Category Archives: Adventure

The Priest

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What is the movie about? :: Fr Carmen Benedict (Mammootty) is a priest who is known to have helped the police in multiple cases. Diya Alex Alatt (Saniya Iyappan) approaches him with a certain amount of concern regarding a series of deaths which had occured earlier in the rich and influential family, and were dismissed as suicides. Diya feels that the present controller of the assets of the family, Elizabeth Alatt (Meera Nair) might know something about it. He calls DYSP Shekhar (Sivadas Kannur), who begins to share some of his doubts. When a little girl named Ameya Gabriel (Baby Monica) is also found in the house, and the connected incidents related to her lead to the discovery of more clues related to the murder, Fr Carmen also understands that there is more to her than what meets the eye. Ameya is an orphan, and nobody has any idea what she is upto, because she often goes missing from her orphanage, and comes back by herself. Her actions are also nothing less than what others consider to be strange.

So, what happens with the events to follow? :: Jessy Cherian (Nikhila Vimal), a new teacher takes charge in the school where Ameya is studying. Even though Ameya has been hostile to each and every person in the school including teachers and students, she immediately becomes friendly to Jessy who is also happy about the same. As the school is closed for summer vacation, Ameya begs for her to be taken with Jessy. With the permission of the orphanage authorities, she manages to take the child to her home in the highlands, which had been abandoned for a long time. But it turns out that this child is not really the kid which she had expected. When anyone else comes in between Jessy and Ameya, the latter reacts violently, especially when Jessy’s fiance Siddharth (Venkitesh VP) comes to meet her, and proposes her. Soon, things take a further violent turn, and Fr Carmen makes his way to the place, as he understands the seriousness of the situation. But this might not be the kind of spirit which Carmen thought it is. He takes the help of Dr Mathews (TG Ravi), but he understands the need to learn about the spirit.

The defence of The Priest :: The movie scores heavily with its visuals, as we do have a perfect setting for horror, and along with the environment, there are the usual scares effectively used with the help of sound effects. The music is also very interesting. The scares are added here and there, and at times they work depending on the audience. There are some twists to be added here, but we do expect a few among with ease, seemingly because of trying to stick to the Hollywood style. The performance are also of a higher level, even though we do feel that the first investigation was even more interesting than what came later. It does have the most interesting part in the beginning, like Mammootty’s Abrahaminte Santhathikal had that crime at the start, and even with the presence of clowns, doesn’t make them nonsensical like it was done in the strange Mammootty movie The Great Father. Instead, most of the time, The Priest plays to its strength, and makes sure that there is no risk taken, even though it was there to be taken.

The claws of flaw :: The Priest has many elements which we would feel borrowed, and the reminder of Hollywood movies is sure to come back here. The climax doesn’t deliver the needed punch either, as it goes through the safe way, and adds one scene after the finish, seemingly as a justification. Looking at films like The Conjuring, The Nun, Insidious, Sinister and Annabelle, we have had an overdose of horror movies with spirits, and as there was enough for reference, this could have certainly done better – we all remember what Ezra did with the Jewish demon. Well, when the demon really doesn’t want to be terrifying, and with the first motive being close to a Mathematics teachers, the scary side weakens – when the motive and actions of the supernatural doesn’t scare us enough, the genre itself struggles. After all, a spirit should do what it always does the best, and it should go further when listing itself as a horror film at all places. There can be more to an act of exorcism and the process of haunting. We also see something missing with the sequence of events, but can’t talk about that without revealing the suspense and twists.

The performers of the soul :: The movie was marketed as the first movie in which Mammootty and Manju Warrier acted together – the last word does have some complications though, because the latter’s character was dead some time ago, and so the characters won’t be living together in the film, and we would have to wait to see them in the leading roles. Manju Warrier’s role is also quite short here, and it can be considered only as long as the work of Saniya Iyappan who also has some work to do related to the first adventure of the protagonist. Mammootty’s avatar here is a lot better than what we have seen in most of his action and thriller films, and this is a character that he does with ease. We can now remember him like Father Brown, the Roman Catholic priest and detective who was the main character in the fifty three short stories written by British novelist GK Chesterton in the years after Victorian era. There we were not into horror though.

Further performers of the soul :: Even though often known as the first Mammootty-Manju Warrier movie, the latter gets only limited presence, and in the first half we don’t even have a clue that she exists. But when she is there, she works through this very well. Nikhila Vimal is once again seen as a talented actress, extending her good work from Njan Prakashan and Aravindante Athithikal. Saniya Iyappan has the early shorter presence, and as we had seen her effectiveness in horror with Krishnankutty Pani Thudangi where she was the only saving grace, we were expected more of her presence there. Ramesh Pisharody and Jagadish are also given some early moments in here. Venkitesh VP whom we have known from the television show Nayika Nayakan also has done some good work. Baby Monica also contributes nicely once the horror side begins. She excels in displaying that scary side which is brought to light in the second half of the movie.

How it finishes :: The Priest was among the much awaited movies with Mammootty in the lead, and it has come late due to COVID-19 pandemic – according to the reports, it has still managed to be a profit-making venture, even with the theatre occupancy being controlled. The Priest is the one Malayalam movie which brought the viewers to the theatres and made sure that the business was running smoothly. As it has released on the OTT platform of Amazon Prime, one can now watch the film without those fears which we had earlier. The Priest is not only on a path towards being a stylish horror movie, as it is also an innovation in having a release on an OTT platform a month after its theatre release – it is a path which many more movies can follow, as there are other films which need to be released, and we are still facing the worst case of that one grand pandemic. With the clouds bringing darkness early in the afternoon, The Priest makes an interesting thriller for the time, even though it could have been bigger and smarter.

I also wish everyone a Very Happy Vishu! Stay safe and enjoy the day 🙂

Release date: 11th March 2021 (Theatre), 14th April 2021 (Amazon Prime)
Running time: 147 minutes
Directed by: Jofin T Chacko
Starring: Mammootty, Manju Warrier, Nikhila Vimal, Baby Monica, Venkitesh VP, Saniya Iyappan, Sivadas Kannur, Jagadish, Lishoy, Shivaji Guruvayoor, Ramesh Pisharody, Kochu Preman, Ameya Mathew, TG Ravi, Dinesh Panicker, Kalabhavan Haneef, Naseer Sankranthi, Sminu Sijo, Jeeva Joseph, Shiny T Rajan, VK Prakash, Meera Nair, Thomas Kuriakose, Jayadevan, Manoj Chennai, Sohan Seenulal, Madhupal

<— Click here to go to the previous review.

<— Click here to go to the Holy Week’s movie review.

@ Cemetery Watch
✠ The Vampire Bat.

Joji

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What is the movie about? :: Joji Panachel (Fahadh Faasil) is the youngest son of Panachel family, an engineering drop-out who has now failed in his latest attempt in the tourism field due to the COVID-19 pandemic. Living somewhere in the isolated part of the highlands, where his father Kuttappan PK (Sunny PN) owns many acres of land around their house, Joji condemns the fact that everyone considers him as a failure. Kuttappan’s other two sons Jomon Panachel (Baburaj) and Jaison Panachel (Joji Mundakayam) fear him as much as Joji does, and the terrifying head of the family is ruthless in his attitude towards his family members. He keeps all the money to himself, and the sons are ever dependent on him. Jaison and his wife Bincy Jaison (Unnimaya Prasad) are highly obedient towards him, while Jomon also has his son Popy Panachel (Alister Alex) living with him after just recently completing the procedures of his divorce.

So, what happens with the events to follow? :: It is a world where Kuttappan maintains full control, and Jomon is a son who seems to be becoming just like his father. Joji is upset about nothing positive happening in his life, while Popy is a hopeless young boy himself. Bincy also has no hope for future, while her husband the son in the middle, Jaison has no courage to do anything that could change the sequence of events for everyone in the family. But when Kuttappan has a stroke while once again trying to show his strength in front of everyone else, the regular sequence of events is disturbed. The doctors and most family members feel that there is no comeback for him, and even the local priest Fr Kevin (Basil Joseph) believes that now only prayers can save him. But to everyone’s surprise, the 74 year old man survives death and comes back to them in a wheelchair. The fear factor is back, but now there is a chance for everyone to have a deviation here.

The defence of Joji :: Joji thrives on the realistic feeling that it generates with the thrills, something which Dileesh Pothan carries over from Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum, with setting coming back to the highlands yet again. The time, from a Google search, the location seems to be more Kottayam than Idukki, and the atmosphere here is nicely set – could even serve as a lesson for anyone who makes a film based on the Koodathayi cyanide murders. This kind of a world is something that could take Malayalam cinema further, especially considering the fact that this flick is no longer limited to the local theatres, but gracing many nations of the world. The build-up is really nice, even though a little bit slow, and it has us expecting a lot to follow, considering the fact that a good number of main characters have certain secret motives. The film does make us remain suspicious at all times, even though some of those doubts are really without any reason. The camera work is excellent, and you also get to see some spectacular shots.

