Birds of Prey

Posted on December 9, 2021 by Tennyson

Vampire Owl: There are not many kinds of vampire birds.

Vampire Bat: But not all of our birds hunt.

Vampire Owl: You stopped letting the birds hunt?

Vampire Bat: Well, the sky needed to be safer for the gargoyles.

Vampire Owl: You are calling for the gargoyles during a pandemic?

Vampire Bat: They are made of stone, and immune to any pandemic.

Vampire Owl: Are you sure that these can’t catch the virus?

Vampire Bat: They are immune to the injection too.

Vampire Owl: That saves us some vaccines.

Vampire Bat: I would have loved to believe that the undead are basically immune, as the virus cannot affect the dead even after rising from the grave. But the research from Doctor Frankenstein says otherwise.

[Gets a vancho cake and three cups of masala tea].

What is the movie about? :: A number of years have passed after the defeat of Enchantress in the hands of the team of supervillains, Suicide Squad, and Harley Quinn (Margot Robbie) has broken up with Joker (Jared Leto), and despite going through the procedure many times, this time she believes that they are separated forever. She remembers her time as psychiatrist and also her time before that, as she tries to go on with her lonely life, and for the same, she also gets a hyena, but nobody really believes that she really broke up with Joker. She doesn’t really have any good friends, but everyone seems to know her for the association with Joker. To announce her break up to everyone, she blows up Ace Chemicals were she had her best time with Joker, and this time, she gets the attention of everyone. Renee Montoya (Rosie Perez) is the first one to come after Harley for exploding Ace chemicals, and others who have held a grudge against her also follows. Ending the relationship with Joker does have its own negative effects for her.

So, what happens with the events here? :: A good number of people now wants her dead, or at least punished for what she had been doing. This includes not just the criminals and police, but also anyone on the streets whom she had offended – it includes a large number of people. Without Joker’s protection, she finds it difficult to move around safely. But she figures out that she will live her life her own way this time. The biggest mafia leader of the area is Roman Sionis (Ewan McGregor), the crime lord who wishes to have full control over the Gotham City. Dinah Lance (Jurnee Smollett-Bell) earlier worked as a singer in his club, but gets a promotion as his driver during important meetings, after he sees her fight on he streets. Victor Zsasz (Chris Messina), the right hand man of Sionis losses a diamond which was supposed to be very important to him, and it turns out that it was taken by Cassandra Cain (Ella Jay Basco), a young pickpocket who doesn’t hesitate to steal anything from anyone on the streets. The girl also swallows the diamond before being taken to the police station.

And what else is to follow with this strange series of incidents in Gotham City? :: At the same time, a vigilante known as The Huntress (Mary Elizabeth Winstead) also appears on the streets, killing people all around the city, and nobody really knows what she is after. It does gives more of a head ache to Renee though, as she has been someone not able to get the credit even after working so hard in the police department. With murders happening with crossbows, and Harley also on the loose, Sionis wants the diamond back as soon as possible. For the same, he asks the help of every mercenary in the city, including Harley, who had also started calling herself a professional mercenary with her previous experience in Task Force X, the government funded group of criminals and supervillains. Harley breaks into the police station, and a number of mercenaries also follow her, but she manages to escape with the pickpocket kid, only to be continued to be hunted throughout the city. Dinah and Renee want to save the kid too, but time is running out.

The defence of Birds of Prey :: The film scores with its cast as expected, and while Margot Robbie has already proven herself as the crazy lover of Joker with a PhD in Psychiatry and experience with treating the craziest, Mary Elizabeth Winstead who is known more as the scream queen of horror flicks, has done fine work here – others are okay, even though I wouldn’t consider them to belong here as much as these two manages. The final fight scene scores high with the ambience being used there, and it is something which suits a horror movie more. There are also some humour added here and there, and for that too, the film is highly dependent on Margot Robbie, who seems to have got into that character so well again, and that makes one wonder what would have happened if Joker was also there. The fight sequences are nice, mostly when related to her, and even though left with less number of scenes, Mary Elizabeth Winstead also drops in nicely. The film is also full of colours, and they provide a special feeling to the movie.

The claws of flaw :: The absence of at least a cameo from Joker does have some effect on this film which could have used a little bit more of madness, as there seems to be a little bit too much sanity in here. Along with the same, the character of Rosie Perez seems to be weaker in comparison, and Ewan McGregor plays not that strong a villain as one would expect, with him being only a billionaire with a lot of henchmen – nothing more for him here. Some moments in the movie are also too silly, even when staying within the limits of silliness, and could have been avoided. The movie could have been shorter that way, and it should have stuck to Quinn to make that happen in a better manner. It is also a little bit too violent without reason, a quality which is not the best explored by a DC film. The film also leaves a question if it was trying to be a little bit of Charlie’s Angels by focusing on it as an action movie, but it is understandable, because Harley Quinn is that kind of a character, and only a little bit of the metahuman strength is unleashed here by anyone.

How it finishes :: DC Extended Universe always required more films which though differently, and this is surely one of them. There is a space being left behind after Avengers: Infinity War and Avengers: Endgame nicely finished the biggest events of Marvel Extended Universe, and now it is up to DC to do the same and bring something grand, despite Justice League not doing that well as it should have managed, and Batman vs Superman: Dawn of Justice failing to gain appreciation. Unlike what was expected, Aquaman and Wonder Woman are the hopes of DC, and I would say that Suicide Squad was one too, even though many people were not really able to get their heads into it. Taking Harley Quinn out of it, and making this film will only help the next part of the second film on the squad when released, for Birds of Prey is a fun-filled entertainer which maintains the same feeling up to an extent, even though not beautifully poetic as that film happened to be. Once again, fun is guaranteed for sure.

Release date: 7th February 2020
Running time: 109 minutes
Directed by: Cathy Yan
Starring: Margot Robbie, Mary Elizabeth Winstead, Rosie Perez, Jurnee Smollett-Bell, Chris Messina, Ella Jay Basco, Ali Wong, Ewan McGregor

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Bloodshot

Posted on December 8, 2021 by Tennyson

Vampire Owl: I am ready to take the bloodshot right now.

Vampire Bat: I am sure that this is not exactly a vaccine filled with blood.

Vampire Owl: I know that Doctor Frankenstein is developing such a vaccine.

Vampire Bat: Yes, but this is not it – and he is too crazy to be successful in it.

Vampire Owl: Doctor Frankenstein is a man of many skills. Madness is only one of them.

Vampire Bat: Yes, the result of his last experiment is now leading the zombie army against us.

Vampire Owl: You can’t blame a godly figure for giving his creations freewill.

Vampire Bat: Even Mary Shelley called him only as Modern Prometheus.

Vampire Owl: I am much older than anyone calling anybody by any name.

Vampire Bat: Okay, do take your Bloodshot vaccine when it is available in the goblin market.

[Gets a vegetable puffs and three cups of cardamom tea].

What is the movie about? :: Ray Garrison (Vin Diesel) is having his vacation somewhere on the coast of Southern Italy with his wife Gina Garrison (Talulah Riley) after a successful hostage rescue operation in Mombasa off the south east coast of Kenya. But they are captured by Martin Axe (Toby Kebbell) and a group of mercenaries who murder both his wife as he is not able to answer a question about their earlier mission. As Ray promises that he would have his vengeance, Martin kills him too. But he finds himself waking up elsewhere in Kuala Lumpur, Malaysia, at the laboratory if Rising Spirit Tech (RST). Dr Emil Harting (Guy Pearce) and Miss KT (Eiza Gonzalez) explains to him that he was dead, and the United States military had transfered his body to their research facility. Ray had become the first successful human revival as part of the experimental Bloodshot program, as a new nanite technology has brought him back stronger than before and healed his injuries.

So, what happens with the events here? :: Ray has no memory of what has happened with his life though, and he is more or less of a blank slate. The company explains to him that his body was sent here because there was nobody to claim it, and the research focused on building, reconstructing and enhancing soldiers with different methods using exoskeletons and higher levels of regeneration. But when he comes up against his memory of his wife’s murder, he immediately leaves the place, and two other cybernetically enhanced soldiers, Jimmy Dalton (Sam Heughan) and Marcus Tibbs (Alex Hernandez) are sent after him. But as he runs through the security forces of who seems to be his enemy, there is more than what meets the eye, but he wouldn’t understand it. But the undercurrents will get to him sooner or later, as he is taken back to the company to recover. What is the secret that he needs to find out sooner or later, and how will it change his world?

The defence of Bloodshot :: As a superhero origins movie, Bloodshot does have enough to keep us interested. The action is all good, and there are some fine visuals as well as those computer generated stylish elements which all come together nicely as a superhero movie should have. It came at a time when we were desperately in need of some superheroes, not just because of COVID-19 pandemic, but also because of our good old Avengers no longer being in the scene with the final spectacle which finished some of its superheroes either by death or by retirement. Diesel’s fans are going to be really happy about this one, as he does things the way has been doing it for a long time, and it reminds one of his much earlier movies. The final action scene is a spectacle, and there were others of our interest earlier too. The movie’s sequel should also have immense possibilities, as there is one almost invincible superhero ready to save the world against all odds.

The claws of flaw :: Bloodshot is a film which could have brought some more twists instead of going the predictable path at times – the superhero movies tend to do that, but this one surely had better opportunities to do that in comparison to a usual movie of the kind, and yet it doesn’t take that chance to keep itself safe. As an origin story, this one keeps itself to the basics, and waits for a possible sequel to do the job better. People would have still expected more, and something which would keep them finding the extraordinary. It does give some of the clues about its twists a little early. For a superhero, there could have been more death defying scenes earlier too, after all, we have seen what our hero could do in the much bigger series with cars, and those bigger car-like things. There might also be those people who can be confused between this movie and Deadshot, and that is not surprising as we consider the number of superheroes we were familiar with, that too in such a short period of time.

Performers of the soul :: As expected, the movie is depending on Vin Diesel to keep the heavy impact going, just like he has done for a long time in his career. The superstars like Dwayne ‘The Rock’ Johnson and Vin Diesel are meant to be superheroes at some point of time, and out hero, the latter had given us that idea quite long time ago. Diesel has another action movie covered here, and he does that with ease, just like he has done with many other action franchises in the past. Eiza Gonzalez also comes in as an action star with this movie, as her skills can also be seen around here. Alex Hernandez and Sam Heughan also does well with those action sequences. At the same time, Guy Pearce makes a pretty good villain, even though the chances of some bigger and better sequences of the mastermind would have done much better. Lamorne Morris remains the most likable character in the movie, and the role seems to suit him really well.

How it finishes :: Bloodshot does seem to have managed its origins story right, and now it is to be seen about how a possible sequel would go. The movie could have surely grossed more if it was not for the COVID-19 pandemic which came in so quickly, and ended its run in the theatres. It did return into the television quickly enough though, and we have another superhero to follow into that gap which Avengers had left behind. Well, we never really have enough of the superheroes, and the sequel to this movie can bring something more special. According to the Corona infested world, we surely will have to wait a long time for such a possibility. Until then, we do have this version, which has the interesting adventure with action and thrills. You can surely give Bloodshot a chance, as Vin Diesel is someone who brings a minimum guarantee on the big screen.

