Tag Archives: thrills

A Cure for Wellness

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Vampire Owl: I hope that they are not trying to find a cure for vampirism.

Vampire Bat: There is no cure to vampirism – it is a one way procedure.

Vampire Owl: It is nice that you said that. I was afraid about the same after hearing about Doctor Frankenstein‘s latest experiments.

Vampire Bat: He is just finding the cure for coffin-o-phobia.

Vampire Owl: What? Who is afraid of coffins?

Vampire Bat: I think that it is the Vampire Panda. He is such a big Kung Fu Panda, and can’t get inside any coffin.

Vampire Owl: Then where does he rest when there is the need?

Vampire Bat: He has planted a noodles tree on the backyard.

Vampire Owl: What does that achieve?

Vampire Bat: Well, our vampire experts are working on the same, an on the possibility of a noodles coffin.

[Gets three cups of elaichi tea with a piece of tea cake].

What is the movie about? :: Lockhart (Dane DeHaan), an ambitious young employee takes the place of a man who had recently suffered a heart attack while working late at work, in a large financial services company, hoping to make a big impact as early as possible. The company board members sends him to Europe to bring back the company’s CEO, Roland Pembroke (Harry Groener), from a wellness centre where he is spending his life in peace, or it is what they believe that he is doing. With the need for his presence for an upcoming company merger, as well as having someone responsible for the recent problems which have occured in the firm. This particular wellness centre is located on the Swiss side of Alps, on a picturesque location supposed to bring peace of mind, and he also finds that the villagers are not really fond of the sanatorium, and the people who visit the place, which is on the top of a hill.

So, what happens next in the movie? :: There he meets Dr. Heinreich Volmer (Jason Isaacs) as well as the other staff there, all of them not that interested in letting him meet the man whom he wants to get home as quickly as possible. He decides to come back after resting at the hotel, at a time when Pembroke is not undergoing treatment. While going down the hill, his car meets with an accident, and he is forced to go back to the wellness centre and get the needed treatment. He does manage to meet Pembroke, but it doesn’t prove to be that useful a meeting, as they are both now in treatment, and are not going to leave soon as planned – you don’t get out that easily. There, he also meets a mysterious young girl named Hannah (Mia Goth) who acts more like a child, and seems to be under the influence of Volmer, keeping on wandering around the premises. She refers to herself as a special case, unlike everyone else who are undergoing treatment at the centre.

And what follows the same in the movie? :: There is a past to the wellness centre that Lockhart learns from the patients and the people of the village. They tell the story of a baron who lived in the castle which was there in the place of the centre many years ago. The particular baron was so proud of his bloodline, and in a desire to keep the pure blood run through the family, married his own sister, an act which didn’t go well with both the villagers and the church. After finding that his sister was infertile, and he won’t be getting his heir of pure blood, he began to experiment on the peasants of the village to find a cure. Even as he is believed to have found a cure, the peasants had risen in revolt, burning the castle down, and supposed to have killed everyone including him, his wife, and the unborn child. The ruins of the castle still lies beneath the wellness centre, and Lockhart finds the need to figure it out. But he is running out of time for sure.

The defence of A Cure for Wellness :: There is one thing absolutely clear about A Cure for Wellness, and it is that the movie stays away from the usual style, and makes no attempt to stay in the safe zone, as the confort is found further away. The viewers are kept guessing, and they will all be wondering what is to happen next, until the big twist finally arrives to make the impact. There is beauty in the way things are shown, and there is the creepy effect going all through this movie with its wellness centre, maybe not that much as Crimson Peak, but is there, in a different way. With the performances, Dane DeHaan who is known the best for the Green Goblin of The Amazing Spider-Man 2, Mia Goth and Jason Isaacs compete with each other, and steal the show as a group of three. Mia Goth is just amazingly suitable for this role, which has her coming out the best way possible – those walks, and the cycle rides, and even that dance – something creepy beautiful about it. Some moments are just a lot creepy, including and more than having eels in the water and even mouth, and people suspended inside big glass containers.

The claws of flaw :: The movie certainly gets too slow in the middle, and it never really gets that pace until in the end, as there is the possibility of getting lost in the middle for those who don’t really have that much interest in this kind of a movie. There is also a certain amount of violence, which will make it not that interesting for some people. It could be disturbing for some people, but it is not that much, if you consider them as essential parts for the movie. Considering the kind of disturbing movies around, this wouldn’t come anywhere close, if you look closely. The length of the movie could have been reduced, and we can say that same about the chance for ambiguities – a two hour movie was the maximum which was needed to improve overall effectiveness. This movie was actually capable of becoming a huge horror thriller that would automatically cater to more of the viewers. Well, not everything on a divergent path is lovely, right? Watch this one, and come up with a conclusion rather than by reading reviews – for it feels personal.

How it finishes :: Along with being the interesting thriller, the movie also shows the hollowness of being rich, as those who has so much money are shown to pay even more to get better, something which even transcends foolishness at times – it is the case of humanity, isn’t it? It is easy to fool men and women who are always looking for something which is proclaimed to be better. Well, A Cure for Wellness in your usual movie, and having said that, we can also name it as one of those flicks which have a big possibility of becoming cult movies. This one is not a simple movie, and has similarities to The Institute starring James Franco and Allie Gallerani which released in the same year – there is the need for a certain kind of sense and thinking to like these kinds of movies, and as our common audience doesn’t possess the same, lets recommend it to all who are able to think differently, and let the others who decide not to think take the risk and watch the flick.

Release date: 17th February 2017
Running time: 146 minutes
Directed by: Gore Verbinski
Starring: Dane DeHaan, Mia Goth, Jason Isaacs, Adrian Schiller, Celia Imrie, Ashok Mandanna, Harry Groener, Godehard Giese, Tomas Norstrom, Magnus Krepper, Carl Lumbly, Lisa Banes, Tom Flynn, Johannes Krisch, Jason Babinsky, Angelina Hsntsch, Jeff Burrell, Annette Lober, Eric Todd, Christian Brauer, Thomas Richter, Chris Huszar, Marko Buzin

@ Cemetery Watch
✠ The Vampire Bat.

The Neighbour

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Vampire Owl: This title is the best for a romantic comedy movie.

Vampire Bat: Do you intend to fall in love with your neighbour?

Vampire Owl: I had that plan a long time ago, and then I got many centuries old.

Vampire Bat: Yes, there are no real neighbours when you get immortal.

Vampire Owl: And it is so difficult to love your neighbour.

Vampire Bat: I am sure that this movie is talking about fearing your neighbour.

Vampire Owl: At some stage, fear also gets its own love.

Vampire Bat: You remember The Girl Next Door? There are movies released in 2004 and 2007 with the same name, and one is a romantic comedy flick and the other is a horror movie.

Vampire Owl: And The Boy Next Door is a thriller.

Vampire Bat: And could have been a romantic comedy too!

[Gets three cups of masala tea with wheat porotta and kadai paneer].

What is the movie about? :: John (Josh Stewart) and Rosie (Alex Essoe) are a couple who are planning to escape their way of living which includes illegal activities, after they have enough enough money in their hands. The two lives in a town which has people who doesn’t know even their immediate neighbours. Neil (Skipp Sudduth) who is a criminal and John’s only relative in the area, is not ready to let him leave from his gang that easily though. They are a happy couple who compliment each other, but Rosie has the habit of looking into the life of their neighbour who is actually a man who wishes to keep everything to himself. It is more like the one thing that she does each and every day without failing. This neighbour, Troy (Bill Engvall) is not someone who wishes to be spied upon, and notices his neighbour’s interest in him too.

