Author Archives: Dr. Tennyson

Black Panther

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What is the movie about? :: A long time ago, as a part of on-going tribal wars in a divided continent, five African tribes fought over a the control of a meteorite which was the source of an alien metal called vibranium, most commonly known to the Marvel fans as one of the materials used to construct Captain America’s shield. Vibranium which was first deposited on Earth by a meteorite about ten thousand years ago, had its variation in Wakanda, which absorbed sound waves, vibrations, and kinetic energy making the metal stronger. It was something that could do more than what the modern science could explain. This variety of vibranium is often referred to as a powerful mutagen, something that could change the genetic material, usually the DNA of an organism and thus would increase the frequency of mutations more than the usual background level. Vibranium exposure did the same to a number of Wakandan natives.

And what is to follow in this particular adventure? :: A warrior who ate a heart shaped herb which was affected by the metal gained special abilities and became the first Black Panther. He united the tribes to form the nation of Wakanda, but that had only four of them as the Jabari tribe chose not to follow this new rule, moving to the mountains. The result was that the Wakandans used the vibranium’s abilities to become highly advanced with their science and technology. But they also chose to isolate themselves from the rest of the world with their modernity hidden within forests. Even after so many years, the outside world thinks about Wakanda as a third world country which is very much short of resources, but doesn’t trade with the outsiders or ask for help because of their pride and inability to combine their older and darker world with the new one.

And what else is to come? :: Following the events of Captain America: Civil War and the death of his father, the king, T’Challa (Chadwick Boseman) returns to Wakanda to claim the throne as the eldest son. The commander-in-chief of the Wakandan army Okoye (Danai Gurira), T’Challa’s ex-lover Nakia (Lupita Nyong’o), his mother Ramonda (Angela Bassett) and younger sister Shuri (Letitia Wright) are the happiest ones to see him as the new king. At the ceremony, the Jabari tribe’s leader M’Baku (Winston Duke), a mighty warrior challenges T’Challa for the throne of Wakanda, but is defeated in ritual combat – a battle in which he finally accepts defeat after T’Challa requests him to surrender lest the fight would only end with his death. But that would only begin trouble for T’Challa, for Wakanda needs more than just another king who kept continuing the tradition of the tribe for such a long time.

And then there is the case of trouble :: The first thing that he felt the need to accomplish after becoming the king was to find and bring to justice, Ulysses Klaue (Andy Serkis), a black-market arms dealer and smuggler who had access to vibranium and knows the secrets of Wakanda. But on their path stands CIA agent Everett K Ross (Martin Freeman), who takes Klaue into custody, much to the dismay of the new king and his team who need to fulfil their promise by bringing the man to Wakanda’s justice or death. Meanwhile, an American black-ops soldier named Erik Stevens (Michael B Jordan) is after the throne, and he has a twisted past with Wakanda. He would try to make T’Challa pay for what his father had done, and also to make sure that his race could become the rulers of the world. What can the new Black Panther to do stop the man who has had only one mission in his life since childhood?

The defence of Black Panther :: As one would have expected after watching Black Panther in Captain America: Civil War, the big strength of this flick remains the action sequences. There are some nice visuals of the new world in here, and we get transported nicely there. The final one hour of the movie is where this one picks up to become something interesting, as in the beginning stages, there was a certain amount of struggle. The movie has a pretty good cast which gives enough for it to keep going, but the pick of them all are Michael B Jordan who plays the villain with a purpose, the nice moments from Martin Freeman and all that Winston Duke brings as M’Baku, even though he is not present throughout the flick. Then there is the idea about the oppressed becoming the oppressor, and trying to have revenge on the next generation of those who had oppressed them years ago – it is certainly not the way, as it is nicely shown in the movie.

The claws of flaw :: There is no denying the fact that the expectations were so high with this movie that it is quite difficult to satisfy almost anyone who is watching this movie. You also have to wonder which kind of superhero movie gets this many good reviews – you will notice that this one is certainly not better than the last Marvel movie, Thor: Ragnarok. Sometimes, you feel that the reasons why this movie is often praised are not really what should be used as the positives regarding the flick. It could have dealt with the theme better, without doubt – the scope was more with this one compared to any other superhero flick. The story also has nothing new as it goes through the expected path, and even though there was the chance, there is absolutely no surprise here. Some of the costumes are rather strange, and the world itself could have used better attention. The funny side as well as the thrills are not able to get hold here either. The romantic side is certainly bad.

How it finishes :: The 3D didn’t have much to offer in this movie. But the movie becomes another interesting superhero movie with one more hero having the background origins story set. It doesn’t have its elements matching the previous Marvel movie, Thor: Ragnarok which was ahead in almost every department, from action and visuals to the funny side. Despite the critics being rather prejudiced in supporting this movie, it hasn’t created that much of an interest among the common audience like those Captain America, Spider-Man, Iron Man, Thor, Deadpool, Doctor Strange & even Ant-Man movies would do for Marvel. But with that nice work in Captain America: Civil War, and with this tale of Wakanda already set and begun, we can expect to have more from Black Panther. With that nice finish in the end, there is surely more needed for us, and lets hope that the character would deliver more in the upcoming movies.

Release date: 16th February 2018
Running time: 134 minutes
Directed by: Ryan Coogler
Starring: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker, Andy Serkis

<— Click here to go to the previous review and even further.

@ Cemetery Watch
✠ The Vampire Bat.

Hey Jude

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What is the movie about? :: Dominique Rodriguez (Siddique) and Mariya Rodriguez (Neena Kurup), are living a pretty good life with their children Jude Rodriguez (Nivin Pauly) and Andrea Rodriguez (Apoorva Bose) at Fort Cochin. They trace their lineage a long way back, as one of the most respectable Anglo-Indian families at the place. Dominique runs an antique shop nearby, and his skills in doing business depends on his ability to lie so well that he makes a usual thing a symbol of Dravidian world or the last piece of a part of Indian heritage that is not found anywhere else in the country – he sells them at high prices to unsuspecting foreigners who have a strange fascination for the orient, the fine pearls of the East, especially of India. But his son Jude is just the opposite, never able to lie, but more intelligent than anyone else around; at the same time, he completely lacks in any kind of social skill.

So, what happens with the events to follow? :: Jude has no friends in the city, and his co-workers make sure that he gets fired from his job at a hardware company. He spends his time collecting pictures of different aquatic animals – he has all the information about ocean’s creatures, and loves clown fish, jelly fish and gold fish and his dream is about owning a big aquarium one day. While his parents are worried about his future, his sister finds no hope in him, as he wishes to have food at the exact same time every day, and eats only the same food items all the time. He has a list for almost everything in his life, and talks to his video camera about each day about his thoughts. Twenty eight years old and being different from everyone around him, he has a tough time going through each and every day of his life. But he is not ready to accompany his father with the work.

And what follows next in the adventure? :: When Dominique has to travel to Goa to attend a funeral, things change. He has to take Jude and Mariya with him on the journey, leaving Andrea in charge of the antique shop. There, it turns out that Dominique and Jude have inherited everything which was owned by the dead person who had special love for the distant relatives. Now, the problem that Domique faces in selling the newly acquired property and traveling back to Cochin is Sebastian Chakraparambu (Vijay Menon) who lives with his daughter Crystal Ann Chakraparambu (Trisha Krishnan) in the outhouse which cannot be cleared as the building was rented for a period of five years. Dominique comes up with some plans to get rid of the new neighbours, but nothing works. At the same time, Jude and Crystal become good friends, but both have their own troubles in facing life.

The defence of Hey Jude :: From the first moments itself, you are sure that this is that kind of a light-hearted entertainer with messages for life, which will be developing slowly and steadily as the movie progresses. Hey Jude can be considered as the simplest and the most entertaining movie from the director who has known to provide us with strong philosophical side to ponder about. The humour is a clear winner in this movie, as it keeps dropping in all the time. All the characters in this movie are funny in one way or the other, and things never go out of control to bring a possible dark side. The funny side has us more and more interested in the proceedings, and with the grand visuals of Goa, all becomes good for this movie. The music is pretty good, and as it has been talked about, this is a lovely tale of love, self-discovery, healing and transformation. It gets into the list of inspirational movies which have made the big impact in the industry – we see the support for people to be who they want to be.

The claws of flaw :: The movie is kind of longer than one would have wanted it to be. Then, those who wanted Shyamaprasad to go into those deeper human emotions and situations are going to feel the need for more. One can feel that there has been the effort to make things a little too simple – it was surely not needed considering how far our audience could evolve from the time the first movie of the same director released. The movie could have also ended smarter and without a quick full stop. If you don’t like movies like North 24 Kaatham and Mili, and are unable to connect to the protagonists of those movie, you would have the same trouble here – well, some so called perfect people will always have problems with these kinds of characters, as they jump right out of the firmament with stored thunder in mouth; this one is not for that kind of people born with silver spoons and even golden forks in their mouths.

The performers of the soul :: Nivin Pauly surely has the most divergent as well as different character that he has had to play in his whole career, and he could manage the same with great skill. Meanwhile, Trisha makes her Malayalam debut here, and she does that with ease – it is surely surprising that it took her such a long time to be here, but as she is here, it is all good. Well, she has played a Malayali girl in Vinnaithaandi Varuvaayaa, making this not the first instance of being part of such a character. Siddique plays the father figure again, as we see him at his best just after watching him in Aadhi in the role of a responsible father – this one is actually more challenging, and his work is light-hearted as well as interesting. Neena Kurup is there throughout as the mother figure, and it is nice to see Apoorva Bose back in action; she was being missed. Vijay Menon plays a funny as well as powerful character present throughout the flick. Aju Varghese has a nice, funny cameo to his credit.

How it finishes :: Shyamaprasad is the one director whom we know the most for adapting the American classic expressionist play, The Glass Menagerie by Tennessee Williams for the Malayalam audience, and doing that with such skill, that Mahatma Gandhi University has included it in the paper, Comparative Literature for the final semester BA English students. Arike, which signified the exact opposite meaning to Akale, was another beautiful flick with its quest for love. Ivide with its quest for identity and reflecting rootlessness, was also with philosophical undercurrents. But Hey Jude is rather direct in all that it reflects on the screen, and it can be considered as the most light-hearted as well as the funniest movie from the director with messages to go with it. If you liked movies like North 24 Kaatham and Mili, I don’t see why you won’t watch this one with family.