The claws of flaw :: The ending here is not that effective, and there we can see a big opportunity gone missing in a movie which was going to be far more efficient in divergence. One would expect one master twist in the end, but the final moments were just predictable and without the strength that such a movie needed to have. Seeing a top quality psychopath running out of ideas, and nobody stepping into take his place creates a struggle in the end. Even though there is the talk of this being an adaptation from William Shakespeare’s Macbeth, one would find that to be an unnecessary addition to the details about the movie, because the protagonist whom we see here is none like that particular character. I wouldn’t connect that Elizabethan age drama to this one because it feels like not doing justice to both – this one works separately, and could have achieved more with this premise. Also, the female character representation is too low here.

The performers of the soul :: Just like the earlier Dileesh Pothan movies which had Fahadh Faasil as the main character, this one also depends on him to bring the magic, which he does with a certain amount of ease, as he has done before in multiple occasions as part of many different movies. We can also find traces of what was seen in Kumbalangi Nights with his psychotic character that brought the twist in the end. That was a movie which should have been sent for the Oscars, and Fahadh has another performance here that follows the much appreciated self-proclaimed hero of Kumbalangi. Unnimaya Prasad is also here doing a really interesting character, someone who seems to have hidden dark shades, even though the same is not explored further. An opportunity to bring the Macbeth element with a guilt-filled Lady Macbeth is not taken here, against expectations. We had seen her most memorable role in Anjaam Paathira, and this is the next most memorable thing.

Further performers of the soul :: Baburaj’s performance in this movie serves as a big boost too, as he excels in the serious as well as the funny moments. In the end, we feel the character as a person who holds on to his own values, and the same differentiates him from others, even though he is still an alcoholic with not control over his tongue – a character nicely executed. Shammi Thilakan’s character also catches our attention, and it is also as realistic a character as we can get. Sunny PN who plays the controlling father character will also have our attention from the beginning itself. Basil Joseph’s role of the priest is a welcome addition too, even though it doesn’t directly affect the storyline. It is to be noted that the director of movies like Kunjiramayanam and Godha has played a good number of interesting roles until now. The lesser characters are also nicely added to the film, as we see them contributing really well in what seems to be nice roles for them.

How it finishes :: During the continuing time of COVID-19 pandemic, this movie has released in Amazon Prime Video, and that has been a nice idea indeed, at least for most of us who haven’t really started visiting theatres again as the cases of infections are still going up. This one is another winner for Dileesh Pothan as a director, as he scored three out of three with simple, realistic movies. I would place this movie between Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum, better than the latter, but not that much of an interesting thing as the former. It seems that a pandemic like this version of mutating Corona virus has given us more thriller movies than those films with hope which were filling up the theatres before we went into that lock-down, an example being seen in Kilometers and Kilometers starring Tovino Thomas which served as a light-hearted feel-good film. We are surrounded by horror and suspense, and it is a fine change.

Release date: 7th April 2021
Running time: 155 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Unnimaya Prasad, Baburaj, Basil Joseph, Shammi Thilakan, Joji Mundakayam, Sunny PN, Alister Alex, Renjith Rajan, Dhaneesh A Balan, Renjith Gopali

<— Click here to go to the previous review.

<— Click here to go to the previous full OTT release.

<— Click here to go to the previous full TV release.

@ Cemetery Watch
✠ The Vampire Bat.

Yuvam

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What is the movie about? :: Aby Mathew (Amith Chakalakkal) is a young lawyer who practices under Advocate Sreekanth Panicker (Indrans) who takes on socially relevant issues, and according to petitions of social interest, trying to win cases in favour of public. Vinu Janardhanan (Nirmal Palazhi) and Paul Varghese (Abhishek Raveendran) also works in the same office, and shares the house rent with Aby. For the last few months, Aby has been a fan of the news reader of a popular channel, Nimisha Madhav (Dayyana Hameed). They end up meeting at a news conclave at which Aby questions the Chief Minister, DK Sreenivasan (Saikumar) about the harthal his party had recently conducted, leading to the loss of crores. Aby and Nimisha meets again after the latter has an accident, and they fall in love. But things get complicated as Aby decides to take the case of a former KSRTC employee who was denied pension for months. After the death of this employee, Aby and his friends decide to take this case very seriously.

So, what happens with the events to follow? :: But the Transport Minister (Jaffer Idukki) has the plans to privatize KSRTC, and Ragesh Joseph (Kalabhavan Shajohn), the local MLA is playing a major role in the same. The court decides that someone has to take charge of KSRTC and prove that it can be a profitable firm, and it advises the government to let the petitioners take charge of the department for six months to make sure that it achieves the target. The government is not really happy about it, but to the suprise of everyone, Chief Minister approves it, being confident that nobody can save KSRTC, and after things worse get under the new people in control, they can easily sell it to the corporates, along with the acres of land which the transport corporation owns all around the state and neighbouring states. Now, it remains to be seen where the fate of state’s road transport corporation and its employees stand. But the path won’t be that easy even with everyone trying their best.

The defence of Yuvam :: Yuvam‘s strength lies in its message which almost everyone who understands the need for reformation of the system can follow. It calls on the young generation to bring that much needed escape from a world caught it political games meant for power and corruption. The two problems that it displays are the common ones, and it successfully makes one feel the need for a change from the usual political parties’ corrupted move forward. The song “Chemmaname” stands out, and when we consider the films so far, it is indeed the song of the year, with nine more months to go for anyone to replace it. Films with social commitment are rare to see even during these days of COVID-19, reminding us that people still haven’t learned their lessons well enough. You can remember the movie Nirnaayakam which dealt with a similar problem, but that one was further implausible. Yuvam, even with making one feel that things went too easily, does make us believe that things are possible.

The claws of flaw :: The whole idea could have been planned much better. There were so many things that could have been included here as far as dealing with the common problems like KSRTC income loss and harthals are concerned. It could have been further emotional and inspirational to create a feeling that would stand much longer. But if you are slave to a political party, and do not understand that the development of the nation and its people matters more than the party itself, there is no point in watching this movie. There is a certain amount of social consciousness in requirement from the audience here, because otherwise the whole idea would be lost. The romantic side is also left behind too early, and the film could have actually been longer in that case. The comic side is also less effective, and even though this also gives the feeling of that everyman’s fight against system, there is the absence of anything special, and predictability is surely there – it should have added some special ingredient instead of moving along the usual lines.

The performers of the soul :: Amith Chakalakkal leads the way here in grand style, just like he did with the earlier movie with him in the lead, Vaarikuzhiyile Kolapaathakam. Just like that one movie which grabbed one’s attention when least expected, this film also does almost the same thing, that too at a relevant time when election is here, and different political parties are throwing trash at each other, leaving the voters to look forward to options like Twenty 20 and other independents. This movie with Amith in the lead would have attracted more audience than that previous one if it was not for the COVID-19 pandemic and the resulting fear of people, especially the family audience. He also has fight scene, and it is done in a more realistic way, even though one would still wonder if it was that easy to fight against the corrupted politicians and their goons, because if that was the case, one can be sure that people would have done that a long time ago. But we have no doubt that Amith will have some even greater movies to follow.

Further performers of the soul :: Dayyana Hameed is an actress whom we have seen before, but never as much as we have seen her in Star Magic, the television show in Flowers channel. Dayyana is surely an actress to look out for, and we have seen some of her performances in that particular programme before, and teasers and songs also provided us an idea. Even though we loved to see her on the screen, she doesn’t have that much of time on the screen, especially as the film is too short to show everything it should have shown. Nirmal Palazhi handles the small amount of working comedy in the film. Saikumar as a villainous figure is strong, but there is not that much of a terrifying impact that this character makes like Jagathy Sreekumar did in Passenger a long time ago in a similar social thriller with messages. Kalabhavan Shajohn and Jaffer Idukki also have the menace limited. Abhishek Raveendran provides some good support. Yet, one person who gets a lot of attention is Indrans with yet another impressive serious role, even though it is not for long.

How it finishes :: Yuvam takes the side of the youth as well as the common man with ease. It shows the fight of everyman against a system which has been corrupted by politics. It reminds us more than once about the fight against the usual politics and its corrupted side, and the battles that non-political organizations have put forward – it is something which will only grow stronger if the politicians don’t mend their ways; AAP did it long ago, and Twenty 20 is doing it now. The movie released in the theatres earlier in February, but I haven’t considered visiting the theatres as an option after Forensic became the last one I watched in the theatres before COVID-19 and following lockdown, but thankfully it did have the television premiere today noon on Mazhavil Manorama. When you get to watch a good movie in just more than a month after its release in theatre on television, it is fair deal as you don’t have sit with stranger for two hours or so. Yuvam is a film worth that time, indeed. After all, every movie cannot release on television like Kilometers and Kilometers.

