robinhood – Movies of the Soul

What is the movie about? :: Robin of Loxley (Taron Egerton) has been in love with Marian (Eve Hewson) since he first met her at a stable. He is the lord of a manor, and she is a petty thief, but they have no doubt that they are in love. Still, things change, as he is called to fight in the Crusades in Northern Africa. He fights with great courage there, and defeats as well as kills many, until he makes the decision to stand up against his leaders’ attitude and treatment towards the prisoners of war. He almost gets killed by his own people, but manages to get back to his lands and get back to his feet, thanks to a former Moorish commander known by the name John (Jamie Foxx) who becomes his new mentor. This training that he receives, with the skill that he already has, Robin needs to go against the most powerful man in the county, the Sheriff of Nottingham (Ben Mendelsohn).

So, what happens with the events to follow? :: With his return, he finds out from his good friend Friar Tuck (Tim Minchin) that Marian is now with another man named Will Tillman (Jamie Dornan). He also finds out that his family property has been confiscated by the Sheriff, who never stops tormenting people in the name of war. Sheriff has his own army to make sure that people pay for the war with all that they have. Robin and Sheriff decide that this has to stop now or people will be left with nothing. There is no hope for the common man, and Robin decides to become that hope, something which would include more than one robbery and fight. But with the knights of the Sheriff being among the strongest, can he find a way through all these to save the common man from losing everything?

The defence of Robin Hood :: There is no shortage of style in Robin Hood, and the action scenes are all nicely done. They might feel to be a little overdose and edited in such a way that it might be a little difficult to follow for the eyes. But they do work, and has our attention more than any other. The setting also feels strange at times, but it is nicely done. We can see that the divergence that this movie has is rather too high, but even in that case, the attempt is to be appreciated for bringing a different version. The archery scenes are among the best, and the visuals with the lighting brings a special effect. The messages revolution and equality runs right through the movie, and a few parts of the movie are funny, even though we feel that it is rather unintentional. The ending also sets the path nicely for a possible sequel even though that seems not coming as we consider the situation here.

The claws of flaw :: The way in which the tale in this movie is changed becomes rather strange. It is too much of a diversion, and it is not easy to digest many of those changes. Some of them feel unnecessary even for any standards. The case of John might be the strangest of them all. The movie could have also used some better editing, especially with its fight scenes. Everything keeps moving from one side to somewhere else without warning. The movie itself is clueless at times about the idea as well as the story, even though it keeps us entertained for most part. Most of the time, the movie also doesn’t look like its from the medieval age. It goes on trying to become like King Arthur: Legend of the Sword, a movie which does the same thing to the King Arthur legend as this one does to the Robin Hood legend. Well, only some movies could change for the best.

The performers of the soul :: Russell Crowe and Cate Blanchett are not here to leave that big mark, but the performances are okay. Taron Egerton had those miserable overrated Kingsman movies, and this one is surely above them, and he also has some nice dialogues to go with the same. The Irish actress Eve Hewson surely brings some charm to the movie, even though her role here is limited. Jamie Foxx doesn’t have the impact to create in this character who is the trainer – it has to be noted that Mohanlal in the Malayalam movie with the similar thief Kayamkulam Kochunni had so many times bigger impact as the trainer, and that movie itself was way ahead of this one with its thief who stole from the rich and helped the poor. Ben Mendelsohn’s Sheriff of Nottingham is not that much of a villain that we expected. Tim Minchin’s version of Friar Tuck is mostly irritating, and Paul Anderson’s Guy of Gisborne doesn’t have that big impact. Jamie Dornan’s Will Tillman can have the great strength only in a sequel if it ever happens.

