Fast and Furious 7

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Vampire Owl :: Its been quite a long time after the release. What took you this many days to watch this one?

Vampire Bat :: I just couldn’t get the tickets, even at the more local theatres where audience usually avoid the English movies.

Vampire Owl :: I thought so. After all, this was a much expected movie of the year, not as much as Jupiter Ascending for you, but still you seemed to avoid this one.

Vampire Bat :: I waited for the queue almost everyday for the first show, but couldn’t manage to get a ticket, only now I managed it now because they changed this movie to the bigger movie hall switching places with the other one.

Vampire Owl :: Well, there were other ways, but I know that the Vampire Bat never do a ticket reservation. He just stands in the queue everyday.

Vampire Bat :: Yes, all this for the privilege of watching this movie with such an audience who turns into chaotic people when the lights are switched off.

Vampire Owl :: The darkness of the theatre is scary, I mean it is not even the real darkness but created by man.

Vampire Bat :: It is a dangerous place indeed; strange beasts roam around, some of them howl, others whistle and few others talk in a language which comes out as abuse.

Vampire Owl :: So, it has worsened. This is why we should watch movies more at home rather than anywhere else.

Vampire Bat :: Yes, but I have already watched this one and is ready with the review.

[Leaves for the tea shop].

What is it about? :: With Owen Shaw (Luke Evans) and his team defeated, Dominic Toretto (Vin Diesel) and his crew might have thought that life was going to get simple and without problems, but they were wrong. It comes to light that the old villain had an older brother, Deckard Shaw (Jason Statham) who hopes and strives for revenge on the crew who put his brother in a terrible position, and for him, vengeance is beyond that word – he is like a man custom made for things like these. After Han-Seoul-Oh (Sung Kang) is killed, a bomb explodes which puts Brian O’Conner (Paul Walker) and Mia Toretto (Jordana Brewster) as well as their child in a precarious situation, and the protagonist decides to take things into his own hands. After the funeral of Han, the team will return for their final mission, but that won’t start with the attempt on taking the big Shaw down; there will be more to it.

The defence of Fast and Furious 7 :: The action is fast and furious, thus posing no scope to bring any challenge to the name of this movie. The movie is more action than any other element, and wastes no time in getting to it; the vengeance element stays strong and so does the tendency for turning into a heist movie in parts. The comic side also work, just at times. The cast stays strong, and the power of the action sequences can never be questioned. There are also some free lessons for Bollywood if they are making any disgusting sequels to Krrish or Dhoom – they should learn something and not copy – don’t go down to the abyss while making the next movie in one of these two ridiculous sequels.

The claws of flaw :: We can’t have this one at the top if we consider the other movies of this genre or those of the same franchise. The transformation into a full action movie with revenge as central theme might bother some fans, and this one is also free of any possible racing elements which some people might have wanted. The action sequences do ask for a lot of willing suspension of disbelief, even more than you used to do, with this franchise. May be there was the need to set a limit, but being fast and furious should go beyond the limits, if we go into deeper thoughts about it. Another problem might be about the story going predictable, but that also just comes with this one.

Performers of the soul :: The movie is a fine tribute to Paul Walker, and it was good to watch him doing what he always did the best. We will surely miss him if a sequel or a reboot for this series will ever come to us. Vin Diesel is fine as usual and continues his good run in the series even though I have always liked him more in Riddick as the titular character. Still the best moments of the movie goes to Dwayne Johnson who has more awesome seconds in the beginning and end, making so strong an impact. You will know that he is the one true cavalry. Jason Statham wasn’t that much of an interesting villain here as expected, even though he does deliver a punch or rather a number of them. I would say that a different “type” was needed here with the character. Nathalie Emmanuel looked amazingly good in the movie, and was a very nice addition to this one.

Soul exploration :: This certainly works as that wonderful tribute to Paul Walker as his final movie. There are some very nice stunts featuring him, and the final few scenes which provides a beautiful farewell to him. This was never going to be an easy job after his demise, but they have surely managed well. Once again, the movie itself is all about family and brotherhood – something that continues with the same power. Fast and Furious 7 has its heart and soul right there. The emotional moments are all about supporting the same, and there is very fine success there. There is something clearly for the soul there, and it feels so good.