Release date: 12th February 2021
Running time: 113 minutes
Directed by: Pinku Peter
Starring: Amith Chakalakkal, Dayyana Hameed, Nirmal Palazhi, Indrans, Abhishek Raveendran, Kalabhavan Shajohn, Nedumudi Venu, Saikumar, Baiju Ezhupunna, Jaffer Idukki, Chempil Asokan

<— Click here to go to the previous movie review

<— Click here to go to the previous Malayalam movie review

@ Cemetery Watch
✠ The Vampire Bat.

Drishyam 2

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What is the movie about? :: Georgekutty (Mohanlal) and Rani (Meena), along with their daughters Anju (Ansiba Hassan) and Anu (Esther Anil) have become richer after those earlier incidents, as the former has now bought some land, and started a film theatre by the name Rani. Their neighbour Saritha (Anjali Nair) is a victim of domestic violence, and her husband is one of the notorious drunkards of the area, Sabu (Sumesh Chandran) – there are some fights happening in the area due to the same. The people in the town don’t really like them anymore, with the exception of Sulaiman (Kozhikode Narayanan Nair). The local people who are not happy with Georgekutty becoming rich, come up with gossips regarding the earlier incident leading to the death of the boy, and police continues to investigate the Varun missing case as it was something which proved to be humiliating for the entire police department. Georgekutty has the dream of making a movie, which he wishes to be perfect, and has left a certain amount of money for the same.

So, what happens with the events to follow? :: Jose George (Ajith Koothattukulam) returns home after finishing his time in the prison, and he had seen something during the night when the boy was murdered. Philip Mathew (Ganesh Kumar) is in charge of the police station along with Antony Joseph (Antony Perumbavoor), and the investigation seems to be gaining some ground. Thomas Bastin IPS (Murali Gopy) is in charge of the case, and he won’t stop pursuing Georgekutty without anybody realizing the same. Advocate Janardhanan (Joy Mathew) and Advocate Renuka (Santhi Mayadevi) are fighting the case with the latter appearing for Georgekutty to dismiss the appeals for taking the case again. Geetha Prabhakar (Asha Sarath) and Prabhakar (Siddique) are having their ways for finding the means to get through Georgekutty. But Georgekutty remains strong, even as there are many twisted ways being followed here, yet it remains to be seen about how long he can stand.

The defence of Drishyam 2 :: In Malayalam movie industry, sequels haven’t been of that much strength, especially with superstars in the lead, as the chance to relegate into a mass movie is always there, and this film does threaten to do so, but never really does that, as it goes back to the original movie’s feeling. Just like this predecessor, this movie also starts with the usual family moments, even with the presence of certain danger always lurking the corner. There is the mention of the same, but the procedure is usual until we get into the last one hour or so, as things begin to provide a feeling of real danger for the protagonist and his family, and the same is at the extreme in the last forty five minutes or so. One has to appreciate the fact that the movie also has a twist in store in the end reminding the viewers of the first film, but still manages to maintain its novelty with multiple elements in store here. The new additions to the cast are highly effective, without doubt.

Positives and negatives of the movie :: The fact that it has released in Amazon Prime surely has its own advantages and disadvantages too, but I have been rarely the person who enjoyed watching superstar films in the local theatres because there has always been too much of noise – for such films I would have preferred multiplexes, and so this release wouldn’t bother me much. I would have still liked this movie to get into action earlier, as the real tension begins rather too late – for the first film, it was okay as the beginner of a franchise, but it is not acceptable in a second entry in a franchise. The pressure that the first film maintained in the audience is lesser too, as things get over rather too quickly. Final few minutes should have surely been extended at the cost of cutting a little bit of those family moments in the beginning, as well as those moments involving talks from the local people. A long thriller needs to work on its lesser elements better.

The performers of the soul :: Mohanlal continues to be the lifeline of the franchise which can have even more movies in the group. The character has undergone some changes from the first movie, but in essence, there is not much of a change, and we understand the same further as the movie nears the finishing point. The veteran actor, the legend as we know him, has no problem with this particular role which seems to work better than any other roles he has done in the last two decades. The next person to stand tall in his performance is Murali Gopy, the police officer who doesn’t make any compromise while trying to bring justice to his co-worker who was forced to retire from the police force. He plays a mastermind here, who seems to be waiting for that one opportunity to make his move, as the case which had a negative impact on his department needs to be brought back to the spotlight and solved, with the best finish being the long presence of the protagonist, his wife and their elder daughter in prison.

Further performers of the soul :: It is still to be said that Kalabhavan Shajohn is being missed – in another adaptation, it would be Kalabhavan Mani who is to be missed, because we know that there will be adaptations in Tamil, Telugu, Kannada and Hindi, and maybe even in Sinhalese once again. The rest of the characters also do bring some of the red herrings for the audience here and there. Ajith Koothattukulam, the new addition, the surprise character does a fine job along with Sumesh Chandran, while the two children who have changed, played by Ansiba Hassan and Esther Anil are good once again. Meena does almost the same thing as she did in the first movie, and it is to be noted that she, Asha Sharath and Siddique haven’t undergone any changes as far as their characters are concerned. In the franchise, if there is one great righteous character, it is the one played by Siddique. Among all of these characters, Anjali Nair has some of those striking moments too. Santhi Mayadevi, a real life advocate playing a lawyer is also noted for some solid moments.

How it finishes :: Drishyam was once the highest grossing movie of all-time as far as Malayalam film industry is concerned, and it had held that spot valiantly until Pulimurugan and later Lucifer qualified well enough to overtake that status. The one movie which was supposed to be break those box-office records was this one, but we see the release in OTT platform of Amazon Prime getting the release against the wishes of most of the fans and theatre owners. Considering this sequel, it is certainly not that great as the first one, but it is surely better than the two other high grossers of Mohanlal which had overtaken the movie’s predecessor. There was always going to be something about a sequel like this, and that feeling is reflected in the responses to this movie so far. Drishyam 2 is an entertainer of quality, exactly the opposite of what that never ending Annayum Rasoolum-estic borefest which was the first Malayalam movie to be released on Amazon Prime, Sufiyum Sujatayum. Cheers to a sequel done really well, as we await sequels for the other thrillers, Forensic and Anjaam Pathira.

Release date: 19th February 2020
Running time: 153 minutes
Directed by: Jeethu Joseph
Starring: Mohanlal, Meena, Esther Anil, Ansiba Hassan, Asha Sarath, Siddique, Murali Gopy, Sai Kumar, Ganesh Kumar, Anjali Nair, Antony Perumbavoor, Kozhikode Narayanan Nair, Sumesh Chandran, Santhi Mayadevi, Ajith Koothattukulam, Dinesh Prabhakar, Joy Mathew, Rajesh Paravoor, Krishna, Murali Kannur, Boban Samuel, Pauly Valsan, Krishna Prabha, Adam Ayub, Shobha Mohan, Aneesh G Menon, Jayashankar, Mela Reghu

<— Click here to go to the previous movie review and before that.

@ Cemetery Watch
✠ The Vampire Bat.

Kilometers and Kilometers

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Vampire Owl: I have been waiting for this movie for a long time.

Vampire Bat: This was the next film which we were supposed to watch before COVID-19 came up in March and theatres closed.

Vampire Owl: Well, one of the many things which one virus had changed.

Vampire Bat: A change which brought the movies home.

Vampire Owl: I was thinking Amazon Prime or Netflix in that case.

Vampire Bat: For a change, we have the first television channel release here.

Vampire Owl: Well, it is good to have such a release.

Vampire Bat: Yes, after all, everyone is not into those online platforms.

Vampire Owl: Finally, a release for the common man.

Vampire Bat: Let us makes sure that we don’t miss this!

[Gets a chocolate cake and three cups of white tea].

What is the movie about? :: In the village of Thalanadu, Josemon (Tovino Thomas) doesn’t have any job, and struggles to keep everything going, including paying fees for his sister’s studies. He only manages to get some small jobs which don’t translate to anything. He finally decides to sell his Royal Enfield which the family valued a lot. It is then that Cathy (India Jarvis) comes to visit India, starting from Kerala, after winning a lottery. As this is her final destination before return to the United States of America, she hopes to spend the rest of her money there, and with the help of Appachan (Joju George), Josemon finds this as an opportunity to make some quick money. They make their journey to different parts of India, and when they are in the North, their bags get stolen. Now, they have to find the documents which they had lost, and return to Kerala, but with no clue of what had happened with the theft, the same might not be easy.

The defence of Kilometers and Kilometers :: Simple fun and feel-good elements are abundant in this movie. The light-hearted fun in this movie is suitable for everyone in the family, without pretensions. There is the presence of the good message, giving importance to values and relationships over money, a message which has always been there, but is something which people these days won’t care about. What can surprise us the most is that even the people from earlier generation are still proud of their sons and daughters earning more, instead of being proud of their education or acts of goodness towards fellow human beings. The message will stay significant for a long time, because people won’t change, and this one is another addition to that particular message. The visuals are very good, and we would love to see how the places are being depicted. The performances are also very good. The emotional moments are working well too.

