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Kho Kho

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What is the movie about? :: Maria Francis (Rajisha Vijayan) is appointed as a PT teacher in a girls’ school, in the remote area of a village which is surrounded by backwaters. She is forced to take up the job because her husband Ben (Venkitesh VP) was facing failure in business, and was in requirement of the money. Maria used to be a sprinter, and was very close to representing India at an international level when something terrible happened in her life. At the new school, the two people who is in support of her activities are the peon Shivaprasad (Renjit Shekar Nair) and the accountant Vinod (Rahul Riji Nair), the latter being doubtful about the requirement for a PT teacher in the school, yet being interested in Maria. After some days of doing almost nothing in the school which has historically given no importance to arts and sports, she decides to create a kho-kho team for the first time in school history, a move much appreciated by the headmaster.

So, what happens with the events to follow? :: With a confused but hardworking team led by the stubborn Anju (Mamitha Baiju) who has her own mood swings and not missing her chance to pick up a fight, Maria hopes to make history through her students, and achieve greatness which she couldn’t earlier due to circumstances. The parents of the students are against the students choosing sports instead of using that time for studies, and do not appreciate the fact that the girls are going somewhere far away to compete. But as they qualify for the district level competitions, they do manage to gain a certain amount of support. The girls’ problem related to balancing studies and sports, their problem with wearing shorts within a conservative world and Anju’s attraction towards Shivaprasad might be the least of the problems with Maria will have to face here. Can she and Anju lead the team towards seemingly impossible victories and an even more elusive final triumph?

The defence of Kho-Kho :: Depending more on the emotions than anything else, Kho-Kho also has the usual moments of thrill with the games. It is the common motivational story of the underdogs who had no chance, but with hardwork and inspired performance, comes out victorious against all odds. The characters and the setting become interesting in this case, as this goes through life of common people for most of the time. We also have some nice visuals to go with the same. There are many exciting scenes here to remember too. The struggles of the characters involved here are shown well, especially the two main characters played by Rajisha and Mamitha. The feeling which was provided by Finals is somewhat repeated in this movie, and if you had like that movie, this will be on your favourite sports drama list too. The songs are pretty good, and they go on well with the visuals as well as the mood, and so does the background music. Unlike Chak De! India and Dangal, this is the real woman-centric film with empowerment, and without those unnecessary superstar exaggerations, and that feels true to life in many ways.

The claws of flaw :: Kho-Kho is certainly not that big as Finals, the other film with the same actress in the lead. The background story which keeps on moving silently is not that strong when we look at it. The premise feels similar to other movies, and we can predict a lot of things which are going to happen here. A number of training scenes and events are more repetitive rather than trying to do something different or unpredictable. To add to it, some dialogues actually look more artificial, right out of paper, rather than coming with the emotional weight. Venkitesh is also very much underused in another movie after The Priest limited him, and Thattumpurath Achuthan‘s song presence had made us feel that he would be a regular full presence. More of the girls in the cast should have got more attention though, at least half of them. The release of the movie on Asianet was delayed by a week, and it was Drishyam 2 which had its television release then, a disappointing decision from the channel which might have kept some people away.

The performers of the soul :: We have seen Rajisha Vijayan only in a few movies, and among them, we have seen such great skill. We have seen her in the grand performances from Anuraga Karikkin Vellam which brought her the Kerala State Award for Best Actress, through the nostalgia-inducing coming-of-age story of June, to the earlier sports drama of high acclaim, Finals. It is to be noted that in both sports drama, Rajisha plays a character with a tragedy to go with both life and career. With her role beginning as the trainer, the tragic background was established much earlier here. Rajisha once again has the whole thing in control here, and from the beginning to the end, it is a determined as well as emotional performance. Well, Finals was the best movie of the season when it released, but many people missed the work on the big screen, and the same is the case here too due to COVID-19, and it seems that the early television premieres are changing some of the situation here, with everyone getting the needed access not too late.

Further performers of the soul :: Mamitha Baiju who was also seen in Operation Java plays the captain of the team, and plays her role in a very much believable manner, with all the emotions and determination required for the role. She will surely be a talent to look out for, with more of similar roles. There is the rage and a flurry of emotions that she comes up with, which suits very well for her character with a troubled past. Unlike the character she played in the Balu Varghese starrer, the energy here is intense. Venkitesh VP as the protagonist’s husband has only a limited role, and we are still hoping to see him in bigger roles, like we have wanted all those actors and actresses in the Naayika Naayakan reality show to come out with their performances on the big screen. Renjit Shekar Nair and the director himself – Rahul Riji Nair comes up with good supporting performances. Vettukili Prakash’s role might have felt unnecessary. The cast of girls in the team is also nicely done, and at least quarter of them stay with us by the end, even though not more than one or two gets extra attention.

How it finishes :: Kho-Kho is another sports drama which you don’t need to miss, and it is also a film which goes through the base level of the game, without overdoing the same. Just like Finals, it is nice to see another sport with lesser fans getting all the attention, and not the highly fan favourite Indian sport of cricket or football which comes second. Cricket never really required movies as support, but some sports can have films made on them to bring out interest back to them, and this is the same case happening here. The movie is a reminder of a sport which is often left unnoticed among the bigger names. Kho-Kho is a film that can have even a sequel with this content, and there are times when it also reminds us of Godha, which brought back memories of wrestling as a sport. These are indeed the films which needs our support, and not those overrated stuff which has wandered around with a lot of hype and no substance. Kho-Kho needs to come back to television or release on Amazon Prime at some point to expand its horizons.

Release date: 14th April 2021 (Theatre), 28th May 2021 (Asianet)
Running time: 119 minutes
Directed by: Rahul Riji Nair
Starring: Rajisha Vijayan, Mamitha Baiju, Renjit Shekar Nair, Venkitesh VP, Vettukili Prakash, Arjun Ranjan, Sreejith Babu, Jeo Baby, Geethi Sangeetha, Rahul Riji Nair

<— Click here to go to the previous review.

<— Click here to go to the previous Hollywood review.

@ Cemetery Watch
✠ The Vampire Bat.

Aarkkariyam

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What is the movie about? :: Ittyavira (Biju Menon) is a retired mathematics teacher who is spending his time alone in a village in the district of Kottayam. At the same time, his daughter Shirley (Parvathy Thiruvothu) and her second husband Roy (Sharafudheen) are living in Andheri, Mumbai, and are planning to come back to Kerala after some time, despite the COVID-19 restrictions being further imposed everywhere. The coming of Corona has kept all of them in their own space, without much contact with outside world, and the spread of Corona virus had also brought some financial crisis to Roy and Shirley. The former’s business was already failing and there is no success in mutual fund either. The two manage to come all the way to Kerala to Shirley’s hometown and meet Ittyvira, who is really happy to see them. But they are also not able to meet their daughter, as the borders are closed. They apply for permission, but soon, a nation-wide lock-down is imposed, and they are all stuck there in their home in the village.

So, what happens with the events to follow? :: The lock-down changes their lives by a long way, and the restrictions reach their place too. The already interior home now feels even more away from civilization. This is the time when people were only beginning to understand the COVID-19 situation, and everyone was expecting all these problems to be solved as the virus would eradicated in the end of lock-down. One of the consignments of Roy is now stuck with the customs, and without that, there is nothing much that can be done. Now, the only way to get some quick money so that they can pay back Vyshak (Saiju Kurup) is by selling the ancestral lands, and it is Ittyvira who provides them that idea. But there are some complications related to the same, as there seems to be some secrets from the past which need to be taken care of. Roy begins to feel uncomfortable about the same, but there is nothing that he can do, other than worry about the same.

The defence of Aarkkariyam :: Aarkkariyam would seem to be a usual film in a village setting, but it is surely more than that – we get the idea only later though. Every moment in this movie nicely contributes to keep it going, and it is not that long either with each second in there used in an interesting manner. It does have that fine punch at the interval, something that makes the film take another route from the second half. The title itself is a worthy one here, as we keep wondering who all knows about a number of things including a sinister event and a person who was involved in the same. The performance of the three main characters elevates the film further, and the supporting cast is also interesting. The surroundings are nicely created, and the feeling of Pala-Kanjirappilly area is given with the rural touch everywhere, from the people to the environment. The film also focuses on the different opinions that different people would have about one person, and how polarized the same happens to be – how one can pretend to be good among the common people.

The claws of flaw :: Aarkkariyam is not the kind of movie which you would expect, as it has a certain deviation in store there. It is also slow at times, and there are lots of moments when nothing happens, even though they do contribute to the mood. There is also the presence of some usual cliché stuff here, but the same will go on and pass. Even if it feels like family drama, it doesn’t suit into that genre completely, and one would have doubt about the kind of audience it is actually looking for – even though we can keep it for the common audience in general. A little bit more of the moments in Mumbai and their return to hometown as well as a few twists in between would have helped more, even if it would deviate further away from the genre. It was an opportunity for something more, and there was the chance to be a classic, but the film manages to keep it going straight and without adding any special ingredient into it – maybe because there was the feeling that it was not needed, like Kungfu Panda would agree.

The performers of the soul :: This movie, as expected has Biju Menon with a performance to remember, and that too with a different kind of work. He has embraced this role like Vijayaraghavan did, as he moved from the usual kind of hero to the senior roles. Much elder to Biju Menon, he would be the one we would expect in a role like this, something which he has done in earlier films, but not as the protagonist like we see here. We know that other older superstars are still playing the characters of lower age group, but Biju Menon has had the courage to take it to the next level. If we remember his last few films, we will see that this difference in looks has come unexpected, and by a long way. Even as everything is kept simple about the character, there is always something to remember with this act. There are also those simple dialogues will stay, and sometimes come back – it is one realistic performance to remember as we look at it.

Further performers of the soul :: The movie is indeed about Biju Menon, but others do play their part too. Parvathy Thiruvothu once again has a role to remember, as she blends in here nicely, just like she has done so many times with ease not limited to her most appreciated performances in Uyare, Charlie and Ennu Ninte Moideen. She does get pushed to the background though, as the film progresses. It is also nice to see Sharafudheen in a serious role this time. We have been so much used to see him in those comic roles, except for that villainy in Varathan and the psychotic side in Anjaam Pathira, but those were kind of exaggerated when we have a look back – this is really a fine change here from the early comic side in Premam and the same later in Njandukalude Naattil Oridavela. The two match with their performances, and the cast has worked really well. Saiju Kurup plays the supporting role in the usual kind of way, but could have been part of more of the action too. Shoba Mohan is the only person here who gives the feeling that we have seen the person before.

