Fast and Furious 7

Posted on April 10, 2015 by Tennyson

Vampire Owl :: Its been quite a long time after the release. What took you this many days to watch this one?

Vampire Bat :: I just couldn’t get the tickets, even at the more local theatres where audience usually avoid the English movies.

Vampire Owl :: I thought so. After all, this was a much expected movie of the year, not as much as Jupiter Ascending for you, but still you seemed to avoid this one.

Vampire Bat :: I waited for the queue almost everyday for the first show, but couldn’t manage to get a ticket, only now I managed it now because they changed this movie to the bigger movie hall switching places with the other one.

Vampire Owl :: Well, there were other ways, but I know that the Vampire Bat never do a ticket reservation. He just stands in the queue everyday.

Vampire Bat :: Yes, all this for the privilege of watching this movie with such an audience who turns into chaotic people when the lights are switched off.

Vampire Owl :: The darkness of the theatre is scary, I mean it is not even the real darkness but created by man.

Vampire Bat :: It is a dangerous place indeed; strange beasts roam around, some of them howl, others whistle and few others talk in a language which comes out as abuse.

Vampire Owl :: So, it has worsened. This is why we should watch movies more at home rather than anywhere else.

Vampire Bat :: Yes, but I have already watched this one and is ready with the review.

[Leaves for the tea shop].

What is it about? :: With Owen Shaw (Luke Evans) and his team defeated, Dominic Toretto (Vin Diesel) and his crew might have thought that life was going to get simple and without problems, but they were wrong. It comes to light that the old villain had an older brother, Deckard Shaw (Jason Statham) who hopes and strives for revenge on the crew who put his brother in a terrible position, and for him, vengeance is beyond that word – he is like a man custom made for things like these. After Han-Seoul-Oh (Sung Kang) is killed, a bomb explodes which puts Brian O’Conner (Paul Walker) and Mia Toretto (Jordana Brewster) as well as their child in a precarious situation, and the protagonist decides to take things into his own hands. After the funeral of Han, the team will return for their final mission, but that won’t start with the attempt on taking the big Shaw down; there will be more to it.

The defence of Fast and Furious 7 :: The action is fast and furious, thus posing no scope to bring any challenge to the name of this movie. The movie is more action than any other element, and wastes no time in getting to it; the vengeance element stays strong and so does the tendency for turning into a heist movie in parts. The comic side also work, just at times. The cast stays strong, and the power of the action sequences can never be questioned. There are also some free lessons for Bollywood if they are making any disgusting sequels to Krrish or Dhoom – they should learn something and not copy – don’t go down to the abyss while making the next movie in one of these two ridiculous sequels.

The claws of flaw :: We can’t have this one at the top if we consider the other movies of this genre or those of the same franchise. The transformation into a full action movie with revenge as central theme might bother some fans, and this one is also free of any possible racing elements which some people might have wanted. The action sequences do ask for a lot of willing suspension of disbelief, even more than you used to do, with this franchise. May be there was the need to set a limit, but being fast and furious should go beyond the limits, if we go into deeper thoughts about it. Another problem might be about the story going predictable, but that also just comes with this one.

Performers of the soul :: The movie is a fine tribute to Paul Walker, and it was good to watch him doing what he always did the best. We will surely miss him if a sequel or a reboot for this series will ever come to us. Vin Diesel is fine as usual and continues his good run in the series even though I have always liked him more in Riddick as the titular character. Still the best moments of the movie goes to Dwayne Johnson who has more awesome seconds in the beginning and end, making so strong an impact. You will know that he is the one true cavalry. Jason Statham wasn’t that much of an interesting villain here as expected, even though he does deliver a punch or rather a number of them. I would say that a different “type” was needed here with the character. Nathalie Emmanuel looked amazingly good in the movie, and was a very nice addition to this one.

Soul exploration :: This certainly works as that wonderful tribute to Paul Walker as his final movie. There are some very nice stunts featuring him, and the final few scenes which provides a beautiful farewell to him. This was never going to be an easy job after his demise, but they have surely managed well. Once again, the movie itself is all about family and brotherhood – something that continues with the same power. Fast and Furious 7 has its heart and soul right there. The emotional moments are all about supporting the same, and there is very fine success there. There is something clearly for the soul there, and it feels so good.

How it finishes :: Fast and Furious 7 is that movie which had a wonderful reception here, far beyond the expectations. I waited so long to get a ticket not in the malls, but at those local theatres, and finally got lucky on a Thursday just because the movie was changed to a bigger movie hall. This is actually expected to do more here, as it is the final movie Paul Walker, and the cast includes people like Dwyane Johnson the Rock, Vin Diesel and Jason Statham. Yes, add them to the cars and we have a lot for the audience here. The next week also has some holidays in the form of Ambedkar Jayanthi and Vishu, and after the big Easter weekend success, this will only earn a lot more, and may be go on to become the biggest grossing Hollywood movie at this part of the world.

Release date: 2nd April 2015 (India); 3rd April 2015 (US)
Running time: 137 minutes
Directed by: James Wan
Starring: Vin Diesel, Dwayne Johnson, Paul Walker, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Chris Bridges, Kurt Russell, Jason Statham, Tony Jaa, Djimon Hounsou, Ronda Rousey, Nathalie Emmanuel, Elsa Pataky, John Brotherton, Ali Fazal, Noel Gugliemi

@ Cemetery Watch
✠ The Vampire Bat.

Chappie

Posted on March 26, 2015 by Tennyson

Vampire Owl :: I thought you were going to watch Cinderella.

Vampire Bat :: Yes, but then Chappie was there and that show started earlier by ten minutes.

Vampire Owl :: That name actually makes me depressed.

Vampire Bat :: It happens when you say that in Malayalam.

Vampire Owl :: Do you know that India actually lost against Australia?

Vampire Bat :: Did they? I thought some extra-efficient online Keralites once again saved India by abusing Mitchell Johnson and the Australian Cricket Team.

Vampire Owl :: Yes, just like Maria Sharapova lost to Serena Williams and the Pakistan Hockey Team played bad after the abuse by Keralites.

Vampire Bat :: Dude, everybody losses to Serena Williams. It is quite natural. And Asia is not a hockey powerhouse anymore.

Vampire Owl :: Damn! The cent percent literacy is wasted.

Vampire Bat :: Cent percent literacy! It is the literacy for abuse!

[Leaves for the tea shop].

What is it about? :: As the South African police at Johannesburg a group of advanced robots from weapons and ammunition manufacturer called Tetravaal, the crime rates are brought to a new low, and as expected the criminals and their bosses are concerned. The inventor is Deon Wilson (Dev Patel) who seems to be getting most of the appreciation much to the dismay of another engineer, Vincent Moore (Hugh Jackman) who wishes to send his own robot model named Moose into operation. But as it is very costly and is highly equipped with too much firepower needing full human control, it is rejected until further notice. But when our inventor creates an artificial intelligence which is rather too human, things take a twist, and things are no longer in his control. A group of criminals also decide to take control of a robot.

The defence of Chappie :: There are some good ideas running through this movie, and it becomes evident right after the first few minutes of Chappie. The robot instantly becomes interesting even with the scope for improvement always there. There are lots of action sequences in the movie, and there is a certain amount of emotional strength whenever a different kind of thing comes to existence and tries to cope with the world around, which works in this one too. There are thoughts left behind, and there is the social message which we can take home, even though it rarely becomes the big thing in this movie. There are surely some good performances to support this one.

The Claws of Flaw :: Chappie doesn’t really use its strengths to its advantage, and has problems with dealing with its central ideas – not really there in making them work completely and bringing things to the right finish. Instead, the movie is too addicted to consciousness, a lot more than Transcendence did, and it is like one can never die as the same keeps getting transferred from one body to the other. The character of our dear robot never really gets to display the awesomeness, and the criminal characters are not really up-to the mark either. Along with reminding us of Transcendence, this one has its own Robocop elements to add to the same. It is a big surprise that still this couldn’t better than what it really is.

Performers of the soul :: Sharlto Copley gives voice to biggest performer of the movie, which is the one robot with its name as the film title. He was there in the same director’s District 9, Elysium and now this one – here in the non-human form for the first time. Hugh Jackman is good, but in a different avatar, and doesn’t impress at all times – still, makes a fine villain. Dev Patel is so natural in this movie, and as he plays the second most significant character in the movie after our own protagonist robot, does very well. This role seemed to suit him so well, and he manages it with ease. Yolandi Visser was nice in a special avatar, and Sigourney Weaver leaves no impact in her less significant role.

Soul exploration :: Chappie does focus so much on the soul elements. There seems to be questions asked, but none of them are direct, and the answers are never really there. There is the talk about making the robot which is more like a human, and also the transfer of human consciousness to robots as well as the consciousness of one robot to the other – they seems to get things working all of a sudden and keep doing the same without fail. The idea of the robot consciousness developing from nothing to a new thing is interesting, but one has to wonder if that was given enough significance in the right manner and was portrayed with enough attention to the details. It is like they speeded up a few things to reach the desired end, which is not what the viewers really wanted.

How it finishes :: Chappie doesn’t finish that strong as expected, and it leaves me with the thought that may be Cinderella or Focus might have been a better choice. They are still running though, and the choice stays. As the maker of District 9 and Elysium, this is another step downward for the director, Neill Blomkamp – it is also evident in the opinion of the critics. In the movie poster, they label Chappie as humanity’s last hope, but that makes one wonder if that really matches the movie. No, this robot is not really humanity’s last hope; there is no point at which he proves to be that unless you take a few characters as “the world” – yes, there are things that he can do, but in his absence, may be things would have just gone on and on. You can watch this one for the ideas, and not for many other things.

Release date: 20th March 2015 (India); 6th March 2015 (US)
Running time: 120 minutes
Directed by: Neill Blomkamp
Starring: Sharlto Copley, Hugh Jackman, Dev Patel, Watkin Tudor Jones, Yolandi Visser, Jose Pablo Cantillo, Sigourney Weaver, Brandon Auret, Anderson Cooper

@ Cemetery Watch
✠ The Vampire Bat.

Insurgent

Posted on March 20, 2015 by Tennyson

A Flashback to Divergent :: I have noticed a number of people in the theatre being clueless about this, and therefore, lets take a flashback ride to the first movie. You can choose to skip this paragraph if you needn’t. In Divergent, within a future post-apocalyptic world of dysopian nature, the known human society is divided into five different factions according to the qualities of each person: they are Dauntless (the brave), Abnegation (the selfless), Amity (the peaceful), Candor (the honest) and Erudite (the intelligent). There are tests done for the same and those who don’t fit into the factions or the Divergents are left with no part in the society. But one young lady called Beatrice Prior will join Dauntless despite being a Divergent, and will go on to stop the faction Erudite and its leader Jeanine Matthews’ attempt to take over as the leader of them all.