So, what happens next? :: One day, when John returns home, he doesn’t find Rosie there. He checks all around home as well as the surrounding places, but finds no clue as to where she has disappeared. Then he turns to his neighbour’s home which his has always been a mystery to everyone and had fascinated Rosie. Soon, he realises that his criminal lifestyle is not that much of a secret compared to his neighbour’s strange world. What he will discover there shall not only turn the neighbours against each other, but also makes sure that John and Rosie are not the only two people who will running for their lives. The secret that Troy keeps in his building is more than just something illegal – it is alive, and there are lots of other people involved in the same. So the question remains if the two can stay alive after threatening the privacy of the man who might not be who they think he is.

The defence of The Neighbour :: The strength of The Neighbour is its collection of twists, and even though none of them are huge, comes one after the other to bring enough of the effect. The setting is also very nice, and the sequences are nicely shot to bring the creepy effect to us. There are also some nice sequences of action, even though horror and thrills get the best here. The Neighbour is also not a movie which is too far away from our lives. It reminds us of a world in which we don’t know much about our neighbors, quite a common thing in those bigger cities. With such a situation around, The Neighbour which is about “the guy next door” brings some nice effect with its creepiness. You are surely going to enjoy this, in one way or the other, as once it starts going, there is no stopping it. We are transported into that environment and we are there, looking for a way out for the protagonists.

The claws of flaw :: There will be similarities to the director’s earlier movies, The Collector and The Collection, both with antagonists having secrets of their own. Going through that usual style, The Neighbour might feel a little predictable at times, even with those twists ready to pounce on us. The feeling that there has been too many of movies like this will also be there, and so many people will be wishing to have had this differently. You remember that Don’t Breathe also had an older person in control of his house, but it was quicker in pace just like You’re Next, and doesn’t spend much time in getting into action, and it also had a bigger creepy feeling. Even The Collector and The Collection are gorier and even has an antagonist who is more mysterious – there were also those traps, and the feeling that there was no escape – The Neighbour is just a little behind in the same, but is surely not lost.

Performers of the soul :: Even as he has played Holt McLaren in the TV series Dirt Detective William LaMontagne, Jr. in Criminal Minds, Josh Stewart should be better known for playing Bane’s right-hand man Barsad in The Dark Knight Rises, and for playing the blind man who gets healed in Transcendence. The horror movie fans would surely identify him from the same director’s The Collector and The Collection, and he is also going to be a part of the upcoming horror lick, Insidious: Chapter 4. He seems to be very well suited for this kind of a setting, as he proves again. Alex Essoe has all that is required to make the right scream queen. Bill Engvall makes a fine villain too, and he is in control throughout the movie. We can actually feel that he is going to make it great, right at the first moment when he is at the home of the protagonist. The other actors also follow the standard path well.

How it finishes :: The Neighbour, also spelled as The Neighbor, is the third movie directed by Marcus Dunstan who has already come up with the movies like The Collector and its sequel, The Collection – the former was supposed to be a prequel to Saw earlier, but came up as a new movie, and they were two interesting movies too, with first one being the superior film. The same director had also written screenplays for a number of Saw movies. The two earlier movies from him also had a similar world in store, with secrets unfolding inside a building. The Neighbour is not that much different either, with terror waiting to come to scene. Even with that feeling that we have seen this before, The Neighbour also becomes another movie which can be added to that list of interesting flicks featuring twisted evil just waiting to pounce.

Release date: 6th September 2016
Running time: 87 minutes
Directed by: Marcus Dunstan
Starring: Josh Stewart, Alex Essoe, Melissa Bolona, Bill Engvall, Ronnie Gene Blevins, Luke Edwards, Skipp Sudduth, Mason Guccione, David Kallaway, Heather Williams, Jaqueline Fleming, Chaka Desilva, Ben Matheny, Artrial Clark, Jered Meeks, Brett Forbes, Phillip Rush

theneighborr

@ Cemetery Watch
✠ The Vampire Bat.

The Accountant

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Vampire Owl: Yes, I have added the name to the list.

Vampire Bat: To which list? What kind of list have you made now?

Vampire Owl: Mr. Transporter, Mr. Mechanic and Mr. Codename 47.

Vampire Bat: You mean to say that they are all people “specialised” in one particular thing, and they lead us through those sequences of action and thrills.

Vampire Owl: It is exactly what my list about.

Vampire Bat: The Accountant actually has the most hair on the head among all these people.

Vampire Owl: Yes, I will add it to the comments section when I make the Excel sheet.

Vampire Bat: You are keeping an Excel sheet about this?

Vampire Owl: Yes, and I am also keeping a backup of the same on my external hard disc.

Vampire Bat: You really need better ways to spend free-time, don’t you?

[Gets three cups of masala tea with jackfruit chips].

What is the movie about? :: Christian Wolff (Ben Affleck) works as a forensic accountant for a number of enterprises, most of them being criminal organizations or those with similar interests from all around the world. His only connection is a voice on his phone that comes from a restricted number, which helps him in getting work as well as disappear with another identity. After being a child with high-functioning autism when he was a child, he was trained by his father who was a special forces officer, to defend himself in a world of chaos where he would always be considered to be different and as an outsider. Christian has managed to work this in his favour, and use what all he had learnt during an intense training, as part of his work, which is not limited to being a normal accountant. He is known in many circles as simply “the accountant”, and he has been a rather anonymous force which people have found hard to tackle.

So, what happens next? :: Christian’s latest assignment includes auditing a robotics corporation known by the name Living Robotics, where the accountant at the place, Dana Cummings (Anna Kendrick), has found something strange within the records which doesn’t really add up. As Christian finds out that things are more complicated than they thought, the CFO of the company, Ed Chilton (Andy Umberger) is murdered by an assassin (Jon Bernthal), and his death is declared as the result of an insulin overdose. The whole problem in the accounts is considered to be his doing, and the case is closed, but Christian is not happy with the same, as he suspects that a thicker plan is at work. Meanwhile, the Accountant is being pursued by Raymond King (J.K. Simmons) of the Treasury Department, and he asks data analyst Marybeth Medina (Cynthia Addai-Robinson) to find him, as a reward for not exposing her criminal past. Where will this game go for the Accountant?

The defence of The Accountant :: An intelligent movie that entertains – The Accountant successfully becomes that; for we have the smarter side working well with the story, and the action scenes are very well done too. We do feel them to be realistic, and there is not much of an exaggerated style added here at any moment. Even though it begins slowly, it just keeps better and better to reach that nice finish – in between, the best thing is that there is no romance in between, which would have deviated things further here. In the beginning, you are unsure about how things are going to be, and how everything will come together in the end – well, things do finish well, there is no doubt about that. The presence of a strong emotional side comes as a boost too. You can be happy about having watched an action movie with quite a lot of brain behind it, which is reflected on the screen too – the performances add as more boost.

The claws of flaw :: The movie is a little too slow in its beginning, and it is only when the flick is near one hour mark that things begin to get interesting – the last one hour and fifteen minutes see steady rise in the overall entertainment factor of the movie, and we are sent on that thrilling ride that has a lot of action around. The complicated parts of this movie will also keep some people away, with the tale being told with so many flashbacks, some of them surely disrupting the overall flow of this movie – a number of people will be left with questions to ask after watching the flick, no matter how clear it will seem to the others. The movie is also so many things at the same time, and by going through more than one genre in the process, some people are certain to wonder if some focus was lost in between. The second plot involving the investigation on the Accountant was the one which needed something more of a boost.

Performers of the soul :: Ben Affleck as the Accountant leads the way here, and there are no surprises about how well he manages this complicated character who is more of a survivor and a man with his own ideas about doing the right thing, rather than anything else. He surely scores with this one, a lot more than what he did as Batman in Batman v Superman, with him being in control all the time – maybe this deserves to have a sequel before that superhero flick gets one. Anna Kendrick also makes a nice addition to this movie, and she looks more than just correct for this role – you will realize that she is really good, if you haven’t yet; she has a lot of moments to look out for. Cynthia Addai-Robinson doesn’t have much of expression going in her way though, as she has that face throughout the movie. It was so much about Ben Affleck’s character though, and so others matter less. Still, you are sure to like how Jon Bernthal gets on with his job.

