Ouija

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Vampire Owl :: Halloween and no horror. Never thought that such a day will come in this century.

Vampire Bat :: There is horror. We can watch Ouija.

Vampire Owl :: Really? The Vampire Panda told me that it was a bad movie and critics gave bloody low ratings to it.

Vampire Bat :: Lets not trust the critics on a horror movie. Besides, that panda is not a vampire. He is just the Kungfu Panda on disguise attempting to sell his noodles and action figures among vampires.

Vampire Owl :: I shall deal with him later. For now, I can surely use a summoned spirit. According to the latest version of the Book of the Dead, the Undead and the Brain dead, they are very useful creatures. We need to get an Ouija Board.

Vampire Bat :: Do you realize that you already create enough problems for yourself?

Vampire Owl :: Absolutely yes. See, I am an evil entity. I am supposed to create problems for the world which includes myself.

Vampire Bat :: You should have a dosa. You turn evil when you need it.

Vampire Owl :: No. I am a dangerous owl. I need to keep it that way.

Vampire Bat :: Yes, dangerous to yourself.

[Gets the tickets].

What is it about? :: The protagonist Laine Morris (Olivia Cooke) is searching for answers as she hopes that she could have done something for her best friend Debbie Galardi (Shelley Hennig) who had committed suicide, and she laments the fact that she was the last one to talk to her and yet couldn’t stop her from doing such an act. As she finds an Ouija board in her house, along with her sister Sarah (Ana Coto) and other friends of Debbie, Pete (Douglas Smith), Trevor (Daren Kagasoff), and Isabelle (Bianca A. Santos) decides to try and contact their recently deceased friend. Soon, they contact a spirit which addresses them as friends, but what they are not aware of is that Debbie already had made a connection to the other world which lead to her death, and they understands that more than one entity is now free. The friends realize that they will just be killed one after the other and there will be no stopping the terror. A relative to the dead people returning as spirits, Paulina (Lin Shaye) who resides in a mental asylum seems to be the key to stopping the evil, but will it work?

The defence of Ouija :: The name would be enough to draw people to the movie, and the Ouija board has always been the centre of curiosity for a lot of people for a good amount of time. We have a lot of curious cats among us, don’t we? This movie banks in the same with the board at the centre, throws the usual stuff at us again and again, and there are some scares as one would expect from it. The sewn mouths are not something new, but they surely work here especially according to the circumstance, and the twist, even if small is a working one. There are possessions, suicides, murders, sewn mouths, blank eyes, with some scares here and there, and a creepy environment of the house. The sound effects are very good and the visual horror has its moments. It is quite a success as a haunted house movie, with the board being found from the home where evil has happened sometime ago. Some moments near the end are good, even as their failure to end the movie with the same surprises me.

The claws of flaw :: The movie doesn’t try anything new at all. Its biggest asset is that one board, but the flick fails to capitalize on the same. There is not much about that one big thing that it could have used to its effectiveness, and instead the same becomes only the means to what is to come next. It only does the job of any other possessed item which could gain the attention of the spirits. The movie should have stuck to its title, explaining more about the board and how things come to this dimension in relation to the same. But it tries to make the movie go on in the usual pattern often forgetting that the movie is about the board, with the existence of a house where something terrible did happen a long time ago and there is a spirit waiting to possess or murder people. Even a good number of scares are not that effective, but there are a few which work nicely. The plot and the narrative could have had some more attention to make the whole thing better.

Performers of the soul :: The movie has a rather cute lead at the top, and the performances are overall decent. Olivia Cooke plays the protagonist here, the lady who is hopelessly trying to connect to her dead best friend, and she has indeed played this role with such expressions of fear and uncertainty which makes this character so much believable here. Her cuteness helps the cause a lot, and she is a perfect one for this role which has more hopelessness and desperation which she could nicely reflect on her face. You will instantly like her, that is for sure. The next one is Shelley Hennig, and even as she dies early, has her moments too, and is not done even with that separation of the soul. She adds to the beauty of the cast and does enough, while the rest of the cast manages to hold on, but not with anything special. Meanwhile, Lin Shaye is here too, and she is once again impressive in another horror movie – catches our attention.