Release date: 13th March 2020
Running time: 109 minutes
Directed by: David SF Wilson
Starring: Vin Diesel, Eiza Gonzalez, Sam Heughan, Toby Kebbell, Guy Pearce, Talulah Riley, Lamorne Morris, Johannes Haukur Johannesson, Alex Hernandez, Tamer Burjaq, Siddharth Dhananjay

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@ Cemetery Watch
✠ The Vampire Bat.

Shadow in the Cloud

Posted on December 7, 2021 by Tennyson

Vampire Owl: I wonder what is stopping them from understanding this shadow?

Vampire Bat: You mean to say that you know this shadow?

Vampire Owl: Yes, it should be Uncle Dracula trying to get some moonlight.

Vampire Bat: I don’t think so. He prefers darkness over any light.

Vampire Owl: Well, he is now being lunar powered.

Vampire Bat: What? You mean, like those werewolves and witches?

Vampire Owl: Yes, the technology in the cells in now shared.

Vampire Bat: You mean to say that Doctor Frankenstein did another experiment.

Vampire Owl: Yes, now the advantage that the werewolves had over us is gone.

Vampire Bat: Advantage? The barbarians can make any empire fall at some point.

[Gets a vegetable cutlet and three cups of ginger tea].

What is the movie about? :: During the final stages of the Second World War, the Flight Officer Maude Garrett (Chloe Grace Moretz) finds herself assigned to a B-17 bomber named a The Fool’s Errand, but as she boards the airplane with her orders, nobody in the crew is happy to see a young woman being assigned to what seems to be a tough and dangerous journey which lies ahead. She feels that she saw something on the side of the flight, which resembled an unidentified creature, but people have a difficult time believing her as they had reached a lot of height. After being left in the turrey for takeoff, she is not able to get back to the flight, as the hatch is stuck and nobody is able to open the door. They keep trying from above and below, but as she begins demanding that she be taken out immediately, they cut off the communications to her, and goes on checking her credentials, if she is really a flight officer like she claims to be.

So, what happens with the events here? :: But it turns out that there is something else happening in the flight. After seeing a Japanese plane close to the flight, she is attacked by the creature, a gremlin, but somehow manages to fight it off. The crew finds out that nobody by her name exists in the force, and feels that she could be an imposter, or an enemy spy who boarded the flight with some sinister plans. There was a bag which she had brought with her, and the crew begins to wonder what its content could be. But Maude continues to try and make them believe what she had earlier said. It is then that the gremlin returns, and they are also attacked by Japanese fighter planes. Now, they have more than one thing to worry about, but the question remains if they can trust her enough to have her fight with them. As of now, it seems that only Staff Sergeant Walter Quaid (Taylor John Smith) seems to believe her up to an extent. Can the crew survive this?

The defence of Shadow in the Cloud :: The music in the beginning itself provides us with that fun feeling, and it comes right after a short animation video regarding the gremlins. The movie focuses on that kind of entertainment, which is not that much based on finding the reason behind everything. Without that much of thinking involved, this movie can be nicely set on that flight during the Second World War, which serves as a nice setting for the same, and it makes the whole thing feel divergent. It does the same by leaving all the accuracy behind, but gets to be fun enough even with that loss – criticism would find fault out of many things. The film is surely good looking, and the plane is also stylishly designed. The soundtrack is really good, and it provides a special feeling to the action. The title of Shadow in the Cloud is justified nicely too. It is the kind of movie which you watch when there is a lot of time to spare, and need quick entertainment.

The claws of flaw :: The movie requires to focus on the entertainment and nothing the rest of the things around. When one searches for logic in this one, it won’t suit the movie much, as there are lots of things which seems to be out of it. There is World War, Japanese fighter planes and strange things happening at such a height – when the leading characters falls down from the flight, she gets blown up by an exploding plane and she falls into the plane, and she also beats up a gremlin with her own hands – I thought we were done fighting on the top of flights, but these people are still having that. The movie is also too short – even then, the movie takes a little too much time to get going in the first few minutes, which are full of dialogues. Talking about too many things might be one of the problems, as the movie does lack focus. It could have actually focused on being the monster movie in such a height, and there could have been some real terror being unleashed, but the same is certainly not the case here.

Performers of the soul :: There is absolutely no doubt about what Chloe Grace Moretz is capable of, as she has been showing the same in some of those big movies, most of them underrated due to no reason. Her performance is somewhat pulled back due to some bad dialogues and writing – if this was a better work in totality, the work would have been noted further. If this movie used more sense, the result would have been outstanding for her. Almost every movie which Chloe has acted in, you see her doing a fantastic job, and you find it difficult to not like the movie – it is certainly an advantage which the makers of her films have. When you have acted in such a young age, some of the acting skills are lost when you get old – we have seen the same in Malayalam movie industry, some child actors have become pain to watch when they became older. But Chloe is clearly an exception, as she is too good. The rest of the cast is only there to support her.

How it finishes :: Shadow in the Cloud makes a fine display of what fun movies can be, with an interesting setting added to it. It is a shorter movie of less than one and half hours which throws logic and accuracy out through the window, and seems to be very proud of such an action. Even if you are not too fond of this kind of movies, you can watch the film for Chloe Grace Moretz, the child actor who has been doing so well also as the leading lady in the last few years. If this movie had released before COVID-19 pandemic, may be a lot of people would have watched and enjoyed the movie – it would have ben such a nice time-pass thing. If you are supposed to remain in home for two to three months without break, you will watch anything, but entertainment like this is a mood booster – not that much of a thing for the brain though. Do give it a chance, and see how it will turn out to be, according to your preferences and demand.

Release date: 12th September 2020
Running time: 83 minutes
Directed by: Roseanne Liang
Starring: Chloe Grace Moretz, Taylor John Smith, Beulah Koale, Nick Robinson, Callan Mulvey, Benedict Wall, Byron Coll, Joe Witkowski

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

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@ Cemetery Watch
✠ The Vampire Bat.

Bob Biswas

Posted on December 6, 2021 by Tennyson

Vampire Owl: I am interested in this from the trailer itself.

Vampire Bat: There is a lot to be interested about, in there.

Vampire Owl: Yes, I feel that this could be my favourite film of this lead actor.

Vampire Bat: Abhishek Bachchan has been in need of such roles for long.

Vampire Owl: It seems that everyone around knows this particular character though.

Vampire Bat: Yes, the titular character is from a film which we didn’t watch.

Vampire Owl: Well, as this is a spin-off, I guess that it is fine enough.

Vampire Bat: You can always have more though.

Vampire Owl: I wonder if that would be possible with more theatre releases.

Vampire Bat: We have shifted to OTT from theatres. The rest will be history.

[Gets some French fries and three cups of black tea].

What is the movie about? :: Bob Biswas (Abhishek Bachchan) is a former insurance agent who has been in a comma for years, and has now come back to his senses, only to find out that he doesn’t really remember anything, despite the best efforts of everyone around him. He is told that he has a wife, Mary Biswas (Chitrangada Singh) along with their daughter Mini (Samara Tijori) and son Benny (Ronith Arora). It turns out that he has earned almost nothing from his work as an insurance agent, and he also understands that they are still living in a small rented home. Mary and Benny tries their best to make him remember his past through different incidents which serve as catalysts. Mini spends all her time studying so that she could become a doctor at some point of time. She is so much focused on the same that she even looks out for drugs which help her to concentrate better on her studies. As she finds a new kind of drug which can help her in examinations, there is also the addiction that comes with it. She wanders through risky territories searching for the same.

So, what happens with the events to follow? :: One day, two strangers, Jishu Narag (Bhanu Uday) and Kharaj Sahu (Vishwanath Chatterjee) approach him, and ask him to get back to what he has been doing the best, which is assassination of chosen targets. He doesn’t really believe them though, and keep on going with his life, as well as meet some possible clients as an insurance agent. Soon, he finds himself murdering a man in the neighborhood, as that person was disturbing his daughter with his loud singing, and this comes as a surprise for him. He continues the murders, as a dealer of the drugs, Bubai (Purab Kohli) and his henchmen also become his victims, with him regaining his lost talents. Later, there are other targets added to his list. Indira Verma (Tina Desai) is in charge of the investigation about a few murders which have happened around. She suspects that Bob and Mini have something to do with them. Meanwhile, there is a war going on between different gangs, and some police officers are also part of it. Still, it is yet to be seen if something can be done about it.

The defence of Bob Biswas :: There is something not Bollywood-like about this movie, and that is indeed the strength here. Shot in the city of Joy, Kolkata does give this film some real life with the visuals and the lifestyle. There is always something different about a movie which is shot in Kolkata, and it is not just about Hindi films – we feel a lovely divergence, and a joy which comes with the nickname of the city itself. This kind of setting also suits the film’s genre-blurring, as it is partly a thriller and at times it is drama, with a good dose of action coming at times and getting stronger by the end of the film, as the mystery is finally unveiled almost completely. The emotions run high around here, as much as the mystery which has the need to get solved early enough. There is also a good amount of humour in store here, especially with some black comedy, often related to murders and death. The same is more or less about Abhishek Bachchan, who has done a job which one would love to remember him for – not like the highly forgettable sequels of Dhoom, which have gained all the money at the box-office.

Positives and negatives :: Bob Biswas can be felt as a little bit slow, and kind of lengthy, considering the fact that in the early moments, it doesn’t pick up the pace. Even when it gets into that crime memory quick enough, the overall pace is still the same – yet, there is beauty in this slow pace. There are also reminders of Hollywood movies here, like The Accountant, John Wick, Gemini Man and Hitman, but nothing much is that clear about the origins and rise of this particular assassin, and instead of making this one an origin story, everyone is more concerned about making sure that this one keeps going towards a possible sequel. The subplot doesn’t really work that much, and the movie could have done well without the same. The Kolkata settings could have also been used in the form of some trams at night, the crowded railway stations and the charming old buses, all good enough to contribute to a tale like this. Also, too many characters are dead very easily, and we also have the absence of a single strong villain here, despite menace being always there. Those who seems to be good enough for the same are also dead early, much to our dismay.

The performers of the soul :: This is Abhishek Bachchan’s best movie in a long time, and one can only be glad to see him in this particular avatar. He has blended in nicely into this character with some special problems. Chitrangada Singh plays the lady lead really well too, and we don’t see her that often these days. Samara Tijori who plays the daughter, also has some interesting work to do, even though the character doesn’t get the dimensions as it deserves. She could surely be a talent for the future. Tina Desai’s work comes as the big surprise, as we have been remembering her for the much underrated, but very much memorable thriller, Table No. 21 which also had a song to remember with her around. One has to wonder why she didn’t get that many big roles, as she makes a solid police officer here too, reminding one of Tapsee Pannu in Naam Shabana and Baby – maybe her character could also have a full-length action movie spin-off at some point of time. We note the other characters too, but not that much individually in comparison to these.

