Batman v Superman

Posted on April 1, 2016 by Tennyson

Vampire Owl :: I am not in favour of such people who claim to have powers above our kind. And they call superheroes only to fight each other? Strange, isn’t it?

Vampire Bat :: I don’t think that you should mind; Superman is from far beyond our realm; he is not even part of a known planet.

Vampire Owl :: Still, I think that there is going to be too much of a superhero crowd here.

Vampire Bat :: I had reserved that dialogue for Captain America: Civil War, and when there are X-Men around.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1355-batman-v-superman-dawn-of-justice

There are not many movies which the audience has been waiting for, during this year, as much as Batman v Superman: Dawn of Justice. This follow-up to Man of Steel has taken almost three years to be finally there for the audience to enjoy the weekend, and this time, it is for Easter. With movies like Wonder Woman, Justice League Part One, The Flash, Aquaman and Justice League Part Two lined up to follow, this one had to arrive at least now, to create that much needed base for Justice League and the other lesser known heroes to the fans outside North America and Europe.

Time has passed after the battle between Superman (Henry Cavill) and General Zod (Michael Shannon) which spread chaos and destruction all around the city of Metropolis. There were a lot of casualties, and the wound was not healed with time, as the new superhero had transformed into a controversial figure, with some people appreciating his presence as the savior of mankind while the others finding him as a threat and the false god – someone who is more of an alien than a man for the people on Earth. The television channels take over that particular topic and as it continues to be the hot item for discussion, there is someone who is a lot mad at this superhuman.

Batman (Ben Affleck) is a very unhappy man, as Bruce Wayne had his own troubles with that particular battle between the two aliens. After twenty years of fighting crime in Gotham City, he feels that it is his chance to avenge this alien for the death and destruction which he showered upon humanity with one big battle. At the same time, Clark Kent finds Batman as that kind of dangerous vigilante who should be stopped from taking law into his own hands when police should be handling such cases. With Lex Luthor (Jesse Eisenberg) also feeling the need to get rid of Superman, he will find a way to make the two heroes battle each other while having another plan in his mind.

The number of people waiting for this movie has been very high, even more than the grand wait for Captain America: Civil War. The need to watch the two big superheroes going against each other was what everyone really wanted to see. Even though that surely happens, it is not exactly what the movie is about. There is too much of time taken in this movie to get to that, and the basic idea is also not about their dislike for each other. With Wonder Woman not that much utilized, the movie’s aim just becomes establishing something like a base to bring the Justice League idea into the scene, even though that is not done with full strength either.

The movie is still with some very nice moments, and the action sequences work pretty much fine around here. It is also one of those rare opportunities to see Batman and Superman, along with Wonder Woman together in a movie – there are the others too, like Aquaman, The Flash and The Cyborg, but they are just present there in some videos. Batman also has too many dream sequences to make one wonder what the motive behind the same might be. The viewers do end up wishing that something better was created out of the material with two superheroes having similar thoughts of saving the world, but being so different from each other that it creates tension.

Unfortunately for the movie, the villain played by Jesse Eisenberg is just not menacing enough – this is not the Lex Luthor whom we had wished to see around here. Both Henry Cavill and Ben Affleck plays the too simple superheroes here, as they just go through their plans without much of the thoughts behind them – the audience might have felt that there could be more behind their ideologies, but things seems to go rather straight and clear with this movie, which troubles the cause. Amy Adams as Lois Lane has things going better, and Gal Gadot as Wonder Woman is the one who scores the most as any superhuman – at least her side is rather clear here, and it is one character that never goes down the level in this movie.

This one might also be the worst movie from Zack Snyder who has directed movies like 300, Watchmen, Sucker Punch and Dawn of the Dead. The best thing about this movie though, is that the audience is going to be treated with some bigger movies with roots in this particular flick; Gal Gadot is sure to be an awesome Wonder Woman in the big movie which is to arrive, as that is proven here with ease. Batman v Superman: Dawn of Justice is surely not that bad, but it is not up-to the expectations either. You can still watch this one for the action sequences, and also for having that base for what is to follow with the movies which are on the list to arrive.

Release date: 25th March 2016
Running time: 150 minutes
Directed by: Zack Snyder
Starring: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane, Laurence Fishburne, Jeremy Irons, Holly Hunter, Gal Gadot, Scoot McNairy, Callan Mulvey, Tao Okamoto, Jeffrey Dean Morgan, Lauren Cohan, Michael Cassidy, Kevin Costner, Christina Wren, Michael Shannon, Carla Gugino, Robin Atkin Downes, Patrick Wilson, Ray Fisher, Jason Momoa, Ezra Miller, Patrick Leahy, Neil DeGrasse Tyson, Soledad O’Brien, Anderson Cooper, Nancy Grace, Charlie Rose

@ Cemetery Watch
✠ The Vampire Bat.

Darwinte Parinamam

Posted on March 20, 2016 by Tennyson

Vampire Owl :: Strange name for a movie, this one.

Vampire Bat :: Well, I have heard stranger names of flicks other than something that translates as The Evolution of Darwin.

Vampire Owl :: It is actually surprising that the humans haven’t stopped evolving yet. I don’t even remember the last time our kind evolved.

Vampire Bat :: We don’t evolve. We are dead; the undead can’t evolve!

Vampire Owl :: Oh! I was misguided by Imhotep once saying that death is only the beginning.

Vampire Bat :: I am cent percent sure that he surely never meant to talk about evolution in that case.

Vampire Owl :: When I look at the werewolves, I see what the evolution is really about.

Vampire Bat :: That is actually a case of transformation.

Vampire Owl :: A shameless one, if you ask me.

Vampire Bat :: Which is why you should skip wandering around the werewolf territory.

[Gets the tickets with cheese popcorn].

What is the movie about? :: Darwin a.k.a. Gorilla Darwin (Chemban Vinod Jose) is one of the most feared names in the city. He happens to be the one gangster king who makes things happen in the city, and has police as well as the the goons under his control. Except when concerning a young lady whom he is attracted to, Ancy (Hannah Reji Koshy), he knows how to be strong and merciless. One day, Anil Anto (Prithviraj Sukumaran) and his wife Amala Anil (Chandini Sreedharan) moves from Kottarakkara to the city after having some family problems. Both of them find jobs in the city and are expecting a child. But a series of incidents gets ready to happen, as the paths of Darwin and Anil will meet at a certain point, and it will change their lives soon. The process of evolution will follow for both these men as the struggle for being the better person shall begin. What does future bring for the two?

The defence of Darwinte Parinamam :: There is the fine feel-good effect and some interesting messages in this movie. They are the ones which you can take home without thinking a lot – as the same happens to be right there to be seen. The first half of the movie could make the audience interested in providing a good feeling and make them prepared for a fine flow. There are also some nice comedy sequences which are handled by different actors together – you have to look out for the story-telling and the kidnapping scenes more than the rest. The emotional moments also work, even though they are not used completely for the movie’s advantage. You will be able to connect a certain amount of unpredictability to the proceedings too. The songs are interesting even though not that memorable, and there are some nice emotional moments to go strong with the same. There is also a little big of magic realism in the movie.

Claws of flaw :: There seems to be a certain amount of confusion in experimentation with the path that Darwinte Parinamam follows. There is the hero who tries to get back to the villain, even though the assertion is made that the hero is the villain and vice versa – but that is really a pointless thing. With some slow-motion action sequences added in the second half, one is reminded of Prithviraj’s Puthiya Mukham too. There seems to be the easy way taken for the finish, and throughout the second half, there is rather too much of staying away from the strengths of the movie, as it often depends on sequences without logic. The movie should have stayed close to the path followed in the first half, and the evolution should have been the focus on a personal level rather than anything else. It should have been something which happened over a long time, and not just arriving in the end!

Performers of the soul :: Prithviraj Sukumaran and Chemban Vinod Jose, the hero and the villain go on to bring some big performances in this movie. The former’s nice run continues after Ennu Ninte Moideen, Amar Akbar Anthony, Anarkali and Paavada – even though this one won’t be for every kind of audience with its limitations in catering to the demands of our viewers as a whole. He will be there for James and Alice with Vedhika and also for Jeethu Joseph’s Uzham; so we can safely guess that the successful journey will continue. The latter has an awesome introduction, and here we once again realize how big an asset to the Malayalam movie industry this man has become – whether it was in smaller roles like in Charlie and North 24 Kaatham or lasting the full movie like in Lord Livingstone 7000 Kandi, Kohinoor, Iyobinte Pusthakam and Sapthamashree Thaskaraha, he has made that impact; in this case, he is just as big as the hero.

Further performers of the soul :: Chandini Sreedharan also brings something memorable in her second Malayalam movie, as she excels in those emotional moments, and does a fine job in the happy ones too; that smile is rather contagious too. I have felt that she is really suitable for this particular character here. Hannah Reji Koshy plays the gangster’s love interest, and she does a very neat job here – it is her first movie, and she manages really well in this smaller role. I would love to see a lot more of these two actresses in the Malayalam movie industry. You will also find Soubin Shahir bringing the fun as if there is no end to the entertainment which he provides – we just had him at his best in Maheshinte Prathikaram just some weeks ago; Balu Varghese could have had a longer stay in the movie though. Shammi Thilakan’s kidnap sequence will also bring a lot of laughter for sure. A few others like Mamukkoya and Jaffer Idukki have too small roles in this one.

How it finishes :: The movie doesn’t really go on the lines of what was expected with the trailer. As a lot of people had guessed, this is not really a full-entertainer, and depends too much on experimentation using the cliche elements. A lot of expectation will do this movie not much good, but it can still win this weekend considering the fact that it has the feel-good factor and the messages along with the star power of Prithviraj. It is up-to your likes and dislikes to come to a decision about how much you like this movie, but Darwinte Parinamam is surely that flick which could have been a lot better if it had treated its material in a more realistic manner throughout its run rather than becoming a seemingly confused movie on more than one occasions. It could have been a big comedy thriller too, but you won’t see that working here as the movie tries many things!

Release date: 18th March 2016
Running time: 149 minutes
Directed by: Jijo Antony
Starring: Prithviraj Sukumaran, Chandini Sreedharan, Chemban Vinod Jose, Balu Varghese, Soubin Shahir, Nandhu, Shammi Thilakan, Mamukkoya, Dharmajan Bolgatty, Jaffer Idukki, Sajid Yahya, Hannah Reji Koshy

@ Cemetery Watch
✠ The Vampire Bat.