How it finishes :: Fast and Furious 7 is that movie which had a wonderful reception here, far beyond the expectations. I waited so long to get a ticket not in the malls, but at those local theatres, and finally got lucky on a Thursday just because the movie was changed to a bigger movie hall. This is actually expected to do more here, as it is the final movie Paul Walker, and the cast includes people like Dwyane Johnson the Rock, Vin Diesel and Jason Statham. Yes, add them to the cars and we have a lot for the audience here. The next week also has some holidays in the form of Ambedkar Jayanthi and Vishu, and after the big Easter weekend success, this will only earn a lot more, and may be go on to become the biggest grossing Hollywood movie at this part of the world.

Release date: 2nd April 2015 (India); 3rd April 2015 (US)
Running time: 137 minutes
Directed by: James Wan
Starring: Vin Diesel, Dwayne Johnson, Paul Walker, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Chris Bridges, Kurt Russell, Jason Statham, Tony Jaa, Djimon Hounsou, Ronda Rousey, Nathalie Emmanuel, Elsa Pataky, John Brotherton, Ali Fazal, Noel Gugliemi

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@ Cemetery Watch
✠ The Vampire Bat.

The Conjuring

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We are all going to die – I would hope that the same would happen as fast as possible. I watched The Conjuring and it was scary, and I am hundred percent sure that it can give anybody sleepless nights. But what has happened to me? Why am I not afraid of the supernatural movies? There should be something wrong with my intellect that all these supernatural things have become such an integral part of my life that humanity and its inherent evil scares me more than the dead. Death has always been more beautiful than the living, and with its presence among the humans, the evil makes its score ahead by a long margin, and the good waits for death. Death makes us even, being the great leveller that it is, and as the dead stays dead, it is the living that suffer in their memories, but if they come alive, then too, it is the living who are tormented by their unrest. Being tormented both by the living and the dead, the human life is a vessel full of Sulphuric acid, and we lack adamantium, both in the soul and the body, for we get broken by the supernatural as well as those which are super and natural. They are all part of the big shame of that torment which is brought down upon us not by the dead, but by the living. The dead are indeed better, for they do what they are supposed to do, and it is just the living creatures that contradict themselves.

Believe in the world of the dead and not of the living, for the latter is full of pathetic fools who know nothing about the other world, and it is from their lack of knowledge and extreme stupidity that I would indeed discourage each and everyone of you from doing anything on the supernatural, at least in India. In the name of science, some have denied their own roots, and how can they even look into the dead and the undead worldwide? Do they think that everything can be answered? Some questions have no answers, and others have many. There are some others which should be found out. Some of them can’t be explained, and some of them need to have a life of their own, and make more out of themselves. I would want most of you to know this before you go and watch this movie, and please be prepared to be scared; otherwise you might end up like some arrogant people who despise this world of horror and think that they are inferior works of art. They belong to that category which loves butterflies and despises bats. I am a Vampire Bat myself, but I can’t help it and I shall never choose to be not a crocodile even if I live in Lake Placid surrounded by hunters. I can tell you what an inferior work of art is, but I shall do that later. For now, let me assure you that this is one of the best works, both as an art of horror and also as fantastic entertainment.

The first thing I would like to make clear about this movie is that it has a great build-up. It has its humble beginnings of horror in the form of the supernatural in one of the most interesting dolls which has ever graced the big screen since the Child’s Play series, Annabelle doll – it should have had a significant role in The Demonologist: The Extraordinary Career of Ed and Lorraine Warren by Gerald Brittle; from page 39 to 53, it seemed to have a presence which can only be confirmed by someone who has seen this book outside the Amazon preview. Annabelle is not just another doll, as it is that thing which was part of what the famous paranormal investigators Ed and Lorraine Warren faced during the early 1970s. The Conjuring is more about what the name suggests, but what do we conjure, or summon? Can the spirits summon themselves? In Annable’s case, it was summoned into the doll, but the same can’t be said about the others, especially the haunted house we are dealing with. The story and presence of Annable is more important as the symbol of everything evil that exists within the movie. It is also the scariest image which exists without the help of an visual or sound effects, as the doll itself becomes the visual representation of all the evil that tries to break free in the human world.

