successful, and with some possibility of chaos around, can the mission be successful quickly enough and save lives? Are the troops which were sent for the purpose experienced enough, and are their gadgets good enough to serve the objective well enough? As the plant also has its own defense mechanisms, things might not be that easy as healing a random plant with a medicine. So what kind of a future are we looking at as far as humanity is concerned?

The defence of Warriors of Future :: Here is another Chinese movie which gets the science fiction and apocalyptic world closer to an enjoyable reality. Russian films have also come close to making such things happen, and here we see a visual treat of a future world plagued by pollution and an alien plant which grows without limits. The idea has been nicely put into picture, and the action sequences are really good. The creatures are well-detailed and so are the robots. There are deviations from the usual pictures of monsters in armour and skin nicely brought to light here. The Skynet and Pandora visuals are nicely created to bring the special feel of the environment. The performances are really good, and the leading cast seems to be wisely chosen to keep the seriousness alive even while adding some nice humour here and there. They have nicely contributed to being part of a science fiction action thriller set in the distant future with the right elements. The high box-office collections of the movie are a reminder that it would have been a fine spectacle on the big screen in Hong Kong, as we find the visual strength to be worth watching in the theatres.

The claws of flaw :: This movie was supposed to release three years earlier, and if that had happened the visual effects would have been even further ahead – it still remains a visual effect treat as of now. One can feel that there is some inspiration taken from other works here too. This journey feels like the return to a zombie-infested world like in Peninsula or Army of the Dead to do the near impossible task. The world, even though not explored from everyman’s point of view, can be a part of the list of our favourite ones from fiction. The alien creatures could have been more terrifying in appearance rather than having similarities with a few that we already know to be scarier. We could have also had more alien attacks, even though not in the mode as explored in the Alien franchise. The robots could have had some more battles in the earlier stages of the movie, as the early war is not that much shown with all the devastation which occurred to Earth’s flora and fauna. The movie could actually have a sequel too, as the tree still remains a mystery, and more could follow it.

How it finishes :: Warriors of Future makes another interesting piece of science fiction from China like The Wandering Earth which had raised the level of the possibility of an apocalyptic scenario to something very interesting as well as divergent in nature – with films like The Soul bringing even more divergence. The movie here, despite having some similarities with other titles, do have the divergence of its own. Outside Hollywood, Russia also had so much of entertaining science fiction ideas with movies like Superdeep, Coma, Sputnik and The Blackout. During these days, science fiction needs to have its divergence from all languages and cultures, and this film takes another fine step towards it. At the same time, we see another warning against wars and weapons of mass destruction as well as the actions against environment. Then you have the science fiction entertainment with an apocalyptic scenario right here. We keep watching some fine horror and science fiction from all around the world, and they make us feel like that is the closest to truth and a probable future that we can get.

Release date: 25th August 2022 (China); 2nd December 2022 (Netflix)
Running time: 99 minutes
Directed by: Ng Yuen-fai
Starring: Louis Koo, Sean Lau, Carina Lau, Philip Keung, Tse Kwan-ho, Nick Cheung, Janice Wu, Wan Guopeng as Connor Kwon, Eddy Ko, Sakurako Okubo

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Colony

Vampire Owl: I feel that there will be a lot of dead humans in this movie.

Vampire Bat: Humans will still continue to exist with their souls.

Vampire Owl: Why are the humans supposed to have souls?

Vampire Bat: I guess that is because we are always in need of evil human spirits.

Vampire Owl: You mean, like the ghost which cleans the rooms of the castle?

Vampire Bat: Yes, such works are specifically reserved for the strange souls rejected by heaven, hell and purgatory.

Vampire Owl: I thought that they were souls of wizards or sorcerers. The costume seemed to point in that direction only.

Vampire Bat: Well, that is a lady who died during a fashion show.

Vampire Owl: Okay, at least it is not someone who died during a Halloween party.

Vampire Bat: You can at least be glad that this is not an evil spirit who wants to haunt the castle during the nights.

[Gets a ghee roast and three cups of Wayanad tea].

What is the movie about? :: The story takes place in a distant future in which multiple reasons like climate change, war and pandemics have made the earth not worthy of supporting life. But the elite class has successfully escaped from the misery to settle on Kepler 209, a space colony. After two generations, the rich and the elite are ready to try and find out if a return to Earth is possible through the Ulysses Project. Even though they have advanced science and technology out there, the heavy radiation has left the people of Kepler 209 mostly infertile. First mission to Earth was lost shortly after landing, but the second one named Ulysses 2 begins shortly enough. Louise Blake (Nora Arnezeder) arrives with her crew and crashlands on Earth. Tucker (Sope Dirisu) is the only other survivor of the crash. They are glad to understand that there is no radiation on Earth, despite all those terrible wars of destruction and global warming. They hope to collect enough data from the planet and take them back so that the scientists up there can make an analysis about the same.

So, what happens with the events here as we just keep looking? :: They are able to find lifeforms which are able to reproduce, and wonders if they will be able to adapt to the situation and be able for reproduction if they indulge in sex too. It also seems that the weather has managed to become a little too intense than they had known, and there is so much of flatlands with less visibility all around. At the same time, a few people attacks the space shuttle, and attacks both of them, taking them prisoners. These people seems to have very primitive technology in comparison to what they possess. The people talked in some strange languages and used bows and arrows as weapons, while living in an area which seems to be in the middle of nowhere. They destroy almost everything in the pod which can be used for communication or exploration. Tucker who lost too much blood decides to commit suicide against Blake’s assurance that he is eight seven percentage fertility match for her to have a child if they have sexual intercourse soon enough.

And what more is to happen in this world which seems to have no hope for future? :: After the death of Tucker, Blake is left in a well which has water up to her thighs. She almost drowns as water comes into this particular settlement, and is only saved at the last minute. She remember what she was taught about the planet, and continues to hope about Earth. She remembers that there were always hope about the planet if they could find the right area to grow a new Earth, as much as there was chance for reproduction against all odds. Soon, the area is raided by a group of hostile humans who kidnap all of them. The locals are captured and taken to a huge space that is located above the continuous storms and floods which terribly affects the people around. Now, Blake finds herself in a situation for which she was not prepared at all. Now, the question remains if she can defy all odds to get what she wants. With more ruthless humans being added to the list of enemies that she has to face, can she do what is enough to help these people and also those who are left in their space station? Is there still hope for a better future on Earth?

Defence of The Colony a.k.a. Tides :: This is one post-apocalyptic movie which is imaginative enough, but at the same time, is also close enough to keeping the whole thing as real as possible, despite having the chances to go the other way on many occasions. Nora Arnezeder who leads the cast comes up with a pretty good performance too. The world is nicely created, with water all around, and the premise helps it to progress nicely to the one goal that is revealed later. They surely have done some nice work with the computer generated imagery and some special effects to make it feel real.It does have the theme of racial supremacy in there too, as the races having advanced science and technology with them don’t stop enslaving people – such need for control and hatred for the other within humans is reflected yet again, and so is the corruption of science which goes deep into humanity. There are also some small twists added in here, and the secrets of this mostly devastated Earth could use a sequel too. It is still nice to see that they haven’t chosen Mars or its moons this time, and makes use of another world, even though that area is not shown.

