Tag Archives: witch

Witchboard

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Vampire Owl: I was always sure that the Northern Witches were involved.

Vampire Bat: Now you think that they really use some board for their magic.

Vampire Owl: It is black magic and they have so many similar things.

Vampire Bat: I am sure that this not one of them – they do not even have a carroms board.

Vampire Owl: I am sure that the truth is just hidden.

Vampire Bat: Hidden truths are often half the lies.

Vampire Owl: Something which is partial truth cannot be a lie.

Vampire Bat: It applies both ways, right?

Vampire Owl: Dr. Frankenstein has applied it only on one side.

Vampire Bat: Mr. Frankenstein has no idea about any of these.

[Gets a chilli paneer dosa and three cups of Yercaud tea].

What is the movie about? :: Emily (Madison Iseman) has been trying to recover from her drug addiction for some time, and after falling in love with Christian (Aaron Dominguez) who had just ended his long-time relationship with Brooke (Melanie Jarnson), she has been helping Christian’s opening of a restaurant in the French Quarter of New Orleans. While picking mushrooms for the restaurant in the forest, Emily comes across a spirit board. It was just recently been stolen from a local museum, and had landed there due to a fight between the thieves. At a dinner party preceding the grand opening meant for close friends, Emily shows the board to Brooke, who is an antiquities expert and she seems to be very much interested in it. She finds out that it predates the Ouija board and is meant to connect with ancient evil that might even predate many civilizations. According to her, it is something which could be helpful as much as cause terror, with immense possibilities hiding within the board.

So, what happens with the events here as we just keep looking? :: Emily discovers a pendulum made out of a human finger bone within the board. Emily who tries to communicate to the spirit board finds help in locating her lost engagement ring. But when this is fulfilled, Christian’s friend who is at the kitchen, Richie (Charlie Tahan), is killed in a strange incident in which his hand is caught in a meat slicer after slipping. Christian who searches in the internet understand that there have been many board-related killings in the past and also sees in the news that the board was stolen. He suggests handing it over to authorities, but Emily feels that she maybe a suspect due to her former indulgence in drug business as a customer. But things get worse as Emily feels like arms groping her from underneath the bed and also further groping and pulling her into the tub while taking a shower. She sees an ancient witch named Naga Soth (Antonia Desplat) coming in her nightmares and taking her back to past. Now it is to be seen how the couple would deal with it.

The defence of Witchboard :: There are not many movies that have had such a good-looking cast which also performs so well. It is not alien to slasher movies, but this one brings that feeling so well, as performance also supports the same. There are many memorable moments in the movie from that first unleashing of the horror as if in a Final Destination movie, pulling of the leading lady underneath the bed, taking her right out of the shower into deep water, her first full possession on the bed and the twisting of bodies and time periods. Also, we never see any supporting lady being so good like Melanie Jarnson while Madison Iseman leads like no other scream queen has done in quite some time. There seems to be nice visuals at work here, and the scary side is also nicely helped on with the support of what is on the screen. The gothic horror power with the supernatural atmosphere, dark imagery and black magic elements maintains the spookiness throughout its existence. The entertainment value has its strength throughout the run too. When the past is also used with quality, there is always something interesting about what comes from history.

The claws of flaw :: The movie misses an opportunity to make it grand, as the stage was set for something that goes so much more with the distance. A number of its major scenes could have made even grander in scope, and spectacles could have made this movie something classic. The drug addiction recovery, possession, ancestral witch tale, past lives and so many things are here to be taken, but the arrangement could have better and connection to make this one a movie to be remembered for long. This makes it easier for the movie to lose its direction. The opportunity for scares is also not taking completely, as there were so many chances of taking the horror to another level. Some of the motives of characters are also unclear at times, and a few characters just seem to be present for the sake of being there, and sometimes when we need some characters, they are not there at all to be seen. The romantic side is also not strengthened enough, and some elements surely go unexplored. The length of the movie could have been even lesser, as it wanders off a little too much as we look into it.

The performers of the soul :: Madison Iseman plays the leading role, and she does that as the scream queen that we had always wished for. She shines through the helplessness and terror of the girl trying to save herself and also the one possessed, from taken from under the bed and abducted from the shower to being possessed and unleashing ancient evil. She is certainly capable of carrying the situations of horror, and one would hope to see her around in more of similar movies. Meanwhile, Melanie Jarnson who plays the second lady lead also does a memorable job, and both combine to become the best-looking leading ladies in a slasher movie in a long time. Antonia Desplat as Naga Soth makes a perfect witch, and one which we would remember with horror, generating fear out of nowhere. Jamie Campbell Bower makes a strong antagonist, and brings further terror into the situation successfully. Aaron Dominguez is also in the lead, and does his job well. David La Haye makes another strong figure in between.

How it finishes :: Witchboard, even though supposed to be a remake, makes itself felt in style. There is the supernatural nicely made into a fine form through witches and a past which is nicely connected with the present as the world keeps moving on either way. If you enjoy horror that is visually strong and sometimes gruesome, and would not mind some chaos coming out of nowhere with the support of unexpected events, this would be the movie for you. It surely has beautiful locations as much as it has beautiful people, with charming world being built not only in the present, but also in the past. This is that kind of a remake which after watched do not feel like that much similar with the movies which are called the originals, even after reading about it and the plot itself. Well, we all need another version of Oujia, with possibilities of sequels, as this one has left us with hope to see another movie in the franchise. This spirit board has as much a chance to have at least one sequel as many others from The Conjuring, The Nun and Annabelle to Sinister and Insidious – you will know the same. The world of movies with horror other than random haunting of houses needs to be there, after all.

Release date: 26th July 2024
Running time: 112 minutes
Directed by: Chuck Russell
Starring: Madison Iseman, Aaron Dominguez, Melanie Jarnson, Charlie Tahan, Antonia Desplat, Jamie Campbell Bower

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✠ The Vampire Bat.

Red One

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Vampire Owl: So, you are telling me that we are not the true red ones.

Vampire Bat: We always wear black. You know that already.

Vampire Owl: We do have the red borders on clothing.

Vampire Bat: It is just a symbolism of blood.

Vampire Owl: So, we are not that much into bloody colours.

Vampire Bat: Any blood on clothing can lead to suspicion.

Vampire Owl: Well, everyone knows that we are vampires.

Vampire Bat: It is not about knowing; it is about providing proof.

Vampire Owl: There would be enough proof available from the CCTVs.

Vampire Bat: Well, those could be staged as it would be over in a flash.

[Gets an oreo shake and three cups of Vagamon tea].

What is the movie about? :: MORA (Mythological Oversight and Restoration Authority) has almost always existed as a secret military organization meant to keep the balance between humanity and mythological creatures, thus keeping both worlds safe and without making itself known to mankind. As part of the organization, Callum Drift (Dwayne Johnson), Head of North Pole security for Saint Nicholas a.k.a. Santa Claus (J K Simmons) for quite a long time. After serving for long as the strongest member of the team and an expert in his field, Callum decides to quite after this final Christmas journey though. But things do not go that easy as Santa is kidnapped by an unknown group of soldiers who are able to bypass the security measures of his building with ease. Callum lets the director of MORA, Zoe Harlow (Lucy Liu) know about the same, and the group is put on full alert, understanding the alarming situation where there would be no Christmas at least for one year.

So, what happens with the events here as we just keep looking? :: The question remains why one would want to abduct Santa Claus, and the names of the usual suspects come into the picture before any other investigation. It is discovered that the top-secret location of Santa’s abode was leaked by Jack O’Malley (Chris Evans), a hacker and bounty hunter, divorced and non-believer, who would do anything for money. After a tracker is placing on him, Jack is forced to team up with a reluctant Callum due to unforeseen circumstances. He points them to the broker and middleman Ted (Nick Kroll) who provides them the name of the winter witch Gryla (Kiernan Shipka), who wishes to punish everyone who has been evil in one way or the other, which would mean almost all of humanity. They ask for help from Santa’s estranged brother and Gryla’s former lover Krampus (Kristofer Hivju), but he is not interested. With the winter witch only getting more powerful and Santa getting weaker, what all paths can lead to saving the man in trouble?

The defence of Red One :: Red One keeps on with the Santa Claus side of Christmas which is never short of opportunities. There are some fine action sequences with some visual splendour that goes on and on throughout its run. The main characters keep making things interesting as the movie progresses, and we find their teaming up to be an interesting one without second thoughts. There is some humour that is added here and there, and with the two main characters around, that was always going to happen at regular intervals. The addition of Chris Evans becomes the fine twist in itself, as we usually find Chris Pratt, Ryan Reynolds, Seann William Scott or someone doing similar works, especially after Captain America model came up – this remains a welcome change when we look at it. The idea of Santa Claus being kidnapped and the celebration of Christmas itself being canceled is one idea that keeps us going for it. With more hype in this part of the world, it could have surely achieved more and made a lasting impact due to its quality of making itself.

The claws of flaw :: The movie could have used some magic of Christmas to add to its strength, instead of going in a predictable saving the word from evil witch mode. It instead chooses to go for the safe path with the least intervention of religion and mythology, seemingly to satisfy that group which has the least interest in these types of movies. One keeps wondering why the film hesitates to take any part of the religious and spiritual side when the same could brought on with the right morals and never compromising on the overall quality. You have a Santa Claus and you have the Rock defending him, with the Captain America turned new character with special skills, and the limitations still seem to apply. There seems to be the feeling that all of these would be enough to make this a blockbuster with Christmas around the corner. Maybe there was the idea of thinking too much about one’s own existence in a world of too many movies.

The performers of the soul :: Dwayne Johnson a.k.a. the Rock once again has one side in control in that kind of a role which he has never been tired of doing. He plays the strong defender and bodyguard of Santa Claus to perfection as one would expect him to do. His status as an entertainer is further asserted here. Chris Evans becomes the reluctant hero who is not that interested in saving people or the world, very much unlike the Captain America roles he had been playing until Avengers: Infinity War and Avengers: Endgame. He switches his style really well around here. On other days, you would think about many other actors playing this kind of role, but this time, we have fine change that surprises. Lucy Liu has less to do, but the performance here is done with some fine conviction. Kiernan Shipka evil villain also remains an effective one – we are never really short of some more witches on the scene, and with the presence of the darker side of magic, they always make things more effectively terrifying. J K Simmons makes a fine Santa Claus in between.

