The Hunger Games

Posted on July 17, 2013 by Tennyson

As we wait with that patience which would be intolerant in the absence of the movies like Pacific Rim for the arrival of that possible sequel of magnificent wonder and unparalleled inspiration, The Hunger Games: Catching Fire, and HBO Asia finding it a part of their interest to show its prequel on a number of occasions, it is only a matter of a few micro-seconds when that expected decision is taken to write on this movie which began the adventures of Katniss Everdeen, the girl on fire – the beautiful protagonist of Suzanne Collins’s The Hunger Games trilogy on screen. The question would remain though, about how much of an impact these movies can create, on those undesirable factors which prevail throughout the current world, even as the movie is set in the future. On my records, this is among the best movies of 2012, sharing the honour for third place with The Cabin in the Woods, but in a perfectly assigned scoring system which I would implement when I came back from the grave, this might come fourth. But isn’t it catchy enough already with its name itself – the games of hunger, or the games for getting rid of hunger, in a future dystopia where inequality thrives with its roots going deep into the soil of human nature? Well, the games would continue in November 2013 and until now, there is this completed game.

A post-apocalyptic situation has lead to the nation of Panem consisting of a wealthy city of Capitol and twelve poor, struggling districts. As a punishment for a past rebellion and riots, each district is forced to provide a boy and a girl as tributes to compete in a virtually created environment in the form of a real world where they would have to struggle for survival, and the last man or woman standing would be rewarded. The tributes are supposed to be between the ages of 12 and 18 and are selected by the lottery method which they called the Reaping. These tournaments of magnificence are called the Hunger Games. Katniss Everdeen (Jennifer Lawrence) and her family come from District 12, a coal-mining district which is incredibly poor and less populated, having not a good record or good chance at the annual games. They struggle to survive in situations of hardship. When her sister Primrose Everdeen (Willow Shields) is chosen to fight till death in her first Reaping, Katniss volunteers to take her place in the games. Peeta Mellark (Josh Hutcherson), a baker’s son, is chosen as the other district tribute. Katniss and Peeta are taken to the Capitol in a luxury train and is provided with high level accommodation and the facilities which would have been unknown to them in their district.

They are accompanied by their mentor and past Games victor, an alcoholic Haymitch Abernathy (Woody Harrelson). They are informed that they should make them likable enough for the sponsors to send them anything helpful during the match. The find the tributes from Districts 1 and 2 who are trained to win the tournament from the early age itself, and have a big chance of murdering the rest of the participants early. Katniss and Peeta succeeds in making early good impressions with their first public appearance as well as the interviews, and the former does exceedingly well with her archery skills. Peeta’s love for Katniss is also revealed during the period of preparation. About half the tributes are killed in the beginning of the game itself, and Katniss, while on the run forms an alliance with a little girl Rue (Amandla Stenberg) from District 11 as the others come up with their own unholy alliances. After her death, Katniss joins with Peeta and tries to survive with only a few contestants left. This process is affected by a number of interventions by the tournament controllers and their plans to keep the tournament at a level which would be the most favourable.

With no surprises, this is Jennifer Lawrence’s movie, as the whole world is centred around Katniss Everdeen. This is third movie of hers that I had the opportunity to watch, after X-Men: First Class and House at the End of the Street, and doubt me not when I say that I shall also watch Silver Linings Playbook. She has set new standards for the leading character of a movie which is a deathmatch with the rules of the last man standing, something which takes a gamer back to that game mode in Unreal Tournament, and whatever followed as the other first-person shooter computer games. Even with doing nothing spectacular, she keeps her character strong, powerful and attractive. Katniss’ extraordinary display of courage is not only portrayed through her one huge life-changing decision to replace her sister and save her life, but also in her words,from the moment she is chosen as the tribute and her existence was possibly going to be a very short one: “No. You can’t. Not like when dad died. You’re all she has. No matter what you feel, you be there for her, you understand. Don’t cry. Don’t cry”. She traverses around that forest with her bow and a quiver of arrows like Artemis, the Greek Goddess of hunting. Josh Hutcherson progresses in the role of Peeta in the exact same way as the viewer would expect.

Meanwhile, Donald Sutherland as President Coriolanus Snow delivers those powerful quotes to be remembered: “I mean, why do we have a winner? I mean, if we just wanted to intimidate the districts, why not round up twenty-four at random and execute them all at one? It would be a lot faster. Hope. It is the only thing stronger than fear. A little hope is effective. A lot of hope is dangerous. Spark is fine, as long as it’s contained. So, contain it”. This dialogue defines the movie in a scene – what The Hunger Games is all about. As the primary antagonist of the series, and the autocratic ruler of the Capitol and all of Panem, it also defines the character and lest us know what to expect from him in the upcoming movies. There is a lot more to come from him, and one can be sure that some of those moments won’t leave one that easily. Foxface is the female tribute from District 5 played by Jacqueline Emerson is the next interesting character, even as the tribute makes very less impact on the storyline. Alexander Ludwig’s Cato and Isabelle Fuhrman’s Clove makes the skilled and heaviy trained District 2 tributes who work as the major antagonists inside the tournament.

The movie lacks in the intense action sequences and use of good special effects and CGI which could have made this one even better, and the slowness gets a little uninspiring at some moments. But what it losses in its lack of pace, action and effects is gained by some great acting and its own powerful theme. Katniss herself is a symbol of a rebellion for the twelve poor districts against the rich Capitol’s oppression, and even as this movie only begins a procedure, and Katniss has only become the shadow of what she can do later, this is one message against inequality and oppression which the movie has conveyed wonderfully. “War, terrible war. Widows, orphans, a motherless child. This was the uprising that rocked our land. Thirteen districts rebelled against the country that fed them, loved them, protected them. Brother turned on brother until nothing remained. And then came the peace, hard fought, sorely won. A people rose up from the ashes and a new era was born. But freedom has a cost. When the traitors were defeated, we swore as a nation we would never know this treason again. And so it was decreed, that each year, the various districts of Panem would offer up in tribute, one young man and woman, to fight to the death in a pageant of honor, courage and sacrifice. The lone victor, bathed in riches, would serve as a reminder of our generosity and our forgiveness. This is how we remember our past. This is how we safeguard our future.”

What is said in these lines are the lies that the common man is forced to believe; and as the dictator himself says, it gives them hope which rises over their fear. But this is that fake hope which helps them to rule over the common man and continue to be rich at their cost. The need for rebellion is asserted, as it is the Capitol that rules them all, and it is that one city that has everything, and when the rebellion for their own basic needs is termed as treachery and the people branded traitors. The theme of self-sacrifice is there, as Katniss’ substitutes herself and becomes willing to die for her younger sister, like Jesus did for the atonement of the sins of humanity; Peeta also rises from under the stone, and the symbolism of bread prevails throughout the movie. The human battle for survival, the influence of the media and the need for freedom are also seen throughout the movie. There is the rise of the underdog, a common popular thing, and his defiance which changes the world upto an extent, and will define it further. The movie strikes, and it inspires, and Jennifer Lawrence does the rest. This is one movie which makes you think on many lines, and the most significant thought is defiance. Remember the story of the demi-god Theseus and the Minotaur, in which the Minotaur is fed with a certain number of boys and girls from the city, for there are some cycles which need to stop.

Release date: 23rd March 2012
Running time: 142 minutes
Directed by: Gary Ross
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Lenny Kravitz, Stanley Tucci, Donald Sutherland, Willow Shields, Dayo Okeniyi, Isabelle Fuhrman, Alexander Ludwig, Paula Malcomson, Jacqueline Emerson, Leven Rambin, Dayo Okeniyi, Jack Quaid, Amandla Stenberg, Wes Bentley, Toby Jones

@ Cemetery Watch
✠ The Vampire Bat.

Underworld: Awakening

Posted on July 15, 2013 by Tennyson

The first impression all those mindless critic-believers would have about this movie is nothing more than a bulk of disbelief inspired by the support of the people who are paid to write, something which has plagued the movie world as a hellish hound spreading pseudo-love for movies as a plague which has exterminated most of the better movies which was released in the last few years, and supported senselessness. Sometimes, one would wonder if they need Tarantino’s name in the director’s column and only then can they give a good review; so goes the cynics, the masters of annihilation of the better ones. Unfortunately, this one is not even directed by Len Wiseman, the director of Underworld: Evolution, the previous movie which had Kate Beckinsale playing the same character. But that hasn’t affected this vampire-werewolf world too much. The same director and the same actress had the movie Total Recall working for them in the same year, and just like Mila Jovovich and her husband in the Resident Evil series along with The Three Musketeers, all of these movies having one thing in common – a gorgeous, stong and agile female protagonist who moves around kicking and punching the opponents, along with dodging bullets and arrows spinning around them as if she was a spinning delivery by Shane Warne of Muttiah Muralitharan.

This fourth installment in the Underworld series, and the major protagonist, Selene (Kate Beckinsale) is captured and imprisoned by the humans, and most of the vampire population has been exterminated with the few remaining blood-suckers living underground as survivors and rebels. The lycans are supposed to have been extinct for years, or so the world is forced to believe. Selene escapes from the medical facility where she was cryogenically preserved as a female vampire specimen. She finds out about Eve (India Eisley) a vampire-werewolf hybrid and the daughter of Selene and Michael. The vampire mother and daughter is escorted by David (Theo James) to his vampire coven where his father Thomas (Charles Dance), an elder vampire is sceptical about the whole thing. But the problem remains that the lycans had never been extinct and they are looking to develop a drug which could make lycans immune to the deadly effects of silver on them and also to enhance their physical abilities, for which they need to capture Eve and take her apart. Dr. Jacob Lane (Stephen Rea) and his son Quint Lane (Kris Holden-Ried) look forward to capturing the young girl and using her genetic code to achieve near invincibility for the lycan race.

So Kate Beckinsale’s Selene has returned to once again with that the skintight latex outfit, a costume which defines the movie outside its mythology, and it is one situation comparable only with Milla Jovovich’s Alice in Resident Evil: Retribution and also Sienna Guillory’s Jill Valentine in the same movie. Alice and Selene has so many things in common though, as both of them gets the infected other, the species who are leading her own to extinction, in black skintight costumes and displaying all the athleticism – the two leading actress portraying them married to the same director who directed their most popular movie series, and the three characters, Alice, Jill and Selene are portrayed by the actresses whose age difference in one as of this exact moment. Kate Beckinsale wins the battle of whom being the better destroyer for sure, which is why Underworld series survive. Just like Underworld and Underworld: Evolution, this movie revolves around her, and she is the undisputed sun of this solar system, even as there is a hint that another sun is to rise in the form of Eve, and this would be a system of not one, but two stars providing the resources for survival. The possibility of a Jill-Alice, Claire-Alice or Ada-Alice world or the combination of all is the next possible thing though, and this sharing of Underworld is rather distant.

Kate Beckinsale once again proves that she is the one suited for this role as Selene, one of the most attractive, gun wielding “good” vampires the movie world might ever bring to the human eyes. Lori, the undercover agent and the fake wife of Total Recall proves the same later, and what Anna Valerious proved in Van Helsing lives on with this version of the vampire named after the Greek moon goddess. Here, the superhuman powers make her close enough to a demi-god, even as the daughter of the Titans Hyperion and Theia wouldn’t dare to agree. There is no brother for this Selene in the form of the sun-god Helios, and there is no sister in the form of the goddess of the dawn, Eos. She is still that nocturnal creature, despite of her ability to move around in sunlight. She is also the hunter, Artemis and also almost Aphrodite in beauty. As we consider the fact that she was a cryogenically frozen female vampire specimen until waking up, there is the multiple assertion of her continuity from where she stopped, as she has not changed a bit from her earlier appearance which was six years earlier through Underworld: Evolution. She didn’t seem to have a aged a bit, and there is absolutely no loss of touch with the character which has been the most popular lady vampire for quite a long time, and Isabella Swan’s transformation into a pale creature won’t change a thing.

Selene’s atheleticism and vampiric nature is perfectly portrayed by Kate Beckinsale as defends the hybrid daughter and her own kind against the lycans and humans with such fury and aggression which can make even Count Dracula passive. Along with the blue eyes, that face and all the expressions in the movie points to that one mythical creature only, the vampire, or as John William Polidori would say – The Vampyre. Forget Vacancy and Click, as this is the movie which she would be identified with, and that blue-eyed face and the short black hair falling on the face at regular intervals; that is the image which comes to the mind with the name Kate Beckinsale, and it is that impact that Selene has created from this wonderful actress, and that beautiful awesomeness of a gorgeous vampire lady is her gift to Selene in return. That wouldn’t make her any less attractive not as Selene, but the vampire lady is the one archetype which would stay there for a very long time. It has to be something all the lunar goddesses of history have to approve. None of those action movies Underworld, Van Helsing, Underworld: Evolution, Total Recall and Underworld: Awakening has recieved a Rotten Tomatoes rating above 40 percent, which is a sign of not the weakness of these movies, but the lack of strength in the critics to take them to the soul.

The action sequences and the 3D support Kate Beckinsale in her quest to get Selene to new heights, and they are of incredible power with that dark background. There is the excellent usage of the visual imagery and the special effects, and it had to get the maximum out of the fight sequences which it does. One can still complain about the story being ordinary and the movie being too short, but those have helped in making this one more interesting for those who haven’t seen the earlier movies of the series. There is no special talks about the motivatios and inspirations of the two species, and there are no long dialogues about the origins and history. It might have gone unnoticed, but India Eisley also scores within the limits of her character, as Eve has only begun. We haven’t seen enough of that one vampire hybrid for sure. Michael Ealy and Theo James plays the role of the allies of Selene, with the expected results. Stephen Rea has that powerful existence on the other side of the realm, unlike his vampiric presence in Interview with the Vampire, then to become a European vampire who becomes an enemy of the main vampire character, Louis de Pointe du Lac, and here to become the rival of the beautiful vampire protagonist, Selene. Kris Holden-Ried makes another powerful villain who makes one feel that he is never without lycan effect at any moment. Charles Dance scores with his presence as the Vampire Elder alone.