How it finishes :: The first movie directed by cinematographer Sanu John Varghese is not something that we can leave behind. This is the kind of movie which I would have surely watched in the theatre early enough, if there was no COVID-19. It was a good decision to release this one on Amazon Prime Video along with Neestream, Roots Video and Cave OTT platforms because most of us were always going to watch it on Prime Video only – it is still difficult to find the movie there because of the spelling required to be exactly as it is when searching, and surprisingly it is also not on the list of the new film releases on Amazon. But we do get to it anyway, and during this time of lock-down and triple lock-down in Kerala, this is the kind of movie that reminds us of last year’s lock-down exactly as it is, and it is more or less a realistic experience that we go through – the kind which we had seen in Joji, and also in Nayattu even though this one keeps the thriller side at a distance.

Release date: 1st April 2021 (Theatre), 19th May 2021 (Amazon Prime Video, Neestream, Roots Video, Cave)
Running time: 126 minutes
Directed by: Sanu John Varghese
Starring: Biju Menon, Parvathy Thiruvothu, Sharafudheen, Arya Salim, Ganga G Nair, Saiju Kurup, Thejaswi Praveen, Shoba Mohan, Jacob George, Pramod Veliyanad

<— Click here to go to the previous film review.

<— Click here to go to the previous Malayalam film review.

<— Click here to go to the previous superstar film review.

@ Cemetery Watch
✠ The Vampire Bat.

Wonder Woman 1984

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Vampire Owl: It has been too long since we wanted to watch Wonder Woman.

Vampire Bat: I thought that we wanted to watch Black Widow more.

Vampire Owl: Yes, that too, but this is a sequel, and we will end up forgetting the first film.

Vampire Bat: Well, it is like we have almost completely forgotten Avengers too.

Vampire Owl: Nobody forgets the Avengers.

Vampire Bat: Everybody forgets everyone, not just Avengers. It is only a matter of time.

Vampire Owl: Vampires have their memories towards eternity.

Vampire Bat: Not at all vampires. There are levels.

Vampire Owl: Levels like in Super Mario?

Vampire Bat: Not exactly. But existence for a long period of time matters.

[Gets some french fries and three cups of grape juice].

What is the movie about? :: In 1984, Diana Prince (Gal Gadot) works at the Smithsonian Group in Washington DC, and in a flashback, we see that when she was little, she had taken a shortcut to win a tournament among the Amazons. There, Antiope (Robin Wright), the general of the Amazon Army had told her there are no shortcuts, and everything has to achieved with honesty, and her mother, Hippolyta (Connie Nielsen), the queen of Themyscira had agreed on the same. Even though Diana is doing the usual kind of job in the 1980s, she is also going through the superhero stuff. In the same city, Barbara Minverva (Kristen Wiig) lives, and as a new recruit to The Smithsonian, meets Diana. Barbara is not popular at all, and she feels that nobody likes her. People usually walk around her as if she doesn’t exist, and she is highly disappointed about that kind of treatment with even her name being forgotten.

So, what happens with the events here? :: Barbara becomes friends with Diana very soon, and they notice one item, a stone that contains a Latin inscription which claimed to grant the holder one wish. Barbara wishes that she becomes as good as Diana in all ways, while Diana wishes that Steve Trevor (Chris Pine) comes back to her. They see both wishes being fulfilled very soon, as Barbara finds herself stronger and sharper, as well as liked by everyone around her – she finds out that even her body structure has undergone some change, and she is no longer the clumsy person she used to be, along with finding herself able to lift heavy objects. At the same time, Steve has returned as his soul has possessed another man (Kristoffer Polaha) whose original form can be seen in the mirror reflections. The confusion of entering a new world is with Steve, but with Maxwell Lorenzano (Pedro Pascal) trying to get that stone, it will be the least of their problems.

The defence of Wonder Woman 1984 :: We do feel that the original essence of Wonder Woman is maintained up to an extent, even though it is indeed faded when do a comparison with the previous film. There are some fine action sequences, even though we should have had more grandeur. The best fight is the one in the White House, and showing the helplessness of superheroes making connection with the audience works most of the time. It manages to keep its level high enough among the other DC movies if we make more comparisons with more. The characters in the film are nicely linked with the tale’s progress, and how it finally sets things well for a possible sequel later. There is the message that goes against selfish motive, and going for your desire without thinking about others – against those people who are completely into their ambitions as if people around them do not matter. The setting of 1980s also work really well, and there is a lot of background here that works nicely.

The claws of flaw :: A movie on Wonder Woman can always be better, and there is no doubt about it, for we know what happened in the first film. There could have been more fight scenes around here, and the action could have been bigger. The last fight with the two characters in strange costumes makes things rather weird instead of making everything better in quality. Cheetah should have been a case of terror much earlier as the only character worthy of giving a fight, and should have really had a costume to go with the villainy. The fun that superhero movies usually have, and the dark side that the DC films have had, are not here to make the impact on both sides. The film only gets more and more predictable in its run, and its more and more so by the end. There are moments when CGI doesn’t look that good, especially when the protagonist in the air. There are moments when the movie also feels stretched, and this time even the cameo between credits feel unnecessary.

Performers of the soul :: Gal Gadot, as we always know does remain the strength of the movie, even though there is the feeling of tiredness here in comparison to original Wonder Woman and Justice League. She manages this role very well, as we would expect her too, and the feeling that Wonder Woman brings is different from Marvel’s Captain Marvel – a feeling which is not always easy to manage, but is done really well here. Among these lady superheroes, the gap between Wonder Woman and Captain Marvel is rather too high, with latter as a character is not the person we love. Kristen Wiig does make a pretty good villain character as she handles the spirit, but not much of a Cheetah that we had expected, despite the first half of the movie had her nicely set, even though in a predictable manner. Pedro Pascal does well as the villain who causes the big trouble. Chris Pine returns, but despite everyone having needed the same, this is short-lived.

How it finishes :: This version of Wonder Woman doesn’t match up to the original, and that point is made clear very early into the movie itself. Well, we are sure that it is not possible to match the skill of Marvel here, but we did expect an exception in this case, which didn’t happen though. There was the chance of making some great action sequences here, but they are limited, and Cheetah itself could have been further grand. When we consider the grand scheme about the last movie, this one surely trails behind. But with the entertainment that the movie provides, it is always nice to have another superhero during these times of trouble. The film also has its moments, and we get this on Amazon Prime Video at a time when we are in lockdown. During these times of COVID-19, stay at home, and thus stay safe. After all, entertainment keeps more people at home than anything else. At the same time, let us hope for a better tomorrow.

Release date: 16th December 2020 (United Kingdom), 25th December 2020 (United States), 15th May 2021 (Amazon Prime Video)
Running time: 151 minutes
Directed by: Patty Jenkins
Starring: Gal Gadot, Kristen Wiig, Chris Pine, Pedro Pascal, Robin Wright, Connie Nielsen

<— Click here to go to the previous review.

<— Click here to go to the previous Hollywood review.

@ Cemetery Watch
✠ The Vampire Bat.

Operation Java

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What is the movie about? :: Anthony George (Balu Varghese) and Vinaya Dasan (Lukman) are two unemployed youth who have finished Engineering. Things are not easy for them, as finding a job had become more difficult than ever, and they have been trying for a job for such a long time, with neighbours and relatives ridiculing their situation. They manage to change things around as they provide a new perspective to a film piracy case cyber cell office providing a new perspective to a famous film piracy case related to the film, Premam. The police decides to reopen the case and conduct further investigation with their help. This leads them to Jerry (Mathew Thomas) and Anjali (Anju Mary Thomas) who are studying in the same school, and finally they get to the person behind all the trouble. Still, the credit of solving the case goes to the crime branch. Anthony’s former classmate and lover, Alphonsa (Mamitha Baiju) who is a nurse, also leaves him because she gets an offer from Ireland, with a grand salary package.

So, what happens with the events to follow? :: When there is the chance for an internship in a cyber cell, the police officers call the two to join as the officers Prathap Chandran (Irshad) and Joy Pulimoottil (Binu Pappu) recommend them due to their previous service. The two come across different cases, most of which are the result of carelessness. There are the usual cases of cheating through Facebook, OTP etc among others which are of even more serious nature. The only media favourite case was that of Ramanathan (Vinayakan) and Janaki (Dhanya Ananya) who are trying to prove that the latter is not a part of a video. But soon, they come across a case filed by Anthony’s former lover Alphonsa who had lost more than two lakhs of rupees which she had given for a job in Ireland. The newcomers are asked to find the details of the case. But this case won’t be the only thing that they will have to worry about. This journey with the cyber cell would decide their future.

The defence of Operation Java :: There are many things that Operation Java shows without pretensions, as this is indeed a realistic work on the lines of Action Hero Biju, but without the superstar power. Almost everything here feels real, and with the usual cybercrime cases being mentioned, this stays close to what usually happens with people, and is shown in news channels. During these times when cybercrimes continue to be on the rise, the film also serves as a reminder to what all can happen, and the title Java seems to point to the computer language of the same name more than anything else. There is also the situation of the new graduates who don’t have a job shown here through the lives of the two main characters, and that can also be seen in some of the crimes being investigated here. Loss of cash from account through online means, creating fake videos and making them viral, online job scams have made part of news on many occasions.

Positives and negatives :: Operation Java might not be the movie for everyone, as there will also be people looking for the superhero mode when there is a police investigation, even though Anjaam Pathira and Forensic did make certain move against the same, minimizing action, and maximizing the focus on the procedure of finding the culprit. But you will know that this is as much enjoyable as anything else. The final case in the movie is indeed the most interesting of them all, even though there are lots of interesting things related the cyber cell happening in between. The fights which happen in between are also as realistic as it can get. When the film released, people might have been confused about what kind of a movie this was, but that problem is solved for now, and the OTT platforms deserve your presence now. The film has that kind of a cast, the type which seems to be so perfectly done, and we can expect wonders from them too.

The performers of the soul :: Balu Varghese in a serious role here instead of the usual stuff has proven to be a welcome change. He along with Lukman who was part of Unda earlier, makes a fine combination. They go through those realistic moments really well. There is also a certain amount of humour, and they go through the emotional side nicely too. The two are more or less like the usual type of people whom we see around. Shine Tom Chacko makes a nice entry in the final moments of the film, and as usual, he is great to watch – he enters realistic mode with ease. Irshad and Binu Pappu plays two likable police officers of the cyber cell, while Prasanth Alexander plays the role of the not too likable one around, as all these supporting characters leave some good moments for us to remember, with everyone being the common people and not superhuman officers who keep hunting criminals with their special skills.

Further performers of the soul :: The female characters are not given much of importance in this film, even though there is one lady police officer in the cyber cell. Even though Vinitha Koshy of Aanandam and Luca fame is here as the biggest female name on the list, she is seen for only a few minutes as a murder victim as the film nears the end. Dhanya Ananya surely has some of the most emotional moments, even when she is not speaking, but she along with Vinayakan who plays her husband doesn’t get screen time at all. Vinayakan was in most of the posters, maybe to bring more viewers into interest here. Other female cast includes Anju Mary Thomas and Rithu Manthra who don’t have screen space either. Mamitha Baiju is the only one who has something enough to do here, and she does her job quite well. P Balachandran and Johny Antony are also on the screen for very few minutes, while Mathew Thomas of Kumbalangi Nights and Thanneermathan Dinangal fame is there for that much short time period too.

