See No Evil 2

Posted on June 25, 2015 by Tennyson

Vampire Owl :: I feel that we shouldn’t watch this movie.

Vampire Bat :: Why? You didn’t like the first movie?

Vampire Owl :: No, not that; even if we tell others that we see See No Evil, we actually see the evil which is committed on the screen, but it should be about seeing no evil. So, it implies that we are lying. You will be writing about this movie. So, if you write that you saw See No Evil, that means that you saw all the evil deeds on the screen and in the end, it means that you saw evil instead of not seeing the evil. That is a lie. Vampires don’t lie.

Vampire Bat :: I don’t get this see-saw evil. What are you talking about?

Vampire Owl :: I am saying that this movie asks us not to watch it, and it is a fact.

Vampire Bat :: I don’t really think that you should create a complicated issue out of a horror slasher movie and its title.

Vampire Owl :: How can you say that? I demand the right to use my owlish brain.

Vampire Bat :: Why does it never work when needed?

Vampire Owl :: I can’t help it. I am an evil genius and my needs are different.

Vampire Bat :: So, it is true that the branch of a tree fell on your head?

[A few minutes of silence].

What is it about? :: Amy (Danielle Harris), Seth (Kaj-Erik Eriksen) and Holden (Michael Eklund) are working at a morgue late night. As it is Amy’s birthday and with her getting ready to leave, they get to know that the bodies of nine victims of a murderer are being brought, along with that of the killer, Jacob Goodnight (Kane); and she decides to stay and help them instead of going for a party. Due to her absence, her friends Tamara (Katharine Isabelle), Kayla (Chelan Simmons) and Carter (Lee Majdoub) sneak in to celebrate her birthday along with her brother Will (Greyston Holt) as they begin a party in the morgue. But what will they do when they find out that the killer is alive and is killing one after the other?

The defence of See No Evil 2 :: Coming from the Soska sisters Jen Soska and Sylvia Soska who came up with the movie American Mary in 2012, this is a sure improvement from there – that movie itself had some nice elements, but none that effective. They have also starred in the nice beginning credit scenes as corpses. There is nice treatment of this regular slasher movie which makes it rise above the ordinary. See No Evil 2 is surely going to be something of interest for the WWE fans. There is Kane doing what he has done in WWE for a long time; there is total devastation as he used to do with his opponenets. Jacob Goodnight is sure to become a character to be remembered for a long time, and the setting and the style only adds to the overall terror quality of the movie. The elements of fear nicely focuses on the killer and the environment. It is good fun with thrills.

The claws of flaw :: There are things that go on without reaching anywhere, with the attraction between the co-workers and the brother-sister relationship being just two of them. The return of the villain doesn’t have any explanations, as we can’t stop feeling that it is just an attempt to make things work once again with the same character and the actor. There is a certain supernatural feeling about the character with surely damages things. The flashbacks which go back to the first movie only makes things too strange and less interesting to follow as they break the continuity of the story. The horror elements never really go above a certain limit which has been set by the inability to do anything special. The killings are nothing beyond the ordinary, and the ending is just something which could have been better planned.

Performers of the soul :: Glenn Thomas Jacobs whom we know as the WWE wrestler Kane remains the biggest asset of this movie, and it surely was a good idea to bring the character back for him, as he seems to do this role with certain ease. Working as the brother of The Undertaker and being part of The Brothers of Destruction was a job too good with the mask, and this one has him returning with another mask. Danielle Harris is one of those scream queens who has been there in horror movies doing similar roles for a very long time, mostly related to two movies of Hatchet series and four belonging to the Halloween franchise, and the list doesn’t end there. She is right there with the role, but it is Katharine Isabelle, the other queen of horror who steals the show – the one from Ginger Snaps franchise and American Mary, not easily recognizable in this new style, but this is a different character for her as she adds humour and fun to this movie.

How it finishes :: With some fun and scares here and there, this one is a sure improvement from the first movie. The environment, the leading character and the two leading ladies are those factors which make sure that this works better than the previous movie. We have had some interesing killers including Jason Voorhees, Freddy Krueger, Michael Myers and Victor Crowley; so Jacob Goodnight will only add nicely to that list which has the stranger names like Rusty Nail and Chrome Skull. There is one certain thing about this franchise, and it is that the whole thing has managed to move away from the weaknesses of the first movie. See No Evil 2 works, and how much it works is dependent on the taste.

[After watching the movie].

Vampire Owl :: I think that we should follow the pattern.

Vampire Bat :: What pattern?

Vampire Owl :: This one tells us how to establish a base at the morgue. Why didn’t we ever thing about it?

Vampire Bat :: I am currently thinking that this is better than the predecessor.

Vampire Owl :: Yes, that is established already. What about the pattern?

Vampire Bat :: I don’t think that we should establish new vampire bases without permission from Uncle Dracula.

Vampire Owl :: Yes, the permission has to be taken, but this is one place where we can establish the base without further trouble.

Vampire Bat :: You don’t think that the current cemetery bases will be enough?

Vampire Owl :: No, there is something big coming. I can feel it. We need the morgue.

Vampire Bat :: It is Insidious: Chapter 3. Just make sure that you watch it.

Release date: 21st October 2014
Running time: 90 minutes
Directed by: Jen Soska, Sylvia Soska
Starring: Kane, Danielle Harris, Katharine Isabelle, Chelan Simmons, Michael Eklund, Kaj-Erik Eriksen, Greyston Holt, Lee Majdoub, Sylvia Soska, Jen Soska

@ Cemetery Watch
✠ The Vampire Bat.

The Purge: Anarchy

Posted on June 24, 2015 by Tennyson

Background to the franchise :: Most of you might have watched the first movie of this franchise, and other might have surely heard about it here or there. It is basically about the United States of America of another reality. Unemployment has been successfully brought to a new low. As the number of people below poverty line decreases every year, crime becomes something which is rather not known. All thanks to the Purge, which has made all crime legal with all police, fire and rescue, and hospital emergency services closed down for one night a year, for twelve hours, from seven pm to seven am – anything goes at that time period. This idea by a totalitarian party called The New Founding Fathers of America makes sure that there is catharsis, and also that there is a certain amount of population control of the poor, as the wealthy rarely become victims of the twelve hours of crime.

What is it about? :: We know from the last movie of the franchise that the most successful Purge happened in the year 2022. Here, we are in the very next year, as 2023 gets ready for the year’s big festival of brutality and chaos. It is March 21, 2023, and as the time comes closer, everyone wishes the other “Stay safe”. There are only two things to do for people, to go on a murder spree or hide themselves somewhere indoors with enough security added. At the same time, there is the anti-Purge revolutionaries hoping to strike back in defence of the poor. There is one armed police officer looking for revenge on the streets as he was denied justice by the law that he trusted, a husband and wife are left on the road with car trouble and a mother and a daughter are trying to escape from a group that captures them. The rest of the movie is what follows on the day of the Purge.

The defence of The Purge: Anarchy :: There is a lot more to this sequel than the predecessor. There is a certain expansion on what was there in the first movie, especially with the idea. The bloody images that the movie shows are extremely powerful, and this is also the first time that we get the clear view of what happens outside in the streets during the Purge instead of how it turns out to be inside one house and maximum, a neighbourhood. There is an even clearer picture what happens outside the rich neighbourhood and how the poor or even the middle class are treated during the Purge. and it moves out of the possibility of being caught in the stereotype. You can say that it better expresses what the first movie had in mind. The ending is really good too, and it is a real positive whichever way you look at it.

Positives and Negatives :: The true nature of people that The Purge: Anarchy brings is not going to be nice for all kinds of viewers. There is the loss of humanity, and the cruelty that is sponsored by the government as well as the corporates, as the wealthy also hopes to have their right to purge without risking that much. The right to life has been replaced by the right to kill – new fundamental right. So, one needs to prepare to be shocked. As things get further revealed, it is not just what is on the screen that brings the shock, but also what hides behind which is even more. It is how the whole thing is designed that has more power than what stays on the screen for the viewers to watch. It is about what might happen in many forms, and its brings that realization that all violence has a few bigger master plan that hides behind a mask. But the premise could have had even further development!

Performers of the soul :: The second part has more characterization involved, and the limitations of the first one are overcome as the Purge goes wider and with more opportunities for terror. Frank Grillo is the one who leads the way with the performance just like he did with the Purge in the movie. He played Brock Rumlow (comic book character Crossbones) in Captain America: The Winter Soldier and will make the grand return in Captain America: Civil War. He reminds one of Eric Bana. Zoë Soul and Carmen Ejogo nicely plays the next significant characters in the movie. The rest of the cast including Kiele Sanchez and Zach Gilford also does fine in their respective roles, but the hero still remains the theme – with the support there in the performances.

Soul exploration :: The Purge: Anarchy has a dark soul. Even without the blood and gore as some other movies, it isjust brutality in store. It has a government which allows the same, and a media which celebrates it. The wishes are for the success of the Purge as if it is a need. There are also government officials granted immunity from the horror of the pledge. It doesn’t give humanity a place. There is class divide, and it is on the blood of the lesser privileged human that the Purge thrives. It is also a reflection of the truth that basically nobody likes the other. So the basic idea is to save oneself from the other or kill the other. In case of a communal riot, it is not so different in the present world too, isn’t it? There are occasions when people descend into so much of chaos, and Purge is just an example of the same. Things only get worse when people in power need this to happen.

How it finishes :: The Purge: Anarchy is more thriller with a message rather than the horror-slasher. It nicely explores the human nature and its tendency for violence even against their own people. It shows how government joins in to take advantage of the same, and use it to their political advantage and the ease of administration. Then there are the corporate rich who hopes to take advantage of the poor, making sure that their deaths happen to the rich Purge satisfaction, as it is also an opportunity for them to become richer through selling arms and ammunitions as well as the security systems to those who can afford them. When seeing wars, terrorists attacks and communal riots, there is question of who is to blame, and there are many answers in this movie, and no, you can’t blame religion, things are much bigger than that.

Release date: 18th July 2014
Running time: 103 minutes
Directed by: James DeMonaco
Starring: Frank Grillo, Zoë Soul, Carmen Ejogo, Kiele Sanchez, Zach Gilford, Michael K. Williams, Justina Machado, John Beasley, Jack Conley, Noel Gugliemi, Castulo Guerra, Edwin Hodge, Keith Stanfield, Roberta Valderrama, Brandon Keener

@ Cemetery Watch
✠ The Vampire Bat.

Jurassic World

Posted on June 13, 2015 by Tennyson

Vampire Owl: Are you sure that the dinosaurs haven’t ever allied with werewolves and were not the enemies of the Old Vampire World?

