Tag Archives: science fiction

Black

Posted on by

Vampire Owl: I am sure that this movie is about darkness.

Vampire Bat: There is no darkness that we do not know.

Vampire Owl: I feel that this would be pitch black.

Vampire Bat: This could actually be about the colour.

Vampire Owl: Nobody focuses on a colour like black.

Vampire Bat: Black is our national colour, so focus is already there.

Vampire Owl: Do you think that this movie would have unlimited dark horror?

Vampire Bat: The biggest of horrors are not dark or black, but much more.

Vampire Owl: You are talking about different colours of horrors in a witch’s cauldron.

Vampire Bat: Those are just potions and elixirs that cause stomach upset horror.

[Gets a egg puffs and three cups of Wayanad tea].

What is the movie about? :: In 1964, one a rainy night, three people drive on the road, two eloping lovers and their friend who are trying to stay away from the city while they get married on the very next day. The friend who also had love for the same girl comes back after leaving, and finds both of them murdered, and is surprised at the name of the one who committed the murder. Back to the present, Vasanth (Jiiva) and Aaranya (Priya Bhavani Shankar) are a couple who recently do not have a good time together due to their busy schedules at work and some occasional fights. There is also a fight at a pub which leads to Vasanth beating up a man who retaliates by breaking the glass of their car. To make things better, he proposes a vacation, but Aaranya suggests a weekend trip to their new apartment in a peaceful coastal area. Being the first residents in the villas, they are alone for that night except for the one security who is there for duty. There is a mysterious statue of an angel which has been there since 1964, with different relocation attempts failing one after the other, and it was something that was present during the earlier murder of the couple in that year.

So, what happens with the events here as we just keep looking? :: The couple buys some supplies from a nearby supermarket and decides to settle in for a calm and peaceful night. They are surprised to find that the security of the villas has gone missing, and there is also a strange painting delivered to the location which is only known to their best friends. As the supermoon rises in the night, the power goes off and some strange sounds are heard. With no one to switch on the available power backup, they go to the parking area and manage to get it done. Aaranya feels that someone else was there in the parking area, but ends up finding nobody. A friend shows up and tells them that they made a call asking him to come over, which both of them denies. Vasanth and Aaranya, who have made no such call, are baffled but bid him goodbye saying that they have no problems. As he goes back to his car and finds the call on his mobile phone, he is confused, but has no option but to drive away from the area.

And what more is to follow in this world of chaos with something strange all around? :: Later, they find out that there are lights in the opposite villa, even though they were told that they were the only occupants in the group of villas. They find out that the opposite villa is exactly the same mirror image of their villa, but not just with the structure, but having identical furniture, drinks, and even the newly arrived painting. The painting which was once broken, appears okay when they return home, and the same also happens with the curtains which had caught fire. They try to escape in their car, only to find themselves reappearing in the same area after crossing a dark area. Panicked, Aaranya calls emergency services for help, but gets disconnected after telling them a bit. They find themselves in the opposite villa, shocking them about their own existence. Suddenly, an intruder comes in and attacks Vasanth, and it is another version of him, whom they both somehow manages to drive away. They have no idea what is happening and wonder how they can survive the night – can they?

The defence of Black :: The movie nicely explores parallel timelines or alternate realities, complex loops and identity confusion unlike what is usually seen around. Fans of the movie from which it is adapted – Coherence, will surely find it engaging, as they see the world of that movie of Hollywood beautifully recreated with the necessary changes to suit our world. Also, there will be a lot of people who have not watched that particular movie, which will make this experience feel to be fresh and very much new. That dark set of so much similar-looking houses provide us with the feeling of other science-fiction movies like Vivarium from where escape for so much more than just impossible. The environment is just perfect for the movie, and even though not a horror movie, there is terror right in here. Jiiva shines in the movie with multiple identities, while Priya Bhavani Shankar who was also seen in Demonte Colony 2 remains too good here. It has something to keep us engaged and on the edge of the seats at all times, as the mystery thickens and fear is generated from the hopeless situations faced by the protagonists. There is also a lot left to the imagination, which would work for the people who wish for more than what meets the eye. After all, we are the Avengers and Justice League multiverse – parallel worlds fans in heart.

The claws of flaw :: The movie does not seem to solve all its complications, as some confusions do seem to remain – ambiguity stays on without holding back. Multiple versions of characters with overlapping timelines being brought to limited expositions make it a hard thing to follow for casual viewers. The moments at the generator are as ambiguous as the ending, and the attempt to escape in the car also provides that strange feeling. There are also so many characters which remain underdeveloped and one wonders if they exist just to be around. The questions about which version of which characters come at which moment, and who all are matched with each other, keeps people wondering, and explanations are just basic, with visuals not giving that many deep ideas. For people who are not serious with science fiction, too much of time is wasted thinking about what is happening around here. The connections do not feel to be perfect, and sometimes, the movie seems to be a little bit stretched beyond need too.

How it finishes :: Black, despite said to be the adaptation of an English movie, feels like having undergone a transformation to reach this situation which seems to be well-suited for this environment. There seems to be a lot of variation from that tale too, and most of us have not really watched that particular movie either. This version also has quality written all over it, as there is a fine presentation of the idea, even though we cannot deny the existence of some confusion in between, as the blending of time travel, alternative realities and science fiction are not that easy to work with, especially with some strange phenomenon coming in out of nowhere – even the audience would not be ready for the same. But we know that the effort is so good, and this divergence has been the need of our times. Without such thoughts, would movies like Lokah Chapter 1: Chandra and Minnal Murali be around in Malayalam movie industry? Our movie’s twisted realities remind us of the earlier Pechi which was dealing with another genre, but brought the complexities of multiple realities as if hallucinating in an uncertain world. This one here is surely worth your time.

Release date: 11th October 2024
Running time: 117 minutes
Directed by: K G Balasubramani
Starring: Jiiva, Priya Bhavani Shankar, Vivek Prasanna, Yog Japee, Sindhoori, Shah Ra, Swayam Siddha, Raja Rudrakodi, Bharath Sivarajan, Mahimai Raj,Dharma Raj, G V Krishna, Pop Suresh

<<< Click here to go to the previous review

@ Cemetery Watch
✠ The Vampire Bat.

Murphy

Posted on by

Vampire Owl: And after a long time, we get to watch another Kannada movie.

Vampire Bat: Well, this is not the usual kind of mass masala movies that comes here from that particular industry.

Vampire Owl: There are so many movies which we have missed, right?

Vampire Bat: Yes, just because some movies were too mass masala, we ignored the rest. And Mythri was bilingual. The other movie which we mistakenly added to the list was actually Telugu – Konda Polam.

Vampire Owl: Some industries just have too much nonsense in the form of mass masala.

Vampire Bat: But such a world feels too relevant for the audience who do not think.

Vampire Owl: In most industries, the best-grossing movies are not the best.

Vampire Bat: I would also add that the best movies are never sent for the Oscars from India.

Vampire Owl: You are surely talking about Kumbalangi Nights now.

Vampire Bat: And many others, which are more relevant to a classic status than most of the others. The movies which have mass masala content should never qualify for any awards, whether of national or state level.

[Gets a paneer masala dosa and three cups of Vagamon tea].

What is the movie about? :: David Murphy (Prabhu Mundkur) is a young man who lives a simple life under the care of his grandfather Richard (HG Dattatreya) after his mother left him just years after he was born, post which his father also met with an accident and died. He is in love with Jessie (Ila Veermalla), his best friend for years, now studying in the same college and also hailing from the same small neighbourhood. David only has a few memories of his past, and he wishes that he could repair that one radio which remains a souvenir of the time he had spent with his father, but Richard always keep it locked and do not wish to have anyone touch the same. One day, David manages to sneak through to the room where the radio is kept and using a radio manual makes it work, only to hear voices from the device and also find replies coming from the other side to his own talk. To his surprise, the voice on the other side is that of a girl who tells him that she studies in the same college as he and Jessie do.

So, what happens with the events here as we just keep looking? :: A storm which seems to have caused some electrical event feels like the reason for this as David communicates with Janani Chandrasekhar (Roshni Prakash), who promises to meet him at a specified time and date at the college, but both at baffled by the fact that the other was not found at the same place. While they both accuse each other of not coming to the location in time and of not studying in the same college, Janani’s talk about an ongoing World Cup match between India and Sri Lanka where Sachin Tendulkar was opening the innings makes him feel that she is not from the year where he exists. He understands that she is talking about the Cricket World Cup semi-final match between India and Sri Lanka which was abandoned due to crowd misbehaviour, following which Sri Lanka was declared the winner and advanced to the finals. As he predicts the outcome of the match in clarity, she understands that they are from two timelines, and the story begins to unfold and connect both of them through common thread.

The defence of Murphy :: The movie which seems to bring magical realism in the form of science fiction, is indeed a world of magic that comes to the usual scheme of things uninvited. Into this world, we have those characters whose journey are so beautifully portrayed, and we see them as people who carry the emotional weights, never having a stereotype in store here. The stunning visuals and the soothing music keep us interested at all times, and we see that even in loss and regret, there is that goodness which is never lost. Any other movie with a radio connection between two youngsters from the past and present would have the tendency to make a romantic world with some ridiculous dance scenes and that mass silliness which creeps in out of nowhere, but not in this one. The ability to not think not for a group of movie-watching zombies, but to go for the heart of the true cinelover, makes this one a spectacle of the soul. It also comes up with a satisfying ending which also stays, and so we know this world lives on with joy.

Positives and negatives :: The movie is known to be based on an older Korean movie, but it never provides the feeling that it is not blending into this part of the world. If it is original, this is the kind of movies that should be sent for the Oscars from India. As it released in 2024, the concept also does feel a little bit old as so much of time traveling science fiction with romantic or dramatic additions have been done, and a few things might feel predictable, but the fine visage does hide the same up to an extent. The characters seem to be taken right out a real world with magic realism on one side, something which we have appreciated in movies like Amen and Philips and the Monkeypen in a corner, but here, the science fiction element adds the magical thing directly around here. There is a certain amount of beauty about that, as radio remains the most beautiful and magnificent thing here, as something so powerful to determine fate and destiny, during an age when television and then computer and internet replaced it – that nostalgia of a powerful antiquity will remain with us through this movie, especially for those who were born till the beginning of this century.

The performers of the soul :: Prabhu Mundkur is amazingly good as a man of two ages, going from one to the other as two characters, not the same in any way, but bound together with similar elements of human mind. Both characters differ in priorities, but love unites them both, as we will realize, not just the romantic love, but also that of a father and son. His characters are living feel-good factors in a world which is confused about where the true joy lies. It is his display of vulnerability of a kid who did not have the best of childhoods that brings this movie to a peak with regret and the need to change the past creeping into more than one character through his actions. Roshni Prakash who plays Janani plays an emotional role in such a believable way, and her chemistry on the radio is remarkable, and the abiding sadness is so well portrayed as her love and sacrifice which serves as a guiding light. H G Dattatreya remains a veteran pillar who seems like he is guiding everyone. Ila Veermalla as Jessie should also be appreciated, and her character is one reflection of selfless love, that is not given the deserved importance in comparison.