Knock Knock

Posted on March 6, 2016 by Tennyson

Vampire Owl :: It has been a long time since we saw a movie starring Keanu Reeves.

Vampire Bat :: Well, John Wick and 47 Ronin proved okay, but nothing huge for us.

Vampire Owl :: Nothing since The Matrix Revolutions for me.

Vampire Bat :: Actually, I consider it since Constantine.

Vampire Owl :: Yes, those were the best times.

Vampire Bat :: And John Wick: Chapter Two is also coming. I believe that it will be better than the first.

Vampire Owl :: The female leads look very much new though.

Vampire Bat :: I have noticed that too. But I am more looking forward to how this story will progress.

Vampire Owl :: I read that it is a remake of Peter Traynor’s 1977 movie called Death Game. Any knowledge of it?

Vampire Bat :: Not at all.

[Gets three cups of tea with tapioca chips].

What is it about? :: Evan Webber (Keanu Reeves) is a happily married man, and an architect living with his wife and children. Due to a shoulder injury and a lot of work, he is unable to go to a trip to beach which was planned earlier; so his wife Karen (Ignacia Allamand) leaves with the children and he is left alone in the big house. He decides to spend his time working and waiting for Louis (Aaron Burns), the assistant of Karen who works as an artist who will move a particular sculpture to an art gallery. When he is busy with the job, he hears someone at the door and sees two girls, Genesis (Lorenza Izzo) and Bel (Ana de Armas) outside. They claim that they were here for a party, but lost the address to the place and their mobile phones are also dead which left them stranded with nowhere to go.

So, how and where does things take a big turn? :: Evan invites them in, and offers them internet and computer for them to locate the place. They get fresh at his home and he also arranges the closest available driver for them, but that would also take forty five minutes to arrive at his place. The girls make themselves at home, and more is revealed about them. But soon, Evan will come to know another side of them, and it is not really that beautiful as what they seem to be. Almost everything which they had told him would prove to be just lies and nothing else. He almost gets away, but these two won’t stay away until they have their sadistic games imposed on him. There is no hope for him except for Louis who won’t be expecting this kind of trouble.

The defence of Knock Knock :: There is a certain message here in the movie, and there is the next level of morality tale stored inside – the need to resist temptations despite the situation is shown here. Powered by performances and moments of thrill, the movie is an interesting mixture of things; a home invasion movie with a certain amount of dark humour which is present throughout, and a little bit of the erotic side also being there – it also doesn’t go the way of the director’s two most known movies, Hostel and Hostel: Part II. It is a welcome change that we have here, as the environment has been changed, and the blood and gore gets a lot down by a long way. The torture porn does go away this time, and this movie surely has its moments. There is no way that one will end up finding this one not entertaining; that is for sure.

Claws of flaw :: This is another thriller which surely had a lot of scope, and that is not used as one would have wanted. It could have explored the psychological side better, but it decides just to go weird without much of explanations. It also has too much of the ups and downs throughout its run. If you are looking for the erotica elements, that is going to be a disappointment, because it is also rare. A number of scenes also feel repetitive, and without the idea to bring the needed change and variety through the material which has already been used many times in a good number of ways. There was better chance to use the moments in the first half to reach a big climax and finish in the end which is unfortunately not that much there. The Naomi Watts starrer Funny Games from 2007 could do a home invasion thriller with a psychological side better, and You’re Next as well as The Strangers had their own ways of handling the horror with the home invasion!

Performers of the soul :: If you wanted to see Keanu Reeves as the chosen one or in the form of the chaser of demons, you are not going to have that here; this gets not even close, as his character remains hopeless for most of the time. The thoughts of the hero from The Matrix trilogy and Constantine takes the back-seat, as he once again brings a fine performance here as the protagonist completely in distress throughout the movie, starting from a few minutes into it. Never will you see the tendency to go John Wick around here, and there will be no samurai effect. The girls are good, and I would like to mention Ana de Armas more, as she manages to take a certain amount of cuteness to the wicked side; Lorenza Izzo has the evil side working strong in the movie too. I surely had my doubts, but they worked really well here!

How it finishes :: You have to admit that unlike most of the people, both the critics and the general audience had said, this is surely a good one – most of them surely had problems with how things went around with this movie only because they wanted something else, and it is from this strange and somewhat detestable want that the hate for this movie could rise. You have to watch this one to know that the same won’t affect your ability to like this flick. Unlike some mentions here and there, you can’t consider this one horror; for the same, you can look into the recent horror movie reviews including It Follows, The Vatican Tapes, Jessabelle, The Remaining, The Pyramid, The Lazarus Effect and The Woman in Black: Angel of Death; plus there is my personal favourite Gothic horror romance, Crimson Peak.

Release date: 9th October 2015
Running time: 99 minutes
Directed by: Eli Roth
Starring: Keanu Reeves, Lorenza Izzo, Ana de Armas, Ignacia Allamand, Aaron Burns, Colleen Camp

@ Cemetery Watch
✠ The Vampire Bat.

Vettah

Posted on February 28, 2016 by Tennyson

What is the movie about? :: The City Police Commissioner, Sreebala IPS (Manju Warrier) is investigating a case about one missing actress and her old friend; the possibility of a kidnap and a murder is there, and all signs lead to one man only, Melvin Philip (Kunchacko Boban) who claims that he killed both of them and has buried the corpses at a certain location which he cannot remember. Further questions don’t reveal much as he keeps repeating one particular part of his tale. ACP Xylex Abraham (Indrajith Sukumaran) helps Sreebala in the case, and is troubled by his own family problems. The story of Melvin goes back to his own life, and his relationship with his wife Sherin (Kaadhal Sandhya) after an inter-faith marriage and the loss of their daughter, finally leading to the death of her too.

So, where does the investigation go from there? :: Here, during the questioning, Melvin talks to the police officers about trust and its role in life. With the case of Melvin, it is not incident of two people missing that comes to the light, but many facts which were rather hidden. There is the case the accident of Sreebala’s father (Vijayaraghavan), the relationship between Xylex and his wife as well as a lesser known past of Melvin, all coming to light, and each of these being connected to the other, the past to the present and the future, all things being revealed as the story progresses towards the end. So, will Sreebala and Xylex find the missing people, and are they really dead as Melvin says? Is Melvin really the culprit, and has he killed these people or is he just some random person who lost his sanity after the death of his wife and daughter?

The defence of Vettah :: The mind game factor remains the core of the movie, as manipulations make the most impact around here; the intelligent entertainer comes to the picture here. There is nothing of masala here though; for there exists no comedy and no action sequences at all as the brain game keeps going here. The final twist is a working one and does justice to the rest of the movie. The suspense is maintained well throughout the movie and we will keep guessing about how it will go towards the end. As this one released without a trailer, and a lot less known about the flick, there was a certain amount of mystery surrounding this one, and that brings the surprise to light. There are also some messages related to how the world works, as the movie takes one through the darker side where justice is rather difficult, and revenge becomes the more realistic option. The visuals are also very good.

Claws of flaw :: I am pretty much sure that a lot of people will have problems in following this movie due to its choice of following a different and more complex path. Some people would surely ask for more explanations, and if you miss some points, you will miss a lot. The movie also leaves a few occasions without making much impact, even though the moments could have been better. There is also a certain amount of slowness that you feel in here, and the pace could have actually increased better in the earlier stages too. A number of scenes could have been avoided or presented in another way, but it still works in the way that we see them. The story of each main character could have been separately developed, and that of Indrajith’s character could have used a lot more of ideas too. There is nothing much in the music.

Performers of the soul :: We haven’t seen Kunchacko Boban as someone with this much negative shades on that many occasions; and he has managed this one really well – he comes up with the biggest score here. There is a certain amount of wicked beauty about his character on a number of occasions, and it works really well for him. His smile is something that gives you the clue about what you are witnessing, which is part of a bigger plan, and it has the nice dark side waiting to unleash itself. It is a lot his movie rather than of any other. The idea that many people might have had earlier with the investigation belonging to the two police officer characters will take a u-turn related to this one. It is Kunchako’s biggest and the most interesting role in a commercial movie for a long time. He makes a lot happen here in style.

Further performers of the soul :: Manju Warrier has a good run in the first police role in her career, and the one role which remains serious through the run-time – it also becomes her only full serious role during her return, as Vettah allows no comedy as it goes direct and is strictly a serious flick. Coming right out of Rani Padmini and Jo and the Boy which were heavy in messages as well as Paavada which had her in a special appearance, she leaves a mark with the first flick with her as the leading actress. Beginning her second innings with How Old Are You?, I will say that she has had a very good run which continues – there is too much jealousy on the same as far as the fans of the rest are concerned though, which explains a certain amount of dislike or hate. Well, she is surely a lot better than the other other fake lady superstars who claim such a title!

How it finishes :: The final lead here, Indrajith Sukumaran is solid, but the character is left to less importance, and that is a case of something interesting gone missing. The one sad thing here is that with his demise, Vettah will be Rajesh Pillai’s last movie, and it is a terrible loss to the Malayalam movie industry. His Traffic was undoubtedly one of the best with the narrative, and also brought an amazing change at a time when Malayalam movie industry had more terrible movies than the good ones. His Mili was also one of the best of its kind, the only real movie to bring the introvert opinion to light in the right way – it was so good that it bothered a lot of people who couldn’t stand seeing an introvert as the leading character; which is why I consider it as the one righteous movie which gave voice to the lesser shown “others”. We will miss the visionary director.

Release date: 26th February 2016
Running time: 114 minutes
Directed by: Rajesh Pillai
Starring: Kunchacko Boban, Manju Warrier, Indrajith Sukumaran, Sandhya, Deepak Parambol, Rony David Raj, Prem Prakash, Vijayaraghavan, Kottayam Nazir, Baby Akshara Kishore, Baby Nandana Sajan, Akash Keralan, Jith Pirappancode

@ Cemetery Watch
✠ The Vampire Bat.

The Vatican Tapes

Posted on February 21, 2016 by Tennyson

Vampire Owl :: It has been a long time since some horror, right?

Vampire Bat :: Yes, there are not many horror movies releasing here these days; sometimes, there is just none at all.

Vampire Owl :: The world was so much better during The Conjuring days. There was abundance of horror then.

