Two

Vampire Owl: There are two of us here. Therefore, watching the movie is relevant.

Vampire Bat: This movie seems to have something to do with the number, two.

Vampire Owl: I don’t really like that number though. I like “one” – I am the greatest one.

Vampire Bat: Uncle Dracula is the greatest of us all.

Vampire Owl: You just cannot put so much greatness on him anymore.

Vampire Bat: The times haven’t changed. Dracula is still relevant.

Vampire Owl: Vampires are still relevant. Dracula is not.

Vampire Bat: There are no vampires without Uncle Dracula.

Vampire Owl: Maybe in the Dracula Castle. It is not the same case outside.

Vampire Bat: Well, you can just wait and see, after his birthday party which is coming up.

[Gets a chocolate cake and three glasses of oreo shake].

What is the movie about? :: Sara (Marina Gatell) and David (Pablo Derqui) wakes up in the bed somewhere, stitched to each other. They don’t really have any memory how they reached there. The two try to figure out what has happened with them, and where they are. They guess that someone drugged them and brought them here and stitched them up. The people responsible seems to have taken away everything from them, from clothes to wrist watches. They try to make some connection between them, but there is nothing in common between the two. It is also realized that they are being recorded with cameras all around the room. The room seems to be something that gives an aristocratic feeling, making them feel that someone rich and influential is behind their situation. They do find some clues about the same, but someone seems to get into the room at times, and they are not able to find out who. The room seems to be too secure for anyone to go out, with lock being strongly applied from outside.

So, what happens with the events here as we just keep looking? :: Sara has the feeling that her husband, Mario (Esteban Galilea) has something to do with it. He is supposed to be someone very rich and influential, with doubts that she is having an affair with another man. She feels that there is also something about him that has resulted in David also reaching there. He also has the feeling that maybe he also knows her husband, who is a much older person. There is also a name Rita (Anna Chincho Serrano) that comes across them, as part of a photo which is placed in the room. Yet, they are not able to remember any of such a name as part of their lives. They feel that maybe this will end only in their death, and try to break down the door, which feels very reinforced. The windows also lead nowhere. There are some big revelations to be made, but they wonder if they will stay alive to understand all of those. Soon, their past will come back to them, and the one thing which makes the two connected with the man who is behind all of these.

The defence of Two :: The movie is just one hour and ten minutes long, which makes sure that there is absolutely no drag about it. It doesn’t slow down even though there were many chances in between. There is also the successful maintenance of suspense with twists, as we don’t guess what is coming in the end, even though there are so many things happening in between. The red herrings are delivered effectively, and we make so many guesses about the antagonist who is responsible for what is happening here. It does work as body horror, a subgenre which is difficult to appeal to people – unlike other movies of the same kind, this film actually knows where to keep the borders, and not to be disgusting at any point. The genre is often too much to handle for many people due to the amount of gore and extremities related to body parts, but this one stays at the border related to that. The setting of the room which this movie uses throughout its run also adds on well, and the mysteries to be revealed here are also of interest.

Positives and negatives :: There have been a number of Spanish movies which have tried to be different from the rest – there was The Platform, and here we have this one. This one still seems to have rushed through things too much, as we look at the final moments. It could have taken more time finish it though, as the length here is just seventy minutes and nothing more. The setting which is one place at all times, is nicely managed too. This is also one of those rare films which maintains the Classical Unities of Aristotle. Unity of action is maintained with that one principal action of being stitched together and being together at all times, while unity of place is maintained with where they are trapped, and unity of action is clear as everything happens within twenty four hours. It has been difficult to maintain these in movies, as people look forward to seeing many other things and occurrences as films progress. But in this case, they have made the situation very interesting. Even though this is not the usual horror, the situation of the protagonists is surely a scary one.

Performers of the soul :: With everything dependent on two people, this film focuses on their performances, one can safely say that this works effectively due to the same. We also see that the characters do evolve as the tale progresses. The conversation between the two becomes very important too. Marina Gatell places herself in the situation very well, and comes up with a fine performance. She plays a person who is confused and wants to figure out what is happening quick enough, and even suspects the person who is with her – the character works out really well for her. Pablo Derqui who plays the other person in trouble, takes things slowly, and has better idea of how criminals works – makes the person with him doubtful. The situations which are nicely created for them, is managed well by the two. The whole idea is made better with the performances of these two. The rest of the characters only arrive by the end, or are present only in photos. In the end, we know that in Two, there are only two characters who gets the chance to come up with worthy performances.

How it finishes :: Being stitched to someone else is horror enough, and this Spanish movie use that to its advantage, getting to the list of films in that language which have tried to be different in multiple ways. Thanks to the performance of the leading cast, this one never lags behind, even when there were so many opportunities. It provides us with the opportunity to make so many guesses, and it also has us coming to that twist when least expected. The short journey is very much an engaging watch, and as long as you don’t have a problem with some body horror, this is to work just fine. During the time of Corona virus pandemic, a number of films had people quarantined alone, while this one has two people locked in a room as one. It is indeed an interesting, but strange concept, as you look at it. The creative imagination behind the movie seems to be working well in this particular case. Netflix has once again scored with another fine addition to the grand list of horror and thrills.

Release date: 10th December 2021 (Netflix)
Running time: 70 minutes
Directed by: Mar Targarona
Starring: Marina Gatell, Pablo Derqui, Anna Chincho Serrano, Kandido Uranga, Esteban Galilea

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Encounter

Vampire Owl: I have always enjoyed encounters with aliens.

Vampire Bat: Yes, you have always been looking for vampire aliens.

Vampire Owl: If a species requires blood to survive, they would just vampires and not aliens.

Vampire Bat: Well, if they are from another planet, they are surely aliens.

Vampire Owl: You are questioning their basic nature of existence.

Vampire Bat: When on Earth, they are still aliens.

Vampire Owl: Drinking blood is in their nature, and that counts as vampires only.

Vampire Bat: This one is worth a debate at the Dracula Castle.

Vampire Owl: I am sure that Uncle Dracula will accept them as just vampires.

Vampire Bat: You don’t know him well enough after the Corona virus pandemic.

[Gets some French fries and three glasses of strawberry shake].

What is the movie about? :: Malik Khan (Riz Ahmed) is a dishonorably discharged Marine who is having a tough time living the usual kind of life. He sees that there is so much of riots going on the nearby cities, and the is bothered by increase in violence all around the state and the country. His former wife Piya Khan (Janina Gavankar) and children Jay Khan (Lucian-River Chauhan) and Bobby Khan (Aditya Geddada) are now living with her present husband Dylan (Misha Collins), a long distance from him. The sons, especially Jay is not happy with the situation, and has turned extremely arrogant. He visits Jay and Bobby at takes them away in his car, saying that this is a road trip which their mother has kept as a surprise. The boys feel that this could really be a fun ride, but there is more to it than what he says. Malik seems to be waiting for something bad to happen at all times, and there is a lot of worries that he seems to have here.

So, what happens with the events here as we just keep looking? :: When they are stopped on the road by a police officer, he is forced to tell the boys the truth about what has been happening in the last few days. He tells them that there are some non-terrestrial microorganisms taking over the planet, as these aliens are using human bodies are used as hosts – most of the humans are no longer in control, and some heavy research is required regarding this, for which they hope to reach a safe place. He also feels that at least half of the population has been infected. The idea of a parasite growing inside one’s body frightens the boys, but they decide to fight and make it the safe place with their father. As Hattie (Octavia Spencer) is the one who is in charge of Malik’s parole understands that he took the children after tying up Piya and Dylan, she understands that he is in trouble. Back home, FBI is in charge of the investigation on the kidnapping of the boys, and they feel that he might be going to keep his children.

The defence of Encounter :: The beginning of the movie was really good, and it keeps us interested throughout most part of its run. Most of the things which were shown in the beginning turns useless in the end, but they had a fine role in making the whole film engaging. This has the strength to work as a post-apocalyptic movie after the worms, parasites, or anything takes over later, but it chooses to go ordinary, and that is indeed a shame. The performance are really good, and the visuals are also nice, when we look at them. Some action is also added here and there, but there is almost no horror being part of this, even though there was the chance for that too. It is basically what we thought about the movie before watching it that has kept us interested, and one has to say that the talk about the film before its release did go well to create an image – the same is not reflected well here though, as we stare at it.