The claws of flaw :: People might not find many things new with this film, and it does maintain a certain amount of simplicity here. The idea is indeed in the old style mode, as you can see from the beginning stages itself. The predictability factor is high around here, as soon as the first major turning point occurs. Going innovative surely wasn’t the idea at work around here. As the promotion was not that much even for the first Malayalam movie which released on television, some people might have missed this movie at least in parts. The film could have actually done more with a greater number of characters, and more locations added, making this a travel movie too. But the journey actually gets stuck a little bit too early for our liking. There is no mingling with the cultures of different parts of India, and we only see small parts of the lifestyle being scattered here and there. The final moments, even though emotional enough, is a little too much of cliche.

Performers of the soul :: When COVID-19 started its side-effects, the earlier Tovino Thomas movie, Forensic was running in the theatres but reaching an early unexpected end, and his next film is here, this time completely off the theatres from the beginning itself. He has been one actor whose movies kept a certain level on most occasions, except for maybe one film in between which went full masala. His performance here reminds one of Ente Ummante Peru a little bit, and he does that with ease. There were clues about what was to be expected, from the trailer itself. Basil Joseph, the director of two smart movies Kunjiramayanam and Godha also brings some early humour here, and it is the one thing that lifts up the movie in its early stages – Joju George can also be seen contributing well during those stages. Longer final moments would have meant that these characters would have had a chance to add some more feel-good fun.

Further performers of the soul :: It is to be noted that Sidhartha Siva, director of the crowd favourites like Kochavva Paulo Ayyappa Coelho and Sakhavu nicely takes over the humour, and manages the same really well in the later stages of the film. His talk about the flashback is done with some fine humour, and he keeps bringing the laughter. The moments in Rajasthan are elevated with his use of the funny side. We have already seen him handling the humour really well, and this one has him around for a long period of time. India Jarvis does the job well, and plays the character as expected. From the performance, one would feel the need to see her in more Malayalam movies with similar characters being in requirement. She is not the random person who plays a European or an American just because there is space for the same, as she does much more. Sudheesh also has a very small, but notable role in the beginning stages of the movie.

How it finishes :: Kilometers and Kilometers has been a movie which had to wait quite some time due to COVID-19. At a time when we were wondering if something was actually going to happen, as theatres are still not opening any time soon, the movie has come to Asianet. During the pandemics, having a feel-good film delivered home can surely help to lighten the mood, especially during Onam. Still one has to wonder if most people did have time to watch this movie during the time of Onam celebrations at home. I would like to wish all of you who are reading this, and everyone from Kerala, a Very Happy Onam. Let us face this Corona Virus pandemic together, and rise together, as we did during the floods in the last two years. I really hope that Asianet shows the movie again, because it is a fun flick which can provide the feel-good factor to the Onam Celebrations. After all, we are having a ten day vacation here instead of the usual COVID-19 forced or flood-forced holidays.

Release date: 31st August 2020
Running time: 129 minutes
Directed by: Jeo Baby
Starring: Tovino Thomas, Joju George, India Jarvis, Sidhartha Siva, Basil Joseph, Sudheesh

<— Click here to go to the previous review.

<— Click here to go to the previous Malayalam drama.

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Forensic

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What is the movie about? :: A little girl is separated from her elder sister at a dance school, and is later found murdered. Rithika Xavier IPS (Mamta Mohandas) is in charge of the case which had soon become a media sensation. Samuel John Kattookaran (Tovino Thomas) and Shikha Damodar (Reba Monica John), the forensic experts are asked to assist Rithika in the case. But Samuel also has a past with Rithika who was his elder brother Xavier John Kattookkaran’s (Saiju Kurup) wife until their divorce due to the loss of one of their daughters. Due to the same reason, Samuel and Rithika are not happy about working together in the case, but they manage to find out some important clues, as another child is murdered. They find out that this is the work of a serial killer who was linked to another series of murders known as the Burma Colony serial killings.

So, what happens with the events here? :: A retired police officer Abdul Wahab (Renji Panicker) who was dealing with Burma murders case, a child psychologist Jayakumar Menon (Prathap Pothan) and the two other police officers who are also in the case, Murali Mohankumar (Anwar Shereef) and Dano Mammen (Rony David) also become the key factors in moving forward in the investigation. But time is running out for them, as another child is kidnapped, and this time within a few minutes of her mother leaving her at a seat in the hospital, that too with so much of crowd and CCTV camers around. The cops figure out that it is not the usual serial killer, and the person couldn’t be alone. Someone working close to them might also be helping the killer. But time is running out, and the media has created enough panic among people – how long will it take to end this?

The defence of Forensic :: This movie releases at a time when a little girl had gone missing and her body was found in the nearby river, and this date of release being a strange co-incidence which adds to that feeling of fear and eerie. With twists and thrills maintained, and the suspense existing till the end unlike Anjaam Pathira which decided to make it a revenge movie too early as it showed the villain rather earlier, Forensic definitely holds strong. It takes the terror to the last moments, and has one psycho killer who could actually be called so, without a motive other than the murder which becomes the justification all by itself. There is a balance, and an order being followed here. For a movie which begins with a patricide, there is a fine foreshadowing of what is to follow, if the character shown in the opening scenes is going to be at the centre of attraction. The red herrings are given very well to improve the impact further.

The claws of flaw :: Even though the movie does hold advantage over Anjaam Pathira, the movie lacks similar moments of sudden shock, but the same can be seen running underneath the idea of the movie throughout, and coming to light more in the later stages with the psycho coming out of the darkness. But a better use of darkness and silence was required instead of focusing more on the blood and violent moments – it could have had some balance there. The final moments leading to revelation could have also been managed in a different way to create better impact. There are also some usual moments which were not needed in a serious movie of investigation like this. A few moments of the movie are also predictable, and a better treatment of its main characters like Memories did, would have also contributed here in a better way, but Forensic makes no such effort.

The performers of the soul :: After having two of the best movies of the year to his credit in the form of Virus and Uyare, Tovino Thomas does manage to begin this year in style, as 2020 has one thriller to follow the much appreciated Anjaam Pathira for him too. The character works for him well, as he plays a smart forensic expert who helps the police – it is the kind of role which doesn’t require him to bring anything special. There are some action scenes for him too, as he moves forward strongly with this character. Mamta Mohandas had only two movies to her credit last year, with a supporting role in 9 and playing the lady lead in Kodathi Samaksham Balan Vakeel, both of them not crossing the border to create further impact among the audience. She makes a police officer with a troubled past with ease – the character works well on two levels.

Further performers of the soul :: Reba Monica John who made her debut in Jacobinte Swargarajyam had things going in her favour with the role in Bigil, but other than Paippin Chuvattile Pranayam, she remained mostly unnoticed by the Malayalam movie audience. Her supposed cameo in Mikhael had also gone unnoticed. She has a good role here, and the same doesn’t have any romantic side, and it is a positive thing in a movie like this. Saiju Kurup is paired with Mamta here, and it is to be noted that the two made their debuts as leading actors in the movie Mayookham. He has a rather usual role, which he does with ease, and the same can be said about Renji Panicker who is not stranger to his character in this movie too. Anwar Shereef and Rony David also come up with the roles of police officers, which they do well enough. The kids also play the roles nicely, especially the boy with long hair and the girl who plays the leading actress’ daughter.

How it finishes :: With the success of Anjaam Pathira, there was always going to be the need for more thrillers, and with movies like Anveshanam only becoming half-thrillers while going deep into melodrama, Forensic had become a necessity. Well, it can be said that Forensic scores over Anjaam Pathira when we compare the two – this movie is clear with each element, and shows how one events lead to the other. Forensic also has a clear psycho killer with the motive not being revenge from a long gone post. The movie also doesn’t rush through things like Anjaam Pathira – the terror in Forensic also feels more real, as murder itself becomes the motive, as it was said in the trailer. With a clear revenge motive like Anjaam Pathira did, such a feeling couldn’t have been achieved. The advantage has been clearly gained.

Release date: 28th February 2020
Running time: 134 minutes
Directed by: Akhil Paul, Anas Khan
Starring: Tovino Thomas, Reba Monica John, Mamta Mohandas, Renji Panicker, Saiju Kurup, Prathap Pothan, Mohan Sharma, Rony David, Anwar Shereef, Srikanth Murali, Ramu, Dhanesh Anand, Anjali Nair, Devi Ajith, Anil Murali, Lukman, Giridhar, Rajesh Hebbar, Sadhika Venugopal, Thennal

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@ Cemetery Watch
✠ The Vampire Bat.

