Captain America II

Posted on April 7, 2014 by Tennyson

Our own superheroes :: Its been some time since the 2012 superhero movie The Avengers got so much more attention than it deserved and ended up being the highest grossing movie of the year and the third highest grossing film ever. Surprisingly, it even impressed the critics, and even as it was a well made fun ride, I wondered how it managed to do this much just by having some superheroes fighting aliens in the middle of the city. Unlike what some of the fan-boys might say, I have felt that Captain America: The First Avenger was the best superhero movie from Marvel, a title which it takes over from X2: X-Men United and to which Ghost Rider had a distant claim only to be devastated by the sequel. As Thor came so close and yet spoiled the opportunity to be the best, and so did X-Men: First Class and X-Men Origins: Wolverine, I have to admit that Captain America 2: The Winter Soldier is my new favourite Marvel superhero movie, and that title should be safe unless The Amazing Spider-Man 2 comes up with something too good which is rather unlikely. So this sequel is better than the original and all the other movies in the franchise – that should inspire you to read this further!

What is it about? :: Captain America a.k.a Steve Rogers (Chris Evans) is called to rescue the hostages from a SHIELD ship under the control of Algerian pirates in the Indian Ocean. There he notices that the mission of Black Widow (Scarlett Johansson) is different from that of him, and she is collecting data from the ship’s computers. After telling Steve about the secret weapon of SHIELD to destroy its enemies and a failed attempt to decrypt the data, Fury is attacked, and dies after telling Steve not to trust anyone and giving him the USB data. Hunted by the SHIELD, Captain America and Black Widow got to join forces to find information about the data and stumbles upon a supercomputer which tells them that HYDRA still exists not as itself, but within SHIELD, like a parasite, and Captain had never put an end to it during the Second World War. As they say “if a head is cut off, two more will take its place”, and this time they are choosing a different path of war. With the help of Falcon (Anthony Mackie), they have to stop HYDRA from deploying their secret weapon through SHIELD, but the question remains if they can take on the Winter Soldier, a metal armed expert fighter who is more of a ghost entity coming out of nowhere.

The defence of Captain America 2: The Winter Soldier :: One of the best fights of the movie is in an elevator, and there are so many more to follow. There is Captain America taking on the advanced machines of SHIELD, and when the Winter Soldier comes up, it goes to a new level, and Black Widow joins the party at regular intervals to boost things up, and so does the new addition – Falcon. The action sequences continue to be strong, and the final battle is incredibly stylish for a movie which was turning into more of a thriller. But the movie doesn’t go on to become that action movie which is expected from any random superhero who possesses the skills that the normal human being lacks, and instead it becomes an espionage action thriller which keeps the viewers guessing, and you can see that the twists are delivered with great punch. The whole conspiracy thing is wonderfully managed, and there is a certain amount of skill involved in doing the same. The dialogues are also cleverly done, and the witty lines are sure to stay in our minds for a very long time. Well, Captain America often becomes self-defending, and you will know about it when you watch.

Positives and negatives :: The movie has turned so much into the thriller genre that the usual superhero fans might find it a little strange. Captain America has turned himself into more of a super soldier rather than a superhero, and it will please a lot as well as disappoint a few, such is this genre. But, yes he is super and there is no denying that. It has successfully become better than its predecessor too, something which only X2: X-Men United could achieve as far as Marvel is concerned. Its intelligence should upset a lot of people who are looking for mindless action too, but those who were looking for stupidity like Dhoom 3 and Krrish 3 are going to be too disappointed. Yes, bring your brains with you – don’t leave them at home like you did while watching some superstar Bollywood movies. Except for the Dark Knight series, I wonder if the viewers are ever expected to use their intellect much in a superhero movie, but now we know that superheroes have moved out of the world of children almost completely. Now they make us thinkers along with entertaining the crowd.

Performers of the Soul :: Chris Evans once again excels in the role of that superhero who is ideologically superior to any superhero of Hollywood. He has become part of the same character and most of us would tend to forget that he was once the Human Torch in Fantastic Four and its sequel – this would always be the role that he would be known for, and this movie gives him more possibilities, and he holds on and improves his performance as the super soldier. When surrounded, he asks “Before we get started, does anyone want to get out?”. Scarlett Johansson remains awesome as Black Widow, and she has a great role to play in this one – she even has some nicer lines like “I only pretend that I know everything” or “Was that your first kiss since 1945?”, and its time her character gets a movie of her own, may be with Hawkeye by her side. Sebastian Stan proves to a fantastic choice for the Winter Soldier too. Samuel L. Jackson is awesome as usual, and the one thing you will know about his car after taking a lot of hits is that the only thing that is left working is the air conditioning, so says the computer. Anthony Mackie’s Falcon comes as another boost to the movie. Cobie Smulders as Maria Hill and Emily VanCamp as Sharon Carter comes up in small, yet significant roles which we can hope to be developed later.

Soul exploration :: Unlike the other superheroes, Captain America is not just a superman or any similar person. He is an idea, something which is more intellectual and not physical, standing for truth, justice and honour. His battles are not against the usual villains who come to take over the world or commit crimes with superpowers or manpower, as his enemies are ideologies, of hatred, fear and slavery; it used to be HYDRA earlier and it continues to be same opponent, but with an outer layer of coating. He is also different that he has to fight war in another age along with belong to that era. Thor and Superman belonged to other worlds, but one can always go back and the other has been here since childhood. But Captain America is a man from the past, frozen both physically and mentally to awaken in another age, nothing less than an alien world. But he adapts and maintains all that he had in the 1940s. The world he comes across as an alien is the same which we have now, as we are fed with lies as truth remains hidden. Forget the wars and the media response; forget the lies concerning politicians and elections; we are told that someone lands on moon or there is water on Mars – and we are forced to believe the same or we are labelled as inferior people – nobody needs proof of that.

How it finishes :: There have been two types of superhero movies, one from The Dark Knight side and the other from The Avengers side. This movie seems to be placed right between them, and at the same time, having a life of its own. This movie has brain, and a lot of it, as it keeps itself out of both the mindless action with the light side as well as the fear generation of the dark side, keeping a bit of both, but not enough to be labelled. The result here is that the latest movie from Marvel can take on both sides, even as I doubt if it can be as successful as any of the two. Captain America is not your typical superhero, and the only thing that should work in favour of him in coming up with a great box-office should be the fact that this is vacation time, both for schools and colleges – most of them to be exact. We watched the movie with a huge crowd and that world was almost full, something which was not visible in the case of the first outing of the same hero or the random wanderings of the rusty vain man in iron. You might want to watch the first movie too so that you can enjoy this without doubts, or may be keep someone who watched it on the next seat. And you may want to choose 2D if there is that option to skip 3D!

Release date: 4th April 2014
Running time: 136 minutes
Directed by: Anthony Russo, Joe Russo
Starring: Chris Evans, Scarlett Johansson, Sebastian Stan, Samuel L. Jackson, Anthony Mackie, Cobie Smulders, Frank Grillo, Emily VanCamp, Hayley Atwell, Robert Redford, Hayley Atwell

@ Cemetery Watch
✠The Vampire Bat.

Need for Speed

Posted on March 23, 2014 by Tennyson

* “Too much gaming details warning” for the first three paragraphs 😛

Games of the soul :: How much value does a movie based on video game have in this world? If we look at movies like Street Fighter: The Legend of Chun-Li, that should be zero both for the critics and the box-office, a fate which it never deserved – unlike DOA: Dead or Alive which was expected to have such fate. Then there are the Resident Evil and Silent Hill series which grosses a lot more than the critics see in them. Well, they don’t like my personal video game favourite Hitman, neither do they come close to being interested in Max Payne or Prince of Persia: The Sands of Time which were actually much better than what we are made to believe about them. If a movie based on a video game is somewhat like that game, can we blame the makers? Isn’t it how the movie is supposed to be? I am looking forward to the upcoming movies based on Mass Effect, Deus Ex, Warcraft and Assassin’s Creed. There is going to be a lot more to explore in them, especially the first one I mentioned. I have a feeling that it is that movie which will change the opinion about video game based movies.

NFS reloaded :: My first love for NFS series began with Need for Speed II SE which I came across at a time when I was actually playing more Road Rash than ever. I loved the game and decided not to retreat to the earlier version. I didn’t like Need for Speed III: Hot Pursuit any better even as I spent quite a long time in it. Then came Need for Speed: High Stakes which I chose to hate, which made me take a small leap into Midtown Madness but that stayed only for a short time. Need for Speed: Porsche Unleashed brought me back though. Then Need for Speed: Hot Pursuit 2 made me realize that I was trailing in graphics card, and I had trouble with the speed of the game. After upgrading my system, I went directly into Need for Speed: Underground which remained my favourite until Need for Speed: Underground 2 made the whole thing awesome, with Brooke Burke around. From that moment, NFS remained my favourite racing game genre, and the stage was set for the greatest racing game I have ever played; Need for Speed: Most Wanted. I loved almost everything about it, and loved being chased by cops towards the beautiful sunset, except the fact that Josie Maran was no Brooke Burke.

The desire for speed :: Need for Speed: Most Wanted had set such a high level of racing game experience which was nearly impossible to overtake. It was one of the most interesting racing challenges ever, and it was that kind of a mission that you always wished to go for, or even more than was in our minds. The next game, Need for Speed: Carbon couldn’t match its predecessor in anything, and I decided to uninstall it soon enough. Need for Speed: ProStreet also came up with nothing special for me. Need for Speed: Undercover was last NFS game I ever played, and that was the end of my NFS life. Due to its alleged similarities with ProStreet, I decided against checking Need for Speed: Shift, and Need for Speed: Nitro was not made for PC which kept it completely out of the equation. Then there was the 2010 version of Need for Speed: Hot Pursuit, Need for Speed: Shift 2 Unleashed, Need for Speed: The Run, Need for Speed: World and Need for Speed: Rivals, not to forget the 2012 version of Need for Speed: Most Wanted. But I had got rid of my graphics card by then, and the only games left with me now are the older non-racing ones.

What is it about? :: Tobey Marshall (Aaron Paul) is a street racer and a mechanic who struggles for money. He is interested in Anita Coleman (Dakota Johnson), but due to his financial condition, that is rather impossible for him as she becomes more and more of a former lover. Still, he is having a pretty good time with his friends, enjoying the little things of happiness. But as one of his friends and Anita’s brother Pete Coleman (Harrison Gilbertson) get killed in an illegal race event involving the three, and the third person disappears without evidence, he is sent to the prison. With the help of Julia Maddon (Imogen Poots) and a number of his friends who worked with him in the garage, he decides to take on Dino Brewster (Dominic Cooper), the man responsible for the death of his friend. But as Dino has announced a bounty on stopping him, and also with so many cops on his tail, the question remains if he can make it to the big race where he intends to defeat, humiliate and expose the lies of his enemy. Even as this one is indeed a big race, it doesn’t remain just another race, as it is personal.

The defence of Need for Speed :: It is nice that they decided against using computer-generated imagery. Aaron Paul is good as the protagonist and he remains solid in his character, but the more impressive one is the charming lady who accompanies him, Imogen Poots who has the best moments of the movie with her, as she seems to bring such beauty and energy into the sequences which is rarely seen, and not to forget the fun – the best lines are there when she is there, and the same is the case of the incidents. One has wonder if she actually stole them with an irresistible charm! I haven’t seen a more lovable performance from any female character in any racing movie before. The cars remains awesome, especially the Ford Mustang which we have all driven in the game. Each actor who plays any of the hero’s friends make sure that none of them lags behind. The villain is without surprises, but manages to be a typical villain of a movie like this. The nostalgia that this movie brings is priceless. As we know which kind of audience will go for this movie, what more can they ask for?

The Claws of flaw :: The one big problem with the movie is that this could have been anything else – a random racing movie rather than being that NFS movie which the fans have been waiting for. There is no real speed in the progress of the movie, especially in the first fourty five minutes or so. It is so slow that one comes to the early conclusion that this is neither fast or furious, and nothing can match Fast & Furious franchise. We can’t deny that after watching this movie. There is almost nothing about it that can make it different from the usual racing movies of the past, and there is no imagination as the game franchise had. The plot is ordinary, concerning the revenge of a former street driver who is sent to jail for the wrong reasons against the man who is responsible for the same. There is not enough car races either. Nobody is going to enjoy this one more than the wonderful games in the super-hit franchise. One might often wonder if this was made due to the need for a movie based on this video game rather than based on the need for some speed. Yes, this movie needs more speed and a better imagination in story.

