Ente Ummante Peru

What is the movie about? :: Hameed (Tovino Thomas) is left with nobody to call a relative after the death of his father Haider (Renji Panicker). Even though he inherits the big house along with his father’s business as well as a few acres of land, he is lonely – as he has nobody to call his own, he is not able to get married to a respectable family either. He, along with Beeran (Hareesh Perumanna) and Hamsa (Mamukkoya) keeps looking for a suitable alliance for him. He soon falls in love with Sainaba (Saipriya Deva), a girl whose proposal had already come for him, but was rejected by her father because he seemed to be nothing less than an orphan. While he is running his family business and looking for a way to marry Sainaba, he comes across a will left by his father, which points to two women, and one of them could be his mother. He decides that this is his chance to find his family.

So, what happens with the events to follow? :: So, the the wives are to be given a share of the property, and there is the need to find both of them to figure out which one his mother is. The two of them are located in Kozhikode and Ponnani in the form of Ramlath (Shanthi Krishna) and Aisha (Urvashi), the former being married with two children and the latter living alone in her house on the side of the lake. But the question remains if this can happen because the truth is still hidden in some of the pages about which there is not much information, even for Haider’s good old friend, Sivankutty (Dileesh Pothan) who seemed to know almost everything about his friend’s past. Can Hameed rise above all these to get what he wants? Will he finally cease being an orphan? Can he finally marry the girl whom he loves? It would take a journey not just through North Kerala, but through North India to make sure about that.

The defence of Ente Ummante Peru :: Unlike the usual stories with the same setting, this one never really does manage to keep selling the same thing again and again. But the tale is kept simple and enjoyable for families. It sticks to the point from the beginning to the end, never really deviating from the path or having moments of dullness – the total movie length makes sure that it stays put. There is nothing exaggerated here with everything going on while staying close to life. The feel-good factor never really falls behind here, and the visuals, wherever it is set, stays good. The emotional side is strong, and by the end, it reaches an even better level. Along with the expected comic side, the use of gallows humour is to be noted – it is the human condition that makes us think on more than one occasion, as the point of life and its meaning is always something to ponder about with death making a grand entry at so many unexpected times.

The claws of flaw :: There is no special ingredient with this one, as we look deep into this tale of search for the main character’s mother. This is the kind of story that we have heard for a long time, with search being for parents or siblings. The children separated from their parents or brothers is an idea which goes older than some of those very old flicks, not just in Malayalam or South India. Even Oru Indian Pranayakatha had a similar search with its main character looking for both parents, after returning from Canada and collecting clues leading to more than one state in India. The songs and music are not really that good. We never really get that much of a romance between the leading characters, and one has to remember that Tovino used to be an expert in that. The journey through Uttar Pradesh could have been more interesting, and the supporting characters could have been closer to our heart that what they seemed to be.

The performers of the soul :: Tovino Thomas is the one to keep this movie going with a realistic and lovable performance once again. His last movies Oru Kuprasidha Payyan, Theevandi and Maradona – all were among the strongest flicks of the year. Here, we continue to admire his work, as the emotional state of a man looking for his mother is nicely shown – he is someone who is looking for his last hope in changing things. This is not the first time that he has shown this with the same strength though. Urvashi had a fine role in Aravindante Athidhikal, but here she has a lot more to do, and she has done the same well. It is in no way, an easy character to play this time, as her role becomes the most significant thing in the movie ever since she makes her entrance. We hope that we see her in more movies, and without that many breaks in between.

Further performers of the soul :: Meanwhile, there is a new face in Malayalam movie industry in the form of Saipriya Deva who plays the heroine, and she does that with a lot of charm. It can be seen that the movie doesn’t focus on her at all, as far as the complete plot is considered. We can surely keep her close to our hearts though. Malayalam movie industry does need its heroines more than its heroes, and more skilled actresses will elevate the level of the characters that they play. At the same time, Hareesh Perumanna in charge of the comedy, and he does that with amazing skill. Shanthi Krishna has a smaller, but emotionally strong role – since her return in Njandukalude Nattil Oridavela, we have all wished to see her on the big screen very often. Mamukkoya and Siddique got the kind of roles which they have done before, and brings no challenge to them, while Dileesh Pothan makes a short, but nice appearance of significance.

How it finishes :: There are four Malayalam movies releasing in the beginning of Christmas vacation, and this is just one of them. Unlike the others, this movie seems to have made no big claim, and therefore the expectations have been kept low. We know what expectations could do to a movie like Odiyan, and how the low expectations for DC movies did help Aquaman in the early stages. Ente Ummante Peru brings the surprise not only due to the lower expectations, but also with how it remains so simple and yet so effective at the same time. It is one movie which possesses and displays the true spirit of Christmas season, more than anything else. Therefore, choosing Ente Ummante Peru over most of the other movies won’t be that difficult a job. The idea of feeling happy and leaving the theatre with a smile on one’s face never has a substitute, especially when with family.

Release date: 21st December 2018
Running time: 131 minutes
Directed by: Jose Sebastian
Starring: Tovino Thomas, Saipriya Deva, Urvashi, Shanthi Krishna, Hareesh Perumanna, Dileesh Pothan, Mamukkoya, Siddique

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@ Cemetery Watch
✠ The Vampire Bat.

Ghost in the Shell

Vampire Owl: Now my vision is clear. It was those ghosts. They did it!

Vampire Bat: What are you talking about?

Vampire Owl: The ghosts stole the seashells which I had collected and stored near the warehouse on the beach.

Vampire Bat: No, you can’t blame the ghosts or Lich Queen’s zombies on this one.

Vampire Owl: Does that mean I can blame the werewolves? Or the witches?

Vampire Bat: Why do you want to blame someone because you lost a few seashells which are not at all valuable to the realm?

Vampire Owl: Because it is quite natural for them to steal from us. I wouldn’t tolerate being made a fool.

Vampire Bat: I got the feeling that Vampire Raven threw it back into the sea which he was cleaning the area. He was assigned to the beach.

Vampire Owl: What? That evil black bird! I told you that he was evil! Not that much as Vampire Crocodile, but still…

Vampire Bat: Just watch this movie and see what the ghost here is all about.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: A long way into the future, humanity has depended on science a lot, and has developed very much. There are a lot of enhancements available for the human body which involves the improvement of vision, hearing, strength, accuracy and intelligence, which are all available on the market for a price. In a godless world, it is science that decides every action of man, with more and more inventions coming up, and technology proving it to be endless in scope. It is that point of time when death by disease seems to be a difficult thing to happen as most parts of the body are replaced with ease. Hanka Robotics, which is world’s leading developer of human augmentative technology decides to take it one step further. In a world which has robots and Artificial Intelligence to do a lot of things, they come up with the idea to develop of a mechanical body termed as shell, that could integrate human brain and use it.

So, what happens next? :: Dr. Ouelet (Juliette Binoche), a champion at what she does, is chosen to do this job. She is someone who is known to have done wonders with her research, and is the easy choice here. Now, there is the question of a volunteer, and it comes as a result of terror. Mira Killian (Scarlett Johansson), a young lady who somehow survives a terrorist attack in which everyone in her family other than her is killed, is chosen to be the brain of the shell, with her body damaged in the attack beyond repair. It seems to work well, as the test subject awakens, and is able to talk and move without any problem. The CEO of the organization, Cutter (Peter Ferdinando) observes the progress which has been made with the shell and the resultant cyborg organism, and decides that this new creation should be used against terrorism as soon as possible. He considers her as their future, and their best hope against terrorists.

And, what is to follow next in the adventure? :: After an year passes, Killian has become a Major in the anti-terrorist bureau Section Nine. Working along with the counter-terrorism operatives Batou (Pilou Asbaek) and Togusa (Chin Han) and under the command of Chief Daisuke Aramaki (Takeshi Kitano) she continues the hunt for terrorists, making amends for the death of her parents due to such an attack. Among those attacks which she and her partners have witnessed, there is one which looks rather strange, with robots going rogue for no reason and hacking into the mind of a Hanka employee. Even for the best of hackers, this seem unnatural, and she feels that there is something deeper regarding this. Despite the hallucinations that she keeps having, she decides to dive deep into the Artificial Intelligence of the robot, and there she finds an unknown entity, known only as Kuze (Michael Carmen Pitt). But this entity is not human, or robot, or a hybrid – it is something that exists within. She needs to find more before time runs out.

The defence of Ghost in the Shell :: The action sequences are really good, and the visuals are a joy to watch; the movie is rich on the screen, and you can’t deny it at any moment – the world of the future is so nicely created that we keep looking at every detail carefully. Scarlett Johansson leads the way as the perfect choice for this protagonist. She seems to be doing what Mila Jovovich has been doing for Resident Evil and Kate Beckinsale has been working for Underworld. Looking so good, and removing all doubts about why she was cast in this role, she goes on to become the true ghost inside the shell – more than Black Widow in The Avengers and it’s sequel or those Captain America flicks. Along with her, the movie also has a tale which will have our attention very early. When the idea is also so good, we keep staring, and when every detail of the visual is that good, we just can’t stop admiring the awesomeness on the screen. Along with the same, the movie has its own twists; some people will come close to guessing the same, but it still counts as pretty good ones which adds to totality.

Positives and negatives :: Ghost in the Shell should feel a little short with how much it really has – there is the hundred percent need for a sequel as we wish to see Scarlett Johansson going through all the action again in a sequel which would take this away from its origin story mode where it is now. There will be shades of other movies, but everything in here is enhanced, and nothing dares to go a step down, which is the beauty of what we see here. I haven’t gone through the Japanese manga of the same name by Masamune Shirow on which this is based, and that should be left for the fans – I would just watch this movie and enjoy how good it happens to be. A movie which entertains as well as brings something to think about is a glorious watch. It is also for us to think about who is right and who is wrong, and how correct is all that we are thought to believe in – maybe there is hope outside the thought process or maybe there is none at all.

How it finishes :: Ghost in the Shell can be considered as one of the best movies of the year, easily rising above big flicks of huge franchises like Alien Covenant and Wonder Woman, and the same is done in style. It also successfully provides a message against the human desire to look better and have an easier life – science has made all these easier, but is humanity good enough to negate the harmful effects of technology? Well, we are already slaves to technology, and so the answer might be no already. In future, it is clearly stated that wars will be fought on science and technology, and there will be terror. While hoping that such a day will never come, we also get a look at how mind finally takes over in the battle against all odds. Well, let the mind power win, and go on to watch this wonderful action thriller which has no moment which will want you turn back and exit.