Anveshanam

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What is the movie about? :: Aravind (Jayasurya) and Kavitha (Sruthy Ramachandran) are living a happy life in one of those skyscrapers of the city with their two children. Their family seems to be the one perfect world, as their neighbour and close family friend Dr. Gowtham (Vijay Babu) says. There is the smell of a fairy-tale happily ever after, all around there. But one day, their son, Ashwin is hospitalized, and he is supposed to have fallen off the stairs of the apartment. It is Gowtham and Kavitha who brings him to the hospital, while Aravind was spending his time alone after a fight in the television channel where he was working. Dr. Ashok (Srikanth Murali) makes no delay in admitting the boy and trying to save his life, but the head nurse, Sony (Lena) has a doubt regarding the marks found on the boy’s body, and she couldn’t stop herself from informing the police.

So, what happens with the events here? :: Sony suspects that the boy was brutally beaten, and it was a case of child abuse. As she herself was a victim of abuse as a child, she wastes no time in labeling this one in the same way. Latha (Leona Lishoy) and Alphonse (Nandhu) are the police officers on the case, with the former into a few months of pregnancy. They have a list of suspects starting with Aravind who had left office early without telling anyone, and had also visited his apartment. The descriptions provided by Kavitha and Gowtham also do not match one another. The hospital also seems to neglecting some facts, as the boy finally dies, things get even more complicated. The Dr. Faris (Lal) enters the scene from the side of the police to examine things further, and this complex sequence of events need an explanation before next morning – can it be done?

The defence of Anveshanam :: The movie, as expected, begins well, and brings the idea into focus very soon. There are many chances of interesting guesses to be made, as we know the main characters who are put into a situation in a hospital. We are beginning to suspect too many people, from the father and mother, to the neighbour, from the nurse to the doctor, who are all acting strange, and something fishy is going on there, as the police also begins to suspect. As the unsettling atmosphere is built early, and things begin quickly, there is an interesting journey here towards the interval, from where everything slows down and drags. It is only then that we realize that the movie could have risen further with its theme, but stays with a safe zone to which not many people can connect in the right way. But the performances eclipse the same at most parts.

The claws of flaw :: The movie losses its strength in the second half, as it moves from the investigative suspense thriller to a melodramatic and preachy family piece. It struggles to focus on what could have been its strengths, and ends with confusion, as its final moments did show signs of weariness. The movie had the premise and the idea, while the trailer could nicely create interest in the mind of audience. It is when the idea came on the screen, that it never really got its characters going well enough, even though there are many interesting ones. It couldn’t prove its point either, despite trying to go preachy – it could have at least justified its title and went on with the investigation to find what exactly they were searching for. But the movie by the end, decides to go to the middle of nowhere, and declares it fit to sit in no man’s land with some verbal gun shots all around.

The performers of the soul :: Jayasurya once again leads the way, and here we have his presence in a thriller, and as a father figure, this calls for a different approach with a mystery needed to be brought to light. He is not The Great Father kind of father who spends time in wearing fancy jackets and beating up people, and we don’t have that kind of an irritating gun loving strange character of a girl here, and that is the first case of relief which we have here. We have loved his ways of solving mysteries in Pretham and Pretham 2, but this one has his character in a crisis rather than the one solving it. The man who is still best remembered for Aadu has one more serious flick for which he will be remembered as the sole lead – other than Su Su Sudhi Vathmeekam and a few others. Anjaam Pathiraa had Kunchacko Boban bringing one thing, and Jayasurya here continues that journey through the drama, but at the receiving end.

Further performers of the soul :: Shruti Ramachandran was seen in Sunday Holiday as the earlier love interest of the main character, and also in Pretham where she played ghost who was haunting a beach side resort and looking for revenge. Here, she has a bigger and stronger role to perform and one would remember this even more. Lena also remains strong, but her character stays underdeveloped despite supposed to be having such a trouble past and childhood. Vijay Babu is very good in the emotional sequences, and Leona Lishoy goes through a pretty good run. Lal is there only for what can be termed as an extended cameo. Nandhu also adds well in a pretty good police role. Srikanth Murali plays the doctor well, as he is the one who becomes the centre of attraction as he treats the boy who is supposed to have fallen from the stairs, a case which leads to all the drama.

How it finishes :: After Anjaam Pathiraa, the audience was expecting another top level investigation thriller, but what we see here is an investigation drama, which seems to have some nice ideas, but is not displayed that well on the screen – this could have become better as a short story, like Roald Dahl’s Lamb to the Slaughter, something which had a crime and what followed with the weapon used for murder. But instead, Anveshanam tries to be many things at ones, and also tries to be too preachy in the end – it is what makes this interesting premise struggle as it moves towards the end. Still, the movie is to be watched for how it builds the tension and suspense within limited space, and while being set in a few hours of time, almost sticking to the Aristotlean Unities except for those multiple flashbacks which keep coming.

Release date: 31st January 2020
Running time: 102 minutes
Directed by: Prasobh Vijayan
Starring: Jayasurya, Leona Lishoy, Shruti Ramachandran, Vijay Babu, Lal, Lena, Nandhu, Jai Vishnu, Shaju K S, Srikanth Murali

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@ Cemetery Watch
✠ The Vampire Bat.

Anjaam Pathiraa

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What is the movie about? :: A policeman is murdered, with no clue being left behind for the cops to follow. The dead body is soon found, and it was supposed to be a case of revenge from one of the criminals whom he had locked up earlier, but it doesn’t end there. A second policeman is found dead, with the killer following the same pattern of murder, including the corpses of the men being left without their eyes and heart. This leads to a crisis in the police department, and a team being formed to investigate the case lead by Catherine Maria (Unnimaya Prasad) and Anil Madhavan (Jinu Joseph). The latter also includes in the team, Anwar Hussain (Kunchacko Boban), a psychologist who is serving as a consulting criminologist for the police department. He has been studying the psychology of criminals on the way to a doctorate. As the CCTV cameras are also hacked, a hacker and Anwar’s patient, Andew (Sreenath Bhasi) is also forced into the team.

So, what happens with the events here? :: The series of murders doesn’t seem to stop though, even though all the policemen of the city works twenty four hours, and are put on high alert. Anwar, with his wife Fathima (Ramya Nambeeshan) and children are also under the eyes of the serial killer who also seems to have a helper. The killers seem to be masters of disguise, and has everything planned from zero, with each step leaving nothing behind for the police. The clues that seem to lead to them only ends up being misleading. As death lurks around the corner, it is up to law and enforcement to take back control and make the civilians feel safe. But that would need taking more than the usual path, and this divergence might be a red herring left by the killers – can they rise above this at some point and stop the killing spree?

The defence of Anjaam Pathiraa :: The movie nicely brings the tale of serial killing together, and the elements of shock and twists are nicely brought into the tale, especially in the first half. There is a certain amount of suspense at work here right from the beginning. To bring the terror to the screen, the movie nicely uses the darkness, even the quick return of lighting is used to bring a startling effect. The creepy masks and their quick appearance out of nowhere could provide something new. By the interval, we have enough to know that this is a game in which the serial killers will be tough to beat, and it is here that movie has its full strength – nobody would want to leave during the interval as the need to know further is always there. It also has to be noted that the movie does have some funny moments in store in between the serious moments, and all the tension which has been ruling the big screen from the beginning to the end.

The claws of flaw :: The movie’s strength in the first half is not maintained in the second half, as the latter part of the second half is rather predictable, and by bringing the element of a planned revenge, it losses out in the psychotic side. Such a predictability which seems to be like finding unnecessary meaning for the lotos eaters is rather unnecessary. Having a smart psychopath without a clear motive for the rational human was always the better choice, as that would bring chaos to darkness, and keeps the lights away all the time. After all, Anjaam Pathiraa is no Memories either, as such a brutal strength is not there, not with the protagonist or with the antagonist. The movie could have also had a better background score, even though at some points, it is good – at that point, it could have been there for longer. The sequence involving the ripper could have also been there for more time.

The performers of the soul :: Kunchacko Boban leads the way well here. There is no heroic style entrance with heavy background music for him here, and it is the beauty of his work here – there is no pretending to be the superhero star anymore unlike what was shown in another movie’s trailer which was showed in the beginning in an absurd state. It is certainly not the usual kind of role for him, but there is no staying behind here. He doesn’t play the police role, but this role of the psychologist assisting police is no less investigator. There are some interesting dialogues in store for him too. His previous work, Virus was a different kind of a thriller in which he was only playing a part. Ramya Nambeeshan is someone whom we don’t see in Malayalam movies much these days, and it is nice to see her in the movie, playing the wife of the protagonist. She was one actress who could have been in more movies, and it is something I felt long ago.

Further performers of the soul :: Unnimaya Prasad who is best known for two short time high impact characters in Maheshinte Prathikaaram and Parava also comes up with some of the best of moments leading the investigation team. Jinu Joseph plays a rather calm police officer with a twist in store, and this avatar definitely feels different. Sreenath Bhasi has a good run here as the hacker always looking for something more. There is also a funny side to his character, which comes out at times. Indrans’ screen time felt rather less, as his ripper character steals the moments in the beginning with ease. Mathew Thomas, even though there only for a short period of time, leaves a mark, after Thannermathan Dinangal and Kumbalangi Nights. We also have a good number of supporting actors who has contributed to this movie, which needed a lot of it.