How it finishes :: Now I only play three games, Age of Empires II: The Conquerers, Age of Wonders III: Shadow Magic and Unreal Tournament, that too once in a blue moon. But Need for Speed is that game which refuses to go out of memory, especially the flare of awesomeness which was Need for Speed: Most Wanted. It was never really just a game for most of us, as it was a wonderful racing life supported by another world which was inside the game. Yes, there were many others which were to become my favourites later, including the big three action-graphics extravaganza; Mass Effect, Oblivion and Prototype, but NFS always belong to a different world, and its strength has been its supporters, as there have been almost no gamer that I have known that have failed to play at least one NFS game with some interest. There is always the Prince of Persia, Hitman, Age of Empires, Unreal Tournamet, Tomb Raider, Max Payne, Resident Evil and such franchises which become the all-time favourites of some people, and then there is Need for Speed which is liked by all who likes the others too. Lets hope the same about this movie.

Release date: 21st March 2014 (India); 14th March 2014 (US)
Running time: 130 minutes
Directed by: Scott Waugh
Starring: Aaron Paul, Imogen Poots, Scott Mescudi, Dominic Cooper, Dakota Johnson, Ramón Rodríguez, Michael Keaton, Rami Malek, Michael Keaton, Harrison Gilbertson, Stevie Ray Dallimore

@ Cemetery Watch
✠ The Vampire Bat.

Bewakoofiyaan

Posted on March 15, 2014 by Tennyson

Why the Bewakoofiyaan? :: Now that should be a valid question because this was not among those movies which I was looking forward to watch. If there was any Hollywood movie or a hyped Malayalam movie releasing this weekend, I would have surely skipped this with so much ease. Neither the trailer nor the much talked about bikini scene of Sonam Kapoor actually created any interest in this movie. But if we consider the talks about the Cricket World Cup T20 affecting this movie’s business, it can only be partially true in case of a failure to prove false. I am pretty sure that cricket and movies can’t be considered in the same league. Cricket is just another sport (or the least significant of them, thanks to the match-fixing, overdose of money and the retirement of all players who were role-models as IPL has been successfully crowned as the good WWE’s evil twin brother), and movie is an art (even as there have been a lot of high-grossing movies from Bollywood in 2013 itself which attempts to prove that there is a lot of trash); so in this situation when there are not many other movies releasing to challenge this one, Bewakoofiyaan will have only itself to blame.

What is it about? :: It is the love story of Mayera Sehgal (Sonam Kapoor) and Mohit Chaddha (Ayushmann Khurana) who have been in love for quite a long time. In the beginning itself, we come to know that Mohit was promoted and now has a salary above rupees sixty thousand per month. Mayera earns more, and her father VK Sehgal (Rishi Kapoor) is an IAS officer with lots of influence in the police and the government. He is a strict father who wishes to get his daughter married to a rich man so that she can get whatever she wants. But unfortunately, she is in love with an orphan who earns less than what happens to be her salary, and Sehgal can’t accept him. So he puts his future son-in-law in a probation period as he checks his records and keeps a track of his life so that he can understand if he is any good for his daughter. At the same time, he hopes that he can somehow rejects the guy who seems not good enough for his daughter. The movie is all about how the relationship between the three progresses as the situation worsens.

The defence of Bewakoofiyaan :: There are not many things that the movie can boast about. But it does hold onto its mediocrity with such power it doesn’t end up being boring despite not being on the interesting side for long. There are no particular moments which are exceptional or too bad. The movie is like a straight line and it doesn’t go above that standard which it sets in the beginning. The flaws are there, but they can be forgiven up-to an extent as this movie takes no risk, thus keeping everything under control, no bringing any fatal blow on itself. The songs are just about average. The message of love reigning over money is there, even as it works only partially, and most of the time one is left to wonder about all the relationships in the movie, may be with the exception of one very minute love story between the workers of a coffee shop. But there is still the love, and once again they say that money has no real significance in front of love, and there comes the morality tale’s tail and it wags.

The Claws of flaw :: There are always movies like Besharam which eats and breathes flaws in bulk and thrives on nothing else. But Bewakoofiyaan doesn’t go that way even when the tendency is always there. The plot’s predictability is the first thing that keeps pulling the movie back, as we have seen such stories so many times that such overdose can make Barnabas Collins lose his faith in eternal love and burn copies of Romeo and Juliet. The emotional element is indeed weak, as the so called love separates just in the name of a rock show and shoes. Then everything just comes into place after a sudden transformation from the future father-in-law out of nowhere. This lack of ideas and innovations makes brings to us the makers’ need to inflate the movie further. The funny moments doesn’t work fully and the laughter is limited. In that case, the relief is Rishi Kapoor who handles that side with care, even as we know that there could have been so many more moments created with a story like this. I would say, use that stupidity in the title to create a big advantage!

Performers of the soul :: The first impression that one might get after hearing about the movie might be that it is the movie of Sonam Kapoor, and there is the need to look out for her. We wish that there would be something special coming up, but there is nothing. She ends up being just the third important character in the story in a movie which is all about her getting married to the man she loves, and the one thing she manages is to looks awesome throughout the two hours. Ayushmann Khurrana does well though, in a character which doesn’t seem to being anything new. We can’t say that they haven’t tried to bring the title of the movie into the plot though. But the whole thing is taken over by Rishi Kapoor more than anybody else. He remains funny throughout the movie, even as the character can’t escape from being irritating at times. We have seen better father-in-laws who wish to save their daughters from making the wrong choice, but as far as this one is concerned, it is the actor who makes it more interesting. He only gets better by the time the movie gets closer to the end.

Soul exploration :: There is question of choosing money or love, and our characters seem to choose both of them at one or the other point of time. Still, love is asserted again and again, and somehow the hero and heroine manages to stick together until that one stupid fight which lands out of nowhere. The father-in-law is too much into money until he suddenly transforms. If the message is about how minute a thing money is, that is still a fine message, in a world where Gandhiji works only paper. The movie also touches the dignity of labour and the value of true friendship, and the fact that nothing is forever; they are even doubtful about the couple happily living ever after as they write so in the end. As far as reckless spending is concerned, this doesn’t work that well as the Malayalam movie Diamond Necklace or even as much as London Bridge, as that side is too much eclipsed by the romantic side. But one can’t disagree to the fact that some lessons might have been learned by the protagonists and there is a lot more in store.

How it finishes :: My birthday was this week, just a few days ago and my desire to watch a movie on the day was finally fulfilled with this one. Yes, I am giving a certain amount of birthday bonus to this movie, as there would have been no birthday movie for me if it wasn’t for this one. Yes, there are no better movies which released this weekend. The number of theatre going audience has gone down, but still the fact remains that they have failed to release movies like Prisoners, Oldboy, Ender’s Game, I Frankenstein and Non-stop here; when they don’t release such movies which can bring audience, and instead did come up with movies like After Earth and Mortal Instruments: City of Bones last year, there is no doubt that they don’t know what the viewers want. Then there is 300: Rise of an Empire with the most shows in a multiplex which will be abandoned by families; so this is your week, Bewakoofiyaan – hold on to it, and if you can stick to the screens and the opinions won’t go too bad, you can come out well; after all you are still better than movies like Chennai Express, Krrish 3 and Dhoom 3.

Release date: 14th March 2014
Running time: 118 minutes
Directed by: Nupur Asthana
Starring: Ayushmann Khurrana, Sonam Kapoor, Rishi Kapoor

@ Cemetery Watch
✠The Vampire Bat.

300: Rise of an Empire

Posted on March 7, 2014 by Tennyson

The Legacy of 300 :: There is the legacy that 300 had left behind when it released in 2006. I managed to watch it much later though, as this practice of multiplexes and new Hollywood movies instantly reaching here was not that normal at that time, unless the name of the movie is something like Avatar or may be if the title of movie has a certain 007 in it. Well, it has now reached that state when I have watched one of those movies even before its release date. Thanks to the special shows in the multiplexes the evening before its original release date which is in this case, February 7th. While King Leonidas said in 300, “This is Sparta!”, we are to be sure that there will be not much of that warrior city-state this time as we know that the best of them are already dead and they could be in mourning. This one involves more of the Athenians, of that land which would later have Socrates, Plato and Aristotle (as the Spartan Queen would say: there is no Athens, there is only that idea; there are only Athenians). But we were to be sure about two other things, there will be rivers of blood with some splashes and there will be not much loss of the stylish combats, no matter where it is fought or with whom it is fought; that is a safe bet indeed.

What is it about? :: The most courageous 300 men are dead. Even as Xerxes took a big hit on his face which somewhat disfigured and proved that even a god-king can bleed, he is extremely proud of his bloody achievement of slaughtering the outnumbered opponents. But the story doesn’t follow a direct and straight narrative, as it has the story of Themistocles, a politician and the commander of the Athenian army at the centre of the plot. But there are also the stories of Artemisia and King Xerxes as well as his father Darius, how the god-king became a reality and how the lady general of the Persian army became the sadistic creature that she turned out to be. As the Spartans fight the Persians on land, Themistocles leads the Athenians on a war at the sea. Even as the Greeks do score victories over the better-built and vastly numbered Persian ships by using superior tactics, terrain and weather conditions, they realize that it is only a matter of time until the Athenians begins to loss just because of being outnumbered and lacking in military training. They are still the more scholarly of the lot and the best naval power among the Greek city-states, and so may be they will hold on for enough time for the reinforcements to come from the other Greeks or even Sparta themselves – who knows?

The defence of 300: Rise of an Empire :: The first thing to think about as well as notice is the visual awesomeness of this movie. Yes, there is lot of special effects going on, and 3D nicely supports them – special mention for the blood and the rain. There are so many of the mighty ships of the Persians which are nicely detailed as nothing less than huge battering rams on water while the Greek ships are nicely detailed, smaller and quicker suiting the Athenian tactics. The battles are nicely done, not only with the ships, but also with the swords, bows and arrows and even the fire elements. The power of the seas, thunder and lightning, the foggy side, the carnage and the flowing blood – they all contribute to the beauty of the movie, and there is no stylish method which is forgotten in this worthy sequel. There is that spectacle you have been waiting for, something which is not easy to make with a ship full of one-sided ideas about blood and violence. The story is also nicely mixed, even as some people won’t like the way in which the story moves. Some part of this movie is a prequel to the original, and it is partly a sequel while some events happen at the same time as the events of 300. The story of Artemisia and Xerxes makes a nice addition to the whole thing.

The positives and negatives :: When our pretty antagonist said “Today we will dance across the backs of dead Greeks” she was pretty much serious. There is lot of blood everywhere in this movie, and lot of people loss their arms and legs; the rest just has a sword going right through them or ripping them apart. It is so bloody that one day, Count Dracula himself might wish to begin a vampire settlement somewhere around there – why wouldn’t he not want a sea of blood? Sometimes, one may think that there is too much of the CGI blood that it is somewhat funny as body parts keep flying around. Well, this movie goes only on one direction, which is to become that action movie, that sword flick which intend to bring on stylish action supported by a lot of blood and violence, and it has succeeded in the same. In the words of the Spartan Queen: “It begins as a whisper; a promise; the lightest of breezes dances above the death cries of 300 men. That breeze became a wind. A wind that my brothers have sacrificed. A wind of freedom; a wind of justice; a wind of vengeance”. Yes, it is war, and there might be more to come. But if the viewer is looking for anything else in the same, there comes the sadness; but what else would anyone who has known anything about 300 want? That was evident from the multiplex which had zero female presence, and there was almost nobody who was older than what would be a middle age, even when the seats were almost full.

Performers of the soul :: The best and the most gorgeous performer of the movie is indeed Eva Green. No, I had not doubt about that earlier either, even as I did wonder about Sullivan Stapleton’s Themistocles which was nice, but he wasn’t to be a Leonidas. Lena Headey’s Queen Gorgo also has so much less to do, and same is the case of Rodrigo Santoro’s Xerxes who is still the unconquered nemesis. Yes, everyone had to make way for the stunning performance of the one who had showed us the dark side as the witch in Dark Shadows, making that image more powerful, relentless and furious in this one holding severed heads, sometimes kissing them or otherwise presenting them to her king. Throwing the losing commanders of the Persian Army into the depths of the Aegean Sea is just one of Artemisia’s hobbies. Whenever she is on the screen, there is so much strength in the movie and when she is not there to be found, the whole thing turns less interesting. May be there could have been even more of her, as she keeps at least one step above the movie all the time. But while the movie tries to make too much attempt to make everyone feel that it is better than the original with a certain complexity, her character losses some of the glory, but Eva is still there, so no worries! In the current timeline of the Persian invasion after the death of the 300, there are no damsels in distress; Gorgo and Artemisia joins the bloodbath as they go through the Persian Immortals and the Greek Hoplites respectively, sending them to their watery graves.

