Tag Archives: fear

Nosferatu

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Vampire Owl: Finally, our Count is coming back to the big screen.

Vampire Bat: This one is not really the true Dracula Uncle.

Vampire Owl: Well, Count Orlok is not lesser than Count Dracula.

Vampire Bat: I have heard from humans that this Orlok is an illegal version.

Vampire Owl: Well, there are no such rules in vampire kingdom, right?

Vampire Bat: Human rules need not apply here, but we should know.

Vampire Owl: We will never really know the humans.

Vampire Bat: We will know everything except their inherent evil.

Vampire Owl: Well, which is why we do not transform humans into vampires anymore.

Vampire Bat: I am sure that they want to; the greed for eternal life and perpetual youth.

[Gets a tea cake and three cups of Ooty tea].

What is the movie about? :: Ellen Hutter (Lily-Rose Depp) is a recently married young woman who has had too many nightmares in her life in the past, and it is revealed that her recent bad dream about being married to death and everyone around her dead. It is revealed that while looking for consolation from her loneliness and depression in life, during her random chants and prayers, she had ended up creating a psychic link with Count Orlok (Bill Skarsgård), or what they villagers of Romania used to call Nosferatu, with Romanian roots. The nocturnal creature of pure evil had marked Ellen from thousands of kilometres away, and this connection often led her into situations of seizures and sleepwalking. She keeps having hallucinations and a feeling of being with death, from which escape seems almost impossible. She has been living in the German town of Wisborg with her husband Thomas Hutter (Nicholas Hoult) and is irreversibly in love with him as it seems, but this connection seems to have journeyed through the unimaginable, the darkest of the woods and deepest of the rivers and lakes.

So, what happens with the events here as we just keep looking? :: It is then that Thomas accepts the offer to sell the partially ruined Grünewald Manor to a reclusive lord named Count Orlok located somewhere in Romania. Ellen talks about her nightmares and pleads Thomas not to leave for those unknown lands where a certain cursed evil lurks, but the offer from his employer is too much for him not to accept this opportunity of a life time. He leaves her in the care of his wealthy friend and famous shipbuilder Friedrich Harding (Aaron Taylor-Johnson) and his wife Anna Harding (Emma Corrin) who lives with their two little daughters. As he arrives at the Carpathians in the Transylvanian area of Romania, Thomas is warned not to wander around during the nights and not to visit Orlok. During the same night, he still wanders around and witnesses a group of gypsies running a ritual with a fully naked woman on a horse which ends with the exhuming and impaling a vampire’s corpse with a wooden stake, ending the undead life with a lot of blood coming out of its mouth. The next morning, he finds no help or support, and leaves for the count’s castle alone and on foot.

And what is to follow as the Count maintains all the control over the world known to him? :: In his castle, Count Orlok welcomed Thomas as the aristocrat that required respect at all times. But soon, his existence as something more than human is revealed to Thomas, who hopes to escape, but the paths of the castle only lead to the crypt where the count is sleeping in his coffin, and he is not able to attack him as the vampire awakens, and so do his demonic hounds. He understands that he will have to remain a prisoner in the castle forever, as the document which the count made him sign might not be the Romanian version of the deal concerning the property, but a document dissolving his marriage to Ellen and the vampire had also taken his locket, containing a lock of her hair. He understands the vampire is going after his wife, and jumps into the river below the castle to escape. But the count has already started his journey and has infested a ship which is on its way to Germany. He will not stop at anything unless he becomes together with Ellen. Can anyone stop this evil from embracing her and also spread through the whole of Western Europe? Or will the blood-seeking demon have a blood feast that will last forever?

The defence of Nosferatu :: The movie achieves atmospheric horror and thrives with the sound effects as much as the visuals. There is fear running through the air, as we rarely see a world thriving on light here. The psychological side very strong here, and the performance of Lily-Rose Depp is truly magical here, with so many moments to remember, and the final few moments of her is out of this world. I cannot stop myself from not being the new admirer of Johnny Depp’s daughter as I have been a fan of him. I can say that I have never seen the main female character of any version of Bram Stoker’s work getting such attention which is supported by a performance of grandeur. The connection to the demonic creature and talk about all of this terror has never been so perfectly detailed and connected to the female lead. Nicholas Hoult and Willem Dafoe works the roles just as expected, while Bill Skarsgård’s demon is something we have not seen before, well divergent in looks and actions to create more terror. Aaron Taylor-Johnson and Emma Corin move through expected paths. These are not just characters, but people who immerse us in their wisely created world with fine performances.

Positives and negatives :: It can be said that there is no movie based on Bram Stoker’s work that has provided an emotional and haunting touch like this one, and a terrifying vampire movie becoming an emotional tale of love and selflessness keeps us rooting for the film even more, like never before. The movie basically like music which strives for a fight against the most terrifying form of evil with love. By the end, here we know that as evil always finds a way, so does goodness and self-sacrifice. Finally, we know that the melancholy of the main character is not hers alone, but of all of us. It is a poetry on what it takes to thrive against the most ancient forms of evil. The sequence in the forest makes a fine reflection which is to come, and there are some classic shots in the castle that elevates this movie to a psychic-psychological mood which is rarely seen in the adaptations. The final image from where the camera zooms out reflects the same, and that too with a melancholic beauty. There is also some work with demonic possession, which is actually shown without any overdose. This is indeed a fine Gothic work that reflects the Victorian Age even when not in Britain. The one thing that we might really be missing is the Brides of Dracula.

How it finishes :: This is the one movie which becomes a fine divergent tribute to both the 1922 version of Nosferatu and the many later versions of Dracula as well as the original book, along with being a different entity in itself. There seems to be so many inspirations, and many creative ideas placed around here. This version is sure to be remembered as a classic in future, no matter problems critics would find, which would be lost in the process. This version might be the one which needs even more attention than what it has managed. This is that version of the vampire that maintains all kinds of feeling which are related to a vampire as a nocturnal creature that feeds from the lifeforce of humans. There are not many movies which can pay homage to so many of its predecessors and still remain something new. This one, with some fantastic performance and an atmosphere which would put even the high-budget movies to shame, manages to rise and seek theatre experience – it is quite depressing that the movie was not really found in theatres when it released.

Release date: 25th December 2024
Running time: 132 minutes
Directed by: Robert Eggers
Starring: Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Willem Dafoe, Katerina Bila

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Apocalypse Z

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Vampire Owl: Are we going to watch the end of the world again?

Vampire Bat: We are never tired of watching it.

Vampire Owl: Would this be like World War Z?

Vampire Bat: Well, there is never really a shortage of movies showing the end.

Vampire Owl: How beautiful can the end of the world be?

Vampire Bat: I would say that it would be a life with less anxiety and depression.

Vampire Owl: Train to Busan showed a lot of anxiety.

Vampire Bat: It was lessened with Peninsula, right?

Vampire Owl: You know where Resident Evil stands.

Vampire Bat: Still, not all sequels of Resident Evil stands at the same level.

[Gets a paneer puffs and three cups of Sikkim tea].

What is the movie about? :: Manel (Francisco Ortiz) and his wife Julia (Iria del Río) returns home after visiting his sister Belén (Marta Poveda) and her husband Mario (Oriol Ruiz), and meets with an accident on road while losing focus during an argument about having children. Following the incident, he leaves the town and lives in isolation with his cat. Due to the same reason, he does not care about a new virus called TSJ which has spread around the nation and even outside the continent like COVID-19 pandemic of 2020. Then, the one thing which is not said in the news is that this particular pandemic differs from the corona virus and would cause people to turn into flesh-eating zombies. The whole Europe has been under attack and going down for some time, and the Germans had already evacuated Berlin. As Belén’s family is evacuated to the Canary Islands, Manel tries to join them, the government closes the borders, and declares a general state of emergency which cancels all the flights and leaves people where they are.

So, what happens with the events here as we just keep looking? :: With no option to join his sister and brother-in-law, and having all routes closed, he promises her that he will stay there safe and within the house, only to lose all internet and communications soon enough. While going out to collect supplies, he finds out that people are quickly turning into zombies, and finds even police officers turning into zombies or killing themselves to escape from the terrible fate. Running out of supplies and while searching for food in nearby homes, he comes across an old lady named Gabriela (Amalia Gómez) who has also run out food herself. They help each other, as she knows where he could find the food and he get them with relative ease. Soon, they are able to intercept a radio transmission which has a message from the survivors who feel that they would be evacuated soon and it is safe where they were staying. This provides hope for both of them, even though Gabriela is not sure if she would survive the journey.

And what more can follow in a zombie-infested world? :: Gabriela understands that she would only slow him down and could end up being a burden, and commits suicide when Manel comes to get her on the next day. This leaves him and his cat to go through the journey to the place which might be a safe haven. With the cat Lúculo, and with a diving suit and a speargun for defense, Manel barely manages to escape from a zombie horde, but finds all larger boats either taken away or unusable. After finding a little zombie toddler, he is only able to use an inflatable dinghy to travel to his destination, with all roads taken over by zombies. On the way, he finds a few Russians who asks for his help while on the way and offers him a cabin to stay in their big boat. But Manel feels that the Russians are not that straightforward as they claim to be, even though the only person in the ship who can speak Spanish denies his suspicions. Now, it seems that it would not be that easy to get away and reach the new place which is claimed as a safe house. Can he somehow do what he has been planning to?

The defence of Apocalypse Z: The Beginning of the End :: Some of the most interesting foreign movies which I have watched were in Spanish, and the movies like The Platform has always gained the attention of a wider audience. As the main character grapples with the zombie-powered societal collapse and fights to reunite with his only family, this movie remains strong both as an emotional as well as terrifying one, with an adventure that keeps us going. The man’s survival from a tragic loss makes this another journey of a flawed character who wishes to finally get back to his family from that self-inflicted solitude. All those real‑world COVID-19 pandemic responses like acts of selfishness which are not limited to panic buying, along with those lockdowns and quarantine that we have experienced will keep us close to the movie’s reality, for it does not give away the fact that there are zombies involved until quite some time into the film. The terrifying elements do follow, and they are pretty much effective along with the emotional side.

Positives and negatives :: There might be similarities to the other titles dealing with similar topics, and it is not easy to come out of that feeling that we know what would happen, and it is know how this would keep going. Yet, powered by the performance provided by Francisco Ortiz, the movie rises above the usual expectations. One cannot help wondering how well the Spanish movies have managed to keep its side strong, no matter what kind of a genre it deals with. The support is really good too, even from the kids and one cat. There is a certain amount of realism when the zombies are shown, as they also seem as much desperate as humans for food, seemingly emotional too, unlike the usual mindless displays. It is also based on the novel by Manel Loureiro, and how much this one stay close or deviates from the original, is something we can only understand from the fans of book. The heartfelt zombie film seems to be appreciated enough to bring more viewers to the same on OTT.