How it finishes :: Bob Biswas is known to have come from the movie Kahaani, but I haven’t watched that particular film, and have manage to watch only its sequel. My only relation there is with Kahaani 2, which proved to be a pretty good movie. This movie is also strong with its themes, as guilt and remorse keeps on running through here, with a church and a cemetery at the centre. The message about one’s terrible crimes coming back to haunt the person is evident, and we see the man going John Wick in style, making the final moments of the film very much enjoyable. Unless you are looking for the traces of a Vidya Balan film from a long time ago while making comparisons, this one is surely a fully enjoyable journey despite the slower pace at parts. There is always something about this film, and you have to keep the Bollywood-style requirements away, as this one completely moves away from that mindless comedy. With the theatres opening again, these OTT films have to be very good to keep one watching things online, and Bob Biswas succeeds in doing the same.

Release date: 3rd December 2021 (ZEE5)
Running time: 131 minutes
Directed by: Diya Annapurna Ghosh
Starring: Abhishek Bachchan, Chitrangada Singh, Paran Bandopadhyay, Purab Kohli, Barun Chanda, Bhanu Uday, Amar Upadhyay, Kanchan Mullick, Samara Tijori, Ronith Arora, Ditipriya Roy, Karanuday Jenjani, Vishwanath Chatterjee, Kunal Verma, Pabitra Rabha, Yusuf Hussain, Tina Desai, Rajatabha Dutta

<— Click here to go to the previous film review.

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@ Cemetery Watch
✠ The Vampire Bat.

Skylines

Posted on December 3, 2021 by Tennyson

Vampire Owl: We have been looking at the sky for too long.

Vampire Bat: I don’t understand why you do that though.

Vampire Owl: I am awaiting the great vampire prophecy to become true.

Vampire Bat: I am not a fan of the prophecies of the new age.

Vampire Owl: The Vampire Oracle still has sixty five percent success rate.

Vampire Bat: But there are a few things which we know well enough that we are sure about it not happening in any way.

Vampire Owl: You really need to have more faith in the Vampire Oracle.

Vampire Bat: You should read the Vampire Chronicle to know about the failures of the Oracle who has struggled throughout history.

Vampire Owl: The Vampire Chronicle was written by a fake vampire, a non-believer of the vampire legacy.

Vampire Bat: Okay, let us see where this can lead you.

[Gets a paneer burger and three cups of elaichi tea].

What is the movie about? :: Captain Rose Corley (Lindsey Morgan), the daughter of the man whose conscience was transferred to a machine, but still maintained his human characteristsics, was the one who was born in the alien spaceship, making her grow very fast. Her powers had freed every human-alien hybrid from the alien control, keeping the aliens away from Earth. She continued to lead the Earth Defense fleet against the invaders with her brother, until the alien harvesters unveiled their ultimate weapon known as the Armada Vessel supposed to harvest all life on a planet with a single, powerful blast like no other. Rose had one chace for a shot and try to stop it, but froze at the exact moment, leading to her next shot running through one of her own ships, murdering thousands of her own people. The price that she paid for this victory with the life of her soldiers made her turn away from the battles, and the harvesters had also failed to show during the same time period.

So, what happens with the events here? :: Rose, believing that the war is now over, lives as an outsider in an almost ruined London, but finds out that there are still people looking for her. But as she is captured by the authority, she realizes that the war is still not over, with the human-alien hybrids going by the name of Pilots are having some problems, as they are going back to their basic needs, their biology of hunting and draining Earth and its inhabitants. They feel that finding the core of the Alien Armada is the key to changing the situation. To keep the hard earned peace and to ensure of human survival against the aliens, it was necessary to find that core which is now on a planet known as Cobalt One. They will be doing the first manned mission to an alien planet, and Rose will be in charge of detaching the core from the Armanda, but it wouldn’t be an easy thing to do by any means. Now the question remains if the newly formed team is good enough to do the same.

And what more happens here as things go out of control for humanity? :: Rose also meets her brother has turned into one of the aliens, but with his human conscience intact – Trent Corley (Jeremy Fitzgerald), and he is just one of the people who will accompany her to the new, undiscovered planet about which nobody has any idea except for the fact that the armada had crashed there, and there lies the one hope ahead. But getting it might not be as direct a mission as they think that it is. There is more than what meets the eye with the planet, as they are attacked by some strange creatures which are different from the aliens they had known earlier. Meanwhile, at home, Dr Mal (Rhona Mitra) continues to try to find a cure for the Pilots. But the Pilots have already started attacking the human survivors in a large scale, and there is even less time left on Earth in comparison to the other planet. There is more than one path to follow here, and may be one of these can mean success.

The defence of Skylines :: This movie’s biggest advantage is its extravagant visuals bringing the magnificence of a post apocalyptic as well as other worldly feeling, and one can trust the quality of the same here. You wouldn’t expect such grand CGI concerning movies like this, but we have to say that the graphics do score very highly. The creatures are all good, and the alien planet is a joy to watch which its stylish looks, and it seems that new things just get added to the franchise every time. Lindsey Morgan is a nice choice here for the hybrid creature of a protagonist, even though she gets going only a little bit later, after the armada is found. She does score with those action sequences with such ease, and also has some emotional moments to go with it. The rest just provide good support. The opening for the next movie in line is well-thought too.

The claws of flaw :: The film doesn’t really keep us interested in the beginning as one would expect in a movie like this. The scenes on Earth are not that interesting with the content either. Most of the cast left on Earth go wasted, as there is only a little bit of action for them. Rhona Mitra doesn’t get that much to do too, and it is a disappointment. There is the feeling of trying to connect to that District 9 model without the undercurrents, but the same doesn’t go that far. This goes through as too much of a usual science fiction with aliens, as we get memories of many other movies with similar content, and that includes even the good old Alien franchise and a bit of Independence Day. We would actually begin thinking about some alternative scenarios for the storyline to progress all the time, because there are surely so many more things that this film could have done.

How it finishes :: Skylines could have surely achieved more coming out of the shadows of two films which had set things going through the alien invasion. The first two movies were fun for sure, and the second one had managed to think in a divergent manner, which has led to this movie coming up later – without the changes which came up, this one might not have been possible at all. The movie is still pretty good in its entertainment factor, and there is a lot of action in this adventure set on another, unknown planet, as we keep asking for more. The movie does leave an option for a sequel, and we do get the feeling that this can get better if they add something more to the usual work of the franchise. You do see more possibilities at every turn of the film, and with the fourth movie in the series, this can achieve the divergence which it has always deserved.

Release date: 18th December 2020
Running time: 110 minutes
Directed by: Liam O’Donnell
Starring: Lindsey Morgan, Jonathan Howard, Daniel Bernhardt, Rhona Mitra, James Cosmo, Alexander Siddig, Yayan Ruhian, Ieva Andrejevaite, Samantha Jean, Jeremy Fitzgerald, Giedre Mockeliunaite, Naomi Tankel, Cha-Lee Yoon, Phong Giang

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

<— Click here to go to the first Italian movie review on the site.

<— Click here to go to the first Latin movie review on the site.

<— Click here to go to the first Polish movie review on the site.

<— Click here to go to the first Russian movie review on the site.

<— Click here to go to the first Serbian movie review on the site.

<— Click here to go to the first Russian movie review on the site.

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<— Click here to go to the first Norwegian movie review on the site.

@ Cemetery Watch
✠ The Vampire Bat.

Castle Freak

Posted on December 2, 2021 by Tennyson

Vampire Owl: This is certainly not the castle that I know.

Vampire Bat: Not all castles are related to vampires.

Vampire Owl: Yes, but I was expecting at least this one to be related in some way.

Vampire Bat: I wouldn’t question your right to be disappointed.

Vampire Owl: Disappointed at the time of Corona virus. It is two levels of sadness.

Vampire Bat: Well, all viruses will have to meet the end, one day or the other.

Vampire Owl: Yes, except for those viruses which makes people zombies.

Vampire Bat: I am sure that the apocalyptic event was postponed until further notice.

Vampire Owl: We might see it coming as a Corona virus variation some day.

Vampire Bat: You can surely use a computer virus in your head as of now.

[Gets a vanilla cake and three cups of iced tea].

What is the movie about? :: Rebecca (Clair Catherine) and her boyfriend John (Jake Horowitz) used to have some good time wasting their time, until a terrible car accident which was caused by latter leaves Rebecca blinded, and things wouldn’t be the same any more. But things seem to change for the better, as she is contacted by a real estate agent, Marku (Genti Kame) who tells her that she has inherited a castle in Albania from her mother Lavina Whateley (Kika Magalhaes) who had left her for adoption. Rebecca is interested in solving the mystery behind the death of her mother, who is supposed to have whipped herself to death, while John looks forward to selling the castle, and earn a good amount of money which would help them to have a better future. There seems to be sinister secrets about the castle, as she begins to have terrible nightmares, while the two also find out strange memories of a forgettable past within the stone building.

So, what happens with the events here? :: John also invites their old friends to the castle, even though it is not something Rebecca needed to see, considering their past which was full of alcohol, drugs and that one fatal accident which had her losing eyesight. What they don’t understand is that things are not that easy or direct as it seems, as they are being stalked by someone who seems less human, and more like a creature. Rebecca does realize that early enough with her ears set on the walls, but it is not easy for anyone else to believe in the same. They also find Necronomicon, the book of spells around there, and it only points out to the possibility of something too old and beyond their understanding in there. Shelly (Emily Sweet) who is still in love with John wants to claim him back as she returns with his friends who find out connections of the castle with monstrous entities from the past known as the Great Ones. Now, things can only get worse, as they understand.

The defence of Castle Freak :: The best advantage of this movie is its setting, which is beautifully Gothic in nature, with scope of horror being placed almost everywhere – the beginning scene itself is a sign of what can follow later. There is the idea of creepiness which is follow here, and the scenery is also as beautiful as the world is terrifying. It is also nice to have everything coming together towards something which we hadn’t imagined in the beginning, as the sinister plans quickly turn into more than what had met the eye before, towards something not of this world. The similarities to Lovecraft’s The Outsider are there, and in the end, the movie also seems to connect to a world of terrifying creatures reminding us of his own tales of horror. The movie makers seem to have made this with a low budget, and it has certainly been managed really well. The first flogging scene, murder of Shelley and the open space ritual can be considered as the three scenes of unexpected quick shock.

The claws of flaw :: There was surely some scope for improvement around here. We have such a grand setting in here, and it is only fair to expect more out of it. There could have surely been some more scares in here, as many occasions seem to be all prepared to come up with something, but suddenly leaves that behind. We also see that the blood and gore stuff go a little bit over the board with the violence really climbing over the usual limitations. There are many occasions when this one doesn’t seem to be the movie for everyone, with it taking many steps to make the film more and more weird. The quality of graphics is also quite low when we consider all those demonic elements coming into the picture. The movie is also quite slow in getting into the action after that first scene, as we get to the present – the party moments and the initial moments of the couple at the castle take a little bit too long to get things going here. The ending could have also been more polished with bigger and more terrifying moments supported by possible twists.