Soul exploration :: There are different ways in which this particular movie can work, and one of them is similar to the American War on terror in Iraq and Afghanistan, with different moments pointing to the same in one way or the other. There are people supporting both sides in a war, as we notice. We also feel that this might be a Batman movie which is not good enough, and something which could have been a different kind of Dark Knight, but isn’t. The hero does spend some time with a mentor, is rich and decides to save his town in a mask, that much is clear. But the fact that Robin Hood is not Batman, and he is not supposed to be like Green Arrow who goes through almost the same things and has the hood and arrow dressed in green. Was he called into the DC Universe to be the Green Arrow? One has to wonder about the similarities visible here.

How it finishes :: Even with all the style, it is strange that Robin Hood makers could think that this would be enough, if they did have that idea. Robin Hood is not our usual hero whom we can change and get away with it. He is not Batman, Superman, Spider-Man or any other superhero to have different version. The same was proved by the earlier adaptation of the Arthur legend. Even with a cast which included Russell Crowe and Cate Blanchett, the 2010 version which felt closer to history couldn’t go on make it big as expected – these people had to be careful about it when making a movie like this, but the problem here is that there seems to be no such concern. Maybe this would work a little better with the 3D which was not there when we watched it – but about the movie, it is just random action entertainment which isn’t bothered about making things better.

Release date: 23rd November 2018 (India); 21st November 2018 (USA)
Running time: 138 minutes
Directed by: Otto Bathurst
Starring: Taron Egerton, Eve Hewson, Jamie Foxx, Ben Mendelsohn, Tim Minchin, Jamie Dornan, Murray Abraham, Paul Anderson, Josh Herdman, Bjorn Bengtsson

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@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl :: I can’t pronounce the name of this movie. Is it a bad omen? Does that mean that we will suffer brutally?

Vampire Bat :: No, the movie is good as per all reports. There is absolutely no question about it. The inability to pronounce is because you are an owl.

Vampire Owl :: I am the Vampire Owl.

Vampire Bat :: Yes, everybody knows that already.

Vampire Owl :: Well, what you don’t know about is the significance of owls in vampire mythology.

Vampire Bat :: It is not about you, but some random old, toothless owl.

Vampire Owl :: You shall not understand because you were brainwashed thrice by Uncle Dracula. Do you think the movie will go wrong?

Vampire Bat :: I don’t think so. Prithviraj hasn’t missed anything since Ayalum Njanum Thammil. There is that perfection even in cameo roles; even in Bollywood. Even his lesser appreciated movie London Bridge was a very good flick which some people failed to follow with its themes because of their lesser intellect.

Vampire Owl :: So, this is the day we really celebrate Onam?

Vampire Bat :: This should be it. But this is not the end as there are also a few other movies to pick from.

[Gets the tickets].

What is it about? :: We see a man coming to confess at a church in the early morning, and he decides to tell the priest about his story of crime. He talks about how his life changed with one big heist that he committed. There are seven people who meet in the prison, and the list includes Krishnanunni (Prithviraj Sukumaran), Shabab (Asif Ali), Noble (Nedumudi Venu), Martin (Chemban Vinod), Narayanankutty (Neeraj Madhav), Vasu (Sudheer Karamana) and Salam (Salam Bukhari). They decide to steal from a business tycoon called Pious Mathew (Joy Mathew) who was the one responsible for the terrible predicament of some of the people in the same cell as well as many other poor people. For the same, they come up with a plan for which they are helped by Noble’s daughter Annamma (Sanusha Santhosh), Salam’s friend Paki (Flower Battsetseg) and a few of the other former acquaintances as they decide to teach the city’s top devil a lesson.

The defence of Sapthamashree Thaskaraha :: Here, the usual heist movie is made interesting due to the skills of the director, as there is some nice narration and progress going on in the movie, and the jokes are nicely added in between the situations. The confession setting is nicely done, and the dialogues there are worth some applause. There were lots of claps all around in the theatre. Anil Radhakrishnan Menon has nicely managed these characters here and has made sure that all the robbers have some individuality of their own to compliment each other. The whole thing remains interesting throughout, and there is no drag, loss of interest or any similar thing. The fact that this turns out to be more of a heist than a social satire might be interesting for a few, but not working for some others – remember that things are rather too easy for the robbers. The movie is a clear winner for the Onam box-office, and nothing can change that, and considering the opinions about the other movies, a defence might not be even needed.

