The Pyramid

Posted on December 6, 2015 by Dr. Tennyson

Vampire Owl :: I have received this letter from this small community living on the side of the undead lands.

Vampire Bat :: I have received a copy too. But I am yet to read it.

Vampire Owl :: It is about better representation on the movie adventures list along with the other communities who are getting all the attention as of now.

Vampire Bat :: Well, sometimes one community gets the attention, and at other times, some other one will. They will have to work hard to get more attention.

Vampire Owl :: But it says here that they are among the oldest existing communities and that they came back from the dead in the impossible circumstances at times when we vampires hadn’t really become the true undead.

Vampire Bat :: What? It is impossible! Look at the final sign. Who are they?

Vampire Owl :: It says “The Friendly Neighborhood Graveyard Mummies”.

Vampire Bat :: Zombies, werewolves and now the mummies. I thought that they were finished when they were sent to China in 2008 with Tomb of the Dragon Emperor.

Vampire Owl :: Well, they were not the same. There are no Pyramids there and so the Mummy existence has to be questioned. I believe that their depiction in that particular movie has also motivated them further to search for the right movie.

Vampire Bat :: That should mean that now we have to find a Mummy movie. I have the perfect movie in my mind.

[Gets a cup of tea and butter cookies].

What is it about? :: While the 2012–13 Egyptian protests are going on in Egypt, a team of archaeologists lead by Dr. Miles Holden (Denis O’Hare) and his daughter Dr. Nora Holden (Ashley Hinshaw) manages to discover a special pyramid from under the desert. As the top part of the structure is excavated, they find out that it is not like the other pyramids and has only three sides instead of the usual four. Using the satellite facility, they find out that the pyramid goes a long way down and that there is a tunnel which goes into its highest point. Due to the possibility of a civil war in the country, they are asked to return home, with no idea of when they can explore more of the pyramid. But as they consider this the biggest discovery of their careers, they hesitate to go back empty-handed.

So, how does the big twist occur? :: Despite a worker being dead due to the toxic gas in the pyramid, they decide to use a remote controlled rover machine from NASA to explore as much of the pyramids they can, and the gadget expert Michael Zahir (Amir K) makes sure that it can be done. But the machine is lots inside the structure, and it turns out that they can’t return home without the expensive thing. So, accompanied by the reporter Sunni Marsh (Christa-Marie Nicola) and the cameraman Terry Fitsimmons (James Buckley), they decide to go and find the machine themselves, with oxygen masks and with ropes tied to their waists making sure that they don’t lose the way. But they will know that what awaits them inside the structure is more than just the difficulty in finding the path.

The defence of The Pyramid :: There are lots of scary moments in The Pyramid, and the setting is very well established right in the beginning itself. It has been a long time since we had a good Mummy movie, and even though this one has none either, the pyramids and the undead brings us close to that feeling which we had while watching the movies with those mummified antagonists. The mythological twist which happens in the movie is a real nice one. The moments which make the most of the movie, until the final creature is shown makes some nice impact as darkness and the creepy atmosphere inside the pyramid is amazingly good – they could have got more attention going for the last few minutes of this movie. There are some nice traps too, even though that side is not used to the full potential. This one is also more serious than your friendlier adventure starring Brendan Fraser and Rachel Weisz.

Claws of flaw :: The Pyramid is in no way close to being the best horror movie of the year. It has an antagonist revealed in the end which doesn’t look scary enough, and thanks to the CGI which is not that effective, we won’t get the desired strength at the end. The creatures needed to look better and more menacing; here they are just the dangerous creatures as we know them to be so. The movie also needed a better development of the mythical story of Anubis and Osiris, working on the tales about the gods and kings of Egypt much earlier and in more detail so that everything could come together in a stronger way by the end of the flick. There is also no perfect ending as one would have expected as this has strong mythological roots. Those who have a lot of knowledge in the Egyptian Mythology might also feel different, with possible innacuracies as I have seen in some forums, but I am not an expert there.

Soul exploration :: There is not much here for the acting department because the movie’s focus is never there. Still, Ashley Hinshaw has a fine presence and does a good job in this movie which asks nothing too much from its cast. Christa-Marie Nicola should come next in grabbing our attention, and the rest also just follows the routine in a horror movie – be in trouble and hope not to die. The feeling of inescapable is right there throughout the movie as we keep having the feeling that the situation is a lot more than the usual supernatural stuff, and nobody can escape death this time. It is the certainty of death that the protagonists are facing, and the inability to find a solution to the early return to the other world means that there is more than all the discoveries science has ever made and religion has ever solved- it is a symbol of human helplessness.

More of the soul exploration and the finish :: The one thing which is special about this movie is that it takes another path while dealing with pyramids, not of the usual mummy story as one would expect. There is a nice reflection of the Egyptian Mythology along with its gods Anubis and Osiris. There is some history and mythology explained in the middle as well as by the finish, and if things were more creative by the end, The Pyramid could have been a lot better movie. There are times when some movies are underrated, and this one is such a movie. We did see such problems with The Lazarus Effect, I Frankenstein, Annabelle and The Woman in Black 2: Angel of Death. This has been happening with horror movies for quite some time and you have to watch these movies to know if they are good – you really can’t go and agree with the rest of the world without thinking, especially the critics.

Release date: 5th December 2014
Running time: 89 minutes
Directed by: Grégory Levasseur
Starring: Ashley Hinshaw, Christa-Marie Nicola, Denis O’Hare, James Buckley, Daniel Amerman, Joseph Beddelem, Amir K, Garsha Arristos, Omar Benbrahim, Philip Shelley, Faycal Attougui

@ Cemetery Watch
✠ The Vampire Bat.

Mockingjay II

Posted on December 2, 2015 by Dr. Tennyson

Vampire Owl: So, this is the name of the movie in reality. It was written here on this newspaper as Mocking Hay and I was wondering what it was about.

Vampire Bat: Here, on this other newspaper, it is written as Mockway. It is a more distant spelling. I do wonder what they might have called Goosebumps.

Vampire Owl: It is because of this wrong spelling that we felt that this was a movie which we knew nothing about, and made the choice not to watch it earlier! I don’t understand why they can’t have people who are able to spell this. I am beginning to doubt how they choose the people behind this.

Vampire Bat: They make such mistakes and still we read them. Then, we see that at some other editions of the same newspaper, and even at some other columns of the same, it is correct and then we are made sure that this particular title is another movie. I don’t understand why we are like this, looking at the mistakes, being mislead, understanding that it was too silly a thing and then continuing to read the same newspapers – actually, we even watch the same news channels which we don’t like.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://kiagia.co/index.php/current-film-releases/1200-the-hunger-games-mockingjay-part-2-movie-review

A science-fiction dystopian adventure book from the US author Suzanne Collins was made into a movie in 2012, with Jennifer Lawrence playing the protagonist, Katniss Everdeen. This movie adapted from the first book of The Hunger Games series was very successful. With The Hunger Games and its sequel Catching Fire becoming grand success at the box-office, the third book in the series, Mockingjay was divided into two movies. Here we have the second part of the two, and this movie finishes the franchise. There was one movie in the franchise releasing each year from 2012 onwards, and the last three movies of the franchise have all released in the latter half of November.

Katniss Everdeen (Jennifer Lawrence) continues to be the Mockingjay and the one grand symbol of revolution as the districts unite against President Coriolanus Snow (Donald Sutherland). The attack from a brainwashed Peeta Mellark (Josh Hutcherson) did affect her, but she is back there on the warzone with her speeches and charisma only to be shot by a loyalist from District Two. Even though Katniss wishes to kill President Snow herself, President Alma Coin (Julianne Moore) asks her not to risk her life again, and advices her to remain as the inspiration and the symbol of their defiance. As she is someone who can motivate the crowd with her presence, she agrees to Coin’s idea.

But Katniss is not the one to keep away from her ultimate aim, as she sneaks into an aircraft leaving to join Commander Paylor (Patina Miller) who is planning a huge assault. There, she is told to be part of a squad lead by Boggs (Mahershala Ali) as they have to evade the booby traps or the pods on the streets which are left by game-makers of the Hunger Games. Thus the journey will be more of less like the seventy sixth Hunger Games. They will be joined by Peeta as they are to go through the streets facing the unexpected threats which await them. The Capitol and Snow will think that she is dead, not once but many times, but Mockingjay is not someone who is going to stay dead as the squad keep going towards the big destination.

The problems caused by breaking down one book into two like Harry Potter and Twilight can be seen. The fans will surely prefer this because they can watch more of their favourite franchise. More of Katniss Everdeen will be there for them to see. But as the last book is divided into two, this movie surely has been cursed with a certain amount of drag. This certainly wouldn’t have been there if Mockingjay was just one movie instead of two stretched movies. But there is one advantage that this movie does possess, and it is the ability to finish the franchise in the right way. The finish is all about that climax which has one shot from the bow of the protagonist that determines everything, even though there are some predictable sequences after that.

The second part of Mockingjay is surely ahead of its predecessor because of the quality of the material in the latter part of the book. If you have read the book already, you will feel that this movie is a good adaptation even with the stretched parts. There are some nice conversations to go with the interesting action sequences, even as there is nothing much here to compete with those which we have seen in the first two movies. There are some traces of what was seen in the games earlier, but there is no big combats shown here. The special effects are good, and the dystopian world will once again grab your attention. The weapons as well as the other gadgets will also catch your eyes.

