Category Archives: +Foreign

Lamb

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Vampire Owl: I think that they are talking about the Vampire Lamb.

Vampire Bat: A Vampire Lamb from Iceland? That is new.

Vampire Owl: We never had any Vampire Lamb so far?

Vampire Bat: Lambs do not usually go well with the vampires.

Vampire Owl: What about a black lamb with fangs?

Vampire Bat: We already lost the Vampire Wolf to the werewolves. We don’t really need another animal.

Vampire Owl: Wolves belonging to that side of the border. It is not the case of others.

Vampire Bat: You think that every creature other than a wolf would declare allegiance to the vampire kind?

Vampire Owl: I don’t see why they wouldn’t do that.

Vampire Bat: Well, what about the reason that they don’t really need that?

[Gets a paneer paratha and three cups of ginger tea].

What is the movie about? :: Somewhere in the remote area of Iceland, a strange entity seems to make its way to a barn which is located a long distance from the traces of civilization. With the terrifying climatic situation, things seem to get worse. The owners of the barn, Maria (Noomi Rapace) and Ingvar (Hilmir Snaer Guonason) soon finds one of their pregnant sheep giving birth to a creature with a lamb’s head and human body, along with its other children. The two takes the creature into the house and names her after their dead daughter, Ada. The creature’s biological mother keeps trying to contact her, and as she is later found with the sheep, Maria shoots the mother sheep and buries it in a grave further away. Despite having some nightmares about sheep, Maria takes very good care of Ada. Ingvar’s brother Petur (Bjorn Hlynur Haraldsson) who arrives at the barn witnessing the incident feels that this newly found creature is only an animal, and wishes to get rid of it, to which the couple doesn’t agree at all.

So, what happens with the events here as we just keep looking? :: Petur who always had certain love interest with Maria, decides to get rid of Ada for the best interest of everyone in the house, even if other won’t recognize the same. He takes her on a morning walk in the early morning, hoping to shoot her dead and bury the body far away. But he has a change of heart decides to become the uncle-figure to her – Ada also gets along with him really well. But soon, things seems to get different, and something creepy seems to make its way home, which Ada seems to notice. Petur is still fond of Maria, and after drinking a little too much that he should have, makes sexual advances to her, even using the secret that he knows, that she killed Ada’s real mother. She sends him away on the very next day. With only Ada and Ingvar left around there, the strange entity makes its first appearance. What does this creature want, and how can Ingvar and Maria defend against it? What are the secrets that Ada holds here? What fate awaits the couple and their half-sheep child?

The defence of Lamb :: Powered by the performance led by Noomi Rapace who is one of the best actresses of all-time to be part of movies like this, this film can be considered as thriving on the atmosphere on which it builds its pillars. It is indeed a strange movie when we look at it – there is a creature with a lamb’s head and a human body, and it is raised as a child by humans; not the usual kind of story that you keep seeing around. It has a certain horror side, but also an emotional one, all of them being present there, often in an indirect manner. It deals with the strange nature of people, and their lack of understanding of the realities which they face. Providing the feeling of a pastoral world well enough, it provides a certain amount of haunting experience with the slow movement forward too. It wouldn’t have been that easy to work on this material, but with the right cast and the visuals that work perfectly with the atmosphere, the movie manages to march on. It is a reminder that almost everything in life comes at a price.

The claws of flaw :: Lamb is one movie which has decided to go very much divergent, and there is not that much of horror to celebrate it. The film deviates from the general idea about the genre which comes out from movies like The Conjuring, The Nun, Annabelle, Ouija, Insidious, Sinister and others which work on a formula which has been tested and appreciated by too many people who have identified themselves as fans of the category. Moving away from the original horror ideas, and leaving less to be scared, this wouldn’t be that much appreciated by such fans. Along with the same, the ending doesn’t bring that huge effect which was expected. The movie could have been better marketed as a drama thriller indeed, as one creature which does so less has its limitations. Also, the movie slows down a little too much for anyone’s liking, and it is only right to feel that the movie could be twenty or thirty minutes short in length. The grief in this movie could have been also more evident.

The performers of the soul :: Noomi Rapace is one actress whom we can always rely on. The Swedish actress might be best remembered by the people in this part of the world for her work in Prometheus, and she is no stranger to playing motherly figures, as we have seen the same in Angel of Mine. She has a similar mother role here, and she is as determined as she was in that movie. As we miss seeing her in Alien Covenant, and as a good number of her movies didn’t come here, we can only be glad to watch this particular performance from her, which deserves the appreciation too. Most of you might still remember her for the Millennium series: The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornets’ Nest. Well, as the mother who takes care of her lamb girl child, this is another work which you are going to remember her for. Hilmir Snaer Guonason plays the father figure very well too – after all both parents are part of this lamb love. Bjorn Hlynur Haraldsson makes a good contribution in between too.

How it finishes :: The movie seems to have similarities to another flick, Sacrifice, with the atmosphere which is seen around. Even though an English movie, it is also set in such a Scandinavian world. The themes of loneliness and depression, as well as a reflection of people who treat their pets as kids also seem to have some say around here. The story seems to have taken something from the Icelandic folklore too, and the one other movie which seems to stay close to this one is The Witch. The film doesn’t use that many dialogues to make its point, and that would mean that even without subtitles, you can understand most part of the flick. The movie surely had the positive opinion of critics, and was selected as the entry from Iceland for the Best International Feature Film at the 94th Academy Awards which took place in Los Angeles in 2022. So, you know that this movie surely has enough to make an impression – it is a mystery set far away from the everyman’s busy world that will have your attention early.

Release date: 24th September 2021
Running time: 106 minutes
Directed by: Valdimar Johannsson
Starring: Noomi Rapace, Hilmir Snaer Guonason, Bjorn Hlynur Haraldsson, Ingvar Eggert Sigurosson

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Red Dot

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Vampire Owl: It is nice to have a Swedish movie on the list too, right?

Vampire Bat: Yes, we only have Norwegian from Scandinavia until now.

Vampire Owl: Well, Netflix knows how to choose the right movies.

Vampire Bat: We have known that the best with Minnal Murali premiering there.

Vampire Owl: So many interesting movies in foreign languages too.

Vampire Bat: Those are the kind of collections which Amazon Prime Video should have too.

Vampire Owl: They could always have more of those lesser known foreign movies.

Vampire Bat: Scandinavia is a fine area to build a castle right now.

Vampire Owl: There should be our kind already in existence there.

Vampire Bat: Why don’t you take a trip there and find out?

[Gets a sweet puffs and three cups of Vagamon tea].

What is the movie about? :: David (Anastasios Soulis) proposes to his girlfriend, Nadja (Nanna Blondell) in public on the day of their graduation at the university. She accepts it gladly, even though the proposal turns out to be very much awkward, despite having a certain amount of cuteness related to it. They make a promise that they will always be together, no matter what happens. But one year and half later, due to the need to study and work at the same time, they are no longer happy at their apartment in Stockholm, the busy capital of Sweden. Soon, she finds out that she is also pregnant, and she is not sure if they should be parents, as she is studying to become a doctor – this would not be helpful for her future either. She feels that if she has a child any time soon, she will end up being a housewife taking care of the kid, as David is working all the time. Despite being assured by their neighbour that they will be great parents, she doesn’t inform David about the pregnancy, and decides to keep it a secret as long as possible.

So, what happens with the events here as we just keep looking? :: David arranges a trip to the northern lights so that they can have some happy time together. This is also the one tour which they are having after a very long time. On the way, they meet two locals, Jarmo (Kalled Mustonen) and Rolle (Tomas Bergstrom) at the gas station, but are comfortable with their presence and their strange dialogues about the dog and the lady. While leaving too soon, David’s car also leaves a scratch on the pick-up truck of the locals, but they go on moving without saying anything about it. Einar (Johannes Bah Kuhnke) seems to be the only person who is friendly to them, as he runs the inn where they are supposed to stay. He says that the people there are not used to seeing interracial couples. Nadja soon finds their car scratched, also leaving few racists words, which makes her angry enough to leave a scratch on the truck of the locals which they earlier encounter, as she is sure that they are the ones who did it. But the two locals seem to be much surprised by the same.

And what awaits them with the northern lights in the wilderness? :: David feels strange about the actions of Nadja, but she feels that this is how one should deal with racists. After a long drive, they finally reach an area beneath the northern lights, and it gets really cold. There, she reveals to him that she is pregnant, and that makes him very much nervous, as he is not sure what is to be done next. But their conversation about it is soon interrupted by a red dot on the wall of their tent, which keeps moving. They first feel that it is a prank done by some local kids with a laser pointer. But with a jolt, they soon understand that it is a laser view from a gun, as they are shot at. Nadja is sure that it is the brothers who are attacking them in revenge for her action, and David remembers that he had seen a weapon in their truck. Their dog which tries to find the attackers, is killed and as they return to the camp after searching for it, finds its head, a trap, and their belongings including the mobile phone missing. With the snow coming down slowly, they have to somehow make it out of there, but can they? Is there hope within so much of cold?

The defence of Red Dot :: The movie uses its landscape to its advantage, and the locations here are all beautiful enough. Whether it is the beauty of nature or the terror of it, we have things going well. Scandinavia is the area which almost everyone wishes to wish to visit, and maybe spend most of the life – I would have done that if there was the opportunity, and there is no shortage of such motivation with the world for eyes within this film too. It also has some interesting twists in the last few moments of the film, and also leaves a message that many things are lost as people just randomly points a few actions as a result of racism, often because it seems to be the easiest thing to do, along with adding things as misogyny or part of religious beliefs – sometimes, things are just personal to the core, and nothing more than that. As the movie is less than one and half hours long, things don’t get dragged or slow down at any point of time. There is no loss of pace at any moment, and it takes the deviation from the usual well enough, but never turning to melodrama even when it could have used the chance.

The claws of flaw :: The movie could have achieved more with a couple being hunted in the snow, with no hope seemingly around. It also seems that none of the characters are likable, with a mostly irresponsible couple, and the lady seemingly attributing most things to racism, and randomly blame the mentality. The snow as well as the red dots could have been used more, and there could have more twists over the incidents. There are times when the movie seems to be unwilling to take the risk with most of the things. The romantic side is often forced rather than having any intimate or lovable side to the same. When thinking about Vikings from Denmark, Norway and Sweden, we are always expecting an intense ride with the movies from there, even with the realization that it is not that age any more. There were so many moments for some horror to be added here and there, and this could have transcended the genres with ease. Some more red blood on white ice along with some shocks added here and there would be been worthy enough – more action too.

How it finishes :: The movie has the strength throughout its run, thanks to the performances which are appreciable – there are only a few characters of significance in this movie, and they had to do well, which does happen around here. With people being hunted, this would feel like Wrong Turn in the snow at some point of time, but that idea is lifted during the last few moments of the film. Maybe, we could also have a similar movie shot during the corona virus times, hunted in the lockdown, with nobody around to help. At least, the viral pandemic did provide us with opportunity to watch movies like this one on the OTT platforms. It is always better to have them on the laptop screen, as you can also type on another laptop at the same time. I would also like not to know how much the popcorns, puffs and tea would cost in a multiplex after the lockdowns. Yet, we all know that the rise in petrol price won’t serve the purpose at all, and hope is only with Netflix, Amazon Prime, Disney Hotstar, Sony LIV, Manorama MAX and others.