When Underworld: Evolution and Ghost Rider 2: Spirit of Vengeance had the same rating with critics, and The Lone Ranger managed a better rating, there was always something wrong, and the former was a pure eye-opening moment for this Vampire Bat looking for the “movies of the soul”. Even Snow White and the Huntsman had a rating near fifty percent which created that realization that all these paid reviews are just for a specific group of people, and there is a bigger division of people who are misguided with the same, thinking that these are for them. This higher rating for the movie will make for the lies which have haunted this movie and the whole series as a whole. If the critics rating is seventeen percent and I give it a ninety two percent, that should make the situation a healthy ninety nine, with that remaining one percent donated to charity. It is the duty of the Vampire Bat, and his honour as part of the “movies of the soul” to immortalize Selene, and that vampire world which righteously fights the lycans long before Twilight came up with such an idea which would pervert the vampire world and destroy the image of all vampires before the humans. It is on this realization that this review has originated, and with that idea, it shall wind up. There will be a fifth movie in the series, and the Vampire Bat shall eagerly wait for it – there is nothing of humanity and there exists no critical force that can end his craving.

Release date: 20th January 2012
Running time: 88 minutes
Directed by: Måns Mårlind, Björn Stein
Starring: Kate Beckinsale, India Eisley, Sandrine Holt, Theo James, Michael Ealy, Stephen Rea, Charles Dance

@ Cemetery Watch
✠ The Vampire Bat.

Pacific Rim

Posted on July 12, 2013 by Tennyson

The fictional stories concerning the aliens from outer-space have always been with us through those books, movies, cartoons and comics right from the childhood. Alien, Predator and Event Horizon were among the best feeders of outer-space horror. It was just a few weeks ago, that the audience accepted the friendly neighborhood alien in Man of Steel, and the same space travel thing was explored thrice in the last few months, with Star Trek: Into Darkness, Oblivion and the weaker of the group, After Earth. Well, this time, from the depths of abyss comes the alien creatures, not from the sky, but from underneath the oceans to the above world. The first choice of looking for alien life form was always beyond the stars, which is actually quite surprising. For the common man, it should not have been so, but unfortunately they have been loaded with ideas of life on other planets by science even as the fact remains that they have never seen any of these planets or stars in the way they are taught in the school. I would have preferred not to study the same and choose only art and literature, but unfortunately, education is clearly biased towards science. What this study of science does is that it unintentionally makes religion the more believable thing around for the intellectuals of the highest class. It is on a blind faith of technology and scientific extremism that the concept of space aliens are based on, and it is this same thing that Guillermo del Toro has annihilated here; not that it was not done before, but this time, it is in the form an incredibly powerful spectacle.

Del Toro’s work has always come up with beauty in horror, and this movie is no exception. The movie plunges into the depths of the theme of alien invasion and comes up with that pure awesomeness which The Avengers missed by some distance and Transformers: Dark of the Moon missed by quite a million light years. This is what Transformers should have been, but unfortunately that series lost all the good things with the second and third parts of the movie. Pacific Rim shows how a fighting machine should be. From the man who gave us Pan’s Labyrinth, at least this much was expected, and he has delivered it, with fantastic power which would make this the movie of the year so far, and may be even the best science fiction action move in two years. I didn’t really free myself from his Hellboy II: The Golden Army when I went to see this one, thanks to the television channels; and not to forget Blade II. There is one warning though, as this is not recommended for the movie cynics – they are the kind of people who will dislike this movie and come up with weird unimaginative reasons which are less significant than the smallest robot’s toe. If this movie can’t leave a smile on your face by the end, there is no doubt that such people belong to the Kaiju group, as the monster sympathizing kids who can’t bear to see their little dinosaur things losing to robots.

The movie takes the viewers to the future, when the planet is under attack by Kaiju, a name they call for the gigantic monsters continuously emerging from a portal beneath the ocean. After a number of attacks and destruction, the humans understand that it is not going to stop. To combat these big monsters, all the nations unite and use all their remaining resources to create the giant robots called Jaegers, each controlled by two (or more) pilots whose minds are joined by a neural bridge, as it would be too huge for two of them. But,The plot follows Raleigh Becket (Charlie Hunnam), a former Jaeger pilot who had lost both his machine and his brother while fighting. He is called out of retirement by Stacker Pentecost (Idris Elba) and is teamed with a rookie Mako Mori (Rinko Kikuchi) in a last effort to defeat the monsters. At a time when Jaeger program is being decommissioned, and walls are built to protect the cities from the monsters, there is chance for one final attempt on closing the portal and saving the world with only four last robots remaining. As the monsters continue to evolve and adapt to the methods chosen by humans, the survival of both the man and the machine was becoming difficult, and with bigger and stronger monsters coming up, and the robots only getting older, the situation had turned clearly in favour of the monsters who are found to be controlled by minds and on a mission to colonize Earth.

Charlie Hunnam and Rinko Kikuchi gives the movie that right dose of memory, as they give to their giant machine in the story. Idris Elba gives a powerful performance throughout the movie. There is no romantic side to this story, and the feelings are of brotherhood and respect rather than some silly emotions of infatuation. The rest goes to the robots, except for some funny scenes. The movie is a fantastic visual treat, as if a wizard has combined his powers with a sorcerer of the other world. This is not a dark movie, as that ghost has currently gripped every story which is detached from the real world. There is beauty even in the monsters and the destruction that takes place, something which Transformers and The Avengers missed out on the artistic side. There is pure poetry in motion throughout the sequences involving the robots and the monsters. They are all beautifully done, with each minute detail given importance. There is even detail on the tiny insects which feed on the monsters – not that tiny when the humans see them though. The fight scenes are powerful and stylish, with 3D coming to the aid at the right moments. The cynics can stop asking scientific questions about the invasion as the creatures come out of portal underneath the ocean and not from underneath Earth in its literal sense. It might be surprising that just a portal answers so many questions, and in this case, it does. Another thing to be noted is that times flies throughout this movie, and one gets too busy with the movie that it goes unnoticed.

This is obviously different from Guillermo del Toro’s Pan’s Labyrinth and Hellboy and therefore it is a crime to expect the same kind of thing here, even as there is the clear “del Toro tag” throughout the movie. Each and every detail of the robots and the monsters is to be looked at, for they are not simple giant robots and gigantic monsters. Gipsy Danger, the old model which saves the day differs considerably from Crimson Typhoon, the three armed robot with three pilots. The Russian robot Cherno Alpha gives another feeling at the mean time, and Striker Eureka comes up with its robotic structure almost the exact opposite. Coyote Tango, piloted by Stacker Pentecost has a lesser appearance. Even the monsters are never the same, as some of them can spit acid, some of them can fly, and some of them can move at lightning speed – none of them looking the same. The climate, and the whole setting of the fights also seem to assert this powerful detail which has been running through the movie. Another point is the use of collective memory, as a shared group of memories, only this time, it is really what it means literally. There is that world of shared memory and shared folders which we found easier to attach with the computers and electronic devices – it has such a powerful significance; and such a thing would solve the differences and save the world threatened by humans.

One question shall haunt me for a long time though; to watch this movie two or three more times or to be so satisfied with this spectacle that I take a break from watching movies. There are moments which can make one feel that it is the ultimate satisfaction, and as long as science fiction movies are considered, this is close enough to the same. There are all the morals and the inspiring factors in place, but there is no preachy side to this one. The moments to watch out for should be I. The first battle between Gypsy Danger and a monster (just because it is the first fight), II. The return of Gypsy Danger to the field (that moment of sudden appearance), III. The battle in the air (when the sword takes over), IV. The final underwater climax battle (from the moment the first monster strikes). There is no forgetting the use of ship as a weapon during that moment of awesomeness. This could be better summarized by saying that the movie has a very good beginning and a fantastic last fourty five minutes. It takes you to another world, where these monsters are real, and they can be beaten. There is inspiration, and there is the ability to keep you on the edge of your seats; there is the message of never-ending hope and the assertion of faith and belief. Along with that there is the rain and the water of the ocean which seems to have a purifying effect in 3D. The movie has a lot of trust and sharing of other’s memories going on, which points a lot to the current world. So what can we expect from a possible sequel than pure awesomeness? This one was a safe bet for me though, as there is one director who has never come close to disappointing me, and he is directing this movie.

The fact remains that Pacific Rim will continue the winning run of Warner Bros, and the reason for its success at this part of the world should be the trailers and the posters at the multiplexes which does nothing less than being impressive. Another thing is that the early reviews have all been very positive, and those which are negative, I wouldn’t call them reviews, as none of them has come up with any valid argument to not recommending this movie. It is a known truth that people love some random human being in a metal suit as they have appreciated Iron Man, and they also love robots, considering the huge success of Transformers with nothing much to offer in the last two movies of the series. Pacific Rim has both of them, and with the right people to handle the same. Considering the kind of audience the movie attracts, the only movie which can give some challenge is The Wolverine, as the release of White House Down next week here won’t change a thing, thanks to Olympus Has Fallen. R.I.P.D. and The Conjuring will attract only selected viewers, and RED 2 has a chance of making lesser impact than expected here. Then there would be The Smurfs 2 which would take not much of the audience of this movie away from action. The movie would stay in the theatres here till August unless The Wolverine comes up with a miracle, or there is an influx of Hindi and Malayalam movies of high quality.

Release date: 12th July 2013
Running time: 132 minutes
Directed by: Guillermo del Toro
Starring: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Rob Kazinsky, Max Martini, Ron Perlman, Robert Maillet, Heather Doerksen, Burn Gorman

@ Cemetery Watch
✠ The Vampire Bat.

Despicable Me 2

Posted on July 7, 2013 by Tennyson

In spite of knowing the critical annihilation and the box-office devastation which has created that horrible shadow of death over this movie’s major nemesis, and one of the only two Hollywood movies which released here for the last two weeks, I took that huge step to watch The Lone Ranger ahead of Despicable Me 2 which had to be the obvious choice with a better critic’s love at rottentomatoes and a better audience love at IMDB. It mainly because they said the same about two other Johny Depp movies, Pirates of the Caribbean: On Stranger Tides and Alice in Wonderland, and I watched both of the movies, and understood how much subjective their ratings were, and how much they differed from me according to the likes and dislikes; and as my opinions are considered, I would stay away from those not so interesting ideas and leave myself to the mercy of the movie directly. I had this feeling; may be The Lone Ranger is too good for the critics to take? I always knew they had their own preference except for the few. So what if the movie hit an area which made them give such low ratings?

There are many side to it though, as at that moment, I hadn’t remembered how well they had negatively rated Ghost Rider 2, as that was a memory which I successfully erased by planting better images of awesome movies. It was a much needed intellectual operation, I assure you, for without the same, I wouldn’t have given away so much to the multiplexes with such an animated ease. Well, I was half-wrong as The Lone Ranger was not that good and still not too bad, and then I had to follow it with Despicable Me 2. How can one say no to Gru, the super-villain who adopts three girls and turns good, just like the good old Megamind who turned good after adopting the lady and the city. We had both of them saving the day against a villain each, who had the advantage on that side. There are so many thing about bad turning good, and one of them is that it brings the message of hope, and with Despicable Me 2, it continues. Well, being despicable has never been an option, and it has ornated the villains for quite a long time. Both Gru and Megamind are just the lighter shades of the same evil which failed miserably in its attempt to maintain its legacy, and instead had to turn to where the really belonged, to goodness.

A giant magnet steals a secret laboratory which had a chemical compound wihich could turn any creature into mindless, indestructible killing machines. The Anti-Villain League (AVL), a secret organization working to keep the super-villains under control, is worried about the machines going into the wrong hands. The former super-villain Gru is asked to help on the matter. Even as he rejects the offer, there is a later reconsideration as his business is going a strange way and his scientist friend who misses being evil also leaves him. Gru takes over as an undercover agent in a bakery selling cupcakes along with the established secret agent Lucy Wild who becomes his love interest later. He doubts one of the owners of a restaurant in the same mall as one of those fiery villains of the past who is supposed to be dead. But the suspicion eventually falls on the wig-maker Floyd Eagle-san who is found to have some of the chemical compound inside the walls of his shop. Gru has to come up with his own theories, get back his love and also find a number of his minions who have gone missing for sometime. It is up-to him to save the world from whatever plan an evil mastermind has already made and is working for.

Gru rules the show yet again, and is second only to our own Megamind, and the minions come next to the elves of Rise of the Guardians. The latter almost ties with the saber-toothed squirrel of the Ice Age series and the penguins of the Madagascar series. Gru’s relationship with the kids and his response to his own feeling of love are the highlights of the movie, and other than that, there is nothing innovative nor extraordinary – but the way in which the legacy of the first movie is maintained, is applaudable. The minions keep bringing the laughter and the smile to each and every person in the theatre, and the age difference doesn’t really matter. They get more and more adorable as the stupid little things, a replica of the Vodafone Zoo-zoos, as they keep on talking in a strange language, and doing the deeds of stupidity with success and still remain an integral part of all the evil and good plans. From the first moment of the title sequence itself, they would seem to make us believe that it is their movie, and they are there till the end, and considering the fact that they are many and they look the same, this is the “minion” movie. The name itself takes me back to that game Overlord, one of my all-time top ten games, and thus it is a gamer alert & game reminder movie for me too.

Just as Gru would always be the same except for the alignment, the same is the case of the kids and the minions. But, there is no doubt about the fact that Gru has turned a little more of the big loving, caring, possessive father figure, but that signs were always there in him, even as villain, and now with the absence of evil, that is one thing he can focus on with full concentration – along with being not that good a businessman as he claims or wishes to be. Being a spy could replace the same, but here it came as the second preference. Unlike Megamind, Gru is not a villain who directly makes one think about all the possible themes and motifs, as Despicable Me has always remained intellectually inferior to Megamind, but as a family movie, it had scored a bit more, and the kids are expected to prefer this one for its too simple a story and the little ones who they can easily identify with; for the parents, they can give the kids some of the best moments through this movie, and that too in good 3D and lovable characters.