Release date: 2nd February 2018
Running time: 146 minutes
Directed by: Shyamaprasad
Starring: Nivin Pauly, Trisha Krishnan, Siddique, Neena Kurup, Vijay Menon, Apoorva Bose, Aju Varghese (cameo), Shyamaprasad (cameo)

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Street Lights

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What is the movie about? :: There is a burglary occuring in the city, and the two thieves are being chased by security guards, only to be saved by a third man who is part of the gang. The three men are revealed to be the confused Sachi (Hareesh Perummana), clueless Raju (Dharmajan Bolgatty) and the angry, violent Murugan (Stunt Silva) who is determined to get what he wants in any way possible. They have stolen a diamond necklace, which might be the key to making their life better, and maybe perfect enough to ensure an eternity of wonderful existence. Simon Mundackal (Joy Mathew) who is the owner of the diamond necklace, is afraid to go to the police as the necklace is made from unaccounted money, which makes him call his nephew who is a police officer, James (Mammootty) – a man known to have his special skills in solving difficult cases.

So, what happens with the events to follow? :: James has no problem in taking over this case, as he is known to have a history with Murugan, a criminal from Tamil Nadu’s Theni who has escaped to Kerala. He keeps only his most trusted people from the force with him, keeping the investigation personal and far away from the force’s knowledge. This search for the five crore worth of necklace begins with the one mobile phone which the thieves left at the house, but the journey forward is not that smooth for them, with James’ trusted officer Issac (Rony David) getting injured while fighting Murugan. The three thieves got their own safe houses in and around Cochin, and even when they are not to be found in the city, they have their presence. But they do make one mistake while hiding the diamond necklace, and Raju has the credit for the same.

And what follows next in the adventure? :: Their complicated adventure collides with the normal life of the people of Vypin and other places close to the city, and things begin to undergo changes for all of them. Remya (Lijomol Jose), her cousin and childhood friend (Soubin Shahir) who is in love with her, a child in her neighbourhood, his father who is connected to the thieves, and others are forced into the world of policemen and thieves, which has only one diamond necklace as the means to solve everything. There is also a flashback or many of them related to how everything begins. But the question remains if Murugan and his friends can be caught, and whether the diamond necklace can ever get back to Simon who is waiting for the same – well, you will never know, as there are some twists ready to happen.

The defence of Street Lights :: There is certain suspense about how things are going to come together, and things get nicely uncovered, and we have them joining well enough to make a point as we march towards the end. There is also a balance regarding importance given to the characters, as a number of roles seems to have the same significance in how things keep happening. The characters are more or less like the street lights, making their presence felt by lighting up moments – some are surely brighter than the rest, but all are working unlike in some parts of our world. Even those characters who come only in one scene have enough in them to be memorable. There is the mixture of comedy, thrills and twists that go on well, even though none of them gets to a level which makes the whole thing truly remarkable. The comic side brings the balance, you have almost all genres except horror looking right into this movie which is kept short for our interests.

The claws of flaw :: The final moments of the movie seem to be forced. One has to wonder why there had to be the need to bring the hero and the villain face to face, to get the protagonist to beat up his opponent with ease, when everything has been going in a rather realistic manner. The heroism with sunshades, slow motion and the stylish vehicles just seem to be added for the sake of having them there. A tale of the common man gets lost in this need to go unreal at times. A few predictable moments could have been avoided, and the focus should have been more with the child and the romantic tale, with the police-criminal moments being restricted. The final moments showing the greatness of the protagonist is rather dull, and a near perfect police officer is mis-fit for this kind of a realistic tale of the common people we see around.

The performers of the soul :: Mammootty plays the hero in this tale of other people, and he has no problem in playing this character which brings no challenge – it is just the usual stereotype of a police officer surrounded by characters full of life. Here, he brings the needed the charm, and surely strengthens the movie as the star. Lijomol Jose and Soubin Shahir have their own moments in this one, and there is fun around when they are around, with a certain amount of cuteness to go with the same. Hareesh Perumanna and Dharmajan Bolgatty are the two to provide the best of comedy though, as they bring something or the other all the time without hesitation. Stunt Silva does make a perfect villain in between, and we can see the evil side coming out of the veil, as we see the villainy which gets darker, revealing the strength of that darkness. Adhish Praveen is wonderful throughout the movie, and Gayathri Krishna’s shorter presence has our attention.

How it finishes :: Street Lights is not what many people might have expected, but its core tale of common people that we have been in need. If the so called action side was removed, it could have been a thriller with Maheshinte Prathikaaram or Thondimuthalum Drikshakshiyum model comic side. It never really matches them in totality, but Street Lights does manage to bring its own identity around here. Among the movies which go on doing the same thing again and again, this one does try to go a different path, particularly with one side of its story, and we can appreciate the same. It is with the same thing that Street Lights differs from Masterpiece – there is an idea here which is divergent in its core, and there is the attempt to experiment at certain points. Well, we can safely say that the street lights bring enough to get rid of the darkness here.

Release date: 26th January 2018
Running time: 129 minutes
Directed by: Shamdat Sainudeen
Starring: Mammootty, Gayathri Krishna, Lijomol Jose, Soubin Shahir, Joy Mathew, Hareesh Perumanna, Stunt Silva, Dharmajan Bolgatty, Rony David, Jude Anthany Joseph, Sudhi Koppa, Motta Rajendran, Neena Kurup, Adhish Praveen, Sohan Seenulal, Rajasekharan

<— Click here to go to the previous review, and the opinion before that.

@ Cemetery Watch
✠ The Vampire Bat.

Aadhi

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What is the movie about? :: Aadhitya Mohan a.k.a. Aadhi (Pranav Mohanlal) is the only son of Mohan Varma (Siddique) and Rosakutty Mohan (Lena) who eloped from home, going for that intercaste marriage which nobody supported. As their only son, he manages to gain all the support that he can get from the parents, as he has taken two years break from studies and work to pursue his dream of becoming a music director. A case of infatuation for the girl next door Aneetta (Krittika Pradeep) and trained in the obstacle course training of parkour, there are so many other options for him in life, and yet he wishes for just one thing in life. But it doesn’t go on well, as his efforts in music go unnoticed. Because of the same reason, he decides to go to Bangalore as adviced by his best friend Nadhir (Krishna Shankar). There, he is supposed to perform in Fox Club, where will get the attention of prominent personalities from cinema industry.

So, what happens with the events to follow? :: Even though almost everything seems to work according to the plans, things get complicated when he meets his old friend from school, Anjana (Aditi Ravi), and ends up having a confrontation with Jayashankar (Siju Wilson) who is the bodyguard of the city’s most respected and feared businessman Narayana Reddy (Jagapati Babu). In between all of this which occurs at the top of the multi-storeyed building, the son of Narayana Reddy ends up being thrown all the way down, thanks to one heated approach by Jayashankar – Anjana is the only witness out there. Now, it turns out that Jayashankar has to hide all of these, and for the same, there is only one option left for him – finish off Aadhi, and for the same, there is full force of an angry Narayana Reddy as well as the police and politicians who are on the corporate payroll.

And what follows next in the adventure? :: With Narayana Reddy stopping at nothing to finish off the young man who killed his only son, and along with Jayakrishnan, Reddy’s right hand Siddharthan (Tony Luke) also joins the party – Aadhi can do nothing, but keep running. The goons sent by Reddy also reaches Aadhi’s home, and every route out of Bangalore is blocked by the police and his teams of goons. With five lakhs on his head, there is the need to run until he meets Sarath (Sharafudheen), Mani (Meghanathan) and Jaya (Anusree). The three also got their own problems with Narayana Reddy and his people, which makes them think about giving him a chance to escape. With the help of the technical expert Ebin (Tony Luke), they think about changing the equation, but is there really a chance to at least get close to escaping? Is there a weakness which they can exploit?

The defence of Aadhi :: There is the use of parkour, the activity in which you move around quickly in an area, getting through obstacles by running fast, jumping, climbing, rolling, swinging, sliding, and all ways possible – most of us have seen it in Paul Walker’s penultimate movie, Brick Mansions as well as the 2004 French film District 13 on which it was based. These scenes are very nicely executed by Pranav, and the same is never exaggerated. There is certain smartness related to how the action sequences are executed in this one, a quality which was missing in a good number of superstar movies in the last few months, most notable one being last Decemeber’s Masterpiece. There are many thrilling moments in this one, and the emotional side makes an excellent impact too. We also have some twists to come up in the final few moments, as there is more to Aadhi by the end. There are also some funny moments which come in between, which work, even though lesser in number.

The claws of flaw :: There is nothing special in the premise and the tale here though, as we can see that there is the protagonist who accidentally kills the son or brother of an influential person who will not stop until he finds the person responsible dead – this would seem familiar, from decades ago. The same actor played the father who had his son killed in Pulimurugan, and here he losses his son yet again. One can be sure that Jeethu Joseph is capable of more, as the director who brought three different thriller experiences in the form of Detective, Memories and Drishyam. The movie also takes some time to get going, and the family sequences are just ordinary. The cameo scenes seemed to be rather unwanted, with purpose only to get those claps from hardcore fans. The length of the movie could have been lessened to make the whole thing closer to the point. Some of those longer action sequences could have been shortened to make way for separate moments.

The performers of the soul :: Pranav Mohanlal, without doubt, steals the show in this movie, from the first moments of appearance itself, beginning with those expressions and a certain simplicity that runs through. In the second half, with those action sequences to go with it, he takes the whole thing to another level, trumpeting his arrival in a grand fashion. The wait hasn’t been for no reason, as we get the culmination wonderfully. Aditi Ravi and Anusree plays the female leads, but the former has lesser time on screen, and latter has more of the comic side which also has nothing that much to do for her. It is actually surprising that we don’t see that much of the Alamara actress in movies as we would want to have. Lena and Siddique makes good parents, and are in full control of their work with strong emotional side. Sharafudheen has a funny side here too, even though things are more serious this time. Siju Wilson, Sijoy Varghese and Jagapati Babu make the villainous side here, and they remain strong throughout. Siju’s divergence is a smart move. Meghanathan and Tony Luke provide good support.

How it finishes :: The one thing about the Jeethu Joseph movies after Memories, is something which has been common in Drishyam, Oozham and Aadhi – the battle of the middle class against the rich and the influential who are after the blood of the common man. Even Life of Josutty had the middle class struggle in the core. The three could show the middle class struggling and winning against all odds in the form of thrillers. Well, everyone knows Drishyam, and Aadhi actually shows what Oozham could have been, with better execution. With no shortage of thrills, and bringing the needed variety in action sequences in Malayalam, the twists also drop-in to make this better. Well, fans have been waiting for a day this day for a long time, and one can say that their beloeved Lalettan’s son has scored high on his debut, and this is certainly another flick from Jeethu Joseph that you can admire without second thoughts.