The claws of flaw :: The movie begins slow, and is mostly predictable through its first half of the run, until things do change in the later moments. As we have movies like these, there are always those things which keep on getting repeated. With a fine premise in here, the movie could have always done better, and it doesn’t add anything further, even though the chance for a certain fortification was always there. The central problem here shifts to the need for reproduction instead of having a green Earth to live on, and that is a quick transformation, and same doesn’t get explored properly either, as the movie changes the focus to emotions and kids added to take it further. There could have been some bigger shocks and twists related to the same, but the movie just continues to play it safe, and the question remains if there was the need for the same. It is also surprising that a technologically advanced group of humans depicted in the film are not good enough to expect or fight the rather primitive locals who have lived without science and technology for so many years on Earth – even their space shuttle is not good enough when we look close.

How it finishes :: Also known as Tides, this is a less known movie which can surely use our attention. There has been some interesting post-apocalyptic science fiction works with a certain amount of depression associated with them like Oblivion and Io. For the full action apocalypse, we have always had Resident Evil movies or those belonging to the Mad Max world. Then there would be Elysium with a message. Our movie here has its own space. The divergence that we see here is pretty much acceptable. Well, we know what the future of our world will be about, and we are waiting for the terrible things to happen, just like what is seen in the movie or even worse – the wars are there, ready to go nuclear; the global warming is also there, ready to devour the lands and people; pandemics have been unleashed, ready to bring more deviations of viruses; we can only be prepared for the same, and watch movies like this one. As we know at all times, the reflection is here, as the most scientifically advanced community will always be the most godless and the most advanced in not believing in goodness.

Release date: 27th August 2021
Running time: 104 minutes
Directed by: Tim Fehlbaum
Starring: Nora Arnezeder, Sarah-Sofie Boussnina, Iain Glen, Joel Basman, Sebastian Roche, Bella Bading, Sope Dirisu, Cloe Albertine Heinrich

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Shang-Chi

Vampire Owl: Let me know when Marvel has actually finished with the superheroes.

Vampire Bat: You do think that it is a possibility?

Vampire Owl: Yes, everything comes to an end, in one way or the other.

Vampire Bat: Not everything. We are immortals, so you should know.

Vampire Owl: Marvel is not immortal. There are no vampires among them.

Vampire Bat: There are vampiric superheroes and villains though.

Vampire Owl: But they are not real, you know.

Vampire Bat: They don’t consider us as real either.

Vampire Owl: Who cares about the evil humans think about?

Vampire Bat: We should care about them as they possess the evil of science, and sooner or later, they will come to get us through that portal on the north.

[Gets an onion vada and three cups of cardamom tea].

What is the movie about? :: Xu Wenwu (Tony Leung) had discovered the mystical power of ten rings which granted immortality and the strength resembling a god. He could have used these powers for the good, but instead had chosen to get richer and even stronger, being left with almost nothing to conquer as he had all nations under his control directly or indirectly, within a few years. Later in the 1990s, he travels to a magical forest, which he also required to be in his control. Therem he is stopped by the guardian of the forest, Ying Li (Fala Chen), who stops him, and the two ends up falling in love. As he is not accepted in the village, the two leaves the village and returns to the city. Back to the present, Xu Shang-Chi a.k.a. Shaun (Simu Liu) has grown up, and is best friends with Katy (Awkwafina), both now living carefree life at San Francisco in the United States. They do valet parking for a living, and Shaun doesn’t want to remember much of his martial arts training of early childhood as things seem to go in a natural way in the city.

So, what happens with the events here as we just keep looking? :: Soon, he is attacked by a group of assassins on a bus. The attackers take his pendant, and he does feel that he need to find his sister, Xu Xialing (Meng’er Zhang), and save her. Even though he decides to run away soon, Katy manages to convince him and accompany him on the journey after the awakening on a darker past. As he reaches the place where Xu is staying, she turns out to be a thankless moron of a sister, who forces him into a battle with her, which she cheats to win. She also abandons him to fight on his own, until she finally has a change of heart to become less of a deserter. Now, it seems that it was their father who had sent these people to take the two pendants, which he wants to use for some strange and evil plan. But Xu is that kind of a person who feels that she will build her own empire that rivals her father’s, and Shaun would be caught between the two, not looking forward to goodness in anyway.

And what more is to be added to this world of possible chaos and destruction? :: It doesn’t matter how much they fight, as the father finally returns to take them to their original home, and make his son the grand successor, and the holder of the ten rings. Wenwu who wishes to reunite the family again, uses the pendants to bring to life, a magical map leading to that old, enchanted forest – Ta Lo. He tells them that he feels that he could hear his wife calling from the village where he has been held captive. He intends to make them release her, or he will burn the village to the ground. But the two children don’t really have anything to do with it, and they are locked up in the dungeons. There, they meet a former actor who was imprisoned for impersonating Wenwu. There, they find a possibility for some future plans, as there is a magical creature which can lead them to the magical forest through an easier path, which is a little bit too dangerous though. Can they get there before the evil father does?

The defence of Shang-Chi and the Legend of the Ten Rings :: There is a lot of action around here, as one would expect from a movie like this. The same is nicely supported by the visuals and the special effects contribute very well. The final battle with the dragon is so much full of grandeur. There are also some nice details with the magical world and the fantasy creatures present in the village which has all the most beautiful secrets that we find around on the screen. It is the kind of mythological and magical world which we connect with the medieval model with castles and dungeons like so many of the films from Hollywood have done so far. This is the divergent one in that case, and we never really have enough of this. Well, the world surely needs to be different in each and every case, and that would provide us with the feeling of seeing a different civilization every time with its own attributes in Age of Empires and its sequels, or different magical races in Age of Wonders and its sequels. Nowadays, globalization has brought too many similarities, making landscapes looking so similar to each other.

Positives and negatives :: As this movie is releasing rather late in comparison with the others, one can be sure that there are indeed repetitions which are to be found around here, even though there is a certain flavour added which makes them feel somewhat new. Yet, a little predictability will provide some resistance and won’t go away at all. There is always something about different worlds coming together, and evil trying to get into another realm to capture it – the same has been the idea of so many wonderful video games too. The father-son battle is also a usual thing, and even though repetitive as it is, there is something divergent about it for sure. Simu Liu nicely becomes the fine protagonist that we have all wanted around here, and Awkwafina as well as Meng’er Zhang comes up with some fine support in the process. Tony Leung makes a strong villain too, and he surely has more than what meets the eye. Florian Munteanu as Razor Fist also has his moments, and so do Michelle Yeoh and Fala Chen as the fighter motherly figures.