Soul exploration :: The movie has the Athenian democracy and the Spartan monarchy (or oligarchy) in the picture – both against the tyranny of their opponents. While the former has mostly scholar, sculptors and farmers with voluntary military service, the latters are warriors born to live and die on the battlefields prepared to serve mandatory military service. While the former focuses more on naval warfare due to the strategic location their city, the latter has dominance on land combat. There is one thing in common though, which is the Greek concept of freedom and the desire for a united Greece at least during a foreign invasion (Peloponnesian War would later place them against each other, when the Persians are not invading with a huge army and navy). The movie ends at the Battle of Salamis, or rather continues as the combat never really finishes. It becomes no Battle of Thermopylae though due to its setting. But one thing that this movie tries different from its predecessor is that it doesn’t really go one-sided; it has the side of Xerxes who is tormented and made to become the god-kind, and also the side of Artemisia who is abused and left for dead in her childhood only to come back and become the harbinger of death and destruction herself. It also makes an attempt to sound intellectual by bringing the Athenian idea and ideology into the scene, even as that doesn’t really work due to the half-baked nature and the narrative giving no place for the same. But it doesn’t really go either. Ancient Athens was still the city of freedom and the centre of art and learning, and that should be evident with the name it got from the goddess of wisdom.

How it finishes :: 300: Rise of an Empire shows Popmeii and The Legend of Hercules how it should have been done. The problem with this movie would be about how well it can match its predecessor. The best lines are already taken by the predecessor, like
“Immortals; we put their name to the test”.
“You have many slaves, Xerxes, but few warriors. It won’t be long before they fear my spears more than your whips”.
“Xerxes dispatches his monsters from half the world away. They’re clumsy beasts, and the piled Persian dead are slippery”.
“Now, as then, a beast approaches; patient and confident, savoring the meal to come. This beast is made of men and horses, swords and spears. An army of slaves vast beyond imagining, ready to devour tiny Greece, ready to snuff out the world’s one hope for reason and justice”.
“The world will know that free men stood against a tyrant, that few stood against many, and before this battle was over, even a god-king can bleed”.
“Freedom isn’t free at all, that it comes with the highest of costs. The cost of blood.”
Meanwhile, the best lines of this sequel outside the three I have already mentioned is “Better we show them, we chose to die on our feet, rather than live on our knees”.
But as there was hope for Greece when everything was against the city-states, lets hope for the best in a future sequel, and may be wear some clothes or at least get better clothes. Persia might have never managed to conquer Greece, but in just about one hundred and fifty years, the Greeks would go on to conquer the whole Persian Empire under Alexander the Great and the name of the king will still be Darius – there lies the irony of it.

Release date: 7th March 2014
Running time: 102 minutes
Directed by: Noam Murro
Starring: Sullivan Stapleton, Eva Green, Lena Headey, Hans Matheson, Rodrigo Santoro, Callan Mulvey, David Wenham, Jack O’Connell, Andrew Tiernan, Yigal Naor, Andrew Pleavin, Ben Turner, Ashraf Barhom, Christopher Sciueref

@ Cemetery Watch
✠ The Vampire Bat.

Stoker

Posted on March 2, 2014 by Tennyson

The legend of Stoker :: The first idea image that comes to one’s mind with the name “Stoker” is that of a vampire, if not exactly that of the primary antagonist of a 1897 Gothic horror novel. Thanks to Bram Stoker, the legend of Dracula has been something that continues to be synonymous with vampirism itself. But, there is nothing directly related to Bram Stoker here, and lets not make any guesses about it being something about the life of the creator of the world’s most well-known vampire (one of the few English writers whose name I have known since childhood). Stoker gives you no blood sucker, and even when there are murders, there is no such behaviour of not wasting the blood. The Vampire Bat has been historically against wastage of blood, and is certain to have been sad about his own idea about this movie being wrong, but that feeling never stood strong till the end of the movie. Stoker was never supposed to be about vampires, and it was not meant to be the usual horror movie; it had to be different.

What is it about? :: India Stoker (Mia Wasikowska) is not going through a good period of time after her father Richard (Dermot Mulroney) dies in a car accident. Her mentally unstable mother Evelyn (Nicole Kidman) and India doesn’t seem to get along well. Richard’s brother Charlie (Matthew Goode) comes to the scene at that time, and keeps talking about his life which was mostly spent traveling all around the world. His stay at the house turns out to be longer than expected, and even as Evelyn likes that, India is mostly indifferent to his presence and on some occasions, rather not happy with his existence. She continues to keep away from him despite the fact that he seems to be trying quite hard to be very friendly with her. But as almost everyone who has an argument with Charlie disappears, India begins to feel that there is more to him than what meets the eye. Later, she even finds one of the dead bodies in the freezer. But she won’t be able to tell that to her mother who seems to have developed some intense feelings for his charms.

The defence of Stoker :: The movie successfully brings that creepy environment into play, with a huge house and its surrounding which seem to have more secrets than any normal person can endure, but that would eventually be proved wrong by the two characters, the introvert niece and her uncle whose existence was never known as his presence is more mysterious than the absence. The association of big houses with horror comes as no surprise, as everybody needs room to store some horrible secrets; the movies in most of the languages has the same, and Stoker has used that very well. There are lots of surprises in store too, especially related to the new member of the family, and the youngest member of the same who always had it in her to bring that shock element for which we are made to wait. Is that all about horror? No, it is mostly about horror and rest is about fantasy which follows horror in such a way that both becomes beautifully intertwined. The visuals are so nicely done so that the strange, creepy atmosphere is never out of our mind, even with nothing vicious being tried.

The claws of flaw :: Stoker can disappoint the usual horror lover depending on what he or she is looking for. It doesn’t have anything supernatural or serial killers who comes out of nowhere to create a pool of blood, even as this one does have enough blood and gruesome murders. There are no weird faces coming out of the dark making strange noises and trying to take advantage of that shocking side. This doesn’t go through that path set by Insidious and Sinister, the former needing no introduction and the latter having the most read horror movie review on my blog even as it was written almost an year after it was released, in the honorary movies list. The movie has that uniqueness which might make some audience disinterested. There is also some part of the movie where it might seem that nothing really happens, but that is not really that usual drag. The movie could have still used a little more of the direct horror, and there it might have lost a few fans too. It is also so much mixed in its genre that it can trouble fans of many genres. The grief and feelings in this movie can be highly subjective for the viewers too.

Performers of the soul :: This one comes from the South Korean director of the much admired Oldboy which was voted as one of the best Asian movies, and also Thirst which seems to have also got a similar reception – so that expectations were going to be high and I would say that this one delivers nicely, at least for me. Matthew Goode’s performance comes as real stunner in this one, as he exhibits both sides of being terrifying as well as charming with so much brilliance. Nicole Kidman also does nice with what might be the best someone can give for such a character. The best part of the movie should be Mia Wasikowska though. I mostly remember her from Alice in Wonderland in which she was so good, and she was the best Jane Eyre that most of us had ever known. Here, she takes that into another level as she is presented with a character who might be one of the strangest girls ever. She plays no Carrie, but even this character is so gifted in many ways along with being disturbed that she keeps us with her even as not completely on her side, and there comes the subjectivity of the viewers into play.

Soul exploration :: This is the first time that I have noticed Mia Wasikowska with black hair, and as that seems to suit her so well, it adds to the soul too. Eighteen year old girl and never really smiling in the movie – now that is more than just interesting for a Vampire Bat’s soul. Caught between her innocence and awareness, India doesn’t become like the others; she chooses to be different. But what is to follow when she decides to follow her instincts rather than her innocence? She is a lot like her uncle, and that is something that is proved again and again in the movie. They both have a lot in common, and India always has that invitation into that dark world which she can resist only with her best attempts. But her world has already shattered, and any resistance that she can produce would rather become an illusion which won’t help her a bit. She has always had the dark side with all its strength, and it is only herself that keeps her back, and there will always be a revelation which can turn the whole world upside down.

How it finishes :: Stoker successfully keeps the audience in the movie and doesn’t throw away its logic, even when it slows down in pace, an achievement which not many horror movies can boast about. You can say that with most of the shots of the movie. Stoker has style and it has substance; to add to it, this is a thriller and horror movie with the elements of drama, not something which is easy to achieve. “Don’t disturb the family” is a nice tagline for the movie too, as we do come to know what happens when even the youngest member of the family is disturbed – not a good sign for anyone planning to do the same. You got to love the way they look in the poster too, especially Mia Wasikowska; Barnabas Collins of Dark Shadows shall approve it with an A+. Watch this one as a horror movie, a thriller, a coming-of-age story, a slasher flick, a tale of revenge and even as a strange romantic tragedy. Stoker might be strange to a number of people belonging to the normal audience category, but it has so much in it which makes it a force to be reckoned with.

Release date: 1st March 2013
Running time: 99 minutes
Directed by: Park Chan-wook
Starring: Mia Wasikowska, Matthew Goode, Nicole Kidman, Dermot Mulroney, Jacki Weaver, Lucas Till, Alden Ehrenreich, Phyllis Somerville, Ralph Brown, Judith Godrèche

@ Cemetery Watch
✠The Vampire Bat.

Mr. Peabody and Sherman

Posted on February 28, 2014 by Tennyson

Every dog has its day :: Mr. Peabody needs a day for himself, just like any other dog (but surely with specs and a bow tie) without that day being called “a dog’s day”. Yes, the other person without the title is the human character who is obviously less intelligent. As the cats have nine lives and continues to dodge death (with the exceptions of our favourite cats who successfully tested the speed of those faster cars on the highway, may be not knowing that eight of the nine lives have ended and it is nearing game over – they should come up with a life bar on the top right corner of the eye or something), the dogs also need a day on which they can use their awesomeness to good use without taking any physical risk that could permanently place them outside the material realm to be devoured by the soul reaver. This is that day for Peabody, a white dog which could have easily been the ruler of the planet on another parallel Earth. As an intelligent creature who doesn’t ask for the nine lives for himself or claim his right to a possible return from the dead in the name of equality, this dog takes us into an adventure which has already been highly rated by the critics and is indeed splendid.

What is it about? :: Mr. Peabody might be not only the smartest dog in the world, but also the most intelligent creature on Earth surpassing all humans with ease. He proved that he was different from the other dogs in the childhood itself, due to which he was never adopted and never had a home as a puppy. So later, he adopted a boy named Sherman instead, only after he gets rich and popular. As Sherman gets into conflict with his classmate, Penny Peterson who tried to the be the “mean girl”, the adoption agency blames it on the behaviour of Peabody who is an animal and they threaten to cancel the adoption. As Penny is invited to their home with her parents to make sure that nothing worse happens, the kids end up in the time machine invented by Peabody which is usually used to teach Sherman history. As Penny gets caught in Ancient Egypt, Peabody and Sherman has to make things right before the space-time continuum is completely destroyed. But for the same, just a random journey to Egypt won’t be enough, that is for sure.

Mr. Peabody & Sherman @Ancient Egypt :: Chronologically the first place to be visited, but otherwise the second, the Little King Tut a.k.a Tutankhamun wants force Penny into child marriage to which she has no objection (even with the revelation that his name rhymes with butt) until she comes to know about the wonderful customs of the land from the Vizier. This is a nice little episode (the movie is so short, so it had to be little) which involves them wandering around through the tombs inside The Sphinx and using the statue of Anubis, the god of death to their advantage. There are some nice jokes involving plague, the underworld and the god-kings. This place is the answer to where, when and how the adventures of Peabody and Sherman actually begins. Well, what is the use of a time machine if you haven’t seen the Pyramids in the zenith of its glory? We don’t have the Roman or the Persian Empire at its zenith, at least we got Egypt. Still, there could have been more of the place, and the same can be felt about what is to be mentioned next.

Mr. Peabody & Sherman @Greek-Troy War :: The trio lands in the middle of the Greek Trojan war as the result of a crash making it chronologically the second place to be visited, otherwise the final one. The Greeks are ready to avenge the death of Achilles and bring the fight into the city of Troy as they have carefully placed themselves inside the Wooden Horse. Sherman joins King Agamemnon, Odysseus and team in their battle against Troy, but is saved by Peabody before Trojans get to him. One has to admit that Agamemnon is the funniest character of the movie, and as the good guys beating up the enemies, they are lots of fun. From the location map, I was of the impression that this was going to be the Dracula Castle which was not to be. Well, there should be a sequel, we can hope for that. The father-son relationship reaches its climax during this visit and right after that, as a good number of historical figures make a visit to the future.

