Author Archives: Tennyson

Unda

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What is the movie about? :: A team of police officers from Kerala travels to certain Maoist affected area in Chhattisgarh for election duty. Mathews Anthony (Ranjith) leads the team through the journey in the train, and right through the village area. But accommodation is not provided for all of them at the same place, and they are separated into different teams. The team is lead by Manikandan CP (Mammootty) gets to stay in a polling booth which is isolated and situated near the forest which is known to be infested by Maoists. Leading the support is Jojo Samson (Shine Tom Chacko) who is angry about his wife sending him a divorce petition which he is not ready to sign. Among the other police men are Varghese Kuruvila (Jacob Gregory), Aji Peter (Rony David) and Gireesh TP (Arjun Ashokan) among others. Aji and Gireesh are not in good terms with each other either. The other members of the team also have their own differences.

So, what happens with the events to follow? :: The location has an ITBP commando Kapil Dev (Bhagwan Tiwary), and nothing else for their support. The arms and ammunition that they have with them might not be enough either, as the ITBP Commander Dakota Akanito (Chien Ho Liao) advices them to ask for something more from Kerala, as there are land mines everywhere, and Maoists attacks keep happening during random intervals at random places. But it seems that help from Kerala might not be coming anytime soon, and the ITBP wouldn’t helping those police men whom they called for support. So, as Maoists threaten to attack, the team is on their own, with their own little personal problems also coming into the scene. Now, the question remains if they can survive these days till the end of election, as the landlords and their goons will also have a say in this. I will be up to Manikandan to lead the way, but he is not the kind of person who is into violence.

The defence of Unda :: There is certain beauty and quality in how the police men are portrayed here, and even the leader is not shown as someone who could know most of the things and go on beating up people. Each member of the team is different, and we see how people from different parts of Kerala have to face the strange and hostile environment for the first time – we witness how they have to adapt and survive, but there is something from home that continues to go strong in them. The setting is used nicely to create the impact, and we feel that we are traveling through the same place with the same team. We want these people to survive like never before, and we hold them close. There are thrilling moments, and we also have a certain dose of humour, which is also something of interest. The final scene of action is highly entertaining, with action, thrills and humour added, all at the right quantity.

Positives and negatives :: The story-line might seem to be not much, as there is just the tale of a few police men facing the Maoists in the middle of nowhere. But it is more than that when we look close, and we see what the subaltern has to face; the poor, the low caste, the scheduled tribes, all of them – the word “poor” defines them well enough, as it is common to all of such deprived men and women. They are surrounded by all kinds of people, hunted, and maybe killed, only to find the blame still with them, even after death – the perpetual blame is the weight that they have to carry to the grave and beyond. We see a certain moral crisis, and there is always the question about where the newly landless people can go. The movie provides no answers, and finds no solution to the problems that the world face, but we know that we will need them – they are not to come from the movie, but from a real world beyond all limits of fiction.

The performers of the soul :: As expected, and with top quality and realistic performance, Mammootty leads from the front. He has had some characters which would beat up everyone and throw them all around, in the last few years, with the recently released Madhura Raja and the earlier movie Masterpiece which came across the biggest of such a problems. This movie goes the exact opposite way, and it is beautiful in doing the same – the way in which Mammootty plays this role will have us wishing for the character to have the final victory, and the same we wish without hope. In those other movies, things were direct, but in this case, it is beautifully complicated, and we love to watch him here. Right from the introduction of his character, we know that things are going to be different this time, and Mammootty thrives on this divergence which keeps us close to the common man’s police officer, someone who is not going to kick or punch people into the sky to make Superman proud.

Further performers of the soul :: Shine Tom Chacko has had a good run during the recent days, and the roles which he played has been very much memorable. This one is no exception, and the last moments have the whole of our attention. At the same tim, , Arjun Ashokan and Rony David also catches our attention, and so do almost everyone in the small police team in the voting booth. We do get only a few moments from Dileesh Pothan and Kalabhavan Shajohn as well as a little more from Ranjith as far as these names are concerned. Actors like Omkar Das Manikpuri and Bhagwan Tiwari comes up with some emotional side to remember too. Easwari Rao who plays Mammootty’s wife in a cameo-like performance is the only female character with a name, and the only one that we can remember. The cameo from Vinay Forrt and Asif Ali were rather unnecessary, and just the news of missing bullets could have been enough.

How it finishes :: With the name of the movie being Unda, there has been many speculations, but it is indeed about the bullets – it is certain that the name has left some people away from the movie, as this is a film which deserved a better opening. But the bookings are picking up now, as the opinions have all been positive. There will be higher booking in the coming days, and the movie is surely here to stay, as this is a flick which is to be taken seriously. Lets hope that the movies that deal with similar topics remain close to reality like this one, and don’t go on to finish off the laws of gravity by sending villains flying in the air. Unda nicely manages to bring everything together, and use its elements to gain advantage. The result is that there is the thrilling ride with humour and messages stored in there. This is the kind of movie that serves better, and does the same faithfully unlike those mindless mass entertainers which serve as darkness to the senses. Well, it has been a fine year in the first half itself with movies like Kumbalangi Nights, Virus and Uyare rising very high.

Release date: 14th June 2019
Running time: 131 minutes
Directed by: Khalid Rahman
Starring: Mammootty, Shine Tom Chacko, Jacob Gregory, Ranjith, Arjun Ashokan, Bhagwan Tiwari, Dileesh Pothan, Omkar Das Manikpuri, Kalabhavan Shajohn, Chien Ho Liao, Easwari Rao, Sudhi Koppa, Rony David, Lukman, Abhiram Poduval, Noushad Bombay, Asif Ali (cameo), Vinay Forrt (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Virus

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What is the movie about? :: Kozhikode District collector Paul V Abraham (Tovino Thomas) gets an urgent call when he is about to leave home. There are a series of events that lead to the same, and most of it happens in the Kozhikode Medical Centre. A nurse named Akhila (Rima Kallingal), was taking care of a young man named Zachariah (Zakariya Mohammed), who was admitted to her hospital for fever, but is now suffering from the same symptoms. Dr. Abid Rahman (Sreenath Bhasi) is having his normal shift in the hospital as his lover and medical student Sara Yakub (Madonna Sebastian) shows signs of ending their relationship – at the same time, more and more patients are being admitted in the hospital. But the signs that some of these patients show are not natural, as the doctors figure out that something strange and unusual is coming up. It is also not limited to one or two people anymore, and there is panic.

So, what happens with the events to follow? :: The samples are sent to Manipal to be tested by the experts led by Dr Suresh Rajan (Kunchacko Boban), and it is confirmed that it is Nipah virus which has affected the patients. With no vaccination or specific treatment available for the epidemic, the only hope for the goverment is quarantine, and hope to find the source, as well as make sure that it didn’t spread to many people. The team lead by Health Minister CK Prameela (Revathi) includes the collector Paul V Abraham with Dr Smrithy (Poornima Indrajith) and Dr Annu (Parvathy) in an attempt to stop the infection from spreading. First identified in 1998 in Malaysia, the disease, in most cases has taken the lives of those who were infected. With people not related to the first patient, like Unnikrishnan (Soubin Shahir) getting infected, there are questions raised how the source could be found. Are the authorities good enough to find it?

The defence of Virus :: The movie nicely deals with a situation that Keralites, especially those from Kozhikode and Malappuram districts in the north of the state had to go through. With the virus showing its signs of return in the central area now, the case has gained further significance. One won’t fail to notice how the movie has kept itself close to reality, and how each character has been given significance, with each actor having a job to do. The movie is never dependent on one person, as there is no main character – there are only people who tries to help others, and a few others who try to survive in a world which is threatened by something new, and something deadly. The movie was a need, as the world needed to know the story, and making it a memorable one was Aashiq Abu’s duty, which he did with ease, as we have three good memories in a row, with Rani Padmini, Mayaanadhi and this one.

Positives and negatives :: The movie might feel slow at some points, but it quickly goes past the same. We are able to place ourselves in the place of the characters, and we go through their emotions with ease. The emotional strength of the movie is high, and it can even be more with different people, and their perspectives. The thrills are also there, and we keep close to the whole thing, each moment. Parts of the movie might be fictionalized, but our director surely knows where to stop that. The location is as nicely captured as the people themselves. The view from the top more or less makes us feel the city. You know what is going to happen in the end, and you want to know how we reach there, and to go through that journey, we are with the characters like never before – in creating that closeness to the characters, the director has succeeded.

The performers of the soul :: The movie has a fantastic cast, and the talent can be seen in each part of it. Parvathy comes up with another great job after Uyare, and this one has one more natural performance from her. Two of the three best movies of the year belongs to her, with the other one without her presence is Kumbalangi Nights. Tovino who was Parvathy’s co-star in Uyare had only memorable performances, with Lucifer, Ente Ummante Peru, Oru Kuprasidha Payyan, Theevandi and Maradona giving him a continuous impressive run in Malayalam movie industry. Here, once again, he owns his role. Kunchacko Boban didn’t have that much of a great run with his previous movies, but he is right there, solid with this role of a doctor. Asif Ali continues his choice of some good movies with another emotional role. Vijay Superum Pournamiyum had provided a great beginning to the year for him. Joju George, after Joseph, continues to strike our emotions in a beautiful way.

Further performers of the soul :: Indrajith Sukumaran and Rahman has smaller, but memorable roles, especially with the former who manages to come up with some nice moments in between. It is also great to see Poornima Indrajith after such a long time, and this is a role to remember for sure – nice to see Remya Nambeeshan there too. Revathi manages to do the job of Health Minister in a believable manner. The similarity in appearance has also been achieved up to an extent. Madonna Sebastian doesn’t have much to do here, and neither does Sharafudheen. Rima Kallingal is quick to come and go, and stays in memories because of the emotional connect with the real-life character being attained. Meanwhile, Sreenath Bhasi gets a different role this time, and he manages to provide complete justice to the same. He had provided some signs of the same in the last movie, but that was a mute character – this time, he raises the bar. The roles of Jinu Joseph and Dileesh Pothan are small, but to be noted. Unnimaya Prasad and Soubin Shahir also catches our attention.