Release date: 31st March 2017
Running time: 106 minutes
Directed by: Rupert Sanders
Starring: Scarlett Johansson, Juliette Binoche, Michael Carmen Pitt, Pilou Asbæk, Chin Han, Peter Ferdinando, Danusia Samal, Kaori Momoi, Lasarus Ratuere, Anamaria Marinca, Michael Wincott, Yutaka Izumihara, Tawanda Manyimo, Daniel Henshall, Rila Fukushima, Pete Teo, Yuta Kazama, Chris Obi, Adwoa Aboah, Tricky

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@ Cemetery Watch
✠ The Vampire Bat.

Hindi Medium

What is the movie about? :: Raj Batra (Irrfan Khan) runs a highly successful business in Delhi, selling bridal wears, and he often likes to call himself a business tycoon. He had married his love from childhood Meeta Batra (Saba Qamar) when she had come to his small tailoring shop. Although he is rich and influential, knowing all politicians and businessmen of the area, he is a simple man, finding happiness in those simple things in life. His lack of education and the absence of knowledge in English are something which makes his wife disappointed, and she wishes to be part of the high class rather than live where they have always lived. Worried about the future of their only daughter Pia Batra (Dishita Sehgal), she wishes to have her admitted into one of the top schools in Delhi, including Prakriti School where the students are taught everything through dance and music, Suraj Valley School which nothing less than a five star hotel and Cross Road School which has a tie-up with Eton.

So, what happens next in this movie? :: But the biggest of them all is the Delhi Grammar School which has been at the top position in the school rankings for a long time. The famous politicians and business tycoons have all studied there, and everyone is sure that under the guidance of the visionary principal (Amrita Singh) who used to be a student there, the school can go only up from its position. But the school only gives admission forms to those who live nearby, within three kilometres radius. She forces him to make sure that they move out of Chandni Chowk to Vasant Vihar as the first part of trying to get admission. She is adamant that Pia will not study in a Hindi medium government school like they did, and she will speak English like no other. At their new place, they have new neighbours, but struggle to make friends with people like Aarti (Neha Dhupia) who find the new people to be of low class, not fit to be part of their high level society.

And what is to follow in this adventure for school admissions? :: To prepare their daughter as well as themselves from the upcoming interviews in the top schools, the meet up and take the advice of a consultant (Tillotama Shome) who has been training rich people and their children for a big price. But despite all these training, they are not that great at the interview, and the kid doesn’t get admission. There is the feeling that uneducated parents’ children will find it difficult to get an admission. This leads to him trying to get a seat in a top school in many other ways, including trying to bribe the principal and asking many politicians for help. But none of those ideas work, and they still keep trying, only to find that one of their employees’ child got admission in Prakriti School under Right to Education quota reserved for the people with lower income. There they find a way to get the much needed seat – make some changes in the necessary documents to find their chance. Can they succeed here in one way or the other?

The defence of Hindi Medium :: The movie’s comparison should be to Ramdhanu which is known to deal with a similar theme, and Salt Mango Tree which has remade the same movie. In comparison to Salt Mango Tree which is close to an exact adaptation, there are more differences than similarities here. Hindi Medium actually rises above the other, with a smarter adaptation of the idea. It has a girl child instead of the boy child, and has a rich family rather than the middle class one. There is also a better ending, and there is no foreigner coming to India and adapting the customs – it is a ridiculous idea in comparison to the overall theme, just like it was in Bangalore Days, for them adapting the Indian culture as the right way would only make Indians wishing to adapt theirs righteous. Hindi Medium rises above such foolishness along with the lame jokes there, and also shows the consultant in the right colour. With this one, Bollywood shows the skill and rises above the rest, and the medium is right here; feel-good it is.

The claws of flaw :: One might feel that Hindi Medium takes the simple things a little bit further than one would have thought. Some moments are surely overdone, or rather stretched further than needed. The jokes are also less in comparison even though the quality is certainly there. We can also see the glorification of poverty, even though it is a fact that being more and more rich only gets things to be worse – people getting rich just goes away from the common man’s world as well as the values which have been there for so long. There is also the focus on Hindi medium itself right from the title, when having the government school itself was enough. It would feel strange that all these are coming at a time when the government has been trying to impose Hindi in one way or the other, all over the states which have come up against the same. In an attempt to get away from English, one has to wonder if the need will soon be to escape from Hindi itself with a suicide squad.

Performers of the soul :: The one person who stands out in this movie in comparison with Salt Mango Tree is Irrfan Khan who shows a lot of balance in the way the comic side as well as the serious moments are carried on his his shoulders in the right manner. Saba Qamar also blends in, and does a wonderful job as the mother who wishes for more with the education of her child – Angels‘ own Lakshmi Priyaa Chandramouli’s work was more natural and emotional in Salt Mango Tree though. Deepak Dobriyal is too good in his role, and Swati Das is fine support to him. Tillotama Shome as the consultant might be the best among the smaller roles here – she is really good. Neha Dhupia is left with not much to do, with her role resembling a cameo. When you look at the cast of Salt Mango Tree, you will notice that in totality, there is more of known talent there, working towards making things better.

How it finishes :: My first thought about Hindi Medium was that it was going to be exactly Salt Mango Tree which seems to be more like the carbon copy of the 2014 Bengali family drama, Ramdhanu. But that certainly wasn’t the case, with the movie having its own ideas, and it is also better than the movie which came before that, and it does the same by quite a distance. The movies like Hindi Medium are required during these times when education has become a business – I would prefer to teach students values first, and English and Hindi later, but that wouldn’t really be possible in this world, I guess. There will also be people who will wish to steal the opportunity of others, and we will also see those people who think that speaking good English everything – but I wouldn’t consider that to be great. With communication, just understanding the point is necessary, and Hindi Medium surely has more valid points than your regular Bollywood movie. It also seems free from the terrible fans.

Release date: 19th May 2017
Running time: 132 minutes
Directed by: Saket Chaudhary
Starring: Irrfan Khan, Saba Qamar, Sanjana Sanghi, Tillotama Shome, Deepak Dobriyal, Delzad Hiwale, Sumit Gulati, Swati Das, Dishita Sehgal, Angshuman Nandi, Jaspal Sharma, Vijay Kumar Dogra, Rohit Tannan, Amrita Singh, Neha Dhupia, Sushil Parwana, Rajesh Sharma, Sanjay Suri, Mallika Dua, Tanishkaa Sanghvi

]

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@ Cemetery Watch
✠ The Vampire Bat.

Odiyan

What is the movie about? :: Manikyan (Mohanlal) is the last among the odiyans, a group known to know sorcery and had shape-shifting abilities. The skill is passed to him by his grandfather after his father and mother were not ready to stand it, and left the village with their daughter, hoping for a better social and economic status elsewhere. Manikyan is one of the most well-known figures in the village of Thankurissi in Palakkad and also beyond the borders in the Tamil-speaking areas near the Western Ghats – some people consider him to be famous, and the others feel that he is a notorious figure. He is known to lurk in the shadows, with darkness as his ally. As it was the time when there was no electricity in the villages, it was easy for him to induce fear into the minds of the victims. He would take different forms, most commonly that of a bull or a buffalo, to torment those who are given as targets by people who pay a fair amount.

So, what happens with the events to follow? :: Manikyan’s biggest enemy in the village is Ravunni Menon (Prakash Raj) with whom he has had his problems since childhood. Ravunni’s interest and unrequited love for his cousins Prabha (Manju Warrier) and Meenakshi (Sana Althaf) only makes things worse as Manikyan has been working in their family household and taking care of them for generations. Ravunni decides to make things troublesome for his cousins as well as Manikyan, and with the death of Prabha’s husband Prakashan (Narain) and Meenakshi’s husband Ravi (Kailash), he succeeds in putting the blame on Manikyan. With electricity coming to the village, and almost everyone blaming him for the two deaths, Manikyan is forced to leave for Varanasi. As he is wandering around there, something changes, and he feels the need to return. What would that mean for everyone in the small village?

The defence of Odiyan :: The legend of the people from Kerala folklore with shape-shifting abilities deserved a movie, and it is always nice to have such an adaptation which has its roots in our own historical fantasy. The action scenes are nicely done, and the scenes involving the titular character in the darkness will make sure that we are interested in the whole thing. The setting nicely helps the progress of the movie, and all locations provide some nice visuals. Compared to the 150 crore grand movie Pulimurugan with Mohanlal fighting the tiger, Odiyan is surely a better flick which has a nice background as well as setting – there is also no bad jokes, and the acting itself is of a superior level when we compare the two. Odiyan has moments of class, and it is the quality which that highest grossing Malayalam movie missed in more than one way.

The claws of flaw :: The trailer as well as the hype created with the information provided regarding the movie, might be the one thing which works against the movie more than anything else. The expectations had gone so high that greatness was expected without excuses, and that was one thing which caused so many of early negative reviews. There is no denying the fact that this legend could have been used in an even better way, reducing the mass elements, and adding more mystery, sorcery, twists and horror. The movie is also too long, and the first forty-five minutes might be the least interesting part of the flick. A better beginning would have helped to keep the interest going, and the non-linear narrative disrupts the flow. Flashbacks are good, but not when they are used at inappropriate timings. The final fight could have been better edited. The background music might catch our attention, but the songs never really manage to do so.

The performers of the soul :: Mohanlal, in more than one avatar during two different ages, displays top form as usual. There are not just the action scenes that make an impact, as the emotional side is also strong with him – the strength as well as the helplessness of the main character is shown nicely here. We remember how he could be both in Villain having the same pair in the lead. Maybe, he could have had more with the shape-shifting idea, resembling that of a werewolf, but that much is not there for him to use his full potential. His last movies Drama and Neerali didn’t make that much of an impact, but I would say that they were better than the common opinions; the case here is also not so different, as Odiyan is certainly better than Pulimurugan, and the hard work that Mohanlal has put in to become this character from the folklore is worth the appreciation.

Further performers of the soul :: Manju Warrier’s previous movie Mohanlal was not really something to be appreciated, whether it was about the flick or regarding her own performance. But she is back once again with her work in this movie. The comments which were made about her one dialogue in this movie is rather strange, because it is a perfectly suited one for the moment – it once again shows that a lot of our viewers are struggling with understanding characters. The lack of empathy that our audience shows at times is rather strange and unacceptable. Prakash Raj is a strong villain indeed, but could have had better dubbing. Sana Althaf has a nice role after Basheerinte Premalekhanam, and she also has her moments. Kailash, Sreejaya Nair and Narain are there only for a few minutes, but they do leave us with something to remember. Siddique, Innocent and Nandhu do provide some good support too.

