Bambi

Posted on November 12, 2025 by Tennyson

Vampire Owl: I feel that I know this particular animal.

Vampire Bat: Well, there is no vampire deer around here.

Vampire Owl: There are no new vampire appointments?

Vampire Bat: There has not been a vampire transformation in a long time.

Vampire Owl: But Dr. Frankenstein was transformed into a vampire.

Vampire Bat: He is not a vampire. Mr. Frankenstein just has some really bad teeth.

Vampire Owl: Well, he is known as the first vampire scientist in the media.

Vampire Bat: The media is just exaggerating things. They even talked about the hunt.

Vampire Owl: There was the great monster hunt which spread further.

Vampire Bat: It was not really a hunt. It was just a random experiment.

[Gets an uzhunnu vada and three cups of Ooty tea].

What is the movie about? :: A young deer is shown as losing his family members, to poachers, to vehicles carelessly driven through forest roads and finds the rivers contaminated with radioactive waste. Drinking this contaminated waste transforms the deer into something else, a mutated creature known as Bambi. It drives him into vengeance, as he, as part of the forest, decides to take back the world which used to belong to them, and finish off whatever humans he finds on the way. Greatly increased in size and stronger than ever, the mutated version of him is something which would now stop at no force, seemingly becoming the apex predator which would not hesitate to kill at will. A big truck carrying toxic waste from a local radiation company known as Wibexr Pharmaceuticals would be a special target. At the same time, there are also other creatures of the forest, mostly herbivores, but have turned carnivores due to the same effect of the contamination. There might not be any innocence left in the forest yet.

So, what happens with the events here as we just keep looking? :: A few days after the contamination, a mother Xana (Roxanne McKee) and her son Benji (Tom Mulheron) take a taxi to spend the Thanksgiving holidays with Xana’s husband Simon (Alex Cooke) with whom she might get separated soon – and his family is also there including his dementia-stricken mother Mary (Nicola Wright), his brothers Andrew (Russell Geoffrey Banks) and Joshua (Luke Cavendish), Andrew’s wife Harriet (Samira Mighty), and their son Harrison (Joseph Greenwood). As Simon promises to arrive before dinner and celebrate with the family, the family stays waiting. On the way, Bambi attacks the taxi and brutally kills the driver while Xana and Benji manages to get out of the vehicle and somehow reaches the family house. The residents of the house do not believe in the story of a giant deer attacking, and feels that there is something else at work, but decides to be careful. Maty also seems to know the name of the deer and there are drawings of the creature in the house.

And what more would happen here as the world seems to be scariest with a contamination within a forest? :: Soon, Bambi reaches the place and attacks the house and kills Harriet splitting her into two with her reinforced antlers, forcing the family to flee in a caravan, losing the creature for some time. They drive into the forest only to find the road blocked and thus an unexpected dead end. Andrew tries to remove it, but Benji who panics upon seeing Bambi on the rear-view mirror drives off with him, Xana and Mary inside and Andrew is accidentally dragged behind them and dies on the road. Harrison who is left behind gets caught in a trap for animals and are brutally killed by a group of mutated rabbits. The group of Benji, Xana and Mary come up against Michael (Adrian Relph), a co-worker of Simon. Soon, they come across some truths which would be better if remained hidden, but then there is that mutated deer with some other ideas. Can the family and friends at least survive this night?

The defence of Bambi: The Reckoning :: The movie strikes well with its fear induced out of the cuteness of nostalgia, with such an inversion which goes so well with the situation that nature faces in front of human induced disasters. As this one flips into a horror revenge deer turned monster, the mood is so well-arranged and the environment is so much perfect. The Twisted Childhood Universe of horror taking on beloved characters gives it an appeal that we do not forget with ease. The monster deer created out of radioactive waste is designed very well and some inventive kills and gore also looks interesting. The haunting feels good and the presence of that kind of danger which seems to be present everywhere leaves the options of running, and there is the effective survival mode. The deer scares us like a rabid dog, as the looks shift to the face of a dog with antlers and the body of a horse, as this mutation never ceases to be scary. The dark mood is always present throughout the movie and there is also the talk about the need to save nature or it will hit back as forest would find a way for revenge.

The claws of flaw :: The movie could have spready the horror further with moments which would be remembered for the variety of terror as a classic slasher, but that much is not there. The elements of the classic slasher are less explored here as there seems to be some confusion about how the induced evil on cuteness should progress. The character development is rather less, and the humans feel like just provided here to be prey with the scope to save only the expected characters by the end because the movie just wants to keep playing safe. The low budget effect also shows at times, and seems to limit the movie from getting to the next level, especially with a seemingly unstoppable creature on the hunt. The darkness in the movie seems to be created more to hide what could be a terrifying thing beyond all imaginations if provided with the best budget. It is sometimes too much away from the usual serious horror and the reminder of the childhood tale does not strike everyone that well as we look at it. This is not that much of a classical childhood thing for people around here as much as some of the others.

How it finishes :: Bambi: The Reckoning gets a cute little creature grow up to become a demonic mutant monster that would change many childhood stories. The original Bambi of Disney would not get that treatment here, and the direct inverted cuteness is something that will stay with the viewers who would also have a related childhood nostalgia going the other way. This is the movie which comes as an unexpected interesting entry. It becomes the reminder that the sweetest could be the evillest, and as William Golding’s Lord of the Flies had told us, there is always that evil in the cuteness which is always ready to come out. We can now have the feeling that this evil is actually right out of the inherent evil of children that was delivered against Piggy and Simon in that novel and its multiple film adaptations. After all, the movie reminds us that evil is real, and the horror is the ultimate reality. You will surely get the entertainment and a special nostalgic feeling out of this one in Amazon Prime Video, but if you expect more substance or a polished horror experience, you might need more.

Release date: 25th July 2025
Running time: 81 minutes
Directed by: Dan Allen
Starring: Roxanne McKee, Tom Mulheron, Nicola Wright, Samira Mighty, Alex Cooke, Russell Geoffrey Banks, Joseph Greenwood

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✠ The Vampire Bat.

Ronggeng Kematian

Posted on September 18, 2025 by Tennyson

Vampire Owl: Do you remember the first Indonesian movie which we watched?

Vampire Bat: Yes, before that, most of the reviews were Korean and Chinese.

Vampire Owl: Yes, and now, most reviews remain Korean, Spanish, Russian and French.

Vampire Bat: The Spanish also had risen in numbers very soon.

Vampire Owl: Well, there are thirty-one languages, so a few will surely have more numbers.

Vampire Bat: Well, all of a sudden, Filippino movies came to the list when it seemed to end with thirty languages of movies.

Vampire Owl: Among Indonesian movies are a few classic ones, right?

Vampire Bat: Yes, one classic horror and one classic superhero, for sure.

Vampire Owl: It is also the one country we have visited.

Vampire Bat: We did not think about watching when we were there in Bali.

[Gets an onion uthappam and three cups of Munnar tea].

What is the movie about? :: In the remote Magunsari village of Central Java in Indonesia, a young man named Imam (Elang El Gibran) is in love with Sulastri (Cindy Nirmala), a charming and beautiful ronggeng dancer, the village’s only true expert in the dance form, and the one who represents the local culture and traditions through her moves, with the woods making sure that the place maintains its cultural heritage separate from the rest of the island. That night, Sulastri is entertaining a number of men in the guest house with her tradition dance. A local man with a mental disease, Akhsan (Allan Dastan), also comes there to propose her while Imam gets there with the ring to provide his proposal to her. When the lights go out all of a sudden, Imam investigates place while Akhsan runs off, only to be attacked from behind and murdered. Later, Sulastri is also not found with her missing, and both her and Imam are never heard of. The village keep searching for her, but with no results, and there is nobody to keep the traditional dancing going on either, with the assigned girls never being as good as her.

So, what happens with the events here as we just keep looking? :: Seven years have passed since the incident, and still nothing is found. During this time, a young woman named Larasati (Claresta Taufan Kusumarina) and her boyfriend Hadi (Chicco Kurniawan) makes their usual journey through the woods, and parts ways. Larasati who keeps on walking through the forest on the way home finds a red scarf and an old radio near an old and ruined well which is not in use. When she finds the scarf to be lovely and puts it on, she suddenly is able to dance in the traditional form of ronggeng with so much perfection as if it was done by Sulastri. Larasati seems to be acting under the guidance of Sulastri’s spirit, sometimes seeming to be fully possessed. It is then that four men led by Adit (Revaldo) arrives in the village for a ceremony. They stay in the same guesthouse where the tragedy occurred seven years ago, and there are more sinister events to follow. What could be triggering these events, and what might have happened to the dancer and her lover?

The defence of Ronggeng Kematian :: This movie’s arrival in Amazon Prime Video once again takes us back to the folklore as well as culture and traditions of the lesser-known areas of Indonesia, in the island of Java itself, setting the world to the villages. The movie seems to have realized that the past will remain significant and therefore any folklore can further strengthen a movie. Therefore, the layering seems to be nicely implemented, as we often get a look into the past as much as the present. This does make the mystery more interesting, and it nicely keeps the narrative going. There is also the reality and the magical coming and going. The tension is nicely built not just by the atmosphere, but also through the actions of the characters and the influence of the supernatural. There is that journey to that twist, of which part we will know after some time, but the rest is revealed nicely, and then there is that ending which solves them all. The characters nicely fit into the cultural flavours and situations. Scares do work with the fine visuals that gives a nice touch at all times, for the settings are such boost.

The claws of flaw :: The movie could have always been capable of more, as the premise seems to have already set foot strongly. There are moments which keep pulling it back as we sometimes wonder if there was the attempt to keep the whole thing on the safe zone without going that much into the details. The jump between the timelines might not satisfy everyone, and those who are looking for the usual horror might not get the usual here. The antagonists are also not given much to do in the later part of the film, as they can only act helpless. A few things just seem to happen with the flow and as if they happen because they need to. There is no grand scare, except for the fear added due to mystery and atmosphere; maybe budget constraints were there. There could have been a fine legend being talked about based on the happenings. The early pacing also did have some struggle and confusion, with fear elements holding back for some time. The elements of guilt do not work that strongly around here either.

The performers of the soul :: Claresta Taufan Kusumarina leads the way here with a fantastic performance as the possessed dancer as much as the girl next door who is in love with the boy whom he has always known. The different layers of the character are displayed well by her, even at a time when demonic possession could go so wrong, given the circumstances of the return of the spirit from the other world and its motives. Her body movement during the dance also feels every elegant, even though we are not qualified enough to talk about the dance form. Cindy Nirmala’s dancing skills are also on display very well, and the return from the grave works really well for her. She has her own moments outside the dancing too. Revaldo comes in really well and is well supported by those playing his friends. Chicco Kurniawan makes the viewer feel the terror that is hidden beneath the happy village and its culture and traditions. The roles played by these characters despite not seeming that relevant, are all significant to the overall movie.