Release date: 26th January 2018
Running time: 158 minutes
Directed by: Jeethu Joseph
Starring: Pranav Mohanlal, Lena, Siddique, Siju Wilson, Sharafudheen, Aditi Ravi, Anusree, Tony Luke, Sijoy Varghese, Krittika Pradeep, Meghanathan, Jagapati Babu, Krishna Shankar, Mohanlal (cameo), Antony Perumbavoor (cameo)

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Shikkari Shambhu

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What is the movie about? :: Philippose (Kunchacko Boban) is a thief who works close to two other thieves, Achu (Vishnu Unnikrishnan) and Shaji (Hareesh Perumana). The three had made an attempt to steal a golden cross from a church in Kunnamkulam area, only to fail in the attempt and escape to the highranges. They decide to stay hidden in a remote place, and the news that there is a tiger attack in Kuruthimalakkavu, makes them travel all the way there disguised as hunters. They also have their eyes set on the statue in the village temple which is said to date back long, and is valued at crores. They are welcomed by the group of villagers lead by the Panchayat President Sudhakaran (Maniyanpilla Raju) and the local priest Father Luko (Johny Antony), and are offered five lakhs to catch the tiger. The three feels that this is a big opportunity for them to make some quick money.

So, what happens with the events to follow? :: The three lives in the fear of being attacked by the tiger, and along with their adventure, Achu falls in love with the daughter of the Panchayat President, Revathy (Alphy Panjikaran) who is a college student. At the same time, Philippose has his interest set on Anitha (Shivada Nair), who is one of the more active and stronger women in the area. They do end up capturing the tiger, but it turns out that this doesn’t stop the killings. It won’t put an end to their problems either. So, is there one more tiger that they need to handle? Can another Shikkari Shambu incident of pure luck save them? But even luck has its limits, as the three friends attempt to make one last stand to save the village as well as get the money that they wanted. This is the time for them to find all their courage, but are they up to it? How many people will have to die before they can?

The defence of Shikkari Shambhu :: The movie has the formula that works, right out the movies like Ordinary, which was acceptable to so many types of audience. There is a lot of entertainment in store, beginning with the comic side that runs through, and also the mystery to come to light along with the big twist to arrive by the finish. The visuals are stunning, and it is not limited to the beautiful “mazha” song which has already become the best song of the year without doubt. When you look closely, you see that Shikkari Shambhu is surely better than Pulimurugan, even though that much of a box-office collection is not there to be taken – this one is still more fun, has a better story, and there are cent percent better female characters, along with coming up with better songs and visuals. Well, you begin laughing from the very beginning itself, and when you see that happening in a multiplex in a mall with the family audience, the movie has won the hearts.

The claws of flaw :: The tale could have been better in the middle parts, and there was scope for more with this trio trying to make something out of their stay in a village haunted by wild animals. There is the feeling of the movies like Ordinary, and a little bit of Romans in this one, and you will also think that this flick is a little too long. A bit shortened, this one could have done without some moments. The tiger doesn’t come up well enough to create an impression either. The fact that this movie didn’t have its shows in a number of theatres including Carnival Cinemas Angamaly and Carnival Cinemas Muvattupuzha, was surely a terrible thing, as we can be sure that so many people wanted to watch this movie after being addicted to the “mazha” song which is undoubtedly a pleasure to look out for, on the big screen. A little more care, and this one could have done even better – it could have had the special ingredient and could have attempted a deviation from the usual path.

The performers of the soul :: Kunchacko Boban handle this role with ease, and we remember that he played a thief in his last movie of 2017 too, in Varnyathil Aashanka. This character does work for him very well, and never does he need to try more. The song “mazha” itself seems to be custom made for him, something which makes the viewers immediately interested in the flick itself. Shivada has a fine role here, paired opposite Kunchacko Boban, making this her one more notable role after Su Su Sudhi Vathmeekam. Her character is strong, determined, and with those qualities that surely make this one a different role for her – there is more than what meets the eye to the strength of this particular female character. Vishnu Unnikrishnan, after Kattappanayile Rithwik Roshan, continues to be the boy next door, carrying most of charm into this one too.

Further performers of the soul :: Alphy brings good work in her first full role, paired opposite Vishnu as the movie progresses. She is sure to stay there in the industry with some good roles to come. Hareesh Perumana scores the best in this movie, and you don’t need to think twice before asserting the same. We know that he has always been good, no matter what people will say about a movie as a whole. He has been having a good time in the Malayalam movie industry, and this one has him controlling the funny side, rising above everyone else. The movie’s advantage is that he is there throughout the flick. Two directors Johny Antony and Aji John plays interesting roles in the movie too, and the former provides some fun moments which scores big. Salim Kumar has only a smaller presence as a police officer, but when he is there, the whole theatre has no problem in getting into a laugh riot.

How it finishes :: Sugeeth has had a good run with Kunchacko Boban in the lead, beginning with Ordinary and the last one being Madhura Naranga. With a title that reminds us of the comics character who used to be very special for us, Shikkari Shambhu once again brings us one of the better family entertainers of our times, with the content that is suitable for almost all kinds of audience. After the depressing Daivame Kaithozhaam K Kumaraakanam which claimed to be a family entertainer, but ended up being a miserable copy of ideas from other movies creating a mess, the viewers will find Shikkari Shambhu to be a relief among the flicks which are never really what they claim to be. But Shikkari Shambhu is surely the one movie which you would love to go through more than once for its comedy, which will be a big asset to our comedy channels in the future, unlike Aadu 2 which was surely overrated. I hereby leave you with a lovely song from the movie:

Release date: 20th January 2018
Running time: 140 minutes
Directed by: Sugeeth
Starring: Kunchacko Boban, Vishnu Unnikrishnan, Shivada Nair, Alphy Panjikaran, Hareesh Perumana, Johny Antony, Aji John, Salim Kumar, Sphadikam George, Maniyanpilla Raju, Krishna Kumar

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Masterpiece

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What is the movie about? :: An arrogant Roshan Cherian (John Kaipallil) and an adamant Mahesh Raj (Maqbool Salmaan) leads two rival gangs at the Travancore Maharaja College in the centre of the city. These two gangs, Royal Warriors and Real Fighters fight for domination, with hockey sticks, cricket bats, cycle chains, table legs or whatever they can find, sometimes in the remote corners of the huge college campus, and at other right times, right in front of the students and faculty, much to the dismay of the Roshan’s father, Vice Principal Cherian Philip (Mukesha) and Principal Narayana Kaimal (Sunil Sukhada). There is no shortage of chaos already, but the love story of a Real Fighters member Unnikrishnan (Gokul Suresh) with a girl named Vedhika (Mahima Nambiar) from the nearby college makes things even worse. They soon find the dead body of Vedhika in the college premises, and first suspect for the crime is Unnikrishnan who is arrested.

So, what happens with the events to follow? :: Soon, Unnikrishnan is found hanging inside his cell in the police station, and things get worse. A.C.P. John Thekkan I.P.S. (Unni Mukundan) who was leading the investigation lands up in the hospital after college students attack the police, and S.I. Ramakrishnan (Kalabhavan Shajohn) is suspended after being held responsible for the death of the student. There are wide protests in the city by student organisations which take over the whole thing, and as Vedhika comes from a reputed and rich family, and is the daughter of an influential politician, pressure mounts on the officials, and a new team lead by A.C.P Bhavani Durga I.P.S. is brought to action. With John Thekkan expected to return and join the team soon, the group decides to take quick and firm action against the possible culprits before new orders come from the top again.

And what comes next with this murder mystery? :: After questioning the peon of the college, Sankarankutty (Santhosh Pandit), canteen in charge Maniyan (Saju Navodaya) and helper Reji (Bijukuttan), the police comes to know that Roshan had alcohol mixed in Unnikrishnan’s drink making sure that he wouldn’t get to meet Vedhika who was waiting for them at the beach, where she was last spotted. Roshan becomes the suspect, and the police tries to enter the campus to arrest him, only to be stopped by protesting students, with the exception of Real Fighters who welcome the move to arrest the leader of Royal Warriors. As police and students fight inside the campus, the new English professor arrives to take charge – Edward Livingstone (Mammootty) who has a record of police cases for himself. He decides to change the whole setup in the college, and re-unite its students, as police looks for the murderer.

The defence of Masterpiece :: It is after Mammootty arrives that this movie gets better, as the latter part of the movie is surely better. There will also be a lot for the fans, and that is for sure – as I skipped the early fan shows and watched the movie with normal hardworking people, there was no focus on those mass scenes in the theatre. The suspense is maintained till the end, and the revelation awaits at the final moments. Just like Aadu 2, this one is for more the fans, and the other categories of viewers will find only limited impact. The festival mood of this holiday season is also maintained in this movie. This leaves no surprise about how well the movie began at the theatres, as the first of the many flicks of Christmas including Mayaanadhi, Vimaanam, Aadu 2 and Aana Alaralodalaral. Well, it is always good to go back to the campus isn’t it? And nothing better than a murder mystery in a college campus to provide a grand entry for the hero who is all prepared to go invincible and immortal in a world of cheap mortal humans.

The claws of flaw :: You will find Masterpiece to be too similar to Mohanlal starrer Velipadinte Pusthakam, but the mass elements are rather too much in this one. A college professor with a complicated past coming into a college where students battle each other as part of two separate gangs with a murder behind – just the same idea that you had seen on the big screen earlier. The shots of hero throwing the goons to the Mahindra Scorpios parked there, destroying the vehicles too easily will have the makers of the vehicles wonder what would happen if a Scooty is to hit them in the middle – will the SUV be split into two then? Then there is a modified vehicle which goes through walls – are they promoting this vehicle against Mahindra? Is that a foreign-made SUV that is declared to be better than Mahindra SUVs? The hero also throws a heavily built villain around with one hand a little too many times, and the movie could have done without these scenes. In this too long a movie, the jokes are less effective and there is confusion about where it is going. Slow motion is used badly as expected.

The performers of the soul :: It takes just above an hour for Mammootty to come in, and it might be because of the presence of too many characters that it takes so long. It is after he arrives that things begin to get interesting, as he immediately makes the impact as the college professor. The two female characters who are there till the end, Poonam Bajwa and Varalaxmi Sarathkumar got not much to contribute, playing stereotypes. Mahima Nambiar gets better but the character goes dead. Unni Mukundan has to go a little too much towards the stylish side, but has our attention. Kalabhavan Shajohn is someone who never struggles in this one, as a cop suits him so well just like in Oppam and Drishyam. Gokul Suresh did believable work here. John Kaipallil and Maqbool Salmaan were good playing what Arun Kurian and Sarath Kumar played in Velipadinte Pusthakam. Saju Navodaya brings some comedy here and here with Bijukuttan, but not that much as we would expect. Captain Raju brings some laughs, even though we see more going over the head.