The movie has its touching moments and thrills which are surely present. There is also some reflection of the real effects of war on the common man which is nothing more than destruction and chaos. The lives of the civilians and morality are two things which are used to one’s advantage as shown here. But the movie does end with hope, despite the deaths, and we know this factor as something which was too far away in the previous movies of the franchise. For those who are new to this franchise, they will find themselves in trouble as the movie goes directly into the story, but with some focus, a certain clue about the dystopian idea and some understanding on what this franchise is about, they can still go through this movie.

As it was in the case of the previous movies, Jennifer Lawrence still remains the biggest asset as the Mockingjay. It is a pleasure to watch her as Katniss Everdeen once again, as she does her job with no trouble at all. As expected, she has and handles those best moments of movie; there is one other point which comes with a sudden impact, related to mutant creatures in the sewers – that was a grand one too. Josh Hutcherson and Liam Hemsworth provide the needed support very well. Maybe, the movie could have finished better without using the epilogue from the book, even though that would be ignoring the faithful fans of the book. Here ends another movie based on another Young Adult Novel, and despite the flaws, it is a good finish to the franchise.

Release date: 27th November 2015 (India); 20th November 2015 (USA)
Running time: 137 minutes
Directed by: Francis Lawrence
Starring: Jennifer Lawrence, Julianne Moore, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Jena Malone, Natalie Dormer, Willow Shields, Philip Seymour Hoffman, Jeffrey Wright, Sam Claflin, Gwendoline Christie, Stanley Tucci, Evan Ross, Donald Sutherland, Mahershala Ali, Patina Miller, Stef Dawson, Paula Malcomson, Meta Golding, Wes Chatham, Elden Henson, Michelle Forbes, Omid Abtahi, Misty Ormiston, Kim Ormiston

@ Cemetery Watch
✠ The Vampire Bat.

The Lazarus Effect

Posted on December 1, 2015 by Dr. Tennyson

Vampire Owl :: The zombie minions have sent us a request signed by four hundred and fifty seven of them.

Vampire Bat :: As Uncle Dracula is in the hospital after watching a few terrible superstar Bollywood movies, I guess that we have to deal with this ourselves.

Vampire Owl :: It is sad. We have to accept their request though, or the Lich Queen will take away all our zombie labour.

Vampire Bat :: Yes, they consider the Lich Queen as a weird revolutionary ruler and we shouldn’t just give her the advantage.

Vampire Owl :: So, what do you think about this? They are asking for the review of a movie, The Lazarus Effect. It is about death and return to life.

Vampire Bat :: Coming back from the dead? I don’t believe that the zombies can come up with a better request.

Vampire Owl :: It is a horror movie, and so it should work for the vampire clan too. The request can be honoured without much trouble.

Vampire Bat :: It is a shame that we have to watch this movie without Uncle Dracula. But it is time he realize that he should choose actors over superstars when watching a movie.

Vampire Owl :: So, we will reply to the minions with a yes?

Vampire Bat :: Yes, and lets have some tea and get ready for a movie adventure.

[Gets a cup of tea and butter cookies].

What is it about? :: Two scientists, Frank Walton (Mark Duplass) and his lover Zoe McConnell (Olivia Wilde) have developed a special serum which they have named Lazarus. They are helped by Niko (Donald Glover) and Clay (Evan Peters), while they are joined by the videographer Eva (Sarah Bolger) as this particular serum attempts to do something huge. Even though it was intended to assist coma patients to give them a second chance at life, it turns out that it actually brings the dead back from life. They do manage to bring a dog back from the dead, and all of a sudden, a major pharmaceutical company buys the firm that funded their research and shuts them down. They decides to repeat the experiment, but Zoe gets electrocuted. Frank decides not to lose her and uses the Lazarus serum on her, but it turns out that the returning lady is not the same as the one who left.

The defence of The Lazarus Effect :: I am sure that most of you can agree to the fact that the movie is scary. It is loaded with the scary moments here and there. The moments of the return from the dead, for both the dog and the human are very well portrayed. Another nice design in relateed to the depiction of hell and the ideas behind the same. There are some jump scares which are very well used to make sure that the audience will feel that there is more horror coming. Not only the visual stuff, but the sound effects and the music contributes well to the frightening situations. It also asks us the relevant questions about life, death, soul and hell. The gore is also kept to the very least, even though a movie like this which combines science fiction and horror could have had a lot of it, especially with the death and return from the dead around. Over everything else, it knows how to entertain.

Claws of flaw :: There is no doubt that this movie could have been a better horror movie because it had all which was needed in its story, even though with similarities to other horror movies – the basic idea is not new and so are the scares. This one could have used the abundant darkness to a more creepy effect instead of using the same for some quick scares. The idea of life, death, hell and soul could have been expanded further more. The battle here between the living and dead is also too one-sided and predictable. With the movie being short in length, more scary and explanatory sequences could have been added here and there. The ending could have also been a little more creative. But it is surely better than what the critics claim that it is, no doubt about that – far ahead of this year’s other big horror; the remake called Poltergeist.

Performers of the soul :: The acting department looks safe around here. The best moments in the movie undoubtedly belongs the one who plays the returning loved one an scientists from the dead – Olivia Wilde as Zoe McConnell is clearly the leader here. She begins as the heroine and returns as the demon, balancing both really well. The transformation that happens is not that gradual either as she turns and embraces the dark side further and further after the return from the other world. She is not someone whom we usually associated with the horror genre, but it has suited her very well. Sarah Bolger plays the lead who doesn’t really belong to the group, and she does that fine enough. Mark Duplass has a good run in the movie, and the rest of the cast does some good job in this flick which mixes two genres effectively.

Soul exploration :: The three movies that come to your mind when you watch The Lazarus Effect are Event Horizon, Carrie and Lucy even though this flick is no match for all the three – consider the original movie from long ago when I am talking about Carrie this time. Do you know what else this movie is? It is Frankenstein, as here is an even more modern Prometheus than what Mary Shelley had intended. The idea of bringing back someone from the dead hasn’t gone that well for many characters; Victor Frankenstein paid for it. The Biblical Lazarus of Bethany on whom the title seems to be based did have a fine return from the dead after four days, and may be the serum in the movie was also supposed come out positive, but unfortunately for the characters in the movie and fortunately for the horror fans, it didn’t.

More of the soul exploration and the finish :: The movie’s idea of hell is also interesting; it talks about how hell is your worst nightmare repeated again and again. Its journey to hell and back is like Event Horizon, but not that strong. It has the returning person with the powers of Carrie, and also comparable to Lucy – there is also that idea about using more than ten percent of the brain. This movie has those elements which bring the horror about not just what is seen, but also what extends beyond that. Jason Blum who has been behind horror and thriller movies like Insidious, The Purge, Sinister, Dark Skies, Paranormal Activity, Ouija, The Lords of Salem, Jessabelle, Area 51, The Boy Next Door, The Gallows and The Gift along with the sequels of some of them, has produced this one too. With its collections, The Lazarus Effect will make into the list of the successful ones.

Release date: 27th February 2015
Running time: 83 minutes
Directed by: David Gelb
Starring: Mark Duplass, Olivia Wilde, Sarah Bolger, Donald Glover, Evan Peters, Ray Wise, Amy Aquino

@ Cemetery Watch
✠ The Vampire Bat.

Ex Machina

Posted on November 26, 2015 by Dr. Tennyson

What is it about? :: Bluebook is the most popular search engine in the world, handling more than ninety percent of the internet user search. It is one of the most powerful companies in the world, and maintains a certain amount of control over the internet. Caleb Smith (Domhnall Gleeson), a programmer working at the same company, wins a one-week visit to the home of the CEO of the same company. Nathan Bateman (Oscar Isaac) lives in a secluded building surrounded by greenery, an environment providing beautiful views and assuring separation from the busy life of the cities where the search engine offices are based. The only other person at home is a maid known as Kyoko (Sonoya Mizuno) who doesn’t understand English and just does her job.

So what happens in this environment? :: So, this home of the CEO is actually more than what meets the eye. One would have guessed the same considering the fact that he has almost no contact with anyone else. He has a secret, and the place is more of a secret research facility than a house. He has developed something which needs to be tested, and Caleb is the man to administer the test to a special humanoid robot with Artificial Intelligence. This robot named Ava (Alicia Vikander) develops a good friendly relationship with Caleb, but it seems that she is a lot more than what he knows about, and there is a long history behind the robot and also beyond her. There are things that will be uncovered in the environment, but not many facts can go outside that world.

The defence of Ex Machina :: An intelligent science fiction movie takes form as Ex Machina, as it slowly, but steadily moves on to become more and more interesting, from a rather normal beginning. It has the good looks right from the beginning as the scene shifts to a world close to natural beauty. There, the insides of the home are also well done. There is elegance all around, and then we see the robot with the Artificial Intelligence and we feel that it might be the best we have seen with the design. Then, things go on to become rather tense, a feeling which comes along with the intellectual and creepy side going forward together. Sooner or later, this one asks you about whose side you are on, and most of the time when facing the question, you will have no answer; but you might not need to take sides – you can grab the messages instead. Then there is Alicia Vikander as the lady robot who will simply take your breath away with her performance; not human or robot, she is right there as the Artificial Intelligence.