How it finishes :: There is something about the Indonesian folklore and ancient beliefs that keeps us interested at all times. Indonesian movies have surely kept us interested, especially the one superhero movie which made us wish that we had our own – Gundala; post which we had Minnal Murali and Lokah Chapter One: Chandra. Then there was the classic horror in the form of Impetigore and a twisted thriller in the form of Photocopier. Ivanna and Grave Torture also had moments which made them work. The movie does not lag behind, even though there are moments when it could have raised the level. We do see that the movie mostly does its job very well. With cultural flavour and scares, along with being a tale of vengeance, this one run strong without deviating from its purpose, a quality that many horror movies have ceased to have. We are brought close to the Indonesian horror yet again with this one, and we hope that there will be many more horror based on folklore, as we remember Stree from around here too.

Release date: 28th March 2024
Running time: 98 minutes
Directed by: Verdi Solaiman
Starring: Cindy Nirmala, Claresta Taufan Kusumarina, Chicco Kurniawan, Krisjiana Baharuddin, Dito Darmawan, Allan Dastan, Elang El Gibran, Nungki Kusumastuti

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@ Cemetery Watch
✠ The Vampire Bat.

Amelia’s Children

Posted on September 17, 2025 by Tennyson

Vampire Owl: We have not been reviewing many Portuguese movies.

Vampire Bat: We have only managed one, and it was not out of Portugal either.

Vampire Owl: I am sure that Bacurau will still count as Portuguese.

Vampire Bat: Yes, Brazilian movies are in Portuguese, so it counted.

Vampire Owl: So, this is the first Portuguese film from Portugal we are reviewing.

Vampire Bat: Yes, this is indeed a milestone too.

Vampire Owl: Yet we have so many Spanish movies here.

Vampire Bat: Some of these Spanish movies were true classics.

Vampire Owl: I hope that this one will inspire us to watch more Portuguese films.

Vampire Bat: Well, we are immortal and can watch them all.

[Gets a paneer masala dosa and three cups of Wayanad tea].

What is the movie about? :: Edward (Carloto Cotta) has been looking to find his family as he has always felt without roots. One day, his girlfriend Riley (Jack Haven) provides him with a DNA test kit. The results reveal more about his birth, and that he has a twin brother, Manuel (Carloto Cotta) and also their mother named Amelia (Anabela Moreira) who live in a small village in Portugal. Edward and Riley travel to the huge villa in the middle of the woods so that he can finally feel like having a family. This is a strange, but an emotional reunion. But Riley feels that there is something wrong, as the locals are hostile to them, and both the twin brother and the mother seem to be hiding something. There seems to be not much of interest being talked about, and Amelia looks and acts strange. She even hears something weird from outside the room where Manuel and Amelia are found sleeping together in a bed, making her question the kind of family which seems to exist in that seemingly perfect building.

So, what happens with the events here as we just keep looking? :: Riley notices a strange bonding between the brothers that feels unnatural, even though they are seeing each other for the first time, and Edward was once not really sure about the meeting. Riley tries to uncover the secrets that seems to plague the villa, and feels that Amelia has some supernatural powers and is part of a ritualistic system of which Manuel is also a member. The mother-son relationship is not what seems to be from a distance. Riley’s growing realization is also supported by nightmares which seem to come to her at regular intervals. The question remains if she knows this particular world within the woods well enough and whether she can escape from it. Edward seems to be ready to remain there as part of the family, but he is also having his own dose of hallucinations. The people of the village seem to hope that they will leave soon, as if it is the right things to do. Will there be escape or will there be death?

The defence of Amelia’s Children a.k.a. A Semente do Mal :: The world has been nicely built here, and finding the roots itself was a starting which seemed to mean much more than what met the eye. This idea of discovering a long-lost family through DNA testing, only to find something supernatural associated with it, makes the whole thing interesting. The mixture of psychological with the supernatural elements gives it much more depth. Then there is the setting, the atmosphere that does a fine job. The building itself has something like we ha in Crimson Peak to add to the structural fear, even though this is not that much of a scary architecture, and never is an attempt to made to elevate the level to such a world of fear. The creepiness is always present, even they do not really come to the front. The premise has already done most of the work here. The presence of a witch provides the much-needed boost to a world which has started off well. The ending, even though not that deep into the situation, leaves us with a scope for a sequel to expand this better.

The claws of flaw :: The struggle of long run-time seems to plague this movie even though it is not long at all. There might be a little bit too much revealed early, and that might have plagued the later run and might have kept it running without much happening to create an impact. The twist should have been kept better hidden with red herrings or at least by deviating to something less important. It seems to stretch due to not trying to do well enough with the content and let everything unfold – even the leading performers seem to be left on their own rather than their characters undergoing anything. The mood seems to be mixed here, as the strongest element of supernatural horror often losses the way. The main lady character should have been the central point, and the one who should stay scared and attacked, but she seems to have a run without that big sense of danger. She does not become that big a scream queen as the usual elements of horror, and even that of slasher remains largely forgotten when dealing with her character.

The performers of the soul :: The performances are pretty good, but not much when we consider the possibilities of the horror. This is a world of scares, and the usual do not satisfy the environment that much – The Well had realized the same in Italy, but in Portugal, that blending is paused due to the lack of pace which seems to plague the characters as if it is an old award movie where not enough happens to provide the performers with scope. Carloto Cotta does quite well in the two roles, even though it is nothing out of the box, and not much expands. Anabela Moreira does well to manage the strangeness present there, while Alba Baptista who portrays her younger version does the same perfectly – she has the looks and expression to bring the strangeness of a mortal immortal. Jack Haven does a fine job, but does not seem to try that hard. There is a certain amount of predictability in the work and the journey is just accordingly, nothing more or less. The same is also applicable to the final moments when there is nothing grand in the performances, but just enough, as if playing by the safe side.

How it finishes :: Amelia’s Children could have been a classic, but it chooses not use that many scares even though it is in a village with woods and a strange villa in the middle of all – this could have been horror unleashing itself, but the movie holds itself back. The same is also done in the last moments when this could have come with a shock, but chooses to go for the unexpected. The titular character wanders in the old form too much, and the young form would have been nice if appeared at least in hallucinations often. There are moments when the mother could have been young, and there are situations when fear could have had many different faces, and even darkness could have been used better. Yet, the movie keeps us interested, thanks to the mystery that prevails throughout its run. There is always the feeling that something bigger is to come and that it is going to be a shocker, and it is that feeling and the existence of terror ready to be unleashed keeps us going. It was never going to be The Conjuring, The Nun, Annabelle, Insidious or Sinister, but manages to do enough.

Release date: 18th January 2024
Running time: 91 minutes
Directed by: Gabriel Abrantes
Starring: Jack Haven, Carloto Cotta, Anabela Moreira, Alba Baptista, Rita Blanco

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✠ The Vampire Bat.

Pechi

Posted on August 29, 2025 by Tennyson

Vampire Owl: Are we now looking for witches again?

Vampire Bat: We have stopped looking for witches since a long time ago.

Vampire Owl: Well, the war can restart any time now.

Vampire Bat: The next war will not be of this realm.

Vampire Owl: You talk like we have had enough of war, but not all species have been part of them.

Vampire Bat: The war affects the whole realm, whether or not they are part of it.

Vampire Owl: If it affects the advanced the vampire civilization, yes.

Vampire Bat: You should know that the magic used in our wars are nuclear in nature.

Vampire Owl: You are talking about the mythical weapons which are never used.

Vampire Bat: The witches are known to have a magical powerhouse which stores sorcery of the unknown supported by necromancy.

[Gets a chilli chicken puffs and three cups of black tea].

What is the movie about? :: At Aranmanaikaadu in Kollimalai, Ram (Murali Ram) and his wife (Aadhirai Soundarajan) are spending their peaceful time within the forest. After a lot of difficulty and getting a few days off from their busy schedule, they look forward to spend some time of their own in the lap of nature. They venture far deep and sets up a camp there. The temperature drops very soon, and while looking for some firewood, Ram ends up cutting the branch of a tree which reveals a nail, followed by a witchcraft doll. There seems to be something else coming out of the tree, and has him scared, but his wife who is listening to music do not hear a thing. Soon, he is taken away by an unknown force, and the same evil entity also captures his wife. But this evil presence is not identified by anyone. But three weeks later, another group of youngsters come to the area with a desire to venture through this lesser-known area of the forest as part of a trekking adventure. Maari (Bala Saravanan), a forest guard who acts as a part-time guide is asked to escort them all the way into the forest and back, as the paths can be confusing and some animals might also be around.

So, what happens with the events here as we just keep looking? :: The five friends, Charan (Dev Ramnath), Meena (Gayathri Shanker), Sethu (Jana), Charu (Preethi Nedumaran) and Jerry (Mageshwaran) are looking for adventure, and are not interested in listening to their guide who talks to them about restrictions due to wildlife and traditions that have been followed for a long time. Meena is frustrated with the restrictions imposed on her, as she feels that they could go through the walk all by themselves and that a tourist guide is only an extra burden. Meanwhile, an arrogant Charu destroys a blockage to an area considered restricted by tradition to the local villagers, ignoring the warning signs. Sethu who considers him to be courageous one among them supports the same, much to the dismay of Maari who continues to ask them not to disturb the nature of the beliefs of people that runs through the area.

And what more happens in the forest where the villages rarely choose to enter :: There seems to be something strange going on though, as Charu almost falls from a cliff and Jerry feels that something grabbed his legs. As Charu and Sethu makes fun of him, he challenges them to go back to the area where the warning board was kept and tie a scarf. Both are not really worried, and accepts the challenge telling everyone that Maari is just creating random stories and is trying to keep them scared as if they are children. On the way there, Charu and Sethu comes across a house, which they enter and finds witchcraft dolls and elements of black magic. Charu is startled to see an unknown figure appearing out of nowhere. Maari and Charan begin searching for them, only to find Charu lying motionless. But soon, they realize that is was not really Charu, and Maari tells them a story, that of a woman from a long time ago who learned black magic and started ritual sacrifices of children. But how is it relevant now? Can they escape whatever is in the forest?

The defence of Pechi :: The movie thrives on its atmosphere and an ancient tale of folklore than runs right through it. Bala Saravanan comes up with the best among the cast, and he plays the only fully sane person around there who seems to understand the gravity of the situation – we remember him in those funny sequences of Godha. Gayathrie Shankar, the actress of Nna Thaan Case Kodu, has provided a memorable performance here, and excels in the last few moments and the flashbacks. The rest of the cast nicely follows the procedure as a cabin in the woods, or lost in the forest tale would unfold. The antagonist here is strong, and is not just another demonic presence – it is the kind of creature from where escape seems almost impossible. There are the moments which provide us with those quick scares and above that, there are the times when it keeps us scared at all times. The fear factor with an inescapable fate brings the terror here. Along with that, the visuals are too good, whether of horror or of the green and dark woods.

The claws of flaw :: The flashback feels repetitive at times, and comes in at a time when it was not to enter. There are moments in between which feels rather confusing, and the scares could have been more visual – it is the kind of scare that would work the best in these situations. Here it seems that the horror elements are not innovative enough and inspired from others instead. The use of darkness is also not at the best. As a cabin in the woods, or journey to the woods story with the usual horror background, there is always a lot more to be added. It also becomes repetitive, and that grand scares which should have come in the end is never there to be taken. A visual terror in the end could have served the best, and combined with the twists would have brought wonders. The twist in the end, even though effective, does not bring that grandeur on the screen, and the flashback provided, even though clear, could have been more detailed. The present situation of the villagers in relation to the witch could have also been shown.