How it finishes :: We are never short of some fine zombie movies, and the apocalypse is something we can never stop waiting for, whether in fiction or in reality as an inevitable fate. There is a fine journey through the world affected by the terrifying zombie reality which is slowly destroying the world as it is known. The terrible situation is shown with a fine scary side as much the emotional moments which makes this one a thriller drama as well as part of the genres of horror and adventure. This movie becomes another addition to that fine list. The ending makes sure that a scope for sequel is there to be taken, and from what is heard, it is there to come soon enough. Among the movies about the end of the world, it seems that the Spanish has managed to get on a higher level. We can have many similar movies to follow, but in between the earlier movies and those which are to come, this one has maintained some fine class while keeping the entertaining side high enough.

Release date: 31st October 2024
Running time: 118 minutes
Directed by: Carles Torrens
Starring: Francisco Ortiz, José María Yazpik, Berta Vázquez, Iria del Río, Marta Poveda, Amalia Gómez, María Salgueiro, Yuri Mikhaylychenko, Oriol Ruiz

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Under Paris

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Vampire Owl: It is a small world, isn’t it? We are now watching a French movie.

Vampire Bat: We have watched and reviewed movies of thirty-one languages.

Vampire Owl: Yes, the last language to be added being Filipino.

Vampire Bat: Those were also the movies which required our attention.

Vampire Owl: Yes, we should actually go for more Filipino movies.

Vampire Bat: Here, the French movies are actually among the biggest categories of foreign language films to be reviewed.

Vampire Owl: Yes, after Korean and Spanish, and just more than Russian.

Vampire Bat: I believe that these would make more than half of the foreign movie collection here.

Vampire Owl: I have seen that the most read foreign movie review here is still of an Italian one.

Vampire Bat: Yes, the one named Don’t Kill Me with fine flesh-eating zombies reminding us of those undead beyond the border.

[Gets an onion vada and three cups of elaichi tea].

What is the movie about? :: A famous marine researcher who is worried about climate migration, Sophia (Bérénice Bejo) and her team have been studying the shark species and the changes that come across them while also checking the garbage which has been spread around as a patch four times the size of France. The focus is near the Great Pacific Garbage Patch and search narrows down on Lilith, a shortfin mako shark which was tagged by them some time ago. They end up seeing similar female sharks hunting together as a pack, which feels quite unusual. They find the shark named Lilith, but also finds out that it has grown in size and is now double the creature it used to be, and makes Sophia wonder what has changed in the oceanic environment. As it des not seem to be aggressive, the team tries to take a sample, only to find it killing her husband and other divers. Sophia jumps into the ocean to hunt it down, but becomes entangled in a net and is dragged into the depths of the ocean, and even though she could break free and come up, there are injuries sustained due to severe alternation of pressure underneath.

So, what happens with the events here as we just keep looking? :: Three years later, Sophia is still scarred by that incident for which she blames her own calculations, and works in an aquarium in Paris, explaining to the visitors about the oceans of the world and the marine life that inhabits it. She comes across Mika (Léa Léviant), and environmentalist who is looking forward to saving marine life which has been hunted vigorously by greedy humans, and also has a group that tries to do the same all around the globe. She tells her that the tracker which was set on Lilith is still active, and that the shark has travelled all the way from the Pacific Ocean to the River Seine of Paris. As it is not a freshwater creature, she feels that the shark might end up dying underneath the city if it is not found and diverted to the ocean. The police officer Adil (Nassim Lyes) who had found shark bites on a man found dead in the river, and hopes that Sophia can help him to kill it, but just like any other environmental and animal lover who do gives least value to human life, Mika switches off the tracker on the shark, leaving any human near the river prone to death.

And what more is going to happen with the shark right there in the river? :: Sophia knows how devastating the shark can be, and is reminded of her dead husband. Mika remains a third-rate animal lover who does not care for human lives, and stands by her idea that sharks do not attack without a valid reason, but Sophia knows better. Mika is still too good in making emotional pleas to save the shark as if she really means it. But for some reason, she is infatuated with just one shark and not bothered about anything else. She wonders how dare they try to attack that shark and not vice versa. She feels like a student who skips classes regularly for some environmental indoctrination as she is beyond logic. Her friend Ben (Nagisa Morimoto) who realizes that Mika is an environmental extremist who cannot be reasoned with, decides to meet Sophia and tell her that the shark even has underground sewage access. At the same time, Sophia and Adil request the Mayor of Paris to postpone the upcoming triathlon which would invite a large number of athletes to the area. The mayor refuses as billions of euros have already been spent on the event, and it is necessary for a build-up to Olympics. Now, one wonders what can happen next and who all will die.

The defence of Under Paris :: The movie manages to be a thrilling journey with a shark under water and people not realizing its danger. The most satisfying moment of the movie is the death of the one activist who brought all these upon humans and other living beings by unleashing an apex monster adaptation of the original shark. Even though human extinction is not that bad a thing for nature conservation, this one was a nature terrorist, and seems to be taken right out some people whom we regularly find on the media. The character shows the activist who lives without doing any other job, and seems to be interested in being in the spotlight and show face in the videos all the time. This one is surely not like the dedicated people working for environment, not looking for reels and selfies. The fear element is always present in the waters, and you keep wondering who is going to get the worst of the shark attacks. The shark attacks are all effective, and the final moments take the terror to the next level. In the end, we see that there is no hope left at all, unless there is that powerful a sequel which changes everything like a fantasy dream of wonderland. Bérénice Bejo and Nassim Lyes make a good team at the same time.

The claws of flaw :: The movie could have focused more on the shark rather than those activists, with more movements within the shots of the city to induce further fear. Due to the lack of any thinking people among those who are looking for conservation, a good message is lost. Just feeling that others are responsible for stealing dreams of the younger generation and doing some nonsense in the name of saving nature and oceans would never even come close to being somewhat sane. There could have been more chilling visuals of the shark hunting, and also more action in the ocean instead of just switching so quickly. The catacombs and sewers could have a scarier world in store for us. Paris could have also had more stylish shots to support its glamour, after all, everyone wishes to visit the city one day. The movie has been rather less known in this part of the world, and that is a disappointment because there is more appreciation to come for tales of shark horror with Netflix widely used.

How it finishes :: Among the European movies featuring sharks as the main nemesis, this one surely has maintained a space for itself. It will surely have a sequel, as the ending seems to suggest that the sharks have spread all over the world with oceans connecting to the rivers and lakes, and with the ability to live in saltwater as well as freshwater. The second part is surely going to be grand, like an alien invasion A Quiet Place or 10 Cloverfield Lane, with people having less areas to find shelter, as flooding could also follow. Well, we know how the Resident Evil films defined survival, and let us see how far this franchise can go. This first movie sets the tone nicely, and we know that there is much more to come. In the movie, we find that things go much similar to how real-life situation would go, with all these activists and the authority acting as if they know everything, until the world around them collapses due their acts of foolishness, and it is their own people that suffer, even though they would not live long enough to witness the same. This could indeed be the revival of the shark-themed movies, even though it might not become as good as the first Deep Blue Sea, which extended the Jaws mode really well and 47 Meters Down up to an extent.

Release date: 5th June 2024 (Netflix)
Running time: 101 minutes
Directed by: Xavier Gens
Starring: Bérénice Bejo, Nassim Lyes, Léa Léviant

<<< Click here to go to the previous European film review.

<<< Click here to go to the previous horror thriller review.

@ Cemetery Watch
✠ The Vampire Bat.

The Platform 2

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Vampire Owl: Do you remember the last time a platform was lowered in the castle?

Vampire Bat: I am sure that we have different kinds of platform here.

Vampire Owl: Like a platform to display the skills?

Vampire Bat: All vampires have the same special skills.

Vampire Owl: There are no two vampires belonging to the same species.

Vampire Bat: One a vampire, always the same species.

Vampire Owl: The undead is not a species, for it is a status.

Vampire Bat: We are beyond all status in all territories.

Vampire Owl: There is something more running underneath.

Vampire Bat: You are listening too much to the blasphemy by Mr. Frankenstein.

[Gets a kadai chicken puffs and three cups of Munnar tea].

What is the movie about? :: In the first movie, it was seen that a number of inmates are housed in pairs on different numbered levels of a very massive tower-like structure without doors which seems to have no beginning and the end. It was also seen that a platform filled with food descends once per day from the top to the bottom, stopping for a very short time on each level’s cell. Each floor had two occupants with a central hole for the platform to pass. The top floors used to get a lot of food while the lower floors got nothing – nobody was allowed to hoard the food either. A young woman named Perempuan (Milena Smit) and and a big man called by the name Zamiatin (Hovik Keuchkerian) find themselves in the same floor as partners in the food which is to come from above in the structure which is known to have 333 floors. The reach level 24 this time, which means that they can have some food now, until a change occurs. Next month, they could end up having more, or most probably much less food going nowhere.

So, what happens with the events here as we just keep looking? :: This vertical prison would need more than just a random plan to survive. The two new members are introduced to the informal rules of the prison – they should join the loyalists who follow the rules, and only eat what they had chosen as the favourite food before entering the prison. This would ensure that the maximum levels of people can get the food and nobody would die. They call those people who are against these rules as barbarians because they eat as much as they want, leading to food shortages due to the platform not being bigger than a usual dining table. As the new entrants try to keep the law as much as possible, they gather more information like on the existence of The Messiah, a mythical figure that could survive without food and then sacrificed his own leg to feed others who were going to die by starvation. His followers known as the Anointed Ones, keep the loyalist laws alive and punish those who violate these rules after appearing all of a sudden without invitation.

And what more is there to surprise us? :: Zamiatin who understands that he had broken the laws and will be punished along with his cell partner, sets himself on fire and jumps into the pit to death. This saves Perempuán from the possible punishment, and the very next month, she is paired with a one-armed woman named Sahabat (Natalia Tena) on level 51. She talks to Perempuán about Dagin Babi (Óscar Jaenada) who is the Anointed One that punishes everyone who makes even the smallest deviations from the law. She shares the story of how her arm was cut off and the girl who was her partner was stripped naked and tied to the platform in a spreadeagle position after removing all the food, to be eaten alive by the people of lower levels. She hopes to end this fearful existence by faking their deaths by consuming portions of an oil painting at the lower level, which would also make them immune to the gas which knocks out all prisoners. But can she succeed or will both of them face similar fates as their predecessors who did not obey the rules?