Performers of the soul :: Clair Catherine leads the way as the blind protagonist really well, and it is a controlled, realistic performance, something which is not easy to find in a horror movie. She can be seen here as more or less a stoic one, accepting her fate without complaining, but still can’t help being curious herself. One would want to see her in more horror flicks or thrillers. Jake Horowitz provides pretty good support too. Genti Kame suits the mood of the place really well, as the story moves forward. Kika Magalhaes as Lavinia Whateley is the one who sets things in motion in the beginning, and she does that really well with a very creepy start that might bring the early shock to some – she has that kind of looks which suit her character’s background. Emily Sweet plays the usual kind of role in a horror movie, but she makes it interesting in her own way – she could have more of the genre and be the perfect scream queen, even though stereotypical in nature. The unknown entity also has the creepy performance to do, which is indeed the usual thing.

How it finishes :: Castle Freak is the kind of horror movie which comes out of nowhere to score above expectations, and it comes out of the usual horror movie list, deviating on the repeated style. It has the Lovecraftian influence, and there is another movie of the same name which came in the 1990s, which people around here seems to have missed. The movie is somewhat disturbing with its content, and therefore not recommended for all types of audience. This is not for those people who get disgusted with such content, and are looking for those flicks to watch with family members. If you feel aversion for any kind of the usual old style slasher horror content, you would have to keep away. Otherwise, it is certainly an interesting watch for people who are tired of these usual movies on ghosts, vampires, zombies and werewolves. These have been the years of one freak virus, and so we can take this particular freak too.

Release date: 4th December 2020
Running time: 106 minutes
Directed by: Tate Steinsiek
Starring: Clair Catherine, Emily Sweet, Kika Magalhaes, Chris Galust, Jake Horowitz, Klodian Hoxha, Elisha Pratt, Genti Kame, Klodjana Keco, Omar Shariff Brunson Jr

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

<— Click here to go to the first Italian movie review on the site.

<— Click here to go to the first Latin movie review on the site.

<— Click here to go to the first Polish movie review on the site.

<— Click here to go to the first Russian movie review on the site.

<— Click here to go to the first Serbian movie review on the site.

<— Click here to go to the first Russian movie review on the site.

<— Click here to go to the first Ukrainian movie review on the site.

<— Click here to go to the first Indonesian movie review on the site.

<— Click here to go to the first Norwegian movie review on the site.

@ Cemetery Watch
✠ The Vampire Bat.

The Swarm

Posted on December 1, 2021 by Tennyson

Vampire Owl: I can feel the presence of some vampirism in here.

Vampire Bat: You are not talking about vampire locusts, are you?

Vampire Owl: Well, all kinds of vampiric creatures are welcome to our realm.

Vampire Bat: I don’t think that locusts need any special welcome.

Vampire Owl: Everybody needs to be welcomed to the realm.

Vampire Bat: Except for the Corona virus.

Vampire Owl: Who is going to welcome a virus at this point?

Vampire Bat: We cannot be sure about that. Humans are crazy enough.

Vampire Owl: Humans can always be crazier.

Vampire Bat: You can trust them to do that every time.

[Gets a chicken cutlet and three glasses of orange shake].

What is the movie about? :: Virginie Hebrard (Suliane Brahim) is a widowed mother who has been unsuccessfully raising locusts for proteins, and it is not something which brings her favourable returns. Their family used to have goats around earlier, and her children, Laura Hebrard (Marie Narbonne) and Gaston Hebrard (Raphael Romand) are pretty much embarrassed by the business of locusts, with people ridiculing the same, including people at their school. As the locusts are not active enough, and with a lower level of health and reproduction among the insects, the family struggles to go on. Soon, she becomes more and ore frustrated, as people wouldn’t buy the locusts at even lower rates. As she trashes the locust enclosure and passes out there, she finds out that locusts are eating from the wounds on her arm. Soon enough, she finds out that the locusts are now more active, and lets the locusts feed from her wounded arm.

So, what happens with the events here as we just keep looking? :: Laura is not happy about how things have turned out though, as with everything going well out there and locusts doing better, they will have to continue to stay there. Her hope that they can finally sell the farm and get away from the place is no longer there. She tears open one of the greenhouses, leading for a swarm of locusts to escape. This escaped swarm would make sure that there would be enough supply of blood for them. That wouldn’t stop her from being more and more obsessed about the locusts. The need to feed them more blood comes to the picture, and she is ready to take further risks for the same. At the same time, all these affect her relationships with people around her, including her children. But is it too late for all of these to change now? How much more the locusts will take out of relationships and in the form of blood and flesh?

The defence of The Swarm :: The drama side of the movie is okay, even though they haven’t really tried too much with the characters. There is the feeling of melancholy that runs through the movie, and most of the characters do have a certain amount of the same. There is just enough CGI and gore to keep the interest going. The setting is very much suitable for such a story, and we know that this is even more possible these during the time of Corona virus pandemic, where there is always mutation and people also get to live more alone than ever, facing even more financial crisis than ever. This is not a full insect attack movie, and people will have to remember that while choosing the same – for those who are looking for such full attack films, there are others from the second half of the twentieth century which was never short of such horror attacks from different creatures. Otherwise, you do watch this one as a drama with some insect horror added.

The claws of flaw :: A problem with this particular movie is that it losses its power as a thriller and horror flick, and gives in to the drama all the time – whenever there is a chance to make this one a horror thriller, it goes down to the state of a common drama about a widowed mother looking forward to make a living by farming. Well, a single mother with two children and financial struggles always make drama rise over any other elements of any genre. There could have been more interesting moments related to locust horror, or at least have some connection to science fiction. The characters and their relationships are also not that much explored, especially that of the daughter who could have had some life at the campus, even if not a positive one. It is certainly not what you expect when you go to watch the film, and the ending is also not that strong by any means. You can see some horror ready to go through the rails, but there is never the green flag, as we see a hesitation to let it go, while the movie slows down and drags at times.

Performers of the soul :: Suliane Brahim handles the role of the widowed mother in grief, trying to make her business do better, quite well. The attraction and the later obsession to the locusts which are shown by her, has something unique about it, even though it should have had more terrifying images than she presenting her body to feed for the insects in between – imagine the amount of horror which just that idea could have brought, but has been missed. Marie Narbonne is a lovely addition to the movie, and she plays the confused younger sister who hopes that things can get better if they leave the locust farm and home attached to it. The melancholy that she goes through is reflected on her face at almost all times, and the way she looks at people even with smiles, reflects a certain amount of sadness. Raphael Romand’s character remains a memorable one too. The one character who stands apart is Sofian Khammesas’s, as he plays the man who is always willing to help, a rare one during this age without faith.

How it finishes :: It is still a thing of wonder that this movie doesn’t redeem itself with thrills and horror when there was so much of an opportunity. While the drama goes on, the other elements lag, even though we feel that it scores a family adventure throughout most of its stages. It is the kind of movie which has the elements to confuse us about the genre in which it stays. One would feel that it could have worked even without focusing on the locusts, and maybe even after replacing them. It would have done fine enough by growing some of the more common things in the farm, as we look at them. On another day, this could be a full-horror movie with insect attacks, a thriller which has a family hunted, or a science fiction flick with mutated insects bringing something further terrifying. But it chooses to focus on the drama, and it suits one kind of audience much more than the others. As we are now in fear of the next mutation of the virus and wonders if everything has to go back to lockdown again, enjoy this one outside the theatres.

Release date: 1st August 2020
Running time: 101 minutes
Directed by: Just Philippot
Starring: Suliane Brahim, Sofian Khammes, Marie Narbonne, Raphael Romand, Nathalie Boyer

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@ Cemetery Watch
✠ The Vampire Bat.

The Hunt

Posted on November 30, 2021 by Tennyson

Vampire Owl: The vampires haven’t been into the hunt much these days.

Vampire Bat: Well, only the werewolves hunt now, as we have outlawed the same.

Vampire Owl: The law hasn’t really been officially passed yet.

Vampire Bat: There is nothing official about the laws these days.

Vampire Owl: You mean to say that the bats no longer hunt either.

Vampire Bat: Yes, it has been brought to a halt with the spread of COVID-19.

Vampire Owl: You mean to say that we are also afraid of viruses now.

Vampire Bat: Yes, only the ones passed on by humans, not the one’s from bats.

Vampire Owl: I am pretty sure that the humans created their own viruses.

Vampire Bat: They have been doing everything harmful to their own people and planet, which is why we should close the connection portal with their world forever.

[Gets a vancho cake and three cups of masala tea].

What is the movie about? :: Athena Stone (Hilary Swank) is going through a group text about something grand which is supposed to happen soon, and it is referred to as “the hunt”, even though they had agreed not to text about it. Everyone in the group seems to be excited about it, but won’t talk about this one particular thing. Later, another one of the texters is on an airplane, and they find a man coming out of nowhere, and everyone in the flight panics, saying that he was not supposed to wake up so early. He is then attacked, and after losing a lot of blood and an eye, he is thrown back to an area where others are also kept sedated. Soon, eleven people wake up gagged in a forest. They find a large wooden box in the middle of an open area with weapons and the keys. Soon, some people start shooting at them, and as some of them die too soon, the others are supposed to try and survive this event of being hunted with advanced weapons by strangers.

So, what happens with the events here? :: Three captives somehow manage to escape over a barbed-wire fence to what seems to be part of normal civilization. They get into a service station, only to find out that it is run by people who are part of the hunt, and after poisoning the first person who tries to have food from there, this particular elderly people gets rid of others with guns and grenades. The couple enjoys the killings, and calling themselves elite, hopes to get rid of these people who were kidnapped and put in there. The next one to arrive is an army veteran, Crystal Creasey (Betty Gilpin) who has a conversation with the couple, finds out that they are lying about almost everything, and that they are all part of the plan. She also finds out that despite what they are trying to make them believe, they are not in the American state of Arkansas, but in Croatia, and there are traps set everywhere to make sure that they die, even if they are not taken out by attackers.

And what else is to follow with this strange hunt? :: Everything seems to go deeper than what is seen on the outside. Then, she comes up against another survivor, Gary (Ethan Suplee) who has a grand theory related to all of these, with some rich liberals trying to hunt the commoners for entertainment. He is very much focused on the same, but Crystal is not bothered about the same, and is focused only on surviving, as this does reminds her of some of her past. They also get in a train, and it also has some refugees – they find out that one of those refugees is a crisis actor, and others are real refugees. Gary ends up blowing him up with a grenade and is later killed. At the same time, Crystal ends up with the soldiers who don’t know what is going on, and she meets Don (Wayne Duvall) from the original eleven who was repeating the story which she was also narrating. But the soldiers do have problems believing them, and they understand that there might be hunters in between real people. Can they escape from all this trouble or meet their doom?