“When the world needed a hero, they called a villain” – it is that tagline which can work with so many movies starting with Megamind. It has not been too long since Anne Rice’s Interview with the Vampire came up with those lines of heavy significance: “Evil is always possible. And goodness is eternally difficult.” Despicable Me 2 presents us with a Gru is more fun when he acts kind of evil or when he acts like a kid. Considering the belief that humans are inherently evil, this works perfectly well. But then the question remains if he should have been good or evil, except for the fact that he is very much capable of goodness. It is a question that might never have an answer, as both the goodness and the evil is necessary for a possible sequel later. But with a new member added to the family and their world being made complete, the possibility is less. One more sequel can still do this series good, as there is a lot more life left in this as long as the audience’s love for the characters are concerned. They would love to have another, and that might be an assurance.

Does this successfully become preachy and work out a legacy which can match this movie with Megamind? The answer is no, and if there was any of the same about good and evil, it gets washed away by the heavy dose of fun. The spin-off movie titled Minions, featuring the Minions as the major characters is scheduled for a release on December 19th, 2014 – I wouldn’t expect that to come up with anything other than fun though. Just like this movie, it won’t leave you with a question “to watch or not to watch”, as nobody will have to tell you to go for that one, considering how much of a success this is turning out to be at this part of the world. But that would be another movie of pure entertainment fueled by extreme silliness, presented in a lovable manner. There exists a group of people who can be made to laugh only by the minions, and such a species would always need them. For the people who want a different minion, there is always the movie, Megamind – undoubtedly the best animated movie in many ways, and all the reasons for it to be called so, is to be explored individually by troubling the intellect, and supported by the fun.

Release date: 3rd July 2013
Running time: 98 minutes
Directed by: Pierre Coffin and Chris Renaud
Starring (voice): Steve Carell, Kristen Wiig, Benjamin Bratt, Miranda Cosgrove, Russell Brand, Steve Coogan, Ken Jeong

@ Cemetery Watch
✠ The Vampire Bat.

Warm Bodies

Posted on July 3, 2013 by Tennyson

Welcome to Zombieland – not as the name of the movie, but as a world with is not only a “zomcom” like Go Goa Gone, or “romcom” like all those pathetic movies which have eaten the brains of Bollywood and still continues to do so; for this one from Hollywood is everything at once, “zomcom”, “romcom”, “zomrom”, or even “zomromcom”. This movie is a pleasant surprise, in a world where teenagers wish to lose their humanity and be the Twilight vampires, this one comes up with something different. It is the story of a zombie who reclaims his humanity, and leads to a transformation among his own zombie people. The first question that should come to one’s mind is about how much it would work in a world of movies and literature where the vampires are glorified, and the werewolves are also given their due with the cross-connections (thanks Underworld and Twilight), and zombies are still shot on the heads with no hesitation. As the question remains about this prejudice, this movie comes with a pleasant surprise which reverses both the zombie situation as well as the supernatural glorification giving the world back to humans. There might still be no zombie wishing for a human to bite them and turn them human, but as we have seen in Daybreakers, there is always the scope to try the reverse transformation.

There is the direct, secure packing and sending of the viewers into a post-apocalyptic world instead of any explanation of what caused the same, which is actually a good movie, as there are always the logic-seekers who would find something wrong in turning these zombies into human. The human survivors who keeps getting lesser in numbers have retreated and have barricaded themselves inside a walled area surrounded by our dear little protagonist zombie and his friends. Most of them are still in comparatively human phase compared to the horrid skeletal structures called Boneys attacking anything that lives, which they become after they lose all hopes (another moment of reminder about Daybreakers, where vampires degenerate into subsiders, the psychotic bat-like creatures). So when the zombies increase in population to infect most of the world and the human supplies get low; Julie Grigio (Teresa Palmer) and her trained friends go out to the zombie world to get something from the abandoned buildings. They are attacked by a group of zombies, but she is saved by R (Nicholas Hoult), a zombie who narrates to us, and from whose angle we see the world (not before he eats her boyfriend’s brain though).

So, this R who has been trying quite hard to seem more and more human, has now a girl with brain for company; a brain he doesn’t want to chew on. He keeps her safe in a permanently grounded airplane and the bond makes him move even further towards humanity. Affected by the fact that R killed her boyfriend, the girl of brain leaves the brain eater and manages to reach home safely. But the problem remains that the whole thing has caused such a chain reaction in the zombie society that more of them seem to show the signs of humanity including R’s best zombie friend M. But the Boneys seem to detect this life and is all set to attack both the remaining zombies with their superior strength, agility and the lack of humanity. It is up-to R to get to the human world and find the girl, along with using all the memories from that brain of her boyfriend which he has been chewing on for quite a while. As vampires and zombies are practically the same, and there has been quite a lot of popularity for Twilight, this should have been received better, but these coffin-less, fang-less poor corpses haven’t got the attention they deserved in this part of the world, and it is our supernatural duty to give it to them. I would believe that there are many different ways to read this movie. [Preachy-philosophical stuff ahead: Uninterested people are expected to skip to the third-last line of the last paragraph after the next].

✠ As the reversal of situation: It is the reversal of the vampire addiction and the overdose of humanity in vampire fiction. As the zombies have been portrayed as the most mindless attackers even in the recent World War Z as well as in the collection of Resident Evil movies and games, this could inject an amount of thoughts which might make people value their human existence. Daybreakers couldn’t achieve this and there was no attempt either, as the vampires were more powerful, intelligent and also always winning. Teresa Palmer has looked more like a blonde Kristen Stewart throughout the movie and there are times when she sounded similar enough, but this is undoubtedly better characterization and a better performance in a well created movie. This character is surely one of brains, and not Bella, and can thus create a good replacement for her, and surely there are expressions – the character doesn’t fall for the supernatural like Bella did, as she is clever enough to value her humanity, and neither does she asks him to turn her into a zombie; may be she realizes how gorgeous she is too. Nicholas Hoult’s R is a more hardworking type of undead, even as this one also worries incredibly about keeping his girlfriend safe. When blood-drinking is replaced with brain-eating, there is another psychological impact which brings people back to their human nature.

✠ The old Shakespare and the Fairy Tale: The R should surely stand for Romeo and Julie for the one Juliet, with forbidden love set in motion. R just remembers the first letter of his name, and the lady can surely use a “T” if needed. They do see each other by the balcony, and trust me, there is no sad ending this time. In one way, it is the drama of the dead and in another way, this is the fairy tale of the dead/undead. There has been so much the need for the superman and the knight in shining armour that here, the need to be alive takes that place, and the need to have a beautiful girl with brains. This tale involves the brain used for thinking instead of satisfying the hunger, and the drams taking over the void initiated by one huge nightmare. It is up-to the zombies to connect with the human world, as the humans would do about the Supreme Being, and the ones who give up the hope and belief would be left with their skeletal structures, with no faith and no real life. There is always the hope for a better place, and for the zombies, humanity is one of them, and one man-zombie gets connected to that world by chance.

✠ When most of us are zombies: The middle group represents most of us, when we move on through life doing what the others, the zombie friends do; when we join the course they join, and when we study what we don’t want to study, and live a life of survival which everybody does. But when we choose to be different, we are the zombies for the others, and in our own point of view, we are the chosen ones to be alive. We are not them, and what they feel important can’t be of any significance to us, and vice versa. R became alive when he chose to be different, and one has to wonder if he is one of those people who had chosen to pursue arts instead of the professional courses, and made him realize how important it is to be different, and how much is there to know and understand instead of feeding on those brains symbolizing logic. He understood what creativity is, and its pure awesomeness above logic. It is choosing that good path to be different that matters, and for all the others who take that different evil path, there is the world of the walking skeletons. The advantage of this gained humanity is that one would know its value and it won’t be wasted on anything silly. It is our choice, and out of the knowledge of the Supreme Being, and the world would become more of truth and wisdom. The opportunity to reclaim the lost humanity is to be embraced.

✠ The value of humanity and faith: By the end of the movie, it is the human contact and never ending faith that saves the day. There is always the need to take that leap of faith at some point of life, and the strong belief in God and being humane are all that matters. If a zombie could go beyond his needs and prevent himself from devouring what he needed for diets, where does the humanity lie? Does the zombie’s need to feed strike lower than the human need for war and destruction? When an undead creature could come up with so much faith, why is it that humans fail miserably? This is where the questions begin and answers hide behind the bushes. The movie might not interest those who are looking for quick undead action, but this clever twist to the old myth of undead is a must watch for all those who feel like a zombie, or has the desire to see humanity in action at its base level in the most humane way. After watching this movie, some of you might surely hesitate a second before shooting an undead during the next zombie apocalypse. From what this movie has achieved, that much I am sure about; the rest is for you to decide.

Release date: 1st February 2013
Running time: 97 minutes
Directed by: Jonathan Levine
Starring: Nicholas Hoult, Teresa Palmer, Analeigh Tipton, Rob Corddry, Dave Franco, Cory Hardrict, John Malkovich

@ Cemetery Watch
✠ The Vampire Bat.

Cloud Atlas

Posted on July 2, 2013 by Tennyson

If Cloud Atlas could be termed an anthology movie, it should be my all-time favourite in that genre, but it follows that path which moves the film back and forth through centuries and through different stories of this world. At one moment, you identify with one person, and the next moment, you see another world, one might be of the early nineteenth century, and the next one of a post-apocalyptic future which goes further beyond this century. I would prefer this method more than the typical anthology method which has even made an impact in Malayalam movies with Kerala Cafe and 5 Sundarikal, as this is more intellectually effective, as we moves through the minds and souls of all these characters at the same moment, and they are with us until the end of the whole movie-watching experience. All characters and locations stay with us together, like a mixture which resembles the real life. It is adapted from a 2004 novel by David Mitchell of the same name. The movie features multiple stories set across six different ages when the mankind has to face entirely different things, and faces them individually, and still most of them resemble each other with each action which was done in one century has indirectly affected the other, even as there is no direct relation between all these.

✠ Segment I: @South Pacific Ocean, in the year of Our Lord, 1849: This tells the story of Adam Ewing, a man with a powerful conscience who witnesses the whipping of a slave, Autua with digust. The slave later sneaks aboard Ewing’s ship in an attempt to escape from the world of pain and torture and attain freedom. Ewing helps him out, but not without doubts in his mind. Meanwhile, Doctor Henry Goose, his physician, slowly poisons Ewing, claiming that he is treating the man for a parasitic worm ever since he had collapsed seeing the whipping of the slave. He aims to steal Ewing’s valuables one by one. ***[Spoiler Warning for the next two lines]*** But when the doctor is about to finish the man with a fatal dose of poison, Autua intervens at the exact moment and saves Ewing. Returning to the United States as a changed man and with a clear idea in his mind, Ewing with the support of his wife Tilda, denounce her father’s involvement in slavery and leave San Francisco to join the movement against slavery. It is quite touching as a story, but the effect is limited – still works fine as a story which will inspire what is to follow. I wouldn’t go on to rate these stories considering them as part of an anthology though, and therefore you shall see none here. Still, this movie has the most clear message of them all, with no piece of ambiguity added at any point.

✠ Segment II: @Cambridge, England and Edinburgh, Scotland, United Kingdom, in the year of Our Lord, 1936: Robert Frobisher, a bisexual English musician, finds some work with composer Vyvyan Ayrsand after leading a life of high immorality and the worst possible scandals if discovered during the Victorian Age in Britain. He helps him to compose his own masterpiece, which is refered to as “The Cloud Atlas Sextet”. He is also attracted to the composer’s wife, a feeling which is mutual and has a relationship with her too. But Ayrs wishes to take credit for the work as his own, and threatens to expose Robert’s scandalous and immoral background if he tries to stop him. ***[Spoiler Warning for the next two lines]*** Robert who has read a partial copy of Ewing’s journal, shoots Ayrs and flees to a hotel, where he finishes the musical work. He then shoots himself and commits suicide just before his lover arrives. This is a story of lesser, or may be the least effectiveness, and I would consider this the weakest of them all. This one doesn’t even have a worthy character who could make an impact, and thus works as the story which prevents this movie from becoming the masterpiece, still holding itself together to prevent falling into that abyss.

✠ Segment III: @San Francisco, California, in the year of Our Lord, 1973: Here, a journalist Luisa Rey meets an old man, Rufus Sixsmith who was the lover of Robert Frobisher in the earlier segment of 1936. He is now a nuclear physicist who tells Rey about a hidden conspiracy regarding the safety of a new nuclear reactor run by a powerful man named Lloyd Hooks. He is assassinated by a hitman Bill Smoke before he can give her a report that could prove the same. But she is helped by another scientist at the power plant. But she is chased by the assassins and involves herself in a life or death situation. There would be no spoiler spoiled in this paragraph, and what connects this story to the first one is that common factor of lineage which goes back to the slavery and its abolishment, as well as “The Cloud Atlas Sextet” which makes its entry here too. This story is more of a continuation and the carrier of the earlier legacy of the two segments even as most of these things remain indirect and not easily noticeable. This is also Halle Berry’s best performance throughout the movie as she appears in entirely different roles in the segments.

✠ Segment IV: @England/Scotland, United Kingdom, in the year of Our Lord, 2012: Timothy Cavendish has his own problems when Dermot Hoggins, a gangster author whose book he has published, murders a critic and is sent to prison, and the gangster’s brothers threaten him regularly to get his share of the profits. Cavendish turns to his brother Denholme for help even as they don’t like each other that much and were not on good terms, but the brother tricks him into hiding in a nursing home, and it turns into a kind of prison for him, as he is held against his will, but he escapes with a number of inmates who shared his vision of freedom. The connection is established when Cavendish receives a manuscript of a novel based on Rey’s life. This is a touching, as well as funny story, which starts off slowly, but by the end, it leaves a profound influence on the viewers. This can be considered as the only story which has that lighter side in the serious world which tries to tickle the intellect throughout. The terms cute and sweet can also be linked to this one by the end of the segment.

