Jessica Alba – Movies of the Soul

Vampire Owl: This reminds me of someone I know very closely.

Vampire Bat: Oh, you mean the Transporter. Or the Hitman.

Vampire Owl: None of them – I know that they are exclusive to the human race.

Vampire Bat: Then who are you talking about?

Vampire Owl: Don’t you remember my zombie minion who was a mechanic?

Vampire Bat: He fixed tombstones. You can’t call him a mechanic.

Vampire Owl: Well, we work through magic. What else is there to repair?

Vampire Bat: But the Mechanic here is a Hitman!

Vampire Owl: And Jason Statham is supposed to be the Transporter!

Vampire Bat: They are all professionals – Hitman, Transporter and Mechanic and there is minimum hair on the head. So, consider them as equals in a divided society and lets watch the movie.

[Gets three cups of masala tea with tapioca chips].

What is the movie about? :: Arthur Bishop (Jason Statham), has left his job as the “mechanic”, which has been a fancy name for a skilled hitman for very long when he was in the field. As he had been more than a professional assassin who specialized in making his assassinations look like accidents, random criminal acts, suicides or just something that happened as a part of collateral damage, he is never really away from his job with the past following him all the time. After pretending to be dead, he has been living in Rio de Janeiro after taking over the name Santos, with no noise, and no more repairing with assassinations as a mechanic. He is approached by a lady named Renee Tran (Rhatha Phongam) who tells him that she knows who he is – she wants him to kill three targets for her boss, and they have to look like accidents or normal deaths.

So, what happens next? :: Using his special skills and experience, Arthur makes his escape from Renee and her mercenaries, making his way into the resort of his old friend, Mae (Michelle Yeoh) in Thailand. There he meets a woman called Gina Thorne (Jessica Alba) who is beaten by a man, and saves her, but later realizes that she is the bait, and someone has put her there to make him fall for her, so that he can later make him do assassinations for him – the same person who was following him in Latin America. It is the man called Crain (Sam Hazeldine) who used to be Arthur’s childhood friend, but that bond no longer remained, only to turn into hate later. He would kidnap the woman, and ask Arthur to do the three kills to keep her safe. Arthur has decided to make sure that Gina remains safe, and so he goes after his first target. But this one is inside a prison, and won’t be that easy – and two more will follow.

The defence of Mechanic: Resurrection :: There is unlimited action guaranteed with this sequel, and one can safely see that it is even bigger than its predecessor in that particular department. All the action remains simple, but effective, and there is no shortage of thrills in this journey. The action actually begins in the first location itself, and there is a fine dose of the same in between – the executions are also nicely done, especially, the one from under the swimming pool at the top of the skyscraper. There are some nice twists to go with the same too, and none of these are without style here – we all know what Jason Statham is capable of from all he has done within this genre. Brazil, Thailand, Malaysia, Australia and Bulgaria – the settings for this movie are all beautiful without doubt; especially those first shots at Rio de Janeiro and what all follows at those times in Thailand.

The claws of flaw :: People might have wished for something more in the story with this second addition to the franchise – a lot more than the usual thing, but they had to be satisfied with the hitman doing jobs with this one. There might also be the need for a more standardized progress with a movie like this and also the requirement for better dialogues and moments to remember. Another thing is that people are going to compare, and that might not do much good here – it is enjoyable what you see on the screen that matters the most. You are also sure to ask more from Jessica Alba’s character and also for Michelle Yeoh. Mechanic: Resurrection could have chosen to satisfy them all, but the fact that it doesn’t try to do the same means that we can watch them all without being bothered by the rest of the world.

Performers of the soul :: Jason Statham once again shines with what he does the best – it used to be The Transporter, Crank or The Expendables, and here, he continues to create that impression on us, as we watch him take on the bad guys. As the person who has been the Transporter before, and as the person who has been the fans’ first preference to become Agent 47 in Hitman, he easily goes through this role which demands nothing that special from someone who is so close to this genre. Well, we need to watch him in this kind of roles as it is how we have known him for a long time. As the hero that we want him to be, he is there again. It is good to see Jessica Alba again, but her role is a little too limited in this one, becoming the damsel in distress for too much time. Sam Hazeldine makes a pretty good villain here, and Tommy Lee Jones scores with the screen time that he has. Michelle Yeoh could also been used more.