What is it about? :: Jeanine Matthews (Kate Winslet) continues her hunt for power, as she finds an artifact box with the symbols of all factions. She needs to open it as the box is believed to have a message from the founders of the city, and she hopes that it can solve the problems of the Divergents restoring the remaining factions with her as the leader. But only a strong Divergent can open it as the procedure involves going through the simulation which includes the challenges of all the factions. Tris (Shailene Woodley), Four (Theo James), Peter (Miles Teller), and Caleb (Ansel Elgort) are on the run, but Jeanine’s team reaches them – they separate as Tris and Four leave for Candor after going through the Factionless which is lead by Four’s mother Evelyn Johnson-Eaton (Naomi Watts). But things surely seem to be heading for a war.

The defence of The Divergent Series: Insurgent :: The idea has already been set, and so Insurgent has it easy to work with. The detail of the environment is very good, and it is good to watch he dystopian world in 3D. The special effects never cease to catch our attention in this movie. The action sequences remain interesting, and the audience only end up asking for more of the same. The idea of being Divergent is taken to another level, and there is twist at the ending which leaves us hoping for more in the sequel – hope the next movie delivers a lot more. The Divergent Series: Allegiant – Part 1 will get released next year and The Divergent Series: Allegiant – Part 2 in 2017, and lets hope that this works very well as there seems to be something big coming, as the impression has been made.

The Claws of Flaw :: Insurgent is a step backward from Divergent, and it is not divergent in its treatment of the subject. It doesn’t go on to establish itself as a special dystopian movie as we had expected with the ending of the first movie. The first one had established the world, but this one actually has almost nothing related to a dystopia which is provided directly and we are left to pick up a few things here and there. The message is not that powerful here with the divergence and the society. Instead, this movie tries to hold on to predictability and last minute escapes. The movie should have dared to go outside what it has established and could have brought more here. Instead, the movie manages to go on and on with the idea that we already have. There is no real attempt to change the society in a big way other than trying to bring the dictator down. Divergents are also just declared special!

Performers of the soul :: It can be safely said that it is Shailene Woodley who saves this movie from going further down its level. She has given her best here, carrying this movie forward as the Divergent protagonist. She has only made things better here, and she is the one who provides this movie with any opportunity to match up-to its predecessor even though Insurgent doesn’t end up doing so. Among the new additions to the movie, Naomi Watts stays ahead of the others, as is very much convincing and interesting. Theo James just manages to be okay playing the support. Ansel Elgort has a forgettable outing there as the strange brother character. Kate Winslet manages to be just an okay villain while Miles Teller is very good here.

Soul exploration :: Just like its predecessor, this movie also focuses on what it takes to be different or divergent, and focuses on the journey that occurs due to not agreeing to the norms of the society. In a world where moving away from the accepted norms of the society is a crime, one heroine continues to rise. This divergence leads to revolution and a change of order. Identities change here, and being smart comes with the extreme desire to rule over the others, which the intelligent faction in the movie displays. They are the masters of science and cannot stand someone else who is better than them, just like the Divergents who are good in more than one skill, and from their jealousy, the movie moves forward to the next level.

How it finishes :: The movie is based on the book of the same name, which is the second book in the much talked about Divergent trilogy written by Veronica Roth, even though the fans here seems to be lesser in number. The first one was an interesting movie itself, and the second one nicely follows the path which was set up by its prequel without doing anything special, which makes Divergent the better movie without doubt. This actually became the first Hollywood movie I watched this month, and may be the only one of its kind which I managed to review. Yes, my movie watching adventures have been decreasing, thanks to the censor board banning movies, and some of them not even making all the way here. There are also personal reasons, but I am going to find time for the same here and there as long as the bans and the selections of movies by the theatres make more sense.

Release date: 20th March 2015
Running time: 119 minutes
Directed by: Robert Schwentke
Starring: Shailene Woodley, Theo James, Zoë Kravitz, Octavia Spencer, Jai Courtney, Ray Stevenson, Miles Teller, Ansel Elgort, Maggie Q, Naomi Watts, Kate Winslet, Mekhi Phifer, Ashley Judd, Daniel Dae Kim, Keiynan Lonsdale, Suki Waterhouse, Rosa Salazar, Emjay Anthony, Janet McTeer, Jonny Weston

@ Cemetery Watch
✠ The Vampire Bat.

American Sniper

Posted on February 12, 2015 by Tennyson

Vampire Owl :: Yes, I have heard that they are showing all those Oscar nominated movies there in the multiplex, or at least those which they have chosen.

Vampire Bat :: Some of the movies have made a return while the others have arrived for the very first time. Which one would you choose?

Vampire Owl :: I choose none. I shall not watch award movies. It has been a policy – an owlified policy.

Vampire Bat :: But some of them are certified good.

Vampire Owl :: I don’t fall for such certification. I have been a prey to such opinions for too long a time. And what is Guardians of the Galaxy and Interstellar doing there? They should have tried for those movies which didn’t release here instead.

Vampire Bat :: But most of the movies in that list never released here, and without the Oscar nominations, might have never even come near here.

Vampire Owl :: Still, I say no to any of those movies. I am a stubborn Vampire Owl. It is in my blood, my pure, centuries old bloodline.

Vampire Bat :: I shall go for American Sniper then.

Vampire Owl :: And make a pick for these Oscars. Lets see if your prediction powers work after centuries of experience.

Vampire Bat :: I have only watched The Grand Budapest Hotel among the movies which have received nomination for the best picture. Lets see how American Sniper adds to it.

[Goes to the theatre].

What is it about? :: The movie tells the real life story of a man from Texas, Chris Kyle (Bradley Cooper), who becomes sad and outraged at the 1998 U.S. embassy bombings and decides to join the United States Navy and be of service to his nation which has been a target of external terrorist forces. He undergoes the training and finally becomes a United States Navy SEAL sniper. After meeting Taya Renae (Sienna Miller) at a bar and falling into a relationship, he marries her, only to be posted at Iraq for the war against terrorism after the 9/11 attacks on the World Trade Centre and the Pentagon. Beginning with sniper shots on a woman and a child who were trying to attack the troops with grenades, he feels the pain, but continues to go on and become the most known sniper and the one with the most kills. The biggest challenge for him would be take out an expert enemy sniper who wanders around in the shadows – but there is also his family back home.

The defence of American Sniper :: I was skeptical about watching this movie, and I had wondered how it will go as an American war movie, and this one completely managed to rise above my expectations. The movie nicely combines so many elements of the war and successfully comes out as an anti-war movie. Everything is shown with so much passion and detail. The message is clear and against the ever-lasting devastation that the war causes and the darkness of nothingness that terrorism can lead to. Bradley Cooper is the man who steals the show with almost every second as this is a movie about his character and what he has done. He also has gained a lot of weight for the role as it seems and is known. He does deserve the Academy Award for the Best Actor, and an absence of nomination would have surprised me a lot. Sienna Miller joins in and does her job in so much of a believable manner.

Positives and Negatives :: The negatives are hard to find with American Sniper. May be you can find something if you have a problem with realistic depictions, or may be you can dig deeper than me find something else. May be for some of you, there was not enough entertainment. But it was there for me, and there might have been a very minute drag here and there, but I never felt that. If you need to create controversy out of something which is not there, I am not giving into it. You might have your bloody agenda, but for one second, think about it from the point of view of a soldier – it is what the movie is about. You can complain that the end was too soon, but the movie was never really about the end, but the soul of this flick itself was the world that it portrayed. As it takes us to the battlefield and the clear flow of emotions back home, one has to accept and admit that this was the best way things could have been linked and shown on the big screen in a realistic manner.

Soul exploration :: Well, the movie leaves the question about who can be blamed. Can you blame a soldier for doing what he is supposed to do to support his troops and help his fallen comrades? Do we even think about what goes through the mind of a trooper as he obeys an order from the top or when he has to make a choice between saving his people and humanity? What are those things that he has to live with in the end? With those things that he did or with those things that he couldn’t do? Forget this sniper being American, and think beyond the limits of nationality. What about an Indian soldier who gets killed by a terrorist at the border? What about our unsung heroes who deserves better than being shot at by a militant from the other side of the border? Lets forget all the politics behind this and the setting and think about it from the point of view of a soldier who sets off to serve his nation. They deserve the salute for keeping the nation and its citizens first, despite the nationality. It is on their blood that each nation stands, and for trauma that they face and for their selfless service, they should be treated the best, not some random cricketer.

On the Academy Awards :: ***These are my hopes on the 87th Academy Awards which you can avoid, if you want to! As the date for the Academy Awards is coming near, The Grand Budapest Hotel remains the only other movie amond the list of nominations for Best Picture that I have watched, and even as I haven’t finalized on a rating, I would give a 92/100 for that, and consider American Sniper a well-ahead movie. I was hoping to watch The Imitation Game the most among those movies which were in the list, but missed that. I couldn’t come close to being interested in Whiplash, and I have decided against an overdose with the other movies which do provide me with a good timing. May be I don’t want to destroy that good experience that American Sniper has given me. I am afraid in that case, because my taste often creates a case of wonder for myself.

The Waiting Continues :: I do hope that Bradley Cooper does win the Best Actor Award for this movie, and Rosamund Pike for Gone Girl because I have that feeling that those were the performances which can’t be easily matched. I also hope that How to Train Your Dragon 2 win the Best Animated Feature Film Award instead of the overrated Big Hero 6 which thinks that it is Frozen with some irritating hero fans. Captain America: The Winter Soldier should also win something for the Best Visual Effects compared to the other overrated nominations – that is my hope. Well, American Sniper does deserve a lot more than just some nominations and a few winnings, as it deserves big – and that something that I would surely like to see after watching this movie. May this movie has more people with brain and heart watching at the multiplexes rather than the narrow minded ones! India needs a movie like this, and the only one which I can remember that stays strong is Tango Charlie.

Release date: 16th January 2015
Running time: 132 minutes
Directed by: Clint Eastwood
Starring: Bradley Cooper, Sienna Miller, Max Charles, Luke Grimes, Kyle Gallner, Sam, Jake McDorman, Cory Hardrict, Navid Negahban, Eric Close, Eric Ladin, Rey Gallegos, Brian Hallisay, Ben Reed, Elise Robertson, Keir O’Donnell, Marnette Patterson, Leonard Roberts, Sammy Sheik, Mido Hamada

@ Cemetery Watch
✠ The Vampire Bat.

Jupiter Ascending

Posted on February 6, 2015 by Tennyson

Vampire Owl :: So we are going to Jupiter. I have heard that Uncle Dracula has accelerated his teleportation abilities to find a method to travel to other planet. Is the procedure already popular?

Vampire Bat :: He is such a vampire mutant. No, we are not going to Jupiter yet.

Vampire Owl :: So, we are going to meet the god himself. Isn’t he still more popular as Zeus?

Vampire Bat :: No, we shall meet no god. We are going to watch the movie in which Mila Kunis is Jupiter, a janitor.

Vampire Owl :: Why would we watch it on a Friday when I have my undead policies to work on?

Vampire Bat :: Because it comes from the makers of The Matrix and the trailer gives the feeling of a spectacle?

Vampire Owl :: Yes, now I remember. This is the movie that made you wait so much that you became one year older.

Vampire Bat :: Yes, I became an year older because it was delayed for about an year.

Vampire Owl :: Then, we should surely watch it.

Vampire Bat :: Let Jupiter ascend then.

[Gets the tickets].