How it finishes :: Shang-Chi and the Legend of the Ten Rings keeps on moving the Marvel Cinematic Universe straight forward after Infinity War and Endgame provided us with what seemed to be a grand end. There is the feeling of something more magical about this particular movie than any other in the franchise, maybe with the one exception of Doctor Strange, which was all so much of magic and sorcery. You can only enjoy the beauty created by magic around here, instead of the science that has run through Avengers all the time and begged for attention. It is always nice to see magic having the upper hand over science, which has been all about war, death and terror. After all, the Corona virus is also a product of science, and we have failed to stop it completely. The mythology of the Dark Gate and The Great Protector told in this movie also further helps in understanding the terrible nature of humanity, and how the whole world should be a better place without their ambitions and hatred that always prevails.

Release date: 3rd September 2021
Running time: 132 minutes
Directed by: Destin Daniel Cretton
Starring: Simu Liu, Awkwafina, Meng’er Zhang, Fala Chen, Florian Munteanu, Benedict Wong, Michelle Yeoh, Ben Kingsley, Tony Leung

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Rurouni Kenshin

Vampire Owl: Isn’t this the second Japanese movie that we are watching?

Vampire Bat: Yes, they were mostly overshadowed by Korean and Chinese films.

Vampire Owl: The name is quite tough here.

Vampire Bat: Your soul will get used to such names.

Vampire Owl: Do you know that Japan is my dream country?

Vampire Bat: Japan is everyone’s dream country.

Vampire Owl: Except for the common vampires of our times.

Vampire Bat: Are you talking about the never-ending need to go to Romania?

Vampire Owl: Yes, the holy land dedicated to Uncle Dracula, especially on Halloween.

Vampire Bat: That trend had come down since the Russia invaded its neighbouring country, Ukraine. We, vampires are supposed to stay kilometres away from any terrible war caused by human kind. We are not violent people.

[Gets a porotta roll and three cups of masala tea].

What is the movie about? :: The year is 1864, and Japan is now open to foreign trade. This means that a few people seek to end the rule of Shoguns and bring back the authority of the empire, with some of the being ambitious and the others filled with ideals. They are forced to face each other, and fighting goes on only to make the situation worse in the island nation which seeks progress with trade and commerce. Himura Kenshin (Takeru Satoh) who is also known as Hitokiri Battosai serves as a political assassin to overthrow the Tokugawa shogunate which would eventually lead to the Meji Restoration and the later rise of Imperial Japan, finally leading to their participation in the Second World War and fall with the American bombing of Hiroshima and Nagasaki. The history goes a long way, and this is more like a civil war which will begin the events which will finally lead to a detailed epoch in the Japanese history with no security or value for human life. The young man of concern here, who is a skilled fighter with swords, joins the clan of Choshu, and begins to work with Katsura Kogoro (Issey Takahashi), their leader.

So, what happens with the events here as we just keep looking? :: During one of the fights in which he kills all the men, a member of the opposite gang refuses to die, and despite being impaled by sword multiple times, gives the assassin a cut on his face. This has Himura clearly disturbed instead of being cold with all the killings. Katsura understands that even after so many years of killing hundreds of men, his assassin is still not comfortable with killing people, a process which he keeps repeating. He feels that the young man hasn’t really grown up yet, and remains pure at heart, which means that there is no peace at heart. He is still the best fighter that he has known in years, but that wouldn’t change the heart. When Himura had earlier joined the group in a bid to overthrow the Shoguns, he hadn’t killed anyone, but the promise that he had shown was immense, unlike anyone whom he had seen among their fighters. He would keep on wondering if the man has finally has had enough of the fights and the brutal killings.

And what can bring a change to world which has only gotten worse with the civil wars? :: Katsura feels that there is the need to find a solution, as there is the need to end this continuous war, for which he needs as many hands holding the swords with expertise. Himura is still haunted by the memories of the man who refused to die, citing the reason of love in his life. One night, he goes on to have a drink of his own, and interferes when a lone woman named Yukishiro Tomoe (Kasumi Arimura) is bothered by a group of men who demand that the woman treats them with respect, and consider them as their heroes. After leaving the tavern, he is almost attacked by two drunkards from the tavern who are killed by an assassin with a chain. He manages to kill the assassin, but finds Yukishiro who had come to thank him, drenched in the blood of assassin, and she soon faints as a result of the shock from what she had just witnessed. He takes her back to his hideout, a place for the revolutionaries. The girl who feel thankful, decides to stay, much to his surprise, as he wonders why.

The defence of Rurouni Kenshin: The Beginning :: The stylish action sequences begin the film’s progress very soon. The fights with the swords remain memorable, as there seems to be so much of speed and control related to them – it is like you take your eyes away from the screen for less than a second, and still you end up missing something. You are going to find it difficult to follow the pace of the very thin and agile swords which keep moving in all directions, but you enjoy what happens around. The characters remain interesting, and there seems to be something about almost everyone out there. The performers seem to be chosen with care, and the way they come up with the action scenes makes one wonder if they are really that well trained in all of these. Takeru Satoh leads well, Kasumi Arimura does the job with integrity. The movie nicely takes the fictional world and combines it with history. The emotional side also gains strength at times. The visuals are nice, not just with the big towns, but also with the nice little villages and the small homes surrounded by nature.

The claws of flaw :: The movie might feel to be too violent for at least a few people who are expecting more fights on the scene with blood and gore being hidden, but this is not really that martial arts or superhero movie to go through that route. This is also a little bit too long, considering the fact that the story is very much a predictable one, with not that much of innovation added here by looking at the possibilities in history. When action becomes the first and the one great choice, the plot suffers – it is quite a natural thing as we have seen in other movies – you just can’t satisfy everyone, and then the makers would prefer to go with what the crowd would like to see here. It seems to be very much hesitant to take the risk in different areas, when the challenges were present. The romance, even though present there, feels somewhat forced, even though the performers make it work without any trouble – after all, a love affair changing people all of a sudden is a stereotype which has been used for too long that we don’t really care about that anymore; then the ending which we can feel good enough to make a guess.

How it finishes :: This is not the franchise that we are familiar with, even though people of Japan should be very much familiar with the same. It is also based upon the manga series of the same name, which means more Japanese familiarity for sure – films inspired by comics have its own space like the video-game based works of our times. The movie takes the old style sword-fighting action to the next level, within its own charming setting – there will be no shortage of such action here. This is supposed to the fifth and final installment of this particular franchise about a nineteenth century assassin. But as it is also a prequel, it serves as a stand-alone movie which can be watched first, in the middle or last, and there is the placing in history which makes things easier to understand. Historical setting serve well when used with clarity and skill. We do feel that this a usual tragic tale about friendship and love in a world of war and chaos, but as we have the same arranged really well with the setting, the idea works effectively.

Release date: 4th June 2021 (Japan); 30th July 2021 (Netflix)
Running time: 137 minutes
Directed by: Keishi Otomo
Starring: Takeru Satoh, Kasumi Arimura, Issey Takahashi, Nijiro Murakami, Masanobu Ando, Kazuki Kitamura Yosuke Eguchi

<<< Click here to go to the previous review.

<<< Click here to go to the previous Japanese movie review.

@ Cemetery Watch
✠ The Vampire Bat.

Antlers

Vampire Owl: I haven’t seen a more interesting poster in a very long time.

Vampire Bat: Horror does need such posters to show divergence in fear.