Vampire Bat :: Yes, after that, a lot of horror movies didn’t release here. I have a long list of that.

Vampire Owl :: And there were a few which released too late.

Vampire Bat :: And also the rest which came to some theatres only; those multiplexes – only those where we couldn’t go.

Vampire Owl :: And there was like one show at times when it was not comfortable for us.

Vampire Bat :: And they got cancelled or disappeared completely just too soon.

Vampire Owl :: This is why we should find out own horror.

Vampire Bat :: Exactly! Otherwise, how can we recharge our strengths?

[Gets three cups of tea with tapioca chips].

What is it about? :: After showing a few videos with shots of possession and exorcism, we are taken into the story. A young girl, Angela Holmes (Olivia Taylor Dudley) begins to show some strange behaviour after cutting her finger with a knife during a birthday celebration. Her father Roger Holmes (Dougray Scott) and boyfriend Peter Smith (John Patrick Amedori) are concerned, but it seems to be more of her fear for the hospital as she hasn’t been there since her early childhood. But one day, she is bitten by a raven while traveling inside a bus, and it makes the injury even worse. Her weird behaviour just continues. One day, she doesn’t wake up at all and had to be taken to the hospital again only to cause a car accident. With that, she slips into a comma and doesn’t wake up for a long time, and in the end, the doctors decide to declare her dead.

So, how and where does things take a big turn? :: Roger meets a priest Father Oscar Lozano (Michael Peña) who used to be with the army earlier. The priest becomes suspicious of what has happened with Angela, but as the hospital declares her case hopeless, he decides to provide her with the last rites. But as he begins the same, it turns out that she is not dead at all. That surely makes everyone happy, but things don’t remain the same after her return to the normal life, as it gets worse. The hospital cameras identify her trying to hurt a newborn, and after seeing and questioning her about the same, a detective murders himself with two bulbs. She is moved to the asylum, and things don’t get any better – murders happen and so does chaos. The hospital abandons the case, and now there is only one chance left.

The defence of The Vatican Tapes :: There is a story smoothly told here, and there is no rush with its idea. The ending also signifies that there is scope for something bigger with a possible sequel. The Vatican Tapes also doesn’t go with the cheap scares, and uses it central idea to generate the fear. There is nothing jumping out of darkness, and there is no manifestation of the demons. Instead, what happens here is the realization of the horror that is warming up, and the unlimited terror which is going to be unleashed later. The usual horror characters, especially the annoying ones are missing, and the movie finishes with the rather realistic end to what could happen – a possible end of the world coming closer rather than the exorcists saving the day. The horror in this movie is more on the background and getting right into the viewer with the basic idea!

Claws of flaw :: The movie hasn’t really used its video footage to its advantage, as most of those videos could have been shot just like the rest of the movie. The exorcism scene also doesn’t bring that much strength as expected, and won’t satisfy people who keep seeing the same thing all the time. Something more brutal, or shocking; even something at least surprising was the need of the times considering the number of exorcism movies and the rest of the horror which have come to us in the recent years. There is also not that much information about the demon and the possession, except for bringing that Anti-Christ idea up – a better explanation was a lot in need here, especially with experts in such matters already there as characters; it was never going to be that difficult. Maybe, the sequel, if there is one, can solve some of it.

Performers of the soul :: Olivia Taylor Dudley is the big asset for this movie, as she comes up with some very nice and creepy moments with her performance as the one coming back from the dead, as well as the fully possessed person. We would remember her from the lesser known horror movie Chernobyl Diaries and the more recent Paranormal Activity: The Ghost Dimension. The Vatican Tapes has what might be one of her best works among those popularly known – there are those points which you will want to recollect. She will have a bigger job there if there is a sequel for this one. The next notable performance is from Michael Peña who plays the priest who comes to know about this particular possession. Peter Andersson has a smaller, but nice performance here, and lets look out for Djimon Hounsou in case of a sequel.

How it finishes :: The Vatican Tapes is surely an interesting movie, and it will appeal to those who like the movies concerning possession and exorcism. It might not be everyone who are looking for some terrifying events throughout its run, and it is surely better than how it is rated at IMDb and what the critics have said about it. There is also the presence of evil portrayed well enough without adding those ghostly or demonic images, and the connection there with the horror is really well-made – it is gloomy, and hope of something better is not easy to have in here. It does try to be different than a usual exorcism movie, as this one doesn’t end with evil. Yes, it is horror, and is not a pretendor to the genre like some movies which get heavy critical appreciation as horror or superhero movies, but in reality, they are not.

Release date: 24th July 2015
Running time: 91 minutes
Directed by: Mark Neveldine
Starring: Olivia Taylor Dudley, Kathleen Robertson, Michael Peña, Djimon Hounsou, Dougray Scott, John Patrick Amedori,Peter Andersson, Tehmina Sunny, Noemi Gonzalez, Bruno Gunn, Ashley Gibson, Daniel Bernhardt, Alex Sparrow, Jarvis W. George

@ Cemetery Watch
✠ The Vampire Bat.

Wrecker

Posted on February 17, 2016 by Tennyson

Vampire Owl :: Do you know that we are appointing a new group called the wreckers for the vampire army?

Vampire Bat :: I don’t know about that, but we are surely going to watch this movie.

Vampire Owl :: The poster does remind me of Joy Ride and its sequels.

Vampire Bat :: Yes, that was what came to my mind the first time.

Vampire Owl :: I liked that series, right up-to the final movie.

Vampire Bat :: Yes, and the big trucks haunting people on deserted roads always make some impact.

Vampire Owl :: They are like the most convenient areas for serial killers.

Vampire Bat :: Well, there is absolutely no doubt about that.

Vampire Owl :: So, another human serial killer movie for today.

Vampire Bat :: Yes, another one from their long list of bad people.

[Gets some tea with tapioca chips].

What is it about? :: Best friends Emily (Anna Hutchison) and Leslie (Andrea Whitburn) are on a road trip, as the former doubts her boyfriend of cheating and has taken a break. As they go on on a joy ride, they decide to take a short-cut which seems to be rather less traveled. During their journey, they come across a tow-truck which doesn’t let them pass. When they do, it is behind them, and later it overtakes them just to keep wandering around their car. It almost makes them hit another car, and continues to torment them throughout their journey. Providing them with no relief, the truck is always around them, and nothing seems to let it go away. As they stop to have food, they see the truck there too, and try to identify the driver, but ends up being angry at the wrong person.

So, how do things go from there and is there a chance for escape? :: They find out that the man giving them the chase is someone else, but they never get to see him. But they continues to travel as the truck has gone long past them. Well, things only get much worse from there, as it is no longer about being chased – everything gets rather direct then. As their car losses one of its tyres, they are forced to run and they separate from each other. The car doesn’t have much of fuel, and only Emily gets back to the vehicle, with no sign of her friend around. A police officer who is found on the way also gets run over the the truck. There seems to be no hope left as the truck driver seems to know the road so well, and is ready to pounce at anyone anywhere. The only chance here might be to get off the road, or is it?

The defence of Wrecker :: There are thrills in abundance in this movie, as most of the movie is focused on the road; there is no time for drama as things only get quicker and the situations become more life-threatening. The truck idea is something that will always work – I recently saw one strange long-haired person on the road riding a modified bike and showing his middle finger to the buses; it is the kind of person whom we wish a psychopath trucker should take to make the society better; those times when we think that serial killers are needed. With Joy Ride‘s Rusty Nail whom we consider among the top killers in a thriller-horror, the scope of such a character has only increased, and Wrecker does make some good use of that. The truck shots are well-utilized, and there are some nice moments here with the vehicle. The movie is kept short too.

Claws of flaw :: This movie could have done a lot better in using this already successful idea – the scope was even more for sure. This could have been more entertaining with horror taking the main stage – a lot more of the scares were possible with a psychopath trucker in the pockets. A bigger story could have also been in store, and a legend could have been easily brought on this. The whole thing needed a better touch in making things more interesting. There could have been a big psycho killer in store here who could make things better in the sequel – the chance is left there in the end! A better thrilling finish could have done this movie a lot of good too. Andrea Whitburn leaves the action a little too early. The destruction which shown to be committed by the truck is also a little too low; the killer also remains too unknown.

Performers of the soul :: The movie clearly depends on Anna Hutchison to make it work better than it really is. She does a very good job here with the same. She is good with this, as we had seen her in The Cabin in the Woods. Most of us would also remember her from Spartacus: War of the Damned – she plays the main character here, and the focus is all on her, which makes sure that the movie gets better. Andrea Whitburn plays more of the supporting role, as there is a lot of time when we don’t get to see her at all. The supporting cast doesn’t really get to do much, and we never really get to see the face of the driver who goes on rampage – so, except for a few people who show their faces and say some dialogues, the whole thing is left to Anna Hutchison and Andrea Whitburn.

How it finishes :: The movie seems to have a lot of similarities with the 1971 flick, Duel; Joy Ride and its two sequels are also quite similar. I have loved the three movies belonging to the Joy Ride franchise, from the Paul Walker and Venna Wilcox Leelee Sobieski starrer to the last one which released in 2014. Wrecker doesn’t go that much of a different way compared to these movies. If I had to choose between Joy Ride and Wrecker, I would choose the former though, as Rusty Nail is already one of the most interesting serial killers around, and the entertainment factor was also high with those movies. But Anna Hutchison is the one person who makes the difference for this movie, and this one also goes somewhat a different way in its treatment – and is surely slower.

Release date: 6th November 2015
Running time: 83 minutes
Directed by: Micheal Bafaro
Starring: Anna Hutchison, Andrea Whitburn, Jennifer Koenig, Don Knodel, Michael Dickson, Ashley Evans, Lori Watt, Kurtis Maguire, Dave Blattler, Celia Reid, Andy Nez, Emily Schutz, Riley Schutz, Dylan Rhymer, Kurt Harder

@ Cemetery Watch
✠ The Vampire Bat.

Maheshinte Prathikaram

Posted on February 13, 2016 by Tennyson

What is the movie about? :: Mahesh Bhavana (Fahadh Faasil) owns a small studio named Bhavana, living his life in and around Kattappana in Idukki. He is a simple man who finds happiness in the usual happenings of daily life, and is a popular person in the neighbourhood. His best friends include the older man who runs a shop near his studio, Baby (Alancier Lay) and his employee who is a cheerful young man named Crispin (Soubin Shahir). He has been in love with his childhood friend Soumya Kunjumon (Anusree Nair) for a long time, but it turns out that she decides to marry someone who works abroad instead. At the same time, he also gets into a fight with a group of strangers, and he makes a promise not to wear footwears until he has revenge on Jimson Augustine (Sujith Shankar) who beat him up.