How it finishes :: The director Midhun Manuel Thomas has been known for light-hearted movies like Ann Maria Kalippilaanu, Aadu and Alamara, but it can be clearly seen that the feeling has changed now. Anjaam Pathiraa could find no difficulty in going on to become the first interesting Malayalam movie of the year, and it was clear from the dark shades of the trailer too. This is not just the first movie of the year 2020, but also the write-up about the first movie around here that deserves your attention. May the best of films be there in the theatres this year, and let us have some of the best of the decade as it comes to an end with 2020. As far as this movie is concerned, I would say that those movies which deal with horror and thriller elements have a lot of work to do, and it is to be noted that these have worked very well, and is worth the appreciation for the effort.

Release date: 10th January 2020
Running time: 144 minutes
Directed by: Midhun Manuel Thomas
Starring: Kunchacko Boban, Ramya Nambeeshan, Unnimaya Prasad, Jinu Joseph, Mathew Thomas, Harikrishnan, Indrans, Sreenath Bhasi, Sharafudheen, Divya Gopinath, Sharafudheen, Jaffer Idukki, Abhiram Pothuval, Sudheesh

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@ Cemetery Watch
✠ The Vampire Bat.

Driving Licence

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What is the movie about? :: Hareendran (Prithviraj Sukumaran) is a superstar who is in no shortage of fans, gaining all success with continuous superhit movies breaking one box-office record after the other. He is a typical, arrogant, billionaire star who doesn’t care about people in general. His love for cars is well-known, but as nobody had asked him for a driving licence for a long time, he had lost it somewhere, and the shooting of the climax required the licence. For the same, he attempts to get a new one issued by Motor Vehicle Inspector Kuruvilla (Suraj Venjaramoodu) who is a die hard fan of the star. Even though Kuruvilla is a lot interested in meeting the star, things don’t turn out so well with media coming to know about the superstar driving all these years without a driving licence. Hareendran is particularly angry about this being flashed on the news.

So, what happens with the events here? :: At the same time, the other big superstar on the big screen, Bhadran (Suresh Krishna) is trying to get some success with his movies, as it is Hareendran’s movies which get all the attention and the best of theatres. He tries to exaggerate this problem between the two, and is successful up to an extent, as the news is everywhere on all television channels. At the same time, there is the attack on Kuruvilla’s family, and further problems between Hareendran and the producer of the movie, as he wants to leave to the United States with his wife for her treatment before completing the film. But he would really need that driving licence, but because of the confusion and humiliation which he had faced due to the superstar, Kuruvilla is reluctant, but with his contacts, the arrogant Hareendran would try to force him out of his options.

The defence of Driving Licence :: The movie has two people in different fields set against each other, with certain background humour working well all the time. Some of the scenes seem to stand apart, and the interval punch is very good. Some of the situations are nicely created, and well acted too. The visuals are pretty good to add to the same. There are some elements of the evil of blind celebrity worship and the celebrity attitude being shown here, even though the focus is not that much to be seen. The common man’s plight is shown, even though heroism is once again left to the superstar. The focus is partially on different aspects of the society, and there are some messages to be taken home. The whole thing is kept simple, and there are no pretensions here, as many things are shown as they should be, even though the deviations can’t be denied.

The claws of flaw :: It is sad to see that the movie deviates from what should have been its most important message, against the fanatic fans – here, the movie takes the most extreme level, as the so called superstar talks in support of his loyal fans who almost murdered a police officer in an extreme case of crowd frenzy. The superstar’s rich and filthy arrogance is allowed to win over the common man with ease, which is a shame, because the movie without a second thought chooses to go against everyman with its support for violent fans and arrogant superheroes. Some characters are of no use too. Even though the movie focuses on the mood of Christmas, there is nothing much in there to reflect the same. Some parts of the film just looks not needed. There is also a problem with the movie’s flow, and it bothers everyone that it is only the good everyman character who gets beaten up, and all the evil people around him are shown in better light, and spared the rod.

The performers of the soul :: Prithviraj Sukumaran after his highly underrated thrillers as the lead, Brother’s Day and 9, has the superstar to play, and it doesn’t become difficult for him at any moment. It is the kind of star who is shown as the bigger superstar of the industry, and that gets done rather easily. Playing the roles of actors in movies, the extra performance which is to be put in seems to be rather less in almost every case. Suraj Venjaramoodu continues to impress in the emotional sequences, and the comedy as usual, comes natural to him in this movie too. We have been witnessing much of such skills in the last few years rather than sticking to the humorous side. The roles of simple common men have been coming very fine to him. The child actor Adhish Praveen also comes with a nice performance as the child who wants his father to win against the giant superstar at least once.

Further performers of the soul :: Mia George is the heroine who gets more dialogues, and has some funny moments of her, as she shines in a role which brings the laughter in a simple manner. Deepti Sati, the other heroine does look beautiful, and has less to do – but the purpose is served well in her case too. Salim Kumar plays a kind of cameo which becomes relevant in the end, but is irritating during most of its existence. It was good to see Lalu Alex there doing a fine job, and we need to see him more in the industry. Idavela Babu and Vijayaraghavan play two irritating characters from the movie industry. Major Ravi and Shivaji Guruvayoor have some smaller roles to play too. At the same time, Suresh Krishna is really funny in his avatar, and the same can be said about Saiju Kurup too. Nandhu has a memorable tole to play here too.

How it finishes :: Driving Licence could have been a better movie if it had shown the courage to show evil as it is. But the movie hesitates in doing the same, and finds the rich celebrity and his fans abusing and almost murdering a common man to be okay – maybe they did the same to satisfy their large number of fans, but it cannot be considered as a fair thing. The good start of the movie should have been better maintained, especially in the second half – the ending should have been better too. Still, as these are holidays, it is easier to have these kinds of movies running in the theatres, as we have that kind of family audience who have come out to enjoy the Christmas vacations. So, this works for some simple fun, but could have been more with its premise. After all, getting a driving licence never ceases to be a thing of interest.

Release date: 20th December 2019
Running time: 135 minutes
Directed by: Jean Paul Lal
Starring: Prithviraj Sukumaran, Suraj Venjaramoodu, Mia George, Deepti Sati, Lalu Alex, Suresh Krishna, Arun, Idavela Babu, Vijayaraghavan, Salim Kumar, Saiju Kurup, Adhish Praveen, Major Ravi, Kalabhavan Navas, Sohan Seenulal, Nandhu

<— Click here to go to the previous review.

<— Click here to go to the previous Malayalam review.

@ Cemetery Watch
✠ The Vampire Bat.

Mamangam

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What is the movie about? :: Mamangam, a grand fair used to be held on the banks of Bharathappuzha in the north of Kerala has a history that is written in blood. It had great economic, social and political significance, along with being a religious festival associated with the temples. There, the Zamorin ruler of the Kingdom of Calicut challenged other regional kingdoms to oppose his supremacy. There were the suicidal warriors from Valluvanad region who dared to oppose him and make history. But they would mostly die fighting against the powerful army of Zamorin, and only left those messages of bravery and honour for their people to cherish. It becomes their right to die as a soldier in the battlefield, and inspire more to follow their path through martyrdom. The last Mamangam fair was held in 1755, and this movie comes up with a memorable one before that.

So, what happens with the events here? :: Chandroth Panicker (Unni Mukundan) is the latest addition to that list of the suicidal warriors known as Cheverukal, attempting to challenge Calicut’s Zamorin’s authority again. His mother, wife and sister are unhappy about the decision, but they can do nothing, as for him, it is a decision made by the gods. It is then that the son of his sister, the young Chandroth Chanthunni (Master Achuthan) also joins him to join Chaverukal, much to the dismay of the whole family. They have the tale of Chandroth Valiya Panicker (Mammootty) who betrayed their tradition ahead of them, so that they should go on with that they have been training for – to end Zamorin which is the best thing to do. On the way, they have to stop at the abode of Unnimaaya (Prachi Tehlan) and Unni Neeli (Iniya), after being attacked by Zamorin’s men. There is a long way ahead of them, but they will need some help to get anywhere close to success.

The defence of Mamangam :: There are not many movies which we have waited for so long like Mamangam, except for some which are still to be released. Malayalam movie industry always needed good historical movies other than those which keep talking about the British – The Colachel War has been long forgotten, despite it being a landmark. Considering the same, Mamangam has taken the pain to bring something with a difference. The visuals are all grand, even better than some of those overrated movies seemingly belonging to a similar genre. The beauty out there is not limited to the background, but to almost everything in particular. The action sequences are all very good, especially in the final moments, which are breath-taking, leaving one wishing for more. The message goes on against revenge, and that it is not something healthy to pass the same through the generations – forgiving and forgetting do have better meaning.