How it finishes :: The Accountant is the action movie which doesn’t keep things simple, and it is one thing that anyone who is going to watch this movie needs to keep in mind. The presence of action sequences is certain, but they don’t come alone. This movie also leaves with a potential for further sequels, like The Transporter and Mechanic has already displayed, John Wick is on the process of displaying, and Hitman has been doing with the reebot. Among all these, The Accountant has the best potential, with its origin story already done, and its protagonist being someone different. As long as you can take those slow beginnings in this movie, there are those thrills and action sequences that await you – give The Accountant a try, and you are surely not going to be disappointed with the entertainment, as well as a smart side to go with it.

Release date: 14th October 2016
Running time: 128 minutes
Directed by: Gavin O’Connor
Starring: Ben Affleck, Anna Kendrick, J. K. Simmons, Jon Bernthal, Jake Presley, Jeffrey Tambor, Cynthia Addai-Robinson, John Lithgow, Jean Smart, Andy Umberger, Alison Wright

theaccountant

@ Cemetery Watch
✠ The Vampire Bat.

Mechanic: Resurrection

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Vampire Owl: This reminds me of someone I know very closely.

Vampire Bat: Oh, you mean the Transporter. Or the Hitman.

Vampire Owl: None of them – I know that they are exclusive to the human race.

Vampire Bat: Then who are you talking about?

Vampire Owl: Don’t you remember my zombie minion who was a mechanic?

Vampire Bat: He fixed tombstones. You can’t call him a mechanic.

Vampire Owl: Well, we work through magic. What else is there to repair?

Vampire Bat: But the Mechanic here is a Hitman!

Vampire Owl: And Jason Statham is supposed to be the Transporter!

Vampire Bat: They are all professionals – Hitman, Transporter and Mechanic and there is minimum hair on the head. So, consider them as equals in a divided society and lets watch the movie.

[Gets three cups of masala tea with tapioca chips].

What is the movie about? :: Arthur Bishop (Jason Statham), has left his job as the “mechanic”, which has been a fancy name for a skilled hitman for very long when he was in the field. As he had been more than a professional assassin who specialized in making his assassinations look like accidents, random criminal acts, suicides or just something that happened as a part of collateral damage, he is never really away from his job with the past following him all the time. After pretending to be dead, he has been living in Rio de Janeiro after taking over the name Santos, with no noise, and no more repairing with assassinations as a mechanic. He is approached by a lady named Renee Tran (Rhatha Phongam) who tells him that she knows who he is – she wants him to kill three targets for her boss, and they have to look like accidents or normal deaths.

So, what happens next? :: Using his special skills and experience, Arthur makes his escape from Renee and her mercenaries, making his way into the resort of his old friend, Mae (Michelle Yeoh) in Thailand. There he meets a woman called Gina Thorne (Jessica Alba) who is beaten by a man, and saves her, but later realizes that she is the bait, and someone has put her there to make him fall for her, so that he can later make him do assassinations for him – the same person who was following him in Latin America. It is the man called Crain (Sam Hazeldine) who used to be Arthur’s childhood friend, but that bond no longer remained, only to turn into hate later. He would kidnap the woman, and ask Arthur to do the three kills to keep her safe. Arthur has decided to make sure that Gina remains safe, and so he goes after his first target. But this one is inside a prison, and won’t be that easy – and two more will follow.

The defence of Mechanic: Resurrection :: There is unlimited action guaranteed with this sequel, and one can safely see that it is even bigger than its predecessor in that particular department. All the action remains simple, but effective, and there is no shortage of thrills in this journey. The action actually begins in the first location itself, and there is a fine dose of the same in between – the executions are also nicely done, especially, the one from under the swimming pool at the top of the skyscraper. There are some nice twists to go with the same too, and none of these are without style here – we all know what Jason Statham is capable of from all he has done within this genre. Brazil, Thailand, Malaysia, Australia and Bulgaria – the settings for this movie are all beautiful without doubt; especially those first shots at Rio de Janeiro and what all follows at those times in Thailand.

The claws of flaw :: People might have wished for something more in the story with this second addition to the franchise – a lot more than the usual thing, but they had to be satisfied with the hitman doing jobs with this one. There might also be the need for a more standardized progress with a movie like this and also the requirement for better dialogues and moments to remember. Another thing is that people are going to compare, and that might not do much good here – it is enjoyable what you see on the screen that matters the most. You are also sure to ask more from Jessica Alba’s character and also for Michelle Yeoh. Mechanic: Resurrection could have chosen to satisfy them all, but the fact that it doesn’t try to do the same means that we can watch them all without being bothered by the rest of the world.

Performers of the soul :: Jason Statham once again shines with what he does the best – it used to be The Transporter, Crank or The Expendables, and here, he continues to create that impression on us, as we watch him take on the bad guys. As the person who has been the Transporter before, and as the person who has been the fans’ first preference to become Agent 47 in Hitman, he easily goes through this role which demands nothing that special from someone who is so close to this genre. Well, we need to watch him in this kind of roles as it is how we have known him for a long time. As the hero that we want him to be, he is there again. It is good to see Jessica Alba again, but her role is a little too limited in this one, becoming the damsel in distress for too much time. Sam Hazeldine makes a pretty good villain here, and Tommy Lee Jones scores with the screen time that he has. Michelle Yeoh could also been used more.

How it finishes :: A lot of people might have chosen to degrade this movie, and it might not be the overrated critics’ material – but that doesn’t take out anything from this movie which delivers, and we have no doubt about that. Grossing more than its predecessor, this one proves that there is more to the movie than what the reviews say – Mechanic: Resurrection is not the kind of movie that goes for brainless entertainment either, and so you can be sure that critics have got this wrong, and it is not the case of just with one person. After watching this movie against many opinions, I have only found people who had told that this movie is disappointing, as disappointing for me. It happens very often with action movies as well as the horror flicks; we know a movie is good, and there are those reviews which look at the flicks in a strange way – but we get over it and go through to watch the movie.

Release date: 26th August 2016
Running time: 98 minutes
Directed by: Dennis Gansel
Starring: Jason Statham, Jessica Alba, Tommy Lee Jones, Michelle Yeoh, Sam Hazeldine, Rhatha Phongam, Natalie Burn, Anteo Quintavalle, Femi Elufowoju, John Cenatiempo, Toby Eddington

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*Also check Ouija: Origin of Evil, Lights Out, The Witch, Vatican Tapes and Before I Wake specially for this Friday the 13th inspired weekend.

@ Cemetery Watch
✠ The Vampire Bat.

Rocky Handsome

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What is the movie about? :: Somewhere in the state of Goa, Kabir Ahlawat a.k.a. Rocky (John Abraham) spends his usual boring life running a pawn shop. As nothing much happens in his life, he goes through his routine and has no friends as he is reluctant to talk to people. Despite his lack of interest in being friends with people, a little girl next door, Noami (Diya Chalwad) considers him as a friend and talks to him all the time. Even though he is not that interested in returning that friendship, he remains sympathetic to the girl and helps her or invites her for food at his apartment. Her mother Anna (Nathalia Kaur), is a drug addict and bar dancer and lives alone except for a boyfriend who is not any better. With nothing positive coming from her mother, Naomi looks at Rocky as a friend and guardian and calls him by the name “Handsome”.

So, what happens next in the movie? :: One day, Anna with the help of her boyfriend steals drugs from the drug kingpin, Mantoo (Uday Tikekar). This brings two of his fellow gangsters, the brothers who are into more than just drugs, Kevin and Luke (Nishikant Kamat and Teddy Maurya) to the scene. With a professional assassin Attila (Kazu Patrick Tang), they arrives at Anna’s apartment and tortures her for the drugs. She had hidden the drugs in a camera which she had pawned to Rocky, and both the mother and daughter are kidnapped. This brings Rocky to the scene, and with the desire to take over the whole business from Mantoo, the brothers Kevin and Luke bring a plan which will make sure that both Rocky and Mantoo ends up in the prison or get shot by the police. With an organ harvesting business and also child trafficking in their list, they will stop at nothing to gain more.