How it finishes :: Odiyan becomes the second high budget and the most awaited movie of the year after Kayamkulam Kochunni which had great success already. Despite negative opinions, Odiyan also had a strong weekend, with the only challenge coming from Hollywood, in the form of Aquaman, which has lesser number of shows. There is the need for movies like Odiyan, because only such flicks can assure that we will have better exploration of the myths and legends of the lands. We also need people who are ready to go through the less traveled path – we know, as Robert Frost has said, that would make all the difference. Your level of enjoyment would be different according to your expectations from cinema, but Odiyan is surely a movie which you can’t ignore, and is definitely a movie which is better than the highest grossing Malayalam movie of all-time, the Mohanlal starrer Pulimurugan.

Release date: 14th December 2018
Running time: minutes
Directed by: VA Shrikumar Menon
Starring: Mohanlal, Manju Warrier, Innocent, Prakash Raj, Siddique, Manoj Joshi, Nandhu, Narain, Kailash, Sana Althaf, Santhosh Keezhattoor, Sreejaya Nair

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@ Cemetery Watch
✠ The Vampire Bat.

Aquaman

What is the movie about? :: A lighthouse keeper Thomas Curry (Temuera Morrison) comes up against Atlanna (Nicole Kidman), who is the princess of the underwater kingdom of Atlantis which had sunk under the Atlantic Ocean on one eventful day of ambition and hubris. He saves the injured princess and they fall in love. The unexpected sequence of events lead to the birth of Arthur Curry (Jason Mamoa) who shows the ability to communicate with marine lifeforms, and it is only one of his special skills. With the attack of the troops of Atlantis threatening her family’s life, she decides to go back to the city, hoping to come back on another day when the situation gets better. An Atlantean Nuidis Vulko (Willem Dafoe) is assigned to train Arthur as he grows up.

So, what happens with the events to follow? :: Back to the events after the incidents of Justice League, the invasion of Steppenwolf had made Arthur further part of saving the world as Aquaman, a name with which he has been referred to by the media. He comes up against the pirate David Kane (Yahya Abdul-Mateen) and his team while the group was trying to hijack a nuclear submarine – Arthur ends up defeating them, and leaves David’s father dead in the process, for which the young pirate wants revenge. Meanwhile, Orm (Patrick Wilson), Arthur’s younger half-brother and Atlantis’ king wants to begin a war against the people on the surface, as revenge against polluting ocean and causing the death of many creatures of the seas. Using an attack by David as the immediate cause, he seeks the support of the rest of the underwater kingdoms to go on war.

And what else is to follow here? :: He easily gets the support of Nereus (Dolph Lundgren), another king under the sea, and looks forward for more. The daughter of Nereus, Mera (Amber Heard) supports Arthur to become the king as the rightful heir to the crown. But at the same time, Orm wishes to get rid of Arthur, who is the first-born of the queen and therefore has a claim to the throne of Atlantis. Despite Orm sending huge tidal waves all around the world, the surface world remains ignorant about what lies beneath. Mera convinces Arthur to try and save both worlds and he agrees. But the fact remains that Arthur doesn’t have much of a chance against the power that Orm holds on his way to becoming the Ocean Master. But there might be one chance – the question remains if he can take it.

The defence of Aquaman :: One can appreciate Aquaman for its great fight sequences and stunning visuals more than anything else. It becomes a spectacle easily with these, and we just love to keep watching without taking eyes away at any moment. The visuals under the sea has all those fights happening underwater too. We have so many things to add to this visual extravaganza. Atlantis itself is a beautiful sight, and we see that even the people and their costumes are nice. There is a lot of world detail around here. The locations on the surface are also nicely chosen. The fight scene in Sicily is glorious, and the final combat is great to watch. There is also the allusion to the tale of the legendary British king Arthur, and the other reminder is related to Thor: Ragnarok which had the hero from Norse mythology fighting his sibling for control over the kingdom. Well, it even has some horror with its marine creatures – that reminds you who the director is.

Positives and negatives :: There is nothing special being added to the story, and there are no twists coming your way. The similarities to Thor: Ragnarok are many, with not just the sibling battle, but also regarding the early defeat, loss of weapon and arena battle, this time in the absence of the Incredible Hulk. But we see the cast, and most of the problems vanish with the beautiful visuals – Amber Heard does what Natalie Portman couldn’t do in Thor, as the action star on the lines of Kate Beckinsale of Underworld and Mila Jovovich of Resident Evil, as she does the same thing better than ever. A journey through the underwater world, and witnessing a city with so much detail can negate the negatives easily enough. There is some nice humour, and the emotions stay strong for most of the time too. It hasn’t been that easy going for DC, even though Suicide Squad was a movie I enjoyed a lot, personally. Aquaman makes it easy for DC to go forward now.

The performers of the soul :: Jason Momoa remains strong in this one, and unlike that Justice League role, this time, he brings more charm. He nicely gets into the mix of Justice League with this one, and it will be interesting to see how everything works out with another movie with a team of superheroes trying to match the Avengers in another universe. Amber Heard is amazingly good as the warrior princess from underwater. We remember her for her presence in the thrilling horror movies like All the Boys Love Mandy Lane, The Ward and The Stepfather as well as the action thrillers like And Soon the Darkness, 3 Days to Kill and Drive Angry. This one will be the new way to identify her, as a character which brings the best. She is perfectly suited for action sequences other than being remembered as a scream queen, and it is something that she seems to reiterate here. Patrick Wilson from Insidious & The Conjuring fame becomes an extremely effective villain too. Nicole Kidman has some fine moments too.

How it finishes :: Aquaman might be that one movie which could rise its level to catch up with Marvel, and after Wonder Woman, we have one another movie which lifts the universe again, with hope for even more. On the lines of Thor and Norse mythology, DC has its Greek mythology and elements including Atlantis about which we have read about in Plato’s Republic right in place. The myth and the visuals here can be considered to be even ahead of Wonder Woman, even though the island its inhabitants had their own charm too – nothing matches some nicely created underwater visual splendour though. With the second part of Avengers: Infinity War and Captain Marvel to do the job for Marvel, DC has surely made its move in a nice way, the director of Insidious and The Conjuring, James Wan has made a point once again. Well, it is surprising that Aquaman about whom not many people know – the lesser known superhero now has a movie better than each and every better known superhero of Justice League.

Release date: 14th December 2018 (India); 21st December 2018 (USA)
Running time: 143 minutes
Directed by: James Wan
Starring: Jason Momoa, Amber Heard, Nicole Kidman, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen, Graham McTavish, Temuera, Ludi Lin, Randall, Djimon Hounsou, Natalia Safran, Sophia Forrest

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@ Cemetery Watch
✠ The Vampire Bat.

Unforgettable

Vampire Owl: There is nothing unforgettable in this world.

Vampire Bat: It is not true. Some things just stay. I thought you would agree to the unforgettable nature of things.

Vampire Owl: I have been able to forget everything, and re-programme my brain with ease.

Vampire Bat: Was that part of one of the experiments by Doctor Frankenstein?

Vampire Owl: No, it is my own special skill, and no Frankenstein is required for the same.

Vampire Bat: But I know that you keep remembering Lady Death and your inability to get to her realm when needed.

Vampire Owl: Lady Death is not of past. She is more like the present.

Vampire Bat: This is exactly what I am talking about.

Vampire Owl: There is more to that particular story than what meets the eye. You should realize that better, considering how life has been. Well, it follows.

Vampire Bat: I think that you are going to write a book, considering how you have been talking about your life’s story in the last few days.

[Gets three cups of masala tea with banana chips].

What is the movie about? :: Julia Banks (Rosario Dawson) is in a new relationship with David Connover (Geoff Stults) who has only recently separated from his wife Tessa Manning (Katherine Heigl) with whom he has a child, Lily Connover (Isabella Rice). They seem to have managed very well as individuals, sharing the custody of their daughter who stays with each of them at one place after the other. Julia herself has her own little secret, with her abusive former boyfriend Michael Vargas (Simon Kassianides) getting arrested for his violence on him, and is on a restraining order, which has only few days left. To add to her fear about the same, she also has Tessa acting rather strange, seemingly intruding into their lives. Her best friend Ali (Whitney Cummings) would comfort her telling her that these are just common things in life, and is surely better than her last abusive relationship which left her with scars on her body.

So, what happens next in the movie? :: After leaving her job and city to arrive at this town, her biggest nemesis remains Tessa who keeps creating problems for her, mostly in the name of the child, and her inability to take care of the kid as she is not a mother. Scolded by her own mother Helen Manning (Cheryl Ladd) for letting go of her marriage, Tessa gets more and more angry and frustrated, deciding to teach her husband’s new lover a lesson. She searches for information on Julia and finds more than enough about her past, which is not revealed to David. She decides to use the same to her advantage, and contacts Julia’s ex-boyfriend. What follows is a series of events which involve Tessa trying to get rid of Julia, while latter somehow manages to hold on. But the question remains about how long can she evade the traps set by Tessa who seems to have everything in control.

The defence of Unforgettable :: There is the suspense associated with this one, and it keeps you engaged about what is to happen next, and how the plan works out. But above everything else, and even above the story, the movie works the best due to its two leading female actresses, Rosario Dawson and Katherine Heigl. The former shows her desperation to perfection, while the latter is more like the snow queen who has her heart made into ice, having almost no remorse over her action which would destroy lives – the selfishness that is reflected there is more than what a regular villain would bring in a movie like this. Katherine becomes what they describe by psycho barbie between two characters, and there is some terror hiding behind her eyes as she stare into her nemesis. There are some smart movies being made, but twists oppose the same, and thankfully there is no melodrama even while dealing with this kind of a theme. The one doubt left is whether we have loved the villain so much that we were wishing for her to thrive.

The claws of flaw :: There are a few moments which looks not really living up to what seemed to be planned, and we have some situations that seems to be not done well enough – the movie has its problems here and there as it brings its content. There could have been more to the flashback of the villain too, as we see how good she is even without the same. The final sequence is also strange, seemingly made to let the heroine win, and it is only fair for someone’s good side to let her be the last woman standing, and we wished otherwise, and it would have been more realistic that way. The male characters don’t really have anything interesting to do here, and we see that there was so much more of villainy that could have been brought on. There could have also been certain suspense about what was going to be done, and how worse it could become for the protagonist – the psycho barbie idea could have been twisted to the extreme limits.

How it finishes :: When you see a movie like this, there is that category which you fit this one into, and that is erotic thriller, and then there is erotic drama which has more chance to be chosen by the regular audience. This is certainly not a movie that will be memorable for a very long time with its thrills, but thanks to Katherine Heigl, this one gets raised from where it could have stayed otherwise. After watching this movie, one thing is for sure – we would want a bigger version of such evil on the screen – it is more like the purge that takes away all the bad things; we need something like this more often. When you see the negative reviews and you watch this one, you are going to be surprised by what it brings, and we know that thrillers based on relationships and home can also bring some more when you least expected them.