Vampire Owl: Fear should always be the same, right?

Vampire Bat: Unless you are a vampire, or maybe zombie.

Vampire Owl: You are talking about a different smell of fear.

Vampire Bat: You should be aware of the fear potions of the witches.

Vampire Owl: Those potions never really work.

Vampire Bat: I know that you trust the pseudo-scientific elixirs of Mr Frankenstein better.

Vampire Owl: Doctor Frankenstein has opened portals with elixirs.

Vampire Bat: Those were ancient portals found hidden in the caves beneath the castle!

[Gets a red velvet cake and three cups of cardamom tea].

What is the movie about? :: In the beginning, there is a warning that Mother Earth has been pillaged, with her life’s blood taken away, and this terrible act has awakened a spirit which needs to be feared – it would seek the lost, frail and the depraved, and asks the viewers to hope and pray that it won’t take one among them. The scene cuts to Cispus Falls, a small town in Oregon which feels dark with an eerie feeling. There, in an inactive mine, Frank Weaver (Scott Haze) runs a meth lab within an inactive mine which used to serve the town’s economy a long time ago. Frank and his co-worker hears some strange noises from within the mine, and goes on to check the same. As they doubt that it is an animal and tries to escape, find themselves attacked by an unseen creature. Frank’s son Aiden Weaver (Sawyer Jones) waits for him outside the mine, failing to understand what has happened inside. His elder brother as Lucas Weaver (Jeremy T Thomas) is considered to be strange by his classmates and teachers, but Julia Meadows (Keri Russell) who teaches about myths and fables is determined to help him.

So, what happens with the events here as we just keep looking? :: Julia remembers the abuse she suffered as a child in the hands of her alcoholic father who was also mentally ill – she feels that he is also suffering from something similar. Paul Meadows (Jesse Plemons), her brother is the local sheriff – she had abandoned him a long time ago, but has now returned home from California following the death of their father. She feels that she shouldn’t have left the place, and tries to help another person as she can, this time, Lucas. She tries to bond with him, but there is no success at all – she tries to visit his house, but leaves after hearing some strange noises from inside. Lucas seems to have some some mystery locked within his house, and also takes dead animals and birds to his home. He stays awake at night and makes strange drawings. Julia feels that she really needs to get to the bottom of this, and also informs her brother, who reaffirms that Frank was considered fit to be the guardian of the two children after the mother’s death – now, what would she do?

The defence of Antlers :: It can be seen that Antlers does take the deviation from the usual horror, and this divergence is taken seriously throughout its narrative – it lets the surroundings contribute to the same really well. The environment and the setting serve effectively for the movie too. The small town with its dark and wet weather really suits the situation presented around here, and there is enough of the woods to keep one going in the mood of terror. The idea of the “diabolic wickedness that devours humans”, the spirit that takes many forms, makes a powerful myth around here. There is also a connection made to the destruction of nature which the humans managed to come up with. One wouldn’t be able to blame the monsters considering how evil the humans happen to be at every point. We also have the moments of scares, and that gets stronger with the understanding that there is a seemingly unstoppable force of nature at work. Add the performance, especially from children, and things only get much darker and scarier in nature.

The claws of flaw :: There is no doubt about the fact that Antlers had the premise to be something greater, but doesn’t use the same to the best of advantage. We do see the moments which we feel could have been better. When you have such a near-unstoppable monster at the centre, there are many things that can be done – it could have surely been designed better too. The emotional side doesn’t seem to work that much, even though we are waiting for those elements to be effective too. The myth could have also been given a boost with certain elements from the past, and a history to be remembered. One can generate enough fear out of that too. The scope for sequel at the end seems to be forced, as if there was a certain need rather than anything else. One can feel the need to remind the viewer of a myth that goes missing, but that requires more of a better origins story with roots in a mysterious past – let the horror run through there too.

The performers of the soul :: Keri Russell has been among my favourite actresses from a long time ago – she carries a certain amount of charm with her roles, even though horror hasn’t been the genre we would remember her the most for. She would make it to the list of performers who don’t seem to age much as years pass. She blends in really well as this protagonist who has her own problems from childhood itself. Jesse Plemons supports her really well as the brother figure and the policeman. Jeremy T Thomas gets his moments as the struggling child who is forced to make too many decisions at such a young age. Scott Haze gets into the terrifying moments around here well. Sawyer Jones plays the other child of significance in a role which brings a fair challenge to him. Amy Madigan ends up having a smaller role to work with than what was expected. Rory Cochrane’s work is another thing of support here. The monster when shown, works as a performer by itself.

How it finishes :: Antlers keeps on moving the world of horror forward in a different path for a change, and the world of fear continues to make its points in one way or the other. One does feel that the Malayalam movie Odiyan could have learned a few things from this one with the creature attacks and the atmosphere to make it darker – if you see the looks, there seems to a visual connection. The earlier divergent horror movies like Malignant, Lights Out, It Follows and Don’t Breathe had scored better, but this one tries to make it count. Maybe, something like the creature in this movie is the need of environment itself to take care of the humans who are destroying nature as we have known it. Well, Corona virus did try, but they were not successful in getting rid of humanity and its use of science to destroy environment. It does make us feel that there can be the moment when nature can get it back running – The Blackout surely made us think about human extinction. Until something like that happens, let us enjoy this horror out of nature.

Release date: 29th October 2021 (Theatre); 15th December 2021 (Hotstar)
Running time: 99 minutes
Directed by: Scott Cooper
Starring: Keri Russell, Jesse Plemons, Jeremy T Thomas, Graham Greene, Scott Haze, Rory Cochrane, Amy Madigan

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@ Cemetery Watch
✠ The Vampire Bat.

Free Guy

Vampire Owl: We are all free vampires in a world of slavery.

Vampire Bat: This not really that much of a world of chains.

Vampire Owl: You are not understanding the power of our chains.

Vampire Bat: There are no chains in this realm which can hold a vampire.

Vampire Owl: I am not talking about the physical chains.

Vampire Bat: You mean to say that there is a telepath in the realm?

Vampire Owl: Yes, and she is stronger than any vampire mind reader.

Vampire Bat: You are talking about the legend of the witch-vampire.

Vampire Owl: It is actually the vampire-witch. She is mostly the witch.

Vampire Bat: Just because she knows how travel on a broom-stick, she is now a witch?

[Gets a paneer puffs and three glasses of blackcurrant shake].

What is the movie about? :: We are introduced to Free City where people who are wearing sunglasses are heroes, and run the city. They can do almost anything in the city, never really obeying the rules which are applicable to others. Among the many normal people in the city is Guy (Ryan Reynolds), who seems to live a usual kind of life, as he works as a bank teller, and considers his life as a part of a paradise where he lived from the time he can remember. His best friend is the bank’s securiy gurad, Buddy (Lil Rel Howery), who is not really bothered about the bank getting robbed frequently. Everyone out there seems to be very happy, and Guy feels that he has everything that he needs, except for a lover. He attempts to fall in love without success, and feels that he hasn’t really found the right person yet. Soon, he finds a mysterious girl wearing sunglasses, and as he goes after her, is run over by a train. It is soon revealed that the world they are living in is actually a game – a massively multiplayer online role-playing video game, which has Guy as a non-player character.