Soul exploration :: In its search for the spirits within the Ouija board and also outside it, the movie losses its soul. It can’t realize what it has in its soul, whether it is to focus on the board or the haunted house and its scary past. When we finally decide that it is on the latter, then comes the board again as if it is Count Dracula who wants to be part of everything vampiric. The spirit also works a lot like the Final Desination series, planning to just kill them all in freaky ways, even as it is not that heartless to make things too violent. Then you realize that Ouija is a mixture which is created to make it a safe bet, and it adds so many things to itself and makes those factors work in parts even as in totality, there is some mess. There is the lack of soul to hold it together, and it is the same reason why we are unable to bring much of it back home – even Annabelle living in the shadows of The Conjuring had more for us. Ouija boards can inspire better horror movies, and this one has the spirits not that powerful.

How it finishes :: The conclusion is still that even with its list of flaws, Ouija is your movie of the Halloween, even as Annabelle does exist at selected theatres with less number of shows. It will be the choice of the Halloween enthusiasts as Ouija board is not something that is not tried that much, and there are not other big Hollywood entertainers released this weekend. I have successfully kept my distance from Bollywood since Diwali as I had sensed certain danger. Meanwhile, I wish all the followers of this blog and the readers of this post a very Happy Halloween, and the November first is also the birthday of the Indian state of Kerala, the occasion known as Kerala Piravi, so I wish all my fellow Keralites a Happy Kerala Piravi too. For more details about the same, visit: http://en.wikipedia.org/wiki/Kerala_Piravi and http://en.wikipedia.org/wiki/Kerala. Happy Birthday, Kerala 🙂

Release date: 31st October 2014 (India); 24th October 2014 (USA)
Running time: 89 minutes
Directed by: Stiles White
Starring: Olivia Cooke, Shelley Hennig, Daren Kagasoff, Douglas Smith, Bianca A. Santos, Ana Coto, Matthew Settle, Lin Shaye, Vivis Colombetti, Robyn Lively, Bill Watterson, Sierra Heuermann

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@ Cemetery Watch
✠ The Vampire Bat.

The Smurfs 2

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There are times when people think that a sequel is necessary for every successful movie. Such sequels often go bad, as they are more of repetitions and imitations of the first – but this one manages to hold its ground, not with full strength; just marginally. It has forced itself on the viewers, and has often succeeded with its funny dialogues and the incredible cuteness which it has developed, with an inherent goodness and a little stupidity which gets overshadowed by their aversion towards evil, unlike the minions of Despicable Me 2. That should make this the perfect movie for kids, as there is the moral side which is strong, and everything else goes on depending on this side of the good. Well, The Smurfs 2 is highly dependent on what the first movie had given the viewers, and in the process of making this sequel, it has copied almost everything from The Smurfs and has presented it in a slightly different manner. The advantage that we achieve with the same is that this one is an even better story in morals, and it is further preachy in nature as it goes on and on. There is divine justice as well as the poetic justice, but not without the actions from our little and bigger heroes does fate and destiny dare to intervene.

The Smurfs 2 is a collection of escapism and childish fantasy. It has done enough to have almost every child drag their parents into the theatres to watch some cute little blue creatures. They have also tested the same on the older one very well, as there is a certain amount of nostagia of childhood that seem to affect the grown ups too, and if this was released before Despicable Me 2, the scope would have been higher. They had taken on New York earlier, and now they are at Paris. The little blue creatures have tried their best, but lacking in bringing innovation and originality, this movie had to try and bring a smile to the face of all the viewers, and once again, the result is effectiveness of a lesser scale. If one didn’t watch the first movie, the probability of liking this movie might even go higher. There is a good explanations of the things that go on with this world even in this movie. There are so many occasions when a predecessor’s shoes are good enough, but shouldn’t they have tried to remove the dirt in the same instead of throwing more on it, in a huge variety of colours? May be colourful dirt is good – at least its not bad or evil, and there is a little more time to be sure about that.