The claws of flaw :: Encounter is very much a confused movie, as it doesn’t really seem to know what it is aiming for, with a beginning as an alien invasion movie, and then going on to be a strange family drama. This change that the movie brings at a point of time does no favour to it – if everything happened the other way around, things would have been much better. The movie is called a science fiction thriller both on IMDB and Wikipedia, and one really has to wonder how this film gets into that particular category, especially in the second half, as the path seems completely lost. Even though the ending does look realistic, it is not the kind of finish that are looking for, and for a climax like this one, not many people would wish to buy the tickets – well, this is on Amazon Prime Video and when you have already taken the subscription, one might just end up watching it quickly for the sake of it. Promoting a movie as what it really is, would be the right thing to do, in my opinion.

Performers of the soul :: It is the performances that score for the movie which struggles with confusion over its own identity, as Riz Ahmed does a very good job as the former Marine who seems to be trying to end an alien invasion, but is as confused as the movie itself. His feeling of paranoia, worries and strange acts are all things which work well for us. If the movie could have actually stepped it up well enough, this could have brought wonders for him, but unfortunately, he also struggles with the film as we reach the disappointing end. Janina Gavankar has some fine family moments in the beginning, but that doesn’t carry over as the protagonist doesn’t really feel the need to save her from aliens. Octavia Spenser also has some fine moments, as one of the most likable characters that we see anywhere. Rory Cochrance is the typical FBI agent that we see in different movies in similar forms. The two children are good, especially Lucian-River Chauhan who has a little more to contribute in comparison with Aditya Geddada.

How it finishes :: Encounter makes another science fiction alien invasion thriller entry to Amazon Prime Video after The Tomorrow War did the same thing a few months ago. Still, our movie here is rather different, with no big alien attacking people around, and no huge action scenes – in this case, we don’t have too much of sci-fi being thrown around, as no certainty about the alien attack is provided. Almost all the movie, you keep thinking if there is really an alien, a doubt which won’t favour you if you are looking for full action alien flicks. This movie is more drama when we consider the case here. You have an alien movie here without the certainty of the existence of the aliens, and that is indeed not the science fiction that you want. Well, when there are so many alien invasion movies at your disposal, and which a good number of science fiction films waiting for your eyes, this one which degrades into a family drama might not be the one you prefer, but it is still an interesting watch, especially during the first half.

Release date: 10th December 2021
Running time: 108 minutes
Directed by: Michael Pearce
Starring: Riz Ahmed, Octavia Spencer, Janina Gavankar, Rory Cochrane, Lucian-River Chauhan, Aditya Geddada

<<< Click here to go to the previous film review.

<<< Click here to go to the previous English film review.

@ Cemetery Watch
✠ The Vampire Bat.

Cross the Line

Vampire Owl: Do you know that Spain has become my dream country again?

Vampire Bat: I thought that you were going to Romania.

Vampire Owl: All vampires are supposed to have some interest in Romania.

Vampire Bat: Does that lead to an interest in Spanish movies?

Vampire Owl: I don’t see why it shouldn’t.

Vampire Bat: Well, we already have some interesting Spanish favourites.

Vampire Owl: This seems to be the more critically appreciated type.

Vampire Bat: That doesn’t guarantee that this could be your type of a movie.

Vampire Owl: There is no my type of movie unless I make one.

Vampire Bat: Well, vampires don’t make movies, but do watch them.

[Gets a pineapple cake and three glasses of orange shake].

What is the movie about? :: Daniel (Mario Casas) is a shy and good-mannered man who is working at a travel agency in Barcelona. He is very much interested in his job, and loves his family consisting of his father and sister. After their father dies, Dani’s sister Laura (Elisabeth Larena) arranges a trip around the world for him from his own company, as he was the one who was taking care of their father, and might be missing the presence of their bed-ridden father. He is not really fond of the trip though, and he is not interested in changing his lifestyle either. He hopes that he can cancel the trip because there is a two week window, and therefore he just accepts the idea. It is then that he comes across a girl at a restaurant and cafe where he often spends time over a burger, and meeting this girl, Milagros (Milena Smit) changes how things would go about in his life from then. She borrows a small amount from him, and is not happy because she really wants to give it back to him.

So, what happens with the events here as some twist is coming up? :: She keeps asking him to come with her for the money despite him not wishing for it to be returned. They take a walk through the street to the place where she works. Finally, as she is a tattoo artist, decides to give him a tattoo instead. He is reluctant again, but finally decides to go for one due to her consistent persuasion. He becomes interested in her, and therefore, he continues to follow her when she asks for his company. But as he goes to her apartment, her interest in him stays only for a few minutes. Soon, things take a twist, and things are not as what he had thought they were. He would commit a murder due to the circumstances, and soon people would be after him, and it won’t be about just police looking for the murderer. These are not the circumstances which he thought he would have to go through at any point of his straightforward life, but he would have to work through it. Now his life has changed, but unlike what his sister thought, it is not for the best.

The defence of Cross the Line :: The film has managed thing nicely with less resources, and it something which we can appreciate. We can also see the beautiful colours on the screen as well as the spaces which also have that beauty about it. There is some nice music being used here, and the sound effects are really good. The film also serves as a morality tale in disguise, as it talks about what can happen when one crosses the line, hence the title being justified here. There is the side effects of what can happen when one immediately begins to trust someone, especially someone beautiful – you should always have limitations in a world like this, where things are not the same as what seem from outside. The situation of such a person is shown perfectly, without the addition of melodrama or extraordinary elements, and a change coming upon him is also visible. All these happen very quickly, and lasting only about three hours, there is no time being wasted here. It is a continuous busy ride from the beginning, even though the elements of thriller come up later only, and we stay close to the protagonist.

Positives and negatives :: Cross the Line, originally known as No Mataras, is no usual thriller, as it goes on from a drama to thriller half way, more or less like Drishyam and its remakes which changed the mood at the centre stage. So, there is that certain diversion, and some people might have wanted the mood in the beginning to continue, and others might have wanted a full thriller, but this one depends on that twist of events to make things happen. It also has no character development of others as it is completely focusing on the protagonist all the time, giving no importance to others except for in moments. It also ends too soon, and the ending could have had a certain amount of extraordinary, as this film is not something which is not scared of taking the risks. Along with that, Barcelona is among the top ten cities which I want to visit in my life, and in Western Europe, it is the first place which I wish to travel to, and I would hope that the same could be achieved some day, but after COVID-19 pandemic, you never know where you will end up.

Performers of the soul :: The performance from Mario Casas won him the Best Actor Award at the Goya Awards, Spain’s prestigious national annual film awards, and it is no surprise when we watch the film. The performance is realistic, and as far as performances from actors in foreign films are concerned, I would consider his work to be among the best, and something which should have all that appreciation. I had also loved his performance in Adios which released earlier. Along with the same, Milena Smit was also nominated for Best New Actress Award, coming very close to winning that one – when we look at her work here, even though not lasting throughout the film, is really good. She excels with her emotions, and I would love to see more of her in other movies, maybe in Hollywood too. The situations without money and clothes would seem to make her vulnerable, but it can be seen that her character dictates things even when it doesn’t seem so – a character at the strongest when dumped in a relationship, or when fully naked. Fernando Valdivielso was also nominated for Best New Actor there, and he had some good short time in the film too. Elisabeth Larena is a strong name in the film too, and in a film which is dominated by the main actor, she has her moments.

How it finishes :: The movie focuses on one character, and it has two others who are there for enough time to call them as providing support, and with these itself, the film manages to do very well. Serving as a message to what could happen if you cross the line, and also showing how much it can change a person, the film does the same very effectively. The thrilling moments of the film are supported really well by the music that runs in the background. The tension-filled atmosphere being nicely built, this is the kind of film that stays with you for the experience. With seemingly lesser budget and minimal characters, what the film has managed needs to be appreciated. One can be sure that there are many things that can be learnt from this particular film, and this one with its ending seems to taunt us to ask for a possible sequel too. Well, with films like these, it is only fair to hope for more, as it was short and we would have wished for it to go on for more.

Release date: 16th October 2020
Running time: 92 minutes
Directed by: David Victori
Starring: Mario Casas, Milena Smit, Elisabeth Larena, Javier Mula, Fernando Valdivielso, Aysha Daraaui, Javier Mula

<— Click here to go to the previous review.