Positives and negatives :: The other two main actors, Domhnall Gleeson and Oscar Isaac do their job really well. In this movie, you can see no action sequences or frightening scenes on screen, making this no sc-fi action and absolutely no sci-fi horror. But it is still a thriller and a drama, filled with messages in the core. A certain slow pace in the movie never really feels as we are too much interesting in the situation that is presented in this movie; sometimes one feel that it makes us more restless and unsettled. But whichever way the movie takes the turn, it keeps working so well. It keeps us engaged in the flick, and keeps providing us with those moments to memorize and think about. The twists in this movie are not heavily presented, but they are all result of some very clever work. As it moves towards a more haunting side, you will feel that this might be the best science fiction movie made without much of a heavy budget.

Soul exploration :: There are many messages in Ex Machina, and they can affect different people in different ways. Most of us are familiar about the Latin term “Deus ex machina” which means “god from the machine”. As I missed that during a literary quiz programme and this one will stay on my mind forever. It refers to a plot device by which a seemingly insolvable problem is solved all of a sudden by an unexpected thing – it is often a rather convenient method. Here, the title should mean “from the machine”. The movie deals with the insides of a machine here, with how the Artificial Intelligence makes the change, and brings something more out of a machine than what was expected of it. The one difference here is that it is the human who plays the God.

More soul exploration :: The problem in the movie arises from the human playing the role of God. He thinks that he can be in control all the time, but he just can’t do that. There are limitations to his abilities, and there are a few people who don’t really deserve to do such things. Man is no God and with power and money corrupting the brain, morality and any compassion takes the backseat. The robot here is not just a symbol of the specific character here, but that of a lot of people in the world who have restrictions imposed on them. Only a few people get lucky, and the rest are enslaved in one way or the other. The rich and the influential ones play God while the rest are made to be obedient robots. But if there will be change, and it might all be about one moment, just like Ava’s case.

How it finishes :: Ex Machina is the directorial debut of the man who wrote screenplay for 28 Days Later, Sunshine and the cult flick and favourite 2012 action movie Dredd. Here, we are provided with more questions than ever, about where humanity begins and ends, what is consciousness and how it can be defined, the influence of technology and its control over us, the limits which should be established – and many more. It is not something which you can hope to get with this much clarity as well as simplicity from the Hollywood movies. What this movie reminds me about is the 2011 Spanish psychological thriller movie, The Skin I Live In (La piel que habito) starring Antonio Banderas and Elena Anaya. Ex Machina leaves one with a similar feeling; there is no visible horror and moments to make you scream, but it provides that special unsettling feeling.

Release date: 10th April 2015
Running time: 108 minutes
Directed by: Alex Garland
Starring: Alicia Vikander, Domhnall Gleeson, Sonoya Mizuno, Oscar Isaac, Symara A. Templeman, Elina Alminas, Gana Bayarsaikhan, Tiffany Pisani, Claire Selby, Corey Johnson

@ Cemetery Watch
✠ The Vampire Bat.

Angel of Death

Posted on November 19, 2015 by Dr. Tennyson

Vampire Owl :: Uncle Dracula was very much shocked that we missed Hotel Transylvania 2. The Vampire Panda had told me that he was on leave from the vampire throne for too many days.

Vampire Bat :: Which is why we are bringing this older horror movie right up.

Vampire Owl :: If this Woman in Black is the Angel of Death, why don’t we just call her by that name itself? Why were we not talking much about her?

Vampire Bat :: Well, there are other angels of death who might decide to protest if we do that. After all, each creature has rights.

Vampire Owl :: Yes, but still at this moment, this is the Angel of Death.

Vampire Bat :: We should publish a notice about the usage if we are to do it widely. But it should be okay for now.

Vampire Owl :: Do you know that Sinister 2 might never really release here?

Vampire Bat :: Yes, disappointing. Even Dark Places didn’t arrive.

Vampire Owl :: This is why world needs the Angel of Death.

Vampire Bat :: Yes, even the Angel of Half-death will do.

[Grabs a cup of tea with chocolate chips biscuits].

What is it about? :: A long time has passed since the events of the first movie. The time shifts to the season of death and devastation, during the Second World War. The Blitz was happening at London as Nazi Germany was showering bombs on the United Kingdom. With death wandering over their heads on planes, Eve Parkins (Phoebe Fox), a deputy headmistress along with the children of the school and the headmistress, Jean Hogg (Helen McCrory), leaves towards the small town of Crythin Giffor which was to be a safe place away from the bomber planes targeting cities. They reach a mansion which is abandoned and surrounded by no signs of human existence. Then you have to wonder if this new place away from civilization is really safe.

The defence of The Woman in Black 2: Angel of Death :: The movie nicely begins and has a dark and depressing atmosphere until the first moment of horror occurs with twenty minutes being over. There are some very nice dark sequences in this movie which bring us the elements of horror very well; the terror exists all the time here, not just when there is the direct attempt to scare the viewers. There is always something waiting to happen, and you can feel that. The movie is also sad, and it is something that will haunt you more than the horror which you expect to be there. It can also be considered as a strong drama, with emotions running high. There is a message here, and it is of death, which is brought about by none other than the actions of humans themselves.

Claws of flaw :: You will feel that The Woman in Black 2: Angel of Death is a lot like its predecessor, rather too much of that kind. The darkness is also used a lot to the inconvenience of some people. This one is also slower if we consider the pace that is expected from a movie of this genre. Talking more about the genre, this is not completely horror either, which will make some fans wonder where exactly their horror movie deviated from the cause. It could have surely used better appearances of the Woman in Black to make the desired impact for the hardcore horror fans. Even though the predecessor was a rather unknown movie at this part of the world, the second one surely had better attention, and so the viewers did deserve more from this as far as the genre is considered.

Performers of the soul :: Phoebe Fox is the protagonist here for the year 1941, replacing Daniel Radcliffe who was there during the Edwardian-era. There is torment and so much sadness which is reflected on her face, making Phoebe a nice choice for this particular character with a troubled past which the woman of the other world needs to exploit and use to her advantage. She surely has her exceptional moments in this one. Jeremy Irvine makes a nice appearance in the flick, and he does the job of another person with past troubles very well. They do make a fine pair together in the movie. Meanwhile, Oaklee Pendergast does a fine job as the kid in distress. Helen McCrory also does some good work. Even then, the atmosphere remains the grand performer.

Soul exploration :: It is no surprise that the title Angel of Death works at a time when the Second World War was at its peak. With chaos and destruction all around, one has to wonder what kind of death humans have brought upon their own kind. The humans themselves are the angels of death due to the never-ending desire for more. In the current world, where intolerance has risen to a new level, may be there are too many angels of death waiting to rise. It is by selflessness and sacrifice that the acts of hatred for the other can be averted. The message of forgiveness is the one thing which is needed more than any other. There is death awaiting each and everyone in this movie, in one way or the other, by war or by supernatural ways, but it is not the certain end.

How it finishes :: The sequel to The Woman in Black is no Crimson Peak, even though the frightening elements which are delivered comes directly out of the supernatural. You can actually watch this one without trying the original. The creepiness of the atmosphere once again helps this one to become an interesting experience as long as you don’t keep asking for more of the usual kind of horror. The Woman in Black 2: Angel of Death is that kind of a movie which is more horror for the soul than for the brain. The idea to put this story to the Second World War setting was the right one, and even though this is not for everyone, a lot of people are sure to like this one depending on their priorities and their admiration for the different kind of horror. You might have to watch this one to be sure.

Release date: 2nd January 2015
Running time: 98 minutes
Directed by: Tom Harper
Starring: Phoebe Fox, Helen McCrory, Jeremy Irvine, Adrian Rawlins, Leanne Best, Ned Dennehy, Oaklee Pendergast, Jude Wright, Amelia Pidgeon, Casper Allpress, Amelia Crouch, Leilah de Meza, Pip Pearce, Alfie Simmons, Eve Pearce

@ Cemetery Watch
✠ The Vampire Bat.

Crimson Peak

Posted on October 18, 2015 by Dr. Tennyson

Vampire Owl: I believe that we should sell our castle and buy what they call the Crimson Peak. It looks more Gothic than all our bloody rooms combined.

Vampire Bat: We should write a letter to Uncle Dracula concerning this after watching this movie.

Vampire Owl: I believe that it is from the director who can do the Gothic more justice than anybody else.

Vampire Bat: Yes, it is like Guillermo del Toro weaves his magic wand and this genre reaches new heights.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1130-crimson-peak-movie-review

From the visionary director Guillermo del Toro, the man who brought us movies like Pan’s Labyrinth, Hellboy and Pacific Rim, the latest flick comes in the form of a Gothic Romance Horror called Crimson Peak. It has been one of the most anticipated movies of the year for those who loved the critically acclaimed dark fantasy known as Pan’s Labyrinth. Crimson Peak has also remained a much discussed title among the horror fans. What this movie seemed to try and achieve was to bring the Gothic mystery elements back to the big screen like never before. The trailer also supported the same idea, and so did the costumes and the surroundings featured in it.

The audience is introduced to a little girl who sees the apparition of her mother giving her one warning – beware of Crimson Peak. She grows up with the belief that ghosts are real because she has seen them, and she becomes a beautiful lady who is an aspiring author from Buffalo. This lady, Edith Cushing (Mia Wasikowska) has a desire to show her skill in writing ghost stories even though she is told to write love stories instead. A twist of fate happens when she unexpectedly falls in love with Sir Thomas Sharpe (Tom Hiddleston) who arrives in the US from England, related to business matters. She marries him against the advice of her people after her father dies, and travels with him beyond the Atlantic Ocean to his lands.