How it finishes :: I have not watched many Kannada movies, and it can be understood from the list of movies which are provided in the menus and drop-down lists of this website, and it might also be the least watched language of movies among the South Indian movies. This one though, is a movie that would change them all, and that too without any unnecessary appendage meant to make things appeal to the common audience. The beauty of this movie is not just one screen, but also underneath, as we watch this one with our soul rather than anything else. This is the kind of movie that keeps us so much invested in the characters even when this is not at all a new tale by any means. The life in this movie which takes on science fiction is more than any flick that takes the so-called realistic tales. Well, not all realities are for everyone, right? Some of those romantic and drama movies have been too unrealistic, even less close to life than the horror and apocalyptic movies that we watch. But this one is beautifully close to life, and leaves us feeling better than most feel-good movies, with a tear happily in our eyes. Well, anyone with a lot of money can make a spectacle on screen, but only a few can make something like this for the soul.

Release date: 18th October 2024
Running time: 136 minutes
Directed by: BSP Varma
Starring: Prabhu Mundkur, Roshni Prakash, Ila Veermalla, HG Dattatreya, Ashwin Rao Pallakki, Mahantesh Hiremath, Rramprasadd Banavara, BSP Varma, Master Dhawan

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Atlas

Posted on by

Vampire Owl: I have known others with the name Atlas before.

Vampire Bat: I believe that it was Cloud Atlas.

Vampire Owl: So, you feel that there is nothing common among the two.

Vampire Bat: There should be a little bit of future related things in both.

Vampire Owl: A world of future never gets old in the past or present.

Vampire Bat: Well, the future does seem to be very much different than what we thought many years ago.

Vampire Owl: Yes, third world war is too late in human world.

Vampire Bat: And the space colonization has been delayed too much.

Vampire Owl: What about time travel? I believe that there was going to be a time machine with a rage of 10000 BC to 12000 AD.

Vampire Bat: Well, we do not even have teleportation yet.

[Gets some Paneer 65 and three cups of orange tea].

What is the movie about? :: It is the year 2043, and humanoid artificial intelligence terrorist Harlan Shepherd (Simu Liu) leads a war of machines against humans, which leaves about three million people dead, proving the scientist who adopted him as his son, and the founder of the programme Val Shepherd (Lana Parrilla) wrong in her theories and expectations about a better future with Artificial Intelligence. The group of machines seem to be too powerful a force to counter for any nation and its military power. An apocalyptic event which soon lead to the extinction of humanity seems imminent, with Harlan having full access to all machines and controlling all similar forces. There are talks around and the military forces of the world join together to form a group known as International Coalition of Nations (ICN), and this leads to the humans finally winning many battles against Harlan much to the dismay of the machines. This forces him to escape Earth and locate himself in outer space, with a promise to come back and finish what he had started with determination.

So, what happens with the events here as we just keep looking? :: After twenty-eight years pass without the machines making any direct battles with humans, Atlas Maru Shepherd (Jennifer Lopez), an analyst, the daughter of Harlan’s designer, has been hunting for a chance to find the escaped machines who are responsible for that near-apocalyptic event. After one of Harlan’s AI agents is captured and interrogated by her using special techniques, she finds out that Harlan can be found on a planet in the Andromeda Galaxy. As she provides this information to the others, keeps insisting that she should come along and face Harlan, something which she has wanted to do for a very long time. The military hopes to use AI-assisted giant robots known as ARCs which connect to human rangers through a neural link, but Atlas in not ready for the same as she distrusts all kinds of Artificial Intelligence. But Harlan’s drones attack their spaceship just before entering the planet’s atmosphere, and Atlas is forced to enter an ARC herself and falls right on to the planet’s surface.

And what more can happen between humans and machines now? :: Atlas is not happy about her situation within a machine, but she manages to gain basic control of the ARC despite her distrust of the Artificial Intelligence who introduces itself as Smith in a very friendly manner. As they move, the two combine forces and soon find the rest of the rangers dead, and somehow manages to escape to escape from the humanoids chasing them despite the link between her and the machine being weak. She reluctantly agrees to directly interface her mind with Smith, allowing for greater control of the ARC. This allows them to move on with a hope to escape, as finding and defeating Harlan seems to be almost impossible now as she is no monster hunter and the enemy is too strong. But is there still a chance to stop Harlan, and should they take it instead of going through the route to the escape pod? Is there something they can do, and is there a chance that Harlan will directly come to get them? Is Harlan actually a villain or is there something more to him than what meets the eye?

The defence of Atlas :: The biggest advantage of this movie is its stunning visuals with some fine Computer-Generated Imagery and visual effects that elevates this movie so much that people would have wanted to watch the same on the big screen. The spaceships, visuals of space and the planet in Proxima Centauri, along with the stylish AI machines are joy to watch, often reminding one of some computer games – remembering MissionForce: CyberStorm of 1996. Then we know Pacific Rim and its sequel. The messages of Artificial Intelligence and trust, along with the idea about human future being devastation does keep all the thinking going forward. All the action makes things more interesting, and the alien planet is something that everyone would look forward to. Jennifer Lopez mostly manages to handle this quite well, even though the role would have suited a newer, younger or lesser-known actress better with the tale seemingly going in that path. There are no unnecessary complications of science here though, and without an Interstellar-kind of scientific overdose, the move scores more on the true science-fiction and not that science-reality mode that keeps the viewers struggling. The Mech-AI and bonding feels nice too.

The claws of flaw :: The movie not having a younger main character to suit the situation more does hurt it at times, and there are moments when it seems to go into a silly mode. There is too much focus on one character even when this is about saving the world. It does not feel appropriate to see that the most trained leader of the rangers and his fully matched AI companion falls too easily while the analyst gets to defeat advanced Artificial Intelligence humanoids with powerful weapons with ease – it is quite the disgrace to the soldiers and their battle-hardened commander intending on saving the world. Somehow, their only duty seems to be focused on keeping the seemingly useless emotionally struggling elder lady who might be mostly out control, safe at all times. In that case, they should have kept her back home, as she is nowhere close to as guide as she claimed to be with the Artificial Intelligence leader, with her missing out on the most predictable part of the movie. The basic idea about Artificial Intelligence seems to be overused, even though we do not come to know that it is what we are dealing with, until the movie is somewhat closer to its end.

How it finishes :: Atlas could have surely been a better movie with less predictability, with more of a consideration on its basic strengths, but it remains an entertainer, and for that much there is no doubt. The repetition itself holds it down, but the same seems to be the one thing that would drive movies like this forever. The film was surely not well-received by the critics and Jennifer Lopez was even nominated for the Worst Actress category at the Golden Raspberry Awards – but you know that critics often make no sense, as they recently did with Madame Web, and we know that even the best movies do not make money, like John Carter. This movie could have at least received some accolades for its graphics and visuals, for the settings in space need not always be this good, and not all science fiction are spectacles of this quality, not even those much-famed superhero movies of Marvel. You watch this one for the beauty on the screen and another world of future with an emotional and classic touch. Well, you need movies like these at regular intervals to keep the love for science fiction going, and not those silly stuff which deviates from the genre’s core.

Release date: 24th May 2024 (Netflix)
Running time: 120 minutes
Directed by: Brad Peyton
Starring: Jennifer Lopez, Simu Liu, Sterling K Brown, Mark Strong, Gregory James Cohan, Abraham Popoola, Lana Parrilla

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Flash

Posted on by

Vampire Owl: I have once proven that I could be faster than The Flash.

Vampire Bat: Vampires have speed as one of their special skills.

Vampire Owl: Yet, it is certainly not fast enough.

Vampire Bat: You cannot ask for so much of speed when you have other skills.

Vampire Owl: Drinking blood do not count as a skill.

Vampire Bat: I understand that it is a quality.

Vampire Owl: I was going to call it a necessity.

Vampire Bat: Vampires can live without any necessities.

Vampire Owl: Humans call necessity to be the mother of invention.

Vampire Bat: We do not need to invent anything, as we have everything here already.

[Gets a mango cake and three cups of Vagamon tea].

What is the movie about? :: Barry Allen a.k.a. The Flash (Ezra Miller) is living his life as the superhero who is meant to save the world regularly along with Bruce Wayne a.k.a. Batman (Ben Affleck) and Diana Prince a.k.a. Wonder Woman (Gal Gadot). After stopping a robbery and after saving children from a hospital, Barry gets back to his normal life which includes the trial of his father Henry Allen (Ron Livingston) who is supposed to have killed his mother Nora Allen (Maribel Verdu) a long time ago when he was a child. It was the one incident which changed his world permanently, and it is still has the chance to get him further down in depression. Understanding that his father would remain in prison for the murder which he never committed, he is overcome by emotions and ends up traveling back in time. Despite the advice of Bruce not to do it, he ends up changing his past, making sure that his mother never forgot to buy a can of tomatoes, and was not left alone in the kitchen while his father had left for the supermarket. This seems to have left his mother alive and his father out of prison.

So, what happens with the events here as we just keep looking? :: Barry feels that he has solved everything by just changing a little bit of the past, but he is thrown out of the world of speed by another quickly moving person. As he falls out of there, he finds himself in 2013, and finds his parents at home, with another version of him arriving there at the same time. This version does not have the powers as he does not go to the same places, and in an attempt to make sure that the superpowers are achieved, they reach the location to get hit by lightning, but Barry ends up losing his powers while the younger version in this timeline becomes the metahuman. The other version of him do not know how to use the powers, and without them, he cannot get back to his timeline, and that creates a clear problem out there. He has to go back in time before there is any more problem being created, but this is the same moment when an alien from outer space sends a threatening message to humans to provide them with someone belonging to their species or meet instant doom. Now, with no metahumans to be found in this world and with no Justice League, Barry wonders what can be done.

The defence of The Flash :: It can be seen that The Flash begins really well, with some slow motion moments that steal the show – even before that, we know that the film will be more light-hearted than anything else. The actions sequences are nicely done, especially the final ones. The journey through the timeline and within the Speedforce remain interesting. Some of the references to what lies beneath work with effectiveness. The idea of not trying to alter the past for personal gains maintains the upper hand, and a certain amount of stoicism can also be seen. At the same time, the movie serves its fan with determination, and we are impressed with multiple worlds reminding us of Doctor Strange in the Multiverse of Madness just because that film came earlier. Sometimes we feel that we just need that particular version of Supergirl to appreciate the work done here – not all worlds need Superman-power, and some are not ready for the same. Well, not all worlds need to have everything, and it could be more divergent than having some versions of all heroes everywhere.

Positives and negatives :: When the speedster metahuman is involved, there is always scope for more, not just with the story, but with the visuals which would have no real limits – we know that the tale can always be expanded from that series from some time ago. It is to be noted that the Flash is not really a much remembered superhero in this part of the world, and often makes us feel that Quicksilver always had the advantage in the slow-motion sequences – Marvel’s early introduction of its metahumans could be blamed for the same, but even after the speedster returned, the ball never really arrived at his court to provide him the advantage. The negativity in relation to the movie is not justified though, as the movie works so well, and it maintains quality in the proceedings. If Spider-Man with its multiverse can work nicely, this does the same with the use of speed even better. The movie struggles a bit during the first return to 2013 timeline and the a few minutes there do not go off – things only get better with the discovery of Batman in this particular world.