How it finishes :: Operation Java is one of the movies which released directly in the theatre when the COVID-19 lockdown on theatres was lifted. It had received many positive reviews then, and is now available on ZEE 5 along with having the television premiere on ZEE Keralam. The message about the unemployed youth and awareness on cybercrimes adds to the movie’s advantages. At a time when the police investigation films continue to slide towards becoming mass entertainers, Operation Java stands apart, and can inspire some of the other industries with superstars to think beyond. As the film is now in OTT platform, one can choose to watch it from anywhere in the world, and we can expect it to come back to ZEE Keralam on multiple occasions too. Do watch the film, as these are type of movies which can keep our world realistic rather than inside escapism. There was Nayattu which released earlier, and this adds to that realistic world.

Release date: 12th February 2021 (Theatre), 15th May 2021 (ZEE 5 & ZEE Keralam)
Running time: 146 minutes
Directed by: Tharun Moorthy
Starring: Balu Varghese, Lukman, Shine Tom Chacko, Vinayakan, Prasanth Alexander, Binu Pappu, Irshad, Vinitha Koshy, Dhanya Ananya, Dinesh Prabhakar, Mamitha Baiju, Mathew Thomas, Johny Antony, P Balachandran, Anju Mary Thomas, Sanjay K Nair, Rithu Manthra, Deepak Vijayan, Eldho Raju, Ramesh Chandran, Sreeja Ajith, Sunil Meleppuram, Shiny Zara, Anil Kumar, Dilshana Dilshad, Althaf Salim

<— Click here to go to the previous review.

<— Click here to go to the previous Hollywood review.

@ Cemetery Watch
✠ The Vampire Bat.

Nizhal

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What is the movie about? :: John Baby (Kunchacko Boban), a district court judge gets into a car accident after being in a fight with rash bike rider. After the accident, he begins to see things, and when there is sunshine, he keeps seeing dark clouds and rain. His psychatrist Dr TP Basheer (Rajesh Hebbar) tells him that it is just post-traumatic stress which will be over in a few days. He is also forced to wear a mask to make sure his damaged nose wouldn’t suffer any more damage, and will stay stable. He is not able to continue with his job as he used to, and his senior, Ajith Kumar (Saiju Kurup) is doubtful about his mental status. His best friend Rajan (Rony David) and wife Shalini (Divya Prabha) helps him, as latter is also a psychologist. From Shalini, he gets to know about a boy named Nitin (Izin Hash) who had written a story of murder when teachers had told the students to do some creative writing exercise. The teachers are concerned because as a child, he was supposed to write about things less terrifying by a long way.

So, what happens with the events to follow? :: As this has him interested, he meets Sharmila (Nayanthara) the boy’s mother with the help of Shalini so that he could get rid of the feeling that something is wrong. Even though she doesn’t agree in the beginning, she lets them into their home fearing the police getting into the act. Nitin seems to be a happy little boy who lives with his mother in a luxurious flat in the middle of the city, and his only contact is Megha (Aadya Prasad), a college student who comes regularly to teach him, and is his only real friend. Nitin gets close to John easily, especially due to his mask which reminded him about Batman and Robin. Soon, things take a turn, as they understand that the murder which the boy had talked about, is something which had really happened. The body which was supposed to be hidden in the area which he mentioned actually existed, as they fnd a skeleton which was about thirty years old. Now, the boy has another story, and things begin to get serious with police involved.

The defence of Nizhal :: There is a certain amount of quality that we can witness as far as b is considered as a mystery thriller – this is the style which some of the Prithviraj movies had possessed, those belonging to the same genre. The technical department is quite strong here, and we see some fine visuals and the background score as well as the other sound effects are of top quality. The mystery is well maintained throughout the film, and there is the suspense which is not revealed that easily. The movie, as a thing of mystery has that Hollywood touch in different areas. It never lets the slowing down of the tale to hurt it, because there is the artistic quality which makes everything feel relevant and running. The first half is surely better than the second, and the interval punch is of top quality, as it is where you get your expectations to the highest point. From there, the movie travels through the safer zone in comparison.

The claws of flaw :: The climax could have surely been better, instead of seemingly taking everything towards what seemed to be a rather convenient ending – not really appropriate for a movie which had taken itself out of the comfort zone in the early stages making one feel that this was going to be something divergent beyond expectations. There are also those situations which could have been more twisted than what is seen on the screen, and moments when it could have taken a big leap. We could have also seen better reasons for what has happened on the screen, but that is also not here to be taken. The comic relief, even though is pretty good, disappears too soon, and the seriousness is not transformed into that next level as it was needed, when we see the final moments of the film. One can’t really blame that as the biggest mystery and fear has been about the Corona virus for some time now. The movie also needed better advertising because there are still people who don’t know about this one.

The performers of the soul :: Kunchako Boban has been winning with his thriller movies, from Anjaam Pathiraa to Nayattu, the first one being an investigation thriller and the second one being a survival thriller against all odds. With all these movies, it is clear that he is getting rid of that romantic hero image once again, as this works really well for him. I would expect to find many more of similar movies with him in the lead, as we see how well this has suited him. After Love Action Drama, Nayanthara makes another return to Malayalam cinema, and this time it is into another genre, even though this time, we don’t have the whole thing centered around her – there is no real romantic side to this tale, and it is indeed a positive thing in a mystery thriller based on murders. Her character is also limited in comparison, and maybe it could have had more dimensions rather than being important as the mother of child causing trouble.

Further performers of the soul :: Izin Hash who plays the kid does the usual job quite well too. Saiju Kurup does things well in a role which suits him. Lal makes an appearance in the end, and it is the kind of role, though significant, stays on for the last fifteen minutes or so. Maybe, he could have had something to do earlier in the film too, and that would have made the whole thing better. Rony David who is best remembered for Aanandam, plays a significant role here too, and Divya Prabha who were among the nurse characters in Take Off has a nice role here, as a child psychologist, which she does to perfection – another case of finding the right support cast. We also see Marimayam‘s Vinod Kovoor and Star Magic‘s Kollam Sudhi in smaller roles, and we can hope for more of them later too. Among others, Aadhya Prasad seemed to be a notable newcomer, and we can find out that the lesser roles are given to those who are suitable for the job.

How it finishes :: Nizhal is the latest in the list of those Malayalam movies which were forced out of the theatres due to the COVID-19 complete lock-down being brought on the state. It is a fine choice, as nothing reaches viewers like Amazon Prime. After Drishyam 2 became a huge success and Joji received some high level critical opinion, it was already too late for a movie like this to have its release in the OTT platform. So, finally it arrived, and one can be sure not to be disappointed with this mystery thriller, as it is more than the usual mysteries which you see everywhere. It was also nice to see parts of UC College, Aluva being included in parts of the movie – the college had its biggest appearance in Premam, but here also, we are happy to see that grand educational institution which only recently completed one hundred years since its beginning. Nizhal, as a mystery thriller wins its battle, and lets hope that we win ours against COVID-19 too. Stay safe, everyone.

Release date: 9th April 2021 (Theatre), 11th May 2021 (Amazon Prime)
Running time: 124 minutes
Directed by: Appu N Bhattathiri
Starring: Kunchacko Boban, Nayanthara, Lal, Rony David, Saiju Kurup, Izin Hash, Divya Prabha, Vinod Kovoor, Aneesh Gopal, Siyad Yadu, Sadiq, Aadhya Prasad, Rajesh Hebbar, Kollam Sudhi, Sreelatha Namboothiri

<— If looking for horror genre in Amazon Prime, read this review.

@ Cemetery Watch
✠ The Vampire Bat.

Nayattu

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What is the movie about? :: Praveen Michael (Kunchacko Boban) is seen as rejoining the police force after taking a small break from service for a tug of war competition. Even though he made a fake medical claim, he is reinstated into the force as the police department is preparing for bye-elections. He meets his superior officer Maniyan (Joju George) and Sunitha (Nimisha Sajayan) works at the same police station. One day, they have a fight with a local goon, a relative of Sunitha in the police station who has been harassing her, and the situation goes out of hand with Praveen and Maniyan fighting the goons. The issue is finally settled, and no case is charged against the person for assualting the police because of his political influence as part of a Dalit party. Later, their jeep meets an accident, and a person is almost killed. The driver who is a relative of Maniyan runs away, and the person who met the accident happens to be a friend of the person with whom they had a fight.

So, what happens with the events to follow? :: They take the person to the nearby hospital, but he is soon, pronounced dead. At the same time, the goons reach the hospital, and the three cops run away towards the police station, almost getting attacked on the way. They get to the station, and tells them the details, but it turns out that the news in channels haven’t come in such a way that it would be helpful to them. It turns out that the police was planning to arrest them, and as they understands the same, makes their move. They leave the police station, and decides to run away, even though there is no clear destination awaiting them. The Chief Minister calls for immediate arrest of the police officers because he needs the support of the Dalit group. At the same time, even though left with minimum help, they manage to go for the highlands. But a group of elite police officers are searching for them, and time is surely running out.

The defence of Nayattu :: Nayattu shows the strength of a certain survival mode at all times. Malayalam movies have had their own dose of survival films, but none of them have come close to being this effective. There is also the case of a corrupt system which is hell bent on punishing the innocents if that means political advantage, and power always shifting to politics and their goons, even if one has law and order in hands. The movie deals with the realistic side of a survival thriller, and it doesn’t pretend in doing the same. There were many paths which Nayattu could have taken, but here it takes the one with the least pretensions, and that can be seen in the final moments of the film too, as there is nothing like an uplifting moment in this movie. The ending is open-ended, and it is up for the viewers to decide how this ends, even though the options seem pretty much straight forward. With some good visuals to add to it in the later stages, the movie reaches there.

Positives and negatives :: Nayattu is a reflection of that world in which putting up a fine show in front of the camera is more important than truth, and it is a mirror that should be held against a good number of cases which the media had taken up in the last few years – truth had often taken the backseat favouring the sensational in almost every case there. It is that world were facts are not important, as the objective viewpoint becomes weaker in comparison to the emotional side. It is like a fixed match of IPL, and people just wish to enjoy the show, and different castes wishes to play their cards, sometimes in an extremely violent manner and at other times that of victim – this situation is reflected rather clearly around here. Still, the ending could have been made crisper, and better meaning could have been given to these happening instead of making all these acts resulting in nothing, a case of absurd. Even when going the realistic path, there are always more things to be done, and something else to be added.