How it finishes :: Virus is already the biggest movie of the weekend, with so almost all shows being booked early. The success here lies in the fact that it shows everything in a realistic manner, never do we see those unreal heroes – we feel that almost every character in there are people like us, and therefore part of us. We can feel the pain and troubles of the characters, as well as reflect the same. As Nipah virus once again becomes a cause of concern, this becomes a thing of focus yet again. Virus is a movie that needs to be watched for how it shows the people showing their fighting spirit and their concern for others, in a battle for survival. It is also a memory of the people who lost their lives in the process, especially the nurse, Lini Puthussery who died while doing her duty. It is the same reason why this movie needs to be watched more than any other.

Release date: 7th June 2019
Running time: 152 minutes
Directed by: Aashiq Abu
Starring: Tovino Thomas, Kunchacko Boban, Asif Ali, Joju George, Jinu Joseph, Rahman, Soubin Shahir, Indrajith Sukumaran, Parvathy, Poornima Indrajith, Remya Nambeeshan, Revathi, Madonna Sebastian, Sreenath Bhasi, Indrans, Rima Kallingal, Dileesh Pothan, Senthil Krishna, Sharafudheen, Shebin Benson, Zakariya Mohammed, Sudheesh, Savithri Sreedharan, Darshana Rajendran, Basil Joseph, Lukman Lukku, Ann Saleem, Haris Saleem, Sajitha Madathil, Leona Lishoy, Nikhil Raveendran, Sreekanth Murali, Vettukili Prakash, Sreedevi Unni, Ambika Rao, Divya Gopinath, Unnimaya Prasad, Sundara Pandyan, Binu Pappu,Vimal Muraleedharan, Nilambur Ayisha

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@ Cemetery Watch
✠ The Vampire Bat.

Dark Phoenix

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What is the movie about? :: In the year 1992, when a space mission seems to be in trouble, while facing a solar flare, the X-Men lead by Professor X a.k.a. Charles Xavier (James McAvoy) decides to help the humans, and once again prove that mutants and humand are to co-exist. But it is a risky mission, as the plane is ready for a journey into space. But the team including Jean Grey (Sophie Turner), Nightcrawler a.k.a. Kurt Wagner (Kodi Smit-McPhee), Storm a.k.a. Ororo Munroe (Alexandra Shipp), Quicksilver a.k.a. Peter Maximoff (Evan Peter), Mystique a.k.a. Raven Darkholme (Jennifer Lawrence), Beast a.k.a. Hank McCoy (Nicholas Hoult) and Cyclops a.k.a. Scott Summers (Tye Sheridan) go on the mission despite having the doubts. The situation seems under control as Nightcrawler’s teleportation and Quicksilver’s high speed seems to be enough to finish the job.

So, what happens with the events to follow? :: But it is revealed that there is one more person to be saved, and they decide to go back. With Jean holding the space shuttle together, Nightcrawler takes the remaining person out, but is unable to take Jean back as the solar flare covers her. But he is able to recover her body after that, and surprisingly, she wakes up. The X-Men are hailed as heroes by the public, and the bond between humans and mutants gets to be stronger. But there is something different about Jane after that incident. Hank finds her energy to be beyond comprehension, crossing all borders. Scott also feels that there is something different about her. At the same time, Raven is not happy about Charles leading the mission to a point from which a return becomes near impossible; she feels that making a future with the deaths of mutants won’t be fair.

And what more is to happen? :: Jean seems to unleash herself at a point, and collapses. Unable to get into her head for the first time, Charles uses the Cerebro machine, and with it at high power, finds that the bad memories that he had shielded in the mind of Jean, are now out in the open, and she won’t be the same again. With memories of her distant past coming back to her, Jean leaves, and the X-Men follows here – they won’t have anything positive to find there though. Her actions there would turn both mutants and humans against her, with no chance to return to the previous state. At the same time, certain aliens from outer space have also reached Earth, searching for the Phoenix Force within Jane. They are lead by Vuk (Jessica Chastain) who serves as the leader of this shape-shifting alien race, called D’Bari. This would lead to time running out for Jean, before she could be herself again.

The defence of X-Men: Dark Phoenix :: The action sequences surely score with this movie, and so does the visual beauty. The action on the train in the final moments are among the best so far in any X-Men movie. There are also a few others which offer something similar. The special effects are used well, and we see the mutant powers being used nicely. CGI is used nicely by the movie, as the desire for another superhero movie after Avengers: Endgame has been provided in the form of X-Men: Dark Phoenix. The path that the movie takes seems to be interesting, and ready to bring further twists, even though this might be the final movie of this film with these characters in the main roles. The premise is a wonderful one for sure, even though the movie doesn’t really use the same to the best of effects. It has also released in India earlier than the original release date, and it should serve the movie to get better collections here.

The claws of flaw :: The movie is unable to prove to be better than X-Men: The Last Stand which was the movie which dealt with the same story thirteen years ago, and still managed to better at that time. It was not a fantastic movie in any way, but it had somehow managed to do better, not just with its story, but as a whole – it is only with the final moments of action that this movie holds more power. The titular character is also not explored in the right way, as her being all-powerful just goes too much beyond the border, as we get tired of the same quickly. We also know what is to happen with this tale, and how the same person does the job in the end is ridiculous – this is where the previous Dark Phoenix movie served better, with weakness in between the all-powerful; think about Superman without the idea of kryptonite there, and it is easier to understand. The movie also slows down in the middle, and the emotions go weak on a number of occasions.

The performers of the soul :: Sophie Turner from the Game of Thrones fame, has been an interesting addition to the film series – we see her continuing her form at a number of moments, but not as a whole, as things get repetitive. We wouldn’t get to see her as we had seen her in the popular television series, with the avatar itself being different around here. It would have been nice to see her as the earlier and more vulnerable Jane better. Jennifer Lawrence is completely wasted in her short stay there, and there is nothing that she does except for coming up with some unnecessary dialogues. The one who comes up with some of the best moments is Michael Fassbender, who shines as Magneto once again, rising above his good friend and leader of X-Men – James McAvoy who plays the leader is a weakened figure going too strange this time. Alexandra Shipp and Nicholas Hoult come up with pretty good job here. Kodi Smit-McPhee is memorable, while Jessica Chastain and Tye Sheridan are not.

How it finishes :: There is something about X-Men that we have always loved, going back to the childhood memories of watching that animated series. There is not much of a reflection of the same around here though, as the level has certainly come down from the predecessors X-Men: Days of the Future Past and X-Men: Apocalypse – it can’t even stand against the single mutant centered tales which came earlier, like Deadpool, Deadpool 2, The Wolverine and Logan. But it is enjoyable up to an extent, thanks to the action sequences where the mutants go for the full scale display of their powers. We are not going to miss the X-Men after this as we already miss Wolverine, and so lets watch a movie of the series one more time, and enjoy the good parts, while we will also have The New Mutants releasing next year as an extra addition. It will have Anya Taylor-Joy and Maisie Williams as young mutants, making it something to look forward to.

Release date: 5th June 2019 (India); 7th June 2019 (USA)
Running time: 114 minutes
Directed by: Simon Kinberg
Starring: Sophie Turner, Jennifer Lawrence, James McAvoy, Michael Fassbender, Nicholas Hoult, Tye Sheridan, Kodi Smit-McPhee, Alexandra Shipp, Evan Peters, Jessica Chastain

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@ Cemetery Watch
✠ The Vampire Bat.

Godzilla II

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What is the movie about? :: Five years have passed after the incidents of the 2014 movie. Godzilla had defeated the creatures mentioned as MUTO (Massive Unidentified Terrestrial Organism), saving Earth’s cities and making its way back to the ocean – the questions about a monster saving the city were going to be there as always, and still there is no clear indication of a future co-existence in peace between the two species. Meanwhile at present, Emma Russell (Vera Farmiga) works for an organization called Monarch which is tracking, studying and trying to understand Titans, the almost immortal giant monsters which had dominated Earth millions of years ago. Along with her daughter Madison Russell (Millie Bobby Brown),she is kidnapped by Colonel Alan Jonah (Charles Dance) while witnessing the birth of a giant larva which is to become a Titan later, named Mothra.

So, what happens with the events to follow? :: Ishiro Serizawa (Ken Watanabe) and other from Monarch approach Dr Mark Russel (Kyle Chandler), Emma’s ex-husband so that they can find her and find a device, the ORCA developed by her, which is capable of talking through frequencies that only Titans can hear. It is revealed that Emma and Jonah intend to free a Titan locked in ice codenamed Monster Zero. Monarch, despite chasing them all the way to an outpost in Antartica, is unable to defeat Jonah, while Emma frees and awakens Monster Zero, a three headed monster with wings and running electrical currents through its body. Releasing lightning from its body and traveling inside hurricane created by itself, the monster goes on to try and become the apex predator, while Godzilla feels the effect of a bio-chemical weapon, going into hibernation only to awaken many years later.

And what more is to happen? :: But now the situation demands the presence of Godzilla. Monster Zero is revealed to be Ghidorah, an ancient alien known to have fallen from the stars, one who has been Godzilla’s primary rival for the position of apex predator. As a creature out of this world, the weapons seems ineffective against it, while the monsters destroy different cities in different parts of the world, controlled by their new king. Godzilla needs all the radioactivity to rise from its chamber located past different wormholes under the ocean, and it is up to humans to take it there and awaken the monster before Ghidorah lays waste to the whole world with his newly found minion creatures. Now the question remains if they can do it in time, and if Godzilla can reclaim its position as the king of the monsters against this alien monster which keeps on evolving.

The defence of Godzilla: King of the Monsters :: There are some nicely made action sequences in the movie, with the giant monsters fighting each other. They fill the screen, and we see those moments of glorious action that takes place. Each monster would seem to have something special that keeps them apart. The same brings us destruction like never before, as we notice that not much of the world is left – the visuals of the world are nice to watch, and the creatures are also nicely created. The myth is nicely created with the monsters being the real owners of this world, and humans just living in here because they are allowed to do so – the creatures becomes nature’s natural defence system against the pollution that is present. Godzilla is referred to as one among the first gods worshiped by humans, and it goes deep like Prometheus and Alien: Covenant did when it talks about the distant past history, for some time. We see this mythology seemingly up for even more.