The performers of the soul :: Ezra Miller handles the character of Flash with ease. The elements of humour have been maintained well by him here. The comic side remains strong, thanks to him, and in their very small presences, Gal Gadot and Ben Affleck also supports the humorous side really well. The one who steals show as the surprise package is Sasha Calle who becomes the first Latina actress to portray the role of Supergirl. The extra-terrestrial species of the planet of Krypton seems to be scoring really well with their characters beyond Superman too. Sasha is remarkable as the Supergirl who rises to fight for the new species that she does not know, and excels in those shots of classic superhero action that elevates the movie. We would love to see her in more action movies, maybe with a science fiction or horror touch. Michael Shannon’s return as General Zod makes the same impact as the last time. Antje Traue has the supporting role with the antagonist, and remains somewhat notable. Michael Keaton comes in the role of Batman of the new timeline, and it is not something new for those who have seen him playing the role before in the 1990s.

How it finishes :: The Flash can be considered as a misunderstood movie which could have done a lot better business and surely deserved a better reception from the audience. Aquaman and the Lost Kingdom is surely a better flick which also only did better, but not as much as it should have done. Well, these days, we do see that most of these DC movies are actually better than the Marvel flicks after Avengers: Infinity War and Avengers: End Game. The overpowered Captain Marvel never really needed to make a comeback either and The Marvels never required to even exist as it never seemed to have shows there. We would have required more of movies from Doctor Strange and maybe a film with Hawkeye at the centre from the Marvel Cinematic Universe. For DC, there could have been more of Batman and Wonder Woman too. For now, it is good to have The Flash around with a Supergirl whom we are going to remember for a very long time. You have to make the movies interesting, rather than trying to create characters and situations for the sake of pleasing people, and this movie deserves the applause for keeping it entertaining at all times.

Release date: 16th June 2023 (Theatre); 15th November 2023 (Jio Cinema)
Running time: 144 minutes
Directed by: Andy Muschietti
Starring: Ezra Miller, Sasha Calle, Michael Shannon, Ron Livingston Maribel Verdú, Kiersey Clemons, Antje Traue, Michael Keaton

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Alien: Romulus

Posted on by

Vampire Owl: Do you remember those days when we watched alien movies and believed in them? Those were the wonderful days with alien fear, right?

Vampire Bat: We still do not deny their existence. Aliens are the kind of creatures who are not limited to any shells.

Vampire Owl: So, we are going with the parallel world theory. We might end up finding some interesting creatures that we are not aware of.

Vampire Bat: We already have that discovery of the shadow world, and so this is also possible.

Vampire Owl: It was discovered by Doctor Frankenstein, right? Isn’t the great scientist responsible for all the great inventions and discoveries?

Vampire Bat: It was discovered by the vampire scouts, not that fake doctor.

Vampire Owl: The scouts just discovered the portal, and Mr. Frankenstein discovered the rest.

Vampire Bat: It was actually a work of fiction on real discoveries.

Vampire Owl: You should know that the shadow demons come from a portal to another planet.

Vampire Bat: Well, these are surely not the same kind of aliens.

Vampire Owl: I have known these aliens since the first movie too.

Vampire Bat: People seem to like the second, but for me, the first scores the best.

Vampire Owl: And the newer versions – Prometheus and Covenant.

Vampire Bat: I would not deny their strength either.

Vampire Owl: So, we will trust them to do well again. As they have always done, making us more and more interested in the franchise which has so many secrets to unveil and worlds to witness.

Vampire Bat: Which is why we take the struggle to find the theatres showing this film.

Vampire Owl: I hope they show this is in more theatres.

Vampire Bat: I am sure that this will survive and go through a long run.

Vampire Owl: Even with those Onam releases coming up?

Vampire Bat: Well, we only a have a few Onam releases this time.

Vampire Owl: So, the biggest names are not releasing their films?

Vampire Bat: That is indeed a surprise, but I feel that they are not.

Vampire Owl: So the biggest Onam release would be ARM: Ajayante Randaam Moshanam.

Vampire Bat: I do not see why it should not be. The fantasy movies also deserve to have their due, not just in the form of magic realism.

[Gets a box with cheese popcorn and three cups of ginger tea and moves into theatre].

Vampire Owl: The series remains a classic indeed and there are not many people who can patiently wait for another sequel.

Vampire Bat: This is why I always trust this franchise. This is indeed a science-fiction marvel that continues from its base so well.

Vampire Owl: The aliens in the such a terrifying atmosphere within a space station serves well.

Vampire Bat: Well, we have the castles and they have space stations and ships. You remember the movie when Dracula actually visited a space ship, and was considered an alien species from a much far away planet.

Vampire Owl: Yet, we are scarier, with a certificate attained from the nearby cemetery.

Vampire Bat: Yet, being in space with nowhere to go brings the terror further.

Vampire Owl: The performances have been really good too.

Vampire Bat: Well, science fiction seems to bring better monsters than the Gothic these days.

Vampire Owl: The monsters from outer space got their merits.

Vampire Bat: The terror brought by the ruination of humans works every time whether as demons of space or of the graves.

Vampire Owl: This time, there was so much of details with the outer space as much as inside. The world has managed to get its due.

Vampire Bat: The terror of infinity of space never ceases to amaze us.

Vampire Owl: Well, the idea of hell might me somewhere in space.

Vampire Bat: You are going back to the good old Doom game.

Vampire Owl: And also its movie adaptations.

Vampire Bat: You were not that much of a fan of those particular adaptions. You were always against games being made into movies, even though you did not considered the same vice versa to be that much a negative thing.

Vampire Owl: Well, these genres are all mixed, and we see the demons in space, gods in space, aliens in mythology and humans everywhere.

Vampire Bat: The human imagination is basically everywhere these days. You look at them imagining the impossible, the beautiful and the absurd, all coming out of the same brain that fails to stop being creative, sometimes even for the wrong reasons.

Vampire Owl: How many aliens did you count? How many were killed by those guns? Did too many of them manage to escape.

Vampire Bat: They come in hordes, like the zombies and werewolves, as if a witch or sorcerer is controlling them with a magic wand.

Vampire Owl: There are still some repetitions and reminders of earlier movies.

Vampire Bat: Yes, they still work effectively enough. Movies like these would require some repetition as these are the right elements that make the franchise better.

Vampire Owl: In a world where viewers fear humans more than monsters will this work well enough? Do they count as scary enough in comparison?

Vampire Bat: Well, with so many effective scares, yes. They keep the franchise going, strong and sharp as they are intended to be.

Vampire Owl: This has surely worked well with the scares for me.

[Disappears into the darkness of the day because the clouds have done the trick, and awaits the darkest night of the week].

This is the third YouTube video dealing with film review. The movie has been reviewed as part of a vlog below, and with the YouTube Channel Scholar Nomads gaining the advantage, there is always much more to be said.

Release date: 23rd August 2024 (Theatre)
Running time: 119 minutes
Directed by: Fede Alvarez
Starring: Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, Aileen Wu

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Wifelike

Posted on by

Vampire Owl: There should be a movie called vampire-like.

Vampire Bat: There is no other like the vampires.

Vampire Owl: Some of the hybrids claim to be so.

Vampire Bat: The claim is certainly not valid.

Vampire Owl: There are some assurances made in relation to that.

Vampire Bat: Most of those assurances do not bind.

Vampire Owl: I am sure that they were good enough on paper.

Vampire Bat: It is surprising that you have started to believe random assurances.

Vampire Owl: Well, I have been different after the corona virus pandemic.

Vampire Bat: You are yet to know enough about that virus.

[Gets a paneer pizza and three cups of Vagamon tea].

What is the movie about? :: A company named Wifelike begins to provide android companions to people who lost them or requires someone new. An robotic human, programmed to serve as a partner, Meredith (Elena Kampouris) gets assigned as a companion to a widower William (Jonathan Rhys Meyers). This cyborg-being is designed to behave like his late wife with the same name. Everything seems to work fine, but there is an organization named SCAIR or Sentient Citizens for AI Rights who are considered to be terrorists who use the companions for other purposes including wrecking havoc. At the same time, some of these people are seen as asking for equal rights for AI, similar to humans. Meredith is learning everything slowly, while William has the job of protecting companions, while finding those missing among them. It becomes more and more of a dangerous job, as there is an unknown figure known by the name Ring Master completely in control of the activities of SCAIR, and he means to cause more harm.

So, what happens with the events here as we just keep looking? :: There are also interactive dream operators for the companions, to bring the dream mode which helps them while charging themselves in hibernation. There is something strange in these dreams though, as a masked man gives her a card, and the programme does not identify such a person. Meredith finds a lady on the way who asks her to remember while causing her a distraction. The strange lady also visits Meredith in the house. In the dreams, she keeps seeing a masked man who asks her to remember. William assures her that it was only a bad dream, and nothing more. But it seems that her programming has been hacked, and William begins to feel that things are getting more serious than it was supposed to be. The dreams which allows the companions to rest are not safe any more. Wifelike soon brings a new group of company, known as Childlike, which has perfect babies being created. But there is a mess which has already been created, and it requires more attention, and Meredith could end up being a ghost in a shell without some fine job of repair.

The defence of Wifelike :: The idea behind the movie is strong, and even though it feels set in a future, one cannot forget the fact that there are always immense possibilities for the rich and the powerful. There will always be people who can buy anything. The movie goes through such a feeling strongly, in an environment which has been very well created. The stunning visuals support the same throughout its run. The twists of the movie are also nicely crafted, and there are some red herrings brought in here and there to make sure that the audience won’t guess the whole thing exactly as it is supposed to be. The final moments bring in the chance for a sequel, and there are moments when we feel that this film could make a return as a cult classic in the future. Elena Kampouris leads the work from the core, and there are so many moments which reminds us that we will have more than what meets the eye, and the same would be proven in the end.

Positives and negatives :: There are reminders here about other science fiction movies for sure, and at times, we cannot find what we need around here. One might feel that it gets slow and losses focus at times, but everything comes together in the end, and we feel that those moments which were felt to be less important are also significant around here. There could have been some more fine moments added here, with the capabilities of other companions also explored, and the life of at least one more of them being shown. Instead, the movie shows the others as just being less significant androids even while talking about equality for the artificial intelligence. Well, with the further development of aritificial intelligence, there will always be chance for more occuring in real life, even if it need not always be about a Terminator-like incident in which machines take over, or some Ultron requiring Avengers to save the day. With thought-provoking movies like this one, we can always expect more.

The performers of the soul :: The movie is led by Elena Kampouris, who comes up with a memorable performance as an android, human recreated into a robot, with a past that she cannot hold on to. She makes a fine robot, and the past is also shown in an interesting manner. She provides many moments to remember, and the emotional past is only another side of her resurrection in the form of the perfect companion. There are signs which show the possibilities of her becoming a bigger star, seemingly well-suited to become a scream queen at some point of time. Playing an android with so much of artificial intelligence would not be an easy task, but she has nailed it. Jonathan Rhys Meyers also plays his role well, and the twist about him makes the character even more interesting. The final moments do set up well for a sequel in which he could bring in another side of the whole companion thing talked about in the movie. The other actors and actresses provide good support, but the movie is indeed focused on these two.