✠ Segment V: @Neo Seoul, Korea, in the year of Our Lord, 2144: Sonmi-451 is a genetically-engineered clone server at a restaurant who is interviewed just before her execution. She tells the story of her release from her life of servitude and modernized slavery by Commander Hae-Joo Chang, a leading member of a rebel movement known as Union. While they are hiding from the troops, she watches a film based on Cavendish’s adventure thus making a connection to the previous segment. It is revealed to her that the clones like her are killed and “recycled” into food for future clones who becomes the server in the restaurants later without themselves knowing anything about it. Just like the people of 1849, she also decides that the system of such a dystopian society based on slavery and exploitation of other living beings is evil and not to be tolerated, and how she changes the world or at least make it aware of what is happening under the mask of a righteous and perfect world forms this story of revolution, an element which has existed throughout the segments. She is a representative of all ages, and she is that vision of the past that future has upheld with pride.

✠ Segment VI: @The Big Island, in the year of Our Lord, 2321: Zachry is just another random person who lives with his sister and niece Catkin in a primitive society after most of the humanity has died in an apocalyptic event which is not mentioned, but a possible nuclear warfare and related massive destruction can be guessed. Sonmi-451 of the previous segment is worshiped as a goddess and her broadcast is part of their sacred texts. Zachry is plagued by strange visions of a figure who creates fear in him, and leads to him running away from problems all the time, something which haunts him throughout his life, as he couldn’t save his own people from death due to his fear and hallucinations. They are also attacked by a fierce cannibalistic group regularly. One day, his village is visited by a more modern individual, part of the society which had more access to the technology during te apocalypse, and this changes his life forever. There is also an epilogue in which more of who tells these stories and from where – all these are revealed to the viewers. Tom Hanks and Halle Berry are there for all the segments, and have done a great job in fitting in. The same can be said about Hugo Weaving, and Doona Bae is highly impressive in Segment V. The movie is not for everybody, but it is a wonderfully crafted work of art made from a work which was near impossible to adapt on screen, as something which inspires one continuously as long as he or she is able to stay with it, and there are good intentions related to this one, and the viewers can’t simply deny that.

Release date: 26th October 2012
Running time: 172 minutes
Directed by: The Wachowskis – Laurence Wachowski and Andrew Paul Wachowski [segments 1849, 2144, 2321], Tom Tykwer [segments 1936, 1973, 2012]
Starring: Tom Hanks, Halle Berry, Hugo Weaving, Doona Bae, Jim Broadbent, Jim Sturgess, Ben Whishaw, James D’Arcy, Zhou Xun, Keith David, David Gyasi, Susan Sarandon, Hugh Grant

@ Cemetery Watch
✠ The Vampire Bat.

The Dark Knight Rises

Posted on July 1, 2013 by Tennyson

The one thing I am certain about this movie is that it is the one I have waited eagerly in 2012, and what I might differ in opinion with a few is that this is not among the best movies of the year. There is another element in which I would agree on, and it is that this is not the best of the series, and where I disagree is at the level of quality of each movie of the Christopher Nolan’s Batman series, with my favourites going in the same path as the timeline, as Batman Begins is my favourite, followed by The Dark Knight and this one, both separated by not much. But I wouldn’t do that without reasons. Ra’s al Ghul v/s Joker v/s Bane is a battle which has a clear winner for many, but The first one is a villain with something special, a big idea. But Batman Begins succeeds in its story, and the Scarecrow is a better villain than Two Face for sure. Both the Two Face and Bane were not used to their potential, and this is where the first movie of the series scores, as it built this triology out of nowhere, with nothing to support it at a time when Spider-Man and X-Men had the status of being the better loved heroes around here.

Without Batman Begins, there is no dark knight, a term which became incredibly popular and was even used with Novak Djokovic, not that much of an expected winner caught between the rivalry between Rafael Nadal who had clay in his pocket at that time, and Roger Federer who ruled the rest of the clay-less world. Therefore, it is just natural to pay the due respect to that movie which started them all. The Dark Knight had all its fame and glory only due to what the beginning had given its viewers, and I have to admit that I didn’t realize that the first time. But as long as the long list of origin stories are concerned, from X-Men Origins to the recently released Man of Steel, Batman Begins has a high place. The Dark Knight Rises continues that legacy which was handed over to it by the more critically acclaimed and more hyped second movie, and has completed the trilogy in style. The problem which this movie has to face is the long trail of near-perfection in the superhero genre that its predecessors had left for this one, and the same thing is both the good thing and the bad thing for this movie; for this one could improve on box-office, as it went on to overtake its predecessors and become the eighth highest grossing movie of all time grossing over a billion United States dollars. But it is to be noted that unlike its predecessors, the film was not nominated for any Academy Awards.

Eight years have passed after Harvey Dent’s death and the covering of the existence of the Two Face. The organized crime has almost been wiped out completely. Feeling guilty for covering up Dent’s crimes and framing Batman for the same, Gotham City’s Police Commissioner James Gordon writes a resignation speech which revealed the truth concerning the two, but decides not to use it at the last moment. Batman has disappeared and Bruce Wayne has kept himself away from all the action. It is at this moment that a burglar Selina Kyle appears, known to most of the fans as the Cat Woman. Bane’s appearance is the other major thing which changes the scenario, as he intends to fulfill Ra’s al Ghul’s mission to destroy Gotham City and thus fulfill the aim of the League of Shadows. He punishes Batman and breaks his back, and then puts him in a prison from where escape is almost impossible. The fellow prisoners tell him the story of Ra’s al Ghul’s child, born in the prison and cared for by a fellow prisoner before escaping, the only prisoner to have ever done so – Batman assumes the child to be Bane, and his actions the revenge for what Batman did to his father.

Meanwhile, Bane traps Gotham police underground and destroys all the exits. He converts Bruce’s own reactor core into a nuclear bomb and uses the bomb to hold the city hostage and isolate Gotham from the rest of the world. Using Gordon’s speech which he had stolen, Bane reveals the cover-up of Dent’s crimes telling the people that the whole police action and passed laws based on Dent’s act was a lie and releases the prisoners from different jails. There is a kind of revolution and the wealthy and powerful have their money and property taken away, are dragged from their homes, and forced to trials presided over by Dr. Jonathan Crane a.k.a the Scarecrow, where any sentence means death on most occasions and otherwise exile. After months of recovery and training both the body and the mind to face Bane, Batman manages to escape the prison and reach Gotham City, and enlist the help of Cat Woman and the others. But with a pseudo-revolution on the run, and all the criminals on the streets with no police force to stop them, Batman has more than what he would wish for this time. It is up-to him to stop the man who broke his back with relative ease, and to prevent whatever Ra’s al Ghul had intended to do.

Christian Bale as Bruce Wayne a.k.a Batman continues his conquests, and here his performance is lowered only due to the absence of a villain who was as good as those in the first two movies, and there is no intellectually superior mastermind who decides who lives and who dies, and there is no wretched of the soul who is half Loki and half Lucifer, made with everything evil and everything psychotic. Instead he has a militant who is more of a physical threat than mental. Unfortunately, his thoughts and decisions are not his alone and himself outsmarting Batman was not something for which he could take credit, and at that point, he loses his significance and still not his presence and power. Still, Tom Hardy’s Bane is excellent in what he does. Anne Hathaway as Selina Kyle a.k.a Cat Woman becomes a revelation in the movie, and it is evident that she has trained extremely tried and tried her best to fit into that costume which so much physically demanding. Marion Cotillard outshines herself in the second half, and Joseph Gordon-Levitt as John Blake comes up with a pleasant performance. Michael Caine and Gary Oldman plays the two normal characters in the movie who makes any impact.

Christopher Nolan did make Inception just a few years before this with that touch of brilliance, it was what stood between the two sequels; it was something which further accelerated the expectations. Here, we get some of it, and considering the fact that Batman has undergone evolution and there is no real base for the same, and there is no end to this superhero, we have to respect this title despite of the hype. It has done all that it could do, but it did nothing spectacular, and yet, this is very well done. It was a good decision to continue the Ra’s al Ghul legacy, and it was hundred percent a good decision not to make this in the 3D – full marks to that. There are movies that are to be enjoyed for fun, and even with all the entertaining elements in this movie, it scores slightly higher at the intellectual level rather than how it is supposed to happen in a regular superhero movie. The movie also leaves open slots, not just for a sequel, but also for a Cat Woman and a Robin spin-off as well as Justice League of America movie, in the model of The Avengers. It is certain that we haven’t seen even a little bit of what the DC’s cinematic universe has to offer its viewers. There is a lot coming, that is for sure with this one being the third highest grossing film of 2012 and also the third highest grossing superhero film of all time.

There is no doubt that the caped crusader has grown enough to lead the Mount Olympus of superheroes as the Zeus of this generation, with his biggest arch-rival Superman failing to live up-to the hype, and his next best rival Spider-Man slowly fading from the scene – both of them coming up with below-the-bat reboots which fails to challenge the Man-Bat. These three are challenged not by those superheroes of childhood, The Phantom and He-Man, but by the man they call Iron Man and his gang of Avengers, as well as X-Men, but they all follow a different path. The world’s greatest detective with the Bat logo has nothing to worry about his position right now, but in case of a reboot, it is all upto him to lose, as the rest have only gotten better. The concept of billionaire playboy, industrialist, and philanthropist itself already has been challenged by Iron Man, and with Man of Steel all the dark elements; The Amazing Spiderman has conquered the heroic elements, and whenever the abilities are glorified, there was X-Men First Class, with Wolverine to follow this year. Therefore, this domination of the dark knight is in a precarious position, and as this end to the trilogy was not as perfect as expected, there is surely a storm coming, and it would consist of more than one superhero. The only fear that I have is that can the Batman remain Batman for long, or will he be completely transformed into the dark knight, and Superman into the man of steel? It is that question which will be answered in a decade.

Release date: 20th July 2012
Running time: 165 minutes
Directed by: Christopher Nolan
Starring: Christian Bale, Anne Hathaway, Michael Caine, Gary Oldman, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman, Juno Temple

@ Cemetery Watch
✠ The Vampire Bat.

World War Z

Posted on June 24, 2013 by Tennyson

Even in the world dominated more by vampires as the popular fantasy creature, there is no lack of support for the zombies, even in India as shown in Go Goa Gone. Otherwise, the Resident Evil series always had the complete control over that zombie world which came up as the result of an infection. The animated corpses which were something more than just a mindless vampire or human, has had more success with the stories of science rather than magic, with virus infection rather than being resurrected by necromancy or being summoned from another world by a sorcerer or a witch. Even then, they would remain the most important weapon for the battle in the box-office, as vampires have had too much run on the big screen. I would still miss I Am Legend for the kind of vampire mix which was given to the zombies, a combination of intellect which has been completely destroyed by Twilight. There are many people whom I can recommend to be zombies without being dead and coming back, but I choose to remain silent now due to the respect which I pay towards them – not those people, but the real zombies of the world. Still, I can’t hesitate to say that the hunger of the human flesh or the human brain should exist with both of them. I would thank Mary Shelley and her Frankenstein more than anything else on this occasion, and move forward.

A global pandemic in the form of a zombie outbreak has become so interesting these days that even if someone prepares for it as if the end of the world is near, there is no need to be surprised. A zombie apocalypse is something which needs its own glorification, as it is already happening with some of the mindless hypocrites who are slave to logic. But here in this Brad Pitt starrer, we have the true, respectable undead zombies, based on the 2006 novel with the same name by Max Brooks. Even as seeing Brad Pitt among the list of producers reminded me of what happened with Will Smith’s After Earth which shattered those hopes made of glass into so many pieces that it was not easy mend, there was a certain belief about this one. In that case, it would have been surprising that this movie made it to the theatres here, as there was a great chance for this one to miss the multiplexes belonging to this part of the world. The presence of Man of Steel and its reluctance to move out of the theatres might be a major blow to this one as well as to Monsters University which has been restricted to a single show if present. None of these can give even a small fight to Superman and his impact on this part of the world, something which is rooted in the childhood memories – the presence of Now You See Me and Fast & Furious 6 shouldn’t really hurt this one though.

After Tom Cruise and Will Smith jumped into the world that was post-apocalyptic Earth in the same year, with the former been a vampire in Interview with the Vampire and the latter been a zombie-vampire killer in I am Legend, Brad Pitt already had the vampire experience as Louis de Pointe du Lac, the complete vampire despite of the human conscience and existential questions of life and death, good and evil, God and Satan, heaven and hell. This time, he is not part of the attacking gang, but still raises his own questions about humanity in not that effective manner. Anne Rice’s works had its own versions of zombies, even as they were also called vampires, like the ones the leading characters encounter in Eastern Europe, with no mind of its own, attacking everything that moves, driven by its own need to feed; the only characteristic that can define them. One has to wonder what differentiates a zombie from the human beings without civilization in a world which has quite a shortage of resources. Won’t each and everyone act the same as a zombie in such a situation, in the absence of the rules and regulations of the society and the restrictions of sin imposed by the religion? That should identify us more with the term zombie rather than the vampire, knowing our need for society and religion to keep us from becoming zombies or even worse.

It must be clear from the title by now that the “Z” stands for Zombies. There is no doubt about the fact that most of the people who came to the theatre were not expecting the same, thanks to the posters which gave no clue about such a thing. Another thing is that there is no scope for 3D, as those glasses give you almost nothing other than some words which would seem to project off the screen in the beginning of the movie. There are some good CGI moments for sure, and the special effects are limited; not a very good thing for a movie of this genre. There is a good chance that most of the comon zombie fans might choose to say a no to this one. It is the story of former UN employee Gerry Lane (Brad Pitt) and his family who are saved from a group of zombies who turn all who they bite into their kind, and after being taken to a US Navy ship in the middle of the sea, he is forced to invetigate into the matter using the special skills he achieved through his missions, so that the origins of the virus could be found out and the pandemic could be stopped. Not without reluctance, but still agreeing for the sake of his family’s staying on the ship rather than in a refugee camp on the land surrounded by zombies, Gerry joins the team of experts on a plane for a military base in South Korea from where some of this is supposed to have started in the first place.