The claws of flaw :: A lot of repetition from the first movie can be seen here too. Once again, there is the need for Godzilla to save the world, and the early doubts continue to be there until the humans once again decide that it has to be left to the monster except for a little help from mankind. The pattern repeats without remorse, even with more creatures being added to the scene – Godzilla always makes a comeback, and it is up to him to make sure that the balance is maintained. The characters are not that developed, and we don’t really feel anything for them – they never seem to be important, and the need for focusing on them is never felt; Pacific Rim was closer to the humans despite being a monster movie. Some part in the beginning could have also been shortened to make the movie stop at two hours; if humans can’t be interesting, what we can do is to cut a few of them and their moments.

The performers of the soul :: The performances here are dependent on the CGI monsters rather than humans who are restricted, with not much of interesting stories, and with less to do. The way in which the monsters are designed and are depicted in action will always have the best of applause. Among the humans, it is Ken Watanabe who steals the show, as he brings the words of wisdom regarding having faith in Godzilla. Kyle Chandler and Vera Farmiga are caught in a forgettable, predictable story of another family in trouble as if we have not had enough of such tales told in an uninteresting manner. Millie Bobby Brown does have her moments to keep her as someone to look out for the future though. Charles Dance as Alan Jonah makes a strong villain, but we never really get the focus on him, with all these monsters around – as the three-headed dragon-like monster becomes the primary antagonist, he is not there to be seen much, but we expect more from him in any of the upcoming sequels.

How it finishes :: As the holidays come to an end for schools and colleges in this part of the world, and with the final weekend before classes begin, children and youth would love to watch this grand monster effect on the big screen. This can serve as the last moments of escapism before that reality of studies is brought to them – Pacific Rim would agree. Godzilla is all set to go to that place which you saw in Kong: Skull Island and battle King Kong in the next movie, and before that you will feel the need to watch that movie with the giant ape as well as the two Godzilla movies. With the destruction of environment, there seems to be a hidden message about how nature comes up with its own defence system – the three-headed dragon-like monster becoming part of a hurricane only powers it, as does Godzilla being revived by nuclear weapons. The same as a fine addition to a high action monster movie.

Release date: 31st May 2019
Running time: 132 minutes
Directed by: Michael Dougherty
Starring: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr, David Strathairn, Ken Watanabe, Zhang Ziyi

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@ Cemetery Watch
✠ The Vampire Bat.

Uyare

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What is the movie about? :: Pallavi Raveendran (Parvathy) has had one particular dream since childhood, from the first time she traveled in a plane – to become a pilot. It is the same reason why she decides to stop pursuing her degree at Union Christian College as soon as she gets selected for the course. It doesn’t bring any joy to her lover Govind Balakrishnan (Asif Ali) who is very possessive about her, as she has to go and join the training academy at Mumbai. Her father Raveendran (Siddique) provides full support to her, as she begins her journey towards achieving her greatest wish and the one ambition that never left her. At the academy, she meets Sariya D Costa (Anarkali Marikar) who would go on to become her best friend – she would warn Pallavi about the possessive nature of her relationship with Govind, but nothing comes out of it.

So, what happens with the events to follow? :: As her course is almost complete, the new graduates go on a party at night and Pallavi joins them, but not before lying to Govind that she is going to sleep. Govind who had reached Mumbai as part of job hunting finds this out, causing a rift between the two. As Pallavi tries to break up with him, the possessive Govind throws acid on her face. With a weakened eye sight, she gets rejected as pilot, and goes back home. It is during one of her journeys from and towards home that she meets an acquaintance, Vishal Rajashekharan (Tovino Thomas), and it would bring a certain change. With the support of Vishal and Sariya, there would be an opportunity for her that she might not have even come close to guessing. But is that chance something that can be taken, and will that be an effective one in her case?

The defence of Uyare :: The struggle in the movie goes deep and there is no exaggeration regarding the same. It feels real with the actors and actresses nicely getting into their characters providing quality work. The characters and their transformation can also be seen, and how the movie begins in the control centre nicely unfolds the narrative. The issues faced by acid attack survivors and those in over-possessive relationships are nicely shown. The last moments of the movie are among the best, with some thrills added to the emotions which go strong throughout the flick. We are able to feel the pain of the protagonist even before the life-changing incident occurs, and after that, the emotions strengthen. At a time when violence against women has failed to come down, this is cent percent relevant. Even though the news about acid attacks have been from the North, we have had strange and terrible actions from scorned lovers here too.

Positives and negatives :: Compared to those facing the same problem from other backgrounds, the comeback might not seem this easy, with some situations seemingly custom made and out of the otherwise realistic spirit here, like the case of the flight. But one inspiring incident can change things, as we look at it. But the same is not really the focus, as we see how the protagonist accepts her as she is, and takes another bold step forward – never does she look for compassion, and she is not the one who is looking for favours, as she moves on through another path. It is when the movie becomes not about the acid attack and the scars, but the later rise, like a phoenix from the ashes. As a phoenix has the rebirth by rising from the ashes of its predecessor, the main character also will have the same transformation, from the ashes of her dreams of flight, to the same flight which had rejected her. As Maya Angelou said, like moons and suns, with the certainty of tides, like hopes springing high – the character rises and it is joy to watch.

The performers of the soul :: Parvathy leads the way here as she did in Take Off – Asif Ali is another common factor here, once again playing a character not bringing her anything for the future despite being in a relationship earlier. This might be her Take Off this year, and even though she was a crowd favourite with Ennu Ninte Moideen and Charlie while Qarib Qarib Singlle had her going further North, this performance surely stretches far ahead. The change in her character, and the courage that she displays against adversity can be clearly seen as a reflection of the positive changes that have come across an already brilliant actress. The moments after the acid attack shows her calibre, and also later with the determination when many lives are at stake. The girl who plays Parvathy as a school student, Evelin also seems similar both in looks as well as the enthusiasm – nobody would say that she is not the same character in childhood.

Further performers of the soul :: Asif Ali plays a possessive lover who has been with the main character since childhood, and there is some villainy written over him from the beginning itself, even though the signs become further clear later. He does the same calmly. His character, for some reason, doesn’t create that much of a scene that we would notice, and keeps away for most of the time. He had started the year with the feel-good of Vijay Superum Pournamiyum, and we would have hoped for more of his character here. Well, it is Tovino’s character that we remember though, as the one who tries to help the main character get back to life. Nivin Pauly had done a similar role in Mili, but this one is closer to life. Take a look back to his previous Malayalam movies, and we see Lucifer, Ente Ummante Peru, Oru Kuprasidha Payyan, Theevandi and Maradona – we wonder if he can go wrong these days. Anarkali Marikar of Aanandam fame does a fantastic supporting job and Siddique as usual does great.

How it finishes :: The performances are indeed the strength of the movie, and with Parvathy leading the way, the movie has all the ingredients to fly high – it is still doing the same as it goes on in the theatres even after a month of its release, as Athiran did, rising with the opinions of critics as well as the common man. As a tribute to the acid attack survivors, one need to watch this one, but one would notice that it is not all. We see the strength of ambitions, powered by courage and determination, as this becomes an inspirational movie, not just for women, but also for each and everyone who is forced to struggle due to the cruelty of fate, or others around them. Lack of freedom, especially in a relationship, is not something to boast about, for control and manipulation are not love – it comes as a strong message with Uyare too. It is still not late to watch this one, and remember that dreams, as it is with hope, are meant to rise, like the sun, not to be buried in the catacombs for the interest of the possessive sentinel.

Release date: 26th April 2019
Running time: 125 minutes
Directed by: Manu Ashokan
Starring: Parvathy, Tovino Thomas, Asif Ali, Siddique, Anarkali Marikar, Pratap K Pothen, Prem Prakash, Rajani Murali, Bhagath Manuel, Preetha Pradeep, Sreeram Ramachandran, Mathew Arun, Evelin, VK Baiju, Kay Kay Menon, Ajay Mathew, Irshad, Anil Murali, Latheef, Blessy Kurian, Samyuktha Menon (cameo)

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Aladdin

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What is the movie about? :: Aladdin (Mena Massoud) is a young man living in the streets of Agrabah with his pet monkey, with no parents and no idea about family. He is considered as a petty thief living in the streets, stealing one thing or the other to keep going, and his monkey is not far behind in the same skill. In the streets, he meet Princess Jasmine (Naomi Scott) who has dressed up as a commoner and is wandering in the streets. After giving some bread to a few starving children without paying for the same, they are chased by the soldiers, and she leaves him with the idea that he is just a thief, as he fails to return her bracelet which his monkey had taken. But Aladdin decides to get it back to the lady whom he misunderstands as the princess’ handmaiden Dalia (Nasim Pedrad). At a time when she is bothered by suitors from different nations like Prince Anders (Billy Magnussen), Aladdin sneaks into the palace.

So, what happens with the events to follow? :: His skills are noticed by the Grand Vizier Jafar (Marwan Kenzari), the chief advisor to The Sultan (Navid Negahban). Even though he is the second most powerful person in the kingdom, he wants more, and for the same, he needs a magic lamp hidden within the Cave of Wonders. It is a near impossible task, and as Aladdin enters the palace unnoticed, he decides to use the skills of the young man to get the lamp from the cave which has been unkind to those who tried to take the lamp earlier. In return for the same, he offers the youth from the street infinite riches and even the attention of the princess. But as Aladdin gets into the cave, he realizes that it is no ordinary cave, and the lamp is not the usual one – it has the Genie (Will Smith) who is ready with three wishes. But will that be enough to marry the beautiful princess?

And what more is to happen? :: Genie hopes that the last wish of Aladdin would be about setting him free. Jafar hopes that he could get his hands on the magic lamp at some point. Jasmine hopes that it is not just her curves that is loved by her suitors, but also her ideas, with a desire to become the ruler of her kingdom one day. Aladdin would go back to the palace by the name Prince Ali, and hope to gain the attention of the princess and win her hand. But it turns out that Jasmine is not at all interested in the newly arrived prince despite him displaying all the wealth that Genie had brought. Despite Jasmine’s lack of interest, there would be Jaffar’s interest, as his evil plans continue. With his desire to become the most powerful man in the kingdom as well as the known world, what could stop him? Will there be a better fate in store for the kingdom?