How it finishes :: A lot of people might have chosen to degrade this movie, and it might not be the overrated critics’ material – but that doesn’t take out anything from this movie which delivers, and we have no doubt about that. Grossing more than its predecessor, this one proves that there is more to the movie than what the reviews say – Mechanic: Resurrection is not the kind of movie that goes for brainless entertainment either, and so you can be sure that critics have got this wrong, and it is not the case of just with one person. After watching this movie against many opinions, I have only found people who had told that this movie is disappointing, as disappointing for me. It happens very often with action movies as well as the horror flicks; we know a movie is good, and there are those reviews which look at the flicks in a strange way – but we get over it and go through to watch the movie.

Release date: 26th August 2016
Running time: 98 minutes
Directed by: Dennis Gansel
Starring: Jason Statham, Jessica Alba, Tommy Lee Jones, Michelle Yeoh, Sam Hazeldine, Rhatha Phongam, Natalie Burn, Anteo Quintavalle, Femi Elufowoju, John Cenatiempo, Toby Eddington

*Also check Ouija: Origin of Evil, Lights Out, The Witch, Vatican Tapes and Before I Wake specially for this Friday the 13th inspired weekend.

@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl :: Didn’t this release long ago?

Vampire Bat :: No, there was a delay. I think the Indian censor board was concentrating heavily on this for many days, and they have finally managed to cut a lot of this movie and released it last Friday.

Vampire Owl :: They waited all these days to release this on Onam?

Vampire Bat :: Yes, as Onam has colourful flowers, they would balance it with this colourless movie.

Vampire Owl :: I wonder how much they would have cut.

Vampire Bat :: I would guess, half of it. They have very good scissors, and from what they have been doing, I shall not dare to doubt their skills.

Vampire Owl :: So, they want us to watch this movie on the computer, right?

Vampire Bat :: That should be the reason. Otherwise, I see no reason why they cut too much and still give a movie the adult rating. May be they can have a 21+ and 25+ rating for the movies too.

Vampire Owl :: My question is about that dame for whom it is to kill. May be we can collect blood for her too.

Vampire Bat :: Lets watch this and find out about her then.

[Gets the ticket].

What is it about? :: Sin City 2 has three stories, all of the happening at the same place and having relation to each other. One is the tale of Johnny (Joseph Gordon Levitt) who beats Senator Roark (Powers Boothe) in game of cards and the loser is not really happy about it. The powerful man wishes to get back to Johnny and his new girlfriend Marcie (Julia Garner) for humiliating him in the game. At the same time, Nancy Callahan (Jessica Alba) is seeking vengeance from the same man who had killed the man he loved. She lives an alcoholic life, being a bar dancer and at the same time, hoping to murder the evil man. The third story has Dwight McCarthy (Josh Broslin) attempting to free his former lover Ava Lord (Eva Green) who seems to be in a terrible relationship with her husband. In the middle of all these, there is Marv (Mickey Rourke) who seems to be part of the whole thing like the blood is to the veins. As things happen in Sin City, there will be blood, death and more vengeance.

The defence of Sin City: A Dame to Kill For :: This sequel should be a much awaited one for the fans, and it is nice to have one after nine years after the first adaptation of Frank Miller’s comics on the big screen. This was even a longer wait than one had to do for 300, and as some people might have forgotten about the same, a few others might have been still eagerly waiting. The return of the franchise is with a more powerful cast, even as Bruce Willis’ presence is minute. The style of the original continues in this movie, as there is lot of violence even as most of them are not really shown directly on the screen (can’t comment that much on the sex and violence and the censor board has been working its scissors so well with this one). The colourless world and the slight infiltration of the colours that we see in this movie, is something that I like a lot. There is a visual beauty in this absence of colours and the sudden appearance of some of it at certain point, catching our attention; may be its nostalgia or the love for such variation, for I am not sure.