How it finishes :: The movie manages to be an interesting horror flick that elevates itself with the setting and folk-tale power. In a world where there is a shortage of good horror, this one score well, and becomes a good example of bringing working scares out of folklore and myth, something only Stree could do so effectively. As visuals and performances support the scares, fine horror is born. The movie could have still been better, but it is worth watching for sure considering for fans of folk-horror who can appreciate mood over momentum—but it is not for all. There is still a lot to come in a possible sequel, considering how the movie ended, and with one of these main characters having an even bigger role to play there, we will be only glad to wait for more of fear. Until then, we have this movie, and something to remember when we go on trekking, and a reminder to respect nature, local traditions and those who guide the way and advice for the best.

Release date: 2nd August 2024
Running time: 110 minutes
Directed by: Ramachandran B
Starring: Gayathrie Shankar, Bala Saravanan, Preethi Nedumaran, Dev, Jana, Mageshwaran, Seeniammaal, Murali Ram, Aadhirai Soundararajan, Shanthimani

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Kraven

Posted on August 27, 2025 by Tennyson

Vampire Owl: This is not the kind if superhero that we were looking for.

Vampire Bat: I am pretty sure that this is an anti-hero.

Vampire Owl: All vigilantes are not really anti-heroes.

Vampire Bat: Well, this one seems to have less heroism than others.

Vampire Owl: Sometimes villains are the true heroes.

Vampire Bat: You are talking about Thanos, aren’t you?

Vampire Owl: I always wished that they ended the series with The Avengers: Infinity War.

Vampire Bat: I also agree that a dead character should stay dead.

Vampire Owl: Well, death is only the beginning.

Vampire Bat: Yes, as far as the dead keep rising.

[Gets a vanilla shake and three cups of iced tea].

What is the movie about? :: Nikolai Kravinoff (Russell Crowe) is a much-feared drug lord and crime boss, and he moves to Ghana with his sons after the death of his wife, only to have his sons attacked by a lion and one of them even leaves him after seeing that his father brutally killed the animal. The family feels broken down, but the younger son stays with the father, whom considers him to be too weak to continue his legacy. The elder son Sergei Kravinoff (Aaron Taylor-Johnson) goes on to become Kraven the Hunter, an entity whose real identity is known. The younger son Dmitri Kravinoff (Fred Hechinger) lives with his father, but has no part in his crime business. Sergei goes on as a vigilante who hunts criminals. After assassinating an arms trafficker in a Russian prison, and following it up with a few others, he travels to London for Dmitri’s birthday where there is a family reunion including the father. But their reunion is short-lived, as mercenaries abduct Dmitri despite the best efforts of the big brother to stop the effort.

So, what happens with the events here as we just keep looking? :: The man who was behind this kidnapping, Aleksei Sytsevich (Alessandro Nivola) has been an opponent of Nikolai. He also has the strength of a rhinoceros along with its skin, after an experiment which was conducted a few years ago. Aleksei proposes an alliance with the brothers to overthrow Nikolai, and after agreeing to this, he says that they would be partners. As there seems to be no solution, Aleksei lures him to a monastery in Turkey, but the ambush is not successful. Aleksei hires the Foreigner (Christopher Abbott), a hypnotic assassin to kill him. Sergei’s only support it Calypso Ezili (Ariana DeBose), a lady who had also helped him earlier to survive when he was attacked by the lion as a child. Now, it remains to be seen if a deal or a raid could be done, as Nikolai is not ready to pay the kidnapper. Still, it is to be seen if the assassin would kill Sergei even before that. He finds himself searching without results, but some result is sure to come soon.

The defence of Kraven the Hunter :: There is the usual anti-hero dose being provided here, and there is a look at the environmental concern and the love for animals, as if an emergency of our times. The action scenes in the forest and grasslands bring a certain amount of variety here and there. A connection between the wild and the domestic is established easily. The actors seem to very much capable of working through the side of action, and the anti-hero side is indeed well-maintained here. The fights do feel more raw than stylish, and that often comes as a welcome change. The mystical elements do run through here. The antagonist is indeed strong, and there is more than one that goes with the title, all of them strong enough to make an impact. There is a lot of idea left for a possible sequel, as the ending seems to suggest more to come, and there is surely some mystery to be solved later. The anti-hero elements do work better than what Deadpool has been turning out to be with its ridiculous nonsense.

The claws of flaw :: The movie never manages to raise its level that much as it keeps moving through the safe zone and keep it even safer. In this world of too many superheroes, some risk needed to be taken in the right way to bring variety through innovation and not through strange representation and change of races and ethnicities. The movie also struggles with its special effects, and even its antagonist could have scored further with better computer-generated imagery. There should have been some Spider-Man connection made here, and without that presence even in the end credits, we struggle to believe in the seriousness here. The negative opinions about Madame Web might affected this one too, as the world of spiders surely seems to be in a crippling state – we miss The Amazing Spider-Man more than ever. There are complications about his position in this world, and the lack of clarity regarding his powers would mean more confusion – well, it is that kind of a family where everyone seems like an anti-hero or a villain and we do wonder about the situation being like this with just a hunter around.

The performers of the soul :: Aaron Taylor-Johnson leads the way pretty well as the anti-hero who goes on hunting without remorse, as he chooses the worst people. There might be the question if someone bigger would have been there, but this would feel good enough due to his dedicated work. Even though Ariana DeBose as Calypso Ezili manages pretty well, Diaana Babnicova who played the younger version seemed to match the character the best, and a deviation from the past is visible around there. Alessandro Nivola makes a fine antagonist, and even with lesser graphics and special effects, he is indeed a menacing villain and a match for the protagonist. Christopher Abbott plays the other villain, and the menace should have been given more time as we look at it. About Russell Crowe, we see a certain amount of grey side here, and it is also something to remember as we move away from this movie. Fred Hechinger who made a point will surely have more to make in the sequel as we notice the ending moments.

How it finishes :: Kraven the Hunter adds to that list of lesser-known anti-heroes, even though it might never be as popular as Venom and Deadpool who became the main characters out of Spider-Man and Wolverine. This is that movie which seemed to have been missed by too many people around here. Unlike those earlier superhero movies, this one is the flick which came with no hype at all, and most people also failed to realize that this one existed in the theatres nearby. They would expect many things here, but they would no not much about him, as this man is no hero that the people in this part of the world have ever known. All these are happening in a timeline where fine superhero movies like Minnal Murali and Gundala and brought about by those industries which have not been known for creating this kind of a universe. With that long comic support, it is surprising that people of Spidey are struggling to make an impact. I would for a better work with a sequel even though this one did work well enough.

Release date: 13h December 2024
Running time: 127 minutes
Directed by: J C Chandor
Starring: Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Russell Crowe

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Watchers

Posted on June 29, 2025 by Tennyson

Vampire Owl: We vampires are the true watchers of the world.

Vampire Bat: We could have also been teachers, but humans do not learn.

Vampire Owl: At least we have made sure that the zombies learned.

Vampire Bat: Zombies did not learn from us, but stopped learning their own.

Vampire Owl: Still, the result is that they are more like vampires now.

Vampire Bat: You know that most people never really differentiated between the two.

Vampire Owl: But we are that much different, you know.

Vampire Bat: We are all divergent from the undead.

Vampire Owl: There is no title as the people of the grave.

Vampire Bat: Yet, there are nocturnal children of the night.

[Gets a ghee dosa and three cups of cardamom tea].

What is the movie about? :: Mina (Dakota Fanning), a young girl who lost her mother to an accident on road and is still grieving for it, gets the duty to deliver a parrot in Galway at a zoo located near Belfast. But on the way to the destination, her car breaks down on a road in the middle of a forest. She walks through the forest to find help, but only end up losing her way, with no car in sight. As she keeps on walking, she comes across a building which looks like a bunker, and as there seems to be something haunting through the forest, she gets in as requested by a strange woman who introduces herself as Madeline (Olwen Fouéré). There she finds two other people, Ciara (Georgina Campbell) and Daniel (Oliver Finnegan). There is also the talk about a missing person named John (Alistair Brammer), Ciara’s husband. The place seems to be the only safe place in the forest which seems to have creepy creatures wandering around during nightfall, and could finish them off if they go out in the darkness.

So, what happens with the events here as we just keep looking? :: Madeline tells her the rules of the forest, to stand in front of a mirrored window at night where the creatures called watchers could see, not to go out at night, and never to enter the underground tunnels where the creatures stay during the day due to a certain aversion to sunlight. Daniel helps Mina explore the underground, from where she finds items like a camcorder and a bicycle and is almost caught by a Watcher. That night, when someone who claims to be John appears outside the bunker and asks for help. Madeline refuses to let him in, sure that it is just a Watcher imitating John to get inside the bunker, as these creatures have been watching them at all nights. The Watchers are angry, but they leave. Days and nights pass, but they are not able to escape from the area. Soon, it seems that a certain amount of hostility comes in between them. Can they survive more, or can they defeat the creatures, and can they actually get out one day?

The defence of The Watchers :: The feeling of wandering through a folk-tale world is clearly there to be taken in the movie. Everyone needs to go through such a world where there is mystery as much as there would be nightmare. A dark fairy-tale never gets outdated as long as the dark effects are used well, and there is enough darkness to keep things going forward. It takes you into it without giving a chance for a second thought, and fear generation is active early enough, as soon as the forest is entered and darkness falls with no way to escape. The feeling of mystery is provided to leave the viewers with the feeling of danger all the time. The background tales come out of nowhere to create an impact in something divergent. A dark fantasy in a modern world has also been a requirement. There are some simple twists which get added at the same time. The possibility of a sequel is added in the end as expected, and with this premise, it could surely be a lot better. As long as one doesn’t think how this would have been brought to the screen by Guillermo del Toro, everything would be just fine.

The claws of flaw :: The Watchers is too slow a movie throughout its run. It seems to think that the creatures of the night have an eternity to come, and we can wait until we age and die. Even when things get very serious and the situation would mean death, there is no real picking up of pace. The movie should have been much shorter in length, for there are moments which show the struggle and nothing much happens in between some minutes. You keep having the feeling that something grand is going to happen every time, but there is no real ups and downs for this movie. The final resolution is also too easily reached, when so much danger was there to be unleashed. It should have used more grandeur right there, as so much talk was done regarding the creatures from humanity’s long gone past. One has to keep wondering if the tale could have been told differently and also whether the creatures could have been defined in a more classic manner. The special effects could have also been added in a better way with more classic views of the creatures.

The performers of the soul :: There are only a few characters here, and so the emotional investment of the audience is limited to them, wondering whether they would escape from the grave danger beyond understanding that surrounds them. Dakota Fanning comes up with an interesting performance here, as she plays someone who carries the guilt along with the fear. She does not start off playing a likable character, and in the end, she is a much better person with a dynamic character. There are moments when we feel her confusion, and we get to move forward with her with ease. Georgina Campbell plays more or less the realistic character around there though, and she often fails to understand the mysteries that well and even feels that her husband would come back in the dark. Oliver Finnegan provides a stable work, while Alistair Brammer’s character dies too early. John Lynch drops in with a character from the flashback that makes the difference, and a solid one indeed. Olwen Fouéré as Madeline has some strong moments, and they will be remembered.