The defence of Aladdin :: The memories of childhood comes back with Aladdin, as we remember those days of watching a lot of cartoon and that music which goes by the lines, Arabian Nights. Nostalgia surely becomes a grand factor here, and not just Princess Jasmine, but also her handmaiden remains adorable. Even though there is nothing spectacular about the fight scenes, the visual beauty can be seen there as well as with the city itself. The whole place is nicely built, and the magical elements add to the visuals well. There are some nice fun sequences around here, and Will Smith plays the big part in the same. These keep the fun element going. Coming from the man who brought Sherlock Holmes and its sequel, along with The Man from UNCLE, one could surely guess a few things about this one, and raise the level of expectations.

The claws of flaw :: The problem here is that there is the feeling of not being able to make this one better than what we had seen in the past, even though the ideas as well as technology did improve a lot. A visual extravaganza in the desert could have meant more. The Arabian Nights song version here is not that interesting as the original one, and often the Genie fails to rise as the character and becomes more of the actor that plays the same – Will Smith. At the expense of making the main female character stronger, the viewers are presented with a weaker villain who never really seems like he could come up with something terrifying. The changes from the original version are not really improvements, but strange diversions that take the essence away from what we know about Aladdin – Prince of Persia: The Sands of Time could actually do this better, whichever way we look at the same.

The performers of the soul :: The top performer of this movie is Naomi Scott, and she goes through the whole movie with charm, scoring heavily in the final moments. One can see that she plays her character to such perfection at some moments that we feel that she could do well with a sequel, further away from the original Aladdin story. She is lovely to watch on the screen from the beginning, to the end. Mena Massoud’s titular character is memorable, and has his own moments. Will Smith brings the funny side very well, even though deviated from our idea of a genie – some are surely overdone, but he holds on really well. Marwan Kenzari as Jafar brings a weaker villain, and one has to wonder if that was intentional. Nasim Pedrad as Dalia is a fine addition of a character. The animal characters are nicely worked on too.

How it finishes :: Aladdin makes an interesting watch with family, especially with kids. It keeps going the light-hearted way, and there is no real menace to be seen, as we go through this safe trip. The movie could have actually began with its action rather than using the story within the story setting – it ruins the chance to bring a certain twist. Well, Aladdin could have been lesser like Robin Hood last year, and there were so many chances of it to miss out, but it does hold on and brings Aladdin well enough to touch our nostalgia. With Avengers: Endgame and John Wick Chapter 3: Parabellum continuing to stay, this one can also accompany them, as Hollywood movies have been scoring bigger these days. Also, lets wonder what more could have been added to this particular movie.

Release date: 24th May 2019
Running time: 128 minutes
Directed by: Guy Ritchie
Starring: Will Smith, Naomi Scott, Mena Massoud, Marwan Kenzari, Navid Negahban, Nasim Pedrad, Billy Magnussen

<— Click here to go to an earlier review.

@ Cemetery Watch
✠ The Vampire Bat.

John Wick 3

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What is the movie about? :: John Wick (Keanu Reeves) had murdered Santino D’Antonio (Riccardo Scamarcio) at The Continental Hotel, violating the rule that there would be no blood on its grounds. Winston (Ian McShane), the owner and manager of the hotel had delayed announcing the resulting excommunication and global bounty by an hour to give him a head start. Now being an excommunicado, John is on the run, and is confronted by lesser assassins even before his time started. With a fourteen million bounty on his head, and on the run from assassins, he manages to gain a safe passage to Casablanca in Morocco by claiming a favour from a lady known as the Director (Anjelica Huston). There he meets Sofia (Halle Berry) who owes him a favour and asks her to lead him to the Elder (Saïd Taghmaoui), a high ranked member of the high table who could take the bounty off his head.

So, what happens with the events to follow? :: It is during the same time that an adjudicator (Asia Kate Dillon) from the high table meets with Winston, who is asked to give up his office in seven days. Bowery King (Laurence Fishburne), the leader of a network of vagrant assassins is also asked to give up his position. There would be serious consequences if both were to disagree. An assassin known as Zero (Mark Dacascos) is recruited by her for the mission. He, along with his assassin team members, take on the helpers of John Wick. At the same time, John does come up with a deal, but there is more to be done, and there are so many assassins after him. He would wish to stop this and live in the memories of his wife, but that wouldn’t be possible that easily. Winston and Bowery King wishes to keep their part too, but that will be quite difficult too.

The defence of John Wick: Chapter 3 – Parabellum :: We have watched the previous two chapters, and one can safely say that the franchise has had a clear improvement, with the second chapter being better than the first, and this third chapter rising above the predecessors. The improvements come in different fields – one is the action, which is surely better, and each sequence and each kill seems to have something in it. There are some interesting sequences in the beginning itself, and in the end, we have another grand one. The ending also assures us of another sequel, and more blood bath. The visuals are also part of the improvement, as what we see on the screen, with the shots from the distance, or even inside the fighting places are all really good. The humour also sees a certain improvement, and a few are there when least expected. Most of us have played the game Hitman, on the silent assassin, and John Wick goes loud, like Need For Speed: Hot Pursuit.

The claws of flaw :: The phrase “Si vis pacem, para bellum”, means “If you want peace, prepare for war”, and “parabellum” in the movie name calls for war, which brings a lots of blood and gore which may not be acceptable for everyone – its actually a lot more than the previous movie, but as we won’t have the original uncut version here, that won’t be a problem for our audience here. One would also wonder why the movie decided not to have a better storyline behind all the big action. While Keanu Reeves is too good here, we miss Ruby Rose with that intensity in the last movie – Asia Kate Dillon never comes up with any action, and Halle Berry is wasted in a small role looking the same all the time. More of Laurence Fishburne would have also been appreciated. Everything also comes together in a way that makes a number of incidents in the movie not worthy, and some replacements could have made it feel better.

How it finishes :: John Wick 3 undoubtedly brings the best full action movie in a long time, maybe the most significant one after Mission Impossible: Fallout. Well, there are many other genres which those usual action movies could fit in, but this one is perfectly suited for exactly one category. But one thing that will surprise the movie fans is related to this flick’s availability in the theatres. As of now, it seems to be available in only one multiplex in Cochin, which is PVR Cinemas in Lulu Mall. The closest place where one can find the same is many kilometres away, in the next district, at INOX in Sobha City Mall, Thrissur. With Avengers: Endgame reigning and breaking all records, there might be no place for another English movie, but with John Wick shows running full, there has to be more, and it is one thing which the assassin deserves. At least it should stay for more.

Release date: 17th May 2019
Running time: 131 minutes
Directed by: Chad Stahelski
Starring: Keanu Reeves, Halle Berry, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Anjelica Huston, Ian McShane

*Below is a short review on another movie which I watched during this weekend – Ishq.

[Short Review: Ishq (2019: Malayalam) – The movie talks about two lovers who are harassed by moral policing locals. It has some fine performances from whole of its cast, and the idea is definitely a good one, with a reflection of certain incidents which have happened in the past. The Shine and Shane combination works like a dream. There is also one beautiful song and the first few moments are nicely done until they get repetitive, and the ending is nice. But with its story and the execution as a whole, the movie struggles. There is also the lack of some good characterization, and wastes its female characters except for the moments in the beginning and the end. The characters act in strange ways as in a brainless slasher movie, leaving the realistic side a long way behind. A journey from a road thriller to home invasion, from “In Fear” to “Funny Games” can always be better.

If there were messages intended, then also the movie gives the wrong ones, as reflected in the response of the audience – they are clapping to those mass scenes which go against the spirit of the movie itself, and in the end, except for the people online, especially on Facebook, others are not seen as giving the highly positive opinions. Giving a tagline which nobody really cares to read is also not an excuse to not living up to what the title says. The movie seems to be something created out of anger rather than with a mission, and to work with the common audience, we need the latter – the intellect has advantage over instinct, and it is something to be kept in mind when dealing with an issue like this one. This was a movie which had a great chance at being something brilliant, but fails to be there, as it embraces mediocrity.]

Also refer to similar movies like Varathan and Uncle which were better.

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Athiran

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What is the movie about? :: The year is 1967, and a worried Lakshmi (Shanthi Krishna) finds their family murdered while Nithya (Sai Pallavi) is seen playing with a thread. The situation seems to points to her as dangerously abnormal and a murderer. Five years later in 1972, Dr. MK Nair (Fahadh Faasil), a psychiatrist from Trivandrum Medical College is sent to check out the activities in a mental asylum situated far away from civilization, between the trees in the wilderness. This grand mansion which was built by the British has limited access to other places. Dr Benjamin Diaz (Atul Kulkarni) who served in the 1972 India-China War and a master hypnotist is the resident doctor as well as the owner of the asylum. He is very strict in his methods and doesn’t like anyone from outside making a visit. Renuka (Lena) is in control of things there, and Avarachan (Nandhu) provides further help from outside.

So, what happens with the events to follow? :: There are strange incidents happening in the asylum. The inmates include Anna Maria (Leona Lishoy), a religious person, P Subrahmanya Iyer (Vijay Menon), an English professor, Vadakkedath Kamala Lakshmi (Surabhi Lakshmi), a person of too much concern for everyone around her, Jeevan Thomas (Sudev Nair), and a happy and strange romantic person. But it turns out that there is one more patient, and she is hidden and locked away in a cell, considered to be extremely dangerous and uncontrollable – the person is none other than Nithya who lives a restrained life, hostile to those who very rarely come to visit her. The newly arrived doctor realizes that there is something strange about her as well as the working of the hospital – he even has some dream visions and hallucinations when he is there, but some of them might be close to reality.

The defence of Athiran :: We have had a good number of psychological thriller, but after the 1990s, not many movies could rise above a certain level, and Athiran comes as a breath of fresh air – we always needed our own Shutter Island, and this one becomes the same, but with its own different twists. A Cure for Wellness is another movie we are reminded of. There is a similar beautiful setting here just like that island in Shutter Island and the mountain ranges in A Cure for Wellness, as the camera nicely brings all of the same to perfection. There is a Gothic building out there, and has a similar setting as one would have seen in movies like Crimson Peak, even though in the absence of the ghostly presence, is not used to the maximum – we had already seen 9 using a similar setting. The songs and the picturization also prove to be really attractive, and the suspense is maintained until the end as we remain thrilled.