<— Click here to go to the first Spanish film review here.

<— Click here to go to the first big budget Spanish film review here.

<— Click here to go to the most popular Spanish in this part of the world reviewed.

@ Cemetery Watch
✠ The Vampire Bat.

Those Who Wish Me Dead

Vampire Owl: Can someone wish that the undead be dead?

Vampire Bat: Well, that would be something the werewolves would do.

Vampire Owl: Do they still try to make sure about it?

Vampire Bat: They haven’t been that dumb for some time.

Vampire Owl: You mean that werewolves are no longer dumb.

Vampire Bat: Let them make a claim related to that.

Vampire Owl: Well, zombies did make such a claim, and they are surely dumb.

Vampire Bat: Zombies never get to eat enough brains. You can’t blame them.

Vampire Owl: Werewolves don’t get enough of full moon either.

Vampire Bat: Let us not blame them for wishing us dead, at least for now.

[Gets a blueberry cake and three cups of cardamom tea].

What is the movie about? :: Hannah Faber (Angelina Jolie) who used to be smokejumper is struggling with her past after facing a forest fire and failing to prevent the deaths of three young campers and another smokejumper. She ends up being posted at a fire lookout tower in pretty much a remote location. At the same time, Owen Casserly (Jake Weber), who works as a forensic accountant, watches the news about the death of his boss and family in what seems to be a gas explosion, and panics, ending up leaving his city with his son, Connor (Finn Little) who is confused about is happening. The house was originally destroyed by assassins Jack (Aidan Gillen) and Patrick (Nicholas Hoult) who were sent by highly influential people who wants to destroy the evidence of what Owen knew and had informed his boss. As they come to know that Owen had left his home with his son, they start another hunt with the clues which they were able to find at his house.

So, what happens with the events here? :: Owen hoped to find refuge with the one man whom he hopes that he can trust, his brother-in-law, Ethan Sawyer (Jon Bernthal), a Deputy Sheriff, who used to be Hannah’s ex-boyfriend. As they are attacked by the assassins, they are forced to drive down the cliff, leading to the death of Owen. Now, only Connor has the much valued evidence against the gangster Arthur Phillip (Tyler Perry). Connor who keeps on running ends up meeting Hannah, who he doesn’t really trust in the beginning, but decides to go with her anyway, as he runs out of options. It turns out that her tower was just hit by a lightning, and they no longer have any option for communication. At the same time, the assassins get another warning from their boss, and as they need to finish what they started as soon as possible, they set fire in the forest as a distraction and goes on looking for the boy at all possible locations, with time running out.

The defence of Those Who Wish Me Dead :: There is always chance for having more and more thrillers which are lesser known, but has enough strength inside to make an impact, thus keeping us interested. This film tries to be one of them, and succeeds up to an extent. This is also a film which we never knew that it had released, but thanks to Amazon Prime Video, we know. The film has engaging moments, as there is the boy being hunted, and we also have a protagonist with a troubled past who is trying to save him as well as others who also comes in. The setting used here is really good, as we have a huge forest area, a small town, and fire that burns them all. The situation has been nicely managed around here, as far as the environment is concerned. It also manages to have an emotional side to go with things. It could have also suited a slasher horror film well too – we have watched films like Nobody Sleeps in the Woods Tonight and Hoax a few months ago.

The claws of flaw :: Those Who Wish Me Dead doesn’t make full use of what it has in the hands. It also stays rather slow during most of its time, and it doesn’t seem to be in a hurry at any moment. It also misses the opportunity to bring some horror in between, and with a quicker pace, it could have achieved much more, after all, we have people who are supposed to be expert assassins fighting some local people. The slasher elements could have also made some impact around here. The intensity could have been much higher as we see how things are progressing around here. Angelina Jolie still has what it takes, but we do feel that she wants to let it go, and Nicholas Hoult, if used as the sole assassin, could have scored much more here. We do miss those days when these two people could have done things which nobody else could do, and that reminds us that we are also getting older – how has the world changed in more than one way, right? Well, all these do make the film feel much longer, even as it is not that long.

Performers of the soul :: Angelina Jolie is the name which makes you watch films during these days too. If there was no COVID-19 pandemic, and if this had released in the theatres here, just her name would have brought the audience to the multiplexes, that much has been her star value around here. She continues to come up with the fine performances, even though there is that tired look which seems to be that much associated with her as much as the character with which it connects really well. Nicholas Hoult who is the next best known name with films including X-Men franchise, Jack the Giant Slayer, Warm Bodies and Mad Max: Fury Road to his name, surprisingly doesn’t get a boost to his role, and is limited to the usual assassin that we see – well, that much is done pretty well. Aidan Gillen plays the other assassin well enough too. Medina Senghore as Allison is the strongest character around here, and Jon Bernthal as Ethan has his moments here too. Finn Little has some good moments as the child actor.

How it finishes :: Those Who Wish Me Dead adds to the list of the usual thrillers with some fine setting to go with it. It had the scope to be more, but that chance is not taken. It would have made more impact if the theatres were open around here, even though one can’t be sure if it is to get a chance for a release here with so many Malayalam films getting ready for release as soon as the COVID-19 numbers get lower. We do have to appreciate the fact that they are indeed releasing these movies on Amazon Prime Video which most of us have better access, as there is almost nobody who doesn’t order from Amazon these days and most of the people do have the Prime account. After all, these are the days when we are hoping for better times, and some good movies can help us to keep life going better. There is nothing like a tale of survival against all odds that can keep us going during these days. So, until things get better, we still have these around.

Release date: 14th May 2021 (USA), 17th September 2021 (Amazon)
Running time: 100 minutes
Directed by: Taylor Sheridan
Starring: Angelina Jolie, Nicholas Hoult, Finn Little, Aidan Gillen, Jake Weber, Medina Senghore, Jon Bernthal

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Beach House

Vampire Owl: This is certainly not the right time to go to a beach.

Vampire Bat: We, vampires have always preferred the hills.

Vampire Owl: That is a tradition left for us by Uncle Dracula.

Vampire Bat: Even the Corona Virus has struggled to make it all the way to the hills under his control.

Vampire Owl: Historically, vampires have only caught bacteria, not virus.

Vampire Bat: That won’t be a statement approving our immunity.

Vampire Owl: There is nothing in a vampire that attracts a virus.

Vampire Bat: Doctor Frankenstein has said otherwise though.

Vampire Owl: All mad scientists try to prove it the other way around.

Vampire Bat: Mr Frankenstein is still a successful scientist in our realm.

[Gets a strawberry cake and three cups of black tea].

What is the movie about? :: Emily (Liana Liberato) and Randall (Noah Le Gros) arrives at the beach house which belonged to latter’s father, and as it is not the time when the tourists make a visit, they feel that it could be found empty, just like many other buildings in the area which is supposed to be a travel destination at a certain period of time. After getting into the beach house, and spending some time together, Emily is surprised to see someone else in the house. Jane (Maryann Nagel) and Mitchell (Jake Weber) identifies themselves as friends of Randall’s father, and according to them, latter knew his father from the university. A confused Emily who is upset about almost being caught be strangers without her pants, offers that they can move out somewhere, but the elderly couple asks them to stay with them, as they have known Randall whom they addressed as Randy from those times when he was a little kid. They offer them that the youngsters could stay there in their room as much as they wanted to.

So, what happens with the events here? :: The four get along really well, and Emily comes up with her plans to study astro-biology and become a scientist, while Randall is not at all fond of studies, comes up with a packet of cannabis which they share. Emily does have doubts about what it could do to the elder couple, but Randall is sure that it is just a little, and will only help them. At the same time, there is also some heavy fog outside, and it seems rather out of this world. Jane goes out to see the same, while Mitchell follows her later. The next morning, the young couple wakes up, and Emily finds Jane in a strange state. They also find Mitchell, and he is also not in a good shape. Emily follows him, as he doesn’t come back after walking into the sea, and finds something strange catching her legs. At the same time, Randall who tries to gelp Jane finds that there is something seriousy wrong with her, and it is not something that they can understand. What is it that is haunting the area? Is it of this world or is it from another planet or dimension?