How it finishes :: In the end, Wifelike does not become another Ex Machina, but it does come close in the process. The ideas do travel in a similar path on multiple occasions, but there are not many things that match that particular movie which can be considered as a classic among works of science fiction which dealt with similar topics. The movie gets a number of things right, and with the leading lady interpreting the idea of the android really well, it has more than enough to deal with the content an bring the entertainment along with the twists that work well. Well, when some actresses play humans, they end up with such robotic performances that we would want to ask them to play robots, but here we have the actress who can play both sides. Most of the rating do not bring any justice to this movie, as there combination is indeed effective with this one. This is one movie which could have used more attention when it was released.

Release date: 20th December 2022
Running time: 105 minutes
Directed by: James Bird
Starring: Jonathan Rhys Meyers, Elena Kampouris, Doron Bell, Sara Sampaio, Rachelle Goulding, CJ Perry, Alix Villaret, Agam Darshi, Doron Bell, Fletcher Donovan, Claire Friesen, Sari Mercer, Chezca Vega, Stephen Lobo, Bradley Stryker

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Avatar 2

Posted on by

Vampire Owl: Do you remember when we watched the first film?

Vampire Bat: That was too long ago for anything to be remembered.

Vampire Owl: Yet, it was like the first of its kind during old days.

Vampire Bat: Too many movies are first of their type.

Vampire Owl: Well, in that case, I have never really liked the second film of any franchise.

Vampire Bat: The lack of such a unique feeling will be evident.

Vampire Owl: Even the corona virus pandemic seems to be lacking in the same thing.

Vampire Bat: I have often liked the third and fourth movies better.

Vampire Owl: We can wait for that to happen after watching this.

Vampire Bat: I wonder how much of an infinity of films we will need to watch further sequels for a film which ended so well with the first one.

[Gets a vegetable samosa and three cups of Munnar tea].

What is the movie about? :: Years have passed since the first human attempt of colonising the planet of Pandora. As the natural resources of the Earth have been further depleted, leading to the planet’s near devastation, humans have been further trying to quickly colonize Pandora, and a newer and advanced base has been formed for the same purpose. The Resources Development Administration had been mining the mineral known as unobtanium on the planet, but now it has become about something more. Pandora continues to be dominated by the creatures known as Na’vi, who are 10-foot-tall blue-skinned humanoids who live in harmony with nature and considered the elements of the same as gods, particularly the Great Mother, also known as Eywa. But humans would care less about nature, as they have destroyed the same on their own planet, which could die soon enough, forcing a human exodus into this planet in the Alpha Centauri. As a technologically advanced race, humans could take on the indigenious species with brutal power.

So, what happens with the events here as we just keep looking? :: Jake Sully (Sam Worthington) who had served for humans is now completely a part of Na’vi as the leader of the forest people known as the Omaticaya. He continues to be with Neytiri (Zoe Saldana) with whom he raises and guides children including the sons Neteyam (James Flatters) and Lo’ak (Britain Dalton), daughter Tuk (Trinity Jo-Li Bliss), adopted daughter Kiri (Sigourney Weaver) and a human boy named Spider (Jack Champion), the son of the human commander who was unable to be transported to Earth due to the young age. Spider is not particularly liked by anyone except Jake and his children, as everyone in the tribe including Neytiri are doubtful about him as he is a child of the enemy who can return at any moment. They keep preparing themselves for this return of a human military force, as a number of humans have returned and erected a separate camp on the planet, with advanced weapons and forces that are beyond their comprehension.

And what more is to follow further here? :: Na’vi faces the humans in occasional ambushes, but understands that something bigger is coming, which Jake feels is near impossible to stop with their natural weapons. The guerilla campaign against the RDA supply lines does not seem to be work with that much of an efficiency, and almost has one of Jake’s sons killed in action. Colonel Miles Quaritch (Stephen Lang) returns after death as a Na’vi marine full of the memories of the dead colonel and seeks revenge with the support of a good number of similar Na’vi avatars created out of humans. They capture the children of Jake, who are freed except for Spider whom they take hostage. Even though he refuses to tell them anything about Jake even after torture, he helps Miles with the Na’vi culture and language, which Miles is quick to understand while deciding to care for the boy who is of his own blood in one way or the other. Jake who feels that Spider can lead the humans to their habitat, leaves for the far away islands where Metkayina reef people live in solidarity with the ocean and the creatures who live in the water. But would that keep them safe?

The defence of Avatar 2: The Way of Water :: Even though not as good as the first movie, there is still some fine visual beauty in store here too, especially in relation to the ocean and its alien creatures that make an impact. There is also the action that happens around, it is huge, even though there is the feeling of repetition that keeps happening at all times, making us feel that Marvel and DC can always do this better; even the visual splendour could be better achieved by them. The movie does choose family over everything else, which is a very good thing, even though not polished enough. As the predictability becomes more and more, the movie comes up with better visuals and some dialogues which seem to make up for it, even when we realize that there is not that much of an intellectual side behind it despite providing an early feeling of having it. As the scene does shift to the situation of fishermen who faces the people from outside, it reminds one of the protests called by the people of Vizhinjam near Trivandrum against an entity and similar fights by fishermen just like the tribal people against the multi-national corporations who form the new colonizers – well, the scientifically advanced and the rich always has the edge and can defeat the rest in one giant step.

The claws of flaw :: Avatar 2: The Way of Water is predictable from the early stages itself. It overdoes the family elements so much that one wonders if this will ever reach anywhere with the emotional side. The narrative remains weak, and the run-time is too much without enough content to support it except for the visuals, which are also not improvement from the first film which was ahead of its time with splendour on the big screen. Even among the visuals, there is not one moment that stands apart, and for the ocean and its beauty, there has been fantastic displays in films like Aquaman. This second movie often drags so much that one wonders if it is ever going to reach its final moments of fights. Focusing on alien family drama more than everything else hurts its capability to move forward towards the next movie in the franchise, especially when there are so many repetitive moments related to it. You just cannot talk about family so much that Fast and Furious franchise feels that it has not appreciated family enough; that would be too much to handle for anyone with some sanity left to see the irritating side.

How it finishes :: Being the second part of a movie that scored so well with the box-office as well as the critics required more – nowadays, even other industries can come up with films having big action sequences and grand events on the screen; this one could have been much more, and the second part of Avatar would get big collections, thanks to the fame of its predecessor. It has done well to be entertaining enough, but not by much. The movie franchise needs to remember that there is the requirement to raise the bar, or the third movie will struggle to keep the audience rushing to the theatres – after all, we can always have another corona virus pandemic too. Most of us have waited for too long for this movie, and what we receive is predictable stuff – not good news for any franchise, unless there are still addicted fans who wishes to keep going to Pandora without having a clear idea about how much such a world can provide. The endless opportunities of an alien world goes unnoticed here, and that is a side which requires further imagination. In this case, we know that science continues to be evil and destroy worlds as it has been doing for Earth.

Release date: 16th December 2022
Running time: 192 minutes
Directed by: James Cameron
Starring: Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco, Jemaine Clement, Britain Dalton, Kate Winslet

<<< Click here to go to the previous review.

<<< Click here to go to the previous film watched in theatre.

@ Cemetery Watch
✠ The Vampire Bat.

The Colony

Posted on by

Vampire Owl: I feel that there will be a lot of dead humans in this movie.

Vampire Bat: Humans will still continue to exist with their souls.

Vampire Owl: Why are the humans supposed to have souls?

Vampire Bat: I guess that is because we are always in need of evil human spirits.

Vampire Owl: You mean, like the ghost which cleans the rooms of the castle?

Vampire Bat: Yes, such works are specifically reserved for the strange souls rejected by heaven, hell and purgatory.

Vampire Owl: I thought that they were souls of wizards or sorcerers. The costume seemed to point in that direction only.

Vampire Bat: Well, that is a lady who died during a fashion show.

Vampire Owl: Okay, at least it is not someone who died during a Halloween party.

Vampire Bat: You can at least be glad that this is not an evil spirit who wants to haunt the castle during the nights.

[Gets a ghee roast and three cups of Wayanad tea].

What is the movie about? :: The story takes place in a distant future in which multiple reasons like climate change, war and pandemics have made the earth not worthy of supporting life. But the elite class has successfully escaped from the misery to settle on Kepler 209, a space colony. After two generations, the rich and the elite are ready to try and find out if a return to Earth is possible through the Ulysses Project. Even though they have advanced science and technology out there, the heavy radiation has left the people of Kepler 209 mostly infertile. First mission to Earth was lost shortly after landing, but the second one named Ulysses 2 begins shortly enough. Louise Blake (Nora Arnezeder) arrives with her crew and crashlands on Earth. Tucker (Sope Dirisu) is the only other survivor of the crash. They are glad to understand that there is no radiation on Earth, despite all those terrible wars of destruction and global warming. They hope to collect enough data from the planet and take them back so that the scientists up there can make an analysis about the same.

So, what happens with the events here as we just keep looking? :: They are able to find lifeforms which are able to reproduce, and wonders if they will be able to adapt to the situation and be able for reproduction if they indulge in sex too. It also seems that the weather has managed to become a little too intense than they had known, and there is so much of flatlands with less visibility all around. At the same time, a few people attacks the space shuttle, and attacks both of them, taking them prisoners. These people seems to have very primitive technology in comparison to what they possess. The people talked in some strange languages and used bows and arrows as weapons, while living in an area which seems to be in the middle of nowhere. They destroy almost everything in the pod which can be used for communication or exploration. Tucker who lost too much blood decides to commit suicide against Blake’s assurance that he is eight seven percentage fertility match for her to have a child if they have sexual intercourse soon enough.

And what more is to happen in this world which seems to have no hope for future? :: After the death of Tucker, Blake is left in a well which has water up to her thighs. She almost drowns as water comes into this particular settlement, and is only saved at the last minute. She remember what she was taught about the planet, and continues to hope about Earth. She remembers that there were always hope about the planet if they could find the right area to grow a new Earth, as much as there was chance for reproduction against all odds. Soon, the area is raided by a group of hostile humans who kidnap all of them. The locals are captured and taken to a huge space that is located above the continuous storms and floods which terribly affects the people around. Now, Blake finds herself in a situation for which she was not prepared at all. Now, the question remains if she can defy all odds to get what she wants. With more ruthless humans being added to the list of enemies that she has to face, can she do what is enough to help these people and also those who are left in their space station? Is there still hope for a better future on Earth?

Defence of The Colony a.k.a. Tides :: This is one post-apocalyptic movie which is imaginative enough, but at the same time, is also close enough to keeping the whole thing as real as possible, despite having the chances to go the other way on many occasions. Nora Arnezeder who leads the cast comes up with a pretty good performance too. The world is nicely created, with water all around, and the premise helps it to progress nicely to the one goal that is revealed later. They surely have done some nice work with the computer generated imagery and some special effects to make it feel real.It does have the theme of racial supremacy in there too, as the races having advanced science and technology with them don’t stop enslaving people – such need for control and hatred for the other within humans is reflected yet again, and so is the corruption of science which goes deep into humanity. There are also some small twists added in here, and the secrets of this mostly devastated Earth could use a sequel too. It is still nice to see that they haven’t chosen Mars or its moons this time, and makes use of another world, even though that area is not shown.