The story goes back to 1971, when Carolyn (Lili Taylor) and Roger Perron (Ron Livingston) move into an old house in the middle of nowhere, with their five daughters – Andrea, Nancy, Christine, Cindy and April (Shanley Caswell, Hayley McFarland, Joey King, Mackenzie Foy and Kyla Deaver). Their dog refuses to enter the house and is later found dead, and they also come across a cellar which might have been supposed to be hidden. Carolyn has strange bruises on her body and Christine is pulled down from her bed on multiple occasions. Cindy begins to sleep-walk a lot. April, the youngest of the girls become friendly with one of the spirits. One night, the spirits get more aggressive, as Carolyn is locked in the cellar and the spirits indulge in direct attacks. Even as they don’t believe in that kind of stuff, they are forced to contact paranormal investigators Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) for a solution. The Warrens conduct an initial investigation and find out the existence of spirits, for which an exorcism might be required. They try to get evidence for the same, so that they could get authorization from the Catholic Church.

During a background check, Ed and Lorraine discover that the house and the plot once belonged to a lady who was accused to be a witch, Bathsheba, who killed herself after cursing all those people would try to take her land, and the Perrons were among them. A lot of murders and suicides have already occured in those houses that have since been built upon the property, and the house of Perrons was just a part of the big cursed neighbourhood. Bathsheba’s speciality has been about possessing the mother and making them kill their children, as she herself had sacrificed her child to the dark powers already during her lifetime. There are so many spirits around, and they belong to those mothers who were possessed and forced to kill their own children. There are also the spirits of dead children who were killed. There is rather a soul collection in the house, and considering the strength which Bathsheba has possessed through the years of doing the will of darkness, the Lorraines might be up against more than what they could handle with ease. Bathsheba is also able to move out of the house and follow Lorraines to their world involving the Annable doll which they have kept in their house. Even as Carolyn is to be possessed only to kill her daughters Christine and April, the Warrens has the fight brought to them at their house, and it turns out to be a battle which is beyond a house and a family.

How does this movie score over The Haunting in Connecticut 2: Ghosts of Georgia and Evil Dead, the other two much expected horror movies which graced us with their presence this year? Well, this is the exact opposite of Evil Dead in its portrayal, as it is no gore fest, and not much blood is shed. There are no body parts being thrown at you and the insides never come out. There is no use of bad words, and even with so much less use of special effects, this movie creates a world which is no less creepier than Evil Dead. This one has powerful microseconds of thrill and suspense, for this quiet one is a beautiful world of the supernatural, the world of infinite horror. The use of silence is worth mentioning, and the sound effects are not extravagantly wasted. When Evil Dead tried to sell blood and gore, The Conjuring tries to sell artistic horror of high quality even as the end is slightly lesser in effect after an excellent climax. The Haunting in Connecticut 2: Ghosts of Georgia could have been this movie, as both have similar settings and stories of history which involves random evil people and victims. But our movie scores in its treatment of the subjects and some wonderful acting. It is smartness and creativity that should define our movie which will continue to score and scare more people. Check for Evil Dead anyway: https://moviesofthesoul.wordpress.com/2013/08/01/evil-dead/

Vera Farmiga as Lorraine Warren and Patrick Wilson as Ed Warren steals the show, and from the beginning itself, we are given the power to feel that they can be nothing other than the paranormal investigators. They don’t try to be heroic at any moment, and the movie doesn’t try to take any heavy load from the earlier movies which it can’t carry. The ghosts may be familiar, but they are not similar enough, and they are surely not the same. We know that there is also a sequel in development. You can enjoy it with a willing suspension of disbelief or by stopping being a moron. You have to accept that you are not that kind of person who knows everything, and feels that the supernatural is a lie. There is God, the devil, the demons and the witches – there are demonic possessions and there exist the need for exorcisms, the earlier you come to know about it, that much the better. But there are no real romanticized versions of the vampires in reality, and the title “vampire” is the cultural construct. The more you know that, the better it is for you – there is a world which you shall never know; embrace the same, and stop asking questions. Your disbelief shall be your end, and it shall lead you to your doom, an annihilation which you might have deserved by them with your lack of belief and that basket of nonsense you always carry in the name of science, logic and reason.

Release date: 19th July 2013 (USA); 2nd August 2013 (India)
Running time: 112 minutes
Directed by: James Wan
Starring: Vera Farmiga, Patrick Wilson, Ron Livingston, Lili Taylor, Shanley Caswell, Hayley McFarland, Joey King, Mackenzie Foy, Kyla Deaver, Shannon Kook, John Brotherton, Sterling Jerins

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@ Cemetery Watch
✠ The Vampire Bat.