The defence of The Beach House :: This one is surely not your usual kind of movie, and it is only the name of the setting, as you look at it, without providing a chance to explore the place more – but horror does gets its significance here. The horror here is mostly based on the strange fog and the worms which get into people followed by movement inside them until a complete transformation occurs. The setting is really good, and there is terror being created by the atmosphere, even though one does wonder if it has been taken a little too lightly for this type of a movie – yet it does get to somewhat the expected level during the final stages. We get to know the terrifying situation even when that much is not shown, even though we know that there could have been more. It is Liana Liberato who lifts this movie higher, and I would say that the performances have all been pretty good, even though it is Liana who gets the chance to do much. Whether it is with the relationship or horror itself, she makes it work.

The claws of flaw :: The Beach House does have a struggle with some of its elements, and it could have used more of horror in a better way. This is not the kind of idea which we haven’t seem before, especially with the creepy little worm-like things. The scares of the fog or the mist are not that new, or used with the best possible effect. The movie does feel a little bit too long even with its short total run-time, as there is a little bit too much time spent talking, and all those talks become not too relevant for what is to follow later, a the film changes the mood almost completely. The beginning stages had already given us one kind of impression, but later stages mean something else. Creating a movie like this required more of a different kind of horror to be added to it. You see that there is a beach and the sea which are central to the tale, but the main characters don’t even jump into it or get close to thinking about at least wetting their feet, which is strange, even under these circumstances.

Performers of the soul :: Liana Liberato plays the protagonist in this movie, as she is the girl who wishes to be an astro-biologist here. It is not really the face that we have seen much, and I am sure I haven’t come across her movies before. She makes a fine scream queen, with very good job being done in between all the chaos and terror that is unleashed there. Horror, as a genre seems to suit her, and the other one which seems to be good enough to work out for her feels like romance. In the beginning, there is the case of a fading relationship, which is done with ease, and when horror comes, the same level is maintained. Noah Le Gros supports well, playing her lover. Jake Weber and Maryann Nagel plays the older couple, and their performance is also believable, but we are left without themselves before the half-time itself. But a movie like this doesn’t demand much of them, except for more from the girl who seems to go on towards the end, as people are not the ones who provide the much needed elements of horror.

How it finishes :: The Beach House makes another movie which goes divergent in pursuit of horror. It is to be noted that the movie does remind us of the short story The Colour Out of Space by HP Lovecraft as well as its fine adaptation in which Nicholas Cage stars. There is that same strange feeling that we have here, even though this one is not that colourful, and we understand that it has been made on a low budget. With Corona Virus said to be spreading by air too, we do feel that this kind of a terror is always possible too. After all, we are the ones who will be responsible for the end of this planet, speeding up the upcoming extinction event like never before, in the last few years. Therefore, we await the extinction event or just the human extinction in one way or the other. Before that, we do have movies like this one which seems to bring the end closer than ever, and that is also done in a way that it moves away from the usual stuff with ease.

Release date: 9th July 2019
Running time: 88 minutes
Directed by: Jeffrey A Brown
Starring: Liana Liberato, Noah Le Gros, Jake Weber, Maryann Nagel, Michael Brumfield, Matt Maisto, Steven Corkin, Veronica Fellman, Dan Zakarija

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@ Cemetery Watch
✠ The Vampire Bat.

Haunt

Vampire Owl: Can this be more haunted than our own castle?

Vampire Bat: I don’t think so. We, true vampires provide top quality haunting all the time.

Vampire Owl: In this movie, they become part of a Haunted House attraction, only to find that it is real terror inside.

Vampire Bat: So, these humans want to get into a haunted place, but want to be haunted in a safe manner. It is a strange thing.

Vampire Owl: Yes, there should be no safe haunting. If there is such a thing, it is never really the haunting in the right form.

Vampire Bat: It is time that they realize that things just don’t happen as they want it to happen in a world of chaos.

Vampire Owl: Sooner or later, they would want to be murdered without being dead.

Vampire Bat: They are living in a strange and impossible world of their own.

Vampire Owl: They feel that they can make their own world according to the need, but that is a foolish thought.

Vampire Bat: Yes, sooner or later, they should understand that they are not the masters of this world, and they will never get even close to being something like that.

[Gets a marble cake and three cups of masala tea].

What is the movie about? :: Harper (Katie Stevens) is not having a good time with her alcoholic and abusive boyfriend Sam (Samuel Hunt), and her friends so not approve of him for what he has been letting her go through. The two lovers are very close to breaking up, as the Halloween night arrives, and everyone dresses up in their favourite scary costumes. Her best friend Bailey (Lauryn McClain), along with two other friends Angela (Shazi Raja) and Mallory (Schuyler Helford) attend a party. There, they also meet two guys, Nathan (Will Brittain) and Evan (Andrew Caldwell), who together decide to go on a ride. It is then that Harper feels that she is being stalked by a man wearing a mask. The figure keeps staring at her body on multiple occasions, and she decides to keep close to his friends, as they go on the journey, and stops at a special Halloween attraction, a haunted house. They decide to give it a try, as it has a nice, spooky look suitable for the season.

So, what happens with the events here? :: Just outside the attraction, they meet the Clown (Justin Marxen) of the Haunted House, who makes them surrender their mobile phones and sign forms with their name, address and other details before they are allowed to enter the place. The group which enters the place together, is soon separated. On one side, Bailey, Nathan and Angela finds out that the haunting is real the hard way, as Bailey gets cut on her right arm. At the same time Harper, Evan and Mallory have to crawl through a series of tunnels as well as spend time in coffins as part of the game, but end up losing Mallory who disappears. The two teams meet up again only to find Mallory taken out of a bag by a masked figure who impales her through the head, seemingly killing her. It is then that the group realizes that this is a life-threatening situation, and if they can’t find a way out, they might be killed by traps or masked figures. But is there a way out from there?

The defence of Haunt :: The setting is the one thing that gives this movie the big advantage, and Halloween world with a haunted attraction is what the world never gets tired of watching, and has immense possibilities even without trying too hard. The movie does manage to keep the blood and gore checked, keeping the violence from going too far, as this is a slasher movie made to kill most of its characters in brutal ways, with a setting like this. There are some sequences of terror which comes in, and brings the needed feeling for the audience. It works with the usual fears, and uses them effectively on different occasions created here. There is also a likable protagonist being brought here, and due to what she has been going through, we support her all the time. The masks and the people behind them are terrifying enough to watch, and the movie lives up to its haunted environment, also adding something for the scream queen to shine in the end.

The claws of flaw :: Even though the movie has that haunted house attraction setting, it never really uses it to the full potential, and neither does it manages the best with the youngsters from a party looking for Halloween fun. If you have watched Escape Room, you will know how tricky and scary the rooms can get, even without qualifying as a horror movie in essence – a life-threatening crisis is always the biggest challenge which can be displayed in grand style, no matter what the genre is, and horror has it easy. Haunt does make much of an attempt at divergence and innovation which could have come naturally, as options were always open. The moments before they reach the haunted house are pretty much dull, and that takes some valuable time which could have been used to add more scares into the movie. The movie also adds a certain amount of flashback to its protagonist, which also drags a little bit here and there.

Performers of the soul :: Katie Stevens might be best known for participating in the ninth season of American Idol and also for being part of some of the popular television series, but she is a new figure for the audience here. She was there in the Kathryn Prescott starrer Polaroid in which she had a small role of the girl who was hosting the party, and the second person to be killed in it. The actresses like Samantha Logan and Priscilla Quintana had bigger role than her in that movie. But here, we can see that Katie establishes her very well as one of the best scream queens in her twenties, even though understanding her potential, we know that she could have been given more to do within that haunted house, and the whole thing should have been focused even more on her. Will Brittain plays the male lead pretty well. Lauryn McClain, Schuyler Helford and Shazi Raja manage their roles pretty well. Andrew Caldwell also adds a little, but the masked ones score above them all sharing the glory with Katie.

How it finishes :: It has to be noted that despite having such a fine setting for terror resembling movies like The Collector, Saw and Hostel, this movie is something which has not been watched much by the people from this part of the world, and I wouldn’t be surprised if most people do not know that such a movie exists. Haunt is a movie that deserves some audience, even though it still hasn’t used its elements as much as the horror fans would have wanted it to. When you are locked in a haunted house attraction with psychopath killers wearing masks, you would surely expect more. Otherwise, the move manages to do its job just fine, and the movie maintains the level it had in the beginning, never really altering the mode. You can watch this to add another horror slasher with some traps and killers walking around, and the main characters always in danger, death walking through every corner – you know the ways of evil. After all, each and every movie can’t be Doctor Sleep, Lights Out, It Follows or Don’t Breathe.