So, what happens with the events here as we just keep looking? :: The mysterious girl is Millie (Jodie Comer) in the avatar Molotov Girl, a player looking for source code to her original game, Life Itself which she wrote with Keys (Joe Keery). It was stolen by Antwan (Taika Waititi), the Soonami CEO who stole it and turned it into something else. Keys wants to help, but prefers to work with Antwan instead, and continue to have a job. At the same time, Guy has deviated from the programme after listening to that unintentional song from Millie. He starts off by asking the wrong coffee instead of the one programmed for the NPC. He also starts talking differently to many people, which leads to changes in the programming of other NPCs too. Soon, he decides to steal the sunglasses, as the girl was also wearing them. He gets one from a robber, and starts seeing things from the perspective of the players from the world outside. It makes him think deviate even further from his original programming.

And what more is here in a world of chaos? :: The programmers think that a hacker from real life has taken over the NPC, and is playing the role differently, feeling that it is indeed a small glitch which will be resolved soon enough. As Millie comes against him, she also feels that he is a player and asks him to level up, so that he could be of more worth, an advice he takes into himself seriously. Unlike the others, he decides to level up by doing good things only, with minimum use of weapons. He begins to try to be like the heroes that he had witnessed on the streets, but with only the good side by helping people in need and fighting some evil. Soon, he becomes a top level player, and is also an internet sensation in the real world. He also saves Millie when she is on a mission to collect the evidence, and she falls in love with him feeling that he is actually a real person who is playing the game. Soon enough, they will understand the same, and so will Antwan. Now, the equations will be complicated. Can the makers find their code, and where does that leave Guy?

The defence of Free Guy :: The movie’s concept is really good, and is a pretty good addition to what we have seen before in different films before. Among the other more famous films, the one which I remember the most is The Thirteenth Floor, even though the world peculiarities also reminds us of the one most famous film, The Matrix. The main character also reminds us of the protagonist of The Lego Movie and the rest of the people like Nerve. We are reminded of the games like Grand Theft Auto, Mafia and The Godfather too. These reminders serve to provide some nostalgia too. The mixture made out of the combination of different interesting things continue to be engaging, and also has a certain amount of humour associated with it. At the same time, there is a strong emotional side which never brings the overdose. The world in the movie is indeed interesting, and there are some fine visuals which support this new universe. It is indeed a stylish and beautiful environment that we have here, and the connection with the original world is well-established.

Positives and negatives :: One might feel that the idea is not new, but the presentation does have some innovation about it, and it never really gets that dark or serious about the happenings around here. Due to the same reason, there can be some predictability here, which they have managed to hide at some points effectively. Ryan Reynolds is here with a fine performance, and a role which is very much more worth appreciation than Deadpool – here he plays one of the most lovable protagonists around, and he seems to do that with ease. As expected, he also excels in the action sequences. Jodie Comer excels in two worlds, and she strikes well with action sequences within the new world and also outside the game. There are some spectacular action scenes with the two around, and would be a case of grandeur on the big screen. Joe Keery also has a nice role to play which he manages well. Lil Rel Howery adds further to the comic side well. Taika Waititi also makes a good villain, the big rich one with only money in his mind.

How it finishes :: Free Guy is that kind of a movie which needs more attention in this part of the world, as it is appropriate for almost every kind of audience. The movie also deals with the idea of existence – maybe we are all in a video game too, and will never know. Maybe we are all programmed to, as there is something special about all of us – then, maybe life has no meaning; all these could be reminded by this one movie. What if we are not programmed to know the truth about our existence? Even in between all these people go for war, and most humans just hate each other. Maybe it would have been all better if this was a video game, for there is so much of hate, and the futility of one’s actions is disheartening. Those who work harder than others and the ones who are the most honest are the ones who suffer the most. You live a life with life-long learning and it might be some moron who gets the job for which you are best qualified – then there are the reservations which hands them the jobs. Maybe, our lives are also programmed – we might be in a video game.

Release date: 13th August 2021
Running time: 115 minutes
Directed by: Shawn Levy
Starring: Ryan Reynolds, Jodie Comer, Lil Rel Howery, Utkarsh Ambudkar, Joe Keery, Taika Waititi

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@ Cemetery Watch
✠ The Vampire Bat.

Dune

Vampire Owl: A movie set in the future is the need of the hour.

Vampire Bat: There is no future that Uncle Dracula hasn’t seen.

Vampire Owl: Yet, he decides not to share the vision of future with us.

Vampire Bat: There is no future that we need to know.

Vampire Owl: You are more afraid of the future than the past now?

Vampire Bat: Everything except the present is to be feared.

Vampire Owl: You feel the need to prepared for a future you don’t know.

Vampire Bat: I am always prepared for that fearful future.

Vampire Owl: You can never be enough prepared for the same.

Vampire Bat: Which is why you need to be afraid of the future.

[Gets a blueberry cake and three cups of ginger tea].

What is the movie about? :: The year is 10191, and in Caladan, the homeworld of House Atreides, Duke Leto Atreides (Oscar Isaac), the Duke of House Atreides is asked by the emperor of the Known Universe to replace House Harkonnen as the rulers of Arrakis, a desert planet which serves as the only source of spice, an incredibly valuable substance that improves human abilities and helps them to go on interstellar travel faster than light safely. But the brutal race of Harkonnens in their homeworld, Giedi Prime won’t be that happy about it as they had held the area for about eighty years. Beast Rabban Harkonnen (Dave Bautista), the leading fighter among them is certainly not happy, but it turns out that the emperor means something else with these actions. Leto does feel that there is something wrong about all of these, and that the emperor has some sinister motives, but decides to form an alliance with the native fighters known as Fremen instead of enslaving them, thus bringing a twist to the plans.

So, what happens with the events here as we just keep looking? :: Paul Atreides (Timothee Chalamet) is the heir to the throne of House Atreides, and is worried about the recent happenings, as he had also come up against many nightmares about the planet which his people were going to invade. Paul’s mother Lady Jessica Atreides (Rebecca Ferguson) is a part of the Bene Gesserit, a group meant only for women, whose members have advanced physical and mental abilities – the group is not happy about Jessica having a male child instead of the female one which she was supposed to have. They are hoping for a perfect messiah-like superhuman who can guide humanity to a better future, and wonders if Paul is the one, even though he surely has a long way to go. House Atreides takes control and arrives on Arrakis, and the people there seems to appreciate them, especially Jessica and Paul. The terrain and the buildings in the place seems to be completely different, and Paul feels that Bene Gesserit is planting unnecessary superstitions about a messiah there too.