Vampire Bat: Yes. It says right here in the Grand Vampire History and Encyclopedia. Dinosaurs were a neutral group of creatures who preceded the Draconian Reptile Order, but has no direct relation with any of the magical species of the present world.

Vampire Owl: Lets watch the movie then.

[Gets the tickets].

✠ This was recently posted by me at Kiagia.com where I handle the Hollywood movie reviews division: http://www.kiagia.com/index.php/current-film-releases-movie/867-jurassic-world-movie-review.html

A long time has passed since our last adventures in a park of dinosaurs. It took the makers quite a long time after that 1993 movie which had a big place in our childhood and also spawned two sequels which made a much lesser impact even when taken together. The aim for this third sequel seems to be simple – as they understand that sequels and remakes are doing wonderful work these days at the box-office. It is not easy to match up to a movie which had become the highest grossing movie, breaking all records, until Titanic came up to claim the status of the highest grosser of all time – but Jurassic World was going to give it a try.

A new dinosaur theme park is open with live dinosaurs, twenty two years after the incidents which were featured in the first Jurassic Park. Claire Dearing (Bryce Dallas Howard) is the park operations manager, and her nephews, Zach Mitchell (Nick Robinson) and Gray Mitchell (Ty Simpkins) arrives at the park for having some family time together along with enjoying the special features of the place. The park had become a favourite destination for the tourists and had grown a lot with its environment and the new varieties of dinosaurs. Owen Grady (Chris Pratt) is a trainer of Velociraptors, who is asked by Simon Masrani (Irrfan Khan), the owner of the Jurassic World to check for safety at the enclosure set for a new genetically modified dinosaur which they call the Indominus Rex.

The dinosaur turns out to be smarter than they thought, as the creature manages to get out of the enclosure while pretending to have already escaped, and Owen just manages to get away at the last minute. The rest of the movie is about the destruction that the creature causes and how the team at the Jurassic World led by Owen and Claire manages to finish it off, as the hybrid dinosaur unleashes chaos, taking out the tracking implant from its own body and asserting its supremacy over all other creatures. At the same time, they also have to find the missing brothers who were on a ride which was cancelled with the declaration of emergency throughout the park.

As most of the fans might have expected, Jurassic World is nowhere near the original Jurassic Park. But among the sequels of the original movie, this one manages to be the best so far. The movie is full of entertainment even with those occasional moments of slight drag. There are some nice attractions and good design of dinosaurs with fine use of the CGI and the special effects. The new park which has its last name replaced is a joy to watch with its design and visuals. The creatures look better as you would expect, and the battles have also gone bigger with those better dinosaurs and people armed with better weapons. But there was the need to show and explain more of the new park, establishing it as a genuine wonder for the tourists.

Chris Pratt doesn’t go on like in Guardians of the Galaxy – he is not even the central character here despite the fact that he might be the one who goes through the maximum action sequences. It is a different kind of character from that space action movie, and he manages it very well. The scene with him riding on a bike surrounded by the raptors is a very nice one, and he is the one real action hero of this movie. The main character is played by Bryce Dallas Howard, and she is like the least interested character who manages to get forced into the action and she works that out very well. There is also more humour when she is around, and she contributes to saving the day as much as Chris Pratt and sometimes even more.

Irrfan Khan is a fine reason for the Indian audience to watch the movie. If you remember seeing him in The Amazing Spider-Man, this is a similar role, but lasts longer and actually he does more in this movie – another millionaire, ambitious, but not really villainous this time. But there is surely limited scope for performances in a movie ruled by dinosaurs who remain the true performers just like they have been throughout the franchise. This is the same reason why the smartness of the dinosaur should have been better used instead of its size and strength – may be it could have been shown to hunt more by using its intelligence causing the humans to come up with stranger ideas to bring it down. That would have meant scope for more stylish, and yet intelligent action.

Jurassic World is a movie that brings you some dinosaur nostalgia as the memories of your childhood’s most awesome movies come back to life. There are moments which remind us of the first movie of the franchise. There is no other creature which sells like the dinosaur in a movie, and it was evident with the rush at the theatre. The specialty of this one is that the whole thing connects better even to people with a wide variety of preferences. This could have used more wonder and tension, but this still manages to be your fine entertainer with scope of becoming a nice blockbuster, and may be even go on to become the third highest grossing movie of the year with half of 2015 gone, after Fast and Furious 7 and Avengers: Age of Ultron.

Release date: 11th June 2015 (India); 12th June 2015 (USA)
Running time: 130 minutes
Directed by: Colin Trevorrow
Starring: Chris Pratt, Bryce Dallas Howard, Vincent D’Onofrio, Ty Simpkins, Nick Robinson, Omar Sy, B. D. Wong, Irrfan Khan, Jake Johnson, Brian Tee, Lauren Lapkus, Katie McGrath, Judy Greer, Andy Buckley, James DuMont, Jimmy Fallon

@ Cemetery Watch
✠ The Vampire Bat.

Mad Max: Fury Road

Posted on May 18, 2015 by Tennyson

Vampire Owl :: Do you know that this director’s last movies were Happy Feet and Happy Feet Two?

Vampire Bat :: Yes, the Vampire Penguin did inform us about the same.

Vampire Owl :: And we are going to watch this one.

Vampire Bat :: Ninety Nine percent at Rotten Tomatoes and nine out of ten at IMDb for an action movie – then why not watching it?

Vampire Owl :: Well, I have my doubts. They rate random violent action movies as awesome. Quentin Tarantino knows that for sure.

Vampire Bat :: Quentin Tarantino has nothing to do with this one. And the trailer was awesome. It called for a quick 3D watch!

Vampire Owl :: It could be also because we love Charlize Theron.

Vampire Bat :: Rosie Huntington-Whiteley is also there, if you want another reason. Remember Transformers: Dark of the Moon.

Vampire Owl :: Let’s go for this then.

Vampire Bat :: It is exactly what I am talking about. I also have to write my two hundredth review with this one.

[Gets the tickets].

What is it about? :: In a distant post-apocalyptic future where the resources are scarce and there is rarely the trace of civilization, Max (Tom Hardy) is captured and is imprisoned to be used as a blood bag for the sick boy Nux (Nicholas Hoult) in a part of the world which is ruled by a tyrant called Immortan Joe (Hugh Keays-Byrne). Meanwhile, Imperator Furiosa (Charlize Theron) who was sent by Joe to collect fuel drives away, and the tyrant realizes that she had also taken his five beautiful wives whom he had selected to bear his children without the deformities of the normal people around him. As Nux makes an attempt to make an impression with the captive attached as the blood bag, Max escapes, and joins forces with Furiosa and the wives Angharad (Rosie Huntington-Whiteley), Capable (Riley Keough), Cheedo (Courtney Eaton), Toast (Zoë Kravitz), and Dag (Abbey Lee), as they hope to reach a location called “Green Place”.

The defence of Mad Max: Fury Road :: This one goes directly into the action, and we know what is expected here. We have something like the ultimate action movie which is so quick in its action and thinks not much about bringing up the rules. There are modified vehicles battling in the middle of nowhere – a lot like warships fighting on the sea, and here the four-wheeled monsters fight on the sea of sand. There are sandstorms instead of the storms in the sea, and there is a lot of work in the design of those vehicles, that is for sure. There are gunshots, melee combats, racing and people falling dead all the time. The pace is so good that you don’t wish to take your eyes off the screen. The dialogues also turn interesting soon enough. The background score is also impressive. There is also that display of humanity when it is left with no law and order, as we see the chaos which the lack of civilization brings to the humans. There is madness, and there is fury!

The claws of flaw :: Never does this movie venture too much without the action which seems to be imprinted throughout its run. There is the scope for more and more of story, but the focus remains on the action sequences which keep coming. This leaves the option to say that this is another mindless action movie – but that is still disputed, and depends on how you take it. The ending also doesn’t come up with that big surprise or climax, as the action just continues to lead to the end. There are things left unexplained about the situation, and there is not much smartness displayed by the characters in this movie as the actions are rather reckless. Yes, there is the need for willing suspension of disbelief, but it is easy in this case as the situation is of a post-apocalyptic future.

Performers of the soul :: The performances, especially from the leading cast remains the strength of this movie. The first name that needs attention here is Charlize Theron. This is not the kind of avatar in which you would expect to see her, but this is a role in which she excels. She plays the character who becomes the reason for this movie as well as all the action that we get to witness. She plays an amputee, but is still one of most powerful female action heroines of all time. Tom Hardy also makes it out strong as the titular character, and he surely has the best moments. You might not recognize Nicholas Hoult in the first look, but he steals a few moments nicely. The ladies play the wives well, and another person you need to look out for is the former WWE wrestler Nathan Jones who had teamed with the legendary Undertaker himself, as the strong Rictus.

Soul exploration :: The movie ventures in the post-apocalyptic future when the world has plunged into chaos. It comes up with that situation when almost all the resources have finished, and also when humanity finds chaos again in the absence of civilization. Without order, there will be only people fighting each other, and it is a possible state of the world in the future in the presence of its never-ending wars. As no surprise, the future will still have its weapons, even if the resources are to be so scarce. The final stages mean that someone will try to have them all without thinking about sharing. An experience close to the end of the world won’t make people any better, but will make them worse, trying to make “the survival of the fittest” happen in every case. Then there is the need for redemption as often spoken about by the main lady, and for the same, there is need for courage, sacrifice and revolution.

How it finishes :: Mad Max: Fury Road might not do that well at this part of the world as it is not the usual viewers’ choice action movie with the users’ choice kind of things. This is mostly action, but things remain too grim for the general audience who would surely prefer to see Avengers: Age of Ultron or Fast and Furious 7 instead of this one. But you need to watch this one in the theatre more than any other, as you seek chaos in the sands past the apocalypse – the world is so good that it might even make you satisfied only with the 3D. Mad Max: Fury Road becomes the movie of the week; not so sure about the box-office collections, but it is a certainty with the critics and action lovers. This is actually the fourth film in the director’s Mad Max franchise, and may be we should watch the others too – I haven’t done it yet. This brutality in brilliance gives an order!

And that was the 200th review! 😀

Release date: 15th May 2015
Running time: 120 minutes
Directed by: George Miller
Starring: Charlize Theron, Tom Hardy, Rosie Huntington-Whiteley, Zoë Kravitz, Nicholas Hoult, Hugh Keays-Byrne, Abbey Lee, Riley Keough, Courtney Eaton, Nathan Jones, Megan Gale, Josh Helman, Melissa Jaffer, John Howard, Richard Carter, Jennifer Hagan, Gillian Jones, Angus Sampson, iOTA, Joy Smithers

@ Cemetery Watch
✠ The Vampire Bat.