Years have passed after the group of smurfs got sucked into a gigantic vortex which brought them to the new world of New York City. Smurfette is shown to suffer from an identity crisis, as she is having nightmares about betraying her fellow Smurfs and getting them captured by Gargamel. At the same time, the Smurfs are preparing a surprise birthday party for Smurfette. But as nobody talks about her birthday and keeps it a secret, she feels that they have forgotten the day and don’t consider her as one of them. She feels that she is neither here nor there, as neither the daughter of Gargamel or Papa Smurf, created by one and given the life of a Smurf by Papa Smurf. She had been an instrument to distract and trap the Smurfs, but now she is claimed as one of them, but the doubts in her mind never ends. She wanders away from the village thinking about the same. Meanwhile, Gargamel has become a famous magician in Paris, but he is running out the Smurf essence and thus losing his magical powers. With his new Smurf-like creations, who are called the Naughties – Vexy and Hackus, Gargamel plans on opening a portal to the Smurf village and get the Smurf formula by kidnapping Smurfette who joined the other side. But he doesn’t have the magical powers to create a portal big enough for him to enter, and he sends Vexy who goes through it and successfully tricks the first Smurf lady through the portal as she wanders around alone.

The Smurfs are alerted, and Papa Smurf uses his magic to create crystals that would allow some of his best Smurfs to go back to the human world, but through an accident, Clumsy, Grouchy and Vanity ends up travelling to the modern world rather than Brainy, Hefty, and Gutsy. The four Smurfs arrive in the apartment of Patrick Winslow (Neil Patrick Harris) right after the birthday celebration of his son Blue (Jacob Tremblay) who has been named after them. They also meet Patrick’s stepfather Victor Doyle (Brendan Gleeson), whom Patrick hates and wishes to keep away from his family. The Smurfs join with them as well as Patrick’s lovely wife Grace Winslow (Jayma Mays) and goes to Paris where the sorcerer has set up his abode. The team manages to sneak through the backside of the magic arena of the villain, but fails to find Smurfette. Meanwhile, she joins with Vexy and Hackus in fun, and almost forget the Smurf life. Gargamel and his cat Azrael try their best to get information out of the Smurf lady, and at the same time, the human gang and the Smurfs tries to get through to the secret lair of Gargamel. In the battle for Smurf identity and Smurfy existence, there is a lot at stake including the Smurf lady as well as the whole Smurf village.

So, this movie running just a minute more than its predecessor, is no entity which can be considered different from the first movie. Its twelve percent approval rating at the Rotten Tomatoes comes as no surprise, even as that is a little harsh considering how much goodness this movie carries, or at least attempts to hold in itself. Its best moments are recreated from the first movie, and it fails to exist as a thing of innovation. With the large number of animated movies releasing these days, this half-an-animation might be a little repetitive in a less interesting manner. We already saw The Croods, Despicable Me 2, Monsters University, Epic and Turbo making impact this year, and this movie tries to impress kids in the same way. But how much can the kids take? They have a similar movie coming up each month which gives them their good time in the theatre. It is us horror fans who have less for our liking. We are fed with one movie, once in five months or so, in the form of The Conjuring, and that too should have been cut so much that there is that new question about what the horror really is. I guess we don’t count anymore, and the animated movies are the new, profitable trend – if the superhero movies don’t have anything to say against that claim; ask our beloved Man of Steel who lost his underwear in his effort to match a Dark Knight who rises.

Smurfette is the central character of this movie, and the second significant one is Vexy, voiced by Katy Perry and Christina Ricci respectively, bringing the whole new sisterly Smurf relationship to the movie series. The best moments though, belong to Vanity Smurf and Azrael bringing good laughter through their pride and fall. Neil Patrick Harris as Patrick Winslow has a lesser role to play in this sequel as his character looks more hammered into the middle of the world as a misfit, and Jayma Mays as Grace Winslow has even lesser to do this time. Brendan Gleeson as Victor Doyle brings some fun right into the middle of chaos. Hank Azaria as Gargamel continues to keep us interested even as the villain seems to be more of a clone of what he was in the first movie. But we can’t avoid Gargamel and his sorcery that easily, as the man continues to be the villain that he was in the first movie. Azrael the cat could have had a little more screen-time to make the most out of it. The movie should have found something smurfantastic, but it takes the easy way out, as the movie starts in an ordinary manner and ends in a predictable manner. Whatever happens in the middle tries to hold this world together.