The defence of The Hunt :: Betty Gilpin is the biggest asset of this film, and this is the first time I am seeing her – she does make a perfect choice in an action film, maybe she will make it as a scream queen of horror consistently too, especially in slashers. The movie here is really good, and with its thrills and action sequences, continue to score throughout its run. There is a lot of action happening around here, and the fight scenes are really good, especially the final fights, not just in the manor, but also before that. The idea that the film actually makes fun of people on not just one side, for both the liberals and the right wing people are part of the humour. The film has some serious gory stuff going on at all times, but it is also a funny one along with all the action and thrills that go on. The atmosphere set for this one is nice, and there are some fine visuals to go with it. With the twists and turns in there and with expectations of the unexpected, The Hunt makes things happen, and it is efficient in doing the same.

Positives and negatives :: Hilary Swank is excellent as we already know she would be, but she is there only a few minutes. We would have expected her to stay throughout the film, but unfortunately, that is not the case, and the same is about Emma Roberts, who has almost no screen space around here, getting killed too early. The idea of using the funny side more than the darker side might not appeal to everyone either. The idea of revenge also gets a shock with the tale of the tortoise and the hare being told in a different way, with all the gore that is a feature of this film. There are many shades being explored in this film, and the way the leading character tells that tale, is nothing less than amazing in a very creepy manner. There seems to be many different messages that run through the film, and it also provides us with the choice to take any among them. The journey here is great, and we only wish that it didn’t end in an hour and half which is too less for this film, and it surely requires a sequel that explores similar elements again.

How it finishes :: The film also has references to George Orwell’s Animal Farm, and it has some fine dialogues, both monologues and one-liners which we can remember. There are so many creepy moments in here, and with its twists and turns, as well as the action, it has us interested in every second of its short, one and half hours run. In the beginning, you might feel that this could be like The Hunger Games and the German film, Breakdown Forest – yet, very soon, you will know that this is entirely different, and the innovation that it uses to skip away from the usual stuff also needs to be appreciated. The Hunt knows what it is doing, and with its realization of the possibilities of the same, a seemingly usual kind of premise is developed into something divergent, with class. With a lady lead that suits perfectly in here, there is a lot more to this film than what is seen in the trailer. If this was not affected by the first wave of pandemic, there was scope for more popularity, for sure.

Release date: 13th March 2020
Running time: 91 minutes
Directed by: Craig Zobel
Starring: Betty Gilpin, Emma Roberts, Hilary Swank, Ike Barinholtz, Wayne Duvall, Ethan Suplee, Sturgill Simpson, Chris Berry, Amy Madigan, Kate Nowlin, Reed Birney, Glenn Howerton, Sylvia Grace, Justin Hartley, Jason Kirkpatrick, Walker Babington, Macon Blair, Teri Wyble, Usman Ally, JC MacKenzie, Steve Coulter, Dean West, Vince Pisani, Steve Mokate, Hannah Alline, Tadasay Young, Jim Klock

<— Click here to go to the previous review.

*** This is not to be confused with Haunt.

@ Cemetery Watch
✠ The Vampire Bat.

Chhorii

Posted on November 29, 2021 by Tennyson

Vampire Owl: More of interesting horror to be unleashed?

Vampire Bat: Yes, Dybbuk was a remake from our world, and this one is remade from another language and industry.

Vampire Owl: Some good original horror is always in need.

Vampire Bat: Horror can be original only in a limited way, as it is universal.

Vampire Owl: Unless we become the one true horror.

Vampire Bat: We are never truly into horror.

Vampire Owl: So, we are not into our true nature.

Vampire Bat: The normal terrifying vampire has already been abolished.

Vampire Owl: You mean that there is no normal anymore.

Vampire Bat: Normal is not real as of now, not in our realm.

[Gets some French fries and three cups of white tea].

What is the movie about? :: A pregnant woman is chased in a sugarcane field by unknown forces, and with nowhere to go, they force her to cut their womb. Later, in a city, Sakshi (Nushrratt Bharuccha) is pregnant, and works in an NGO, and lives with her husband Hemant (Saurabh Goyal), who is in trouble for not returning a loan in time, with his business failing. His partner had also disappeared with the money. He feels that he is being stalked by people who needs the money back. She is happy with her work and regarding life in the city, but things don’t get any better with the cash which was borrowed. As people start threatening them, with Hemant even getting beaten at times, this makes the city no longer a safe choice for living. They are given twenty four hours to return the money, and make the decision to leave for their driver’s village which is located in a very remote area, and has a good number of sugarcane fields. Three hundred kilometres away, and a lot distant from civilizations, there are only five houses in the village.

So, what happens with the events to follow? :: It seems that almost nobody comes there, even by mistake. They have to walk a long way through the sugarcane fields, and after almost losing the way multiple times, reach the area which has no network coverage and almost no shop. There, they meet Bhanno Devi (Mita Vashisht), the driver’s wife, a very orthodox woman who seems to be a person completely belonging to that particular village in more than one way. Hemant leaves the place soon enough, to find a solution to their financial problems, and the two women share a bond with each other. What Sakshi doesn’t understand is that there is more than what meets the eye with the people there, as much as the supernatural. Therefore, the fight will be against the dead, the undead and the living to save her world. But is it possible for her to face such terror in a weakened state? Do they have further secrets which needs to be unveiled for her life to be saved from what seems to be doom in waiting?

The defence of Chhorii :: Chhorii adds to the list of horror movies which are part of a human infested, virus infected world, which is not less terrifying than any film which one will get to see. The atmosphere here is really good, and it is really shot here to create the perfect situation for horror. It looks scary enough during the day time, and in darkness, it is something more. Being at the middle of nowhere, with no place to go, is terrifying enough, and there is more here to add to the same. It is certainly a scarier world than the lifeless modernity or a haunted house, with or without the presence of the supernatural. The presence of the children here adds to that eerie feeling more, for we are never hopeless about the terror of some demon kids. The background story which serves as the flashback gets things to be really interesting. The film also has a social message which runs through the background and comes strong in the final moments of the film.

The claw of flaw :: The movie can feel somewhat stretched for one’s liking, as it does feel long with much of time being consumed without a lot happening. With a shorter length, this could have been much more effective, adding a certain amount of crispiness here and there. The language spoken by the villagers can also be difficult to understand, leaving us to look out for the subtitles at regular intervals. The tale could have also been more straight-forward, without leaving the mysterious elements behind. The message also arrives late, and if it had released much earlier, the effect could have been more. The stereotyping and the predictable elements are also allowed to run strong around here. The scary elements could have been more, using the atmosphere to more of an advantage – there were so many moments which could have used better scares, and combined them with the atmosphere. The present world asks for a lot more horror than the pre-Corona world, as people have changed a little too much for everyone’s liking.

The performers of the soul :: The movie is very much centered and focused on Nushrratt Bharuccha. She is very much comfortable in playing the pregnant city woman who ends up in a village, all alone. She deals with the horror genre really well, and it would be nice to see her in a similar role with city horror at some later point. As this film is a remake of a Marathi horror film which released a few years, there would be comparisons, also related to the performances – only those who watched the original can comment further on the same. We know that Mita Vasisht from different movies in the past, and this one is no exception for her, as she runs through the whole thing without holding back. Pallavi Ajay, even though silent throughout the film, makes a strong presence. Yaaneea Bharadwaj plays the one ghost whom we would like for most of the time, and there seems to be a lot of work being put in there. Rajesh Jais plays the man with a mystery to him very well. Saurabh Goyal also does more than what his character seemed to be up to, in the beginning.

How it finishes :: At a time when life is full of horror, especially with humans mostly choosing the evil paths, the requirement for horror films never ends. The one movie that we remember while watching this is the English film, In the Tall Grass, with the environment, and also about an Indonesian film, Impetigore. This movie is also a reminder of humanity’s evil side, and it tells us that humans are always more evil than ghosts, going after their selfish needs all the time. There is so much of evil being repeated in our world, and the movie, even though focuses on the crimes on women, one has to say that the Corona virus infected world has seen too much of the same being done on different unsuspecting people. The film enters the world which has lost its humanity, and repeats its own favourite mistakes – the basic idea that human beings cannot be trusted, will only find a repetition here, as ghosts do have more quality than those who walk on Earth claiming as the superior living species.

Release date: 26th November 2021 (Amazon Prime Video)
Running time: 129 minutes
Directed by: Vishal Furia
Starring: Nushrratt Bharuccha, Mita Vashisht, Pallavi Ajay, Yaaneea Bharadwaj, Rajesh Jais, Saurabh Goyal

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<— Click here to go to the previous horror film review.

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@ Cemetery Watch
✠ The Vampire Bat.

Drushyam 2

Posted on November 24, 2021 by Tennyson

Vampire Owl: How many Drishyams have we watched?

Vampire Bat: I am sure that there is no count of the same being kept.

Vampire Owl: I remember watching the Malayalam, Hindi and Tamil versions of the first part and having missed the Sinhala, Telugu, Chinese and Kannada versions then. We can watch them all as second part this time.

Vampire Bat: Yes, and we are now done with the original Malayalam version of the second part.

Vampire Owl: Well, now we will have more versions of the second part too.

Vampire Bat: Yes, this version is only the beginning of another list.

Vampire Owl: Do you think that this one would be just like the original?

Vampire Bat: Well, the plot will work the same here.

Vampire Owl: Also, I see that Jeethu Joseph has directed this one too.

Vampire Bat: And we also have Meena and Esther Anil doing the exact same thing in another language. This would be a worthy remake.

[Gets some vegetable samosa and three cups of cardamom tea].

What is the movie about? :: Rambabu (Venkatesh) and Jyothi (Meena), along with their daughters Anju (Kruthika) and Anu (Esther Anil) have become richer after those earlier incidents from the first movie, as the former has now bought some land, and started a film theatre. Their neighbours make a couple who fights a lot, and the woman is a clear victim of domestic violence, with the man being a drunkard. The people in the town don’t really like them anymore, as they have become rich and influential. Due to the same, all those people around come up with gossips regarding the earlier incident leading to the death of the boy, and police continues to investigate the earlier missing case as it was something which proved to be very much humiliating for the entire police department. Rambabu has the dream of making a movie, which he wishes to be perfect, and has left aside, a certain amount of money for the same.

So, what happens with the events to follow? :: It is then that a local man returns home after finishing his time in the prison, and he had seen something of special worth to the police during the night when the boy was murdered. The words of the man would have a huge role to play in how the rest of the case would unfold. Geetha Prabhakar (Nadhiya), former IG, would make a return to finally find out the truth behind her son’s disappearance, and this time she will find better allies. It is the time period when the investigation seems to be gaining more ground. There is a new police officer in charge of the case, and he won’t stop pursuing Rambabu, but not many people seems to be realizing the same. There are many traps being laid for the man and his family, and some of them seems to be very close to finding its preys. But Rambabu remains strong as ever, even as there are many twisted ways being followed here, yet it remains to be seen about how long he can stand strong and protect his family.

The defence of Drushyam 2 :: In Malayalam movie industry, sequels haven’t had that much strength, even with superstars in the lead, as the chance to go down into a mass movie is always there, and this film does threaten to do so more in Telugu, but does manage to get back its original strength. There can always be exceptions to everything though. Just like the strong predecessor which made the big impact, this movie also starts with the usual family moments, even though we know that there is something always waiting to happen. There is the mention of such possibilities, but the progress is just usual until we get into the last one hour or so, as things continue to get worse for the protagonist and family, with the same thing going further down for them to bring the danger. Even though the movie also has a twist in store in the end reminding the viewers of the first film, it does manage to maintain its novelty with different elements. This means that the difficult job has been done nicely to make the sequel work well on its own.