How it finishes :: The Watchers remains the movie which will continue to remind us of the movies of Manoj Night Shyamalan, in the form of this work directed by his daughter, Ishana Night Shyamalan, as similar feelings are evoked. A similar environment seems to be at work here consisting of elements which remind us of a style which we had loved with many different movies. We remember his movies of interest in the last ten years, The Visit, Split, Glass and Old. The connection to a past of fantasy being brought here also makes us feel that we are into another world. A fantasy world which stays so close to this world, and seemingly without exaggeration will keep us going. About Ishana, post this debut as the director, there is surely a lot to follow. The horror fantasy needs its imagination, and she might be bringing us the same, something which we are going to cherish for long with one classic work which is yet to come. For now, we enjoy the beginning, for the genre of fantasy is indeed forever.

Release date: 7th June 2024
Running time: 102 minutes
Directed by: Ishana Night Shyamalan
Starring: Dakota Fanning, Georgina Campbell, Olwen Fouéré, Oliver Finnegan, Alistair Brammer, John Lynch

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Out of Death

Posted on April 15, 2022 by Tennyson

Vampire Owl: I am sure that this is about us. We are the undead.

Vampire Bat: This is not really about coming out of death as undead.

Vampire Owl: I don’t see any other way for anybody to come out of death.

Vampire Bat: Your favourite doctor might have some plans about that.

Vampire Owl: Doctor Frankenstein is not a doctor, but a scientist.

Vampire Bat: Mr Frankenstein is a duplicate scientist, and a half-doctor.

Vampire Owl: Well, he has created undead out of nothing.

Vampire Bat: They were pretty much undead already.

Vampire Owl: There has been a difference in the two states.

Vampire Bat: An undead being killed and revived won’t make much of sense.

[Gets a paneer masala dosa and three cups of Munnar tea].

What is the movie about? :: Shannon Mathers (Jaime King), a journalist who is trying to scatter her father’s ashes on the top of a mountain witnesses Billie Jean (Lala Kent) going through a drug deal with a gangster. It doesn’t go right, as the latter is shot by the former after he is found recording their deal on the phone. After the murder, she gets rid of the body too. Shannon also has photos of the incident on her camera. At the same time, Retired cop Jack Harris (Bruce Willis) seems to be having some relaxed moments with his niece Pam Harris (Kelly Greyson). Soon enough, Billie realizes that there is someone else in the area where the murder was committed, and Shannon barely manages to run away. She calls the other corrupt police officers, Hank Rivers (Michael Sirow) and Tommy Rivers (Tyler Olson), who decide to lock all the exits from the area that leads outside, along with getting rid of the body in time. Soon, it seems that there are too many of corrupt officers out there, and they are all after Shannon.

So, what happens with the events here as we just keep looking? :: Shannon had also came there to prove her father wrong, that she could hike through this place unlike what her father had thought. Now, this is not what she had actually thought she would be facing. Jack also feels that it is not what he should be doing, as he comes across Billie trying to shoot Shannon, and rescues her. As they keep running, Shannon ends up stabbing Billie. As Tommy and Hank find no hope for Billie to survive as she bleeds out, they put her out of her misery, and hopes that they can pin that on Shannon, as there is the knife with her fingerprints. As she also manages to shoot Tommy, the only way out of her now seems to be with the evidence that she had captured with her camera, as she has almost become labelled as a junkie who has killed two police officers. Now, Hank won’t step back on vengeance as Tommy was also his brother. Now, it seems that the only way out for him is through Pam. But how will that work out for him now?

The defence of Out of Death :: The movie serves as a survivor thriller which is better than the other one movie with survival of a witness in the woods, Those Who Wish Me Dead which had Angeline Jolie saving the target – that one also released in the same year, and had one veteran performer trying to get into action. With Jaime King around, things only get better. There are some nice visuals of the woods, and we have some nicely planned dialogues in here too. The movie can boast about that strong female protagonist as much as the carefully picturized antagonist who seems to be the only man around there with a perfect plan which seems to work. The lesser known cast also deliver so well, and unlike what one feels in the beginning, Lala Kent is a fine surprise. The movie can also be considered as one of the least violent movies with a theme like this, as there is no more than three people who dies around here, even with so many possibilities of danger being present here – things go further away from death like the title suggests.

The claws of flaw :: There is nothing special that gets added here, and even with Bruce Willis all prepared to go big action, you don’t really get that here either. Most of the events of the movie are also predictable, and that feeling goes on with the ending too. A few twists being added here and there could have helped the film’s purpose better. The police officers being smarter and tougher would have done the trick better – the lady police officer is left to mess up thing more and more as the story progresses. The gunshots effects are badly used, and the change for some big action with guns and hands are not used. The possibility of adding some terrifying sequences is also not taken – after all this is more or less like the forest area in countryside with a vast amount of woods. The drama in the movie moves on the usual lines too, and the main characters struggles could have also been shown in a better way. After all, she is someone who could contribute more at all times. The nature does look beautiful enough, but could have added more here.

The performers of the soul :: With Bruce Willis around, this could feel like a Die Hard in the woods, even though he is not of that much of a strength here. There is also not much of a strength for fighting for him as Sylvester Stallone and Arnold Schwarzenegger in Escape Plan, The Expendables or the latter as The Terminator in Genisys and Dark Fate. He seems much more tired in comparison, and he also leaves to the fighting to Jaime King, as he is left with holding the gun and pointing it at people, along with some nice dialogues added to it. This is more or less the shadow of the action king whom we have seen in the past. Jaime King is left to do all the action instead, and we know her from enough action and horror movies, as she is very much capable here, outdoing herself in the second half of the movie. Lala Kent plays the next most notable character here, and the film could have actually done more with here, instead of getting rid of the character too early. Tyler Olson is fine, while Tyler Olson who is a fine antagonist could have been used better with action scenes added to her rather than limiting him to talks.

How it finishes :: As one of the most non-violent movies belonging to the survival and crime thriller genre, this one makes fine use of the available resources in a seemingly low budget setting. It never tries too hard at anything, but manages to be interesting with what it has in hand. You are not supposed to expect a full action movie, as there is the main character trying to escape from trouble all the time, and having police officers on the hunt. Even though Bruce Willis remains mostly non-violent, you have to love how Jamie King steps into this one. Having a movie without Bruce Willis beating up, shooting or injuring anyone even when there were so many chances – feels strange, but it is indeed true. Well, change is inevitable, even though we expect the same thing from a superstar all the time, no matter how old he is – well, the curse of the Indian movies, isn’t it? But this one has the superstar of the past going through the more believable path.

Release date: 16th July 2021
Running time: 95 minutes
Directed by: Mike Burns
Starring: Jaime King, Bruce Willis, Lala Kent, Kelly Greyson, Mike Burns, Michael Sirow, Tyler Olson

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Wrong Turn

Posted on February 11, 2022 by Tennyson

Vampire Owl: I have always taken the wrong turn intentionally.

Vampire Bat: Why would you do that?

Vampire Owl: Because it has made all the difference in my life.

Vampire Bat: Your life is not that different from anyone else.

Vampire Owl: I don’t see why you are not able to find the difference.

Vampire Bat: You are actually supposed to take the road less travelled.

Vampire Owl: The wrong turn can also lead to such a road.

Vampire Bat: It is only a distant possibility. It can also lead to nowhere.

Vampire Owl: There is no nowhere for a vampire. There is a place everywhere.

Vampire Bat: Well, you can make the claim, but achieve nothing.

[Gets a vegetable samosa and three cups of black tea].

What is the movie about? :: Scott Shaw (Matthew Modine) travels to the countryside to search for his missing daughter, Jennifer Shaw (Charlotte Vega) who had promised to text him regularly, but he hasn’t heard from her or the others who were with him. The locals are not really helpful, and some of them feel that there is no use in searching for them, as the forest is very deep, and so many days have passed after the last information was provided about them. But he decides to keep looking, with some hope. Then, it goes to a flashback. Accompanying Jennifer, there were her friends as well as her boyfriend, Darius Clemons (Adain Bradley) and friends from college, Milla D’Angelo (Emma Dumont), Adam Lucas (Dylan McTee), Luis Ortiz (Adrian Favela) and Gary Amaan (Vardaan Arora). They only have hostility from local people in the bar, especially from a man named Nate Roades (Tim de Zarn), who asks if they need a guide, but the boys make fun of him. The whole bar seems to be not happy about their presence now and the encounter.

So, what happens with the events here as we just keep looking? :: Jennifer also meets a strange woman called Edith (Daisy Head) who has a young mute girl, Ruthie (Rhyan Elizabeth Hanavan). At night, they also see a strange figure standing and looking inside their car, only to see the person quickly disappear. The woman at the hotel where they are staying tells the group to stay close to trail, as nature can be very unforgiving. There are also shadows moving near their hotel rooms at night. They do find some beautiful scenery, cliffs and waterfalls, and the trek surely begins very well. They decide to take a few steps away from the usual trail to find a historical fort along with more of the scenery. But on the way, a tree falls, and despite everyone trying their best to move away from it, Gary is killed in the most brutal fashion. Jennifer tells the group that she had seen a person out there, but nobody really believes her. It starts raining, and the group feels that they are lost, as it is night, and there is no mobile phone network available for any of them.

And what is to follow with the horror that awaits them in the forest? :: They decide to set a camp out there, and wait till the climate gets better or at least until there is light. Jennifer once again feels that there is someone walking near the camp, but doesn’t tell anyone because she feels that nobody would believe her, and it could have also been the shadow of a tree in the wind. But the very next day morning, they find out that Milla is missing, and so are their mobile phones, and any gadget they possessed. They realize that they were sleeping in a graveyard. They also find a foundation being laid for the true and blessed America. They also come up against Ruthie in the forest, and as Adam tries to chase her, he is caught in a trap, and is dragged underground. They try to look for him, only to find him being blindfolded and taken away by two people in deer skull masks. They feel that there are many other people in similar masks walking around them, and there are also a good number of traps being set at different parts of the forest. Can they survive this, or are they walking directly into a massacre?

The defence of Wrong Turn :: Wrong Turn manages to be an interesting reboot of a franchise which has run strong for quite a long time, even though it did lose some of the way with the later titles. The franchise has never stepped back in being the model slasher horror, even though there were setbacks with the story and characters in the later movies. Here, even though the movie begins in quite the usual manner, it gets better with progression, and the second half of the film is a thing of quality, raising itself to a reboot to look out for. The trial scene is among the best that a movie of this kind can offer. Charlotte Vega as the scream queen does own the movie, and is at her best during the sequences of fear within the forest and the later trial. Unlike how it looks in the beginning, the character does undergo a fine transformation in the middle and later stages of the movie. We are yet to see how she would in other horror films, but we are hopeful about that. Overall, the movie is successful in seemingly creating a world from where nobody seems to be able to even think about escaping in one piece.