How it finishes :: You expect more for the Christmas season, especially with such a grand cast involved in the proceedings. But the movie never really raises its level, despite having some fine moments around. Its quality as entertainer and as something interesting for children would never be questioned though, and we see the fun around. The movie keeps reminding us about the Christmas spirit throughout the December. There was always chance for more, but we are glad to watch some fine Christmas entertainment. You will have the choice to watch something else, and if you are watching this one for a Christmas, there is more chance that you will opt for this one instead of any other. The Rock during Christmas season is more and more happiness, whether it is in the WWE ring or in a movie. You have those electrifying moments, whether with Santa Claus, or with the Undertaker, Triple H or Stone Cold Steve Austin. This one is presently available on Amazon Prime Video, and among the choices, this one shines with the Christmas fun out of nowhere.

Release date: 15th November 2024
Running time: 123 minutes
Directed by: Jake Kasdan
Starring: Dwayne Johnson, Chris Evans, Lucy Liu, J K Simmons, Kiernan Shipka, Bonnie Hunt, Reinaldo Faberlle, Kristofer Hivju, Nick Kroll, Wesley Kimmel, Mary Elizabeth Ellis, Marc Evan Jackson. Jenna Kanell, Gursharn Arya, Jon Rudnitsky

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@ Cemetery Watch
✠ The Vampire Bat.

Amelia’s Children

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Vampire Owl: We have not been reviewing many Portuguese movies.

Vampire Bat: We have only managed one, and it was not out of Portugal either.

Vampire Owl: I am sure that Bacurau will still count as Portuguese.

Vampire Bat: Yes, Brazilian movies are in Portuguese, so it counted.

Vampire Owl: So, this is the first Portuguese film from Portugal we are reviewing.

Vampire Bat: Yes, this is indeed a milestone too.

Vampire Owl: Yet we have so many Spanish movies here.

Vampire Bat: Some of these Spanish movies were true classics.

Vampire Owl: I hope that this one will inspire us to watch more Portuguese films.

Vampire Bat: Well, we are immortal and can watch them all.

[Gets a paneer masala dosa and three cups of Wayanad tea].

What is the movie about? :: Edward (Carloto Cotta) has been looking to find his family as he has always felt without roots. One day, his girlfriend Riley (Jack Haven) provides him with a DNA test kit. The results reveal more about his birth, and that he has a twin brother, Manuel (Carloto Cotta) and also their mother named Amelia (Anabela Moreira) who live in a small village in Portugal. Edward and Riley travel to the huge villa in the middle of the woods so that he can finally feel like having a family. This is a strange, but an emotional reunion. But Riley feels that there is something wrong, as the locals are hostile to them, and both the twin brother and the mother seem to be hiding something. There seems to be not much of interest being talked about, and Amelia looks and acts strange. She even hears something weird from outside the room where Manuel and Amelia are found sleeping together in a bed, making her question the kind of family which seems to exist in that seemingly perfect building.

So, what happens with the events here as we just keep looking? :: Riley notices a strange bonding between the brothers that feels unnatural, even though they are seeing each other for the first time, and Edward was once not really sure about the meeting. Riley tries to uncover the secrets that seems to plague the villa, and feels that Amelia has some supernatural powers and is part of a ritualistic system of which Manuel is also a member. The mother-son relationship is not what seems to be from a distance. Riley’s growing realization is also supported by nightmares which seem to come to her at regular intervals. The question remains if she knows this particular world within the woods well enough and whether she can escape from it. Edward seems to be ready to remain there as part of the family, but he is also having his own dose of hallucinations. The people of the village seem to hope that they will leave soon, as if it is the right things to do. Will there be escape or will there be death?

The defence of Amelia’s Children a.k.a. A Semente do Mal :: The world has been nicely built here, and finding the roots itself was a starting which seemed to mean much more than what met the eye. This idea of discovering a long-lost family through DNA testing, only to find something supernatural associated with it, makes the whole thing interesting. The mixture of psychological with the supernatural elements gives it much more depth. Then there is the setting, the atmosphere that does a fine job. The building itself has something like we ha in Crimson Peak to add to the structural fear, even though this is not that much of a scary architecture, and never is an attempt to made to elevate the level to such a world of fear. The creepiness is always present, even they do not really come to the front. The premise has already done most of the work here. The presence of a witch provides the much-needed boost to a world which has started off well. The ending, even though not that deep into the situation, leaves us with a scope for a sequel to expand this better.

The claws of flaw :: The struggle of long run-time seems to plague this movie even though it is not long at all. There might be a little bit too much revealed early, and that might have plagued the later run and might have kept it running without much happening to create an impact. The twist should have been kept better hidden with red herrings or at least by deviating to something less important. It seems to stretch due to not trying to do well enough with the content and let everything unfold – even the leading performers seem to be left on their own rather than their characters undergoing anything. The mood seems to be mixed here, as the strongest element of supernatural horror often losses the way. The main lady character should have been the central point, and the one who should stay scared and attacked, but she seems to have a run without that big sense of danger. She does not become that big a scream queen as the usual elements of horror, and even that of slasher remains largely forgotten when dealing with her character.

The performers of the soul :: The performances are pretty good, but not much when we consider the possibilities of the horror. This is a world of scares, and the usual do not satisfy the environment that much – The Well had realized the same in Italy, but in Portugal, that blending is paused due to the lack of pace which seems to plague the characters as if it is an old award movie where not enough happens to provide the performers with scope. Carloto Cotta does quite well in the two roles, even though it is nothing out of the box, and not much expands. Anabela Moreira does well to manage the strangeness present there, while Alba Baptista who portrays her younger version does the same perfectly – she has the looks and expression to bring the strangeness of a mortal immortal. Jack Haven does a fine job, but does not seem to try that hard. There is a certain amount of predictability in the work and the journey is just accordingly, nothing more or less. The same is also applicable to the final moments when there is nothing grand in the performances, but just enough, as if playing by the safe side.

How it finishes :: Amelia’s Children could have been a classic, but it chooses not use that many scares even though it is in a village with woods and a strange villa in the middle of all – this could have been horror unleashing itself, but the movie holds itself back. The same is also done in the last moments when this could have come with a shock, but chooses to go for the unexpected. The titular character wanders in the old form too much, and the young form would have been nice if appeared at least in hallucinations often. There are moments when the mother could have been young, and there are situations when fear could have had many different faces, and even darkness could have been used better. Yet, the movie keeps us interested, thanks to the mystery that prevails throughout its run. There is always the feeling that something bigger is to come and that it is going to be a shocker, and it is that feeling and the existence of terror ready to be unleashed keeps us going. It was never going to be The Conjuring, The Nun, Annabelle, Insidious or Sinister, but manages to do enough.

Release date: 18th January 2024
Running time: 91 minutes
Directed by: Gabriel Abrantes
Starring: Jack Haven, Carloto Cotta, Anabela Moreira, Alba Baptista, Rita Blanco

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Pechi

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Vampire Owl: Are we now looking for witches again?

Vampire Bat: We have stopped looking for witches since a long time ago.

Vampire Owl: Well, the war can restart any time now.

Vampire Bat: The next war will not be of this realm.

Vampire Owl: You talk like we have had enough of war, but not all species have been part of them.

Vampire Bat: The war affects the whole realm, whether or not they are part of it.

Vampire Owl: If it affects the advanced the vampire civilization, yes.

Vampire Bat: You should know that the magic used in our wars are nuclear in nature.

Vampire Owl: You are talking about the mythical weapons which are never used.

Vampire Bat: The witches are known to have a magical powerhouse which stores sorcery of the unknown supported by necromancy.

[Gets a chilli chicken puffs and three cups of black tea].

What is the movie about? :: At Aranmanaikaadu in Kollimalai, Ram (Murali Ram) and his wife (Aadhirai Soundarajan) are spending their peaceful time within the forest. After a lot of difficulty and getting a few days off from their busy schedule, they look forward to spend some time of their own in the lap of nature. They venture far deep and sets up a camp there. The temperature drops very soon, and while looking for some firewood, Ram ends up cutting the branch of a tree which reveals a nail, followed by a witchcraft doll. There seems to be something else coming out of the tree, and has him scared, but his wife who is listening to music do not hear a thing. Soon, he is taken away by an unknown force, and the same evil entity also captures his wife. But this evil presence is not identified by anyone. But three weeks later, another group of youngsters come to the area with a desire to venture through this lesser-known area of the forest as part of a trekking adventure. Maari (Bala Saravanan), a forest guard who acts as a part-time guide is asked to escort them all the way into the forest and back, as the paths can be confusing and some animals might also be around.

So, what happens with the events here as we just keep looking? :: The five friends, Charan (Dev Ramnath), Meena (Gayathri Shanker), Sethu (Jana), Charu (Preethi Nedumaran) and Jerry (Mageshwaran) are looking for adventure, and are not interested in listening to their guide who talks to them about restrictions due to wildlife and traditions that have been followed for a long time. Meena is frustrated with the restrictions imposed on her, as she feels that they could go through the walk all by themselves and that a tourist guide is only an extra burden. Meanwhile, an arrogant Charu destroys a blockage to an area considered restricted by tradition to the local villagers, ignoring the warning signs. Sethu who considers him to be courageous one among them supports the same, much to the dismay of Maari who continues to ask them not to disturb the nature of the beliefs of people that runs through the area.

And what more happens in the forest where the villages rarely choose to enter :: There seems to be something strange going on though, as Charu almost falls from a cliff and Jerry feels that something grabbed his legs. As Charu and Sethu makes fun of him, he challenges them to go back to the area where the warning board was kept and tie a scarf. Both are not really worried, and accepts the challenge telling everyone that Maari is just creating random stories and is trying to keep them scared as if they are children. On the way there, Charu and Sethu comes across a house, which they enter and finds witchcraft dolls and elements of black magic. Charu is startled to see an unknown figure appearing out of nowhere. Maari and Charan begin searching for them, only to find Charu lying motionless. But soon, they realize that is was not really Charu, and Maari tells them a story, that of a woman from a long time ago who learned black magic and started ritual sacrifices of children. But how is it relevant now? Can they escape whatever is in the forest?

The defence of Pechi :: The movie thrives on its atmosphere and an ancient tale of folklore than runs right through it. Bala Saravanan comes up with the best among the cast, and he plays the only fully sane person around there who seems to understand the gravity of the situation – we remember him in those funny sequences of Godha. Gayathrie Shankar, the actress of Nna Thaan Case Kodu, has provided a memorable performance here, and excels in the last few moments and the flashbacks. The rest of the cast nicely follows the procedure as a cabin in the woods, or lost in the forest tale would unfold. The antagonist here is strong, and is not just another demonic presence – it is the kind of creature from where escape seems almost impossible. There are the moments which provide us with those quick scares and above that, there are the times when it keeps us scared at all times. The fear factor with an inescapable fate brings the terror here. Along with that, the visuals are too good, whether of horror or of the green and dark woods.

