Captain Marvel

What is the movie about? :: A few galaxies, away, on the Kree Empire’s capital planet of Hala, Vers (Brie Larson), a member of Starforce has a regular dose of nightmares every night, and it seems to be related to her memories, most of which she doesn’t have any more except in the form of quick shots. She is trained by Yon-Rogg (Jude Law) who hopes that she can keep her emotions under control, and use her special powers only when needed. The same is asserted by Supreme Intelligence, an Artificial Intelligence which had command over the empire. At the same time, a war is going on, between the technologically advanced Kree and the shapeshifting Skrulls, happening on different planets. This war which has been going on for centuries, had Kree at the advantage, calling the Skrulls terrorists who are trying to take over different planets by force and leaving a trail of mass destruction and brutal murders.

So, what happens with the events to follow? :: During one of those missions assigned to the Starforce, Vers ends up being captured by them. A memory probe is conducted on her, and the Skrulls find many of the lost memories, but don’t exactly find what they were looking. As Vers manages to escape, she lands on the planet called Sector 53, Earth. Her presence in Los Angeles attracts the attention of SHIELD agents Nick Fury (Samuel L Jackson) and Phil Coulson (Clark Gregg). The Skrulls lead by Talos (Ben Mendelsohn) continues to chase her, and she discovers that she was an airforce pilot, and was working on developing an experimental engine with the famous scientist, Dr Wendy Lawson (Annette Bening) before she was presumed dead in the failure of the effort and resulting explosion. But it is not the only secret that she would be bringing to light.

The defence of Captain Marvel :: There is some nice world detail in Captain Marvel, and the action immediately catches our attention. The journey through different planets, as well as the trip through the United States in the 1990s remain a joy to watch. There is also the presence of a lot of humour in this one, and that involves more of the unexpected. There is also a lot to expect with the new movie in the Avengers series, Endgame, with this new character being introduced into the scene. With this type of a strong superhero added to the roster like a Superman without Kryptonite, there are wonders waiting to happen. There are also some interesting questions being asked in the movie, about war and the need to end it. This movie could also go a long way with its main idea, and the journeys through different planets with more species to be there.

The claws of flaw :: Captain Marvel is no match for Wonder Woman, and that is indeed strange, considering the fact that even Black Widow and Scarlet Witch showed signs of doing that early – the female characters of Marvel had a certain amount of charm, but this new superhero who gets the first Marvel movie with a female hero lead, trails. She is also very late to arrive here, as a movie set in the 1990s. Captain Marvel should have been there before Avengers: Infinity War, and along with Ant-Man and the Wasp, these movies are not helping the upcoming big one that much as one would have expected. Regarding the introduction of such a powerful superhero late is not helping, and too much strength is also not bringing any advantage. This one needed a Kryptonite to keep the titular hero in control, as we no longer live in the age of invincible heroes, as we need the flawed ones more; it is not Superman that can do the job these days, but Batman and Aquaman.

The performers of the soul :: Brie Larson is indeed the person to look out for, and she handles this too strong a superhero with such skill that we feel closer to the character – the distance becomes less. You remember her playing a kidnapping victim in Room, for which she won the Academy Award for Best Actress. The 2017 movie Kong: Skull Island was the one movie for which she has been known the most among the common audience around here. She doesn’t have the more close to life superhero like Gal Gadot had with Wonder Woman – that one had her closer to us with the role, and it is the presence of too much superpower that keeps this one away. Also having a BAFTA Award and a Golden Globe, this one comes as no challenge to her, and it is her who makes sure that the superhero gets to the masses, and we can only be glad about the same creating a huge effect in the next Avengers movie.

Further performers of the soul :: Jude Law as Yon-Rogg here reminds one of Patrick Wilson’s character in Aquaman, as he goes on doing more and more in the name of the empire. He makes one strong villain here, even though the villainy is let down by having too strong a superhero at one end. From what he has displayed, we can be sure that there was more to be done if the villain was given some powers to match the glowing superhero. Samuel L Jackson’s Nick Fury is too good once again, and we have him handling the humour with a great amount of skill. Ben Mendelsohn as Talos on the other side of the war also has some fine moments to go with. Gemma Chan and Djimon Hounsou are notable as other members of the Starforce who tries to make things happen for Kree, but doesn’t have the power – once again the problem of too powerful a superhero and the absence of good enough supervillains comes up.