The claws of flaw :: The ending is not that effective though, with the shots during the credits. The movie should have just ended just before the credits started rolling – maybe, they can have a black screen added there so that there can be a better setup for a sequel, which should be there without fail. The main performers other than the leading lady are not that effective around here, maybe because their characters had to be dumb to suit a slasher horror movie’s killers and their work. It is after at least two of the trekkers die, that things get more interesting. The movie, even though not that long, does take some time to get things quicker and sharper. It could have also used some of the common elements from the previous movies, but this one seems to play nice on many occasions without taking the risk that the earlier films had taken. It is their lack of understanding about what people want to see in a slasher horror classic which is Wrong Turn, as much as The Hills Have Eyes. Well, this is a slasher film with a fine premise, I would leave the advice to use the creative imagination and make it rise above the rest instead of leaving its own message messed up.

How it finishes :: This is my first review of any Wrong Turn movie because there has been only one film in the franchise releasing after this blog started, and that one movie never really came to the theatres here even in a highly censored form, and there was never really any chance to get it in electronic format here, without OTT platforms or with people finding interest in slasher horror. Therefore, this one is basically a requirement for me as a movie reviewer, a title which I have held since the early 2000s, even though this blog started only in 2013. I had to remove my earlier writings in blogs as I couldn’t find them worthy enough after starting this one after finishing my MA English Language and Literature. Well, this blog or web site was started to prove a few people wrong, and it doesn’t matter what I gained or lost with it, as I am glad to have this running. I am also happy to watch this reboot which maintain a lot from the original series, even though the main elements of those movies could have been here for more. This is above many horror movies of the time, that is for sure.

Release date: 26th January 2021
Running time: 109 minutes
Directed by: Mike P Nelson
Starring: Charlotte Vega, Emma Dumont, Daisy Head, Adain Bradley, Bill Sage, Dylan McTee, Matthew Modine, Vardaan Arora, Tim de Zarn, Rhyan Elizabeth Hanavan, Chaney Morrow, Damian Maffei, Mark Mench, David Hutchison, Chris Hahn, Valerie Jane Parker, Daniel R Hill

<<< Click here to go to the previous review.

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<<< Click here for the beginning of a big slasher world.

@ Cemetery Watch
✠ The Vampire Bat.

Transformania

Posted on January 19, 2022 by Tennyson

Vampire Owl: Do you know that they made Van Helsing the bloody scientist here?

Vampire Bat: Yes, I am completely aware of that.

Vampire Owl: They have replaced Doctor Frankenstein. How evil is that?

Vampire Bat: Doctor Frankenstein was never really a true scientist.

Vampire Owl: You should stop saying that. We know his inventions.

Vampire Bat: Your list of his inventions is flawed.

Vampire Owl: But they have been very useful.

Vampire Bat: Van Helsing has always been a real doctor.

Vampire Owl: You cannot support that evil former vampire hunter.

Vampire Bat: Well, you have to appreciate the fact that he is not into hunting again.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Count Dracula (Brian Hull) has the celebration of the 125th anniversary of Hotel Transylvania happening with almost every guest attending the party. His human son-in-law, Jonathan Loughran (Andy Samberg) almost ruins everything though, as he continues to be the moron that he has always been. During the celebrations, he was planning to retire and leave the hotel to Jonathan and Mavis (Selena Gomez), but as Jonathan continues to be the most foolish person on Earth, he decides to pretend that there is a clause that the hotel cannot be transferred to anyone who is not a monster. Jonathan who has no inch of smartness in his small brain decides that the only solution here is to change himself into a monster. It is then that Professor Abraham Van Helsing (Jim Gaffigan) provides him an opportunity become a monster, as he has the device to change people into such creatures. He does successfully test it on a guinea pig, and becomes proud of his grand invention, boasting further about it.

So, what happens with the events here as we just keep looking? :: So, Jonathan a.k.a. Johnny is transformed into a dragon-like monster which breathes fire, and has huge claws. Dracula tries his best to make sure that nobody gets to know about it, and tries to reverse the action, but ends up making himself human in the process, also destroying the device as a result of the events that follow. Abraham Van Helsing tells them that there is a way to change them back, and it is by finding a crystal in South America, which can take the place of the one which was destroyed, and get the device to work again. Dracula’s good old friends Frankenstein (Brad Abrell), Wayne (Steve Buscemi), Griffin (David Spade) and Murray (Keegan-Michael Key) also turn human, as they drink from a fountain contaminated by the ray. Even though Frankenstein feels good about it, as he is now a handsome human being, the others are not really fond of their transformation, and neither is the other monsters who find it to be very strange and unacceptable.

And how can the transformation be reversed now? :: Dracula and Johnny have already travelled all the way to South America, and as Ericka Van Helsing (Kathryn Hahn) sees some news about an old tourist being rescued by a monster in a Latin American country, they figure out that this is related to the father-in-law and son-in-law. They find Abraham Van Helsing hiding from the guinea pig monster, and understand things better, finally deciding to travel to South America and find the two. Meanwhile, Dracula does face the problems of being human again, as he is now old, and much weaker than his original state. They are forced to go through a jungle which seems to have enough dangers in store for them, but the monster finds it easy to go through them. The whole team from the castle are also in South America now, searching for the two. But it won’t be easy to find the two in the forest. Now the question remains if the transformation can actually be reversed, and whether things can now go back to the strange way of being normal. Well, you have to hope for the best, but not always when monsters are involved.

The defence of Hotel Transylvania: Transformania :: The Hotel Transylvania feeling is maintained here again, and the usual stuff gets going once again. The characters do continue to be interesting, as we look at them, and we have always wanted the monster world to be more relevance. The animation remains a thing of quality, and the world within Latin America is also nicely created, and would have looked much better if watched on the big screen with 3D, but we know that Amazon Prime Video is the best option with most of us not having the desire to sit in an air-conditioned hall with possible infected people for one an half hours. Well, the short run-time is still a positive thing, as we look at it. The message is surely given, even though there is the feeling of repetition, making us feel that we have seen all of these already. There is also some humour present around here, even though there is not much around. Well, you have vampires, the mummy, werewolves and the Frankenstein monster in an animated movie and you have to enjoy it up to an extent every time, doesn’t matter what the flaws are.

The claws of flaw :: Hotel Transylvania: Transformania is the fourth film in the franchise, and there hasn’t been any improvement, that is for sure. As we are watching this on Amazon Prime Video, we cannot really know if there is that much of a grandeur set for the big screen. The one young human here continues to be a complete moron, and a character whom we hate more than ever – the fact that he doesn’t die in this movie is the biggest disappointment of the whole franchise, the daughter vampire could have also been dead to add some beauty to the whole thing. The movie’s whole point should have been the end of humans and the rise of the monsters who are less evil, but the franchise still struggles to get to that point. It should take in some ideas of innovation from other successful animated movie franchises and get the creative imagination working – after all, it is about vampires and other interesting monsters, and you can never really have enough of them. You do have the premise to work on, don’t you?

How it finishes :: Hotel Transylvania: Transformania is just another addition to the grand list of similar movies which are part of a franchise, and has dealt with similar things for quite a long time. The first movie was among the very first animated films to be reviewed on this website, and there has been many animated movie reviews which followed. This one is surely a step backward from the original, and I cannot say about the other movies of the franchise as I haven’t watched them yet. With the lack of inspiration to create something better, and lacking further in creative imagination, the movie only continues what it has been doing, and does provide the feeling of repetition throughout its run. Still, it is some fun, and more entertainment for those who haven’t really watched the previous movies. Well, you can just start with Count Dracula who is running a hotel, trying to transfer it to his daughter and son-in-law, for there is not much lost related to it. These are the kind of movies which can always stand alone, as they are supposed to cater to the younger audience better and keep them wanting a sequel or two. Well, not every movie can be Frozen and its sequel.

Release date: 14th January 2022 (Amazon Prime Video)
Running time: 87 minutes
Directed by: Derek Drymon, Jennifer Kluska
Starring: Brian Hull, Andy Samberg, Selena Gomez, Kathryn Hahn, Jim Gaffigan, Steve Buscemi, Molly Shannon, David Spade, Keegan-Michael Key, Fran Drescher, Brad Abrell, Asher Blinkoff, Richard Blevins

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

A Classic Horror Story

Posted on January 16, 2022 by Tennyson

Vampire Owl: We, vampires can make the classic horror story.

Vampire Bat: Don’t you know that most of the good vampire films were actually made by the elder vampires?

Vampire Owl: Isn’t that actually a myth which became part of normal lives later?

Vampire Bat: Their names were supposed to be in the the end credits.

Vampire Owl: Nobody got to see the end credits. They were removed.

Vampire Bat: Well, someone wanted to take all the credits, you know.

Vampire Owl: I am sure that those were some humans who played a small part in all of these.

Vampire Bat: Humans should have never been allowed to be part of vampire works, but at some point of time, there was not much of a difference between species.

Vampire Owl: Well, at least we know the human nature now.

Vampire Bat: The only true, classic inherent evil nature in the whole world.

[Gets an onion vada and three cups of black tea].

What is the movie about? :: Elisa (Matilda Lutz), an intern at a consulting firm, try a rideshare app to get to her parents’ home in Calabria in Southern Italy to get an abortion, even though she is not sure if it is the right thing to do. The recreational vehicle that she gets is driven by a travel blogger and a student of film, Fabrizio (Francesco Russo) – he is only happy to have some interesting people in his vehicle, so that his Youtube channel can get more visitors. A couple from the United States, Sofia (Yuliia Sobol) and Mark (Will Merrick) are also traveling in the vehicle to reach a wedding destination and have some good time. A doctor named Riccardo (Peppino Mazzotta) who joins them is also trying to get home as early as possible. When Elisa’s nausea causes the group to stop on the side of the road, Mark forcibly takes over driving for Fabrizio, only to hit a tree while trying to avoid hitting the corpse of a goat. Elisa wakes up in the morning and sees that the group is doing first aid on Mark’s broken leg, as the doctor takes over the procedure. They are not able to get any signal on their mobile phones, and even the emergency numbers don’t work.

So, what happens with the events here as we just keep looking? :: They soon realize that they are no longer on the road, but are lost in an open space surrounded by a forest. They are sure that they hit the tree on the side of the road, but now, no paths leading to anywhere can be discovered. It is like having an endless line of trees in all directions. They do find a house there though, but it is empty. It seems like a strange building, with some weird signs and heads of animals. The photos in the house has people wearing masks looking like heads of goats. There is also fresh blood and heads of animals in the woods nearby. At the same time, They see some paintings and writings in house about three brothers who came from another world, a long time ago. There is also the story of a strange ritual which was performed for the brothers, which involved a naked woman’s tongue, ears and eyes being cut out. Fabrizio had heard this story from his grandfather, and all of them decide to stay in the vehicle at night rather than the house.