The claws of flaw :: The flashback feels repetitive at times, and comes in at a time when it was not to enter. There are moments in between which feels rather confusing, and the scares could have been more visual – it is the kind of scare that would work the best in these situations. Here it seems that the horror elements are not innovative enough and inspired from others instead. The use of darkness is also not at the best. As a cabin in the woods, or journey to the woods story with the usual horror background, there is always a lot more to be added. It also becomes repetitive, and that grand scares which should have come in the end is never there to be taken. A visual terror in the end could have served the best, and combined with the twists would have brought wonders. The twist in the end, even though effective, does not bring that grandeur on the screen, and the flashback provided, even though clear, could have been more detailed. The present situation of the villagers in relation to the witch could have also been shown.

How it finishes :: The movie manages to be an interesting horror flick that elevates itself with the setting and folk-tale power. In a world where there is a shortage of good horror, this one score well, and becomes a good example of bringing working scares out of folklore and myth, something only Stree could do so effectively. As visuals and performances support the scares, fine horror is born. The movie could have still been better, but it is worth watching for sure considering for fans of folk-horror who can appreciate mood over momentum—but it is not for all. There is still a lot to come in a possible sequel, considering how the movie ended, and with one of these main characters having an even bigger role to play there, we will be only glad to wait for more of fear. Until then, we have this movie, and something to remember when we go on trekking, and a reminder to respect nature, local traditions and those who guide the way and advice for the best.

Release date: 2nd August 2024
Running time: 110 minutes
Directed by: Ramachandran B
Starring: Gayathrie Shankar, Bala Saravanan, Preethi Nedumaran, Dev, Jana, Mageshwaran, Seeniammaal, Murali Ram, Aadhirai Soundararajan, Shanthimani

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The Witch: Revenge

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Vampire Owl: Is this a witch that we know?

Vampire Bat: We no longer know any witches.

Vampire Owl: But there are many in the north.

Vampire Bat: There are no wars anymore, and they live there in peace without contact.

Vampire Owl: They do not eat child vampires anymore?

Vampire Bat: I feel that they are more afraid of being bitten by child vampires now.

Vampire Owl: So, the treaty among species have weakened them?

Vampire Bat: Yes, by a long way, because we gained territory.

Vampire Owl: I am sure that the zombies or werewolves might be still at war with them.

Vampire Bat: I have heard that they are on war with elves and dwarves over the custody of magical forests which they use for creating their special potions.

[Gets a parippu vada and three cups of Yercaud tea].

What is the movie about? :: Olena (Tetiana Malkova) is living a happy life with her fiancé Andriy (Taras Tsymbaliuk) in a small town in Ukraine, but their life meets new struggles as they have to face the Russian Invasion, which quickly reaches their place, and feels the needs to quickly escape into the woods. Olena suggests moving further into the dark forest, as Yevdokiya (Olena Khokhlatkina), her aunty is there to take care of them, and people do not usually go that way. But on the way, they are attacked by a Russian military unit, and Andriy is murdered with their dog injured, and Olena just manages to escape from a sexual assault. They reach the place of her aunt, and she remembers her earlier nightmare about death. Back there, angry, frustrated and in grief, Olena releases another side of her, that of a witch, as she has been an immortal being of magic for a long time, only to renounce the same after falling in love with a man whom she met. She unrobes in front of a mirror to reflect the ancient signs engraved on her and lets the ancient magic run through her naked eternally young body yet again.

So, what happens with the events here as we just keep looking? :: Being an immortal guised at a mortal, she lets go of the human side and embraces ancient magic with its darkest elements in search of brutal vengeance. She combines forces from various nodes of power to become something more than the supernatural witch she had ever been. It is then that another girl named Katya (Oleksandra Pankova) gets kidnapped and sexually assaulted by the invading soldiers. Even though they decide to keep her for more abuse by the other soldiers, the effects of the witch force them to leave her in the middle of nowhere. But she is also found by Olena who promises her a chance at having revenge. Katya, who is on a desperate state after that brutal violation will stop at nothing to have her revenge. But the soldiers remain remorseless and looks to punish the locals as much as possible, as they move further into Ukrainian territory. Meanwhile, Olena has transformed into something different, and she seems to resemble something other than humans even though she retained her human form. Can Olena and Katya have their revenge in the most brutal way or will the soldiers somehow escape?

The defence of The Witch: Revenge :: The movie scores the best with its visuals and there is some beauty about even the most evil of acts and the gore with goes with the same. This comes after some of the most colourful and happy moments that a movie can have in the beginning, with the true love feeling running through. On one side, there is that terror of modern warfare in the form of Russian invasion of Ukraine which seems to have no end, and on the other side, there is that mastery of the supernatural, which bring multiple levels of strength to the movie. Those elements of magic and witchcraft are nicely shown, and blood often makes a stylish entry, looking even better in the presence of snow. The atmosphere feels always suitable, and the emotional side also makes an entry at times with confidence. The witch becomes a metaphor for the Ukrainian resistance with ease, as there is the talk about ancient folktales. The mood of folklore is at the best with dark forests, candle-lit interiors and ritual elements while being bold with its true reflection of war-related violence among the weak.

The claws of flaw :: The movie seems to stop trying at times, and keeps moving on the ordinary path when there was so much of a chance for greatness. With the Ukrainian side taken, one would wonder if the feeling of one-sidedness will be omnipresent. There is only one kind of portrayal of the Russian side, and showing the two sides in black and white will not be satisfying at all times, with the grey side definitely missing. Despite the understanding that invasions can keep being brutal, the grey side is expected at some points. Even though the movie is rather short, we feel that there are moments when it stretches from within, and some moments could have just been avoided. We feel that some touch is lost in between, as a venture through the classic revenge in a tale of brutality and chaos. The male protagonist is killed too early and there is no character development regarding him. The villains just seem like the usual antagonists without any variety between them. All women characters other than the protagonist does not seem to rise that much and pales in comparison to her.

The performers of the soul :: The movie is strongly and soulfully led by Tetiana Malkova, who remains at the core, setting the bar high. It has always been easier to portray vampires and zombies than witches these days, and we are lucky enough to have a good one here with a fine performance as the supernatural creature. The romantic side was also strong with her, as it was where her transformation began and went on to the other. The romance feels as much real as the revenge and the feelings behind them are portrayed very well. The next one to catch our attention is Oleksandra Pankova who also leads the way in an act of revenge, and this search to bring deaths to the violators also has the same intensity, even though not that much of witchcraft and sorcery. Taras Tsymbaliuk as Andriy does a good job as the lover and Olena Khokhlatkina as Yevdokiya plays a believable aunty with magical roots. The villains in the form of soldiers does fine even though too restricted in the second half with nothing much to do.

How it finishes :: We have had our movies with the presence of witches, from the action adventure of Hansel and Gretel: Witch Hunters to a more classic kind with The Witch and much twisted versions from Russia like Baba Yaga and Mara that went the divergent way in comparison to what we have been seeing in Hollywood. This is only the second Ukrainian movie on this website after The Rising Hawk which also had its moments, and I would love to expand on this Eastern European movie collection, as some of the finest movies from the Romanian work named The Whistlers to the Serbian film The Balkan Lane are from that side. Still, let us hope that there will be no more wars to become background for future movies, and that there can be imaginary battles or some Nosferatu to replace the same. Until then, we watch this movie, and enjoy it even though not without some small troubles that come here and there. One can find that there is something about this movie, which can also have a sequel, and by that time, there will be no war, but lesser problems running in the background.

Release date: 22nd August 2024
Running time: 100 minutes
Directed by: Andriy Kolesnyk
Starring: Tetiana Malkova, Oleksandra Pankova, Taras Tsimbalyuk, Olena Khokhlatkina, Pavel Vyshniakov, Ivan Sharan

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Multiverse of Madness

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Vampire Owl: I don’t like how the Marvel universe have transformed.

Vampire Bat: Yes, it seems to have gone some other way than intended.

Vampire Owl: I didn’t like the Marvel people much after Captain Marvel.

Vampire Bat: Captain Marvel was one too powerful thing that didn’t suit the world.

Vampire Owl: Are we shifting our loyalties to DC?

Vampire Bat: Well, the first Wonder Woman and Aquaman were really good.

Vampire Owl: You mean to say that DC will rise above Marvel?

Vampire Bat: I am seeing that chance more than ever now.

Vampire Owl: Doctor Frankenstein had told me that you are seeing things.

Vampire Bat: Well, the fake doctors’ opinions do not count.

[Gets a chicken biriyani and three cups of Mogu Mogu juice].

What is the movie about? :: Doctor Strange (Benedict Cumberbatch) attends the wedding ceremony of his former lover Christine Palmer (Rachel McAdams), but is interrupted by a strange octopus-like creature which is destroying the city. He finds out that the creature is after a young girl named America Chavez (Xochitl Gomez), and is helped by the Sorcerer Supreme Wong (Benedict Wong). Despite being in trouble early on, Strange manages to destroy the monstrous creature and save America. America tells them that she is able to travel through the multiple universes, and the demons are trying to take her power. To make sure that he gets some strong support against the demonic witchcraft, he visits Wanda Maximoff (Elizabeth Olsen) who seems to be living a peaceful life. But it turns out that she calls herself Scarlet Witch with possession of the Darkhold, and has harnessed chaos magic like never before. She was the one who was hunting America to get back to her imaginary children who exist only in other universes now. She asks him to hand over the girl peacefully or face the consequences.

So, what happens with the events here as we just keep looking? :: Strange doesn’t agree to her demands to hand over the child to brutally murder her, and it was expected by her though. The Scarlet Witch gives a quick warning, following it with an attack on the stronghold of the sorcerers, and the magic of all the sorcerers could not stop the witch, and she almost destroys the fortress while murdering most of the people present there. As they are almost caught by the Scarlett Witch, America ends up transporting them to a very distant universe. Scarlet Witch travels to the origins of the Darkhold, where all the spells are carved in, and establishes a very powerful dream-walk which helps her to take control of her alternative self in the universe where America had traveled. In the new world, there are so many things that he and America cannot really understand, and this realization makes them travel to find the Sorcerer Supreme who doesn’t trust either of them, and considers them to be an incursion into their safe universe. He drugs and imprisons them, despite the warning from Strange about what could follow him in the form of chaos magic.