Everything seems to be perfect with love and affection right at the core. But she soon discovers that the man is more than what meets the eye as he has many secrets. With his sister Lady Lucille Sharpe (Jessica Chastain) who seems to share these secrets, there is a very scary side to their world of two. A large crumbling mansion set in the mountainous region in Cumbria will make sure that her trip to the British Isles won’t be as good as she thought it would be. The house seems to warn her and so do the apparitions which make another appearance there, visible only to her. These creatures are new, but her nightmares have only begun, and she will soon know the truth about the siblings, the house and its bloody violent past.

The first thing that you notice related to Crimson Peak is the beauty that you see on screen. It is a wonderful reminder to the Gothic that the viewers have always read about during our childhood. The environment brings the best effects of horror on screen. It is the kind of world which suits horror like never before. As usual, Guillermo del Toro knows how to do the best with the creature design, as each apparition in this movie is unique, and all of them are scary. With the sound effects added and terrifying sequences well shot to magnify the horror, the whole thing becomes an even better experience. Still, the movie is does not fully fall into the horror genre. The costumes are also amazing, nicely contributing to the style of the movie. All of these are a lot worthy enough to be watched on the big screen.

There are a few scenes which need mention, one of them being a murder scene, surprisingly showing the aesthetics in death like never before. With water pouring out of the sink and getting mixed with blood, this simple scene shows what creativity can bring. Yes, there is violence, but with beauty. The elegance of death has been brought to the next level. The appearance of the apparition of the mother also brings something special. The red apparition is also imaginative, and the mansion remains a live thing all the time. The mixture of red clay from under the ground to snow also provides a creepy feeling to a house and the surroundings which are already scary with its architecture and location. All of them are worthy of bringing a big horror sequel to Crimson Peak.

There is a certain magic spell which is created by the movie on the audience with the visual detail; then there is the magic of performances which guides this movie. Tom Hiddleston steals the show with his dialogues and expressions as a character that seems to reflect love and compassion with eyes, but struggles hard to hide the secrets. Jessica Chastain is more like the personification of terror which is waiting to unleash itself, and she does a good job. Mia Wasikowska once again becomes the Alice here, not lost in Wonderland, but in the wasteland of her dreams, nightmares and newly found mansion. She manages her role remarkably well, and the audience can easily connect with her emotions. Charlie Hunnam is underutilized though, with more action set in England with the three characters.

The movie still takes a little bit more time than needed to get into the Gothic mode. Another fact is that more could have been achieved with what has already been done with the marvelous imagination that the director possesses. This is still brilliant, but is just a little short of becoming that perfect Gothic Horror Romance movie. The viewers who enjoy beauty on screen will find it difficult to take their eyes off throughout this movie, and there is a certain emotional impact which will also stay in minds after the movie ends. It is the kind of tale which makes you think, and it also brings the memories of that enchanting beauty into your mind – Guillermo del Toro once again proves that he knows how it should be done.

Release date: 16th October 2015
Running time: 119 minutes
Directed by: Guillermo del Toro
Starring: Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam, Jim Beaver, Emily Coutts, Leslie Hope, Burn Gorman, Laura Waddell

@ Cemetery Watch
✠ The Vampire Bat.

Veronica Mars

Posted on October 15, 2015 by Dr. Tennyson

Vampire Owl :: So there is someone called Veronica from Mars? Who is she?

Vampire Bat :: Veronica is not from Mars, but Neptune.

Vampire Owl :: This is really confusing. Is she an alien among the humans? We are not familiar with alien tactics.

Vampire Bat :: The movie is about the lady called Veronica Mars from the fictional American town of Neptune.

Vampire Owl :: That solves a lot of problems. I felt that she was so pretty that she should be from Venus.

Vampire Bat :: I believe that you are too sleepy right now to get into a talk about this movie which is a continuation of a television series with the same name.

Vampire Owl :: Nobody knows about this television series around here. How come you know about it?

Vampire Bat :: I don’t know about it either. But it was positively received by the critics and the audience in its world from what we know about the series.

Vampire Owl :: That feels good because this way, we just have similar kind of information.

Vampire Bat :: We missed an interesting television series, but that is not the case of the movie!

[Gets a cup of tea].

About Veronica Mars and Neptune :: Veronica Mars was a television series which had its run during the years 2004 and 2007, having three seasons of existence. Veronica Mars played by Kristen Bell is a teenage student who helps her private detective father in solving a number of cases. Working as a private investigator along with her usual studies, Veronica solves a number of cases, and goes on to bring more and more mysteries to light. With the story first focusing on the murder of the protagonist’s best friend Lilly Kane, she deals with more cases which follows. Created by Rob Thomas, the whole thing takes place in the fictional town of Neptune in California. The movie’s story begins nine years after the incidents of the television series’ third season.

What is it about? :: Veronica Mars (Kristen Bell) is no longer at Neptune, as she has moved to New York City, and while having a relationship with Stosh Piznarski (Chris Lowell) is looking forward to be a part of the famous law firm Truman-Mann and Associates. One day, she is contacted by her former boyfriend Logan Echolls (Jason Dohring). He is accused of murdering his girlfriend Carrie Bishop (Andrea Estella), who had studied in the same school and was known by the name Bonnie DeVille as a popular musician. He wants her to choose the right lawyer for him. Veronica returns to Neptune to find it more corrupt than ever. She decides to help Logan a little more than just finding him the right lawyer, as she meets her old friends and acquaintances there.

The defence of Veronica Mars :: There is something simple and yet twisted about Veronica Mars. Its run is very smooth compared to the usual investigative thrillers which got its big moments; instead this movie maintains a run with no variations. There is a certain amount of variety in the way in which the movie delivers, and it is something unexpected for those who haven’t watched the television series, I believe. This variety in its simplicity is something which Veronica Mars can be proud about. There is also the presence of some nice humour which runs through this movie. There is entertainment guaranteed with this one, even without much knowledge about the background story of Veronica. You will feel that there is something so interesting about this character that you might ask for a sequel to better this one!

The Claws of Flaw :: Veronica Mars is not the regular story of investigation, and it might not suit everyone. The big thrilling moments and the great twist go missing here. The story that goes through had scope for more than what we have managed to see here. A highly thrilling investigation is replaced by something light-hearted and achieved with ease – may be it is the mode which is expected of this movie by the fans of the television series. The other characters also pale in comparison to the main character Veronica. The people who haven’t watched the television series might wants adjustments here and there, and they contribute to most of the viewership around here. The movie is also somewhat slow in the beginning. There are also some immature moments at parts some being too light, but I would guess that this is was never supposed to be a dark, horrifying, twisted hunt for a murderer!

Performers of the soul :: I am sure that most of the audience might know Kristen Bell more as Anna, the elder sister in the Academy Award winning highest grossing animated movie of all time, Frozen – a role which she retained in the short film sequel, Frozen Fever. Otherwise, she remains mostly unknown in this part of the world, but if one watches this movie, she will be remembered well and for long for her fine, energetic performance as Veronica. So many years after the series, she has played this character to something close to perfection, and has made the non-fans fall in love. The rest of the cast also nicely plays their role, and most of the performance department works within the movie. But everyone surely pales in front of Kristen Bell and her main character, as she remains the one show stealer from the beginning to the end.

How it finishes :: Veronica Mars should appeal to those who have watched the television series as well as those who didn’t, depending on the tastes. But don’t expect a full investigative thriller here as it is more of mystery drama with some comedy. The problem is that people get that idea with the synopsis. But Veronica Mars needs to be watched as what it is and it will be an enjoyable flick. There are also some nice and interesting dialogues which will surprise you. May be, things will get better if we can watch the television series and then go through this movie. From what I have seen, I would say that Veronica Mars deserves more attention than what it has managed in this part of the world. The television series seems to be something we shouldn’t have missed! Well, you don’t get many movies with an actress in the lead as a responsible, determined and intelligent private detective, do you?

Release date: 14th March 2014
Running time: 107 minutes
Directed by: Rob Thomas
Starring: Kristen Bell, Krysten Ritter, Jason Dohring, Ryan Hansen, Francis Capra, Percy Daggs, Chris Lowell, Tina Majorino, Enrico Colantoni, Jamie Lee Curtis, Christine Lakin, Lisa Thornhill, Andrea Estella, Amanda Noret, Kevin Sheridan, Jonathan Chesner, Duane Daniels, Sam Huntington, Daran Norris, Max Greenfield, Ken Marino, Martin Starr

@ Cemetery Watch
✠ The Vampire Bat.

Everest

Posted on October 6, 2015 by Dr. Tennyson

Vampire Owl: We have always been beyond Everest. There has been a certain amount of satisfaction with the Carpathians among our people.

Vampire Bat: I don’t think so. We are just happy with what we have, and are too immortally old for a new adventure.

Vampire Owl: Yes, but still we are very much satisfied.

Vampire Bat: We are mostly free from desire and ambition which are human qualities; but we are never completely out of it before we live among them.

[Gets the tickets and some caramel popcorn].

✠ This was recently posted by me at Kiagia.com: http://kiagia.com/index.php/current-film-releases-movie/1118-everest-movie-review

Based on the Mount Everest disaster of 1996, Everest tries to become that disaster movie and thriller which the audience would love to watch. There has been something special about the disaster movies as almost every movie of the genre has created some impact, no matter who all have acted on it and not depending on the time of its release; people have always been interested in such themes. As it is based on that deadliest season on Mount Everest during its time of happening, it had enough strength to create something commercially positive even before the release of the movie.