Mr. Peabody & Sherman @Italian Renaissance :: The trio catches up with Leonardo da Vinci during his attempt to paint Mona Lisa and even manages to make the lady smile or rather laugh in the process. Chronologically the third place to be visited and otherwise the second, this visit to Florence is when Sherman finds himself capable of something and he also gets along with Penny even managing to fly the prototype of a flying machine made by da Vinci together. The city of Florence as well as the Florence cathedral looks beautifully created, and the painting scene as well as the flying scene are nicely done. It is obvious that there were so many people in the theatre who knew nothing about Renaissance, it was a cultural movement of the thirteenth and fourteenth century beginning in the Italian states, especially the city of Florence. We were not taught about it in detail in the school history books, but Mr. Peabody will make sure that you won’t forget it that easily.

Mr. Peabody & Sherman @French Revolution :: Being at the French Revolution was more of a study trip for Sherman until things get serious. Thus it was the first time travel event to be shown even as it should come last in a chronological order. Caught between the cakes of Marie Antoinette and the call for assassination by Maximilien de Robespierre, Sherman avoids some advice for having cake as Peabody is almost executed in the guillotine before he finds a way out. As he mistakes Reign of Terror which comes with the French Revolution to be just another rain – they seem to struggle to escape, but Peabody does the escape act with ease. Nobody seems to be a match for the talking dog. The significant role which history would play in this movie is evident from this. I would say no history lover can dare to miss this movie, and it can also serve as a very interesting history class for kids, even as the movie might seem to lack logic like any other animated movie along with lacking in total content.

How it finishes :: Mr. Peabody & Sherman is that movie which has prevented Non-Stop from releasing here, and it might not be a good news for many, as it was a much awaited movie especially with Liam Neeson coming back to that path and into that avatar which the fans would like him to follow. Still, it has only lesser shows here at selected multiplexes just like The Lego Movie had if not slightly better. But as it is such a wonderful movie, why would someone ask for anything else? To add to it, this movie releases here a week before it releases in the United States, and that is a twist of fate. Let’s not be fooled by the name of the movie, as it is indeed not good enough to bring people to the big screen. The first impression that came to my mind when I heard the title was not good either. But do not just a movie by its name, especially an animated movie, as they never cease to surprise you, like this one which is the best movie of the year so far – yes better than The Lego Movie too.

Release date: 28th February 2014 (India); 7th March 2014 (US)
Running time: 92 minutes
Directed by: Rob Minkoff
Starring (voice): Ty Burrell, Max Charles, Ariel Winter, Leslie Mann, Stephen Colbert, Allison Janney, Stephen Tobolowsky, Mel Brooks, Stanley Tucci, Patrick Warburton, Lake Bell, Zach Callison, Lauri Fraser, Guillaume Aretos, Dennis Haysbert

@ Cemetery Watch
✠The Vampire Bat.

Highway

Posted on February 22, 2014 by Tennyson

The eternal wait :: The one question that I had to ask myself is “On the second day of October, what did the movie Besharam give to me”? It did take away seventy rupees, but I am not talking about that. The answer is a lack of interest in Hindi movies since that Gandhi Jayanthi had come up with terror which had me watch no Hindi movie at all for almost five months (yes, not even on the television). So, it was a necessity that I wait for sometime so that such disaster won’t happen too soon. But there is no denying the fact that I almost watched Jai Ho, but the show was housefull. There are not many movies that have been as hyped as Highway despite having no big male star right in the middle of the story. I always knew that the best thing would be to watch my next Bollywood movie in the form of Highway rather than any other. There have been so much talks about this movie like “what is it going to be?”, “what story will it tell?”, “Alia Bhatt should be so awesome in it, so its a sure watch?”, “isn’t it about Stockholm syndrome?” and so on. The Vampire Bat had heard so much or rather too much about the movie, and he finally decided to fly to the theatre on a motor-bike.

What is it about? :: Veera Tripathi (Alia Bhatt) is kidnapped just before her wedding as she goes on a night ride with her fiancee trying to keep away the pressures and tension of the big function. She is kidnapped by a group of criminals as they stop at a petrol pump. But as the gang realizes that she is the daughter of a rich and powerful man with links to the government, police and the army, they decide to cancel their plans. But Mahabir Bhati (Randeep Hooda) is not ready to give up as he takes her on a road trip away from the place so that they won’t be tracked. Even as she is initially bound and gagged by them, Veera gets more and more comfortable with her captors, and a bond develops between Mahabir and her. She feels free even as she is a captive, and feels so happy. She even refuses to escape when there is chance and feels that she should be with him for so much longer. She herself says that she doesn’t want the journey to end, as she has no desire to go back or go where the journey ends. But how long till her people finds them and the travel diary is put to a quick end?

The defence of Highway :: Most of the Keralites should remember a pseudo-travel movie with the long name Neelakasham Pachakadal Chuvanna Bhoomi and a big drag which begins with about fifteen minutes into it and ends only when the story finishes. Highway is far ahead of that one in almost all aspects, the most important ones being the acting and the visuals. Highway is a visually superior movie with its awesome locations, especially as it has succeeded in capturing the beauty of the paradise which is Kashmir. The beauty of nature becomes more and more joyful to watch as the movie moves on to the latter part of the second half, and it gets stronger and stronger by the time it reaches the end. Its messages of finding oneself and reaching beyond one’s fear are also stronger than ever. It’s use of the two protagonists, a man and woman, both having traumatic childhood works so well to touch our hearts. There is so much honesty in the way these are portrayed too, as there is no addition of stupid masala which makes worthless movies super-hits.

The claws of flaw :: The movie drags a lot, and shows potential to keep dragging. From the beginning itself, the movie seems to make the viewers feel that there is not much to come, even as it is wrong. The character of the lady protagonist is rather too far-fetched to make one believe. She seems rather crazy at times (loosely reminding us of the semi-kidnapped lady protagonist of the Malayalam movie Kilukkam), and her attachment towards a criminal who keeps threatening her comes rather too soon. Except for one or two songs which are okay, the music fails to get the attention of the viewers, and there are times when they come when not needed. There is also the use of other languages or may be variations of Hindi which was rather difficult to follow. There was the need for subtitles at least in it comes rather South. The movie takes one away from any kind of usual entertainment which is usually looked for in such a flick. It won’t give anyone the exaggeration that they might look for in a love story as this keeps that side plain and simple.

Performers of the soul :: Well, most of us won’t identify the faces in the movie other than that of Randeep Hooda and Alia Bhatt. The former (he is the reason why I lament missing John Day which had only one late night show here – who cares for good thrillers with non-superstars who can act, right?) comes up with a powerful performance of brilliance, even as there are less dialogues for him; we can strongly believe that this portrayal by him will be appreciated. We can surely expect a lot more from him. Alia Bhatt is there as the centre of everything, right from the beginning to the end. Even as there is some struggle, she seems to be custom made for the role, seeming to be in so much ease with her character. There are occasions when one would wonder if she does rather too much or a lot more than needed, but that should have come with the character. It is hard to believe that this is only her second movie, and I had missed her first one, Student of the Year. She remains incredibly cute throughout the movie and makes it impossible for any other actress to come up with a better performance in such a role soon. She is so dynamic and full of energy that just her presence keeps the whole thing working so well.

Soul exploration :: The movie is the story of two people whose lives get connected by just one act of crime, a kidnap. It comes up with a lot of things to think about, and it remains so close to being a movie of the soul even if not there completely. Even as not all of them remain close to the truths about life, it is evident that there is a clear attempt to bring to the scene as much humanity as possible; not without its troubles, not in the absence of the good side, yet not abandoning the darker side which tries to get closer to the human soul with more power than ever before. Stockholm syndrome is explored from one side while it continues to be a travel diary as a whole. There are realizations being made about life, and it changes both the kidnapper and the kidnapped in a journey which goes on for kilometres. As Saint Augustine of Hippo says “The world is a book and those who do not travel read only one page”.

How it finishes :: As the movie for which we have been long waiting for, Highway mostly delivers, thanks to the performances of the leading actors, the visuals and the message that it delivers. Despite the drag and the occasional inability to connect, the movie thrives in simplicity and that humanity which are its own Kraken and Leviathan in the huge ocean of movies this weekend. It’s emptiness is not of the soul, but of the physical world, and that is one void that everyone can afford to avoid. As Robert Frost says, when two roads diverge, you have to choose the one less traveled, and here it is Highway, and even as it might not go as expected, this one makes the difference, and there is no doubt about. But let me tell you, happiness is highly subjective, just like the opinions on this movie seems to be – ask Alia Bhatt’s character in Highway and she reiterates money can’t buy you happiness, or even anything close to that. So, if you are making a choice, think about all these factors mentioned above.

Release date: 21st February 2014
Running time: 133 minutes
Directed by: Imtiaz Ali
Starring: Randeep Hooda, Alia Bhatt, Saharsh Kumar Shukla, Pradeep Nagar, Durgesh Kumar, Arjun Malhotra

@ Cemetery Watch
✠ The Vampire Bat.

RoboCop

Posted on February 16, 2014 by Tennyson

A hybrid in black :: A long time after the release of the 1987 version, here is a reboot which was much talked about. There are times when remakes and reboots do work, like in the case of Dredd, Batman Begins, The Amazing Spider-Man and Man of Steel, but there are times when they don’t. RoboCop might have also wondered about the same, and no wonder they wanted to make this hero black too, and remains so through most of the movie. It has released here two days after the original release in the United States and seems to have attracted less audience even as the title character is rather famous among the masses and the posters are pretty much impressive. The original movie re-telecasted on television might have brought better audience, even as this one might have just managed to keep itself together, but not throughout the whole movie, that is for sure. As the original movie was rather ahead of its times, one would wonder where this one will stand as bigger robots have come and gone in the form of Transformers and Pacific Rim.

What is it about? :: The world has gone on to 2028. OmniCorp is the organization that supplies mechanized soldiers to the United States Army which are used abroad. They wish to use the same inside the United States, but the same doesn’t happen due to Dreyfus Act which prevents it. The CEO of the organization asks a leading scientist to create a soldier who is a combination of man and machine, so that the public will like him and support more machines. As they look for a human who can be merged with the machine, one of the cops Alex Murphy (Joel Kinnaman) is critically injured by a bomb blast. As his wife, Clara (Abbie Cornish) approves the same to see him live, he is chosen as the RoboCop. The control of the human side is kept to the minimum so that his decisions are more accurate and without being shadowed by human emotions which could weaken his reliability. The question remains if the man or the machine wins in the end, and whether he can have revenge on the people who tried to kill him as well as those who wishes to control him.

The defence of RoboCop :: So RoboCop rides on the fame of a movie which was more popular than even those movies which had big stars in 1987. Being Alexander James Murphy and newest model from OCP Crime Prevention Unit of Detroit Police Department, this guy has been a popular hero for quite a long time. The idea of a cyborg, half-man and half-machine was a crowd favourite. This movie works on that solid grounds, and therefore this movie does starts with certain good score. There are lots of action sequences in store for such a character, and this movie also has the same, but mostly about shooting people. Along with the cyborg, the other robots are also nicely done. The robot versus drones training fight remains the best shooting sequence in the movie. The movie tries again and again to bring more and more thoughts into the process, including humanity, machines and souls, and it makes more and more efforts to keep the emotional side powerful.

The claws of flaw :: The movie can’t really use this emotional side to its advantage, as it is so much caught between it’s confusion about the major character being a man or robot, and in the process, often forgets that the viewers are human, or mostly belonging to that particular species which is supposed to be intellectually superior. RoboCop tries to live on the hype of the original, and in the process, ends up being too less of an entity which can be something which belongs to this age. To add to it, some fight sequences are horribly uninteresting. Then Iran seems to be occupied by the United States and RoboCop is made in China. There is also a television programme which is rather boring for the common viewer. Whenever there is too much deviation from the core of a movie like this, which should have been action, there was to be struggle, and RoboCop is caught in that problem which it has brought upon itself with repetition of the “emotion” stuff, as it gets overdone.

How it works :: Joel Kinnaman does well as the protagonist of the movie. One has to appreciate his presence as the cyborg right from that moment he wakes up inside that suit which is himself. Abbie Cornish is also nice; and I have seen her only in Sucker Punch before. There are lots of good moments provided by the cast, and the movie certainly has its own style. RoboCop seems to be doing better than the 2012 remake of Dredd for now, but I would say that the latter is one of the best reboots ever, even as RoboCop will surely collect more money than the same. Both works on almost the same platform, in a futuristic world full of crime, but RoboCop has the advantage of its hybrid character, and it is what sells, no matter how better Dredd really is. Unlike the original movie, this one isn’t really clear, as it seems to wonder what it is going to convey to the audience. It could have used a lot of updates which any robot should have with that advancement in technology.