Release date: 11th February 2021 (Netflix)
Running time: 85 minutes
Directed by: Alain Darborg
Starring: Johannes Kuhnke, Nanna Blondell, Anastasios Soulis, Kalled Mustonen, Tomas Bergstrom

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Soul

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Vampire Owl: Do you think that vampires can have an extra soul?

Vampire Bat: I don’t understand why one would require one as extra.

Vampire Owl: What if a soul is lost? We can use the other one.

Vampire Bat: The souls are not lost as long as we are living dead.

Vampire Owl: When did we start referring to the undead as living dead?

Vampire Bat: I am sure that we have always been the living dead.

Vampire Owl: Well, I wouldn’t argue as death is only the beginning.

Vampire Bat: There is no undead without the appropriate kind of death.

Vampire Owl: Maybe humans will also understand that death is the true solution.

Vampire Bat: They are less afraid to kill than to die, which is strange.

[Gets a mango cake and three cups of Munnar tea].

What is the movie about? :: Wang Shi-Cong (Samuel Ku), a very rich man and the founder of a medical firm developing cancer treatment based on ultra-modern technology is found murdered. His wife who has also remained a respectable figure, Li Yan (Sun Anke) is discovered to be holding the weapon used for the brutal murder, quite a strange knife-like blunt thing indeed. There are also some strange writings on the door and all over the walls. At the same time, Ah-Bao (Janine Chang), a detective is expecting a child very soon. Liang Wen-Chao (Chang Chen), her husband is having an advanced stage of cancer, and it doesn’t seem to get any better. His cancer seems to be spreading and resisting the existing modes of treatment, and the doctor gives them the advice to consider doing a RNA restoration technology. Liang, who has been working as a prosecutor, decides to join back, as a lot of money is required for his treatment – he had asked her to let him skip that costly treatment, but she has been very adamant in keeping him alive.

So, what happens with the events here as we just keep looking? :: Ah-Bao is assigned the case of Wang’s murder, and Liang goes on to become the prosecutor once again, much to the surprise of his wife who was expecting him to take rest. Li Yang tells them that it was their son, Wang Tian-You (Erek Lin) who committed some strange rituals in the same room and murdered his father who had earlier disinherited him because of his strange and unacceptable behaviour. They remember that he only comes back home rarely, and has the same symbol which was seen in the room, tattooed on his body. He has a lot of magical symbols tattooed on his body, and talks about some particular gods and spirits which are not that well-known. He was heartbroken after his mother, the first wife of Wang died, and has been talking about vengeance since then. It seems that other than his wife, the dead man had left another inheritance as the next in line. The detective also understands that the dead man used to have different affairs with many women, which had ruined their world. The first wife also had enough information about hier husband’s life.

What lies beneath the secrets which are unveiled around here? :: There is also the talk about the first wife placing a curse on Wang before death, and about the second wife coming out of an orphanage, with no roots. But they do understand that this particular woman had changed a lot after coming to the mansion. In the beginning, she was very nice to everyone around, and very careful in her behaviour. It felt as if she wanted to be good to make an impression. But that seems to change soon, as they look through the CCTV cameras for some old footages. She wasn’t the person whom she used to be, as she even started talking to nothingness, which she understood as ghosts. They wonder if it was a case of possession or the result of some drugs which were introduced by the medical firm. A bigger surprise is that she who was a right-hander is now a left-hander. Is it science or some dark curse which is behind all of these? After all, isn’t science the modern necromancy? How many secrets can this particular world hold? There seems to be something really strange going on around here, and is anyone good enough to find the truth?

The defence of The Soul a.k.a. Ji Hun :: The movie never stops keeping us interested in the mystery of science or magic, whichever seems to surround a grand investigation. It does keep us guessing through its run, and is very much effective in doing the same. The twists are very much unpredictable, and with so many red herrings around, one only keeps wondering about how good are the characters who have figured it out inside the tale. At a specific point, you make a guess about the characters, and then you have to think differently about them. At one point, you feel that there is the talk about soul in its original form, but then all you see is science. You wonder about psychological problems and demonic possession at the same time. In the end, it is not anywhere close to what you were thinking in the early stages, and there is so much going on around there. Any more revealing would annihilate the beauty of the surprise and twists in here. The movie moves forward beautifully, as if it is poetry in motion, and the level of immersion of the audience that it provides is simply magnificent. The emotional side does help further in its movement forward – you do feel them running strong. The visuals and the music also remains extraordinary and contributes well to the dark beauty.

Positives and negatives :: The movie’s slowness also has a certain amount of beauty related to it, and we watch it move as if part of an elegy written in memory. Well, there is no doubt that it could have traveled somewhat a quicker path as it seems to be in need of being called a thriller rather than anything else – yet, it can be said that The Soul keeps us immersed around here, even without picking up the pace that much when it could have done the same. The details in each moment will still make sure that you are always attentive around here, and there are some top performers to support the same. Chang Chen gets into this character so well that we become attached to the same – there is a lot of immersion into the plight of the character taking place here, and that feels unbelievably realistic. In the beginning, one feels that Janine Chang is the one playing the protagonist, and even though she is not the one doing that, blends in perfectly, and excels in the emotional moments. Then there is Sun Anke who plays the woman in identity crisis with a lot of perfection – it is a role which requires a lot of dedication, and her different expressions are so much of the reflection of her calibre.

How it finishes :: The movie has one of the most complicated plots than any film has had in a long time, and it makes sure that we are always guessing. There has not been many movies which had our guesses going wrong by such a long way. By the end of the film, you are standing on a lot different ground than where you found yourself in the beginning. Well, the world of science and spiritual beliefs can both be strange enough, and this one makes use of both, while placing them in a corporate world where the only thing that reigns supreme is selfishness and a display of a fake “normal” image. I would consider this to be the best movie of the year and also the best film which I have found on Netflix among the last few years’ releases. Then, there is also those final questions which the movie leaves for all of us – what makes one a person? Is it the soul? In that case, where does the soul lie? In the memories of the brain or the emotions of the heart? Or is it something which has no real shape or size to be seen? Well, we will never know, that seems to be a surety. Until then, there are some fine Chinese movies to watch.

Release date: 29th January 2021 (China); 14th April 2021 (Netflix)
Running time: 130 minutes
Directed by: Cheng Wei-hao
Starring: Chang Chen, Janine Chang, Sun Anke, Christopher Lee, Baijia Zhang, Erek Lin, Samuel Ku, Daniel Chang, Lu Hsueh-feng

<<< Click here to go to the previous review.

<<< Click here to go to the first Chinese movie review on the site.

<<< Click here to go to the last Chinese movie review on the site.

<<< Click here to go to a special Chinese short-film review.

@ Cemetery Watch
✠ The Vampire Bat.

Escape from Mogadishu

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Vampire Owl: Humans and their wars. Then they have the grand escape.

Vampire Bat: You know humans. They create wars all the time.

Vampire Owl: I am sure that most of them should be loving these wars.

Vampire Bat: All rulers wish for wars to keep control.

Vampire Owl: And humans are really easy to manipulate.

Vampire Bat: Humans killing humans is quite strange. Vampires do not kill vampires.

Vampire Owl: Yes, their brotherhood is only as good as witches on a blood moon.

Vampire Bat: At least none of the witches turn dead on that dead.

Vampire Owl: Well, they do have the potion of resurrection.

Vampire Bat: They also have the anti-resurrection vial though.

[Gets a vegetable cutlet and three cups of Munnar tea].

What is the movie about? :: Han Sin-seong (Kim Yoon-seok) is South Korea’s ambassador to Somalia at a time when the African country is going through an internal crisis, with civil war showing its face in most parts of the nation. The life at the Somalian capital of Mogadishu doesn’t seem to be getting any better soon, just like the relations between North Korea and South Korea which is at its worst. It is also the time when both the North Koreans and South Koreans are hoping for their nations to be admitted in the United Nations, and trying to gain the support of Somalia. As the African continent has the most votes in the United Nations, having Somalia on their side was going to be very significant in becoming part of the organization. Kang Dae-jin (Jo In-sung), South Korea’s ANSP intelligence officer is tasked with gaining the upper hand in the process. The gifts don’t seem to be among the best, but they decide to go on with it anyway, as there is hope for a lot of appreciation and even a possible promotion at the same time.

So, what happens with the events here as we just keep looking? :: As they are on their way to meet the president, they are ambushed by rogue forces, who also take away the gifts which were supposed to be given to the leader. As they are also late, Rim Yong-su (Heo Joon-ho), the North Korean Ambassador to Somalia gets the next appointment instead. South Koreans are very muchdisappointed about the same, but cannot argue as they are late by fifteen minutes due to having to walk all the way from the place of attack. They do feel that the North Koreans are the ones responsible for this attack too. Tae Joon-ki (Koo Kyo-hwan), North Korea’s MSS intelligence officer was the one who arranged the attack so that the South Koreans wouldn’t get to meet the Somalian president in time. Now, the South Koreans have to come up with some other plan to nullify what the North Koreans have been doing in Mogadishu. It is up to the only one South Korean intelligence officer left out there to do something soon enough.

And what more is to follow here as the civil war has more power than before? :: As South Korean diplomat tries to contact other ministers in the Somalian government, it seems that everything that they want is just a lot of money in dollars, as well as a lot of favours for their relatives who are studying in different parts of the world. They try to spread information that North Koreans are selling weapons to the rebels, but it seems that the only thing that the government officials and ministers care about is the possibility of bribe. They also find the North Koreans talking to the government officials again, and two begins a word fight, which is stopped very soon by the rebels who are attacking Mogadishu. Even though the ruling government assures everyone that things are under control, soon it becomes clear that everything is going to be completely out of control. United Somali Congress addresses the nation proclaiming that they would bring down the corrupt government for the national interests of Somalia. People are on the rioting streets and with offices as well as banks closed, all the government officials are on the run – the Koreans will have to work together to make sure that they get out of there.

The defence of Escape from Mogadishu :: There are different levels of focus in this movie, as we are not having just an action film or thriller, as there are also elements of drama in here, as movie progresses nicely with a dangerous background always being present. The conflicts come in different varieties, as the action progresses strongly, making fine use of the available background. Being there at the time of a civil war has managed to add more elements of quality, and it easier to introduce one to the terrors of war when it is happening within a nation which is already troubled by poverty and other problems. There is also a certain amount of interest in the human level of action, as there could have been tendency to go on in the unrealistic manner. The scenery is pretty much interesting, and we are only happy to go through the beautiful visuals which become part of the movie very well. There is some interesting humour being added here too. Some messages are also present here and there, and we can sense the meaning going deep at times.