The performers of the soul :: Kunchako Boban plays the main character here, even though the balance does lie among the three police officers. He plays the rookie police officer in a very much believable manner, as this realistic depiction makes another version of dealing with crime unlike what we had seen earlier in Anjaam Pathira. It is indeed nice to see him being part of such serious movies again and again. Joju George’s character here reminds us of his work in Joseph and Action Hero Biju, and he does a very believable job in this film too. He has some of the best dialogues in the movie too. Nimisha Sajayan is realistically good as usual, and we have seen her choosing the realistic path on so many occasions and succeeding in the same. She was on one side of crime before, as we have seen in Oru Kuprasidha Payyan when she played a lawyer.

Further performers of the soul :: Jaffer Idukki was seen playing the Transport Minister in Yuvam, and here he plays the Chief Minister – the role of the politician, especially that of a minister seems to suit him really well again and again. His character here reflects the typical politician who wants to retain power at any cost, and will plan successfully to win elections. Yama Gilgamesh who plays the police officer in charge of the operation has everyone’s attention too. This is also one of the last films of Anil Nedumangad, the actor who have done some memorable supporting roles in the last few years, and had died by drowning at the reservoir of Malankara Dam during break in between shooting. He plays the officer who supports the investigation, and this is once again very much a notable role. The rest of the supporting cast feel very much realistic.

How it finishes :: Nayattu is the one realistic survival thriller which reflects the corrupt system so well, that we feel the strength of that depiction in more than one way. There are castes and communities which try to get their due, and for governments, these divisions matter – now the question remain about the position of justice, and that is left to the crowd and media, The film is a fine reflection of this situation, and as it has reached Netflix, I am sure that more people will be interested in watching the flick. Unlike the forgettable Irul which had released in Netflix, this one has a lot more to offer, even more than what the Amazon Prime releases Drishyam 2 and Joji had to offer. It is time that the films which were taken out of theatres due to lock-down come to some OTT platform or maybe have an early television premiere, because it is the worst stage of COVID-19, and we do not know what the future holds for anyone in India right now.

Release date: 8th April 2021 (Theatre), 9th May 2021 (Netflix)
Running time: 124 minutes
Directed by: Martin Prakkat
Starring: Kunchako Boban, Joju George, Nimisha Sajayan, Anil Nedumangad, Jaffer Idukki, Samson Matthew Valiyaparambil, Ajit Koshy, Manohari Joy, Yama Gilgamesh, Jineesh Chandran, Hakkim Shajahan, Vinod Sagar, Dineesh P, Jithu Asharef, Kiran Peethambaran, Sminu Sijo, Arafath

<— Click here to go to the previous review.

<— Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Without Remorse

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What is the movie about? :: A group of US Navy SEALs are led by Senior Chief John Kelly (Michael B Jordan) through Aleppo in Syria, while the Syrian Civil War is at its peak, and ISIS has a considerable presence in the country. In between all the destruction that they see around them, their mission is to rescue a CIA agent who was earlier taken hostage by ISIS members. But they are shocked and surprised as they come across what seems to a Russian arms depot and not an ISIS safehouse, and the people they were fighting seemed like experts. It turns out that Deputy Director Robert Ritter (Jamie Bell) knew that the mission involved fighting the Russian military, and the team, without knowing what they were facing, only manages to survive and escape with the hostage before an airstrike is called on the location. But only three months later, the military officers who were involved in the operation are murdered one after the other, while John spends his time at home with his pregnant wife Pamela M Kelly (Lauren London) after retiring from the force.

So, what happens with the events to follow? :: It turns out that John’s home is also attacked at night, and even though he is able to kill one of the attackers, his wife and the unborn baby are killed, while he ends up in critical condition at the hospital. It turns out that it was a group of Russian FSB operatives who attacked them, and it turns out that it is a retaliation for what happened in Syria. But, Robert is not interested in going through the investigation, as even though it is a foreign attack on the US soil, CIA considers the scores settled, with no need to escalate it as an international problem between two nations and their allies around the world. There is also nothing to link the FSB members to the Russian government either. Lt Commander Karen Greer (Jodie Turner-Smith) helps John with the needed information, and he takes matter into his hands, as he tracks down the Russian diplomat who issued the passports to the FSB operatives He forces him at gunpoint to provide the name of the surviving assassin, before killing him.

And what else is to happen here? :: John does get the escaped name as Victor Rykov (Brett Gelman), but is sent to prison for what he had done. He also has a fight in the prison, but gets himself in control as he is given an audience with CIA and the rest of the US Department of Defence. United States Secretary of Defense Thomas Clay (Guy Pearce) decides that he would send John with the other operatives to find Victor, as his anger, determination and need for vengeance can be used effectively even though nobody else is certain about it. But even though they travel to Russia in a cargo plane undercover, they are discovered by a Russian fighter plane which shoots them down. This leads to the relation between the United States and Russia reaching a new low after Cold War. They just manage to escape as the flight lands in the sea, and John’s doubts about Robert gets to a new high as he hadn’t taken the same flight with them. Even though he repeats that he knows nothing, there is the feeling that there is something clearly wrong about this particular mission.

The defence of Tom Clancy’s Without Remorse :: We always love to have a movie with a high revenge element turn into something with an international conspiracy. There is enough suspense being built here, and we have some twists to add to it, as many things here are not exactly as what they seem. The action is good, and it is mostly focused on shooting, with the support of some explosions, and the feeling of war is always there, even when it is not really on the screen. The sequences are nicely done, not just with the fights, but also with the settings, reminding one of those nice first person and third person games which we have played in the past – after all, the gamers of early 2000s will surely remember games like Rainbow Six and what followed, including Rogue Spear, Take Down, Raven Shield and others which are also based on the works of Tom Clancy, and took the shooters to another level during the time of release. The movie version is quick and keeps up the pace throughout its run-time here.

The claws of flaw :: The movie doesn’t add that much new as one would have expected. It could have managed to get rid of some of its predictability here, and there doesn’t seem to be an attempt to add more to the plot, as a deviation from the book has happened as the makers have tried to change the setting to contemporary times. The hero is also a little bit too strong for this kind of a movie, even though he is still not seen as a superhuman as some of our good old blind fans would have liked – they still have Bollywood to have such dumb movies of non-acting megastars. Some of the twists that await us can be sensed, and we have a number of moments when things could have gotten much better. Also, if you are looking for the usual kind of full of action or full movie, that is not going to happen – it is a trend among the viewers from this part of the world. This is certainly the movie which we would have wanted to see as a better one.

The performers of the soul :: Michael B Jordan with his strong performance leads the way here, even when the character does make us feel that there was much more deserved rather than following the safe path. The action as well as emotional side seems to work well for him here, and gets some fine battle scenes to work in his favour. You are often reminded of Will Smith in Gemini Man too. It is said that Keanu Reeves was also offered the main role here, and that would have been nice too, considering what he has been doing in the John Wick series as the hitman without limits. Beyond the protagonist, the one person who makes a big impact is Jamie Bell, who is the kind of person that suits this kind of films, and if a sequel is being made, he deserves to be there. Lauren London doesn’t have much to do in here, and the only female character who gets any importance is Jodie Turner-Smith who plays Commander Karen Greer, and it is played well. Guy Pearce does his job in a neat manner too.

How it finishes :: Tom Clancy’s Without Remorse gets its release in Amazon Prime, and this is indeed the right time to be on OTT at least in India, as this is the season of COVID-19 again, and not many Indian films are releasing on any of these platforms anymore. With the novel on which it is based, written in 1993, and set during the Vietnam War, this one takes a move forward in the timeline, placing itself in the contemporary times as it serves as the origin story of John Clark, a character that is repeated in the other works of the series. There seems to be quite a good number of differences which are to be noted. The fans of the book might or might not like them, but as far as most of us around here are concerned, we haven’t read the work. I would consider this one to be an interesting movie with focus on origins. The opportunity for the sequel can also be seen here, and we can wait to see how another film can build on this.

Release date: 30th April 2021
Running time: 109 minutes
Directed by: Stefano Sollima
Starring: Michael B Jordan, Jamie Bell, Jodie Turner-Smith, Luke Mitchell, Jack Kesy, Brett Gelman, Colman Domingo, Guy Pearce, Lauren London, Todd Lasance, Cam Gigandet, Jacob Scipio

<— Click here to go to the previous review.

<— Click here to to go to the previous Hollywood review.

<— Click here to go to the previous big Amazon prime release.

@ Cemetery Watch
✠ The Vampire Bat.

The Priest

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What is the movie about? :: Fr Carmen Benedict (Mammootty) is a priest who is known to have helped the police in multiple cases. Diya Alex Alatt (Saniya Iyappan) approaches him with a certain amount of concern regarding a series of deaths which had occured earlier in the rich and influential family, and were dismissed as suicides. Diya feels that the present controller of the assets of the family, Elizabeth Alatt (Meera Nair) might know something about it. He calls DYSP Shekhar (Sivadas Kannur), who begins to share some of his doubts. When a little girl named Ameya Gabriel (Baby Monica) is also found in the house, and the connected incidents related to her lead to the discovery of more clues related to the murder, Fr Carmen also understands that there is more to her than what meets the eye. Ameya is an orphan, and nobody has any idea what she is upto, because she often goes missing from her orphanage, and comes back by herself. Her actions are also nothing less than what others consider to be strange.

So, what happens with the events to follow? :: Jessy Cherian (Nikhila Vimal), a new teacher takes charge in the school where Ameya is studying. Even though Ameya has been hostile to each and every person in the school including teachers and students, she immediately becomes friendly to Jessy who is also happy about the same. As the school is closed for summer vacation, Ameya begs for her to be taken with Jessy. With the permission of the orphanage authorities, she manages to take the child to her home in the highlands, which had been abandoned for a long time. But it turns out that this child is not really the kid which she had expected. When anyone else comes in between Jessy and Ameya, the latter reacts violently, especially when Jessy’s fiance Siddharth (Venkitesh VP) comes to meet her, and proposes her. Soon, things take a further violent turn, and Fr Carmen makes his way to the place, as he understands the seriousness of the situation. But this might not be the kind of spirit which Carmen thought it is. He takes the help of Dr Mathews (TG Ravi), but he understands the need to learn about the spirit.

The defence of The Priest :: The movie scores heavily with its visuals, as we do have a perfect setting for horror, and along with the environment, there are the usual scares effectively used with the help of sound effects. The music is also very interesting. The scares are added here and there, and at times they work depending on the audience. There are some twists to be added here, but we do expect a few among with ease, seemingly because of trying to stick to the Hollywood style. The performance are also of a higher level, even though we do feel that the first investigation was even more interesting than what came later. It does have the most interesting part in the beginning, like Mammootty’s Abrahaminte Santhathikal had that crime at the start, and even with the presence of clowns, doesn’t make them nonsensical like it was done in the strange Mammootty movie The Great Father. Instead, most of the time, The Priest plays to its strength, and makes sure that there is no risk taken, even though it was there to be taken.