How it finishes :: The movie is something which seems to be exactly opposite what the title says. Masterpiece is exactly what this movie isn’t, but if we separate the word into two, and say “Master in pieces”, that would be more appropriate. But as Velipadinte Pusthakam itself was, this is not really a terrible movie. There is something here and there for the fans, and we know that the core idea had more potential. The hero worship in this movie is exactly what brings this movie down – it is always the superstar’s fans and their needs that brings a wonderful actor down, as it is proven on so many occasions. We need to forget a few moments defying gravitational force along with slow motion, and some unnecessary dialogues about respecting women without meaning the same when there is no need, and we have one twist awaiting us in the end, and a villain whom we least expected. As a thriller, the idea at the base is surely good, but we have to often wonder at the final product.

Release date: 21st December 2017
Running time: 160 minutes
Directed by: Ajai Vasudev
Starring: Mammootty, Unni Mukundan, Poonam Bajwa, Varalaxmi Sarathkumar, Kalabhavan Shajohn, Mahima Nambiar, Megha Mathew, Lena, John Kaipallil, Mukesh, Gokul Suresh, Maqbool Salmaan, David John, Santhosh Pandit, Kailash, Nandu, Divya Pillai, Sunil Sukhada, Arjun Nandhakumar, Saju Navodaya, Thesni Khan, Divyadarshan, Ameer Niyaz, Bijukuttan, Shivaji Guruvayoor, Udaykrishna, Renji Panicker, Manikkuttan, Anjali Nair, Captain Raju

@ Cemetery Watch
✠ The Vampire Bat.

Aadu 2

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What is the movie about? :: The team of Shaji Pappan (Jayasurya) go on with the journey after the events of the first film. Their world hasn’t really gotten any better, as they keep struggling to find the money to keep their club, and once again their option is to participate in the tug of war competition. With the Pinky episode closed both with the girl and the goat, Pappan just continues to have his back pain, but leads his team to victory in the competition, only to have his golden trophy stolen by the rival team lead by Anali Sabu (Anson Paul). Meanwhile, S.I. Sarbath Shameer (Vijay Babu) manages to get back to service after begging the new Home Minister of Kerala, P.P. Sasi Aashan (Indrans) to have his uniform again. He decides to keep his eyes on Shaji Pappan who had thrown the former S.I. of the station into the dam reservoir, and prove to everyone that he is an even better police officer than he used to be.

So, what happens with the events to follow? :: At the same time, Damodaran Unnimakan Delmen Edakochi a.k.a. Dude (Vinayakan) is having an even more terrible time, working at a restaurant, and with his friends and the new comrade Dragon Paili (Nelson) is planning something huge, without being depressed of his failure – he is ridiculed by the owner of the restaurant, but he is waiting for his opportunity to get back to what he does the best. Satan Xavier (Sunny Wayne) surely has better times with the help of Kanjavu Soman (Sudhi Koppa) and Battery Simon (Bijukuttan) who work for him at small wages. But their world along with that of a criminal mastermind, a villain known as Shetty (John Kaippallil) are to come together soon, with that day on which five hundred and one thousand rupee notes ceased being legal tender. It would begin a series of blunders and confusion that would lead to a twist of fate for some.

The defence of Aadu 2 :: After Aadu Oru Bheekara Jeevi Aanu disappeared from the theatres, people have been slowly trying to like it, and there has been a lot of talk about the same – for them, this would prove to be a nice treat, as they have all wanted it a lot. There are some funny moments in here for sure, and they come and go. The beginning with the introduction of the protagonist, and the return of the police officer to duty are all good, making sure that the sequel starts well. The music and visuals are all pretty good, and there seems to be more and more of an effort to make the youth appreciate it rather than an individual or the family. From a reviewer’s perspective, this movie would come only under Midhun Manuel Thomas’s each and every other work – Annmariya Kalippilaanu, Alamara and Aadu Oru Bheekara Jeevi Aanu are better than this. But you know that it is not the thing which always counts, but on the other side, we know that more people liking or pretending to like a movie to go with the crowd doesn’t make it a better one.

The claws of flaw :: There is not that much of fun in Aadu 2 as it was there in its prequel. It falls short there, and also the story itself is not that interesting. The limited number of working jokes is rather a sad thing. The excuse in favour of this movie might be that it is meant to be nonsense – but even making quality nonsense requires better thinking, and when we look at this movie, that part has come down a level from the first movie too. There are so many ways of making a funny thing work, and whether it is funny in a smart way or if it is nonsense, the thing has to work. Here, Aadu 2 has the nonsense which struggles to be funny even as nonsense, and that is a crime, which is repeated a number of times. Also, even a dumb story can be smart in how it is made to seem ridiculous. This one falls short of its predecessor in doing the same too.

The performers of the soul :: Jayasurya leads the way as expected after another sequel, Punyalan Private Limited, playing the character that nobody has refused to like. There is no surprise about the fact everyone wishes to see Shaji Pappan again – even I remember that entry that he had in the first part; there is not that much of an entrance here that we will keep remembering, but we love him anyway, as the one character who seems to be part of us in one way or the other. Vinayakan’s Dude could have used even more screen-time, as among them all, the man makes us laugh the most – almost everything from him works, unlike some of the other characters that got to struggle to keep up with the standards set in the first movie. Vijay Babu is in full form with this character which he seems to hold close, and with the support of Noby Marcose, he gets to score with nice moments. Indrans has his presence limited, maybe due to the absence of the sidekick character – and that is disappointing too.

Further performers of the soul :: One can’t help noticing the absence of two of the characters that made the best impact in the first part, played by Chemban Vinod Jose and Sandra Thomas. The former’s moments which are widely used in memes for trolls and latter being a reflection of a certain group of people who prefer animals to men, are clearly missed in this flick, and Chemban not being found here is a bigger surprise. Sunny Wayne’s character, despite being a big name again, never really gets to get bigger. The big team of the protagonist including Saiju Kurup, Dharmajan Bolgatty, Bhagath Manuel, Vineeth Mohan and others won’t make that big impact this time, as they also struggle to live up to what they did in the first movie, with some jokes here and there. Sometimes, irritating moments do come in as if they are jokes, and the characters just manage to play with the same. Well, fans will just find awesomeness in everything and abuse, but we can’t, can we descend that low?

How it finishes :: The first movie, Aadu Oru Bheekara Jeevi Aanu, was kind of late to gather all the positive opinions, as it had failed at the box-office, and didn’t make much an impact with the critics of that time. This one has picked up due to the fans going in favour of it, and youth taking it as their duty to support it. But in the end, you will find that it is not that funny, and there is a lesser effect here than what was created in the first movie. It is enjoyable in parts, but as a whole, the first movie was surely better, and it also had a better effect on us, as it was something that felt new. But here, we see a movie which seems to try to repeat the same thing without trying anything better or new. It is the curse of the sequels that has caught this movie, and we know that sequels are rarely better than the originals – well, this one is no exception. Well, if you are not going to think about any of these, and desperately wishes to watch the second part, just go for it. After all, it is Christmas, and the festival season and holidays can use some meaningless fun. It is surely why it is more difficult to get tickets for this one than its competitors Vimaanam, Mayaanadhi, Aana Alaralodalaral and Masterpiece.

Release date: 22nd December 2017
Running time: 160 minutes
Directed by: Midhun Manuel Thomas
Starring: Jayasurya, Sunny Wayne, Vijay Babu, Saiju Kurup, Dharmajan Bolgatty, Bhagath Manuel, Vineeth Mohan, Harikrishnan, Noby Marcose, Aju Varghese, Vinayakan, Indrans, Sudhi Koppa, Anson Paul, Srinda Arhaan, Nelson, Bijukuttan, Gopesh, Mamukoya, Baiju, Irshad

@ Cemetery Watch
✠ The Vampire Bat.

Vimaanam

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What is the movie about? :: Venkateswaran a.k.a. Venkidi (Prithviraj Sukumaran), a man with hearing problems, is the latest recipient of Padma Bhushan for his grand achievements in the field of Aeronautics. But it turns out that he has a past which is deeply set in emotions. As he travels back to his hometown in Kerala from Delhi despite the warnings of his good friend Elias (Major Ravi), his flashback is revealed. It goes back to that time when he was going through his school days. From then, there was only one thing which interested him, and it was all about flying. His desire to fly got him to a bigger need, to build an airplane, inspired by Roger’s (Alencier Ley Lopez) tales about how the first flying airplane was invented. He grew up dreaming about the same, and not being interested in studies much, despite being an excellent student. There is someone who had supported him all the time, and continued to do so; that would be Janaki (Durga Krishna), his childhood friend who plans to join MBBS – they have been in love for longer than they can remember.

So, what happens with the events to follow? :: As Venkidi is half-Christian and half-Hindu, the possibility of their love story becoming something that would be approved at Janaki’s home, is very less, despite him following the same Hindu traditions. But their love continues to grow, and causing trouble for the romance is Anand (Saiju Kurup) to whom Janaki’s father hopes to marry her off, as his family is rich and settled in Singapore. Meanwhile, with the help of Janaki, Roger and his favourite uncle (Sudheer Karamana), Venkidi keeps trying to fly his new machines, none of which manage to rise from the floor. The whole village makes fun of his attempts, but he is not the kind of person who would back down. During difficult times, Venkidi and Roger, with the help of Janaki, steals an engine, which does help them to fly, but flying won’t be enough to get the lovers together in a society which looks for more than just that.

The defence of Vimaanam :: The movie tries to be another inspirational movie in Malayalam, and adds to that long list of similar movies which have tried to do the same, a few being Mili, Su Su Sudhi Vathmeekam, Rani Padmini, Udaharanam Sujatha, My God and Aby. Yes, the inspiration to achieve the dreams which have been there for long, is right there. It achieves the same, and makes one feel the power of dreams, not just with the dream of the protagonist, but with that of a shared dream, which gets its significance by the end – as some people would say, that one’s dream is not his or her alone, as it is shared by all those who are beloved. The love story scores more due to the songs, as this flick undoubtedly has some delightful songs, as do its romantic competitor, Mayaanadhi. Well, this one uses subtitles whether it is English or Hindi, and it is something which people related to Mayaanadhi couldn’t do for Tamil. The visuals are also good, and the setting of this movie is something which is capable of achieving a lot more than what we can see on the big screen.