Age of Ultron

Posted on April 25, 2015 by Tennyson

What is it about? :: The movie begins with the team of Avengers including Captain America (Chris Evans), Iron Man (Robert Downey Jr), Thor (Chris Hemsworth), Hawkeye (Jeremy Renner), Black Widow (Scarlett Johansson) and the Hulk (Mark Ruffalo) attacking a Hydra fort which is concentrated around a town in Eastern Europe. They manage to recover Loki’s Scepter and get out of there, even though they meet two enhanced humans, the Maximoff twins (Elizabeth Olsen and Aaron Taylor-Johnson) who offer tough resistance with their special superpowers. But an attempt by the two part-time superhero scientists of the group to use the artificial intelligence within the artifact goes the wrong way as it unleashes what they called the Ultron and it takes over almost all the available information in the internet including the protected information. The new creation attempts to get stronger with one aim in mind – the extinction of mankind.

The defence of Avengers: Age of Ultron :: This second movie is a big improvement from the first movie, even though there will be big fan boys of the predecessor who will find it very difficult to accept the same. Here, we see more brains than any usual Marvel movie. There is improvement in almost every department, with the characters, special effects as well as the action sequences. The addition of the two new characters, Quick Sliver and the Scarlet Witch in the form of the Maximoff has powered the movie big time. Even the dialogues get better with this one as the funny as well as the thought-provoking moments work wonders, and there is more strength in each department added separately. The action and the dialogues are given so much attention that we feel that just the minimum plot is needed. This looks so good and works so good, and the defence says that you money will be well spent as sparks fly with maximum strength.

Positives and Negatives :: Some of these can give the feeling of being repetitive, and even with a small presence of this repetition, if you feel more than a small amount of the same, it is because you don’t see the big complete picture here. The plot about having the artificial intelligence seeking the destruction of mankind and the loading of consciousness happen to be too common these days, but this has managed to handle the same very well so that the feeling of having gone through this is minimal. It takes a big effort to improve from a movie which was so loved, and the success of Avengers: Age of Ultron comes as a lesson to many superhero movies which are waiting to be released. You can say that there was too much action and so many superheroes, but count them as positives. The only one thing which we miss from the previous movie is the presence of Tom Hiddleston as Loki – but considering how the Marvel Universe is progressing, he should come back only in another story.

Performers of the soul :: What you have to love here is that Jeremy Renner finally gets his due, as Hawkeye becomes that identity of the group who is more human that anybody else, and helps his team to come back together. To be frank, all the characters get some extra in this one, and the only person who might have got slightly lesser in significance might be the Iron Man itself, but then, he comes up with moments of his own – for he is Robert Downey Jr. Chris Evans’ Captain America still remains the most likable character in movie and he is so much the man to admire. Mark Ruffalo’s Hulky side continues being the better one and the romantic elements are rather unnecessary, as it also makes Scarlett Johansson less Black Widow and more Natasha Romanoff when not needed. You also have to love how Cobie Smulders makes an impression in what seems to be a smaller role, and Samuel L. Jackson continues to make the big impact – well, he is the fury with all the fury!

Further Performers of the soul :: Anthony Mackie as Falcon has a small presence while Don Cheadle as War Machine gets more even though not anywhere close to the Avengers and the big newer additions to this movie. The two artificial intelligence creatures are well-portrayed, but if you ask me about the best addition to this sequel, I would go for the enhanced twins. I remember last seeing Aaron Taylor-Johnson and Elizabeth Olsen together as husband and wife in Godzilla, and now we have them as the twins. Even though the former has some very nice moments of action, it is the latter who steals the show as the character we know in the comics as the Scarlet Witch. When the former depends on the slow motions sequences which are created to indicate his speed as the Quicksilver that he is in the comics, the latter has her much weirder skills as she goes on and makes the character a joy to watch – she is so perfect in this avatar; check her expressions and movements while in action, and you have to love this casting.

Soul exploration :: While it will be interesting to see what Elizabeth Olsen’s Scarlet Witch will have to offer for the Avengers in the next movies, let’s get into this movie’s soul. The first movie was too simple, and it was like there is an alien invasion coming up and a superhero team has to save the world just like that – but here we have a movie which is more than just mindless superhero action – this one has space for thoughts, and an expansion of the movie’s ideas in our own way. The movie asks one major question about chaos and order, and where the truth and a perfect righteous situation lies – in the acceptance of order or in the chaos that comes with a revolution? Another question is if the human extinction is the only right way to peace. We all want a better world, are we prepared to change? There are times when you have to feel the mankind itself is too less worthy. Do we find peace these days? We haven’t even evolved out of religious, caste-based and ethnic hatred, and we always have new ones coming up.

How it finishes :: Avengers: Age of Ultron is a spectacle of a very high quality, may be matching that of the immortals of Asgard, and you need to watch this one at the theatre itself. I was not surprised by the houseful shows of this movie at the local theatre too, as this is that good, even in the non-3D version which was there. Yes, it is quite understandable that Fast and Furious 7 managed to be pretty much okay and for the love for the series and Paul Walker, we just can’t stop thinking about that movie. But after two weeks, the big one has released, and this might the highest grossing movie of 2015 if surprises won’t jump in. Well, it will be more of a shock to me if this one won’t end up as the movie which brought the most money for its makers. Avengers: Age of Ultron deserves your presence, and there is absolutely no need to wait for anything else right now. Mark my words, and don’t listen to the lesser mortals, for the Vampire Bat finds this one better than its predecessor, and this is like the heaviest action ever.

Release date: 24th April 2015 (India); 1st May 2015 (US)
Running time: 141 minutes
Directed by: Joss Whedon
Starring: Elizabeth Olsen, Chris Evans, Robert Downey Jr, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Mark Ruffalo, Don Cheadle, Cobie Smulders, Aaron Taylor-Johnson, Hayley Atwell, Paul Bettany, Anthony Mackie, Samuel L. Jackson, Idris Elba, Stellan Skarsgård, James Spader

@ Cemetery Watch
✠ The Vampire Bat.

Fast and Furious 7

Posted on April 10, 2015 by Tennyson

Vampire Owl :: Its been quite a long time after the release. What took you this many days to watch this one?

Vampire Bat :: I just couldn’t get the tickets, even at the more local theatres where audience usually avoid the English movies.

Vampire Owl :: I thought so. After all, this was a much expected movie of the year, not as much as Jupiter Ascending for you, but still you seemed to avoid this one.

Vampire Bat :: I waited for the queue almost everyday for the first show, but couldn’t manage to get a ticket, only now I managed it now because they changed this movie to the bigger movie hall switching places with the other one.

Vampire Owl :: Well, there were other ways, but I know that the Vampire Bat never do a ticket reservation. He just stands in the queue everyday.

Vampire Bat :: Yes, all this for the privilege of watching this movie with such an audience who turns into chaotic people when the lights are switched off.

Vampire Owl :: The darkness of the theatre is scary, I mean it is not even the real darkness but created by man.

Vampire Bat :: It is a dangerous place indeed; strange beasts roam around, some of them howl, others whistle and few others talk in a language which comes out as abuse.

Vampire Owl :: So, it has worsened. This is why we should watch movies more at home rather than anywhere else.

Vampire Bat :: Yes, but I have already watched this one and is ready with the review.

[Leaves for the tea shop].

What is it about? :: With Owen Shaw (Luke Evans) and his team defeated, Dominic Toretto (Vin Diesel) and his crew might have thought that life was going to get simple and without problems, but they were wrong. It comes to light that the old villain had an older brother, Deckard Shaw (Jason Statham) who hopes and strives for revenge on the crew who put his brother in a terrible position, and for him, vengeance is beyond that word – he is like a man custom made for things like these. After Han-Seoul-Oh (Sung Kang) is killed, a bomb explodes which puts Brian O’Conner (Paul Walker) and Mia Toretto (Jordana Brewster) as well as their child in a precarious situation, and the protagonist decides to take things into his own hands. After the funeral of Han, the team will return for their final mission, but that won’t start with the attempt on taking the big Shaw down; there will be more to it.

The defence of Fast and Furious 7 :: The action is fast and furious, thus posing no scope to bring any challenge to the name of this movie. The movie is more action than any other element, and wastes no time in getting to it; the vengeance element stays strong and so does the tendency for turning into a heist movie in parts. The comic side also work, just at times. The cast stays strong, and the power of the action sequences can never be questioned. There are also some free lessons for Bollywood if they are making any disgusting sequels to Krrish or Dhoom – they should learn something and not copy – don’t go down to the abyss while making the next movie in one of these two ridiculous sequels.

The claws of flaw :: We can’t have this one at the top if we consider the other movies of this genre or those of the same franchise. The transformation into a full action movie with revenge as central theme might bother some fans, and this one is also free of any possible racing elements which some people might have wanted. The action sequences do ask for a lot of willing suspension of disbelief, even more than you used to do, with this franchise. May be there was the need to set a limit, but being fast and furious should go beyond the limits, if we go into deeper thoughts about it. Another problem might be about the story going predictable, but that also just comes with this one.

Performers of the soul :: The movie is a fine tribute to Paul Walker, and it was good to watch him doing what he always did the best. We will surely miss him if a sequel or a reboot for this series will ever come to us. Vin Diesel is fine as usual and continues his good run in the series even though I have always liked him more in Riddick as the titular character. Still the best moments of the movie goes to Dwayne Johnson who has more awesome seconds in the beginning and end, making so strong an impact. You will know that he is the one true cavalry. Jason Statham wasn’t that much of an interesting villain here as expected, even though he does deliver a punch or rather a number of them. I would say that a different “type” was needed here with the character. Nathalie Emmanuel looked amazingly good in the movie, and was a very nice addition to this one.

Soul exploration :: This certainly works as that wonderful tribute to Paul Walker as his final movie. There are some very nice stunts featuring him, and the final few scenes which provides a beautiful farewell to him. This was never going to be an easy job after his demise, but they have surely managed well. Once again, the movie itself is all about family and brotherhood – something that continues with the same power. Fast and Furious 7 has its heart and soul right there. The emotional moments are all about supporting the same, and there is very fine success there. There is something clearly for the soul there, and it feels so good.

How it finishes :: Fast and Furious 7 is that movie which had a wonderful reception here, far beyond the expectations. I waited so long to get a ticket not in the malls, but at those local theatres, and finally got lucky on a Thursday just because the movie was changed to a bigger movie hall. This is actually expected to do more here, as it is the final movie Paul Walker, and the cast includes people like Dwyane Johnson the Rock, Vin Diesel and Jason Statham. Yes, add them to the cars and we have a lot for the audience here. The next week also has some holidays in the form of Ambedkar Jayanthi and Vishu, and after the big Easter weekend success, this will only earn a lot more, and may be go on to become the biggest grossing Hollywood movie at this part of the world.