The claws of flaw :: The Priest has many elements which we would feel borrowed, and the reminder of Hollywood movies is sure to come back here. The climax doesn’t deliver the needed punch either, as it goes through the safe way, and adds one scene after the finish, seemingly as a justification. Looking at films like The Conjuring, The Nun, Insidious, Sinister and Annabelle, we have had an overdose of horror movies with spirits, and as there was enough for reference, this could have certainly done better – we all remember what Ezra did with the Jewish demon. Well, when the demon really doesn’t want to be terrifying, and with the first motive being close to a Mathematics teachers, the scary side weakens – when the motive and actions of the supernatural doesn’t scare us enough, the genre itself struggles. After all, a spirit should do what it always does the best, and it should go further when listing itself as a horror film at all places. There can be more to an act of exorcism and the process of haunting. We also see something missing with the sequence of events, but can’t talk about that without revealing the suspense and twists.

The performers of the soul :: The movie was marketed as the first movie in which Mammootty and Manju Warrier acted together – the last word does have some complications though, because the latter’s character was dead some time ago, and so the characters won’t be living together in the film, and we would have to wait to see them in the leading roles. Manju Warrier’s role is also quite short here, and it can be considered only as long as the work of Saniya Iyappan who also has some work to do related to the first adventure of the protagonist. Mammootty’s avatar here is a lot better than what we have seen in most of his action and thriller films, and this is a character that he does with ease. We can now remember him like Father Brown, the Roman Catholic priest and detective who was the main character in the fifty three short stories written by British novelist GK Chesterton in the years after Victorian era. There we were not into horror though.

Further performers of the soul :: Even though often known as the first Mammootty-Manju Warrier movie, the latter gets only limited presence, and in the first half we don’t even have a clue that she exists. But when she is there, she works through this very well. Nikhila Vimal is once again seen as a talented actress, extending her good work from Njan Prakashan and Aravindante Athithikal. Saniya Iyappan has the early shorter presence, and as we had seen her effectiveness in horror with Krishnankutty Pani Thudangi where she was the only saving grace, we were expected more of her presence there. Ramesh Pisharody and Jagadish are also given some early moments in here. Venkitesh VP whom we have known from the television show Nayika Nayakan also has done some good work. Baby Monica also contributes nicely once the horror side begins. She excels in displaying that scary side which is brought to light in the second half of the movie.

How it finishes :: The Priest was among the much awaited movies with Mammootty in the lead, and it has come late due to COVID-19 pandemic – according to the reports, it has still managed to be a profit-making venture, even with the theatre occupancy being controlled. The Priest is the one Malayalam movie which brought the viewers to the theatres and made sure that the business was running smoothly. As it has released on the OTT platform of Amazon Prime, one can now watch the film without those fears which we had earlier. The Priest is not only on a path towards being a stylish horror movie, as it is also an innovation in having a release on an OTT platform a month after its theatre release – it is a path which many more movies can follow, as there are other films which need to be released, and we are still facing the worst case of that one grand pandemic. With the clouds bringing darkness early in the afternoon, The Priest makes an interesting thriller for the time, even though it could have been bigger and smarter.

I also wish everyone a Very Happy Vishu! Stay safe and enjoy the day 🙂

Release date: 11th March 2021 (Theatre), 14th April 2021 (Amazon Prime)
Running time: 147 minutes
Directed by: Jofin T Chacko
Starring: Mammootty, Manju Warrier, Nikhila Vimal, Baby Monica, Venkitesh VP, Saniya Iyappan, Sivadas Kannur, Jagadish, Lishoy, Shivaji Guruvayoor, Ramesh Pisharody, Kochu Preman, Ameya Mathew, TG Ravi, Dinesh Panicker, Kalabhavan Haneef, Naseer Sankranthi, Sminu Sijo, Jeeva Joseph, Shiny T Rajan, VK Prakash, Meera Nair, Thomas Kuriakose, Jayadevan, Manoj Chennai, Sohan Seenulal, Madhupal

<— Click here to go to the previous review.

<— Click here to go to the Holy Week’s movie review.

@ Cemetery Watch
✠ The Vampire Bat.

Joji

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What is the movie about? :: Joji Panachel (Fahadh Faasil) is the youngest son of Panachel family, an engineering drop-out who has now failed in his latest attempt in the tourism field due to the COVID-19 pandemic. Living somewhere in the isolated part of the highlands, where his father Kuttappan PK (Sunny PN) owns many acres of land around their house, Joji condemns the fact that everyone considers him as a failure. Kuttappan’s other two sons Jomon Panachel (Baburaj) and Jaison Panachel (Joji Mundakayam) fear him as much as Joji does, and the terrifying head of the family is ruthless in his attitude towards his family members. He keeps all the money to himself, and the sons are ever dependent on him. Jaison and his wife Bincy Jaison (Unnimaya Prasad) are highly obedient towards him, while Jomon also has his son Popy Panachel (Alister Alex) living with him after just recently completing the procedures of his divorce.

So, what happens with the events to follow? :: It is a world where Kuttappan maintains full control, and Jomon is a son who seems to be becoming just like his father. Joji is upset about nothing positive happening in his life, while Popy is a hopeless young boy himself. Bincy also has no hope for future, while her husband the son in the middle, Jaison has no courage to do anything that could change the sequence of events for everyone in the family. But when Kuttappan has a stroke while once again trying to show his strength in front of everyone else, the regular sequence of events is disturbed. The doctors and most family members feel that there is no comeback for him, and even the local priest Fr Kevin (Basil Joseph) believes that now only prayers can save him. But to everyone’s surprise, the 74 year old man survives death and comes back to them in a wheelchair. The fear factor is back, but now there is a chance for everyone to have a deviation here.

The defence of Joji :: Joji thrives on the realistic feeling that it generates with the thrills, something which Dileesh Pothan carries over from Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum, with setting coming back to the highlands yet again. The time, from a Google search, the location seems to be more Kottayam than Idukki, and the atmosphere here is nicely set – could even serve as a lesson for anyone who makes a film based on the Koodathayi cyanide murders. This kind of a world is something that could take Malayalam cinema further, especially considering the fact that this flick is no longer limited to the local theatres, but gracing many nations of the world. The build-up is really nice, even though a little bit slow, and it has us expecting a lot to follow, considering the fact that a good number of main characters have certain secret motives. The film does make us remain suspicious at all times, even though some of those doubts are really without any reason. The camera work is excellent, and you also get to see some spectacular shots.

The claws of flaw :: The ending here is not that effective, and there we can see a big opportunity gone missing in a movie which was going to be far more efficient in divergence. One would expect one master twist in the end, but the final moments were just predictable and without the strength that such a movie needed to have. Seeing a top quality psychopath running out of ideas, and nobody stepping into take his place creates a struggle in the end. Even though there is the talk of this being an adaptation from William Shakespeare’s Macbeth, one would find that to be an unnecessary addition to the details about the movie, because the protagonist whom we see here is none like that particular character. I wouldn’t connect that Elizabethan age drama to this one because it feels like not doing justice to both – this one works separately, and could have achieved more with this premise. Also, the female character representation is too low here.

The performers of the soul :: Just like the earlier Dileesh Pothan movies which had Fahadh Faasil as the main character, this one also depends on him to bring the magic, which he does with a certain amount of ease, as he has done before in multiple occasions as part of many different movies. We can also find traces of what was seen in Kumbalangi Nights with his psychotic character that brought the twist in the end. That was a movie which should have been sent for the Oscars, and Fahadh has another performance here that follows the much appreciated self-proclaimed hero of Kumbalangi. Unnimaya Prasad is also here doing a really interesting character, someone who seems to have hidden dark shades, even though the same is not explored further. An opportunity to bring the Macbeth element with a guilt-filled Lady Macbeth is not taken here, against expectations. We had seen her most memorable role in Anjaam Paathira, and this is the next most memorable thing.

Further performers of the soul :: Baburaj’s performance in this movie serves as a big boost too, as he excels in the serious as well as the funny moments. In the end, we feel the character as a person who holds on to his own values, and the same differentiates him from others, even though he is still an alcoholic with not control over his tongue – a character nicely executed. Shammi Thilakan’s character also catches our attention, and it is also as realistic a character as we can get. Sunny PN who plays the controlling father character will also have our attention from the beginning itself. Basil Joseph’s role of the priest is a welcome addition too, even though it doesn’t directly affect the storyline. It is to be noted that the director of movies like Kunjiramayanam and Godha has played a good number of interesting roles until now. The lesser characters are also nicely added to the film, as we see them contributing really well in what seems to be nice roles for them.

How it finishes :: During the continuing time of COVID-19 pandemic, this movie has released in Amazon Prime Video, and that has been a nice idea indeed, at least for most of us who haven’t really started visiting theatres again as the cases of infections are still going up. This one is another winner for Dileesh Pothan as a director, as he scored three out of three with simple, realistic movies. I would place this movie between Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum, better than the latter, but not that much of an interesting thing as the former. It seems that a pandemic like this version of mutating Corona virus has given us more thriller movies than those films with hope which were filling up the theatres before we went into that lock-down, an example being seen in Kilometers and Kilometers starring Tovino Thomas which served as a light-hearted feel-good film. We are surrounded by horror and suspense, and it is a fine change.

Release date: 7th April 2021
Running time: 155 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Unnimaya Prasad, Baburaj, Basil Joseph, Shammi Thilakan, Joji Mundakayam, Sunny PN, Alister Alex, Renjith Rajan, Dhaneesh A Balan, Renjith Gopali

<— Click here to go to the previous review.

<— Click here to go to the previous full OTT release.

<— Click here to go to the previous full TV release.

@ Cemetery Watch
✠ The Vampire Bat.

Yuvam

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What is the movie about? :: Aby Mathew (Amith Chakalakkal) is a young lawyer who practices under Advocate Sreekanth Panicker (Indrans) who takes on socially relevant issues, and according to petitions of social interest, trying to win cases in favour of public. Vinu Janardhanan (Nirmal Palazhi) and Paul Varghese (Abhishek Raveendran) also works in the same office, and shares the house rent with Aby. For the last few months, Aby has been a fan of the news reader of a popular channel, Nimisha Madhav (Dayyana Hameed). They end up meeting at a news conclave at which Aby questions the Chief Minister, DK Sreenivasan (Saikumar) about the harthal his party had recently conducted, leading to the loss of crores. Aby and Nimisha meets again after the latter has an accident, and they fall in love. But things get complicated as Aby decides to take the case of a former KSRTC employee who was denied pension for months. After the death of this employee, Aby and his friends decide to take this case very seriously.

So, what happens with the events to follow? :: But the Transport Minister (Jaffer Idukki) has the plans to privatize KSRTC, and Ragesh Joseph (Kalabhavan Shajohn), the local MLA is playing a major role in the same. The court decides that someone has to take charge of KSRTC and prove that it can be a profitable firm, and it advises the government to let the petitioners take charge of the department for six months to make sure that it achieves the target. The government is not really happy about it, but to the suprise of everyone, Chief Minister approves it, being confident that nobody can save KSRTC, and after things worse get under the new people in control, they can easily sell it to the corporates, along with the acres of land which the transport corporation owns all around the state and neighbouring states. Now, it remains to be seen where the fate of state’s road transport corporation and its employees stand. But the path won’t be that easy even with everyone trying their best.