How it finishes :: It can be seen that Captain Marvel remains an entertainer throughout its run, with great visuals all around, and it even has a cat to steal the show along with those common humans. But with the overpowered superhero, there is a limit to how entertaining this one can be, and we all know how this will end, right from the beginning itself. A super powerful hero to use against Thanos is not that great an idea because that leaves whatever in Earthly, and whatever is human, out – we don’t want something like what happened with the final moments of Justice League, which had everyone other than Superman to be a waste. But we hope that Marvel can fix that well enough making this less repetitive next time, and until then, this one is a very entertaining movie set on different planets and between different species. The good 3D also helps the same, even though the world is no match for that of Aquaman and Thor: Ragnarok.

Release date: 8th March 2019
Running time: 124 minutes
Directed by: Anna Boden, Ryan Fleck
Starring: Brie Larson, Samuel L Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, Jude Law

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@ Cemetery Watch
✠ The Vampire Bat.

Robin Hood

What is the movie about? :: Robin of Loxley (Taron Egerton) has been in love with Marian (Eve Hewson) since he first met her at a stable. He is the lord of a manor, and she is a petty thief, but they have no doubt that they are in love. Still, things change, as he is called to fight in the Crusades in Northern Africa. He fights with great courage there, and defeats as well as kills many, until he makes the decision to stand up against his leaders’ attitude and treatment towards the prisoners of war. He almost gets killed by his own people, but manages to get back to his lands and get back to his feet, thanks to a former Moorish commander known by the name John (Jamie Foxx) who becomes his new mentor. This training that he receives, with the skill that he already has, Robin needs to go against the most powerful man in the county, the Sheriff of Nottingham (Ben Mendelsohn).

So, what happens with the events to follow? :: With his return, he finds out from his good friend Friar Tuck (Tim Minchin) that Marian is now with another man named Will Tillman (Jamie Dornan). He also finds out that his family property has been confiscated by the Sheriff, who never stops tormenting people in the name of war. Sheriff has his own army to make sure that people pay for the war with all that they have. Robin and Sheriff decide that this has to stop now or people will be left with nothing. There is no hope for the common man, and Robin decides to become that hope, something which would include more than one robbery and fight. But with the knights of the Sheriff being among the strongest, can he find a way through all these to save the common man from losing everything?

The defence of Robin Hood :: There is no shortage of style in Robin Hood, and the action scenes are all nicely done. They might feel to be a little overdose and edited in such a way that it might be a little difficult to follow for the eyes. But they do work, and has our attention more than any other. The setting also feels strange at times, but it is nicely done. We can see that the divergence that this movie has is rather too high, but even in that case, the attempt is to be appreciated for bringing a different version. The archery scenes are among the best, and the visuals with the lighting brings a special effect. The messages revolution and equality runs right through the movie, and a few parts of the movie are funny, even though we feel that it is rather unintentional. The ending also sets the path nicely for a possible sequel even though that seems not coming as we consider the situation here.

The claws of flaw :: The way in which the tale in this movie is changed becomes rather strange. It is too much of a diversion, and it is not easy to digest many of those changes. Some of them feel unnecessary even for any standards. The case of John might be the strangest of them all. The movie could have also used some better editing, especially with its fight scenes. Everything keeps moving from one side to somewhere else without warning. The movie itself is clueless at times about the idea as well as the story, even though it keeps us entertained for most part. Most of the time, the movie also doesn’t look like its from the medieval age. It goes on trying to become like King Arthur: Legend of the Sword, a movie which does the same thing to the King Arthur legend as this one does to the Robin Hood legend. Well, only some movies could change for the best.