The defence of The Platform 2 :: The two big performers lead the way, Milena Smit and Natalia Tena, and the former making an impact in the least amount of time. Hovik Keuchkerian also leaves a mark in the process. The movie successfully becomes a reflection of our society where some people get them all and succeed through selfish ways, while the selfless remain without success. Selfishness and dehumanization are natural in the movie, just as reflected in human world. The world is once again nicely detailed, and so is the brutality, and if it was not shown well enough, the same would have been lost in the process. The movie does not take a step back in most of those cases, as the world begins to feel real despite the fictionality in which it is placed. This makes the film the perfect survival movie. There has never been a movie that has better shown so many selfish humans in one place, with all the terrifying sides present.

The claws of flaw :: The movie feels like a repetition of the first movie, and struggles to bring that innovation which has kept this franchise apart. This time, some part of an explanation could have been shown about this particular vertical prison and how it has existed and the reason for its inception along with who controls the same like a lab. The movie leaves one with no hope, as the world seems to continue in the same way, with no hope for redemption to the inmates. Even though one feels so many genres within this movie, there seems to be the lack of satisfaction with most of them. The movie could have also developed the character of Natalia better, and a certain flashback could have been shown to further spread the uneasy fear. All the violence in the movie may not be suitable for everyone, but nobody can doubt its requirement within the film – considering the background tale, the gore cannot be considered as that much.

How it finishes :: I have liked The Platform 2 as much as I liked The Platform. There was the feeling of innovation with the first movie, and with version, the feeling of terror seems to be elevated with the presence of even more cruelty and hopelessness even without bringing more innovation. The reality of the present world is more or less reflected yet again, as the rich gets richer and the poor gets poorer. It is that kind of a world which was shown in the Malayalam film Mukundan Unni Associates long ago, as those who find themselves in control and with success here are those who manipulate the system, ruthlessly exploit others’ misfortunes and find no morality in actions. The truth about humanity and their hoarding of wealth remains the same, and it would never change. The movie symbolically points to the same many times, and we are not tired of watching any number of movies with platforms of food.

Release date: 4th October 2024 (Netflix)
Running time: 101 minutes
Directed by: Galder Gaztelu-Urrutia
Starring: Hovik Keuchkerian, Milena Smit, Natalia Tena, Óscar Jaenada, Iván Massagué, Zorion Eguileor, Antonia San Juan

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Clown in a Cornfield

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Vampire Owl: How many clowns have terrified us so far?

Vampire Bat: The best people among them are from Killer Book Club, Haunt, Terrifier and It.

Vampire Owl: Well, these days, the clowns are scarier than even vampires.

Vampire Bat: It is natural because humans have been turning into clowns.

Vampire Owl: You are talking about a new generation.

Vampire Bat: You are speaking as if the present is any better than the new.

Vampire Owl: You know that it can only get worse.

Vampire Bat: Yes, wonder what kind of nonsense is yet to come now.

Vampire Owl: At least they should know that death is only the beginning.

Vampire Bat: They would not when they are alive.

[Gets a marble cake and three cups of Ceylon tea].

What is the movie about? :: It is seen that in 1991, in the town of Kettle Springs, Missouri, a girl in her bra invites her friend to have sex in the cornfield, only to have her and the friend being ruthlessly murdered by a clown named Frendo. Back in the present, Quinn Maybrook (Katie Douglas) and her father Dr. Glenn Maybrook (Aaron Abrams) moves to same town, with Glenn taking over as the town doctor. Both have been going through a strained relationship after the death of Quinn’s mother. After being late in the class, questioning the teacher and receiving an unexpected detention right on her first time in the school, Quinn becomes friends with Cole (Carson MacCormac), the son of the town mayor Arthur Hill (Kevin Durand). She is also introduced to his seemingly cool and energetic group of friends, Janet (Cassandra Potenza), Matt (Alexandre Martin Deakin), Ronnie (Verity Marks) and Tucker (Ayo Solanke). The group creates horror parody videos for their YouTube channel, all about the clown Frendo causing terror in the town.

So, what happens with the events here as we just keep looking? :: Cole tells her the story of burning down Baypen Factory while they were shooting videos there, and that the town’s people blame the fire on them. A good number of people in the town also went unemployed due to the fire destroying the place and the workers not able to find any other job. It seems that Quinn is with a group that is not even close to getting a little bit popular among the common people of the town. At the same time, they notice that there is more than just one clown around there, and Tucker is the first one who realizes the same as he gets killed. It is followed by Matt getting murdered while going through his regular exercise. With the Founder’s Day being ruined due to strange turn of events, the friends once again are in trouble as the usual suspects. They try to get away from all of these at a party, but things get even worse there as they realize that the killer clown is real, and the entity is not limited to just one individual. This will require them come up with the unthinkable to escape, or die in the process in a terrible manner.

The defence of Clown in a Cornfield :: The movie starts off well, and its premise is really good, from the underlying horror to an irritating teenager who does not like to obey her father, but likes to be with a group of teenagers whom she feels as the coolest gang around. The clowns are all nicely detailed, and are scary with those funny looks and action. The performances are really good, and everyone becomes part of the whole environment without anything that stands apart from the same. The clown character nicely makes us interested, and this might be a more interesting killer than the others who have graced the screens, because the non-supernatural elements really have us going forward strongly. The sequel has the scope to be something classic if the right ingredients are added and boosted.

The claws of flaw :: The movie often hesitates to get into the traditional slasher horror mode, and some elements seem to be missing. It often keeps to the safe zone and do not take that risk – instead it tries to be modern against the traditional standard. The horror could have been more twisted, especially with a clown image around. Clowns chasing teenagers around could be more mysteriously terrifying every time. The subversions could have made way for innovations with better effective thinking. The movie’s villain idea might feel a little too stretched, even though the antagonist works really well due to the performance. The problems of the movie have to solved through a fine sequel on another day. After all, there is so much of an atmosphere that supports this horror, with cornfields, abandoned buildings and roads which seem to go towards an eternity with no lights at night. Then there are the unnecessary twists which seem to lead the movie to not many interesting areas.

The performers of the soul :: It can be seen that Katie Douglas plays the rebellious, unruly teenager really well, and it is certainly that kind of a character who whom we do not really feel for. The actions of the character are performed very well, and we see the signs of another scream queen coming up here for the future. Aaron Abrams as the father figure plays the responsible one well, and we would accept him as the classic traditional dad who cares so much for his child, despite the girl being more irritating that one can ever imagine. One can imagine how difficult it can be for a parent to have a thankless child of this age, and he displays the same perfectly. The villain here is very well depicted, and a lot more cannot be said about him without ruining the suspense. One can be sure that he had a pretty good reason to become one, even more than Thanos had in Avengers: Infinity War and Avengers: Endgame, for one cannot do whatever he or she wants, and there are consequences, which will sometimes be provided by villains, and this time you have the same being done with efficiency.

How it finishes :: The movie does work as a cautionary tale as much as the horror thriller that it originally happens to be. There is the message about respecting traditions, and it keeps one wondering about what can happen next, but with an expansion in the middle, we know that there is more to this than what meets the eye. The use of the usual stuff and the lack of innovation keeps it with limited capabilities, but there is the effort to take this a little further without all of these, and that keeps the horror going. The movie could have used the original elements that a slasher horror should always have instead of keeping the usual ones at the surface. The movie does not try to use those common moments which all the serial killer movies have had, and with that lack of core, there is this struggle, which it nicely overcomes with its characters and the final twist. Well, slasher horror will surely keep asking for your attention, and it becomes our duty to support this one too, and with a hope for even better sequel.

Release date: 9th May 2025
Running time: 96 minutes
Directed by: Eli Craig
Starring: Katie Douglas, Cassandra Potenza, Aaron Abrams, Carson MacCormac, Kevin Durand, Will Sasso, Alexandre Martin Deakin, Verity Marks, Ayo Solanke

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Until Dawn

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Vampire Owl: We never really wait for dawn.

Vampire Bat: It is because we are against dawn. We are people of the night.

Vampire Owl: So, these people are looking forward to dawn.

Vampire Bat: They are surely trying to get rid of people of the night.

Vampire Owl: Well, we are not the only people of the night around here.

Vampire Bat: Yet, we are the major ones around here.

Vampire Owl: The werewolves might disagree.

Vampire Bat: Would that matter if they do not agree?

Vampire Owl: I am sure that Doctor Frankenstein would mind.

Vampire Bat: Well, Mr. Frank has never been the ideal or even real doctor as we know.

[Gets an onion vada and three cups of Vagamon tea].

What is the movie about? :: Clover (Ella Rubin) has been searching for her missing sister Melanie (Maia Mitchell) for a very long time, and she decides to retrace the steps of the sister traveling through the final days when she was in contact and sent a video. For the same purpose, she is accompanied by Nina (Odessa A’zion) her best friend, Max (Michael Cimino) her ex-boyfriend, Abe (Belmont Cameli) Nina’s boyfriend and Megan (Ji-young Yoo) Max’s step sister, who are all hoping that Clover could get better by going through the same path her sister had taken, and get better by understanding that this is the end and the past should be left behind for what is the best. As they stop by a gas station where Melanie had recorded a video, Clover is warned by the attendant there that people go missing in a mining town called Glore Valley, and it has never been a safe place, as he has been noticing for years.

So, what happens with the events here as we just keep looking? :: They keep driving though, and as there is a thunderstorm with heavy fog on the way, Abe is not able to see the road, and every turning back or driving straight seem to lead to the same place, and they finally reach a building which resembles a centre for visitors or a guesthouse of the mining town, and surprisingly, the climate is rather better around there. As Nina signs on the visitors’ register, she finds the name of Melanie there, and there is also the photo of Melanie on the noticeboard in the drawing room with many others, but there is no address, phone number or e-mail to contact if the person is found. There is also a moving hourglass which gets turned on. At the same time, it seems that their car is taken away by someone and Clover feels that she heard someone calling her by name, and she thinks that it was none other than Melanie. But soon, they come across a person with an axe, and he proceeds to kill everyone around quickly.