Release date: 2nd April 2015 (India); 3rd April 2015 (US)
Running time: 137 minutes
Directed by: James Wan
Starring: Vin Diesel, Dwayne Johnson, Paul Walker, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Chris Bridges, Kurt Russell, Jason Statham, Tony Jaa, Djimon Hounsou, Ronda Rousey, Nathalie Emmanuel, Elsa Pataky, John Brotherton, Ali Fazal, Noel Gugliemi

@ Cemetery Watch
✠ The Vampire Bat.

Cinderella

Posted on March 27, 2015 by Tennyson

Vampire Owl :: You know that I can’t watch Cinderella.

Vampire Bat :: What? From where did you find a reason this time?

Vampire Owl :: It is one of those Happily Ever After stories. I don’t believe in that. And vampire owls don’t read fairy tales.

Vampire Bat :: But it has enough changes making the movie different.

Vampire Owl :: I have known changes, like in Snow White and the Huntsman, Jack the Giant Slayer, Maleficent and Hansel and Gretel: Witch Hunters.

Vampire Bat :: No, not like them. There is no darker interpretation for this one, and there are no monsters or black magic.

Vampire Owl :: I think you should have watched Focus instead of this one. Without the dark side, this is like children’s movie.

Vampire Bat :: No, the story has evolved; it is made better without losing the core.

Vampire Owl :: I have absolutely no idea what you meant by that.

Vampire Bat :: I say that you read my review and see if you still want to skip this movie.

[Leaves for the tea shop].

What is it about? :: The great fairy-tale gets another treatment as things change for Ella (Lily James) with the death of her mother and everything gets a lot worse with her father’s second marriage which is followed by his death. The new step-mother Lady Tremaine (Cate Blanchett), who comes to reside with them along with the two daughters of her own, Drizella (Sophie McShera) and Anastasia (Holliday Grainger) turns out to be very unlike someone they were expecting as a mother figure. The two sisters were not any better either, as they detested her and the new house; even their new cat Lucifer proves to be an enemy for Ella’s rat friends. As the attitude of the new mother gets worse everyday, Ella who is now called Cinderella due to her life close to the cinders, our protagonist only has the faith in magic, as well as her belief in courage and kindness to bring her the twist to her tale.

The defence of Cinderella :: Among the fairy-tales, Cinderella is surely not the easy one to adapt and come up successful because the idea of a Prince Charming and the thoughts about the evil step-mother won’t sell that easily these days for the adults, and it is too simple a story and not something that can have too many additions without affecting the essence. This is a season when the new age evil want to shoot down Prince Charming because he is a good person; some people really can’t stand extra goodness because it is not in them. During such a season, this movie manages to rise and fly high, for which a lot of applause is deserved. With an amazing world already made with splendour, what you should keep in mind is that this is still a fairy-tale, and the soul goes directly to the original story. You have to keep that in mind, and keep a part of your mind for believing in magic.

Positives and Negatives :: Unless you have had a highly uninteresting and ridiculous childhood, you are going to love this movie. Yes, Cinderella is also nostalgia, and you have to repsect your own past without which you are nothing – remember and admire those tales which shaped your early lives. It is a fairy tale and if you want Cinderella to be too much like a modern age character, go and stick to your limited list of movies – but let me tell you; this is the best portrayal of Cinderella ever. Yes, the fairy godmother needed more screen-time and polishing, and there could have been a little more of interactions between Cinderella, sisters and the step-mother added. But then you see the costumes, especially that of Cinderella going for her moment with the prince – it is stunning, and how good Lilly James looks in the same makes one wonder if Cinderella is indeed real.

Performers of the soul :: Lily James is stunning as Cinderella, and it is like she beautifully carves herself into the character. There is the scene when she is magically dressed in that stunningly beautiful blue dress, and you need to think of nobody else as the titular character. Then there is her again in another blue dress, this time a normal one by the end – here she is the happy young girl and she looks amazing there. She completely takes over all those emotional moments, whether it is of sadness, joy, hopelessness, love or sympathy, and it is a blessing for the audience to see her as Cinderella on the big screen. Then there is Cate Blanchett with a believable step-mother role which she does to perfection, and the two sisters are also very good here. Richard Madden is a fine Prince Charming and Helena Bonham Carter needed to be there for more, but is fine when she is there, and the narration is interesting.

Soul exploration :: Selflessness, sympathy, forgiveness and simplicity which Cinderella displays in this movie are something rarely seen in this world. The tale once again tells the story of the protagonist who is mistreated, rising above the limitations. No, this is not a story of one girl, but of a large number of men and women who are mistreated because of any reason. Prince Charming is just a symbol of glory in attainment; it could have been anybody else, like Princess Beautiful or any other thing which can be personified into something else. But the fact remains that the movie brings that idea to us only by polishing this movie and keeping the soul of this fairy tale alive. It could have gone darker like in Snow White and the Huntsman, Jack the Giant Slayer, Maleficent and Hansel and Gretel: Witch Hunters, but chooses to keep the soul the same, and still make that great impact. And yes, do believe in some good magic.

How it finishes :: Along with all those things for which you admire Disney, add this one to that list. There was also a short animation movie called Frozen Fever which worked like a little sequel to Frozen – it was shown before this movie, and there were no usual trailers. As it comes with Cinderella, Anna and Elsa makes things perfect with the birthday pary of the former. “Making Today a Perfect Day” is not “Let it Go”, but it is still so much fun with out favourite characters right there on the screen. Disney never ceases to bring more and more magic to us, right? This was such a nice pleasant surprise for the audience and everyone seemed to love it. You can add Cinderella to your list of best Disney movies without much thinking twice about it. The fact that it still stays at the theatres even after two big Malayalam movies released, points to the truth that it is special. Courage and kindness – take these two things home from Cinderella.

Release date: 20th March 2015 (India); 13th March 2015 (US)
Running time: 113 minutes
Directed by: Kenneth Branagh
Starring: Lily James, Cate Blanchett, Richard Madden, Stellan Skarsgård, Holliday Grainger, Derek Jacobi, Ben Chaplin, Sophie McShera, Hayley Atwell, Helena Bonham Carter

@ Cemetery Watch
✠ The Vampire Bat.

Chappie

Posted on March 26, 2015 by Tennyson

Vampire Owl :: I thought you were going to watch Cinderella.

Vampire Bat :: Yes, but then Chappie was there and that show started earlier by ten minutes.

Vampire Owl :: That name actually makes me depressed.

Vampire Bat :: It happens when you say that in Malayalam.

Vampire Owl :: Do you know that India actually lost against Australia?

Vampire Bat :: Did they? I thought some extra-efficient online Keralites once again saved India by abusing Mitchell Johnson and the Australian Cricket Team.

Vampire Owl :: Yes, just like Maria Sharapova lost to Serena Williams and the Pakistan Hockey Team played bad after the abuse by Keralites.

Vampire Bat :: Dude, everybody losses to Serena Williams. It is quite natural. And Asia is not a hockey powerhouse anymore.

Vampire Owl :: Damn! The cent percent literacy is wasted.

Vampire Bat :: Cent percent literacy! It is the literacy for abuse!

[Leaves for the tea shop].

What is it about? :: As the South African police at Johannesburg a group of advanced robots from weapons and ammunition manufacturer called Tetravaal, the crime rates are brought to a new low, and as expected the criminals and their bosses are concerned. The inventor is Deon Wilson (Dev Patel) who seems to be getting most of the appreciation much to the dismay of another engineer, Vincent Moore (Hugh Jackman) who wishes to send his own robot model named Moose into operation. But as it is very costly and is highly equipped with too much firepower needing full human control, it is rejected until further notice. But when our inventor creates an artificial intelligence which is rather too human, things take a twist, and things are no longer in his control. A group of criminals also decide to take control of a robot.

The defence of Chappie :: There are some good ideas running through this movie, and it becomes evident right after the first few minutes of Chappie. The robot instantly becomes interesting even with the scope for improvement always there. There are lots of action sequences in the movie, and there is a certain amount of emotional strength whenever a different kind of thing comes to existence and tries to cope with the world around, which works in this one too. There are thoughts left behind, and there is the social message which we can take home, even though it rarely becomes the big thing in this movie. There are surely some good performances to support this one.

The Claws of Flaw :: Chappie doesn’t really use its strengths to its advantage, and has problems with dealing with its central ideas – not really there in making them work completely and bringing things to the right finish. Instead, the movie is too addicted to consciousness, a lot more than Transcendence did, and it is like one can never die as the same keeps getting transferred from one body to the other. The character of our dear robot never really gets to display the awesomeness, and the criminal characters are not really up-to the mark either. Along with reminding us of Transcendence, this one has its own Robocop elements to add to the same. It is a big surprise that still this couldn’t better than what it really is.

Performers of the soul :: Sharlto Copley gives voice to biggest performer of the movie, which is the one robot with its name as the film title. He was there in the same director’s District 9, Elysium and now this one – here in the non-human form for the first time. Hugh Jackman is good, but in a different avatar, and doesn’t impress at all times – still, makes a fine villain. Dev Patel is so natural in this movie, and as he plays the second most significant character in the movie after our own protagonist robot, does very well. This role seemed to suit him so well, and he manages it with ease. Yolandi Visser was nice in a special avatar, and Sigourney Weaver leaves no impact in her less significant role.

Soul exploration :: Chappie does focus so much on the soul elements. There seems to be questions asked, but none of them are direct, and the answers are never really there. There is the talk about making the robot which is more like a human, and also the transfer of human consciousness to robots as well as the consciousness of one robot to the other – they seems to get things working all of a sudden and keep doing the same without fail. The idea of the robot consciousness developing from nothing to a new thing is interesting, but one has to wonder if that was given enough significance in the right manner and was portrayed with enough attention to the details. It is like they speeded up a few things to reach the desired end, which is not what the viewers really wanted.

How it finishes :: Chappie doesn’t finish that strong as expected, and it leaves me with the thought that may be Cinderella or Focus might have been a better choice. They are still running though, and the choice stays. As the maker of District 9 and Elysium, this is another step downward for the director, Neill Blomkamp – it is also evident in the opinion of the critics. In the movie poster, they label Chappie as humanity’s last hope, but that makes one wonder if that really matches the movie. No, this robot is not really humanity’s last hope; there is no point at which he proves to be that unless you take a few characters as “the world” – yes, there are things that he can do, but in his absence, may be things would have just gone on and on. You can watch this one for the ideas, and not for many other things.

Release date: 20th March 2015 (India); 6th March 2015 (US)
Running time: 120 minutes
Directed by: Neill Blomkamp
Starring: Sharlto Copley, Hugh Jackman, Dev Patel, Watkin Tudor Jones, Yolandi Visser, Jose Pablo Cantillo, Sigourney Weaver, Brandon Auret, Anderson Cooper

@ Cemetery Watch
✠ The Vampire Bat.