Soul exploration :: As RoboCop is the latest victim to Hollywood’s desire to remake movies, there is surely a lot more than what meets the eye. There is a certain amount of satire in it, about the millionaire corporate greed and the prejudice of media, even as they rarely strike hard enough. There is lot of weakness in the idea. The audience expectation of an action movie is fulfilled only on occasions, as the robot police doesn’t get into the field until the second half. There is a lot of slowness related to the first half due to this, but one can spend that time thinking about what is to come and which part of this new breed of police will take over. The movie repeats what one would have always thought about the original law enforcer cyborg, and somewhat adds to the questions which were already there. But the answers are rather not clear in this case. May be it is because the movie wonders about its genre, but it fails to make its point clear as it has another television show in the end which continues what it had been saying.

How it finishes :: RoboCop doesn’t finish that strong as expected from the trailer. There was almost no scene which evoked any good response from the audience in the theatre. It was as if everyone in there was dead; there is always something to cheer for in almost every Hollywood action movie, but not in this one. When it tries too much in order to touch the foreign policy of the United States, capitalism, imperialism, media lies, human tendency towards corruption, terrorism, violence, modern tenchnology with side-effects and all things possible, with no particular care for one, there is rather too much of mess in an action movie which people are expecting. May be it had stuck to one or two things and used more interesting action sequences, with a better link between the audience and the human side of the robot, this would have been better. For now, it is just another okay movie which manages to hold on.

Release date: 14th February 2014 (India); 12th February 2014 (USA)
Running time: 118 minutes
Directed by: José Padilha
Starring: Joel Kinnaman, Gary Oldman, Michael Keaton, Samuel L. Jackson, Abbie Cornish, Jackie Earle Haley, Michael K. Williams, Jennifer Ehle, Jay Baruchel

@ Cemetery Watch
✠The Vampire Bat.

The Lego Movie

Posted on February 12, 2014 by Tennyson

The Lego animation :: We all know Lego bricks, don’t we? Those interlocking plastic brick-like things were part of our childhood, and most of us did build a lot of things with them – one of our first teachers of creativity and imagination. Even as they came in many colours, the one I remember the most is blue, and I wonder how that comes to mind often; may be I broke most of the pieces of other colour, who knows? I had them strong until Hasbro came into my life with G.I. Joe. Storm Shadow, Snake Eyes and Daestro took over at that time. But where did my Lego go? I have to admit that I no longer knew anything about it, and I guess it passed on to my younger cousin brothers and sisters, and I had completely forgotten about the same until I came across the trailer of this movie; yes the Lego people were back, stronger than ever, and they had Batman and Wonder Woman for support. The toys had win hearts, and this was the time of the movies – lets see how they fare.

What is it about? :: Vitruvius (Morgan Freeman) is a wizard and one of the master-builders of the Lego universe, but he fails to stop Lord Business (Will Ferrell) from taking over a superweapon Kragle. He still tells the villain about the prophecy about a special person who will stop his villainy. Years later, an ordinary construction worker Emmet (Chris Pratt) accidently finds “Piece of Resistance” which can stop Lord Business. As Bad Cop (Liam Neeson) captures him, he is rescued by Wyldstyle (Elizabeth Banks) who takes him to another world where Vitruvius lives. As the wizard tries to make him imagine and create something like a master-builder, they find out that his creativity is zero, and he needs an instruction manual to create anything. The other master-builders, Batman, Superman, Wonder Woman, Dumbledore, Shakespeare, Gandalf, Dracula, Green Lantern, Pirate Metal Beard and rest of the team are very much unimpressed by him as he makes a hopeless speech and shows his lack of creativity. But as time is less, they have to work together to find a way to stop the Lord before using the weapon. Can they do it?

The defence of The Lego Movie :: This is one of the funniest animated movies of the decade. even as one might wonder if Lego qualifies as animation. Their use of superhero characters is hilarious, and how they managed to bring them into the story is very nice, especially Batman. There is Batman saying “I only work in black. And sometimes, very, very dark gray” and Superman saying “I super hate you” to the Green Lantern. The Wonder Woman is not left behind in fun either, and Metal Beard jumps in like Blackbeard might have did. Uni-Kitty’s attempts to be happy and positive is another thing to watch out for. Even Abraham Lincoln and Michelangelo joins. There are dialogues like “Come with me if you want to not die” parodying The Terminator. I would still prefer Frozen any day, that is for sure. It is nice how a few other worlds are added to the original city of Lord Business, involving Wild West as well as Castles and Dragons settings.

The claws of flaw :: The 3D was totally unnecessary, not only is it ineffective, but it doesn’t suit this kind of toyline animation. It worked well with movies like Frozen and a good number of such titles, but when used with this, it is not effective, in my opinion. There could have also been an even better use of these characters, with our vampire guy and the Shakespeare guy given a better due. I didn’t like the way in which its central theme was exaggerated again and again, even as it was nice in the beginning. This is also too much of a common story, about a normal guy trying to save the world, even as the superheroes fails to do the same – for the same, the movie preaches a lot, and keeps saying that everyone is so special and shouldn’t go according to the rules. Looking at a whole world made of Lego looks fresh in the beginning, but keeps losing its charm. Its connection with the real world is interesting, but is still too weird or rather a little too unnecessary, but that worked, no doubt about it.

How it works :: There might be the usual misconception that a movie which shows so much of a toy-line can’t be that good. Now, that might still be valid even after the success of this movie. A major question might be about what they can come up with such a toyline which is all about construction; what can one bring out of Simcity? But here is the idea that changed that thought. Here is something that rivals the over-hyped animated movies like Brave. The voices are nice, and other than the two main characters, there is some really interesting stuff from Liam Neeson as Bad Cop/Good Cop with that split personality, and Alison Brie as Uni-Kitty. Will Ferrell as Lord Business is another nice villain performance, just like he did with the voice in Megamind. Channing Tatum has a very short time as Superman, but that’s pretty nice too. Morgan Freeman as Vitruvius even comes back as a ghost, and that was a nice surprise. All the voice actors seem to become the character they were embodying.

Soul exploration :: The movie tells that everyone is special and there is the need to nurture the imaginations and show creativity rather than just follow the instructions. It comes up with he idea that almost anyone can make a difference, no matter how much immature or inexperienced that person is. Now, that sounds nice, but when it is completely against that order which works against chaos, there is a little bit loss of trust. It fails to set a limit to that imagination, and it is only in a perfect world under the best circumstances that such things can happen in the right way. Otherwise, instructions can always be helpful, no matter how much they are hated or opposed to prevent people from following them. The movie also doesn’t really come up on top when thinking about being special or adding more imagination, as it could have definitely used more as it neared the end. The end doesn’t justify the nice beginning, as there is the ordinary stuff that fills the finish.

How it finishes :: As we can see from the reviews all around, The Lego Movie finishes strong in the theatre. We should wait very long to meet someone who didn’t like this movie. As an animated movie, it is difficult to find errors from this movie, and almost everyone who have ever played with a Lego toy will like this one a lot, and this one also mostly applies to the rest. From what the year has to offer, this might be the best animated movie of the year. It surely has a colder reception here though, as there are not many screens showing the movie, and the maximum of about three shows or something among so many theatres and multiplexes, with not many viewers either. But it is indeed going on to become a global success, and it can surely stay in the top grossing movies of the year for some time. I can only be glad that this didn’t become one of those movies which didn’t release here, as there are so many movies of other languages which have occupied the screen at this time.

Release date: 7th February 2014
Running time: 100 minutes
Directed by: Phil Lord, Chris Miller
Starring (voice): Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett, Nick Offerman, Alison Brie, Charlie Day, Liam Neeson, Morgan Freeman

@ Cemetery Watch
✠The Vampire Bat.

Om Shanti Oshana

Posted on February 7, 2014 by Tennyson

The type of movies: There have been so many “types” of movies in 2014 with just one month of the year over. Even as love has been the repetitive theme in most of them, there have been lot of difference in the type of love which were portrayed in them, and one has to admit that London Bridge had the best love story among them; but the year has only started and the other significant release was just the badly received Salala Mobiles. There was also a movie 1983 which clearly said that no kind of love, including the love towards one’s lover, siblings, parents or wife is important or significant at any moment, as all of them can be abandoned and each can be disrespected just for pure selfishness and enjoyment based on a random sport called cricket. Now, here comes Om Shanti Oshana which actually has another cute and funny love story in store for you. Yes, we watched it First Day First Show, and we were actually planning to do this when we watched 1983 last week – but this time, we could actually watch it and finally be happy about watching a Malayalam movie FDFS after a long time, for the last Malayalam flick I last watched early morning on the first day was Olipporu.

What is Om Shanti Oshana about? :: Exactly a week after our First Day First Show hopes were derailed by that strange flick which was 1983, we made the attempt again, this time with Om Shanthi Oshana. The movie tells the story Pooja Mathew (from her perspective), as she lives her life riding motorbikes and hating anything about cooking. As her cousin sister Julie Francis gets married to man whom she think is not good-looking enough, she feels that she should find the right man before her parents get her married to a rich man giving a lot of dowry. Even as she feels that she should be interested in a good-looking boy Yardley Avaran whose father and her father belongs to the same profession and are of the same financial status, she falls for another man, Giri Madhavan who is a kung-fu master, a farmer, a social worker and a former communist after seeing him on a few occasions. Even as she is aware of the difference in social status and religion, she decides to go after him. She makes more and more opportunities for them to get closer, but he doesn’t seem to be in a mood. But she doesn’t give up, can she?

The defence of Om Shanti Oshana :: The attempt of this movie to tell the story of love completely from a girl’s perspective is kind of new in Malayalam movie, and the way in which they have done it here has to be applauded (even the cupid in the movie poster is female). The movie has a lot of funny scenes, especially involving Nazriya and her dreams and affection for his dream man. Her love for motorbikes and movies add to it. The movie is more funny throughout, and there is nothing really sad happening – even a heart attack is told in such a way that it ends up funny. The youth should like it, that is for sure. The movie actually moves in its path with relative ease, as it is a road which has been traveled and repaired regularly in a different way. Well, this is actually that simple story which has been powered by some good direction by Jude Anthany Joseph. The movie’s use of old songs, old movies and old incidents is another nice addition. There is absolutely no dull moment in this movie. The song “Kaattu Mooliyo” is sweet or rather cute, and “Mandaarame” is also fine, but might not stand well enough without the funny visuals.

The claws of flaw :: The movie takes the usual path, even as the roles are reversed. You might have heard such a story in reverse so many times. It also comes with nothing like big surprise in the climax, except for, may be small, but beautiful add-ons. This is actually the inverse of Thattathin Marayathu when the boy was looking for a way to gain the girl’s love, but here, it is the girl who is after the boy. If the boy was dreaming about the girl and looking for ways to get to him in that movie, here the girl has a lot of plans going on about gaining the boy’s attention and love. It is a cliche which has been put in reverse gear an allowed to roll down a hill. It is an innovate stereotype in Malayalam movies, but is still the same. For this kind of a story, there is the need for exaggerated events which lack logic, even this necessity is still kept within the limits here. You can also feel that some of the scenes are repetitive, and a few incidents should be dealt with more seriousness. But this is how it should work, because this is how it has turned out to be, if there is any doubt about the same, ask the crowd!

Performers of the soul :: The whole movie is Nazriya-centered, as if she becomes the sun and the rest are planets. Nazriya Nazim has her best ever performance in this movie, even as there is doubt created at times. The whole universe of the movie has her at the centre, right from the moment her character is born. Her Pooja Mathew is not just another girl, as her best friends always tend to be different from her. She rides a motorbike, detests cooking and has her way in doing things which makes her parents feel that she should have been a boy. As she appears almost every minute in the camera due to the narrator being herself, there was a lot dependent on her performance, and she has delivered indeed. Even as her earlier release of the year, Salala Mobiles failed to impress, she has made a fine comeback here. She has come a long way since her debut as the leading actress in Maad Dad. Lets hope that it will only get better for her as the date of her marriage to the most versatile young star in Malayalam movie industry gets near. This is one of those rare movies in which the leading lady gets so much attention, and I am sure everyone loves that it is Nazriya who is the centre of attraction.