The claws of flaw :: I haven’t watched the first movie of the franchise, but it seems that the original was better, as said by a number of people I know. There are problems in the story for sure, at moves on without any aim, and the inter-linking is not that awesome as one would think that it would be. There is the way in which it is presented, and the absence of colours might not be good for most of the regular viewers, and I could feel that in the theatre. The movie also dares to slow down, and at the same time not give enough for the viewers to ponder about. The action could have been nicer too, and the protagonists should have had more to do rather than moving along in predictable lines. At the end of the movie, one ends up wondering if he or she has got enough of the idea behind this movie, or did most of it go with the scissors of the censor board – it is clear that they have cut again and again in this movie, and the same has affected and disfigured this movie further at this part of the world. May be this can work better without those scenes cut, but can’t say that now.

Performers of the soul :: One can only accept that he loved Eva Green on the screen like no other. She is sensational as well as sensuous on the screen as the woman who seems to be at the centre of Sin City, creating enough to make that name sound truer as well as better for the human ear, for she was that good there. She is a wonder case of twisted evil here, and as Powers Boothe is excellent also a powerful villain, Eva takes over in a more serene manner. Jessica Alba was also impressive, but her score is more with her stunning looks and expressions rather than the rest. Mickey Rourke is perfect fit for this role, and one ends up clapping for him more than any other. Josh Brolin is also very good, and one has to admit that he is also a nice one for this movie. Joseph Gordon-Levitt is okay, but that story had nothing much. Rosario Dawson and Jamie Chung looked not that much needed for the tale. Bruce Willis wanders around as a ghost, for which there is no appropriate reason. Among the rest, I would vote for Juno Temple, even though it was rather a small presence.

Soul exploration :: Sin City 2 successfully creates its world, the monstrous city of sin and crime. The images and the colours that it uses catches our attention well, and helps us to relate well with the crime universe which exists inside the movie, and this time it is in 3D. There is too much evil going on in this movie, and the mood for the same is nicely created, the feeling is that we are really watching a very dangerous and crime infested place. It is a world to be transported into, and if you don’t want to feel that the same, it is to be avoided. There is a certain amount of admiration required for this genre as well as the action movies as a whole, and otherwise you might not want to watch this. It might be easy to choose not to watch this one if you prefer the Bollywood masala movies full of colour and music. You needn’t watch this movie if you didn’t like the first movie either. I have known many people expecting something else and watching this movie, not really liking it. I would say that you have to know what you are going to watch on the screen.

How it finishes :: Sin City: A Dame to Kill For becomes that comic on screen like not many movies have achieved before except for may be its prequel, but I haven’t watched that yet. You can watch this movie just for its variety in style and the cast, especially Eva Green, Jessica Alba, Mickey Rourke and Josh Brolin. It is not often that you will manage to watch such a movie, and considering the reactions and the box-office collections of this movie, as well as situation at the theatre, I would wonder if such a movie will set foot at this part of the world. There is the need for colour in this part of the world, and especially this is that week of Onam which demands colourful flowers, but this is more of a black and white movie with slight colours in between. One has to wonder if anyone other than me would watch a non-Malayalam movie for Onam; even I doubted the same myself, but decided to go for this one as timing of the show as well as the situation was more suitable for Sin City: A Dame to Kill For.

Release date: 5th September 2014 (India); 22nd August 2014 (US)
Running time: 102 minutes
Directed by: Robert Rodriguez, Frank Miller
Starring: Mickey Rourke, Jessica Alba, Eva Green, Jaime King, Jamie Chung, Josh Brolin, Joseph Gordon-Levitt, Juno Temple, Rosario Dawson, Bruce Willis, Powers Boothe, Dennis Haysbert, Ray Liotta, Christopher Lloyd, Jeremy Piven, Christopher Meloni, Alexa Vega, Julia Garner, Lady Gaga, Marton Csokas, Jude Ciccolella, Crystal McCahill