Insurgent

Posted on March 20, 2015 by Tennyson

A Flashback to Divergent :: I have noticed a number of people in the theatre being clueless about this, and therefore, lets take a flashback ride to the first movie. You can choose to skip this paragraph if you needn’t. In Divergent, within a future post-apocalyptic world of dysopian nature, the known human society is divided into five different factions according to the qualities of each person: they are Dauntless (the brave), Abnegation (the selfless), Amity (the peaceful), Candor (the honest) and Erudite (the intelligent). There are tests done for the same and those who don’t fit into the factions or the Divergents are left with no part in the society. But one young lady called Beatrice Prior will join Dauntless despite being a Divergent, and will go on to stop the faction Erudite and its leader Jeanine Matthews’ attempt to take over as the leader of them all.

What is it about? :: Jeanine Matthews (Kate Winslet) continues her hunt for power, as she finds an artifact box with the symbols of all factions. She needs to open it as the box is believed to have a message from the founders of the city, and she hopes that it can solve the problems of the Divergents restoring the remaining factions with her as the leader. But only a strong Divergent can open it as the procedure involves going through the simulation which includes the challenges of all the factions. Tris (Shailene Woodley), Four (Theo James), Peter (Miles Teller), and Caleb (Ansel Elgort) are on the run, but Jeanine’s team reaches them – they separate as Tris and Four leave for Candor after going through the Factionless which is lead by Four’s mother Evelyn Johnson-Eaton (Naomi Watts). But things surely seem to be heading for a war.

The defence of The Divergent Series: Insurgent :: The idea has already been set, and so Insurgent has it easy to work with. The detail of the environment is very good, and it is good to watch he dystopian world in 3D. The special effects never cease to catch our attention in this movie. The action sequences remain interesting, and the audience only end up asking for more of the same. The idea of being Divergent is taken to another level, and there is twist at the ending which leaves us hoping for more in the sequel – hope the next movie delivers a lot more. The Divergent Series: Allegiant – Part 1 will get released next year and The Divergent Series: Allegiant – Part 2 in 2017, and lets hope that this works very well as there seems to be something big coming, as the impression has been made.

The Claws of Flaw :: Insurgent is a step backward from Divergent, and it is not divergent in its treatment of the subject. It doesn’t go on to establish itself as a special dystopian movie as we had expected with the ending of the first movie. The first one had established the world, but this one actually has almost nothing related to a dystopia which is provided directly and we are left to pick up a few things here and there. The message is not that powerful here with the divergence and the society. Instead, this movie tries to hold on to predictability and last minute escapes. The movie should have dared to go outside what it has established and could have brought more here. Instead, the movie manages to go on and on with the idea that we already have. There is no real attempt to change the society in a big way other than trying to bring the dictator down. Divergents are also just declared special!

Performers of the soul :: It can be safely said that it is Shailene Woodley who saves this movie from going further down its level. She has given her best here, carrying this movie forward as the Divergent protagonist. She has only made things better here, and she is the one who provides this movie with any opportunity to match up-to its predecessor even though Insurgent doesn’t end up doing so. Among the new additions to the movie, Naomi Watts stays ahead of the others, as is very much convincing and interesting. Theo James just manages to be okay playing the support. Ansel Elgort has a forgettable outing there as the strange brother character. Kate Winslet manages to be just an okay villain while Miles Teller is very good here.

Soul exploration :: Just like its predecessor, this movie also focuses on what it takes to be different or divergent, and focuses on the journey that occurs due to not agreeing to the norms of the society. In a world where moving away from the accepted norms of the society is a crime, one heroine continues to rise. This divergence leads to revolution and a change of order. Identities change here, and being smart comes with the extreme desire to rule over the others, which the intelligent faction in the movie displays. They are the masters of science and cannot stand someone else who is better than them, just like the Divergents who are good in more than one skill, and from their jealousy, the movie moves forward to the next level.

How it finishes :: The movie is based on the book of the same name, which is the second book in the much talked about Divergent trilogy written by Veronica Roth, even though the fans here seems to be lesser in number. The first one was an interesting movie itself, and the second one nicely follows the path which was set up by its prequel without doing anything special, which makes Divergent the better movie without doubt. This actually became the first Hollywood movie I watched this month, and may be the only one of its kind which I managed to review. Yes, my movie watching adventures have been decreasing, thanks to the censor board banning movies, and some of them not even making all the way here. There are also personal reasons, but I am going to find time for the same here and there as long as the bans and the selections of movies by the theatres make more sense.

Release date: 20th March 2015
Running time: 119 minutes
Directed by: Robert Schwentke
Starring: Shailene Woodley, Theo James, Zoë Kravitz, Octavia Spencer, Jai Courtney, Ray Stevenson, Miles Teller, Ansel Elgort, Maggie Q, Naomi Watts, Kate Winslet, Mekhi Phifer, Ashley Judd, Daniel Dae Kim, Keiynan Lonsdale, Suki Waterhouse, Rosa Salazar, Emjay Anthony, Janet McTeer, Jonny Weston

@ Cemetery Watch
✠ The Vampire Bat.

American Sniper

Posted on February 12, 2015 by Tennyson

Vampire Owl :: Yes, I have heard that they are showing all those Oscar nominated movies there in the multiplex, or at least those which they have chosen.

Vampire Bat :: Some of the movies have made a return while the others have arrived for the very first time. Which one would you choose?

Vampire Owl :: I choose none. I shall not watch award movies. It has been a policy – an owlified policy.

Vampire Bat :: But some of them are certified good.

Vampire Owl :: I don’t fall for such certification. I have been a prey to such opinions for too long a time. And what is Guardians of the Galaxy and Interstellar doing there? They should have tried for those movies which didn’t release here instead.

Vampire Bat :: But most of the movies in that list never released here, and without the Oscar nominations, might have never even come near here.

Vampire Owl :: Still, I say no to any of those movies. I am a stubborn Vampire Owl. It is in my blood, my pure, centuries old bloodline.

Vampire Bat :: I shall go for American Sniper then.

Vampire Owl :: And make a pick for these Oscars. Lets see if your prediction powers work after centuries of experience.

Vampire Bat :: I have only watched The Grand Budapest Hotel among the movies which have received nomination for the best picture. Lets see how American Sniper adds to it.

[Goes to the theatre].

What is it about? :: The movie tells the real life story of a man from Texas, Chris Kyle (Bradley Cooper), who becomes sad and outraged at the 1998 U.S. embassy bombings and decides to join the United States Navy and be of service to his nation which has been a target of external terrorist forces. He undergoes the training and finally becomes a United States Navy SEAL sniper. After meeting Taya Renae (Sienna Miller) at a bar and falling into a relationship, he marries her, only to be posted at Iraq for the war against terrorism after the 9/11 attacks on the World Trade Centre and the Pentagon. Beginning with sniper shots on a woman and a child who were trying to attack the troops with grenades, he feels the pain, but continues to go on and become the most known sniper and the one with the most kills. The biggest challenge for him would be take out an expert enemy sniper who wanders around in the shadows – but there is also his family back home.

The defence of American Sniper :: I was skeptical about watching this movie, and I had wondered how it will go as an American war movie, and this one completely managed to rise above my expectations. The movie nicely combines so many elements of the war and successfully comes out as an anti-war movie. Everything is shown with so much passion and detail. The message is clear and against the ever-lasting devastation that the war causes and the darkness of nothingness that terrorism can lead to. Bradley Cooper is the man who steals the show with almost every second as this is a movie about his character and what he has done. He also has gained a lot of weight for the role as it seems and is known. He does deserve the Academy Award for the Best Actor, and an absence of nomination would have surprised me a lot. Sienna Miller joins in and does her job in so much of a believable manner.

Positives and Negatives :: The negatives are hard to find with American Sniper. May be you can find something if you have a problem with realistic depictions, or may be you can dig deeper than me find something else. May be for some of you, there was not enough entertainment. But it was there for me, and there might have been a very minute drag here and there, but I never felt that. If you need to create controversy out of something which is not there, I am not giving into it. You might have your bloody agenda, but for one second, think about it from the point of view of a soldier – it is what the movie is about. You can complain that the end was too soon, but the movie was never really about the end, but the soul of this flick itself was the world that it portrayed. As it takes us to the battlefield and the clear flow of emotions back home, one has to accept and admit that this was the best way things could have been linked and shown on the big screen in a realistic manner.

Soul exploration :: Well, the movie leaves the question about who can be blamed. Can you blame a soldier for doing what he is supposed to do to support his troops and help his fallen comrades? Do we even think about what goes through the mind of a trooper as he obeys an order from the top or when he has to make a choice between saving his people and humanity? What are those things that he has to live with in the end? With those things that he did or with those things that he couldn’t do? Forget this sniper being American, and think beyond the limits of nationality. What about an Indian soldier who gets killed by a terrorist at the border? What about our unsung heroes who deserves better than being shot at by a militant from the other side of the border? Lets forget all the politics behind this and the setting and think about it from the point of view of a soldier who sets off to serve his nation. They deserve the salute for keeping the nation and its citizens first, despite the nationality. It is on their blood that each nation stands, and for trauma that they face and for their selfless service, they should be treated the best, not some random cricketer.

On the Academy Awards :: ***These are my hopes on the 87th Academy Awards which you can avoid, if you want to! As the date for the Academy Awards is coming near, The Grand Budapest Hotel remains the only other movie amond the list of nominations for Best Picture that I have watched, and even as I haven’t finalized on a rating, I would give a 92/100 for that, and consider American Sniper a well-ahead movie. I was hoping to watch The Imitation Game the most among those movies which were in the list, but missed that. I couldn’t come close to being interested in Whiplash, and I have decided against an overdose with the other movies which do provide me with a good timing. May be I don’t want to destroy that good experience that American Sniper has given me. I am afraid in that case, because my taste often creates a case of wonder for myself.

The Waiting Continues :: I do hope that Bradley Cooper does win the Best Actor Award for this movie, and Rosamund Pike for Gone Girl because I have that feeling that those were the performances which can’t be easily matched. I also hope that How to Train Your Dragon 2 win the Best Animated Feature Film Award instead of the overrated Big Hero 6 which thinks that it is Frozen with some irritating hero fans. Captain America: The Winter Soldier should also win something for the Best Visual Effects compared to the other overrated nominations – that is my hope. Well, American Sniper does deserve a lot more than just some nominations and a few winnings, as it deserves big – and that something that I would surely like to see after watching this movie. May this movie has more people with brain and heart watching at the multiplexes rather than the narrow minded ones! India needs a movie like this, and the only one which I can remember that stays strong is Tango Charlie.