So, how and where will the things be going from there? :: Mahesh is determined to have his revenge as he trains in Kung-fu hoping that he can win a fight against his newly found opponent. As Jimson has moved to the Middle East for a job, he keeps waiting for his moment of return. Meanwhile, Mahesh meets Jimsy Augustine (Aparna Balamurali) who needs him to take a photo for the cover page of a magazine. As they fall for each other, he comes to know that she is the sister of the man whom he wants to beat up. But he decides to go on with the relationship, even though he is determined that he will beat up the man when he returns to India. So, will Mahesh have his revenge? Will he manage to do that and finally wear the chappals? Is the decision not to have revenge as Jimsy wouldn’t want? Or will he just fail in the quest?

The defence of Maheshinte Prathikaram :: This one is more than just a movie; as it is more of life – there is nothing exaggerated in this movie as it uses the simple events of life, which could happen anywhere, and brings everything out of them. The movie’s biggest asset is its ability to make one laugh, and that too without using those silly jokes – even above that, it can bring a certain smile on the face of the viewers. There is a lot of skill in how the comedy is handled in this movie; there is nothing dumb, and there is no words used with hidden meanings. The revenge here is not something of hate, but simple, and out of a simple promise which has been made – nobody gets to suffer for the same; and the movie is that light-hearted. The songs are good and the visuals of the high-ranges are very well captured. Life is rarely reflected on screen this simple and lovable; especially look out for the anthem and the theatre scenes – that’s just two of the long list.

Claws of flaw :: There is nothing huge in the story of this movie; it is just the simple life of the common man in the high-ranges. Well, as Life of Josutty had said in the posters, this one is also just life without twists and suspense. There will be no big melodrama or romance as those exaggerated movies – dealing with a simple man’s life, this movie won’t satisfy the blind fans looking for all which is not there in life. As the movie brings real and natural humour instead of the silliness which is needed for the fans, there will be the group which won’t like it. But the final fight scene could have been shortened, and Aparna Balamurali could have had her entrance much earlier, especially considering the fact that they don’t see each other during their first meeting. But that is no flaw for you to decide not to watch a feel-good movie which is a lot sensible than the rest.

Performers of the soul :: Fahadh Faasil returns to be the crowd-favourite after Monsoon Mangoes which never really got close to connecting with the audience. As always, he is too good – he has taken control of this character and has done a really fantastic job. You have to love how well he manages each of his characters, and this one is simply awesome. Here is the man whose movies have viewers and admirers of movies rather than fans – it means that we can watch his movies without being troubled by the blind fans who are howlers, abusers and haters; how many celebrities can manage to offer a movie without trouble from terrible people? I had even read that he said that fans associations are not needed, and people need to watch his movies only if they are good. It is the kind of policy which every sensible actor needs to follow.

Further performers of the soul :: Anusree manages her role here with ease, as she plays Fahadh’s love interest in the first half. The second half has Aparna Balamurali whom we remember from Oru Second Class Yathra in which she played the character Amritha Unnikrishnan; it is related to the song “Ambazham Thanalitta” with Vineeth Sreenivasan rather than the movie. Here, she is the one to look out for, after our protagonist. She has a simple and charming way of playing her character here, and it is a lovable performance in store here. I am sure that she will go a long way after this performance. 2015 had some interesting new female faces in Malayalam movies, and 2016 has one more promising star, even though not that much of a new face – she has her first big role and she has done a really good job; this work feels so real and energetic.

And the rest of the movie :: The combination of Alancier Lay and Soubin Shahir is really good in this movie, and they handle the funny side here amazingly well. In a movie which has a lot of new faces, another newcomer Lijomol also has some nice funny moments here. The debut from the director Dileesh Pothan is a wonderful one, and he has also played one role. The supporting cast is really strong here, even with so many new faces. This different kind of revenge story is the kind of movie which you should really watch. It is something like a simple and humorous page taken right out of the book of life. Maheshinte Prathikaram is the kind of movie which could have been made more, but only people who have the ability to notice the simple things in life with skill, can come up with such a creation, and for the same, this movie needs the appreciation as it becomes the best of the year so far! These are good times for movie-watchers, with options of Action Hero Biju and Puthiya Niyamam also there!

Release date: 5th February 2016
Running time: 121 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Aparna Balamurali, Anusree Nair, Soubin Shahir, Alancier Lay, Lijomol, KL Antony, Jaffer Idukki, Dileesh Pothan, Sujith Shankar, Saiju Agustine

@ Cemetery Watch
✠ The Vampire Bat.

Puthiya Niyamam

Posted on February 12, 2016 by Tennyson

Vampire Owl :: I have been waiting for this movie.

Vampire Bat :: Yes, it should have released last year.

Vampire Owl :: As the trailer has come out, my desire to watch this movie has only increased.

Vampire Bat :: Yes, the trailer has been an interesting one too.

Vampire Owl :: Mammootty’s next movie after Pathemari here, and that too a thriller. I don’t think that things can get any better.

Vampire Bat :: And his next movie should be White with Huma Qureshi; that should be something of variety.

Vampire Owl :: It is because you have less time these days that I was afraid that we might miss this movie.

Vampire Bat :: Well, we should never keep away from watching a movie like this.

Vampire Owl :: It is like our duty to Malayalam Cinema, right?

Vampire Bat :: Yes, something like that.

[Gets the tickets with cheese popcorn].

What is the movie about? :: Louis Pothen Narimadan (Mammootty), also known as LP among friends, is a film critic, television presenter and sculptor, and above all that an advocate who deals with cases of divorce, even though he tries his best to make sure that separation of a family is avoided whenever possible – at times, he is also interested in being a social activist. A person who is secular in nature, he is married to Vasuki Iyer (Nayanthara), a Kathakali artist who is a strong believer in God. Their families are not in connection with them after this inter-caste marriage even though Louis and their daughter are often invited to his ancestral place. But Louis’ family does reconcile with the new bride; yet things do take a terrible turn to make a negative impact.

So, where does life go from there? :: Things don’t go that well within the family in the later stages though. Vasuki has her systematized delusions about people, as she doubts the fish-seller, vegetable vendor and others who are part of their daily lives. She is overly concerned about the safety of her daughter and she keeps forcing Louis to keep making sure that they are safe, forcing him to buy a car and drop the child right inside the school compound every day. Louis is worried about the change in character of Vasuki, and even the child notices the same. One day, after a Kathakali performance, Vasuki meets Jeena Bhai (Sheelu Abraham), the city police commissioner who offers her help if there is any need. She decides to talk about her problems to the cop.

The defence of Puthiya Niyamam :: The climax is the highest point of the movie, as the final moments become a lot more interesting. There is one twist in the end for which you can wait, and it is the kind of waiting which you can wait with expectation to find something interesting. The messages are there, and there is also the presence of some moments for family watch. The visuals are pretty much interesting, even though the same could have been used better to display the city. The music is just okay around here. You will find interesting moments for the fans in the end, and there will also be some dialogues which will keep them interested – well, they will clap anyway, but some are worth it. The fact that there is no overdose of emotions here, is also a positive here. The fact that this doesn’t become the usual revenge story is also good.

Claws of flaw :: The first half is pretty much not good. It drags and nothing much really happens; even the comedy itself is forced. More focus could have surely made things better with the things before the interval. The movie takes too much time to get to its main points, and it has to wait till the end to bring that big moment. The movie also takes the chance to deviate from any idea that people had from the trailer; it is not really a positive thing because there was scope for more from that trailer. A lot of extra characters including Aju Varghese is wasted, and the comic side never really gets going, which affects the flow in the first half. More could have been done with the central idea of the movie too. The thrills are also too less even though this one was called a thriller – there is a shift in focus which makes the genre move away. We also needed more of Mammootty.

Performers of the soul :: Most of the screen presence is with Nayanthara who is there for most of the run-time of the movie, and she has given a very interesting performance in her character here. The mystery of the character’s change is well-portrayed here. Mammootty is there from the beginning itself, but takes over the movie’s universe only by the end; at some point you feel that he is there for the sake of being present only, but he will make amends in the end, and you need to wait for that. You still won’t get Mammootty as the protagonist or a full movie presence though, but as I said already, waiting will make things happen in the end – good things happen to people who wait; I have that kind of an experience myself. Bhaskar the Rascal had them working together nicely, and now this one has them doing the same very well. The rest of the cast does not much.

How it finishes :: The fans have been the curse of this movie; a lot of dialogues were not clear because they were making noise inside the theatre. If the focus of the fan clubs is to disrupt the dialogues of their own superstar and throw waste inside the theatre, it is time that they cease calling themselves fans. Yes, this is not the first time, but while watching a thriller, such lack of quality among people who call themselves fans will only cause problems to the flow of the movie. I think that it is time that celebrities have a say about this; do they want fans who keep saying the same thing all the time or people who appreciate their performances? Well, blind support to an actor isn’t going to make his name better – people will say his name and add the word “fans” to the end, and call things pathetic – it is the duty of a responsible fan to make sure that it doesn’t happen!

Release date: 12th February 2016
Running time: 134 minutes
Directed by: A. K. Sajan
Starring: Mammootty, Nayanthara, Aju Varghese, Baby Ananya, Sheelu Abraham, Rachana Narayanankutty, S. N. Swamy, Sreelatha Namboothiri, Pradeep Kottayam, Ponnamma Babu, Sadiq, Jayaraj Warrier, Sohan Seenulal

@ Cemetery Watch
✠ The Vampire Bat.

Action Hero Biju

Posted on February 7, 2016 by Tennyson

Vampire Owl :: I have read and heard mixed reviews about this one.

Vampire Bat :: Yes, and I have even heard that the other flick at the theatres is a better movie than this.

Vampire Owl :: Do you know what that means?

Vampire Bat :: Yes, it means that we should watch this movie before going for any other.

Vampire Owl :: If someone says that the other movie is better and keeps telling us that we should watch that particular movie, we should watch this movie only.

Vampire Bat :: Exactly; we know that our tastes are different as individuals, unless we blindly follow a trend.