The claws of flaw :: The movie does have a certain amount of dragging at times, and gets a little bit too long with its contents. The initial moments are rather slow, and it does take some time to get into action, with a little bit of silliness having more of a say in the beginning stages. There are repetitive moments which could have been cut with ease. Maybe, instead we could have more of the life around there. There could have also been more focus on the people in the country too. The ending could have also had stronger and sharper moments to finish the whole thing. There are also a number of predictable moments around here, and often we feel that this was were things were heading much early. It is also one of those rare times when we get somewhat new South Korean movies on Amazon Prime, and the film does have comparatively less violence, making it more family friendly than one would expect from a war movie. Yet, the horrors of war could have been depicted further, as we are never short of such terrible wars, which keep on going in different parts of the world as we speak about this movie too.

How it finishes :: Even though we are not that aware of the actual events which happened related to this, the movie works well to keep us interested in the proceedings – the news channels around here rarely narrates the events of war in African countries. We are never short of the requirements to watch the films which portray the horrors and pains of war, as well as a few other things which lies underneath. War is indeed a thing of hopelessness, a crime to not just humans, but all life forms and the environment around. As the wars of new age are bigger crimes to everything on the planet, one might just end up hoping for human extinction to end all such acts of terror. In the absence of humans, the rest of the world would indeed thrive – there has been so many movies talking about saving humanity by taking people to another planet, but one keep wondering if that is indeed the right thing to do. As we ponder over the same, this film happens to be an engaging action thriller drama that keeps us add another name to that long Korean films of interest list.

Release date: 28th July 2021
Running time: 121 minutes
Directed by: Ryoo Seung-wan
Starring: Kim Yoon-seok, Jo In-sung, Heo Joon-ho, Kim So-jin, Koo Kyo-hwan, Jung Man-sik, Kim Jae-hwa, Park Kyung-hye, Yoon Kyung-ho

<<< Click here to go to the previous review.

<<< Click here to go to the previous Korean film review.

<<< Click here to go to the previous Korean war movie review.

<<< Click here to go to the first Korean film review on this site.

@ Cemetery Watch
✠ The Vampire Bat.

Space Sweepers

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Vampire Owl: I have a history of sweeping space for years.

Vampire Bat: I don’t think that this is the kind of space which you think it is.

Vampire Owl: Yes, how many spaces can there be?

Vampire Bat: This is certainly not about the space which you cleared in the cemetery.

Vampire Owl: I was talking about the space in Doctor Frankenstein‘s laboratory.

Vampire Bat: I don’t think that is going to count as space in science fiction.

Vampire Owl: The laboratory has been part of science fiction movies for a long time.

Vampire Bat: Mr Frankenstein himself is part of fictional programmes only.

Vampire Owl: I just hope that the Frankenstein monster doesn’t hear you.

Vampire Bat: There is no such monster. You are now taking characters out of stories.

[Gets a mango cake and three cups of Darjeeling tea].

What is the movie about? :: The year is 2092, and the world that we know of, is no longer a suitable place for living. All the greenery of the forests have vanished, and deserts have spread. Fading sun and acidic soil has caused the plants to disappear. It was like Earth was on life support. But most of the people are forced to remain on the planet and live through is polluted ecosystem. The UTS Corporation has arranged an orbiting space habitat for people who can afford them, and only a few elite people are able to enjoy this Earth-model ecosystem which assures a happy living space for everyone who becomes part of it. The place is completely governed by UTS Corporation who defined the laws, and decided who came in and went out of there. Earth which used to be the symbol of life has become what space used to be – a symbol of death. James Sullivan (Richard Armitage) serves as the CEO of the corporation, and has his own collection of the best of the world, and is also cultivating life on Mars using a super plant.

So, what happens with the events here as we just keep looking? :: James intends to open a colony in Mars too, and considers it as New Eden. He considers humans responsible for the situation of Earth, and assures everyone that the new world will not be like that. Ninety five percent of the total human population fail to find a spot in the new world, and many non-citizens are forced to survive as space sweepers, collecting space debris floating in Earth’s orbit and then selling it to the company factory. One of the main space ships which try to do so and become very successful is the Victory. The team is led by Captain Jang Hyun-sook (Kim Tae-ri) who was earlier on the other side, but is now against UTS after knowing its true motives. She had even tried to assassinate its CEO, but failed miserably. Kim Tae-ho (Song Joong-ki) who is also a part of the team, used to be on the other side too, and is looking for the body of his daughter who was ejected into space after some debris collided with their station some time ago, and he is running out of time. The others are Tiger Park a.k.a. Park Kyung-soo (Jin Seon-kyu) and Robot Bubs (Yoo Hae-jin).

And what else is to follow in this adventure in space? :: All of the crew seems to have their own story, but has to come up with a new tale of their own now. The space ship Victory picks up a space shuttle floating in space, with a little girl inside. This girl named Dorothy (Park Ye-rin) is supposed to be a weapon of mass destruction which was created by the notorious terrorist group named Black Fox. As Dorothy’s bag has a phone with a number of missed calls, they call and connect to Kang Hyeon-u (Kim Mu-yeol), and make a deal with him to return her for a grand price. It is also assumed that she is also a robot, and that despite her appearance, she is very dangerous. But it seems that what they knew about the girl and the Black Fox might not be true, and there are some sinister motives that UTS might be having. Soon, their mission would change to something else, because James Sullivan likes to keep his own secrets about Mars, Earth and the orbital station. Dorothy will also have to play a part in the same, a very disastrous one.

The defence of Space Sweepers :: The story of the movie is nicely set with a fine premise, and the setting of a future world is nicely done. We are immersed in this world which is sure to come, as Earth is surely going to fall at some point, and a world without human extinction itself is a surprise. This new world is nicely detailed, not just with the newly created eco-system, but also related to space and everything around. Along with being the visually spectacular thing as expected, it is almost emotionally strong with its content. There are moments which keep us going with action, thrills as well as the drama. Kim Tae-ri also comes up with the best of performances among the cast, and other follow well – there is something about her as the captain, and the rest are only glad to continue the good work. We have been in short of some good space adventures after missing the Star Trek movies in the theatre, and this one adds well here. We did get to watch the Chinese movie, The Wandering Earth as a space odyssey, and now we have this one, strong enough to compete with the Hollywood movies based on future’s space.

Positives and negatives :: This doesn’t move that much away from what we have seen before including the theme and the visuals, but latter does get a special touch. It doesn’t raise itself to a complete fun movie, even though it doesn’t become a preachy film with Elysium-like content. With such open space, the opportunities were endless though, and all are not taken. There could have also been a Korean touch with this one, while this one goes close enough to Hollywood instead. It is also a lesser known movie, even though it basically stands taller than so many overrated Hollywood movies. The villainy in this movie is also a little bit too predictable, and there could have been some twist related to that, despite taking the safe side there. People do tend to expect more from a film like this, as the trailer looked to be of top class, and there are not many Korean space movies which I know about – so many of them have been about horror instead. I do feel that there is always scope for more of this kind of movies from South Korea.

How it finishes :: Space Sweepers deals with a future which is not that far away, and it is also the one which we are to expect sooner or later. Even though the facts about orbital stations and colonization of other planets might not be that accurate, the ultimate end of Earth and the escape of the richest among them – the quickly science-loving millionaires and billionaires to other planets remain true. Consider it in that manner, this movie is a fine prediction of a terrible future, which we have seen in other movies too, with or without the shots of space. I have also given it a chance in my novel, Wrath of the Future, which was published in 2020, after the first wave of COVID-19 had seemed to come down. Well, you always need a little bit of the future’s possible horror to think about, but that hasn’t really helped to make humanity better, has it? Well, it doesn’t seem to come close, and thinking about that, let us enjoy this movie the most for its entertainment value, as it creates that grand spectacle on the screen.

Release date: 5th February 2021 (Netflix)
Running time: 136 minutes
Directed by: Jo Sung-hee
Starring: Song Joong-ki, Kim Tae-ri, Jin Seon-kyu, Yoo Hae-jin, Richard Armitage, Kim Mu-yeol, Park Ye-rin, Oh Ji-yul, Christian Lagahit, Kim Hyang-gi, Anupam Tripathi

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Wasteland

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Vampire Owl: We do not wander through the wasteland anymore.

Vampire Bat: I don’t see why someone would even try to go through that area.

Vampire Owl: We used to consider them as cricket grounds.

Vampire Bat: Why would someone play cricket in that area where things are affected too much by dark and chaotic magic?

Vampire Owl: Well, nobody knows what is to happen in the next ball. It is fun.

Vampire Bat: Dude, the stumps can come up and hit the ball for a sixer.

Vampire Owl: Yes, it means that the match is highly unpredictable.

Vampire Bat: Now, you sound like someone who would do match-fixing.

Vampire Owl: It would have been a good idea if there was an audience.

Vampire Bat: We should have just locked that area. The area has even the presence of some necromancers.

[Gets a green apple cake and three cups of Munnar tea].

What is the movie about? :: Nineteenth century had seen many wars which had left Spain struggling, and people really wished to stay away from all the chaos and destruction which the so called civilized world had brought. It had not yet seen the two disastrous world wars, but Spain already had enough with its internal conflicts following the earlier loss of colonies over the course of time, thus losing its advantage over the other European countries rather early in comparison. Diego’s (Asier Flores) family is one of those groups which live a lonely life in the middle of nowhere, an area which can be best known as the wasteland. His mother, Lucia (Inma Cuesta), is kind and loving towards him, while his father, Salvador (Roberto Alamo), is a very strict man. He reminds them that beyond a border which has been set by him, there is only war, and people only die beyond that, with no hope for any possible future. According to him, death and destruction is natural out there, and the boy needs to be a man quick enough.

So, what happens with the events here as we just keep looking? :: The family of three continues to have no contact with anyone around. Salvador feels that the boy hasn’t matured enough, and there is not enough time now. He tells the boy a story about beast which is more evil than any other creature in the whole world – it preys on the most vulnerable people, feeding on their fear. When the beast finds a victim, it uses the fear of the person to get stronger using its weakness. Lucia takes the boy away before he has to hear anything more, but it is already rooted in the mind of Diego. Soon enough, they find a badly injured man in the boat (Víctor Benjumea) – the man seems to have run out of bullets, and is seemingly very close to death. This once again asserts the fact that there are only people who wants to hurt others of their kind, and the beast is also very strong, feeding more on the fear of such evil men and women. When the man wakes up with his wounds somewhat healed, he is seen pointing the gun at Lucia and Diego. For the family, fighting the beast might be easier than fighting the evil humans.

The defence of The Wasteland :: The movie does gain advantage from the grand setting in the middle of nowhere, as we have the perfect world without hope, but with the presence of fear at all times. There are some fine visuals to support the horror and the sound effects do more, as the movie does hold on to ambiguity. The darkness and haunting feel seems to stay even after the film ends. The focus is indeed on the fear, and its manifestation is not the one that the film concentrates on. The movie gains further with its performances, as Inma Cuesta is one talented actress, who has this movie going through what runs within her mind as much as what is outside. The shades of fear and madness that she shows here are nothing less than brilliant, as she has to elevate this movie with her expressions and feelings. Asier Flores, the child actor also comes up with a performance to remember, as he always has a lot more to do that a regular kind even in a horror-filled atmosphere of chaos and hopelessness. Roberto Alamo’s comparatively shorter stay is also effective, and sets things going. The background of the world only scores more.