Even with some good 3D effects, The Smurfs 2 fails to get rid of all those things which might have added negatively to the first movie. But all the good things are still there. With The Conjuring on the other screen, this would attract the families with kids, that’s for sure. But the fact remains that Pacific Rim, The Wolverine and Man of Steel haven’t disappeared yet as expected. Therefore, the choices are there, and this movie has to strive hard. The big shock might be that there is the little presence of Despicable Me 2 somewhere around. But The Smurfs 2 is new and they got style, colour and a cute and easy to pronounce title which rhymes with Surf Excel, our common detergent powder which has attacked the television screens without mercy. With its ordinary moral story which keeps you smurfed, smurfized and smurfined, the question would remain if they could have waited a little more and come up with a better sequel of excellent content. The little blue creatures have more potential than this, and we can only hope that the third movie of the series would fulfill it. Until then, one has to adjust with this movie, and I am sure that it won’t bore you to death – it doesn’t make you feel awesome either.

Release date: 31st July 2013 (USA); 4th August 2013 (India)
Running time: 104 minutes
Directed by: Raja Gosnell
Starring: Hank Azaria, Jayma Mays, Neil Patrick Harris, Brendan Gleeson , Jacob Tremblay, Nancy O’Dell & a big number of voice actors including Katy Perry and Christina Ricci

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@ Cemetery Watch
✠ The Vampire Bat.

The Conjuring

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We are all going to die – I would hope that the same would happen as fast as possible. I watched The Conjuring and it was scary, and I am hundred percent sure that it can give anybody sleepless nights. But what has happened to me? Why am I not afraid of the supernatural movies? There should be something wrong with my intellect that all these supernatural things have become such an integral part of my life that humanity and its inherent evil scares me more than the dead. Death has always been more beautiful than the living, and with its presence among the humans, the evil makes its score ahead by a long margin, and the good waits for death. Death makes us even, being the great leveller that it is, and as the dead stays dead, it is the living that suffer in their memories, but if they come alive, then too, it is the living who are tormented by their unrest. Being tormented both by the living and the dead, the human life is a vessel full of Sulphuric acid, and we lack adamantium, both in the soul and the body, for we get broken by the supernatural as well as those which are super and natural. They are all part of the big shame of that torment which is brought down upon us not by the dead, but by the living. The dead are indeed better, for they do what they are supposed to do, and it is just the living creatures that contradict themselves.

Believe in the world of the dead and not of the living, for the latter is full of pathetic fools who know nothing about the other world, and it is from their lack of knowledge and extreme stupidity that I would indeed discourage each and everyone of you from doing anything on the supernatural, at least in India. In the name of science, some have denied their own roots, and how can they even look into the dead and the undead worldwide? Do they think that everything can be answered? Some questions have no answers, and others have many. There are some others which should be found out. Some of them can’t be explained, and some of them need to have a life of their own, and make more out of themselves. I would want most of you to know this before you go and watch this movie, and please be prepared to be scared; otherwise you might end up like some arrogant people who despise this world of horror and think that they are inferior works of art. They belong to that category which loves butterflies and despises bats. I am a Vampire Bat myself, but I can’t help it and I shall never choose to be not a crocodile even if I live in Lake Placid surrounded by hunters. I can tell you what an inferior work of art is, but I shall do that later. For now, let me assure you that this is one of the best works, both as an art of horror and also as fantastic entertainment.

The first thing I would like to make clear about this movie is that it has a great build-up. It has its humble beginnings of horror in the form of the supernatural in one of the most interesting dolls which has ever graced the big screen since the Child’s Play series, Annabelle doll – it should have had a significant role in The Demonologist: The Extraordinary Career of Ed and Lorraine Warren by Gerald Brittle; from page 39 to 53, it seemed to have a presence which can only be confirmed by someone who has seen this book outside the Amazon preview. Annabelle is not just another doll, as it is that thing which was part of what the famous paranormal investigators Ed and Lorraine Warren faced during the early 1970s. The Conjuring is more about what the name suggests, but what do we conjure, or summon? Can the spirits summon themselves? In Annable’s case, it was summoned into the doll, but the same can’t be said about the others, especially the haunted house we are dealing with. The story and presence of Annable is more important as the symbol of everything evil that exists within the movie. It is also the scariest image which exists without the help of an visual or sound effects, as the doll itself becomes the visual representation of all the evil that tries to break free in the human world.