And what more is to follow here around here? :: He understands there is some twist awaiting him, as he is brought in front of a group similar to the Avengers which includes members of Fantastic Four and X-Men, and their version of stopping Thanos from the battles of Infinity War and Endgame remains different. The group known as Illuminati in this world expects to stop the Scarlet Witch all by themselves as they have stopped many witches themselves, despite Strange warning them against even attempting to do so. With the demons under her control in her world along with all the powers of witchcraft, she could just do more this time. There is also the Book of Vishanti which could work against the Darkhold somewhere around there. But would that be powerful against Darkhold which uses chaos magic? With the highest of demonic powers, where has the Scarlet Witch reached with her brutal strength? How far is everyone in every universe prepared for someone like the Scarlet Witch with an infinity of chaotic powers of mass destruction?

The defence of Doctor Strange in the Multiverse of Madness :: This version of Doctor Strange seems to serve what exactly was expected of it, with grand visuals of multiple worlds that catch our attention. The colourful looks with a touch horror makes a fine combination here – this comes from the director of the original Evil Dead, Sam Raimi; so, we know. There are some more interesting characters added here, that makes the whole thing more spectacular. The action is splendid, and it might be the best that a movie like this can get, and there are also some fine surprises in store here. Benedict Cumberbatch becomes the sorcerer superhero again, and that works perfectly again, with hope for even more in the future. Elizabeth Olsen as the witch antagonist remains as interesting as she has always been, a character to be hated for remaining the psycho mother of non-existing children. We hope to see lot of Xochitl Gomez in the future too. Then, about Rachel McAdams, we are always to see her around in any role. The casting continues to work in favour of Marvel’s universe, and we never cease to admire how well things turn out in the multiverse too.

Positives and negatives :: The movie nicely sets the path for the sequel, with Charlize Theron coming in as a sorceress in the post-credit scenes. The continuation from WandaVision would not work with most of the audience, as most people around here are not into watching the online series. There is some loss of strength to the universe in total after the retirement or death of its main superheroes. But the ideas used here brings this world back to life with enough strength. The movie’s best scenes include the battle at the stronghold, movement towards the Book of Vishanti and the final zombie battle. The demons could have still had more role to do though, as there is always a lot that could be done with chaos magic’s ability to bring destruction all around. You can never underestimate a horror movie’s ability to do horror, even without becoming a conjuring or evil dead thing in the process. In comparison to what these new versions of Spider-Man and others having, Doctor Strange will always have better movies with variety and class.

How it finishes :: Doctor Strange in the Multiverse of Madness is a movie that offers a lot, and it does the same with class. Multiverse has always been an interesting idea, as the belief in parallel worlds in different galaxies would make life more interesting. It feels more like those video games which have the same world with small differences in the environment and slightly different characters. We are introduced into so many possibilities here, and we hope for more to come with possible sequels. The ending asserts the same, and the audience would be ready for any number of parallel universes. Our hope for the return of Marvel to its old glory can see some possibilities here, and the universe would do well as long as it focuses on the content rather than trying to make some strange comments on random things. Entertainment should be the focus once again, but with enough seriousness. We are all in support of more worlds of madness – but the question would remain if there is any world which is more psychotic than what we know in existence.

Release date: 6th May 2022 (Theatre), 22nd June 2022 (Disney-Hotstar)
Running time: 126 minutes
Directed by: Sam Raimi
Starring: Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez, Michael Stuhlbarg, Rachel McAdams

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Fear Street: 1666

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Vampire Owl: And now we have to go back to the year 1666.

Vampire Bat: It is a little too long backwards, don’t you think?

Vampire Owl: Doctor Frankenstein is preparing a time machine. So, we can actually do it ourselves now.

Vampire Bat: So, you believe that he is finally going to invent something useful.

Vampire Owl: He is the best scientist the vampire world could ever find.

Vampire Bat: He is not a scientist, but an alchemist. There is a difference.

Vampire Owl: Yet, he has invented so many useful things.

Vampire Bat: These inventions have been useful only to him.

Vampire Owl: What about the portal to different dimensions?

Vampire Bat: The portal could only lead us from one room to the other.

[Gets a green apple cake and three glasses of blackcurrant shake].

What is the movie about? :: As the severed hand of Sarah Fier is reunited with the rest of her corpse, Deena is Sarah Fier (Kiana Madeira) now, as she sees things from her perspective, slowly finding the past revealed to her. She lived with her brother Henry Fier (Benjamin Flores Jr) and father George Fier (Randy Havens) in 1666. Things seem to go well in the original settlement before it was divided into Sunnyvale and Shadyside. Soon, things seem different, as Hannah Miller (Olivia Scott Welch) falls in love with Sarah, something which is discovered by Mad Thomas (McCabe Slye). When Sarah and her friends meet a reclusive widow to gather berries for a party, she also comes against a book of black magic. She witnesses that the world around her does change, with strange things happening. Cyrus Miller (Michael Chandler) who is Hannah’s father, begins to act strange, while the town’s food and water supply are poisoned. The people of town are suspicious about almost everything, especially Sarah.

So, what happens with the events here as we just keep looking? :: Sarah talks to Solomon Goode (Ashley Zukerman) in person as she wonders if she is responsible for the town’s newly found bad luck. Soon, they discover that Pastor Miller has murdered twelve children in the chapel, after taking their eyes out, and that includes Henry. The town is very much frightened because a man of God himself was responsible for this terrible act. They hope to get rid of the evil, but none of them knows where to find the same. Soon, with a number of witnesses, Hannah Miller and Sarah Fier are considered responsible for what is now happening, and even though they find and decide to execute the former, the latter couldn’t be found. Sarah decides to find the widow’s book of black magic and use it to make a deal with the devil so that she can somehow save Hannah, with whom she declares her love, and begins a lesbian relationship which reflects what happens later in 1994. But while trying to find the devil, she only finds the book missing and the widow murdered. What could be really happening out there now?

The defence of Fear Street: 1666 :: There is an interesting backstory to the origins of the movie, and also a grand return to the present to make sure that things end pretty well. The film does have a pretty good twist coming in between, and has its own interesting surprises as we look at them. The world of 1666 has also been nicely created, not just with the surroundings, but also with the people. There is something about the colonial world as much as the European Middle Ages when it is created well enough. The addition of a deal with the devil element also works in favour of the movie. One would feel that there is a certain amount of confidence running through this movie, which is reflected in the characters, as we quickly move towards the final showdown – it does have a better pace in comparison to the previous movies, as the focus is less in relationships in comparison to the others. The final fight scene has a lot of interesting moments, and as we see all those serial killers out there, we keep asking for a film for each of them.

The claws of flaw :: The romantic nonsense elements continue to haunt this last part of the movie, as it was one thing which didn’t work in the first part either. It also seems that the best villains of the movie seems to be from those time periods of the franchise which didn’t really have a movie to support it. Despite all the elements that it puts in here, the other two movies of the franchise seems to be better than this one – the first one did a fine job in establishing the world, while the second one was the best of the franchise as it felt like a typical slasher with quality. This one lags in comparison, but not by much, as it is saved by the settings in two time periods and with some fine surprises as well as bringing everything together in the end. The romantic side continues to be nonsense, and using that between fight feels even more stupid. This shouldn’t have been about love, for it is not really difficult to know what matters these days. We cannot let some silly teenage love ruin a slasher horror movie which was rising otherwise.

Performers of the soul :: Kiana Madeira has more to do in this film, going through two different timelines, and there is something about her in the seventeenth century that keeps us more interested. She seems to suit in that time period better than the 1990s. This film seems to show her evolution to suit slasher horror films better. Darrell Britt-Gibson as Martin does add some interesting and funny moments in here, while he had only a few moments in the first flick. Ashley Zukerman stays strong, not just in one avatar, but in different forms. Olivia Scott Welch is also better in the seventeenth century, and we see her blending in there well. One would feel that she is also slowly moving towards becoming a scream queen at some point, as horror films becomes the strong point of actors and actresses when least expected. Benjamin Flores Jr adds more in this film, and he is also a memorable person of two different centuries. McCabe Slye adds the much needed creepiness to the past for the film. There are many actors and actresses who play different roles in multiple centuries, which does bring some confusion here though.

How it finishes :: The final movie of the trilogy seems to have ended the film well enough, even though it doesn’t hesitate in leaving the scope for another movie in the series in the final stages of the credits. If you ask me, I would like to see a film which comes in between all these movies instead of having a sequel belonging to the early 2000s or the contemporary world. We have all been looking for some horror, and just like we had expected, the villain here is actually human rather than the supernatural – it is a fine end when we look at it, as it has always been clear that humans are the most evil creatures to walk on Earth. As I have mentioned before, even after facing so many natural disasters and the Corona virus itself, humans of our times haven’t changed either. They are all going for wealth and influence, while considering the others of their species as not worthy, and won’t hesitate to murder them – the killers of slasher horror movies are always better than humans of reality, aren’t they? Well, you never know.

Release date: 16th July 2021 (Netflix)
Running time: 114 minutes
Directed by: Leigh Janiak
Starring: Kiana Madeira, Ashley Zukerman, Gillian Jacobs, Olivia Scott Welch, Benjamin Flores Jr, Darrell Britt-Gibson

<<< Click here to go to the first Fear Street movie.

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@ Cemetery Watch
✠ The Vampire Bat.

Fear Street: 1978

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Vampire Owl: Most of the vampires were not reborn in 1978.

Vampire Bat: With the exception of the elder vampires.

Vampire Owl: I would say that this franchise did start quite well with the first one.

Vampire Bat: It did bring the nostalgia of 1990s really well.

Vampire Owl: 1990s should be considered as the golden age of vampires.

Vampire Bat: They should have Fear Street Vampire Version at some point.

Vampire Owl: But vampires have been less about horror these days.

Vampire Bat: Vampires have always been about more than just horror.

Vampire Owl: Well, the side-effects of not having enough horror is also affecting us.

Vampire Bat: The first part of this slasher trilogy did bring us some horror.

[Gets a vanilla cake and three cups of cardamom tea].

What is the movie about? :: Deena (Kiana Madeira) and Josh Johnson (Benjamin Flores Jr) somehow manage to restrain Samantha Fraser (Olivia Scott Welch) despite being possessed by the supernatural. They tie her up and forcibly take her to C Berman (Gillian Jacobs) who was the last person to survive this attack of the witch, and remains unpossessed and not attacked as of now. She tells her story, and being part of a camp in 1978, Ziggy Berman (Sadie Sink), a young girl from Shadyside is accused of stealing by Sheila (Chiara Aurelia), a Sunnyvale camper, and her friends. They also accuse her of being a witch, and ties her up. After hanging her helplessly from a branch where a witch was burnt once, they try to burn her, only to be stopped by other campers. Even though she is saved from being thrown out of the camp by Nick Goode (Ted Sutherland) from Sunnyvale, she remains hostile about people from there. Ziggy’s elder sister, Cindy Berman (Emily Rudd), and her boyfriend Tommy Slater (McCabe Slye) are the responsible ones in the camp.