The defence of Yuvam :: Yuvam‘s strength lies in its message which almost everyone who understands the need for reformation of the system can follow. It calls on the young generation to bring that much needed escape from a world caught it political games meant for power and corruption. The two problems that it displays are the common ones, and it successfully makes one feel the need for a change from the usual political parties’ corrupted move forward. The song “Chemmaname” stands out, and when we consider the films so far, it is indeed the song of the year, with nine more months to go for anyone to replace it. Films with social commitment are rare to see even during these days of COVID-19, reminding us that people still haven’t learned their lessons well enough. You can remember the movie Nirnaayakam which dealt with a similar problem, but that one was further implausible. Yuvam, even with making one feel that things went too easily, does make us believe that things are possible.

The claws of flaw :: The whole idea could have been planned much better. There were so many things that could have been included here as far as dealing with the common problems like KSRTC income loss and harthals are concerned. It could have been further emotional and inspirational to create a feeling that would stand much longer. But if you are slave to a political party, and do not understand that the development of the nation and its people matters more than the party itself, there is no point in watching this movie. There is a certain amount of social consciousness in requirement from the audience here, because otherwise the whole idea would be lost. The romantic side is also left behind too early, and the film could have actually been longer in that case. The comic side is also less effective, and even though this also gives the feeling of that everyman’s fight against system, there is the absence of anything special, and predictability is surely there – it should have added some special ingredient instead of moving along the usual lines.

The performers of the soul :: Amith Chakalakkal leads the way here in grand style, just like he did with the earlier movie with him in the lead, Vaarikuzhiyile Kolapaathakam. Just like that one movie which grabbed one’s attention when least expected, this film also does almost the same thing, that too at a relevant time when election is here, and different political parties are throwing trash at each other, leaving the voters to look forward to options like Twenty 20 and other independents. This movie with Amith in the lead would have attracted more audience than that previous one if it was not for the COVID-19 pandemic and the resulting fear of people, especially the family audience. He also has fight scene, and it is done in a more realistic way, even though one would still wonder if it was that easy to fight against the corrupted politicians and their goons, because if that was the case, one can be sure that people would have done that a long time ago. But we have no doubt that Amith will have some even greater movies to follow.

Further performers of the soul :: Dayyana Hameed is an actress whom we have seen before, but never as much as we have seen her in Star Magic, the television show in Flowers channel. Dayyana is surely an actress to look out for, and we have seen some of her performances in that particular programme before, and teasers and songs also provided us an idea. Even though we loved to see her on the screen, she doesn’t have that much of time on the screen, especially as the film is too short to show everything it should have shown. Nirmal Palazhi handles the small amount of working comedy in the film. Saikumar as a villainous figure is strong, but there is not that much of a terrifying impact that this character makes like Jagathy Sreekumar did in Passenger a long time ago in a similar social thriller with messages. Kalabhavan Shajohn and Jaffer Idukki also have the menace limited. Abhishek Raveendran provides some good support. Yet, one person who gets a lot of attention is Indrans with yet another impressive serious role, even though it is not for long.

How it finishes :: Yuvam takes the side of the youth as well as the common man with ease. It shows the fight of everyman against a system which has been corrupted by politics. It reminds us more than once about the fight against the usual politics and its corrupted side, and the battles that non-political organizations have put forward – it is something which will only grow stronger if the politicians don’t mend their ways; AAP did it long ago, and Twenty 20 is doing it now. The movie released in the theatres earlier in February, but I haven’t considered visiting the theatres as an option after Forensic became the last one I watched in the theatres before COVID-19 and following lockdown, but thankfully it did have the television premiere today noon on Mazhavil Manorama. When you get to watch a good movie in just more than a month after its release in theatre on television, it is fair deal as you don’t have sit with stranger for two hours or so. Yuvam is a film worth that time, indeed. After all, every movie cannot release on television like Kilometers and Kilometers.

Release date: 12th February 2021
Running time: 113 minutes
Directed by: Pinku Peter
Starring: Amith Chakalakkal, Dayyana Hameed, Nirmal Palazhi, Indrans, Abhishek Raveendran, Kalabhavan Shajohn, Nedumudi Venu, Saikumar, Baiju Ezhupunna, Jaffer Idukki, Chempil Asokan

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<— Click here to go to the previous Malayalam movie review

@ Cemetery Watch
✠ The Vampire Bat.

Baba Yaga

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Vampire Owl: So, we are having a new monster list.

Vampire Bat: I don’t feel that any more creatures from legends need to be added to the castle’s list.

Vampire Owl: So, you think that this monster won’t make its way into the castle?

Vampire Bat: I am sure that Doctor Frankenstein has enough monsters locked in there in his lab for experiments and there is no room for any more.

Vampire Owl: Well, they don’t seem to have a castle of their own.

Vampire Bat: These are creatures of the forest. They don’t need castles.

Vampire Owl: Everyone can use a castle, or rather two of them.

Vampire Bat: What can a monster do with two castles?

Vampire Owl: Well, you can always rent one of the two.

Vampire Bat: Do not give such ideas to Uncle Dracula.

[Gets a paneer samosa and three cups of cardamom tea].

What is the movie about? :: Egor (Oleg Chugunov) has moved to their new home with his father Alexey (Aleksey Rozin) and stepmother Yuliya (Maryana Spivak), as well as the newly born stepsister. It is quite a strange place, with a highly advanced township with modern buildings very close to a very thick forest, separated with the help of walls. This new apartment in the outskirts don’t really have people mingling much with each other, as they keep away, not really thinking about visiting the neighbours. Egor also finds it difficult to make friends in the strange new place, except for Dania a.k.a. Dasha (Glafira Golubeva) who is also an outcast. But their relationship also goes a strange path due to the influence of a sinister force, and their parents also never cease to be hostile to them, most of the time, for no reason at all. Things are just not normal about the new township and the forests surrounding the same.

So, what happens with the events here? :: Soon, the newly moved family has a new nanny, Tatyana (Svetlana Ustinova), whom Egor doesn’t trust at all, and within no time, the baby goes missing. But it turns out that Alexey and Yuliya don’t remember ever having a child. The baby also disappears from the photos, which makes it extremely difficult to make them believe about the existence of their child. In the forest, the kid meets a man who is supposed to have lost his daughter, but somehow remember about his loss. They understand that it is a Slavic demon who lives at the border between the living and the dead, often known by the name, Baba Yaga. They feel that the real presence of the demon is somewhere near an abandoned power station. But finding the lost babies won’t be that easy, as there is more than what the legends have told them from the internet. They do find strange things in the forest, and having another boy, as Anton (Artyom Zhigulin) with them doesn’t help at all. Back home, things have managed to be worse.

And what more happens here as things go out of control for humanity? :: The demon which has taken the shape of different people has control over people in their world, and they won’t find peace back there either. They have many visions, thanks to the demon’s influence, and now their survival should concern them more than that of the babies. As they wander around the place, they soon realize that may be they are not really at home, and is stuck within a world of chaos. Alexey has already been made to make sure that his son is dead as soon as he arrive. Soon, they will have to fight their own minds to get out of what seems to be a prison created by the demon. But there are other creatures which they have to deal with. Now the question remains if they are matured enough to lead an assault into the lair of this demon, or the witch as some people call her. The fate all the babies of the future depends on their success.

The defence of Baba Yaga: Terror of the Dark Forest :: The best part of the film is the visual beauty itself, as we get to see the modernity on one side, well maintained, and on the other side, we have the natural beauty of the forests, and the use of lighting and darkness is very effective in the movie. There is a lot of divergence in how the lights are used to bring a certain mood to the setting. The use of the legend works well, and leaves scope for a possible sequel in the future, which can bring a more interesting work. There seems to be some nice similarities with Stephen King’s It too, but surely has that divergent side. The Slavic legends do have something special about them. We have already heard about Russian movies bringing these tales out there, and may be it is the Slavic vampire that we are all waiting for – after all, we do read a lot about vampires of the past before they became rather too fashionable.

The claws of flaw :: The movie should have used its ideas better, because there was so much that could have achieved here. Well, not everyone can establish a setting like this, and begin to work on the same so early. It could have left some of those confusing moments behind, and kept things straight, staying close to what should be strength here too – the fear generation. When the film seems that it is going to achieve something, it just comes down, and when it gets a lot interesting, it just losses focus – it is certainly a movie of ups and downs, and also without enough background to the tale which it is dealing with. The heroic deeds of the kids are also half baked in nature. The movie is surely not performance oriented, and the cast just has to play along with the horror here. It could have surely been more captivating, but is not that bad as some of the ratings have been worked out in different websites.

How it finishes :: Baba Yaga: Terror of the Dark Forest could have been something bigger and smarter in scope, even though it is not without its entertainment. The atmosphere makes the whole thing more interesting, and it does seem like a variant among similar flicks. It is always good to take ideas some different myths and legends, and this is something which we are surely not familiar with. Well, not everything can be that global as the Corona virus epidemic. The theatre itself has been a place of horror during the times of the virus though, as almost everyone wanted to not go into the theatres and watch the movie, instead choosing those OTT platforms. Well, let us watch all those movies as we can, and hope for a later surge in the theatres. Until then, we have the lesser known movies like this one that can make a different kind of impact in comparison with other horror films.

Release date: 27th February 2020
Running time: 97 minutes
Directed by: Svyatoslav Podgaevsky
Starring: Oleg Chugunov, Glafira Golubeva, Artyom Zhigulin, Svetlana Ustinova, Maryana Spivak, Aleksey Rozin, Ilya Ludin, Olga Makeeva, Evgeniya Evstigneeva, Marta Timofeeva, Igor Khripunov

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<— Click here to go to the first Portuguese movie review on the site.

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@ Cemetery Watch
✠ The Vampire Bat.

Drishyam 2

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What is the movie about? :: Georgekutty (Mohanlal) and Rani (Meena), along with their daughters Anju (Ansiba Hassan) and Anu (Esther Anil) have become richer after those earlier incidents, as the former has now bought some land, and started a film theatre by the name Rani. Their neighbour Saritha (Anjali Nair) is a victim of domestic violence, and her husband is one of the notorious drunkards of the area, Sabu (Sumesh Chandran) – there are some fights happening in the area due to the same. The people in the town don’t really like them anymore, with the exception of Sulaiman (Kozhikode Narayanan Nair). The local people who are not happy with Georgekutty becoming rich, come up with gossips regarding the earlier incident leading to the death of the boy, and police continues to investigate the Varun missing case as it was something which proved to be humiliating for the entire police department. Georgekutty has the dream of making a movie, which he wishes to be perfect, and has left a certain amount of money for the same.