The claws of flaw :: The Wasteland could have been more direct with its idea, and should have been less complex with its horror and story which is often not that clear for everyone. With an atmosphere like this, it could have been something else – a thing of terror like no other, but that opportunity is not taken despite the presence of the strong premise. It could have shaped its beast better, and should have come up with some fine explanations rather than providing random stories which we are not sure about. It is as if there is not real story here, and there so many monotonous moments around here, with nothing much happening around. We know that there could be chaos, destruction and even death, but still the movie goes on so slowly after establishing the whole thing in the beginning. The feeling of being dragged is not appropriate for a movie like this, which is too short, and yet wastes time in between. The whole setting feels more post-apocalyptic than anything else, and there were so many paths which this movie could have chosen for sure. The feeling of terror could have felt more real too.

Significance of the Title :: We are always attracted to the title, because this particular poem by TS Eliot is something which almost every student of MA English Language and Literature has studied in one of those semesters. As one of the most representative of the modernist poetry works, it is also the work is not that easy to understand. It uses the Arthurian legends of the Holy Grail and the Fisher King along with allusions from both the West and East, the secular as well as religious literature. It basically dealt with the disillusionment of a generation which had to live through the First World War, even though the Second World War was yet to come. The disintegration of civilization and the loss of hope were evident in the work which was divided into five sections which saw different deviations without any warning. But despair was clearly evident there. The film, with its location in the middle of nowhere, and with the main characters, show another situation of hopelessness and despair in a world which is nothing but another wasteland, during the wars in Spain.

How it finishes :: The movie is nicely set in the nineteenth century, seemingly showing the struggles during the wats of the time, long before the Spanish Civil War and the two World Wars which couldn’t have Spain participating directly in it. The century had France led by Napoleon coming in for an invasion, while the wars for independence were many in the Americas, including Bolivian War of Independence, Mexican War of Independence, Argentine War of Independence, Chilean War of Independence, Peruvian War of Independence, Venezuelan War of Independence, Cuban War of Independence, Philippine Revolution and many others. It is the reminder of a world of chaos which the war can bring, and how it can tear down a family, without even affecting it directly from the looks of it. With one fine setting and atmosphere, the movie makes sure that the feeling is passed on well, with a certain amount of horror which might be beyond war. It could have been made more direct and more terrifying, but this works with a certain amount of quality, deviating from the usual Annabelle, The Conjuring, The Nun, The Curse of La Llorna, Insidious, Sinister kind of horror.

Release date: 6th January 2022 (Netflix)
Running time: 92 minutes
Directed by: David Casademunt
Starring: Inma Cuesta, Roberto Alamo, Asier Flores, Alejandra Howard, Víctor Benjumea

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

A Classic Horror Story

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Vampire Owl: We, vampires can make the classic horror story.

Vampire Bat: Don’t you know that most of the good vampire films were actually made by the elder vampires?

Vampire Owl: Isn’t that actually a myth which became part of normal lives later?

Vampire Bat: Their names were supposed to be in the the end credits.

Vampire Owl: Nobody got to see the end credits. They were removed.

Vampire Bat: Well, someone wanted to take all the credits, you know.

Vampire Owl: I am sure that those were some humans who played a small part in all of these.

Vampire Bat: Humans should have never been allowed to be part of vampire works, but at some point of time, there was not much of a difference between species.

Vampire Owl: Well, at least we know the human nature now.

Vampire Bat: The only true, classic inherent evil nature in the whole world.

[Gets an onion vada and three cups of black tea].

What is the movie about? :: Elisa (Matilda Lutz), an intern at a consulting firm, try a rideshare app to get to her parents’ home in Calabria in Southern Italy to get an abortion, even though she is not sure if it is the right thing to do. The recreational vehicle that she gets is driven by a travel blogger and a student of film, Fabrizio (Francesco Russo) – he is only happy to have some interesting people in his vehicle, so that his Youtube channel can get more visitors. A couple from the United States, Sofia (Yuliia Sobol) and Mark (Will Merrick) are also traveling in the vehicle to reach a wedding destination and have some good time. A doctor named Riccardo (Peppino Mazzotta) who joins them is also trying to get home as early as possible. When Elisa’s nausea causes the group to stop on the side of the road, Mark forcibly takes over driving for Fabrizio, only to hit a tree while trying to avoid hitting the corpse of a goat. Elisa wakes up in the morning and sees that the group is doing first aid on Mark’s broken leg, as the doctor takes over the procedure. They are not able to get any signal on their mobile phones, and even the emergency numbers don’t work.

So, what happens with the events here as we just keep looking? :: They soon realize that they are no longer on the road, but are lost in an open space surrounded by a forest. They are sure that they hit the tree on the side of the road, but now, no paths leading to anywhere can be discovered. It is like having an endless line of trees in all directions. They do find a house there though, but it is empty. It seems like a strange building, with some weird signs and heads of animals. The photos in the house has people wearing masks looking like heads of goats. There is also fresh blood and heads of animals in the woods nearby. At the same time, They see some paintings and writings in house about three brothers who came from another world, a long time ago. There is also the story of a strange ritual which was performed for the brothers, which involved a naked woman’s tongue, ears and eyes being cut out. Fabrizio had heard this story from his grandfather, and all of them decide to stay in the vehicle at night rather than the house.

And what more of horror is to follow here in the middle of nowhere? :: They feel that there is something going on in the house, and Sofia goes inside house with Elisa to explore further, only to find something in the attic. There is a cocoon, and inside that, there was a child named Chiara (Alida Baldari Calabria), who has her tongue cut out, and kept separately, making them remember the tale of three brothers. She is supposed to be the only survivor in the family, and writes down that there are not in a forest. They hide in the attic while Mark was dragged out of the vehicle by three masked figures, who torture and kill Mark by pulling out his eyes and also breaking his feet with a wooden hammer. After Mark’s body is dragged to the forest, they run to the woods. After finding a large number of abandoned cars, they understand that they are not the first victims of these people, and might not be the last either. When they walk through the forest, they end up at the same place, and also see that the vehicle missing. Is there any hope left now?

The defence of A Classic Horror Story :: The best thing about this movie might be its use of sound effects and also the music that relates to the situations so well, and works even better for the horror. One has to wonder how they find all the strength with the sound when we are less expecting it, and manage to have such an amazing effect. There is something for the Hollywood movies to learn here, and our films are not even close, as far as horror is considered. The visuals are amazingly good, and the beautiful scenes of nature combines with the terrifying ones really well. This strange, scary, beautiful world, is something that we can cherish, and be glad to see on the screen, wishing that this was actually there in any of those theatres. Yuliia Sobol and Matilda Lutz make pretty good screen queens, as we look at them wandering through the situations of horror – even though the latter is the female lead, the former is the stronger of the two. The male actors basically pales in comparison to these two who make have the better moments.

Positives and negatives :: The ending of the movie is a little bit of a struggle though, as it was not having some of the best twists around there either. There were so many routes which it could have taken, but it has chosen one which was so less interesting. There could have been so many terrifying truths about what is happening on the screen, and how this is like a world from where there could be no escape, but the film chooses to go through the path which is rather too easy to take, to create a twist. It might have been trying to become another one of The Cabin in the Woods, but that much of a satiric fun isn’t present in this one. There is a lot of blood and gore around here though, even as it doesn’t really go with the fully slasher horror model. The only other two Italian movies on Movies of the Soul are Pinocchio and Piranhas – this one is the first Italian horror film and the first full-thriller movie from Italy to be part of the reviews here. One has to say that as a horror fan, different people would enjoy this is different manner, depending on how much they like the ending.

How it finishes :: A Classic Horror Story surely lives up to its title, and this Italian movie has enough to keep it stronger than a good number of Hollywood horror movies. There are not many English movies which have used the available resources so well in comparison to this one. One has to question some other horror films about their use of the visuals and sound effects, as well as the urban legends which were available in a better way. If you forget the ending of this film, the rest of the whole thing makes one really care about the main characters and tensed and afraid of the terrifying world within what seems to be a forest. That particular hunt and torture are enough to wonder about the smartness behind this particular movie. Among the horror movies which have released in the last few years, this might be the one which can have the right to use this particular title. Enjoy this world, and hope that it can be inspiring for many horror movies which have lost their way completely in the beginning stages itself.

Release date: 14th July 2021 (Netflix)
Running time: 96 minutes
Directed by: Roberto De Feo, Paolo Strippoli
Starring: Matilda Lutz, Yuliia Sobol, Will Merrick, Justin Korovkin, Peppino Mazzotta, Cristina Donadio, Francesco Russo, Alida Baldari Calabria

<<< Click here to go to the previous film review.

@ Cemetery Watch
✠ The Vampire Bat.

Major Grom

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Vampire Owl: It is a shame that vampires don’t have the ranks of major.

Vampire Bat: We do have titles like vampire-at-arms and master vampire.

Vampire Owl: They seem to be a little too much limited in scope.

Vampire Bat: Scope is what Uncle Dracula talks about it.

Vampire Owl: Uncle Dracula is no longer interested in matters of war.

Vampire Bat: He is not against the peace which prevails among vampires, werewolves and zombies of all realms.

Vampire Owl: He is too old for another war, just like the vampire elders.

Vampire Bat: The wars are led by vampires-at-arms and master vampires.

Vampire Owl: But there is always one Uncle Dracula banner in the front side.

Vampire Bat: The limitations of not having a new banner designer. Nothing more.

[Gets a masala dosa and three cups of iced tea].

What is the movie about? :: Major Igor Grom (Tikhon Zhiznevsky) is chasing three bank robbers dressed like clowns, supposed to look like hockey players from a popular Soviet cartoon. He manages to catch them, but at the same time, causes a lot of damage to public property. Colonel General Fedor Prokopenko (Aleksei Maklakov), Igor Grom’s boss and head of the Saint Petersburg Police doesn’t like what has happened in the streets, causing ten million of currency to be lost, putting the blame on the police department. He doesn’t like the fact that Grom is not wearing police uniform and not having any police equipment. He asks Grom to quit, but tears apart the resignation himself, as he feels the need for his presence in the police department. It is then that the trial of Kirill Grechkin (Yuri Nasonov), the son of a billionaire, takes place, and he is accused of a hit-and-run incident under the influence of alcohol. Kirill, despite being apprehended with proof by Grom himself, feels that he won’t be convicted.

So, what happens with the events here as we just keep looking? :: Aleksei Lyosha Makarov (Oleg Chugunov), a boy from the same orphanage where the girl who was hit by Kirill lived, feels that the court is corrupt, and is against the common man. He is extremely disappointed, and is also supposed to have disappeared somewhere after the verdict acquits the rich boy. IT millionaire Sergei Razumovsky (Sergei Goroshko), who is the founder of a new social network Vmeste, and his friend Oleg Volkov (Dmitry Chebotaryov), who grew up in the same orphanage as the murdered girl, are not happy with the court’s decision. A masked man attacks and burns Kirill Grechkin, whose car is also destroyed completely. With flame throwers, armour and great skills in combat in possession of the killer, Grom is not able to catch him. Lyosha is taken by the police for the murder, but Grom tells everyone about the incidents of last night, which the police dismisses. He investigates on the case, but it seems that almost everyone wanted the boy to be dead, as he was such a nuisance.