Other performers :: Nivin Pauly as Giri Madhavan gives a powerful performance standing on the other side, as he becomes the one to be wooed unlike what usually happens, and what had been shown in Thattathin Marayathu. He is a socialist, master of martial arts and a humble farmer, the three faces of one man which he performs to perfection. He received claps almost throughout the movie for his portrayal. Renji Panicker did a nice job, in a role which would have been usually done by Lalu Alex (remember Chocolate, Niram and many others). Aju Varghese as David Kanjani does his third best funny role after Malarvadi Arts Club and Thattathin Marayathu. He has a strong comic existence which keeps coming again and again as he plays a kind of fraud character. You have to love how they used the sequence of war just to show what kind of thing he did to his trusted friend. Vineeth Srinivasan has a minor role as Dr. Prasad Varkey, but still one which received claps and affected the story in a special way – almost the same can be said about the role of Lal Jose up-to an extent.

How it finishes :: The movie finishes strong enough, but not as powerful as how it began. The first half is surely superior to the second. It never has any troubled waters to travel, as the path is set through a controlled body of water; therefore it goes on and on with no challenges. It’s success is not a mystery though, as we know how much people have been waiting for this one. Even as we had gone for the early show, it was almost full and we just managed to get the tickets. Nivin Pauly’s movies always had something to cheer about and he is becoming more and more the crowd favourite, same being the case of Nazriya. There is going to be the rush of youth in the weekend, and as this is rather a clean movie with no bad language or anything, this should enjoy the same success of Thattathin Marayathu if not better, unless some big movie comes up, gets rave reviews and capture the screens.

Release date: 7th February 2014
Running time: 140 minutes (estimate)
Directed by: Jude Anthany Joseph
Starring: Nivin Pauly, Nazriya Nazim, Aju Varghese, Vineeth Srinivasan, Renji Panicker, Vinaya Prasad, Akshaya Premnath, Oshein Mertil, Harikrishnan, Lal Jose

@ Cemetery Watch
✠The Vampire Bat.

London Bridge

Posted on February 3, 2014 by Tennyson

Malayalam movies in 2014 :: This year hasn’t started really well for me, as I don’t think that any movie from Kerala in 2014 has been even average, may be because of that extending the limits by Drishyam, but with London Bridge, there is a some comeback. I do have to warn you in advance that it is a love story, but not your usual romantic love story – the romance factor is not the point here, and what takes over is humanity or rather compassion and goodness in its most innocent form. So, if you are expecting too much of intimate scenes and the dialogues professing eternal love, you are going to be disappointed. But the love in this movie still manages to be more genuine than what was seen in most of the love stories, especially those repetitive romantic love tales of the same kind. This love might look kind of ordinary, but there is so much going through the background, a flurry of emotions which takes one’s heart by storm, and it is clear that even nature comes in just to help and leave after taking a bow. Why wouldn’t gaia wish to contribute when it can see the loss of mankind’s loss of inherent evil? If there is another movie to which this one can be connected, that should be Diamond Necklace – you will know!

What is it about? :: The movie tells the story of Vijay Das (Prithviraj Sukumaran), a promising young businessman in the city of London who after starting off in a student visa has made it big with the help of his mentor Francis (Mukesh). As he runs a number of shops and money lending business, and in his path, Vijay comes face to face with a huge business tycoon CS Nambiar (Prathap Pothen), one of the richest Keralites in the United Kingdom. Even as they start off against each other in the beginning, Nambiar is impressed by the ambitions and hardwork of his fellow Malayali, decides that he will be a nice choice for his daughter Pavithra Nambiar (Andrea Jeremiah) who is determined to be a social worker and is not interested in marriage. As Vijay works on Nambiar’s instructions and attempts to please Pavithra, he comes to know that she is interested only in art, literature and charity works, while he is always after money. He struggles to keep with her, but as Vijay’s car hits Merin Elsa John (Nanditha Raj), he finds a chance. Merin has just come to the country and is just about to start her job as a nurse when this ends up in he hospital – she is regularly visited by Vijay to show his compassion to Pavithra who starts falling for him, but Merin also starts developing feelings for him, which he also develops.

The defence of London Bridge :: I am sure that a lots of people will be asking me to this, after watching this or while reading the other reviews. Yes, I am going to start by admiring this movie for its assertion of compassion and goodness. One can’t avoid the emotional power of the movie either. There are simply good-looking people and breath-taking scenery – I have never seen the beauty of England and Scotland being captured in this manner. There is the countryside at its best and also London, especially the London Bridge, Big Ben, Tower of London and London Eye. There are also the support of some brilliant shots which help the movie. It creates an incredible amount of nostalgia in me, related to my last visit to the United Kingdom. I know my brethren will be having nostalgia about many things, but this is one completely belonging to me, and increasing my desire to visit the place again; may be there was something that I left unfinished. The movie should make the United Kingdom tourism proud, especially the countryside and London in the way in which they are portrayed. This will remain one of the most visually stunning movies as far as capturing nature is concerned. Now you know why William Wordsworth and company had to write poems; how could they not see such beauty while being such visionaries?

The claws of flaw :: London Bridge doesn’t try to be different with its script, as it goes on and on with what the audience has known for quite a long time. There are dialogues which doesn’t really like to pick up, and there moments which were to be awesome, but remains ordinary. The movie drags a bit, and it can make the audience looking for entertainment asking for more, especially as this movie lacks exaggeration of any kind with its good length. There is no creation of a romantic world for these three people and the romance might look kind of weak from the outside. There are simple human emotions, fear, compassion, love, pain and frustration; even if it is quite normal to have these in a normal way, most people are not going to like it, that is for sure. This might also be my favourite movie from this director who has touched a new area, but I know there are skeptics who will disagree. They might feel that this is not “cinematic” enough, but I would disagree as usual. I am a person who love to agree to disagree when it comes to movies, so you should know. It needed some polishing that is for sure, still there is a typical flow and the movie can do a Hobbit-dwarves-barrel-escape, as it is pushed into the river of love and emotions powered by humanity. May be they could do better with a few wood-elves with nice archery skills, especially as this is such a competitive world that hitting the bulls-eye is so important (unless you wish to be devoured by impatient entertainment-orcs).

Performers of the soul :: The performance department is led by Prithviraj Sukumaran who fits into his role with ease. The transformation that his character has, and the variation that happens to his attitude as well as his relationship with others are admirable; especially from a heartless businessman to the man with the golden heart. He has once again rightly chosen not to be a superhuman character, but a normal human. Nanditha Raj as Merin is one of the most lovable characters ever, and with a stunning cuteness, she has done her agonized character so much life that, her eyes and expressions tell the story better than the words. I would be surprised if anyone would be cuter in a role such as this. But she is still never a weak character as she holds on to life without giving up or asking for favours, and never does she cease to care or be good. One has to love that change in expression when she comes to know that he is the one who hit her, and that was a nice sweet moment. She’s most impressive in those moments of sadness, and incredibly cute in those moments of happiness. Merin Elsa John is a character in pain from the moment she is introduced to us, but there is always a certain amount of innocence associated with her which touches our heart, and the way she finds cute smiles between tears and agony is wonderful success to Nanditha’s debut in Malayalam. She makes us feel for Merin each and every moment like a needle piercing through out hearts, and you have to say that the teeth adds to that innocence!

Other performers :: I have to say that I was also touched by the performance of Andrea Jeremiah which is second only to Nanditha. There has always been something mysterious about her, and the way she deals with Pavithra is worth mentioning anywhere. Her character as the rich heiress to a huge business should have been the exact opposite of our other lady character, but she develops something more of her own, and actually surprises us in a pleasant manner, right in the beginning and particularly in the end. She comes up with something by the end which gives this movie an extra emotional boost. I didn’t like her in Annayum Rasoolum, but not this time. Prathap K. Pothan has a strong role to play, as his character is special, and different from what you usually see with such a character, a rich businessman looking to marry off his daughter. Sunil Sukhada catches the attention with his character and Lena Abhilash has a very good presence as Gracy which is boosted by her own performance. Mukesh contributes as he always does, and it is nice how he fits into such characters. Yes, they all did well and it made me feel very good in the end, I was happy when it finished, and the performance of each of them made sure that I was with them, that is for sure. The songs are nice performers too, especially “Kannadi Vaathil” and “Venmegham”; while “Ennum Ninne Orkkanayullil” is cute and “Chinni Chinni” is fine. They look the best with the visuals.

How it finishes :: I am recommending London Bridge for anyone who likes to watch a feel-good movie and not some random glorification of anything, whether it is cricket, violence or sex. The credit of the same goes to our three leading actors, the superstar who accepted the role of a normal guy in an ordinary movies, and the two leading actresses, one giving life to an innocent girl from Thiruvalla and the other to a true humanist and charity worker who is more alive than anyone else. The movie is strong at soul, even as it displays its strengths so less due to its execution problems. Its ends up telling us that we will know the importance of someone in our life only when we feel that we are going to loose them. Prithviraj and Nanditha makes us feel it, so much more and more as the movie progresses to the end. But I would like to add that this is not that much for mindless entertainment; this is for serenity, and this is a tribute to that love which is not based on lust and infatuation, as we see in most of the other love stories. Thank you Anil C. Menon, for this perfect cast, and it is the best thing, along with the incredibly beautiful visuals of the United Kingdom and the feeling that it leaves us with. It makes me wish to go to the British Isles again, and re-create my time there. The flaws might be many, but the pain is perfect and it strikes as it touches your good side as long as it exists! I would also ask the viewers to keep away from the usual conventions about a love story, as it is not how this works!

Release date: 1st February 2014
Running time: 150 minutes (estimate)
Directed by: Anil C. Menon
Starring: Prithviraj Sukumaran, Andrea Jeremiah, Nanditha Raj, Prathap K. Pothan, Mukesh, Sunil Sukhada, Lena Abhilash, Amritha Anil

@ Cemetery Watch
✠The Vampire Bat.

Carrie

Posted on January 19, 2014 by Tennyson

You will know her name :: Yes, the movie did finally release here this week, and the name is Chloë Grace Moretz, but the name you might want to remember should be Carrietta N White, or rather the young, strange but gifted girl whom most of the horror fans will know simply as Carrie. Now, that should go back to Stephen King’s first published novel of the same name, and also to the first adaptation of the same belonging to 1976. It was my next favourite novel from the man after Salem’s Lot, The Shining and The Running Man. The early adaptation also make it to the list of my favourite horror movies of all time, even as I would consider it more of a thriller. But talking about this movie, there was just limited hope, as the original was too brilliant. Another thing is that the incidents of the movie belongs to another time, and taking the plot and dragging it by its tail to this era was not going to work that well despite the fact that they got Chloë Grace Moretz and Julianne Moore at their best. So the question would be about how much they can make out of this limited scope.

What is it about? :: Margaret White (Julianne Moore) is a mentally unstable woman who tries to murder her child at birth, but decides to raise her as she is too fanatically religious in a strange and ridiculous manner. Later, her daughter Carrie White (Chloe Grace Moretz), grows up to become a shy, under-confident, introvert girl despite having some strange power over things around her. She is regularly teased by her schoolmates, especially Chris Hargensen (Portia Doubleday) who even uploads the video on youtube. Their gym teacher Miss Desjardin (Judy Greer) comforts Carrie and punishes the girls who trouble her, but Chris refuses to accept the punishment believing that Carrie has always been asking for it, and is banned from the prom. As she seeks revenge, Margaret continues to try to discipline Carrie in a ridiculous manner. Carrie learns about her power of telekenesis and tries to learn to control it. Another mate, Sue Snell (Gabriella Wilde) regrets teasing Carrie and tries to make amends by asking her boyfriend, Tommy Ross (Ansel Elgort), to take Carrie to the prom which she accepts – but it will change the lives of many people, forever.

The defence of Carrie :: The story of Carrie has been brought into a new world with camera phones and the internet. But the essence of the story remains the same. It would have been difficult to keep up with the original which was so much loved, and a story which was so much read and admired, and this movie had to struggle to keep up. The movie scores with more pace and also by creating a creepy atmosphere. The thrills does work and it is successful in throwing surprises to keep it interesting. The best scene of the movie is indeed the climax, with a bloody Carrie standing on the stage with her arms stretched and the blood leaving her body upwards, and later in the middle of the road splitting the path. The final scene of destruction by telekinesis is the only real scene of gore, and it has been well created yet again. The scenes of Carrie being teased, and the moment of realizing her power are also well portrayed. The movie doesn’t try to stay with the original in speed, and it tries to rush, and there lies both the positives and negatives of it.