The performers of the soul :: Russell Crowe and Cate Blanchett are not here to leave that big mark, but the performances are okay. Taron Egerton had those miserable overrated Kingsman movies, and this one is surely above them, and he also has some nice dialogues to go with the same. The Irish actress Eve Hewson surely brings some charm to the movie, even though her role here is limited. Jamie Foxx doesn’t have the impact to create in this character who is the trainer – it has to be noted that Mohanlal in the Malayalam movie with the similar thief Kayamkulam Kochunni had so many times bigger impact as the trainer, and that movie itself was way ahead of this one with its thief who stole from the rich and helped the poor. Ben Mendelsohn’s Sheriff of Nottingham is not that much of a villain that we expected. Tim Minchin’s version of Friar Tuck is mostly irritating, and Paul Anderson’s Guy of Gisborne doesn’t have that big impact. Jamie Dornan’s Will Tillman can have the great strength only in a sequel if it ever happens.

Soul exploration :: There are different ways in which this particular movie can work, and one of them is similar to the American War on terror in Iraq and Afghanistan, with different moments pointing to the same in one way or the other. There are people supporting both sides in a war, as we notice. We also feel that this might be a Batman movie which is not good enough, and something which could have been a different kind of Dark Knight, but isn’t. The hero does spend some time with a mentor, is rich and decides to save his town in a mask, that much is clear. But the fact that Robin Hood is not Batman, and he is not supposed to be like Green Arrow who goes through almost the same things and has the hood and arrow dressed in green. Was he called into the DC Universe to be the Green Arrow? One has to wonder about the similarities visible here.

How it finishes :: Even with all the style, it is strange that Robin Hood makers could think that this would be enough, if they did have that idea. Robin Hood is not our usual hero whom we can change and get away with it. He is not Batman, Superman, Spider-Man or any other superhero to have different version. The same was proved by the earlier adaptation of the Arthur legend. Even with a cast which included Russell Crowe and Cate Blanchett, the 2010 version which felt closer to history couldn’t go on make it big as expected – these people had to be careful about it when making a movie like this, but the problem here is that there seems to be no such concern. Maybe this would work a little better with the 3D which was not there when we watched it – but about the movie, it is just random action entertainment which isn’t bothered about making things better.

Release date: 23rd November 2018 (India); 21st November 2018 (USA)
Running time: 138 minutes
Directed by: Otto Bathurst
Starring: Taron Egerton, Eve Hewson, Jamie Foxx, Ben Mendelsohn, Tim Minchin, Jamie Dornan, Murray Abraham, Paul Anderson, Josh Herdman, Bjorn Bengtsson

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Rogue One

Vampire Owl: The title of this movie has already made me think about Rogue Two.

Vampire Bat: It is the problem due to thinking too much about sequels. I don’t think that there will be another Rogue, as this is supposed to be a spin-off standing alone.

Vampire Owl: Some movies have too many sequels anyway. I can’t even remember when I first heard about Star Wars. Maybe we should see the rings and live only for seven days, so that the memory works better.

Vampire Bat: It is something that goes beyond centuries for humans, so I have heard.

Vampire Owl: But it hasn’t been that much known throughout the world, I wonder why.

Vampire Bat: Well, even Star Trek became popular only in the last few years – before that they had copied the same to make Captain Vyom.

Vampire Owl: Yes, I remember that it had such an uncomfortable timing that I ended up missing the food provided for many wedding, betrothal and house warming functions for watching it.

Vampire Bat: But, during those times, we never knew the original.

Vampire Owl: Star Wars was more popular than Star Trek during those days.

Vampire Bat: Now, there is the twist – everyone we love around here loves Star Trek more.

[Gets three cups of breakfast tea with a piece of orange cake].

What is the movie about? :: Galen Erso (Mads Mikkelsen), an expert in weapons research is hiding on a planet, away from the dictatorship called Empire and its sinister motives which include but are not limited to enslavement of people. Orson Krennic (Ben Mendelsohn), who is in charge of the weapons research for the Imperial Military Force finds him and forces him to build a superweapon called the Death Star, which is capable of destroying planets from a long distance away, thus giving supreme power to the Empire. While his daughter is saved by the wanted rebel and an extremist Saw Gerrera (Forest Whitaker), his wife is killed by the Empire in the conflict. Galen is left with no other way, and is forced to go with Orson to provide his expertise, while Saw and his forces continue to resist the Empire which only grows stronger and stronger with time, while the rebels focused on newer methods to take down the Empire.