And what more is added to the tale as something strange is coming up? :: Yulia Pchyolkina (Lyubov Aksyonova), a blogger and journalist also wanted a role in the investigation. Later, Oleg comes to Razumovsky and confesses the truth that he is the man on the streets with the flamethrower. Razumovsky is upset by this, but doesn’t want to turn his friend in to the authorities. It is then that videos of a strange man known as Plague Doctor appear on the internet. He wears a mask and a combat suit, and has bombs and flamethrowers – he promises to clean the city and take it out of all the criminal mess. Olga Isaeva (Anna Nevskaya), head of RosGarantBank is the next victim of the Plague Doctor, as she is accused of taking away the money of the poor. There seems to be a war on the rich and influential, called on by the Plague Doctor, while Lyosha is released. The newly formed vigilante is now considered as a hero by many people, who don’t want him to be caught. What does this change do to the law and order situation in the city?

The defence of Major Grom :: The movie does have a hero played well by Tikhon Zhiznevsky, and Sergei Goroshko makes a fine antagonist. Lyubov Aksyonova plays the lead well too. The film can also boast about its stunning visuals, which is interesting in more than one way. There is the feeling of quality here, which is maintained at all times. The beautiful world of Saint Petersburg is a boost, and we do get some fine action sequences around here, with the strong antagonist who seems to be better than the most. The protagonist here is not a Batman, Thor, Superman, Aquaman, Wonder Woman, Captain America, Iron Man, Ant-Man, Spider-Man – kind of hero, as he has no specific superpowers or a lot of money, except for the fact that he is strong and surely has an expertise in fighting. The film focuses on his strengths and moves forward well. Even for a seemingly superhero movie, it does stay close to reality, and keeps the hero somewhat flawed too. There is also the presence of some humour which works, and keeps the pace quick at all times.

Positives and negatives :: The movie basically follows the usual plot, and that too, without trying too hard. It is not really different from the usual superhero movies, with a villain having a grand motive, and also having those psychological problems, but talks about being ideologically superior. The choice of the villain’s costume is interesting as well symbolic, as he intends to take away the plague in the form of a few people, from the city, striking as the Plague Doctor providing treatment. It is no surprise that movie makers outside Hollywood are making some fine superhero films these days, for the cultural difference is contributing very nicely to making these flicks more interesting than seeing something which we have seen for a very long time. Yet, there is always more that these kind of movies can do, with creative imagination that can go beyond some comics, suiting the age. A superhero can be built differently, and transformed as much as a creative thinker can – something which would make the admirers of the genre proud. After all, you are never really far away from finding the perfect superhero.

How it finishes :: Here is another interesting heroic adventure of our times, based on another comics. For a change, we do have the superhero policeman, and not the common man who takes the law into one’s hands, mostly due to circumstances. Well, we require our superheroes in all forms, even without the superpowers – defeating what seems to be a supervillain is surely what matters the most. It does remind us of those other superhero movies, but with its setting, as well as with the choice of cast, it does stand apart. There are not many superheroes who can get a strong villain like this one, and therefore, just like Minnal Murali, this one powers up well enough. In a world populated by humans who have been degrading further into their evil ways, the requirement of a superhero seems to be understood better these days, along with the understanding that one can never have such a hero in reality. With the same, the movie does provide some good escapism, even though it is still close to reality than most superhero works.

Release date: 5th May 2021 (Netflix)
Running time: 137 minutes
Directed by: Oleg Trofim
Starring: Tikhon Zhiznevsky, Lyubov Aksyonova, Aleksei Maklakov, Aleksandr Seteykin, Sergei Goroshko, Dmitry Chebotaryov, Mikhail Evlanov, Oleg Chugunov

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The 8th Night

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Vampire Owl: Another Korean horror film with monsters? That sounds good.

Vampire Bat: Korean movies have some fine monsters.

Vampire Owl: I wish that I could invite a few of them here.

Vampire Bat: Monsters are not allowed here. They are considered the same as werewolves and zombies.

Vampire Owl: But dead monsters are allowed.

Vampire Bat: Well, we do give them honorable burial in the cemetery.

Vampire Owl: Why would a monster come here to be buried?

Vampire Bat: We are now promoting burial tourism.

Vampire Owl: Now you are giving those kinds of ads?

Vampire Bat: Yes, the ads are very popular now.

[Gets a vegetable puffs and three cups of cardamom tea].

What is the movie about? :: A long time ago, a monster roamed free, and intended to create eternal suffering for humans. Unable to kill it, the Buddha was finally able to stop the monster by taking out its eyes, coloured black and red. The red eye continued fighting, and when the Buddha was finally able to stop the red eye, he placed it along with the black one in different caskets. He buried one eye in the great hills of the Far East, and the other eye he buried in the great deserts of the Far West, hoping to make sure that these would never meet and bring the monster back. In the year 2005, a professor Kim Joon-cheol (Choi Jin-ho) wants to prove that the Buddhist myth is real, and finds one of the eyes in the India-Pakistan border. But he is disgraced, and people don’t believe in him. The media makes fun of him, and the authorities say that what he has with him is forged. This angers him, and after many years, he still wants to let everyone know that he was telling the truth.

So, what happens with the events here as we just keep looking? :: He reawakens the monster’s red eye, and open the gates of hell, in an attempt to prove that the Buddish myth real, thus also making people realize that he is not a liar. Monk Ha-jung (Lee Eol), a protector of one of the caskets, understands that the red eye has reawakened, as he alwso wakes up from his meditation. He asks another monk Chung-seok (Nam Da-reum) to seek Park Jin-soo (Lee Sung-min), a construction worker who was banished from the monk community – the one who is supposed to be born to stop the eyes’ reunification. All these were foretold, and the prophecy is to be fulfilled – if the eyes are united, on the eighth night, the monster will be unleashed, and it will unstoppable. At the same time, Detective Kim Ho-tae (Park Hae-joon) is also working in the case of the strange corpses that the red eye leaves behind after its grand awakening. But are these people good enough to stop the evil which seems to possess so many people and murder many of them?

The defence of The 8th Night :: The movie has some good divergence with its myth as well as the horror that it brings. There are also the characters who have some interesting past to go with the present, and are defined by past, present and future. The mythological elements about the monster works really well, and its effectiveness only increases as the movie goes forward. There is a certain amount of quality which has been maintained in its use of properties. It uses the settings of the city quite well to gaining advantage in horror. One would initially have the doubt about what a horror movie can do with two eyes lying apart and coming together at some other point of time – how can random eyes be horror? Well, this one answers the same quite well, and has a number of moments which bring some divergent horror, different from what we expect and what we have been seeing. The idea of the ancient prophecies and monsters is used effectively here as the journey never gets less interesting.

Positives and negatives :: The movie could have had more grandeur in the establishment of the characters and terror which is unleashed, and some moments don’t contribute that much like it was intended. It also gets very complicated at times, and also a bit slow in some moments. There is a lot of mystery about what has been happening around here, and with this kind of a monster, you have absolutely no idea what can happen next – it keeps us guessing as well as thinking. There are some shots which are so good and effective that they stay with us for long enough. They have captured the essence of nature, as the movie goes forward with its battle between good and evil too. The eerie feeling which this movie provides, might seem different than the usual, that we would get elsewhere. South Korean movies are pretty much rich in providing some symbolic horror, and this one also does try to deviate from the normal and most traveled course of action for the best. The movie also has some service as an investigative thriller – we know how the spirits and real-life investigations of crimes go together, like in the case of Malayalam movie, Cold Case.

The performers of the soul :: Lee Sung-min whom we have known from Hit-and-Run Squad leads the way as the man who is part of different missions, having violence and non-violence on two different sides, none of them leaving him, as he serves as the guardian. He has moments as he comes out of the past to face the present, in an attempt to the save the future for everyone in this world. It is a solid work that suits the personality that we see here, strong and with better different abilities than an average monk would possess. Park Hae-joon plays the detective, and he does that in a convincing manner, even though he remains a foolish believer in science and logic only. A detective in a movie dealing with magic and myth might feel out of the place, but he does make sure that it is not the case here, and there is a lot to be done from his side too. Kim Yoo-jung plays the female character with most screen presence, and she makes another interesting character of significance. Choi Jin-ho plays the man who begins all of these, and one can only wish that his scenes were more chaotic in nature too. Nam Da-reum is the usual apprentice who doesn’t know enough until he changes in the end.

How it finishes :: The 8th Night has the ability to rise beyond the typical horror story that we have, with all the monsters coming out of hell, as it establishes the myth, and follows it up with enough horror to go with it. With an investigation which is nicely managed, this one goes forward in an interesting manner. There is the message about destiny, and the roles that one is supposed to perform in this world, as well as something about where conscience comes into play. With the visuals adding to the mystery and horror, we know that this could be another classic horror flick like Train to Busan and The Wailing, which could rise above the rest many years ago, and the later arrivals like Svaha, Metamorphosis an The Divine Fury. You are never really short of some interesting Korean movies to watch, and The 8th Night is the film which you can add to the list of what can be recommended to the horror fans. This is also not to be confused with the Malayalam movie, 7th Day which deals with another investigation of murders.

Release date: 2nd July 2021 (Netflix)
Running time: 115 minutes
Directed by: Kim Tae-hyoung
Starring: Lee Sung-min, Park Hae-joon, Kim Yoo-jung, Nam Da-reum, Choi Jin-ho, Park Se-hyun, Lee Eol, Kim Han-sol

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Oxygen

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Vampire Owl: I had earlier heard that vampires no longer required oxygen to survive.

Vampire Bat: Is this a result of one of the experiments of Doctor Frankenstein?

Vampire Owl: Yes, he has actually found a substitute this time.

Vampire Bat: You shouldn’t really trust him about controversial inventions.

Vampire Owl: You have been talking about our best scientist for so long.

Vampire Bat: I wonder why you are not able to understand the difference between a scientist and an alchemist.

Vampire Owl: Well, alchemist degree is no longer a valid one.

Vampire Bat: He has passed only BSc. Alchemy, I am telling you.

Vampire Owl: When he cleared the degree, it was a valid subject.

Vampire Bat: You are going to be struggling for survival, if you go with what he provides.

[Gets a blueberry cake and three cups of black tea].

What is the movie about? :: Elizabeth Hansen (Melanie Laurent) wakes up in a medical cryogenic unit with no memory of who she is, and how she got there. The Artificial Intelligence machines which was supposed to take care of the system informs her that the oxygen level is low, and her request to go out of the unit will not be accepted. She is also informed that despite the failure of the unit being reported, nobody has come up with a reply. The advanced Artificial Intelligence with which she communicates is named MILO (Medical Interface Liaison Officer) tells her that she is identified as Omicron 267, and is not known by any other name. Her medical report is not available, even though she is there to get better after being sick after some point of time. External communication is not available, but she is finally able to transmit the details of her situation outside the unit through emergency services. The police are confused as she can give them no information of use about herself or her present location. She is able to provide them with the unit’s model and serial number, which are printed on the interior. But she is told the unit was destroyed three years prior.