Release date: 13th September 2019
Running time: 92 minutes
Directed by: Scott Beck, Bryan Woods
Starring: Katie Stevens, Shazi Raja, Lauryn McClain, Will Brittain, Schuyler Helford, Andrew Caldwell, Chaney Morrow, Justin Marxen, Samuel Hunt, Damian Maffei

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@ Cemetery Watch
✠ The Vampire Bat.

Kidnapping Stella

Vampire Owl: So, these people have made a movie about just one kidnapping?

Vampire Bat: You are saying that one won’t be enough?

Vampire Owl: No, I am saying that it can be like a vampire movie made out of one blood-sucking event, which won’t be enough.

Vampire Bat: It is a remake of the 2009 British thriller movie, The Disappearance of Alice Creed.

Vampire Owl: Okay, the one starring Gemma Arterton, the lady vampire from Byzantium.

Vampire Bat: The whole vampire team is indebted to her for the work in that movie.

Vampire Owl: It is my second favourite vampire movie after Interview with the Vampire.

Vampire Bat: If you add Let Me In, it could go to the third spot.

Vampire Owl: Do you realize that you haven’t reviewed a full-length German movie yet?

Vampire Bat: Yes, but there has been a short-film which left enough for us to think about.

[Gets an vancho cake and three cups of black tea].

What is the movie about? :: There is some big preparation going on with the two former convicts named Vic (Clemens Schick) and Tom (Max von der Groeben) getting something ready inside a building, just before they get prepared to commit some crime. Stella (Jella Haase), the only child of a wealthy businessman is their target, as they hope to become rich with the money of her father. This act and the resulting ransom is supposed to make sure that they won’t have to go to work for a long time. For this, they come up with some very careful planning, and leave no chance for them to escape, as they undress her and keeps her in a red tracksuit, blindfold her, tie her to a bed, and keeps her in a soundproof room, with no chance for her to even move more than al ittle. To conceal their identities, the two also wear masks while talking to her. There is a certain amount of risk involved with her knowing their identities, because she is pregnant with Tom’s child, as they were in love some time ago.

So, what happens with the events here? :: Stella tries hard to escape from her bondage, but there is no positive result for those attempts, as far as she is concerned. Tom does have a soft corner for her as he comes to know that she is pregnant only at a later moment when they threaten to cut off one of her fingers in front of the camera, while making a video which is to be shown to her father so that he would finally agree to give the ransom money to them. But the problem here is that during one of those vulnerable moments, she finds out that one of the kidnappers is Tom, and almost manages to overpower him to get hold of the gun. But Tom handles that situation as well as a few others which follow. Soon, Vic starts to have some doubts about Tom and Stella, as he is no longer the person whom he met in the prison – he is not sure if Tom can be trusted either. Now, it is to be seen how the two manage to keep the situation going. Can they get the money, or will the girl end up being dead? What will be the priority for Tom now, as he knows that she is pregnant with his child?

The defence of Kidnapping Stella :: You will notice that Kidnapping Stella, just like The Disappearance of Alice Creed and its earlier remake Reckless, doesn’t waste its time in getting into action. There are a few minutes when nobody talks about anything, and then we are quickly into the action when the girl is kidnapped and tied up without any chance to escape even from the bed where she is tied up. We do not have any subplot to take the focus away from the main thing, and even though there is a possibility of some flashback, we never really go towards it. You do have some twists, even though not used to the full effectiveness. A kidnapping scenario is also shown without any pretensions, and without showing it as someone who is locked in a random room giving them an easy journey throughout the abduction. The kidnapping programme is quite a solid one, and even though becoming only the third version of the same tale, you have to appreciate them doing this situation well enough here along with maintaining the thrills.

The claws of flaw :: If you have watched The Disappearance of Alice Creed or its Dutch remake, there is nothing much that you can find here to keep you interested, because you have seen all these in more critically appreciated movies, and the performers who have gained better applause not just in one film, but also many others. This movie also doesn’t seem to have gathered that much of an attention or appreciation as those movies which released much earlier. This one is also quite slow at parts, and for a movie which doesn’t have that much of a run-time, it is definitely a strange thing, no matter how you look at it. The movie could have used some more intense moments to make things feel better. As most of the movie is set within a small area, there was scope to bring more. When you have a film with kidnap as the main thing or rather the only thing, you would expect that something else would be there to be taken. There is always the chance for improvement as far as remakes are concerned, but we doubt if that chance was even thought about here.

Performers of the soul :: One cannot deny the fact that this movie misses someone like Gemma Arterton who has been one class actress in different roles, the best of them that we remember being Byzantium, the highly underrated and under-watched vampire movie coming from the director of the highly appreciated Interview with the Vampire. We can only guess that it would have been a fantastic performance. Jella Haase is pretty much okay as the kidnapped girl, but she doesn’t seem to raise that bar that much. The two kidnappers are actually very good though, and Clemens Schick as Vic, the tougher one comes up with a work that will make us attached to the situation here. Max von der Groeben as Tom, the guy who is caught between two sides also have our attention – he wants to do more than one thing, as there is the need to save his former lover and their unborn baby along with getting all that money from her father. There is no other character here, and these three makes the performers list fully.

How it finishes :: The movie originates from The Disappearance of Alice Creed, a 2009 British movie, which also had another remake in the form a Dutch movie named Reckless. From the reviews which we have read about this version here might be the film with the lowest rating, while the other two movies seem to be quite ahead. But for most of us who haven’t watched those two movies because we never really had much of an experience with Dutch movies and as the British movie was released a long time ago, Kidnapping Stella is going to be an interesting experience. There are enough thrills around there, and it surely feels more than the usual hostage movie. Matching The Disappearance of Alice Creed was always going to be a tough task, as it had Gemma Arterton who has been in all kinds of movies with all the glory, a performer who is difficult to match. You are free to watch all the three versions in different European languages and decide the best for yourself if you feel the need to disagree. Otherwise, you can just enjoy this newer version.

Release date: 12th July 2019
Running time: 89 minutes
Directed by: Thomas Sieben
Starring: Clemens Schick, Jella Haase, Max von der Groeben

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@ Cemetery Watch
✠ The Vampire Bat.

In the Tall Grass

Vampire Owl: How tall can the grass around the castle get?

Vampire Bat: They surely can’t be taller than us, because we have to use those fields for daily exercise, sports and other activities.

Vampire Owl: The grass in this movie surely looks scary even for vampires.

Vampire Bat: It is based on Stephen King and his son Joe Hill’s 2012 novella with the same name, and so it had to be scary.

Vampire Owl: I didn’t know that Stephen King’s son was also writing horror stories.

Vampire Bat: Yes, and there are film adaptations based on his works, like The Horns which had Daniel Radcliffe and Juno Temple in the lead.

Vampire Owl: That is something not well known, I am sure.

Vampire Bat: The television series NOS4A2 is also based on his novel of the same name, and is pronounced Nosferatu.

Vampire Owl: So, he is also a master of horror, only of a later and new generation.

Vampire Bat: Yes, his original name is Joseph Hillstrom King, and his brother Owen Philip King and mother Tabitha King are also authors.

[Gets a ghee roast and three glasses of grape juice].

What is the movie about? :: Becky DeMuth (Laysla De Oliveira) is a young lady, six months pregnant, who seemed to be becoming a mother before he was prepared for it, and due to the same reason, the child’s father Travis McKean (Harrison Gilbertson) is no longer with her, leading her to think about not having this baby or leaving the baby behind after giving birth. Her brother Cal DeMuth (Avery Whitted) is in charge of driving the car all the way to San Diego so that she can live with her aunt there, and with Travis gone, he considers himself to be the protector of his sister and her child. Traveling through an empty road, they stop at an empty space near what seemed to be an abandoned old church. Some other vehicles were also parked nearby, but there was nobody around. It is then that they hear the voice of a child from the field nearby, which has very tall grass, and they also hear the child’s mother calling.