The claws of flaw :: We can see that a simple tale based on real-life people has been exaggerated a lot rather than keeping the simplicity in place. Vineeth Sreenivasan starrer Aby, which released in February this year also dealt with the same thing, about its protagonist trying to make an airplane and fly, fighting against all odds. A number of people might have felt that this is more of a repetition, with bigger budget, and more familiar cast. But the fact remains that Aby was a much simpler story, and it had some light moments of fun to go with it; this one lacks the same. You remember the Jomonte Suvisheshangal becoming the repetition of Jacobinte Swargarajyam, and the same is the case here, causing Vimaanam not to go that high as it could have. The romantic side of this movie, and the incidents surrounding the same, are also the same old wine in that bottle which was available in the market from February itself. There is absolutely no attempt to make this one special, even there were so many chances in there, and the result is a certain predictability with drag in between.

The performers of the soul :: Prithviraj Sukumaran comes up with more here, as we see him in another avatar, unlike his recent adventures of the year, Ezra, Tiyaan and Adam Joan. Among the young stars, he has been the one with the most variety in his roles, and with Vimaanam, there is nothing there to compared with his previous roles of 2017. Vimaanam‘s role is rather easy for him, compared to the other three characters which he had played in the year, which included a troubled man tackling a Jewish creature of pure darkness, a former gangster turning into a mystic and a father hoping to find his kidnapped daughter who might be in the hands of Satan worshipers – even the movie before that, Oozham had him seeking vengeance; in comparison, this one brings no challenge to him. As he has played character from real life with charm, significant examples being Celluloid and Ennu Ninte Moideen, you know what to expect when he is out there.

Further performers of the soul :: When we look at Aby and this movie, we keep looking for something new, and that new element is Durga Krishna, the debutante actress who brings cuteness and energy to the flick, in a performance which is certain to bring her more roles in the future. The character might feel single-dimensional, and cent percent predictable in a world itself having no surprises, but her work makes the same work for the audience. Alencier Ley Lopez is certainly the man to look out for in the movie, as this character seems to be so well suited for him. Sudheer Karamana is not far behind in that case either, for he was against flight in Aby, but is with all support for his favourite boy’s flight in this one. Eric Zachariah who plays Prithviraj’s childhood has one delightful performance for us, which would prepare us for what is to follow, a wonderful child actor there. Anarkali Marikar has a smaller role, but it is nice to have her there after Aanandam. Lena and Saiju Kurup are good as usual.

How it finishes :: Vimaanam is a movie which was much talked about for a long time. Even as Aby had overtaken the movie with its own protagonist trying to make an airplane and fly like Jacobinte Swargarajyam did before Jomonte Suvisheshangal, this one was something which kept the audience’s interest alive due to the presence of Prithviraj Sukumaran in a different look. But you will find that even with its cliched characters and melodrama, Vimaanam has managed to fly, and battle Aadu Oru Bheegara Jeevi Aanu 2 which has been the youth favourite even before it had released, and even with Mayaanadhi, Masterpiece and Aana Alaralodalaral there with Tiger Zinda Hai, this flight is also catching our attention. It is more or less a reflection of the noble intentions of a movie which is hoping to inspire more and more dreams in a world of chaos. Vimaanam might be the one right family movie for Christmas, catering to the needs of the full family outing, unlike the rest of the movies which are focusing on selections.

Release date: 22nd December 2017
Running time: 147 minutes
Directed by: Pradeep M Nair
Starring: Prithviraj Sukumaran, Durga Krishna, Alencier Ley Lopez, Lena, Sudheer Karamana, Saiju Kurup, P. Balachandran, Anarkali Marikar, Major Ravi, Nandhu, Master Eric Zachariah, Ashokan, Tesni Khan, Liya Anu Varghese, Baby Durga Premjith

@ Cemetery Watch
✠ The Vampire Bat.

Mayaanadhi

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What is the movie about? :: A young man named John Mathews a.k.a. Mathan (Tovino Thomas), hailing from Perumbavoor, is in love with a girl from Kakkanad, Aparna Ravi a.k.a. Appu (Aishwarya Lekshmi) who studied as his junior at the engineering college outside the state, both not gaining much from the professional course. Mathan gets caught in a series of events that lead to the death of a police officer while he was trying to escape. While the Tamil Nadu police is looking for him, he gets back to Cochin in an attempt to find Aparna who is trying to make it big with the help of her friend Sameera (Leona Lishoy) who is a big name in the movie industry. Aparna couldn’t make much of a progress with her life, as she has been doing different jobs following dropping out of her Engineering course. Her relationship with Mathan is strained due to the fact that he didn’t return the money which she had borrowed from her friend, and she feels that he took advantage of her trust.

So, what happens with the events to follow? :: As policemen from Madurai chases him to Kerala for vengeance for the death of their colleague rather than anything else, Mathan is trying to get a visa to the Middle East, and hopes that he can also take Aparna with him. Irritated by the attitude of her mother towards her, and failing in auditions, Aparna is in no mood to forgive Mathan, and seems to have no time to get back into a relationship. With revenge-seeking policemen on his trail who would be happy with nothing less than his encounter, can Mathan, with his simple ways, escape to the Middle East with the love of his life without whom he doesn’t want to run? Can Aparna make something out of her never-ending adventures related to cinema and modeling? Does fate get to play the final twisted role in this tale as it does in most of the love stories?

The defence of Mayaanadhi :: As this one brings a new love story of this age, the melodrama never finds a seat. There is a realistic approach in this movie, and we never really gets tired of the same, even when the movie seems to get slow in between. We see how much people need each other, when things get better, or when they get terrible. The protagonists are two people who have struggled with their lives, and their world is something which is not difficult to relate as we understand their circumstances. The music is really good, and there is “Uyirin Nadhiye” which will grab your attention and stay in your mind for long. There are some jokes in there too, but there is the overall sadness in this movie, which seems to reflect on the depressing human condition which remains the same, no matter how the world changes. There are also some harsh realities reflected too, with either fate being so cruel, or the society being against the individual. There is very less for one to be happy in the grim world of Mayaanadhi, and even in between the beautiful shots of the city, there is melancholy.

The claws of flaw :: Mayaanadhi might not be the best option for the family audience, considering the intensity of love that is shown in there, even though the movie uses everything in an aesthetic way rather than in a sexual manner. There is a certain slowness with this movie, and you will also feel that there is not much of a story to tell here other than what we have seen and heard on so many occasions. Maybe, two hours could have done just enough for this movie, and the gangster and police angle could have been left out to bring something just random into the scene as the factors causing problems for the protagonists. The Tamil dialogues without subtitles caused problems for the audience who had tough time figuring it out. The fact that this is the least hyped movie among all the releases of Christmas, Aadu oru Bheekara Jeeviyanu 2, Vimaanam, Aana Alaralodalaral, Masterpiece and also Tiger Zinda Hai from Bollywood, we know that this one could use some attention if it is to do any better at the theatres.

The performers of the soul :: You might have felt that Tovino Thomas hasn’t got the best of divergence out of his movies, and this one surely has that element. Tharangam, Godha, Oru Mexican Aparatha, Ezra and Guppy, which were his last movies had good performances from him, but nothing as divergent as this one. His character has no heroism associated, and he lets his pair, the leading actress who is two movies old, handle the job so well. Aishwarya Lekshmi coming right out of Njandukalude Nattil Oridavela is too good in this movie – she was certainly good in that one, but with this adventure, she makes it many levels here; she gets the bigger opportunity to perform here, and never does she fail to deliver. Her best moment might be during her final audition, but her first which has getting down to reality from the plastic side is not far behind, and you will also find her scenes with Tovino charged with fine chemistry.

Further performers of the soul :: We last saw Leona Lishoy in Annmariya Kalippilannu, and even though we have seen her in other flicks including the lead role in Jawan of Vellimala, she gets enough moments in this one to make sure that Mayaanadhi is something to remember her for. This is also my second favourite movie of Aashiq Abu, after Rani Padmini. You will note that the directors Basil Joseph and Lijo Jose Pellissery also make smaller appearances in the flick. Unnimaya Prasad who played Sara in Maheshinte Prathikaram and Maya teacher in Parava also catches our attention. Soubin Shahir and Aparna Balamurali got very small cameos in the film – it is the kind of job that could have been done by anybody. There are some faces which we are not familiar with, but you see that nobody has to be behind in this realistic tale which has good work from the whole cast. Aashiq Abu has no worries with the acting department.

How it finishes :: It has been a difficult job for those who have been looking for sensible love stories on the big screen. What most of the critics seem to have appreciated seems to be the slow motion walk into absurdity called Annayum Rasoolum and an exaggeration of reality called Ennu Ninte Moideen. Thankfully, we have Mayaanadhi here, which is the one river which shows the right kind of divergence, as it chooses to flow like a river of beautiful illusions, as its name suggests, and in the sadness and phantasm, finds a real world which we can relate. There might be many other movies which would get the attention of the youth, as well as that of the family audience – but this is one movie which shows how the movies are to be made in the right manner, without showing the tendency to follow that path which has been traveled so much that there are rather too many pot-holes on the way. Mayaanadhi is different, and enjoyable in the right way for a movie-loving group of people, looking out for better stuff all the time, as well as the variety. If you liked Thondimuthalum Drisksakshiyum, I don’t see why you can’t like this one with its realism.

Release date: 22nd December 2017
Running time: 136 minutes
Directed by: Aashiq Abu
Starring: Tovino Thomas, Aishwarya Lekshmi, Leona Lishoy, Basil Joseph, Lijo Jose Pellissery, Darshana, Unnimaya Prasad, Maya Rajesh, Harish Uthaman, Khalid Rahman, Nizhalgal Ravi, Shine Tom Chacko, Aparna Balamurali (cameo), Soubin Shahir (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Ballerina

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Vampire Owl: I thought that this movie was called Leap!.

Vampire Bat: Yes, but the original name of the flick is Ballerina.

Vampire Owl: It was the cooler name – they should have kept it. Leap could be part of rather too many things.

Vampire Bat: Yes, Ballerina is the name that suits the flick, considering the content too.

Vampire Owl: I wonder why it is that animated dance movies prove to be better than simple and usual dance movies these days.

Vampire Bat: Because animated is cute and safer option.

Vampire Owl: Do you know that I had participated in a dance programme once?

Vampire Bat: And you won something, at least a small prize?

Vampire Owl: They made sure that I would never dance again.

Vampire Bat: For some reason, I am not really surprised about that. You are going need a cure for wellness.

[Gets three cups of elaichi tea with a piece of tea cake].

What is the movie about? :: In this story set in the 1880s, a young girl who lives at an orphange, Felicie (Elle Fanning) wants to do nothing other than to dance all the time – it is more like her only love, but her future is rather bleak, considering the situation. Her best friend in the orphanage is a smart young boy named Victor (Dane DeHaan) who wants to be an inventor, and also creates a few memorable inventions by himself there. Their plan is to escape from the orphanage and reach Paris, where Felicie plans to be a ballerina and Victor wants to be an inventor. There they separate their ways, and Felecie joins Odette (Carly Rae Jepsen), the cleaner of the Paris Opera who also works for Regine Le Haut (Julie Khaner), an extremely rich lady who owns the city’s most popular restaurant. There she meets Regine’s daughter Camillle (Maddie Ziegler) who is practicing for ballet.