What is it about? :: Jupiter Jones (Mila Kunis) calls herself as an alien as she is an illegal immigrant to the United States. She spends her life a janitor and keeps hating her world until one day, she meets with some real aliens, except for the fact that this time they are after her and won’t stop until she is dead. But Caine Wise (Channing Tatum), a hunter comes out of nowhere to save her and make her known that her genetic structure makes her alien royalty and the one to inherit Earth. The three siblings of the same royal house, Balem (Eddie Redmayne), Titus (Douglas Booth) and Kalique (Tuppence Middleton) do have different plans for her. There are also mercenaries after her, with some of them planning to capture her alive. But the question remains about who wants her alive and who wants her to be dead; if to be alive, for how long and what is the purpose for a huge challenge to the throne like her being left to live? Jupiter knows not much, and Caine can’t guess that much as he is a figher and not a thinker.

The defence of Jupiter Ascending :: Welcome to the new world, and this is a vast collection of planets among which Earth is just a part of, and therefore the scope was present for a lot of visual splendour, and there, we are not disappointed at all. You have to be stunned at the looks of different cities of this fictional universe and be amazed, and there are nicely designed spaceships, and those gadgets, plus those aliens, humanoids and the alien humanoids who never cease coming to the screen. There is a good idea here too, on which the world has been created, and the special effects are efficiently utilized to the needs of the movie. There is the abundance of themes and also some very good acting from the major members of the cast. The action sequences are really good and they are available in plenty. The costumes are impressive, and the idea is laid there for more movies, and a trilogy would be a nice option with this one as the origins story – there is a big universe out there and a story of mystery and deception has just started.

Positives and Negatives :: There are many movies which this one can remind you about, the last one being Guardians of the Galaxy, even as the plot stays different with its core elements. I would consider this superior to that movie though, and you can understand it by just looking at the artistic style that has been used with the detail. You might have been missing Star Wars or have been a fan of Mass Effect, this could work nicely with your ideas. The movie also takes too much time to get to the point, and almost an hour passes by when things get interesting – it is a sad miss there, as there was the scope to begin nicely right from the beginning with pace. There are some minor moments of dumbness, here and any fault that you can find with this movie is coated by the entertainer side, as the visual splendour, action and some humour keeps taking over. Among those space adventures, Jupiter Ascending has a major place, and no matter what the box-office results are, it shall be remembered.

Performers of the soul :: Mila Kunis takes the lead here playing the possible leader and the new queen of the universe, and undoubtedly the one to own Earth – she plays her character with all the possible features that are expected from someone like Jupiter Jones of Earth. You have to love how she says “I love dogs, I’ve always loved dogs”, and “I hate my life” again and again. Channing Tatum is the hero, and the one who saves the day, but there is almost nothing that revolves around him as Mila remains the key. From cleaning toilets, her character rises to the highest point, making the title perfectly relevant, as her ascension to the throne as well as that rise from being a nobody are concerned. Among the other royalty, the big antagonist Eddie Redmayne comes up with the worst performance, and it doesn’t matter what the Academy Awards are going to say. Douglas Booth is moslty good, but Tuppence Middleton is the most charming and the most interesting among them all with her character still remaining a mystery – she is also the prettiest on the screen. Do look out for Sean Bean too.

Soul exploration 1: The Other Side of the Coin :: Jupiter Rising is in many ways, the other side of the coin whose one side is Interstellar. If you liked Interstellar, and doesn’t find this interesting, I don’t see why. This one also entertains the existence of a certain other kind of human beings belonging to other dimensions, whose existence is further more than those of an ordinary human. Yes, such maker creatures were already there in Prometheus, and they continue to make appearances in the movies. The best thing about Jupiter Ascending is that it has no pseudo-intellectual nonsense. I have known rather too many people who thought that Interstellar was pure nonsense, and so if critics feel that this movie is bad, I would add them to the list made for this other side of the coin. Jupiter Rising is Interstellar‘s side of entertainment, and also having better visual splendour, world settings and thrills. So, I see no reason why I should rate this one lower than Interstellar. I also saw no reason why Guaridans of the Galaxy had too many positive reviews compared to this one either. After all, our movie here has a message and works so well on its theme.

Soul exploration 2: The Take on Human Desire :: The movie takes on the human desire to have those insignificant things, and their “wants” which takes over the “needs” of the rest of human beings, using them to their advantage. The rich only gets richer and feeds on the poor, completely denying their needs. Are the rulers that we see in the movie satisfied after inheriting so much? Absolutely not. The “want” only becomes more, and for the same, it is the common human population that suffers. The higher level of people only thrives by “harvesting” the labours of the common man, which related to the “harvesting of Earth” in the movie. The rich and powerful ones always need more, and for the same, they desire to exploit the poor further, and this is what is seen in the movie – sometimes, a champion can rise from among the oppressed, but the question if he or she will turn as another oppressor remains. Earth is refered to as “underdeveloped” – take that point. Nobody here even knows or cares about The SpongeBob Movie: Sponge Out of Water which might never release, and Seventh Son has completely disappeared – Jupiter Ascending should do okay for the same reason, and a possible failure at this part of the world should be only because of the “A” certificate.

Release date: 6th February 2015
Running time: 127 minutes
Directed by: The Wachowskis
Starring: Channing Tatum, Mila Kunis, Tuppence Middleton, Eddie Redmayne, Douglas Booth, Sean Bean, Nikki Amuka-Bird, Charlotte Beaumont, David Ajala, Doona Bae, Terry Gilliam, Vanessa Kirby, Kick Gurry, Jeremy Swift, Tim Pigott-Smith, Maria Doyle Kennedy, James D’Arcy, Christina Cole, Frog Stone

@ Cemetery Watch
✠ The Vampire Bat.

Taken 3

Posted on January 10, 2015 by Tennyson

Uncle Dracula :: So do you believe that the Vampire Owl was taken?

Vampire Bat :: I didn’t say that. I was talking about him not going for movies, and not being available for consideration even for watching the movie Taken 3.

Uncle Dracula :: But he could have been taken, nevertheless.

Vampire Bat :: Why are we even having this conversation?

Uncle Dracula :: Because I am giving you a substitute for the Vampire Owl here. Take Igor.

Vampire Bat :: What? Wasn’t he with Doctor Frankenstein?

Uncle Dracula :: Yes, but he was taken. You didn’t know? Even my brides know that.

Vampire Bat :: Yes, they will surely know that, because they have no other job. They don’t even brush their fangs. But taken by whom?

Uncle Dracula :: Taken by me. Who else? I am the only Bryan Mills around here. Now, take my new vampire chariot and leave. You are getting late and there is a chance that you might be taken by Doctor Frankenstein in retaliation.

Vampire Bat :: That is a fair point. And you stop abducting people after transforming into fog, mist, wolves, dogs, potato chips, Cambridge Advanced Learner’s Dictionary, Titanic DVD and all those other things. The age is different now. It is not cool anymore.

[Kick-starts the vampire chariot].

What is it about? :: The two major incidents seem to have cooled down, and nobody seems to be “taken” anymore. Bryan Mills (Liam Neeson) is once again trying to be good with his daughter Kim Mills (Maggie Grace) who is now living with her boyfriend and his ex-wife Lenore Mills (Famke Janssen) who is having problems with her current husband, Stuart St. John (Dougray Scott). But things get turned around as his wife is found murdered, and when he enters the house, he is framed for the murder. As he becomes the prime suspect here due to the evidence, he manages to flee from the scene using his special skills and uses the same to find a way to get to her murderer. The police is on his trail and asks him to surrender and let them investigate, leaving it for the court to decide, but Bryan knows that he can trust his skills better than anything else. Inspector Franck Dotzler (Forest Whitaker) is in charge of the case and decides to go after Bryan.

The defence of Taken 3 :: You know what to expect in a sequel to the kind of movies that the predecessors were. Even with a change in the basic plot as nobody is “taken”, this one tries to use the same protagonist to its advantage nicely. Yes, it chooses not to follow that idea and comes up with something different, even as it is not something which hasn’t been tried before. The action sequences involving our protagonist are once again good, even as not raising the level. This is also more of the action movie than thriller, even as some suspense is there trying to make smaller impacts. The stunts mostly involve some melee combat, more shoot-outs and a lot more car chase action. The fans might still love this one up-to an extent, and too much expectation will kill this one. Yes, the franchise ends here, and may be that will also work in favour of this in your mind, even as one his the last dialogues might make one feel otherwise.

The claws of flaw:: Taken 3 fails to give a great ending to the franchise which has to be satisfied with the average finish compared to how it has been going. There is no coming anywhere near the first movie, that is for sure. A comparison with the predecessors is going to devastate this movie, and the place of this one is below the previous two. This is not even that well edited, or even developed as something that brings the thrills to the viewers. It even hesitates to go full swing action, and one has to wonder why. The final scenes also lack the power, and the villains as well as the gang remains not just weak, but also uninteresting. Even the twist could have used more power. It needed more action and thrills, but Taken 3 tries to hang on to the power of the previous movies and bring this franchise to an end which neither Liam Neeson or the audience deserved. After watching this one, may be you will feel that this should have been a movie out of Taken franchise – like Non-Stop, Unknown and The Grey.

Performers of the soul :: You see a Liam Neeson movie here again, and he takes the avatar of one of his best known characters, even as I don’t consider his characters in Non-Stop, The Grey and Unknown with any less reverence – same goes to Hannibal of The A-Team. Being the action hero that everyone wants to see beating up the bad people, he once again doesn’t fail to deliver. There are signs of old age for sure, but he still got it as the man who got the special skills that he acquired. Here, he is bigger than the movie – no doubt about that. You know that Famke Janssen’s character gets killed early, but Maggie Grace is once again very good, but is left with not that much to do in this movie. Forest Whitaker was impressive during his stay, but the villains were too weak. The Russian villain idea never really came close to working, and the other villain twist was another weak addition. There could have been better ideas about it, but we find none here.

Soul exploration :: Taken 3 has its heart at the family, and once again the father-daughter relationship gets a good chance in the middle. But if it was given better thoughts or at least shown with more humour, that would have actually worked in favour of this movie, considering how much this movie has struggled to keep up with its predecessors. Even in what has made this franchise such a big name, this one struggles to make the expected impact. I have actually heard my friends saying “does this guy’s family still have members who are to be kidnapped? How big a family is that?” – when they heard about the release of a third movie. Taken 3 is more like The Hangover III considering the fact that it had no hangover as this one had nobody being taken, but the after-effects of the earlier hangovers and those abductions in the earlier movies still stay.

How it finishes :: Taken 3 doesn’t seem to make much impact in the theatres, even as the initial crowd is there due to the fame of the previous movies, and it is only a matter of time until the advantage is lost. There is a long list of Hollywood movies from the previous weeks though, like Exodus: Gods and Kings, The Woman in Black 2: Angel of Death, Interstellar, Night at the Museum: Secret of the Tomb, The Hobbit: The Battle Of The Five Armies and Penguins of Madagascar along with the other language movies, all of them with better opinions received than this one. The advice here would be not to go for Taken 3 with the expectation of another Taken. Think about it as another action movie coming from Liam Neeson, and the characters as just the reflections of the situation in the flick. Watch this one for Liam Neeson, and think not much about the franchise or the rest of the things.