So, what happens with the events here? :: The two gets concerned, and enters the grass field, and begins searching for the mother and child. The sound seems to close, but they are not able to get to the father and child, despite moving quickly towards them. In the process, Becky and Cal are also separated from each other. There is no network connection in the mobile phone, and they are not able to find each other despite being able to hear the voices. In the process, they meet the members of a family who are all trapped in here. The boy whose voice they had heard is Tobin Humboldt (Will Buie Jr) who had entered the grass field chasing his dog, and his father Ross Humboldt (Patrick Wilson) and mother Natalie Humboldt (Rachel Wilson) had also entered the space following him. Now, the family is separated just like the brother and sister. It seems that there is no way out, or is there at least a slight chance?

The defence of In the Tall Grass :: The movie scores the best with its visuals. With the tall grass, and a mysterious rock in the open area which seems to be the middle of the grass field. This open space with the rock is as grand a visual as the tall grass which seems to have no end. There are separate feelings provided during the day and night, and we look back to a past which modernity cannot understand – something which goes to time before American colonization and the earlier tribes settling down, as the modern world looks at its people in confusion. There are those minutes in the beginning which serves the best to bring the terror, as the two siblings jump once to see each other close, and then with the next jump, they are nowhere to be found. The movie is also of a short length, and with only tall grass all around, it is a good thing, bringing no elongation.

The claws of flaw :: The humanization of the grass is rather underused, and the movie doesn’t have even a monster to use when caught in such a strange, supernatural world with creepy grass, a strange rock and darkness – it has a loop, and so much of mystery, but never chooses to reveal them. The background of the characters are not explored much either, and we don’t know why one character is acting different from another. The characters go out of control, as we don’t know who is dead, and who will end up killing someone, and also about who all are real, and belonging to what kind of loop. It is the kind of confusion that comes in the middle, but thankfully, things get solved in the end. But the movie could have used a post-credits scene, because this is the kind of horror film that will make people ask the questions, and they need to answer them.

Performers of the soul :: The movie has a collection of unknown actors and actresses trying to escape the tall grass field. Patrick Wilson of The Conjuring, Annabelle and Insidious fame is the only person whom most of us know. The actor who was also there in A-Team, Aquaman and Watchmen continues to be the one who makes the most impact, even though his character is so less developed, even though it was the one which needed the most of such development. Laysla De Oliveira is another actress among all others whom we are seeing for the first time, and she comes with a good performance as the pregnant lady caught in between some tall grass with no hope for escape. Will Buie Jr, the kid shows the hopeless and creepiness of those caught in such a situation very well. Harrison Gilbertson was there in Need for Speed, but we would be noticing here for the first time, and he is fine, and so is Avery Whitted. Rachel Wilson’s role is too small.

How it finishes :: The movie has you in a situation from where there can be no escape. The rules of the world, its physics won’t matter inside this strange field of tall grass, and it is a scary place to explore, and the movie has used this setting well enough to create the needed horror impact. But it has to be noted that there is not much of work done beyond that, and there is also a certain amount of confusion here, as everything is not that clear as far as In the Tall Grass is concerned. There are many things which this premise could have had, but as it is now, the whole thing looks good, and catches your attention – there are some nice visual moments of glory too. In the Tall Grass is surely not the movie which would make horror feel great, but is enough to keep it going, staying strongly within the genre, and using the tall grass to its advantage.

Release date: 4th October 2019
Running time: 101 minutes
Directed by: Vincenzo Natali
Starring: Laysla De Oliveira, Harrison Gilbertson, Avery Whitted, Will Buie Jr, Rachel Wilson, Patrick Wilson, Tiffany Helm, William Frater

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@ Cemetery Watch
✠ The Vampire Bat.

Escape Room

What is the movie about? :: Six people from different background, unrelated and unknown to each other are given puzzle cubes which they are supposed to open. The names include Zoey Davis (Taylor Russell), a Physics student who is an expert in her subject, and can’t stop talking about it even when she is not at the college, much to the dismay of the fun loving room mate who rarely understands anything that she says related to science and technology. Another name on the list is Ben Miller (Logan Miller) who is responsible for replenishing the stock at a shop, someone who is an introvert and has almost zero friends. Meanwhile, Amanda Harper (Deborah Ann Woll) is an Iraq war veteran, traumatised from her experiences there, but a perfect lady soldier who thinks she can go through anything. Jason Walker (Jay Ellis) is a stock trader who spends his time thinking about how to please his clients and make money. Mike Nolan (Tyler Labine) is a poor truck driver who wishes to earn some quick money.

So, what happens with the events here? :: The last one in the group is someone who is a gamer mad about the idea of escape rooms. Danny Khan (Nik Dodani), a man of South Asian descent, has gone through such experiences before and is excited to be part of this particular escape room game, which would provide the winners with ten thousand dollars, an amount which none of the group members would leave behind. They go to a floor at the top of the building and await further instructions from the game master. When Ben tries to open the door, the door knob falls off, seemingly showing that the game had already begin. They start looking for clues to escape from there, but the discovery of one clue only leads to the heat in the room to rise, and now they have to escape the place before they are fried alive in the first challenge itself. But this won’t be the toughest of their challenges, as many more rooms are to come.

And what else follows with the happenings? :: Even though they manage to find an opening to escape that particular room, there would be tougher challenges awaiting, and some of these tasks would have connections to their past, something which would come to their own mind at regular intervals while going through the escape procedure. There is no doubt about the fact that Amanda Harper, as an Iraq war veteran, would have a troubled past to remember from her time in the Middle East, but the question remains about what kind of past other participants would be hiding. What might be the reason why these six people who are not related to each other, and with nothing to connect them were given the puzzle cubes? Is it a game which itself has a past which had all of them together at a point? Are there some elements which make sure that these people have what it takes to survive, whether the brains or the muscles?

The defence of Escape Room :: The movie makes a fine treat within the genre, as there are puzzled to be solved, and very personal problems to be taken care of. The movie is a psychological as well as action thriller, and it also has the elements of drama with the characters’ past catching up quite fast. It can also be considered to be a part of a type, strangers-in-a-room subgenre, where only the toughest and the smartest can survive. We have seen such a situation before in The Belko Experiment, and during the times of Corona lockdown, this movie will surely catch one’s attention. There are some interesting rooms designed here even though we would have wanted even better ones. There are some nice situations being brought here for the protagonists too. We will also have some twists around here too, even though not that many of them.

The claws of flaw :: If you had watched the trailer, you would be expecting more from the movie. It does reveal a little too much of the movie, and as this one is of short run-time, there is less number of rooms. The movie could have started earlier with the action because here it starts twenty minutes in the film. There was scope for one more room to be squeezed in here with the same run-time, and with a slight increase in the same, another one could have been there. This idea has been tried and tested a lot, and it could have had something special as we see it being repeated here, but the same is not done. There is also some predictability which comes into the picture in the final stages, and the movie just tells us the names of the characters who are to survive towards the final stages – the three characters of whom we have had a few minutes of introduction, which was rather unnecessary addition to an unnecessary revelation. The ending is also ordinary.

The performers of the soul :: There is another movie in 2017 released with the same name, and what seems to be keeping this flick better could be the performances, as setting, puzzles and characters of the 2017 seems to be better from the trailer. In the 2019 version here, the one actress who looked perfectly suited for the role was Deborah Ann Woll, who played the Iraq war veteran in a very convincing way throughout the movie. The next one to make an impression is Taylor Russell who plays the character who has the most screen space, and it comes off without any difficulty. Logan Miller is natural in a usual person kind of role, and Jay Ellis suits here like Will Smith does in most occasions. Tyler Labine and Nik Dodani are the lesser players here, as we don’t get to notice them much except for the latter coming up with a funny side which is cut short too soon.

How it finishes :: With the premise that it had, Escape Room is a movie which could have achieved something bigger, and maybe it can with the upcoming sequel. The movie has its moments with the rooms, and keeping the audience at the edge of the seats trying to figure out who all will go to the next level, and how they can figure out the puzzles and survive each stage. With six people facing circumstances beyond their control, there was always going be thrilling fun, and this movie is no exception here. I was wondering that during these times of Corona, you can create yourself an escape room with puzzles. After all, we are all under lockdown, and going out is nothing less than a terrible violation against our own countrymen. So, lets play a game or two, decode some puzzles, answer some riddles, and create our own escape rooms in the house.