Positives and negatives of the movie :: The fact that this one has released in Amazon Prime surely has its own advantages and disadvantages too, and I would prefer to watch this one without the horror created by the superstar fans in the theatre, just like I did for the Malayalam version. In the theatre, it wouldn’t have been this peaceful. The action should have started much earlier though, as this is the second movie of a franchise and character establishment was done well enough in the first film itself. The pressure that the first film maintained is much less here too, as things get over quickly after the terror begins. Final few minutes should have surely been extended at the cost of cutting a little bit of those family moments in the beginning – the dialogues from the local people are also a little more than needed. As a sequel which has been adapted from an original sequel, changes could have been made, with the same director at the helm yet again. Yet, the setting seems to have been more perfect for the Malayalam version, even though the adjustments made here do work.

The performers of the soul :: Venkatesh as Rambabu continues to be the strength of the franchise as Mohanlal was in Malayalam. He could go on doing the same thing again and again in even more films which can follow in the franchise – the character has surely come across some changes from the first film, but in essence, there is not that much of a difference, and we will come to know about the same thing soon enough. The ending shows that there is something about the character that is here to stay. The veteran actor at work has no real problems in keeping the act going, just like Mohanlal had no trouble. Meena’s work here is similar to what she did well in the Malayalam version, and yet it has the differences that are demanded when the whole setting is changed to elsewhere. Esther Anil also remains the same younger daughter as she used to be in the original, with the small differences of the new environment. Kruthika plays her role well, once again reminding one of Ansiba, often doing a better job in comparison. Sampath Raj and Nadhiya remains solid in their works of negativity, reflecting their Malayalam counterparts really well. It was also nice to see Shamna Kasim around here playing a strong lawyer role.

How it finishes :: Drishyam was once the highest grossing movie of all-time as far as Malayalam film industry is concerned, and it had shown the strength in so many languages including one in Sri Lanka with Drishyam 2 also calling for remakes now. Considering this remake, it is almost the same as the original, and therefore doesn’t require much of a talk regarding such a comparison, and as the sequel, it is certainly not that great as the first one. There was always going to be something about a remake and sequel like this, and that feeling will take this one forward for many more days. Drushyam 2 is surely a thing of quality as far as entertainment is concerned, and will go on to receive the expected appreciation. A lot of people from Kerala will also be watching this film to see how it compares to the original, and they will find this to be worthy enough. With the theatres being opened, there might not be many more big movies releasing Amazon Prime Video, and one can enjoy this one for now, even though you can’t stop of the feeling of having seen all these before, and for them, this is still repetition.

Release date: 25th November 2021 (Amazon Prime Video)
Running time: 153 minutes
Directed by: Jeethu Joseph
Starring: Venkatesh, Meena, Esther Anil, Kruthika, Nadhiya, Naresh, Shamna Kasim, Vinay Varma, Satyam Rajesh, Shafi, Tanikella Bharani, Chammak Chandra, Thagubothu Ramesh, Annapurna, Chaitanya Krishna, Venu Tillu, Chalaki Chanti, Naidu Gopi, Bharat Behera

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@ Cemetery Watch
✠ The Vampire Bat.

The Closet

Posted on November 23, 2021 by Tennyson

Vampire Owl: I would have suggested another name for this film.

Vampire Bat: I am sure that the title justifies well enough though.

Vampire Owl: Yes, but the horror effect is certainly not there in the title.

Vampire Bat: What else do you expect from a title?

Vampire Owl: Much deeper horror to attract people towards the film.

Vampire Bat: It could be named after humans then.

Vampire Owl: Humanity is too much of evil. Let us leave them with their own evil.

Vampire Bat: Well, it is strange that they are scared of ghosts.

Vampire Owl: Is it supposed to be natural?

Vampire Bat: Well, they are ghosts of humans. As they die and continue to be evil at the same level, there is more terror.

[Gets some potato chips and three cups of ginger tea].

What is the movie all about? :: Sang-won (Ha Jung-woo) doesn’t have a happy relationship with anyone including his daughter Yi Na (Yool Heo) after a car accident which caused the death of her wife. They move to a new house which is located in the countryside with not much of civilization nearby, and he is also not able to find a nanny for his daughter. He has to work at a construction site, and has to leave home soon enough. At the same time, it seems that his daughter has found a new friend in the new place, but the person is not human, and neither is the doll that she found in there. As Sang-won is taking a lot of medicines to keep himself going, and has his own dose of hallucinations, he is not able to differentiate between reality and what he is dreaming about.
There is also something about the closet in the old house where they are staying, and it has a lot of things which the earlier residents had left behind, with that doll also coming from there.

So, what happens next in this tale of horror ? :: Yi Na still seems to be happier than before at the new house. But one morning, Sang-won finds out that her room is all messed up and she seems to have brutally murdered a bird. Things only get stranger with the child, but he has to work as usual. There is certainly something supernatural about the house, especially the closet, but Sang-won feels that it is part of his hallucinations and nightmares which have been quite common, and had gotten only worse at the new place. The nanny does arrive at the house, but despite charging a lot for her work, she is not that fond of the child who is also not happy with the circumstances. Soon enough, the nanny just wants to run away. When Sang-won returns home, he is not able to find the child, and blames the nanny. But the police finds nothing to point such a crime on her. He keeps looking for the child with the help of the police department, but for months, he is not able to find any clue. None of the cameras on the road had shown the child going outside either. Now, one can only wonder where she had gone.

The defence of The Closet :: The movie does take the idea of the haunted house pretty well, especially with the more haunted closet at the core of everything. The child does take on the transformation very well, and the other demon children who come later are effective in creating the new world of horror. There is one particular scene with the child demons everywhere that seems to be nicely planned. You cannot be without fear for the child demons, for the inherent evil of the children are often more powerful than one can imagine. We know the idea that William Golding brought with Lord of the Flies, and that is indeed a scary thing even for the realm of the ghosts, as there is no limit to what pure evil can do. The visuals are really good, as we look at them – there is always beauty as well as creepiness which are displayed so well. The atmosphere with a certain amount of melancholy works without fail. You can say that with a possible sequel, there can be a horror myth developed for further progress.

The claws of flaw :: There was always scope for The Closet to do more and also better, but it often hesitates to take that opportunity to rise further. It doesn’t use the terror elements to the best advantage in the beginning stages, as the haunting could have gotten much scarier with better usage of the elements and effects. The terror is often limited to the closet as well as the room which contains it, and even then, it could have been scarier with the content. There is always something more to be done with such a setting taking over. Korean films have been in the front to bring the innovation, but it is not so in this case, as it doesn’t become the memorable one. There are the usual flawed decisions that the main characters make, and you know that this could always be creepier, especially with the premise. The film does makes one wonder why the industry is not coming up with one special film that could make all the difference in a world of weakening horror genre.

Performers of the soul :: The movie is not that much dependent on the performances, as there are only three characters who are of importance, and it is the supernatural that dictates the performances more than anything else. Ha Jung-woo does play the father figure very well, and we have seen fathers losing children to demons or ghosts very often, like in the case of Don’t Listen which had a similar father figure in a haunted house in the middle of nowhere. Here, we have a much controlled performance in comparison, and that works well enough. Kim-Nam-gil does make a smooth entrance as an exorcist of another kind, even though it is also a reminder of other films which we have watched before, for there is always something coming together as the common thing in the end. Heo-Yool becomes the terrifying child after becoming the sad and depressed child of melancholy in the earlier stages. The other characters, as one would expect, become people of not much importance here. It could have used a past with more characters effectively though.

How it finishes :: We have come across many Korean horror films, and while The Closet adds to that grand list, it is certainly not the kind of movie that has the strength to stand apart and make an impact enough to keep it strong at all times. It is surely effective enough as a horror film, but not that much as one would expect it to be, especially during a time that the supernatural needs to have more power within itself to rise about the Corona virus fear as well as the human terror that has risen above everything else. Nowadays, humanity has always been more terrifying than any ghost that the world has ever seen in the history of spirits, magic and witchcraft. After we are done with the evil that humanity has provided, we can look out for these movies which work well enough with its horror, but often not enough for people who have been troubled by the unparalleled evil which humans have unleashed on this world for their selfishness and to keep the level of hatred high. We know how humans treat the other, we really do.

Release date: 5th February 2021
Running time: 98 minutes
Directed by: Kim Kwang-bin
Starring: Ha Jung-woo, Kim Nam-gil, Heo Yool, Kim Shi-A, Shin Hyun-bin, Kim Soo-jin, Park Sung-woong, Park Ji-a, Lim Hyun-sung, Kang Sin-cheol,bHan Chang-min

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<— Click here to go to the previous horror film review.

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@ Cemetery Watch
✠ The Vampire Bat.

Kanakam Kaamini Kalaham

Posted on November 14, 2021 by Tennyson

What is the movie about? :: A former television actress Haripriya (Grace Antony) feels that she is stuck in an unromantic marriage with Pavithran (Nivin Pauly), who is has been a junior artist and acting coach for a long time, without any success. Their marriage was fixed by a mutual acquaintance, Sivakumar (Sudheesh) who works in the cinema field, as both had some film ambitions which didn’t materialize as they had wished for. Pavithran took loan against Haripriya’s grandmother’s golden earrings for helping his friend, and it had become another reason for their marriage landing in trouble, along with his usual unsuccessful pursuits in the film industry, along with that acting coaching going nowhere. The two are now on the verge of their separation, and as his acting coaching classes are also held in the corner of Haripriya’s father’s restaurant, Pavithran gets some gold coated earrings to replace Haripriya’s golden earrings for the time being, and both are finally together, with an added plan to go on a romantic trip.

So, what happens next in this tale? :: As Haripriya’s brother ask for the earrings to be used for loan for her family’s expenses, Pavithran decides to speed up the romantic trip and steal the earrings. They get room at an expensive hotel, thanks to Sivakumar’s contacts in the film field. There, they meet Jobby (Vinay Forrt), the manager, and Shalini (Vincy Aloshious), the receptionist. One of the room boys, Manaf (Rajesh Madhavan) seems to develop a special liking for Haripriya’s earrings. A mostly successful writer, Balachandran (Joy Mathew) is also there, along with a drunkard, Surendran (Jaffar Idukki) whom almost everyone detests. Pavithran successfully steals the earrings, and hides them. But soon, he realizes that it has been stolen from that location, as he cannot find it either. Haripriya will not stop until she makes sure that each and every person in the hotel is innocent. Jobby who has to go and meet his lover’s parents are also stuck there, and Shalini who is forced to work late without salary is more than just angry about the situation. Can anyone find a solution here?