So, what happens with the events to follow? :: Jose George (Ajith Koothattukulam) returns home after finishing his time in the prison, and he had seen something during the night when the boy was murdered. Philip Mathew (Ganesh Kumar) is in charge of the police station along with Antony Joseph (Antony Perumbavoor), and the investigation seems to be gaining some ground. Thomas Bastin IPS (Murali Gopy) is in charge of the case, and he won’t stop pursuing Georgekutty without anybody realizing the same. Advocate Janardhanan (Joy Mathew) and Advocate Renuka (Santhi Mayadevi) are fighting the case with the latter appearing for Georgekutty to dismiss the appeals for taking the case again. Geetha Prabhakar (Asha Sarath) and Prabhakar (Siddique) are having their ways for finding the means to get through Georgekutty. But Georgekutty remains strong, even as there are many twisted ways being followed here, yet it remains to be seen about how long he can stand.

The defence of Drishyam 2 :: In Malayalam movie industry, sequels haven’t been of that much strength, especially with superstars in the lead, as the chance to relegate into a mass movie is always there, and this film does threaten to do so, but never really does that, as it goes back to the original movie’s feeling. Just like this predecessor, this movie also starts with the usual family moments, even with the presence of certain danger always lurking the corner. There is the mention of the same, but the procedure is usual until we get into the last one hour or so, as things begin to provide a feeling of real danger for the protagonist and his family, and the same is at the extreme in the last forty five minutes or so. One has to appreciate the fact that the movie also has a twist in store in the end reminding the viewers of the first film, but still manages to maintain its novelty with multiple elements in store here. The new additions to the cast are highly effective, without doubt.

Positives and negatives of the movie :: The fact that it has released in Amazon Prime surely has its own advantages and disadvantages too, but I have been rarely the person who enjoyed watching superstar films in the local theatres because there has always been too much of noise – for such films I would have preferred multiplexes, and so this release wouldn’t bother me much. I would have still liked this movie to get into action earlier, as the real tension begins rather too late – for the first film, it was okay as the beginner of a franchise, but it is not acceptable in a second entry in a franchise. The pressure that the first film maintained in the audience is lesser too, as things get over rather too quickly. Final few minutes should have surely been extended at the cost of cutting a little bit of those family moments in the beginning, as well as those moments involving talks from the local people. A long thriller needs to work on its lesser elements better.

The performers of the soul :: Mohanlal continues to be the lifeline of the franchise which can have even more movies in the group. The character has undergone some changes from the first movie, but in essence, there is not much of a change, and we understand the same further as the movie nears the finishing point. The veteran actor, the legend as we know him, has no problem with this particular role which seems to work better than any other roles he has done in the last two decades. The next person to stand tall in his performance is Murali Gopy, the police officer who doesn’t make any compromise while trying to bring justice to his co-worker who was forced to retire from the police force. He plays a mastermind here, who seems to be waiting for that one opportunity to make his move, as the case which had a negative impact on his department needs to be brought back to the spotlight and solved, with the best finish being the long presence of the protagonist, his wife and their elder daughter in prison.

Further performers of the soul :: It is still to be said that Kalabhavan Shajohn is being missed – in another adaptation, it would be Kalabhavan Mani who is to be missed, because we know that there will be adaptations in Tamil, Telugu, Kannada and Hindi, and maybe even in Sinhalese once again. The rest of the characters also do bring some of the red herrings for the audience here and there. Ajith Koothattukulam, the new addition, the surprise character does a fine job along with Sumesh Chandran, while the two children who have changed, played by Ansiba Hassan and Esther Anil are good once again. Meena does almost the same thing as she did in the first movie, and it is to be noted that she, Asha Sharath and Siddique haven’t undergone any changes as far as their characters are concerned. In the franchise, if there is one great righteous character, it is the one played by Siddique. Among all of these characters, Anjali Nair has some of those striking moments too. Santhi Mayadevi, a real life advocate playing a lawyer is also noted for some solid moments.

How it finishes :: Drishyam was once the highest grossing movie of all-time as far as Malayalam film industry is concerned, and it had held that spot valiantly until Pulimurugan and later Lucifer qualified well enough to overtake that status. The one movie which was supposed to be break those box-office records was this one, but we see the release in OTT platform of Amazon Prime getting the release against the wishes of most of the fans and theatre owners. Considering this sequel, it is certainly not that great as the first one, but it is surely better than the two other high grossers of Mohanlal which had overtaken the movie’s predecessor. There was always going to be something about a sequel like this, and that feeling is reflected in the responses to this movie so far. Drishyam 2 is an entertainer of quality, exactly the opposite of what that never ending Annayum Rasoolum-estic borefest which was the first Malayalam movie to be released on Amazon Prime, Sufiyum Sujatayum. Cheers to a sequel done really well, as we await sequels for the other thrillers, Forensic and Anjaam Pathira.

Release date: 19th February 2020
Running time: 153 minutes
Directed by: Jeethu Joseph
Starring: Mohanlal, Meena, Esther Anil, Ansiba Hassan, Asha Sarath, Siddique, Murali Gopy, Sai Kumar, Ganesh Kumar, Anjali Nair, Antony Perumbavoor, Kozhikode Narayanan Nair, Sumesh Chandran, Santhi Mayadevi, Ajith Koothattukulam, Dinesh Prabhakar, Joy Mathew, Rajesh Paravoor, Krishna, Murali Kannur, Boban Samuel, Pauly Valsan, Krishna Prabha, Adam Ayub, Shobha Mohan, Aneesh G Menon, Jayashankar, Mela Reghu

<— Click here to go to the previous movie review and before that.

@ Cemetery Watch
✠ The Vampire Bat.

Deep Blue Sea 3

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Vampire Owl: I remember watching this particular movie’s first part some time ago.

Vampire Bat: It has been quite some time since that one released.

Vampire Owl: Yet, sharks have been things of interest.

Vampire Bat: They have been present since the Jaws franchise.

Vampire Owl: Jaws was the source of such early shark stuff.

Vampire Bat: Well, the sources were so limited then.

Vampire Owl: Things began to change with the vampire shark.

Vampire Bat: We don’t accept vampire sharks here.

Vampire Owl: But there is one living near the corner.

Vampire Bat: It is actually the vampire dolphin in disguise.

[Gets a chocolate cake and three cups of white tea].

What is the movie about? :: Dr. Emma Collins (Tania Raymonde) works for the protection of Great White Sharks whose population has declined steadily in the last few years, as she stays on an artificial island near South Africa. There are lots of sharks around, whom Emma takes care of, herself. She is supported by Eugene Shaw (Emerson Brooks), Spinnaker (Alex Bhat) and Miya (Reina Aoi). Nandi (Ayumile Qongqo) and Bahari (Siya Mayola) makes the final couple who live there are part of the floating village, ready to go under the ocean soon enough. Nandi wishes to leave the island before it is completely submerged in water, but Bahari’s attachment to home keeps them there, and they also provide help for Emma and her team, while going through the usual fishing jobs. It is then that Dr. Richard Lowell (Nathaniel Buzolic) tries to find the offsprings of the bull shark from the earlier movie, Bella – these sharks have been threatening humans for some time now, and his team tries to put an end to the terror.

So, what happens with the events here? :: But it is not that easy as it seems. There is something more about these sharks than what meets the eye, as these weaker sharks take on the apex predators Great White Sharks, and kills them with ease – most of the other aquatic creatures keep away from these, and there is trouble in the waters for sure, and it is no natural. With the sharks seemingly more intelligent than ever, it might be the humans in the trouble. The mercenaries led by Lucas (Bren Foster) would take control and have what he is sent there for, in one way or the other. The story goes back to the first movie, when the sharks were being experimented, and made to develop better brains, in order to cure diseases in humans, especially those related to brain. Now, the question remains about what the sharks can do, and the mercenaries might end up doing. Either way, survival won’t be that easy this time for anyone.

The defence of Deep Blue Sea 3 :: We always need our daily dose of terrifying creatures, whether it is about sharks, crocodiles or alligators – they mostly work the best, when they are in water. Ocean always has had more possibilities of horror from the early periods of classical antiquity itself. The sea monsters have only managed to get better. There are some nice shocking moments around here too, as there are quick attacks by sharks, along with some nice blood and gore everywhere to be found, as we know what the shark attack can do from the previous movies. The setting is also really good, and it helps the cause, as the terror here is something which can work out better in this place in the middle of the ocean, with nowhere to go, as the sharks are good enough to come and attack with all the intelligence they have received from the genetic engineering programmes.

The claws of flaw :: It seems that there can be no sequel that can match the original Deep Blue Sea, which became the new Jaws in no time. But this one does give a try, especially with the leading female lead coming up with such an interesting performance – a better quality in graphics would have helped the scenes of her fighting the sharks more. The sharks should have looked at least close to how well the world around them looked. The tale could have also followed a different pattern than what was expected too. There could have been better planning here, and the scope could have left for a sequel too. The predictability factor should have been decreased with better attention. Due to the COVID-19 pandemic, the movie never seemed to have got going as it would have otherwise, as there is always chance for a little more of shark attacks in this part of the world where such attacks are not something people have experienced.

Performers of the soul :: Tania Raymonde leads the team here, and she does that with a smart and realistic performance. She looks perfect in this role, and even though one can have some doubts in the beginning, she is so solid that one wouldn’t doubt her as the character that she plays, a strong female lead who keeps the whole movie on her shoulders is quite rare when we look around. There is the connection with the sharks, and she can also give a fight on the land, as it is seen in the final moments of the movie. Emerson Brooks supports her well, and that includes the performance as well as in the form of the character. Reina Aoi makes the cute character who tries to survive even as she is not made for the same, and even though that feels like a stock character, she does well – the same can be said about Alex Bhat playing the typical nerdy character once again trying to survive. Bren Foster makes a pretty good villain while Nathaniel Buzolic is limited despite the good start.

How it finishes :: Deep Blue Sea always has your attention, even when they are not working as good as they are supposed to be. This movie might not be your favourite shark movie, but it might be one among your interesting titles, even with its troubles. During the time of COVID-19, a shark might still be the least of your worries. After all, you don’t really get them on the Indian shores. Still, the climate is changing, and you can be sure that this is not the final word on the same. Until then, we can hope that the Corona Virus pandemic is going to really disappear at some point. After all, we need to go back to our usual ways – there is no hope in being hopeless forever. One virus, and we are all down without a clear path ahead – this certainly shouldn’t be forever. Going deeper into the year 2021, maybe, we will know it better. Until then, we can still hope.

Release date: 28th July 2020
Running time: 99 minutes
Directed by: John Pogue
Starring: Tania Raymonde, Nathaniel Buzolic, Emerson Brooks, Bren Foster, Alex Bhat, Reina Aoi, Siya Mayola, Ayumile Qongqo, Brashaad Mayweather, Ernest St Clair, DeVille Vannik

<— Click here to go to the previous review.