And what is this certain strange mystery all about? :: Soon, the group finds themselves waking up in the same house, but with the realization that they were brutally murdered. They find their photos on the missing list placed on the noticeboard this time, and hopes that they can get out of the building before the same person tries to kill them again. But it seems that this time, it is not the man with the axe that they need to worry about, with some other entity awaiting them. This time, it is a demonic possession that awaits them, as they realize that Megan who had a strong connection with the supernatural is possessed and there is something more sinister than a man with an axe that awaits them. There is also a new house in front of their house, and there seems to be more terrifying elements coming right out of there. Now, can they survive this night, and how many others await them? If they survive this, if this the end? Even they are out of this, can they really get back home to a normal life?

The defence of Until Dawn :: Like The Cabin in the Woods and Evil Dead of the past, this movie makes a fine impact in horror. The scares feel really good and the mystery is too good to be left behind as we are taken right into the middle of terror from where there is no escape. The location is too good and the music and sound effects nicely supports the events. The methods of death used here are pretty much efficient, and the monsters brigng the scares nicely. Ella Rubin who is also seen in Fear Street: Prom Queen makes the perfect scream queen, the classic heroine of the horror films, as it is seen here too. Her different looks seem to support the same, and we hope to see her in one of those classic horror reboots, with serial killers or demons. Her final look with that determination and pickaxe makes the whole thing feel more classic. After a fine work here, Odessa A’zion could also have herself in a horror movie which would make a similar impact, as we hope to see her in similar horror movies of interest.

Positives and negatives :: There are not many movies with an infinity of horror, and this one provides the unlimited horror with repeated deaths which makes one feel the ineffectiveness and uselessness of life itself. It could have been more, but we can be very much satisfied with what we have. The movie’s twists are quite nice, and we have the feeling that there is always more than what meets the eye. It is like having many horror movies into one, and not being sure in which film we are in and which one is to follow next. This way, the movie also provides a fine tribute to the slasher horror genre which has not been getting to its past glory again due to the inability to use the basic elements which were always there to be taken. When we take the young cast as a whole, we know that so much talent is there to be used in the horror genre, and it is an advantage that the new generation of horror movie makers have, and they need to use it every time, just like atmosphere has been used efficiently here.

How it finishes :: This movie is a reminder that good movies can be made out of computer games, especially from the survival gaming modes to a survival film of a higher level. I still believe that Doom, Hitman, Resident Evil, Silent Hill etc were well-made. I have not played or heard about the game before, but it would be an interesting choice to get into that – even though I have that feeling which says that my days of gaming are over, even for those old versions of Age of Empires: Conquerors and Unreal Tournament: GOTY. The final scope for sequel that is left in the end would make one wonder what twist is yet to come. This is like being respawn in Unreal Tournament or Quake 3 Arena to kill more and be killed, as we think about it, but as we use this idea in horror, there is much more at stake. After watching this movie, we can only feel confident that horror will stay alive as long as cinema takes forms like these.

Release date: 25th April 2025
Running time: 103 minutes
Directed by: David F Sandberg
Starring: Ella Rubin, Michael Cimino, Odessa A’zion, Ji-young Yoo, Belmont Cameli, Maia Mitchell, Peter Stormare, Lotta Losten

@ Cemetery Watch
✠ The Vampire Bat.

Fear Street: Prom Queen

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Vampire Owl: I remember watching all those Fear Street movies.

Vampire Bat: Yes, they were good, and making some fine impact.

Vampire Owl: Three horror movies at once meant a lot then.

Vampire Bat: We are never really short of serial killers.

Vampire Owl: Each human being is a potential serial killer.

Vampire Bat: Well, a serial killer is a human thing.

Vampire Owl: It bothers me that humans have so many psychos.

Vampire Bat: It is natural in a fake world as they are all acting and not living.

Vampire Owl: We vampires need to have some psychos too.

Vampire Bat: We have lived so much that we know none of these matter in the end.

[Gets a chilly chicken puffs and three cups of Munnar tea].

What is the movie about? :: It is the year 1988, and Lori Granger (India Fowler) is an outcast who tries to run for prom queen for the senior class of Shadyside High School, with only her best friend Megan Rogers (Suzanna Son) by her side. Megan who is a horror enthusiast is also considered to be a freak by her classmates. Lori has her family history going against her, as the town believes that her mother stabbed her father on the face and killed him, even though there is no suitable evidence to support that claim. Tiffany Falconer (Fina Strazza) is the favourite to win the title, as she is supported by her wolfpack of young girls who are also competing to be the prom queen. Christy Renault (Ariana Greenblatt) is her biggest rival, as she seems to be someone whom nobody seems to dislike that much, even though she is known to be selling some drugs, and has been dating elder men regularly much to the dismay of the institution.

So, what happens with the events here as we just keep looking? :: Megan creates situations with her arm being cut off and having Tiffany’s head in a bowl to make the environment feel weird, as she does not believe in this whole prom queen thing. But Lori is determined to bring a change to the whole situation by winning the title herself. Tiffany has her friends Melissa Mckendrick (Ella Rubin), Debbie Winters (Rebecca Ablack) and Linda Harper (Ilan O’Driscoll) trying to make sure that nobody from outside their gang wins the title, and it is then that Christy is murdered by a masked figure, but as the school only finds her missing, disqualifies her from the run for prom queen. At the same time, Melissa is disheartened to see Tiffany’s attitude towards Lori, and decides to help the outcast, much to the dismay of Tiffany. Her other two friends seem too much occupied with their boyfriends, while the school principal declares a strict adherence to the rules. But can they do so with so much hatred for each other running through with a psycho killer also around?

The defence of Fear Street: Prom Queen :: There might not be anything new with the franchise or the genre to be added here, but this one play along nicely as we watch its progress. The classic slasher mode returning to form is something that we would love to keep watching. The killer lurking in the shadows as a programme is taking place, will keep us going for long, like those old times, even during these days when the genre of horror has been weakened. The attire with the mask stands out reminding us of a past, but also add a classic variety. The twists are effective, even though there is a little bit too much information given in between. There are some fine dialogues added in between, and we also have some interesting characters added. The killings are all nicely done, with a fine classic serial killer effect. It seems to have scope to get more movies added in the list too, as we look at it closely.

The claws of flaw :: The movie could have used more innovation at work, as we would have the feeling of seeing the same thing again and again, at some points. The serial killer gives away more information than it should have, which affects some audience who had taken that into heart earlier. The final moments of the movie seem to be too usual for anyone’s liking as it may have been rushed to have that ending which is rather a common one, but is also the safe one. Some more innovative killings, and the usual moments of classic horror could have been part of this one too. After all, we are watching slasher movies to see its classic elements maintained. The movie could have also been scarier, with such evil wandering around, and with people not suspecting a thing. Well, too much focus on the safe side is restricting horror movies these days, isn’t it? But this is a world of innovations, and this franchise needs its wings extended further to fly higher.

The performers of the soul :: The one character that we would fall in love with is Suzanna Son, even though that might come as a surprise for many. She plays the only loyal character in the whole movie and there is something sinister about her all the time, with her love for horror keeping her apart, and as someone special. She manages this role really well. India Fowler plays the main character and faces the usual challenges of such a character which she manages with ease. Fina Strazza does make a fine impact in between, as she feels like the one evil wannabe prom queen that needs to be brought down, the villainy which she manages to perfection. Ariana Greenblatt should have had a bigger role, as she starts really well here. Ella Rubin has the normal likable character who is also on the other side. Katherine Waterston and Lili Taylor also have their moments. The male characters have much less to do as we look at them.

How it finishes :: Fear Street: Prom Queen coming to the OTT is a good relief for all the horror fans and for those who have been waiting to watch some good English movies in a world which rarely have Hollywood movies in theatres these days, mostly due to cheap imitations coming to the screens these days. There have been so a smaller number of English films in the theatres, and there is too much of a rush of local movies most of which nobody seems to have watched. Without the English movies in the theatres, we have to go back to the OTT platforms again, and this movie breathes some fresh air to the old style of slasher horror. If you are fans of those horror films which follow the old model, you are going to like this one, and if Fear Street Part One: 1994, Fear Street Part Two: 1978 and Fear Street Part Three: 1666 kept you going, you can also try this one, but there is more chance that those movies would interest you more than this one.

Release date: 23rd May 2025 (Netflix)
Running time: 90 minutes
Directed by: Matt Palmer
Starring: India Fowler, Suzanna Son, Fina Strazza, Chris Klein, David Iacono, Ella Rubin, Ariana Greenblatt, Lili Taylor, Katherine Waterston

<<< Click here to go to the previous film review.

<<< Click here to go to the previous Hollywood film review.

<<< Click here to go to the previous serial killer film review.

<<< Click here to go to the previous English serial killer film review.

@ Cemetery Watch
✠ The Vampire Bat.

The Red Door

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Vampire Owl: I have always loved the red door.

Vampire Bat: There is no red door in the castle.

Vampire Owl: There are doors in many colours?

Vampire Bat: You were colouring the stone doors all these times?

Vampire Owl: It already had enough colours with them.

Vampire Bat: We only paint everything black.

Vampire Owl: Not everything is black in the castle.

Vampire Bat: Yes, in the Dracula Castle, some are very dark grey.

Vampire Owl: You cannot question Doctor Frankenstein’s choice of colours.

Vampire Bat: So, Mr. Frankenstein is responsible for all of these.

[Gets a blueberry cake and three cups of kadak chai].

What is the movie about? :: Josh Lambert (Patrick Wilson) has lived many years after the earlier incidents of possession and traveling through the Further, a realm full of tortured souls through which the family had projected in an astral mode bringing chaos and destruction to their world. Renai Lambert (Rose Byrne) is now divorced from him, and this separation has not come up with positive things for him or her. His relationship with his son Dalton Lambert (Ty Simpkins) has only managed to worsen over time, and his attempt to make things better by staying closer to him only makes the whole thing even more terrible. As Dalton joins a new course, Chris Winslow (Sinclair Daniel) becomes his new best friend after they are given the same room despite the latter being a girl. He joins the class of Professor Armagan (Hiam Abbass) as he wishes to be an artist, but a painting that he makes when asked to go deep into memory makes things very weird. The painting is of a red door which has served as a portal to the Further and the darkness of evil that awaited.

So, what happens with the events here as we just keep looking? :: This is when both father and son seems to have some hallucinations, and dead people seem to come to meet them. Dalton seems to have travelled to some other world which is connected to this, but he does not remember the Further – both Josh and Dalton had their memories wiped out and seeing the spirits is the first-time experience for them. The demons that haunt them only seem to get worse. Chris shows Dalton YouTube videos about astral projection to help him understand the situation, as he gets into the Further again, which brings into this world an unknown entity that attacks Chris. Despite the repeated warnings by Chris, Dalton decides to go into the Further again and search for answers, which locks him there. Josh who understands that the situation is terrible, meets Renai and after knowing about the painting of the red door, decides to travel to the terrifying dimension once again to save Dalton. Can he do it without being lost there?