So, what happens next? :: Camille finds Felicie to be a good for nothing girl, who will never be anything other than a cleaner. As she insults her and throws Felicie’s favourite item, her music box out through the windown, breaking it. An angry and depressed Felicie, while going out, is given a letter which was intended for Camille, admitting her to the Paris Opera Ballet. She decides not to show it to Camille, and take her position in the opera, posing as her. She is successful in doing the same, but struggles as she has no experience. Meanwhile, Victor become an office assistant at Gustave Eiffel who is building both the Eiffel Tower, the big landmark of the city, as well as the Statue of Liberty to be gifted to the United States of America. Both struggle in their work, not really able to make the impact that they thought they could make when they left the orphanage.

And what is to follow with this adventure? :: Merante (Terrence Scammell), the teacher and choreographer at the opera tells the girls that one of them would be chosen to dance as Clara in The Nutcracker, and promises to make the selection quick by eliminating the worst performer of the group every day. Felicie is expected to be eliminated on the very first day, but escapes when someone else is injured and eliminated. Realizing that Odette used to be a ballerina during her time before getting injured, Felicie gets training from her, and hopes that she could improve herself well enough to keep surviving the elimination. But with so many things in her mind, it seems rather too difficult for her to keep focus, and her lie is also so close to being discovered. She realizes that she stands no chance if her identity is revealed, as she might be sent back to the orphanage, and also if she has to face someone as disciplined like Camille, there is not much chance. Against all odds, can she do it?

The defence of Ballerina :: The movie is more about achieving one’s dreams, none being too small. It calls for hard work, and not backing out, no matter how difficult or impossible the situation seems to be – it calls to do what we love, and keep loving the same. There are a few moments which bring the laughter, and the dance steps make one feel very good. The visuals of the city are also amazing. The movie also shows the usual attitude of the rich towards the poor, and how much the rich and the powerful tries to get their people all the opportunities, and talent don’t matter for them; there will always be the common people who do better. Still the attitude of the rich remains the same, as it has been shown in too many tales. It is strange that even after so many years, nothing has changed – the rich gets all the opportunities by birth, and the poor who gets rich becomes the oppressor at some other point. It is a strange world, but we should never stop trying to get to our dreams.

The claws of flaw :: One would have a feeling that achieving dreams of a higher level is only getting difficult these days, as only foul is fair in an evil world – every time we try to achieve something, there is more than one rich lady in front of us; there are thousands or millions of obstacles in the same place, and happy ending or happy continuation is more than just difficult in our world. We keep feeling that there could have been more of some stunning scenes of dance around here, as the scope was always there to make it bigger. It also takes some time to get itself to the ballet and serious dancing, and it is only balanced by the shorter run-time of the movie which leaves it with no dull moments – how can one find such a thing looking at such cute and wonderful animation? The boy’s tale could have also got a little bit more attention though, at least related to how far he has gone with his objective.

How it finishes :: Ballerina or The Leap! as it is known more, is another animated movie that you would love to add to that long list of interesting movies which ask you to go after your dreams without worrying about what would happen otherwise. It is the kind of inspiration that we have always wanted, and this movie gets to that fine list of animated movies, even though not that much there compared to those bigger flicks like Frozen, Moana, Zootopia, How to Train Your Dragon, Epic, Kung Fu Panda and many others which have gone on to become bigger names among all kinds of audience – Ballerina is also a movie which will work for everyone, and it is certain to appeal to children, as it is that cute. There are movies like Sing and Rock Dog which deals with the singing side, and Ballerina meets the dancing one – we see that all things get the needed inspiration. Well, no dream is to be left unattended.

Release date: 4th November 2016
Running time: 89 minutes
Directed by: Eric Summer, Eric Warin
Starring: Elle Fanning, Dane DeHaan, Maddie Ziegler, Carly Rae Jepsen, Terrence Scammell, Julie Khaner, Mel Brooks, Kate McKinnon, Elana Dunkelman, Shoshana Sperling, Joe Sheridan, Bronwen Mantel, Jamie Watson, Tamir Kapelian

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Rock Dog

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Vampire Owl: Do you think that this dog is as emotional as a rock?

Vampire Bat: If it was so, the same wouldn’t have been part of an animated movie.

Vampire Owl: Okay, so the dog is as strong as a rock.

Vampire Bat: This is not really a supernatural movie. So leave that out of your mind.

Vampire Owl: Maybe, he is fan of The Rock?

Vampire Bat: Almost everyone is a fan of Dwayne Johnson. But not the animated cat.

Vampire Owl: At least tell me that he is a Rocky fan.

Vampire Bat: Dude, they are referring to the music.

Vampire Owl: Oh! My relationship with music is as bad as my friendship with the Vampire Crocodile.

Vampire Bat: I am sure that this movie would help a little.

[Gets three cups of ginger tea with a piece of ghee cake].

What is the movie about? :: In a village known only by the name Snow Mountain, a dog named Bodi (Luke Wilson) is supposed to be the next guard, guarding the sheep there from the wolves who wish to eat each and every one of them. His father Khampa (J. K. Simmons) hopes that some day, he will take over the place to become the tough guard whom every wolf will be afraid of. But Bodi doesn’t even come close to looking like a tough guard dog, and keeping the wolves out is rather something which seems impossible. But Khampa is sure that the bad wolves led by Linnux (Lewis Black) will return one day or the other, and orders everyone to be vigiliant if they are to stay alive. To avoid making any noise, he has banned music there, locking up every musical instrument, and also keeps some of the sheep disguised as dogs so that the wolves will think that there are many of them, and they are all alert.

So, what happens next? :: Bodi keeps failing the training, and even fails to work with his father’s special movie known as the Iron Paw that was to be the one thing which would give the dogs advantage over the wolves who are wild are huge in number. To add to it, Bodi also becomes interested in rock music, after listening to the rock legend Angus Scattergood (Eddie Izzard) through a radio which falls down from an airplane. As he steals something from all those musical instruments which were locked up by his father and starts playng, there is the realization among everyone that he is not going to listen, and he would never be the guard dog who is to save the village from the wolves. Even after trying many methods to change his son, he finds none of them working. The village elder Fleetwood Yak (Sam Elliott) asks Khampa to let Bodi become whatever he wants, and do whichever thing he finds comfortable in his life. Khampa lets him go on one condition that he will return for guard duty if he fails in becoming a popular musician.

And what is to follow with this adventure? :: Bodi leaves Snow Mountain, but is followed by a few wolves who wish to take him hostage so that they can use him as the key to attack Snow Mountain. But Bodi survives by luck and reaches the centre of city – There he finds a band which consists of a fox Darma (Mae Whitman), a goat named Germur (Jorge Garcia), and a snow leopard named Trey (Matt Dillon). He is humiliated by Trey, who defeats him in a guitar contest, and tells him to go and learn from him favourite rockstar who has a certain god effect among the music lovers. Bodi sets off to the rockstar’s house at the exact moment, but little does he realize that the man is not what he thought he was. Mr. Scatterhood is a Persian cat who lives a lonely life, having no companion other than a robot. He has a high security setup which is meant to keep everyone away. Can Bodi, chased by wolves, make the fan-hating rockstar at least look at him? And who will save the Snow Mountain?

The defence of Rock Dog :: There are not many other animated movies which have managed to pull something out with what seems to be so less in hand. We have our protagonist who tries to go beyond what he is supposed to be, chasing his dreams, as many other animated movie characters have done in the past. There is also one rockstar who reminds us of so many celebrities in our world. With the funny side as well as the inner messages, this one scores over many other animated movies which have got the appreciation of the critics, including the overrated Brave, happiness magnet Trolls and the last year’s nomination Kubo and the Two Strings. We see the main characters, the rock dog, the rock cat, the sheep and the wolves, and we enjoy watching what each of them do, and how everything turns out for all. It surely turns better than what the critics had told you, and you get to go searching for what you really need in your life – and most probably go against what society tells you.

The claws of flaw :: Just as expected, this one also doesn’t move that much away from its predictability, and it also takes too much time to get into the action – considering its extra short run-time which doesn’t even reach one and half hours, it makes the movie even shorter after that. It is based on the Chinese graphic novel named Tibetan Rock Dog by Zheng Jun, and one has to wonder if this lives up to that, and whether it could have done better with the material already in hand. The animation also seems a little strange considering how much it has developed – here, it seems to be animated in a rather lesser way when we look at some parts; it is more because of the quality which has been brought in animation with flicks like Frozen, Moana, Zootopia, Despicable Me, How to Train Your Dragon, Inside Out, Kung Fu Panda and many others. Rock Dog is not really rocking when we consider that department deeper. Also, for most of us, rock works less.

How it finishes :: We keep seeing the animal world taking over, with them reigning all over with the animation – there is Sing, Zootopia, and others which has them all over as Cars have the vehicles power going on. Sing even has the music as do Rock Dog, and there is the presence of a few things common which you can search and find or ignore as you wish. The critics may not have been that lenient with Rock Dog as they have been with certain other movies, which rather surprises a lot of us, but everyone can surely watch this movie with the same feeling as they approach most of the other animated movies, as I can surely say that Rock Dog is not that far behind as you think, and when thinking about it from another angle, there is more than enough to keep this as interesting adventure with moments which are to be remembered – rocking at times, as a few people I know would describe it.

Release date: 24th February 2017
Running time: 80 minutes
Directed by: Ash Brannon
Starring: Luke Wilson, Eddie Izzard, J. K. Simmons, Lewis Black, Kenan Thompson, Mae Whitman, Jorge Garcia, Matt Dillon, Sam Elliott, Liza Richardson, Ash Brannon, Will Finn, Julie Craig, Deng Feng, Kellen Goff, Jennifer Hale, Matthew W. Taylor

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Let Her Out

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Vampire Owl: I remember having said this at the other world to save Lady Death‘s evil twin sister.

Vampire Bat: What? You mean to say that she used to be a damsel in distress?

Vampire Owl: Yes, she was in hell’s prison for pouring water into hellfire.

Vampire Bat: So, it is true that she used to work with firefighters during her exile among humans.

Vampire Owl: Yes, she even earned a medal for saving two dead bodies.

Vampire Bat: I don’t understand. How could she save dead bodies?

Vampire Owl: She worked with Lady Death to delay their soul transfer, letting them die in a plane crash a few days later.

Vampire Bat: And earned the medal for herself. She is the smart one indeed.