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<— Click here to go to the first Russian movie review on the site.

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@ Cemetery Watch
✠ The Vampire Bat.

Underwater

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Vampire Owl: I am sure that this not the best time to go underwater.

Vampire Bat: Why would you think so?

Vampire Owl: Because there is Corona Virus underwater.

Vampire Bat: They are actually everywhere. You are never safe from them.

Vampire Owl: I have heard that they have infected the underwater kingdoms too.

Vampire Bat: I am pretty sure that they can’t go that deep.

Vampire Owl: An emergency has been declared in twenty one underwater kingdoms.

Vampire Bat: It should be due to the election process.

Vampire Owl: The virus might have spread during the elections.

Vampire Bat: Well, I wouldn’t deny that possibility, because the election process is the perfect super-spreader in any realm.

[Gets a strawberry cake and three cups of black tea].

What is the movie about? :: Norah Price (Kristen Stewart), a mechanical engineer wakes up in the morning only to find that the underwater research and drilling facility where she is staying and working is beginning to fall apart. Within a few seconds, Kepler 822 facility which is operated by Titan Industries at the bottom of the Mariana Trench has water coming in, and with great difficulty, Norah manages to seal herself inside the safe part of the facility and finds Rodrigo Nagenda (Mamoudou Athie) and Paul Abel (TJ Miller), as they make their way to escape pod bay. They find the captain W Lucien (Vincent Cassel) along with a researcher working as an intern, Emily Haversham (Jessica Henwick) and also another engineer Liam Smith (John Gallagher). They are not able to communicate anymore, and the escape pods are no longer an option. Their only option is to walk to the next area through the ocean floor and try to contact outside world from there.

So, what happens with the events here? :: The idea is indeed a risky one, but there doesn’t seem to be another option, as they would have the thermal reactor exploding very soon. They continue on their journey only to have the first person imploding due to a faulty helmet. The rest of the team finds a distress signal underneath, and goes to check out what seems to be an escape pod. But the only thing they find out is a dead body, and an unidentified creature which doesn’t seem to be of any known definition – a new species which seems to have some interest in human flesh. This leads to many doubts about the cause of the earthquake-like incident which destroyed most of the drilling facility and killed most of the people there. They had also come across some other strange sounds, and this could be even a pre-historic species which had come out from the ocean floor. Now, what would this mean for chances of their survival?

The defence of Underwater :: This is one of those movies which gets quickly into action, as we get the explosion of the drilling facility so early, without introducing us to anyone or anything. There is the feeling of terror spread throughout the world in here. The initial and the final moments are the best, and it is up to Kristen Stewart to make sure about it. Life so many leagues under the ocean is indeed a scary one, and this situation makes the whole thing the thriller that we had expected. There is fear at all corners here, but this could have actually been another franchise like Alien – yet, the movie doesn’t strive that much for the same. The movie has also included the elements from the weird tales of HP Lovecraft, which comes as a fine addition too. Underwater, despite the scope for improvement, is a movie that everyone should love at least up to a certain amount – it is a movie with the minimum guarantee, and with the sound effects nicely added, is worth more.

The claws of flaw :: There is no doubt about the fact that this movie could have used its resources better, to expand the idea well enough to bring an even bigger adventure, something of grand epic proportions. In the middle period, the movie does slow down, and the action could have been more, and could have had further intensity. The creatures could have been better defined, and there is too much of darkness for us to see them clearly, and provide that fear factor. The scenes under the ocean could have been clearer, because we are watching a movie, and not trying to know how it looks underwater without light. When you are waiting to see those monsters coming towards you, it is not nice that you don’t really get to see them with all the possible glory. If you think that the underwater world is not supposed to bring a visual splendour with terror, that is not the right way of thinking – after all, horror can be beautiful on many occasions.

Performers of the soul :: Kristen Stewart steals the show here, unlike what she did with her earlier movies like Twilight and its sequels, as well as those roles like that of Snow White which never had us wishing to see more of her. Underwater has her in a tough role, she does the job really well. The movie is centered around here, as she saves the lives of as many people as she can, when it is possible – there are also those ideologies that guides her really well. Jessica Henwick is also an appropriate addition to this movie, and her depiction is as realistic as her character can get. Vincent Cassel as the captain is quite a solid one. The other characters are of lesser importance when we consider what they do in this situation of crisis. It is to be noted that there are only six remaining human characters in this movie after the early incident. The ocean itself is the only other character and environment around here, later replaced by the creatures as antagonists.

How it finishes :: Underwater makes an interesting adventure under the ocean, and the idea makes one feel that there should be a sequel to this one, which is going along similar to the Alien method, with humanoid creatures not from outer space, but out of the ocean floor. This is time period when we have been worried more by the viruses than the bigger creatures, and so the impact of such huge monsters are rather less in comparison to the microscopic ones. As we face this year with more variants of the microscopic organisms coming up, let us make sure that we stay safe, with all the COVID-19 precautions. Considering what people have been during Christmas and New Year, one would feel that the virus has been gone for long. But, we know that it is not the case, and we have to remain careful at all times. It is more of the responsibility of each individual rather than the government.

Release date: 10th January 2020
Running time: 95 minutes
Directed by: William Eubank
Starring: Kristen Stewart, Jessica Henwick, Vincent Cassel, John Gallagher Jr, Mamoudou Athie, TJ Miller

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@ Cemetery Watch
✠ The Vampire Bat.

Shazam!

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What is the movie about? :: In an ancient magical temple in another dimension, a powerful wizard named Shazam (Djimon Hounsou) has spent centuries searching for someone pure of heart to grant him his powers and make him his champion. The previous champion was corrupted as he had released the Seven Deadly Sins for personal gains which killed the rest of the Council of Wizards who shared space with him. The sins, pride, wrath, greed, envy, sloth, gluttony and lust are also looking to escape and find their own champion. Thaddeus Sivana (Mark Strong), who had spent many years searching for the magical temple, manages to find the clues, and reach the place before the champion could be discovered by the wizard. He was someone who was forced to live in hope for finding the power, after being rejected at a younger age by the wizard due to his attraction to the temptations of the deadly sins.

So, what happens with the events here? :: Making his way to the magical temple, he steals the Eye of Sin, and the sins become part of him as they defeat the wizard. An angry Thaddeus uses his newfound power to kill his father, brother, and his own company Sivana Industries’ board of directors, as nobody believed what he described as a child, about the wizard and the deadly sins. At the same time, a fourteen year old foster child Billy Batson (Asher Angel) keeps running away from foster homes to search for his mother, from whom he became separated when they were at a grand carnival. Finally, he is put in a group home with five other foster children including Frederick Freeman (Jack Dylan Grazer) who becomes his best friend, the beautiful and academically driven Mary Bromfield (Grace Fulton), extremely loving and good natured Darla Dudley (Faithe Herman), gamer and technology expert Eugene Choi (Ian Chen) shy and sensitive Pedro Pena (Jovan Armand)

And what else follows with the happenings? :: The group home is run by Victor (Cooper Andrews) and Rosa Vasquez (Marta Milans) who tries to keep the family together with great effort. But they are not really a family with differences showing up at all times, especially with Billy, who desperately wants to meet his biological mother again. One day, when Billy finally decides to stand up for Frederick as a brother as he sees himself in his position, he is chased by bullies to end up in a metro from where he is transported to the magical temple, which is known as the Rock of Eternity. There, the wizard chooses him to be his champion of the good against evil, and to save the world from the deadly sins which were unleashed, and the vessel which Thaddeus had become. A confused Billy reluctantly agrees, and on saying the magic word, is transformed into an adult superhero (Zachary Levi) – but he is clueless about what happens next with the wizard gone. What can he do now?

The defence of Shazam! :: This is the movie when DC decides to go away from its darker and serious tone, towards a world which has common men and women with children having all the fun in the world, and at the same time, brings some fine jokes. Shazam! never really makes one feel that there is terror beyond words, and that the world is in peril – it is thus something which is best suited for children. The movies like Justice League, Man of Steel, Aquaman and Wonder Woman gave that feeling which made an apocalypse come closer, but in this case, with a continuing funny side and added kids, it never feels that the Seven Deadly Sins and its vessel will bring that terror. The movie’s superhero elements are usual, but well explored. We also have some kind of message about family, which feels too common and repetitive, but is there to be taken.

The claws of flaw :: Compared to the usual superhero stuff, Shazam! takes a deviation, and this sometimes works, and at times, it just doesn’t. Without the feeling of enough terror faced by the world, it struggles to keep up the momentum, even though it is never that foolish as Deadpool and Deadpool 2 even with that funny side which stays throughout the movie. It is still not that effective as Ant-Man and Ant-Man 2 managed to come up with. Starting from an idea which wouldn’t make sense even in the superhero world, the movie is more or less childish in nature, and for the same reason, it doesn’t work that well with the adult audience. Shazam! is best suited to be an animated movie, and the fact that they have managed this far is worth the applause, but it will not be something that will stay in our minds for long as it goes too childish at times.

The performers of the soul :: This movie comes from the director of Lights Out and Annabelle: Creation – doesn’t really carry that feeling of horror and terror into this movie, as he makes another one to work. David F Sandberg will also be directing the second film in the series too. Concerning the performances, the movie’s strongest point is its villain, Mark Strong as Dr. Thaddeus Sivana is a joy to watch as he becomes a controlled, evil villain whom we can admire. The kids led by Asher Angel and Jack Dylan Grazer are pretty good, but nothing much for us to remember. Zachary Levi makes a pretty good impact as the adult version superhero. Grace Fulton and Michelle Borth are whom we remember. They could have a bigger superhero appearance sooner or later as both of them seem to be very much suited for such a character. The Seven Deadly Sins could have had human forms too, as they would provide more to explore within them.

How it finishes :: Shazam! is the first movie which I watch during the Corona Lockdown, during its early stages. India went into a complete lockdown on 24th of March midnight, and it was supposed to go on until 14th of April midnight, a time period of 21 days. But our lockdown at home had started rather early, on 22nd of March, one day before the Janata Curfew and the lockdown of Corona infected districts and states. The situation has definitely changed now, and so have our worries. With the vaccine almost here, lets hope that we all survive this pandemic. We can only hope that there are no more big variations of the virus which would bring further trouble. This will also be the final movie of the year to be reviewed on Movies of the Soul, as we hope for a new beginning in 2021, with the expectation that it won’t be that bad as 2020, but you can never be so sure about it.

Release date: 5th April 2019
Running time: 132 minutes
Directed by: David F Sandberg
Starring: Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer, Djimon Hounsou, Faithe Herman, Grace Fulton, Ian Chen, Jovan Armand, Marta Milans, Cooper Andrews

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@ Cemetery Watch
✠ The Vampire Bat.