The defence of Insidious V: The Red Door :: We are always interested in a world beyond, brought together by astral projection, and having its demons. The reminder about another dimension existing in the dark and waiting to pounce upon us, is something that has immense possibilities. We get the feeling that this brings everything together, and the franchise’s journey focusing on this particular family might end here. The use of picture and some of the moments within the other dimension brings some horror here, and the mystery remains strong. The bonding for family is nicely shown without holding back. The emotional side works for most of the time too. The idea of focusing on the red door through a painting is nicely done. The astral projection’s extension can be seen as effective enough to bring other films focusing on the same idea. The journey through the memories also brings some of the nostalgia back here too. We are looking forward for the red door to open and bring something more through the portal that connects between all of these, for we understand again that death is only the beginning of a torment that never ends.

The claws of flaw :: Insidious V: The Red Door reminds us that the franchise was once very frightening with elements that were to stay in our memories. One can be sure that this one does not live up to that power, as the scares are never focused on. The darkness and the evil that lurks in the Further is not explored well enough, as we look closer. The demons basically could have had a grand tale with deep myths running through, but the same cannot be seen here. There is a certain amount of struggle that this movie goes through, this many years after it made its classic point through another dimension, and that feels too strange. There are moments when we think what went wrong with this world, as there was so much to explore, and instead this movie spends its time to focus on the family and how the members bond together to destroy evil that comes back to haunt them – it also leaves us with the hope of bringing the whole family together yet again; not the best choice for a fifth horror movie in a frightening franchise which should live forever.

The performers of the soul :: Patrick Wilson also becomes the director in this movie, as he goes through the journey both as the main character and the man behind all of these with ease. He has been a clear part of the horror world with works in The Conjuring universe as well as this one, along with the journey through the Aquaman franchise. His journeys seem to have created so many horror enthusiasts in this part of the world, and he leaves us confident about more. The beginning as the director works out well for him too. Rose Byrne has been part of this franchise for long, and contributes well as one would expect in a film which does not focus on her that much. Ty Simpkins’s son character works pretty well, while Sinclair Daniel bring the comic side to the scene, even though a little bit more than it was needed in a movie like this, and not always working that well with the humour. The supporting work just happens, and do not go that much forward with the same strength with which the earlier movies came and conquered without second thoughts.

How it finishes :: Insidious V: The Red Door tries to bring the sequel horror right back here again. The attempts of Annabelle, Sinister, The Conjuring, The Nun, Don’t Breathe and others have already been seen, and this particular movie here is at number five with its sequels. We know that horror is forever, but we also understand that none of these movies had their sequel providing a higher quality than the original flicks which started the series with a certain amount of strength. It leaves a certain amount of chance for another sequel which can explore the demons and the other dimension better. But we know that a sequel might not have that much of a power as we would have expected from an original, and the next one would be the sixth movie in the series which would require more plans to elevate the overall status. Not many movies have managed to come up with a sixth film in the franchise, and for horror movies, it is even more difficult. This movie just manages to live on as a sequel, and we have to see how far can the next entry raise the level.

Release date: 7th July 2023
Running time: 107 minutes
Directed by: Patrick Wilson
Starring: Patrick Wilson, Rose Byrne, Ty Simpkins, Sinclair Daniel, Hiam Abbass

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Scream VI

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Vampire Owl: Do you have a count of the number of serial movies we have watched?

Vampire Bat: I even have a count of the number of Ghostface films we have watched.

Vampire Owl: The Ghostface is not that scary a face.

Vampire Bat: Not for us vampires, but they are for the humans.

Vampire Owl: The spoof movies have killed that fear effect.

Vampire Bat: Well, spoof movies also have the fear factor.

Vampire Owl: They are supposed to be funny, right?

Vampire Bat: Yet, there is something scary coming from within.

Vampire Owl: We do not get scared that easily.

Vampire Bat: Yet, we have enough to be scared about, including some mean humans.

[Gets a paneer masala dosa and three cups of cardamom tea].

What is the movie about? :: It is a Halloween night and things seem to go really smooth with some fine trick or treat times. Laura Crane (Samara Weaving), a film professor is murdered in the alley by one of her students wearing the Ghostface costume who feels that she has been blaming him too much for failing. But the same person after returning from the act of cruelty is brutally stabbed multiple times to his death by another person in the Ghostface costume who gets into his home. Sam Carpenter (Melissa Barrera) and Tara Carpenter (Jenna Ortega), the two sisters who escaped the attack of the Ghostface killer have now moved into New York City with the latter attending Blackmore University where Laura also taught about slasher films from the last century. The other survivors Mindy Meeks-Martin (Jasmin Savoy Brown) and Chad Meeks-Martin (Mason Gooding) are also there. Quinn Bailey (Liana Liberato), Anika Kayoko (Devyn Nekoda) and Ethan Landry (Jack Champion) are the other three students who are close to them and they are more like one group.

So, what happens with the events here as we just keep looking? :: Kirby Reed (Hayden Panettiere), a survivor of the earlier murders is now an FBI agent, and gets herself assigned to the case. Wayne Bailey (Dermot Mulroney) is the original police officer assigned to case, and has no clue about what has been happening. Gale Weathers (Courteney Cox), the survivor who wrote books about the Ghostface-related murders is also there as reporter again. The situation seems to be more complicated than ever, as the killer is not just out to kill the two sisters, but also prove that they were always the real killers. Gale had also found an abandoned theatre, which was set up like a shrine for the killers wearing Ghostface masks. The survivors decide that it is time to finish the Ghostface forever, with Wayne and Kirby on their side. They set up traps for the murderer, but the person seems to be smarter than that, and there seems to be surely more than one killer wearing the costume. So, how will they find the killers with the Ghostface mask without being killed? How much of the mystery can they manage to solve before most of them get brutally stabbed by the person in black?

The defence of Scream VI :: As a sequel to a slasher franchise that goes a long way from the past’s nostalgia to the present, the movie maintains the standard which we were assured with the earlier films. The first scene is surely among the best, as even with some deviation, there is that murder at a time when were less expecting it to happen. Samara Weaving in the beginning becomes part of that talk which brings the early twist with blood and gore back to the track. There is no better sight than a Ghostface coming after another. You are reminded that Ghostface is forever, and there is no going back from this particular serial killer – we have others for sure, but this is one killer that rises above them all without any superpowers and by not truly coming back from the dead. The final scenes are really well, and we have some nice moments in a train too. The hunt feels very much dangerous, and we know that there is something more to be revealed here. This time, the villain is not just about the movies, as things well be more personal than ever. You will also be screaming for more, as we look forward to a sequel to take this forward even further.

The claws of flaw :: We are looking at another Scream movie here, and after so many films in the franchise, we expect the flick to be a lot better. The case of repetition does not make things better, even though there was the chance to move away from the common ideas – it could have focused on horror which takes a side-seat instead of coming to the front. There is a certain amount of weakness in the horror elements which goes back instead of bringing the terror. There are some movies which focused on slasher horror so well, placing that element over the others, like There is Someone Inside the House and the three movies of Fear Street. Even the reboot of Wrong Turn came back with the elements so well. We have always remembered this movie for slasher horror, but there are so many occasions when we see that this flick tries to go back to the past and feed on the nostalgia even at a time when there is none. The twist is not that much working, as one could successfully guess some part of it. The common slasher elements could have been brought in there to increase the impact.

The performers of the soul :: Melissa Barrera continues her good form as the scream queen here too, and maintains the legacy of the Scream franchise well. The final moments provide her with the opportunity to get close to that legacy and she manages that with ease. The action in the end has her as a possible action heroine at some point, like Kate had its female assassin in full strength. Jenna Ortega does well as the second most important character, the sister who finds trouble again and fights it well with the sibling. She would make no lesser scream queen either. Courteney Cox does the same thing again, as she has been doing for a very long time – while adding to the nostalgia, the feeling of repetitiveness feels a little too much. Hayden Panettiere has been a crush for a lot of us during the 2000s, and it is good to see her again, leaving us with some more of fine nostalgia to add here. Her work remains a highlight in this movie too. Samara Weaving could have had more screen space though, as she was the one who started this film so well. Another seemingly interesting scream queen is Liana Liberato, and the rest also nicely contributes to the slasher.

How it finishes :: I have never been far away from slashers, as they have been part of my journey with horror movies for a long time – I would be teaching them with a lot of happiness if it was part of the syllabus in a university. Here, it can be seen that the one franchise with which we have the nostalgia associated, has another movie to keep us interested in the serial killer whom everyone remembers and uses as a common model for Halloween celebrations regularly. Ghostface is to live forever through different killers, and the murderers of this movie also makes it count. Yet, we feel that this could have been better, and that the movie could have elevated the whole thing to another level through horror. There could have also been some music to add to that horror, and darkness could have also contributed better. It does misses out with the horror as it can be seen here, and we call for sequels of Sinister, Evil Dead, Insidious, Annabelle, The Nun or The Conjuring to serve for the same, as they have done with the first of their series.

Release date: 10th March 2023
Running time: 122 minutes
Directed by: Matt Bettinelli-Olpin, Tyler Gillett
Starring: Melissa Barrera, Jasmin Savoy Brown, Jack Champion, Henry Czerny, Mason Gooding, Liana Liberato, Dermot Mulroney, Devyn Nekoda, Jenna Ortega, Tony Revolori, Josh Segarra, Samara Weaving, Hayden Panettiere, Courteney Cox

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Venom 3

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Vampire Owl: I have always believed in the capability of Venom to be a future vampire.

Vampire Bat: We are not taking applications from aliens right now.

Vampire Owl: So, we are receiving applications from the demons, but not aliens.

Vampire Bat: There are exceptions when both are just the same.

Vampire Owl: It was first talked about by Doctor Frankenstein, right?

Vampire Bat: I am sure that Mr Frankenstein had nothing to do with it.

Vampire Owl: He is the greatest scientist of the realm, and he has something to do every time.

Vampire Bat: He creates fiction works out of nothing really well.

Vampire Owl: So, you think that great discoveries can only be fictional.

Vampire Bat: Well, there is realistic fiction, but not in his case.

Vampire Owl: You fail to have respect for such great men.

Vampire Bat: If he is a great man, there is not much to say about greatness.