Here is the paragraph which might give you the spoiler – and the story till the end. From there the journey is to Jerusalem, as the nation of Israel seems to have had a prior knowledge about a possible zombie infection, as they did already bring up some walls. But he gets nothing useful from there, and Jerusalem is also attacked, as the zombies climb over the wall, as they form a ladder by piling on the top of one another. As the ultimate chaos follows, he manages to escape from there by boarding a Belarus Airlines flight with his escort soldier, a journey which is cut short when one of the zombies get to bite an airhostess from where hell breaks loose, and Gerry manages to throw a grenade which divides the plane into two and leads to a crash from which the two survive. They finally reach a World Health Organization research facility and assists them in finding a cure, and the find out that the virus needs people who are healthy, and those ill and therefore unsuitable as hosts for viral reproduction are not bitten, and are rather more invisible than anything else. This camouflage helps them to fight zombies, and that should save the day for the world, but the war would continue, as it might seem to the audience. There might be a question though, about this being all that we have been waiting for.

The huge pile-up of cars and the zombie attack in the beginning as well as the Jerusalem zombie attack forms the highlights of the movie. But it remains without enough moments when these two sequences are removed. The attack on the plane is the only other thing worth mentioning. Brad Pitt has done a great job to add to it. He plays an effective character, and without him, this movie would have surely collapsed. The zombies are fine, with their own pros and cons added in this one. But this movie remains slow, and without a good enough reason other than Brad Pitt to attract the viewers. All the awesomeness which was expected to follow after the initial zombie attack never comes, and as it doesn’t attempt to do anything extraordinary, the expectations are scattered and the 3D glasses are wasted. The catchy dialogues might be about the mother nature being a serial killer and how she disguises her strengths and weaknesses. The noises that the zombies make are somewhat attractive too. I would still prefer the zombies and special effects of Resident Evil, and it is a little depressing that this one lacks action, but the advantage is that this one is closer to reality and there is absolutely no exaggeration at any point of time.

The movie is just a little scary and a little thrilling. It might be the slowest zombie movie of the recent times and the most realistic of them all – it is an exaggeration, as these hardly get close enough to reality to be identified with. This world war of the zombies never tries to expand its entertainment elements beyond what is ordinary. It could have been its achievement, but for now, it is clearly working against it. Zombies and vampires have been too commericalized these days, and when the entertainment value is somewhat drained from it, there is only a little to gain. If this was about the wars from A to Z, and this one is the final one of them, there could have been a slightly better chance. World War Z does its job and there is no denying it. With Brad Pitt’s never ceasing charm and acting, and the realistic portrayal of a supernatural world stained with scientific curiosities, this one can go the distance, and stay there until something bigger comes its way and take over. One should choose to watch this one for the one leading actor who carries the movie on his shoulders, and a zombie world which takes a different stance. It is a war which this movie got to face now, as a certain amount of uncertainty is ready to pounce over it.

Release date: 21st June 2013
Running time: 116 minutes
Directed by: Marc Forster
Starring: Brad Pitt, Mireille Enos, James Badge Dale, Matthew Fox, Daniella Kertesz, David Morse

@ Cemetery Watch
✠ The Vampire Bat.

Man of Steel

Posted on June 15, 2013 by Tennyson

Behold this moment, for this is that period of time when our childhood superhero, the most popular one of that time, would seem to be someone else when we look at the name of the movie which features him, but then we realize that he is still Superman. He is the Man of Steel, as Batman is the Dark Knight, both rises and without any doubt, both would end. Both have changed and evolved so much that one can no longer use the common joke about Superman and Batman, what differentiates them from the common man without superpowers is the way they make the underwear into outerwear; for The Dark Knight and the Man of Steel no longer comes with the same, may be they found it incredibly difficult to find one, or in more modern terms, it doesn’t suit the new generation of so called stylish people who despite their own traditions in every possible way. It is still good that they have learnt that what is to be worn inside should remain inside. Actually, they are both not the superheroes who continue the legacy, as they move out of it. Another thing is about this Steel Man and the Iron Man; considering the success of the Man of Iron, may be Man of Steel can make an impact close to enough to it, at least with the adults who still think Superman is a little childish, and with no doubts, too powerful for anyone to like. So, this is a new superhuman, as the alien takes a turn at the road not taken except for Christopher Nolan’s Batman.

This movie begins in another solar system, another galaxy, which might be strange for a superhero movie, as it is not usually expected unless the protagonist is He-Man of Eternia with all the focus on Castle Grayskull. But, this is a change which works quite well. We see that when the planet Krypton is facing total annihilation due to an unstable core, Jor-El and his wife Lara launch a small spaceship carrying their newborn son Kal-El and a genetic codex. Zod arrives in time, but fails to stop the launch; in rage, he murders Jor-El, but is captured, and he and his supporters are imprisoned in the Phantom Zone, a prison which holds its prisoners who suffer for almost eternity, thus serving as a device for damnation beyond the control of Satan. But they manage to escape when Krypton explodes and their control over the jail is gone. They travel around different planets looking for life as well as things to salvage. Meanwhile, Kal-El lands on Earth and is discovered by Jonathan and Martha Kent, who name him Clark and raise him as their son. So, the Earth’s location and its peculiarities provide the kid with superhuman abilities, which he manages to control with the help of his foster parents. This is where Superman begins his second phase, and the first known phase of this whole sequence of origins.

Living a wanderer’s life fearing for his own power and the possible reaction of the people of Earth about his strength and abilities, he finds a Kryptonian spaceship fron under the ice and meets the hologram of his own father which explains to him more about himself and his origins. The Daily Planet reporter Lois Lane comes to know about the same, but decides not to publish about him without his consent. Meanwhile, Zod finds his existence and comes to Earth with his followers and it is where the twist of fate takes place and the fun begins with the life or death situations, not just for Superman, but also for all Earthlings, all threatened by the superior technology and weapons of the Kryptonians as well as their superhuman strength on Earth. As he plans to terraform Earth and make it another Krypton, eradicating the whole population and replacing them with the Kryptonians with the help of the genetic codex, Superman chooses the side with which he is not supposed to get along despite his own evolution, that is humans. This is the choice which will define him in what is to come, as he is the alien, ghost as well as the guardian angel. With the help of the military and whatever is on his side, he has to prepare for the final battle, as the Kryptonians launch a world engine which terraforms the planet.

I guess Zack Snyder’s movies have never really disappointed me it, as Dawn of the Dead was good, Watchmen was even better, 300 was very impressive, Legend of the Guardians: The Owls of Ga’Hoole had my attention, Sucker Punch was much above the expectations, and here is Man of Steel which raises the expectations for the upcoming 300: Rise of an Empire for which it is incredibly difficult to wait. That should be a hundred percent record which is not seemingly inclined towards being broken. To add to it, the Greek hero of Immortals & the fairy tale princess-to-be from Enchanted make such a genuine combination on-screen even between such complexity and duality which surround an extraterrestrial heritage of thirty three years. Henry Cavill makes that super impact while Amy Adams as Lois Lane makes that character much more dearer to the viewers. Princess Giselle or Amelia Earheart from Night at the Museum: Battle of the Smithsonian will now be more of Lois Lane, and that less known Theseus surely has a more powerful real demi-god status this time. But this Superman is not just any other alien, as he is more human than any of the most wretched Earthling. He is more concerned about Earth and human life than the average common man who feeds on his own people and the mother nature. Superman is less involved with that title “super” which is a relief, as it is that word which one uses as a lie when many other words fail; welcome relief again.

As the movie is more inclined towards the Dark Knight series in its theme, but still resembles The Avengers in its alien invasion sequences, there is more to look forward to. Michael Shannon plays the impressive villain, General Zod – an iconic supervillain for sure. The villain is made for what he does, as the newborn babies are all created to be someone; to follow a path or duty – there is no moment when the person looks less focused on the one aim which is the return of Krypton’s life. It is more of a reflection of the current age, when the children are programmed into professional courses, rather than letting them make a choice. The result is just a profit-oriented world without morality and values, slowly moving towards total annihilation as in the case of Krypton. Antje Traue as Faora makes the villain’s sidekick, may be even as good as the General himself. Going back to her role in Pandorum, she is that person one might wish to watch in most of the action movies. Her fight sequence with Superman can be considered second only to the final battle. Laurence Fishburne as Perry White, the editor in chief of the Daily Planet, is that role which is surely going to be explored a lot in case of a sequel. Kevin Costner and Diane Lane plays the roles of Superman’s adoptive parents, and Russel Crowe and Ayelet Zurer his real parents from Krypton, providing some of the best emotional moments of the movie.

The movie is about choices, as Superman chooses to be human and not of his kind, and also chooses to hide between the people with whom he doesn’t belong. He also chooses to end his planet’s last hope of survival by helping the Earthlings. That might have brought the end of his culture and heritage, and all those which he could have achieved as the hero of his own race. In all these decisions, he makes him the most vulnerable, more mentally than physically. Superman is more of a man than the super being, something we could never associate with him during our childhood. Right now, it will be just right to say that he has made himself the most righteous superhero, many times better than Iron Man, and also above his nearest competitors who are Batman and Spider-Man. Well, this is set to break box-office records for sure, and it is already pulling in too much crowd at this part of the world even for those shows which are usually not even a quarter full. The lower critical ratings of this movie compared to the ones like The Avengers and Iron Man 3 forms another thing which is out of this world. The former has such ratings that even Superman might decide to choose any random Kryptonite prison for eternity rather than seeing these one-sided opinions which so many people are actually forced to believe. The movie also proves this dialogue from Kill Bill wrong: “Batman is actually Bruce Wayne, Spider-Man is actually Peter Parker. When that character wakes up in the morning, he’s Peter Parker. He has to put on a costume to become Spider-Man. And it is in that characteristic Superman stands alone. Superman didn’t become Superman. Superman was born Superman. When Superman wakes up in the morning, he’s Superman.” Superman became superman because Earth made him so; he was nothing at Krypton. Everybody has life molded by choices, whether it is Superman, Count Dracula, Batman or Skeletor, and it is faith, belief and hope that guides one side, and the exact opposites the other.

So, Man of Steel is a must watch for all action fans, as this genesis go back to the planet of Krypton with stunning visuals and powerful sound effects. There is still the emotional element which has not let go; not yet. The effect of The Dark Knight series is also something which seems to hide, but still stays there. The action sequences are breath-taking, and one can see how well one superhero does all that the whole team in The Avengers could barely manage to do – some might disagree, and they can have enough reasons for that. Here is the man who can smash and also get beaten up like the Hulk and Thor, be aggressive and agile as the Iron Man, be righteous and true to the cause like Captain America, be as accurate as the Hawkeye, and be a better fighter than the Black Widow. This one has won the battle of superheroes this year, as Iron Man 3 would surely have to take the backseat, not by a long distance though, for both would seem to belong to different genres as we consider the souls of them. Thor: The Dark World wouldn’t stand a chance as far as the things seem to be now. This is where you see the need for He-Man and The Phantom again, but this year has been booked by the alien from the other planet, and there is nothing to be done other than to watch this one and enjoy it.

Release date: 14th June 2013
Running time: 143 minutes
Directed by: Zack Snyder
Starring: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Kevin Costner, Russell Crowe, Laurence Fishburne, Antje Traue, Ayelet Zurer

@ Cemetery Watch
✠ The Vampire Bat.

Hotel Transylvania

Posted on June 12, 2013 by Tennyson

✠ This review features the major excerpts from the interview with Count Dracula by the Vampire Bat during the last full moon night when both the Vampire Crocodile and the Vampire Owl were able to predict what was to expect in the movie After Earth and initiated a cryo-sleep on themselves to save themselves from visiting the theatres, something of which they are incapable. Any relation to any person living, dead, undead, going to die, half-dead, partially alive or those watching Malayalam new generation rom-shit movies/Hindi supposed-to-be-romantic movies (Eg: Annayum Rasoolum/Yeh Jawaani Hai Deewani) might be a co-incidence and never practical. To add to it, no vampires, werewolves, zombies, demons, monsters or aliens (both Avatar blue and general green) were harmed while this interview was going on, but there is no guarantee about what happened after that. Well, this is that kind of an animated movie which can’t stand alone without Count Dracula, the supposed to be proud owner of Hotel Transylvania, where the world’s most awesome monsters can get away from human civilization and take rest. No, he is not the one who should not be named, so lets not call him just “D” or “CD”, and lets get on with what he thought about this flick.

Count Dracula: Oh its you again. Welcome to Hotel Transylvania! No, wait, welcome to Dracula castle. Hope you will never enjoy your stay here and get lost as soon as possible. You called my place a hotel in your letter – how can you even think so? I have a reputation to keep here, and movies like Twilight and whatever followed already took away half of it, and I am adjusting with whatever is left. Do I look pale? Do I sparkle right now? It has been so difficult to keep up with the new vampire fake myths. Nobody thinks that I am a vampire any more. To add to it, they are using the names like ward and swan related to vampires. And now, you come here with your fangs thinking this is a hotel. This is the worst thing that has happened to me since Twilight, New Moan, Ellipsis and Breaking Teeth – I lose my mind thinking about them and can’t even pronounce them right! Make it quick, Vampire Brat!

Vampire Bat: Well, this is the seven hundred and twenty seventh time in he last five hundred and one years of acquaintance that I am telling you that it is not the Vampire Brat, but the Vampire Bat. The “R” is not there ; it doesn’t even exist. Where do you think you are? In The Matrix trying to be Neo and bend the spoon even as there is actually no spoon? Is that what you want?

Count Dracula: Neo and spoon! Can I feed a little bit of that Neo thing in the spoon to my Zombie Dog who is caught in a loop chasing that local Vampire Cat for eternity? He can’t even stop for death; isn’t that the worst thing that can happen to anybody?