So, what happens with the events here as we just keep looking? :: A DNA analysis provides a match for her though, and it shows pictures of her, which helps her to identify her name as well as an an idea of her work, and up-to an extent, some idea about her family. She is told that she has forty three to seventy two minutes remaining with her Oxygen level. When her medical report finally becomes available, she is shown as perfectly healthy, much to her dismay. She does find the number of her husband, but another woman answers, and that doesn’t help her cause at all. Some of the memories seem to come back to her, but she is not certain about them. Soon, palliative care is ready to be deployed, but she stops the same, even though threatened against doing the same. She tries to cause destruction to the unit, but gets an electric shock in return. With only a few minutes of oxygen left, how long can she stay strong enough, and alive? Is there something sinister behind her being locked in the cryo unit? Who could be find all the trouble that she has to face? Is there some secret which only she knew before being locked in there, or is there an even bigger mystery that involves many people?

The defence of Oxygen :: The movie keeps us interested in the protagonist, as we hope for information about her, and it moves between optimism and pessimism at regular intervals, with more and more knowledge about the person coming to light. There are questions being asked here, about life, what is means to be human, and how memories make a person or destroy one. There is always more and more doubts about the nature of humanity and its existence, and one is reminded of minuteness with one grand shot of the whole space with the chamber unit – it is a thing of glory, well-designed and of quality. We do make many guesses about what is happening out there, and where the protagonist is, but there are twists which are good enough to bring another series of guesses – only a very few of those guesses come true in this case. There is the mystery to be solved and revelations to be made, as we look forward to finding the truth and hoping that our protagonist is saved. The progression of this movie a reminder to many people on how to use the minimum materials to the maximum effect – as long as you have a leading actress who can do wonders.

Positives and negatives :: The movie can feel a little too long because all the action is set in the chamber unit which feels like a coffin. Some of the initial moments are the ones which provides that particular feeling, and the rest has us discovering more and more about the protagonist well enough. The pace is never really increased as we look at it, and there are similarities with other movies, even though this has the feeling of a perfect new space which is not explored as it is, ever before. People might have also wanted this movie to progress in some other ways instead how it has gone forward. There could have also been more visuals of the world by the end, but I would guess that they didn’t want the scenes to move outside much at all. One also feels the need to see the life on the new planet instead of just one scene – there have been many films which have people traveling to another planet, but there is not even one which shows what happens after they reach there and start a civilization. Well, we are the fans of Age of Empires, Age of Mythology, Warcraft and others – we need to see that one in another world, and we are yet to see the same on the screen with effectiveness.

Performers of the soul :: We know Melanie Laurent the most from two movies, the critically acclaimed Enemy and the crowd favourite Now You See Me, both being films which can be watched many times. She has been part of other movies to remember, and this one is going to have bigger status among such films, with a performance which is focused on her. Even though there are some people being shown in flashback memories, the present is all about her, and she makes sure that there is perfection when it is about her. The other people whom we notice are one in the form of the Artificial Intelligence and the other is the person who are regular in the flashbacks. The success of this performance from Melanie lies in the fact that she makes us go through the different emotions of her with ease. We are able to relate to the person and what she is going through, thanks to her perfect run through the emotions, the journey from not knowing to what she comes to know, as well as what she comes against, as wrong information. We also have the doubts that she has, and sometimes even more than what she comes up against, in a small world resembling a coffin. It is not just her character battling out there, as we are also part of the same.

How it finishes :: The director of this movie is known for some of the most memorable thrillers, with the last one being Crawl, with one crocodile on the hunt – you remember that his first English film was The Hills Have Eyes, and movies like Mirrors and Maniac provide further testimony to his skills, even though those were closer to horror rather than any other genre of significance. This one comes as a science fiction thriller, and it is also one effective thing in the genre, adding to Gravity, The Interstellar and The Martian from one angle, while it is also a survival thriller like The Shallows and Buried. Yet, one movie which this one reminds us of, is Meander, considering being locked in small spaces, and having almost no idea of what is happening around. Related to these movies, our movie here also has a solid status for sure. With its surprises, and possessing a fine performance from one person at the centre of all of these, the movie is a thing of quality. It might feel long due to being located at one place at all times, but this is one film which you feel the need to keep going as you hope for a person’s survival against all odds.

Release date: 12th May 2021 (Netflix)
Running time: 101 minutes
Directed by: Alexandre Aja
Starring: Melanie Laurent, Mathieu Amalric, Malik Zidi

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Blood Red Sky

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Vampire Owl: Now, this is the type of title that I would prefer for a movie.

Vampire Bat: You are planning to make a movie too?

Vampire Owl: Yes, Doctor Frankenstein will be directing it.

Vampire Bat: Well, not the best director for our kind of a movie.

Vampire Owl: He has assured us that this movie will be the highest grossing vampire movie in the history of our realm.

Vampire Bat: I assume that it would be science fiction then?

Vampire Owl: You know that Doctor Frankenstein doesn’t talk science outside the laboratory anymore.

Vampire Bat: His type of science is the best when not talked about.

Vampire Owl: You are talking ill about an award winning scientist.

Vampire Bat: I am sure that he paid a million for that particular award.

[Gets a strawberry cake and three cups of white tea].

What is the movie about? :: An airplane which was supposed to have been hijacked, lands at an RAF base in Scotland. As the soldiers try to get the people out, Elias (Carl Anton Koch), a little boy is the first person to come out, and he is taken into a room, where he recollects the happenings during the flight, seemingly in terror. Back to the past, Nadja (Peri Baumeister), a widow from Germany, is taking a flight to the United States, where she could be treated for blood cancer better, and Elias, her son, joins her at the airport. They come up against Farid al Adwa (Kais Setti), a physicist, who helps them with their luggage. Nadja continues to look really ill, and taking her medicines doesn’t seem to help at all. As the passengers begin to sleep, a group of men supported by the co-pilot Bastian Buchner (Kai Ivo Baulitz), find and attack the three air marshalls in the flight, murdering them. Soon, the gang take over the flight, after getting rid of the pilot.

So, what happens with the events here as we just keep looking? :: The team tells the passengers that their requirement is monetary, and if nobody tries to do anything nasty, it will remain safe for everyone. They also re-programme the black box, after which they deviate the flight towards another path. As Elias tries to run away to a hiding place in the plane, one of the attackers shoots Nadja, and leaves her behind, considering her as dead. But it seems that Nadja has secrets of her own. Nadja, even though weakened, manages to access the cargo hold, and removes the contact lenses and dentures that conceal her mutated eyes and fangs before managing to kill and feed on a dog. It is revealed that she was bitten by a vampire which also killed her husband on a winter night when their car broke down. She regains her strength, and attacks one of the hijackers who come that way, killing him. She realizes that her vampirism is coming back to her, as she also feeds from the hijacker. Now, the hijackers have an adversary that they don’t want. But is she good enough?

The defence of Blood Red Sky :: The idea is good, as there is a vampire on the airplane, and we don’t usually get that – there is a certain amount of creativity in bringing a different vampire world unlike what we usually have. It brings a dangerous situation, and then makes it even more dangerous from multiple sides. Each minute, there is no real relief, as the situation only gets worse for the living characters. The movie has no real heroes, and it doesn’t claim to have some supernatural being saving the day, for the bloodbath won’t leave many people behind if it was a real thing. There are some moments which stand out, including different transformations, and quick as well as gory attacks. The mother-son bonding is also good, especially in the beginning stages. There might not be many other movies which connect motherhood and vampirism, and here, the vampire has its own divergence, even though not by that much of a distance. You are never short of blood and gore with vampirism around.

The claws of flaw :: This premise could have developed into something bigger, and there could have been some fine action sequences as well as moments of horror which would bring the shock and stay for long, but that chance is not taken here. You have a vampire on a flight, and also a few hijackers – things really need to get bigger. While holding on to many elements, it sometimes losses grip on its most valuable asset, the vampire mother who has just unleashed the creature in her. Sometimes, the action doesn’t get the attention that it deserves, and during some moments, horror just takes the backseat, leading to the movie losing the advantage. The hijackers here could have also had better motives, and some of them could have actually had specific characteristics as well as a background tale – here, only one of them seems to have the same. Turning more people into vampires is not always the best option to make a movie better – this film seems to like the idea of having a vampire full-house airplane though.

Performers of the soul :: Peri Baumeister leads the way in this movie here, and she does that in a way that catches our attention a lot in more than one mode. She is strong as the motherly figure, and as a vampire, she takes the creature’s features with ease. It is a performance that many others playing vampire characters can note. She goes through the motherly love and vampire thirst for blood at the same time, or interchangeably. Among the villains, it is Alexander Scheer who gets the most of the villainy, even though the vampire-thing doesn’t work well for him. Dominic Purcell who plays the leader doesn’t get his due at all, as death comes early for him. Roland Moller also has his own different moments, and he could have made one smart villain – leaves a mark as he does now though. Carl Anton Koch who plays the son has his moments, but there are a few which doesn’t suit. Kais Setti is there from the beginning to the end, and he also has some fine job to do. Another one to be noted is Kai Ivo Baulitz.

How it finishes :: Like Train to Busan, this one is Flight to New York, and with vampirism spreading quicker than ever, one could actually replace the vampire here with a zombie, and still have the film working – with a little concern about the slower pace of zombies. Placing vampires on the airplane is an idea that can hold on strong, better than placing them in ships or trains. This film seems to have finished the idea though, without scope for a sequel, but we know that sequels can come out of nowhere. We are never really short of vampires, for we have placed them with werewolves in Underworld series, as mother-daughter duo wandering around the world in Byzantium and at many other places. Anne Rice, the author of The Vampire Chronicles who recently died, had brought some fine works which could be made into movies, taking some fine form in the form of Interview with the Vampire starring Tom Cruise, Brad Pitt and Antonio Banderas. We have had so many vampire novels, films, series and others in quick succession – this one also adds on. Netflix surely has the better vampire flick, as what Amazon Prime could get was Black as Night.

Release date: 23rd July 2021 (Netflix)
Running time: 121 minutes
Directed by: Peter Thorwarth
Starring: Roland Moller, Peri Baumeister, Chidi Ajufo, Alexander Scheer, Dominic Purcell, Rebecca Dyson-Smith, Graham McTavish, Kai Ivo Baulitz, David Hurten, Kais Setti, Nader Ben-Abdallah, Jan Loukota, Florian Schmidtke, Jacqueline Macaulay, Holger Hage

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Nobody Sleeps II

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*Full title: Nobody Sleeps in the Woods Tonight Part Two

Vampire Owl: I don’t sleep much these days at night.

Vampire Bat: Vampires don’t really need to sleep at night.

Vampire Owl: We have the right to sleep whenever we want to.

Vampire Bat: What about sleeping in the coffins during daytime?

Vampire Owl: We have evolved much beyond that, right?

Vampire Bat: Yes, but it is more than that. It is a custom.

Vampire Owl: Well, we are not people of customs and traditions anymore.

Vampire Bat: Yes, but at least during the blood moon, we don’t sleep.

Vampire Owl: I would partially agree to that.

Vampire Bat: Let us see how Uncle Dracula thinks about it. He is now holding on to traditions more than ever.

[Gets a chocolate cake and three glasses of oreo shake].