Release date: 4th January 2019
Running time: 100 minutes
Directed by: Adam Robitel
Starring: Taylor Russell, Logan Miller, Deborah Ann Woll, Jay Ellis, Tyler Labine, Nik Dodani, Yorick van Wageningen

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@ Cemetery Watch
✠ The Vampire Bat.

Viral

Vampire Owl: This title should be reserved for a vampire movie, and not the flicks like these.

Vampire Bat: They are using this title for parasitic worms, and not zombies, unlike what you think.

Vampire Owl: What? There are no zombies in this one?

Vampire Bat: There are people mind-controlled by worms which develop a parasitic relationship with the brain.

Vampire Owl: Oh! I had sent my zombie minions to watch this one thinking that it was a zombie movie.

Vampire Bat: It is okay. They can’t differentiate between the two with their infected brains.

Vampire Owl: I hope they don’t. If they get something to use against me, there will be trouble – I haven’t even paid them their wages for very long.

Vampire Bat: What? Where does all the money you earn as a senior vampire associate go?

Vampire Owl: I am building an ark as part of my plan to take over the world.

Vampire Bat: Please make sure that the world doesn’t take over you.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: Emma Drakeford (Sofia Black-D’Elia) and Stacey Drakeford (Analeigh Tipton) are two sisters studying at the same institution – the former is rather the studious kind and the latter the hyperactive one who keeps bringing some trouble to her sister. The former is attracted to their neighbour studying in their school, Evan Klein (Travis Tope) while the latter finds her boyfriend in the local boy CJ (Colson Baker). Their father, Michael Drakeford (Michael Kelly) who is teaching at the same institution has problems with his marriage, which he is trying to sort out from a distance. Meanwhile, there is news about a terrible virus causing some parasitic infection. But the United States government is confident that there is nothing in that virus that they can’t handle, and is keeping a close watch on people who travel from outside the country, and those who go out.

So, what happens next? :: When Emma’s best friend Gracie Lemay (Linzie Grey) manages to get the same infection, things turn upside down in their small town which is not prepared for such a thing. It seems that Gracie is going to die, and her parents provide the information that she is going to get better, but both is not correct, as something worse than death awaits them. The infection also spreads through another students whom she is contact with. The infection spreads wide from all corners of the continent and nation, and there is soon a quarantine on the whole county as with many other places in the country, as their father is stuck on the way trying to get their mother from the airport. Their mother can’t get out of the airport either. He asks them to stay at home, but they go for a party only to find out the infected there, unleashing terror, which seems to have Stacey affected, but she doesn’t show the signs then.

And what is to follow in the events to follow? :: They waste no time in getting back to their house and lock it up, only to know that things are only getting worse. The military is there and restrictions are made, with nobody allowed to be outside the limits of the town. Almost everyone stays at home, but that doesn’t really stop the infections from spreading, and nobody is safe. They keep listening to the news which brings them further hopelessness with events all around the globe including governments bombing a full town or city to contain the infections, and also see their neighbours being captured by the military who takes them away. The soldiers keep checking if there is any infected in the homes, and considers it against the law to have one inside, and when broken, would have serious consequences. With every attempt to escape quarantine not being fruitful, can the two sisters do the impossible? They have no idea what they are up against – nobody does.

The defence of Viral :: As many other movies including the many movies of Resident Evil, Viral uses the idea of a virus outbreak to end the world, and with the same, it does a nice, and a more realistic job. There is nothing exaggerated tried here, and we also have the support of the emotional side along with the horror and thrills to make this one a balanced movie dealing with these things. This one’s use of the parasitic worms to control the humans from inside while multiplying, provides a more terrifying feeling as we see them travel inside the skin. The movie also nicely builds its story from the beginning unlike other horror stories, and the protagonists seem to be a lot more likable with their sibling bonding side. The movie has the advantage of Sofia Black D’Elia who, along with being the prettiest person around, also has full control of her work, never straying. Analeigh Tipton comes second, and does pretty well with her big and rebellious sister role.

The claws of flaw :: There are those stupid decisions being made by the protagonists – there is possible virus outbreak outside and you might die, and still our people have no problem in going to a party and socializing with others who might be infected; well, party might be the most important thing for a new generation in some areas, but one would think that life is something of more significance. You are also very much provided with the idea that this movie could have been something bigger, and it keep you wondering about what kind of terrible attacks could have been witnessed on screen, and what all desperate measures the protagonists would have taken to escape them. All these could have been done quicker, without providing significance to a few repeated dialogues – well, we ask for the best from a virus outbreak causing end of the world, don’t we? Infections can bring more on the screen than people not infected.

How it finishes :: Despite reminding of other movies dealing with a terrible infection striving for the end of the world, Viral is also an interesting take on the same. It might feel like a deviation from the usual zombie horror, with people not being control of their minds, but the difference is that there are those worms in control right inside. There is one thing about which you will be sure about more than the rest – it will be about the need to see Sofia Black D’Elia in more horror movies, considering the way she has handled this one. Then there is another thing – this movie is surely a fine way to spend some time with a certain amount of thrilling moments of horror, which rises further above the opinions about it seen online. Also read the reviews of the movies in theatres right now, Thrissivaperoor Kliptham, Varnyathil Aashanka, Clint, Sarvopari Palakkaran, Chunkzz, Kadam Katha, Sunday Holiday and Thondimuthalum Driksakshiyum.

Release date: 29th July 2016
Running time: 85 minutes
Directed by: Henry Joost, Ariel Schulman
Starring: Sofia Black D’Elia, Analeigh Tipton, Travis Tope, Colson Baker (Machine Gun Kelly), Brianne Howey, John Cothran Jr, Michael Kelly, Stoney Westmoreland, Linzie Grey, Judyann Elder, Philip Labes

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Lakshyam

Vampire Owl :: When did this one release? I never knew.

Vampire Bat :: This one is more like a silent assassin. Not many people are aware of its release.

Vampire Owl :: I pity the humans; even we who live in another dimension are aware of this release.

Vampire Bat :: The humans are all after one movie only; they bring the hype for one movie, call it the greatest of all-time, and then bring it down.

Vampire Owl :: That seems to be quite the thing that humans do everytime. They even have that subspecies called fans for the same purpose.

Vampire Bat :: It also has a further subspecies, abusers, also known as the haters.

Vampire Owl :: Like they abused everyone who didn’t like the movie that much, and also those who didn’t watch the movie.

Vampire Bat :: Yes, for them, everyone needed to appreciate its greatness.

Vampire Owl :: That makes no sense, because everyone makes the effort; some people just have so much budget, and being rich, they have to struggle less.

Vampire Bat :: A fan is a fan. Read like, an idiot is an idiot.

[Gets the tickets with tea and cheese popcorn].

What is the movie about? :: There is an accident near Peermade involving a police jeep, and it is revealed that the vehicle was carrying two convicts who seems to have escaped after the crash. Vimal (Indrajith Sukumaran) and Mushtafa (Biju Menon) are the two former prisoners, now out in the forest. The former is accused of murdering his own girlfriend Shalini (Sshivada), a crime to which he has confessed. The latter is a small-time thief who has been trying to make it big, and was caught accused of having stolen a Rolex wrist-watch, of which there is no proof except for the fact that he was there when it was stolen. Handcuffed to each other, the two will require mutual help to survive, but one happens to be a rich orphan with only one relative in the name of a brother who is in the United States and doesn’t care; the other had a mother who killed his father, and now he is alone.

So, what happens next? :: So, both have to make it through the forest, and goes on with the journey after being chased by a bear and almost being bitten by a snake. Due to the tough circumstances, Mushtafa thinks about going back, as there is no clear evidence of him being the thief and he could get away at some point. But Vimal is adamant, and offers Mushtafa, a total amount of five lakhs if he stays with him through the tough journey, let him escape the police, and find the one who had actually murdered his girlfriend. Mushtafa finds the offer interesting because it was five lakhs that he wanted to make, to begin a new life with a mobile shop and leave his troublesome past behind. With the police after them, and a forest which seems to be never-ending, will they finally be able to find the real murderer and bring him to justice, as time runs out?