The story goes back to 1971, when Carolyn (Lili Taylor) and Roger Perron (Ron Livingston) move into an old house in the middle of nowhere, with their five daughters – Andrea, Nancy, Christine, Cindy and April (Shanley Caswell, Hayley McFarland, Joey King, Mackenzie Foy and Kyla Deaver). Their dog refuses to enter the house and is later found dead, and they also come across a cellar which might have been supposed to be hidden. Carolyn has strange bruises on her body and Christine is pulled down from her bed on multiple occasions. Cindy begins to sleep-walk a lot. April, the youngest of the girls become friendly with one of the spirits. One night, the spirits get more aggressive, as Carolyn is locked in the cellar and the spirits indulge in direct attacks. Even as they don’t believe in that kind of stuff, they are forced to contact paranormal investigators Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) for a solution. The Warrens conduct an initial investigation and find out the existence of spirits, for which an exorcism might be required. They try to get evidence for the same, so that they could get authorization from the Catholic Church.

During a background check, Ed and Lorraine discover that the house and the plot once belonged to a lady who was accused to be a witch, Bathsheba, who killed herself after cursing all those people would try to take her land, and the Perrons were among them. A lot of murders and suicides have already occured in those houses that have since been built upon the property, and the house of Perrons was just a part of the big cursed neighbourhood. Bathsheba’s speciality has been about possessing the mother and making them kill their children, as she herself had sacrificed her child to the dark powers already during her lifetime. There are so many spirits around, and they belong to those mothers who were possessed and forced to kill their own children. There are also the spirits of dead children who were killed. There is rather a soul collection in the house, and considering the strength which Bathsheba has possessed through the years of doing the will of darkness, the Lorraines might be up against more than what they could handle with ease. Bathsheba is also able to move out of the house and follow Lorraines to their world involving the Annable doll which they have kept in their house. Even as Carolyn is to be possessed only to kill her daughters Christine and April, the Warrens has the fight brought to them at their house, and it turns out to be a battle which is beyond a house and a family.

How does this movie score over The Haunting in Connecticut 2: Ghosts of Georgia and Evil Dead, the other two much expected horror movies which graced us with their presence this year? Well, this is the exact opposite of Evil Dead in its portrayal, as it is no gore fest, and not much blood is shed. There are no body parts being thrown at you and the insides never come out. There is no use of bad words, and even with so much less use of special effects, this movie creates a world which is no less creepier than Evil Dead. This one has powerful microseconds of thrill and suspense, for this quiet one is a beautiful world of the supernatural, the world of infinite horror. The use of silence is worth mentioning, and the sound effects are not extravagantly wasted. When Evil Dead tried to sell blood and gore, The Conjuring tries to sell artistic horror of high quality even as the end is slightly lesser in effect after an excellent climax. The Haunting in Connecticut 2: Ghosts of Georgia could have been this movie, as both have similar settings and stories of history which involves random evil people and victims. But our movie scores in its treatment of the subjects and some wonderful acting. It is smartness and creativity that should define our movie which will continue to score and scare more people. Check for Evil Dead anyway: https://moviesofthesoul.wordpress.com/2013/08/01/evil-dead/

Vera Farmiga as Lorraine Warren and Patrick Wilson as Ed Warren steals the show, and from the beginning itself, we are given the power to feel that they can be nothing other than the paranormal investigators. They don’t try to be heroic at any moment, and the movie doesn’t try to take any heavy load from the earlier movies which it can’t carry. The ghosts may be familiar, but they are not similar enough, and they are surely not the same. We know that there is also a sequel in development. You can enjoy it with a willing suspension of disbelief or by stopping being a moron. You have to accept that you are not that kind of person who knows everything, and feels that the supernatural is a lie. There is God, the devil, the demons and the witches – there are demonic possessions and there exist the need for exorcisms, the earlier you come to know about it, that much the better. But there are no real romanticized versions of the vampires in reality, and the title “vampire” is the cultural construct. The more you know that, the better it is for you – there is a world which you shall never know; embrace the same, and stop asking questions. Your disbelief shall be your end, and it shall lead you to your doom, an annihilation which you might have deserved by them with your lack of belief and that basket of nonsense you always carry in the name of science, logic and reason.