What is the movie about? :: Adam Adamiec (Mateusz Wieclawek) is a rookie police who has just reached the police station after completing his usual job of buying the groceries, after the terrifying events of Nobody Sleeps in the Woods Tonight. There he finds Zosia Wolska (Julia Wieniawa-Narkiewicz) and the two monster-like big men locked up in separate cells. The men look like they don’t care about anything, and sits there peacefully, while Zosia is clearly disturbed. He comes to know that the girl came to the police station last night, bloody and dirty, with a strange look in his eyes, and she was also saying that the guys in the cell were murdered by her in self-defence, while also talking about the strength of a meteor or comet. She had also accused the guys of murdering her friends, and cops had found bodies out there. Special Forces were coming from Warsaw to investigate the matter. With one police officer dead, the cops really need the answers, and they take her to the crime scene to get some idea about what happened last night.

So, what happens with the events here as we just keep looking? :: When Sergeant Waldemar Gwizdala (Andrzej Grabowski), the police officer who is with her has a stomach upset, and returns from the restroom, the comet breaks, and it seems that he was brutally murdered. Nobody has any clue of what happened there, as he is not reachable on the mobile phone, and there is no reply of the police radio either. This means that Adam has to go and check there with the police officer at the desk, Wanessa (Zofia Wichlacz). Even though Adam wishes to go back to the police station and wait for the Special Forces to arrive, while Wanessa calls the Territorial Defence Force, and they slowly move to the location. Wanessa’s deduction is that the girl killed the police officer and escaped. But Adam feels that there is something more at work as the senior officer was ripped apart into two pieces. The two understands that more people will be killed now, as there is a killer running around, and the forest makes it easy for the person to hide without being detected. The earlier incidents could be repeated many times. But can they stop the seemingly unstoppable force?

The defence of Nobody Sleeps in the Woods Tonight Part 2 :: The movie nicely uses the one probability of having a sequel, even though it seemed to have ended with the first one. It can also have another sequel as things seem to end here. The slasher elements of the first movie are carried over here, and goes on as a regular slasher with its monsters at work. The movie’s shorter length also comes as an advantage, as it gets into action very soon, and there is no time wasted. This film also seems to go a little bit divergent with its monsters, and even though the idea is good, it never really gets the strength with was required. It also provides some explanation to the transformation of people into evil monsters, and the dark atmosphere is interesting, even when not used to the best advantage. Even though it might look strange with the twists, they are there to make some impart. Nobody Sleeps in the Woods Tonight Part 2 is surely having the idea of building a franchise, and for that more focus on the storyline might be needed, but I would expect that to arrive anyway.

The claws of flaw :: We have already watched Nobody Sleeps in the Woods Tonight, as the first movie had also released on Netflix, and this one doesn’t have that much of slasher strength as it had. The previous movie’s quality as a slasher movie is somewhat taken away by this sequel which focuses on some strange things instead. The elements of fear are replaced by just random gory moments which also pales in comparison to the first movie. The shift of focus brings light into a few other things, but by doing the same, some other elements do suffer from a loss in quality – the basic slasher things needed more. Bringing elements of terror when least expected, required to be in focus too, especially with one monster wandering around through all areas. The killers from the earlier film could have also been used, as it doesn’t seem to work that efficiently by turning new people into monsters. After establishing something, the film seems to take it away, decreasing the strength of the franchise itself. There is also not much of performances here to elevate it otherwise.

Performers of the soul :: The movie misses Julia Wieniawa-Narkiewicz in her original state – she was more or less the perfect scream queen, and her work with action as well as emotions proved to be advantage for that particular film. Then there was also Aniela Turek and Michał Lupa, a group which could perform in a way that was suited for a slasher horror better than any other. Mateusz Wieclawek leads the team, but not as the leader. He manages to work on the character okay in the beginning, struggles later. Zofia Wichlacz plays the police officer with all talk about being brave, but is actually a selfish coward – it is established pretty well by the middle of the movie, and she does the job okay in beginning, but is wasted later. The performances don’t really raise the level that much at any point though, and with a shorter run-time, we don’t really get to know these characters much either. It is more or less like going through the usual slasher horror with gore as fast as possible instead of taking care of the characterization. There is also some trouble with how the transformed characters are dealt with.

How it finishes :: The movie should have kept itself very serious, because the whole thing has been established already. It seems to have the base, but from there, the deviation losses its effectiveness soon enough. There was scope for grandeur, but the same is not taken. One has to remember how Fear Street: 1994 came up with perfect sequels in the form of Fear Street 1978 and Fear Street 1666 – this required such treatment, for one never know when there are thoughts about coming up with sequels. Humour, when not used effectively, can only prove to be negative in a violent horror movie. Well, the fact that it still works is because it has tried well enough with the base set in the first movie. There can always be more to be done with this particular idea, and we can only hope that a sequel can make things better. After all, some sequels which was part of long lasting franchises have been very effective. This Polish film franchise deserves to make a comeback now, or later.

Release date: 27th October 2021 (Netflix)
Running time: 96 minutes
Directed by: Bartosz M Kowalski
Starring: Zofia Wichlacz, Julia Wieniawa-Narkiewicz, Wojciech Mecwaldowski, Mateusz Wieclawek, Sebastian Stankiewicz, Andrzej Grabowski, Izabela Dabrowska, Lech Dyblik, Robert Wabich, Michal Zbroja

<<< Click here to go to the previous review.

<<< Click here to go to the other Polish thriller review.

<<< Click here to go to the first Polish film review here.

@ Cemetery Watch
✠ The Vampire Bat.

Two

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Vampire Owl: There are two of us here. Therefore, watching the movie is relevant.

Vampire Bat: This movie seems to have something to do with the number, two.

Vampire Owl: I don’t really like that number though. I like “one” – I am the greatest one.

Vampire Bat: Uncle Dracula is the greatest of us all.

Vampire Owl: You just cannot put so much greatness on him anymore.

Vampire Bat: The times haven’t changed. Dracula is still relevant.

Vampire Owl: Vampires are still relevant. Dracula is not.

Vampire Bat: There are no vampires without Uncle Dracula.

Vampire Owl: Maybe in the Dracula Castle. It is not the same case outside.

Vampire Bat: Well, you can just wait and see, after his birthday party which is coming up.

[Gets a chocolate cake and three glasses of oreo shake].

What is the movie about? :: Sara (Marina Gatell) and David (Pablo Derqui) wakes up in the bed somewhere, stitched to each other. They don’t really have any memory how they reached there. The two try to figure out what has happened with them, and where they are. They guess that someone drugged them and brought them here and stitched them up. The people responsible seems to have taken away everything from them, from clothes to wrist watches. They try to make some connection between them, but there is nothing in common between the two. It is also realized that they are being recorded with cameras all around the room. The room seems to be something that gives an aristocratic feeling, making them feel that someone rich and influential is behind their situation. They do find some clues about the same, but someone seems to get into the room at times, and they are not able to find out who. The room seems to be too secure for anyone to go out, with lock being strongly applied from outside.

So, what happens with the events here as we just keep looking? :: Sara has the feeling that her husband, Mario (Esteban Galilea) has something to do with it. He is supposed to be someone very rich and influential, with doubts that she is having an affair with another man. She feels that there is also something about him that has resulted in David also reaching there. He also has the feeling that maybe he also knows her husband, who is a much older person. There is also a name Rita (Anna Chincho Serrano) that comes across them, as part of a photo which is placed in the room. Yet, they are not able to remember any of such a name as part of their lives. They feel that maybe this will end only in their death, and try to break down the door, which feels very reinforced. The windows also lead nowhere. There are some big revelations to be made, but they wonder if they will stay alive to understand all of those. Soon, their past will come back to them, and the one thing which makes the two connected with the man who is behind all of these.

The defence of Two :: The movie is just one hour and ten minutes long, which makes sure that there is absolutely no drag about it. It doesn’t slow down even though there were many chances in between. There is also the successful maintenance of suspense with twists, as we don’t guess what is coming in the end, even though there are so many things happening in between. The red herrings are delivered effectively, and we make so many guesses about the antagonist who is responsible for what is happening here. It does work as body horror, a subgenre which is difficult to appeal to people – unlike other movies of the same kind, this film actually knows where to keep the borders, and not to be disgusting at any point. The genre is often too much to handle for many people due to the amount of gore and extremities related to body parts, but this one stays at the border related to that. The setting of the room which this movie uses throughout its run also adds on well, and the mysteries to be revealed here are also of interest.

Positives and negatives :: There have been a number of Spanish movies which have tried to be different from the rest – there was The Platform, and here we have this one. This one still seems to have rushed through things too much, as we look at the final moments. It could have taken more time finish it though, as the length here is just seventy minutes and nothing more. The setting which is one place at all times, is nicely managed too. This is also one of those rare films which maintains the Classical Unities of Aristotle. Unity of action is maintained with that one principal action of being stitched together and being together at all times, while unity of place is maintained with where they are trapped, and unity of action is clear as everything happens within twenty four hours. It has been difficult to maintain these in movies, as people look forward to seeing many other things and occurrences as films progress. But in this case, they have made the situation very interesting. Even though this is not the usual horror, the situation of the protagonists is surely a scary one.

Performers of the soul :: With everything dependent on two people, this film focuses on their performances, one can safely say that this works effectively due to the same. We also see that the characters do evolve as the tale progresses. The conversation between the two becomes very important too. Marina Gatell places herself in the situation very well, and comes up with a fine performance. She plays a person who is confused and wants to figure out what is happening quick enough, and even suspects the person who is with her – the character works out really well for her. Pablo Derqui who plays the other person in trouble, takes things slowly, and has better idea of how criminals works – makes the person with him doubtful. The situations which are nicely created for them, is managed well by the two. The whole idea is made better with the performances of these two. The rest of the characters only arrive by the end, or are present only in photos. In the end, we know that in Two, there are only two characters who gets the chance to come up with worthy performances.

How it finishes :: Being stitched to someone else is horror enough, and this Spanish movie use that to its advantage, getting to the list of films in that language which have tried to be different in multiple ways. Thanks to the performance of the leading cast, this one never lags behind, even when there were so many opportunities. It provides us with the opportunity to make so many guesses, and it also has us coming to that twist when least expected. The short journey is very much an engaging watch, and as long as you don’t have a problem with some body horror, this is to work just fine. During the time of Corona virus pandemic, a number of films had people quarantined alone, while this one has two people locked in a room as one. It is indeed an interesting, but strange concept, as you look at it. The creative imagination behind the movie seems to be working well in this particular case. Netflix has once again scored with another fine addition to the grand list of horror and thrills.

Release date: 10th December 2021 (Netflix)
Running time: 70 minutes
Directed by: Mar Targarona
Starring: Marina Gatell, Pablo Derqui, Anna Chincho Serrano, Kandido Uranga, Esteban Galilea

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Whole Truth

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Vampire Owl: There is a lot of talk about truth going on around here.

Vampire Bat: It is something that humans never try to speak.

Vampire Owl: Humans haven’t been close to truth for a long time.

Vampire Bat: Truth just doesn’t suit them. They are basically liars. You cannot blame them for going back to their basic nature.

Vampire Owl: Their basic nature is related to robbery and murder.