The claws of flaw :: The movie begins slow, and is mostly predictable through its first half of the run, until things do change in the later moments. As we have movies like these, there are always those things which keep on getting repeated. With a fine premise in here, the movie could have always done better, and it doesn’t add anything further, even though the chance for a certain fortification was always there. The central problem here shifts to the need for reproduction instead of having a green Earth to live on, and that is a quick transformation, and same doesn’t get explored properly either, as the movie changes the focus to emotions and kids added to take it further. There could have been some bigger shocks and twists related to the same, but the movie just continues to play it safe, and the question remains if there was the need for the same. It is also surprising that a technologically advanced group of humans depicted in the film are not good enough to expect or fight the rather primitive locals who have lived without science and technology for so many years on Earth – even their space shuttle is not good enough when we look close.

How it finishes :: Also known as Tides, this is a less known movie which can surely use our attention. There has been some interesting post-apocalyptic science fiction works with a certain amount of depression associated with them like Oblivion and Io. For the full action apocalypse, we have always had Resident Evil movies or those belonging to the Mad Max world. Then there would be Elysium with a message. Our movie here has its own space. The divergence that we see here is pretty much acceptable. Well, we know what the future of our world will be about, and we are waiting for the terrible things to happen, just like what is seen in the movie or even worse – the wars are there, ready to go nuclear; the global warming is also there, ready to devour the lands and people; pandemics have been unleashed, ready to bring more deviations of viruses; we can only be prepared for the same, and watch movies like this one. As we know at all times, the reflection is here, as the most scientifically advanced community will always be the most godless and the most advanced in not believing in goodness.

Release date: 27th August 2021
Running time: 104 minutes
Directed by: Tim Fehlbaum
Starring: Nora Arnezeder, Sarah-Sofie Boussnina, Iain Glen, Joel Basman, Sebastian Roche, Bella Bading, Sope Dirisu, Cloe Albertine Heinrich

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Stowaway

Posted on by

Vampire Owl: Do you know that Doctor Frankenstein had a stowaway on his Ultimate Machine of Nightmares?

Vampire Bat: Why would someone want to have a ride of nightmares?

Vampire Owl: I guess they wanted to witness the greatness of this invention by the greatest scientist of all times?

Vampire Bat: Why are you not understanding that he is not a real scientist at all?

Vampire Owl: You are saying this because you studied arts only.

Vampire Bat: I am well aware of the way of science. Mr Frankenstein has no role in it.

Vampire Owl: You should understand that he can teleport you in a second or two.

Vampire Bat: Even those witches of the north can do that.

Vampire Owl: I am talking about teleportation to another realm.

Vampire Bat: He just creates a virtual reality within his laboratory and pretends that it is another realm. He cannot even teleport Uncle Dracula’s lost fangs.

[Gets a paneer masala dosa and three cups of elaichi tea].

What is the movie about? :: A two year mission to Mars has been approved for the spaceship, MTS-42, which has the mission commander Marina Barnett (Toni Collette), biologist David Kim (Daniel Dae Kim), and the ship’s doctor and researcher Zoe Levenson (Anna Kendrick) on board. They are taking the first steps to call Mars the second home, and each of them is very good with the needed abilities and extended training. Everything seems to go fine with the launch, and they are all glad to be on the way to a great expedition. Soon after the takeoff, they discover a launch support engineer, Michael Adams (Shamier Anderson), an unexpected traveler who seems to be caught and fallen unconscious between the two modules of the ship. As he falls down, the device that scrubs carbon-di-oxide from ship’s air is destroyed. They use use emergency lithium hydroxide canisters to get rid of the carbon-di-oxide from the air, but it doesn’t seem to be enough. Marina is not sure about what has happened here, and wonders if something strange is going on in the background.

So, what happens with the events here as we just keep looking? :: Michael wakes up and wants to go home, but everyone knows that a return is not possible now. He slowly adapts to the situation, as the company promises to help his sister to go through her life in his absence with guidance and monetary support. David begins cultivating his algae experiment of the ship before reaching Mars, as there is the need for some extra oxygen, but it is also not that much effective. The damage done to the carbon-di-oxide scrubbing device seems to be permanent, and their life support seems to be in trouble. If they are not able to find another method for the supply of oxygen, they are going to fall short of breathable air. The only option seems to be a spacewalk to climb the tethers of the spaceship and recover liquid oxygen from the upper stage of the rocket. Even though the other two are okay with it, Zoe is not ready to sacrifice Michael to make sure that they have enough oxygen for their journey, and the commander decides to wait for ten days to come up with a solution. But can they have one in time?

The defence of Stowaway :: The space and the spaceship around here are indeed well-detailed, and there is one final adventure to be done as the movie gets near its end, which provides a charming view of space. The world here has good detail, both outside and inside the spaceship. There is always the question about the significance of life of a person when it would mean the death of three others who are more important not just for one mission, but for the entire humanity. This something about the talks here, as there seems to be no clear solution for a problem. There are many routes which this movie seems to take too. The movie does talk about the importance of faith, belief and hope in life, even though it is indeed a double-edged sword which can end up ruining everything like a person too much motivated by a motivational speaker. Well, after all, we know that the life itself is about some tough choices that we make, and in the end, we are all just going to die a terrible death and lie a few feet under.

The claws of flaw :: The movie is surely slow, and never does it even try to get any faster, which is rather strange, as we look at all those possibilities which have been avoided. It doesn’t try to be that entertaining either, as the speed is never that much to keep us that much engaged with the possible thrills. There is that drag which is felt because the film has too many moments and dialogues which could have been avoided – a two hour movie was not needed to deal with this kind of a theme which never chooses to go bigger. The movie’s question does feel strange too, about humanity and all, because science has already brought extinction upon humanity, and most of the human beings do not deserve to saved. And, we all know that humans are not going to make that much of a sacrifice after thinking too much – so much of thoughts better lead to brutal murders. We don’t know that much about mission being undertaken here either, except for where it is headed, and related to some of the possibilities after reaching the destination.

The performers of the soul :: Among the performers, Anna Kendrick is the only one face that we seem to recognize at first sight. We have seen her in very less number of movies in the last few years, but as we see her again, she seems to be another actress who seems to get younger as time progress – we recognize her as almost the same as in those much earlier movies. Despite not being the commander, she is the true protagonist and heroine of the movie, and the one who is ready to make a different at any cost – she does the lady with the most conscience in a wonderful way. Toni Collette has been there for longer, but most of us have seen her in movies which are rather too old, which means that recognizing her would be difficult. She says good as the commander who has to take some very difficult decisions. Daniel Dae Kim plays the man with his own assumptions about success of the mission quite well. The only other character and the one who brings the change to the mission is Shamier Anderson, a job quite well done.

How it finishes :: There has been no shortage of interesting journey through space which Hollywood has undertaken – it was at times complicated like Interstellar, with great visual splendour of space like in Gravity, hope for colonization of another world like in The Martian, horror inside the spaceship like in Life, terror in space colonies like in Doom: Annihilation, searching for secrets of humanity like in Prometheus, more on drama and romance like in Passengers or even going the fully entertaining in Star Trek way. The Chinese had The Wandering Earth and the Koreans had Space Sweepers, now we have this one. Stowaway is closer to the genre of drama instead of becoming the thriller. It still has enough of the engaging moments, and also has the moral questions running through. Even though most of us will not get to space and will face the human extinction event, we will clap to the rich people going to space and living happily ever after, following the discoveries similar to that in this movie are made. Until then, we will watch similar movies again and again, adjusting to the interesting moments that they provide, as the apocalyptic event awaits with a terrible beauty ready to be unleashed.

Release date: 22nd April 2021 (Netflix)
Running time: 92 minutes
Directed by: Joe Penna
Starring: Anna Kendrick, Daniel Dae Kim, Shamier Anderson, Toni Collette

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Outside the Wire

Posted on by

Vampire Owl: The area beyond the Greater Cemetery is now considered outside the wire.

Vampire Bat: Do you feel that there is a war coming soon?

Vampire Owl: Well, humans are building more weapons of war.

Vampire Bat: You are thinking that those weapons are meant for us.

Vampire Owl: After they are done with most of their own, yes.

Vampire Bat: I don’t think that most of their weapons will have any effect on us.

Vampire Owl: The weapons of mass destruction will erase the world as we know it.

Vampire Bat: Such a destructive and disappointing species.

Vampire Owl: I will ask Doctor Frankenstein to come up with an invention which can go back in time and brutally murder all those human scientists whose inventions led to these new generation of weapons.

Vampire Bat: Mr Frankenstein‘s time machines made of vampire steel are as much fake as humanity’s love for each other.

[Gets a vancho cake and three cups of orange tea].

What is the movie about? :: The year is 2036, and there is a violent civil war going on in Eastern Europe between pro-Russian fighters and the local resistances in Ukraine, a struggle which seems to be nowhere close to reaching an end. After years of war, the United States has finally deployed their peacekeeping forces, and among them are the robotic soldiers known as GUMPs. But the team is ambushed, much to the dismay of the human soldiers. While disobeying a direct order, a drone pilot, Lieutanant Thomas Harp (Damson Idris) deploys a Hellfire missile against a suspected enemy missile launcher. The commander on the ground wanted time to save two marines who were caught in the danger zone, but Harp had felt that if he choose to delay the drone strike, all forty of them would die, and an attack would actually save thirty eight of them. But the senior officers do not believe in the same and considers him responsible for the death of those two soldiers.

So, what happens with the events here as we just keep looking? :: Despite not being court-martialed, Harp is redeployed to on-site combat duty at Camp Nathaniel, where the United States military forces have set a base of operations for the war in Ukraine. He is supposed to work with Captain Leo (Anthony Mackie), who seems to be very strict as well as experienced, but turns out to be a very advanced android super soldier, the first of his kind – experimental, but a seemingly perfect prototype machine masquerading as a top level human officer. At the base, this is a secret known only the the commander of the camp, Colonel Eckhart (Michael Kelly), and now Harp. Leo has come into existence only five years ago, but is already programmed to be an effective killing machine. Their ultimate aim is to stop the terrorist known as Victor Koval (Pilou Asbaek) from gaining control of a vast network of nuclear missile silos which were left in the Ukrainian SSR possessing most of the nuclear weapons of the Soviet Union.

And what more does the future hold in a world of chaos and destruction? :: Russia has lost any control which they had over the rebels, and the new powerful terrorist is very close to controlling most of Ukraine and also those missile launcher facilities – it would prove lethal for world peace as much as it would mean for Ukraine and its remaining resistance. It could be the end of the world with nukes in the hands of such a terrorist who doesn’t even have religion or any of the morals to control him. They come across a reported attack on a truck with was providing aids, leading to a stand-off between the United States soldiers and the local militias. But the armed locals and the pro-Russian insurgents are the least of their problems as the trained spies and snipers of Victor Koval are there, which means that the possible event which could lead to the end of the world is closer than they thought. Then, what if the most dangerous man in that part of the world also manages to get the secret codes to the nuke? After all, he would do anything to get them – paying in billions, using brutal force or anything.