And what more of horror is to follow here in the middle of nowhere? :: They feel that there is something going on in the house, and Sofia goes inside house with Elisa to explore further, only to find something in the attic. There is a cocoon, and inside that, there was a child named Chiara (Alida Baldari Calabria), who has her tongue cut out, and kept separately, making them remember the tale of three brothers. She is supposed to be the only survivor in the family, and writes down that there are not in a forest. They hide in the attic while Mark was dragged out of the vehicle by three masked figures, who torture and kill Mark by pulling out his eyes and also breaking his feet with a wooden hammer. After Mark’s body is dragged to the forest, they run to the woods. After finding a large number of abandoned cars, they understand that they are not the first victims of these people, and might not be the last either. When they walk through the forest, they end up at the same place, and also see that the vehicle missing. Is there any hope left now?

The defence of A Classic Horror Story :: The best thing about this movie might be its use of sound effects and also the music that relates to the situations so well, and works even better for the horror. One has to wonder how they find all the strength with the sound when we are less expecting it, and manage to have such an amazing effect. There is something for the Hollywood movies to learn here, and our films are not even close, as far as horror is considered. The visuals are amazingly good, and the beautiful scenes of nature combines with the terrifying ones really well. This strange, scary, beautiful world, is something that we can cherish, and be glad to see on the screen, wishing that this was actually there in any of those theatres. Yuliia Sobol and Matilda Lutz make pretty good screen queens, as we look at them wandering through the situations of horror – even though the latter is the female lead, the former is the stronger of the two. The male actors basically pales in comparison to these two who make have the better moments.

Positives and negatives :: The ending of the movie is a little bit of a struggle though, as it was not having some of the best twists around there either. There were so many routes which it could have taken, but it has chosen one which was so less interesting. There could have been so many terrifying truths about what is happening on the screen, and how this is like a world from where there could be no escape, but the film chooses to go through the path which is rather too easy to take, to create a twist. It might have been trying to become another one of The Cabin in the Woods, but that much of a satiric fun isn’t present in this one. There is a lot of blood and gore around here though, even as it doesn’t really go with the fully slasher horror model. The only other two Italian movies on Movies of the Soul are Pinocchio and Piranhas – this one is the first Italian horror film and the first full-thriller movie from Italy to be part of the reviews here. One has to say that as a horror fan, different people would enjoy this is different manner, depending on how much they like the ending.

How it finishes :: A Classic Horror Story surely lives up to its title, and this Italian movie has enough to keep it stronger than a good number of Hollywood horror movies. There are not many English movies which have used the available resources so well in comparison to this one. One has to question some other horror films about their use of the visuals and sound effects, as well as the urban legends which were available in a better way. If you forget the ending of this film, the rest of the whole thing makes one really care about the main characters and tensed and afraid of the terrifying world within what seems to be a forest. That particular hunt and torture are enough to wonder about the smartness behind this particular movie. Among the horror movies which have released in the last few years, this might be the one which can have the right to use this particular title. Enjoy this world, and hope that it can be inspiring for many horror movies which have lost their way completely in the beginning stages itself.

Release date: 14th July 2021 (Netflix)
Running time: 96 minutes
Directed by: Roberto De Feo, Paolo Strippoli
Starring: Matilda Lutz, Yuliia Sobol, Will Merrick, Justin Korovkin, Peppino Mazzotta, Cristina Donadio, Francesco Russo, Alida Baldari Calabria

<<< Click here to go to the previous film review.

@ Cemetery Watch
✠ The Vampire Bat.

Fear Street: 1978

Posted on January 4, 2022 by Tennyson

Vampire Owl: Most of the vampires were not reborn in 1978.

Vampire Bat: With the exception of the elder vampires.

Vampire Owl: I would say that this franchise did start quite well with the first one.

Vampire Bat: It did bring the nostalgia of 1990s really well.

Vampire Owl: 1990s should be considered as the golden age of vampires.

Vampire Bat: They should have Fear Street Vampire Version at some point.

Vampire Owl: But vampires have been less about horror these days.

Vampire Bat: Vampires have always been about more than just horror.

Vampire Owl: Well, the side-effects of not having enough horror is also affecting us.

Vampire Bat: The first part of this slasher trilogy did bring us some horror.

[Gets a vanilla cake and three cups of cardamom tea].

What is the movie about? :: Deena (Kiana Madeira) and Josh Johnson (Benjamin Flores Jr) somehow manage to restrain Samantha Fraser (Olivia Scott Welch) despite being possessed by the supernatural. They tie her up and forcibly take her to C Berman (Gillian Jacobs) who was the last person to survive this attack of the witch, and remains unpossessed and not attacked as of now. She tells her story, and being part of a camp in 1978, Ziggy Berman (Sadie Sink), a young girl from Shadyside is accused of stealing by Sheila (Chiara Aurelia), a Sunnyvale camper, and her friends. They also accuse her of being a witch, and ties her up. After hanging her helplessly from a branch where a witch was burnt once, they try to burn her, only to be stopped by other campers. Even though she is saved from being thrown out of the camp by Nick Goode (Ted Sutherland) from Sunnyvale, she remains hostile about people from there. Ziggy’s elder sister, Cindy Berman (Emily Rudd), and her boyfriend Tommy Slater (McCabe Slye) are the responsible ones in the camp.

So, what happens with the events here as we just keep looking? :: It is then that Nurse Mary Lane (Jordana Spiro) attacks Tommy without any reason, and she tells him that he will be dead soon, before being hit on the head. This brings the story of a witch and possession back to the scene. Cindy and Tommy, along with Alice (Ryan Simpkins) and Arnie (Sam Brooks) from the same camp decide to find the secret behind what happened to the nurse who was supposed to be a nice lady, even though her daughter was associated with the witch. When they find the lair of the witch and enters there, a few more secrets are waiting for them. They find the name of Tommy among the names of the killers, and soon, Tommy changes, and splits Arnie’s head into two, instantly killing him. The two girls try to escape, but are caught in a part of the lair as stones are disrupted. Tommy leaves for the camp with the axe to meet the unsuspecting campers.

The defence of Fear Street: 1978 :: The setting and the time period where everything happens, make the whole thing interesting. The situations of horror are created well, and we have some perfectly suited characters here to work accordingly. It is more like an ode to the old slasher horror set in summer camps or lonely house in the woods. We have seen many of similar movies dealing with at least one killer on the loose. The Cabin in the Woods and Evil Dead would accept this one as their lesser mates. The blood and gore remain more in this movie in comparison with the first, and the emotional content is also stronger. The creepiness in such locations has never been so beautiful. It is a reminder that the trilogy can more with the next film, or even extend the whole franchise bigger in scope. As it is now, there is no real shortage of surprises, and how the movie ends to make us wait for the next part is also one of them. In the world where slasher horror has been losing its power, this one strengthens its roots.

The claws of flaw :: There is always something that slasher horror movies can do differently every time, and this one doesn’t really use its opportunities to bring the change. There are many moments which could have been done differently, and some of them could have had some extended versions. Now, it also depends on how the third film comes up, because where it stopped right now is a precarious position from where it can take any turn. Some of the romantic relationships feel unnecessary around here, and the other relationships are also a little bit more than what was required in a movie like this. There were also occasions were more horror could have been added, and an addition of shock would have done more good – you know that some moments required the attack of the serial killer. Even though there are many recognizable characters around here, some of them also miss out at times. You need to watch those older slasher horror movies to make a comparison again, because we have missed the best of the genre for too long.

Performers of the soul :: The one person who seems to be perfect for a slasher horror movie is Sadie Sink, who blends in here so well. She reminds us of many other scream queens from the past, and does her job really well. It is to be noted that there is a long way to go for her, and lets see her further. Emily Rudd is not really far behind in doing the same either, and she basically leads the movie from another angle. The third most important character of the movie is also female, Ryan Simpkins who follows quite well. Jordana Spiro’s short role is memorable for what seems to be madness, but is not really that. Chiara Aurelia plays a typical role, but does leave a mark too. Jacqi Vene also has a little notable role around here. McCabe Slye makes a turn to evil in a nice way too. Ted Sutherland also has some good time around here. Kiana Madeira once again has a similar role, but with less to do here. Olivia Scott Welch and Benjamin Flores Jr also have the smaller roles around here in comparison with the first.

How it finishes :: Fear Street: 1978 is pretty much a continuation of what we had in the earlier movie, and it is the change of setting through the years that makes this one so different. It reminds us of some of those old slasher horror movies well, and with the help of some new effects, seems to make things look better. Making a good second part continuation for the first part of any movie is not a difficult job, and even as movie divided into three, they have managed to make the second part better than the first. With where they ends with this movie, they have made sure that we are all interested in the third part. All these makes sure that the first, second and third parts are not the same as one another. The three slasher movies, even though are part of one grand scheme, are also very much divergent in the content on the screen. During these days when there are so many murders happening around, the effect of slasher horror might be less, but we are sure to take this as an effective piece of work.

Release date: 9th July 2021 (Netflix)
Running time: 110 minutes
Directed by: Leigh Janiak
Starring: Sadie Sink, Emily Rudd, Ryan Simpkins, McCabe Slye, Ted Sutherland, Gillian Jacobs, Kiana Madeira, Benjamin Flores Jr, Olivia Scott WelchKiana Madeira, Olivia Scott Welch, Benjamin Flores Jr

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Konda Polam

Posted on December 15, 2021 by Tennyson

Vampire Owl: So, we continue to go through films of different languages.

Vampire Bat: The second Telugu film to be at this website.

Vampire Owl: Yes, but Drushyam 2 was basically something we knew so well already.

Vampire Bat: The reflection of Drishyam 2, as we see them.

Vampire Owl: This is a fine thing brought about by the Corona virus.

Vampire Bat: Yes, the release of films in Amazon Prime Video is more certain now.

Vampire Owl: The rise of OTT was only a matter of time.

Vampire Bat: The world has changed with entertainment too.

Vampire Owl: Yet, humans remains the same, as evil as they can.

Vampire Bat: They were able to find more evil from the OTT platforms, as they were not ready for it.

[Gets a vegetable cutlet and three glasses of chocolate shake].

What is the movie about? :: Kataru Ravindranath (Panja Vaisshnav Tej) is someone from a remote village who has passed the civil service exams with top marks, and the same comes as a surprise to those who conducted the interview. He is also able to answer their questions with a lot of clarity, which leads to the interviewers to ask about him and why he had chosen Indian Forest Service when he could have taken the higher options of Indian Administrative Service or Indian Police Service. He is ready to tell his story, and it is about him and his father who are from a family of shepherds. Everyone around him are much bothered as he hasn’t got any job even after studying so much, unlike everyone else in the village. But after staying in the city for such a long time, he remains jobless. The village has been facing a drought for a long time, and he is forced to take the sheep far away in search of green pastures to feed the sheep and find drinking water. He feels that saving the sheep can prove as a blessing and remove the troubles which he has been facing in his life.

So, what happens with the events here as we just keep looking? :: Obulamma (Rakul Preet Singh) who is an expert shepherd is another person to join the team, also provides some guidance to him, as they go through the journey, but remains afraid of tigers, especially one which is supposed to have hunted the sheep all the time. They might also have to come up against possible thieves and wolves on the way. He remains afraid of the situation, but hesitates to go back despite his father asking him to return, as he should continue to search for job, while others mock him. They come across the sheep thieves quick enough, and they also find that there are bigger thieves who are there to cut the valuable trees illegally. At the same time, they also face the problems of having only limited food and other other supplies. It wouldn’t take them much time to come across a tiger, and their abilities for survival are to be questioned soon enough. He feels that he was afraid of interviews as much as he was afraid of the tiger and the wilderness. But during the journey, he would have to start facing his fears, but it wouldn’t be that easy.