So, what is coming up after this situation? :: This does put Dilip Sangodkar (Sharad Kelkar), a cop from Anti-Narcotics Bureau on Rocky’s trail. He will stop at nothing to clean the city from drugs and those who deal with the same. After murdering Mantoo and Anna, and sending Rocky to police custody, Kevin and Luke thinks that everything is done, but that is surely not the case. Kevin might be the new kingpin of all crime in the city with Luke on his side, but that might not be enough to save him from what is coming to him. Rocky has a past that will make him almost impossible to keep down and he will stop at nothing to find the missing girl. He has a depressing past involving Rukshida (Shruti Haasan) and has had that kind of training which will make sure that he is going to have his way, in one way or the other. With his first loss, Kevin will understand he has made the wrong person angry, but the question remains if Rocky can save the girl in time despite all his skills.

The defence of Rocky Handsome :: The best thing about this movie is the action – the action sequences are all neatly done, with no exaggeration, but a lot of fights which even when having the protagonist a lot outnumbered, are believable for a character whom the hero is claimed to be. There is enough style here, and it is not overdone; unlike the usual dumb Bollywood action movie – there are weapons and sequences in the rain, and there is a powerful emotional side that we can feel right into our hearts rather than going the path of a ridiculous melodrama which Bollywood always brings for the viewers, like they did in thousands of movies, even in Dear Zindagi at a time when things were to get better for the movie. There are the thrills, and this an adventure that takes us through without giving chance for second thoughts as long as we get into it. It surely welcomes us into that world of chaos which has more chance for the evil to gain at least one small victory.

Claws of flaw :: For some reason, Rocky Handsome gets too lazy in between. Along with that predictable and boring flashback that comes in between, there are also those moments which won’t go well with the rest of the movie. The connection between the two main stars, even though one of them is only there for a cameo, is missing – she makes us feel that the scenes are outside the movie, and even our hero at those moments is in trouble. The movie will lack in connection with those who were looking for mass masala, as a certain amount of working brain is needed to go with this – it is more of a flaw as most of the people who watch Bollywood need flicks for the brainless, and Rocky Handsome won’t provide them that. We can’t ask for a Masaan everyday, but things can be better for sure. There is also the violence and sometimes the talk about the violent ways, which people can also choose to criticize. As an official adaptation of the 2010 Korean movie, The Man from Nowhere, I won’t be able to judge this one, but the original had 100% fresh rating earlier.

Performers of the soul :: John Abraham continues to impress with those fight sequences in the movie, especially those with the knives and fists. Nishikant Kamat has done nice to bring the looks and style of the evil druglord, but villain is still not that strong except when he is threatening, and the same is the case of most of the people on the dark side, except for Kazu Patrick Tang’s assassin who is not there for the words – still the whole darker setting makes sure that all of them work out better for the viewers; pure evil has to be stronger in any case. Shruti Haasan is there for one full song and also in the memories of John Abraham’s character, and does almost nothing, bringing no positives in a role which could have played by anyone else in a cameo – we come close to feeling that right at the first shot when she is shown. The kid, Diya Chalwad does a nice job for sure. Sharad Kelkar has a smooth run in this movie too.

How it finishes :: John Abraham does provide a similar performance in Force 2, and if you watch two of these movies together, you might end up confused with the action sequences except for those moments when this one chooses to go violent – it is the official remake of a South Korean movie, and so that was always supposed to happen. This one will also remind one as the other side of the highly realistic Madras Cafe starring John Abraham, all of these produced by the same man himself. Even as the remake, Rocky Handsome has been nicely converted from its Korean model and has been worked on well enough to make itself another movie that evokes our interest despite having a story-line that has almost zero difference. This one is a good mix of all things, and never tries to overdo its strengths, which is why Rocky Handsome deserves your attention.

Release date: 25th March 2016
Running time: 119 minutes
Directed by: Nishikant Kamat
Starring: John Abraham, Diya Chalwad, Nishikant Kamat, Nathalia Kaur, Sharad Kelkar, Yash Tonk, Shiv Kumar Subramaniam, Suhasini Mulay, Teddy Maurya, Kazu Patrick Tang, Uday Tikekar, Shruti Haasan (cameo), Nora Fatehi (special appearance)

rockyhandsomee

@ Cemetery Watch
✠ The Vampire Bat.

Wrecker

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Vampire Owl :: Do you know that we are appointing a new group called the wreckers for the vampire army?

Vampire Bat :: I don’t know about that, but we are surely going to watch this movie.

Vampire Owl :: The poster does remind me of Joy Ride and its sequels.

Vampire Bat :: Yes, that was what came to my mind the first time.

Vampire Owl :: I liked that series, right up-to the final movie.

Vampire Bat :: Yes, and the big trucks haunting people on deserted roads always make some impact.

Vampire Owl :: They are like the most convenient areas for serial killers.

Vampire Bat :: Well, there is absolutely no doubt about that.

Vampire Owl :: So, another human serial killer movie for today.

Vampire Bat :: Yes, another one from their long list of bad people.

[Gets some tea with tapioca chips].

What is it about? :: Best friends Emily (Anna Hutchison) and Leslie (Andrea Whitburn) are on a road trip, as the former doubts her boyfriend of cheating and has taken a break. As they go on on a joy ride, they decide to take a short-cut which seems to be rather less traveled. During their journey, they come across a tow-truck which doesn’t let them pass. When they do, it is behind them, and later it overtakes them just to keep wandering around their car. It almost makes them hit another car, and continues to torment them throughout their journey. Providing them with no relief, the truck is always around them, and nothing seems to let it go away. As they stop to have food, they see the truck there too, and try to identify the driver, but ends up being angry at the wrong person.

So, how do things go from there and is there a chance for escape? :: They find out that the man giving them the chase is someone else, but they never get to see him. But they continues to travel as the truck has gone long past them. Well, things only get much worse from there, as it is no longer about being chased – everything gets rather direct then. As their car losses one of its tyres, they are forced to run and they separate from each other. The car doesn’t have much of fuel, and only Emily gets back to the vehicle, with no sign of her friend around. A police officer who is found on the way also gets run over the the truck. There seems to be no hope left as the truck driver seems to know the road so well, and is ready to pounce at anyone anywhere. The only chance here might be to get off the road, or is it?

The defence of Wrecker :: There are thrills in abundance in this movie, as most of the movie is focused on the road; there is no time for drama as things only get quicker and the situations become more life-threatening. The truck idea is something that will always work – I recently saw one strange long-haired person on the road riding a modified bike and showing his middle finger to the buses; it is the kind of person whom we wish a psychopath trucker should take to make the society better; those times when we think that serial killers are needed. With Joy Ride‘s Rusty Nail whom we consider among the top killers in a thriller-horror, the scope of such a character has only increased, and Wrecker does make some good use of that. The truck shots are well-utilized, and there are some nice moments here with the vehicle. The movie is kept short too.

Claws of flaw :: This movie could have done a lot better in using this already successful idea – the scope was even more for sure. This could have been more entertaining with horror taking the main stage – a lot more of the scares were possible with a psychopath trucker in the pockets. A bigger story could have also been in store, and a legend could have been easily brought on this. The whole thing needed a better touch in making things more interesting. There could have been a big psycho killer in store here who could make things better in the sequel – the chance is left there in the end! A better thrilling finish could have done this movie a lot of good too. Andrea Whitburn leaves the action a little too early. The destruction which shown to be committed by the truck is also a little too low; the killer also remains too unknown.