Vampire Owl :: I remember us liking Lord Livingstone 7000 Kandi more than Amar Akbar Anthony.

Vampire Bat :: Yes, they told us that the former was not a movie at all. Strange people.

Vampire Owl :: And they declared a repetitive comedy movie as one of the best entertainers of all-time.

Vampire Bat :: Which is why we should watch them all, and what they don’t like, we should surely try.

[Gets the tickets with cheese popcorn].

What is the movie about? :: Sub Inspector Biju Paulose (Nivin Pauly) is a teacher turned police officer who is determined to serve the people and has dedicated his life to his duty. He intends to keep the law and order in the city of Cochin, and for the same, he intends to keep himself close to work all the time. The movie goes through his daily life as a police officer, and deals with the cases that he comes up against everyday, as he gets ready for his marriage with Benitta Dominic (Anu Emmanuvel). There will be enough trouble to keep him busy. And yes, you get all of these without slow-motion sequences, beating up twenty five people at a time, and not catching dangerous serial killers, international criminals or extreme terrorists. Do you know about realistic movies with messages, but having no real dull moment in between? Yes, this works in that way!

The defence of Action Hero Biju :: The one thing which you can be sure about this movie is that it is realistic to the core. The protagonist doesn’t go on fighting the big villains beating them up on the roads or defeating his minions by fighting them all over the city. There is no villain here, but the crimes. There are no heavy dialogues around there either. You shall find no Bharathchandran, Balram, Mohammed Sarkar, Madhavan, Easo Panicker, Baba Kalyani, Chandrasekharan, Sharafuddin Tharamasi and the rest who are part of that long list of heroes from the past, or even those divergent ones of the later times like Sam Alex, Solomon Joseph, Hameem Hyder and Anthony Moses. The movie has no complications, and things are simple, as one would expect to happen as part of the usual life. The comedy as well as the emotional side are very much working; the visuals are really good and the songs are just okay. This one also works as a tribute to the police force.

Claws of flaw :: The movie’s realistic approach won’t appeal to all. It is not that kind of a realistic approach which is forced upon us like in the case of Annayum Rasoolum which declared the same to be just drag and more drag. It was a case of exaggerated realistic world which seemed to work with a section of people, but Action Hero Biju chooses not to use that, but go for what can be believed by the common man. That should still disappoint the fans as they might have been looking for something else, with action, thrills, twists and turns, punch dialogues and everything else; even otherwise, they might look for the exaggerated heroism or a heavy dose of cheap comedy – none of these happens to be here. It is the substantial problem with expectations, as that becomes a flaw in the eyes of the fans. The movie might also be a little bit too long for the kind of subject it deals with and the way of treatment. There could have been a better focused ending too.

Performers of the soul :: Nivin Pauly returns with one of his most anticipated titles in a long time as he joins forces with Abrid Shine yet again, after the much appreciated 1983 as the director comes up with his second movie. He has managed the role of the rather human police officer without that much trouble. There are moments which are not that good, but there are some in which he looks very well in form. Anu Emmanuel looks good, but this is the debut in which she has not much to do, and it is only the smile and the name of the character that stays with this one – she needs a movie with more screen presence. The comic side is at its best with Joju George, and Suraj Venjaramoodu comes up with a huge performance in one of the best, emotional moments in the movie – there is another one with Meghanathan and Rohini, and the girl who plays her daughter has some nice moments. Major Ravi and Saiju Kurup plays protagonist’s superior officers well. There are a few lesser known faces who provides some interesting performances too.

Soul exploration :: As we go further into this, we feel that what we have seen on the screen has no part in being unrealistic. It is a ride through the life of a police officer as expected under the normal circumstances, and there are multiple incidents and cases which the protagonist has to deal with, among which none of them is related to solving a mystery which only the hero can bring out to light. Instead, the police officer deals with the usual cases that comes up in life – yes, no serial killers, no big gangster lord, no catching international criminals, no standing face to face with powerful politicians, no reaching at scenes of crime at the exact time, no chance of becoming the only man in the whole world who can catch a fiery terrorist, no beating up twenty people just because he can in a movie and surely no unlimited dose of dialogues. Last year, there was the realistic Pathemari, and in Hindi, there was the realistic Airlift; this one also follows the more realistic model, but with fun.

How it finishes :: The one problem which has undoubtedly worked against this movie is its title itself. The movie is not what the title suggests, as it seems to make us feel that this will either be masala action entertainer or a full comedy movie, but as it ended up becoming a realistic movie, it is sure to make one wonder what kind of audience the makers were looking to target. If people feel that the pathetic eternal drag like Annayum Rasoolum was good and Action Hero Biju is not, I will ask for a change of the meaning of the word. Another fact about Action Hero Biju is that it is cent percent better than the overrated flick which was 1983. But these days, people rarely look for a realistic movie which is closer to life, except for those pseudo-realistic movies like Annayum Rasoolum, the bloody movie in which nothing happens and we have more and more tea to the end. And is it just Premam that we always need? It was clear that people in the theatre enjoyed in this case too.

Release date: 4th February 2016
Running time: 145 minutes
Directed by: Abrid Shine
Starring: Nivin Pauly, Anu Emmanuel, Jude Anthany Joseph, Suraj Venjaramoodu, Major Ravi, Rony Davis, Joju George, Prajod Kalabhavan, Saiju Kurup, Kochu Preman, Valsala Menon, Azeez, Rohini, Meghanathan, Sajan Palluruthy, Balachandran Chullikad, Abhija Sivakala, Madhu Mohan, Bobby Mohan, Devi Ajith, Manju Vani

@ Cemetery Watch
✠ The Vampire Bat.

Airlift

Posted on January 22, 2016 by Tennyson

What is the movie actually about? :: The movie is based on the world’s largest civil evacuation of all-time, the act which was about rescuing a huge number of Indians stranded in Kuwait during the Iraq-Kuwait War when Iraq forcibly occupied Kuwait and made it the nineteenth province of Iraq. Due to this evacuation process, Air India is in the Guinness Book of World Records for the most number of people evacuated by any of the civil airlines. The movie begins by saying that the characters are fictional and are inspired from a real incident. There are two real-life heroes who played a big role in helping the Indians in Kuwait to get them to evacuation though, as it is mentioned in the end of the movie – Mr. Mathews and Mr. Vedi who are shown during the final credits as the messiahs in reality.

So, what happens in the story-line of the movie? :: Ranjit Katiyal (Akshay Kumar) is a very successful businessman in Kuwait, and has good relations with the rich Kuwaiti people and its government. Despite his roots in India, he never really identifies himself as an Indian being one of the richest men in the city. He is living a happy life with his wife Amrita Katyal (Nimrat Kaur) and their child. Everything has been going in his favour until Saddam Hussein orders the Iraqi invasion of Kuwait. The soldiers consisting of even young boys with hatred for the nation which they have just conquered, wanders around causing chaos and destruction as all evil becomes legal as long as it is committed on the people who are now living under their guns no matter the ethnicity. Facing such a situation, Ranjit has to make more than one decision not just to save his own family, but also that of many other Indians.

The defence of Airlift :: The movie’s highest point is the climax and the ending – I am telling this before talking about anything else because it was so well executed and it could bring that wind of patriotism flowing in the right direction. The truth is that we feel such a patriotic feeling which is not forced, but it just gets into us and makes us feel amazingly good and proud to be Indian. A movie like Airlift was in need because Bollywood needed to have something as real as this, keeping the heroism, despite restricted to one person being kept as close to reality as possible. The protagonist’s return journey to his roots is something that we will all cheer about too – there is always something about your nation, your people and your your culture; it never really leaves you. I do have my doubts about the new generation, but somewhere, you are still part of your roots. The camera shots surely add to the total effect too.

Claws of flaw :: There is no chance to find this movie as a perfect one, even though it could have been that with some more attention. Some of the characters could have been used better, as you look at them not really contributing that much as you would have wanted them to be, as a situation like this could never be about one or two people being the heroes all the time. I would have loved to see an effort which was a lot more combined. The characters could have been better developed, and some of them are just there to be present or to go through all these. There are also some problems in the middle, and pace often gets to a lower level. A little more focus on the war could have also done better for this movie. I believe that a movie like this can also do without the songs. There was also a little bit of hurry to finish the movie by the end. Also remember that this is no entertainer for the usual fans.

Performers of the soul :: Akshay Kumar provides us with another realistic movie with a touch of patriotism an year after Baby released. Two of my favourite Bollywood movies of last year had him, with Brothers being the other flick. As of now, it seems that 2016 will be no different. We can confidently say that this movie will be among the best of the year, and I am not surprised that Akshay Kumar is once again the person to deliver the same. Well, this is movie does rest on his shoulders all the time because it is so much centered on his character. He makes thing work amazingly well here. Nimrat Kaur provides him the support. Lena has kind of a noticeable role here too! The other performer is actually the situation itself. The rest of the cast actually don’t need to do that much as one would expect for a situation of life and death; maybe it could have used them better, but it works as of now.

Soul exploration :: We have watched a good number of movies with patriotic elements in them. But when we look at this particular movie in comparison to that, this is one of the realistic and the most righteous display of the same. Patriotism in its purest form is one of those qualities which one can be really delightful about, and without any doubt, Airlift has that without preaching. This certain quality is what makes Airlift an interesting watch for all Indians both in the nation and living abroad. This is where the movie keeps scoring. If Airlift doesn’t touch your soul and make you think as an Indian no matter where you are, I don’t see any other movie doing the same. It is rightfully the movie for the soul, and you will feel the same during its run-time.

How it finishes :: Bollywood’s fine run this year continues, as Airlift follows Wazir and provides Bollywood with that boost for the beginning of the year which works nicely with the intellectual side as the industry takes another break from those huge silly entertainers. The advantage of having the popular actors performing in movies like these is that these better flicks get releases at most of the theatres. It is quite a necessity considering how many mindless movies Bollywood has been coming up with. The movies like Airlift are a lot in need, and it is a must watch without doubt. If there are movies which cent percent deserve to be in the one hundred crore list, Airlift can also be considered one of them. I don’t know how the usual audience will consider this movie, but if you don’t support this movie, it is your loss as well as that of Bollywood.