The claws of flaw :: The movie tries to rush through its plot as if to extend no more than one hundred minutes of length. The movie starts with Carrie being born, and she rushes to be the shy adult girl and quickly goes on to discover her powers and speeds up to the prom. There is not much characterization going on right there, as most of the characters remain predictable and one-dimensional. Everyone except Gabriella Wilde’s Sue Snell remains the same, and remains doing what they have been doing from the beginning. Carrie learns, but that doesn’t really change her either. She is also too X-Men type, and she is that Jean Grey which most of us might have been missing since she was turned into some strange creature in X-Men 3: The Last Stand. The movie is also somewhat outdated to be set in the present background, of belonging to 2013 – yes, there are the new gadgets added, and Carrie is humiliated with the help of a smartphone and youtube. But all the incidents seem to tell us that a setting much older would have been more suitable. To add to it, an ending which has Carrie rising is rather stupid, and she should have remained dead, to be awesome.

Performers of the soul :: Chloë Grace Moretz steals the show with a performance that makes this movie rise above where it is. It should be of no surprise as she did the same, at a much younger age in Kick-Ass, and in a much smaller role in Dark Shadows. With an acting career at the age of seven, she continues to strike gold, this time at the age of sixteen. Julianne Moore also makes a fine mentally troubled mother, but there could have been ever more dimensions to the character – this one is approached in a rather lazy manner by the writers. Portia Doubleday and Gabriella Wilde could have switched characters though, as the latter could have been a better nemesis to the lady in trouble, like Sara Paxton did as Rachel Witchburn in Sydney White, and what we had seen in Mean Girls with Rachel McAdams as Regina George. Meanwhile, the former tries to come up with pure evil, but ends up being just another bad girl trying to be so evil, and succeeds in the same only with her actions, and to be frank, she doesn’t have that evil aura. Gabriella could have nailed that role, but here she had to be the bad girl turned good due to conscience attacks.

Soul exploration :: The movie is a story of a girl who is bullied throughout her life, and in that manner, takes on a social cause. In another scenario, we could have thought about the Bollywood movie Table No.21 which had taken itself as a story against ragging. Carrie is nothing less, as for such a character who is rather nice and God-fearing, the whole world becomes a challenge. She becomes a misfit and a medium for the disgusting new generation to make fun of. The new generation has been moving further and further away from conscience and goodness, and Carrie is indeed a martyr of a new society which finds fun in being rude and evil. To add to it, she has a mentally unstable mother who pretends to be some kind of pure believer, something which is nothing less than a case deserving to be in mental asylum. She did become an alien for many, who could have done so well if they could have just left her alone rather than being bothered. Carrie tells its viewers to respect people for what they are, and sends a message against bullying and ragging.

How it finishes :: If one has not watched the original or read the books, this should be a very interesting Carrie White, and Chloë Grace Moretz might be the only Carrie they know, as well as their favourite one. Sissy Spacek is not going to be forgotten though, that is for sure. Carrie is going to be a more interesting source of telekinetic powers than the other superheroes who possess something similar. Being locked up under the stairs, Carrie becomes no Harry Potter, but gets something better than being invited to Hogwarts, something which doesn’t spawn sequels and a guy without nose. Moving things around is no magic, and our girl is no mutant – there is no background story about her or her mother, and that should make some people unhappy and the rest rather more joyful about the mystery. Even if we leave the superpower side behind, Carrie is the story of many students who have been bullied, and as long as ragging and all such stuff exist somewhere, Carrie’s tale of revenge is of extreme relevance.

Release date: 17th January 2014 (India); 18th October 2013 (USA)
Running time: 99 minutes
Directed by: Kimberly Peirce
Starring: Chloë Grace Moretz, Gabriella Wilde, Julianne Moore, Judy Greer, Portia Doubleday, Alex Russell, Ansel Elgort, Zoe Belkin, Karissa Strain, Katie Strain, Samantha Weinstein, Cynthia Preston

@ Cemetery Watch
✠The Vampire Bat.

Veeram

Posted on January 17, 2014 by Tennyson

Ask the magic mirror :: “Mirror Mirror on the Wall, Who Is the Fairest of Them All?” – now here is the answer which naturally comes to any mirror which has been taken into a theatre to watch Veeram; and it is Tamannah Bhatia. Unless that mirror prefers Kristen Stewart more than Charlize Theron, and as long as the question is not about being the “palest”, it is indeed a magic mirror which can be trusted. The first thing one notices in the movie is not our leading lady, that is for sure, but as far as being fair is considered, there is only person on the screen who takes that to another level. Whenever she is around, everyone else looks darker – no that is no measure of beauty even as Tamannah is indeed the more beautiful and the cute one around, and thanks to those beautiful locations during the songs, there is the snow to give that much needed competition; being the ice princess or the snow queen has never been this easy with anybody else.

What is it about? :: This is the story of Vinayakam (Ajith Kumar), the one-man army with a possible extension to five with his four brothers, and even to an army of six if their lawyer is included in the gang. The man has become more of a landlord who takes care of his people and is extremely caring about his brothers. He is a stern businessman and a reputed man of his area. He has weakness for the name Kopperundevi (Tamannaah Bhatia) and as a lady comes up with the same name, thanks to the work of his brothers and the adopted brother lawyer, he falls in love with her, and with the good guy impression created by the brothers, she also falls for him and takes the decision to take him to meet her family. But later she comes to know that he is the rough and tough guy who beats up people whenever he sees something wrong. As she wants a more peace loving person so that he can be approved by her father, he decides to become one. But the need for fight doesn’t leave him, or does it?

The defence of Veeram :: Translated into English as “Valour”, the movie is a action masala movie, and that basically forgives most of the troubles of the movie. Another thing is that this is the movie of Ajith, or rather by Ajith, about which there is lot more to talk about. Meanwhile, the movie has immense style, and it is reflected not only in the display of the same, but also in the narrative. The use of rain, thunder and lightning along with the clouds adds such a strength to the movie that this use is nothing less than deserving applause. The locations are beautiful and those of the songs are breathtaking. The mixing of action, sentiments and humour is intelligent, and it makes up for what is lost in the old plot. Even with so much lacking in innovation as far as the story is concerned, there is a lot working out well in the other departments. There are many mass scenes and even as the action gets repetitive, the sequences are powerful.

The claws of flaw :: The movie is all about Ajith’s character, and the rest are kept in the shadows most of the times, and their existence is more to make our hero better rather than for themselves, as our leading lady exists so that he could fall in love and dance with her, and a villain to be afraid of him and another to be beaten up and killed by him. The purpose of brothers is more to show that he is superior, but that is understandable as this is more of a movie for the fans; and our hero is that awesome indeed, thanks to a powerful portrayal. The romantic side is weak, mostly due to the fact that it is forced and not rightly fit in the movie. The action scenes repeat as if put in a loop, and it could have been better if some shots of beating up villains were cut. The sentiments also go in a strange way, and the lack of logic is right there in the centre. The story should also be older than most of the actors in the movie, and its similarities to many other Tamil and Malayalam movies can be noted down.

Performers of the soul :: Ajith’s movie as one would expect, as he outperforms everyone with such an ease that what exists there is mostly a one-man show. From his entry, he keeps scoring, and his looks are perfect for this role. It does remind one about Mammootty in the 2000 Malayalam movie Valyettan, but to a small extent; with the romantic side of the brothers slightly resembling the 1991 Malayalam film Godfather. Tamannaah is dazzling, and you can often take that literally. This is the first time I am watching a movie starring her, and I am glad I finally did that; had to leave the Kajal Aggarwal starrer behind even as it was running in the same theatre at the same time, but no beauty lost in the end. Its good to see Bala too, as its been a long time since I watched one of his movies, and he plays a character with the same name which made him famous in the 2007 Malayalam movie Big B, which might once again be a luck factor. Santhanam comes up with lots of funny moments to make sure that the comic side doesn’t go weak. Nassar and Atul Kulkarni also comes up with strong performances.

Soul exploration :: The most shocking thing to the soul was the name of the heroine, especially when her nickname was revealed to be Kopu. But what’s interesting to the soul is its assertion of family values and putting one’s people over everything else. It starts off with the brothers and later extends to the family of his lover, our hero becomes a model brother and son in no time. He sacrifices his happiness to see the family happy, and keeps them away from all the problems as well as their knowledge of their troubles. We have known Jeffrey Nero Hardy as the charismatic enigma, but our hero here is nothing less throughout the movie. Another thing is the significance of “tea” as a symbol in the movie; it not only becomes a symbol of his simplicity, but also his hard-work as well as love for his brothers and family. How often do you see a movie poster with the hero happily drinking tea in it? Now that is a plus for the soul and the Vampire Bat loves it.

How it finishes :: There was always going to be a doubt about which movie to watch, with Jilla running on the other screen, and choosing this was a risk, but nothing regrettable happened in the end. It was nothing strange to see that the viewers for both movies were almost equal, and with only a few vehicles in the yard, with not even one mediocre Malayalam movie release in the same week, and both the Hollywood and Bollywood side being weak in comparison as far as normal people are concerned – shortage of big movies (Drishyam and Oru Indian Pranaya Katha are still there along with many English movies from much earlier, still in the multiplexes). The movie is reckless and violent in its action, and the use of sharp weapons cloud the movie like nothing else – if that is a positive or a negative is for the audience to decide, as it doesn’t go beyond a level. The opinion is divided about the movie, but I would say that this one deserves a check as it keeps the interest high even as it might be too long for one’s liking.

Release date: 10th January 2014
Running time: 155 minutes
Directed by: Siva
Starring: Ajith Kumar, Tamannaah Bhatia, Vidharth, Bala, Santhanam, Ramesh Khanna, Atul Kulkarni, Nassar, Abhinaya, Pradeep Rawat, Munish, Manochitra

@ Cemetery Watch
✠ The Vampire Bat.

47 Ronin

Posted on January 5, 2014 by Tennyson

Swords and martial arts :: Just a few days after I watched The Forbidden Kingdom on television, this movie finally released in India, overtaking a few other movies which are still pending to be released here. Based on the legend about the revenge of the Forty-seven Ronin based on Japan, the movie brings back the swords and martial arts into the Hollywood which has been taken over by men with the superpowers in the last two years. The movie also marks Keanu Reeves coming to the big screen in this part of the world after a long time. Well, this is the right time for release indeed, as the Christmas releases have been losing power, and with only The Secret Life of Walter Mitty and The Wolf of Wall Street to give some challenge, 47 Ronin does have the opportunity to do its best here, with one of the most famous actors (thanks to The Matrix) for the people here, as the critical opinions are forgotten.

What is it about? :: Kai (Keanu Reeves) is an outcast among the samurai, as he lives a life throughout which he is ignored as he is a half-breed, half-British and half-Japanese. He is in love with Mika (Kou Shibasaki), which both of them haven’t taken far, as she is the daughter of a Samurai Lord and he is the forsaken one. But as Lord Kira (Tadanobu Asano) with the aid of a witch Mizuki (Rinko Kikuchi) murders the Lord and takes over the kingdom, the Samurai are banished from their lands and Kai is sold into slavery due to his low birth. But they vow to return and avenge their master under the leadership of Oishi (Hiroyuki Sanada). 47 in number, including Kai who wishes to save Mika from being forced into marrying the new Lord, the team goes through dangerous quests in order to achieve their objective. The movie deals with their pain, hardships and questions about their possible success in their primary objective.

The defence of 47 Ronin :: Whatever the critics say, 47 Ronin is a colourful movie, and it is difficult not to get lost in the beauty of its colours as well as its use of light, darkness and shadows. There is a beautiful environment created by the movie which seeks our attention. The sword-fights are well-executed without the addition of exaggeration which has threatened to plague this one right from the beginning. There are also some interesting dialogues, some philosophical and some just being stylish. There are also a few funny moments, quite short in length. The CGI which involves some creatures as well as the shape-shifting skills of the witch turned out to be good too, and in the 3D, they looked interesting throughout, but considering the visual experiences we had last year, one can’t be too addicted to this one. The costumes are superb, and the fact that the movie doesn’t delay in getting into action sequences also helps.

Claws of flaw :: The movie takes the slower path at times, staying away from action and keeping the actors doing nothing. The story moves on through a predictable path, and there are not many things happening out there that you haven’t been expecting for a long time. Also, there are strange things happening throughout the movie – no I am not talking about the mass honour suicides, but creatures appearing just for being there and add to the overall head count of the movie, and the “outcast thing” given too much prominence. The romantic side is also less interesting, and one tends to wonder if there was any need for that, as avenging the master would have been more than enough – but they need some romance, to satisfy that kind of people who most probably won’t watch this movie. They have also made Keanu Reeves’ character not bringing that kind of fun which he is expected to take into a movie.