So, what happens with the events here as we just keep looking? :: It is then that Nurse Mary Lane (Jordana Spiro) attacks Tommy without any reason, and she tells him that he will be dead soon, before being hit on the head. This brings the story of a witch and possession back to the scene. Cindy and Tommy, along with Alice (Ryan Simpkins) and Arnie (Sam Brooks) from the same camp decide to find the secret behind what happened to the nurse who was supposed to be a nice lady, even though her daughter was associated with the witch. When they find the lair of the witch and enters there, a few more secrets are waiting for them. They find the name of Tommy among the names of the killers, and soon, Tommy changes, and splits Arnie’s head into two, instantly killing him. The two girls try to escape, but are caught in a part of the lair as stones are disrupted. Tommy leaves for the camp with the axe to meet the unsuspecting campers.

The defence of Fear Street: 1978 :: The setting and the time period where everything happens, make the whole thing interesting. The situations of horror are created well, and we have some perfectly suited characters here to work accordingly. It is more like an ode to the old slasher horror set in summer camps or lonely house in the woods. We have seen many of similar movies dealing with at least one killer on the loose. The Cabin in the Woods and Evil Dead would accept this one as their lesser mates. The blood and gore remain more in this movie in comparison with the first, and the emotional content is also stronger. The creepiness in such locations has never been so beautiful. It is a reminder that the trilogy can more with the next film, or even extend the whole franchise bigger in scope. As it is now, there is no real shortage of surprises, and how the movie ends to make us wait for the next part is also one of them. In the world where slasher horror has been losing its power, this one strengthens its roots.

The claws of flaw :: There is always something that slasher horror movies can do differently every time, and this one doesn’t really use its opportunities to bring the change. There are many moments which could have been done differently, and some of them could have had some extended versions. Now, it also depends on how the third film comes up, because where it stopped right now is a precarious position from where it can take any turn. Some of the romantic relationships feel unnecessary around here, and the other relationships are also a little bit more than what was required in a movie like this. There were also occasions were more horror could have been added, and an addition of shock would have done more good – you know that some moments required the attack of the serial killer. Even though there are many recognizable characters around here, some of them also miss out at times. You need to watch those older slasher horror movies to make a comparison again, because we have missed the best of the genre for too long.

Performers of the soul :: The one person who seems to be perfect for a slasher horror movie is Sadie Sink, who blends in here so well. She reminds us of many other scream queens from the past, and does her job really well. It is to be noted that there is a long way to go for her, and lets see her further. Emily Rudd is not really far behind in doing the same either, and she basically leads the movie from another angle. The third most important character of the movie is also female, Ryan Simpkins who follows quite well. Jordana Spiro’s short role is memorable for what seems to be madness, but is not really that. Chiara Aurelia plays a typical role, but does leave a mark too. Jacqi Vene also has a little notable role around here. McCabe Slye makes a turn to evil in a nice way too. Ted Sutherland also has some good time around here. Kiana Madeira once again has a similar role, but with less to do here. Olivia Scott Welch and Benjamin Flores Jr also have the smaller roles around here in comparison with the first.

How it finishes :: Fear Street: 1978 is pretty much a continuation of what we had in the earlier movie, and it is the change of setting through the years that makes this one so different. It reminds us of some of those old slasher horror movies well, and with the help of some new effects, seems to make things look better. Making a good second part continuation for the first part of any movie is not a difficult job, and even as movie divided into three, they have managed to make the second part better than the first. With where they ends with this movie, they have made sure that we are all interested in the third part. All these makes sure that the first, second and third parts are not the same as one another. The three slasher movies, even though are part of one grand scheme, are also very much divergent in the content on the screen. During these days when there are so many murders happening around, the effect of slasher horror might be less, but we are sure to take this as an effective piece of work.

Release date: 9th July 2021 (Netflix)
Running time: 110 minutes
Directed by: Leigh Janiak
Starring: Sadie Sink, Emily Rudd, Ryan Simpkins, McCabe Slye, Ted Sutherland, Gillian Jacobs, Kiana Madeira, Benjamin Flores Jr, Olivia Scott WelchKiana Madeira, Olivia Scott Welch, Benjamin Flores Jr

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Mara

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Vampire Owl: This would be a nice name for a new vampire.

Vampire Bat: I am sure that vampires have so many nice names on the official list.

Vampire Owl: I am still confident that we can use one or two more.

Vampire Bat: Even in that case, there is no shortage of names.

Vampire Owl: You know that these names are too old and outdated.

Vampire Bat: There are no outdated names for immortals like us.

Vampire Owl: The world do change, even if vampires do not.

Vampire Bat: Well, we have changed. There are enough examples for the same within the castle itself.

Vampire Owl: Those are not really part of anything that we use.

Vampire Bat: They are all part of us now, even if you don’t realize the same yet.

[Gets a chocolate chake and three glasses of mango shake].

What is the movie about? :: Andrey (Semyon Serzin) wishes for a terrible memory to be erased from the mind of his wife, Olya (Marina Vasileva). For the same, he visits Mara (Aleksandra Revenko) who has some special herbs which could be good enough to do the job for him. Mara realizes that there was a terrible attempt at robbery at their home, and she provides them with some mushrooms which he uses in cake to make sure that she starts forgetting – Mara assures him that she will able to control how much she forgets. That night itself, Olya who was living separately after the incident returns to him. But she still doesn’t want to live with him in the same house where the incident took place, and as Mara had asked him to look after her house after she leaves for a few months, they move to her place which has so many herbs and antique items. She develops a liking for the new place immediately, and is happier than before.

So, what happens with the events here as we just keep looking? :: Things seem to go smoother than before from outside. Olya seems to be enjoying her time at the new place, which is strange with its look, but has all the facilities that they need. One night, Andrey does have a dream though, and he sees a child as well as a horse in there, and Olya also sees a person in there, staring at them. Mara assures him that they are ghosts of the previous owners, and that the process does include some side effects, but there is nothing to worry about there, and things can only get better. But Olya begins to experience more, and it only keeps her wishing to get out of there. As a musician, she is not able to practice like she used to, with fear of something being around her. She has her own hallucinations that doesn’t help her at all. Soon, it seems that he is not able to get Mara on the phone again, but it is not all, as he finds out that there is no record of the place as of now, and nobody knows the woman whom he had met. Now he wonders if things are going completely out of control.

The defence of Mara :: There is enough of the feeling of mystery and horror in this particular movie which seems to build, and become stronger with a certain amount of weirdness that is continued to be maintained around here. The atmosphere that is maintained for the same is quite superior, and there are different world being created here, most of them unreal, and bringing a different feeling. It begins very well, providing the idea that we are soon moving to a world of dark fantasy. The film provides the feeling of a twisted fairy-tale which is more than what meets the eye, and the audience are left doubting about many things here. The grief, the melancholy that is present here also feels real, and the whole thing takes enough of deviation to bring the horror, which is less evident, and hidden for us to find. It uses the evil which is off the screen, and generates the fear out of something which is more of a mystery than the usual ghost story.

The claws of flaw :: Mara does have a great beginning, and we were always expecting to see more as it progresses, but there is not that much of terror being unleashed here. The usual quick scares are missing here, even though there were so many opportunities to bring the same, with a certain amount of mystery always present at different areas. It could have also had more of the history of the apartment rather than of the rest. It could have also used the mushrooms in a more terrifying manner rather than with those colours, as the opportunities were many. Being not the usual horror movie, this one could have brought the grandeur that the others would find difficult to bring – that kind of a premise is set in the beginning itself. Mara does miss out on some of such opportunities which were there to be taken, but we appreciate the fact that it could go divergent against all odds. After all, we all have different demons to meet on separate occasions, even though this can be somewhat confusing for regular horror lovers.

Performers of the soul :: Even though not the main character, and even without having that much of time on the screen, it is Aleksandra Revenko who catches our attention from the beginning scenes, and we don’t see much more of her until the end. There is a certain wickedness in her which is clearly visible in the later stages, but the same is also present in her in the beginning too, hidden in her movements. One would have still wanted to use her more in the final stages, in the form of the terrifying antagonist rather than anything else. Semyon Serzin plays a simple, very much confused character, who does some foolish things which come back to haunt him, and that is done fine. At the same time, Marina Vasileva is really good here, and she has blended into this character who goes through different troubles – the emotions are nicely reflected by her. The changes that she goes through are nicely portrayed here, and she also gets more to do by the end of the movie.

How it finishes :: Mara, also known as Side Effect and Pobochnyi Effect reminds us of other Russian horror films like Queen of Spades, Guests and Baba Yaga. The Russian horror movies do have something different in them, just like the science fiction coming from the same area like Coma, Superdeep, Sputnik and The Blackout. There is such grand making quality here. The film also serves as a morality tale, a reminder about how the past cannot be erased, and we can only make things better in the present, for living in past can mean eternal grief and a never ending feeling of melancholy. It is a film of well-made divergent overall, and the same serves as a good cinematic experience with its mystery running directly in the middle. We all need our horror films during the Corona virus pandemic, and this one adds as horror better than most of those flicks which keep repeating the same pattern again and again. After all, we are also having a remake of Ezra coming soon for Bollywood on Amazon Prime Video.

Release date: 5th November 2020
Running time: 93 minutes
Directed by: Aleksey Kazakov
Starring: Semyon Serzin, Marina Vasileva, Aleksandra Revenko, Maria Abramova, Maria Karpova, Anatoliy Zhuravlyov, Stepan Devonin, Sergey Cherdantsev, Natalya Dedeyko, Nikita Tezov

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Baba Yaga

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Vampire Owl: So, we are having a new monster list.

Vampire Bat: I don’t feel that any more creatures from legends need to be added to the castle’s list.

Vampire Owl: So, you think that this monster won’t make its way into the castle?

Vampire Bat: I am sure that Doctor Frankenstein has enough monsters locked in there in his lab for experiments and there is no room for any more.

Vampire Owl: Well, they don’t seem to have a castle of their own.

Vampire Bat: These are creatures of the forest. They don’t need castles.

Vampire Owl: Everyone can use a castle, or rather two of them.

Vampire Bat: What can a monster do with two castles?

Vampire Owl: Well, you can always rent one of the two.

Vampire Bat: Do not give such ideas to Uncle Dracula.

[Gets a paneer samosa and three cups of cardamom tea].