The defence of Kanakam Kaamini Kalaham :: The movie is fun enough, and mostly mindless fun, when we look at it. The whole thing depends on the messed up lives of everyone who is seen on the screen – none of them seems to be happy, and they are all facing troubles due to one thing or the other. It is a true reflection of our world, in which there is no real happiness, and a certain search for the same leads us nowhere. We see that there is nothing that goes right in this particular hotel, which holds a mirror to a Corona virus affected, climate change affected world of chaos. Everyone has their different problems, and each one of them is shown coming together towards this one particular incident. The set design is really good, and it could even suit a horror movie, as there are reminders of The Shining and its sequel, Doctor Sleep. The setting serves the purpose more than any other thing in the film. Some of the humour is quick to rise, and there are the jokes which do no feel that dumb as some others are. There is some satire that works in the background too.

The claws of flaw :: Kanakam Kaamini Kalaham doesn’t have that much of an effectiveness with its jokes as we would expect in the beginning. In the later stages, it only becomes more and more repetitive in nature. The calls for the manager as well as one drunkard who remains irritating for most of the time doesn’t score that much as expected in the later stages of the film. There is a little bit too much of stretching of the whole thing. The same thing goes on moving forward, and the idea to bring a message in here is lost. It is more or less an opportunity lost in that case. Often it goes down to the level of the kind of movies which we have detested for the buffoonery that gets repeated – such films are not there now, but we do remember such a past. Kanakam Kaamini Kalaham did have some good hype related to the cast, and the trailer despite not giving out a clear idea, did make us feel that there is something special in store, but that much is not there to be taken.

Performers of the soul :: Nivin Pauly leads the movie well as expected. This is similar to what he had done with Love Action Drama, another comedy film which could only partially work with its humour. But for someone who has done many movies with some effective light humour, this won’t be a step forward. The one whom we remember for Thattathin Marayathu and Om Shanti Oshaana‘s light comedy was quite a different star, and that was the one whom we continued to prefer. It seems that the same has been lost up to an extent. Grace Antony had her best movie in the form of Kumbalangi Nights, and this one has her as the sole lead. She has provided an entertaining performance here too. Vincy Aloshious plays the other female character of importance, and we would be remembering that one well enough too. She should be considered as the pick of that Naayika Naayikan show on Mazhavil Manorama along with Meenakshi, especially with the way they do comedy.

Further performers of the soul :: Sudheesh has another role which runs through the movie with focus on the beginning and end, and it is good to see him in such roles, like the one we saw in Theevandi. He has been the one actor who has been there from our childhood itself. Vinay Forrt can be considered as playing the funniest character around, and we also feel for the character trying so hard. He and his mobile phone do become interesting from the beginning itself. Joy Mathew plays a role suiting him well. Jaffar Idukki plays a drunkard who is often too irritating, but most of the time, he manages the same in an okay manner. Rajesh Madhavan as Manaf comes up with a notable performance here, and he is the one character who scores when least expected. Sudheer Paravoor as Vijesh Nair is another employee character that we will be noting. There are a few other interesting characters, and they all blend into the hotel atmosphere really well.

How it finishes :: Life has been very serious in the last few months as far as OTT films are concerned. Well, we know what has been happening everywhere, and there is no confusion about the films being serious with a world of chaos all around. Starting from Drishyam 2, we have had a series of serious films, like Kaanekkaane, Sunny, Malik, Kuruthi and others, which have held on to the serious characters really well. The number of comedy movies has been comparatively less, as we look at them. So, this one serves something light-hearted in between, even though it is certainly not that effective. As the theatres have opened now, the movie needed to be of better quality to keep the audience in the OTT platform. Now, with the theatres having opened, people will be moving there unless there is enough power in the OTT to keep them online. The challenge of Kurup is there to stay for long, as it seems. Well, we know that more is to come soon.

Release date: 12th November 2021 (Disney Hotstar)
Running time: 169 minutes
Directed by: Ratheesh Balakrishnan Poduval
Starring: Nivin Pauly, Grace Antony, Vinay Forrt, Vincy Aloshious, Joy Mathew, Jaffar Idukki, Sudheesh, Rajesh Madhavan, Sudheer Paravoor, Sivadas Kannur, Neeraja Rajendran, Ratheesh Balakrishna Poduval

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@ Cemetery Watch
✠ The Vampire Bat.

Jai Bhim

Posted on November 2, 2021 by Tennyson

What is Jai Bhim about? :: The movie begins with a group of people who are supposed to be from some lower castes or tribes having some police cases forced on them without any particular reason other than their community of birth. In the end, almost all the cases fall on them, as police closes the pending cases by putting them on these people. Raja Kannu (K Manikandan) catches snakes and rats in the village, and lives in a tribal area of a remote village with her wife Senggeni (Lijomol Jose). The tribe is known for their useful job, which helps the rich people of the area who boasts of their higher caste status, and won’t care about these people. But Raja Kannu is also arrested by police in the name of a robbery which happened in the house of the village head, as there is a lot of force on the cops due to the same. The police says that her husband had escaped with three other tribals on a fateful night. They are helped by as Maithra (Rajisha Vijayan) who has been working as a teacher among the tribals, and was trying to provide them with enough education and some identity to go with it.

So, what happens next in this tale? :: Advocate Chandru (Suriya) leads cases for the downtrodden people, and has managed to help many people before. But in this particular case, police has already prepared everything, and with enough proof being ariticially created, this eems to be very difficult for Chandru. SP Ashok Varadhan (Sibi Thomas) wants the case to be solved at any cost, and the local police officers go further to manipulate everything from the first point. Chandru visits the whole area with Maithra, and tries to find some clues. But will he be enough for this particular case, as many more false witnesses are being added, and it becomes a thing of prestige for the government? Can truth go above the false witnesses in an age of hopelessness and lies? The question still remains if the three are even alive and Chandru wants IG Perumalsamy (Prakash Raj) to investigate the office, and Advocate Ram Mohan (Rao Ramesh), the most prominent and respected lawyer will stand against Chandru for the government and the police.

The defence of Jai Bhim :: It is up to Suriya and Lijomol Jose to keep the film strong at the top, and there is no point where you feel that they are not fully immersed in these characters which they portray. Seeing the latter in such a role was a surprise, and one would wish her back in many more Malayalam movies. The film is a valiant take on ferocious discrimination and injustice which has been forced on people just for their birth in a particular community. In doing that, the film remains strong at all times. In staying with the subaltern against the strong and the influential, it makes some very strong points. The same is portrayed without using the useless mass fight scenes, which would have been there if this film was taken a few years ago, but the movie chooses not to satisfy the brainless mass. There are many emotional moments in the film, and the agony that the weak goes through is portrayed realistically rather than with the unnecessary extras. The intensity that the film carries is a lot too, and the strength only increases as the film progresses.

Positives and negatives :: The film does take some time to go through its beginning stages, and it does have the predictable stuff at work too. From the moment it starts, we are somewhat sure about what would happen even without knowing the history of the real-life tale, and we feel that the film could have been a little shorter. Some dialogues could have been avoided, but a few others could have had more detail, like when talking about the Rajan case which happened long ago in Kerala. Rajisha Vijayan could have also had more to be done, even with some good time being spent on the screen. It is always normal to expect more from this kind of a film, because we know the kind of topic it deals with. There is always something to take home in this kind of movies though, and this one, even though dealing with a topic which people might be aware of, leaves us with the reminder that injustice still exists, and there is the need for someone to raise the voice at the right time for the right people, and not for some celebrities who have their own ways of saving themselves, having their own influence and power.

Performers of the soul :: Suriya has one strong performance added here, and it seems that he has become the character like a fine reflection of a determined, enthusiastic, righteous lawyer. The focus that is required in the character is shown without the extreme heroism that would have taken over in some other movie, but not in this case. There is no violence related to the man either, as there is no beating up the bad guys, and there are no stylish dialogues, which makes the character blend in right into the film’s mood. It does feel that he is really into the character so well, and becomes a mirror of the ideology inside him. This is also the first Suriya film that I have reviewed here, and I am glad that this movie could be chosen for the same. Lijomol Jose, whom we know for the lovely supporting role in Maheshinte Prathikaaram and the lead role in Kattappanayile Rithwik Roshan, has her biggest role here, and she has performed exceptionally, making her the leading actress, the woman who was wronged, and seeking justice. I hope that she would continue in the film industry after marriage too.

Further performers of the soul :: K Manikandan in the husband’s role has death coming to his character after a fine performance. Prakash Raj plays a solid police officer with his own ideology, which we love, and he is the one cop whom you would love to have in your universe of reality. Rajisha Vijayan, who won the Kerala State Film Award for Best Actress for her debut film, Anuraga Karikkin Vellam, also has her moments, being a strong part of this. We know what she has done in Kho Kho, June and Finals, and she could suit at any place with grace. She has a superior status among this generation of actresses in Malayalam film industry, and so when she is there, you wish to check out the movie. The villains are all good too – when you look at them, they are not the same kind of antagonists, for the work at different levels. They are all united by a few things, but you see the divergence that runs through them, with them acting different even when doing the same job. There are lots of supporting cast members who also do some jobs worth appreciation, staying strong in the background throughout the film.

How it finishes :: There have been many courtroom dramas, and Pink might be the most famous among them – this one nicely adds to the list of those films. Unlike most of such movies which have dealt with similar topics including bringing justice to the subaltern, this one has its complete focus on such divisions and atrocities committed in the same name. The film is also supposed to be based on a petition which was filed in 1995, and the characters are also known to be based on real-life people with real-life incidents forming the background of the film. There is always the feel for some need for films on discrimination, and this one makes a welcome addition, as it makes some strong points about the same. It is also available with audio in Hindi, and therefore, it should be accessible to a much bigger audience on Amazon Prime Video. Theatres have opened, but you still have moves like this one on OTT, and you know you have to trust the OTT.

Release date: 2nd November 2021 (Amazon Prime Video)
Running time: 164 minutes
Directed by: TJ Gnanavel
Starring: Suriya, Lijimol Jose, Rajisha Vijayan, Prakash Raj, Rao Ramesh, Guru Somasundaram

<— Click here to go to the previous review.

<— Click here to go to the previous Tamil film review.

<— Click here to go to the previous Tamil full-length film review.

@ Cemetery Watch
✠ The Vampire Bat.

Dybbuk

Posted on October 28, 2021 by Tennyson

Vampire Owl: I am surprised that they have come up with a remake of Ezra after four years.

Vampire Bat: Yes, four years is a long time for a movie like Ezra.

Vampire Owl: Do you remember the last time when we had loved a Bollywood horror movie so much?

Vampire Bat: I am also not sure about that. We have been into Hollywood and other foreign language horror only.

Vampire Owl: I would like to know where this one stands in comparison with the original.

Vampire Bat: We had watched the original too long ago. Therefore, I am not sure if we can compare these well enough.

Vampire Owl: I only hope that our memories are as sharp as the vampire manual says.

Vampire Bat: I am sure that this one will have some difference, surely more than what the remakes like Drishyam have.

Vampire Owl: Ghosts need to be shown as somewhat different, because they are all not the same when at different places and affecting different people.