Release date: 19th July 2013 (USA); 2nd August 2013 (India)
Running time: 112 minutes
Directed by: James Wan
Starring: Vera Farmiga, Patrick Wilson, Ron Livingston, Lili Taylor, Shanley Caswell, Hayley McFarland, Joey King, Mackenzie Foy, Kyla Deaver, Shannon Kook, John Brotherton, Sterling Jerins

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@ Cemetery Watch
✠ The Vampire Bat.

Evil Dead

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It was a long time ago that we witnessed five college students having their vacation in a cabin the woods. They manages to find an audiotape which releases a large number of demons, and as the creatures possess the people, there is complete chaos all around. It was just last year that another story of five friends travelling to another remote cabin for another vacation becoming victims of the same stereotypical horror movie plot came in the form of The Cabin in the Woods. This time, in 2013, we have the right remake of what scares us more than most of the things during our childhood, and what formed the basis of that 2012 horror movie starring Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, and Jesse Williams. The two sequels of the movie, Evil Dead II (1987) and Army of Darkness (1992), along with all the comics and the video games had combined with the first movie to make a powerful horror impact which has been almost uncomparable. It is towards that legacy that this movie is making a claim. So this can be considered as the fourth installment of that terrifying series, even as the story is completely new with the same premises. As there are so many things in common, this could be a reboot, but as the possiblities are endless with a story like this, any guess made would be an ineffective one.

The success of the original was due to the fact that it wandered through the fears of our minds with that simplicity which can create a direct impact. The tree scene might have been a bit radical, but other than that, everything else have been perfectly clear horror supported by blood and gore. Being demonically possessed and creating the atmosphere of fear with the power of sounds than anything else, The Evil Dead (note the “The” as with The Invisible Man and Invisible Man) is the legend among all horror movies, and this one has to fit into that wonderful space which has been created and maintained by the same. It was a favourite of the greatest kings of horror, like Stephen King. It continues to have great critical acclaim from the modern critics at 98 percent in the Rotten Tomatoes, and IMDb having a 7.6/10. It is 62 percent and 6.6/10 for this new version though, and it is still much expected, as greatness of the original has been creating problems for the remakes in the form of Total Recall and Conan the Barbarian earlier. The objective of surpassing greatness is not always a choice, and this time, greatness has to be forced upon them, and this 2013 has reacted well, but not on par with the original. This is still very good, and nobody can question that – but still it is the case of a legendary cult movie.

Our new Evil Dead begins with a good strike, as an injured girl (Phoenix Connolly) is tied up in a basement, and in spite of her cute little pleas begging to untie her, they keep her tied to a pole. When all the pleading and crying seems ineffective, she takes another route with curses and bad words, and it is revealed that she is demonically possessed. Her father is forced to set fire on her and shoot through her head. The present situation involves a group of friends, Mia Allen (Jane Levy), her brother David (Shiloh Fernandez), his friends Eric (Lou Taylor Pucci) and Olivia (Jessica Lucas), and his girlfriend, Natalie (Elizabeth Blackmore), arrange a journey to a remote cabin in the woods, in order to assist Mia in getting rid of her severe drug addiction which had almost killed her. The rest is predictable for most of the horror fans, as they find a Book of the Dead, and Eric reads it out aloud. The dead evil has been summoned right there. It is Mia who becomes the easy target for the released demons as she wanders in the woods alone in a weak state; one demon enters her body after she is ravished by a number of possessed tree vines which come out of a demon’s mouth. She manages to get her way back to the cabin and begs the others to leave, but they just see it as an excuse to get back to her ways of drugs. They feel that it is rather psychological and she is just hallucinating. David and Elizabeth are determined to make her completely drug-free.