Release date: 22nd January 2016
Running time: 124 minutes
Directed by: Raja Krishna Menon
Starring: Akshay Kumar, Nimrat Kaur, Feryna Wazheir, Lena Abhilash, Inaamulhaq, Purab Kohli, Kumud Mishra, Prakash Belawadi

@ Cemetery Watch
✠ The Vampire Bat.

Paavada

Posted on January 15, 2016 by Tennyson

What is it about? :: Joy a.k.a. Paambu Joy (Prithviraj Sukumaran) spends his day with alcohol, and that leads to his wife Cinimol (Miya George) leaving him to do service in a charitable institution. He spends most of his time with alcohol as if there is no tomorrow. With nobody left to control him, the local priest tries to make him stop drinking, but it is of no use, and the priest finally admits Joy in a de-addiction centre. Babu a.k.a. Paavada Babu (Anoop Menon) used to be a college lecturer teaching English, but now spends his time lost in alcohol as if it is the only thing that he does throughout the day. Except for the dialogues which he takes out of the Shakesperean Drama including Hamlet, Macbeth and Julius Caesar, there is nothing much good that comes out of his mouth. His well-wishers forcibly take him to a de-addiction centre.

So, what happens next in the movie? :: The well-wishers think that they can only return after changing themselves, but that turns out to be a wrong idea, as the two manage to escape from the place which is heavily guarded. This brings a special bond between the two which is forged in alcohol, even though the caretaker of Babu doesn’t really like the fact that Joy has started living in their house. But they get along as time progresses, and as they are united in alcohol, something else comes up which changes their times of happiness into something depressing. There will be a flashback which works against their happy days, and certain news will add fire to the same. So, with the help of their well-wishers, will they be able to overcome this problem which affects them both?

The defence of Paavada :: The movie begins with the notice that this happened before the bars had closed in Kerala. You will feel that Paavada is a clear entertainer right from the beginning to the end. There are no dull moments here, and this is certainly a quality which the audience will appreciate. The comedy sequences power the first half while the emotional side takes over the second, even though there is some fun in parts concerning the latter part of the movie too; it ends with very much of a happy angle. The story remains strong here, especially with how things take the twists, and this side takes over when the rest goes a little down. There will be dialogues for you to remember, and even as it has too much of alcohol, there is message and something for the family audience along with the youth. There is clearly enjoyment in store here. You can also find a message against alcoholism by the end.

Claws of flaw :: Some jokes won’t work that well, and a number of them seems to be more forced to be added with alcohol rather than being better. There are also certain deviations from the trailer, and the story won’t follow that path which you might have predicted earlier. There is also that too much of a focus on alcohol in the first half at a time when other factors could have also been there. Alcohol gets too much of screen space here than one would have wanted. The songs are all forgettable, and if they were avoided, the movie could have gotten rid of a few extra minutes which were there. The movie also has a huge amount of melodrama which comes in during the second half. The final light moments after the climax were also not that effective. Paavada really did have scope to be an even better movie.

Performers of the soul :: Prithviraj has been making the right choices with his movies, and this one is no different, as he has become the one actor whose movies can be trusted more than any other. Even earlier, I liked his movies like Ivide and London Bridge which had certain viewers in doubt. In this movie, he handles both the funny as well as the emotional side with no problems at all. We had seen how well he could handle a character suffering from addiction in Memories, and here he comes up very well with two sides of the same coin. Some people might have had doubts from the trailer, but they will be cleared with this movie. Miya plays the role of his wife, and has the usual stuff to do, which she manages fine; they were together in their last movie Anarkali too, even though not paired with each other.

Further performers of the soul :: Anoop Menon continues his good work from the less appreciated, but interesting Maalgudi Days. I have felt that he was nothing less than a perfect choice to play the alcoholic English professor with a philosophical side and love for drama; also having a troubled past. Except for the alcoholism, he carries over the rest from his previous movie, and there are some very nice moments which he shares with Prithviraj. Kalabhavan Shajon once again plays a character with evil shades, reminding one of Drishyam. Siddique has a strong performance by the end of the movie while Chemban Vinod Jose and Sudheer Karamana manage their contrasting priest roles really well. Sharafudeen of Premam fame has some nice moments in the first half. Maniyan Pilla Raju and Nedumudi Venu provides fine support and Asha Sarath is another positive.

How it finishes :: Prithviraj had only finished a hat-trick of blockbusters with Ennu Ninte Moideen, Amar Akbar Anthony and Anarkali, and this would surely add to that list of great success. I watched this movie at a multiplex screen, and even though it was in the morning, the place was almost houseful with seats vacant only here and there. I am expecting this to be the first blockbuster of 2016 as far as Malayalam movies are concerned. So, this year has a very fine beginning for Prithviraj, and his upcoming movies this year which should begin with Darvinte Parinamam, are also the titles which will catch our attention. I am pretty sure that Paavada is the movie which will work for all kinds of audience, and so it should be your movie of the weekend as it seems now; plus you see that the goodness side wins in the end whatever be the circumstances.

Release date: 15th January 2016
Running time: 148 minutes
Directed by: G. Marthandan
Starring: Prithviraj Sukumaran, Miya George, Anoop Menon, Kalabhavan Shajon, Chemban Vinod Jose, Maniyan Pilla Raju, Nedumudi Venu, Sudheer Karamana, Siddique, Sharafudeen, Renji Panicher, Kunjan, Asha Sarath, Dinesh Prabhakar, Murali Gopy, Manikuttan, Sai Kumar, Sunil Sukhada, Manju Warrier

@ Cemetery Watch
✠ The Vampire Bat.

Maalgudi Days

Posted on January 9, 2016 by Tennyson

What is the movie about? :: A little girl, Athena Adarsh (Baby Janaki) is going through a state of depression after losing her father to the sea right in front of her eyes. As she spends her time at home staring at the possessions of her father and not talking to anyone, her mother Swathy Adarsh (Priyanka Nair) decides to send her away from home to keep the kid away from the memories. For the same reason, she gets admission for Athena in Maalgudi Residential School which is located in the highlands. But Athena doesn’t make many good friends until she comes up against Milan Joseph (Master Vishal) who is the mischief maker without friends, having a history of being brought up by a single parent and being quite unpopular. They form a gang of two, separate from the other kids around.

So, where and how does the twist of events occur? :: One day, while playing on the ground, the ball goes outside the school limits, and the kids come across an injured man called Zephan (Anoop Menon) who is wanted by the police. He has a mysterious past, and there is not much known about him except that he is an artist. The kids help him with water and food and develops a bond with him, as he leaves for another place, which is according to him towards his own child. The twist of fate happens when the kids gets caught in a situation from which there seems to be no escape. With nobody around to help them, how will they get back to their parents? Does anybody including their teachers actually even know that they are in such a situation?

The defence of Maalgudi Days :: One thing that you should have felt right from the trailer is that there is a certain amount of visual beauty to the locations, and if used well, can create a nice experience for the eyes – it happens right here. The surroundings used here happens to be perfect setting for the movie. Then there is the realistic ending to the movie, using the emotions to the right quantity rather than bringing what would go on to become melodrama. This is also a movie that touches the emotions at the base level, not within that elite level of romance to which reality is never that close. If you wish to support only superstar romance, go for it, but I would rather incline myself towards the sad realities and little goodness in life rather than the exaggerated infatuation. The goodness in this movie touches you on one side, and from the other side, the sad realities of life come in. It is from this ability to touch one’s emotion that this movie can be a favourite for the audience.

Claws of flaw :: Well, a near flawless movie was never expected in this case. The movie was never heavily promoted and never did it generate any hype. It just had an interesting song playing on television and came right into the theatres. It is nowhere close to being among the big movies with its content either, and that problem is solved by creating a fog of innocence which works. But the blind fans will neglect the same, because they can only get emotional when their superstar falls in love and losses his romance – the story of struggles of people never appeal to them. This bloody exaggerated romance seen in movies have made people feel only when the hero and heroine separate, and it will be a flaw, not with the movie, but with the brainwashed audience who are blind to the truth. This movie does have its own struggles in the middle, and a lot of scenes do seem half-baked. The material is not that well connected in between, and not made to appeal to people throughout its run. The first song with graphics was a terrible idea too.

Performers of the soul :: As you might have already noticed, Anoop Menon and Bhama forms the star power of this movie, and are the main actor and actress. Bhama does a fine job, but is present only in a few flashback sequences. Anoop Menon has his moments, and the best of them are in the second half. I am sure that a lot of blind fans would have appreciated their favourite actor in this role, and might spend most of their time praising this movie, if that particular person was acting in this, no matter how bad the performance was. But do not underestimate Anoop Menon who has done a commendable job, and at least once in a blue-moon, try to watch and appreciate movies without partiality. I had to add this to the review because of the conversation which I heard from some of the youngsters sitting behind me. Kids in trouble is a joke to some people, but their favourite hero getting beaten up or losing his romantic interesting is so sad – simply pathetic attitude.

Further performers of the soul :: Why don’t you people take some time to appreciate Anoop Menon choosing to act in this movie of debutantes, and coming up with a touching performance? Is it only with those overrated movies that your loyalty lie? Coming back to the movie, the child actors have done some very nice job here; there is a lot of skill in that age group, as the Malayalam movies which have given significant role of children in the last two or three years have revealed to us. This movie provides enough opportunities to the two child actors, and never hesitates to let them free. They have more to perform here than in a regular movie about children, and they come up strong. Priyanka Nair has a good role here; she was among my favourite actresses before she took that break. Saiju Kurup handles an important role, while Noby manages the lighter moments which are rather less and has least significance in this emotional flick.

How it finishes :: The situation looks rather bleak for the movie considering the number of viewers, but as there have been positive opinions, the number of people for the show will be more in the next few days. But the promotions have been rather less related to this one, and if you have noticed, this one is not present at Wikipedia, making this one more of a movie which is not out of the shadows yet. With the challenge posed by Charlie, Adi Kapyare Kootamani and Two Countries still there and with another possible challenge from the Bollywood movie Wazir, one has to be doubtful about how well it will do in the end, but coming from three debutante directors, this surely needs some attention considering how sincerely the attempt has been made. It surely has that single act of kindness which is supposed to shape the mindset of future generations, that too with one great self-sacrifice – are you ready for it?

Release date: 8th January 2016
Running time: 124 minutes
Directed by: Visakh, Vivek, Vinod
Starring: Anoop Menon, Bhama, Priyanka Nair, Noby Markose, Saiju Kurup, T.P. Madhavan, Irshad, Sathyadev, Abhi Madhav, Anand, Binoy, Janaki, Vishal, Alji Francis

@ Cemetery Watch
✠ The Vampire Bat.