Release date: 16th January 2015
Running time: 132 minutes
Directed by: Clint Eastwood
Starring: Bradley Cooper, Sienna Miller, Max Charles, Luke Grimes, Kyle Gallner, Sam, Jake McDorman, Cory Hardrict, Navid Negahban, Eric Close, Eric Ladin, Rey Gallegos, Brian Hallisay, Ben Reed, Elise Robertson, Keir O’Donnell, Marnette Patterson, Leonard Roberts, Sammy Sheik, Mido Hamada

@ Cemetery Watch
✠ The Vampire Bat.

Jupiter Ascending

Posted on February 6, 2015 by Tennyson

Vampire Owl :: So we are going to Jupiter. I have heard that Uncle Dracula has accelerated his teleportation abilities to find a method to travel to other planet. Is the procedure already popular?

Vampire Bat :: He is such a vampire mutant. No, we are not going to Jupiter yet.

Vampire Owl :: So, we are going to meet the god himself. Isn’t he still more popular as Zeus?

Vampire Bat :: No, we shall meet no god. We are going to watch the movie in which Mila Kunis is Jupiter, a janitor.

Vampire Owl :: Why would we watch it on a Friday when I have my undead policies to work on?

Vampire Bat :: Because it comes from the makers of The Matrix and the trailer gives the feeling of a spectacle?

Vampire Owl :: Yes, now I remember. This is the movie that made you wait so much that you became one year older.

Vampire Bat :: Yes, I became an year older because it was delayed for about an year.

Vampire Owl :: Then, we should surely watch it.

Vampire Bat :: Let Jupiter ascend then.

[Gets the tickets].

What is it about? :: Jupiter Jones (Mila Kunis) calls herself as an alien as she is an illegal immigrant to the United States. She spends her life a janitor and keeps hating her world until one day, she meets with some real aliens, except for the fact that this time they are after her and won’t stop until she is dead. But Caine Wise (Channing Tatum), a hunter comes out of nowhere to save her and make her known that her genetic structure makes her alien royalty and the one to inherit Earth. The three siblings of the same royal house, Balem (Eddie Redmayne), Titus (Douglas Booth) and Kalique (Tuppence Middleton) do have different plans for her. There are also mercenaries after her, with some of them planning to capture her alive. But the question remains about who wants her alive and who wants her to be dead; if to be alive, for how long and what is the purpose for a huge challenge to the throne like her being left to live? Jupiter knows not much, and Caine can’t guess that much as he is a figher and not a thinker.

The defence of Jupiter Ascending :: Welcome to the new world, and this is a vast collection of planets among which Earth is just a part of, and therefore the scope was present for a lot of visual splendour, and there, we are not disappointed at all. You have to be stunned at the looks of different cities of this fictional universe and be amazed, and there are nicely designed spaceships, and those gadgets, plus those aliens, humanoids and the alien humanoids who never cease coming to the screen. There is a good idea here too, on which the world has been created, and the special effects are efficiently utilized to the needs of the movie. There is the abundance of themes and also some very good acting from the major members of the cast. The action sequences are really good and they are available in plenty. The costumes are impressive, and the idea is laid there for more movies, and a trilogy would be a nice option with this one as the origins story – there is a big universe out there and a story of mystery and deception has just started.

Positives and Negatives :: There are many movies which this one can remind you about, the last one being Guardians of the Galaxy, even as the plot stays different with its core elements. I would consider this superior to that movie though, and you can understand it by just looking at the artistic style that has been used with the detail. You might have been missing Star Wars or have been a fan of Mass Effect, this could work nicely with your ideas. The movie also takes too much time to get to the point, and almost an hour passes by when things get interesting – it is a sad miss there, as there was the scope to begin nicely right from the beginning with pace. There are some minor moments of dumbness, here and any fault that you can find with this movie is coated by the entertainer side, as the visual splendour, action and some humour keeps taking over. Among those space adventures, Jupiter Ascending has a major place, and no matter what the box-office results are, it shall be remembered.

Performers of the soul :: Mila Kunis takes the lead here playing the possible leader and the new queen of the universe, and undoubtedly the one to own Earth – she plays her character with all the possible features that are expected from someone like Jupiter Jones of Earth. You have to love how she says “I love dogs, I’ve always loved dogs”, and “I hate my life” again and again. Channing Tatum is the hero, and the one who saves the day, but there is almost nothing that revolves around him as Mila remains the key. From cleaning toilets, her character rises to the highest point, making the title perfectly relevant, as her ascension to the throne as well as that rise from being a nobody are concerned. Among the other royalty, the big antagonist Eddie Redmayne comes up with the worst performance, and it doesn’t matter what the Academy Awards are going to say. Douglas Booth is moslty good, but Tuppence Middleton is the most charming and the most interesting among them all with her character still remaining a mystery – she is also the prettiest on the screen. Do look out for Sean Bean too.

Soul exploration 1: The Other Side of the Coin :: Jupiter Rising is in many ways, the other side of the coin whose one side is Interstellar. If you liked Interstellar, and doesn’t find this interesting, I don’t see why. This one also entertains the existence of a certain other kind of human beings belonging to other dimensions, whose existence is further more than those of an ordinary human. Yes, such maker creatures were already there in Prometheus, and they continue to make appearances in the movies. The best thing about Jupiter Ascending is that it has no pseudo-intellectual nonsense. I have known rather too many people who thought that Interstellar was pure nonsense, and so if critics feel that this movie is bad, I would add them to the list made for this other side of the coin. Jupiter Rising is Interstellar‘s side of entertainment, and also having better visual splendour, world settings and thrills. So, I see no reason why I should rate this one lower than Interstellar. I also saw no reason why Guaridans of the Galaxy had too many positive reviews compared to this one either. After all, our movie here has a message and works so well on its theme.

Soul exploration 2: The Take on Human Desire :: The movie takes on the human desire to have those insignificant things, and their “wants” which takes over the “needs” of the rest of human beings, using them to their advantage. The rich only gets richer and feeds on the poor, completely denying their needs. Are the rulers that we see in the movie satisfied after inheriting so much? Absolutely not. The “want” only becomes more, and for the same, it is the common human population that suffers. The higher level of people only thrives by “harvesting” the labours of the common man, which related to the “harvesting of Earth” in the movie. The rich and powerful ones always need more, and for the same, they desire to exploit the poor further, and this is what is seen in the movie – sometimes, a champion can rise from among the oppressed, but the question if he or she will turn as another oppressor remains. Earth is refered to as “underdeveloped” – take that point. Nobody here even knows or cares about The SpongeBob Movie: Sponge Out of Water which might never release, and Seventh Son has completely disappeared – Jupiter Ascending should do okay for the same reason, and a possible failure at this part of the world should be only because of the “A” certificate.

Release date: 6th February 2015
Running time: 127 minutes
Directed by: The Wachowskis
Starring: Channing Tatum, Mila Kunis, Tuppence Middleton, Eddie Redmayne, Douglas Booth, Sean Bean, Nikki Amuka-Bird, Charlotte Beaumont, David Ajala, Doona Bae, Terry Gilliam, Vanessa Kirby, Kick Gurry, Jeremy Swift, Tim Pigott-Smith, Maria Doyle Kennedy, James D’Arcy, Christina Cole, Frog Stone

@ Cemetery Watch
✠ The Vampire Bat.

Seventh Son

Posted on January 31, 2015 by Tennyson

Vampire Owl :: Why the seventh son? I mean who has seven sons these days, or even seven children in total?

Vampire Bat :: Nobody of this generation that I know.

Vampire Owl :: So, should we declare this movie invalid?

Vampire Bat :: After looking at the posters, I have the doubt if the effect of this one might be nullified soon enough.

Vampire Owl :: There is dragon, witch, people with swords, a dark feel – a lot should be there though.

Vampire Bat :: Yes, reminds of too many movies which released already.

Vampire Owl :: So, it is a yes or no?

Vampire Bat :: It is a yes. May be it is the seventh son who always saves the world. Almost nobody has seven sons these days, and so the world is not saved yet.

Vampire Owl :: I hope that watching this movie is not against the “We two, our two” campaign.

Vampire Bat :: Most of the people I know have only one child. So lets welcome the seventh son.

[Gets the tickets].

What is it about? :: John Gregory (Jeff Bridges) is one of the last of his kind, as a rare seventh son of a seventh son, and part of an ancient order of knights who battle the evil that exists in this world. His last apprentice dies while trying to capture the most demonic of all witches, the queen of them all, Mother Malkin (Julianne Moore) who returned to cast her shadow of evil all over the known lands. So he comes to Tom Ward (Ben Barnes) who is also the seventh son of a family. Tom is plagued by visions and also falls in love with a witch called Alice Deane (Alicia Vikander) which makes things further complicated. Her mother is also the sister of Malkin, which trouble the plans further. With the Blood Moon night fast approaching and witches getting more powerful, can the new apprentice be ready in such a short notice and having love around the corner?

The defence of Seventh Son :: The movie is loaded with stylish and beautiful visuals and thrives on the power of special effects with some nice moments of 3D mostly including dragons and witches. The visual splendour which was there on the poster comes alive. The environment is also nicely created, and the images as well as the backgrounds that are shown on the screen are sure to catch one’s attention. There are some nice custumes, and among the scenes, the best includes those which uses special effects. The first possession scene was very good otherwise too. All the fighting scenes are worthy of our attention. The final battle is nicely brought to the screen, and the setting for the same makes sure that the artistic beauty is maintained. There are lots of creatures, and magic is in abundance. For those who are missing such things as The Hobbit as well as Harry Potter, this is another chance to go into that world of magic.

The Claws of Flaw :: The movie is that experience which reminds us about so many other movies. There seemed to be nothing new in the story with an unlikely young hero managing to be a great fighter, but even that is not nicely shown. The characters and the supernatural stuff are here and there, with not much work done with them – we can’t have much thoughts about them as they are just everywhere without making us feel much about them. The romance as well as the revenge struggles to go ahead in the intended manner. The first half mostly drags while getting almost nowhere, even as things get better later. The idea of “Seventh son of a seventh son” is not explored enough, with things just made to exist as they are. The dialogues mostly don’t make the desired impact. There is no justice to what it has in the pocket, on what is shown on the screen.

Performers of the soul :: Performances haven’t been a strong point of this movie, as Jeff Bridges, even when making an impression at times, makes less impact than expected. There are many things having our attention in this movie, but the performances are not part of them. Julianne Moore also looks faded except for a few moments. A thought about Charlize Theron in Snow White and the Huntsman might have inspired that further thought; or may be even a little bit of Angelina Jolie being in Maleficent. Ben Barnes remains okay throughout the flick. Alicia Vikander play the lovable witch in a believable manner, and she surely looks suitable for that role which needs both the cuteness and a certain amount of the other darker side. But the creatures do overpower all of them, and that was not something unexpected.