What is the movie about? :: Egor (Oleg Chugunov) has moved to their new home with his father Alexey (Aleksey Rozin) and stepmother Yuliya (Maryana Spivak), as well as the newly born stepsister. It is quite a strange place, with a highly advanced township with modern buildings very close to a very thick forest, separated with the help of walls. This new apartment in the outskirts don’t really have people mingling much with each other, as they keep away, not really thinking about visiting the neighbours. Egor also finds it difficult to make friends in the strange new place, except for Dania a.k.a. Dasha (Glafira Golubeva) who is also an outcast. But their relationship also goes a strange path due to the influence of a sinister force, and their parents also never cease to be hostile to them, most of the time, for no reason at all. Things are just not normal about the new township and the forests surrounding the same.

So, what happens with the events here? :: Soon, the newly moved family has a new nanny, Tatyana (Svetlana Ustinova), whom Egor doesn’t trust at all, and within no time, the baby goes missing. But it turns out that Alexey and Yuliya don’t remember ever having a child. The baby also disappears from the photos, which makes it extremely difficult to make them believe about the existence of their child. In the forest, the kid meets a man who is supposed to have lost his daughter, but somehow remember about his loss. They understand that it is a Slavic demon who lives at the border between the living and the dead, often known by the name, Baba Yaga. They feel that the real presence of the demon is somewhere near an abandoned power station. But finding the lost babies won’t be that easy, as there is more than what the legends have told them from the internet. They do find strange things in the forest, and having another boy, as Anton (Artyom Zhigulin) with them doesn’t help at all. Back home, things have managed to be worse.

And what more happens here as things go out of control for humanity? :: The demon which has taken the shape of different people has control over people in their world, and they won’t find peace back there either. They have many visions, thanks to the demon’s influence, and now their survival should concern them more than that of the babies. As they wander around the place, they soon realize that may be they are not really at home, and is stuck within a world of chaos. Alexey has already been made to make sure that his son is dead as soon as he arrive. Soon, they will have to fight their own minds to get out of what seems to be a prison created by the demon. But there are other creatures which they have to deal with. Now the question remains if they are matured enough to lead an assault into the lair of this demon, or the witch as some people call her. The fate all the babies of the future depends on their success.

The defence of Baba Yaga: Terror of the Dark Forest :: The best part of the film is the visual beauty itself, as we get to see the modernity on one side, well maintained, and on the other side, we have the natural beauty of the forests, and the use of lighting and darkness is very effective in the movie. There is a lot of divergence in how the lights are used to bring a certain mood to the setting. The use of the legend works well, and leaves scope for a possible sequel in the future, which can bring a more interesting work. There seems to be some nice similarities with Stephen King’s It too, but surely has that divergent side. The Slavic legends do have something special about them. We have already heard about Russian movies bringing these tales out there, and may be it is the Slavic vampire that we are all waiting for – after all, we do read a lot about vampires of the past before they became rather too fashionable.

The claws of flaw :: The movie should have used its ideas better, because there was so much that could have achieved here. Well, not everyone can establish a setting like this, and begin to work on the same so early. It could have left some of those confusing moments behind, and kept things straight, staying close to what should be strength here too – the fear generation. When the film seems that it is going to achieve something, it just comes down, and when it gets a lot interesting, it just losses focus – it is certainly a movie of ups and downs, and also without enough background to the tale which it is dealing with. The heroic deeds of the kids are also half baked in nature. The movie is surely not performance oriented, and the cast just has to play along with the horror here. It could have surely been more captivating, but is not that bad as some of the ratings have been worked out in different websites.

How it finishes :: Baba Yaga: Terror of the Dark Forest could have been something bigger and smarter in scope, even though it is not without its entertainment. The atmosphere makes the whole thing more interesting, and it does seem like a variant among similar flicks. It is always good to take ideas some different myths and legends, and this is something which we are surely not familiar with. Well, not everything can be that global as the Corona virus epidemic. The theatre itself has been a place of horror during the times of the virus though, as almost everyone wanted to not go into the theatres and watch the movie, instead choosing those OTT platforms. Well, let us watch all those movies as we can, and hope for a later surge in the theatres. Until then, we have the lesser known movies like this one that can make a different kind of impact in comparison with other horror films.

Release date: 27th February 2020
Running time: 97 minutes
Directed by: Svyatoslav Podgaevsky
Starring: Oleg Chugunov, Glafira Golubeva, Artyom Zhigulin, Svetlana Ustinova, Maryana Spivak, Aleksey Rozin, Ilya Ludin, Olga Makeeva, Evgeniya Evstigneeva, Marta Timofeeva, Igor Khripunov

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✠ The Vampire Bat.

The Wretched

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Vampire Owl: These humans often refer us by this name.

Vampire Bat: Well, it is clearly wrong, as we are not in a wretched condition yet.

Vampire Owl: I am pretty sure that the humans are in a more wretched situation now.

Vampire Bat: Yes, the Corona Virus has gotten into them pretty badly.

Vampire Owl: I believe that they have always been wretched enough.

Vampire Bat: I wouldn’t say that for every one of them.

Vampire Owl: You have always been too kind of the humans.

Vampire Bat: And you have always been the cruel one.

Vampire Owl: Nobody in the known world are as cruel and wicked as the humans.

Vampire Bat: Now, this is something you don’t even say about the werewolves or zombies.

[Gets a green apple cake and three cups of masala tea].

What is the movie about? :: A young girl names Megan (Sydne Mikelle) has a babysitting duty, only to find a creature feeding off the little girl, and as she tries to escape, it seems that Megan also meets a similar end in the hands of the demonic creature. Later we see Ben (John-Paul Howard), a youngster joining his father Liam (Jamison Jones), as his parents are in the middle of having a mutually agreed divorce. Ben gets to work in the local harbour in the countryside with his father on a temporary basis. At the same time, Liam is getting too close to his co-worker, Sara (Azie Tesfai) while Ben becomes good friends with a local girl working there, named Mallory (Piper Curda). Ben also can’t stop himself from noticing their new neighbours, Abbie (Zarah Mahler) and her son Dillon (Blane Crockarell). They do get lost in the woods, and Dillon gets called by a tree into the hole underneath, but they do manage to bring home a deer which their car had hit and killed, much to the dismay of Abbie’s husband Ty (Kevin Bigley). She tries to cut the animal for a dish, but messes it up.

So, what happens with the events here? :: Later, we see that a certain creature is coming out of the body of the deer through the cut which was made earlier, and Ben also sees something sitting on the rails of Abbie’s home – seemingly human, but something else in reality. It does disappear when the light goes off, but makes appearances inside the house of Abbie. Ben tries to mingle with the young people in the neighbourhood with a party, but is publicly embarrassed by the most desired girl of the locality JJ (Gabriela Quezada Bloomgarden). As he returns home, he finds Abbie walking into the woods with her toddler, but is interrupted by Liam and Sara, leading to a dispute. Even though Abbie returns from the woods, she doesn’t seem to be the same. It doesn’t seem to be the usual trouble that haunts the small town, as there is more to it than what meets the eye. There is a force beyond one’s understanding, and if someone tries to solve the case, that person might be considered a lunatic. How many lives will be lost before such an evil vanquished?

The defence of The Wretched :: There is no doubt about this particular movie’s ability to score with the ambiance, as the setting as well as the neighbourhood where the people are living, can all be considered to be very much perfect. We have the small town where people are denying the existence of evil, but there has always been one in the woods, and a tree has been central to everything. To get to the depth of this evil, we have even more twisted ideas in there, and more of terrifying suspense will be revealed in the end. There are also some scares to support the same, and the nature around the place is indeed beautiful. It is more or less like a dark fairy-tale, as there are elements of a dark fantasy which runs right through. The characters are the kind of people whom you can relate to, and that makes the transformation caused by the witch feel even more real. After all, it is always nice to be taken back to the idea of that witch who used to haunt us during the childhood and reached as far as The Witch – until you had the older version of Evil Dead to scare you in the best possible way.

The claws of flaw :: It has to be noted that the movie does try to have a little too much than a regular witch story, which doesn’t always work in its favour. The mixture doesn’t make the best use of its elements, especially as there are so many things which a witch possessing a lady or two can do. The terror could have had even stranger forms, and it also takes some time to make one feel the seriousness of the same. Some scenes are also not needed, even in a movie which goes just above one and half hours. Some people can even find this movie to be confusing in parts, and the creepy poster doesn’t come up in there, which is also disappointing. The mask does come though, and just like the other elements related to the witch, there could have surely been more. The ending has also been left open, maybe for a sequel, but that would need more, and not just the type of material that we have here. There are also some characters who could have done more – some are just left not explored well enough, and we feel the need to see them more.

Performers of the soul :: It is to be noted that the main characters are driven by a terrifying feeling – if you die, and nobody remembers you, where you really alive? That existential crisis is first discovered by John-Paul Howard who plays Ben well enough, but the truth is that it is not just his neighbour who has forgotten his son, as the darker secrets are there to make him realize the terror further. He plays the curious youngster who understands things happening around better than the others, and he does that well. At the same time, Piper Curda remains very cute and brings a lot of charm to the movie – not your usual leading actress, she brings a few joyful moments here and there in what really is a dark movie as it progresses. Zarah Mahler is really good as the young lady next door who is possessed by the witch, as she makes some really scary appearances, and there are scenes with her skin ripping off, which takes it to another level. Azie Tesfai with that deer-skull mask on her face is joy to watch, even though it is only for a short period of time to make a good enough bad witch. Gabriela Quezada Bloomgarden could have been there for more though.

How it finishes :: We have always had the supernatural creatures running around in different movies, but the witches have always struggled to keep it going in comparison to vampires, werewolves, zombies and other creatures of the dark who have been competing well with the demons and ghosts. But The Wretched does manage to bring some of such interest back to us during these days, as the witch gets her due, without a broomstick, staying close to an evil tree in the forest. It has enough surprises in there to keep the whole thing going, and with such a setting to help its cause, The Wretched is sure to take you to a world of forest’s witches whom we have known since childhood. You can always expect more, but this is indeed a good beginning to a type of horror cinema which hasn’t made that much of success in comparison to the others. After all, elves and similar creatures of light are not the only ones you keep finding in the middle of the forest.

Release date: 19th July 2019
Running time: 96 minutes
Directed by: Brett Pierce, Drew T Pierce
Starring: John-Paul Howard, Piper Curda, Zarah Karen Mahler, Kevin Bigley, Gabriela Quezada Bloomgarden, Richard Ellis, Blane Crockarell, Jamison Jones, Azie Tesfai

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✠ The Vampire Bat.