So, what happens next in the movie? :: Years later, a cargo pilot of the Empire, Bodhi Rook (Riz Ahmed) turns to the side of the rebels, as he brings a message from Galen to Saw, and he is captured by the extremist rebels. Meanwhile, Jyn Esro (Felicity Jones) who is a prisoner of the Empire, gets rescued by a rebel officer, Cassian Andor (Diego Luna) who takes her to the rest of the rebels, and there, they convince her to find more about her father and the Death Star so that they can make good use of the information; their true intention is to kill him though. They will be joined by a re-programmed droid from the Empire, a blind but skilled warrior Chirrut Imwe (Donnie Yen) and his fighter friend Baze Malbus (Jiang Wen) who would have more than what they could handle on a normal day. Can they figure out Galen’s message, find him and stop the Death Star before it begins destroying the rebel bases, or even the planets on which they stand? Is there hope against the Empire which stands so strong?

The defence of Rogue One: A Star Wars Story :: Despite it not becoming that much of a popular thing here, this movie continues in the path set by its predecessors in the franchise, and does the same thing again, and provides the entertainment beyond the known world. Well, Star Wars is something that doesn’t age, and can go on to make more and more sequels, and shall continue to become success for many years to come. The message about rebellion continues, as the dictatorship also continues to do what it has been doing. The nostalgic feeling should work for those who had grown up watching Star Wars – those VCR and VCP days had more than one cassette of this franchise, with the first Star Wars, The Empire Strikes Back and Return of the Jedi; these used to be the special movies which looked too good, but not many people had watched them. The visuals and the special effects are too good, and you are going to love the final battle scene for sure, with all the splendour. Well, a stand-alone spin-off Star Wars movie is good to keep you strong while waiting for the next flick.

The claws of flaw :: The lack of popularity of Star Wars around here has hurt the possibilities with a lot of people no aware of how this series is progressing; about where it all began, where everything is going, and who all are these people, you wonder – well, not many people who have watched those earlier Star Wars movies are there to watch the newer flicks in the theatres, you know, and a stand-alone spin-off will only confuse them. Well, if people are confused about this, you can’t blame them, and they can only enjoy parts of this one in that case. Also, the one point to note is that there is not much of a change or variety in proceedings in this movie, as this becomes more Star Wars, rather than bringing a new special element. Star Wars: Force Awakens was certainly a better movie than this, and it seemed to try to be something by itself unlike this one which goes on and on with its usual stuff. Also, its attempt to work on the nostalgia that we have for this movie works not that much with the audience here. The emotional side is rather weak.

Soul exploration :: Well, Star Wars has always been about the rebellion against the dictatorship, as we had felt a long time ago. But during those times, the need was not this strong, and with a lot of things forced on us for no meaningful reason, one has to wonder if we are all the rebels against that part of the society which steals our individuality from us, for which new rules are made; when rules are not really made for people, and it is just for a certain group of people, we wonder if this situation in Star Wars is not so different from what we have now. There is so much hate in the world that hope seems too far away, as far as the stars are. Star Wars also has the message of hope, and battling against all odds. But how strong is everyman against the troops which are controlled by fascism which threatens to destroy not just worlds, but also the idea from the minds of the people? Star Wars movies keep bringing that hope in one way or the other, against the mighty Empire which would call for fake patriotism and not rebellion, but revolution happens in one way or the other.

How it finishes :: As it is clear for many people, people in India are not really much of fans for the Star Wars franchise, even though I remember having watched the series, and becoming interested in the same – I was among a few people who did, for Star Wars surely had no takers in the schools, tuition classes or even among the cousins. The presence of some of the Star Wars games was what helped me further to keep the interest alive, and while those earlier games had the Jedi Knight hero, there was also Star Wars: Galactic Battlegrounds which provided the feeling of playing Age of Empires II: Age of Kings again. Even though it keeps making so much money in the United States, and maybe also in Europe as well as other English-speaking nations, it would have to try hard to make it work better in India for better collections – but you never get bored of watching a Star Wars movie as far as I am concerned, and I have enjoyed watching this one too. We await the real sequel of Star Wars: Force Awakens, Star Wars: The Last Jedi releases with Daisy Ridley and John Boyega after this one from the director of Godzilla. So, may the force be with you.