Vampire Bat: The first thing is that I hate that dog. The second thing is that there is no time. The third thing is about your home and your lovely monster friends who come to visit you very often.

Count Dracula: You are talking about Frank frankie freak? Frankenstein’s monster as you call him, is my oldest and the best friend even as he belongs to the zombie category which gives him reservation. He used to get thirty five marks moderation in his exams for which the pass mark for his category was twenty five. We vampires used to be given a maximum of thirty five out of hundred in all exams so that the balance was maintained! He even passed the interview for the job at The Demon’s Keep soul ferry service by only pretending to apply for it. But he is a good friend as I can murder him so many times and he won’t mind as he is already ugly and dead.

Vampire Bat: This doesn’t really feature in the movie, and I would like to stick to it. Your best friends include Wayne the werewolf, Frank the zombie, Griffin the invisible man and Murray the mummy. Your wife was murdered by a mob who set fire to your house and it was for your daughter Mavis that you built this hotel, I mean castle.

Count Dracula: That doesn’t make any sense as I was never married and neither did I have a daughter. I do call doctors here though, most are dentists. Do you like my golden tooth or the silver one? Never mind, please continue, as I like that story even as it is in no way related to me as a vampire.

Vampire Bat: On your daughter’s 118th birthday, you use your zombie minions to trick her and make her stay away from the humans whom you consider dangerous. But a human named Jonathan arrives, and you are forced to make him look like a monster to the other monsters to save your hotel. But soon, your daughter becomes attracted to him and the rest is history. Any part of this which you agree to?

Count Dracula: None of it. This mortal-immortal love story is the worst thing in the world. But I am glad that they didn’t add wolves to it this time. There is still a little bit of attraction which even a vampire would feel to such a simple, and yet different story. Was the movie a good watch for you?

Vampire Bat: I think it was very good during most of the parts. But the death of that mortal and Mavis living the right immortal life would have made it more interesting. She is the most evil one among the monsters as she chooses to go after a mentally retarded creature of modernity who doesn’t care about anybody but himself and his personified stupidity, a characteristic which changes only by his stay with the Count. She will surely be in hell for making such a nasty decision out of pure selfishness, but as it is fiction, let her rest in hell, for that Lucifer, Belzebub and Mephistopheles won’t mind. The visuals were pretty good, but the characters were kind of shallow. You are kind of strange in that movie and so is your daughter. To be frank, none of the monsters retain their basic qualities except for the looks which are made funnier, and this fun is the bright side along with the variety which has been brought.

Count Dracula: I would watch it then. I have many ways of watching a movie undetected by the humans at their own places. Do you think it deserves me by its portrayal of the great Count Dracula of Transylvania?

Vampire Bat: I would say yes. You have been depicted more good than ever, which is not always a bad thing. It is shown that you are a loving and caring father, and also has concern for the fellow monsters. You would even do anything to make all which you believe happen. If you can forget the funny part as just part of the complete fun, you surely won’t find it humiliating or anti-vampire.

Count Dracula: I shall watch it on next full moon with Frank. I trust you on this, and if you fail me, I shall make you watch some movies of nothingness – like that Malayalam movie Kili Poyi.

Vampire Bat: I have watched it and died many times in my immortal hours, Count. Now, it is the time to take my leave, until we collide on a hunt again. Good bye, Count.

Count Dracula: Good bye, brother; for now.

Vampire Bat (to himself): It might have been sad for such a legendary Gothic horror character to live through something as modern and horribly romantic as Twilight. The same would have happend to the Frankenstein monster as well as the Mummy, but in a lesser manner. This movie doesn’t give him his lost glory, but it surely does provide an alternative to Twilight for the faint-hearted ones who can’t really handle the supreme vampire with all his horrifying powers.

✠ There a few things which are to be kept in mind while going for this movie. It has great animation, and the way in which each monster is detailed needs special mention, especially the Mummy and the Frankenstein monster. But the plot doesn’t stay that powerful, and there is the lack of use of the evil side of each and every monster except Quasimodo whose dark side is not that black to be explored in such a way. The characters are not that strong enough to create a grand experience. It is perfect for the kids with its lovable characters who show no shade of their original evil, and the love between a mortal and an immortal would interest many, as a Twilight inverse made in a cute way. Even Count Dracula gets his due, still not in the way he might have wanted; yet, works in the right manner. But, each and every second, you know what is going to happen, and there are no surprises in this one. If you are expecting something like Megamind, Monsters v/s Aliens, Finding Nemo or Kung Fu Panda, you are going to be disappointed. The attempt is still good, and I would wait for its sequel supposed to release on September 25, 2015 – lets see how much they can improve on this beginning. Adam Sandler voices Count Dracula and Selena Gomez is the daughter Mavis; that should add to the need for watching the movie.

Release date: 28th September 2012
Running time: 92 minutes
Directed by: Genndy Tartakovsky
Starring (voice): Adam Sandler, Selena Gomez, Andy Samberg, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade, Cee Lo Green

@ Cemetery Watch
✠ The Vampire Bat.

The Cabin in the Woods

Posted on June 11, 2013 by Tennyson

On one of those days which supported flashbacks in a big way, I could unintentionally fall into the wonderful trap of horror which was this movie. In this trap that is a horror movie, there was another world, which had a lot from the former horror movies, thus serving as a tribute along with being a great horror treat. It is a perfect story of five friends who become part of a perfectly executed horror reality in an environment which is more of a cage – they are watched through hidden cameras, and are made to act in the way the people watching them wants them to act. But the fact remains that this not just a horror movie, as it drains energy from the earlier slasher movies and along with paying homage to them, there is a little bit of satire involved in the treatment. There are elements of The Evil Dead, Hellraiser, as well as all the vampire, zombie and werewolf movies, and not even leaving the mythological as well as the natural beasts behind. The movie has combined all of these to create an astonishing effect, a mixture which can be scary and creepy enough as well as funny enough. It leaves the horror movies with lots of nostalgia with all these, and there might surely be pure satisfaction on most of those faces. This is a mixture which leaves a long-lasting impression on one.

Five college students Dana Polk (Kristen Connolly), Jules Louden (Anna Hutchison), Holden McCrea (Jesse Williams), Marty Mikalski (Fran Kranz) and Curt Vaughan (Chris Hemsworth) travells to a remote cabin in the distant woods away from civilization for a vacation. But the abandoned cabin is more of a controlled environment, as a number of people manage whatever happens in that cabin as they view each and every incident in there with hidden cameras. It is seen that they have an influence throughout the area and not just the cabin. They also give drug the students to reduce their awareness and capability to think in a rational manner. A cellar opens automatically which they feel a result of the wind. Inside the cellar, they find many strange items, including a diary of Patience Buckner, a girl who was abused by her sadistic family. Reciting a Latin incantation from the diary, Dana accidentally summons the whole Buckner family in the form of the walking dead, a group of zombies. Jules is the first one to be killed by the zombies outside, and soon the cabin is attacked by the monsters. With a number of people frequently monitoring and guiding the monsters, as well as trying to weaken the possibilities of the remaining four friends in surviving the horror, it will be a perfect hell-ride for each of them, and escaping the living dead might be more difficult than death itself.

The movie keeps giving that feeling of The Evil Dead throughout its first few minutes in the cabin. There is going to be a little bit of a spoiler from now on, and the base of this movie lies on ritual sacrifice. This is about the need to appease the ancient gods, resembling more of giant monsters who live beneath the facility under the cabin and are kept there in satisfaction by these rituals. The sacrifice should have five constituents, the Whore (Jules), the Athlete (Curt), the Scholar (Holden), the Fool (Marty) and the Virgin (Dana), and the Virgin is supposed to die last with the process usually starting with the Whore. All of these begin with the future victims choosing their method of torment and death, in this case the diary of Patience Becker. They are lead to choosing these, and being unaware through the careful tactics of the people in control, who always check the camera for each move, and manipulate the environment so that the victims will fo what they want, including opening a door or window as well as closing it, or drugging them. Another person could have unleashed the Lord of Pain, a vampire, a merman, an anaconda or a werewolf – the list is almost endless as these creatures are all locked away in the facility.

Kristen Connolly as Dana Polk a.k.a the Virgin; the first movie I ever watched starring her, and she is one of the characters who are in control, keeping within the limits, thus surviving much longer. Even as she keeps tp herself, she is still part of the gang, very unlike Amber Heard’s character in All the Boys Love Mandy Lane. But it is debatable if she is really a virgin from what they talk about in the beginning of the movie. She does seem surprised when the director mentions her as the Virgin, and the facility had to admit that they work with what they have, which should imply that she was clearly the better of the two, consider the character of her only female friend in the gang. Jesse Williams as Holden McCrea a.k.a the Scholar is her lover in a relationship which seems hundred percent platonic for now. He works as the perfect gentleman who doesn’t force her into anything and even decides not to look at Dana’s nudity through a one-way mirror and alerts her of the vision he is having in the other room while she undresses. There he also put a block on the desire of the facility’s employees who are watching the same scene to see something. But he is still proud and very confident about his skills, which doesn’t really serve him that well when affected by the drugs.

Chris Hemsworth as Curt Vaughan a.k.a the Athlete is the strongest member of the group, and is extremely confident about his power, and this confidence leads to his death. Anna Hutchison as Jules Louden a.k.a the Whore is a character which proves to be closest to the title from the beginning itself, and even solves the employers’ sadness of seeing no nudity. Her death occurs right after she undresses, about to make out with her boyfriend Curt, as she has completed her role as the archetype which is seen in most of the horror movies. She had already done a sexy dance and even kissed a wolf-head on the wall before this, thus reiterating her position as the one stereotype, the immoral one who gets killed first, and at its perfection, when topless – the facility works with what they had, and therefore, considering her abstinence and also her relationship with the lover, Dana had to be the Virgin, and therefore, Jules had to be the Whore. In that case, even Holden is not too less of an athlete and just loses out to Curt. These roles might have been assigned by the facility’s helper at the petrol pump, who already called Jules by the same title. The employees looking to the screen and waiting for her bare bosom or even extended nudity as well as the betting is less a result of their prejudice and more based on what information the man outside had already given them.

Fran Kranz as Marty Mikalski a.k.a the Fool is the most intelligent one among them all, and the only one without a heroine; no Virgin and no Whore. He is more of the lone wolf who still sticks to the gang without any problem. As he is always on drugs, the drugging never really works on him and he remains in control of his full brain. He might be the first person ever to kill a zombie out there, or at least semi-murder or half-murder those undead creatures. He doubts the presence of puppeteers around right from the beginning, which Dana acknowledges only after the death of Curt. He also saves Dana from sure death in the hands of a zombie. His intellect seems to be more based on movies, and not what is taught in the school and the college which might have helped him to guess things that others couldn’t in such an environment of horror. With his limited arsenal, he has humiliated both the Hercules equivalent and the Socrates equivalent in survival, and he still had remaining darts in his quiver. He even fooled the experts who spent most of their lives in front of the camera, and thus even faked his death, something which might have been unintentional, but still, perfect.

Well, other than the facts that the monster details are awesome, and the leading ladies do a great job along with looking stunning, the more interesting thing is the philosophy involved in it. The gods who are kept underground by ritual sacrifice are more like the viewers who need those good doses of movies in a certain pattern, and the breaking of that pattern might destroy the movie by depriving it of the common viewers, but the gods are change, and variety would come in another generation of movies. May be for a change, the Whore survives, or the whole situation might be reversed. In the case of the giant monstrous gods coming out of the ground to destroy humanity, as the Fool would agree at any point of time, there is the need for another species to be given a chance where humanity failed in its treatment of its own species as well as nature. This movie is a surprise, and it leaves so much for its viewers, to find and deconstruct in their own world, as the gods that they are, and not as the voyeurs who look on the screen from darkness with full confidence that nobody is watching them. There are so many possibilities for imagination related to this movie, and the movie audience got the power. It would have surely been a grand success if its had released here, but what to do for people who can’t even release Evil Dead.

Release date: 13th April 2012
Running time: 95 minutes
Directed by: Drew Goddard
Starring: Kristen Connolly, Anna Hutchison, Chris Hemsworth, Fran Kranz, Jesse Williams, Amy Acker, Richard Jenkins, Bradley Whitford

@ Cemetery Watch
✠ The Vampire Bat.

Prometheus

Posted on June 10, 2013 by Tennyson

Enter the most significant flashback to 2012, and welcome Prometheus, the Greek titan who is credited with stealing the fire and giving into humans. The punishment of Prometheus for this generous act is the most significant and the most interesting part of his tale, and it is a major part of ancient as well as modern works of literature and art. He was immortal and thus open to eternal torture, an opportunity which someone like Zeus was not supposed to miss, as he was tied to a rock, and each day an eagle would test its beak on his liver and eats them, which would then grow back to be eaten again the next day. Prometheus is said to be freed at last by the strongest of the Greek heroes, Heracles a.k.a Hercules. So how does Prometheus fit in this movie? Well, he is the symbol of human quest for knowledge, and also that of the risk of unintended consequences. The Modern Prometheus was used as the subtitle by Mary Shelley for her 1818 Gothic horror novel Frankenstein with its hero attempting something which was not supposed to be done according to the divine will, thus creating life which is not just abominable, but too strong for him to end. Christopher Marlowe’s The Tragical History of the Life and Death of Doctor Faustus can take it better, as Doctor Faustus crossed the limits himself, and paid for it with a lovely, intellectually superior soul for dinner in the inferno that night as Mephistopheles, Lucifer and Belzebub are concerned.