The claws of flaw :: The similarities to A Cure for Wellness and Shutter Island can’t be ignored. There is another movie called The Ward which deals with a similar situation. All these are set in places dealing with “wellness” of the patients, and has similar moments of horror related to treatment procedure, along with secrets there that should be revealed. There is clear influence in bringing a certain Hollywood style, also resembling the Victorian Gothic Model, but the success of the movie is that it has done the same really well, and local elements have been mixed with some skill behind the same. We still have the feeling that something missing in there, and the other patients’ characters could have been better developed. With a setting like this, there was hope for bringing some intensely terrifying moments, but it is not there. Nights in a mental asylum far away from civilization can always bring more, and so can a mentally unstable murderer of family members.

The performers of the soul :: Fahadh Faasil is one actor who has come up with minimum guarantee in the last few months, and we look at his previous movie to make sure about that. His last three ventures in Malayalam movie industry were Kumbalangi Nights, Njan Prakashan and Varathan, all three gaining both critical and commercial success. These movies also had less hype in comparison to the others, and Athiran actually came up with no real boost in marketing – I came to know about this movie very late, and even then I didn’t know that this was a Malayalam movie; the film survived with people’s opinions. It is to be noted that there is a certain change that comes across the character he plays in each of the four movies including this one. One can also note that Fahadh has done a fantastic job here as the main character in a psychological thriller – playing a character in a mental asylum wouldn’t come easy, whether the role is of a mental patient or not.

Further performers of the soul :: Sai Pallavi has returned to Malayalam movie industry once again, and it called for a change, a welcome one, as there is no dance performance around here. She is the kind of actress who can do this role so well, as she showed such signs in Kali itself, even though it was not needed then. Well, here she excels in portraying the character with autism and more. This one is her best performance in the industry so far, clearly better than Premam, and surely better than that which didn’t really matter in the miserable Kali. Atul Kulkarni who has come up with some memorable performances in Malayalam movies before, brings a strong antagonist. Leona Lishoy, Surabhi Lakshmi, Vijay Menon and Sudev Nair who have their moments as the patients never really get going though, with no real mention about their tales of the past. Lena and Nandhu gets limited in their roles, Shanthi Krishna is there for a few minutes. Renji Panicker is impressive when he is there.

How it finishes :: Athiran is one movie which has been running for so long despite releasing without making much of a noise. One month later, it can be seen that the movie is still going strong, despite Avengers: Endgame taking the most number of viewers, creating the collection record like never before, overtaking Titanic and closing in on Avatar, the effect being seen here too. Athiran, one month later, is challenging the bigger movies like the crowd puller Oru Yamandan Prema Katha and the critics favourite Uyare. It is nice to see a psychological thriller doing such a job, as it has been the genre, with a fee exceptions not bringing the major part of audience to the theatres, especially the family audience. But things have changed now, and Athiran has stood tall when the opportunity came, and it does so in Hollywood style, in a grand environment.

Release date: 12th April 2019
Running time: 136 minutes
Directed by: Vivek
Starring: Fahadh Faasil, Sai Pallavi, Lena, Sudev Nair, Leon Lishoy, Prakash Raj, Renji Panicker, Atul Kulkarni, Shanthi Krishna, Nandhu, Surabhi Lakshmi, Vijay Menon

<– Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Avengers: Endgame

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What is the movie about? :: After the events that lead to the defeat of Avengers in Avengers: Infinity War, Nebula (Karen Gillan) and Tony Stark a.k.a. Iron Man (Robert Downey Jr) keep drifting in space with no power and many light years away from Earth until being rescued by Carol Danvers a.k.a. Captain Marvel (Brie Larson). They re-unite with the remaining Avengers on Earth – Natasha Romanoff a.k.a. The Black Widow (Scarlett Johansson), Steve Rogers a.k.a. Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner a.k.a. Hulk (Mark Ruffalo), James Rhodes a.k.a. War Machine (Don Cheadle) and Rocket (Bradley Cooper). While Tony Stark has lost all hope that any difference could be made, and retires to a cabin in the woods with Pepper Potts (Gwyneth Paltrow), the others confront an injured Thanos (Josh Brolin) living in a hut in a far away planet. There is nothing that they can do though, as Thanos destroyed the infinity stones after use, so that the situation would remain as it was intended to be. An angry Thor beheads Thanos.

So, what happens with the events to follow? :: Five years later, Scott Lang a.k.a. Ant-Man (Paul Rudd) escapes the quantum realm and finds out that something strange has happened in his world – as he figures things out, feels that there is a way that what Thanos did could be undone. He feels that quantum realm can be used for time travel, and one could travel to the time when Thanos didn’t have the infinity stones. Steve Rogers and Natasha Romanoff accompany him to where Tony Stark settled down, but Tony is not sure about doing it because he is afraid of something worse happening to his family, with everyone he love dying. So, the Avengers decide to go on with the experiments related to time travel with Bruce Banner who repeatedly says that it is not his field of expertise, and never had even a slight clue about the same. The experiment remains a failure with no traveling through time happening.

And what else is to follow? :: But Tony decides to change his stance as the idea seems to have a better chance of working, with the feeling of a need to bring Peter Parker a.k.a. Spider-Man (Tom Holland) back. After talking to Pepper, he decides to go on with it, and the remaining Avengers once again assemble. They decide to go back in time to those exact moments when the Avengers came across the infinity stones. What they have will be just one chance to set things right, because if they miss the exact opportunity, there are not enough particles to return to the present time. So, they are divided into teams, with Captain America, Iron Man, The Hulk and Ant-Man in one time-line divided into three, Hawkeye (Jeremy Renner), Black Widow, Nebula and War Machine (Don Cheadle) in another divided into two and Thor with Rocket in the last one as a team. But the question remains about how they can achieve all these stones without being in conflict with the past, and without Thanos knowing.

The defence of Avengers: Endgame :: Another spectacle has come from Marvel, and it is also nothing less than an adventure that is to be kept close to the hearts – there is the grandeur on the big screen, and there are emotions along with a certain funny side that we can’t live without as far as a Marvel movie is considered. The final battle raises the level of the movie like never before, and it is Captain America with the hammer that steals the show, and Iron Man with the final punch that ends it. Thor is once again joy to watch. The visuals continue to be stunning, and the action sequences only keep getting better. There are adventures in the past too, and we see the beauty of different worlds in different planets. The ability to make the audience feel the pain, but also to quickly bring some humour, this one never really holds back.

Positives and negatives :: The battle that was going on in Avengers: Infinity War continues, with almost the same people on either sides – but here, it becomes bigger because everyone comes together at the same place, and the intensity is more, as both sides know what would happen in case of a loss. There is no lack of style, and the ending is just too good. It is certain that we would continue to remember and stay in love with these characters. Still, the movie is three hours long, and it could have beem shortened in the first thirty to forty five minutes with less wandering around with Avenger guilt. Captain Marvel continues to be the misfit in this franchise, as she is always given an entrance as the end approaches, and with that new hair cut, looks even more weird. Well, this is the kind of movie that you would watch more than once, and so come up with more.

The performers of the soul :: Avengers: Endgame is also supported by some fantastic acting. The scene is lead by the big three in their own emotional moments, Chris Evans, Chris Hemsworth and Robert Downey Jr. The funny side is also maintained by Chris Hemsworth, as Thor gets another side to work on. Scarlett Johansson and Jeremy Renner have their emotional moments too, while Brie Larson is wasted as that superhero who keeps making grand entrances, and is of no prolonged value. Mark Ruffalo’s brain and strength mix is interesting to watch. Paul Rudd is fun to watch, and the lighter moments of the movie are handled well by him. Josh Brolin’s villain character has changed here, as we can see the need to change that balance-seeking anti-hero to someone seeking mass destruction and complete annihilation – but there is no change in the ultimate requirement, which is rebirth.

How it finishes :: For all the fans of this wonderful franchise, this is one grand end that we have all waited for – Avengers will no longer be the same after this with the big three, Captain American, Iron Man and Thor no longer being available to be part of the team. But this is the grand ending that we have all wanted for a long time. There is a lot of everything in this movie, and is a fitting end to something Marvel has been building for a long time – you remember the time when you watched the first Avengers, and you see how much things have changed with the movie’s world as well as the characters. It has been a great run, and even though I loved Avengers: Infinity War more than this one, there is not much separating the two. We love this final movie, no matter who we are, and what our preferences are – Avengers: Endgame has assured everyone about that, and it is clearly reflected in the collections, a record-breaking one, even in India.

Release date: 26th April 2019
Running time: 181 minutes
Directed by: Anthony Russo, Joe Russo
Starring: Chris Evans, Chris Hemsworth, Robert Downey Jr, Scarlett Johansson, Jeremy Renner, Brie Larson, Karen Gillan, Mark Ruffalo, Don Cheadle, Paul Rudd, Danai Gurira, Bradley Cooper, Josh Brolin, Gwyneth Paltrow, Jon Favreau, Benedict Wong, Danai Gurira

<– Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Lucifer

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What is the movie about? :: Kerala is ruled by IUF, and its leader and Chief Minister PK Ramdas (Sachin Khedekar) is a respected figure with a great fan following, not just among the people of his party, but also outside. It is his death which changes things in Kerala’s politics, all of a sudden. Mahesh Varma (Saikumar) who is next in charge finds this to be a golden opportunity to become the leader of the party as well as the Chief Minister of the state. Ramdas’ eldest daughter Priyadarshini (Manju Warrier) along with her daughter Jhanvi (Saniya Iyappan) is the first to come to the scene. Her second and current husband Bimal Nair a.k.a. Bobby (Vivek Oberoi) keeps close watch of the situation at the same time. Even though Priyadarshini and Jhanvi are not after political power, Bobby looks forward to it so that he can use it to spread his narcotics business to Kerala and earn a great amount of money.

So, what happens with the events to follow? :: Meanwhile, the only son of Ramdas, Jathin (Tovino Thomas) is living abroad. Bobby figures out that he is the one big chance that they have here, and by making him the new leader, could go through the drug business without anyone coming to know. He already has the support of Mahesh Varma and Priyadarshini regarding the same. He uses Jhanvi as a means to go through the family smoother. Govardhan (Indrajith Sukumaran) is one of those people who knows all these, as he had been searching for truth for a very long time – but he finds himself locked inside a mental asylum, thanks to Bobby. But before he is locked up, he finds the one other person who might be part of this power struggle – Stephen Nedumpally (Mohanlal), an orphan who was raised by Ramdas, a people’s favourite leader from the highrange constituency of Central Kerala.