Performers of the soul :: The movie clearly depends on Anna Hutchison to make it work better than it really is. She does a very good job here with the same. She is good with this, as we had seen her in The Cabin in the Woods. Most of us would also remember her from Spartacus: War of the Damned – she plays the main character here, and the focus is all on her, which makes sure that the movie gets better. Andrea Whitburn plays more of the supporting role, as there is a lot of time when we don’t get to see her at all. The supporting cast doesn’t really get to do much, and we never really get to see the face of the driver who goes on rampage – so, except for a few people who show their faces and say some dialogues, the whole thing is left to Anna Hutchison and Andrea Whitburn.

How it finishes :: The movie seems to have a lot of similarities with the 1971 flick, Duel; Joy Ride and its two sequels are also quite similar. I have loved the three movies belonging to the Joy Ride franchise, from the Paul Walker and Venna Wilcox Leelee Sobieski starrer to the last one which released in 2014. Wrecker doesn’t go that much of a different way compared to these movies. If I had to choose between Joy Ride and Wrecker, I would choose the former though, as Rusty Nail is already one of the most interesting serial killers around, and the entertainment factor was also high with those movies. But Anna Hutchison is the one person who makes the difference for this movie, and this one also goes somewhat a different way in its treatment – and is surely slower.

Release date: 6th November 2015
Running time: 83 minutes
Directed by: Micheal Bafaro
Starring: Anna Hutchison, Andrea Whitburn, Jennifer Koenig, Don Knodel, Michael Dickson, Ashley Evans, Lori Watt, Kurtis Maguire, Dave Blattler, Celia Reid, Andy Nez, Emily Schutz, Riley Schutz, Dylan Rhymer, Kurt Harder

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@ Cemetery Watch
✠ The Vampire Bat.

Wazir

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What is it about? :: After a personal tragedy strikes the family of a police officer Danish Ali (Farhan Akhtar) in the form of the death of his daughter in the hands of terrorists, he is blamed for it; separating him from his wife Ruhana Ali (Aditi Rao Hydari). He is later suspended from service as he murders a terrorist who was the only key for the cops to find a minister linked with the terrorist. As he is extremely depressed and thinks about ending his life, he meets Pandit Omkarnath Dhar (Amitabh Bachchan), an old chess master on a wheel chair who used to teach chess to the cop’s daughter. They come across each other again and a friendship is formed between the two. Omkarnath had also lost his daughter only some time ago, and he suspects that a popular politician, Izaad Qureshi (Manav Kaul) is behind the murder even as the police records it as an accident.

So, what happens next in the movie? :: Omkarnath tries to get the attention of the police department, the media and the government. But nothing really happens except for bringing more fury into the mind of the politician and his supporters. This is where the henchman known only by the name Wazir (Neil Nitin Mukesh) comes into the picture. But this person seems to be something more than a henchman, as he stays in the shadows and creates situations of terror for the old man, becoming more like a shadow assassin. Danish is mostly helpless as he is suspended from service, but makes the promise to protect his new best friend and play his part in the battle for justice as if it is his own. Their fates are going to join together and soon, the shadows of darkness which are cast on their lives shall converge. Can Danish stand this big test?

The defence of Wazir :: It always feels good to have a Bollywood movie with an interesting plot especially as there are too many of the flicks which don’t have one at all, and there are movies which asks “why always the same story” and while saying that, it comes with the exact same plot told in a miserable way. This is where Wazir uses its intelligence as well as the strong emotional side to become a better and different movie. I do wonder at times why Bollywood movies and good plots are never friends enough. But if you look here, Wazir shows how to become an interesting emotional thriller bringing the breath of fresh air which makes the beginning of the year a nice one indeed, as there are no mindless flicks floating around anymore. The thrills are present and so is the suspense factor. There is also variety and style in how the whole thing is handled. The action sequences are done in a smart way, no overdoing and no slow-motions; believable as well as exciting.

Claws of flaw :: Even though its short length will save some time, people will want more here. Well, we ask ourselves if this is the kind of protagonist whom we want in the investigative thriller flicks, and there are moments when we will think about having a sequel to complete this movie. The usual Bollywood fans who love the entertainment and masala elements are also going to like this one less too; for there is nothing of such kind in here. Even when I visited the theatre, there was so much less interest for this movie there, but I hope to see it get better in the coming days. The movie surely has some points when it becomes slower, especially as a certain emotional side tries to play its role. The fact that some actors are there for only an extended cameo or special appearance will also put some people into lesser interest for the proceedings. The movie could have done better with the thrills overtaking everything else; no doubt about that – but it works well as it is!

Performers of the soul :: Amitabh Bachchan and Farhan Akhtar makes a highly impressive team here. One man in sorrow has his mind game going strong while the other one is physically fit and has been one of the best police officers of the department – both roles are played with such passion here. The intensity that Farhan Akhtar shows here should be the one thing for which you wouldn’t want to miss this one. Aditi Rao Hydari has a beautiful and at the same time, a happy-transformed-into-sad presence in this movie, and you will feel that even the absence of words speak in favour of her as seen with her expressions. I am pretty sure that she is a lot better than the overrated actresses of the industry. As I turn back the pages, I remember that I had seen her on screen, in the Malayalam movie Prajapathi in which she made her debut as well as in Murder 3; the rest I had missed.

Further performers of the soul :: Neil Nitin Mukesh makes the best out of what he has in this movie, even though it is more of a special appearance. He reminds one of the character “Musafir” in the Malayalam movie The Tiger, who has been an agent and contract killer for the terrorists; but it turns out that even with the essence and soul being the same, the existence is different, and you will know that by the end of the movie with that one final twist – your love for the movie is going to be ultimately decided by that. John Abraham stays strong while doing another special appearance, something which reminds us of him in Madras Cafe; his character will be a reason for us to ask for a sequel to this one – he can always excel in this kind of a role. Manav Kaul as Izaad Qureshi is a really strong presence in this movie. He makes quite a big impact here as the villain who needs to be brought down for the two protagonists.

How it finishes :: Wazir is a movie which begins well as well as ends well. The slowing down in the middle can be forgiven, and the shorter run-time will make sure that you will have an engaging experience with this thriller. Even when viewing it from here, Wazir is no Memories, but it is an engaging journey. The game of chess is also nicely used in parallel with the story-line. It was used not as part of the story-line in the Malayalam movie, the Mohanlal starrer Grandmaster, but here, it comes in as part of the plot; in a smart way of course. You will know better about the relation between life and chess as the movie gets towards the end; one of the protagonists do talk about a few things which relates them much earlier though. The songs are also pretty much okay here. I loved the director’s earlier movie David, and Wazir is the movie which becomes a fine start to the new year, and it is the movie that needs to watched; not those one hundred crore gaining movies, most of which never deserved to be there in the 100-crore club!

[Edit – This review was also later published at: http://kiagia.com/index.php/current-film-releases-movie/1275-wazir-movie-review-2]

Release date: 8th January 2016
Running time: 103 minutes
Directed by: Bejoy Nambiar
Starring: Amitabh Bachchan, Farhan Akhtar, Aditi Rao Hydari, John Abraham, Neil Nitin Mukesh, Manav Kaul, Anjum Sharma, Mazel Vyas

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@ Cemetery Watch
✠ The Vampire Bat.

Baby

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Vampire Owl :: I am so confused that I can’t make a decision which movie to watch this weekend.

Vampire Bat :: It is the calming time after the tsunami which was Vikram’s I. Every Malayalam movie was waiting to avoid a release competing with the big thing that was I, because they understood what the best possible result for their movies was.

Vampire Owl :: There are so many Malayalam movies and a Hindi movie in the local theatres – how can we choose this time?

Vampire Bat :: I say, we toss a coin.

Vampire Owl :: I say we look at the theatre list.

Vampire Bat :: The irony is that the best movie might not come to our nearby theatres. It is how things work.

Vampire Owl :: And these movies are going to be mutually destructive to each other, and it is a shame that they release together.

Vampire Bat :: I say, you drive the motor-bike straight; we will go through the path which has less traffic and reach any theatre and watch the movie there.