Vampire Bat: Well, maybe the demon of Ezra really needed another outing, and this one can serve it well, like vampires always needed.

[Gets some spicy tapioca chips and three cups of cardamom tea].

What is this remake of Ezra all about? :: The death of a Jew in Mauritius marks the end of a century old history of Jews in Mauritius – he was the last Jew around there, part of a group of Jews who had taken refuge in the island to escape persecutions and possible genocides. A mysterious box from the house goes missing, and soon, a local man is found dead without leaving any clues about the murder. It is indeed a strange case, and police hopes that something will lead them in the right direction. A newly married couple, Sam Issac (Emraan Hashmi) and Mahi Sood (Nikita Dutta) seems to be having a problem-free life until they move to Mauritius and the latter brings an antique box back to their new residence in the island. It is an isolated place, more or less like a holiday home, with no human to disturb them. But that would change soon enough, as what she brought back home as part of decorating the place turns out to be a Dybbuk box, which is supposed to be claimed by a Jewish demonic spirit called Dybbuk.

So, what happens next in this tale of horror out of a myth? :: Meanwhile, Sam is still working, as he is part of a company named Zayke, which deals with the disposal of nuclear waste from Europe. He feels that there is a certain amount of hallucination going on with her, as she had a miscarriage just some time ago. The spirit maintains all the qualities of the usual spirits, but is supposed to be among the most dangerous among them all. There is not much known about the same though, as there are not many Jews they know, with most of them migrating to Israel early enough. There would be strange things happening in the house very soon, and soon, a nightmare would begin for them. They think about getting rid of the box, but the spirit already has its place. To read the Hebrew inscription on the box, they contact a professor who gives them the translation. The same person also gives them the contact details of a rabbi who seems to be the only one who can help them. But are they moving in the right path against this particular evil spirit?

The defence of Dybbuk :: There is variety here, which this move inherits from its original, and there is quality in the looks too, with improvements there. The visuals are used well to create the horror advantage, and the darkness as well as the creepy elements are adjusted well with the use of sound effects, and these work really well in the first half to make us interested in a second half which promises further. The visuals of Mauritius nicely adds to the beauty in totality. There is also a lot in the story here, unlike the usual horror movies, and the creature that does the haunting around here is not among the usual ones, as the myth is comparatively new, especially for those who haven’t watched the original. There is the feeling of antiquity as well as a beauty not of this world being portrayed here. There is also that one twist that happens by the end, but that is not too innovative. But we do see that this one has a very slight edge over the original, and yet both remains the same in many elements as well as repeated scenes.

The claws of flaw :: It has to be noted that the evil spirit doesn’t have the terrifying presence that it had in the first half, being repeated in the second – the final exorcism, brings nothing huge, even though were always going for the big finish to lift the film in the end. There were so many possibilities with this movie with the new demon, and the unlimited number of chances are not used at all – it is kind of strange that the movie doesn’t take its opportunities as much as it could, just like the original didn’t. Dybbuk could have been scarier, and there is no doubt about that, with the original idea already being displayed on the big screen with the support of big sound systems – this one being released on Amazon Prime Video, there was the requirement of more power to keep the audience in fear and at the edge of their seats, but we see that such strength is not there, even though we can approve and appreciate the improvements which were made here. Yet, the background story of the spirit was better in the original.

Performers of the soul :: In a movie that has Emraan Hashmi as the protagonist, it is him who leads the way – in comparison with Prithviraj Sukumaran, one has to say that there has been some difference added to the role, but he has managed well, as he did the same in Chehre, the thriller which also released on Amazon Prime Video a few days ago. His affiliation with horror is here to stay, as it seems – there are a few other Malayalam films with certain thriller elements which could have him in the remake, one would feel. Nikita Dutta has come up with a very good performance as the lady in distress, being forced to be part of a demonic activity in which she is completely immersed. There is not much difference in her performance in comparison to the work in the original, but she does seems to have more emotions coming her way – there was the requirement to have a song like “Lailakame” for her too, with that much quality. The rest of the cast fills in well, and we have to look out for the Rabbis this time, and not the priests of the usual background – they have chosen the appropriate ones to play these roles too.

How it finishes :: There has a little shortage of horror movies in Malayalam movie industry, but Bollywood has chosen to remake this one, which is why, one can be sure that the Indian cinema as a whole, has the requirement is for more good horror. We do not have the need for more drama and more romance – there is so much of the same already, as well as those silly masala movies, and we need to move out of them whether with remakes or originals. Therefore, Ezra‘s remake is something which has to be appreciated, and the fact that there is no missing out here is a fine thing. Remaking a Malayalam movie can only mean good things for Bollywood, even though the exact opposite might not mean the same. As far as this film is concerned, the remake is done really well, and even with the limitations of the original maintained the same, there are a few moments which make this movie work as an improvement, with added visuals and special effects. So, Amazon Prime Video can be happy to have this one at a time when people are slowly just starting to think about choosing the theatres over OTT.

Release date: 29th October 2021 (Amazon Prime Video)
Running time: 152 minutes
Directed by: Jay K
Starring: Emraan Hashmi, Nikita Dutta, Darshana Banik, Pranay Ranjan, Denzil Smith, Ivan Sylvester Rodrigues, Vivana Singh, Sudev Nair, Manav Kaul, Yuri Suri, Vipin Sharma

<— Click here to go to the previous review.

<— Click here to go to the previous Hindi film review.

@ Cemetery Watch
✠ The Vampire Bat.

Don’t Listen

Posted on October 27, 2021 by Tennyson

Vampire Owl: We, vampires don’t really need to listen because we know.

Vampire Bat: Still, we don’t know everything.

Vampire Owl: I know almost everything, and I am sure about that.

Vampire Bat: Your certainty of knowledge only creates doubts.

Vampire Owl: My doubts are the results of me knowing, and nothing more.

Vampire Bat: You should at least listen to Uncle Dracula.

Vampire Owl: Uncle Dracula is no longer a proper source of knowledge.

Vampire Bat: I feel that you are thinking about starting a revolution.

Vampire Owl: Nonsense. I am not a revolutionary. I am beyond that.

Vampire Bat: Okay, let us see how far you can take that.

[Gets a vanilla chake and three glasses of blackcurrant shake].

What is the movie about? :: Daniel (Rodolfo Sancho) and Sara (Belen Fabra) moves into a new house with their son Eric (Lucas Blas), and hopes that they would have a happy time there, as it is a big house in the beautiful countryside. But things don’t turn out to be that good as they had expected. In this old house in a rural setting, they are not longer happy. Daniel and Sara still plans to restore and sell the house, and they don’t care much about the voices which Erice talks about, and the fact that he cannot sleep much either. Soon, a psychiatrist who comes to help Eric dies, seemingly in the same way as Eric was drawing. Eric also had the feeling that the voices were making him draw things. The boy continues to make problems at the school too, and keeps waking up at night, screaming aloud. The problems continue in the house with further weird occurrences, and soon Eric is found dead in a swimming pool just outside the house on a strange night. This separates the two who can no longer handle the pain of losing the child.

So, what happens with the events here as we just keep looking? :: Sara is not able to handle it anymore and moves to her parents’ place, but Daniel decides to stay in the house and renovate it to sell it some day. Sara hopes that he will leave the house with terrible memories and follow her back to the city soon enough. That night, when he records a voice message and sends it to Sara, there are many voices in it. Right in there, he hears the voice of Eric, asking for his help. The same frightens him and he meets a supernatural investigator specialized in electronic voice with a paranormal touch. He is the one who is supposed to have gone through so many of similar paranormal events and have written books related to the same. Even though he is reluctant to believe the depressed father in the beginning, he finally decides to have a look, and travels to the place with his daughter, hoping to find something. Everything seems normal from a distance, but as they go inside, there are a few things that need to be taken care of.

The defence of Don’t Listen :: The atmosphere is well created for the movie, with everything happening in a house in the middle of nowhere. This is a house with a past, and it is located perfectly away from civilization for the people other world to make an appearance. Visually, it has a fine score, and it also scores well with the sound effects that asserts the supernatural presence strongly. The movie had also got into action quite early. It does have its scares, and there are some effective ones around here that does have the repetitive elements, but do work as we would have wanted it to. There are some interesting moments in the end, and there is a twist to go with it too. The haunting of this particular house and the people associated with it does have a different touch at times, along with the added history. It is to be noted that the movie has managed to achieve most of its positive things without using much of the gory elements, and with a simple tale. You have watched Hollywood do this before, and now we have the same in Spanish.

The claws of flaw :: This is another movie which reminds us of the usual horror films of Hollywood, even though not exactly the same as The Conjuring, The Nun, Annabelle, Sinister or Insidious – the common ones of our times which people try to watch all the time. It doesn’t move that much away from the usual path here too. The ideas of witchcraft and possession could have been much stronger here. The tale could have been twisted at many points, but they go for the safe background story yet again. The film is also slow in parts, and when there were so many opportunities to minimize such problems, it doesn’t make the best use of them. There were moments of horror which could have been better used, and the atmosphere could have been heavily worked on. After all, we have gone through so much of horror already, and there are enough resources to elevate the level of horror. Without thinking enough about the same, a horror film is more of a work of mystery, and that is the pothole where the movie almost fell during an earlier point.

Performers of the soul :: Rodolfo Sancho plays the father figure, and the one who is looking to get his son back in whatever way possible – the good father is played well, and he goes through the horror elements well too. The final moments have him at his best too. Belen Fabra plays the mother with less to do, but the two make the family well enough. Ana Fernandez is the one who catches our attention the most though, and she also plays the smarter character around there. She takes on the supernatural rather sensibly, and there is the bond with the father that runs through. She should give a try with Hollywood horror too. Ramon Barea is more or less the usual paranormal activist that we see around, and he suits the role very well – very much with experience. The kid has very less to do in comparison, as death comes rather too fast for him. As it is in most of the horror films, it is the demonic presence that maintains the scary work.

How it finishes :: Don’t Listen makes an attempt at the usual horror, with some differences which comes with the “voice” idea. One would have wished for it to bring more horror, but it does have some fine points. We do need our horror movies at regular intervals. It is good enough to watch one more horror film, while waiting for Ezra to be remade for Bollywood. We cannot be sure about that remake’s quality, but from the trailer, it is certain that it is done well enough. Corona virus pandemic has unleashed a different kind of horror into our world, and the usual horror is currently of lesser significance, but we await the return of the monsters of the night, as well as the demons which are part of our life. As we are certain that they will slowly and steadily return to haunt us, Don’t Listen is a pretty good reminder that we can go back to that at some point. Until we get to that particular horror, let us be safe from the present terror, the COVID-19 pandemic. We do have too many horror movies to watch in our short life time.

Release date: 24th July 2020
Running time: 97 minutes
Directed by: Angel Gomez Hernandez
Starring: Rodolfo Sancho, Ana Fernandez, Ramon Barea, Bethlehem Fabra, Lucas de Blas, Nerea Barros, Javier Botet , Viti Suarez, Ruben Corvo, Jorge Oubel, Peter van randen