The story takes place in March 1996 when climbers arrive at Lukla and then at the base camp to conquer the big one, Mount Everest. Rob Hall (Jason Clarke), a guide for the mountaineering company “Adventure Consultants” with his clients including Beck Weathers (Josh Brolin), Doug Hansen (John Hawkes), and Yasuko Namba (Naoko Mori), is trying to do this while Scott Fischer (Jake Gyllenhaal), the guide for another trekking firm “Mountain Madness” attempts the same with his own team. Things seem to go fine until some unfortunate twists of events happen, and with a blizzard striking when least expected, they are surely in trouble. It turns out that this journey is the last for some of them.

Everest is less of a movie and more of an experience, which means that the effect of this movie can vary significantly for the audience depending on what they are looking for in a movie. This experience is kept as realistic as possible, lacking in exaggerations and going through what seems to be more or less of the real-life situations. It is not really something on the lines of an action movie, and never does it try to overdo the stuff. The result is that there is no special stylish ingredient here. But the tension and the thrills are nicely boosted, and there is also some good emotional strength here. There also exist a lot of such moments, and they relate to the audience really well.

The shots of Everest become another amazing addition to this movie which uses them to perfection. The snow and the danger combines together to create the desired effect on the audience, thanks to the way in which the shots are taken. The viewers are given a nice opportunity to go through a ride through the route which inspired a lot of adventurers and has claimed many lives. Maybe they could have added more shots from the lower areas of the mountain too. The 3D is mostly not needed though, except for a few moments, one has to wonder why it had to be added. As this is kept more realistic, the opportunity to use the 3D is limited quite a lot.

The movie also feels a little long, even when it doesn’t extend much more than two hours. It is because there is not much of a story about it, and it is the experience of the adventure that Everest depends on. The beginning also has a certain amount of drag caused by early dialogues and the delay in getting into action. But as the movie is based on a true story and close enough to the truth, the difficulties are kept to minimum. The movie explores two sides of the same incident; disaster for one side and survival as well as adventures on the other side. There are no human heroes and villains here as it becomes the “humans against nature” story.

The performances are nothing less than terrific, lead by Jason Clarke and the moments with Keira Knightley might surely be the most moving moments in a disaster movie. One does hope for more of Jake Gyllenhaal and Sam Worthington even though they make something good out of their presence on the screen. The cast works smoothly, and Josh Brolin has the next big moments with the snow, survival and the family members. As these characters make their way through the snow, the viewers give the full support, and they also do shed a few tears on the loss of life, while the great mountain with the support of Mother Nature manages to have the last laugh.

Even though Everest doesn’t bother much on the plot, it has used its biggest strengths, of visuals and of emotions to the full extent. By the end of the movie, along with feeling sad for those depressing moments of loss, one also wonders about the cost of adventure and also on who wins in the end, whenever there is the feeling of need for the conquest of nature and its elements are concerned. Everest is a direct movie, and it doesn’t preach or try to add something that will send the viewer to deep thinking, but it still lingers on one’s mind with its emotional strength and what it has brought to screen as a realistic experience.

Release date: 25th September 2015 (USA); 18th September 2015 (India)
Running time: 122 minutes
Directed by: Baltasar Kormákur
Starring: Jason Clarke, Josh Brolin, John Hawkes, Robin Wright, Emily Watson, Keira Knightley, Sam Worthington, Jake Gyllenhaal, Thomas Wrigh, Martin Henderson, Elizabeth Debicki, Naoko Mori

@ Cemetery Watch
✠ The Vampire Bat.

The Martian

Posted on October 5, 2015 by Dr. Tennyson

Vampire Owl: I have always wanted to have a pact with the Martians. The Earthlings are too evil for our taste.

Vampire Bat: Well, Dejah Thoris has been a fine Martian.

Vampire Owl: I hope that the presence of an Earthling on Mars will mean that he is free of the ambitions of Earth.

Vampire Bat: It shall be so, as there is no real need for money and power on Mars as of now.

[Gets the tickets and cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1115-the-martian-movie-review

Based on Andy Weir’s novel of the same name from 2011, The Martian is a much awaited movie which has already received a lot of positive opinions. The stories of survival outside the planet Earth has had the attention of the audience with Gravity and Interstellar, and The Martian tries to make further impact in the same area during this weekend. Directed by Ridley Scott and having Matt Damon in the lead, the movie is sure to attract the audience of all types, as the trailer did manage to catch the attention, bringing it to a large number of screens on this October 2nd.

A human mission to Mars goes terribly wrong and the astronaut Mark Watney (Matt Damon) is presumed to be dead and left on the planet as commander Melissa Lewis (Jessica Chastain) has to make the choice not to risk the return of the whole crew for searching for him. But he is alive and has become the first lone man on a planet seemingly without life. The first and the best option for the astronaut would be to wait for death considering how difficult or rather near impossible it should be to survive in Mars without any contact with Earth and possessing not enough supplies until the next mission can arrive. But Mark decides to try, and make that attempt not to die.

As Mark is a botanist, he finds a way to grow some potatoes inside, after creating a favourable atmosphere for the plants. The chances of survival still remain too low, until NASA engineers Vincent Kapoor (Chiwetel Ejiofor) and Mindy Park (Mackenzie Davis) find out from the photos of the Mars station taken, that he is alive. They communicate using a Mars Pathfinder which Mark finds on the planet, and NASA begins the programs to send him supplies and get him home. But it is not that easy, as the probe which they sends explode and Mark himself has his own disasters at his place decreasing his chances of survival by many days.

Matt Damon is the man to look out for. He was also there in the last year’s space movie Interstellar, in a role which included being rescued from a planet too. But it never really had much there, and the planet sequence itself was more like a need to have a human character that is somewhat closer to the villainy. But here, there are no heroes and villains, and there is just the need for survival, that too in a fair way. The movie focuses on him, and so do the viewers, and he delivers an outstanding performance as the lone man who fights to survive where a normal person would have lost all hope. He has the most screen time, and makes a very fine use of the same.

The Martian remains ahead of both Interstellar and Gravity in many ways, making things more entertaining for the audience. The 3D of this movie might not be that heavy, but with the other aspects, The Martian clearly rises high. The environment is also a joy to watch. There is a perfect blend of emotional, intellectual and funny side here, the final side which was completely absent in Interstellar. The Martian is also straight to the point, but it never really fails to touch the audience. The movie knows where to stop being too much scientific and weird. It is the strength of the movie that the main character of the movie always remains someone whom the audience can connect with, instead of being someone special.

There is a strong, inspirational message in The Martian, and it is something which never lets go. It is the adventure that inspires the viewers never to lose hope, and it is also the kind of path which Interstellar could have followed. Another interesting thing about the protagonist of this movie is that he finds a lot more than just hope – he takes the opportunity to take the optimism to another level and even have some fun with his situation. The Martian has laughter, and that too when facing the possibility of death in a world far away from Earth. It is an adventure without any trace of pessimism, and almost everyone associated with it believes in their optimism, and this is a strange fact as the present world clearly lacks it, with so much of evil prevailing around the wars, terrorism, racial and religious hatred along with the other terrible things.

The Martian clearly has what it takes to be the big winner, and this is a good weekend to score among the viewers. This battle for escape from Mars is something that the fans of science fiction and survivor movies shouldn’t dare to miss. This has enough entertainment; some nice intelligent ideas and philosophy, along with making sure that the common man can easily understand the science here, as well as avoid whatever scientific term which they needn’t follow. The Martian is that kind of a movie, and by being the same, it will be a better, smooth experience for the brain and the heart than Interstellar, and easily overtakes the previous movie from Ridley Scott, Exodus: Gods and Kings.

Release date: 2nd October 2015
Running time: 141 minutes
Directed by: Ridley Scott
Starring: Matt Damon, Jessica Chastain, Kate Mara, Sean Bean, Mackenzie Davis, Kristen Wiig, Jeff Daniels, Michael Peña, Sebastian Stan, Aksel Hennie, Chiwetel Ejiofor, Donald Glover, Benedict Wong, Naomi Scott, Lili Bordán, Nick Mohammed

@ Cemetery Watch
✠ The Vampire Bat.

The Transporter IV

Posted on September 7, 2015 by Dr. Tennyson

Vampire Owl: There is no Jason Statham in this movie. You have called me to watch the wrong Transporter here. There is even too much hair on the head of the protagonist. It is not fair.

Vampire Bat: May be! But they have still used him on some of the posters as a psychological move to attract more viewers.

Vampire Owl: I will still look for him throughout the movie. Then I will be sure that he is not there at all.

Vampire Bat: Lets consider this as an action movie with someone who is not Jason Statham, rather than as a Transporter movie. It should help you a lot.

[Gets the tickets].

✠ This was recently posted by me at Kiagia.com: http://kiagia.com/index.php/current-film-releases-movie/1079-the-transporter-refueled-movie-review.html

The Transporter franchise is not among the lesser known ones, because all three movies of the series were successful and with Jason Statham in the lead, have managed to be the action thriller franchise which could set the bar high. The audience has identified this franchise as well as its protagonist as something related to Jason Statham, and he is the one name that comes to everyone’s mind when there is any mention of this series. But this one comes up with Ed Skrein in the lead as the new Transporter, and so there is the question of being successful in catching the interest of the fans. It has been quite a big doubt, and we will clearly know more as the movie is at the theatres already.