The movie does the same, it is the story of a search to another world in a ship was rightly named Prometheus, even as I think the name Icarus would have also done good, considering the fact that they are going after a thing which could burn themselves as well as their world. You can have your own wings of fire, but they will eventually burn out – Icarus could at least drink water before he died, but for the seekers for something bigger than sun, one can’t be so sure. The biggest advantage of the movie is that it raises questions about the origin of human life and doesn’t provide the viewers with answers, making them use their brains as well as wait for a possible sequel with all the answers. There are also times when one should stop searching for answers and logical explanations for everything, as there are things for which there is no suitable explanations, for the world was not built on science, and controlling life and nature is just a distant impossible dream. Therefore, those who watch the movie will have to understand the mystery and accept the fact that it has to remain the same. There are things that you shouldn’t and couldn’t understand. The other group of people who oppose this movie are the trolls of the worst kind, who are always looking for attention, pretending that they know everything with their off-topic nonsense.

Another thing about the mystery is that if you do understand what you are not supposed to understand with the help of stupid logical explanations, there would be disasters, and you would end up being nothing more than another Greek mythological figure, Sisyphus who was forced to roll a huge boulder up a hill, only to see it roll back down, and to repeat this action forever – no you won’t get to be Naranath Bhranthan, as he was divine and intellectual, and you will be termed fools. He pretended to be mad, but in your case, there might be no need to pretend as long as you keep seeking things that you shouldn’t. You can keep searching for something which is not supposed be found and shall never be found, therefore initiate a meaningless action similar to that of our Sisyphus. Why should one create such a cruel situation for oneself in a world which is complete in itself unless human beings won’t interfere with the progress of natural life with too much science and technology? Wonder why the so called rational minds are so proud and prejudiced that they can’t accept what they can’t understand; unfortunately, that well has the devil prepared his webs of sin and lies. Just see how much destruction man has brought upon the planet by seeking the wrong things rather than God. Lets learn from it, and stop searching for the wrong answers and cease asking the wrong questions.

As a spaceship is seen to depart from a world similar to Earth during an unspecified time period, and a humanoid alien drinks a vial, then starts to disintegrate and then fall into the waterfalls under his feet and his remains would seem to create some biological transformation on the world. In 2089, Peter Weyland, the CEO of Weyland Corporation, funds an expedition to a distant moon LV-223 on the spaceship Prometheus on a mission to find the creatures who predated humanity, calling them the Engineers. The Prometheus lands on the moon near a large artificial structure. The place looked good enough to live, as if someone already lived there, or someone was supposed to. During an exploration, they find a huge number stone cylinders which are arranged in an orderly manner, a large and a monolithic statue of a humanoid head reminding of the large stone-heads of the Easter Island of Chile. From a corpse of a large alien, a head is taken which is later found to be similar to that of humans in the DNA. There would be questions to be asked and some of the answers would come at a price, including th total annihilation of the human race on Earth. The only thing which is predictable is the presence of alien life forms which would attack humans, and even form a parasite-provider relationship with them if possible; something which will end in the same mode as the original Alien movie.

Noomi Rapace plays the protagonist, Elizabeth Shaw, an archaeologist, and a firm believer in God who keeps the crucifix close to her heart and the mind. No, she was never like Alien franchise’s own alien destroyer, Ellen Ripley. This one is a more believable character for sure, and there can still be questions about her being another Ripley as the series get a second part. She had faith and it kept her making the right decisions, and also helped her in being the one sensible person out there. She has kept her beliefs in that time of turmoil, and what kept her strong is that symbol of faith which she carried. In a society which was so advanced, and might have surely persuaded her to leave it by hook or by crook, she held on to it like any righteous person would do. It is her faith that makes her the true protagonist, and considering the person she is portrayed to be, the lack of it would have ended whatever was good in her, just like it can be seen in the other characters. She survives the alien creature coming out of her stomach, and also the death of her lover; she even stops the alien life forms from destroying Earth, something which was made possible by her faith and belief, which the other lacked. She searches her own God even when looking for the so called superior creatures; she is a noble soul and the heroic character, a lady knight for the mankind against the aliens, a title which she might truly gain by the end of the franchise.

Charlize Theron as Meredith Vickers has another villain-like role for her after her evil queen in the worst movie of 2012, Snow White and the Huntsman, in which she was the fairest of them all, and Kristen Stewart who played Snow White looked pale and useless. She is still not that evil this time, as she is just trying to take control all the time, and remain the lady in command throughout the mission. There might still be questions about her being real human, with her decisions which is without emotions, these doubts only proven wrong when she comes out drop-dead-gorgeous out of that tube like chamber in which she was cryogenically frozen in a hyper-sleep and then again when she tries to save herself, something which a machine would have cared about less. She looks incredibly beautiful throughout the movie, and still working her character to its strong, selfish motives. To be frank, she was rather good in some of her decisions, and I would be deeply saddened to say that they have killed off the character with a spaceship on her head – still there is a little hope in the second part, as she could have fallen into some pit when the spaceship crashed on her; well, they brought back significant characters in Fast & Furious 6 and G.I.Joe: Retaliation from the dead, and so it is there for giving a chance.

Michael Fassbender scores as David, the android robot whose action leads to the death of Elizabeth Shaw’s lover as well as her impregnation with the alien. He works for Peter Weyland (Guy Pearce), and both act together in their logical need for immortality for the boss. Along with great performances from the case, the movie continues to score with its mind-blowing CGI and the 3D which can be termed optional. There is nothing about Prometheus that a sensible person can hate, and when the movie takes unexpected turns and take to a least expected universe, learn to live with that, because it is for the good. It is evident from the fact that sensible critics did give the movie a good rating. James Cameron, the director of Aliens, has said that the movie is great. There might be a few people who think otherwise, and their problem should be the inability to take in the awesomeness, and this one was clearly out of their comprehension, as they gave away all their imagination and creativity to the demon of logic. Prometheus doesn’t wander around people like you, slaves of logic, it is for the people who dare to create their world and live in it without going with the modern barbarians looking for nonsense logic and talk bad about everything which remains beyond their tiny brains. These people can stop playing dogs and asking for bones. Prometheus is a brilliant start to something new, and if it was released before Alien, it would have been the top grosser of the year or even the decade.

Release date: 8th June 2012
Running time: 124 minutes
Directed by: Ridley Scott
Starring: Noomi Rapace, Charlize Theron, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green

@ Cemetery Watch
✠ The Vampire Bat.

Now You See Me

Posted on June 7, 2013 by Tennyson

There has always been something special about magic, going as far as the wizards and sorcery, often even into necromancy summoning the apparitions or even the living corpses from the grave. That should be black magic or witchcraft, and Christopher Marlowe’s The Tragical History of the Life and Death of Doctor Faustus had the hero ending up giving his soul for it in not that romantic a way as in the movie Bedazzled. One can’t really abandon Goethe’s Faust in that case. But this movie has none of these deals with Mephistopheles, Lucifer, or Belzebub, and neither does it have walking dead, nor does it lead you to Hogwarts or to Narnia as the lord of a particular, incredibly powerful ring which will change your life in that fairy tale style. This is magic purely of this world, and connected to a crime as an engaging, powerful thriller. Magic has always been a thing arousing curiosity among the common cats of the world, but none of them stays killed or dead as part of it. Magic shows still have some of its essence which still affects the minds of the common man over his mundane existence, for being able to manipulate and create illusions still have that mysterious charm for the unexplained, no matter how much science and technology and the reason has improved. One needs to see how this movie has managed to do nothing special and still manages to be special!

But it is not yet a magic movie, or something which takes you to a magical environment like Harry Potter, Narnia or Lord of the Rings, and there are no goblins, hobbits, dwarves or elves, and this one is the story of tricks, illusions and deception, which doesn’t really make it of lesser quality. This is more of that magic which is closer to reality and the real world, and it is a caper movie – a crime fiction supported by magic; and it is Ocean’s Eleven, Ocean’s Twelve and Ocean’s Thirteen all of them explored with the support of magic provided in the right manner. If you loved Tower Heist and Entrapment, there is no option not to like this one, as there are the additions which you can’t reject. The focus of the story is still magic, and the four magicians who performs it not for money or for entertainment, but for a greater cause. There are thefts, and there are police, FBI and even Interpol involved in this heist movie, but what forms the base of all this is still magic, not as the fantasy and the mythological wonder that attracts the generations starting from kids, this one is more of that thriller which keeps you at the edge of your seats. The world of these magicians are more than what meets the eye, and therefore you see me at one moment and then you don’t, and for now you watch what is justified by the title Now You See Me!

We have to start by introducing our wonderful protagonists of deception; the four magicians—Daniel Atlas (Jesse Eisenberg) the illusionist, Henley Reeves (Isla Fisher) the escape artist and former assistant of Daniel, Jack Wilder (Dave Franco) the street magician and master thief along with Merritt McKinney (Woody Harrelson) the mentalist specialized in mind-reading abilities —are brought together by a mysterious benefactor who is shown only as a man in a hood and, one year later, they have a performance in Las Vegas identifying themselves as “The Four Horsemen” and is sponsored by a billionaire Arthur Tressler (Michael Caine). During their first grand performance, the magicians invite a random member of the audience to help them in their next trick which is the first of its kind to be ever performed on stage, that is robbing a bank. The man is teleported to his bank in Paris, where he activates an airduct which vacuums up the money which brough down from the top onto their audience in the venue at Las Vegas. It is a bank in Paris that they are supposed to have robbed, and how they have done that to an institution in France from a location in the United States would remain a mystery to many.

FBI agent Dylan Rhodes (Mark Ruffalo) investigates the theft and is unwillingly partnered with Interpol Agent Alma Vargas (Melanie Laurent). They interrogate the Four Horsemen, but are forced to release them when no explanation for the theft can be found other than magic. The magicianis even taunt them and says that if they charge them as criminals, it means that their magic is real and that adds to their popularity. Dylan then meets a man who was present during the show and had video-taped the whole thing, Thaddeus Bradley (Morgan Freeman). He is known to be an former magician who makes money by revealing the secrets behind other magicians’ tricks and have his fun with it. He tells them that the magicians had stolen the money long ago, and manipulated the audience as well as the police with their tricks and illusions into believing it happened at the moment of their show. He even shows a sample to Dylan after they have a look at the “site of the crime and the magic show”. He adds that the whole thing might have planned for months or even years and the group is up to something big and what was seen in Las Vegas was just the first of the samples.

The three of them attend the magicians’ next performance which is in New Orleans during the festival of Mardi Gras. The group’s manages a number of magic tricks including disappearing acts, floating in a bubble and even predicting the bank accounts of random people among the audience. Their last item involved them emptying their own sponsor’s bank account and distributing it to the audience, which had a good number of people whose insurance claims had been denied or reduced by Tressler’s insurance company in the name of a variety of reasons. The agents make an attempt to arrest the magicians, but they fails and even humiliates themselves, and becomes the breaking news in most of the television channels. Arthur hires Thaddeus to expose the fake tricks of the magicians and humiliate them before the public as revenge. Later, while researching on magic and the history of the world of illusions, Alma comes across the information about a secret society of magicians called “The Eye”, which exists unknown to the contemporary society of common man, and remains a myth. But if such a thing existed, the robberies were more of a test or initiation. She even suggests that the case might be connected to a magician whom Thaddeus had earlier exposed; the man was so embarrassed and depressed that he attempted a dangerous underwater stunt to prove his worth and drowned. Meanwhile, the Four Horsemen plan a final performance at New York City, which would decide many things.

Jesse Eisenberg, Isla Fisher, Woody Harrelson, Dave Franco steal the show as the four horsemen who entertains not only the audience inside the movie, but also those outside with not only the thrills, but also the funny lines. They don’t really connect to the Four Horsemen of the Apocalypse from the Book of Revelation directly with Conquest, War, Famine and Death, even as they do bring a disclosure, an uncovering which might come up more clearly in a possible sequel, as there is the concept of “The Eye” to add to it. I would suspect not only an upcoming apocalypse, but also a final judgement. It is stylish and also sure fun, and its use of CGI has been real appropriate as well as inspiring. Melanie Laurent has come a long way since Quentin Tarantino’s Inglourious Basterds, and successfully portrays her suspicious character and so does Morgan Freeman whose character remains in doubt of being the fifth horseman. Isla Fisher’s character has that charm which is matched only by Jesse Eisenberg’s illusionist. Forget Bruce Banner a.k.a The Hulk of The Avengers, for this should be his better or may be among the best performances, as he seems to have that balance in his character about which only the Hulk can have doubts. There might be the need for a little more explanation in case of the logic freaks, but the movie had a well-deserved clap from the audience in the multiplex after it finished, something which was this loud only with The Dark Knight Rises.

As the options at the theatre are considered, this would seem to be a clear winner at least at this part of the world. After Earth has been bulldozed by the critics as well as the viewers as far as the rottentomatoes and imdb ratings are concerned, and there are only a few shows of the movie around here, which opens that door for Now You See Me which might have been seemed locked before its release here. I would still like to watch the critically panned movie as I won’t trust them on my individual taste, even as there might be nobody to accompany me. Now You See Me has had its share of appreciation in the theatre itself, and I would expect it to bring more audience by the word of mouth, that passing of this magic, and more seats would be full even with a less known cast for the common man of the Indian subcontinent despite of the Will Smith – Jaden Smith power and the power-packed Bollywood releases which take hold of most of the shows along with its wonderful Malayalam counterparts; not to forget Hangover III, Fast & Furious 6 and Iron Man III, all three of those crowd-puller which have refused to go away from the big screens of the malls around here. I would vote for this movie as of now, as I consider this the best of the year 2013 so far, edging ahead of Star Trek: Into Darkness and Fast & Furious 6.

Release date: 7th June 2013 (India); 13th May 2013 (USA)
Running time: 115 minutes
Directed by: Louis Leterrier
Starring: Jesse Eisenberg, Mark Ruffalo, Isla Fisher, Mélanie Laurent, Woody Harrelson, Dave Franco, Michael Caine, Morgan Freeman

@ Cemetery Watch
✠The Vampire Bat.