Release date: 9th January 2015.
Running time: 108 minutes
Directed by: Olivier Megaton
Starring: Liam Neeson, Maggie Grace, Famke Janssen, Forest Whitaker, Dougray Scott, Sam Spruell, Leland Orser, Jon Gries, Jonny Weston, Dylan Bruno

@ Cemetery Watch
✠ The Vampire Bat.

In Fear

Posted on December 12, 2014 by Tennyson

Vampire Owl :: But I do not know the meaning of Fear.

Vampire Bat :: Then what do you call that expression when you were chased by a dog last month?

Vampire Owl :: I was simply giving the dog a lesson in running.

Vampire Bat :: Then when you jumped over the wall, it was a lesson in high jump?

Vampire Owl :: Yes, but it was a poor little creature with such a small brain. It couldn’t jump over the wall.

Vampire Bat :: You didn’t take the flying classes when all the other owls were doing that, and now you want to pretend to teach others running.

Vampire Owl :: It is actually okay because you can’t fly either. You should attend my classes too. It will help you to run away from a bad movie.

Vampire Bat :: But this is still a good movie. This is simple, raw horror.

Vampire Owl :: I have watched this and won’t approve. I am bigger horror than this little movie.

Vampire Bat :: I would have made a bet for three hundred zombies that you can only say that about this movie.

[Goes to watch ISL].

What is it about? :: Tom (Iain De Caestecker) and Lucy (Alice Englert) are on their first trip after falling for each other, and even as they are planning to go to a music festival with friends, Tom suggests that they rest in a hotel on the way, to which Lucy agrees, despite having promised her friends that she would be there early. They follow a vehicle to the hotel where they were planning to stay, and after showing them the directions, that person drives off. They move on and looks for directions, but following them doesn’t lead them anywhere and it seems that they have seen the same place again and again – it is as if they are trapped in a maze. The rain starts pouring and Lucy keeps seeing a masked figure while going through the path and they are attacked once. They end up giving lift to another person called Max (Allen Leech) who claims to have been attacked too, but the tension only gets higher as there seems to be no way out of there.

The defence of In Fear :: Most of the movie is in the middle of nowhere and we have so much action inside the car which turns into a claustrophobic world, especially with the third person around. There is already a spooky atmosphere created as the darkness falls and the rain pouring, with nowhere to go. It is smart in its anxiety and tension, and the feeling of being nowhere in hopelessness is disturbing. Being in small pocket road with no lights and no signs of civilization around, having no idea how to get anywhere? Everyone needs to be scared about this, especially as some masked villain is ready to pounce if you stop the car – he might even find a way to stop the vehicle. You have the right to be scared here. The stuff is believable too, as this goes on without anything out of the world added to it. There is less stupidity from the characters as they seem to act more as anyone would have, if caught in such a situation. It is good to see something different being tried in the horror genre.

Claws of flaw :: The movie is not for everyone, especially as there is almost no jump scare at all. There is no big scary killer who keeps coming at you and creating all those gory scenes out of nowhere. The locations are limited, and there is darkness around. There is not much of a backstory, and things happen straight. There are minimum resources used here, and there is no murder shown happening on the screen – there is not even a cut on the screen even as there is blood after the cut. There are just three people in this movie and for most of the time, we see only two of them. Some horror fans can find this method uninteresting, and a few others might be more disappointed about the same. The power of the villain is not much, and the ending is actually a little too uninteresting, even as it has the mind not to bring something up in hope for a sequel. The inside the car setting might also disturb a few. There are still a few things unanswered, and the moments of stupidity does come into play when the protagonists are out of the car. There is nothing big in the plot either.

Performers of the soul :: There are just three people acting in this movie, even as there are others who we do from a distance; nothing much here is about another person other than what we hear our leading actors talk about them or contact them through the mobile phone – yes there is a scarecrow if you want to add him to the actors. Among the three, Alice Englert is the pick. The last time I had seen her was in Beautiful Creatures, and even as I did think that she was good, I doubted about her being in a horror movie – but then, I was wrong, and this young lady who was just nineteen when this movie premiered, has just nailed the role of the young damsel in distress in a believable manner. I couldn’t feel anything else but be surprised about the fact that she had made her character so much believable rather than becoming another lady in a horror movie. Iain De Caestecker comes only second, and becomes the weaker character leaving him with less scope. Allen Leech is good, but still not up-to the movie’s power.

Soul exploration :: The soul of the movie is in its atmosphere, and the success of the same is in creating that situation which can haunt any other person. It is a case of genuine fear, as it makes way into our known world. Ever got your car’s tyres punctured in the middle of nowhere at night, or have you ever got lost your way somewhere while taking a shortcut and there are no lights anywhere? There is no range in your phone with GPS already stopped working and rain also stops pouring down. So where do you go from there? In Fear has that situation and successfully drops us into the world of fear and nothing else. Fear might want many things, but this movie proves that what it actually needs is a realistic situation and happenings that can be connected by the audience. A better working of the plot and a better development of the situation could have done a even more for this movie, but for now, there is some realistic horror in its core.

How it finishes :: In Fear is a movie so much less known, and its existence might be something that so many people are unaware of, unless Alice Englert’s filmography keeps catching too much attention. It is a movie which has pretty much low rating at IMDb, but is something which has good ratings from critics. That should explain a few things. No, this doesn’t have the entertainment side working much, and its horror is something of the mind. It has less for the majority of the viewers who would hope for something that thrills outside the borders of realism. But this movie doesn’t have that, as the choice to go with realistic things can gain more critics and lose more viewers. But In Fear still maintains enough to gather the usual fans, at least in my opinion. For the same, one has to think more than what is seen on the screen.

Release date: 20th January 2013
Running time: 85 minutes
Directed by: Jeremy Lovering
Starring: Iain De Caestecker, Alice Englert, Allen Leech

@ Cemetery Watch
✠ The Vampire Bat.

Enemy

Posted on December 10, 2014 by Tennyson

*The Soul Exploration paragraphs can have spoilers and therefore read wisely.

Vampire Owl :: I haven’t even heard about this movie.

Vampire Bat :: It is quite natural. It never came to our theatres.

Vampire Owl :: Then I need a DVD of this one. A movie that doesn’t come to our theatres is always worth a watch.

Vampire Bat :: I was going to recommend it to you, anyway.

Vampire Owl :: Everyone is creating one protest after the other. May be we should protest against the wrong movies being shown on the theatres.

Vampire Bat :: We shall call it the Hug of Movies.

Vampire Owl :: No Kiss of Movies? Okay, we will hug the movie DVDs of those movies which never had the chance to release here, and are so awesome.

Vampire Bat :: The change should start by not releasing some of those dumb movies just for the simple reason that they are too stupid for the human brain.

Vampire Owl :: I think you watched a Bollywood action movie in the last few days and is waiting to write a review on it.

Vampire Bat :: No, but I will leave you with a review of Enemy.

[Switches on the laptop].

What is it about? :: The movie tells the story of Adam Bell and Anthony Saint Claire (both played by Jake Gyllenhaal), the first one being a history professor and the other being a small time actor, both looking exactly the same despite having no real connection or relation with each other. The former’s girlfriend Mary (Melanie Laurent) is troubled and worried as Adam finds this man who looks like him in a movie and is determined to discover more about him. He even searches and finds the man’s number to call him and talk to him about the same, and hopes to meet him one day as curiosity keeps building inside him. Anthony’s pregnant wife Helen (Sarah Gadon) is also worried as a stranger who sounds like her husband calls home, and she is surprised as well as shocked by the similarities between the two, or the lack of any difference as she visits the university to see this man who looks the same. The men will one day meet in a hotel room only to bring further deviations in their lives.

Positives and Negatives :: The movie deals with the conflicts of the mind and leaves with a powerful message against adultery. It checks the extra-marital affairs and asserts that it is never too late to come back and be truthful to one’s partner. Here, it is shown as a situation of the mind which should be overcome within oneself rather than asking help from someone else, as long as one can. The atmosphere that the movie uses is perfect and how it shows everything is very powerful, even as not that effective for everyone as some might find is strange and not easily understandable, even coming up with too obvious explanations not doing justice to this movie’s twisted power. Even its slow progress, this is never the slowing down or the loss of power here, and I haven’t seem it happening like this so efficiently on so many occasions. There is a lot to think about in this case, that is for sure, and for the same, watching this movie becomes more necessary. I would recommend this to anybody who wishes to watch and give it a long, deep thought.

Performers of the soul :: Jake Gyllenhaal comes up with a stunning performance as two characters who look so much the same, but are yet different as themselves. He has to portray this doubleness which is less easier to do that most of the other roles that he has been doing, and one has to wonder if most people could have accomplished this with so much power. Even with his amazing work in the movie, what strikes the most though, is the extreme sadness and a terrible pain of the soul in the eyes of Sarah Gadon as she plays the character of the pregnant wife; an image that we cannot get out of our heads, especially because the movie never comes with a perfect explanation of things and our idea about all these is just what we can make out of it. But the tears on her face tells things and make everything more clear. Compared to them, Melanie Laurent does less, and mostly graces us with her beautiful presence.

Soul exploration 1: The choice of curiosity :: It is the curiosity that works both ways. Mark the words in the movie; “chaos is order yet undeciphered”. This curiosity had once made him to cheat on his wife, and has now forced him to think about himself. The transition from his wife to his girlfriend and then back to his wedding woes is because of the choice that he made – the curiosity that makes the protagonist search for the other person who looks like him is actually a search into his own mind which has to spots, one for his wife and the other for his girfriend, one with his desire to be an actor and the other with the reality of being a History professor – and he adjusts with the latter in the end, the thing that is actually him rather than what he wants to be just because of some obsession – something that can be equalled with his girlfriend too, all because of a second phase of curiosity.

Soul exploration 2: The fear of oneself :: The movie has two people who are basically one single person, and this manifestation of the other is just the one person that we see. Our potagonist is scared of himself, his other side which he wants to control, but is not within his power. Along with his fear of commitment, this fear about his other face troubles him throughout the movie, the result of which is reflected in him knowing about another person who looks and sounds like him and when he meets him, he is too scared. He knows that one of his faces is a mistake, and it is only in the end that he realizes that the right thing is to be with the wife rather than anybody else. This act of leaving his girlfriend – the extra-marital affair is portrayed as the death, both of his other side and the lover outside the marriage. Who is a man’s biggest enemy? He himself is, and it is the fear of that enemy that he conquers.

Soul exploration 3: The web of life :: The movie is about people caught in the webs of busy city life and hoping for a relief. There is repetition after repetition, and the images of giant spiders show this, especially the tarantulas which feed on the protagonist’s mind, and each big decision that he makes seems to have a spider, a negative thing. Even watching a movie is a first in his monotonous life. The web is actually as complicated as the life itself, and adultery becomes part of such a life. If another spider of adultery weaves a web in the life of the protagonist, it is up-to the wife and her love for the man that can crash it destroy those webs, saving him from the capture and the predator can no longer feed on him. The power of the webs created by the giant things need time to destroy, and the effort taken is also supposed to be enormous.