The defence of Outside the Wire :: We notice that Outside the Wire has created a fine world for the science fiction elements to start working effectively, early enough. The visuals are really good in this war-torn world In the beginning, there is the feeling that this one would go through action-war mode, but that idea which was earlier challenged with a few machines and later made clear, has a few interesting points for everyone to ponder about. It talks about war and the human need for the same with effectiveness, and we do understand that all sides are almost the same and loves to see collateral damage with the death of so many civilians. There is the fine display of hidden hatred being displayed around here, and we see a lot of the true nature of humans, even the machines who are created by them. These are also the kind of things which would happen at some point of time in future, and we are all with knowledge about the world descending into chaos sooner or later. The action is very good for most of the time with melee combat and gunshots being there, and we are glad to see different elements coming together. Anthony Mackie and Damson Idris do some good work here.

The claws of flaw :: The movie doesn’t make the best use of its resources, as we see a world in not so distant future, with advanced technology and interesting weapons. The war machines could have been used with more effectiveness, as we see a lot of fights struggling to go big on different occasions. The world of war which has been created here could have more of similar products of science and technology at work. The basic idea that the movie was trying to prove could have been clearer, but here they choose to make things rather easy. There is no big action moment that stands out around here, even though there are so many human and machine soldiers around here. At times, the movie just seems to move around without much of a clue, and the ideas about the use and effectiveness of Artificial Intelligence never really gets as strong as it should have been. It does keep one wonder about how well Will Smith has performed in so many science fiction action movies in the past, the one man who would have fit in here so well, and even brought a lot of audience to this lesser known film.

How it finishes :: When we look close, Outside the Wire seems to be a movie which has predicted the Russian invasion of Ukraine in another form. The movie deals with the interesting scientific concepts and also talks about the human greed and their never-ending need for more wars, even though the fact that the film has focused only one side feels rather strange – humans have always wanted war, and they have always hated each other, which means that this is not something restricted to a nation or two and their allies. We have always been looking for science-fiction doing their best, as we never stop wondering about a post-apocalyptic future with science playing a major role in ending the world as we know it. As science has been continuously contributing to making the global warming worse and developing enough weapons of mass destruction, along with helping the Artificial Intelligence and other machines to take over, we are all looking for the apocalyptic event, and this one surely has shades of the same.

Release date: 15th January 2021 (Netflix)
Running time: 115 minutes
Directed by: Mikael Hafstrom
Starring: Anthony Mackie, Damson Idris, Emily Beecham, Michael Kelly, Pilou Asbaek, Kristina Tonteri-Young, Henry Garrett, Enzo Cilenti

<<< Click here to go to the previous review.

<<< Will you look forward to a cop and a killer playing a game of music?

@ Cemetery Watch
✠ The Vampire Bat.

Space Sweepers

Posted on by

Vampire Owl: I have a history of sweeping space for years.

Vampire Bat: I don’t think that this is the kind of space which you think it is.

Vampire Owl: Yes, how many spaces can there be?

Vampire Bat: This is certainly not about the space which you cleared in the cemetery.

Vampire Owl: I was talking about the space in Doctor Frankenstein‘s laboratory.

Vampire Bat: I don’t think that is going to count as space in science fiction.

Vampire Owl: The laboratory has been part of science fiction movies for a long time.

Vampire Bat: Mr Frankenstein himself is part of fictional programmes only.

Vampire Owl: I just hope that the Frankenstein monster doesn’t hear you.

Vampire Bat: There is no such monster. You are now taking characters out of stories.

[Gets a mango cake and three cups of Darjeeling tea].

What is the movie about? :: The year is 2092, and the world that we know of, is no longer a suitable place for living. All the greenery of the forests have vanished, and deserts have spread. Fading sun and acidic soil has caused the plants to disappear. It was like Earth was on life support. But most of the people are forced to remain on the planet and live through is polluted ecosystem. The UTS Corporation has arranged an orbiting space habitat for people who can afford them, and only a few elite people are able to enjoy this Earth-model ecosystem which assures a happy living space for everyone who becomes part of it. The place is completely governed by UTS Corporation who defined the laws, and decided who came in and went out of there. Earth which used to be the symbol of life has become what space used to be – a symbol of death. James Sullivan (Richard Armitage) serves as the CEO of the corporation, and has his own collection of the best of the world, and is also cultivating life on Mars using a super plant.

So, what happens with the events here as we just keep looking? :: James intends to open a colony in Mars too, and considers it as New Eden. He considers humans responsible for the situation of Earth, and assures everyone that the new world will not be like that. Ninety five percent of the total human population fail to find a spot in the new world, and many non-citizens are forced to survive as space sweepers, collecting space debris floating in Earth’s orbit and then selling it to the company factory. One of the main space ships which try to do so and become very successful is the Victory. The team is led by Captain Jang Hyun-sook (Kim Tae-ri) who was earlier on the other side, but is now against UTS after knowing its true motives. She had even tried to assassinate its CEO, but failed miserably. Kim Tae-ho (Song Joong-ki) who is also a part of the team, used to be on the other side too, and is looking for the body of his daughter who was ejected into space after some debris collided with their station some time ago, and he is running out of time. The others are Tiger Park a.k.a. Park Kyung-soo (Jin Seon-kyu) and Robot Bubs (Yoo Hae-jin).

And what else is to follow in this adventure in space? :: All of the crew seems to have their own story, but has to come up with a new tale of their own now. The space ship Victory picks up a space shuttle floating in space, with a little girl inside. This girl named Dorothy (Park Ye-rin) is supposed to be a weapon of mass destruction which was created by the notorious terrorist group named Black Fox. As Dorothy’s bag has a phone with a number of missed calls, they call and connect to Kang Hyeon-u (Kim Mu-yeol), and make a deal with him to return her for a grand price. It is also assumed that she is also a robot, and that despite her appearance, she is very dangerous. But it seems that what they knew about the girl and the Black Fox might not be true, and there are some sinister motives that UTS might be having. Soon, their mission would change to something else, because James Sullivan likes to keep his own secrets about Mars, Earth and the orbital station. Dorothy will also have to play a part in the same, a very disastrous one.

The defence of Space Sweepers :: The story of the movie is nicely set with a fine premise, and the setting of a future world is nicely done. We are immersed in this world which is sure to come, as Earth is surely going to fall at some point, and a world without human extinction itself is a surprise. This new world is nicely detailed, not just with the newly created eco-system, but also related to space and everything around. Along with being the visually spectacular thing as expected, it is almost emotionally strong with its content. There are moments which keep us going with action, thrills as well as the drama. Kim Tae-ri also comes up with the best of performances among the cast, and other follow well – there is something about her as the captain, and the rest are only glad to continue the good work. We have been in short of some good space adventures after missing the Star Trek movies in the theatre, and this one adds well here. We did get to watch the Chinese movie, The Wandering Earth as a space odyssey, and now we have this one, strong enough to compete with the Hollywood movies based on future’s space.

Positives and negatives :: This doesn’t move that much away from what we have seen before including the theme and the visuals, but latter does get a special touch. It doesn’t raise itself to a complete fun movie, even though it doesn’t become a preachy film with Elysium-like content. With such open space, the opportunities were endless though, and all are not taken. There could have also been a Korean touch with this one, while this one goes close enough to Hollywood instead. It is also a lesser known movie, even though it basically stands taller than so many overrated Hollywood movies. The villainy in this movie is also a little bit too predictable, and there could have been some twist related to that, despite taking the safe side there. People do tend to expect more from a film like this, as the trailer looked to be of top class, and there are not many Korean space movies which I know about – so many of them have been about horror instead. I do feel that there is always scope for more of this kind of movies from South Korea.

How it finishes :: Space Sweepers deals with a future which is not that far away, and it is also the one which we are to expect sooner or later. Even though the facts about orbital stations and colonization of other planets might not be that accurate, the ultimate end of Earth and the escape of the richest among them – the quickly science-loving millionaires and billionaires to other planets remain true. Consider it in that manner, this movie is a fine prediction of a terrible future, which we have seen in other movies too, with or without the shots of space. I have also given it a chance in my novel, Wrath of the Future, which was published in 2020, after the first wave of COVID-19 had seemed to come down. Well, you always need a little bit of the future’s possible horror to think about, but that hasn’t really helped to make humanity better, has it? Well, it doesn’t seem to come close, and thinking about that, let us enjoy this movie the most for its entertainment value, as it creates that grand spectacle on the screen.

Release date: 5th February 2021 (Netflix)
Running time: 136 minutes
Directed by: Jo Sung-hee
Starring: Song Joong-ki, Kim Tae-ri, Jin Seon-kyu, Yoo Hae-jin, Richard Armitage, Kim Mu-yeol, Park Ye-rin, Oh Ji-yul, Christian Lagahit, Kim Hyang-gi, Anupam Tripathi

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Reminiscence

Posted on by

Vampire Owl: I do see my long lost memories on a screen.

Vampire Bat: Do not tell me that this is about another invention of Doctor Frankenstein.

Vampire Owl: He is too much addicted to the present to go into the past.

Vampire Bat: His addiction is with the impossible future.

Vampire Owl: There is no future that is impossible for Sir Frankenstein.

Vampire Bat: Do not call him that. He was never knighted by the Count.

Vampire Owl: The knighthood is not a thing of title anymore. It is something of action.

Vampire Bat: There is no action can he can come up with to deserve it.

Vampire Owl: You will know it once he is done with the grand experiment.

Vampire Bat: You call what he is doing in the so called laboratory an experiment. I call it a death wish without limits.

[Gets a vegetable samosa and three cups of white tea].

What is the movie about? :: In a not too distant future, climate change has led to the sealevels rising, resulting in a flooded Miami. The temperature has risen so much that people prefer to go through most part of their lives at night. Sooner or later, the sea is supposed to claim the whole city. Nicholas Bannister (Hugh Jackman) and Emily Sanders (Thandiwe Newton) used to serve in the military forces, but is now running a business which helps people to relive their memories in a world which has no hope about the present or the future. Most people come there because they cannot live in a present which feels disastrous, and wishes to go through their past lives again and again, often due to nostalgia, and at other times because of a loss. Mae (Rebecca Ferguson) is their latest customer who wishes to find where she kept her keys, from her memories. As the memories do get visualized every time to help Nicholas guide the customers through their past, him and Emily gets to watch most of the things which the customers have gone through.

So, what happens with the events here as we just keep looking? :: After Mae leaves her earrings behind, Nicholas finds her in the nightclub, and they start a relationship, but Emily doubts her and wonders if she has some other motive in being with him. Later, one day, Mae disappears without a trace. Nicholas tries to find her by reliving his own memories of their relationship. It is something that could trap him in the memories forever, but he continues to do so for months. Emily is disappointed about his transformation, and asks him to move on. He feels assured that someone so much in love won’t disappear all of a sudden, and something might have happened to her, while Emily feels that their business is going down as customers as decreasing. He does find her earrings in a gutter, making him believe that she cam back for him, but Emily assures him that a lot of things ends up out there, and it could be from a long time ago. When prosecutor Avery Castillo (Natalie Martinez) calls him to retrieve the memories of a suspect. But it is not something that he will like.