John Carter

Posted on June 6, 2013 by Tennyson

The story goes an year back, when I felt the horrible lack of respect to one movie which was better than another movie which was released in 2009. This better movie was John Carter and the inferior movie was Avatar. Even as the box office results and the critics say the other way around, the truth is not to be hidden. John Carter is superior to Avatar in each and every aspect, and unfortunately, the brainwashed audience go for movies reading the biased reviews of the so called critics. Well, how many times do someone have to tell these movie fans who read the fake paid reviews and look forward to to the hype, to listen to themselves and the less-hyped movies? For the same reason, I shall give this movie a little more in its ratings, for what it lost in its box office collection and the critical reviews. Seriously, why Avatar? What has it done other than building on the Pocahontas story and even becoming incredibly similar in theme to the Malayalam movie Vietnam Colony? Didn’t Avatar also get enough from this movie’s original story, A Princess of Mars, the science fantasy novel by Edgar Rice Burroughs? Still, it is hailed as the epic and became the highest-grossing film of all time, as well as of the United States and Canada; it is such a shame that there are two ways of treating the same material, the inferior one getting all the applause.

John Carter is more original than Avatar, being the right adaptation of Edgar Rice Burroughs’ 1917 novel, A Princess of Mars. It works as a perfect interplanetary adventure rather than a predictable world where one of the attackers get a candle lit in their brains and decide to get on the side of the helpless defenders. It has a dry and rather dark environment compared to Avatar which works very positively. Even the story is set in a more admirable world, with teleportation being the method rather than those giant space ships which repeats themselves in each and every movie, as the number of science fiction movies featuring space ships and the end of the Earth has reached a new record, as if they are too much interested in ending the Earth with that Voluntary Retirement Scheme which features the world’s most interesting voids which keeps creating more of themselves and call it science fiction, when they are actually confused what kind of creation they have actually given to the viewers. One has to wonder how much satisfaction they get by creating the same thing again and again.

After the sudden and unexpected death of John Carter (Taylor Kitsch), his nephew Edgar Rice Burroughs (Daryl Sabara), attends the funeral. As per Carter’s instructions, the body is put in a tomb that can be unlocked only from the inside, and Burroughs is left with his journal to read and know more about what has happened. It tells his epic story when he is accidently transported to what seems to be a dying planet, Barsoom, a name which is used by inhabitants for what is known to Earthlings as Mars – with a harsh desert environment deprived of vegetation and even water on most of the areas. Because of his variable bone density and the planet’s low gravity, Carter is able to jump very high. But he is captured by a group of Green Martian creatures, called the Tharks and their leader Tars Tarkas (Willem Dafoe). Meanwhile, the princess of the city of Helium, Dejah Thoris (Lynn Collins) escapes from a possible marriage to Sab Than (Dominic West), the leader of the city of Zodanga who is armed with a special weapon obtained from the Therns, the creatures who take the role of the gods of Mars and control the world through manipulation.

After Carter and Dejah unite in the Thark camp, they escape with the leader’s daughter, Sola (Samantha Morton) after being sentenced to death for entering their sacred temple. They decide to get to the end of a river sacred to the Martians in an attempt to find a way for Carter to get back to Earth. Instead they obtain information about the ninth ray, a source of poweful, infinite energy which only the Therns can use to their advantage in a variety of ways, the same thing which they used to strengthen Sab Than, so that Helium would be taken over and may be even destroyed, as Dejah herself was so close to unlocking its secrets; something which would have threatened their own existence as gods, knowing, controlling and manipulating everything on Mars. But before they realize anything else, But they are attacked by the Tharks who are manipulated by the Therns. After Helium troops arrive for help, Dejah agrees to marry Sab Than. So, it is upto the Earthling to save the day, but he is captured by the Thern who tells him how he has manipulated civilizations around the world for centuries in what he calls restoring balance in the world is theirs to control. This leaves Carter with more to deal with other than just a cruel, mindless ruler.

He was very good as Remy LeBeau a.k.a Gambit in X-Men Origins: Wolverine, but this one is undoubtedly his best role ever. It is with amazing skill that he has changed from the former soldier to the defender of Mars; from John Carter of Earth to John Carter of Mars, from John Carter of Virginia to John Carter of Helium, from just a cavalryman on Earth to the saviour, redeemeer, hero and the prince on Mars. Adding Daryl Sabara as Edgar Rice Burroughs seemed like another brilliant idea which helped the movie to become a complete whole, both as a film and a literary adaptation. Lynn Collins looks incredible, outdoing the Kayla Silverfox of X-Men Origins: Wolverine; the two has united for good in this movie, it seems. If there is any doubt if she isn’t a princess of Mars, that would be a clear case of blasphemy in its purest form as long as all the concepts of a princess are concerned. She looked so immersed in that character, and if someone says there is no Helium nor Barsoom, she would be surprised. Strong in will and strong in combat, and surely not trailing in beauty to any other soul around her. It is good to see James Purefoy after watching two of his great movies, Solomon Kane and Ironclad, even as it is in a minor role.

John Carter has the advantage over Avatar in its pacing and characterization, and its environment, even if not too bright and heavy with so much unwanted elements of nature, gives a good effect on the screen – it looks real, unlike the all-time box office topper. Just like a university topper, college topper or class topper is not the best or not even near the best, Avatar can bow down to this movie in that alternate reality which would never come to existence in this world. Well, people are slowly coming to know about this one and how awesome it is, and thus John Carter will be hailed much later at least by a few sensible people. The lack of mechanized warfare, and the absence of blue people can be added as that advantage, but still there are the green ones who live a similar subaltern life as the human-like creatures fight each other and cause collateral damage. If we look closely, it is the species looking closer to humans that are always causing trouble – not really a thing to be proud about, I guess.

John Carter is actually a movie of a revolutionary in many ways – and that man is Carter himself who fights for the people to whom he doesn’t belong, the land to which he is not part of, and brings justice and equality not only to the human-like Martians, but also the oppressed subaltern in the form Tharks. The enslavement by the Therns will be also almost over with his success. He is that Earthling who changes a world for good, thus becoming a man of the cause. If there is any story that can inspire one, this is it. With that ending which the movie has got, there is no reason why one wouldn’t watch it on Star Movies, every time it makes an entrance. On a parallel Earth, this would have been a grand success, but in this world of prejudice and the love for nonsense movies, one has to ask an impaled dead body for truth and the right facts about a movie; for there is not much that one can gain by reading the reviews – never to believe what is written out there, as they misguide you and lead you to the wrong movie, which is why every movie missed is a grand tragedy!

Release date: 9th March 2012
Running time: 132 minutes
Directed by: Andrew Stanton
Starring: Taylor Kitsch, Lynn Collins, Samantha Morton, Mark Strong, Ciarán Hinds, Dominic West, James Purefoy, Willem Dafoe, Daryl Sabara, James Purefoy, Thomas Haden Church

@ Cemetery Watch
✠The Vampire Bat.

The Avengers

Posted on June 5, 2013 by Tennyson

This is a flashback into what was pure entertainment. In the movie, Nick Fury, the director of the fictional intelligence agency S.H.I.E.L.D recruits Iron Man, Captain America, the Hulk, and Thor to form a group of talented superheroes to stop Thor’s adoptive brother Loki and his army from capturing Earth. Well, even one of these heroes usually proved enough in most of their movies, and having them together was nothing less than classic entertainment at its best. It did beat the other two superhero movies of the year by the box-office collection, an achievement which one have to doubt if it deserved in the case of The Dark Knight Rises, even as it is debatable in the case of The Amazing Spider-Man. Staying at the top of the highest of grossing movies of 2013 list and being the third highest grossing movie of all-time with no intention to be overtaken any time soon, this movie makes regular visits to Star Movies as if it is a home. As Marvel’s Iron Man 3 makes it to the all-time top five grossers list, one has to wonder how good a universe has been created by Marvel using these few lesser known superheroes who were always considered inferior to Spider-Man, Superman, He-Man and The Phantom in this part of the world, Batman being a more recent phenomenon of awesomeness.

Loki has made a pact with the alien race known as the Chitauri as they promise Loki a huge army to capture Earth in exchange for Tesseract, an incredible energy source of unlimited power. In what would seem an ambush, Loki takes the Tesseract from where it is safely secured, and also gain control over several of the agents of S.H.I.E.L.D before escaping. Feeling that the only way of getting it back and saving the world is the Avengers initiative, he brings together the superheroes, and even manages to capture Loki before he escapes later when the group becomes divided somewhat due to Loki’s own manipulative powers and also due to their own lack of admiration towards each other, when Loki’s minions attack the place. It even suggests that Loki’s capture was rather a surrender which was meant to manipulate the Avengers initiative and also weaken S.H.I.E.L.D. Loki’s plane is to use the Tesseract, to open a wormhole above Stark Tower, thus creating the portal for his army to come in and conquer the planet. The Avengers stay divided and fallen, but it is upto Nick Fury to make them that one superhero team again without the pride and prejudice which they seemed to show earlier which had lead to the first victory of Loki.

So, the question remains – who is Loki (Tom Hiddleston)? He is Thor’s adoptive brother and still always the enemy who wishes to rule Asgard as well as most of the worlds which are out there, a character based on the deity of the same name in Norse mythology; the same person we encountered in the game Age of Mythology where he was not this bad, manipulative or close to evil. He continues to be more than what he was in the mythology, and the old Norse poems as he is the super-villain around here on Earth for a change, rather than being Asgard’s trouble during the early times. That should be Marvel’s Loki without whom this movie would not have been possible, thus making him the true unsung hero and the true protagonist. Found by Odin and the biological son of a fallen frost giant king, this god is torn between his double identity between two kingdoms of Asgard and the Frost Giants, still trying to conquer more and more world as possible, and denying his existence of frost for living a god’s life in Asgard. Loki has always lacked the pure strength and bravery of Thor as he went on to become the manipulator and the master of illusion nothing less than a sorcerer who lived on lies, cheating and mischief, this aligning himself to evil from just being a trickster.

Robert Downey Jr as Tony Stark a.k.a Iron Man; that arrogant superhero who always gets more attention that he really deserves, and has become a crowd favourite these due to the one-liners. But due to the repetitions and the lack of innovation other than coming up with new suits and facing everything with that inherent arrogance which is the result of being a billionaire and a superhero at the same time, this is not the kind of role-model of a superhero that one should have. If it wasn’t for Robert Downey, this hero should have been dead and buried even before it came into existence in the Marvel movie world; still, this one is no match for his own Sherlock Holmes which will remain his best role for me. The Stark Industries would remain an evil entity run by the arrogance of Tony Stark. Well, without that suit, we know what Tony Stark is; a selfish, arrogant not-so-young character who lacks in goodness comapred to the other superheroes of the team, a quality of evil which he has surely attained with too much spent immersed in science and technology – a lesson for most of those people who are plugged into the internet posting stupid things and spreading hatred of the next level; also applicable to mindless fans, especially those of fixed games like cricket. Well, this guy still saves the world even as he is might be having a torture session with Satan at hell – what good have you done?

Chris Evans as Steve Rogers a.k.a Captain America; probably the best of the team, as a man with values, a modern day knight who knows honour and chivalry. This Chris Evans character is just the opposite of the Johnny Storm or Human Torch which he did in Fantastic Four and its sequel, for this one knows how to align to goodness. Human Torch might have been interesting as a character, but he was still more of the league of Iron Man in his extremity of arrogance and lack of respect for his fellow human beings. While we hope that that series would have a better Human Torch in its possible reboot releasing in 2015, it can be seen that Captain America is the undisputed leader, a deserving one. Captain America: The First Avenger was surely among the best superhero movies ever released, or the only true superhero movie in which the protagonist could be admired for being extremely righteous right from the beginning. We can hope that the 2014 release of Captain America: The Winter Soldier would also make one say the same. He didn’t begin with billions or physical supremacy, and knows what it means to be at the bottom of the pyramid, and this knowledge would help him to keep him from being carried away in the glory, as he is still that weak kid who committed the act of self-sacrificing bravery inside.

Chris Hemsworth as Thor (better known to many as Loki’s “adopted” brother); The next prince of Asgard for as many centuries as possible, as the king will always be Odin; he is based on the deity from the Norse mythology of the same name. He has that great advantage of having good practice at home, as it is his brother who creates all the mischief. He might have been acquainted with Loki from his childhood itself, but as he has tranformed into the god of muscle with special emphasis on the hammer carrying biceps from the controller of thunder and lightning, he might have had the lack of brain not only in this movie, but also in Thor. We can only hope that this character would have his lost brain back on November 8, 2013, when Thor: The Dark World releases. But in the movie, he is shown as the only person who can stand of his own against the Incredible Hulk even when he is on his mentally retarded rampage. That should be a good thing, as Hulk smashes even gods even while belonging to the same green alien race of the Lizardman of The Amazing Spider-Man. Thor’s presence is still the most wonderful thing to be seen, as he is an imposing figure with that hammer, and also brings variety from another world, as the outsider who fights for another world which doesn’t belong to him.

Mark Ruffalo as Dr. Bruce Banner a.k.a Hulk; this character is considered a genius scientist who can’t even control himself – such a waste, but still funny in stupidity adding lots of fun to the movie by being a mentally retarded green monster. Still, it is the original form of the doctor who makes the right impact on the movie. Scarlett Johansson as Natasha Romanoff a.k.a Black Widow steals the show even without any super powers, and same is the case of Clint Barton a.k.a Hawkeye (Jeremy Renner), both having their moments in the movie. Maria Hill (Cobie Smulders) is just there for the job. Samuel L. Jackson’s Nick Fury co-ordinates the whole thing. As this one has turned into more of a plot summary and character analysis, the fact remains that it is what the whole movie is about. These superheroes joined by a story of alien invasion and all the powerful 3D, special effects and CGI that supports it superbly. It is a visual treat like no superhero movie has ever given before. It is something which raised the bar, as it was taken to the extreme low with Transformers: Dark of the Moon when the robots turned stupid enough to ruin the movie with a similar alien invasion.

Release date: 4th May 2012
Running time: 143 minutes
Directed by: Joss Whedon
Starring: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Samuel L. Jackson, Cobie Smulders, Tom Hiddleston, Clark Gregg, Stellan Skarsgård