The Last Witch

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Background to the movie :: We are no strangers to the tales about witch hunts, and most of us have read about similar incidents all around the world, especially Salem witch trials which had presence in movies like The Lords of Salem and The Conjuring – we even remember a television series with the name Salem. When we look deeper, there has been no shortage of similar incidents throughout the world. In a number of books, we have read about the witch trials in Early Modern Europe. We read in our schools and colleges about Joan of Arc who was burned at the stake, accused of witchcraft. Even in India, we often hear the word Chudail, associated with the witch, even though the same can be applied to demons and spirits too. Here, the movie The Last Witch has its roots on real incidents related to witches in the past too – on one of those incidents involving allegations of witchcraft, witch trials and execution.

One particular witch trial and execution :: Here we have our attention towards the Terrassa witch trials which had taken place in Terrassa, a city in the east central region of Catalonia, in the province of Barcelona in Spain between the years 1615 and 1619. During those days, a terrible weather and crumbling economy of the time was credited to the evil plans of witches, and their worship of their masters in hell. This had lead to a lot of rumours during those times, which finally meant that there would be panic, bringing the need for a witch commision to have the suspects arrested, lest people would take law into their hands. A number of suspects who were arrested, agreed to have been part of Witches’ Sabbath, a meeting of those who practiced witchcraft and other similar things. On the date 27th October 1619, Margarida Tafanera, Eulalia Totxa, Joana Sabina, Guillermo Miramunda Font and Miquela Esclopera Casanovas were executed.

So, what is this particular movie about? :: There were those five women who were hanged during the Terrassa witch trials in Spain, and then there is Joana Toy (Clara Gayo), who had escaped death after being brutally tortured by the authorities for many days, as the torture devices like Heretic’s Fork, Iron Maiden, Judas Cradle, Breaking Wheel and Wooden Horse were part of many such incidents. There is no clue about how she escaped, and where she had disappeared after the incident, as it remains a mystery to be solved by a newer generation. Three friends are all set to discover the truth behind all these, and finding Joana’s whereabouts is the key. These three young friends, Sandra (Paula Pier), Eduardo (Jorge Gallardo) and Mario (Alfonso Romeo) are all set for the same, with a desire to become famous video bloggers after finding something which has been hidden for so long. One of Sandra’s grandparents turns out to be part of that commision which found out if the women were really witches or not, and sending them to their newfound fate of brutal torture and death. He had once told her that the escaped witch lived just outside the city and that her house is still there.

And what is to follow in this particular adventure? :: They feel that she could have come back to her home some time later and might have settled down there, followed by her bloodline – the place has been a farmhouse for a long time, as Sandra figures out from her grandfather’s words. This leads to more of curiosity, and they will find more than just a few homeless men and empty spaces as they usually do. It is no more about getting it viral on Youtube and finding maximum viewers – the mystery is darker than what they thought it would be, and too much for them to handle. There is nothing funny about it anymore. They end up seeing a symbol associated with an ancient organization, which Professor Robert (Fernando Tato) identifies as related to be a Satanic organization of the early seventeenth century that has a history of worshipping a witch rather than the devil. But it is only the beginning of what they are going to find in that abandoned farmhouse. Were they even close to being prepared for this?

The defence and negatives of The Last Witch :: Coming from Carlos Almon Munoz, the only Spanish winner of the Horror Society Awards for Best Short film of the year 2014 for his short-film “Face Your Fears”, as his first movie, this one is surely well-crafted within its genre. We know that Spain has a rich history of coming up with nice found footage films including the REC series. As a fictional account is made about what might have happened to Joanna Toy, this one gets the tale going in the right direction. This is not one of those movies which can score big with what comes out of its budget, as The Last Witch is very much simple and without wonders there. But you will surely want to have more scares, and the need to get into action earlier. But after it gets into the action, there are enough of scares to keep things moving towards that end. With the found-footage stuff, maybe the movie makers here also can make some good work in the category, which has never really been here, gaining some inspiration from this one. We have a good story here, without doubt.

The newfound love for the subgenre :: Where I come from, there are not many fans for the found-footage horror, and I am myself not a big fan of the same. But still, I was able to find interest in this one. Even I have watched only two, Pan’s Labyrinth and The Skin I Live In, liking them both – it is only safe to say that I loved both of those movies, with my admiration for Guillermo del Toro beginning there. I was very close to watching REC, but I did watch its English remake Quarantine and liked it, which was one of those moments when I started feeling that I had to look into this particular subgenre of horror. When a found-footage horror movie is related to something which really happened, like the Terrassa witch trials, there is a certain extra strength regarding the same, no matter how much fictionalized the story ends up to be. I would consider this to be my beginning to watch more of found-footage horror.

How it finishes :: It is said that Spain actually had only a few witch trials compared to other nations and states in Europe, and just a few years after Terrassa witch trials, the practice disappeared completely. It is on one of these later, and one among the last trials, that this movie is focused on. Many European records show cases of people being accused of taking part in Witches’ Sabbath, and a good number of them tried and some executed. The Last Witch nicely uses one of those background tales to create and bring an interesting story to light. There might be many other high budget movies with witches, including The Last Witch Hunter, and there are those which are divergent in character like The Witch and The Autopsy of Jane Doe, along with those on full entertainment mode, like Hansel and Gretel: Witch Hunters, Seventh Son and Dark Shadows. However, you can see here that The Last Witch also brings an identity of its own without going into that possible void, and manages to be a horror movie which uses what it got, to good advantage, with fine performances.

Release date: 1st January 2016
Running time: 94 minutes
Directed by: Carlos Almon Munoz
Starring: Fernando Tato, Pepe Penabade, Alfonso Romeo, Paula Pier, Clara Gayo, Jose Zumalave, Jose Antonio Almon, Jorge Gallardo

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✠ The Vampire Bat.

The Autopsy of Jane Doe

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Vampire Owl: They once tried to do an autopsy on me, these humans.

Vampire Bat: You mean after you died on that wonderful day.

Vampire Owl: Yes, they wanted to know the cause of my death.

Vampire Bat: And then what happened?

Vampire Owl: I didn’t allow them because I was not dead anymore.

Vampire Bat: You mean to say that your vampire transformation was rather too fast.

Vampire Owl: It is because I transformed myself into a vampire. I had chosen my next life.

Vampire Bat: What are you talking about? There has to be a vampire to make one out of you.

Vampire Owl: I was bitten on the soul, as it passed to the other dimension after death, and with the same, it returned to get back to my body.

Vampire Bat: It is very much interesting and impossible. Only a vampire assassin can confirm this.

[Gets three cups of masala tea with paneer paratha].

What is the movie about? :: There is the location of a terrible homicide, and the police officers are left with no clue. The clues are of people trying to escape from the house and not of anyone trying to break in. There are also no prints of anyone who are not part of this home either. Then in the basement, they find the body of a beautiful, unidentified woman, completely naked and it seemed that someone had tried to bury her. They refer to her by the name Jane Doe (Olwen Catherine Kelly), a name which is commonly used to refer to a dead body or a hospital patient whose identity can’t be found out that at the time. Sheriff Sheldon Burke (Michael McElhatton) is left clueless, and has no idea how to face the media with one unknown naked dead body and all the people in the house dead. So he decides that in one way or the other, the identity of the naked corpse had to be found by the morning so that the investigation can proceed.

So, what happens next? :: Meanwhile, a coroner in the town, Tommy Tilden (Brian Cox) and his son Austin (Emile Hirsch) who is a medical technician who has been assisting for a long time, are having just another day with a corpse. The experienced Tommy is quick to find the cause of death of the man, and as it proves once again to Austin that things are more than what meets the eye, with the burns not the real cause of death even though fire did cause all that was to follow. Austin’s girlfriend Emma (Ophelia Lovibond) arrives at the location, and is curious about everything that happens in the morgue including a bell tied to the ankle of a corpse – it is revealed that the bells were used to signal if someone was not really dead even though proclaimed so. Austin was supposed to go for a movie with Emma, and they are planning move away soon, but their plans are spoiled by sudden, unexpected arrival of the sheriff.

So, how does the mystery reveal itself in the morgue? :: With the need for cause of death by morning, Austin decides to stay and help his father and join her later, much to the dismay of Emma who asks him to tell Tommy about them moving away to another city. With her and the sheriff having left, they are left in charge of the corpse which looks perfect from the outside. There is not even a scar on the body, and there is visible mark to indicate what might have casued the death. There would be nothing more than a beautiful sleeping beauty without clothes, if the eyes were closed. Despite her body looking so fresh, the eyes do look as if she has been dead for very long. But as they checked further, they found that her bones were broken from the inside and her tongue was removed. The soil on her body also seemed not from that area. But it is not all, with more strange things being found and stranger things actually happen in the morgue.

The defence of The Autopsy of Jane Doe :: The success of this movie depends on that feeling of curiosity and uneasiness that it successfully builds on its viewers, and also plays with their imagination to keep them guessing about what this particular naked body might be all about, and what kind of mystery and horror that it holds inside it. There is that certainty of terror that awaits to be unleashed inside this unblemished body, and the beauty that is seen outside hides something more than a secret, which is to threaten humanity – it has our attention right from the beginning itself. You feel the discomfort, and at the same time, you are the edge of your seat, and it is a perfect setting at this morgue, and the perfect mystery has the claws and the fangs to make your fear come at you with all the needed strength. The performances are also good, from those who are there whole the time to those who just come and go – the girl chosen to play the corpse is also rightly chosen with all the features. There is also vengeance and sacrifice to go with it, as we get to know an ancient evil with a twist.

Positives and negatives :: There is a lot of gore here, and people can feel uncomfortable, especially with the autopsy being performed on the dead body along with the details also being talked about. But what you get here is the closest to some original horror, far away from those which you keep watching all the time. Maybe something bigger could have been made out of how the movie began, and with where the tale goes, but as it is, The Autopsy of Jane Doe is one smart horror movie like Don’t Breathe and Lights Out in the last year, and divergent in its core like It Follows, The Witch and Occulus. Some people will also find the movie to be slow at parts, but one has to admit that certain slowness helps in building all the pressure to come to that revelation by the end. There is also no walking corpse in this one, and that is new, for a horror movie which centers around a corpse to have it staying on the table all the time – but the evil is unleashed without having to do that. One location, one corpse surrounded by others, two people, and all the horror is here for you!

How it finishes :: There are those usual horror movies which depend on the usual tale, the usual settings and the usual kind of proceedings with scares, and then there are movies like The Autopsy of Jane Doe which decide to think differently. It is indeed a must watch for all horror movies, specifically those who are tired of going through the same tales about ghosts haunting people and houses all the time. In between all these horror movies which seem to be so close to each other in material, The Autopsy of Jane Doe becomes the movie that thinks differently, and is surely the kind of flick that a real horror fan would watch without any delay. This might be a lesser known horror movie, and surely won’t be the big horror franchise that The Conjuring and Insidious series of movies had gone on to be contribute and become; but our movie here is certainly a flick that will be remembered for long, and might even become a horror classic a few years later. Andre Ovredal’s first English movie here is the one that you wouldn’t want to miss.