The defence of Reminiscence :: There was always supposed to be something about Reminiscence, as we know that it is about memories, love and a mystery which will bring the twists. The concept is brilliant, and from an apocalyptic world, it moves to science fiction, and then to a mystery with ease. It is the kind of world which we will have sooner or later, sea taking over the land as a result of global warming, and this one also has the smartness show it as a gradual thing, and not as something happening in a few days or months. Well, it is a reminder to us that we are moving slowly towards that possible end, and none of us are doing anything about it, as the rich already have their Elysium and control of most of the money, while we are fooled easily. The journey takes you through what can be called a complete package. This one is not predictable at all, and there are some nice surprises in store – the twists add to the melancholy, and as the protagonist says, there is no happy ending in real life, but we understand that there can always be beauty even in the sadness. The ending of the movie, even though not a happy one, is a beautiful one indeed.

Positives and negatives :: Reminiscence does make us feel that we have seen some of it before, as it is surely a collection of different elements merged into one – yet, you see that final moments of it feels very much unique and incredibly touching. There are some slow moments in the middle, which might be the scenes which pull this movie a little bit backwards by not adding the needed ingredients there. When thinking about the memories and a future, you are quickly thinking about Total Recall and Ghost in the Shell, but they were all action, as you look at them. This movie also has its fine dose of action sequences, and there are twists and thrills awaiting in the memories along with the charm of love. There are not many science fiction thrillers which are able to create such an emotional effect on audience, and that too related to love. Lisa Joy’s one and only full-length feature film is here to stay in the heart. You avoid that tendency to slow down, and you have a work which you can watch, and be touched in multiple ways.

The performers of the soul :: Hugh Jackman is fantastic in this movie which has him in a role which has emotions running through him so well. He also makes a charming pair with Rebecca Ferguson, a couple like we haven’t really seen before. On one side, we have the long living mutant, Wolverine with healing powers and on the other side, we have the assassin from Mission Impossible series of movies – two people of action are the people in love here. There is no other two performers who could have made this work so beautiful. While the thrills are effective and the mystery is present throughout the film, it is the romance that makes the apocalyptic future’s science fiction a thing to remember, and the dialogues from these two are to stay with us for a very long period of time. It is the kind of tale which would have everyone asking for a happily ever after, unlike those half-baked romantic nonsense served as if there is true love being shown. Negative shades are also not new to Rebecca who played the full, strong antagonist in Doctor Sleep. Thandiwe Newton is also a powerful support while Cliff Curtis’ villain is strong enough. The other thing you note here is the perfect melancholy on the face of Angela Sarafyan.

How it finishes :: I will never understand why this movie didn’t do that well at the box-office, for it is a lovely and divergent take at the same time. The mixture that this film provides is something which is suitable for everyone, with different genres touched with the power of human memories and emotions. There is the feeling of mystery that goes through this world which seems to be almost apocalyptic with a realistic feeling, and the science fiction elements nicely blend in here to make the journey better. Also a romantic movie, this one focuses on that side with supremacy in the final moments. You will find this movie to be a lot better than what the reviews say, and there is that beautiful feeling of abiding sadness and a bliss of true romance which follows you from different directions. It has that kind of performers who keeps you so engaged in it, more than how it would have been with any other. Reminiscence is the kind of movie I would recommend for most people, and it would have even done better if it had released here before the Corona virus pandemic, for the admirers of Wolverine would also love this particular avatar.

Release date: 20th August 2021
Running time: 116 minutes
Directed by: Lisa Joy
Starring: Hugh Jackman, Rebecca Ferguson, Thandiwe Newton, Cliff Curtis, Natalie Martinez, Marina de Tavira, Angela Sarafyan, Daniel Wu, Mojean Aria, Brett Cullen, Javier Molina, Sam Medina, Norio Nishimura, Nico Parker, Roxton Garcia

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Oxygen

Posted on by

Vampire Owl: I had earlier heard that vampires no longer required oxygen to survive.

Vampire Bat: Is this a result of one of the experiments of Doctor Frankenstein?

Vampire Owl: Yes, he has actually found a substitute this time.

Vampire Bat: You shouldn’t really trust him about controversial inventions.

Vampire Owl: You have been talking about our best scientist for so long.

Vampire Bat: I wonder why you are not able to understand the difference between a scientist and an alchemist.

Vampire Owl: Well, alchemist degree is no longer a valid one.

Vampire Bat: He has passed only BSc. Alchemy, I am telling you.

Vampire Owl: When he cleared the degree, it was a valid subject.

Vampire Bat: You are going to be struggling for survival, if you go with what he provides.

[Gets a blueberry cake and three cups of black tea].

What is the movie about? :: Elizabeth Hansen (Melanie Laurent) wakes up in a medical cryogenic unit with no memory of who she is, and how she got there. The Artificial Intelligence machines which was supposed to take care of the system informs her that the oxygen level is low, and her request to go out of the unit will not be accepted. She is also informed that despite the failure of the unit being reported, nobody has come up with a reply. The advanced Artificial Intelligence with which she communicates is named MILO (Medical Interface Liaison Officer) tells her that she is identified as Omicron 267, and is not known by any other name. Her medical report is not available, even though she is there to get better after being sick after some point of time. External communication is not available, but she is finally able to transmit the details of her situation outside the unit through emergency services. The police are confused as she can give them no information of use about herself or her present location. She is able to provide them with the unit’s model and serial number, which are printed on the interior. But she is told the unit was destroyed three years prior.

So, what happens with the events here as we just keep looking? :: A DNA analysis provides a match for her though, and it shows pictures of her, which helps her to identify her name as well as an an idea of her work, and up-to an extent, some idea about her family. She is told that she has forty three to seventy two minutes remaining with her Oxygen level. When her medical report finally becomes available, she is shown as perfectly healthy, much to her dismay. She does find the number of her husband, but another woman answers, and that doesn’t help her cause at all. Some of the memories seem to come back to her, but she is not certain about them. Soon, palliative care is ready to be deployed, but she stops the same, even though threatened against doing the same. She tries to cause destruction to the unit, but gets an electric shock in return. With only a few minutes of oxygen left, how long can she stay strong enough, and alive? Is there something sinister behind her being locked in the cryo unit? Who could be find all the trouble that she has to face? Is there some secret which only she knew before being locked in there, or is there an even bigger mystery that involves many people?

The defence of Oxygen :: The movie keeps us interested in the protagonist, as we hope for information about her, and it moves between optimism and pessimism at regular intervals, with more and more knowledge about the person coming to light. There are questions being asked here, about life, what is means to be human, and how memories make a person or destroy one. There is always more and more doubts about the nature of humanity and its existence, and one is reminded of minuteness with one grand shot of the whole space with the chamber unit – it is a thing of glory, well-designed and of quality. We do make many guesses about what is happening out there, and where the protagonist is, but there are twists which are good enough to bring another series of guesses – only a very few of those guesses come true in this case. There is the mystery to be solved and revelations to be made, as we look forward to finding the truth and hoping that our protagonist is saved. The progression of this movie a reminder to many people on how to use the minimum materials to the maximum effect – as long as you have a leading actress who can do wonders.

Positives and negatives :: The movie can feel a little too long because all the action is set in the chamber unit which feels like a coffin. Some of the initial moments are the ones which provides that particular feeling, and the rest has us discovering more and more about the protagonist well enough. The pace is never really increased as we look at it, and there are similarities with other movies, even though this has the feeling of a perfect new space which is not explored as it is, ever before. People might have also wanted this movie to progress in some other ways instead how it has gone forward. There could have also been more visuals of the world by the end, but I would guess that they didn’t want the scenes to move outside much at all. One also feels the need to see the life on the new planet instead of just one scene – there have been many films which have people traveling to another planet, but there is not even one which shows what happens after they reach there and start a civilization. Well, we are the fans of Age of Empires, Age of Mythology, Warcraft and others – we need to see that one in another world, and we are yet to see the same on the screen with effectiveness.

Performers of the soul :: We know Melanie Laurent the most from two movies, the critically acclaimed Enemy and the crowd favourite Now You See Me, both being films which can be watched many times. She has been part of other movies to remember, and this one is going to have bigger status among such films, with a performance which is focused on her. Even though there are some people being shown in flashback memories, the present is all about her, and she makes sure that there is perfection when it is about her. The other people whom we notice are one in the form of the Artificial Intelligence and the other is the person who are regular in the flashbacks. The success of this performance from Melanie lies in the fact that she makes us go through the different emotions of her with ease. We are able to relate to the person and what she is going through, thanks to her perfect run through the emotions, the journey from not knowing to what she comes to know, as well as what she comes against, as wrong information. We also have the doubts that she has, and sometimes even more than what she comes up against, in a small world resembling a coffin. It is not just her character battling out there, as we are also part of the same.

How it finishes :: The director of this movie is known for some of the most memorable thrillers, with the last one being Crawl, with one crocodile on the hunt – you remember that his first English film was The Hills Have Eyes, and movies like Mirrors and Maniac provide further testimony to his skills, even though those were closer to horror rather than any other genre of significance. This one comes as a science fiction thriller, and it is also one effective thing in the genre, adding to Gravity, The Interstellar and The Martian from one angle, while it is also a survival thriller like The Shallows and Buried. Yet, one movie which this one reminds us of, is Meander, considering being locked in small spaces, and having almost no idea of what is happening around. Related to these movies, our movie here also has a solid status for sure. With its surprises, and possessing a fine performance from one person at the centre of all of these, the movie is a thing of quality. It might feel long due to being located at one place at all times, but this is one film which you feel the need to keep going as you hope for a person’s survival against all odds.

Release date: 12th May 2021 (Netflix)
Running time: 101 minutes
Directed by: Alexandre Aja
Starring: Melanie Laurent, Mathieu Amalric, Malik Zidi

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Possessor

Posted on by

Vampire Owl: We do feel that we are possessed very often.

Vampire Bat: Yes, but they are gentle spirits of the forest.

Vampire Owl: There are gentle possessors. Possessing another person’s body is evil.

Vampire Bat: The gentle spirits of the forests have the right to possess.

Vampire Owl: It is not that gentle a possession. I know that.

Vampire Bat: There is a deal between Vampire Elders and the Spirits. You have to honour that as part of our allegiance.

Vampire Owl: There is no honour among non-vampire entities.

Vampire Bat: Honour is just a word. The definition goes by our actions.

Vampire Owl: Possession of another person’s body is not an act of honour.

Vampire Bat: Well, honour depends a lot on the opinions anyway.

[Gets some potato chips and three glasses of Spanish delight shake].