Release date: 8th September 2013
Running time: 95 minutes
Directed by: Denis Villeneuve
Starring: Jake Gyllenhaal, Melanie Laurent, Sarah Gadon, Isabella Rossellini, Kedar Brown, Darryl Dinn, Stephen R. Hart, Jane Moffat, Joshua Peace, Tim Post, Misha Highstead, Megan Mane, Alexis Uiga

@ Cemetery Watch
✠ The Vampire Bat.

The Equalizer

Posted on November 23, 2014 by Tennyson

Vampire Owl :: So much violence in the human world. Can’t we watch something else rather than this movie with a gun on the poster?

Vampire Bat :: But I thought you liked violence.

Vampire Owl :: I like a violent me, but not people shooting each other. In the end, we will fail to know who shot who and I have to hit my head on the wall hoping for some vampire enlightenment to pour into my brain lighting it up.

Vampire Bat :: Then, there is Bollywood with this weekend’s movie Happy Ending.

Vampire Owl :: No! Shoot me, thats better. Get the tickets! Get the tickets!

Vampire Bat :: But you don’t like the violent stuff.

Vampire Owl :: I don’t want to die a slow, painful death with some Hindi romantic movie showing for nth time whatever they have doing for years.

Vampire Bat :: But we are not sure about it yet. There are some bad opinions…

Vampire Owl :: I shall hear nothing of Bollywood anymore. If you talk about it again, I am deaf. If you talk about it twice, I am dumb too.

Vampire Bat :: I think that it is a pretty good idea.

[Gets the tickets].

What is it about? :: Robert McCall (Denzel Washington) has retired from his busy job as a secret government agent and is living his life in peace after the death of his wife. He spends his time working in a hardware store and giving no clue to anyone about who he has been. He becomes friends with Ralphie (Johnny Skourtis) a trainee whom he helps to become a security guard, and then there is this teenage girl whom she regularly sees at a tea shop he visits. The girl is Teri (Chloë Grace Moretz), a teenage prostitue who reveals her real name as Aleena, is mistreated and beaten up by her pimp ending up in the ICU – Robert decides to take things into his hands, and to give the girl who loves music and books, a better chance at life. He goes to the pimp Slavi (David Meunier), and offers him 9800 dollars to leave her alone. But as he refuses and uses more foul language about her, Robert kills him and his goons. But the leader of this Russian mafia group, Vladimir Pushkin (Vladimir Kulich) sends his right-hand man Teddy (Marton Csokas) to find and eliminate the killer, and here starts another game.

The defence of The Equalizer :: This movie seems to be trying more to be an origin story, and therefore a few problems of the same can be avoided with ease. There is the perfect setup for the sequel which seems to be everywhere on the news. The movie has some nice dialogues, and the action is not overdone – our protagonist doesn’t try anything too much. He just does what he does the best, and continues to excel at it. There are some nice, beautiful shots from the skyline, and the cinematography keeps catching our attention – there is the stylish sequences which are used too; they are all so good, and makes things interesting when things cool down. There is also that dark and gloomy atmosphere that runs through the movie – check out for our protagonist’s attack at the pimp’s room and the warehouse, both of them done with so much of stylish violence and innovation, even as the latter might be a bit too long for some people. The cast also contributes nicely, and the message to do the right thing is strong in here.

Claws of flaw :: There is that drag in between, and makes one wonder why it was so. There are empty slots where something could be used for fill the space. The story is also rather predictable with the hero going on for having revenge due to something bad done to his younger friend, and being awesome as he is, becomes successful in the same – just like John Wick; that was a revenge seeking former assassin for the dark side, while this one being a similar person who was working for the government. It is something we have seen a lot of times in a different manner. There is a lot of violence out here, and some of it might seem unnecessary for a few people. Even then, there are lots of things which seem to be missing, but I would blame the censor board here for that – they should have got rid of some violence. Well, on television, I have seen the scary parts removed from horror movies and bikini scenes removed from James Bond movies. So, I am not surprised even though I understand the difference.

Performers of the soul :: Denzel Washington – sometimes just that name is enough; there are not many people who can doubt that. He goes through The Equalizer with so much power, as if it could be another vigilante movie franchise starting from now. It is once again impressive how he works – this man with a gun, do people need a lot more? Well, there were two in 2 Guns, but one will do here. He is going to turn sixty this year, not something that we can discover without wikipedia. From the first movie I watched with him being part, The Bone Collector; through my favourite movie, The Book of Eli and now standing in The Equalizer; nothing much has changed. It is always great to see Chloë Grace Moretz – she brings such charm to the screen like nobody else. Unfortunately, even as she is undoubtedly the heroine of the movie, our girl is there only for a few minutes in the beginning, and for an even shorter time in the end – it is a case of sadness which we are left with, along with her smile in the end. Marton Csokas is an interesting villain too, just not getting enough of it.

Soul exploration :: The movie’s opening has these lines from Mark Twain – “The two most important days in your life are the day you are born and the day you find out why”. It is the same thing that the protagonist is trying to achieve in this movie – to use his skills to use for the common man. Even in the beginning, we can see that he is trying to help people as much as he can, without going the violent way. For the same, he later transforms, just like the books that he reads – from the retired old man who reads The Old Man and the Sea, through the hopeless knight in Don Quixote and in the end to The Invisible Man who goes through the city unnoticed, and helping the innocents – a Ghost Rider kind of figure who gets rid of the evil souls without any superpowers, but with the skills reminding one of Liam Neeson of Taken. Somewhat Bryan Mills, John Wick and Jack Reacher, this is another guy who has too many skills.

How it finishes :: The end result is that unexpectedly The Equalizer turns out to be better than John Wick, and it is not something that I had expected. Both had their own problem with a certain amount of drag, and the problem of not evolving for the century enough. But even in the troubles, The Equalizer is the superior one; even as there is no doubt about the fact that John Wick will win the box-office battle here, and the credit would go to Keanu Reeves who is more accepted that the big action protagonist more than Denzel Washington, thanks to The Matrix, Constantine and Speed. Gone Girl and Interstellar still stays in our theatres, the latter with so many shows. Dumb and Dumber To won’t pose that much of a challenge though, with lesser opinions and a lot lesser screens. Do give this movie a chance, and as far as you want an action movie without too much of mindless and dumb action, but still doing justice to the genre, this will be the right choice.

Release date: 21st November 2014 (India); 26th September 2014 (USA)
Running time: 131 minutes
Directed by: Antoine Fuqua
Starring: Denzel Washington, Chloë Grace Moretz, Melissa Leo, Marton Csokas, David Harbour, Bill Pullman, Haley Bennett, Vladimir Kulich, David Meunier, Alex Veadov, James Wilcox, Mike O’Dea, Anastasia Mousis

@ Cemetery Watch
✠ The Vampire Bat.

John Wick

Posted on November 17, 2014 by Tennyson

Vampire Owl :: May be we should watch Beauty and the Beast instead of this.

Vampire Bat :: Now why should you think so after getting the tickets?

Vampire Owl :: Because you can find more than one John everywhere, but a beauty is so rare to find.

Vampire Bat :: You are beauty-blind. You never appreciate any kind of beauty. Do you know that?

Vampire Owl :: That is not true. I find beauty even in a mortuary.

Vampire Bat :: It is exactly what I am talking about. And this is why you will find more beauty or the strange image of beauty in an action movie like John Wick.

Vampire Owl :: What about Jessabelle? I have heard that she is a beauty.

Vampire Bat :: It has been panned by critics, and might not release here soon. The same is the case of Horns.

Vampire Owl :: See, they don’t release the right movie here. You should arrange a mutiny while I am planning to owlify the world.

Vampire Bat :: Still doing better than the censor board.

[Goes into the theatre].

What is it about? :: John Wick (Keanu Reeves) is spending his life in sadness and depression after the death of his wife Helen (Bridget Moynahan) due to cancer. But he receives a puppy which his wife had left for him and decides to love it a lot. One day, a group of gang members ask him to name a price for his car in which they are interested. But John refuses and leaves them very angry. But at night, lead by Iosef Tarasov (Alfie Allen), they get into his home, beat him up, kills his dog and steals the car. Viggo Tarasov (Michael Nyqvist), the leader of the gang and the father of Iosef scolds him and tells him who John actually is. He was his best assassin, who was nicknamed the boogeyman, and this ruthless killer will come to get the one who attacked him, and there is no force that can stop him. He tries to talk to John, which fails, and therefore places a bounty on him – the two major assassins who seem to take the offer seriously are Marcus (Willem Dafoe) and Miss Perkins (Adrianne Palicki). But John Wick has already started his mission – he has been in the best in the business.

The defence of John Wick :: The world of John Wick is nicely created, and it is a nice and gory one full of action and violence which stands apart. It gives a special feeling as we are guided through that strange and lawless world with its own chaos as the right thing to do. It is stylish work, and its style doesn’t go too much and make it complicated – it is simple and nice, with some melee combat and lots of gunshots, never really trying anything spectacular. We do need a good action movie with a lot of action which doesn’t get overdone with flying bodies, people doing insance stunts and all, and here is it. For those who need a bloody revenge story, here it is. It might be the time to imagine all those who were bad to you this week getting shot – yes, it is a lot like a video game and the one that first comes to mind is Max Payne. There is that kind of a feeling going on, and there is even the shot of a man playing a first person shooter getting shot, all of a sudden. Shoot, shoot and save the movie – I would say that it is the motto of John Wick.

Claws of flaw :: There is drag, and there is absolutely no doubt about it. The slowness of the movie is rather awkward and there are also some uninteresting parts of the action sequences which are uncalled for. The movie does seem to offer a lot in the beginning, but that much is not provided – John Wick is this, John Wick is that, but he is not that smart as it turns out to be, but sometimes goes on like a kind of Chuck Norris, getting rid of people who are in his way. But in melee combat, he gets beaten up a lot, and one has to wonder why he was considered that scary. It is all because of his dog getting killed, and that is also strange considering how much of a murderer the protagonist has been. Then there is the ending, and the final scenes as well as the fights are not the better things in the movie, even as they could have been – and that is a let down. We think that it has ended, and it has not, and then there is the hope for another ending, and finally it ends, it is predictable, keeping us looking on our watches – there are boring moments, and the movie is a little too long.

Performers of the soul :: Here is a movie of Keanu Reeves which is all about him as the name itself suggests. He is once again at his best, and in action, he seems supreme. He has blended into this avatar so nicely that this might be his best performance for some time. There is still nothing like seeing him in The Matrix, Constantine and Speed though – sorry, couldn’t live without mentioning them here. Michael Nyqvist is fantastic as the gang lord. The movie does leave one hoping that Adrianne Palicki had more to do – the only thing she does here is to try to kill John Wick, but she is supposed to be a smart lady assassin, and should do more, and could have controlled a lot more in the movie, and her end is also too cold. I thought she was very good in G.I. Joe: Retaliation as Lady Jaye, and here she has a blunt character, but I liked the way she dealt with it. The same is the case of Willem Dafoe who was needed more – there could have been more with him and that sniper rifle. Lance Reddick is nice indeed in his scenes. Ian McShane also leaves a nice mark. I do wish Bridget Moynahan was out of John Wick’s mobile screen for a little more time.