Vampire Owl :: Yes, let fate decide.

Vampire Bat :: Unless fate is like Uncle Dracula.

[Reaches a theatre].

What is it about? :: During a mission in Istambul, Indian special agent Ajay Singh Rajput (Akshay Kumar) manages to uncover details about a number of possible terrorist attacks against India from outside, which is from a few people who are part of a terrorist organization in the neighbouring country and also from the inside which includes a group of brainwashed people. As Maulana Mohammed Rahman (Rasheed Naz) plots about the same from outside the nation, Bilal Khan (Kay Kay Menon) escapes from prison and plans from inside the country. To stop these attacks, the team of Ajay Singh Rajput and Priya Suryavanshi (Taapsee Pannu) have to first go to Nepal and find the first link, and then Ajay and another team will have to go to Saudi Arabia in a more dangerous mission. Can the team go past all their obstacles and come out victorious using all their skills?

The defence of Baby :: This movie gives you no nonsense, and it is all about action, that too in a rather believable collection of events. There are no flying bodies here, and fighting and getting beaten up actually means that. The best thing is that this doesn’t go in the path of Holiday which was always trying to take itself down; here we don’t say our hero making fake speech about patriotism, because we get it from the way in which the movie progresses. There are some nice dialogues about being secular and being Indian, but patriotism is something that runs through this movie and preaching about it is never needed. There is no dumb romance as in the movie or any full song, and this one is bloody serious about how it goes. The only comparison that can be made is with Madras Cafe, but that one was more realistic and cent percent serious; striving towards perfection – this one has its own serious comedy here and there which works. The visuals of three abroad locations are nice too. The background music also works. The thrills are plenty.

The Claws of Flaw :: Our hero is still beyond mistakes except for a few, and his family life was something of not much need here, plus no other family is shown in the whole movie. This reminds us of Mission Impossible franchise too, especially with the first scene involving Tom Cruise’ Ethan Hunt saving Keri Russell’s character – Akshay Kumar does something similar here. There is also a certain amount of drag associated with this, but that is very rare and happening more due to the length of the movie and the effort to stretch the thrilling moments further more. There is also the lesser use of the female cast when they were actually doing good. There might be some loopholes here and there in the movie too, and considering the build-up, a bigger climax and ending would have been expected. Everything comes together too easily by the end and it is a “terrorist hunting happily ever after” finish.

Performers of the soul :: Akshay Kumar goes in and comes out strong in this movie, as he works his way to perfection with his character. I would believe that this is exactly how the character was supposed to be; mostly emotion-free, sharp and improvising. This is the type of Akshay Kumar who is awesome. After all, he is the khiladi as we know him, and this is one role in which he can play his best. Madhurima Tuli is one of the prettiest faces on the screen indeed, but she is restricted to a small role here which she manages with ease and lights up those moments. Taapsee Pannu, the other female lead gets more to do on the screen, but her role is also limited to one mission; still she manages to do some stunts and make an impact. Anupam Kher is very good there too, and he along with Rana Daggubati and our protagonist makes a nice, interesting, lethal and funny combination which makes the need for a sequel right there. All the villains are effective, but it is not against personalities or communities that the team goes – it is against evil.

Soul exploration :: Baby surely has a strong heart. There is also the application of the much needed intelligence which has been lacking in Bollywood. It is yet another symbol Bollywood growing up, away from the childishness of flicks like Dhoom 3 and Krrish 3. This is also what Holiday should have been instead of being a masala action thriller, but that was just a remake and stuck to the plans. The movie salutes those who tries and work hard to keep the nation as well as its citizens safe, and this is the one nice tribute to them, and the only one movie which I can consider as a better tribute was Tango Charlie. The movie also works to build on that “Indian” identity which beyond religion, caste, creed, language and colour. Lets give this movie the salute that it deserves, as it doesn’t degrade itself to a commercial flick and try something from the Ek Tha Tiger model either.

How it finishes :: Baby surely needs support, not just because it seems to be the best of the weekend from what I have heard so far, but also because only with such movies succeeding, can we keep the terrible mindless movies away from the big screen. There is an unbelievable amount of toughness in this movie, and this Mission Impossible of India actually settles for five percent of success with their “impossible” as our protagonists say in this movie. Lets make one thing clear; Baby is not Holiday, and it means that you have to take this one seriously. Romance is not mandatory; songs are not needed; villains flying on hero’s contact is a waste – this is Baby, and the movie means something beyond mindless action and thrills; it is above them both intellectually and straight from the heart. Thank you Neeraj Pandey for beginning the Bollywood side so well for me; the first Hindi movie of the year that I watch in the theatre raises my hopes high for the rest of the year.

Release date: 23rd January 2015
Running time: 159 minutes
Directed by: Neeraj Pandey
Starring: Akshay Kumar, Madhurima Tuli, Taapsee Pannu, Rana Daggubati, Anupam Kher, Danny Denzongpa, Kay Kay Menon, Sushant Singh, Mikaal Zulfiqar, Rasheed Naz, Rasheed Naz, Karan Wahi

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@ Cemetery Watch
✠ The Vampire Bat.

In Fear

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Vampire Owl :: But I do not know the meaning of Fear.

Vampire Bat :: Then what do you call that expression when you were chased by a dog last month?

Vampire Owl :: I was simply giving the dog a lesson in running.

Vampire Bat :: Then when you jumped over the wall, it was a lesson in high jump?

Vampire Owl :: Yes, but it was a poor little creature with such a small brain. It couldn’t jump over the wall.

Vampire Bat :: You didn’t take the flying classes when all the other owls were doing that, and now you want to pretend to teach others running.

Vampire Owl :: It is actually okay because you can’t fly either. You should attend my classes too. It will help you to run away from a bad movie.

Vampire Bat :: But this is still a good movie. This is simple, raw horror.

Vampire Owl :: I have watched this and won’t approve. I am bigger horror than this little movie.

Vampire Bat :: I would have made a bet for three hundred zombies that you can only say that about this movie.

[Goes to watch ISL].

What is it about? :: Tom (Iain De Caestecker) and Lucy (Alice Englert) are on their first trip after falling for each other, and even as they are planning to go to a music festival with friends, Tom suggests that they rest in a hotel on the way, to which Lucy agrees, despite having promised her friends that she would be there early. They follow a vehicle to the hotel where they were planning to stay, and after showing them the directions, that person drives off. They move on and looks for directions, but following them doesn’t lead them anywhere and it seems that they have seen the same place again and again – it is as if they are trapped in a maze. The rain starts pouring and Lucy keeps seeing a masked figure while going through the path and they are attacked once. They end up giving lift to another person called Max (Allen Leech) who claims to have been attacked too, but the tension only gets higher as there seems to be no way out of there.

The defence of In Fear :: Most of the movie is in the middle of nowhere and we have so much action inside the car which turns into a claustrophobic world, especially with the third person around. There is already a spooky atmosphere created as the darkness falls and the rain pouring, with nowhere to go. It is smart in its anxiety and tension, and the feeling of being nowhere in hopelessness is disturbing. Being in small pocket road with no lights and no signs of civilization around, having no idea how to get anywhere? Everyone needs to be scared about this, especially as some masked villain is ready to pounce if you stop the car – he might even find a way to stop the vehicle. You have the right to be scared here. The stuff is believable too, as this goes on without anything out of the world added to it. There is less stupidity from the characters as they seem to act more as anyone would have, if caught in such a situation. It is good to see something different being tried in the horror genre.