[Walks into the balcony with another cup of tea].

Vampire Owl: I think that this particular lady reminds me of someone.

Vampire Bat: If it is about the ex-girlfriend, it might be about Lady Death.

Vampire Owl: What meaningless thing are you talking about? She is not an ex. She is part of my present.

Vampire Bat: Don’t you know that the realm of death has stopped all connections with the vampire world? You can only be trapped in one of the worlds.

Vampire Owl: It is not possible. We are the connection between the living and the dead. We are needed.

Vampire Bat: Even the Lich Queen has been saying the same. There is no real contract regarding the same.

Vampire Owl: There is one with the Vampire Elders.

Vampire Bat: Dude, that connection no longer exists. The Vampire Elders have given up all positions of powers because they are very old.

Vampire Owl: It is absurd. A Vampire Elder rules forever.

Vampire Bat: You should read The Vampire Times at least once a week.

[Walks into the silence of darkness].

Release date: 21st April 2017
Running time: 100 minutes
Directed by: Denise Di Novi
Starring: Rosario Dawson, Katherine Heigl, Geoff Stults, Isabella Rice, Whitney Cummings, Cheryl Ladd, Simon Kassianides, Sarah Burns, Alex Quijano, Stephanie Escajeda, Kincaid Walker, Aline Elasmar, Lauren Rose Lewis, Jayson Blair, Robert Wisdom

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Boss Baby

Vampire Owl: More bosses and more babies? I thought we were done with them as Storks finished.

Vampire Bat: Well, the boss is a baby, and the baby is a boss. There is no more to add to it.

Vampire Owl: I have a feeling that this could be about Mavis. You remember our time with her earlier.

Vampire Bat: She is not a boss. And the baby here is human.

Vampire Owl: Dude, every human is just a simple bite away from not being human.

Vampire Bat: What? You bite babies and kids these days? When did you start doing it?

Vampire Owl: No! I was referring to the werewolves and zombies.

Vampire Bat: There has been no zombie infection since last redmoon, when the witches threw that beach party.
Werewolves are just too angry to go out of their territory. You will find no chance of humans getting bitten.

Vampire Owl: Doctor Frankenstein had informed us that humans were developing new vaccines leading to zombie outbreaks.

Vampire Bat: Even Frankenstein can’t stop humans and their perpetual greed. I am sure that he knows about that too ever since he turned undead.

[Gets some jackfruit chips and three cups of cardamom tea].

What is the movie about? :: Templeton (Tobey Maguire) tells the story of his childhood, from the time when he was seven years old, living with his parents, Ted (Jimmy Kimmel) and Janice (Lisa Kudrow). He lives a happy life as their only son, getting all their love, and is not ready to share the same with a brother or sister. He keeps an imaginary world with himself, where he goes on missions, mostly saving the day all by himself, and this fictional world is a significant part of his existence. It is due to the same that he is not able to believe when a baby arrives there dressed in a black suit. He feels that his new brother, the baby (Alec Baldwin) receives rather too much attention while he is ignored by his parents. They keep dealing with the baby’s needs and Templeton gets almost nothing. He is frustrated and envious of this new person who has stolen his world, and the love which only he is to receive.

So, what happens next? :: Templeton also feels that the baby is acting strange, but the parents are not ready to check that due to their love for the new arrival into their family. He is also shocked to know that the baby can talk like an adult. One day, he listens to the baby talking to the other babies of the neighbourhood and understands that they are on a mission. He tries to get the evidence, but gets grounded. So this baby, who turns out to the the boss of the rest of the babies in the neighbourhood, the Boss Baby, after their confrontations, decides to tell Templeton the truth. He makes Templeton suck on a pacifier which takes them to Baby Corp, a place where babies are doing business, sending infant love right after the babies are produced. Only a selected group of babies are chosen into business there, and there they try to keep the love for babies active. But now, they are facing a crisis, with puppy love overtaking the love for babies.

And what is to follow with this adventure? :: It has been a global phenomenon, as puppies having been taking over everything, more than doubling the love humans have for babies, leaving very little for cats, birds and the others. If the Boss Baby doesn’t succeed in finding the secret files regarding what Puppy Co, the big puppy supplying organization is planning to do as a surprise which will completely eliminate all others including babies from the love list of humans. The Boss Baby is at the house because Templeton’s parents work at the Puppy Co, and he says that he will go back to business at Baby Corp after his mission is accomplished. But if he fails to do what he is assigned to do, he won’t be taken back into business, and will have to settle in with Templeton as his brother, his memories about Baby Corp gone. Templeton, wanting the Boss Baby to go away, decides to help him. But with puppies dominating further, can babies finally get the love the deserve?

The defence of The Boss Baby :: The visuals are really good, and the cuteness is clearly visible throughout this one. The kids are going to love this one from the beginning itself. It doesn’t matter how much close to reality this one has intended to get, the truth is that a lot of people these days love puppies more than babies. There are people who even make the public statement about the same, and don’t want to have babies – it makes this movie even more relevant to our world. How some people manage to hate babies, and still love puppies is a surprise to many, but we know how people are, and what they are capable of. The funny side remains mostly strong with this one – how the baby works with his suit and suitcase is so much fun to watch. The message is to spread love, and not to keep it inside, or limited to someone – there is always more than one person who deserve the love, which only multiplies and comes back when given.

The claws of flaw :: There is the certainty of strangeness concerning this movie which has a baby as the boss – it is rather the next level of having something that doesn’t really come together. It keeps itself far away from reality all the time, and it never even tries to come back and be normal for a second. We have already seen the baby factories in Storks too. There are moments when the comedy doesn’t work too, and the world of imagination shown within this movie is rather a little too stretched and not needed. By the end, The Boss Baby gets rather predictable though, and its surprise regarding the villain is not that much of a shocker either. Well, this much was set, and we wonder why not some more here. It is the world of wonderful animated movies, and here they have a baby as the main character, and there should have been more, I am sure that a lot of people will agree to getting more with the movie’s little protagonist brothers.

How it finishes :: The Boss Baby will also have a sequel coming up, and it will be interesting to see how this tale of baby business magnet will go on. Based on the 2010 picture book of the same name, which was written and illustrated by the American author Marla Frazee, this one surely has developed a lot from the material. The looks of The Boss Baby is of the level of big animated movies like Zootopia, Moana, Frozen, Epic, How to Train Your Dragon, Big Hero 6, Inside Out and Kung Fu Panda, but is never close to getting around that level in its content. This is the kind of world in which the lost fish as well as martial arts expert Panda gets sequels, and so whatever the baby gets is a bonus – after all, we don’t want fishes and pandas taking over the place of babies like those puppies did. This one doesn’t seem to be going for the Academy Awards with this, but with the entertainment side, The Boss Baby is a leader.

Release date: 31st March 2017
Running time: 97 minutes
Directed by: Tom McGrath
Starring: Alec Baldwin, Steve Buscemi, Miles Bakshi, Jimmy Kimmel, Lisa Kudrow, Tobey Maguire, Lisa Kudrow, Conrad Vernon, James McGrath, David Soren, Nina Zoe Bakshi, Tom McGrath, Walt Dohrn, James Ryan Eric Bell Jr, ViviAnn Yee, Edie Mirman, James McGrath, James Izzo

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Annabelle: Creation

Vampire Owl: Did they confirm with Annabelle before making this movie?

Vampire Bat: I am sure that they don’t really believe that Annabelle is real; otherwise they wouldn’t have dared.

Vampire Owl: But she does, and I had tried to adopt her and failed because I didn’t meet the minimum requirements.

Vampire Bat: There are minimum requirements for adopting a doll? This is surely a new thing.

Vampire Owl: Yes, and the procedure is also not under vampire control. It is far beyond our reach.

Vampire Bat: That is pure nonsense. The Vampire World has fine diplomatic ties with each and every race in the realm, even with those we don’t like and have war with, at times.

Vampire Owl: But we are beyond many levels of realm now. Annabelle’s contact details is beyond.

Vampire Bat: You shouldn’t be venturing the world beyond, alone – unless it is also human world.

Vampire Owl: There is that red guy with long horns out there. He talks business very well, and I think that he is a very rich man from the human world.

Vampire Bat: Well, most of the human millionaires have to be demons at one point or the other; being too rich has its own side-effects.

[Gets three cups of iced tea with Arrowroot biscuits].

What is the movie about? :: A dollmaker in the countryside, Samuel Mullins (Anthony LaPaglia) and his wife Esther (Miranda Otto) are living a happy life with their seven year old daughter Annabelle (Samara Lee). Things seem to be too perfect until one day, the child is run over by a car, which leaves the two into a state of grief from which they never seem to get away, finding the tragedy too terrible to escape from. A few years later, the Mullins open their home to provide a place to live for Sister Charlotte (Stephanie Sigman) and six girls who were left homeless after their orphanage closed. Among the girls, there are Janice (Talitha Bateman), a girl who can’t walk right, as well as her best friend from the orphanage, Linda (Lulu Wilson) who have agreed to the fact that if they are adopted by a family, they will go together as one, and not to separate houses.

So, what happens next in the movie? :: The other girls include the two elder ones, Carol (Grace Fulton) and Nancy (Philippa Coulthard), as well as the remaining two, Kate (Tayler Buck) and Tierney (Lou Lou Safran) who find their own ways to have fun in the huge house at the countryside which is nothing less than a palace or castle for them. There is a certain restriction imposed on the girls from entering Annabelle’s room though, and Samuel is very strict about the same. Despite such an instruction, Janice is awakened by a noise, and she enters the same room which is somehow unlocked despite being locked all the time, after she gets a note in front of the door which says “find me”. With curiosity getting the better of the girl who never really had the time or energy for an adventure, she gets into the room which has a lot of toys, but in the closet, there is a special one, the Annabelle doll, and as she uses the key to open the door leading to it, a demon is unleashed.

And what is to follow next in this adventure? :: The unleashed demon doesn’t wait in beginning to terrorize the girls, starting with the one who brought it into this world. Even though the other girls are reluctant to believe in the existence of such a demon, they are soon forced to have belief in the evil force inside the house. It reveals itself to Janice, and tells her that it needs her soul. The attacks get worse, and she is thrown down the stairs, leading her to be fully restricted to the wheelchair. Soon, she shows the signs of being possessed, and a scared Linda tells Samuel about the same. It is revealed that he and his wife had felt a presence a long time ago, which they believed was of their daughter Annabelle’s spirit, and gave it permission to pass through the dimensions and enter a doll which was made by him. But soon, they realize that they had attracted a demon looking for a host. They took the doll to Annabelle’s room and locked it in a closet with pages from the Holy Bible, and keep it away with the help of priests and prayers. It remained there for long, but not anymore!