And what more can we expect in this world which has so many secrets in store? :: Paul understands more and more about the planet, its deep-rooted trees, sandworms and strongly held strange beliefs. Dr Liet Kynes (Sharon Duncan-Brewster) who serves as the judge of the change and the imperial ecologist talks to them about the dangers which exist there. Leto has a talk with Stilgar (Javier Bardem), the leader of the Fremens, and it goes on well. During a flight above the sands, they come against one of the sandworms coming towards a spice harvester which had almost finished harvesting. The group rescues the crew members, as the sandworms take the harvesting machine. They understand that the equipment out there are not good enough, and will not help them to bring the spice production back strong – they feel that they are destined to fail, and then someone else will take over. Meanwhile, at Salusa Secundus, the Imperial Army Planet, certain preparations are going on, and certain terror awaits.

The defence of Dune :: This movie, as any other story in a future set in another planet would come up with, has a grand spectacle in store, as far as the visuals are concerned. These worlds become part of you as it would do each and every time in Star Trek, Alien or the computer games like Mass Effectspace exploration never gets old. The special effects are used very effectively and the world detailing is really good – the details do not stop at the world with its buildings and people as it goes further with so many things established in this first movie which seems to serve as the pillars to what is to come later. There are also lots of action sequences, and we have that feeling of Game of Thrones coming back here after such a long time – well, War of the Roses can keep showing up in many movies and series in style. Based on one of the world’s best selling and the most appreciated science fiction novels, you would have always known what this movie would be capable of, with the use of new technology. The movie also serves as a reminder that the wars are forever, as long as any humanoid is alive in this galaxy or the others.

Positives and negatives :: The movie does remind you of a few others, but that is understandable as the story of human greed for power has remained the same throughout years. The film is also long, and the run-time might not be acceptable to most people as there are many scenes which seems to slow down things much. The movie is also not an easy movie to follow if you keep your eyes off the screen during regular intervals – there are many characters who are to be remembered and there are so many dialogues coming not just in English. The movie feels like that kind of a movie which will require you to have a bigger screen. This is also like a few drops of water in an ocean, as the world here seems to be huge, and there are so many books in this series which can be made into spectacular movies. The movie did have its own adaptations earlier, but this one right here might be the biggest of them all, even though one does feel at times that things could have been more direct – Jupiter Ascending, Valerian and the City of a Thousand Planets and John Carter, two highly underrated inter-planetary movies could do that.

How it finishes :: Dune begins the journey of an epic really well, and has us waiting for the next movie in the series. As it is based on a 1965 epic science fiction novel by the American author Frank Herbert, there will always be questions about how much the adaptation had done justice to the original work. As I haven’t read the book, that wouldn’t be on my list of things to do, but I am sure that this movie is indeed a remarkable work that one will remember and shall wait for a possible sequel. The book did have five sequels after the first one – Dune Messiah, Children of Dune, God Emperor of Dune, Heretics of Dune and Chapterhouse: Dune. The sequel to the first movie and featuring the second half of the first book, Dune: Part Two will be releasing next year. So, this is not the end, but the beginning, and we can always hope for the tale to be continued in a better way as the basic origin story has been established well. The same would be in theatres unless corona virus will have another ride on its pale horse.

Release date: 22nd October 2021; 25th March 2022 (Amazon Prime Video)
Running time: 156 minutes
Directed by: Denis Villeneuve
Starring: Timothee Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgard, Dave Bautista, Zendaya, Stephen McKinley Henderson, Charlotte Rampling, Chang Chen, Sharon Duncan-Brewster, Jason Momoa, Javier Bardem

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@ Cemetery Watch
✠ The Vampire Bat.

Justice Society: WW II

Full Title: Justice Society: World War II

Vampire Owl: Do you know that I had participated in the Second World War?

Vampire Bat: I am not sure if you are talking about the war that we know about.

Vampire Owl: I am talking about that very long and tiring magical war between vampires, zombies, witches and werewolves.

Vampire Bat: I am glad that you are not talking about that useless human war.

Vampire Owl: Human wars are those of greed and are always useless.

Vampire Bat: What did you do in our world war?

Vampire Owl: Ask me what I didn’t do then.

Vampire Bat: You were quite a young vampire during that time.

Vampire Owl: There is a story about my victory against the zombies.

Vampire Bat: There was no victory against the zombies. They just left the battle as there was the need for search for brains to eat.

[Gets a masala dosa and three cups of ginger tea].

What is the movie about? :: In Earth-two, the parallel universe, Nazi Germany has conquered most of Europe, winning most of the battles of the Second World War, and also possesses some magical artifacts. The United States gets involved in the war, as a team of superheroes called Justice Society of America has been formed with Steve Trevor (Chris Diamantopoulos), Wonder Woman (Stana Katic), Hawkman (Omid Abtahi), The Flash (Armen Taylor), Black Canary (Elysia Rotaru) and Hourman (Matthew Mercer). Hourman who has been a scientist, has developed a chemical called Miraclo which enhances all of his skills for about an hour. Black Canary has her sonic sound abilities. The Flash, with his superhuman speed, has been a full-time crime fighter always willing to serve his country. Hawkman, an ancient Egyptian in a modern Egyptian’s body, is also available for service. Wonder Woman will lead this team, as they hope to end this war before the Nazis get hold of all those artifacts and use them against the United States.

So, what happens with the events here as we just keep looking? :: Back on Earth-one, its Flash (Matt Bomer) is going through a picnic with Iris West (Ashleigh LaThrop), but their plans to get away from the usual work is disrupted by Superman (Darren Criss) fighting Brainiac (Darin De Paul), a seemingly extra-terrestrial android with mechanical minions to support him, and has been the person responsible for the destruction of the planet of Krypton. The enemy is basically a supercomputer with artificial intelligence and an android body which gives him superhuman strength, durability, healing, flight, telekinesis and many other abilities which allows him to bring a strong fight to Superman. As Brainiac fires a Kryptonite bullet towards Superman, Flash tries to stop it, but he runs so fast that he channels the Speed Force. This means that he arrives at a time when the Nazis are fighting the Justice Society, and he feels that he has arrived in the past, when the Second World War was happening in their world. With the superheroes on their side, the United States, Britain and its allies seem to do better in a Nazi occupied France.

And what more is to happen with the superheroes here? :: But even after two years, the war doesn’t seem to end. The team is initially suspicious about him, but understands that he is also like them, and only wants to help humanity as a superhero. Barry as Flash also saves Trevor and also a number of civilians. They also feels that he is from the future. The team does take Barry into their team. They feel that they can use him in saving a codebreaker from a Nazi fortress, as only he can decode an encrypted message. But everything is not that right with the team, as the Black Canary feels that there is no point in doing all of these as they are not even remembered due to the whole thing being top secret, while the two Flashes have gone weaker in strength with them being together. Wonder Woman does have the romantic problems, and Hawkman still has trouble with dealing with his past life. It is then that the Flash realizes that this is not the world that he knows about – then there is Aquaman whom they come across on the way. He has to find a way to return to the other Earth, but it won’t be that easy.