Vampire Owl: You should stop even talking about him. He has ears everywhere.

Vampire Bat: I know that he can do nothing.

Vampire Owl: He has not come this far by doing nothing in his eventful life.

Vampire Bat: Creating that useless Frankenstein monster do not count.

Vampire Owl: Not all monsters are forever.

Vampire Bat: Yet, we are immortals and monsters for humans.

Vampire Owl: Yet, that was one fine monster of science.

Vampire Bat: Science itself is a monster and murderer of many species.

Vampire Owl: Do you feel that it is soon bringing the apocalypse here too?

Vampire Bat: That is indeed a nearby possibility, not a distant one.

Vampire Owl: So, the humans will kill themselves and even take us with them to the grave.

Vampire Bat: We have come out of the grave. It is our chance to live again and again.

[Gets a box with cheese popcorn and three cups of ginger tea and moves into theatre].

Vampire Owl: The series remains a fine one, but I am not sure about this particular entry.

Vampire Bat: There was a lot more that a Venom movie could do.

Vampire Owl: This is basically supposed to be an epic conclusion.

Vampire Bat: Well, for this to be epic, there should have been such grandeur and a classic final battle, and in both cases, the movie struggles.

Vampire Owl: The battles here, despite scoring in between, often becomes a struggle.

Vampire Bat: It reminds me of X-Men: Days of the Future Past, where the mutants had no chance of survival against the newly created robots and keep dying. The case is the same with the symbiotes facing these monsters.

Vampire Owl: The performances have been really good though, especially from Tom Hardy.

Vampire Bat: Juno Temple also has a certain amount of mystery running through.

Vampire Owl: The different symbiotes seem to have a variety of attributes too.

Vampire Bat: The terror brought by the ruination of humans continues to work.

Vampire Owl: This time, there is a fine villain, but does not come to the front enough. He keeps sitting there like a hermit when imprisoned.

Vampire Bat: The terror of infinity of villains from space never ceases to amaze us.

Vampire Owl: Well, the idea that varieties of hell might me somewhere in space keeps everyone going to discover more out there through unparalleled creativity.

Vampire Bat: You are going back to the good old computer games in outer space. We remember even those shooting tournaments in other worlds of space, don’t we?

Vampire Owl: And those game to movie adaptations with Resident Evil scoring the highest with those box-office collections and never-ending fame.

Vampire Bat: You were not that much of a fan of those particular adaptions, and fought against the creation of game-based movies.

Vampire Owl: We see all these aliens, different types, coming right out of space, and symbiotes and transformers are only a few of them.

Vampire Bat: The human imagination has been everywhere these days, wandering through the stranger worlds and often not making that much of sense.

Vampire Owl: Human creativity has been messed up whenever sequels are involved.

Vampire Bat: Still, the details on the creatures are good, and the powerful villain leaves scope for more in the future.

Vampire Owl: There is no future for humanity and this film is supposed to be the end.

Vampire Bat: But we see the possibility for continuation in the end with the post-credits scene.

Vampire Owl: In a world where humans are bigger monsters than symbiotes, there is the infinite possibility of evil to bring new movies.

Vampire Bat: Well, Venom needs fear factor with humour, and the second one somewhat works in this particular movie.

Vampire Owl: I keep wondering why this movie could not improve from the previous movie, even when there were so many deviations that could have been chosen.

[Disappears into the darkness of the day because the clouds have done the trick, and awaits the darkest bloody night of the week].

Release date: 25th October 2024
Running time: 109 minutes
Directed by: Kelly Marcel
Starring: Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Stephen Graham, Peggy Lu, Clark Backo, Alanna Ubach, Andy Serkis

<<< Click here to go to the previous review.

<<< Click here to go to the previous English film review.

@ Cemetery Watch
✠ The Vampire Bat.

Alien: Romulus

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Vampire Owl: Do you remember those days when we watched alien movies and believed in them? Those were the wonderful days with alien fear, right?

Vampire Bat: We still do not deny their existence. Aliens are the kind of creatures who are not limited to any shells.

Vampire Owl: So, we are going with the parallel world theory. We might end up finding some interesting creatures that we are not aware of.

Vampire Bat: We already have that discovery of the shadow world, and so this is also possible.

Vampire Owl: It was discovered by Doctor Frankenstein, right? Isn’t the great scientist responsible for all the great inventions and discoveries?

Vampire Bat: It was discovered by the vampire scouts, not that fake doctor.

Vampire Owl: The scouts just discovered the portal, and Mr. Frankenstein discovered the rest.

Vampire Bat: It was actually a work of fiction on real discoveries.

Vampire Owl: You should know that the shadow demons come from a portal to another planet.

Vampire Bat: Well, these are surely not the same kind of aliens.

Vampire Owl: I have known these aliens since the first movie too.

Vampire Bat: People seem to like the second, but for me, the first scores the best.

Vampire Owl: And the newer versions – Prometheus and Covenant.

Vampire Bat: I would not deny their strength either.

Vampire Owl: So, we will trust them to do well again. As they have always done, making us more and more interested in the franchise which has so many secrets to unveil and worlds to witness.

Vampire Bat: Which is why we take the struggle to find the theatres showing this film.

Vampire Owl: I hope they show this is in more theatres.

Vampire Bat: I am sure that this will survive and go through a long run.

Vampire Owl: Even with those Onam releases coming up?

Vampire Bat: Well, we only a have a few Onam releases this time.

Vampire Owl: So, the biggest names are not releasing their films?

Vampire Bat: That is indeed a surprise, but I feel that they are not.

Vampire Owl: So the biggest Onam release would be ARM: Ajayante Randaam Moshanam.

Vampire Bat: I do not see why it should not be. The fantasy movies also deserve to have their due, not just in the form of magic realism.

[Gets a box with cheese popcorn and three cups of ginger tea and moves into theatre].

Vampire Owl: The series remains a classic indeed and there are not many people who can patiently wait for another sequel.

Vampire Bat: This is why I always trust this franchise. This is indeed a science-fiction marvel that continues from its base so well.

Vampire Owl: The aliens in the such a terrifying atmosphere within a space station serves well.

Vampire Bat: Well, we have the castles and they have space stations and ships. You remember the movie when Dracula actually visited a space ship, and was considered an alien species from a much far away planet.

Vampire Owl: Yet, we are scarier, with a certificate attained from the nearby cemetery.

Vampire Bat: Yet, being in space with nowhere to go brings the terror further.

Vampire Owl: The performances have been really good too.

Vampire Bat: Well, science fiction seems to bring better monsters than the Gothic these days.

Vampire Owl: The monsters from outer space got their merits.

Vampire Bat: The terror brought by the ruination of humans works every time whether as demons of space or of the graves.

Vampire Owl: This time, there was so much of details with the outer space as much as inside. The world has managed to get its due.

Vampire Bat: The terror of infinity of space never ceases to amaze us.

Vampire Owl: Well, the idea of hell might me somewhere in space.

Vampire Bat: You are going back to the good old Doom game.

Vampire Owl: And also its movie adaptations.

Vampire Bat: You were not that much of a fan of those particular adaptions. You were always against games being made into movies, even though you did not considered the same vice versa to be that much a negative thing.

Vampire Owl: Well, these genres are all mixed, and we see the demons in space, gods in space, aliens in mythology and humans everywhere.

Vampire Bat: The human imagination is basically everywhere these days. You look at them imagining the impossible, the beautiful and the absurd, all coming out of the same brain that fails to stop being creative, sometimes even for the wrong reasons.

Vampire Owl: How many aliens did you count? How many were killed by those guns? Did too many of them manage to escape.

Vampire Bat: They come in hordes, like the zombies and werewolves, as if a witch or sorcerer is controlling them with a magic wand.

Vampire Owl: There are still some repetitions and reminders of earlier movies.

Vampire Bat: Yes, they still work effectively enough. Movies like these would require some repetition as these are the right elements that make the franchise better.

Vampire Owl: In a world where viewers fear humans more than monsters will this work well enough? Do they count as scary enough in comparison?

Vampire Bat: Well, with so many effective scares, yes. They keep the franchise going, strong and sharp as they are intended to be.

Vampire Owl: This has surely worked well with the scares for me.

[Disappears into the darkness of the day because the clouds have done the trick, and awaits the darkest night of the week].

This is the third YouTube video dealing with film review. The movie has been reviewed as part of a vlog below, and with the YouTube Channel Scholar Nomads gaining the advantage, there is always much more to be said.

Release date: 23rd August 2024 (Theatre)
Running time: 119 minutes
Directed by: Fede Alvarez
Starring: Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, Aileen Wu

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Totally Killer

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Vampire Owl: We never really have people being called total killers.

Vampire Bat: There is no real total killer as you cannot kill them all.

Vampire Owl: There is always some species getting wiped out in different worlds.

Vampire Bat: One species in one world is never really total.

Vampire Owl: I am talking about complete extinction here.

Vampire Bat: There will always be smarter species surviving.

Vampire Owl: I wonder if serial killers can represent a smarter species.

Vampire Bat: Some of the serial killers of cinema just never die.

Vampire Owl: These humans make supernatural out of the unnecessary.

Vampire Bat: Such creations of humans will cause the final fall.

[Gets a kulfi shake and three cups of Wayanad tea].

What is the movie about? :: In a small town named Vernon, three girls aged sixteen were killed in 1987, giving rise to the pseudonym Sweet Sixteen Killer as they were also stabbed sixteen times. Many years later, the rebellious teenager Jamie Hughes (Kiernan Shipka) is going to a concert with her friend Amelia Creston (Kelcey Mawema) on a Halloween night. Her mother stays back at home during the night and finds herself facing someone dressed as Sweet Sixteen Killer. Even though many people had dressed in the same way for Halloween, this one seems different and ends up killing her. As Jamie remains depressed about the death, a local reporter named Chris Dubusage (Jonathan Potts) who was close to her mother tells her that there was a message about murdering her mother found in her locker room a long time ago. She is confused about it as her mother never really talked about something like that before. Soon, she is also stalked and chased by the killer, and ends up in side a time machine which Amelia was building, only to find her transported to the past, in 1987 when the three sixteen-year-old girls were going to be killed.