Wazir

Posted on January 8, 2016 by Tennyson

What is it about? :: After a personal tragedy strikes the family of a police officer Danish Ali (Farhan Akhtar) in the form of the death of his daughter in the hands of terrorists, he is blamed for it; separating him from his wife Ruhana Ali (Aditi Rao Hydari). He is later suspended from service as he murders a terrorist who was the only key for the cops to find a minister linked with the terrorist. As he is extremely depressed and thinks about ending his life, he meets Pandit Omkarnath Dhar (Amitabh Bachchan), an old chess master on a wheel chair who used to teach chess to the cop’s daughter. They come across each other again and a friendship is formed between the two. Omkarnath had also lost his daughter only some time ago, and he suspects that a popular politician, Izaad Qureshi (Manav Kaul) is behind the murder even as the police records it as an accident.

So, what happens next in the movie? :: Omkarnath tries to get the attention of the police department, the media and the government. But nothing really happens except for bringing more fury into the mind of the politician and his supporters. This is where the henchman known only by the name Wazir (Neil Nitin Mukesh) comes into the picture. But this person seems to be something more than a henchman, as he stays in the shadows and creates situations of terror for the old man, becoming more like a shadow assassin. Danish is mostly helpless as he is suspended from service, but makes the promise to protect his new best friend and play his part in the battle for justice as if it is his own. Their fates are going to join together and soon, the shadows of darkness which are cast on their lives shall converge. Can Danish stand this big test?

The defence of Wazir :: It always feels good to have a Bollywood movie with an interesting plot especially as there are too many of the flicks which don’t have one at all, and there are movies which asks “why always the same story” and while saying that, it comes with the exact same plot told in a miserable way. This is where Wazir uses its intelligence as well as the strong emotional side to become a better and different movie. I do wonder at times why Bollywood movies and good plots are never friends enough. But if you look here, Wazir shows how to become an interesting emotional thriller bringing the breath of fresh air which makes the beginning of the year a nice one indeed, as there are no mindless flicks floating around anymore. The thrills are present and so is the suspense factor. There is also variety and style in how the whole thing is handled. The action sequences are done in a smart way, no overdoing and no slow-motions; believable as well as exciting.

Claws of flaw :: Even though its short length will save some time, people will want more here. Well, we ask ourselves if this is the kind of protagonist whom we want in the investigative thriller flicks, and there are moments when we will think about having a sequel to complete this movie. The usual Bollywood fans who love the entertainment and masala elements are also going to like this one less too; for there is nothing of such kind in here. Even when I visited the theatre, there was so much less interest for this movie there, but I hope to see it get better in the coming days. The movie surely has some points when it becomes slower, especially as a certain emotional side tries to play its role. The fact that some actors are there for only an extended cameo or special appearance will also put some people into lesser interest for the proceedings. The movie could have done better with the thrills overtaking everything else; no doubt about that – but it works well as it is!

Performers of the soul :: Amitabh Bachchan and Farhan Akhtar makes a highly impressive team here. One man in sorrow has his mind game going strong while the other one is physically fit and has been one of the best police officers of the department – both roles are played with such passion here. The intensity that Farhan Akhtar shows here should be the one thing for which you wouldn’t want to miss this one. Aditi Rao Hydari has a beautiful and at the same time, a happy-transformed-into-sad presence in this movie, and you will feel that even the absence of words speak in favour of her as seen with her expressions. I am pretty sure that she is a lot better than the overrated actresses of the industry. As I turn back the pages, I remember that I had seen her on screen, in the Malayalam movie Prajapathi in which she made her debut as well as in Murder 3; the rest I had missed.

Further performers of the soul :: Neil Nitin Mukesh makes the best out of what he has in this movie, even though it is more of a special appearance. He reminds one of the character “Musafir” in the Malayalam movie The Tiger, who has been an agent and contract killer for the terrorists; but it turns out that even with the essence and soul being the same, the existence is different, and you will know that by the end of the movie with that one final twist – your love for the movie is going to be ultimately decided by that. John Abraham stays strong while doing another special appearance, something which reminds us of him in Madras Cafe; his character will be a reason for us to ask for a sequel to this one – he can always excel in this kind of a role. Manav Kaul as Izaad Qureshi is a really strong presence in this movie. He makes quite a big impact here as the villain who needs to be brought down for the two protagonists.

How it finishes :: Wazir is a movie which begins well as well as ends well. The slowing down in the middle can be forgiven, and the shorter run-time will make sure that you will have an engaging experience with this thriller. Even when viewing it from here, Wazir is no Memories, but it is an engaging journey. The game of chess is also nicely used in parallel with the story-line. It was used not as part of the story-line in the Malayalam movie, the Mohanlal starrer Grandmaster, but here, it comes in as part of the plot; in a smart way of course. You will know better about the relation between life and chess as the movie gets towards the end; one of the protagonists do talk about a few things which relates them much earlier though. The songs are also pretty much okay here. I loved the director’s earlier movie David, and Wazir is the movie which becomes a fine start to the new year, and it is the movie that needs to watched; not those one hundred crore gaining movies, most of which never deserved to be there in the 100-crore club!

[Edit – This review was also later published at: http://kiagia.com/index.php/current-film-releases-movie/1275-wazir-movie-review-2]

Release date: 8th January 2016
Running time: 103 minutes
Directed by: Bejoy Nambiar
Starring: Amitabh Bachchan, Farhan Akhtar, Aditi Rao Hydari, John Abraham, Neil Nitin Mukesh, Manav Kaul, Anjum Sharma, Mazel Vyas

@ Cemetery Watch
✠ The Vampire Bat.

Style

Posted on January 6, 2016 by Tennyson

Vampire Owl :: It is strange that we haven’t yet watched the first big movie of the year yet.

Vampire Bat :: Yes, and it was also going to be one of the last movies of last year until the release was postponed.

Vampire Owl :: Then we are going to watch a movie which has a two year presence.

Vampire Bat :: Well, if you wish to explain the delay of a movie in that manner.

Vampire Owl :: Haven’t we finished the rest of the big movies? I don’t think that we have the opportunity not to watch this one.

Vampire Bat :: Yes, we also need to begin this year’s movie watching experience without delay.

Vampire Owl :: Exactly; only a fine beginning can ensure that we will end up watching one hundred movies in the theatres by the end of the year.

Vampire Bat :: We have to get there. It is a century which I could have achieved easily if the first six months had more movies watched in the theatres.

Vampire Owl :: So, lets begin the journey within the first week of the year itself.

Vampire Bat :: So be it. We shall begin our battles at this theatre.

[Gets the tickets with some cheese popcorn].

What is it about? :: Tom (Unni Mukundan) is leading a happy life with his little brother Jerry (Master Ilhan) and parents in the city, as he also works with modifying cars while the family also owns a restaurant. His best friend in Kapra (Balu Varghese) working as a car mechanic who doesn’t know how to repair anything. It is during one of these days that Diya (Priya Kandwal) comes into his life with the beginning of the rainy season. They gets closer and as expected, falls in love, with Tom already infatuated with her. As Diya keeps driving her father’s specially modified car through the busy city, she drives her way into Edgar (Tovino Thomas) who is a rich gangster controlling the most powerful criminal empire in the city. Edgar doesn’t like anyone touching his car, as it is to him like the dog is to John Wick, but Diya’s driving doesn’t help.

The defence of Style :: As the name suggests, the movie does look good, and it is stylish; you will know that it is special with the looks right from the beginning itself. The visuals are splendid and there are some good stunts performed in here. There is the attempt to use this visual advantage all the time, and as the big action entertainers have gone so less in number, this one also tries to make something out of that side. The action sequences were mostly very good, but the best one is surprisingly the one from the villain which comes first; that one has the least slow motion sequences and special acts as it is done straight in a believable way; it also kept the style factor very high. There are some pretty good jokes in the middle and the extended sequence after the movie that comes with the credits become a welcome addition. There are some thrills too, even though it is the first half romance and comedy which entertains next after the villain who makes smaller appearances than expected.

Claws of flaw :: There is not much of a story around here, and things go on as predicted. As the makers had already mentioned in the posters, this is indeed the first cliche story of the year, and there is no attempt to add anything different to that anywhere in the story. The later stunts in the movie got a little too much of the flying bodies, and more heroism; the final stunt deviates into the extra masala territory with more villains beaten up – even as this is supposed to have cliches, may be there were elements which could have made this one more believable, but they are left untouched in the end. I am pretty sure that the Malayali audience would have wanted a more believable cliche story as we consider the time from around interval are concerned. The stage was set by the end of first half, and then the movie slowly goes to that too much predictable finish which is not that much for this generation – we are surely beyond that kind of heroism. There could have been more funny moments too along with better songs.

Performers of the soul :: It is the villain who steals the show in this movie, and even though he appears only in a few sequences, it is Tovino Thomas who gets all the appreciation from the audience after the critically acclaimed Ennu Ninte Moideen fame. But as everyone would have wanted, he needed to be there for more time, but we see that he will only be there when the need is there. The makers haven’t used the powerful image that this villain had in the beginning of this movie, to the maximum advantage. The psychotic side of the villain is not used to benefit the movie either, and there goes the bonus which could have lifted this movie to the next level. I would say that when you have a villain with such big screen presence, you shouldn’t restrict him – he should be allowed to thrive like the evil existence that he is supposed to be. But it is not really the case here.

Further performers of the soul :: Unni Mukundan does his role in a simple way, without adding anything grand. Action will surely work nicely for him, as proven. The movie should be a fine setting for him to reclaim the action hero image which he had displayed so well in Mallu Singh. Priya Kandwal manages to be a lot pretty in this debut movie, and even as she doesn’t have much to perform here except for being the fairest one around, she does her job without trouble. I am sure that Malayalam movies will see more of this debutante heroine. Balu Varghese is the one who handles most of the funny side, and he keeps his usual style here, and it works despite not that much humour being worked on here. Vijayaraghavan also has some humour elements to work with here. Also look out for the kid who has his own nice moments. Noby plays another character bringing some humour, but disappears soon. Shine Tom Chacko has just one scene which is not really relevant.