Vampire Owl: I have heard that this movie also has twins.

Vampire Bat: Yes, and one of them is the cool evil twin.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: Helen (Alanna LeVierge) is just another normal person who is working at a courier company which makes deliveries by bikes. Her best friend is Molly (Nina Kiri) who is an actress at her lover Ed’s (Adam Christie) drama company. Helen actually has a troubled mind due to the thoughts about her mother (Brooke Henderson) who tried to kill herself and the baby in her womb, coming to her regularly. A man named Roman (Michael Liipka) is in love with her, and orders more and more couriers from her to see her again, along with drawing pictures of her. Things seem to go just normally until she meets with an accident on the road which lands her on the hospital, and keeps her on the bed for some time. When she feels that things are better gets back to her normal life, there is a party arranged to her, but it just doesn’t seem normal anymore.

So, what happens next? :: Helen begins to have hallucinations of someone being with her, and sometimes, she wakes up at place where she has no memory of going. She regularly losses track of what she has been doing – among all things, there is her waking up at a parking lot with her bicycle, walking around the city in just a towel, and standing naked in front of her friends. They consult Doctor Headly (Kate Fenton) who has a scan and finds out that she has a tumour growing inside her. The biggest possibility here is that she had a twin and the other person got killed with the mother, but a part of it was growing inside her brain. The doctor fixes a date for operating and removing the tumour, and everyone assures her that things are going to be just fine. But it turns out that things are not the easy to get better.

And what is to follow with this adventure? :: With only a few days left for the operation, Helen has more visions of the twin who looks just like her except for the eyes. She also figures out that she has done terrible things to people under the control of her twin who wishes to get out and gain control of the body. She hopes to keep her evil twin out, but she just can’t, with her losing control of both her body and mind. She ties herself to the bed and locks the door, but it doesn’t stop her unborn twin sister from doing things that would make her life difficult. Molly figures out that there is something wrong about her than just a tumour, and confronts her, but the evil twin is not something which humans can figure out that well. So, how many others close to Helen will have to suffer because of the presence of her evil twin? Will it one day gain full control and get to live her life or can she, with the help of her best friend stop this menace early enough?

The defence of Let Her Out :: There is something interesting about how this one progresses, as we have that feeling of mystery in the way it is taken. Alanna LeVierge does a great job here as the protagonist on whom the movie is focused as the others just becomes random additions in comparison – she surely makes us feel the protagonist’s pain and sadness, and it is something which is not that common among these horror movies which are rather less noticed. The movie also has its scares, and with a dark setting, and with the protagonist having to face all these alone, there is the certainty of terror. A horror movie with an emotional side is nice – they never really try to develop on that situation of no hope though. There are also those moments which make us wonder if it is all in the mind – that is also a probability in these kinds of movies, isn’t it? At least up-to an extent – after all, there was a trauma there. There should be a day when these lesser known, lower budget horror movies should rise above the big ones.

The claws of flaw :: From what we have in this movie, we are all sure that more could be done. There has been so many options to add more and more scares here and there. Even the evil twin in the shower doesn’t appear when we need to be scared by her, and the final big event gets less than it should have while it could have actually transformed the movie into something else – such simple moments could have been utilized better to elevate this movie. We have seen what evil twins can do, from The Unborn to many more movies which have dealt with a similar idea. One also has to wonder if some of the characters in this movie are present more to be killed rather than to stay alive. Also the people who are facing a situation of life and death, just seem not to try hard enough to save their own lives. It would be nice to have a better development of this idea another time, because there is so much scope when concerning the same.

How it finishes :: There is the chance that this movie will remind one of the Chloe Grace Moretz starrer, Let Me In, which was one of the best vampire movies around, and maybe this title is also intended to make us feel some connection, but the relation is indeed more to The Unborn rather than any other. But you can’t deny that this movie does have a similar kind of an atmosphere prevailing, as our protagonist is also going through a winter in her life. It will surely feel like going through two different personalities, one evil and one good, but the movie is surely more than that, working on the vanishing twin syndrome. This is surely not going to get into any list of a favourites in the genre, as it is not something that will bring something that new or divergent for the horror of our times. Yet, Let Her Out is the flick that will have enough for most people looking for more horror fun, as evil once again finds a way.

Release date: 25th August 2016
Running time: 89 minutes
Directed by: Cody Calahan
Starring: Alanna LeVierge, Nina Kiri, Adam Christie, Kate Fenton, Michael Lipka, Brooke Henderson, Glen Reid, Deborah Jayne Reilly Smith, Kyle Hytonen, Paul McGinnis, Eric Picard, Rachel Sellan, Heather Dicke, Kerstin Bradler, Michael Francavilla

<— Click here to go to the previous review, and the one before that.

@ Cemetery Watch
✠ The Vampire Bat. 

Descent into Darkness

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Vampire Owl: Do you remember the famous quote which has been very much applicable to us?

Vampire Bat: There has been more than one of them that applied to us.

Vampire Owl: I am talking about the one which was regularly referred to, during our first few classes for vampire apprentices.

Vampire Bat: You are talking about one of those quotes about darkness, aren’t you?

Vampire Owl: Yes, it was also written on the first page of our vampire texts.

Vampire Bat: I didn’t realize that you actually read those books.

Vampire Owl: Yes, I read them when I want to sleep. Reading them gives me sleep at times when it evades me.

Vampire Bat: Now you are talking like one of those strange school kids.

Vampire Owl: Well, the quote was about the need for vampires to get into that darkness.

Vampire Bat: Yes, about descending into darkness.

[Gets three cups of masala tea with Arrowroot biscuits].

What is the movie about? :: Sorgoi Prakov (Rafael Cherkaski) arrives in Paris from an Eastern European country, to make a documentary about the European Dream, in the lines of the American Dream which is rooted in the Declaration of Independence, that proclaims that all men are created equal” with the right to life, liberty and the pursuit of happiness. In the beginning, his journey through the capital of France seems to be all going well, with wonderful places to visit and people being very nice to him. It seems to him that his European Dream is going to work so well. There seems to be happiness all around, and Paris seems to be the perfect place to begin his European Dream. It makes him believe that he has taken the right decision to go on this journey, and that things can only get better. But it turns out that it is the other way around.

And what is to follow in this particular adventure? :: Things were certainly not going to get any better for him, as there was always the chance for all going worse, with some bad decisions, and bad luck – being at the wrong place at the wrong time was just one of the villains. He does get beaten up by people who tries to steal his camera, which is broken, because of which he has to buy another one. He runs short of money, as he doesn’t hear from his producer, and has to adjust in many ways living in the city. He still thinks that everything is in control, but it turns out that not much remains in his hands. The artificial world of pubs and parties with drugs and alcohol adds to him being further away from the reality, creating one of his own, which includes brutality in his madness. His world changes, and he goes on becoming the exact opposite of what he was, bringing in a European Nightmare instead of European Dream.

The defence of Descent into Darkness :: The movie’s highlights come in the last few minutes, with the madness reaching a terrible level. The last scene at the house brings the best of them all. It deserves applause about how those scenes are managed in a realistic, but cruel manner. In the end, we realize how the world changes people, and the idea about hope is mostly that much of a lie, as this party culture with alcohol and drugs contribute to making a person worse through pubs and all their unnecessary additions to the life of youth. The performances are good, not just with the lead, who excels, the rest also follows up well even if they are only those smaller roles. The alternate title of the movie somehow reflects The European Dream: How Europe’s Vision of the Future Is Quietly Eclipsing the American Dream, a book, by Jeremy Rifkin. But in the end, we know that there is no big dream that can be achived by a common man all by himself.

The claws of flaw :: The accent used in this movie might feel a little difficult to understand for people at this part of the world at some points. There are moments in there which seems to be added for the sake of being there, or maybe to have the flick at a good length in totality. We also feel that the movie could have been really scary with its madness, and while some are surely part of the madness in a depressing manner, others are just funny – but it gets really better in the end. The dark humour is somewhat there, and the cultural differences might be bringing it down for our audience here. There is also the feeling of the need for more after we watch the trailer, and the expectations were surely bigger. The movie also misses out on having a memorable female character; even as the movie was based on one person in particular. Someone whom he meets in the city, maybe? Or someone whom he decides to murder?

The newfound love for the subgenre :: There are not many people who love to watch the found-footage horror around here, and I am myself a new person interested in the genre. When a found-footage horror movie can catch your attention, you know that it is going to get better for the genre here. There was The Last Witch being an interesting one made in low budget in the genre, and now there is this one. We remember the movies like Cannibal Holocaust, The Blair Witch Project, Paranormal Activity, [REC] and Cloverfield which were talked about a lot, with The Blair Witch Project and Paranormal Activity becoming the representations of the subgenre a lot. With this movie showing signs of some smart plans, maybe, we are awaiting more to come in the found-footage horror, and the best might be yet to come, as did horror with The Autopsy of Jane Doe, Lights Out and Don’t Breathe last year.

[Walks into the balcony with another cup of tea].

Vampire Owl: The strange things that humans do these days. Even Doctor Frankenstein is better.

Vampire Bat: Their control over their own mind and heart is rather questionable.

Vampire Owl: I am sure that most of these humans are already insane.

Vampire Bat: Well, they are better blood-suckers than vampires are, and they have proven the same with their wars.

Vampire Owl: There is the certainty of evil in them.

Vampire Bat: They possess inherent evil, and still call themselves to be of neutral alignment between good and evil, while holding that evil in mind.

Vampire Owl: I am pretty sure that they are more aligned to evil than our kind ever had been.

Vampire Bat: I would rank them with werewolves and dark elves, and at times with the zombies.

Vampire Owl: With their latest technology, they are already zombies enough.

Vampire Bat: Yes, more or less like your zombie minions.

[Walks into the silence of darkness].

Release date: 15th December 2017 (World-wide release on Amazon Video, POV Horror Roku, POV Horror Amazon Fire TV, and all Android devices)
Running time: 92 minutes
Directed by: Rafael Cherkaski
Starring: Simon-Pierre Boireau, Elodie Bouleau, Rafael Cherkaski, Roland David, Charles Dhumerelle, Xavier Kerf, Corentin Koskas, Denis Larzilière, Loïc Lefebvre, Philippe Pasquini, Omar Salim

<— Click here to go to the previous review. Movies of the Soul recommends Thor: Ragnarok as the movie not to be missed this year.

@ Cemetery Watch
✠ The Vampire Bat.

Tell Me How I Die

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Vampire Owl: This looks more like one of those “death-star” experiments from Doctor Frankenstein.

Vampire Bat: Well, he doesn’t work with the humans anymore, and so this can’t be his work.