Release date: 16th December 2016
Running time: 133 minutes
Directed by: Gareth Edwards
Starring: Felicity Jones, Mads Mikkelsen, Diego Luna, Ben Mendelsohn, Donnie Yen, Alan Tudyk, Jiang Wen, Forest Whitaker, Jimmy Smits, Genevieve O’Reilly, Anthony Daniels

@ Cemetery Watch
✠ The Vampire Bat.

Exodus

exodus ()

Vampire Owl :: No, I have suffered too much with that earlier movie called Noah. No more!

Vampire Bat :: But, I would say that Noah has set such a terrible standard that it will be almost impossible for any other Biblical movie to come under it.

Vampire Owl :: I doubt that. The worst movie in any category is yet to come. There is always disaster in waiting. It is like a werewolf waiting for a full-moon when getting the release date.

Vampire Bat :: I see that your negativity about movies is increasing like your zombie minions’ doubts about your inability to owlify the world.

Vampire Owl :: I don’t understand why you doubt about categorizing Noah as the worst movie of the year. Along with bringing an aversion to Darren Aronofsky, I don’t see any other movie which put Christians, Athiests, Hindus and Muslims in the theatre to sleep with no discrimination. It has done India some favour with reflecting the unity in diversity, but in the end, it is just boredom for everyone, even for the categories with reservation.

Vampire Bat :: Yes, I did see the reaction in the theatre, but as you said, the worst movie list is still open.

Vampire Owl :: I think that you should close the yearly list right now. Now we know what movies to watch each weekend, and I don’t see any other movie coming close to as ridiculous as Noah.

Vampire Bat :: But we are not sure about it yet. There are some differing opinions…

Vampire Owl :: I shall hear nothing of Exodus anymore. I am going to some place peaceful; like a cemetery, I guess.

Vampire Bat :: I think that it is a pretty good idea.

[Starts the car].

What is it about? :: Ancient Egypt had grown vast and wide beyond the banks of the river Nile, and was going through its best times, but mostly based on the blood and sweat of its Hebrew slaves. As much as the great Egyptian Empire spreads and developed, so much more pressure came on its slaves who continue to suffer more. Under the rule of the Pharaoh Seti I, the empire continues to thrive. There seems to be glorious days which goes on and on. Moses (Christian Bale) and Ramses (Joel Edgerton) grow up like brothers in the palace even as it is certain the latter shall go on to become the Pharaoh. It is like they do have each other’s back until that realization come upon them one day. The truth that was hidden for long will come to light, and being considered a Hebrew spy won’t do Moses much good. He would soon be banished from his world, but that wouldn’t be the end of him, as God has plans for him and his people as he will liberate them from the yoke of slavery and lead them to the promised land. But what does the Pharaoh say about this?

The defence of Exodus: Gods and Kings :: It is our duty to support the big epic stories on the screen, and in that case, we have an automatic self-defence here. We need our faith, the beliefs of the past to keep us going, and I am sure that Exodus: Gods and Kings will only be a positive factor in the same unlike Noah which came up with so much negativity about the same. This is also a visually stunning movie, unlike any Biblical movie that has come so far, and the splendour and awesomeness of the Ancient Egypt is shown with full strength like never before. The cities, the statues and monuments, the troops, the Pyramids and the location near the Nile – they are all breath-taking. There is a good amount of detail put into all of that. The plagues are also nicely shown on the screen with the visual effectiveness, especially the river of blood and the thunderstorms. The cast also works nicely. There is an effort taken to add some imagination and more realism too, even as not all of it have worked. Still a spectacle is guaranteed on the screen, and God is clearly shown to be on the side of the poor and the powerless.