Vampire Bat: It is really difficult to talk about human nature. They are pure evil.

Vampire Owl: Yes, which is why many witches travel to their world and try to kill a few of them or transform them into better creatures like cats and dogs.

Vampire Bat: It is the same reason why we don’t have Vampire Cats anymore.

Vampire Owl: Human existence has no real meaning related to anything other than evil.

Vampire Bat: If Corona virus makes them go extinct, it can be called a pure evil thing.

[Gets a marble cake and three glasses of mango shake].

What is the movie about? :: Mai (Nicole Theriault) is living happily with her two children, Pim (Sutatta Udomsilp) and Putt (Mac Nattapat Nimjirawat) in the city of Bangkok, until she meets with an accident on her way back home from office, on the same day that she received a promotion at her office. She is now in a coma, and even though out of critical situation, has to stay in the ICU. It is then that their grandparents come to visit them – Phong (Sompob Benjathikul) and Wan (Tarika Tidatid) takes them to their ancestral home. The house is quite a large one, and Phong says that Wan is not really well, and due to her dementia, she also needs some taking care of. At the same time, Mai has some severe injury to her brain, and it will take some time for her to get better. Until then, the two siblings will have to stay in their ancestral home, even though they are not really comfortable about it. They take everything from home, and place them at the new place, as they feel that they are for a very long time. But this doesn’t seem that good a place for them.

So, what happens with the events here as we just keep looking? :: Soon, the cat which they brought there from the original home is no longer found. They are also able to find a hole on the wall, which the grandparents don’t find to be present. They blame the children for making up things which are not there, and advises them to stop looking for cats. There is something going on in the house, and it feels really strange for the siblings. When Putt looks through the hole, he sees a strange girl on the other side, and it does seem like a strange house on the other side there. At the same time, Fame (Sadanont Durongkaweroj), a boy who studies with Pim, comes to the house and warns them about leaking a video of her showering in the gym. He is also not able to see the hole on the wall either, but is pulled to the wall, hurting his nose. He leaves the place with a broken nose, telling Pim that he will leak her naked video on the internet. As the grandmother reaches home, she sees the blood on the floor and losses her mind for a few minutes. Pim and Putt understand that things can get only worse from there, as there are some secrets out there.

The defence of The Whole Truth :: Even though this particular movie is from Thailand, there is the feeling of watching a Korean film – that kind of quality is here with the visuals. It also gets into action quite fast, and we are glad to follow it around early enough. The idea of the hole in the wall which provides some strange visions is nice, especially with the arrangements on the other side. The feeling of danger is always effectively there. This does bring some scares, but the film is more about mystery, revealing a few things about human nature, rather than anything else. The theme of the movie is related to how people only give half truths, manipulating everything to suit their own versions. The film also has a nice way of revealing everything, through visions and incidents. The way that it keeps us in suspense is good, as we are not really sure which way it is to go, not just about the ghostly figure, but also about how the leading lady’s situation would be, in the school – there are even twists about her life there, and the supernatural only comes later.

Positives and negatives :: The Rings creature feeling is there for sure, as if to provide something like a repetition, for that is one demonic presence which everyone has liked for a long time. There were also so many more possibilities for the incidents of the movie to progress, and it could have used better clarity at some parts. The ending could have also been more direct. There are moments when it makes us feel that this is going to be like The Visit, but it is surely not going that way. Also, the movie’s drama feels a lot like Indian films at times, and therefore, it is more relatable to our audience. The ghost here more like the past which continues to haunt us, reminding us of a few dialogues in Crimson Peak. The idea of the ghost trying to tell the truth, or rather the whole truth is not something new, but this one takes different steps towards it. The way in which this movie changes your expectations in between, is also notable. There is no early clue about what we have in the end, for the twists work in that way, and make this one effective.

Performers of the soul :: Among the performers, it is Sutatta Udomsilp who stands the strongest, as the elder grandchild and sister who has to stay strong in the absence of her mother. She reflects a number of scream queens which we have seen in Hollywood movies, and still has a lovely touch of divergence that relates her to horror movie stars of Bollywood too. She expresses herself incredibly well throughout the different events, from the emotional ones to the scary ones. Nicole Theriault has only the first few minutes as the mother, as she gets to face the car accident too soon, waking up much late. Mac Nattapat Nimjirawat plays the young brother figure who is weakened, pretty well. Sompob Benjathikul plays the grandfather figure with a lot of strength, while Tarika Tidatid fits into the grandmother role with ease. Sadanont Durongkaweroj plays the usual creepy boy who reminds one of the Drishyam boy who got buried under the police station, after capturing the video of the showering girl. Thasorn Klinnium, who is only there for a few minutes, also has her contribution.

How it finishes :: The Whole Truth is the first Thai movie at Movies of the Soul, and it did come late, when we look at the foreign language movies at the website. Even though there have been many movies which came close to becoming the first, this one finally made it way here through Netflix. It is rather surprising that we have already had Korean, Vietnamese, Japanese, Chinese and Indonesian movies here to add to a South East Asian list, there hasn’t been any from Thailand. This movie changes that in style. Movies like Furie, Impetigore, The Wandering Earth and Train to Busan were all movies which had something special in their own ways, coming from different countries and languages. The Whole Truth proved to be a fine example with which to start Thai films. When we had visited Pattaya and Bangkok, we did really want to watch a movie or two, but that didn’t happen because of the busy schedule of the trips. At least, that desire is fulfilled for now. As we go through the beginning of the new year, let us hope that more wishes can be fulfilled in 2022.

Release date: 2nd December 2021 (Netflix)
Running time: 125 minutes
Directed by: Wisit Sasanatieng
Starring: Sutatta Udomsilp, Tarika Tidatid, Sompob Benjathikul, Sadanont Durongkaweroj, Steven Isarapong, Thasorn Klinnium, Mac Nattapat Nimjirawat, Keetapat Pongrue, Nicole Theriault

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Swarm

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Vampire Owl: I can feel the presence of some vampirism in here.

Vampire Bat: You are not talking about vampire locusts, are you?

Vampire Owl: Well, all kinds of vampiric creatures are welcome to our realm.

Vampire Bat: I don’t think that locusts need any special welcome.

Vampire Owl: Everybody needs to be welcomed to the realm.

Vampire Bat: Except for the Corona virus.

Vampire Owl: Who is going to welcome a virus at this point?

Vampire Bat: We cannot be sure about that. Humans are crazy enough.

Vampire Owl: Humans can always be crazier.

Vampire Bat: You can trust them to do that every time.

[Gets a chicken cutlet and three glasses of orange shake].

What is the movie about? :: Virginie Hebrard (Suliane Brahim) is a widowed mother who has been unsuccessfully raising locusts for proteins, and it is not something which brings her favourable returns. Their family used to have goats around earlier, and her children, Laura Hebrard (Marie Narbonne) and Gaston Hebrard (Raphael Romand) are pretty much embarrassed by the business of locusts, with people ridiculing the same, including people at their school. As the locusts are not active enough, and with a lower level of health and reproduction among the insects, the family struggles to go on. Soon, she becomes more and ore frustrated, as people wouldn’t buy the locusts at even lower rates. As she trashes the locust enclosure and passes out there, she finds out that locusts are eating from the wounds on her arm. Soon enough, she finds out that the locusts are now more active, and lets the locusts feed from her wounded arm.

So, what happens with the events here as we just keep looking? :: Laura is not happy about how things have turned out though, as with everything going well out there and locusts doing better, they will have to continue to stay there. Her hope that they can finally sell the farm and get away from the place is no longer there. She tears open one of the greenhouses, leading for a swarm of locusts to escape. This escaped swarm would make sure that there would be enough supply of blood for them. That wouldn’t stop her from being more and more obsessed about the locusts. The need to feed them more blood comes to the picture, and she is ready to take further risks for the same. At the same time, all these affect her relationships with people around her, including her children. But is it too late for all of these to change now? How much more the locusts will take out of relationships and in the form of blood and flesh?

The defence of The Swarm :: The drama side of the movie is okay, even though they haven’t really tried too much with the characters. There is the feeling of melancholy that runs through the movie, and most of the characters do have a certain amount of the same. There is just enough CGI and gore to keep the interest going. The setting is very much suitable for such a story, and we know that this is even more possible these during the time of Corona virus pandemic, where there is always mutation and people also get to live more alone than ever, facing even more financial crisis than ever. This is not a full insect attack movie, and people will have to remember that while choosing the same – for those who are looking for such full attack films, there are others from the second half of the twentieth century which was never short of such horror attacks from different creatures. Otherwise, you do watch this one as a drama with some insect horror added.

The claws of flaw :: A problem with this particular movie is that it losses its power as a thriller and horror flick, and gives in to the drama all the time – whenever there is a chance to make this one a horror thriller, it goes down to the state of a common drama about a widowed mother looking forward to make a living by farming. Well, a single mother with two children and financial struggles always make drama rise over any other elements of any genre. There could have been more interesting moments related to locust horror, or at least have some connection to science fiction. The characters and their relationships are also not that much explored, especially that of the daughter who could have had some life at the campus, even if not a positive one. It is certainly not what you expect when you go to watch the film, and the ending is also not that strong by any means. You can see some horror ready to go through the rails, but there is never the green flag, as we see a hesitation to let it go, while the movie slows down and drags at times.

Performers of the soul :: Suliane Brahim handles the role of the widowed mother in grief, trying to make her business do better, quite well. The attraction and the later obsession to the locusts which are shown by her, has something unique about it, even though it should have had more terrifying images than she presenting her body to feed for the insects in between – imagine the amount of horror which just that idea could have brought, but has been missed. Marie Narbonne is a lovely addition to the movie, and she plays the confused younger sister who hopes that things can get better if they leave the locust farm and home attached to it. The melancholy that she goes through is reflected on her face at almost all times, and the way she looks at people even with smiles, reflects a certain amount of sadness. Raphael Romand’s character remains a memorable one too. The one character who stands apart is Sofian Khammesas’s, as he plays the man who is always willing to help, a rare one during this age without faith.

How it finishes :: It is still a thing of wonder that this movie doesn’t redeem itself with thrills and horror when there was so much of an opportunity. While the drama goes on, the other elements lag, even though we feel that it scores a family adventure throughout most of its stages. It is the kind of movie which has the elements to confuse us about the genre in which it stays. One would feel that it could have worked even without focusing on the locusts, and maybe even after replacing them. It would have done fine enough by growing some of the more common things in the farm, as we look at them. On another day, this could be a full-horror movie with insect attacks, a thriller which has a family hunted, or a science fiction flick with mutated insects bringing something further terrifying. But it chooses to focus on the drama, and it suits one kind of audience much more than the others. As we are now in fear of the next mutation of the virus and wonders if everything has to go back to lockdown again, enjoy this one outside the theatres.

Release date: 1st August 2020
Running time: 101 minutes
Directed by: Just Philippot
Starring: Suliane Brahim, Sofian Khammes, Marie Narbonne, Raphael Romand, Nathalie Boyer

<— Click here to go to the previous film review.

<— Click here to go to the previous foreign film review.

<— Click here to go to the previous French film review.

@ Cemetery Watch
✠ The Vampire Bat.