Somewhere in France, a former soldier who is working as a Transporter with his own rules gets in trouble as he is caught between four women looking for revenge and a mafia boss who had ruined the women’s lives. Frank Martin (Ed Skrein) thought that this was going to be just another job as the Transporter, but it was never going to be. With his father Frank Martin Sr. (Ray Stevenson) kidnapped, and both girls with the guns and the criminals all around him, he has to make a big choice, and it certainly has to be about choosing a side. But whichever side he would choose, there will be blood and dead bodies lying all around.

The Transporter: Refueled never goes below a certain level, but the question still remains if this entry in the movie franchise was really needed. The audience had three movies already, and they have enjoyed it so much that they can’t really think about another person other than Jason Statham in this particular role. Ed Skrein does make a good Transporter, and we can be sure about that, but he is still no Jason Statham who has been exceptional in that particular role, and could successfully make people say that he is the one true Transporter. Ed Skrein with more hair than a Transporter has ever had, manages to be another good version, but just not as big as the original.

The action sequences remain the strength of this movie, but there was the need for more considering the fact that this was going to be needing the power to match up to a franchise which had the power of Jason Statham. This one also has the power of action, but could have used even more, mostly related to the Transporter job progress. Beyond being the Transporter, this movie has more action sequences, and Ed Skrein nails them very well. There is actually a lot less number of scenes with our protagonist doing the Transporter job, as he is at most times being the son to his father and otherwise helping the damsels in distress or causing distress to some very evil men.

The damsels turning femme fatale are good here, but other than Loan Chabanol, the rest just goes along without adding too much. Tatiana Pajkovic does have the second position in the same, even though it is mostly about Loan Chabanol playing Anna and also developing certain interest with the protagonist. The shots of Europe are very nice, and do inspire one to travel yet again. Noémie Lenoir who plays the lady villain has only a few things to do, and none of them really makes much of an impact. Actually, the fact remains that none of the villains leave that much of a mark in this movie centered on the protagonist and the ladies.

The focus never really goes anywhere else except for moving towards the protagonist’s father. Ray Stevenson as Frank Martin Sr. has some nice lines here adding to the fun, but most of the times, this one is a strange character. There are times when one has to wonder if he actually exists mainly to get kidnapped multiple times and make the protagonist keeping returning to save the father who might be his only real friend. It makes one feel that this was more like a test dose of Transporter which just comes before the possible sequels. Ed Skrein himself might have been a test, and the one who was there for one season in Game of Thrones can have a longer and better run as the Transporter depending on how this one turns out to be.

Once again the battle between the good and evil, the black and white goes on here, and the Transporter becomes the key. He is the difference maker in this world inside the cinematic universe which is otherwise more favourable to the wrong side. The story-line is there without trying too much, as this is another case of having a chance at revenge against the powerful evil. It is still well presented and used in such a way as to keep the audience interested. The Transporter: Refueled is a short movie which stands just above one and half hours, and that makes sure that the movie never gets boring. Something always keeps happening as the movie goes on with its action and thrills.

Release date: 4th September 2015
Running time: 96 minutes
Directed by: Camille Delamarre
Starring: Ed Skrein, Ray Stevenson, Loan Chabanol, Gabriella Wright, Tatjana Pajković, Wenxia Yu, Radivoje Bukvić, Lenn Kudrjawizki, Anatole Taubman, Noémie Lenoir

@ Cemetery Watch
✠ The Vampire Bat.

Hitman: Agent 47

Posted on September 6, 2015 by Dr. Tennyson

Vampire Owl: It has been a long time since I last played this game. I am having heavy Hitman nostalgia.

Vampire Bat: It is not just about this game, but a lot more. Our gaming life has been dead for very long.

Vampire Owl: I will just consider this as a video game then. May be it is actually so, and it could be the reason why there are so many negative reviews on this movie.

Vampire Bat: It is not really surprising. Some people will give very high ratings to violent movies when it is directed a particular person, for absolutely no reason. The content is not important for them there. But we will see Hitman: Agent 47 as it is really supposed to be watched. We owe that much to our gaming past.

[Gets the tickets].

✠ This was recently posted by me at Kiagia.com: http://kiagia.com/index.php/current-film-releases-movie/1078-hitman-movie-review.html

Hitman is a name which is heard a lot among the gaming circles, and the love for this assassin goes back to the year 2000 when Hitman: Codename 47, the first game of the Hitman video game franchise, from IO Interactive released. Among the PC games, this had a special status, and one can proudly accept that this is something which changed the future of stealth-based action games. The sequels including Hitman 2: Silent Assassin, Hitman: Contracts and Hitman: Blood Money were all much talked about titles in the gaming world, and with more in the shops and a new title coming up for the gamers, another movie based on the video game was inevitable.

Dr. Peter Litvenko (Ciarán Hinds) is the man behind a secret laboratory experiment which involved the creation of perfect assassins who never felt any remorse, fear or love, and had highly exaggerated speed, stamina, strength and intelligence which made them the perfect killing machines. But realizing the fact that he was doing something wrong, he abandons the idea and idea and disappears, leaving very powerful people on his trail. His daughter Katia (Hannah Ware) is also on the run, hiding somewhere in Berlin according to the last information. Many organizations have tried to recreate the idea and couldn’t succeed; one of them called Syndicate International decides to find the girl and get to the father at any cost.

As ICA (International Contracts Agency) decides to stop the Syndicate from getting its hands on the program, Agent 47 is contacted by his contact Diana (Angela Baby) and is provided with two names to terminate. Katia who has some strange visions and special sensory skills is searching for her father while she is approached by a man called John Smith (Zachary Quinto) who offers her protection against people who are trying to kill her. Meanwhile, Agent 47 finds and approaches her, but gets into a gunfight with John while Katia runs away. But there will be more to it than what meets the eye as the people of the Syndicate won’t rest until they get what they want.

The success of this movie will depend on what each viewer expects from a flick like this – if it is a cent percent adaptation of the game which is expected, they are going to be disappointed. There is not much of a stealth mode for this protagonist as in the game. But when we look at this from another side, isn’t a lot of action also possible in the Hitman games? The second game of the franchise actually had a lot of situations where one could just go through the enemies and the character shoots people without trying that much of stealth. Our protagonist has those special skills for big action too, and he has used them very well here – it is just that things are done rather straight for a change.

This seems to have a series of incidents which follow the great assassinations of Agent 47, as one the villains do say that he is a big fan of the protagonist’s work. So, the man has already had his shares of silent assassinations, and so if we are looking for a stealth mode, we should rather ask for a prequel rather than keep saying that Agent 47 works in shadows and doesn’t come out as an action hero. Here, Hitman is immersed in full action, and what the viewers need to do is to enjoy the wonderful sequences rather than keep complaining about it. About the story, it is surely working well, and has a number of similarities to the first game of the franchise.

Even though there is not much from the rest, Rupert Friend and Hannah Ware do leave a nice impact in this movie. Hitman: Agent 47 uses the action sequences to some great advantage, and sets up well for both the prequel and the sequel, even though one still has to doubt the possibility for the same. There is a lot of style in the way in which the action sequences are taken, and the blood and gore also maintains that quality. What one has to wonder about here is if people only care about gore when some directors use it? Stylish violence is not something that is particularly booked for a few people. Hitman: Agent 47 uses it here, and you have to admit that it is worthy.

Hitman: Agent 47 might be in no way that much interesting for everyone. But what it provides the gamers is an opportunity to see one of the most loved game characters on the big screen, despite the liberties which the movie has taken while doing full justice to the action side. This is not the movie which you need to think about a lot and compare with other titles and the games themselves, but enjoy it as the action-adventure that it has brought to the viewers. You might not remember the story for a long time, but the way of recreating the video game is worth it; there is something about a different take on the same subject, right?

Release date: 4th September 2015 (India); 21st August 2015 (USA)
Running time: 96 minutes
Directed by: Aleksander Bach
Starring: Rupert Friend, Hannah Ware, Zachary Quinto, Ciarán Hinds, Thomas Kretschmann, Angela Baby, Dan Bakkedahl, Emilio Rivera, Rolf Kanies, Jerry Hoffmann

@ Cemetery Watch
✠ The Vampire Bat.

Fantastic Four

Posted on August 26, 2015 by Dr. Tennyson

Vampire Owl :: I will miss Chris Evans and Jessica Alba while watching this new version.

Vampire Bat :: Chris Evans is Captain America. You won’t miss him. If he returns as the Human Torch, you will miss the Captain a lot more and might even make the decision to skip Marvel forever.

Vampire Owl :: I will just miss Jessica Alba then.

Vampire Bat :: Well, it is fair, because I miss her too.

[Gets the tickets and cheese popcorn].

✠ This review was recently posted by me at Kiagia.com: http://kiagia.com/index.php/current-film-releases-movie/986-fantastic-four-movie-review.html

Having the history of an unreleased film in 1994 and adding another reboot and a sequel in 2005 and 2007 which had not much critical appreciation, Fantastic Four doesn’t really have history going in its favour. At least, the two movies could come up strong at the box-office. But one has to feel very strange about this new movie which currently has neither the support of the critics or the audience. With the movie clearly underperforming at the United States box-office, it is yet to be seen how it performs in some other territories, as it released on August 21st, the Friday in India.