Performers of the soul :: Keanu Reeves is the star, despite his character being one of the least interesting Samurai ever. But as a character who can bring something into an action movie, this one works perfectly. The star from The Matrix and Constantine is quite brilliant in his portrayal of a character which might not have been even needed in this movie. Did they take that half-breed idea right out of those creatures in Constantine? Our hero is kind of there at the wrong place, but the way in which he manages it has to be appreciated. It is good to see that Rinko Kikuchi takes over so well, and that was to be expected after watching her in Pacific Rim. Kou Shibasaki is beautiful, and Hiroyuki Sanada comes up with a performance that is one step above the movie. Tadanobu Asano’s villain is less explored, even as it is an okay screen presence, which kind of fades in comparison with the witch who runs the evil side.

Soul exploration :: The movie’s story of ronin, the samurai with no master, is more of a story of emotions and honour rather than the typical swords and martial arts flick which is usually expected. The two-handed Samurai stuff reminds one of The Wolverine, and the word “half-breeds” of Constantine. There is a lot of emotional undercurrents going on, but just some of them which affects us. As we are not into the Japanese history or legends, it is almost impossible to have a perfect look into it, and it is not easy to do justice to the same. It seems to treat the same with its CGI creatures, which include a six eyed cattle-like creature, a disfigured monk-like person with superpowers, a huge Samurai figure clothed in what looks like metal and the witch’s own white wolf, weird spider and the serpent-like dragon which breathes fire. There is not much to attach the soul to, right there. One can just embrace this movie for how much it catches your attention in the movie hall.

How it finishes :: 47 Ronin is no 300, and it is not even The Forbidden Kingdom. But that doesn’t take a lot out of its pocket. We watched the movie during an almost full show at a place where English movies are not supposed to attract the viewers especially if any Malayalam movie is running, and so I would say that it is doing okay here, despite all the negativity which has been associated with it in North America and other places and also that low box-office collection which has been associated with this. After all, who can say no to a Keanu Reeves movie with sword-fights shot in 3D? There are more of The Matrix fans around here than one can imagine, and that face of Neo is not something that can easily fade away. So 47 Ronin should continue to do fine for a week, and nothing more, as none of the English movies in the theatre right now are expected to carry over to the next release date.

Release date: 3rd January 2014 (India); 25th December 2013 (US)
Running time: 119 minutes
Directed by: Carl Erik Rinsch
Starring: Keanu Reeves, Kou Shibasaki, Rinko Kikuchi, Hiroyuki Sanada, Tadanobu Asano, Jin Akanishi, Min Tanaka, Neil Fingleton, Masayoshi Haneda, Hiroshi Sogabe, Takato Yonemoto, Hiroshi Yamada, Shu Nakajima, Cary-Hiroyuki Tagawa

@ Cemetery Watch
✠ The Vampire Bat.

2013 in Review

Posted on January 2, 2014 by Tennyson

Happy New Year everyone. I was waiting for WordPress to give me my year in review, but no such summary and statistics came up for this blog, and so I thought I should come up with a movie summary instead. I had posted this without detail on Facebook, and I guess I would share this in detail here for the new year.

Best Malayalam movie: Celluloid
Its awesomeness approved by Kerala State Film Awards and the National Film Award committee of India. Prithviraj starts the year well. Check for review: https://moviesofthesoul.wordpress.com/2013/02/16/celluloid/

Best Hindi movie: Madras Cafe
There is absolutely no doubt about this one, as even with actors not known for their acting, this movie nails it. Check for review: https://moviesofthesoul.wordpress.com/2013/08/28/madras-cafe/

Best English movie: The Conjuring
I had thought long and hard about this one, but a horror movie always deserves an extra push and this one deserved it. Check for review: https://moviesofthesoul.wordpress.com/2013/08/04/the-conjuring/

Best Animated movie: Frozen
Unlike Brave, this year has a respectable animated movie at the top. People of no age group can afford to miss this one. Check for review: https://moviesofthesoul.wordpress.com/2013/12/01/frozen/

Best Action movie: Pacific Rim
Guillermo del Toro doesn’t miss out as he makes the right robot movie in our world plagued by Transformers. Check for review: https://moviesofthesoul.wordpress.com/2013/07/12/pacific-rim/

Best Visual experience: Gravity
This visually superior movie is all set to make it big on the Academy Awards next year, that is for sure. Check for review: https://moviesofthesoul.wordpress.com/2013/10/13/gravity/

Best Thrills: Drishyam
The director Jeethu Joseph maintains his cent percent record with another thriller, his second super hit of the year. Check for review: https://moviesofthesoul.wordpress.com/2013/12/23/drishyam/

Big Surprise: Philips and the Monkey Pen
Not that inspiring from the name, and not at all hyped, this movie is a beautifully crafted allegory with children as main characters. Check for review: https://moviesofthesoul.wordpress.com/2013/11/12/monkey-pen/

Righteous One: North 24 Kaatham
This movie is so simple and yet scores with the simple thoughts about goodness, righteous and happiness, and it has the power to change lives. Check for review: https://moviesofthesoul.wordpress.com/2013/09/18/north-24-kaatham/

Magical Movie: Amen
This movie is magical with or without its clear share of magic realism, and it is one of its kind, to be remade in other Indian languages. Check for review: https://moviesofthesoul.wordpress.com/2013/03/27/amen/

Powerful Experience: Rush
For a movie which can bring even non-Formula One fans to feel the emotions, there is no evil to be said about this one. Check for review: https://moviesofthesoul.wordpress.com/2013/10/25/rush/

Game Changer: Go Goa Gone
This movie might be the best thing that has happened to Bollywood in 2013, and I hope that this zom-com brings good changes instead of mindlessness. Check for review: https://moviesofthesoul.wordpress.com/2013/05/11/go-goa-gone/

Personal Favourite: Memories
One of the two brilliant movies from the director of the year, this movie establishes Prithviraj as the Malayalam actor of the year. Check for review: https://moviesofthesoul.wordpress.com/2013/08/12/memories/

Unnoticed One: 10:30 am Local Call
This movie had lots of good things about it despite a small cast except for Lal. This is a thriller as well as a love story with strength at both levels. Sadly, it didn’t get the attention or the appreciation it actually deserved.

Worst Malayalam movie: Kammath and Kammath
The movie provides us a world of nonsense and one can’t even understand what they say or intend to say. It wastes two actors and two actresses in a few hours of crime which they call a film. The side-effects of this movie include an eternal hatred for dosa which I could overcome only by hating idli.

Worst Hindi movie: Besharam
The shameless movie of the year has one of the so called young actors of the future in one of the worst roles anyone can do. This movie is a disgrace to Gandhiji as it released on the day of Gandhi Jayanthi. Taking in a whole family of actors and adding bad jokes which are older than our leading actor doesn’t help either.

Worst English movie: Mortal Instruments
This movie wonders who is the lover of whose brother and demons, vampires, hunters and werewolves have never been this retarded. There is this nonsense which makes Twilight look better. One comes to know that Lily Collins is incredibly cute, but the story or the characters makes no sense even when they are not on screen.

Most Undeserving Hit: Chennai Express
This is a painful watch as its take on the South – the actress has a Hindi accent which is not from the South of India, but from outside the nation, and the movie isn’t even funny enought to be taken lightly, and its romantic side is terrible. This is a clear case of stereotyping, and with all due disrespect to Krrish 3 and Dhoom 3, this will remain the undeserving one.

Of a Mental Asylum: Olipporu
From the moment it begins, to the end, the movie has tried to do something intellectual, that is for sure – but at most times, it makes no sense and with this movie, I have stopped watching Malayalam movies on the first day, alone. In the movie Nadan, Jayaram tells a few words which are applicable for this movie.

Worst Drag: Annayum Rasoolum
This had three hours of nothing but drag – the hero looks at the heroine, and keeps looking at her till the end of first half, and in a relationship of few words, they kiss, he goes to jail and she dies in a world of pathetic pseudo-romance. To add to an already slow movie, there is slow motion – what is wrong with these people?

Worst Drift: Bicycle Thieves
This movie drifts again and again with no idea where to go and what to do with its characters. There are twists of no sense and characters of no use. After stealing the title from Vittorio De Sica, this one comes up with a heroine who looks many times younger than the hero, and lead by her being weird. almost everyone acts strange, wonder why.

Worst Emptiness: Kili Poyi
This one has nothing, but smoke inside it, with clear glorification of drugs and a loose lifestyle, and its characters are so plain that one can hope to have just smoke inside it and feel the emptiness throughout the world. The movie itself is a black hole which has unfortunately made an impact of nonsense.

Worst Lie: Neelakasam Pachakadal Chuvanna Bhoomi
This movie is a lie from the beginning to the end, and has characters who use the mask of travel for being stupid and aimless. The leading character is a man who pretends so much that he obviously has no identity of his own, and the journey is useless. This is rather an Indian Born Confused Desi (IBCD).

Worst Stupidity: ABCD
This one uses that kind of jokes which can’t appeal to even the worst of brains, and it is surprising that it became a big hit. The story of two shameless people who live a shameless life to end shameless doesn’t bring up any interest, except for the fine debutant performance of Jacob Gregory.

Unbearable One: Sringaravelan
This year’s most shameful comic movie comes up with a hero who falls in love with the heroine in another strange and meaningless way and their adventure is indeed a mentally retarded one, with the only hope being the beautiful heroine. Why would someone subtitle a movie “The Romantic Fighter” is beyond all hope.

Clueless One: The Host
There are no Twilight movies this year, and this movie is the worthy successor to that legacy, coming from a work of the same author. From the beginning to the end, this is a clueless alien invasion with no sense. At the end of the movie, we are aliens and would wish to escape from that world.

Worst Hype: Django Unchained
A story of violence and racial hatred has the shoot-at-random-people theory going throughout it. If the colour is different, shoot more people, and dead people are so much fun in this movie. Show a grin after you shoot people, because murder and destruction is so much fun. I have written a review, but you needn’t read it 😀

Malayalam Only:
Best Actor: Prithviraj Sukumaran (Celluloid, Memories, Mumbai Police)
Second Best: Fahadh Faasil (North 24 Kaatham, Amen)

Best Actress: Remya Nambeesan (Philips and the Monkey Pen, Left Right Left, Nadan)
Second Best: Swati Reddy (Amen, North 24 Kaatham)

Best Pair: Fahadh Faasil and Swati Reddy (Amen, North 24 Kaatham)
Second Best: Nivin Pauly and Nazriya Nazim (Neram)

Best Performance: Prithviraj Sukumaran in Celluloid
Second Best: Prithviraj Sukumaran in Memories

Best Negative Shades: Indrajith Sukumaran in Left Right Left
Second Best: Indrajith Sukumaran in Ezhamathe Varavu

Best Villain: Joy Mathew in Amen
Second Best: Sreekumar in Memories

Best Supporting Role: Indrajith Sukumaran in Amen
Second Best: Fahadh Faasil in Immanuel

Best Comic Lead: Asif Ali in Honey Bee
Second Best: Kunchacko Boban in Pullipulikalum Aattinkuttiyum

Best Debut: Reenu Mathews in Immmanuel
Second Best: Keerthi Suresh in Geethanjali

Surprising Performers: Vijay Babu in Philips and the Monkey Pen
Second Best: Lena Abhilash in Left Right Left

Best Impact: Shobana in Thira
Second Best: Indrajith Sukumaran in Amen

Best Character: Georgekutty in Drishyam (Mohanlal)
Second Best: Sam Alex in Memories (Prithviraj Sukumaran)

Best Director: Jeethu Joseph (Memories, Drishyam)
Second Best: Lijo Jose Pellissery (Amen)

Best Child Artist: Esther Anil (Drishyam)
Second Best: Sanoop Santhosh (Philips and the Monkey Pen)

Best Song: Memories Never Die (Memories)
Second Best: Etho Sayahna Swapnangalil (10:30 am Local Call)

PS: Most read movie reviews:
Drishyam (https://moviesofthesoul.wordpress.com/2013/12/23/drishyam/)
Oru Indian Pranaya Katha (https://moviesofthesoul.wordpress.com/2013/12/22/oru-indian-pranaya-katha/)
Phata Poster Nikla Hero (https://moviesofthesoul.wordpress.com/2013/09/24/phata-poster-nikhla-hero/)

*103 movies watched on the big screen this year, with 71 of them reviewed. There were 44 English movies, 43 Malayalam movies, 12 Hindi movies and 4 Tamil movies. Total Reviews including honorary ones = 109.