Soul exploration :: This is a story of revenge, and how it goes in a violent manner – there is no chance for regret in this world of chaos and annihilation. There is the assertion of the truth that one’s past can’t be asked to go away, especially if it is violent in nature. There can be many things that a man can be, but being not influenced at least indirectly by his past is rather not possible – the grave where you hide these tend to come back as zombies, and John Wick is no exception for the same. The Malayalam word for “past” is “bhootham” which means ghost, and it keeps haunting us, thus making that name a worthy one. John’s attempt to escape from his past doesn’t prove to be good for his present, and keeps his future uncertain. Yes, worrying about the past is useless, but not when it is a terrible one, and you do have something left in you to take your mind and body back to it – that means that you have not changed. Unless you have not let go in a way in which there is no return, there is no escape, because ghosts will successfully feed on them some day. There are not many twisted things in this movie, as the plot is direct – find, kill, have your revenge, leave in one piece if possible.

How it finishes :: This weekend’s challengers for John Wick are from Nightcrawler and Beauty and the Beast. The remains from the past include Gone Girl which is still going strong, along with Interstellar, Big Hero 6 and Fury which should be of no challenge for this one. Among this week’s releases too, this one should have the advantage, with Keanu Reeves being back at what he has been doing the best and can accomplish with that certain amount of awesomeness – there will be a lot of Matrix fans who have been hoping for the same. It is also the only hundred percent action movie among all the releases. The releases in other languages also has none that belongs to full action. Lets hope that John Wick will bring a change in the action genre as it hasn’t been doing that well as the situation used to be, unless being mixed with science fiction or some random adventure into the unknown or fantasy. Do give John Wick a chance if you are a strong action fan, otherwise may be you can doubt.

Release date: 14th November 2014 (India); 24th October 2014 (USA)
Running time: 101 minutes
Directed by: Chad Stahelski
Starring: Keanu Reeves, Adrianne Palicki, Bridget Moynahan, Michael Nyqvist, Alfie Allen, Dean Winters, Ian McShane, John Leguizamo, Willem Dafoe, Lance Reddick, Daniel Bernhardt, Omer Barnea, Toby Leonard Moore, Bridget Regan, Keith Jardine, Thomas Sadoski, David Patrick Kelly, Clarke Peters, Kevin Nash, Randall Duk Kim, Scott Tixier

@ Cemetery Watch
✠ The Vampire Bat.

Interstellar

Posted on November 9, 2014 by Tennyson

Vampire Owl :: What if we don’t get the tickets?

Vampire Bat :: Most probably, we won’t get tickets.

Vampire Owl :: Really? Then why are we going?

Vampire Bat :: Because the movie has a wormhole through which may be getting a ticket is possible. It is called Big Hero 6 which should attract all the family audience and spare Interstellar.

Vampire Owl :: If we don’t book the tickets, the only thing that we are going to find should be a black hole. This is the movie of the weekend. Most of the shows at a good number of places are already booked a lot earlier in advance.

Vampire Bat :: Do you know that Big Hero 6 has better reviews than Interstellar?

Vampire Owl :: Yes, but I am allergic to animated movies these days. So, going to the multiplex and watching any available movie won’t work.

Vampire Bat :: Okay, then take out that card and book the tickets. Wait, is that a tattoo on the side of your head?

Vampire Owl :: Yes. I am the owl with the dragon tattoo. Soon, I shall play with fire and then kick a hornet’s nest. It will improve my confidence with owlifier a lot.

Vampire Bat :: Impressive nonsense. Now, can we just book the tickets?

[Goes to bookmyshow website].

What is it about? :: The movie takes into a far future when the world no longer needs engineers or scientists, but farmers as the world has been facing a severe shortage of food as crops are always affected by blight and huge dust storms become a frequent occurence. Cooper (Matthew McConaughey), a former astronaut lives the life of a farmer in the countryside with his father, son and daughter. His daughter Murphy (Mackenzie Foy) seems to have found some presence in her room which she feels is a ghost, and there are messages being sent, which after being decoded, gets them to a secret NASA building which is planning something huge. It is then revealed that the scientists are attempting to find another planet instead of Earth to colonize, by travelling beyond the known solar system, through a wormhole formed near the planet of Saturn. As nobody else has undertaken a space journey outside simulator, Cooper is assigned the job. But the daughter is not happy about it, and as he decides to save humanity, what will happen to Earth as well as his relationship with his daughter?

The defence of Interstellar :: We have to admit that the movie is something of brutal strength. Christopher Nolan has got the balance here between the emotions and intellect as he keeps them together. The movie is heavy in its drama and at the same time, powerful in its action and special effects, and there lies the beauty of making a mixture which can taste good for more than one kind of viewer. The visual beauty remain stunning, and it is a shame that it didn’t release in 3D in this part of the world. We get a nice look at the heavenly objects and realize that they are indeed belonging to heaven. The two planets as well as the wormhole and the black hole catches our attention. The thrills are powerful, and there are enough twists to keep one guessing. There is no dull moment even when the movie is so long, and it keeps us immersed in the flow, not allowing us to drift away. Interstellar becomes an experience here, and not just a movie that we can watch in an objective manner. The sadness of watching something like Transcendence is drained away by this one too.

Claws of flaw :: The movie’s ending is rather less interesting, and especially with such a great setting and happenings, it needed a better finish; there is some lack of imagination there compared to the movie as a whole. There is also too much Physics being explained, and there we can see the failure to realize that we are not attending a science class but a science fiction; and none of those things are related to what we studied or applicable to real life – they could have just gone on with using “English” rather than scientific terms, and for everything else, there is our willing suspension of disbelief. There are times when visuals struggle too, especially with the looks of the spacecraft. Some dialogues are too overdome too, especially concerning the emotions, as the melodrama gets more powerful. The journey to other planets is not completely utilized, and there are lots of ambiguities that can be guessed, and the lack of the right explanations to be found; there is nothing like getting to point – here it is missing.

Performers of the soul :: Matthew McConaughey is brilliant here – no surprises or twists there as he handles the whole thing without even one flaw there. From the beginning itself, he seems to be clearly attached to the character and doing his best every moment. Anne Hathaway also plays her role to beauty, even as there are some dialogues from her which are rather awkward. But the emotional as well as the intellectual moments are nice whenever she is involved. She shares some of the best moments with the protagonist. Jessica Chastain is also good, and that can be said so because she plays a character which should have no love from the audience and she is successful in the same; being smart and educated doesn’t mean good and caring daughters as we can see in this movie – Mackenzie Foy did the role of the younger her very nicely too. David Gyasi was good there, no doubt. Michael Caine adds to it too. The acting department clearly wins those areas.

Soul exploration :: Interstellar shows us how minute we humans are, in a universe that is stretched beyond all imaginations, like the sand on a beach or like the drops of water that make an ocean. There are a few other movies which this one reminds me of, one of them is Event Horizon and the other is Pandorum. The former dealt with creating an aritificial black hole which used the power of gravity to bring together two points in the space to reduce time taken for space travel, the result being the ability to go beyond the known world into a dimension of evil. The latter had a spaceship going on a hundred and twenty three year journey with sixty thousand people to establish a colony on an Eath-like planet during which there are problems between the crew leading to strange turn of events. Interstellar has elements of these two movies, and I would say that I like those two better. But those movies won’t be that much known in comparison to this, thanks to the hype and the fan-boys. There is also the reminder of 2001: A Space Odyssey and Prometheus.

How it finishes :: Interstellar was one of the most anticipated movie for many, and undoubtedly among the most awaited movies in my list, and there is the huge expectation there which has made sure that the shows are full a lot earlier than they usually are. Even the two Malayalam movies released this weekend don’t seem to have that much rush, but there is that case of the presence in local theatres – still, how well Interstellar is doing is nothing less than a surprise considering the fact that this is the kind of response that only superhero movies and superstar stuff gets, but there is that effect that Gravity had created, still running in the minds. Christopher Nolan is also a name that catches the attention, and even people who haven’t understood Inception after watching for the “n”th time should be willing to take the risk. The collection should be big from this part of the world, and may be this can break the record of Transformers: Age of Extinction, the highest grossing movie of the year – who knows?

Release date: 7th November 2014
Running time: 169 minutes
Directed by: Christopher Nolan
Starring: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Bill Irwin, Ellen Burstyn, David Gyasi, Wes Bentley, Josh Stewart, Mackenzie Foy, Ellen Burstyn, Casey Affleck, Timothée Chalamet, John Lithgow, Topher Grace, David Oyelowo, Matt Damon, William Devane

@ Cemetery Watch
✠ The Vampire Bat.

Gone Girl

Posted on November 3, 2014 by Tennyson

Vampire Owl :: Which girl is gone?

Vampire Bat :: No, it is the name of the movie.

Vampire Owl :: Really? But you are going to a theatre which almost froze us to death last time.

Vampire Bat :: Yes, but it happened only once.

Vampire Owl :: Dude, only a Vampire Penguin can stand such cold. I think they are trying to start a new mortuary freezer at the theatre in collabration with the nearby hospital.

Vampire Bat :: Have you ever been to a mortuary?

Vampire Owl :: Yes, once when I was looking for a zombie to provide assistance to my owlification. Couldn’t find one though. I was freezing to death; no wonder there are no zombies in this part of the world. Even the undead dies in that cold.

Vampire Bat :: But people usually want this cold.

Vampire Owl :: It is already raining outside. Why would they want more cold? See, this is why I should not watch this movie and go back to owlification. Watching a movie here would be like watching Frozen without the visual effects.

Vampire Bat :: Be the Gone Owl then. Best of luck.

[Goes into the multiplex].

What is it about? :: Nick Dunne (Ben Affleck) returns home on the day of his fifth anniversary to find his wife missing. The situation does manage to find a lot of media coverage as she is daughter of the parents who wrote a very popular series of books with Amy Elliott-Dunne (Rosamund Pike) at the centre of it, called Amazing Amy. Soon, the media comes to the conclusion as he is the one who is responsible for the same and has murdered his wife, thanks to the revelations of Noelle Hawthorne (Casey Wilson) who says that he was not a good husband and she was pregnant. Nick acts strange and also sounds weird during the investigations making the cops suspect him, and there are also more evidences that point to him. Then there is his sexual relationship with Andie Fitzgerald (Emily Ratajkowski). Finding Amy’s diary and what seems to be the situation of their marriage, it becomes clear that he is in big trouble, despite the sincere efforts of his twin sister Margo Dunne (Carrie Coon) and attorney Tanner Bolt (Tyler Perry).

The defence of Gone Girl :: The movie has two sides, and the first half is entirely different from what is to follow in the second, and the PVR intermission is nicely created. The two halves are rather like two parts, with first one being an investigation of the mystery of the disappearance of a man’s wife, and the second being how it has been working for the wife, and how it goes on as everything comes together in the end. I found the second half clearly superior to the first, and there is a lot of truth as well as entertainment in the latter division. The first half’s mystery as well as the second half’s black comedy nicely compliments each other. This is comparable to the movies like The Girl with the Dragon Tattoo, Enemy and Prisoners with its content. It brings the questions about modern marriage to light and talks about how it has changed in the recent years – the narrative is as good as it can get, and the plot is nicely managed. There is also that power of the performances.