Reed Richards (Miles Teller) and Ben Grimm (Jamie Bell) have been best friends from childhood, and have worked on building a teleporter for a very long time. Reed has been the brain of this idea which was consistently rejected by their science teachers, until Franklin Storm (Reg E. Cathey) finds the ability in him, as he was already working on this same idea. His adopted daughter Susan Storm (Kate Mara) and his own son Johnny Storm (Michael B. Jordan), along with Victor von Doom (Toby Kebbell) work with Reed on developing a giant teleporter called the Quantum Gate which would connect the human world to another dimension.

They are successful in creating the path to this dimension, but when the head of the facility Allen (Tim Blake Nelson) decides to send a group of astronauts from NASA to explore the new world, the scientists decide to become the first people to reach the new world, just like Neil Armstrong and Buzz Aldrin were on the Moon. But as they reach this new dimension, the place is full of strange materials and Victor is absorbed into its source of energy. The rest escape, but four of them undergo big changes. They wake up in government custody, and Reed runs away while others are trained to control their powers. But the connection with the other world won’t cease to exist.

This 2015 version is not as bad as most of the reviews suggest, but it is not that good either. People will surely find the earlier version a lot better than this one. It had many advantages over this one, and the most significant one being the actors. The cast which involved Jessica Alba and Chris Evans was a joy to watch, but the same is not the case here. Except for Jamie Bell as The Thing, nobody really makes a big impact in this version. Kate Mara looks very good in that suit, and has her moments. Michael B. Jordan is no Chris Evans, and Miles Teller is not really there either. Toby Kebbell makes an impact much later, only with the mask on him.

The movie also takes a lot of time to get to the interesting part. The first half is more like a stretch which moves slowly towards the possible destination. It struggles to get to the point right through the beginning to the middle. Even after that, the story is not completely there. The beginning of the second half is that point at which the movie should have reached within half an hour. It would have been okay if the beginning was rather interesting, but it couldn’t manage to be so. This goes different and still it is predictable. The action only happens when the movie is close to the finish, and by the time the origins are established, it has ended.

The movie chooses inter-dimensional travel, which is a bold move and a welcome change, even though it is not that well implemented. The special effects are nice, even though there are limitations. There are not much of the superpowers used to display these effects. Still, the power to entertain is there, and the villain does make a better impact in this avatar which is superior to the 2005 version. The villain looks like a true challenge to the four right from the moment his other side is awakened. This version is also darker, which is a positive change. With the consistent struggles and only having the interesting moments here and there, may be this origins story can bring a better sequel.

This Fantastic Four reboot will have a tough time making an impact considering the fine quality which has been maintained by the superhero movies in the past. Even the earlier two movies featuring Fantastic Four were much ahead of this one. So the expectations were a lot higher here with hope to bring something to remember. This is not really a movie that go terrible, but just something that doesn’t go big enough. It can be considered mostly average, but the situation demanded more. In the end, there is something about which the audience can be sure about; it is the fact that among the Marvel comics based superheroes, this one is clearly a level down.

Release date: 21st August 2015 (India); 7th August 2015 (USA)
Running time: 100 minutes
Directed by: Josh Trank
Starring: Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell, Toby Kebbell, Reg E. Cathey, Tim Blake Nelson, Dan Castellaneta, Tim Heidecker

@ Cemetery Watch
✠ The Vampire Bat.

A Walk Among the Tombstones

Posted on August 12, 2015 by Dr. Tennyson

What is it about? :: Matthew Scudder (Liam Neeson) is someone who used to be an aggressive police officer in the early 1990s. But now, eight years later, he is a recovering alcoholic and is approached by Peter (Boyd Holbrook) for his brother, a drug trafficker called Kenny Kristo (Dan Stevens) whose wife Carrie (Razane Jammal) was kidnapped and murdered despite the ransom fee being paid at the right time. The fact that he got his wife as pieces inside the trunk of a car makes his hope for vengeance that stronger, and Matthew who works as an unlicensed private detective is the one he looks out for help. Despite the initial reluctance, he takes the case and starts collecting clues. It turns out that Carrie is not the first one to suffer the fate, and neither will she be the last.

The defence of A Walk Among the Tombstones :: The return of Liam Neeson in another thriller might be reason enough for this movie to defend itself in front of the fans. It is the protagonist played by him that once against manages to be outstanding. As a crime-drama thriller, this one is more artistic and having strong emotional moments which add to the thrills very well. The movie nicely progresses with its strengthening factors until the nice finish has been reached. The links between the brutal murders are well connected in a realistic way rather than bringing some big clue out of nowhere. The lack of goodness in this grey or darkness-aligned world is well portrayed in this movie which successfully shows some signs of hope by the end, but not before going through the test. There is no unrealistic action sequences in this one, and don’t look for it.

Claws of flaw :: The movie is surely slow, and despite having a certain beauty about its pace, it is still slow and so it is surely not for the fans of Liam Neeson’s other movies like Non-Stop, A-Team and that popular Taken franchise – it is not Unknown or The Grey either. So, people who don’t like to have an artistic and realistic touch instead of those exaggerated sequences, are surely going to be disappointed. This doesn’t go the The Silence of the Lambs and Se7en way either, even though the serial killers and violence to victims are there along with the inquiries into the same – there is not much of the gore on the screen despite the idea being used. There is also a certain lack of the background to the killers, and the ending could have been more intense – it is surely satisfying and peaceful, but there could have been more strength to it.

Performers of the soul :: Liam Neeson is the man in control once again. It is completely about how his character go through these situations in his own way. It should be his name which might have brought the attention here, and he is perfectly fit for his character. This will remind you of some of the other characters he has played, but only here and there – he goes a lot more realistic in this one. He keeps avoiding all chances of getting into a fight, so much that once he keeps getting beaten up while not even trying to resist until he speaks when given a chance. He talks against violence and revenge so often in this movie, and hopes to keep himself always straight forward and also support even the not so good people in a positive way – even with similarities in the role, it is not your powerful action star here! Brian Bradley’s character was kind of strange and often irritating, but the rest worked well in this movie.

Soul Exploration: The problems of being a good person :: The main character himself is firmly rooted in disappointment as well as guilt, as he goes through what he should have done earlier during his times as a police officer, to reach the salvation that he intends to. He never hopes for that though, as he is without a direction, doing just random things for no reason, instead of having a purpose. You can see that feeling on his face throughout the movie, as Liam Neeson does that to perfection with ease. It is about people with high potential never being realized, and they end up being lesser achievers than they deserve to be, while there is no limits to what the liars, cheaters and back-stabbers can achieve in this world of chaos – and they are appreciated for the same. But good people always have to suffer and struggle even for the smallest mistakes.

Soul Exploration: The difficulty in finding goodness :: There is a certain amount of darkness and sadness which prevails throughout this movie, and almost nobody in this movie is a happy person, and not many good things happen around here – it is a clear reflection of what the life is, a pure situation of hopelessness were only the richest, powerful and those who can lie really well thrive in this world and the good ones as well as the grey ones who mostly infest this movie will suffer because they are rarely considered important. We are all going to suffer one day, may be in the hands of those who are just evil, or otherwise the rich who wants to feed on those who are not that rich or the system itself. Goodness is not valuable in this world, and at the end of our times, we are going to suffer for the presence of goodness and die.

How it finishes :: “People are afraid of all the wrong things” – this dialogue sets the mood for the movie a few minutes into the action, as it has that kind of evil that should be feared more than many others because it is random and naturally existing in most of the humans. The movie reflects this statement, as it goes steady and solid throughout, and keeps its power in its smooth movement towards the end, and the feeling that the audience has remains the same till the end. This one is also a fine opportunity to see Liam Neeson in his most human form as far as his action thrillers are concerned. A Walk Among the Tombstones is fine addition to the list of thrillers in which the man has acted in, and you can watch this one and find out where it features in that interesting list.

Release date: 19th September 2014
Running time: 114 minutes
Directed by: Scott Frank
Starring: Liam Neeson, Dan Stevens, David Harbour, Boyd Holbrook, Ólafur Darri Ólafsson, Brian Bradley, Eric Nelsen, Mark Consuelos, Adam David Thompson, Sebastian Roché, Laura Birn, Danielle Rose Russell, Razane Jammal, Kim Rosen, Natia Dune, Genevieve Adams, Lana Delaurent, Al Nazemian, Jolly Abraham, Frank De Julio, Whitney Able

@ Cemetery Watch
✠ The Vampire Bat.

MI: Rogue Nation

Posted on August 8, 2015 by Dr. Tennyson

Vampire Owl :: We have been missing the impossible.

Vampire Bat :: Well, we haven’t tried anything impossible for some time.

Vampire Owl :: Actually, we take no risks except when watching those terrible movies.

Vampire Bat :: Well, everyone can’t be Tom Cruise!

Vampire Owl :: Somehow, he never really gets old.

Vampire Bat :: May be he is immortal too, in another way.

Vampire Owl :: There is that special feeling when we hear that Mission Impossible music; I don’t know what it is.

[Gets the tickets].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/947-mission-impossible-5-review.html

We return to the super-hit franchise again. Tom Cruise, the Mission: Impossible franchise and the action movie fans have had a very good relationship in the last few years. Even as the third movie of the series was the least impressive of them all, they successfully made things a lot better with the fourth, Mission: Impossible – Ghost Protocol. Inspired by a much older television series, Mission Impossible franchise has been making a very heavy impact on the fans since the first movie in 1996. It is no different in the case of this fifth movie which has everyone’s attention ever since the trailer began to show up in the theatres.