How it finishes :: Coming from the makers of the surprise hit Ithihasa, maybe the audience would have expected a lot more. The challenges are from the most awaited movie of 2015 which was Charlie, the funniest movie of 2015 which was Adi Kapyare Kootamani and the proven crowd-puller which was Two Countries. With Jo and the Boy also around at that time, the shifting of this movie to one week later was pretty much the good idea. With most people already watched the rest of the movie in the theatres, Style surely has a better chance – it is also the kind of movie which Malayalam movie industry has kept away from for quite some time; the entertainer filled with cliches. There will be the kind of audience who will be looking for this kind – there is one hero, one heroine and a villain who doesn’t like them both; you know what to expect.

Release date: 2nd January 2016
Running time: 155 minutes
Directed by: Binu S
Starring: Unni Mukundan, Tovino Thomas, Balu Varghese, Priya Kandwal, Vijayaraghavan, Master Ilhan, Noby Markose, Dominic, Baiju, Shine Tom Chacko

@ Cemetery Watch
✠ The Vampire Bat.

2015 in Review

Posted on January 1, 2016 by Tennyson

Happy New Year, everyone. This is the annual review summary time! Here are my choices for the year, the movies which make it the list with the positive and negative elements for the year 2015. This is going to be the list with most of it having the side you won’t be able to agree with 😛

Best Malayalam Movie: Mili
This is one of the first movies which I watched in 2015, and it is also the only movie in the year which I watched twice – a fine inspirational story starring Amala Paul playing an introvert girl as the protagonist. Click here for review.

Best Hindi Movie: Baby
There is absolutely no doubt about this one, and this one actually made me expect more from Bollywood this year, but that was not to happen. I should have watched this Akshay Kumar starrer more number of times. Click here for review.

Best English Movie: American Sniper
This one released here later, and so happens to be part of the best movies list for this year – it is not a 2014 movie for the regular viewer; I would make that clear. I believe that this movie deserved a better appreciation at the Academy Awards. Click here for review.

Best Action Movie: MI5: Rogue Nation
The Tom Cruise starrer, the fifth movie of the franchise always had a big chance to be the best action flick of the year, and from what I have heard and read, I am sure that a lot of people can easily agree on this choice. Click here for review.

Best Horror Movie: Crimson Peak
Not really the usual horror of these days, this one brings some old fashioned horror and uses its surroundings to the best effect. There is something more than just supernatural about the ghosts of this Guillermo del Toro movie. It is also a contendor for the next award. Click here for review.

Best Comedy Movie: Adi Kapyare Kootamani
The best comedy entertainer managed to arrive in the last few days of the year, and this Christmas release was the one which made sure that the fans had a lot to enjoy and be happy about. The best thing is that it will also have a second part. Click here for review.

Best Visual Experience: Jupiter Ascending
The world of Jupiter Ascending is the kind of universe which we feel the need to go right from the moment we see it in the trailer. It also has a story which can be further developed with even more visual splendour if a sequel ever manages to come up. Click here for review.

Best Thrills: Ex Machina
There has been a shortage of good thrillers this year, but Ex Machina which is one of the best flicks of the year is a slow and steady thriller-drama science-fiction which burns making you think, and makes us feel the intensity throughout its run-time. Click here for review.

Big Surprise: Mumbai Taxi
You can’t claim this one to be something huge, but with a group of new faces, this thriller has managed to create an impact unexpected. This didn’t go on to make it big, but is still worth the position for the genuine attempt without the big stars. Click here for review.

Righteous One: My God
This one successfully takes the righteous path, even though it didn’t do that well as people might have expected. With Suresh Gopi doing what he does the best, I believe that this inspirational movie will do better when it comes on the television. Click here for review.

Magical Movie: Charlie
With some magic in the store related to how its titular character as well as the journey is presented, this Dulquer-Parvathy is the movie which finishes the year with some special feeling for the season of Christmas. Click here for review.

Powerful Experience: Rani Padmini
This Manju Warrier – Rima Kallingal starrer brings the message and inspires its viewers quite a lot. Among the movies which needs to be watched for a wide variety of things, this one with two lady protagonists going on a journey, is a must watch. Click here for review.

Game Changer: Kunjiramayanam
This one was supposed to be the movie with the least star power during the Onam season, but ended up as being the one which gathered the best opinion, with the number of shows only increasing as time progressed. This movie surely knew its audience Click here for review.

True Inspiration: Su Su Sudhi Vathmeekam
Jayasurya has made some nice choices of movies and this is undoubtedly one of them. Telling the story of one man who rises above his limitations, there are surely no better inspirational movies during these days which are applicable as widely as this flick. Click here for review.

Personal Favourite: Avengers: Age of Ultron
I have been waiting for this movie for a very long time, and I consider this one better than its predecessor which is often overrated; it also has that kind of a villain and the thrills which makes it completely worth the one hundred rupees ticket. Click here for review.

Best Love Story: Anarkali
Unlike the other movies which have been forced on the viewers by the blind fans who want everyone to agree with them even before watching the movie, this one is one of the best love stories which have released for a very long time, and is supported by great visuals. Click here for review.

Unnoticed One: Love 24×7
Unlike the other movies of Dileep, this one got surprisingly very less amount of attention, and not much of the audience interested in it. It is not something huge, but it is an interesting flick which should have got better collections at that time. Click here for review.

Worst Malayalam movie: Thinkal Muthal Velli Vare
Rimi Tomy had decided to act, but that was as much a wrong decision from her as Jayaram made the decision to be part of this movie which is not funny and it never even gets close to making people laugh. From the beginning to the end, this movie continues to have something which nobody can call comedy.

Worst Hindi Movie: Tamasha
Beginning with the usual “girl meets boy and the sing songs and have sex” story, this one has a journey from France to Japan through India, and in the middle, there is an idea which is presented in the worst possible way. This is one of those situations were I walked out of an almost empty theatre and I was not surprised.

Worst English Movie: Kingsman: The Secret Service
Here is one movie that believes violence is the only way to make things funny, but there is absolutely no fun in this movie which had the audience throwing all the abuse towards the makers, and this time, I couldn’t really blame them. There are many ways to make a good, funny spy movie, and this one surely isn’t the right way.

Most Undeserving Hit: Prem Ratan Dhan Payo
I was really surprised about this movie’s run. This felt so outdated, and I am sure that even a lot of old vampires will feel the same about the movie. It was the fourth highest grossing Bollywood movie of all-time, and was still going when I last looked at the list. No, I haven’t watched Dilwale, if you are going to claim that for this title.

Worst Drift: Jilebi
Absolutely no focus on delivering what it really promised, this Jayasurya starrer completely deviates from what it promised offer. There is no real feel-good factor about this, and the message also takes a flight to the Bermuda Triangle to meet its end, making the movie with nothing. It is depressing, because the chance was there; but not taken.

Worst Drag: Shaandaar
As it keeps dragging more and more without bringing anything positive, the movie has nothing that invokes interest except for its silliness which is beyond the borders of the known world, and the only thing that it can boast about is about being one of the dumbest movies around. Thankfully, this one cost me only fourty rupees; that kept me from being depressed.

Worst Emptiness: Rudra Simhasanam
Supposed to be a horror movie with some black magic, this one is another movie in which Suresh Gopi shouldn’t have acted in, as the main role goes to Nikki Galrani with her worst performance ever in a Malayalam movie; she can be happy that not many people watched this. The movie has stylish sets, but everything else is empty, making this the great empty flick of the year.

Worst Lie: Mariyam Mukku
With the whole story based on something that doesn’t really happen, the ending seems to say otherwise. With not knowing what is truth and what is lie throughout its run, this movie along with a heavy dose of boredom makes its cast also part of the whole thing. This was the first Malayalam movie which I watched in the year, and sadly it failed, ruining the beginning.

Worst Stupidity: Utopiayile Rajavu
A fine source of irritation comes in the form of this movie which maintains its stupidity as Jewel Mary has a terrible debut because this one released before her critically acclaimed flick. This one was claiming to be a satire, but it is never even close to being that, and the magic realism is used in the worst possible way to make the movie seem more stupid.

Unbearable One: Kingsman: Secret Service
I would like to provide this award and title to this movie too, as it is one movie which I won’t dare to watch again even if I have nothing to do other than watching this one television. I would rather be bored than watch this miserable spy flick again. There are too many negative categories to which this one can belong, and it is that terrible a movie.

Clueless One: Kanal
Despite a pretty good beginning, this movie deviates from what it could have been. Going through a clueless journey, Kanal only becomes all that it shouldn’t have been, and it affects not only the flow, but also the performances of the cast. With such a nice cast, this movie doesn’t do well enough, and it is a case of shame. Maybe the plan was something else – who knows!

Biggest Hype: Ennu Ninte Moideen
This is one of the movies which I liked and surely has its true love, but the hype related to this one has been unbearable. With the blind fans copying the same messages everywhere as if it is spam and abusing everyone who don’t agree with it, this movie is the great overrated flick along with Amar Akbar Anthony which comes second on the list. Click here for review.

*This is only based on the movies I have watched and it remains my personal opinion with all the specialties; the fans don’t need to go psychopath on the comments section.

PS: Most read movie reviews of the year:
1. Kunjiramayanam
2. Anarkali
3. Rani Padmini
4. Premam
5. Ivide

2015 Theatre Status:
*84 movies watched on the big screen this year, with 70 of them reviewed. There were 26 English movies, 40 Malayalam movies, 14 Hindi movies and 4 Tamil movies. Total Reviews including honorary ones and short-films = 89.
+Movies inspiring more than one theatre visit: 1: Mili {2 times}

Theatre Status from Previous Years:
*89 movies watched on the big screen in 2014, with 66 of them reviewed. There were 44 English movies, 32 Malayalam movies, 10 Hindi movies and 3 Tamil movies. Total Reviews including honorary ones = 73.
*103 movies watched on the big screen in 2013, with 71 of them reviewed. There were 44 English movies, 43 Malayalam movies, 12 Hindi movies and 4 Tamil movies. Total Reviews including honorary ones = 109.

Most visits from outside India in 2015
1. United States :: 2. United Arab Emirates :: 3. United Kingdom :: 4. Australia :: 5. Qatar :: 6. Canada :: 7. Russia :: 8. Switzerland :: 9. Singapore :: 10. Netherlands

And I once again wish you a great year ahead 🙂

@ Cemetery Watch
✠ The Vampire Bat.