Positives and negatives :: I have heard some people say that the novel is better than the movie, and I do ponder about it, but I don’t think I am going to read the book any time soon. For now, I can say that the movie is excellent. Some people might find the movie’s going forward and backward in time irritating, but I find it nice. It does have a strange twist in the end, and even as it has a certain beauty about it, some viewers might find it ridiculous – yes, some other usual kind of ending could have been the one for normal audience, but we are always equipped to take something different, aren’t we? Then there is the slow start which can take the interest off you, and the extreme length of the movie which has two and half hours taken away from us, making it a total three hours long with those advertisements – too many commercials and trailers, and I was frozen in the theatre by then. Thank God for the intermission we have here, for a long English movie is not what our audience ask for.

Performers of the soul :: Ben Affleck is playing a usual unsuspecting man, and it seems to work for him a lot. There is not much to do there for him to do other than being clueless and making at attempt at being better, but he does that nicely to convince us about his character. It is undoubtedly a good role for him as we wait for him to come back to us as the new Batman. I loved how Rosamund Pike played her amazing Amy, as there is as much mystery about it as well as the awesomeness in the portrayal. There is that moment when she reveals her thoughts, and it is one bloody awesome moment, and there is that thing that he does with the climax, and she is simply perfect right there. Neil Patrick Harris is pretty much wasted in his role which is pretty much a dumb one, and does nothing much. Emily Ratajkowski is there as the most gorgeous person around, nothing more about her character, but she is indeed lovely to watch. I did think that Carrie Coon was very impressive there. Tyler Perry was nice, I liked how he did his job. Lola Kirke and Casey Wilson also do their jobs nicely.

Soul exploration :: Gone Girl is a mixture of many genres, as it has its mystery and twist along with humour and crime investigation. There is romance, but one might not want to see that genre at the centre. The movie takes more of a satirical view on the marriages of the modern age, and during the same, black humour is implemented a lot. It also shows how easy it is for the media to manipulate the public opinion and devastate a man in the most disgusting and ridiculous manner, and that it is indeed easy for the woman to put the blame on the man and frame him for her troubles, because the society will always favour a woman as long as she can keep the mask of being in trouble. There will always be at least one stupid person whom a smart one can manipulate. It gives its viewers one more reason why one shouldn’t cheat in a relationship, and your wife might be a psychopath, but you will never know. Both the protagonists are liars, and there lies the strange beauty in the narrative. May be we can put this one into the psychological thriller genre.

How it finishes :: For one second, I thought that this had released here before it did in the United States, and then on the next second, I realized that this month is not October – the time does fly so quickly, and we are indeed coming to the close of this year’s movie watching adventures in less than two months with Christopher Nolan’s already much critically acclaimed Interstellar so close to getting released. Yes, Gone Girl becomes the movie which made a difference in the closing stages, unlike those other movies which were the more awaited ones. Even as I once again almost got frozen to death in the multiplex theatre, it was worth it. Yes, this is one question that I ponder over – why is it too cold in some theatres? What is the need for the same especially when it rains almost every day here? It is a wastage – they should surely keep it low and save some energy rather than creating the mortuary freezer effect which is rather a punishment.

Release date: 31st October 2014 (India); 3rd October 2014 (USA)
Running time: 149 minutes
Directed by: David Fincher
Starring: Ben Affleck, Rosamund Pike, Tyler Perry, Carrie Coon, Kim Dickens, Emily Ratajkowski, Neil Patrick Harris, Patrick Fugit, Casey Wilson, Missi Pyle, Sela Ward, Kathleen Rose Perkins, Lisa Banes, David Clennon, Scoot McNairy, Boyd Holbrook, Lola Kirke, Cyd Strittmatter, Leonard Kelly-Young

@ Cemetery Watch
✠ The Vampire Bat.

Ouija

Posted on November 1, 2014 by Tennyson

Vampire Owl :: Halloween and no horror. Never thought that such a day will come in this century.

Vampire Bat :: There is horror. We can watch Ouija.

Vampire Owl :: Really? The Vampire Panda told me that it was a bad movie and critics gave bloody low ratings to it.

Vampire Bat :: Lets not trust the critics on a horror movie. Besides, that panda is not a vampire. He is just the Kungfu Panda on disguise attempting to sell his noodles and action figures among vampires.

Vampire Owl :: I shall deal with him later. For now, I can surely use a summoned spirit. According to the latest version of the Book of the Dead, the Undead and the Brain dead, they are very useful creatures. We need to get an Ouija Board.

Vampire Bat :: Do you realize that you already create enough problems for yourself?

Vampire Owl :: Absolutely yes. See, I am an evil entity. I am supposed to create problems for the world which includes myself.

Vampire Bat :: You should have a dosa. You turn evil when you need it.

Vampire Owl :: No. I am a dangerous owl. I need to keep it that way.

Vampire Bat :: Yes, dangerous to yourself.

[Gets the tickets].

What is it about? :: The protagonist Laine Morris (Olivia Cooke) is searching for answers as she hopes that she could have done something for her best friend Debbie Galardi (Shelley Hennig) who had committed suicide, and she laments the fact that she was the last one to talk to her and yet couldn’t stop her from doing such an act. As she finds an Ouija board in her house, along with her sister Sarah (Ana Coto) and other friends of Debbie, Pete (Douglas Smith), Trevor (Daren Kagasoff), and Isabelle (Bianca A. Santos) decides to try and contact their recently deceased friend. Soon, they contact a spirit which addresses them as friends, but what they are not aware of is that Debbie already had made a connection to the other world which lead to her death, and they understands that more than one entity is now free. The friends realize that they will just be killed one after the other and there will be no stopping the terror. A relative to the dead people returning as spirits, Paulina (Lin Shaye) who resides in a mental asylum seems to be the key to stopping the evil, but will it work?

The defence of Ouija :: The name would be enough to draw people to the movie, and the Ouija board has always been the centre of curiosity for a lot of people for a good amount of time. We have a lot of curious cats among us, don’t we? This movie banks in the same with the board at the centre, throws the usual stuff at us again and again, and there are some scares as one would expect from it. The sewn mouths are not something new, but they surely work here especially according to the circumstance, and the twist, even if small is a working one. There are possessions, suicides, murders, sewn mouths, blank eyes, with some scares here and there, and a creepy environment of the house. The sound effects are very good and the visual horror has its moments. It is quite a success as a haunted house movie, with the board being found from the home where evil has happened sometime ago. Some moments near the end are good, even as their failure to end the movie with the same surprises me.

The claws of flaw :: The movie doesn’t try anything new at all. Its biggest asset is that one board, but the flick fails to capitalize on the same. There is not much about that one big thing that it could have used to its effectiveness, and instead the same becomes only the means to what is to come next. It only does the job of any other possessed item which could gain the attention of the spirits. The movie should have stuck to its title, explaining more about the board and how things come to this dimension in relation to the same. But it tries to make the movie go on in the usual pattern often forgetting that the movie is about the board, with the existence of a house where something terrible did happen a long time ago and there is a spirit waiting to possess or murder people. Even a good number of scares are not that effective, but there are a few which work nicely. The plot and the narrative could have had some more attention to make the whole thing better.

Performers of the soul :: The movie has a rather cute lead at the top, and the performances are overall decent. Olivia Cooke plays the protagonist here, the lady who is hopelessly trying to connect to her dead best friend, and she has indeed played this role with such expressions of fear and uncertainty which makes this character so much believable here. Her cuteness helps the cause a lot, and she is a perfect one for this role which has more hopelessness and desperation which she could nicely reflect on her face. You will instantly like her, that is for sure. The next one is Shelley Hennig, and even as she dies early, has her moments too, and is not done even with that separation of the soul. She adds to the beauty of the cast and does enough, while the rest of the cast manages to hold on, but not with anything special. Meanwhile, Lin Shaye is here too, and she is once again impressive in another horror movie – catches our attention.

Soul exploration :: In its search for the spirits within the Ouija board and also outside it, the movie losses its soul. It can’t realize what it has in its soul, whether it is to focus on the board or the haunted house and its scary past. When we finally decide that it is on the latter, then comes the board again as if it is Count Dracula who wants to be part of everything vampiric. The spirit also works a lot like the Final Desination series, planning to just kill them all in freaky ways, even as it is not that heartless to make things too violent. Then you realize that Ouija is a mixture which is created to make it a safe bet, and it adds so many things to itself and makes those factors work in parts even as in totality, there is some mess. There is the lack of soul to hold it together, and it is the same reason why we are unable to bring much of it back home – even Annabelle living in the shadows of The Conjuring had more for us. Ouija boards can inspire better horror movies, and this one has the spirits not that powerful.

How it finishes :: The conclusion is still that even with its list of flaws, Ouija is your movie of the Halloween, even as Annabelle does exist at selected theatres with less number of shows. It will be the choice of the Halloween enthusiasts as Ouija board is not something that is not tried that much, and there are not other big Hollywood entertainers released this weekend. I have successfully kept my distance from Bollywood since Diwali as I had sensed certain danger. Meanwhile, I wish all the followers of this blog and the readers of this post a very Happy Halloween, and the November first is also the birthday of the Indian state of Kerala, the occasion known as Kerala Piravi, so I wish all my fellow Keralites a Happy Kerala Piravi too. For more details about the same, visit: http://en.wikipedia.org/wiki/Kerala_Piravi and http://en.wikipedia.org/wiki/Kerala. Happy Birthday, Kerala 🙂

Release date: 31st October 2014 (India); 24th October 2014 (USA)
Running time: 89 minutes
Directed by: Stiles White
Starring: Olivia Cooke, Shelley Hennig, Daren Kagasoff, Douglas Smith, Bianca A. Santos, Ana Coto, Matthew Settle, Lin Shaye, Vivis Colombetti, Robyn Lively, Bill Watterson, Sierra Heuermann

@ Cemetery Watch
✠ The Vampire Bat.

The Best Offer

Posted on October 26, 2014 by Tennyson

Vampire Owl :: It is such a gloomy Diwali this year. Nothing to be done. I expect this Halloween to be bad too.

Vampire Bat :: I had my own celebrations though.

Vampire Owl :: Really? And you didn’t call me? After all, I am your only officially undead friend.

Vampire Bat :: It was not arranged by me. There was lightning and almost everything in the living room seemed to be enjoying fireworks. Only the stabilizer is working now.

Vampire Owl :: I would need that stabilizer. I can connect it to my owlifier and hope that it works without loss of energy.

Vampire Bat :: Do you know that you often seem to talk like Victor Frankenstein?

Vampire Owl :: Absolutely not. See, you are giving a wrong idea about owlification to the society. This is for their own good, so that they don’t have to face a third world war and a possible extinction.

Vampire Bat :: Have you even read about a world war?

Vampire Owl :: No. Why should I? I read no evil, hear no evil, see no evil. I just create evil – I am an evil mastermind.

Vampire Bat :: I have a movie for you then.

[Grabs of a cup of tea].