The defence of Annabelle: Creation :: You will find Annabelle: Creation to be scary, and also better than the previous Annabelle movie, making the origins of something worth our attention, all the time. It has that kind of a setting, which will not only have the scary side to be stronger, but also having a fine emotional side, as we are more bothered about the characters than in most of the other horror movies. It is the setting that makes sure that it rises to The Conjuring and The Conjuring 2 movies, even though not in totality. There is smartness in how the doll is used, and there is also the images of the scarecrow, and even the light is not capable of stopping our force of evil right here. The girls are all lovable, especially Talitha Bateman who plays the main character, who manages the fear and sadness before possession, and the change after the presence being inside her really well. Stephanie Sigman as Sister Charlotte is capable of carrying the whole thing too.

The claws of flaw :: There is a certain amount of slowness with this movie in the beginning stages, establishing a lot about the characters and the setting. The movie could be termed as about twenty minutes longer than it should have been, as this could be the perfect one and half hours of horror being unleashed quick and smart. There are also those moments which could have been scarier, with further frightening things added. You will find that a few mysteries remain unsolved in this one. There is the reminder about The Woman in Black: Angel of Death which had a school’s headmistress and children being evacuated to Eel Marsh House, an isolated manor house on a certain island in the marshes, being safe from the German bombing offensive against Great Britain during the Second World War. But you will find Annabelle: Creation to be a better movie than that one, without doubt despite feeling that you have seen the setting before.

How it finishes :: Don’t miss the final post-credits scene set in the Abbey of Saint Carta, Romania, for there is the little teaser to the upcoming movie The Nun, as the demon Valak makes the next move. Valak was someones who had created a better impact than any other demon with a name at this part of the world, and we know here that something huge is still to come, and with its setting in Romania, one can be sure that it has the inner strength to overtake all movies in the franchise. Until then, you can watch Annabelle: Creation, an improvement on its predecessor, and one of the horror movies to watch from the year 2017. You have loved Chucky of Child’s Play, with seven movies in that franchise, and Annabelle is like more of serious and believable horror with its tale – why shouldn’t the dolls have all the fun? Even The Boy had one in there to bring the thrills as well as the twist; humans really need to watch out. We might have a Cinematic Universe of horror here which can rise above that of Captain America, Thor, Iron Man and team; better watch out, Avengers!

Release date: 11th August 2017
Running time: 110 minutes
Directed by: David F Sandberg
Starring: Stephanie Sigman, Talitha Bateman, Anthony LaPaglia, Miranda Otto, Lulu Wilson, Grace Fulton, Philippa Coulthard, Samara Lee,Tayler Buck as Kate, Lou Lou Safran, Mark Bramhall, Adam Bartley, Lotta Losten, Alicia Vela-Bailey, Tree O’Toole, Joseph Bishara, Fred Tatasciore, Brian Howe, Kerry O’Malley, Annabelle Wallis (cameo), Ward Horton (cameo), Bonnie Aarons (cameo)

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Kong: Skull Island

Vampire Owl: Oh, Mr. Kong. I have heard that the humans used to call him King Kong. What happened to the king title?

Vampire Bat: Well, it seems that the humans has once again decided that only the mankind is the king and ruler above all species on Earth.

Vampire Owl: It is absurd. We are cent percent better than them. These people got such a huge mountain of ego that jumping off it to their sensible side is rather suicide.

Vampire Bat: What can we do? They are just proud of one thing or the other all the time. Then there are a few others who kill their own kind in the name of animals.

Vampire Owl: I don’t understand these humans. I actually understand werewolves better, which should be why are having a war with them.

Vampire Bat: Even humans never understand each other.

Vampire Owl: I would have been surprised if they did.

Vampire Bat: They even form teams to kill each other.

Vampire Owl: I wish werewolves had such teams, but they are so united.

Vampire Bat: Maybe Kong could work to get rid of those really bad ones among them.

[Gets three cups of strong tea with Mariegold biscuits].

What is the movie about? :: We see that two fighter planes which were going through combat in the air crashes on an unknown island. The American soldier named Hank Marlow (John C. Reilly) and a Japanese soldier named Gunpei Ikari (Miyavi) who have been fighting each other as the World War II was coming near the end, continues the combat, this time on the ground. While Gunpei manages to get the advantage with his samurai sword, a giant hand emerges from under the cliff, and the two gets back in shock. Later, in the year 1973, a team is sent by the United States to an island in the South Pacific known as Skull Island intending to discover what awaits inside before its Cold War opponent the Union of Soviet Socialist Republics decides to find its secrets first. The newfound opponent getting there before them was something that they couldn’t agree to, and due to the same, a former British Special Air Service named Captain James Conrad (Tom Hiddleston) is hired as the tracker to guide the new expedition.

So, what happens next? :: William Randa (John Goodman) is in charge of the operation, and intends to prove something, and Mason Weaver (Brie Larson) who has suspicions that there some secret warfare going on, also manages to join the gang to know what war is coming up after the failure of the Vietnam war. When a team lead by Lieutenant Colonel Preston Packard (Samuel L. Jackson) joins the expedition, her suspicions increase. As the team drops explosives at different part of the island according to the plan by the seismologist Houston Brooks (Corey Hawkins) to map out the island, they face something which they had not witnessed before, a giant creature which reveals itself as a huge ape, of the size of a skyscraper – the creature attacks the helicopters, easily destroying all air units, killing a number of men, and the others crashing at different parts of the island.

And, what is to follow next in the adventure? :: Preston feels that there is more than what meets the eye about this island, and when confronted, William reveals that he has been tracking these monsters for a long time, and there is a secret government wing which deals with these supernatural creatures, and they have been trying to get enough proof about the same, so that this possible threat against humanity could be dealt with, in one way or the other. He asks Preston to get him out of there, so that he could prove to the outside the world that such creatures exist, and there is reason for humans to be afraid of the monsters, thus proving that he has always been right, and not a nutcase. But Preston is more interested in something else, to kill the giant ape which murdered his soldiers – he would not stop until he sees the monster dead. The other team meets Hank Marlow who had survived on the island from the Second World War times, and he tells them that it is not Kong whom they should be worried about, as there are more, including the Skull crawlers – well, will anyone survive all these horror?

The defence of Kong: Skull Island :: You know what to expect of this movie, and you know that there is no chance of such a movie doing terribly – well, this one really manages to work on that formula so nicely. There is no shortage of fun in an old-fashioned tale about an island full of monsters, and will some skill, they have brought more quality into that idea. The special effects are too good, and CGI, as usual is nothing less than grand – we see more than one creature causing trouble, and we see the monsters battling each other, as we had seen in the last Godzilla movie, and this one doesn’t have that dark setting; the whole setting on the island is just some great joy to watch. We are also have a certain improvement from the 2005 version of King Kong, and this feels so much bigger on the screen. You will end up asking for more of Kong after this movie, and we have the monster who is capable of more than just destruction. Here, you will get to witness the monster power and all the action with less drama.

The claws of flaw :: You will always want more with a monster movie with the giant ape. The human characters are also very less significant in this movie which provides them only secondary or even lower status compared to the monsters on whom the movie is all about – we have so many of them here, but not much is there to be done with them. We would have also wished for more monsters – Kong could have used all the space used by humans too, because they do less and be the bad side of the movie, despite a lot of talent being present there. They could have at least thought and talked further about a philosophical side like Godzilla of 2014 did. We also wanted terrifying sequences with those which were called skull crawlers, or even other creatures who had the scope to unleash terror. Getting closer to simple monster horror would have been the best point of this movie, but this one chooses to go around on so many occasions – we can forgive most of them, but the viewers have to wonder what would have happened otherwise.

How it finishes :: Kong: Skull Island leaves us with the idea that there are some lines which shouldn’t be crossed, and that humans are not in control of nature or Earth, as they think – there will always be enough within this world to teach humans one lesson or two. We had seen the same in the movie Godzilla when balance was brought, and humanity was saved as monsters battled each other. There is even more to come in that case with Godzilla: King of the Monsters coming up in 2019, and the two movie series combining to bring Godzilla vs. Kong in 2020. Well, the monsters are going to attack our theatre screens more and more, and lets get ready for the same by watching Kong: Skull Island, which is the one King Kong movie which will take you back to your childhood, and enjoy this new, superior take of the myth with all that nostalgia and also the newly found glory with the best of visual effects, and the wonderful evolution of the tale of the giant ape. Well, when a monster calls, you have to listen and see the wonder that he is.

Release date: 10th March 2017
Running time: 118 minutes
Directed by: Jordan Vogt-Roberts
Starring: Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman, Jing Tian, Toby Kebbell, John Ortiz, Corey Hawkins, Jason Mitchell, Shea Whigham, Thomas Mann, Terry Notary, John C. Reilly, Eugene Cordero, Miyavi, Richard Jenkins, Marc Evan Jackson

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

It

Vampire Owl: It has been a dangerous thing throughout the ages.

Vampire Bat: What are you talking about?

Vampire Owl: The one thing which is mentioned by the name “It”.

Vampire Bat: Are you referring to a certain clown like in this movie?

Vampire Owl: Only the humans are afraid of clowns. We have no clowns here; nobody has ever heard about a Vampire Clown.

Vampire Bat: Well, with this movie based on the 1986 novel of the same name by Stephen King, the horror has shifted to the clowns.

Vampire Owl: You mean no more vampires, zombies, ghosts, demons and others?

Vampire Bat: I am afraid that humans keep moving from one supernatural creature to the other.

Vampire Owl: We need our own clowns then, and we can refer them by the name “It”.

Vampire Bat: Can you adjust with some fan boys and girls instead?

[Gets three cups of iced tea with Arrowroot biscuits].

What is the movie about? :: In the 1980s, we see a little boy being gifted with a paper boat, which he tries to sail through the water on the road, on a day of heavy rain and possibility of storm arriving. As the boats speeds up and goes down a sewer, the boy, George Denbrough a.k.a. Georgie (Jackson Robert Scott) looks down only to find a clown that introduces himself as Pennywise the Dancing Clown (Bill Skarsgard) from the circus which closed down due to the storm. As the boy gets closer, the clown wastes no time in biting his arms and dragging him right down inside. Later, William Denbrough a.k.a. Bill (Jaeden Lieberher), his elder brother can’t just stop looking for Georgie. He along with his friends, Richard Tozier a.k.a. Richie (Finn Wolfhard), Edward Kaspbrak a.k.a. Eddie (Jack Dylan Grazer), and Stanley Uris a.k.a. Stan (Wyatt Oleff) keeps getting bullied by Henry Bowers (Nicholas Hamilton) and his gang.