Release date: 21st December 2016
Running time: 86 minutes
Directed by: Andre Ovredal
Starring: Emile Hirsch, Brian Cox, Olwen Catherine Kelly, Ophelia Lovibond, Michael McElhatton, Parker Sawyers, Jane Perry, Mary Duddy, Mark Phoenix, Sydney

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✠ The Vampire Bat.

The Witch

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Vampire Owl :: I once had a chance to talk with the Northern Witches. After that, I haven’t been interested in watching movies like these.

Vampire Bat :: Oh! What did they tell you?

Vampire Owl :: I am not really sure. But I guess I heard it as boomerang, blah blah and abracadabra.

Vampire Bat :: Are you sure that they were not the sirens?

Vampire Owl :: Well, as you are asking, now I am not quite sure.

Vampire Bat :: This is a movie which has 90% rating at the Rotten Tomatoes. Why would you want to bring this while we are going to watch this movie?

Vampire Owl :: There is something about the witch, the lich and the rich that I don’t like.

Vampire Bat :: You mean the itch sound.

Vampire Owl :: It is exactly what they provide me with.

Vampire Bat :: We are such socialist vampires, aren’t we?

[Gets three cups of tea with potato chips].

What is it about? :: In this story set in the seventeenth century, William (Ralph Ineson) and his family are banished from a Puritan plantation in New England; his wife Katherine (Kate Dickie), elder daughter Thomasin (Anya Taylor-Joy), son Caleb (Harvey Scrimshaw), and twins Mercy (Ellie Grainger) and Jonas (Lucas Dawson). Katherine later gives birth to the fifth child, a boy that vanishes while Thomasin plays with him. Katherine blames Thomasin for the disappearance, and spends most of her time in prayer and grief. Meanwhile, Caleb and Thomasin go for hunting, and the former goes missing. Once again, Thomasin is blamed, and at the same time, the twins say that the black goat, Black Phillip speaks to them. The events only get stranger as the presence of evil in the forest is ascertained. Is there a Witches’ Sabbath coming up?

The defence of The Witch :: There are the usual kind of horror movies which use the jump scares to claim that it is worthy of a fine position in the genre – there is the noise and the sudden appearance of the scary face; but The Witch denies the same, and goes not with such familiar scary stuff; instead it goes on to use the mood and the setting to its advantage without trying to make sure that the audience is scared at one exact moment – it tries to create something for which the result will different for everyone, at different points of the movie. It is something bigger than what is seen or heard as part of the regular horror practice, for it goes directly into one’s mind. The elements of mystery go right through the movie too, as we are to keep guessing till that ending, which makes things very clear – that is cent percent the success for this flick.

Claws of flaw :: There is no denying the fact that The Witch is quite a slow movie; it drags in between, and has the characters not doing enough to pick up the pace when they could have done the same. The movie also doesn’t use the image of the witch to its full advantage, when it could have done a lot more with it; the same can be said about the final pact which is too quick to go through. There is the absence of the terrifying imagery which could have been added at some point to do justice to the genre to which The Witch belongs. A lot of people will feel that this is not their kind of movie either, and that is understandable because a lot of fans will surely be looking for something else; for The Witch is a nightmare that feels real within its environment, and it is not the horror flick that arrives with an unparalleled desire to bring the fear into the viewers.

Performers of the soul :: With Robert Eggers making his directorial debut with The Witch, the movie has gathered a lot of appreciation from the critics, and the performances surely has a lot to do with it. Anya Taylor-Joy is amazingly good in this movie. She goes through the situations of her character in the movie in such a way that we never feel that she hasn’t been seen in a big role in any flick before. There is certain transformation going on with her character, and this is not really among the best roles to play, but she nails it here. Ralph Ineson plays the next significant character in a lot realistic and believable manner too. Kate Dickie has her moments here too. The two characters which steal the show otherwise, are the witches of the forest and the black goat.

Soul exploration :: The movie’s focus is on faith, not just on God, but also on each other. Almost everyone in this movie has problems with the same, as the same thing just goes on to break into smaller and smaller pieces as the movie progresses further. It is something that is ready to crumble into dust, and we see that on the faces of the characters. There is the lack of trust that is present, and it develops into something worse. It is the case of unfair judgment that makes things worse, and in the end, leads to the final fall – randomly judging others is a kind of tradition that goes back a long time, right? Due to the same, there are moments when one realizes that it is not God or Devil who are responsible for this fall, and neither is it some witch, for it is themselves and that they can blame in the end.

How it finishes :: The Witch will never be the usual horror movie for you. It is still the variety in horror that we have all wished for. The movie could have surely been better, but the experience that it provides with a difference will surely make it worth a watch. In the world of Sinister, Insidious and The Conjuring, The Witch the one that dares to be different, and for the same, it deserves the applause. There is one thing that you can be sure about, and it is that this movie has everything that is needed to be something that you think it is not. It had won the Directing Award in the US Dramatic category at the 2015 Sundance Film Festival and with all the critical appreciation around, you should surely give it a try!

Release date: 19th February 2016
Running time: 93 minutes
Directed by: Robert Eggers
Starring: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Julian Richings, Bathsheba Garnett, Sarah Stephens, Wahab Chaudhry, Axtun Henry Dube, Athan Conrad Dube

thewitchh

@ Cemetery Watch
✠ The Vampire Bat.

Seventh Son

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Vampire Owl :: Why the seventh son? I mean who has seven sons these days, or even seven children in total?

Vampire Bat :: Nobody of this generation that I know.

Vampire Owl :: So, should we declare this movie invalid?

Vampire Bat :: After looking at the posters, I have the doubt if the effect of this one might be nullified soon enough.

Vampire Owl :: There is dragon, witch, people with swords, a dark feel – a lot should be there though.

Vampire Bat :: Yes, reminds of too many movies which released already.

Vampire Owl :: So, it is a yes or no?

Vampire Bat :: It is a yes. May be it is the seventh son who always saves the world. Almost nobody has seven sons these days, and so the world is not saved yet.

Vampire Owl :: I hope that watching this movie is not against the “We two, our two” campaign.

Vampire Bat :: Most of the people I know have only one child. So lets welcome the seventh son.

[Gets the tickets].

What is it about? :: John Gregory (Jeff Bridges) is one of the last of his kind, as a rare seventh son of a seventh son, and part of an ancient order of knights who battle the evil that exists in this world. His last apprentice dies while trying to capture the most demonic of all witches, the queen of them all, Mother Malkin (Julianne Moore) who returned to cast her shadow of evil all over the known lands. So he comes to Tom Ward (Ben Barnes) who is also the seventh son of a family. Tom is plagued by visions and also falls in love with a witch called Alice Deane (Alicia Vikander) which makes things further complicated. Her mother is also the sister of Malkin, which trouble the plans further. With the Blood Moon night fast approaching and witches getting more powerful, can the new apprentice be ready in such a short notice and having love around the corner?

The defence of Seventh Son :: The movie is loaded with stylish and beautiful visuals and thrives on the power of special effects with some nice moments of 3D mostly including dragons and witches. The visual splendour which was there on the poster comes alive. The environment is also nicely created, and the images as well as the backgrounds that are shown on the screen are sure to catch one’s attention. There are some nice custumes, and among the scenes, the best includes those which uses special effects. The first possession scene was very good otherwise too. All the fighting scenes are worthy of our attention. The final battle is nicely brought to the screen, and the setting for the same makes sure that the artistic beauty is maintained. There are lots of creatures, and magic is in abundance. For those who are missing such things as The Hobbit as well as Harry Potter, this is another chance to go into that world of magic.

The Claws of Flaw :: The movie is that experience which reminds us about so many other movies. There seemed to be nothing new in the story with an unlikely young hero managing to be a great fighter, but even that is not nicely shown. The characters and the supernatural stuff are here and there, with not much work done with them – we can’t have much thoughts about them as they are just everywhere without making us feel much about them. The romance as well as the revenge struggles to go ahead in the intended manner. The first half mostly drags while getting almost nowhere, even as things get better later. The idea of “Seventh son of a seventh son” is not explored enough, with things just made to exist as they are. The dialogues mostly don’t make the desired impact. There is no justice to what it has in the pocket, on what is shown on the screen.

Performers of the soul :: Performances haven’t been a strong point of this movie, as Jeff Bridges, even when making an impression at times, makes less impact than expected. There are many things having our attention in this movie, but the performances are not part of them. Julianne Moore also looks faded except for a few moments. A thought about Charlize Theron in Snow White and the Huntsman might have inspired that further thought; or may be even a little bit of Angelina Jolie being in Maleficent. Ben Barnes remains okay throughout the flick. Alicia Vikander play the lovable witch in a believable manner, and she surely looks suitable for that role which needs both the cuteness and a certain amount of the other darker side. But the creatures do overpower all of them, and that was not something unexpected.

Soul exploration :: Seventh Son has too many similarities with a number of movies, and the first one that comes to mind is Hansel and Gretel: Witch Hunters, which had two witch-hunting protagonists with one good witch as the lover. There is also a little bit of Season of the Witch here with the possession and the skills of the protagonists. The lady villain here is more or less a reminder of Maleficent or Snow White and the Huntsman, and so even as it is based on a book which came up earlier, this one came too late to catch the interest of common movie goer. But for the rest of those viewers who are not used to such stuff can find them to be very interesting. After all, the movie comes after making the fans wait so much with the delays. We have been hearing about this one for such a long time, and it has been a painful wait with Seventh Son.

How it finishes :: The Spook’s Apprentice by Joseph Delaney is the book on which the movie is based on, and the fans of the book may not be happy with the reception for this much awaited movie. The challenges of the week are from bigger movies, but none an entertainer like this, and that explains the large number of shows this one has, and those theatres and multiplexes which has this movie as the only Hollywood flick of the weekend. But still, it seems that the general audience of this part of the world hasn’t been able to connect with this movie, while it should be just okay for the rest. With Foxcatcher not being here, and with the rest finding trouble to have enough shows, this movie should get some good collection from this part of the world – after all, it is the only Hollywood movie available at almost every mall.

Release date: 30th January 2015 (India); 6th February 2015 (USA)
Running time: 103 minutes
Directed by: Sergei Bodrov
Starring: Julianne Moore, Jeff Bridges, Alicia Vikander, Ben Barnes, Kit Harington, Olivia Williams, Antje Traue, Djimon Hounsou

seventhsonn

@ Cemetery Watch
✠ The Vampire Bat.