Claws of flaw :: The movie is not for everyone, especially as there is almost no jump scare at all. There is no big scary killer who keeps coming at you and creating all those gory scenes out of nowhere. The locations are limited, and there is darkness around. There is not much of a backstory, and things happen straight. There are minimum resources used here, and there is no murder shown happening on the screen – there is not even a cut on the screen even as there is blood after the cut. There are just three people in this movie and for most of the time, we see only two of them. Some horror fans can find this method uninteresting, and a few others might be more disappointed about the same. The power of the villain is not much, and the ending is actually a little too uninteresting, even as it has the mind not to bring something up in hope for a sequel. The inside the car setting might also disturb a few. There are still a few things unanswered, and the moments of stupidity does come into play when the protagonists are out of the car. There is nothing big in the plot either.

Performers of the soul :: There are just three people acting in this movie, even as there are others who we do from a distance; nothing much here is about another person other than what we hear our leading actors talk about them or contact them through the mobile phone – yes there is a scarecrow if you want to add him to the actors. Among the three, Alice Englert is the pick. The last time I had seen her was in Beautiful Creatures, and even as I did think that she was good, I doubted about her being in a horror movie – but then, I was wrong, and this young lady who was just nineteen when this movie premiered, has just nailed the role of the young damsel in distress in a believable manner. I couldn’t feel anything else but be surprised about the fact that she had made her character so much believable rather than becoming another lady in a horror movie. Iain De Caestecker comes only second, and becomes the weaker character leaving him with less scope. Allen Leech is good, but still not up-to the movie’s power.

Soul exploration :: The soul of the movie is in its atmosphere, and the success of the same is in creating that situation which can haunt any other person. It is a case of genuine fear, as it makes way into our known world. Ever got your car’s tyres punctured in the middle of nowhere at night, or have you ever got lost your way somewhere while taking a shortcut and there are no lights anywhere? There is no range in your phone with GPS already stopped working and rain also stops pouring down. So where do you go from there? In Fear has that situation and successfully drops us into the world of fear and nothing else. Fear might want many things, but this movie proves that what it actually needs is a realistic situation and happenings that can be connected by the audience. A better working of the plot and a better development of the situation could have done a even more for this movie, but for now, there is some realistic horror in its core.

How it finishes :: In Fear is a movie so much less known, and its existence might be something that so many people are unaware of, unless Alice Englert’s filmography keeps catching too much attention. It is a movie which has pretty much low rating at IMDb, but is something which has good ratings from critics. That should explain a few things. No, this doesn’t have the entertainment side working much, and its horror is something of the mind. It has less for the majority of the viewers who would hope for something that thrills outside the borders of realism. But this movie doesn’t have that, as the choice to go with realistic things can gain more critics and lose more viewers. But In Fear still maintains enough to gather the usual fans, at least in my opinion. For the same, one has to think more than what is seen on the screen.

Release date: 20th January 2013
Running time: 85 minutes
Directed by: Jeremy Lovering
Starring: Iain De Caestecker, Alice Englert, Allen Leech

infear

@ Cemetery Watch
✠ The Vampire Bat.

The Maze Runner

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Vampire Owl :: We are here at the exact time.

Vampire Bat :: How many times do I have to tell you that we have to reach the theatre before the movie begins?

Vampire Owl :: I am punctual with an awesome timing. So we should be here only when the movie starts. Otherwise, we will be bombarded with stupid commercials.

Vampire Bat :: There are no Vicco ads at this multiplex. This is Vicco-free

Vampire Owl :: There will still be a Katrina Kaif with a juice or chocolate.

Vampire Bat :: Stop solving the maze. You haven’t even seen her bathroom ad yet.

Vampire Owl :: What? You don’t tell me anything. You didn’t even talk to me about the uncensored version of 300 part two.

Vampire Bat :: But you did notice in the theatre that something was cut.

Vampire Owl :: Damn. I thought it was the blood and the flying body parts that they cut.

Vampire Bat :: This is why you are never promoted in the vampire ranks. You solve the maze before it is ever built.

[Gets the tickets].

What is it about? :: A boy wakes up in a box carrying supplies in an elevator, and is joined by a group of other boys who welcome him in an open area and makes him a member of their group. This boy whose name is discovered as Thomas (Dylan O’Brien), soon finds out that they are all trapped in an area surrounded by a maze with just one opening. They are all trapped in a rounded area filled with vegetation, which they call the glade. A new boy is send up in the elevator with supplies every month, and only when it is emptied that the elevator goes back down. Now they have started a small civilization there, and remembering only their own names, the boys are hoping that they can one day find a way out through the maze which is filled with dangers, including the consistently shifting mechanism of the maze which can squeeze whoever is inside, and the creatures of the night known as Grievers who roam around inside the structure. They train runners and make them travel through the maze during the day to be back at night, hoping to find a way out.

The defence of The Maze Runner :: The movie has the strength of some scares, especially with that great environment that it creates, and it is a significant thing that it is generated even without much strain but from the premises. The situation is about being locked in the middle of a maze, with no contact with the outside world, or the hope to escape and see what happens around. In the case of an escape, there is painful death awaiting, and that much they make clear. The maze is nicely designed with the addition of scare elements and the creatures which look a lot like mechanized spiders, and the atmosphere is a success. The suspense element stays strong too. The progress of the tale is nice, with the maze and the glade nicely explained and the incidents happening like they should. The best thing is that even as there is only one girl in the glade, there is the absence of a love triangle (or even rectangle) – not going there itself is a gain, and there is no romance as one would expect from a movie like this, keeping its mystery and terror alive without side-effects. The actors do their job, but almost everything is about the central character.

The claws of flaw :: The movie leaves with more questions than answers with which it struggles to provide, something which can get better only with the sequel. We don’t know much about most of things in this movie, and also about what is the right information, and what the wrong one is. The emotional side is pretty much weak, with no real attachment between the characters other than what is implied. Most of the characters including the heroine remains less interesting characters, and there are parts of the plot where things are rather rushed; the fans of book will surely complaint about possible deviations too. The movie could have used the maze more, especially in providing more mystery as our people unlock parts of it as we come to know about it. The scary stuff could have also had some boost with the darkness and the trees better twisted. There should have been more running in the maze suiting the title, and the need for more theories about the maze, its working and surprise attacks from the creatures, all would have boosted this movie, especially when it has that shortage of steam in the middle.

Soul exploration 1: Dystopian world :: The Maze Runner leaves us with a maze to think about. It is a lot like that labyrinth which was built by Daedalus for King Minos of Crete, which had that mythical Minotaur waiting to claim its victims. The half-man half-bull creature was slain by Theseus with the aid of Ariadne, and here, the story of monsters lives on. But what remains outside is the story of a dystopia, like what we had seen in Divergent and The Hunger Games, as a group of people are left in a world detached from the rest, controlled by some unknown people. There is also something from the Lord of the Flies as the boys struggle between themselves and their beliefsThey fight for survival here too, somewhat like in the games, but supporting each other and fighting an external force. Here, the divergent is the protagonist called Thomas, and he finds a way even as he is another newcomer like Beatrice Prior who becomes dauntless, and also showing the courage of Katniss Everdeen. Another fact is that there is another possible dystopia waiting for them outside, or is it extinction? Only those who have read the next books will know.

Soul exploration 2: Need for travel :: The glade is more like home, and we can see that there is reluctance from some members of the group to leave the place and enter the maze of troubles, which reflect what we see in out world. The maze of life is a difficult place to be, as we struggle to go through the same and nobody gets out of life alive, as we know it. The dangerous place that is life, calls us, but our reluctance to go into the world will only save our lives from the trouble that awaits us. Meanwhile, the glide protects its inhabitants and provides the people with the much needed safety of home. But can we be sure about the same? What if something better awaits us on the other side of the tricky and dangerous maze? It is only by travelling that we come to know about the same. Yes, the movie somewhat reflects the same, as we have the chance to go out there and explore, and only then, there will be choices. Such an uncertainty awaits us, and if we wait like the boys in the glade, we will never know; it is the risk factor that will define us.