So, what happens with the events here as we just keep looking? :: She decides that she will try to stop the killer from murdering the girls, which can end the spree early, and her mother would not get killed later. She finds her mother Pam Miller (Olivia Holt) is a bully at the institution, and so are her friends Tiffany Clark (Liana Liberato), Marisa Song (Stephi Chin-Salvo) and Heather Hernandez (Anna Diaz) who become the victims of the killer in future. Nobody seems to believe her, especially the police. She is able to somewhat convince Amelia’s mother Lauren Creston (Troy L Johnson) and Doug Summers (Nathaniel Appiah) whom everyone avoids as a nerd. She manages to get into the party which was hosted by Tiffany, but is not able to stop the murderer. Jamie uses this situation to take the friends away from the town, but they end up in the exact location where the next murder took place. Now, the question remains if they can stop these murders from taking place, and what all has already changed in the future due to her intervention is yet to be understood.

The defence of Totally Killer :: In a world where slasher movies are struggling and adding humour to horror is eternally difficult, we have a good attempt here. The beginning is really good, as we get the idea what we are to deal with. The journey to the past comes as a pleasant surprise when not expected, and the world detail of the past is interesting. We are provided with some interesting surprises in between, as both the past and the future has the alterations from what we had expected them to be. The movie talks about time travel, Mandela Effect and other things with ease, blending these elements into the horror slasher world nicely. The feeling of danger is always there with this movie, as we await the arrival of the serial killer every time. We are also left with hope to have a sequel to this one, as time travel itself is enough to make that reality which has created new sets of serial killers. This is going to remind us of other slashers, but in doing the same, the movie has managed well with the addition of humour to its strengths.

The claws of flaw :: There were so many chances that this particular movie do not take. It could have surely made the whole setup better, as the science fiction elements are also there to be used along with the idea of creating another serial killer to remember like Halloween and the other slashers which have continued to come with never-ending sequels. The movie also seems to show the 1980s to be not that good a time period to live in, which would be a surprise. The murderer should have also had more focus, and the deaths do not get that much of a detail as one would have wanted as a fan of the genre. There is predictability in between and the movie does not leave many memorable moments. It could have had a better power of mystery and a killer who should haunt rather than come up in the usual circumstances. A serial killer like this should be like a supernatural being, even if not that much invisible – a murderer lurking in the shadows is not available with this one. The ending seems to be more forced than a genuine attempt at making the situation different in the new timeline.

The performers of the soul :: Kiernan Shipka has a fine run as the scream queen, even though the character comes up with an irritating side at times. We would love to see her in more horror movies, contributing naturally. At the same time, Olivia Holt blends into the 1980s very well, and she is no less scream queen. Julie Bowen who plays the adult version of the same character has a pretty good run here too. Troy L Johnson in the past also gets our attention. Among the friends’ characters, it is Liana Liberato who grabs our attention the most even if she is there for the least minutes among them. We can see her performing in more horror movies, and that would be part of the things we hope. Stephi Chin-Salvo and Anna Diaz blends in as the victims quite well too. Ella Choi comes in and contributes to the whole thing in an interesting way. Zach Gibson and Nathaniel Appiah gets in there with a nerdy touch. Jonathan Potts’ character leaves an impact as the man chasing mysteries. Charlie Gillespie and Lochlyn Munro adds on as same characters’ different versions.

How it finishes :: The movie maintains its funny side as well as the horror in the form of combination of genres. It reminds us that slasher movies are not done, and there can be more, often with a touch of humour. With horror genre losing its strongholds, this movie comes up as some surprise fun, even though not that much effective in its use of resources. It leaves a few elements without explanations as the journey away from science fiction elements feels too far away. But you know that you are this far into the century that the old-style slashers are not so easy to find. Some of the creators of slashers of our times struggle to understand what the main elements that the genre should possess. Considering the same, this movie has done a fine job. Yet, we are left with the question if the old classic slasher can be brought back to life – even the Evil Dead has been weakened in Evil Dead Rise and it is to be seen how far can the genre go.

Release date: 6th October 2023 (Amazon Prime Video)
Running time: 106 minutes
Directed by: Nahnatchka Khan
Starring: Kiernan Shipka, Olivia Holt, Charlie Gillespie, Lochlyn Munro, Troy L. Johnson, Liana Liberato, Kelcey Mawema, Stephi Chin Salvo, Anna Diaz, Ella Choi, Jeremy Monn-Djasgnar, Nathaniel Appiah, Jonathan Potts, Randall Park, Julie Bowen

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Thalavan

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Vampire Owl: So, you are going to do a video film review this time. How did we come to that from all the series of long writings which never seemed get even close to finishing?

Vampire Bat: Well, the YouTube channel has started. More videos are to be done. Otherwise, we will be left far behind.

Vampire Owl: So, something related to cinema has to be done?

Vampire Bat: Yes, we have travelled through other areas of interest already. There should be no area where we cannot touch.

Vampire Owl: So, the channel, Scholar Nomads has gone through multiple worlds? The different realms where strange creatures thrive?

Vampire Bat: It is interdimensional. It talks not just about cinema. The YouTube channel is like a creature of multiple worlds seeking energy and sustaining in all of them.

Vampire Owl: I am assuming that there is a lot of travel involved. You have been the best-known vampire traveler in our history.

Vampire Bat: Well, travel has always been a top priority among video makers. There is just no time travel in this particular channel though.

Vampire Owl: I am also confident that it will have literature. What is a Vampire Bat without language and literature in any form?

Vampire Bat: Yes, literature, as well as food journeys and cooking are part of it. I am still extending my world as we know it.

Vampire Owl: Well, I agree to the fact that you deserve more support. You have worked hard in the online human world for so long.

Vampire Bat: I am not going to get that because there are too many celebrities out there. Whatever they do, they get the support, and even if they do nothing, they gather the same.

Vampire Owl: I know a few computerized vampires through Uncle Dracula. We will try to get some subscribers and regular viewers.

Vampire Bat: There have not been enough vampires in the cyber world to be of support to an undead cause – not even Dark Elves could gather that.

Vampire Owl: You have been a faithless vampire for rather too long. You should understand that this goes against our ideology of faith, belief and hope.

Vampire Bat: I am just having some travel fatigue just like last week. I was almost dead last week and had to use two and half coffins for rest.

Vampire Owl: You traveled from one castle to the other within one forest which makes less than twenty-five kilometres.

[Gets a vegetable samosa and three cups of masala tea and moves into theatre].

Vampire Owl: This is undoubtedly a fine movie. It deserves more audience than it has managed to have in these theatres.

Vampire Bat: I am sure that this is better than the other bigger grossing films which have come during this leap year.

Vampire Owl: Those movies run due to superstars or fake word-of-mouth. Some people manage to turn the fake side to something more.

Vampire Bat: It is a shame that 2018 is no longer the highest grossing Malayalam movie. It had always deserved to stay at the top as one movie that is close to human hearts, inspiring them to survive against all possible odds.

Vampire Owl: And it is further shame when we understand what kind of movies overtake it in a disappointing manner – a terrible beauty indeed.

Vampire Bat: Then we have those mindless action, comedy and romance doing well. This seems to be the pattern this year.

Vampire Owl: Well, human taste has gone down the drains these days.

Vampire Bat: But at least we can support movies like this, and Anveshippin Kandethum and Abraham Ozler – two thrillers which will stay in memory for long. Then there are those even older thrillers which have made a mark, a group led by Memories and Drishyam.

Vampire Owl: Yes, this is a movie powered by performances. The thrillers have seen the best performances in the last few years.

Vampire Bat: Biju Menon and Asif Ali have done some really good job as the protagonists. They play two police officers who are not perfect, but are indeed straightforward. They have their egos and cannot stand each other, but need to come together in the end to solve a case, or it will cause the worst for the department itself.

Vampire Owl: Then they are not superhero-like officers who randomly beat up everyone because the dumb fans will like to see that.

Vampire Bat: And the supporting cast is a nice one, and unlike those big grossers, women also get something to do around here. Those big grossers had denied the existence of actresses. Then there are those superstars who seem to deny the existence of everyone else.

Vampire Owl: Then the twists are so well-managed, for we would not guess them that easily. And the final twist works even better. The villain is not someone whom we had expected, as so many other suspects were there to be taken.

Vampire Bat: Well, we are given those red herrings, and the divergence that comes in between works like a dream.

Vampire Owl: Thrillers in Malayalam have always deserved better due to their grand quality and memorable serial killers; more accolades would do.

Vampire Bat: Well, humans relate to strange things which are less real than we are. They do not realize the evil within them and the inherent terror.

Vampire Owl: They are strangely addicted to romance, drugs and alcohol, considering them to be forever to guide their lives.

Vampire Bat: Can you blame them when so many films show these terrible things to be feared as things of greatness?

Vampire Owl: They will need a cautionary warning to be displayed every time. These humans are too young a species to know. In a few centuries, if they continue to exist, they will know more about all of these in detail.

[Disappears into the darkness of the night because both are more nocturnal than ever].

This is the YouTube video with the first film review there.

Release date: 24th May 2024 (Theatre)
Running time: 131 minutes
Directed by: Jis Joy
Starring: Biju Menon, Asif Ali, Miya George, Anusree, Joji John, Dileesh Pothan, Jaffar Idukki, Shankar Ramakrishnan, Ranjith, Kottayam Nazeer, Bilas Chandrahasan

<<< Click here to go to the previous film review.

<<< Click here to go to the film review before that.

@ Cemetery Watch
✠ The Vampire Bat.

The Pope’s Exorcist

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Vampire Owl: They shall never dare to exorcise us.

Vampire Bat: Why should they try to do that? We never possess bodies.

Vampire Owl: Yet, they wish to get rid of horror with the same methods.

Vampire Bat: We are the least terrifying group of supernatural.

Vampire Owl: We are both super and natural in nature.

Vampire Bat: Yet, our demonic side cannot be exorcised.

Vampire Owl: So, there is no need for a vampire exorcist?

Vampire Bat: He might end up making us more human, that’s all.

Vampire Owl: That would be the most depressing thing in my life.

Vampire Bat: It would also be incredibly evil in nature.

[Gets a choco-marble cake and three cups of Munnar tea].

What is the movie about? :: Gabriele Amorth (Russell Crowe) has been serving as Pope’s personal exorcist in 1980s. One day, in 1987, he chooses to visit an Italian village where a man is said to be possessed by a demon. With the help of the local priest, he manages to use a Saint Benedict Medal to make the demon possess a pig and get it killed with a shotgun. Gabriele had performed this particular exorcism without getting permission from his superiors, which does not prove to be that positive a thing for him. As he did this without the permission of the bishop, there is questioning, and he says that what he did was just helping a mentally ill person. The bishops are not happy, but Amorth continues to do what he does the best. It is then that a family of three, including the recently widowed Julia Vasque (Alex Essoe), her rebellious daughter Amy Vasquez (Laurel Marsden) and the young son Henry Vasquez (Peter DeSouza-Feighoney) travel to Spain from the United States to take possession of a very old Spanish abbey which is located in the middle of nowhere.