So, what happens next in the movie? :: They are joined by two other outsiders, Beverly Marsh a.k.a. Bev (Sophia Lillis) who is considered immoral by the students, and Benjamin Hanscom a.k.a. Ben (Jeremy Ray Taylor) who is the new kid around spending most of his time in the library with the less interesting books. As the town has had a history of disappearing children for a long time, the team decides to find the secret behind the same. They figure out that something strange has occured in every twenty seven years, and this is the year that the same is to happen again. They remember that they have all been frightened by one thing or the other, and a clown was the common thing in their visions – a headless person, a fountain of blood, a zombie-like man, a painting coming to life, and the ghost of Georgie are just more of their worst fear coming true.

And what is to follow next in this adventure? :: They come across another outsider, Michael Hanlon a.k.a. Mike (Chosen Jacobs) who also had visions of a clown and burnt people. They figure out that the creature is using sewer lines to move around, as they check where all the children went missing – all these sewers seem to lead to a well currently under the creepy, partially ruined, abandoned house at 29 Neibolt Street. Now, with the elders not ready to believe in the supernatural, the kids decide that it is their turn to do something about this menace of the clown. But the creature will only be happy to have the children visit his lair, and even they don’t, he is ready to come for them. So, what fate awaits the children as the clown has decided to open the circus again, to feed on enough children before he is ready to go back to sleep for twenty seven years?

The defence of It :: We were waiting for this for long, as the 2014 movie, Clown brought some idea about what we can expect with a movie which has a clown from circus and a kids in there. The scares are abundant with the clown around, and the first appearance of the creature might be the best of them all, as it is not just terrifying, but also disturbing with the attack on the little kid from beneath the sewers. Then there are many moments which contribute to the scares, one after the other, making a series of moments of terror, most of which are to be appreciated for being different from what was shown before. The child actors are too good too, especially Sophia Lillis who is a level above everyone else. Jaeden Lieberher is surely the right choice to play the lead character too, while the support never fails to do what they were to do. Coulrophobia, the fear of clowns can be a nice thing to have with this particular flick.

The claws of flaw :: It could have surely been scarier with the depth of its clown character though, as there could have far more terrifying illusions and hallucinations to go with him, and we could have also had something to take home as scares for the every day life – some interesting horror movies do come up with the same or a rather huge divergent idea. This one won’t claim that, as Lights Out would with each and every moment of darkness. This won’t be that big as Don’t Breathe and The Autopsy of Jane Doe became, redefining horror last year. The bullying also takes a little bit of too much time away from this movie which is already too long with its not that scary moments, going further than two hours. Well, they call it Chapter One, and so there could be more. Let the clown be more next time, with tricks that we can never imagine, raising the sequel to another level.

How it finishes :: We have always loved to watch a Stephen King novel on the screen, and it has been something which gives us assurance about horror, as well as the quality. The movies The Shining, The MistThe Running Man and 1408 keep coming to my mind more often than the rest. This one here is no exception, and it will be there to satisfy our need for a wonderful movie experience, as long as the expectations are not at the top of the peak. You are not going to regret your choice to go for this particular horror movie, as the clown is no usual ghost or demon that you come up against in most of those movies. You will also feel that a sequel will do so much more that, a better equipped, returning clown is all that a horror fan can dream about, or rather have some wonderful nightmares about. So, watch It, and get ready for more in a sequel.

Release date: 8th September 2017
Running time: 135 minutes
Directed by: Andy Muschietti
Starring: Jaeden Lieberher, Sophia Lillis, Bill Skarsgard, Jeremy Ray Taylor, Wyatt Oleff, Finn Wolfhard, Jack Dylan Grazer, Nicholas Hamilton, Chosen Jacobs, Jackson Robert Scott, Stephen Bogaert, Molly Atkinson, Geoffrey Pounsett, Pip Dwyer, Stuart Hughes, Steven Williams, Ari Cohen, Joe Bostick, Megan Charpentier

<—Click here to go the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Beyond Skyline

Vampire Owl :: What do you think awaits us beyond the skyline?

Vampire Bat :: The aliens. We know that from the first movie.

Vampire Owl :: Well, those creatures didn’t gain that much of a positive opinion that time.

Vampire Bat :: You know that all movies can’t be Alien Covenant or Prometheus.

Vampire Owl :: But movies certainly can be something in between them.

Vampire Bat :: An alien movie can still just be one, and not try for more.

Vampire Owl :: It is more or less like meeting the minimum requirements.

Vampire Bat :: Well, the minimum requirement for an alien movie is to have aliens.

Vampire Owl :: The need is more for having an alien invasion.

Vampire Bat :: Yes, that surely works better in most cases.

[Gets three cups of tea with paneer puffs].

A flashback to the first movie :: The first movie told the story of Jarrod (Eric Balfour) and Elaine (Scottie Thompson) who had flown to Los Angeles for Jarrod’s best friend Terry’s (Donald Faison) birthday party. Celebrating with Terry’s wife, Candice (Brittany Daniel), and his assistant, Denise (Crystal Reed), blue lights came down from the sky, hypnotizing anyone who looks at them, and the same had them immobilized as if they were zombies to be easily collected by the machines from the sky emitting the lights. After a series of events and attempts at survival, Jarrod and Elaine were sucked into the ship too. Inside the alien spacecraft, she saw that human brains were taken into machines to power them. Jarrod’s brain, inserted into a new alien body, gained control of the body instead of working otherwise, and came to the aid of a pregnant Elaine and their unborn child. This was were the first movie ended.

What is the movie about this time? :: Mark Corley (Frank Grillo), a police officer, gets his son, Trent Corley (Jonny Weston), out of the prison after he gets into trouble again. The two seems to be sorting things out in the underground metro when something strange seems to happen. It is then, at the same time that the alien invasion takes place. One after the other, people are mind-controlled and taken into their spaceships by the aliens. They seem to escape, but after a tactical nuclear attack by the aliens, Mark, Trent, a transit worker named Audrey (Bojana Novakovic) and a blind homeless man named Sarge (Antonio Fargas) are all taken by the aliens into their spaceship. The machines inside the spaceship seems to work hard with taking the brains out from the survivors, and Mark goes on searching for son, while being hunted by the creatures all around.

So what happens next with this tale of alien invasion? :: Going further into the ship’s closed area, he meets Elaine and her transformed boyfriend Jarrod from the first movie. It seems that even though Elaine is just three months pregnant, her pregnancy has reached its end as she gives birth to a daughter while she dies. Now, the destruction of the spaceship becomes the priority. As Jarrod fights the alien creatures, Mark rescues Audrey while Trent’s brain is taken and Sarge dies. Jarrod is killed when he fights the alien leader, but successfully crashes the ship in the forest area of Laos. There, Mark and Audrey with the child comes across Sua (Iko Uwais) and his sister Kanya (Pamelyn Chee), who are escaping from both aliens and local military men who are trying to take advantage of the situation. They take them to an underground lair full of survivors, and there they find out that this kid might be the key to their survival against aliens.

The defence of Beyond Skyline :: The visuals are good; they are not perfect as a big budget alien movie, but they are nice to watch. The creatures remind us of Predators, and the insides of the spaceship looks better than the outside. Some good action sequences are also there, and the final battle is nicely done. The cast is one big positive of this movie, as the man who played one of the villains in Marvel Universe, was Crossbones in Captain America: Civil War, and the one who was the spine of The Purge: Anarchy and The Purge: Election Year is at the top of the game here too. We saw that he could go through that action thriller with ease, and this is no different. Bojana Novakovic whom we had seen in The Devil, is not that far away here either. She is part of the action early itself.

The claws of flaw :: There is too much repetition in here, and there is no attempt to add something new here. The aliens could have had further detail, and something special could have added with an origin story. Some moments don’t really have the seriousness that they deserve, and there is a little bit more violence and gore than one would expect from a usual alien invasion movie. The energy as well as the feeling of danger and fear that an alien movie should display, is not always there either. It could have ended differently though, as the final scene predicting the next part seems to too usual – can’t people come up with something other than this to end a movie? Well, the plan seems to be to keep close to the usual alien stuff a little too much – it is surely the safer thing to do, but the question remains if we really need more and more movies doing the same?

How it finishes :: As a science fiction movie, Beyond Skyline will not contribute much to the scientific side or bring that much of a variety, but it is surely an improvement from its predecessor. We have better cast as well as a lot more action with this flick. It is that kind of a movie which provides you with a chance to use your willing suspension of disbelief again, and along with the same, it just keeps within the limit without going absurd. You might be able to find those bigger alien movies at higher budgets, but this one is not short of its fun and entertainment, with its aliens knowing where to head to, just like its humans. Maybe, with another movie in the franchise with higher budgets, we can have a lot more. It is what Beyond Skyline is about, to be bring the fun in between, with the resources that it possesses, never stepping back with the entertaining side.

Release date: 15th December 2017
Running time: 105 minutes
Directed by: Liam O’Donnell
Starring: Frank Grillo, Bojana Novakovic, Callan Mulvey, Iko Uwais, Yayan Ruhian, Pamelyn Chee, Betty Gabriel, Antonio Fargas, Lindsey Morgan, Valentine Payen, Samantha Jean, Jacob Vargas, Jonny Weston, Joanne Baron, Karen Glave, Tony Black

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Mortal Engines

What is the movie about? :: Far into the future, following an event which caused the destruction of most of Earth, cities exist here and there, with people and resources associated with them, and they move on wheels looking for options. Among them are the predator cities which feed on those smaller cities, capturing the people and taking their resources in a world which has nothing much left after that event which ended the normal flow of events. The big predator city of London chasing a small mining town is one of those events that is shown in the beginning itself. Thaddeus Valentine (Hugo Weaving), the man in charge has things going his way, but all of a sudden, a masked lady comes from the group of the people from the captured town and stabs him, only to be stopped from doing the same again by Tom Natsworthy (Robert Sheehan), thus Thaddeus surviving with a wound which could be treated easily.

So, what happens with the events to follow? :: The woman is identified as Hester Shaw (Hera Hilmar) who wants to murder Thaddeus who was responsible for killing her own mother and giving her the scar on the left of her face. As she fails in doing the same, Tom chases her, but is thrown out of the city along with her by Thaddeus who suspects that he knows something about his secret past. The two are forced to team up and try to survive together in a world which has nothing to provide hope for people left alone. The scorched grounds leave them with no resources to survive, and they end up being captured by slave traders. While Hester is being displayed on stage and sold to the highest bidder, Anna Fang (Jihae), an outlaw who fights against Thaddeus shows up, and saves her from slavery. Hester escapes with Tom, but someone else shows up.