As his adventures continue, Impossible Mission Force agent Ethan Hunt (Tom Cruise) comes face to face against a dangerous criminal organization called the Syndicate. But despite his best efforts, CIA and other organizations completely deny its existence. Meanwhile, the director of the CIA Alan Hunley (Alec Baldwin) gets IMF disbanded and taken into the CIA itself, with a mission to catch Ethan as early as possible. At the same time, Ethan is captured by the Syndicate, and is saved by a former MI6 agent working for the criminal organization, Ilsa Faust (Rebecca Ferguson). As IMF is disbanded and CIA is refusing to believe them, Ethan decides to take things into his own hands.

As Ethan remains on the run with CIA on his tail, he almost gets hold of a Syndicate member while attending an opera, but the Chancellor of Austria is killed at the same venue despite his best efforts. At the same time, Ilsa leaves him with clues which will help him to get to her at Casablanca. With the help of his friends Benji Dunn (Simon Pegg), Luther Stickell (Ving Rhames) and William Brandt (Jeremy Renner), Ethan has to figure this out and confront the leader of the Syndicate, Solomon Lane (Sean Harris). It turns out that the Syndicate is not a regular criminal organization as they thought it was, but something more with origin in secret government organizations.

Mission: Impossible – Rogue Nation is exactly the movie of the series that the fans might have wanted for a long time. It is surely intelligent and has a very interesting story despite having no spectacular sequences to finish it – the ending could have had bigger action and the villain also could have been a more menacing one face to face. The highlight of the movie, the sequence with Tom Cruise hanging outside the airplane comes very early. It is just one of those stylish action highlights of the movie which has others like an interesting sequence at an opera, a high voltage motor-bike chase and an underwater heist. These are also done at some of the best locations possible.

We know how well Mad Max: Fury Road managed to be a wonderful full action movie, and this one follows that path using its strength. The rest of the things are just means to this strength, and you can also admire the fact that the smartness of the plot supports it. You should notice how well things come together as the locations shift between different nations – you will love Morocco shown in this movie more than the rest. The sequences are also more believable. I was still a little disappointed that Jeremy Renner doesn’t take part in much of the big action here. But there is enough here to make up for that, and our cast surely does the job very well.

In a movie which has some nice twists and change of sides, Tom Cruise manages to emerge as the awesome action star once again. There is no difficulty there is making us believe in the impossible with this man around. It was great to see Rebecca Ferguson get a role which is very much on par with him, with just lesser in screen presence only to Tom Cruise. She is the best heroine ever in a Mission: Impossible movie and she has a part in almost every action sequence with our protagonist, and at the same time having no romantic side with the hero. She is perfectly suited for this role. She does those stunts in style and also brings the suspense as the person who is the most difficult to figure out in the whole movie. She is the one complicated person on whom the whole mission depends on. She becomes the big advantage that none of the other movies of the franchise had. Along with Jeremy Renner, Ving Rhames also has a little too less to do in this flick.

The franchise achieves new heights with Mission: Impossible – Rogue Nation, as the latest flick becomes a superior entertainer in the list of movies which have served us for almost twenty years. There is a certain improvement with this movie, which was thought to be a hard task, but it has been done. It won’t be easy to forget this one soon, as the thrilling experience will stay on the mind of viewers for quite a long time. Even though there have been so many movies with big action sequences, you can still take the level of action to an even higher level – it is not impossible, and this movie proves the same with ease. Look out for this movie this weekend, and it can make you forget Mission: Impossible – Ghost Protocol.

[After the movie]

Vampire Owl :: Well, Rebecca Ferguson does save the day more times than Tom Cruise, and that should be a first.

Vampire Bat :: She is too good! Most of the time, her character surely is the smartest one around!

Release date: 6th August 2015 (India); 31st July 2015 (US)
Running time: 131 minutes
Directed by: Christopher McQuarrie
Starring: Tom Cruise, Rebecca Ferguson, Jeremy Renner, Simon Pegg, Ving Rhames, Sean Harris, Alec Baldwin, Simon McBurney, Jens Hultén, Tom Hollander

@ Cemetery Watch
✠ The Vampire Bat.

The Loft

Posted on July 30, 2015 by Dr. Tennyson

Vampire Owl :: Do you know that the Vampire Crocodile was actually taking about this movie?

Vampire Bat :: Why would he talk about this movie? He was never a vampire too interested in movies.

Vampire Owl :: Yes, but he starts fan clubs in the vampire territory.

Vampire Bat :: We also have fan clubs these days?

Vampire Owl :: Well, actually as we are not that dumb as the humans to blindly follow a celebrity, he and the Vampire Hamster are the only members of the organization.

Vampire Bat :: So, what is it this time? A Karl Urban fan club?

Vampire Owl :: No, it is called the Isabel Lucas Friends and Fans Association for the New Vampire World and the Isles of Death.

Vampire Bat :: Well, this is new.

Vampire Owl :: He knows that variety will sell. He has only recently come to know about this movie and is hoping to cheer for her with a huge screen show arranged.

Vampire Bat :: In that case, we can be glad that we are watching it without him.

[Gets a cup of tea].

What is it about? :: Five friends, married men share a loft, which they use for extra-marital affairs. The men are Vincent Stevens (Karl Urban) who is the designer of the building, a psychatrist Dr. Chris Vanowen (James Marsden) who is a reluctant user of the loft, and three others, Luke Seacord (Wentworth Miller), Marty Landry (Eric Stonestreet) and Phillip Williams (Matthias Schoenaerts). When the body of a dead woman is found in that loft, the friends begin to doubt each other as none other than them got the keys to the place; they also wonder if one of their wives or mistresses is involved in the crime. The dead person is Sarah Deakins (Isabel Lucas) who knows them from a bar. Even though it was Vincent who last met the girl, he has no clue of how she ended up like that.

The defence of The Loft :: There is a certain amount of quality and style in how the story is told in this movie. It begins from the murder and the police arrests, and moves on through different timelines to give us clues and finally conclude to a point where everything comes together. There is a intellectual beauty in the narrative style, and you can actually connect these moments well enough while giving attention. There is something here to be suspicious at each of the five characters, their wives, some of the mistresses and even a few businessmen with whom they are involved. It is an entertainer, and there is a big chance that this movie might be remade into one or two Indian languages. So it will only help to have this one watched already instead of having a copy of the feeling that Anwar and Cocktail had original awesomeness when it released, but where just copies of Traitor and Butterfly on a Wheel.

Claws of flaw :: Unlike what some people might think, The Loft is not really an erotic movie; it is very much far away from it and is just the thriller or a mystery, and even with its suspense and the twists, it doesn’t have a huge surprise waiting. Most of the people might have wanted the twists to be even more twisted. The setting could have had more in store, but the finish is just of the quality of an ordinary thriller. The story struggles at some points and it is a missed chance at bringing the mystery to another level. People who are looking at this one as an erotic flick are going to be the more disappointed ones though. Some people can also have trouble with the narrative especially if he or she stops the movie in the middle to watch later. Some of the scenes might have been even made to confuse the viewer into believing that someone with no big relation to the incidents is the murderer.

Performers of the soul :: Karl Urban comes up with a very strong performance here in a movie has most of the characters getting equal importance, and is the pick of them all. It is actually depressing that this movie didn’t get much of box-office collection just like his other good movies – the critical appreciation has also been low. Well, when something like Dredd can’t be a box-office hit, you have to doubt the tastes of the move watchers. He is a very talented actor and needs a better recognition. James Marsden who has been playing Cyclops in the X-Men franchise comes next as he excels in the final moments of revelation. Meanwhile, Wentworth Miller has his moments too as the movie moves towards the finish. The rest of the actors who play the friends also contribute well.

More performers of the soul :: About the actresses who play the wives, they never really gather that much of attention are easily forgotten – still, the one to gather some attention is Kali Rocha. The two main ladies are really good here; Rachael Taylor and Isabel Lucas, both of them making the desired impact despite the weak characterization. The former has done a good number of horror/thriller stuff and looks very much suitable to her role here – I loved her in Shutter. The latter brings a dazzling effect here, and she has never looked prettier – her role is smaller here, but it is the decision-making one; she has always been there with smaller, but noticeable roles like being the pretender decepticon in Transformers: Revenge of the Fallen and the more significant and touching performance as the subsider vampire in Daybreakers.

How it finishes :: The Loft is an interesting thriller which maintains its collection of twists till the end, and it also works as a morality tale if we look at it from another angle. As you go to ending, even though there is nothing tragic, none of the cheaters in a relationship really manages to get a better life except for one exception and one not doing that bad, depending on how you see it. Being faithful should be considered a very important thing in life, not just with love and relationships, but also to oneself. There is no honour is hurting the people we love just for the sake of something temporary and wrong. In an ultra-modern world, all kinds of relationships go nowhere; remember Matthew Arnold’s Dover Beach:
“Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain”

Release date: 14th October 2014
Running time: 103 minutes
Directed by: Erik Van Looy
Starring: Karl Urban, Isabel Lucas, Rachael Taylor, James Marsden, Wentworth Miller, Eric Stonestreet, Matthias Schoenaerts, Rhona Mitra, Valerie Cruz, Elaine Cassidy, Kali Rocha, Margarita Levieva, Madison Burge, Kristin Lehman, Robert Wisdom, Ric Reitz, Graham Beckel, Kathy Deitch