The defence of Konda Polam :: We do feel that there is something about this particular film, from the beginning itself, as the starting moments have some certain focus. The visuals are really good, with focus in the village and the forests, and also has a good number of actors and actresses playing the villagers doing a fine job. With an inspirational theme at the core, one can be glad that Amazon Prime Video did buy the film and brought it to us, as there is no other way for us to watch Telugu films around here. After watching Drushyam 2, I definitely wanted to add more to the list, and this one makes the time worth it. The movie inspires to face one’s fears, and there are many genuine people who fail to get a job in comparison with others who fake themselves during an interview. The rest gets their job due to reservation. So, what would the common righteous man in general category do? Well, one has to fight and fight harder every time. For the same, the film serves as an inspiration, and it also has a message in support of nature, as well as some action and thrills to go with it in this particular adventure.

The claws of flaw :: The usual kind of songs do come in between to bring the unnecessary break which is often considered natural, but they are not, during this time period. There are some moments which take the film a little bit forward than needed, and some of the repeated romance do have some negative effect around here. The romantic side surely could have been there all the time, but in the background instead of showing up all the time. The movie is also a little bit too long with this particular content. The movie would have served better if the intent was more visible earlier. There was not the need to go to the top, as an inspired person getting some other job which the common people go for, was fine enough, as we always need the dreams that we can pursue, like Mili did – not all of us can dream that big. The top scorer at the top of the world idea seems to be more or less of an idea to give those who are looking for mass moments something to cheer for but, this could have gone for a more realistic idea with that. Well, too much inspiration can be often disappointing, and it also means an unreal thought process.

Performers of the soul :: Panja Vaisshnav Tej plays someone who goes through the struggle that most of the youngsters face in the city, and also another struggle in the forest. The movie is more or less the bildungsroman, the coming of age story of his character, which he manages well. The problem is only with this being too steep a climb, making a few things rather unrealistic, and forcing people to dream too big at a time when the world is not kind to people who take the risks. The world is actually worse than a few people in a village asking a young man why he is not having any job yet. Rakul Preet Singh is lovely in this role, and she goes through the movie as a natural, happy girl who is close to the sheep. The only other person in the movie whom I know about is Nassar, who interviews the protagonist for the civil service. But it is to be noted that most of the actors and actresses who play the villagers do some fine job, especially the one who plays the protagonist’s father. The comic side still serves as the weakness for the characters, but as a whole, it can be left aside.

How it finishes :: We have seen the tiger fight with Pulimurugan, and that episode of this tale is not something we are not familiar with. There is the difference here though, as the focus goes divergent, but there are some effective elements related to that, reminding one also of the eco-friendly Malayalam movie, Lord Livingstone 7000 Kandi. Even though this movie also has a similar message about nature and conservation of environment, it is also about facing one’s fears and takes it to the next level, a little too much, maybe. We can note that with the resources, they have surely managed this one well enough. With moments of glory also in store, the film gains advantage quick enough, even though not all motivation is realistic. In one way or the other, it is an inspirational movie which races towards that one goal, which completely focuses on facing one’s fears by the end. You can see that by avoiding a few elements which deviate, with some elements being the common ones, and here is a movie which doesn’t hold back in the end.

Release date: 7th December 2021 (Amazon); 8th October 2021 (Theatre)
Running time: 142 minutes
Directed by: Krish Jagarlamudi
Starring: Panja Vaisshnav Tej, Rakul Preet Singh, Sai Chand, Kota Srinivasa Rao, Nassar, Annapurna, Hema, Anthony. Ravi Prakash, Syamala, Pranitha, Mahesh Vitta, Racha Ravi, Ashok Vardhan, Anand Vihari

<— Click here to go to the previous film review.

<— Click here to go to the previous Indian film review.

@ Cemetery Watch
✠ The Vampire Bat.

Nobody Sleeps

Posted on September 10, 2021 by Tennyson

Full title – Nobody Sleeps in the Woods Tonight.

Vampire Owl: People should actually sleep in the woods.

Vampire Bat: Why would they do that? These days people prefer big cities.

Vampire Owl: It is easier to hunt humans that way.

Vampire Bat: I am sure that they would be taking enough preparations if they are to sleep in the woods at some point.

Vampire Owl: There is no preparation that can stop a vampire with night vision.

Vampire Bat: Well, people are not really concerned about stopping vampires either.

Vampire Owl: It is the doing of Twilight. People used to be afraid of us.

Vampire Bat: I am sure that they have many more things to be afraid of now.

Vampire Owl: Tell me that we are still in the top ten of that list.

Vampire Bat: I am afraid that I can give you no guarantee regarding the same.

[Gets a green apple cake and three glasses of oreo shake].

What is the movie about? :: A postman is seen as delivering a letter to some remote area, somewhere around a forest. As nobody answers the door bell, he goes on to look on the other side of the house, and hears some noises from the basement. He feels that there is someone there, and while trying to help, he dragged down the basement. His cries can be heard, and at the same time, there is someone washing bloody clothes inside the house. Then the scene shifts to thirty years later, as a group of youngsters arrive at an area near a forest for a camp. In the camp, mobiles are confiscated, as the organizers attempt to keep them offline, away from technology and close to nature. It is supposed to be a kind of rediscovery for the students who woul have the advanture of their life, meeting local people and even some of the creatures of the forest. Some of the youngsters do feel that it is nice to be away from Instagram because they don’t have to see some of the moronic posts which keep coming up there.

So, what happens with the events here? :: Iza (Izabela Dabrowska) is the leader of a group which goes for a three day hike in the forest. They are supposed to reveal facts about themselves and get to know about each other, a change from what they had been doing on the internet with strangers. Zosia (Julia Wieniawa-Narkiewicz) and Aniela (Wiktoria Gasiewska) are the only other two female members of the group. The other members are Julek (Michał Lupa) confirmed as the slowest and the least athletic among the groupm being attached to gaming, as well as Daniel (Sebastian Dela) and Bartek (Stanisław Cywka). Soon enough, they feel that something in the forest which they won’t like to face, and they had already seen a dead deer, seemingly a cruel work. Aniela and Daniel soon get to be together, but the former is soon killed while others look for him as he had disappeared all of a sudden. But is this the last of the disappearances which is to happen in the forest? What is the secret that the forest have in store?

The defence of Nobody Sleeps in the Woods Tonight :: Bringing a group of youngsters who have spent most of their lives on the internet to a forest is pretty much a fine idea for horror films. During these times when the youngsters are more into online friendships and trying to get more views on Instagram and Youtube at any cost, this tale of them being in real life is much relevant. We do see people being unable to separate online life from the offline, but this is a warning about exploring the less explored too. The horror does feel real, as much as any film of the genre shot in a forest, and the environment does provide a real boost. There are some nice shots of the forest shown with all its beauty, and the terror that lurks beneath. It is this setting that serves the purpose, even though not that much as it would for an Evil Dead movie. The terror here does feel and the melancholy of the main character is also felt very strongly throughout the movie.

The claws of flaw :: It is natural that the characters here move on the lines of usual horror films, and the mistakes that they make are close to what is repeated. The film doesn’t take that much of an innovation into its slasher mode, as horror always had a better chance in this particular film too. So much was to be done here with the monsters in the forest and with no help coming up any time soon. When we look at the deaths in the film, they are pretty much expected, and predictability is surely there – one wouldn’t hope to go beyond that in a film with slasher mode on. You also feel that this has ended with a need to have a sequel, and a grand finish was always possible. The seemingly invincible murderers here could have been replaced with something else for a change, and the sinister presence here had the opportunity to be something of much bigger scope – yet this one takes the predictable enjoyable route quite well.

Performances of the soul :: Julia Wieniawa-Narkiewicz plays the character that seems to be the lead from the beginning itself. She maintains a certain amount of melancholy throughout her time, and yet the character remains a strong presence. Her character has gone through a tragedy in the past, and the same is also reflected with flashbacks throughout her journey. Wiktoria Gasiewska plays more or less the character that we usually see in horror films, and she has managed the same with more charm than such characters usually have, and maintains a more realistic stance in comparison with others. She plays that character who is surely going to get killed at some point in a horror movie, and that will be the case here too. Michał Lupa plays a strong character despite seemingly the weaker link among them all. Sebastian Dela and Stanisław Cywka play their part well as the two other usual characters of the horror genre. Gabriela Muskała also remains pretty good when she is there. The lesser characters do their part well.

How it finishes :: Nobody Sleeps in the Woods Tonight keeps the horror genre alive, and we do need to keep the category strong. For the same, this is a welcome addition. All the horror fans would be seeing a regeneration of horror here, as well as the slasher subgenre which hasn’t had too many big movies in the recent past in comparison to what was there earlier. As of now, we need all the horror that we can take, especially when we see all the nonsense which could make it way forward in this world. We are very close to descending into chaos, and therefore horror is the only reality that we have in front of us. Nobody Sleeps in the Woods Tonight doesn’t bring that kind of horror, but does have some effective horror to remind us that the old style scares are still alive. The Polish film does manage to rise above a good number of Hollywood films here. I remember watching Dark, Almost Night which was another Polish horror movie, and now we have this one for the genre.

Release date: 28th October 2020
Running time: 102 minutes
Directed by: Bartosz M Kowalski
Starring: Julia Wieniawa-Narkiewicz, Wiktoria Gasiewska, Michał Lupa, Stanisław Cywka, Gabriela Muskała, Sebastian Dela, Mirosław Zbrojewicz, Michał Zbroja, Piotr Cyrwus, Olaf Lubaszenko, Wojciech Mecwaldowski, Bartłomiej Kotschedoff, Bartłomiej Firlet, Małgorzata Szczerbowska, Izabela Dąbrowska

<— Click here to go to the previous review.

<— Click here to go to the first Polish review.

<— Click here to go to the previous slasher film review.

<— Click here to go to the previous slasher horror film review.

<— Click her to go to the previous jungle-setting slasher horror film review.

@ Cemetery Watch
✠ The Vampire Bat.

Eighteen Hours

Posted on August 2, 2021 by Tennyson

What is the movie about? :: A group of friends is shown as making a journey through the forest, and after meeting an accident on the way, they are shot. Then the scene shifts to six hours earlier to an airport. Six students from a school are traveling from Kerala to Karnataka to take part in an inter-school competition in Bengaluru. But unfortunately, their flight is cancelled, and they have to travel by a bus instead. Along with them, there are the teachers from the school and a former student, Anupama (Indu Thampy) who is also in trouble due to the flight being cancelled. On the way, they reach the exact same place where the accident had happened, and there the bus is hijacked by a group of gunmen who were seen earlier. The gunmen are basically trying to get away from police and cross the border with a collection of drugs which they hope to exchange for a good amount of money. For the same, they hope to keep the bus and the students with them.