Soul exploration :: Seventh Son has too many similarities with a number of movies, and the first one that comes to mind is Hansel and Gretel: Witch Hunters, which had two witch-hunting protagonists with one good witch as the lover. There is also a little bit of Season of the Witch here with the possession and the skills of the protagonists. The lady villain here is more or less a reminder of Maleficent or Snow White and the Huntsman, and so even as it is based on a book which came up earlier, this one came too late to catch the interest of common movie goer. But for the rest of those viewers who are not used to such stuff can find them to be very interesting. After all, the movie comes after making the fans wait so much with the delays. We have been hearing about this one for such a long time, and it has been a painful wait with Seventh Son.

How it finishes :: The Spook’s Apprentice by Joseph Delaney is the book on which the movie is based on, and the fans of the book may not be happy with the reception for this much awaited movie. The challenges of the week are from bigger movies, but none an entertainer like this, and that explains the large number of shows this one has, and those theatres and multiplexes which has this movie as the only Hollywood flick of the weekend. But still, it seems that the general audience of this part of the world hasn’t been able to connect with this movie, while it should be just okay for the rest. With Foxcatcher not being here, and with the rest finding trouble to have enough shows, this movie should get some good collection from this part of the world – after all, it is the only Hollywood movie available at almost every mall.

Release date: 30th January 2015 (India); 6th February 2015 (USA)
Running time: 103 minutes
Directed by: Sergei Bodrov
Starring: Julianne Moore, Jeff Bridges, Alicia Vikander, Ben Barnes, Kit Harington, Olivia Williams, Antje Traue, Djimon Hounsou

@ Cemetery Watch
✠ The Vampire Bat.

Night at the Museum III

Posted on December 27, 2014 by Tennyson

A flashback :: Merry Christmas, everyone. The Vampire Bat is back flying in the theatres again. I haven’t watched a movie in the theatre since the eighth of December which had me watching the movie Seconds, and the reasons are specified here at my other, and nowadays the more active blog (http://theteacerebration.wordpress.com/2014/12/26/the-loss-of-power/). The period of eighteen or nineteen days is a long time for me – like a part of an eternity. So on this day of the return to theatre, or most specifically, the multiplex, lets start with the flashback for this third movie of one of my favourite franchises – I am sure that a lot of people from India can use this. This is the story of Larry Daley (Ben Stiller), who has been the night guard for the Museum of Natural History, and it is where history comes alive, or rather the museum exhibits comes to life at night, and all of them show the characteristics of the respective historical person as if this is the same person who had lived and died years or centuries ago. Our protagonist, with his museum friends have saved the day (or night) twice already.

What is it about? :: We go back to the discovery of the tablet of Ahkmenrah in Egypt, and then come back to the present, which has our protagonist working for an event which is lead by Theodore Roosevelt (Robin Williams), and followed by a few of his other favourite exhibits. But there is corrosion in the tablet, and as it gets worse, it affects the exhibits. This leads to the failure of the event, as all of them goes out of control and causes destruction, making the visitors flee in fear. Larry decides to take things seriously, and learns that they should ask for further details from the father Pharaoh who is in the British Museum of Natural History. As Larry makes his way to the museum with the tablet and the son Pharoah and friend Ahkmenrah (Rami Malek), a number of other exhibits have also sneaked in to help him and have a share in the adventure. With time running out and everyone getting weaker, can Larry lead his team to the aim, unsure of what has awaken at the new place?

The defence of Night at the Museum: Secret of the Tomb :: Here is your history teacher of the week, or a reminder of the subject. The movie assures you of lots of fun, and a little more knowledge of history – something that India needs desperately, to have its residents know its history and respect its years long culture instead of going for the money machine. You are in no way going to sleep through this history class, and that is a guarantee – not a first for me though, because I have always enjoyed those classes. The Pompeii scene, the inside the picture shots as well as the theatre moments are very nice. There is some fine use of effects too. Rebel Wilson also has some very nice moments which are not to be missed, and Robin Williams continues to touch you as Teddy, with this one last performance. Here is something for the perfect Christmas family weekend, as long as too much thoughts are not there and a heavy judgement is not passed.

Claws of flaw :: This one stays in the shadows of its predecessors, refusing to come out of it and innovate. A lot of it seems recreated from its predecessors. There was actually not much of a need for this movie, as the previous movie had a nice, happily ever after ending to it, and it was something that we could think about and have a certain amount of joy. Instead, here it is forced to an end which is mixed happy, and there is not even a powerful villain – it was what made the second movie the best of the series; it had one great villain and some nice support for him. Instead, we are taken to the “Save tablet” campaign and some jokes fired at us don’t even come close to working. This is also more childish than the previous movies, especially with the new Neanderthal’s relationships and the repetitions. The family drama doesn’t have the power that it needed, even as we do get the father-son problems and message in the end. May be, with the loss of power of tablet, some energy was also lost.

Performers of the soul :: Ben Stiller makes things work and it seems incredibly easy for him as he once again takes over that one memorable night guard. He also has another role which is less impressive, still stupid and funny. The movie also has Robin Williams and Mickey Rooney in one of their last performances, and the former once again has that nice and interesting role of Theodore Roosevelt which he does to perfection. The team of Owen Wilson and Steve Coogan works fine, but not as much as the previous movies. Dan Stevens makes a good beginning, not that much in the final scenes. Rebel Wilson does a very good job, but is restricted by the less amount of time she has on the screen. Mizuo Peck once again does her character making a good impression, and Rami Malek with Patrick Gallagher completes the team. There are moments of almost every character, and the Hugh Jackman + Alice Eve cameo was also nice.

Soul exploration :: I have always loved this franchise, and thought Night at the Museum: Battle of the Smithsonian, the second entry was the best of them all, and this movie doesn’t change that idea. Yes, this could have been better, but the idea is still there, and history is once again alive. The three movies combined is a good history lessons which ends with this one. There have been a certain dislike for movies teaching history, and this seems to come from a few people who were sleeping during their history classes at school all the time. This doesn’t take a straight path as Mr. Peabody and Sherman did with sharing knowledge of history or the bonding between a father and son. But still, Night at the Museum: Secret of the Tomb does a fair job in the same. All the history enthusiasts should make sure that they watch history come alive for the one last time, and for others, lets give something to history along with all the fun and entertainment.

How it finishes :: Along with The Hobbit: The Battle of the Five Armies, Penguins of Madagascar, Exodus: Gods and Kings and Interstellar, this one joins the show as the only Hollywood movie to release on the Christmas day here. One certain advantage that Night at the Museum: Secret of the Tomb has is that it has the Christmas spirits than any other movie. People might not want to cause further brain damage by watching the Christopher Nolan flick, especially with the family, and Penguins of Madagascar is just another animation movie. The final movie of The Hobbit franchise needs knowledge on that special world, and the Biblical Epic takes its liberties and also makes limited impact on a lot of people. So, Night at the Museum: Secret of the Tomb has a bloody big chance here – light at its heart, but still powerful in its messages and the strong lesson about history. It might not break any records worldwide and might not do well in North America, but has the heart to thrive in this part of the world. You need this movie for Christmas, no matter what other movie has released with a bigger fame.

Release date: 25th December 2014 (India); 19th December 2014 (US).
Running time: 98 minutes
Directed by: Shawn Levy
Starring: Ben Stiller, Robin Williams, Owen Wilson, Dan Stevens, Ben Kingsley, Steve Coogan, Ricky Gervais, Rebel Wilson, Skyler Gisondo, Rami Malek, Patrick Gallagher, Mizuo Peck, Dick Van Dyke as Cecil Fredericks, Percy Hynes-White, Mickey Rooney, Bill Cobbs, Andrea Martin, Rachael Harris, Brennan Elliott, Kerry van der Griend, Matthew Harrison, Jody Racicot, Randy Lee, Darryl Quon, Paul Chih-Ping Cheng , Gerald Wong, Anjali Jay, Matty Finochio, Crystal the Monkey, Hugh Jackman (cameo), Alice Eve (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Exodus

Posted on December 7, 2014 by Tennyson

Vampire Owl :: No, I have suffered too much with that earlier movie called Noah. No more!

Vampire Bat :: But, I would say that Noah has set such a terrible standard that it will be almost impossible for any other Biblical movie to come under it.

Vampire Owl :: I doubt that. The worst movie in any category is yet to come. There is always disaster in waiting. It is like a werewolf waiting for a full-moon when getting the release date.

Vampire Bat :: I see that your negativity about movies is increasing like your zombie minions’ doubts about your inability to owlify the world.

Vampire Owl :: I don’t understand why you doubt about categorizing Noah as the worst movie of the year. Along with bringing an aversion to Darren Aronofsky, I don’t see any other movie which put Christians, Athiests, Hindus and Muslims in the theatre to sleep with no discrimination. It has done India some favour with reflecting the unity in diversity, but in the end, it is just boredom for everyone, even for the categories with reservation.

Vampire Bat :: Yes, I did see the reaction in the theatre, but as you said, the worst movie list is still open.

Vampire Owl :: I think that you should close the yearly list right now. Now we know what movies to watch each weekend, and I don’t see any other movie coming close to as ridiculous as Noah.

Vampire Bat :: But we are not sure about it yet. There are some differing opinions…

Vampire Owl :: I shall hear nothing of Exodus anymore. I am going to some place peaceful; like a cemetery, I guess.

Vampire Bat :: I think that it is a pretty good idea.

[Starts the car].

What is it about? :: Ancient Egypt had grown vast and wide beyond the banks of the river Nile, and was going through its best times, but mostly based on the blood and sweat of its Hebrew slaves. As much as the great Egyptian Empire spreads and developed, so much more pressure came on its slaves who continue to suffer more. Under the rule of the Pharaoh Seti I, the empire continues to thrive. There seems to be glorious days which goes on and on. Moses (Christian Bale) and Ramses (Joel Edgerton) grow up like brothers in the palace even as it is certain the latter shall go on to become the Pharaoh. It is like they do have each other’s back until that realization come upon them one day. The truth that was hidden for long will come to light, and being considered a Hebrew spy won’t do Moses much good. He would soon be banished from his world, but that wouldn’t be the end of him, as God has plans for him and his people as he will liberate them from the yoke of slavery and lead them to the promised land. But what does the Pharaoh say about this?