Vampire Owl: I never understand what he meant by “death-star” though. Isn’t that a Star Wars thing?

Vampire Bat: Well, he is the star and others die. That could be one of the reasons.

Vampire Owl: I certainly wish that it was the other way around.

Vampire Bat: A dead Frankenstein is surely not a good Frankenstein, especially when he returns again. So, you can stop thinking about it that way.

Vampire Owl: You mean to say that he has traveled beyond the boundaries of life already.

Vampire Bat: He has even told me how you die.

Vampire Owl: What? That is impossible. I would prove him wrong.

Vampire Bat: Which is why he mentioned only about Lady Death being involved.

[Gets three cups of self-made tea with Good Day biscuits].

What is the movie about? :: A group of youth from different parts of the state comes together at a medical facility for the drug trials, which turns out to be the easiest way to make some quick money. They get all the facilities until the trials end, but till then, they are not supposed to leave the facility or communicate through mobile phone to anyone. Anna (Virginia Gardner), a waitress looking for better options and more money also joins the team of young people at the facility. The other people participating in the experiment includes Den (Nathan Kress), Kristen (Kirby Bliss Blanton), Marcus (Mark Furze), Scratch (Ryan Higa) and others. They are told that they can choose to leave before taking the drug, but will not be allowed to leave the premises once they take the required dose. The officials confirm that this restriction is placed for their own safety because there is the possibility of some strange side-effects.

So, what happens next? :: This drug which could be unsafe, has some of the testers in doubt, but these experiments have already been done before, and people have walked out; there is also the presence of specialists, which meant that precautions were enough. So, everyone in the group decides to take the drug and enjoy the facilities provided there. Kristen and Marcus are the first two people to feel the effects of the drug, as they see the future, or rather go through it, to come back to the present again. They are confused, with their life repeating before them more than once. But they go and see those in charge, and are assured that this is quite normal and natural after taking the drugs. Only some people in the group are expected to have these effects on them, and so the two are told not to speak about this to anybody else, as they awaited more results.

And, what is to follow next in the adventure? :: Anna is the next one to see the future, but this goes further as she sees each and every person among them dying a horrible death. But the result is that she is sedated and tied up so that there is no panic among the others. Meanwhile, Den, Kristen, Marcus and Scratch plans and escapes from the facility, only for Den to make them come back for the others, especially Anna, who might all die inside there if the vision Anna had indeed was about future. Their worst fear comes true as the others are killed by a stranger. Anna manages to get herself free from the restraints and they unite, except for Scratch who never got back inside. Anna keeps having visions of them being killed, and Scratch finds something which he was not supposed to find. They discover that Dr. Jerrems (William Mapother) who is in charge had locked himself inside a bunker, and the serial killer on the loose is someone who was earlier experimented on, and now he wants revenge on everyone.

The defence of Tell Me How I Die :: We have another tale of people being used for testing drugs having unexpected effects on the volunteers. The idea is expanded cleverly here, and with the interesting developments in the first half, gets our attention right where it needs to be. We are given the license to expect the terror to be unleashed in one way or the other. With its limited resources, the movie has surely done well enough, one has to admit – there is nothing that big being tried here, and we notice the same easily. Even for a movie that is not known to have that much of a budget, this one does look good – there is nothing to blame visually here. The movie also has the potential to develop its main character in such a way as to make a big serial killer out of it with a possible sequel. Kirby Bliss Blanton whom we know from The Green Inferno, and the protagonist Virginia Gardner are the pick of the cast here.

The claws of flaw :: What we feel the first time after watching this movie is that it had so much scope with its idea, and the basic thing could have been explored further. There is even a serial killer, the villain who is on rampage, and he gets his kills so easily – but the movie doesn’t bring him as a scary figure or try to make him a character whom nobody is going to forget. There could have also been a better way of seeing future, and the same could be used to bring effectiveness to the cat and mouse game between the killer and his possible victims. There is also an ending which is not that effective, and we have a certain amount of confusion about how things turn out in the end. We demand more, without doubt, especially after everything is set up nicely with a sequence of events – we ask for scares, and big twists which can turn things upside down as the core is revealed, but the choice taken here is not to do anything special and just go on, which is rather surprising.

How it finishes :: There has been many experiments which have been the theme of movies like Ex Machina and Morgan, but both those movies were about creating something new, while this one is focused on enhancing human abilities. Once again, we have people trying do the strange and the unpredictable in the name of science, crossing some areas which were not supposed to be crossed. Tell Me How I Die is going to be just another one of those stories which will have our attention, and keep going through the same. It will be an interesting choice for some time-pass, and maybe it will have us watching more of similar movies again. After all, the world is never really that short of such ideas. There are always smaller movies which tries to get through with an interesting idea – you can surely add this one to that list of movies which try to do more with what it got.

Release date: 2nd September 2016
Running time: 107 minutes
Directed by: D.J. Viola
Starring: Virginia Gardner, Kirby Bliss Blanton, Nathan Kress, Ryan Higa, Mark Furze, Ethan Peck, William Mapother, Marnie Alexenburg, Mark Rolston, Katie Booth, Christopher Allen, Shaun Brown, Julia Ling, Daisun Cohn-Williams, Barry Habib

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Paippinchuvattile Pranayam

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What is the movie about? :: Very close to the city, but still, very far away from the urban setting, there is the small island which is known by the name Pandarathuruthu, and the first half of that name itself is enough to know how that place is considered to be, by not just the people from outside, but also those who live there. As Samuel Taylor Coleridge has said in The Rime of the Ancient Mariner, the people of the island also faces the same situation – “Water, water, everywhere, but not a drop to drink”, surrounded by salt water, and having only a few boats – as all roads lead to Rome, all of those boats get them to the city, and nowhere else. This is the tale of the simple people in that particular place, where everyone spends more time waiting for water in a long queue in front of the common tap at the centre of the island, rather than doing anything else. The rest of the people do simple jobs, including fishing, painting and also a little bit of farming which doesn’t need much of fresh water.

So, what happens with the events to follow? :: It is around that place of local gathering around the tap meant to collect water, that Govindankutty a.k.a Govutty (Neeraj Madhav) and Teena (Reba Monica John) falls in love. While there is the scarcity of water there, one can see no difficulty in getting some love, as far as these two are concerned. Govindankutty leads a happy life with his good friends Ayyappan (Sudhi Koppa) and Bashi (Rishi S Kumar) earning enough through painting work and a few dance performances when opportunities are available. There is not much of a complaint from them about their lives, despite the unavailiability of water bothering them all the time. They know that people have tried to bring better facilities to the island before, but nothing has happened with those politicians who keep making excuses, and life goes on. Any further attempt would be waste of time, according to them.

And what is to follow in this small adventure at the island? :: Babumon (Dharmajan Bolgatty) is the one to suffer the most, as no girl wishes to get married to someone without access to drinking water. Teena’s parents are also not ready to get her married to Govindankutty, and they are also looking for someone who got access to clean water, from anywhere outside the village. Despite his mother (Sethulakshmi) asking for the bride, Teena’s parents (Jaffer Idukki and Thesni Khan) are not ready to accept the proposal. It is more or less the reflection of their realization that nothing good can happen in Pandarathuruthu and the people of the island will never have access to clean water. But when one tragedy strikes, they have to think differently, and understand that it is the time to act. It is upon the youth to make the difference, but are they up to it? One journalist named Shyam Prakash (Aju Varghese) is ready to help them, but will that be enough?

The defence of Paippinchuvattile Pranayam :: There are moments in Paippinchuvattile Pranayam that keep rising like the certainty of tides – we see them coming and going. The humour is present here and there, and the lead has a good chemistry going on in movie’s favour. Some good visuals of the place will have our attention, and we see the huge buildings of the city on one side and this small world on the other. The music is good, even though they are used without care at some places. There are messages in store, and we have social issues being discussed, after the lack of availability of clean water in many areas. There were those islands around Cochin which had problems in getting drinking water, something we have been reading about since childhood. Even though a lot of problems have been solved now, it remains something that is present at one place or the other. Paippinchuvattile Pranayam adds something there.

The claws of flaw :: With a little more than two hours of length, some parts of the movie do make us feel a certain amount of drag. There is also the whole thing not used to its advantage, as this one could have been funnier, as well as having a thrilling end which could be a lot more of a difference maker with its ideas. The final moments could have been polished to bring an effect which would have made this one a social thriller with romance to go with it. The romantic side also makes way for the rest of the things too easily – there is not that much of strength with it if we consider the fact that the title Paippinchuvattile Pranayam as well as the expectations were all related to that only. There is also the need for the ability to relate to the problems of the common man, without which, this movie can go flying far away; this one would be more for the common audience, the everyman who can reflect these elements better as well as the invisible villains.

Performers of the soul :: Neeraj Madhav right out of Lavakusha and Oru Mexican Aparatha this year leads the way, and he is comfortable in being this kind of a hero, as all things are in control here. Reba Monica John seems naturally suited for this role, and is there throughout, winning points with big smiles and enchanting expressions, unlike that small presence which she had in Jacobinte Swargarajyam despite being the leading actress there too. As one might have figured out with the trailer and songs, she fits in, even without that many dialogues. Sudhi Koppa is the one actor who supports so well as he rises to the occasion, and he does a fantastic job with those emotional side, more than that comic side which was there earlier. We already saw him in Alamara, Lakshyam and Udaharanam Sujatha in notable roles this year among the others, and he gets his best here. Dharmajan strengthens the funny side, which would have struggled a lot without him. Aju Varghese has a smaller role which is managed easily. Sarath falls prey to a badly written negative character.

How it finishes :: Among those movies about common people made with what seems to rather lower budget, Paippinchuvattile Pranayam will surely have a good position. It is always nice to see tales being made about common men and not those money laundering bourgeoisie class attached to pubs and parties. It can’t claim to be perfect or close to being perfect in what it deals with, but it is as close to reality that we can get, and it is close to the heart of everyone who feels for those who are in need. But concerning others who have no heart for the sufferings of others, this wouldn’t be the movie. This is the age of superheroes with Thor: Ragnarok and Justice League running in the theatres, and one can go for them without thinking too much, for the big entertainment. But if you care, try giving a chance to the smaller movies about everyman, like Paippinchuvattile Pranayam. In simple words, call it “Love, water & other social issues”.

Release date: 24th November 2017
Running time: 134 minutes
Directed by: Domin D’Silva
Starring: Neeraj Madhav, Reba Monica John, Aju Varghese, Dharmajan Bolgatty, Sarath Appani, Sudhi Koppa, Sruthy Jayan, Jaffer Idukki, Rishi S Kumar, Tesni Khan, Sethulakshmi, Indrans, Anoop Chandran

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