How it finishes :: The Maze Runner ends the season of English movies coming late to this part of the world, along with A Walk Among the Tombstones which was my first preference for the weekend due to the presence of Liam Neeson. But thanks to the stupid timings that the multiplexes have kept for this movie, I might not be able to watch it, but I might still think abut giving it a try if circumstances are more favourable. For now, The Maze Runner seems to be the only movie of the week for me, and I am pretty much happy that I had chosen to watch it. It has also inspired me to read The Maze Runner by James Dashner some day, as there have been talks about some differences which are there and has affected the movie both positively and negatively. Lets also wait for that sequel which has a lot of things to tell us – here we await those answers to the questions which naturally springs up in the mind and leaves us not satisfied enough. Lets hope that this won’t get degraded like the Mortal Instruments and Twilight franchises or even as The Host.

Release date: 19th September 2014
Running time: 113 minutes
Directed by: Wes Ball
Starring: Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster,Will Poulter, Ki-hong Lee, Blake Cooper, Chris Sheffield, Aml Ameen, Alexander Flores, Jacob Latimore, Dexter Darden, Randall D. Cunningham, Joe Adler, Patricia Clarkson

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@ Cemetery Watch
✠ The Vampire Bat.

Hate Story II

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Vampire Owl :: But I didn’t watch the first movie of this franchise.

Vampire Bat :: No need. This will not be connected to the prequel even that much as Sachin Tendulkar is to Maria Sharapova.

Vampire Owl :: That is indeed reassuring. Isn’t this Surveen Chawla the one who paired with Sreesanth in Ek Khiladi Ek Haseena?

Vampire Bat :: And in many Hindi serials with unknown people and those which none of us watches. She even hosted a television show called Comedy Circus Ke SuperStars.

Vampire Owl :: So this will create something new for the erotic genre in India or recreate whatever the first movie did?

Vampire Bat :: I would think that the only eroticism will be in the poster and the songs. She should be shooting people all around.

Vampire Owl :: So it should be cheating by the posters?

Vampire Bat :: Just like any other movie around here. Every movie pretends.

Vampire Owl :: At least we can watch the movie for her.

Vampire Bat :: Well, she is incredibly cute, even with a gun.

[Enters the movie hall].

What is it about? :: The scene shifts to Mumbai where Sonika (Surveen Chawla) who is attending regular photography classes. After the death of her parents, Mandar Mahatre (Shushant Singh) had become her guardian and is keeping her as a mistress. Mandar is a powerful political leader in Mumbai who is feared if not respected by all. She is forced to succumb to his demands until Akshay (Jay Bhanushali) comes to her life, and the two photography classmates become lovers. But as our villain understands that she is with some random guy, they are forced to run away to Goa, but that doesn’t stop our villain from going there and attempting to kill them both. She ties Akshay to the seat of a car and drowns him in a river while he buries the girl alive in a cemetery, but is found by a man who comes there to mourn a death. As she is shifted to the hospital, there are attempts to murder her, but soon she gets out of trouble and begin planning her vengeance. As expected, she starts from the lesser ones to go to the big fish, and the question remains if she can be good enough to take on such a powerful man who controls a lot of things in Mumbai including the police.

The defence of Hate Story 2 :: Well, our heroine no longer uses her body or sexuality to take revenge. She doesn’t go to that level of the protagonist of the first movie and just goes on to murder people – not in that much of a bloody fashion as Killl Bill, but she does finish them off nicely. Surveen Chawla is the highlight of the movie, but the erotic scenes are rare, and even absent in the case of the movie without the songs. It is in those songs that such scenes occur and so do those bikini scenes. Some of them even waits till the movie to end until coming up. So one can watch it not as an erotic movie as the songs will be available on television (haven’t checked them myself yet). Yes, she doesn’t stand with a bare back and a gun and neither does she appear like in some other posters which seems to have offended a few. I would say that the poster gives a different opinion about the movie, and being erotic is not one of the strong points of the movie. But the songs are really good, and they are nicely picturized without losing the mood of the movie except for one which comes with the hallucination. This should have enough to satisfy the fans of Surveen as well as the revenge movie fans. Unlike Ek Villain, this is also more original in its soul.

Claws of flaw :: With choosing to do away with the erotic scenes which actually powered it before the release, the strangest thing in the movie is Jay Bhanushali coming back from the dead as the glowing avatar as part of her hallucinations. I do wonder why they even had to think about it. Then the romantic side comes up with him at the wrong moments, and in the end it also helps to add a few more erotic scenes in a small screen with the credits. But most of the photos on the posters never really happens in the movie. Even with those which happen, they are in the songs, and that would give rise to the question if getting some video songs later will be enough. It has so much less erotica and compared to its predecessor, it even lags in the thrills and the cast performance – even the dark shades becomes less and the story is just average. It is not something that we haven’t seen before, and adds to the large number of revenge movies which are part of our movie collection. It is really a predictable end that awaits the audience too, and you know what it will include. We needed a lot more and with the kind of views that the trailer had, a much better movie was expected.

Performers of the soul :: This movie is about Surveen Chawla and the character that he plays, and it is the story of her hatred which can only be destroyed by the taste of vengeance. She is nothing less than wonderful on her debut. I was pretty confident about her being good as this had to completely depend on her. She maintains her level through different emotions, and her transformation is good. She is comparatively better as the lover and the one facing her own troubles, and I would guess that the face suits a damsel in distress. But the same can’t be said about the rest of the cast who falters. Jay Bhanushali struggles and it was a bad idea to bring him back as hallucinations, as he was quite good until then – later he was made an illusion with the support of music and the time of entrance is mostly terrible too. As the movie was about the heroine, it is still mostly fine. Sushant Singh is okay, and there are moments when he is very good. But overall, he had the potential to be a better villain which is ruined by some lazy writing and leaves the movie to our heroine as expected, and thankfully, she excelled. Sunny Leone is there just for the item song “Pink Lips”, which is also okay, but the song scene springs out nowhere and disappears without trace.

Soul exploration :: The movie asserts the need for revenge, but its hatred is weaker than the prequel even with the presence of a villain worth hating, right from the beginning to the end, at no point stating otherwise with his action or speech. What our protagonist does is actually something that she should have done a long time ago. She is scared, but as she comes back from the dead, she becomes fearless. Near-death experiences do bring the best, doesn’t it? Or is it the love that guides her? I would say a little bit of both, but she becomes the revenge seeker without remorse. It has its messages about the evil that is in the society and its ability to destroy the life of a common person, but doesn’t really work on it further. The movie has the hero being murder by water, the heroine attempted to be killed under earth, one villain killed by fire and the another one by air – good use of the elements, I would say, but I do wonder if that was actually meant to be so. Ek Villain and Hate Story 2 are still signs that the thriller genre is doing fine in Bollywood, and it is actually a good sign – along with the matching fact that the heroine gets murdered early in the former and the hero in the later.

How it finishes :: I hope a certain lack of more ideas could be forgiven as I was having heavy fever while watching this one at the theatre. Well, fever is such a mortal thing and it can’t stop the Vampire Bat, even as there is no denying that things got worse after watching the movie – the air conditioner and the fan stopped in the theatre, still the fever got worse. I guess as far as I can walk, I can go to a theatre and watch movies. I had thought a lot of things about this one while watching, but I guess I can always come up with more in detail later at http://theteacerebration.wordpress.com/. Still, I can say for sure that if you liked Hate Story‘s first entry, you can go for this, but remember that this not that erotic and there is no working on the same lines as the prequel except for the fact that there is revenge by a female protagonist. I haven’t been a fan of Surveen Chawla, but if you are, I guess you will surely need to try this one – otherwise, just try your luck. This is a movie which can go either way for the audience, and it is more of an opportunity which could have been better used.

Release date: 18th July 2014
Running time: 129 minutes
Directed by: Vishal Pandya
Starring: Surveen Chawla, Jay Bhanushali, Sushant Singh, Mika Singh, Siddharth Kher, Rajesh Khera

hatestory2 copy

@ Cemetery Watch
✠ The Vampire Bat.