And what else is to follow? :: Stephen Nedumpally is the kind of person none of the power seekers here want to have in the game, and the family also wants no part of him out there. The politicians on both sides, Mahesh Varma on one side and Medayil Rajan (Shivaji Guruvayoor) on the other wants him gone. Bobby is also hoping to make no mistakes, as he is playing a dangerous game involving Abdul (Suresh Chandra Menon) and Fyodor (Frank Free) who are masters of the game in Mumbai. He would have Stephen’s opposition out of the way as the party would be sponsored by the drug mafia. The people in the middle part of all these including Aloshy Joseph (Kalabhavan Shajohn) and Murugan (Baiju Santhosh) will have interesting roles to play as Kerala prepares for the big change. But the question remains about who would gain and loss the most in the battle between evil and evil.

The defence of Lucifer :: Unlike what was expected, Lucifer doesn’t jump into the shoes of a mass movie all of a sudden, and that is the clear advantage that this one has over Pulimurugan. Clearly a better movie having content of quality and rich in ideas, this one rises over the expected mass masala, and becomes more, but at the same time, it never hesitates to provide what the fans want. There is working on two levels, something which Odiyan could have focused on, to become a favourite. There are elements from politics nicely used too, and we get to go through a certain dirty side that attempts to take over politics every time, and may be even succeeds up to an extent. The action scenes are nicely done, and except for a very few, keeps itself in control to make us believe. The control that is maintained in the final scene with the song nicely contributing to it, is also worth mentioning. There is a higher level of making here, and the thrills are of great strength.

The claws of flaw :: The slow motion sequences, even though less in number, could have been avoided. There could have been more of Tovino Thomas on the screen too. Vivek Oberoi’s character could have been bigger terror, something that could pose a challenge that goes a long way ahead. The presence of predictable elements in between, should have been avoided. The references and allusions made in the movie also seems nice, but could have been better connected. There are quotes shown in the end including the one from Lucifer as the tragic figure of John Milton’s Paradise Lost who famously declares “Better to reign in Hell than serve in Heaven”; we also have “Hell Is Empty and All the Devils Are Here” from William Shakespeare’s The Tempest being shown on the screen in the end – is there something left for a sequel? One is left to wonder. The use of media could also been better shown. The movie is also too long.

The performers of the soul :: It is late to review a movie which has reached the 100 crore collection mark already, Pulimurugan, Drishyam, Oppam and this one leading the glory with the rest – almost everyone knows what Mohanlal has brought to this movie as the titular character, and needs no more talk about the same, as Stephen Nedumpally is grand. Meanwhile, the one person who steals the show with less amount of screen time is Tovino Thomas whose moments are nothing less than glorious. Manju Warrier has her fine emotional moments in here following Odiyan. Vivek Oberoi’s villain doesn’t maintain that terror that he seemed to possess in the beginning, but he is a fine choice for the role as we can see. Kalabhavan Shajohn, Saikumar, Baiju Santhosh, Shivaji Guruvayoor, Nandhu – all the characters play the roles of politicians with ease. Meanwhile, we see Shaun Romy of Kammatipaadam making an appearance after a long time. There is a long line of extended support here too.

How it finishes :: When someone like Prithviraj Sukumaran comes up with his directorial debut, you know that there is something special coming up. His previous movies as the leading actor had the Hollywood touch, whether it was the never before science fiction apocalyptic thriller called 9 or the diasporic crime drama set in a deteriorating, decaying city called Ranam – this one has the elements beyond the usual Malayalam movie, and as a flick written by Murali Gopy, we know that there is more. Lucifer is the kind of movie which combines its elements very well, and thus becomes a rare piece of a flick. It can be liked for more than one reason, and there is much to cherish for almost every kind of viewer. Well, this is Vishu and Easter is also on its way, and we have much to watch. For now, I wish all of you a Very Happy Vishu, and hope you enjoy the holidays well – but at the same time, be careful about the heat which is rising.

Release date: 28th March 2019
Running time: 174 minutes
Directed by: Prithviraj Sukumaran
Starring: Mohanlal, Tovino Thomas, Manju Warrier, Prithviraj Sukumaran, Indrajith Sukumaran, Saniya Iyappan, Kalabhavan Shajohn, Giju John, Saikumar, Baiju Santhosh, Fazil, Sachin Khedekar, Suresh Chandra Menon, Shivaji Guruvayoor, Nandhu, John Vijay, Aneesh G Menon, Kainakary Thankaraj, Bala, Adil Ibrahim, Shaun Romy, Adarsh, Helen, Frank Freem, Waluscha De Sousa, Sijoy Varghese, Thara Kalyan, Parvathi T, Binu Pappu, Parvathy Menon, Sreeya Remesh, Sshivada, Antony Perumbavoor, Shakti Kapoor

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@ Cemetery Watch
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The Tattooist

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Vampire Owl: The title here is something that caught my attention early.

Vampire Bat: It rarely happens related to short-films, right?

Vampire Owl: I stopped differentiating between short-films and long films some time ago.

Vampire Bat: This is actually a micro short-film, much shorter.

Vampire Owl: That saves a lot of time then.

Vampire Bat: So, you are going for the shortest of them now.

Vampire Owl: Why not? It is best to show the most, within the shortest period of time.

Vampire Bat: Everyone is too busy these days.

Vampire Owl: I don’t see why they won’t be. The challenges are too many. Shorter movies are thus helpful in saving time.

Vampire Bat: It is a competitive world. Let us take that option of saving time then.

[Gets some vegetable puffs and three cups of cardamom tea].

What is the movie about? :: The Tattooist (Wang Yanhu) is a very popular man in the town who gets many customers, as his skill as well as the resulting work is something which has been widely appreciated. Most of his clients are young men and women who are enamoured by what he does. His reputation in his field is so high that it is near impossible for anyone else to work and gain such popularity. But there is something sinister behind his much acclaimed work. There are people drugged, imprisoned and tortured in a secret lair under his tattoo studio. Can at least one of these people survive and escape to tell the tale of brutality to others? Or will the tattooist continue to have more victims, and enjoy his run as the best of them all in the field – the grand villain? Is there hope in between the chaos, or will it be all about evil and extreme violence?

Similar Dark Legends from the Past :: The first thing that came to my mind while watching this was regarding Sweeney Todd. This tale which we literature graduates have studied as part of Victorian age literature had a barber who makes his customer victims fall down through a trap door by pulling a lever on the side of the chair on which they sit. The people who land in the basement usually dies which broken necks or skulls, and the rest are finished off. He also has a partner in crime, Mrs. Lovett, who assists him in getting rid of the bodies by making meat pies from the corpses and selling them to the u customers at her pie shop. The two shops are also connected through an underground passage. We had also heard about the same as a movie, Sweeney Todd: The Demon Barber of Fleet Street starring Johnny Depp and Helena Bonham Carter as the main characters. Such dark legends of villainy never ceases being amazing.

More about The Tattooist :: We are quickly taken through this vision of the director, which keeps us asking for more. We begin by seeing the tattooist at work, and it seems like some elegant work being done there – all of a sudden, the mood changes, and we are taken to the bloody, gory side. We also see how the music changes, and the sound effects are used to a fine effect. We see what the tattooist actually manages to do, and there is that transformation from a paradise-like atmosphere to inferno. There are people imprisoned inside cages and cells, people being dragged away, corpses, and a lot of blood and gore. Then we are back to what is happening in the world of beautiful tattoos – it has us expecting the terror which is to come for the customer who is having her tattoo done by the same person. This is exactly how our imaginations are made to run far, and how we are made to wish for a longer version.

The Beauty of The Tattooist :: The charm of the movie lies not in just one element, as this creates a perfect collection of things, something that would make a near perfect horror movie if the same tempo is maintained. There are movies like American Mary which talks about body modification and the horror that comes related to that. It had one of the queens of horror, Katharine Isabelle playing a medical student desperate for money ending up taking clients from the body modification community to solve her financial troubles. Well, tattoos can have the same effect as long as the right elements are added, and we can see that Michael Wong has succeeded in doing exactly the same. Well, as of now, tattoos have come to this part of the world very rarely in movies, like in some funny sequences like the fainting moments in the Malayalam movie Aanandam.

How it finishes :: Watching The Tattooist as a full-length movie will be a horror movie lover’s dream, as this one could serve as a fine trailer about what can come. Michael Wong’s directorial debut short film The Story of 90 Coins was a lovely flick which dealt with an entirely different topic, and extreme opposite if we look at it. It had picked up more than sixty accolades from different international film festivals including the Best Direction and Best Cinematography. The Tattooist hasn’t been far behind in creating some grand waves all around. As he has easily gone through two different genres, creating two interesting movies with ease, we can be sure that there is more to expect from him. Until then, enjoy watching this micro short-film, and the same can be found at the bottom of the review. Along with the same, enjoy the summer vacation going on at this part of the world!

[Returning after the movie and snacks].

Vampire Owl: You can see that my opinion about having a micro short-film remains the same.

Vampire Bat: I see that you have enjoyed watching this short-film, and at the same time, keeping your valuable time to make a good use of the same.

Vampire Owl: Yes, and still we have watched what we needed.

Vampire Bat: It is an idea which stays and expands further in our minds, after we finish watching the movie.

Vampire Owl: Yes, we can even contribute with our own version to add to the already existing idea through imagination.

Vampire Bat: It makes me wonder what the tale of each victim would be.

Vampire Owl: This is certainly worth a longer version too.

Vampire Bat: I would keep my hope high about that.

Vampire Owl: I am recommending this for the whole vampire community.

Vampire Bat: I would be doing the same thing too.

[Takes a long walk into the darkness].

Watch the film here:

Release date: 9th June 2018
Running time: 2 minutes
Directed by: Michael Wong
Starring: Yanhu Wang, Li Lu, Myra Mala, Mayela Magrou, Dan Litza, Simon Shiyamba, Chase Lichtenberg

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@ Cemetery Watch
✠ The Vampire Bat.

Captain Marvel

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What is the movie about? :: A few galaxies, away, on the Kree Empire’s capital planet of Hala, Vers (Brie Larson), a member of Starforce has a regular dose of nightmares every night, and it seems to be related to her memories, most of which she doesn’t have any more except in the form of quick shots. She is trained by Yon-Rogg (Jude Law) who hopes that she can keep her emotions under control, and use her special powers only when needed. The same is asserted by Supreme Intelligence, an Artificial Intelligence which had command over the empire. At the same time, a war is going on, between the technologically advanced Kree and the shapeshifting Skrulls, happening on different planets. This war which has been going on for centuries, had Kree at the advantage, calling the Skrulls terrorists who are trying to take over different planets by force and leaving a trail of mass destruction and brutal murders.