The claws of flaw :: The movie is a little bit too long, and its extra dose of dialogues make it feel even longer. It does seem to repeat the same thing multiple times, and deviates from the idea of action and adventure associated with the title. Even though the “Mookkuthi” song makes some impact, the rest of the songs are not up to the mark. The presence of a mentor character doesn’t add much to the otherwise direct and straightforward movie, and the feminine version of the character is a bad and unnecessary diversion. The lack of completeness is evident, as the movie struggles to live up to its theme and story on many occasions. The final scene after the mamangam fight also feels unnecessary, as there could be nothing bigger to be added. A movie like this should offer something better, and one is left to wonder why it is becoming more and more difficult to make movies based on Kerala History, even those which are set at a time period not even five hundred years into the past.

The performers of the soul :: Mammootty was part of one of the best movies of the year, Unda, and now he is back with the movie with we have all been waiting for. As we all know, he is no stranger to historical movies and epic stories which tell the tales of heroes of the past, and this was time that he had another one to add to that list. Still, one has to wonder why he went for that exaggerated dance and some ridiculous comedy with another side of that character – this kind of ridiculous moments are not suitable for this kind of a movie, not for a historical epic action movie. Unni Mukundan does a fine work here, and his controlled performance is worth the appreciation. Master Achuthan comes up with a wonderful performance at the same time. It is him who catches our attention the most, and he excels in the action sequences even more. The last scenes are nothing less than magnificent, and it belongs to him completely.

Further performers of the soul :: Prachi Tehlan comes up as the leading female presence in this one – the former netball and basketball player has no trouble in the less amount of role given to her. Iniya provides her support, even though not much is needed from her side. At the same time, Anu Sithara and Kaniha has even smaller roles here, most of the time sticking to some dialogue or tears. There are also other actresses here including Maala Parvathi and Kaviyoor Ponnamma, but the female characters here are rather insignificant in the movie plan at work. Siddique has a villainous role here, and even though done quite well, it is not the kind of antagonist that we are going to remember for doing the terrifying job. Sudev Nair, even though nice, is wasted in a role which makes no difference to story at all – the character doesn’t add anything significant to the whole thing, for even otherwise, things could progress in the same manner without any trouble at all.

How it finishes :: Last year, in another December, on almost the same date, we had another Malayalam movie set in the past trying to make history – Odiyan. It was not that much of a successful attempt, but that was certainly a sign. We have more signs here, even though we are still far away from having that right historical movie. There is the need to improve, as Mamangam goes on through its journey. There is a better understanding of history and the reflection of the same required, and one can only hope that things could reach further level with the genre. A fine depiction of Colachel War might be the solution, but we haven’t heard about anyone trying for such a case. Until then, we have these movies which have the potential for greatness, but fall short in the process. But we would need to watch these, with all the splendour which is displayed on the big screen.

Release date: 12th December 2019
Running time: 157 minutes
Directed by: M Padmakumar
Starring: Mammootty, Prachi Tehlan, Unni Mukundan, Master Achuthan, Siddique, Anu Sithara, Kaniha, Mohan Sharma, Tarun Arora, Iniya, Maala Parvathi, Neeraj Madhav, Idavela Babu, Manikuttan, Kaviyoor Ponnamma, Suresh Krishna, Sunil Sukhada, Meghanathan, Manikandan Achari, Baiju Ezhupunna, Jayan Cherthala, Sudheer Sukumaran, Vishnu Marakkal, Abu Salim, Sudev Nair, Nandan Unni, Valsala Menon, Nilambur Ayisha

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Helen

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What is the movie about? :: Helen (Anna Ben), a BSc Nursing graduate from Cochin hopes to work and settle in Canada some day. As she attends her English classes during the day, she also works at a fast-food restaurant, Chicken Hub, at Grand Centre Mall. Her father Paul (Lal) is an LIC agent, who doesn’t have much of earnings, and their home itself might be taken over by the bank some day. Even though Paul worked in the Middle East for most of his youth, most of their money was spent for the medical treatment of late Mrs. Paul. Helen hopes to solve all problems by going to Canada and work as a nurse. Until then, she is living a busy life, balancing studies and work. At the same time, he is in love with Azhar (Noble Babu Thomas), a local boy whom she treated when she was working at hospital. She keeps the relationship a secret from most of the people including her father.

So, what happens with the events to follow? :: One night, as she lands in the police station, as Azhar who was driving was drunk, Paul comes to know about her daughter’s relationship with the person. SI Ratheesh Kumar (Aju Varghese) of the nearby police station is not someone who is fond of such relationships. The very next day, Azhar has to leave for Chennai to join a new job, and Helen is not ready to talk to him due to the previous night’s incident. Paul is also not talking to her due to the same problem. On the same day, she works longer than usual time, but ends up in the cold storage vault of the shop after the manager Jayashankar (Rony David) locks Chicken Hub. As she had checked out earlier from the shop, everyone thinks that she is no longer there, but she is caught in there at below zero degree celcius with no mobile phone and no way to contact anyone. Now, its all about survival.

The defence of Helen :: Choosing to be among the best movies of the year along with Kumbalangi Nights, Finals, Unda, Virus and Uyare, Helen is one movie that you will love from the beginning to the end. The thrilling moments are created smartly, and the emotional scenes are right up there with the grand impact. The two hour movie never feels long, and we are there to love each and every moment of it. Debutante director Mathukutty Xavier makes sure that everything is impressive about this movie. This fine package also has some nice foreshadowing to go with it – even though the idea was already given in the trailer, in the beginning of the movie, we see an ant falling into an ice cube tray, and getting frozen in water, a situation symbolic of what is to happen to the titular character, as well as a mouse which also gets trapped inside the cold storage.

Positives and negatives :: It can be safely said that nobody has come up with a negative opinion on the movie, and there is nothing in there to inspire one. We see the thrills and the emotions, but what we take home is the feel-good factor, the idea of a beautiful smile for a stranger that we take home. We have watched Hollywood survival thrillers like The Shallows with one lady caught in the sea hunted by a shark and Bollywood survival thrillers like Trapped with one man caught in a partially completed flat with no water, food, electricity or means for communication. The truth that this movie could stand tall at the same level is something that all of us can be proud of. Driven by multiple performances other than focusing only on one person who is in peril, this one makes things even better – the movie is also the most realistic among the flicks of the same type.

The performers of the soul :: Anna Ben, in her second movie after Kumbalangi Nights, come up with a performance that can’t be easily matched by anyone. She shines as the lovable girl next door, father’s sweet child, responsible adult as well as the determined survivor who refuses to give up, despite even the mouse who was with her in the cold storage room deciding not to fight anymore. The way in which she adapts to each and every moment, will have our attention. She is very much believable as the girl who is trying to survive, and the terror of the situation is reflected on her face as her expressions catch our attention. From Babymol of Kumbalangi Nights to Helen, her work has been worth more appreciation than what most of the newcomers gain with many movies, and this seems to be a case of perfect choice of scripts.

Further performers of the soul :: Lal is perfectly suited for the role of the old-fashioned, loving father, the kind of character which seems to suit him more and more every time – remember Njanundukalude Naattil Oru Idavela. Aju Varghese plays a negative character here, and his police officer might be the beginning of more of similar dark shaded characters to come. He was into full comedy in Adhyarathri, Ittymaani: Made in China and Love Action Drama, and all of a sudden, we seem doing a wonderful job in a different role. Noble Babu Thomas who wrote the script also plays the male lead, and leaves a fine mark. He can move into more roles quick enough. Rony David has a role which has him doing very nicely. Vineeth Sreenivasan who is producing a movie a long time after Aanandam can be seen in a cameo which is a nice one.

How it finishes :: Helen is a well-made survival thriller, maybe the best of its kind not just in Malayalam, but also in any Indian language. With limited resources, the movie provides a fine experience, an emotional and thrilling ride, with a strong feel-good factor. Christopher Marlowe in Doctor Faustus called Helen of Troy from Illiad as the face that launched a thousand ships and burnt the topless towers of Ilium. Helen of Sparta and later Troy, was someone who started a war with her newfound choice, and here, Helen is someone who would wage a war against a frozen world, not causing one between a city on the northwest coast of Turkey and the allied Greek states. Helen of Troy was someone who did the unthinkable with her elopement, but here, she chooses not to go with her lover, but becomes the epitome of will-power and not beauty. There is that unparalleled charm in this movie which you shouldn’t miss. Watch a beautiful song from the movie below.

Release date: 15th November 2019
Running time: 117 minutes
Directed by: Mathukutty Xavier
Starring: Anna Ben, Noble Babu Thomas, Lal, Aju Varghese, Rony David, Bonny Mary Mathew, Binu Pappu, Jayaraj, Vineeth Sreenivasan, Kookal Raghavan, Lakshmi Marikar, Lali Marikar

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Aadhyarathri

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What is the movie about? :: Manoharan (Biju Menon) never really had the best of times during his childhood and youth, with everything reaching the worst situation, having his elder sister eloping with someone in the village, and his father having a cardiac arrest at the same time. Even though the marriage at his home didn’t happen, he take the profession of a marriage broker after he fixes a wedding ceremony and saves the bride’s family from humiliation. For two decades, he continues in the same profession, and there is no wedding ceremony in the area happening without him playing a part in it. He is the first person who comes to anyone’s mind when they think about wedding, and sometimes even other significant functions which are part of people’s life. Along with the same, he also runs a tutorial college for the local students.