The claws of flaw :: The addition in the end is pretty immature, as if there is that 7th Day hangover which never leaves, and has come back to haunt for this Onam – the movie should have just finished before it. There is never the need for a climax over another climax just to add another twist. What we needed were simple lovable little robbers working for a cause, and the end ruins it, destroying that feel-good element completely. The movie was going in the same mood until it happened. The whole thing does remind us of many Hollywood heist movies, and as a comparison is rather unnecessary, I shall leave out of it. This doesn’t like up-to our director’s first movie North 24 Kaatham in front of which, this is trailing. The movie takes too much time to get into the action, and almost an hour is over by the time all the flashbacks are dealt with – not really appropriate for a heist movie to have such a long background for each character. None of the songs are interesting except for the title song which is okay.

Performers of the soul :: Prithviraj Sukumaran continues his winning run in Sapthamashree Thaskaraha, as his success story continues from what he had started with the Lal Jose movie and goes on even when put in less familiar territories like Bollywood (Aurangzeb), romance (London Bridge) and even in negative roles most of the actors would hesitate to do. That perfect journey that he started in 2012, as there is no other actor who has achieved such a good winning ratio, as they move around with their ups and downs – this where Prithviraj has risen above them all, the only other person who has achieved a similar record should be Nivin Pauly, but even he hasn’t got such variety opportunities as our man here who has made the impossible look easy through the last few years. Yes, if you choose the right movie to act in, there will always be appreciation or at least there won’t be too many bad things being told in the worst case scenario.

And the same that is continued :: This Onam is not just about this movie’s success for Prithviraj Sukumaran, as he became father to a baby girl a few days ago. Here, he has a role which is not at all a challenge for him, and does that with ease. The rest of the cast is also very good, and it is on the performances that this movie stands. Reenu Mathews and Sanusha do fine with the limited roles that they have, and the pick of the supporting cast should be Chemban Vinod and Neeraj Madhav who give us a lot to laugh. Asif Ali should have had a bigger role here, but he remains just as one of the seven robbers, unlike his nice entrance in the beginning. Joy Mathew is a nice villain, and this might be better than his previous such performances. Sudheer Karamana and Nedumudi Venu also provides nice support here. Indrajith Sukumaran comes in a guest role by the end of the movie. Flower Battsetseg, a Mongolian circus artist also does some nice work in this flick.

How it finishes :: This Onam is not that good as the last year, as it is evident from the reception for the released movies, and it goes on with the total lag that this year has experienced with Malayalam movies. The last year’s Onam had North 24 Kaatham, Daivathinte Swantham Cleetus and Ezhamathe Varavu being very good flicks, the first one being simplay awesome. There were also terrible stuff like D Company and Sringaravelan, but this year only has Sapthamashree Thaskaraha and up-to an extent, Bhaiyya Bhaiyya to save the season, as others turn out to be mass masala movies for the fans. If the reports are to be correct, Sapthamashree Thaskaraha should be the movie of Onam, and it is clearly re-iterated by a lot of movie watchers who are regular audience. It is a good sign for this Onam. I shall take this opportunity to wish everyone who reads this a Happy Onam, and hope that this last weekend before the Onam vacation ends, brings some awesome movies which will only extend our celebrations. Enjoy the Onam Holidays and God bless! 🙂

Release date: 6th September 2014
Running time: 148 minutes
Directed by: Anil Radhakrishnan Menon
Starring: Prithviraj Sukumaran, Reenu Mathews, Sanusha Santhosh, Asif Ali, Joy Mathew, Neeraj Madhav, Nedumudi Venu, Chemban Vinod, Flower Battsetseg, Sudheer Karamana, Salam Bukhari, Lijo Jose Pellissery, Indrajith Sukumaran (cameo)