After killing David’s dog, Mia burns herself by standing under boiling hot shower, which fulfills another one of the prophecies from the book, following the tree attack which was also predicted. David rushes to get her to a hospital, but a flood has blocked all the roads. Mia gets worse, and the demon takes over her body further, and she shoots David in the arm with a shotgun. Her human side disappears almost completely, and her demonic side takes on the group until she is locked in a cellar. She manages to possess Olivia and Natalie, both of them continuing the work of the demons, attempting to fulfill the further prophecies of the book. Meanwhile, all the attempts to destroy the book fails, and the demon needs to devour five souls in an attempt to free the Abomination from hell and unleash inferno on Earth. After killing the two possessed girls on the outside, there is no other way left for them than to burn her, bury her alive, or dismember her body. Now David has to come out his affection towards his little sister for whom he never really was able to do anything. With the demonic side using the human side to gain the advantage over the big brother, can the responsible elder sibling finish her sister off or find another way to save her, themselves and the world from the demons? All of these would sound practical in such a movie.

If you are ready to take a little bit of the spoilers, and won’t make that much of a fuss about it, there is one thing that you can be sure about, that is, David (Shiloh Fernandez) doesn’t go on to become the new Ash and create the Bruce Campbell effect. He leads the attack against the undead for most of the time though. But as we near the end of the second half, it is Mia who comes back from her possession and put up an awesome show, and that should make this a Jane Levy horror spectacle. Right from the beginning itself, Mia shows the signs of the victim and survivor. Along with being ravished by a tree and possessed by a demon in her soul, even after saving both her body and soul from the demonic powers, she forced to rip off her hand when it becomes pinned under David’s Jeep with the Abomination chasing her. When she uses the chainsaw on the creature, it clearly gives an impression about who might be the next Ash, this one’s a girl – a Lady Ash who is ready to finish off whatever the demons has in store for her next. She has gone through the worst with both with her body and her soul, and being the last one of her family and the last woman standing among the group of friends, there is a lot of scope for her character in the next movie in the series, for she is the female Ash, and she has a chainsaw with a place to fit it into. The demons won’t like it though.

As we notice Amber Heard, Briana Evigan and Odette Annable with all their attractive existence in some of the most interesting horror movies, there is this Lady Ash who scores big time. These three names, or Elisha Cuthbert would have been great to have been in a movie of this series, and Lily Collins dropping out due to a scheduling issue was sad, but our leading lady has carried on with this very well. But, it is still not something which can be expected to match Bruce Campbell, and this story of expectations got to move on to the next movie of the dead evil. Mia has surely made the dead evil more dead than undead, and ended the misery for now. Now the question would remain if she has done it well enough, or there is something of that evil which still remain in her, as she was the first to be infected, that too in a brutal manner. As she is left alone in the wilderness, with one hand and a chainsaw, there is surely a lot to expect. We know that the evil cannot stay dead, and the demons need to possess; they needs those souls as badly as the vampires require blood and the zombies seek to devour brains. Now, who can deny them their dinner and upset the demon lovers? The Twilight fans might not complain about it, but the fact remains that they are all the same in their roots, and the need to feed would continue and give rise to another movie which can provide more for the viewers.

With the help of the new age technology and all the techniques that is in the pocket, this version of the movie has more scary elements, but considering the time when the original was released, that one is indeed the legend – this one uses a huge amount of blood and gore, and almost depends on it completely to create an impact; the only area where it restricts itself and tries to make it lighter in effect is with the tree scene. Otherwise, the movie is a collection of everything which is related to blood and gore; it injects that big dose of terror into the minds of the readers less through surprises and more through flowing blood, horrifying wounds and dismembered body parts. This is quite high for this kind of a movie, unless this becomes a part of Hostel or Saw series. Therefore, it is a red signal for those who are looking for horror without being a little disgusted. There is also nothing funny about this one, as this is pure horror using all the elements of slasher movies combining it with the good old terror policy. A little more carefully done special effects could have added to the score of this movie, as we know how far it can be stretched. Well, Evil Dead without the “the” is almost everything that you would expect from this movie, and it has to be watched in the dark – the absence of light in the theatres or a big LED television when it comes in a channel; even with some edits, this can prove good. Meanwhile, do use your “willing suspension of disbelief”, and try not to complain.

Release date: 5th April 2013
Running time: 92 minutes
Directed by: Fede Alvarez
Starring: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore, Jim McLarty (cameo), Phoenix Connolly (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.