And what else is to follow here? :: Shrike (Stephen Lang), the last of an undead battalion of soldiers shows up and goes for Hester. Thaddeus counts on the undead soldier to kill her, while she continues running with Tom and Anna. Shrike will not stop until he gets what he wants. It turns out that there is more than what meets the eye about Thaddeus and his own daughter Katherine Valentine (Leila George) figures that out with the help of an apprentice engineer Bevis Pod (Ronan Raftery). There are more evil plans at work, and if they don’t figure out the same soon enough, there is going to be terrible consequences. Thaddeus has a weapon that can make the worst happen, and the seriousness regarding the same won’t be understood by most people, except for our protagonists – but will they be too late with this? Will London gain superiority over each and every other city?

The defence of Mortal Engines :: The visuals are the best thing about this movie. The post-apocalyptic world and the machines are amazingly good, and far above the quality of some of those other flicks which claim to be grand visual treat. The colours are very nicely used, and the world detail gets full marks. You will find the big explosions in the climax to be too good, visually as well as in relation to the sound effects. There are some fine action sequences, and the thrills are present throughout the flick. Even with all these in the front, there seems to be something that lies beneath – the idea about the rich and the powerful feeding on the poor, and the desire for more power and control. One can see how important war becomes, even after there was a destruction of the world which came so close to destroying humanity itself to be replaced by another species.

The claws of flaw :: People might want more to be explained with this movie, and more could have surely been shown directly. The story surely could have used more focus, and the whole world itself could have had some smart explanations. Even the predator cities could have had their parts shown more clearly, and the same could have been part of big fights with other cities all around the world – it would have made the audience more familiar with the idea before the whole thing developed further. Those who are not used to watching this kind of movies won’t be that comfortable – well, this is a movie which has released even outside the main cities, and so that could have helped a lot. The steampunk genre can always use more of everything, as the possibilities are endless that way – genres of fantasy, horror and historical fiction could have been here stronger.

The performers of the soul :: Hera Hilmar as Hester Shaw is surely the one person who steals the show so well, not just with the action sequences, but also with those emotional moments – the scar or the red scarf that hides it elevates the level of her character with the looks itself. She does have a grand introduction too, as that sets the events of the movie going forward in a nice manner. Hugo Weaving plays a powerful villain here, and one has to love his plans regarding the world. Robert Sheehan just got a certain secondary level of job to do in comparison to Hera. Jihae makes some impact with the action scenes. Leila George plays her role in an interesting manner. Meanwhile, you will feel that Stephen Lang’s undead soldier Shrike might be the one character to remember for long.

How it finishes :: Mortal Engines, not to be confused with that terrible Mortal Instruments, will be another interesting visual treat full of action, which you just can’t ignore this weekend. With the other English movie of the weekend being The Possession of Hannah Grace, and Robin Hood already out of the equation, this one should be able to spend some good time out there. It boasts of coming from the makers of The Lord of the Rings and The Hobbit, and that is more than one reason to be hopeful about this particular flick. There is no doubt that it will provide some nice entertainment, and we can only be glad that a sequel can make this even better. Let us have more movies like this one, even better done. We remember Mad Max: Fury Road, and we know where it can go.

Release date: 7th December 2018 (India); 14th December 2018 (USA)
Running time: 128 minutes
Directed by: Christian Rivers
Starring: Hera Hilmar, Hugo Weaving, Robert Sheehan, Jihae, Ronan Raftery, Leila George, Patrick Malahide, Stephen Lang, Colin Salmon, Mark Mitchinson, Menik Gooneratne, Mark Hadlow, Kee Chan, Sophie Cox, Caren Pistorius

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Valerian

Vampire Owl: Do you remember the last time we went through space?

Vampire Bat: Yes, that was when the portal created by Doctor Frankenstein opened at the wrong place.

Vampire Owl: It is still a much debated topic. He says that the portal still opened at the right place, which has another portal as a connection.

Vampire Bat: There is no history of the existence of having a portal connected or placed within another portal.

Vampire Owl: He always makes new history. Last time he did something like this, it became a novel.

Vampire Bat: There is real debate on that, about his motives behind the same.

Vampire Owl: Do you know that Uncle Dracula trusts him more than anybody else?

Vampire Bat: Yes, just like the Frankenstein Monster trusted his monster. Where did it lead him?

Vampire Owl: Frankenstein Monster’s case is different. He was never really alive to be dead, and so he never really got out of life to die.

Vampire Bat: Life and death, they are just two sides of a leviathan’s coin, marked with the sign of the undead.

[Gets three cups of masala tea with Krackjack biscuits].

What is the movie about? :: A long way into the future, a former International Space Station has reached critical mass, getting relocated into deep space, being renamed as the city of Alpha, a space-traveling world inhabited by millions of creatures from many thousands of planets from different galaxies as humans build contact wit them. With the population going out of control, there is a special police force created to preserve peace as well as law and order, and it has Valerian (Dane DeHaan) and his partner Laureline (Cara Delevingne), who go on special missions all around the galaxy to make sure that everything works according to the plan. It is one of those days when they are having some vacation time that Valerian dreams about Princess Liho-Minaa (Sasha Luss) who is living in a planet with her peaceful group of people who fishes for pearls, but has their world destroyed by spaceships coming right out of the sky. But he is clueless about how the dream could be so clear, and it is as if the princess is calling out to him.

So, what happens next in the movie? :: It is analyzed that the message could have been from any time period and any part of the universe, and there is no chance of finding what could have caused the message to get through him, and the source remains unknown. At the same time, their next mission is on, with the need to get something that replicates almost anything in the universe – but it turns out that the same is with the black market dealer Igon Siruss (John Goodman) who is part of an extra-dimensional marketplace. There, Valerian and Laureline find the secret to unlocking something which has been troubling the government for a long time – Commander Arun Filitt (Clive Owen) of something strange happening in the centre of Alpha, and that the troops sent into that particular area have not returned, and the area which is out of their control, is growing. Now, it is up to the two to find more of the missing links, and unveil the big mystery.

The defence of Valerian and the City of a Thousand Planets :: What you would notice as the first thing about Valerian and the City of a Thousand Planets is that it is one of the most beautiful things that you can watch on the screen, as the space, the planets, the world of thousands planets, as well as the alien creatures and people, they all make it such a colourful world which has so much detail with everything. The skill is not limited to that, as there are those nice action sequences which go with them, and there is also one mystery to come to light. What you see on the screen is the marvel that you will need to keep watching again and again, as we are transported to that world which has no boundaries in extravagance. You might need this one to make sure that you can escape to that world, some place further away than any travel site can tell you, as imagination run high here, and there is a twist to be discovered, as one would expect with a movie like this, as dark secrets get out.

The claws of flaw :: There are moments when you feel that Valerian and the City of a Thousand Planets has been focusing the most on its visuals – it is no crime, and we are invited into a wonderful feast on the screen, but you are certain to feel that there was scope for more with its story that goes beyond planets and galaxies. The last few moments take a little more time to reach the end unlike having a smooth run – there is a little unnecessary extension there without which the movie could have been smartly smoother. We also hope that the audience can grow up to this movie, instead of claiming that any fantasy movie without quality is so good just because it is from their industry – they were not looking for substance them, claiming that the over-hyped movies was something which it surely couldn’t go on to become. We have such shameless people around, and so, it is no surprise that the critics would also want to please them up to an extent.

Performers of the soul :: There is some good chemistry being shared by Dane DeHaan and Cara Delevingne in this movie which is about the two more than anyone else, except for a few aliens, if we look closer. Well, most of the Bollywood fans are not going to call this one chemistry for sure, and we can say the same about those critics who have been watching too many of those romantic melodrama nonsense for years. A good science fiction or action flick might be a long way out of their world. One might have still wanted more with the protagonists, but they are good, maintaining peace not just in the city of thousand planets, but also for the viewers. You remember Cara Delevingne from Suicide Squad, she made a wonderful Enchantress, a young archaeologist who was possessed by an ancient evil force – of course, critics took the right to be prejudiced then. Dane DeHaan was fantastic in A Cure for Wellness, if you have watched it, and when we consider the superhero movie stuff, it is The Amazing Spider-Man 2‘s Green Goblin and Enchantress making a lovable no-longer-villain couple.

How it finishes :: Coming from the director of the surprise awesomeness Lucy, you will see that Valerian and the City of a Thousand Planets is that beautiful world on the screen that deserved more than what it got – the same was the case with Jupiter Ascending and John Carter, both having some wonderful worlds on the screen, with tales that go the distance; but we know that the audience and critics cam both be the kind of people who got the history of not making excellent movies score with box-office collections or opinions. Well, at least movies like Pacific Rim and Terminator Genisys did well outside North America to get the attention that they deserved. Well, it is good to have divergent audience all around, and only then can we nullify the effects of prejudiced viewers. For the same reason, lets hope that more people watch this movie and come with the good opinions, inspiring a sequel to Valerian and the City of a Thousand Planets – we can see that the scope is rather endless with this one, like in the game Mass Effect.

Release date: 21st July 2017
Running time: 137 minutes
Directed by: Luc Besson
Starring: Dane DeHaan, Cara Delevingne, Clive Owen, Rihanna, Ethan Hawke, Herbie Hancock, Kris Wu, Rutger Hauer, John Goodman, Elizabeth Debicki, Sam Spruell, Alain Chabat, Thom Findlay, Mathieu Kassovitz, Jonas Bloquet, Sand Van Roy, Sasha Luss, Louis Leterrier, Olivier Megaton

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Cult of Chucky

Vampire Owl: There was this question for VPSC.

Vampire Bat: You mean Vampire Public Service Commission? You are writing exams out there?

Vampire Owl: Yes, my exam centre was on the Old Vampire Isles, and there was this particular question which caught my attention.

Vampire Bat: You travel a little too much to write a silly examination.

Vampire Owl: It is not my point. The real point is related to that question.

Vampire Bat: I know how strange the question of VPSC are. They rarely make sense, and they never really wanted anyone deserving to get a good score.

Vampire Owl: They asked about the greatest doll of all-time. the options were Annabelle, Chucky, Barbie and Shrek.

Vampire Bat: So, you only had to choose from two.

Vampire Owl: Yes, and I ticked on the last option, Shrek.

Vampire Bat: You and VPSC should make best friends, in that case.

[Gets three cups of ginger tea with Hide and Seek biscuits].