The defence of Justice Society: World War II :: The movie has managed to make use of the parallel universe idea well, and has nicely placed the Justice Society during the time of World War II. The superheroes who are basically unknown to us are also introduced well. After all, the world can always use more imaginary superheroes, as we are all going to suffer in this world of chaos, and hope for the impossible is necessary. Black Canary, Hawkman and Hourman are not the kind of heroes with whom the audience of this part of the world are that familiar – they do get some introduction here. Unless one has been watching the series and all, the idea of the second Earth will also feel new, and it also gets the introduction here. The whole thing has also been nicely blended into the Second World War’s procedures. It is interesting enough to make us think about many other parallel universes, and also those with the Nazis winning. The underwater world has also been nicely incorporated into the story, and there are also some nice twists, even though they can be guessed up to an extent.

The claws of flaw :: Some of the characters could have been better, especially Wonder Woman, who doesn’t seem to be that interesting as Gal Gadot had portrayed her. From the clothing itself, this one seems to be very much unlike the one we know, even in a parallel universe – the freedom there doesn’t do well enough to make the character interesting. The other superheroes of the parallel universe are the ones whom we know less about, and therefore their versions only count as a positive addition. There could have also been more action, as there is scope for this movie to increase the total running time. The Nazi elements could have also been developed further, as we don’t see enough of them doing what we expect them to do. We don’t even get to their main areas with those special villains becoming part of them. Instead, we are having some of those rather weaker antagonists along with the talk about Nazis taking over the whole world. They could have developed this in a different way, and at the same time, without being repetitive with things.

How it finishes :: Here is another superhero movie which has Justice League-style coming together of heroes to save the world, even though in another parallel universe. It is a clear thing that humanity is going destroy itself, whether there are wars or not – the imaginary presence of these superheroes are indeed belonging to hope, and therefore, we always have our eyes in this genre. Amazon Prime Video does have this flick, and we can only be happy that they do, because people in this part of the world won’t be able to watch it otherwise. The film is the usual superhero thing in essence, and we can watch it just like we go through the rest of the movies of the genre. This is also that kind of a movie which can be divided into three parts to watch as a series. Well, superheroes need to bring that faith, belief and hope, don’t they? One can only wonder what the evil humans will have to think about it – hope for the superheroes to die maybe?

Release date: 27th April 2021
Running time: 84 minutes
Directed by: Jeff Wamester
Starring: Stana Katic, Matt Bomer, Elysia Rotaru, Chris Diamantopoulos, Omid Abtahi, Matthew Mercer, Armen Taylor, Liam McIntyre

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@ Cemetery Watch
✠ The Vampire Bat.

Bhoothakaalam

Vampire Owl: So, the title could mean the days of the past as well as the days of the ghost.

Vampire Bat: It is a nice play on the words being used here.

Vampire Owl: Do you think that Malayalam movie industry can have good horror anymore?

Vampire Bat: Well, horror is the only reality of life. So, it is always possible.

Vampire Owl: You mean to say that the realistic tendencies of the industry can help.

Vampire Bat: Yes, what is life, but a collection of horror of reality?

Vampire Owl: I can’t disagree. I once heard the story of the devil finding the burning hell as a better place to live in comparison to Earth.

Vampire Bat: Well, you know what humans are capable of. They have already made their world a place worse than hell.

Vampire Owl: So, who are the real monsters?

Vampire Bat: Humans are the real monsters, from the day of birth itself. You should see how they torment their own people.

[Gets a chicken biriyani and three cups of elaichi tea].

What is the movie about? :: Vinu (Shane Nigam) is a D.Pharm graduate who is living with his mother, Asha (Revathy) in what seems to have been a very unhappy household since the death of Vinu’s father post leaving a lot of money to be paid back for the loans which were taken. His grandmother dies after living most of her life on the bed after a terrible stroke which she barely survived, and the life of mother and son which was full of negativity only gets worse after the demise. Vinu has been looking for a job for a long time, but as he is focusing on getting some work in his field, and is also trying to keep the search close to home, he is not really able to make any progress with that. Depression seems to come naturally to him, as well as his mother, who is a school teacher for small children. Asha is also hesitant to send him anywhere distant, especially to go for a job which is not directly related to the course which he studied. She also temporarily losses her job, as she ends up hitting a child accidently.

So, what happens with the events here as we just keep looking? :: The mother and the son continues to have arguments over the past, present and future, as Vinu decides to find a job outside Kerala or even India at some hotels where his friends are working. Asha finds him as a rather useless person, as she originally wanted him to study MBBS, and they had spent a lot of money related to that too. But soon, things get worse, as Vinu feels that he was locked within a room by his dead grandmother, who moves around in the wheel chair. Asha feels that he needs counselling, but he doesn’t agree. George (Saiju Kurup) who runs a counselling centre comes home to help him, but Vinu is not happy about it at all, as he feels that he is being marked as an alcoholic and drug addict. George also feels that the sleeplessness might also be a reason, along with the mental problems which runs within the family. Vinu is in love with Priya (Athira Patel), but has stopped returning her calls, as he does almost nothing, while staying in his room, or in front of the television. But he continues to see and feel things – can this mean something else?

The defence of Bhoothakaalam :: Starting off as a movie which seems to have characters with some mental problems related to trauma, it smoothly enters the horror mode after some time. With many options being left behind, one can make different guesses about what actually happened. The minimum elements are used effectively, and the atmosphere of the house also brings a certain amount nostalgia – like our old houses which had mosaic on the floor along with some old style furniture as well as spaces on the wall. The darkness and shadows are pretty much effective in bringing the scares, and there is much to be felt about the possible presence in the house – they contribute to reaching a point where the title can be justified. The emotional side is also very much working, and there is much of the feelings going through here. Even with all the terror coming from outside, there is also the presence of the depressing past related to regret which continues to haunt everyone – the memories can be disorienting enough, as we move forward through a world of chaotic mind here too.

The claws of flaw :: Bhoothakaalam often restricts itself in the use of horror, except for the finally fifteen to twenty minutes when the film is finally allowed to unleash itself, bringing all the elements which it had in store, but didn’t use early enough. It does take its own time, and one feels that it is moving too slowly during that period of time. There are movies which slowly gets stronger, like Come Play, In Fear and It Follows, and one might feel that this might not feel that new with the early slow movement. The mind could have been given better focus, and the presence in the house could have also been better explained, thus leading to a better final finish. It is surely not that scary as some people seem to talk about it – there is something to be frightened about, but not that much as what the reviews exaggerate here, for only those who haven’t watched Hollywood horror movies at all can be that scared about it. After all, these are not the days when people are scared of ghosts that much, because humans have proven themselves to be more evil, each and every time. Ghosts have to be a special kind of scary to rise about human demonic acts.

The performers of the soul :: Shane Nigam continues his work more out of Kumbalangi Nights rather than the other movies, as he once again plays a similar youth who doesn’t really have a job for a multitude of reason, even though he is better educated this time. Revathy’s work continues to be a thing of quality, as he plays a mother role with a difference. There are moments which rises above the natural so well. James Eliya seems to be the man with logic, and has his moments of advice. Jilu Joseph has a small presence as a psychiatrist, as it is Saiju Kurup who deals with the counselling more, and even finds out a few secrets about the house – one would have loved to see more actions being taken by him here. Manju Pathrose plays the usual nosy neighbour, a role which is quite short. Valsala Menon played the grandmother, and that was the role which also lasted for only a few minutes as the movie continues to focus on the mother-son duo for almost all the time. Athira Patel is more or less the Mamitha Baiju of Operation Java coming in here as the seemingly forced love affair which in this case doesn’t reach anywhere in comparison.