So, what happens with the events to follow? :: During one of those missions assigned to the Starforce, Vers ends up being captured by them. A memory probe is conducted on her, and the Skrulls find many of the lost memories, but don’t exactly find what they were looking. As Vers manages to escape, she lands on the planet called Sector 53, Earth. Her presence in Los Angeles attracts the attention of SHIELD agents Nick Fury (Samuel L Jackson) and Phil Coulson (Clark Gregg). The Skrulls lead by Talos (Ben Mendelsohn) continues to chase her, and she discovers that she was an airforce pilot, and was working on developing an experimental engine with the famous scientist, Dr Wendy Lawson (Annette Bening) before she was presumed dead in the failure of the effort and resulting explosion. But it is not the only secret that she would be bringing to light.

The defence of Captain Marvel :: There is some nice world detail in Captain Marvel, and the action immediately catches our attention. The journey through different planets, as well as the trip through the United States in the 1990s remain a joy to watch. There is also the presence of a lot of humour in this one, and that involves more of the unexpected. There is also a lot to expect with the new movie in the Avengers series, Endgame, with this new character being introduced into the scene. With this type of a strong superhero added to the roster like a Superman without Kryptonite, there are wonders waiting to happen. There are also some interesting questions being asked in the movie, about war and the need to end it. This movie could also go a long way with its main idea, and the journeys through different planets with more species to be there.

The claws of flaw :: Captain Marvel is no match for Wonder Woman, and that is indeed strange, considering the fact that even Black Widow and Scarlet Witch showed signs of doing that early – the female characters of Marvel had a certain amount of charm, but this new superhero who gets the first Marvel movie with a female hero lead, trails. She is also very late to arrive here, as a movie set in the 1990s. Captain Marvel should have been there before Avengers: Infinity War, and along with Ant-Man and the Wasp, these movies are not helping the upcoming big one that much as one would have expected. Regarding the introduction of such a powerful superhero late is not helping, and too much strength is also not bringing any advantage. This one needed a Kryptonite to keep the titular hero in control, as we no longer live in the age of invincible heroes, as we need the flawed ones more; it is not Superman that can do the job these days, but Batman and Aquaman.

The performers of the soul :: Brie Larson is indeed the person to look out for, and she handles this too strong a superhero with such skill that we feel closer to the character – the distance becomes less. You remember her playing a kidnapping victim in Room, for which she won the Academy Award for Best Actress. The 2017 movie Kong: Skull Island was the one movie for which she has been known the most among the common audience around here. She doesn’t have the more close to life superhero like Gal Gadot had with Wonder Woman – that one had her closer to us with the role, and it is the presence of too much superpower that keeps this one away. Also having a BAFTA Award and a Golden Globe, this one comes as no challenge to her, and it is her who makes sure that the superhero gets to the masses, and we can only be glad about the same creating a huge effect in the next Avengers movie.

Further performers of the soul :: Jude Law as Yon-Rogg here reminds one of Patrick Wilson’s character in Aquaman, as he goes on doing more and more in the name of the empire. He makes one strong villain here, even though the villainy is let down by having too strong a superhero at one end. From what he has displayed, we can be sure that there was more to be done if the villain was given some powers to match the glowing superhero. Samuel L Jackson’s Nick Fury is too good once again, and we have him handling the humour with a great amount of skill. Ben Mendelsohn as Talos on the other side of the war also has some fine moments to go with. Gemma Chan and Djimon Hounsou are notable as other members of the Starforce who tries to make things happen for Kree, but doesn’t have the power – once again the problem of too powerful a superhero and the absence of good enough supervillains comes up.

How it finishes :: It can be seen that Captain Marvel remains an entertainer throughout its run, with great visuals all around, and it even has a cat to steal the show along with those common humans. But with the overpowered superhero, there is a limit to how entertaining this one can be, and we all know how this will end, right from the beginning itself. A super powerful hero to use against Thanos is not that great an idea because that leaves whatever in Earthly, and whatever is human, out – we don’t want something like what happened with the final moments of Justice League, which had everyone other than Superman to be a waste. But we hope that Marvel can fix that well enough making this less repetitive next time, and until then, this one is a very entertaining movie set on different planets and between different species. The good 3D also helps the same, even though the world is no match for that of Aquaman and Thor: Ragnarok.

Release date: 8th March 2019
Running time: 124 minutes
Directed by: Anna Boden, Ryan Fleck
Starring: Brie Larson, Samuel L Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, Jude Law

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@ Cemetery Watch
✠ The Vampire Bat.

Balan Vakeel

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What is the movie about? :: S Balakrishnan (Dileep) is a lawyer who works under the reputed advocate Pramod Sujanapalan (Arjun Nandakumar). But he hasn’t been able to achieve much in his professional career due to his stammer, even though he was known to be a smart & intelligent person during his college days. His father and mother (Siddique and Bindu Panicker) are concerned about him, but are sure that he can only be a failure in life, with former also being a chain smoker who tries different drugs. His first successful case is that of Ansaar Ali Khan (Aju Varghese), a local goon who is involved in a robbery case. Ansaar doesn’t have the cash to pay as his fees, and therefore provides him with a place to stay at low rent. But this new place has Irumbu Babu’s (Bheeman Raghu) presence, and he considers it to be his own room and wants him to leave. But it will be the smallest of his problems.

So, what happens with the events to follow? :: It is then that his brother-in-law P Mohanan Pillai (Suraj Venjaramoodu) comes up with a plan to make some easy money. He asks Balakrishnan to be a part of it, and she accepts the same reluctantly. He sends a notice to a given address asking for compensation in the name of a woman (Priya Anand) who claims to have been abused by the person at the address. But it turns out that it is the address of the DGP of Kerala Police, KE Eapen (Renji Panicker) who is suprised to get the same. The charge of investigation goes to Indhulekha Marar (Lena) who gets only a limited amount of time to solve the case. Meanwhile it turns out that the person whose name is in the letter is Anuradha Sudharshan (Mamta Mohandas), a woman who is completely unaware of this. There seems to be some conspiracy behind all these. But there is no clue regarding where to begin.

The defence of Kodathi Samaksham Balan Vakeel :: There are the twists in store in Kodathi Samaksham Balan Vakeel for sure, and there is mystery awaiting to be revealed, related to a conspiracy. We also have incidents which seems to reflect reality, but there is the certainty of exaggeration regarding the same. The emotional flashback in the movie becomes effective with the last twist, but otherwise it feels strange, and makes you wait the whole time trying to find something out of it. There is also the presence of a fine cast to support everything out there, making sure that they manage all that this movie can provide. There is some good humour out there, even though not throughout the flick. It is seen more in the initial stages, starting from the introduction of the main character itself. The interval punch is strong enough to make one interested in the second half, even though the first half wasn’t that much there.

The claws of flaw :: It can be seen that there is no attempt to make this movie go through a fully entertaining path, and there is no plan to make this a perfect journey as an investigation thriller either, as this is caught somewhere in between. The jokes are also just partially effective, and we see that the funny side in the name of children hitting older men, people falling on electricity lines and surviving, a drug addict father instead of the usual alcoholic one etc – they are just there for the sake of adding some strange funny side. There is also the presence of some unnecessary mass scenes, and the hero sending people flying around comes in, and the struggling protagonist that we wanted to watch from the trailer is lost. Having such a protagonist beating up people all of a sudden works against the overall mood of the movie, and what we know about the protagonist. The songs are not that good either.

The performers of the soul :: This seems to be a movie nicely made for Dileep, as he has this in control, just like many other movies of the same kind. There is no problem here, as he had played advocate trying to serve justice before in Passenger, and there was Mamta Mohandas there too, with the same name for her character, Anuradha. Well, Passenger is a movie long way ahead of this one, without doubt. Mamta Mohandas is here for a full role unlike what she had in 9. There is not much for her to do regarding the investigation here though, as she is the victim and there is the protagonist to save the day. A little romantic side added there seems to be rather forced though, as this movie could have done without it. The focus on its main idea would have been enough, and trying to play cupid between the main character didn’t do both of them any good.

Further performers of the soul :: Siddique’s father character is kind of strange, but brings the funniest moments of the movie with ease. There is his comic timing that lightens up the movie really well. Aju Varghese is the next person in the comedy department, and it works well for him most of the time too – he does get some memorable funny ones. Suraj Venjaramoodu also has the comedy working in his favour, even though at parts it seems out of order. Priya Anand gets another smart role after Ezra and Kayamkulam Kochunni, but with lesser time spent on the screen. Veterans like Ganesh Kumar and Renji Panicker right there, doing what they do the best in police roles. Another person who shines so well inside the uniform is Lena, who is also there Varikkuzhiyile Kolapathakam, and mystery-solving journey of puzzles which is also running in the theatres.

How it finishes :: For B Unnikrishnan, this movie comes after Villain, which was a smart one for sure. Kodathi Samaksham Balan Vakeel does take the path of Vikadakumaran and Jolly LLB, a trend related to a struggling lawyer whenever the same is the protagonist. This one has its moments of thrills and twists are brought into the scene, but there is not doubt about the fact that this could have done better. There is the fine premise already set, and the idea that has scope for a lot, but it is not utilized in the best way. Maybe we have to wait to get something better out of a story related to courtroom, and we can do that. Until then, lets watch Kodathi Samaksham Balan Vakeel and enjoy the interesting side. For those who wants the more realistic side, there is always Kumbalangi Nights & June running, and seemingly good enough to keep doing the same for a long time.

Release date: 21st February 2019
Running time: 155 minutes
Directed by: B Unnikrishnan
Starring: Dileep, Mamta Mohandas, Priya Anand, Aju Varghese, Siddique, Ganesh Kumar, Renji Panicker, Bindu Panicker, Suraj Venjaramoodu, Saiju Kurup, Vamsi Krishna, Harish Uthaman, Lena, Arjun Nandakumar, Pramod Sujanapalan, Bheeman Raghu, Veena Nair, Pradeep Kottayam, Thesni Khan, Sajid Yahiya

@ Cemetery Watch
✠ The Vampire Bat.