So, what happens with the events here? :: As the bus keep moving, the police are also after them, but with the bus in their control, they are able to keep themselves going. The man in charge of the operations is Commissioner Jayakumar IPS (Shyamaprasad). Now, as the teachers, Geetha (Devi Ajith) and Vinayan (Harikrishnan) are thrown out of the bus, the remaining students are Alisha (Sanjana Nair), Elsa (Keerthana Sreekumar), Chandrika (Keerthana P Kumar), Fiza (Abhirami), Bhoomi (Anagha Ravi) and Dwani (Parthavi Vinod), along with Anupama. Now they face the biggest problem in their life, as they realize that most probably, they won’t be going back home. Even though the police do find them, they are killed by the goons. Now, they have to take the matter into their hands and try to escape, but can they do it before time runs out?

The defence of Eighteen Hours :: There is some good experimentation in the form of a survival film here, and despite having some veteran actors in smaller roles in there, we have a lot of young blood at work, as there is some risk well taken around here. But as they all come up with pretty good performances, and with the atmosphere being used very well, film turns out to be effective. The background music is effective, and there is one good song to add to it. The camera work is fantastic, and there are some fine visuals of the forest, even though the focus actually shifts in between, which affects that possibility. Almost all of the film is focused on a forest, or semi-forest area, which is a big bonus for this kind of a theme, even though more adventures through the forest would have been preferred. The final moments also bring a twist, and has hope for a possible sequel, which turned out to be a nice idea, as this film was too short with its length.

The claws of flaw :: The film doesn’t utilize all the elements to its best advantage, even though the scope was for much more – when you get people being kidnapped with the setting in the forest, you know that the possibilities are endless. After all, a forest in nobody’s permanent ally, and it doesn’t matter what your age, gender or social and economic status used to be – a criminal or an innocent, forest has its say. We have seen similar hostage situations in films before, but this one in a more stylish take on the same, with no saviours and no planning, going rather ruthlessly at it, and in a contemporary world with drug-based crimes increasing, one would expect similar things to happen more than they used to be – COVID-19 has left people highly unstable, unpredictable and ready for anything. With a run-time of just more than one and half hours, it doesn’t establish the background story that much. It could have also used more fighting sequences, along with some extra running around and hiding – this should have focused more on escaping and hiding, but it is less in comparison.

Performers of the soul :: Indu Thampy plays the leading character here, and keeps things going, as she only gains strength. The elements of Type 1 Diabetic are nicely incorporated here, as she is supposed to be playing a character with the same health problem which she has in life, and she has some action sequences which are managed really well. Among the veteran actors, only Shyamaprasad gets something to perform here, and he plays the character well when focused on him. He has good scope in playing a senior police officer, as it is shown here. We have all loved him for his skills as a director, and one has to feel that Hollywood touch which was in Ivide and Hey Jude also being reflected here as far as style is concerned. Even he has a small role to play in his films, he has always made that memorable, and it is the same case here. We had last seen him as an actor this year itself, in Chathur Mukham, and we also remember his role in Ranam, another underrated film with its own moments of glory.

Further performers of the soul :: Vijay Babu has an even smaller role even though we feel that this was going to be a bigger role from how it goes in the beginning, while Sudheer Karamana’s work is unfortunately too small for our liking, as we all expected him to make a comeback at later stages as part of the search for the bus. One has to wonder why they needed other police officers to the lead other teams when the latter was there to make an impact. Lengthier presence of such actors were required, but I guess that they can be used better in a possible sequel in the future. The newcomers do handle the work well though. While the villains do suit their role, the girls do their job really well, and considering the fact that this is the first film for most of the cast around here, everything goes very much nicely. For a number of these performers, there will be more roles coming, and bright future is there for at least some of them, depending on how things would go in their next films. Former Miss India, Mansi Sehgal is also here in a cameo.

How it finishes :: Eighteen Hours, despite missing the chance to go higher, has its own merits running through it. It should be the belief in its strengths that made sure that this one had its release not in the theatres, but on Mazhavil Manorama as well as the app, Manorama Max. With less resources and also with a lot of newcomers, the film has managed enough to be entertaining in an atmosphere which seems to make the most out of it. Even when the film seems to struggle, it manages to raise its bar later, and just like its protagonists, the movie doesn’t give up, and goes on to bring a surprise in the end. The director’s best known film was Salt Mango Tree, along with other familiar titles like Thrissur Pooram and Escape from Uganda, but this film, even though without the big names playing major roles, gets to be better, and can inspire even better flicks like this. It adds on as another interesting release during COVID-19 pandemic lockdown, coming straight to home.

Release date: 1st August 2021 (Mazhavil Manorama and Manorama MAX)
Running time: 138 minutes
Directed by: Rajesh Nair
Starring: Indu Thampy, Vijay Babu, Sudheer Karamana, Shyamaprasad, Advaith Ajay, Harikrishnan, Krishnan Balakrishnan, Devi Ajith, Vimal Vijay, Sanjana Nair, Keerthana Sreekumar, Keerthana P Kumar, Abhirami, Anagha Ravi, Parthavi Vinod, Mansi Sehgal

<— Click here to go to the previous film review.

<— Click here to go to the previous Malayalam film review.

<— Click here to go to the previous Hollywood film review.

@ Cemetery Watch
✠ The Vampire Bat.

The Wretched

Posted on August 19, 2020 by Tennyson

Vampire Owl: These humans often refer us by this name.

Vampire Bat: Well, it is clearly wrong, as we are not in a wretched condition yet.

Vampire Owl: I am pretty sure that the humans are in a more wretched situation now.

Vampire Bat: Yes, the Corona Virus has gotten into them pretty badly.

Vampire Owl: I believe that they have always been wretched enough.

Vampire Bat: I wouldn’t say that for every one of them.

Vampire Owl: You have always been too kind of the humans.

Vampire Bat: And you have always been the cruel one.

Vampire Owl: Nobody in the known world are as cruel and wicked as the humans.

Vampire Bat: Now, this is something you don’t even say about the werewolves or zombies.

[Gets a green apple cake and three cups of masala tea].

What is the movie about? :: A young girl names Megan (Sydne Mikelle) has a babysitting duty, only to find a creature feeding off the little girl, and as she tries to escape, it seems that Megan also meets a similar end in the hands of the demonic creature. Later we see Ben (John-Paul Howard), a youngster joining his father Liam (Jamison Jones), as his parents are in the middle of having a mutually agreed divorce. Ben gets to work in the local harbour in the countryside with his father on a temporary basis. At the same time, Liam is getting too close to his co-worker, Sara (Azie Tesfai) while Ben becomes good friends with a local girl working there, named Mallory (Piper Curda). Ben also can’t stop himself from noticing their new neighbours, Abbie (Zarah Mahler) and her son Dillon (Blane Crockarell). They do get lost in the woods, and Dillon gets called by a tree into the hole underneath, but they do manage to bring home a deer which their car had hit and killed, much to the dismay of Abbie’s husband Ty (Kevin Bigley). She tries to cut the animal for a dish, but messes it up.

So, what happens with the events here? :: Later, we see that a certain creature is coming out of the body of the deer through the cut which was made earlier, and Ben also sees something sitting on the rails of Abbie’s home – seemingly human, but something else in reality. It does disappear when the light goes off, but makes appearances inside the house of Abbie. Ben tries to mingle with the young people in the neighbourhood with a party, but is publicly embarrassed by the most desired girl of the locality JJ (Gabriela Quezada Bloomgarden). As he returns home, he finds Abbie walking into the woods with her toddler, but is interrupted by Liam and Sara, leading to a dispute. Even though Abbie returns from the woods, she doesn’t seem to be the same. It doesn’t seem to be the usual trouble that haunts the small town, as there is more to it than what meets the eye. There is a force beyond one’s understanding, and if someone tries to solve the case, that person might be considered a lunatic. How many lives will be lost before such an evil vanquished?

The defence of The Wretched :: There is no doubt about this particular movie’s ability to score with the ambiance, as the setting as well as the neighbourhood where the people are living, can all be considered to be very much perfect. We have the small town where people are denying the existence of evil, but there has always been one in the woods, and a tree has been central to everything. To get to the depth of this evil, we have even more twisted ideas in there, and more of terrifying suspense will be revealed in the end. There are also some scares to support the same, and the nature around the place is indeed beautiful. It is more or less like a dark fairy-tale, as there are elements of a dark fantasy which runs right through. The characters are the kind of people whom you can relate to, and that makes the transformation caused by the witch feel even more real. After all, it is always nice to be taken back to the idea of that witch who used to haunt us during the childhood and reached as far as The Witch – until you had the older version of Evil Dead to scare you in the best possible way.

The claws of flaw :: It has to be noted that the movie does try to have a little too much than a regular witch story, which doesn’t always work in its favour. The mixture doesn’t make the best use of its elements, especially as there are so many things which a witch possessing a lady or two can do. The terror could have had even stranger forms, and it also takes some time to make one feel the seriousness of the same. Some scenes are also not needed, even in a movie which goes just above one and half hours. Some people can even find this movie to be confusing in parts, and the creepy poster doesn’t come up in there, which is also disappointing. The mask does come though, and just like the other elements related to the witch, there could have surely been more. The ending has also been left open, maybe for a sequel, but that would need more, and not just the type of material that we have here. There are also some characters who could have done more – some are just left not explored well enough, and we feel the need to see them more.

Performers of the soul :: It is to be noted that the main characters are driven by a terrifying feeling – if you die, and nobody remembers you, where you really alive? That existential crisis is first discovered by John-Paul Howard who plays Ben well enough, but the truth is that it is not just his neighbour who has forgotten his son, as the darker secrets are there to make him realize the terror further. He plays the curious youngster who understands things happening around better than the others, and he does that well. At the same time, Piper Curda remains very cute and brings a lot of charm to the movie – not your usual leading actress, she brings a few joyful moments here and there in what really is a dark movie as it progresses. Zarah Mahler is really good as the young lady next door who is possessed by the witch, as she makes some really scary appearances, and there are scenes with her skin ripping off, which takes it to another level. Azie Tesfai with that deer-skull mask on her face is joy to watch, even though it is only for a short period of time to make a good enough bad witch. Gabriela Quezada Bloomgarden could have been there for more though.

How it finishes :: We have always had the supernatural creatures running around in different movies, but the witches have always struggled to keep it going in comparison to vampires, werewolves, zombies and other creatures of the dark who have been competing well with the demons and ghosts. But The Wretched does manage to bring some of such interest back to us during these days, as the witch gets her due, without a broomstick, staying close to an evil tree in the forest. It has enough surprises in there to keep the whole thing going, and with such a setting to help its cause, The Wretched is sure to take you to a world of forest’s witches whom we have known since childhood. You can always expect more, but this is indeed a good beginning to a type of horror cinema which hasn’t made that much of success in comparison to the others. After all, elves and similar creatures of light are not the only ones you keep finding in the middle of the forest.

Release date: 19th July 2019
Running time: 96 minutes
Directed by: Brett Pierce, Drew T Pierce
Starring: John-Paul Howard, Piper Curda, Zarah Karen Mahler, Kevin Bigley, Gabriela Quezada Bloomgarden, Richard Ellis, Blane Crockarell, Jamison Jones, Azie Tesfai