What is it about? :: The Best Offer is set in a world of art, where an old expert in art Virgil Oldman (Geoffrey Rush) runs an auction house. He is not a loved person around, as he has very few people around him who likes his way of behaviour and most of his life is spent with the desire to illegally gain the possession of very rare and highly valuable pieces of art, unmarried. He is appointed by a young heiress, Claire Ibbetson (Sylvia Hoeks), who asks for his help to auction off a huge collection of antiques and grand pieces of art which has been passed onto her by the family lines. But as Claire suffer from “a strange disease” as the people she knows tell him, or a certain amount of agoraphobia as she keeps herself confined to a room inside the huge mansion. As curiosity keeps getting into him, he hides himself inside the mansion one day to find that she is young and beautiful and sees her in a compromising position. He is immediately attracted to her beauty, and as they come close to each other, there will be the course of something else that will be set in motion.

The defence of The Best Offer :: Here is a movie which never ceases to enchant you with its visual splendour provided by art rather than anything else. There is a lot of beauty in the way in which the whole thing is narrated. Here is a quote which you can take home — “Emotions are like work of art. They can be forged; they seem just like the original but they are forgery. Everything can be fake: joy, pain, hate, illness, recovery… even love” – it tells a lot about the movie and how it connects art and man. Then there is question of truth and happiness, the things that are not found even in the real thing. The performances are splendid too, especially from the two leading characters. It is indeed a fresh take on the mystery genre, and a different entry to the world of romantic thrillers. There is also the abstinence from the usual formula that can be seen on a number of occasions. One can’t also deny the existence of so many angles from which this movie can be viewed from. I see the hollowness of humanity which can create huge artistic forgeries of the mind.

Positives and negatives :: The movie is slow, and it has lots of art associated with it, not really appealing to everyone. It is easy to find such people who don’t care about antiquity in this part of the world as we see our own centuries old monuments being vandalized by people or even those who claim to be lovers to write their names. There is almost no love for art in our lands, not even to the courses related to the same. So, this movie not releasing her was never a surprise, and people are going to find fault with its setting anyway. There will also be people wondering how such a thing in the movie is even possible with the two – but human mind is indeed strange, and emotions are pretty much ridiculous even for the most skilled ones – that much one has to be aware of. Yes, there are some characters who should have developed further and are lost in this seductive battle between the two main characters. It does give a little bit of too much clue to the viewer’s liking too early, but not everyone will pick them.

Performers of the soul :: Geoffrey Rush steals the show right from the beginning, and even by a bigger margin by the end. We don’t have a character here whom we can easily sympathize with, but here the man has completely made us feel for the character and the emotions that he has, even as he is not that much of a positive character, or someone we can cheer for. He is not a hero here, but we are given a chance to admire him as a tragic hero with this performance, and here he is elevated to the status of someone like Doctor Faustus who has the power of knowledge and yet not the wisdom to make things work in the right way. There is a certain beauty about it. Sylvia Hoeks is stunning here, not just by looks, but with a performance which seems to make her a modern day Rapunzel, caught in the hopelessness of the never-ending loneliness in the middle of nowhere, with no escape and less hair, but still extremely beautiful and having all the traits of her gorgeous and mysterious character.

Soul exploration :: Even as the movie’s focus as well as its background are on art and valuable antiques, its soul is on the gorgeous enigma who is at the centre of everything. She is the one to determine the fate of more than one character in the movie, and the universe which was rather static until then, revolves around her and turns it into a romantic mystery and then into a kind of thriller with the world no longer following a pattern. The life based on art becomes the life based on one lady who is like living art in beauty, and the protagonist soon finds his Helen of Troy and seems to wonder like Faustus if it “Was this the face that launched a thousand ships, And burnt the topless towers of Ilium?” – there comes the radical change in the world, and it sets things in motion, as the centre is clearly the mystery that the mysterious beauty provides, and the protagonist comes directly under the influence of this centre, the soul which changes things.

How it finishes :: The Best Offer is lost to most of our people, and it is not even known to most of our viewers. Another fact is that it might not appeal to everyone with a universe of art and a mystery that is built around the same which is hard to connect for a lot of people belonging to the modern world. As it tells the story of two people who are separated from the usual known world in different ways, the focus is on the search of love and the vanity in the hope that there will be the appearance of such a feeling which is so hard to achieve in this world of materialism. The movie talks about the world of love just as the illusion of art, and forgery is possible with ease, even as the best of forgeries might require skills, and it will take more than just the expertise to look through the fake emotions of love and desire, and that should be an objective vision which should be completely absent when the illusion begins to spread through one’s eyes.

Release date: 1st January 2013
Running time: 124 minutes
Directed by: Giuseppe Tornatore
Starring: Geoffrey Rush, Sylvia Hoeks, Jim Sturgess, Liya Kebede, Donald Sutherland, Philip Jackson, Dermot Crowley, Kiruna Stamell

@ Cemetery Watch
✠ The Vampire Bat.

Dracula Untold

Posted on October 12, 2014 by Tennyson

Vampire Owl :: Do we need extra horror after Annabelle?

Vampire Bat :: No, its Dracula special. We made a promise to Uncle Dracula. Remember?

Vampire Owl :: But we will end up with an overdose of horror here.

Vampire Bat :: There is nothing like an overdose of horror. It is part of our daily lives. And this one won’t scare us at all, as the genre is different.

Vampire Owl :: I hope we can recommend this to Uncle Dracula.

Vampire Bat :: We have to watch it whatever happens. It is the only English movie in the local theatres now.

Vampire Owl :: I wish they had released these movies on different dates. This is more of a collision which will damage both these movies.

Vampire Bat :: Only if there was no stupid Bang Bang! last weekend. Annabelle might have come earlier.

Vampire Owl :: See, this Bollywood is the source of all evil.

Vampire Bat :: I have known it since Dhoom 2 and Besharam made me certain about it with enough support from Dhoom 3 and Krrish 3.

[Gets the tickets].

What is it about? :: The tale of the vampire begins with the man, a prince of Transylvania who is ruling his world in peace as a kingdom giving tribute to the Ottoman Empire. But things change as the Sultan asks for thousand boys from his kingdom as a tribute to be part of their slave army so as to conquer the whole of Europe. Vlad the Impaler (Luke Evans) cannot agree to his demand, and as requested by his wife Mirena (Sarah Gadon), decides to save the boys from doom as he takes up arms against the huge Turkish army. As he understands the stupidity behind his own decision, climbs a mountain which is supposed to have ancient evil within it, and asks the creature inside the cave which had killed a number of Turkish scouts for help. The creature is actually one of the most evil emperors of all time turned vampire, Caligula (Charles Dance), grants him vampirism for three days during which he will have the vampiric abilities and certain weaknesses, but have to control his thirst for blood; in failing to do so will turn him into a vampire forever.

Positives and Negatives :: Dracula is our favourite vampire, at least for most of us, and here we have an origin tale rather than the usual bloodsucker story. Unlike what some people were expecting, Dracula Untold is not packed with horror – one has to wonder why were people so sure about the same? Even the director himself had said that this was more of a drama with elements of action and adventure. The last battle is a little overdone with vampirism, but other than that, the special effects are amazing, especially the effects of bats, dark clouds, impalings, transformations and the Gothic atmosphere that has been successfully created. May be they could have added more innovation and removed the predictability factor, as we know what would happen to the prince already. There have been many types of vampires and Dracula, and there is Luke Evans. It is he who controls this movie with a brilliant performance. Sarah Gadon is also stunningly good in her character of faith and hope, while Dominic Cooper makes a nice villain.

Soul exploration I :: Dracula, the hero against the empire :: The age of empires does sound awesome as a computer game, but otherwise, it is a bloody case of cruelty and brutal subjugation, which doesn’t end in just a conquest. The case of one country extending its domain over another through war is nothing less than a permanent ill-treatment of a future generation, as what the Ottoman Empire does in this movie is nothing different, and there is no empire on Earth which is not built on the blood of the innocent. Here, Dracula is a man of the people, and even as a prince of his small kingdom, he has known the life of someone worse than a common man, as he was taken by the Turks at his early age to be part of the Janissary – an elite infantry unit made of slaves recruited by the Sultan from the Other. He stands up against the ill-treatment of his people in a desire for equal value of human life. He automatically becomes the symbol against imperialism and brutal power.

Soul exploration II :: Dracula, the superhero of the grey side :: Going back to the origins, our villain is still the hero, who has made one fatal decision which would make him a tragic hero, as he ponders over that question which have haunted Hamlet for such a long time, to be or not be (or to drink or not to drink) as he is caught in those stages of transformation into a vampire where he could be immortal in one of the two ways possible. He is neither good or evil there, and in that situation of the grey, he stumbles upon that incident which would turn him into dark grey. He is a man caught in a world of good and evil, where the grey has no position, or has to forcibly embrace the black, or the evil. Dracula is a man of our age, and we know that he could have survived better if lived a long time after his time of existence, and he was not the hero whom his world deserved. History rarely keeps grey characters as it praises only the victors, but we know that there would have been an abundance of them.

Soul exploration III :: Dracula, the villain of the night and darkness :: Dracula’s situation and his descend in forced upon him, but his voluntary decision to choose what he thought was necessary evil against pure evil would become the ultimate evil in more than one way. He becomes a lot like Faustus by selling his soul to the devil, and another Faustian tragic hero has his roots. But with the scope left for a sequel, and those words “let the games begin” reveal to us that we haven’t seen the final shade of this man to which Luke Evans has given another life. Even in his worst situation, Dracula is just dark grey, and his further passing down to the darkness hasn’t occured, which should not be interesting for a lot of people, but my request for such people would be to wait. Dracula is immortal, and this is just the beginning – you have a lot to look out for, and the ending does seems to connect with the style of the 1992 movie Bram Stoker’s Dracula. Yes, this is a good re-telling, and not another copy of whatever you see everywhere these days.

How it finishes :: Dracula Untold is not your typical vampire story, and neither is it something that will give you scares every night. Those who wish to see the fangs of terror riding high, as well as those who were hoping for the eternal Twilight style fake love story are going to be disappointed. This was never a horror movie in its core, and this origin story of the greatest vampire of all time, is rather what you can call Dracula Begins, and will work just like Batman Begins as a beginning and a pillar to bring on something like The Dark Knight. This is not a vampire attack tale either, but a preface to the vampire world to which we are to enter. So, if you needed a lot of blood sucking and marks on lots of necks, you would need to check one of those earlier movies which are closer to the Bram Stoker work, rather than going for this. It should be why the word “untold” is added to the title, not to look for those usual bloodsucker tales here. This is highly recommended for the fans of vampire mythology, and I doubt about its effect on normal people; work your intellect and think differently, may be this can work better.

Release date: 10th October 2014
Running time: 92 minutes
Directed by: Gary Shore
Starring: Luke Evans, Sarah Gadon, Samantha Barks, Dominic Cooper, Art Parkinson, Charles Dance, Charlie Cox, William Houston, Ferdinand Kingsley, Noah Huntley, Dilan Gwyn, Zach McGowan, Ronan Vibert, Diarmaid Murtagh, Thor Kristjansson, Joseph Long, Damien Kivlehan