Varikkuzhiyile Kolapathakam

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What is the movie about? :: Fr. Vincent Kombana (Amith Chakalakkal) is the parish priest and also a much respected figure in the small remote island of Arayamthuruth. Being an ex-policeman, he believes in getting things right in his own way, and how to have control over the small law and order problems that happen in the island. He is determinted to make sure that everyone around him walks the right path. For the same, he walks around at night, and checks if nobody causes any trouble. One night, while going through his usual walk, he witnesses a murder, but it turns out that he just can’t speak about it. But he has to let the people and the police know about this crime without talking about it. Being a trained ex-policeman, he plans on finding the reason behind the murder and about how the victim ended up being one.

So, what happens with the events to follow? :: On the other side of the events is Joy Kattukkaran (Dileesh Pothan), a man with many secrets. Part of the same parish, he is one of the richest men in the village, and with his wife Lissy (Lena), seems to live a happy life. The other seemingly nice men in the village (Nandhu and Nedumudi Venu) also have their own secrets. The seemingly Victorian Compromise, was not working in anyone’s favour, as most people out there were not what they seemed to be. Caught between them, and hoping to solve a mystery won’t be Fr. Vincent Kombana, but Komban Vincent, a man with a long past during his life at Mattanchery. Now the question remains about how far the priest can go to bring the murderer to justice while staying within the borders of religion. Before the feast occurs at the church, he has to do it.

The defence of Varikkuzhiyile Kolapathakam :: The trailers had showed that there is something out there to be witnessed in this movie with grandeur. There is no lack of style here, and we are also introduced to a different kind of priest, and a beautiful remote island which brings a lot of beautiful visuals. There are some nice moments to go with it too. After Paippin Chuvattile Pranayam and Kumbalangi Nights, this is another movie to bring that kind of a setting with backwaters and showing simple lives along with problems faced by the locals. There are some nice twists happening here, and the interval punch is a perfect one. There are some funny moments, but the focus shifts, and we are given the idea that there is more to come with a major shift in the proceedings – the movie goes forward with the links being connected nicely. Things come together nicely in the end, and we are left with something to guess too.

The claws of flaw :: With the premise and the idea, Varikkuzhiyile Kolapathakam could have surely achieved much more. There are moments when the movie go extra-stylish and with some more drama than needed. It also shows a certain shift from the major point at times, and also takes some time to get into the mood – it is with the interval that the movie gets clearly into that path. With a murder mystery at the centre, and having a number of talented actors for support, this could have gone forward with many twists and turns as well as shocking revelations, instead of revealing a little too much early. When choosing an unconventional path, going for something special is easier, as things will easily blend in – it hasn’t been focused on, that much. Some of the jokes were also less effective, and there was chance to add more in that department too.

The performers of the soul :: Amith Chakalakkal brings life to the role of an ex-policeman and priest nicely. We have seen him in some notable roles, but the most significant one was surely as the leader of the gang of youngsters in Pretham 2. He remains strong throughout this movie, and even goes rather extra-stylish at some moments. The character could have done with less heroism, and without that stylish hero image. Among the senior actors, it is Dileesh Pothan who is there for more than anyone else. With certain negative shades, this is something that he does with ease, in his usual style. We know what he can make out of even the simplest of roles, and the director leaves something for us in the acting department too, every time. The negative side is safe with him, in a way that it rises when needed, so well.

Further performers of the soul :: Lena is there for a short time, but leaves her mark with ease – maybe she could have been there for more, one would feel so. Anjali Nair has that kind of a role which she has done a lot of times before – her smaller roles have remained notable. Shammi Thilakan provides some fine support in between, staying close to the protagonist. This is one role that becomes significant in more than one way concerning the story. Nedumudi Vendu doesn’t have much to do though – his character itself could have been replaced by any other doing the same kind of actions. Sudhi Koppa is also left with a small role, and Nandu has more though. The second outing of the director Rejishh Midhila after Lal Bahadhur Shastri of 2015 also helps him to make a point, as the whole level has advanced from there.

How it finishes :: It is always great to have movies like this without the so called superstars doing so well – Joseph did the same, rising out of its low budget status to become the best Malayalam movie of the year 2018, something which nobody expected with so many big budget movies releasing in the year with many big names associated with them. This one won’t be the same for this year, but the effort has been good to go this far, with its title coming from Manianpilla Raju’s character Hitchcock Kanjikkuzhi in the movie No. 20 Madras Mail. During these times when good thrillers are hard to come, Varikkuzhiyile Kolapathakam takes the pain to bring something different, and it is to be appreciated. It is to be noted that we have had some good time with Malayalam movie industry so far, and it has been just near 2 months.

Release date: 22nd February 2019
Running time: 123 minutes
Directed by: Rejishh Midhila
Starring: Amith Chakalakkal, Dileesh Pothan, Lal, Anjana Appukuttan, Baby, Dheeraj Denny, Gokulan, Sudhi Koppa, Anjali Nair, Nandu, Kainakary Thankaraj, Shammi Thilakan, Nedumudi Venu

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@ Cemetery Watch
✠ The Vampire Bat.

June

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What is the movie about? :: June Sarah Joy (Rajisha Vijayan) considers herself to be an ordinary girl with no special talents, which is the reason why she is upset that most of the other students who join her class are able to do so much more. Her parents (Joju George and Aswathi Menon) care very much about her as she is their only child. Noel (Sarjano Khalid) is her newfound best friend who is elevated to the level of her boyfriend. They get to connect well with each other as they are both considered to be lagging with their talents. As time progresses, she is able to make new friends, and her Plus Two batch of 2007 is finally able to become a batch to remember not just for the students, but also to the teachers. But at the same time, when her parents find out about Noel, she decided to end their relationship. She joins a nearby college while he travels to Mumbai to stay with his parents and to continue his studies.

So, what happens with the events to follow? :: The best friends go in their own ways, and June is left with the memories of Noel. She goes through her college days without much of an enthusiasm as she is still caught in her life in Plus Two. After completing her degree, she decides to go for an interview in Mumbai and meet Noel at the same time. She stays with her Plus Two classmate Abhirami a.k.a. Mottachi (Vaishnavi Venugopal) who is also working there, and finds Noel to begin the next phase of their relationship. But things are not that easy as she thought they would be. She has to deal with his family as well as hers, and at the same time, maintain her own independence. About their life, what Noel thinks might not be the same either. So, the question remains about what awaits her in the rest of her life.

The defence of June :: The strength of June lies not just in the performances lead by the female lead, but also in the memories that it creates. It takes us back to the school days, and even though it is not an exact reflection of the memories as it was recreated in Om Shanti Oshana, this one is surely an effective one, thanks to a better performance from the female lead in comparison to that older version. The movie is also a clean entertainer for the family audience, with nothing that makes them doubt about their plan to watch the movie – keeping it so, and at the same time, funny would have been a difficult job, but is done with skill. The climax and the final scenes are beautifully done too, and it talks not just of love, but of nostalgia and friendship that comes back after a long time. The music is nice, and suits the mood of the movie. The songs come too often, but they are nice to hear.

The claws of flaw :: The movie’s idea to skip the college days completely is one strong negative point on this movie – the second half could have used some of that too, and in that case, being a coming-of-age story in the lines of Premam and Om Shanti Oshana, this one has a little missing part. There is no life that serves as a coming-of-age story without the college days, because it doesn’t matter who denies the same, there is something about those moments all the time. It is where bildungsroman struggles. The movie is also a little bit too long, which is why one can feel certain drag with the romance. There was surely more scope to make this one better. It has to be noted that not everything in the movie brings the memories of school days, and not all jokes serve to be that effective. But as the industry is once again becoming hesitant to experiment, June is surely one another welcome move.

The performers of the soul :: Rajisha Vijayan who won the Kerala State Film Award for Best Actress for her performance in her debut film Anuraga Karikkin Vellam, which was also her first movie, once again makes an impression, as we had expected from the trailer. Georgettan’s Pooram and Oru Cinemakkaran never really gave her any challenge as movies which kept at a certain level, never trying to rise or give its female protagonists opportunity to do much. She takes over the protagonist, and has the sixteen year old going through to the next ten years of her life, even though three years at college are absent. The moments during the Plus Two time period are done with amazing skill, and the latter moments are not far behind, and they seemed to come naturally to her. With the whole movie completely dependent on her performance, she makes sure that she comes up with only the best.

Further performers of the soul :: Along with Rajisha, there are others to add to this one very well. Joju George gets another fine role after Joseph, unlike the insignificant one he had to do in Lonappante Mamodeesa. He nicely gets into the father role here, and has some funny as well as touching moments to go with it. Aswathi Menon who is best known for Sathyam Sivam Sundaram and its highly popular song “Walking in the moonlight” has the mother role here, and she makes it a good one. Sarjano Khalid, the debutante who plays a male lead does well, as if he’s been there before. Arjun Ashokan has also done a good job, especially in the second half. Among the actors and actresses who plays the protagonist’s friends, it is Vaishnavi Venugopal who shines the most. That should be among the most natural performances not by a main or secondary heroine, in a long time. The other newcomers are also good talents, as we can see here.

How it finishes :: Releasing at the same time as Oru Adaar Love released, this one uses less hype and more quality to be assured of a more solid run. After Aadu 2, Vijay Babu becomes the producer again here, and we expected a performance to remember from Rajisha Vijayan – it is the same that we get here. This one stays close to life and memories, along with being another feel-good movie which touches our hearts after Vijay Superum Pournamiyum, Njan Prakashan and Ente Ummante Peru. June is also one movie which does so much justice to the trailer, as it is more or less the same thing that we watched earlier and expected. Even though Kumbalangi Nights and 9 are there, this movie should take over some of the presence of the latter, and keep going, because the movie is many different things to different people.

Release date: 15th February 2019
Running time: 141 minutes
Directed by: Ahammed Kabir
Starring: Rajisha Vijayan, Joju George, Sarjano Khalid, Aswathi Menon, Vaishnavi Venugopal, Nayana Eliza, Arjun Ashokan, Sanju KS, Akhil Manoj, Harisankar, Sruthy Suresh, Margret Antony, Raveena Nair, Aju Varghese (cameo), Sunny Wayne (cameo)

@ Cemetery Watch
✠ The Vampire Bat.