The defence of Exodus: Gods and Kings :: It is our duty to support the big epic stories on the screen, and in that case, we have an automatic self-defence here. We need our faith, the beliefs of the past to keep us going, and I am sure that Exodus: Gods and Kings will only be a positive factor in the same unlike Noah which came up with so much negativity about the same. This is also a visually stunning movie, unlike any Biblical movie that has come so far, and the splendour and awesomeness of the Ancient Egypt is shown with full strength like never before. The cities, the statues and monuments, the troops, the Pyramids and the location near the Nile – they are all breath-taking. There is a good amount of detail put into all of that. The plagues are also nicely shown on the screen with the visual effectiveness, especially the river of blood and the thunderstorms. The cast also works nicely. There is an effort taken to add some imagination and more realism too, even as not all of it have worked. Still a spectacle is guaranteed on the screen, and God is clearly shown to be on the side of the poor and the powerless.

Claws of flaw :: The inaccuracies are there; yes, there are too many liberties being taken, especially with the portrayal of God (somehow reminding me of Waiting for Godot) and the way in which the plagues appear, rather like intending to connect them in one way or the other to various other factors. There are many moments which got the differences seeming easy to detect here, and the certainty is there about criticizing the same – but nothing really in a bad way (Noah had brought new “bad” or the “terrible”). I won’t list them here as I would continue this one as more secular than religious in nature. I am not an Old Testament expert anyway. The biggest problem after the God depiction is the Red Sea scene which had a lot more scope as a direct miracle with the special effects. The characterization is also incomplete; there is no real effort put into concentrating on Moses as a person, and that affects most of the other characters too – but they are not strangers to the audience, are they? The ending is also not where it should have stopped. The ending was to be after the sea-scene, and this one goes on to stop in the middle of nowhere. There was no point in rushing through things here either.

Performers of the soul :: You know that this is supposed to be depending heavily on Christian Bale who has to keep it going, and it does. He doesn’t fail to deliver yet again, and even when the characterization seems to bring things down, he continues to strengthen things. A special mention is needed for María Valverde who looked lovely and too good for her character, even though having a comparatively minor role which she did to perfection and remains memorable. Joel Edgerton does a commendable job the pharaoh, and he has his moments as much as the protagonist has, plus when they are together, there is even more power on the screen. Sigourney Weaver is limited here in another small role. The rest of the actors playing Hebrew characters pale in comparison to the power of Christian Bale’s Moses, even as Ben Kingsley does seem to have the opportunity to be the next most noticed person there, and Aaron Paul comes after that. But this movie is more Moses’ movie than Noah belongs to its titular character, and so we can understand the limitations of the rest of the cast, except for the antagonist.

How it finishes :: Coming from the disappointment of watching Noah, I wondered about the possibility of this being a good one, but I had more expectations about this movie. Noah had hit the bottom of the movie ocean with its terrible attempts to make something ridiculous out of the void of nonsense created by itself. Despite this movie being better, I do wonder why this couldn’t have been even better, coming from a director like Ridley Scott whose Prometheus had me incredibly interested like Alien and there is no need to talk about Gladiator which is there in almost every poster of this movie with the lines “from the director of Gladiator” becoming its biggest promotion. There was going to be believers and non-believers coming to watch this movie, and it had to use its epic elements to better use to make sure that both were nicely satisfied, and this one just makes the touch instead of grabbing and using its available elements. One has to admit that it is still with enough strength to survive though, and when it gets weak, we remember the pathetic and boring experience which was Noah, and we get happier. This time, the one whom I ask to accompany me won’t feel the need to shoot me on the head.

A look into the status :: Exodus: Gods and Kings releases in India a week before it does in the United States – well, you know that it is usually the other way around; with rare exceptions like The Amazing Spider-Man 2. You know about the recent ones The Equalizer and John Wick coming late here too. Now that is a twist of events, and it is a good thing as it won’t collide with The Hobbit: The Battle of the Five Armies next week, followed by Night at the Museum: Secret of the Tomb, and then Into the Woods on the Christmas weekend, even as I am doubtful about the last movie’s fate here. Now you know the schedule for every weekend of December – these are the four movies which we have this month, and with one gone, there are three more to go, among which I hope that The Hobbit: The Battle of the Five Armies will go on to become the second highest grosser of the year if not the first, as far as it doesn’t go The Hunger Games: Mockingjay Part 1 way and doesn’t make that much of an impact. For now, Exodus: Gods and Kings has fertile grounds in the theatre, with not much of a challenge, and hope it makes good use of this advantage.

Release date: 5th December 2014 (India); 12th December 2014 (USA)
Running time: 150 minutes
Directed by: Ridley Scott
Starring: Christian Bale, Joel Edgerton, María Valverde, Sigourney Weaver, Ben Kingsley, Aaron Paul, Indira Varma, John Turturro, Hiam Abbass, Kevork Malikyan, Anton Alexander, Golshifteh Farahani, Tara Fitzgerald, Ben Mendelsohn, Dar Salim

@ Cemetery Watch
✠ The Vampire Bat.

Penguins of Madagascar

Posted on December 2, 2014 by Tennyson

Vampire Owl :: I have received a letter from the vampire penguin.

Vampire Bat :: What does it say?

Vampire Owl :: It says that he is happy to announce the release of Penguins of Madagascar, a movie that make all the undead penguins proud, and he wants us to watch it in the name of the Universal Vampire Brotherhood.

Vampire Bat :: But I have already watched it.

Vampire Owl :: What? Then why did I see no opinion?

Vampire Bat :: Because I delayed it so that there would be gap between the posts.

Vampire Owl :: It is totally unfair. Now as the Vampire Penguin has demanded it, I have to watch it alone. What happened to watching The Hunger Games: Mockingjay Part 1?

Vampire Bat :: Skipped it. Waiting for some inspiration for me watch it. Nobody has that much of an opinion and I have already read that book and has less hopes about this one.

Vampire Owl :: And then you watched the Penguins alone. A cruel move against me there.

Vampire Bat :: You can watch it with your zombie minions. It has some good ideas for owlification.

[Leaves for the bus stop].

The background :: Do you remember those penguins of the Central Park Zoo? Skipper, Kowalski, Rico and Private proved to be the smartest creatures around. They have been helping our heroes of the Madagascar series, Alex the lion, Marty the Zebra, Melman the Giraffe and Gloria the hippopotamus. We have had no option, but to love the penguins throughout the series. They have been too good, and it is clear that they always deserved a spin-off movie for themselves. Well, this is not just that spin-off, but also the sequel to Madagascar 3: Europe’s Most Wanted as the action continues from the circus itself as they go on to celebrate Private’s birthday. It is not really the continuation though, as Madagascar 4 is scheduled to be released on May 18th 2018, but as that date is too far away, lets be happy with this arrangement of the penguin characters for now.

What is it about? :: In a flashback, we see that somewhere in Antarctica, three little penguins, Skipper (Tom McGrath), Kowalski (Chris Miller), and Rico (Conrad Vernon), save an egg from seals and end up floating far away on an iceberg. The egg hatches and becomes Private (Christopher Knights). Back to the present, as they go to steal from the United Sates treasury to enjoy Private’s birthday after the events of Madagascar 3: Europe’s Most Wanted, the get caught by Dave (John Malkovich), an octopus who lives in the human costume of Dr. Octavius Brine after having to be transported from zoo to zoo due to new cute penguins coming. He is now looking for revenge on all penguin kind. As they try to escape, the Penguins are saved by a special force known as the North Wind, lead by, a wolf named Classified (Benedict Cumberbatch), a seal named Short Fuse (Ken Jeong), a polar bear named Corporal (Peter Stormare), and an owl named Eva (Annet Mahendru). Due to some differences, the two teams decide to chase the villain through their own paths; will they succeed?

The defence of Penguins of Madagascar :: Once again, just like the other movies of the Madagascar series, this is lots of fun. There are some genuinely funny moments in this one, and they are just meant for evoking the laughter, making this one a big fun ride, and people are certain to be entertained. The penguins as well as the special animal forces are admirable characters, and this is an opportunity for us to know those characters whom we liked a lot in the franchise in a much better way. The family audiences with kids are going to love this one, that is for sure, and might not want to miss this one. The moments which involve the meeting of the two groups as well as the same with the villain along with that moment when all three groups meet are hilarious. The message is also nicely given, about the appearance not being that much of a factor. Even as the movie doesn’t go on to be one of the top three animated movies of the year as expected, it is really a powered entertainer.

The Claws of flaw :: It is pretty much sillier even considering the fact that it is an animated movie, and the predictability factor is once again big. There is nothing like the final extravaganza that the last movie in the franchise had offered, and even in 3D, this one offers much less compared to what was expected. There are ordinary moments in the movie too, and there are scenes which are extremely dumb, and the presence of those moments which fail to click are also present here and there, but they can still be avoided. This one is also weaker than the three other Madagascar movies, all of which are worth an eighty five and above in the score. This movie actually feeds on that impact that those three movies had created, and ends up extending the fanbase of the franchise. There are moments which are just created for the sake of being there, and the plot never really shows much scope, ever. There is repetition, no doubt about it. There is a chance that this will make the penguins less interesting with too much attention given here.

Soul exploration :: The movie’s first attention is on brotherhood for sure. But it is not the major theme here, as it focuses more on appearances as we can see right from the beginning. The penguin named Private is actually considered to be too cute, and the others feel that the only thing that he can do is to distract the opponent for the rest to take the appropriate action. The same is the case of all four penguins as far as the other animals and birds are concerned – they think that the penguins are too cute to do anything strong and significant. Most of the people here base their assumptions based on the looks and nobody really cares to give these people a try. But everything would change in the end, and it is to this finish which says that appearance doesn’t define the quality or brilliance of a person that the movie strives to reach. It is the appearance itself that creates the villain here, and the movie focuses so much on the same. Penguins of Madagascar never retreats from that aim as we see the traits everywhere.

How it finishes :: The big surprise here was that this movie had shows at more multiplexes than The Hunger Games: Mockingjay Part 1. That was surprising because it was clear that it really is the movie that everyone want to watch, its popularity only matched by just another sequel which would be the last part of The Hobbit which is also coming up. I would guess that the multiplexes decided to go completely with the family audiences this time instead of choosing the movie which the youth have been waiting for so long to watch. It is the same reason why the movie has evaded me so far, and another reason is that I know the story and don’t find the first part of the book interesting; even the last book as whole is the least interesting of the series. Yes, I wanted to watch it, but as the time came, I ended up choosing another movie again. Well, there is still time, but I do feel that many others have also done the same, which is why Penguins of Madagascar is doing well here.

Release date: 28th November 2014 (India), 26th November 2014 (USA)
Running time: 92 minutes
Directed by: Simon J. Smith, Eric Darnell
Starring (voice): Tom McGrath, Chris Miller, Conrad Vernon, Christopher Knights, Benedict Cumberbatch, John Malkovich, Ken Jeong, Annet Mahendru, Peter Stormare, Werner Herzog