How it finishes :: When we think about ghosts and past, the first movie which comes to our mind is Guillermo del Toro’s Crimson Peak, a Gothic romance horror which was not watched by that many people in this part of the world. But the past that haunts this movie is more or less related a good number of other horror movies, with one haunted house as well as a psychological side, both complimenting each other, sometimes from a distance, and at times, getting close enough and going through one another in style. Bhoothakaalam doesn’t hesitate to combine its elements, and then come up with the defining moments in the final stages of the film. This is surely a good deviation from the usual horror movies that we have in the Malayalam movie industry, and just like some of the other Sony LIV movies which released in the last few months, like Madhuram and Kaanekaane, this one also has a strong emotional side to go with. Well, you can also have some interesting horror with relationships running emotional in the background, for the ghosts are better and truer with their emotions than the fake humans.

Release date: 21st January 2021 (Sony LIV)
Running time: 105 minutes
Directed by: Rahul Sadasivan
Starring: Shane Nigam, Revathy, Athira Patel, Saiju Kurup, Manju Pathrose, James Eliya, Jilu Joseph, Valsala Menon

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@ Cemetery Watch
✠ The Vampire Bat.

Bloodshot

Vampire Owl: I am ready to take the bloodshot right now.

Vampire Bat: I am sure that this is not exactly a vaccine filled with blood.

Vampire Owl: I know that Doctor Frankenstein is developing such a vaccine.

Vampire Bat: Yes, but this is not it – and he is too crazy to be successful in it.

Vampire Owl: Doctor Frankenstein is a man of many skills. Madness is only one of them.

Vampire Bat: Yes, the result of his last experiment is now leading the zombie army against us.

Vampire Owl: You can’t blame a godly figure for giving his creations freewill.

Vampire Bat: Even Mary Shelley called him only as Modern Prometheus.

Vampire Owl: I am much older than anyone calling anybody by any name.

Vampire Bat: Okay, do take your Bloodshot vaccine when it is available in the goblin market.

[Gets a vegetable puffs and three cups of cardamom tea].

What is the movie about? :: Ray Garrison (Vin Diesel) is having his vacation somewhere on the coast of Southern Italy with his wife Gina Garrison (Talulah Riley) after a successful hostage rescue operation in Mombasa off the south east coast of Kenya. But they are captured by Martin Axe (Toby Kebbell) and a group of mercenaries who murder both his wife as he is not able to answer a question about their earlier mission. As Ray promises that he would have his vengeance, Martin kills him too. But he finds himself waking up elsewhere in Kuala Lumpur, Malaysia, at the laboratory if Rising Spirit Tech (RST). Dr Emil Harting (Guy Pearce) and Miss KT (Eiza Gonzalez) explains to him that he was dead, and the United States military had transfered his body to their research facility. Ray had become the first successful human revival as part of the experimental Bloodshot program, as a new nanite technology has brought him back stronger than before and healed his injuries.

So, what happens with the events here? :: Ray has no memory of what has happened with his life though, and he is more or less of a blank slate. The company explains to him that his body was sent here because there was nobody to claim it, and the research focused on building, reconstructing and enhancing soldiers with different methods using exoskeletons and higher levels of regeneration. But when he comes up against his memory of his wife’s murder, he immediately leaves the place, and two other cybernetically enhanced soldiers, Jimmy Dalton (Sam Heughan) and Marcus Tibbs (Alex Hernandez) are sent after him. But as he runs through the security forces of who seems to be his enemy, there is more than what meets the eye, but he wouldn’t understand it. But the undercurrents will get to him sooner or later, as he is taken back to the company to recover. What is the secret that he needs to find out sooner or later, and how will it change his world?

The defence of Bloodshot :: As a superhero origins movie, Bloodshot does have enough to keep us interested. The action is all good, and there are some fine visuals as well as those computer generated stylish elements which all come together nicely as a superhero movie should have. It came at a time when we were desperately in need of some superheroes, not just because of COVID-19 pandemic, but also because of our good old Avengers no longer being in the scene with the final spectacle which finished some of its superheroes either by death or by retirement. Diesel’s fans are going to be really happy about this one, as he does things the way has been doing it for a long time, and it reminds one of his much earlier movies. The final action scene is a spectacle, and there were others of our interest earlier too. The movie’s sequel should also have immense possibilities, as there is one almost invincible superhero ready to save the world against all odds.

The claws of flaw :: Bloodshot is a film which could have brought some more twists instead of going the predictable path at times – the superhero movies tend to do that, but this one surely had better opportunities to do that in comparison to a usual movie of the kind, and yet it doesn’t take that chance to keep itself safe. As an origin story, this one keeps itself to the basics, and waits for a possible sequel to do the job better. People would have still expected more, and something which would keep them finding the extraordinary. It does give some of the clues about its twists a little early. For a superhero, there could have been more death defying scenes earlier too, after all, we have seen what our hero could do in the much bigger series with cars, and those bigger car-like things. There might also be those people who can be confused between this movie and Deadshot, and that is not surprising as we consider the number of superheroes we were familiar with, that too in such a short period of time.

Performers of the soul :: As expected, the movie is depending on Vin Diesel to keep the heavy impact going, just like he has done for a long time in his career. The superstars like Dwayne ‘The Rock’ Johnson and Vin Diesel are meant to be superheroes at some point of time, and out hero, the latter had given us that idea quite long time ago. Diesel has another action movie covered here, and he does that with ease, just like he has done with many other action franchises in the past. Eiza Gonzalez also comes in as an action star with this movie, as her skills can also be seen around here. Alex Hernandez and Sam Heughan also does well with those action sequences. At the same time, Guy Pearce makes a pretty good villain, even though the chances of some bigger and better sequences of the mastermind would have done much better. Lamorne Morris remains the most likable character in the movie, and the role seems to suit him really well.

How it finishes :: Bloodshot does seem to have managed its origins story right, and now it is to be seen about how a possible sequel would go. The movie could have surely grossed more if it was not for the COVID-19 pandemic which came in so quickly, and ended its run in the theatres. It did return into the television quickly enough though, and we have another superhero to follow into that gap which Avengers had left behind. Well, we never really have enough of the superheroes, and the sequel to this movie can bring something more special. According to the Corona infested world, we surely will have to wait a long time for such a possibility. Until then, we do have this version, which has the interesting adventure with action and thrills. You can surely give Bloodshot a chance, as Vin Diesel is someone who brings a minimum guarantee on the big screen.

Release date: 13th March 2020
Running time: 109 minutes
Directed by: David SF Wilson
Starring: Vin Diesel, Eiza Gonzalez, Sam Heughan, Toby Kebbell, Guy Pearce, Talulah Riley, Lamorne Morris, Johannes Haukur Johannesson, Alex Hernandez, Tamer Burjaq, Siddharth Dhananjay

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