The defence of Lakshyam :: There is the certainty of thrills about Lakshyam, when it is present, along with a certain suspense factor, and nobody can deny the same here, even with those troubles which make way. We also have some humour, especially with Biju Menon around. The visuals of the forest are nicely captured here, and we get to see the world from the top, as if in a game such as Age of Empires: Age of Kings with those trees, rivers and small people all around; birds flying in different directions too. The song in this movie is also good, and well taken, even though not anything that would make the big difference. The movie is also successful in making us believe that something huge is on the way right at the beginning. The movie also becomes a distant morality tale in the end, with all things being solved, even though not without some trouble as expected. The message is more about the second chance, which is provided as a reward for goodness.

The claws of flaw :: You are certain to ask if the movie has used all its possibilities as a thriller of this kind – it is far behind in making the best use of the same. Even a certain amount of humour is done in a bad taste, something which is disappointing considering the potential of the two actors here, and the possibility with this situation and environment. The comic side was also something that managed to begin so well, but doesn’t really manage the same throughout the run. The main suspense is also revealed too early, and the potential places to insert the thrilling elements were not looked at. Coming from the pen of the man behind Drishyam, the remake Papanasam and Memories, we surely have expected a lot more with this one, even though this surely has the advantage over his last effort, Oozham. With Mummy and Me, Detective and My Boss, it was a faultless resume for Jeethu Joseph, and even Life of Josutty had held on – one wonders what is happening with the same.

Performers of the soul :: Biju Menon once again leads the way, and his comic timing is exceptional as usual – even otherwise, he never goes back, and there is not even a sign of the same. There is cent percent safety concerning him handling this particular role. We are also glad to see Indrajith back here, as he is one actor who has so many good movies in his pocket, and remains very much underrated – there is no hype surrounding him, and he delivers each and every time. Sshivada’s role is once again limited, as in the ridiculous movie Inspector Davood Ibrahim, and becomes nothing like Su Sudhi Vathmeekam – but she surely has a few charming moments, not something that is expected to stay for long. The supporting cast is also so small, and the most famous name in that list, Shammi Thilakan also has so much less to do. In a movie that has almost every scene with one of these characters, and three quarter of the movie with these two together, the rest just had to keep going on.

How it finishes :: Biju Menon is coming right out of three family movies which were not less than entertaining with the humour; Rakshadhikari Baiju Oppu, Kavi Uddheshichathu? and Swarna Kaduva. Indrajith’s last three movies were Vettah, Amar Akbar Anthony and Kohinoor, all being multi-starrers, his big surprise as the sole hero coming in the form of Angels. Both seems to have been choosing very well with their last few movies, which have kept us interested in their flicks that go on to be good enough for minimum guarantee. With the name Jeethu Joseph is added, Lakshyam also stays somewhere there, even though not as much as expected. The thrills are here and it should keep you interested at moments. As a movie with not much of a hype, Lakshyam making a pretty much okay run will surprise not just one or two people, but all who were looking forward to other movies. The big challenge to this movie’s existence, CIA, will still be there as the one with the hype.

Release date: 6th May 2017
Running time: 120 minutes
Directed by: Anzar Khan
Starring: Indrajith Sukumaran, Biju Menon, Sshivada, Kishor Satya, Shammi Thilakan

@ Cemetery Watch
✠ The Vampire Bat.

Midnight Special

midnightspecial-1

Vampire Owl: Now this one should be more about us.

Vampire Bat: What? I don’t see why!

Vampire Owl: It is midnight special. We are people of the midnight.

Vampire Bat: That was long ago. We are anywhere at any moment of time these days.

Vampire Owl: But what about our attacks during midnight?

Vampire Bat: The special plans are no longer limited to midnight, and there are no attacks.

Vampire Owl: But I do come up with attacks. Even on the last midnight, I scared twenty three people from outside their room’s windows.

Vampire Bat: Yes, but as a whole, we are a peace loving community.

Vampire Owl: Never mind. I will launch my personal attacks with my zombie minions.

Vampire Bat: As long as you keep it not connected to the vampire community, it should be fine.

[Gets three cups of masala tea with potato chips].

What is the movie about? :: Roy Tomlin (Michael Shannon) and his friend, a former state trooper Lucas (Joel Edgerton) are on the run with an eight year old boy named Alton Meyer (Jaeden Lieberher), as alerts keep coming on the television about a missing boy with Roy named as the kidnapper. Roy is revealed to be the father of the boy, but he has been trying to escape from both the government as well as a mysterious and fanatic religious cult, both who have been chasing the group of three. But the group is not willing to stop at any cost, and hopes to get further away from those who wants to capture them. The boy who is extremely photosensitive is protected by them, who are joined by Sarah Tomlin (Kirsten Dunst) who is the boy’s mother who is extremely delighted to see them again, but is not happy with almost the whole country chasing them.

So, what is it really about? :: This fanatic religious cult called The Ranch has been raising Alton for a long time, as he is supposed to be some kind of a saviour for them, who has come after years of prayers from them. Pastor Calvin Meyer (Sam Shepard) will not stop until he has his cult’s messiah back with them, and has sent his people to find the boy. At the same time, Agent Paul Sevier (Adam Driver) finds encoded satellite transmissions in the pastor’s sermons which is supposed to have been found from Alton’s talks, and it has FBI right after them, finding the boy as a threat to the national security. more and more people seems to be after them, with running and hiding becoming rather too difficult for the group. With time running out for them, they decide to keep fighting.

So, what happens next? :: The fact that this special boy even brought one satellite down just because it was tracking them, doesn’t help their case at all. One boy with so much of power seems to be something which the government can’t afford to go free – they surely has more plans for him, as there are more people after him after causing what seemed to be a meteor shower in the form of a destroyed satellite. They are also involved in terrible confrontations with state troopers and don’t get much of help from even their old friend from the cult. As the journey goes on, the boy only gets weaker and weaker. With him seeming to be extremely sick and might even possibly die, there seems not be not many options around other than to give up. But Alton himself has another idea for him, which none of his guardians can agree to. In the end, will they find the secret behind his powers and get him to safety?

The defence of Midnight Special :: There is a different story in store here as this science fiction flick’s divergence works throughout its run. Its specialty should be that it keeps the supernatural at a distance rather than exposing it to us in the beginning itself. It successfully keeps us guessing in the beginning stages as we wonder what this boy is all about, and what big twist is coming up near end. There is something huge going to happen, but we have no idea what it is, and the more we guess, the more we get confused – this one provides that kind of a feeling throughout its stages. The whole movie goes on like some chase, and our protagonists rarely get to stop here or there. The power of visuals are there when they are used to the movie’s advantage, even though that last very less. We are also left with the hope for a sequel in the midst of an emotionally powerful ending that comes as the end is reached, and you know that the drama works towards the end – the finish has its sadness.

The claws of flaw :: Well, Midnight Special is a movie which had the potential to do something better both with its philosophy as well as its content which wanders rather too much on the emotional side, due to which the ending is also not a thrilling one – something which has surely contributed well to its lesser total collection from the theatres. If there was more focus on what was happening rather than diving deep into the emotional side without enough explanations, this one could have done a lot better for the common man as well as those who think. There are mysteries that are not solved, and there are moments which could have been presented in a better way. With some signs of the visual spectacle which it could have been, also there, maybe there was surely the idea to do more, but it was to make itself just a good movie instead of becoming that special movie which was to stay in our minds for a long time.

How it finishes :: One special thing about Midnight Special even when it slows down in pace so much, is that it is a science fiction movie with a stronger human side than many others including Interstellar and Gravity. With Michael Shannon coming up with an emotionally powerful performance, and Kirsten Dunst supporting the same later, we have Joel Edgerton’s character as the most likable, and Jaeden Lieberher does a very good job as the kid too. Despite not everyone liking this movie in this same way considering it as a flick which would depend on the tastes of people to have it loved, one can be sure that Midnight Special will affect its viewers in one way or the other. You will also wish that it was a better movie, but one feels that this is exactly how the makers wanted the movie to work, and in no other way. Take your time and find what can be termed “special” in Midnight Special.

Release date: 18th March 2016
Running time: 111 minutes
Directed by: Jeff Nichols
Starring: Jaeden Lieberher, Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver, Sam Shepard, Paul Sparks, Nathan Brimmer, Bill Camp, Scott Haze, James DuMont, Billy Slaughter, Sean Bridgers

midnightspecial

@ Cemetery Watch
✠ The Vampire Bat.