What is the movie about? :: Years after the events of Curse of Chucky, a lot of things remain the same, including the existence of Chucky (Brad Dourif). Andy Barclay (Alex Vincent) who had shot him in the previous movie, has his head kept at his house, and keeps punishing it for the crimes which were committed. At the same time, Nica Pierce (Fiona Dourif) has been spending her in life in a mental institution, most of the time restrained and sedated for the murders of her family. After being watched at all times through cameras, and going through never-ending therapy, she murdered everyone in her family, and that the doll was just a creation of her mind as a result of her seeing things. Doctor Foley (Michael Therriault), who is sexually attracted to her, has her transferred to his own medium security facility where he can watch her at all times. There, the nurses Nurse Carlos (Zak Santiago) and Nurse Ashley (Ali Tataryn) are in charge, and are nice to her.

So, what happens next in the movie? :: Nica has an interesting group of people to give her comany, with Malcolm (Adam Hurtig), a confused man with multiple identity disorder who is instantly interested in being with her; Angela (Marina Stephenson Kerr), an older woman who believes that she is dead and nobody can see her; Claire (Grace Lynn Kung), a woman who is known to have burned her own house down; and Madeleine (Elisabeth Rosen) who is believed to have killed her own son by suffocation even as she believes that he is not dead yet. To make things more interesting, Foley adds a Good Guy doll, as if bringing Chucky back between them again – nobody really likes that idea, except for Madeleine who believes that it is her child that has come back to her. Claire is more hostile to Nica than anybody else, believing that she is a mass murderer who killed her own family.

And what is to follow next in this adventure? :: Nica is visited by Tiffany Valentine (Jennifer Tilly), who has been the legal guardian of her niece, Alice. Tiffany reveals that Alice has died and leaves her a Good Guy doll, which she claims was a gift from Alice Pierce (Summer H Howell). After informing her that the kid is dead, she says that Alice wanted Nica to have her Good Guy doll, and that night, she tries to commit suicide by slicing her wrists. Chucky, who has woken up at the hospital, finds it out, and stitches her wound back, leaving a message that she won’t die that easily. At the same night, Angela is found dead, and Claire follows, as Chucky makes his impacy felt. Now the question remains about which doll is the one that is possessed, and despite Nica’s best efforts, nobody believes that there is a serial killer doll killing people – the doctor himself is not interested in her words, as his attention is only towards her body. Now, the question remains about who all will survive the Chucky attack.

The defence of Cult of Chucky :: If you like this never-ending franchise with Chucky, the charming serial killer doll at the centre of it, there is no reason why you need to miss this movie, as there is that murderer doll spirit being carried on to this one too. You have fun, and you have those scary moments, most of them with the elements of blood and gore though – well, Chucky is not Annabelle, and as most of you already know, his motives are significantly different. Well, in a seventh movie of a franchise, you have so many characters returning, and if you are a fan of the series, you are up for the treat again. The one you need to watch out for is indeed Fiona Dourif, who plays the helpless one with a lot of strength from within, and the supporting cast is also very good. The setting is also nice, as the mental hospital brings the appropriate environment to make sure that Chucky shines even after so many years. Well, you need to come back because Chucky needs you.

The claws of flaw :: The movie could have surely been better, with a lot of scary moments – this one, with its one and half hours of length, doesn’t add that many of them, which could make the whole thing bigger. The previous movie, Curse of Chucky was surely ahead in that case, and was surely the better movie in comparison. Chucky needs to scare more characters, and here, right after people know that he is alive, they are just killed within minutes – give the poor doll some more time, will you? At least in the next movie? Why would someone need more than one Chucky? Why would one of them be in distress for so long? Why couldn’t the doll get more serious at least with a few things? We need the character to be better, and we need the doll to be creepier. This is not that age of old horror any more – ask many movies including last year’s Don’t Breathe, Lights Out and The Autopsy of Jane Doe for some ideas about innovation, or this one’s own predecessor about being better.

How it finishes :: We have one of the most popular horror dolls of all-time returning to action here, and due to the same reason, we just can’t stop the need to watch this particular flick, as we have felt the urge for so long, and it can only get stronger with time. Child’s Play has been an integral part of our horror lives, just like The Evil Dead, A Nightmare on Elm Street, Wishmaster, The Texas Chainsaw Massacre, Halloween and Friday the 13th, all of them, never really leaving our childhood, and all of these movies beginning before I was born. Along with accepting the fact that this one is not going to please everybody, you will accept that this is still good, and Chucky franchise is one of those things of horror which you need; if not now, at some other point. Remember this when you come across a nice looking dolls next time. Maybe there is more to it too, than what meets the eye.

Release date: 3rd October 2017
Running time: 91 minutes
Directed by: Don Mancini
Starring: Fiona Dourif, Michael Therriault, Adam Hurtig, Elisabeth Rosen, Grace Lynn Kung, Marina Stephenson Kerr, Alex Vincent, Jennifer Tilly, Brad Dourif, Zak Santiago, Ali Tataryn, Jennifer Tilly, Summer H Howell, Christine Elise

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Lost Village

Vampire Owl: I was looking for blue creatures in our realm. There has been none.

Vampire Bat: After orcs had chosen green and goblins also choosing the same, the popularity for blue has been decreasing.

Vampire Owl: And these werewolves always come in black.

Vampire Bat: Just like those Batman gadgets.

Vampire Owl: Even Mr. Luttappi is just red, you know.

Vampire Bat: Do you even remember having watched these Smurfs movies?

Vampire Owl: Yes, I can clearly remember that I have watched them both.

Vampire Bat: Okay, then talk about something that you remember more than the rest.

Vampire Owl: I don’t think that there was anything in particular – there was the village, blue people, bad wizard with a cat…

Vampire Bat: It was the main problem. They were not at all memorable.

[Gets three cups of strong tea with Mariegold biscuits].

What is the movie about? :: In the secret Smurf Village, the Smurfs continue to live a happy life, hidden from the evil that await in the outside world. Papa Smurf (Mandy Patinkin), their leader takes care of them as a fatherly figure, and things go on quite normally through times. Among those Smurfs who are given names according to their character or purpose are Clumsy Smurf (Jack McBrayer), Brainy Smurf (Danny Pudi), Hefty Smurf (Joe Manganiello) and many others, with even the strangest of names. It is only Smurfette (Demi Lovato) whom, despite being admired by all other smurfs as the only girl smurf around, seems to have no sense of purpose. As she was created by the evil remorseless wizard Gargamel (Rainn Wilson) from a lump of clay to use as the means to catch other smurfs, now she has no meaning of life, transformed into one of them, and out of the evil ways. It keeps bothering her most of the time.

So, what happens next in the adventure? :: With Gargamel on a mission to capture the Smurfs, steal their blue essence, and become the strongest wizard in the world, Smurfette and her friends sneak out of their village. Gargamel’s pet cat Azrael (Frank Welker) and his pet vulture Monty (Dee Bradley Baker) are also on the look out for any sign of a smurf in the woods. Smurfette comes up against a blue creature hidden by leaves, which runs away into the Forbidden Forest, and leaves a hat behind. She as well as the hat is taken by Garamel, who uses it to discover the location of a new group of smurfs with his magic. She is rescued by her friends, and all of them get grounded by Papa Smurf for disobeying him. But she is determined to save these lost smurfs from the evil wizard, and with her friends, set out for Forbidden Village, no matter how forbidden it is for her people. At the same time, Gargamel, Azrael and Monty also set out in search for the new village.

And what is to follow with the blue people against a wizard and his minions? :: The smurfs are attacked by Gargamel and his team, and is presumed dead by the evil wizard, but they escape with the help of a few bunnies. It is quite the dangerous mission that they are up against, as they have no idea what dangers lie ahead in a world which has been forbidden to them for such a long time. There they come up against animals and plants which are not normal, and soon they would be on a race against Gargamel, Azrael and Monty who are also traveling on the same route. Surprised to find each other again, they race, only to have Gargamel drowning in the river. After Hefty and Smurfette support the idea of saving him, he throws the smurfs down the waterfalls instead of thanking them. But they survive, and travel on land. They are soon trapped by the blue creatures under the leaves. They are supposed to be smurfs aren’t they? If they are smurfs, they are surely in danger, right?

The defence of Smurfs: The Lost Village :: There are good visuals for this one, that is for sure, and we get to see some nice animation not just with the characters, but also with the world. There is no more the mixture of the real world and the animated world, which is also a nice thing – also, there are no humans in this one except for the big evil wizard; it is another positive thing, as the mixture can have big problems with working. This is indeed cute and sweet too, and with all the colours around, the kids are going to enjoy it without doubt, and everyone else is going to have their childish side awakened. There are occasions when you feel that this is the kind of movie which you would have loved to watch during your early childhood, but wasn’t there; we are always happy that we had those Doordarshan cartoons like He-Man and the Masters of the Universe, Ducktales, Talespin and Tom and Jerry, but we imagine ourselves having such a treat, but childhood is long gone, a sad thing indeed.

The claws of flaw :: The movie is without doubt, predictable from the first moment itself. It is not like the same becomes a big problem in an animated feature film which is prone to the same. But you know that there have been exceptions like Moana, Zootopia, Frozen, Inside Out and others which have deviated from the expected path during the journey more than once. Smurfs: The Lost Village never really stands a chance against the animated movies of our times, with How to Train Your Dragon 2, Finding Dory and Kung Fu Panda 3, all being pretty cool sequels inheriting the original’s qualities. Just like its predecessors, this one has predictability written into it. The movie also has too much focus on one character whose search for her purpose gets rather repetitive. There is also the inability to capitalize on a funny side which always had the chance to be better. It even has a villain who is not even half smart as his cat, and that is not used to bring enough laughter. Better and smarter story in also not on cards.

How it finishes :: Smurfs: The Lost Village can be seen not to deviate, not inside the movie, and also not within the franchise. But it surely manages to be one of the most appropriate movies for the kids, with not much left to ponder about except for finding one’s purpose in life, and it leaves the message that being good will bring that meaning of life on this day, or at some other point – there is only the need to wait for the same. During these time when the life as well as the movies are so complicated, this kind of cuteness becomes rather necessary, and let the simplicity of this one save us from the complex evil of a world which is slowly and steadily being taken over by those who have no heart. The Smurfs franchise is becoming more interested in being the brand which has movies to add to it rather than flicks with big tales. Well, there is more than one than one way to go around with things, and cute little creatures are more than just fair for children.

Release date: 7th April 2017
Running time: 91 minutes
Directed by: Kelly Asbury
Starring: Demi Lovato, Rainn Wilson, Joe Manganiello, Jack McBrayer, Danny Pudi, Michelle Rodriguez, Ellie Kemper, Ariel Winter, Meghan Trainor, Jake Johnson, Mandy Patinkin, Julia Roberts, Gordon Ramsay, Tituss Burgess, Gabriel Iglesias, Jeff Dunham, Kelly Asbury, Bret Marnell, Melissa Sturm, Frank Welker, Dee Bradley Baker

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@ Cemetery Watch
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