What is the movie about? :: In a certain alternate reality, Tasya Vos (Andrea Riseborough) is living as an assassin, but that requires her to take control of others’s bodies to carry out the murders which have become part of her life. The agency of the assassins use an implany installed in the captured host’s brain to control the person, and Vos’ consciousness is inserted in there. Vos decides how to go through the murder using the new body. After the job is completed, she forces the host to commit suicide, or get shot by people, which is the basically the only way for her to get back to her own body. She is considered to be one of the best assassins the group ever had, but as she spends too much of time in the bodies of others, imitating them, she struggles with her identity, and often fails to understand who she really is. She has to practice in her real life to speak normally, just like she has to practice before taking the identity of others. The memories of the murders which she had committed continues to haunt her at all time, spoiling her limited time with her family.

So, what happens with the events here as we just keep looking? :: Girder (Jennifer Jason Leigh) who is in control of the agency, is confident about Vos, but hopes that she is detached from her family, which would make her an even better assassin, as attachments are holding her back. She also holds on to lot of her memories from the past. She is forced to take the next assignment too early despite not being that stable – this time, she has to take the body of Colin Tate (Christopher Abbott) and murder the host’s lover Ava Parse (Tuppence Middleton) and his future father-in-law John Parse (Sean Bean), who is a wealthy CEO – the large amount of money and the properties are the target here. In the end, the CEO’s stepson would be taking over the company, and this would also bring the agency a lot of money. But the mission is only a partial success, as Ava is dead, but not the main target, John Parse survives. Vos is not able to escape from the body either, as she cannot make him commit suicide. She understands that she cannot leave this body due to a damaged implant, and she is now strong enough to overpower his will. Now, an inside crisis begins.

The defence of Possessor :: Possessor does have some fine ideas behind it, and we feel them to be strong in the first half of the film. The initial scene is quite a strong one, and it is what makes us very much interested in seeing what is to be followed. There is the courage to go divergent, which is seen here, even though the same losses the strength after showing so much strength in the beginning. The question is indeed asked about identity here, and the problems when one person tries to becomes someone else. It tells the viewers that the basic nature always wins, and you just cannot try to be another person like acting a role. The movie does remain dark throughout its run, and there is nothing like hope of positivity being thrown here, even though we feel that there is a family with a child involved, and there would be a “happily ever after” coming up soon. Well, we know that reality is a dark, tragic space where people are only interested in selfish deeds, and therefore, this movie more or less reflects the same. After all, humanity is not of hope in the present, past or the future.

The claws of flaw :: The movie doesn’t really have the strength to go through this idea with the visuals, which could have been better, and the action could have been stronger too. The science fiction elements could have also been used with clarity around here. Some more clarity would have only helped the movie, and as it moves towards the end, the focus seems to be somewhat lost, even though the beginning stages were making us wishing for the better. Too many images come and go here, but without them coming together well enough, this cannot be considered as the best of use of the available resources. You can always have a Hitman, John Wick, Gemini Man or Anna doing their job, but not without some fine visualizations. The early death of Tuppence Middleton is also disappointing, considering the fact that she was one nice addition to the film. In the end, one does wonder if all these were for this one thing, as you were expecting that grand finish, and not something like this.

Performers of the soul :: Andrea Riseborough’s performance is the one to remember, and there is no doubt about the same. Her work is limited due to some strange visions and the lack of clarity which the movie has. Christopher Abbott does a pretty good job, but having the mind-controlled, confused character not leaving out the complication at any moment, leaves him limited too. Tuppence Middleton is the actress whom we had seen in a supporting role in Jupiter Ascending, and she has the skill to come up with something notable out of nowhere – it is no exception here. She is lovely, but we don’t get to see her for more, as her character is killed, and we see another work from her vanish too early for our liking. Sean Bean is very good yet again, and when he is there, we love how things proceed. Jennifer Jason Leigh plays another complicated character who has a few moments to remember. Rossif Sutherland’s role is rather limited here, and when we begin to feel that Kaniehtiio Horn was going to show promise, her character is also killed.

How it finishes :: Possessor seems to be the one movie which is more critically acclaimed and award-winning at the film festivals. The movie is interesting, and does have its moments, but one might not find it as that grand as those critical appreciations suggest. As I had written in the earlier paragraphs, the idea is very good and so are the messages, but they could have shown in a better way, and some of the characters could have also been used in better ways rather than just killing them. Yet, we are interested in the divergent idea and the path less taken, as we look forward to seeing such risks being taken further. If you like the difference in ideas being taken into consideration without holding back, this would appeal to you. Other than that, this one goes on a slow journey which begins strong, and gets weaker by the end, not strengthening its possibilities. So, it is a personal decision to be made on watching this film, and as these are the times of Corona virus pandemic, most decisions are indeed personal in nature, as solitude comes with different pandemics of the world, and the quarantine that follows the same.

Release date: 2nd October 2020
Running time: 104 minutes
Directed by: Brandon Cronenberg
Starring: Andrea Riseborough, Tuppence Middleton, Kaniehtiio Horn, Jennifer Jason Leigh, Christopher Abbott, Rossif Sutherland, Sean Bean, Raoul Bhaneja, Gabrielle Graham, Gage Graham-Arbuthnot

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Bloodshot

Posted on by

Vampire Owl: I am ready to take the bloodshot right now.

Vampire Bat: I am sure that this is not exactly a vaccine filled with blood.

Vampire Owl: I know that Doctor Frankenstein is developing such a vaccine.

Vampire Bat: Yes, but this is not it – and he is too crazy to be successful in it.

Vampire Owl: Doctor Frankenstein is a man of many skills. Madness is only one of them.

Vampire Bat: Yes, the result of his last experiment is now leading the zombie army against us.

Vampire Owl: You can’t blame a godly figure for giving his creations freewill.

Vampire Bat: Even Mary Shelley called him only as Modern Prometheus.

Vampire Owl: I am much older than anyone calling anybody by any name.

Vampire Bat: Okay, do take your Bloodshot vaccine when it is available in the goblin market.

[Gets a vegetable puffs and three cups of cardamom tea].

What is the movie about? :: Ray Garrison (Vin Diesel) is having his vacation somewhere on the coast of Southern Italy with his wife Gina Garrison (Talulah Riley) after a successful hostage rescue operation in Mombasa off the south east coast of Kenya. But they are captured by Martin Axe (Toby Kebbell) and a group of mercenaries who murder both his wife as he is not able to answer a question about their earlier mission. As Ray promises that he would have his vengeance, Martin kills him too. But he finds himself waking up elsewhere in Kuala Lumpur, Malaysia, at the laboratory if Rising Spirit Tech (RST). Dr Emil Harting (Guy Pearce) and Miss KT (Eiza Gonzalez) explains to him that he was dead, and the United States military had transfered his body to their research facility. Ray had become the first successful human revival as part of the experimental Bloodshot program, as a new nanite technology has brought him back stronger than before and healed his injuries.

So, what happens with the events here? :: Ray has no memory of what has happened with his life though, and he is more or less of a blank slate. The company explains to him that his body was sent here because there was nobody to claim it, and the research focused on building, reconstructing and enhancing soldiers with different methods using exoskeletons and higher levels of regeneration. But when he comes up against his memory of his wife’s murder, he immediately leaves the place, and two other cybernetically enhanced soldiers, Jimmy Dalton (Sam Heughan) and Marcus Tibbs (Alex Hernandez) are sent after him. But as he runs through the security forces of who seems to be his enemy, there is more than what meets the eye, but he wouldn’t understand it. But the undercurrents will get to him sooner or later, as he is taken back to the company to recover. What is the secret that he needs to find out sooner or later, and how will it change his world?

The defence of Bloodshot :: As a superhero origins movie, Bloodshot does have enough to keep us interested. The action is all good, and there are some fine visuals as well as those computer generated stylish elements which all come together nicely as a superhero movie should have. It came at a time when we were desperately in need of some superheroes, not just because of COVID-19 pandemic, but also because of our good old Avengers no longer being in the scene with the final spectacle which finished some of its superheroes either by death or by retirement. Diesel’s fans are going to be really happy about this one, as he does things the way has been doing it for a long time, and it reminds one of his much earlier movies. The final action scene is a spectacle, and there were others of our interest earlier too. The movie’s sequel should also have immense possibilities, as there is one almost invincible superhero ready to save the world against all odds.

The claws of flaw :: Bloodshot is a film which could have brought some more twists instead of going the predictable path at times – the superhero movies tend to do that, but this one surely had better opportunities to do that in comparison to a usual movie of the kind, and yet it doesn’t take that chance to keep itself safe. As an origin story, this one keeps itself to the basics, and waits for a possible sequel to do the job better. People would have still expected more, and something which would keep them finding the extraordinary. It does give some of the clues about its twists a little early. For a superhero, there could have been more death defying scenes earlier too, after all, we have seen what our hero could do in the much bigger series with cars, and those bigger car-like things. There might also be those people who can be confused between this movie and Deadshot, and that is not surprising as we consider the number of superheroes we were familiar with, that too in such a short period of time.

Performers of the soul :: As expected, the movie is depending on Vin Diesel to keep the heavy impact going, just like he has done for a long time in his career. The superstars like Dwayne ‘The Rock’ Johnson and Vin Diesel are meant to be superheroes at some point of time, and out hero, the latter had given us that idea quite long time ago. Diesel has another action movie covered here, and he does that with ease, just like he has done with many other action franchises in the past. Eiza Gonzalez also comes in as an action star with this movie, as her skills can also be seen around here. Alex Hernandez and Sam Heughan also does well with those action sequences. At the same time, Guy Pearce makes a pretty good villain, even though the chances of some bigger and better sequences of the mastermind would have done much better. Lamorne Morris remains the most likable character in the movie, and the role seems to suit him really well.

How it finishes :: Bloodshot does seem to have managed its origins story right, and now it is to be seen about how a possible sequel would go. The movie could have surely grossed more if it was not for the COVID-19 pandemic which came in so quickly, and ended its run in the theatres. It did return into the television quickly enough though, and we have another superhero to follow into that gap which Avengers had left behind. Well, we never really have enough of the superheroes, and the sequel to this movie can bring something more special. According to the Corona infested world, we surely will have to wait a long time for such a possibility. Until then, we do have this version, which has the interesting adventure with action and thrills. You can surely give Bloodshot a chance, as Vin Diesel is someone who brings a minimum guarantee on the big screen.

Release date: 13th March 2020
Running time: 109 minutes
Directed by: David SF Wilson
Starring: Vin Diesel, Eiza Gonzalez, Sam Heughan, Toby Kebbell, Guy Pearce, Talulah Riley, Lamorne Morris, Johannes Haukur Johannesson, Alex Hernandez, Tamer Burjaq, Siddharth Dhananjay

<— Click here to go to the previous review.

<— Click here to go to the first Portuguese movie review on the site.

<— Click here to go to the first Italian movie review on the site.

<— Click here to go to the first Latin movie review on the site.

<— Click here to go to the first Polish movie review on the site.

<— Click here to go to the first Russian movie review on the site.

<— Click here to go to the first Serbian movie review on the site.

<— Click here to go to the first Russian movie review on the site.

<— Click here to go to the first Ukrainian movie review on the site.

<— Click here to go to the first Indonesian movie review on the site.

<— Click here to go to the first Norwegian movie review on the site.

@ Cemetery Watch
✠ The Vampire Bat.