Claws of flaw :: The inaccuracies are there; yes, there are too many liberties being taken, especially with the portrayal of God (somehow reminding me of Waiting for Godot) and the way in which the plagues appear, rather like intending to connect them in one way or the other to various other factors. There are many moments which got the differences seeming easy to detect here, and the certainty is there about criticizing the same – but nothing really in a bad way (Noah had brought new “bad” or the “terrible”). I won’t list them here as I would continue this one as more secular than religious in nature. I am not an Old Testament expert anyway. The biggest problem after the God depiction is the Red Sea scene which had a lot more scope as a direct miracle with the special effects. The characterization is also incomplete; there is no real effort put into concentrating on Moses as a person, and that affects most of the other characters too – but they are not strangers to the audience, are they? The ending is also not where it should have stopped. The ending was to be after the sea-scene, and this one goes on to stop in the middle of nowhere. There was no point in rushing through things here either.

Performers of the soul :: You know that this is supposed to be depending heavily on Christian Bale who has to keep it going, and it does. He doesn’t fail to deliver yet again, and even when the characterization seems to bring things down, he continues to strengthen things. A special mention is needed for María Valverde who looked lovely and too good for her character, even though having a comparatively minor role which she did to perfection and remains memorable. Joel Edgerton does a commendable job the pharaoh, and he has his moments as much as the protagonist has, plus when they are together, there is even more power on the screen. Sigourney Weaver is limited here in another small role. The rest of the actors playing Hebrew characters pale in comparison to the power of Christian Bale’s Moses, even as Ben Kingsley does seem to have the opportunity to be the next most noticed person there, and Aaron Paul comes after that. But this movie is more Moses’ movie than Noah belongs to its titular character, and so we can understand the limitations of the rest of the cast, except for the antagonist.

How it finishes :: Coming from the disappointment of watching Noah, I wondered about the possibility of this being a good one, but I had more expectations about this movie. Noah had hit the bottom of the movie ocean with its terrible attempts to make something ridiculous out of the void of nonsense created by itself. Despite this movie being better, I do wonder why this couldn’t have been even better, coming from a director like Ridley Scott whose Prometheus had me incredibly interested like Alien and there is no need to talk about Gladiator which is there in almost every poster of this movie with the lines “from the director of Gladiator” becoming its biggest promotion. There was going to be believers and non-believers coming to watch this movie, and it had to use its epic elements to better use to make sure that both were nicely satisfied, and this one just makes the touch instead of grabbing and using its available elements. One has to admit that it is still with enough strength to survive though, and when it gets weak, we remember the pathetic and boring experience which was Noah, and we get happier. This time, the one whom I ask to accompany me won’t feel the need to shoot me on the head.

A look into the status :: Exodus: Gods and Kings releases in India a week before it does in the United States – well, you know that it is usually the other way around; with rare exceptions like The Amazing Spider-Man 2. You know about the recent ones The Equalizer and John Wick coming late here too. Now that is a twist of events, and it is a good thing as it won’t collide with The Hobbit: The Battle of the Five Armies next week, followed by Night at the Museum: Secret of the Tomb, and then Into the Woods on the Christmas weekend, even as I am doubtful about the last movie’s fate here. Now you know the schedule for every weekend of December – these are the four movies which we have this month, and with one gone, there are three more to go, among which I hope that The Hobbit: The Battle of the Five Armies will go on to become the second highest grosser of the year if not the first, as far as it doesn’t go The Hunger Games: Mockingjay Part 1 way and doesn’t make that much of an impact. For now, Exodus: Gods and Kings has fertile grounds in the theatre, with not much of a challenge, and hope it makes good use of this advantage.

Release date: 5th December 2014 (India); 12th December 2014 (USA)
Running time: 150 minutes
Directed by: Ridley Scott
Starring: Christian Bale, Joel Edgerton, María Valverde, Sigourney Weaver, Ben Kingsley, Aaron Paul, Indira Varma, John Turturro, Hiam Abbass, Kevork Malikyan, Anton Alexander, Golshifteh Farahani, Tara Fitzgerald, Ben Mendelsohn, Dar Salim

exodus

@ Cemetery Watch
✠ The Vampire Bat.