So, what happens with the events here as we just keep looking? :: The Pope (Franco Nero) is in support of Gabriele all the time, and believes in his abilities. Restoring this castle and selling it seems to be the only hope for Julia and family, but things do not seem to move that smoothly ahead, as there is an accident and the workers move away. Soon, Henry seems to be acting strange, and there seems to be something supernatural about him as well as the building. The hospital cannot find anything wrong with the boy, but Henry’s condition only gets worse. They approach a priest, but the demon in Henry easily defeats him. This leads to Gabriele being called for an exorcism, and the Pope makes sure that he is the one who gets the chance, as the abbey has some dark history behind it and has given the church problems before. Gabriele who reaches Spain finds the boy only to find the kind of demon that he had never battled before. The demon knows him and also his past, and seems to be able to defend and deceive the priests with ease. Gabriele feels that there is some more sinister plan in the mind of the demon, but can he find it out in time?

The defence of The Pope’s Exorcist :: One could claim that this particular movie is not scary enough, but the fear is there with the ambience and the realization of the presence of inescapable evil that runs right through the film. The Pope’s Exorcist, with its beautiful, abandoned abbey in the middle of nowhere, reminds us of the grand Gothic adventure which was Crimson Peak which had a world of universe running through, rather than coming right out. With the setting always remaining a strong point, the movie also has its moments which shine bright – there are the two ladies from the past, one that eats a bird and falls from the top and the other one which appears instead of the possessed boy in the bed and reappears covered in blood later. Their existence adds the psychological elements of horror in a world which is infested with demons. We do not always need that many monsters as The Cabin in the Woods would provide – we would just need the demons from hell to create that impact of terror that would hesitate to leave us.

Positives and negatives :: The movie also has some humour being provided here and there, but one cannot deny the fact that it could have surely been scarier. The family portrayed here could have been tormented more before the appearance of the exorcist, and mystery could have lived for longer, and nights could have seen terror as a regular part of it. The grand visuals of Spain and Italy will keep us going, and will keep us wishing to travel to those parts of Europe. The emotional side also remains strong, and so is the feeling to keep out of evil. You are reminded that death is only the beginning – you know that hell could be closer than you thought. The special effects add nicely to the Gothic world which has been provided by the abbey, and its works the best in the final moments. Yet, people would not like the fact that the demon of this movie do not reveal its true form and spread terror in all corners of the building – after all, we have so much of the dark beautiful abbey around and so less is explored with the touches of evil.

The performers of the soul :: The movie is driven though a magnificent performance by Russell Crowe which has no match in the form of any exorcist character in the recent past. We go through his emotions and guilt as much as his drive to destroy evil and drive out demons. We have not seen such a work from him in a long time, and if there is a sequel, this would become even more joyful to watch him fight the different demons in various parts of the world. In the beginning, we feel that there would be limitations to the work, but he rises above that with ease. Daniel Zovatto provides some fine support, and he also lives up to the job that is given to him, and keeps getting better with better moments to perform being provided to him. The two makes a fine combination here in a world which brings the supernatural to the light. Alex Essoe plays the desolate mother who just lost her husband and has her children not talking to her, really well – we see her reclaiming her lost faith in a realistic manner. Peter DeSouza-Feighoney gets into the terrifying child role really well. Laurel Marsden plays the rebellious young lady nicely too. The two ladies from the movie’s past, Carrie Munroe and Bianca Bardoe makes some fine terrifying and notable appearances which will stay with us for long.

How it finishes :: In relation to exorcism and the demons, this movie sets a new level of work in its genre that will inspire more of similar works. The way in which it asserts the presence of evil which cannot be understood, and will go to any extent. The movie has surely exceeded the expectations of the common horror fan, as it never came with the hype as it has been attached to The Conjuring, The Nun, Annabelle, Insidious, Ouija, Sinister and the others. It also leaves us with a lot of anticipation for a possible sequel, and its base on real events makes the whole thing even stronger. The ending makes us feel that bigger things are yet to come with more exorcism and fallen demons sent back to hell. This could actually become a franchise more powerful than the universe of horror that has already been created. The skill to make something out of even the simplest elements of horror can be seen here. As we all know the presence of evil, and it gaining in strength, watching more demons being exorcised adds to the hope for a future of goodness. After all, when facing a demon, horror is not always the most important thing that one needs to confront – there is more.

Release date: 14th April 2023 (Theatre); August 16th 2023 (Netflix)
Running time: 103 minutes
Directed by: Julius Avery
Starring: Russell Crowe, Daniel Zovatto, Alex Essoe, Franco Nero, Peter DeSouza-Feighoney, Laurel Marsden, Cornell John, Ryan O’Grady, Carrie Munroe, Bianca Bardoe

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Killer Book Club

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Vampire Owl: This would be an interesting book club.

Vampire Bat: You mean to say that there are new book clubs in the castle.

Vampire Owl: Who reads that many books these days?

Vampire Bat: Well, I do read many of them.

Vampire Owl: I am sure that you do not count as an external reader.

Vampire Bat: I do take external book club cards.

Vampire Owl: You can read all the best horror books in the castle.

Vampire Bat: I would read these books like a non-vampire would do.

Vampire Owl: So, it is a fine method to be scared of vampires too.

Vampire Bat: I do not see why we should not be scared of ourselves.

[Gets a butterscotch cake and three cups of tea with kulfi].

What is the movie about? :: Angela (Veki Velilla) is a college student who wishes to be a critically acclaimed and popular writer, now trying to write her second work. Her professor Antonio Cruzado (Daniel Grao) who used to help her with writing seems to have an infatuation with her, and makes advances to her. As Angela’s friends come to know about it, they suggest that they get back to him, and for the same, they choose a killer clown prank which would leave him scared enough for the rest of his life. The group which includes Sebas (Alvaro Mel), Nando (Ivan Pellicer), Sara (Ane Rot), Rai (Carlos Alcaide), Virginia (Priscilla Delgado), Eva (Maria Cerezuela) and Koldo (Hamza Zaidi), plans the whole thing perfectly after sending a fake e-mail to Antonio. But the prank goes terribly wrong, as they end up causing him to fall down from the top of the building and get impaled on the spear held by a statue of Don Quixote below, leading to his instant death.

So, what happens with the events here as we just keep looking? :: Even though their instant reaction is to blame Angela for what has happened, they decide to keep all of these a secret and make a promise that they would never talk about this to anybody. The very next day, as everyone comes to know about his death, the popular opinion is that he committed suicide as his wife had left him, and the police also goes with the same conclusion, leading them to believe that things will get back to normal. But soon, they find out that a masked killer clown is stalking them, and wishes to take them down one after the other as the person wears the same mask as they were wearing. After murdering each person, the clown would write a chapter about the brutal death and post it online, and the readers also have a chance to vote on who will be murdered next. The readers do not have any idea what this is really about, as the original names are provided. The group decides to stop this madness from continuing, but has no idea about whom to suspect. Is this a silent stalker or someone among them?

The defence of Killer Book Club :: Slasher horror movies are welcome to bring new serial killers into a world of chaos in which humans have never hesitated to kill one another. There have been more classic slashers being produced in almost every language these days, even though Hollywood have come up with less interesting ones in the last few years. This one is based on a book, which means that it has promises to keep for the readers. The visuals are really good, and the setting feels like the right one, including the dark corners inciting horror and the architectural beauty that stays alive. The statue of Don Quixote comes as a fine reminder for the connection between the movie and literature, as the horror itself comes from writings here, and the publication of books and online content remains a priority throughout the film’s run-time. This also remains a short movie, as the run-time works to its advantage. The final twist over the twist remains interesting, and the power of mystery has run through this quite well without giving away the chance at predictability.

The claws of flaw :: Killer Book Club might feel like too similar with many other titles, and following the formula, but not well enough to elevate the same. There are enough murders happening here, but none of them creates a terrifying or divergent impact which could have made the environment better. The scares are not that much present as we would have wanted. A killer in a clown mask can achieve wonders – you know what the clowns do, whether in It and its sequel or in Terrifier; the horror in such cases is of a different level, with blood and gore assured. But this one seems to take the safer route, and the need to take the less travelled path among the diverging roads is not taken into consideration here. You are left with the feeling that there could be more, from the early stages itself. You keep looking for more, but that extra ingredient never really arrives. With the scope for a sequel still there, we can hope that this will arrive later.

The performers of the soul :: Veki Velilla leads the proceedings in the movie, and makes the scream queen who is intended to survive till the end, but has the realization that this has been caused due to her for some other reason, which makes the character more determined. She blends into this situation really well, from the author who has a certain amount of writing block to the girl who wishes to survive in a world of chaos created by an unknown killer. Priscilla Delgado remains a notable presence here too, and contributes to the whole thing even when least expected. Ane Rot and Maria Cerezuela also add to the interesting scream queen list here, and one would love to see them in more of similar flicks. Alvaro Mel and Ivan Pellicer become the main male performers here, and they remain important from the beginning to the end. Daniel Grao, even though present for only a few minutes, also leaves an impact. Carlos Alcaide and Hamza Zaidi also comes in as required. For most of us audience, these new names will be staying.

How it finishes :: Killer Book Club seems to be derived from other slasher horror movies that we have known for a long time, with Scream and The Cabin in the Woods being a few of them. The non-English movies were not far away from such inspiration either, as Poland’s Nobody Sleeps in the Woods Tonight and A Classic Horror Story in Italian along with the Indonesian Ivanna are some of the examples. Here, in Spanish, we have a similar work of slasher horror. The group of friends from a college being murdered one after the other, especially after doing something they were not supposed to do, comes as nothing new. But this one also maintains the entertaining and thrilling side well enough with the final twists to keep things interesting. You are always looking for more addition to slasher horror, as they have not been that easy to create effectively during this time period. Based on the Spanish novel El Club de Los Lectores Criminales by Carlos García Miranda, the films becomes another interesting adaptation which brings us back to watching Spanish movies again on Netflix.

Release date: 25th August 2023 (Netflix)
Running time: 90 minutes
Directed by: Carlos Alonso
Starring: Veki Velilla, Alvaro Mel, Ivan Pellicer, Hamza Zaidi, Ane Rot, Priscilla Delgado, María Cerezuela, Carlos Alcaide

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@ Cemetery Watch
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