So, what happens with the events to follow? :: Manoharan is that kind of a person who has everything planned as far as relationships are concerned. He knows which boy will be suitable for which girl, and for the same, he supports only arranged marriage. Any case of falling in love is strictly opposed by him, and all the youth from the area are afraid of his interventions in their possible love affairs. It is during these times when he gets a chance to arrange the marriage of Kunjumon (Aju Varghese), the richest man in the village, and Aswathy (Anaswara Rajan), a modern, educated girl of the village who lives in Bangalore – the combination was always a risky one, but as Manoharan was always a godfather-like figure to Aswathy, he takes the risk. But it is not that easy to get this one done, and the question arises if he will fail in arranging a marriage for the first time.

The defence of Aadhyarathri :: The humour used in this movie is simple, and the message is indeed to ask the girl’s consent before fixing marriage, a case which would have worked better if it had released about ten to twenty years ago. The movie has its own feel-good factor to add to the same, and it is a simple movie with no pretensions, going through everything directly. The visuals are nice, and the setting contributes to the same very well. The nicely created situations make sure about it, and we have another movie for the family audience with jokes that can be accepted by everyone. During these Pooja holidays, you need a movie to look forward to with family, and this might be the right one, staying above the bigger hyped Onam releases like Love Action Drama and Ittymaani too. Also, look out for the Kuttanadan Baahubali dream song which is really attractive.

The claws of flaw :: The movie does feel a little outdated, as these are those days when the youth takes their own decisions with ease, and parents are on the backfoot in almost everything. These are also those days when parents keep agreeing to what the children want because there is just one kid or two, and they want to get them all that they wish for. With a new generation of children and youth, this movie might not serve much, and can focus on only a small number of people in need in a world when people fall in love indiscriminately and set their former lovers on fire. The movie has to work in a world in which almost everyone of the generation has a boyfriend or girlfriend, and therefore struggles. It also feels incomplete with some characters being lost and others serving no purpose. There is also the lack of focus on the progress of the narrative. Sometimes, it feels that parts of it is just forced.

The performers of the soul :: Biju Menon is once again at ease playing this kind of a role. Vellimoonga, Rakshadhikari Baiju Oppu, Swarna Kaduva, Anakkallan, Salt Mango Tree – all these had him playing the commoner’s role and handling the light-hearted humour in the leading role with ease. Here too, the movie is dependent on him to do what he has been doing the best, and the same is handled with the skill that he possesses, and has once again displayed without stepping back. Anaswara Rajan, after Udaharanam Sujatha, Evidey and Thanneer Mathan Dinangal makes fine impact, even thought not that much as we have seen in the two previous movies. Other than that song on the ship, she doesn’t have really have much of memorable moments in the movie, and someone elder would have been the best for this role. At the same time, it is to be noted that there is no romantic angle to the main character, which is to be appreciated.

Further performers of the soul :: Anu Sithara’s cameo seems totally unnecessary, and that is one scene added to prove a point in an easy way instead of proving it through the progress of the story itself, and it seems that she was chosen to assert the same in an even bigger manner. Aju Varghese does a nice job in the movie, and does the exact amount of comedy as it was needed – there is no overdose here even though the tendency was always there. Manoj Guinness is the one who plays the sidekick role here, and he is fine at most parts of the movie, even though some of the comedy is surely lost. Sarjano Khalid of June fame has a dull character to play here, and does less. Biju Sopanam has some funny moments to add, and Pauly Valsan does the job well as expected while Vijayaraghavan does another interesting role to fine impact. But it is to be noted that not all characters get their due.

How it finishes :: Coming from the director of the much appreciated Vellimoonga, and having the same leading actor, the expectations were very high, and this one does come close on many occasions. Still, it does fall short in comparison, and is no match for that movie which had everyone in love with the flick. Vellimoonga had set things in motion enough to make way for a good number of movies with similar theme, and Biju Menon himself had played so many of such roles. This one won’t have that much of an impact, but with Pooja holidays around, the family audience might be very much interested in this particular flick. It doesn’t seem to attract that many people right now, but in the next two days, that number should increase, and the movie should do well enough, even though not like its earlier superior relative, Vellimoonga.

Release date: 4th October 2019
Running time: 130 minutes
Directed by: Jibu Jacob
Starring: Biju Menon, Aju Varghese, Anaswara Rajan, Sneha Babu, Manoj Guiness, Ashwin Jose, Vinod Kedamangalam, Sarjano Khalid, Sree Lakshmy, Prasad Muhamma, Shiny T Rajan, Naseer Sankranthy, Biju Sopanam, Pauly Valsan, Vijayaraghavan, Anu Sithara (cameo)

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Manoharam

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What is the movie about? :: Manoharan (Vineeth Sreenivasan) finds himself outdated in a world which has traveled a little too quick for his taste, making him feel unable to keep up with the pace. He is known as an artist and a painter, and as he had failed miserably in tasting any kind of success in life, not passing even plus two, he lacks any kind of confidence, suffering from a certain inferiority complex. Even as he is engaged to be married, the girl leaves him for someone who is better educated and earns more. His best friend is Prabhu (Basil Joseph) who has always been with him since childhood, and continues to support him despite all the failures which come back to him. One problem that they continue to have from those days is Rahul (Deepak Parambol) who has created trouble for them for a very long time. He is rich, and wastes no time in making fun of Manoharan.

So, what happens with the events to follow? :: Manoharan finally decides that enough is enough, and with the support of Prabhu and Varghese (Indrans), has a flex printing store set in the town, the first of its kind around there. For the same, he decides to learn Adobe Photoshop which would help him to move from the early artistic skills to modern computerized drawing and painting. He joins an Akshaya Centre for coaching, and Sreeja (Aparna Das) is his new teacher, but even though she is good in programming languages and other computer courses, doesn’t know Photoshop. They try to learn Photoshop together, and there is more than one person’s future on the line as Rahul is also trying to begin a flex printing shop in the town, and he also has a lot of money to invest in the same. Who will succeed and who will lag in this journey of hope?

The defence of Manoharam :: There is the journey of the commoner, an artist trying to survive in a world which is dominated by the newer things, rising above the old world, and even leading to the clear submergence of what is now considered outdated. But this gets interesting as he refuses to be submerged like some slave language in the plantations or an ancient religion facing modernity – he decides to fight, and it is this battle that we see in the movie. The same is something that inspires, without doubt, even though it takes a long time – the final moments are nicely done to rise above any problems which were there in the earlier stages. The songs are just okay, and there is nothing much to stay in our minds for long. The movie is only a two hour journey, which means that there is not much of a drag which awaits us – the journey is rather direct and clear. There is no leap into melodrama, as this one takes none of it.

The claws of flaw :: It is to be noted that the movie has nothing new, and it goes on a journey which has been traveled before, in different ways, through different paths, reaching the same destination. The struggling heroes like these have been more common than any other, and the situations like these have been created for them to struggle hard and go past all these obstacles; even from ancient myth, people have been doing the same. This fight of the simple and ordinary man to survive in a world which has jobs and opportunities taken over by machines and those who are able to know the machines is still not shown in the best possible way. A lot of incidents in the movie could have been shown in some other way, and more humour could have been added related to the same. When it focuses too much on the flex, it losses the human interest, and makes one confused about the objective correlative. This one had a lot more opportunities for emotional depth.

The performers of the soul :: This is another movie which depends upon Vineeth Sreenivasan to make that simple man effect, like he already did in Aravindante Adhithikal some time earlier. He has no trouble in doing that, and this character only has that certain amount of inferiority complex to go with it. He fits into the role of the commoner with ease, and goes through his struggles in a believable manner. The character is not presented with that much of an intensity or by providing us with that much of a lovable nature for the audience to stay close to him, but the same can boast of bring unique in that way. At the same time, the director of Kunjiramayanam and Godha, Basil Joseph gets a full-length comedy role here, and he makes an impact, adding some nice, funny moments – the humour is handled by him without getting overdone at any moment, and we have one more person to be of support to heroes in a realistic as well as funny manner.

Further performers of the soul :: Indrans also has one fine role here, and we see him to be in support for the main character at all times, even more than the main supporting cast. Indrans doing serious roles have a special kind of an effect for us, similar to what Suraj Venjaramoodu has been doing. This role is not that emotional, but it is close to the heart. Aparna Das makes her debut as the heroine after having a very small role in Njan Prakashan, and she begins well, even though the character is never really taken that seriously. Deepak Parambol and Ahamed Siddique plays the characters who are against the protagonists, even though never really becoming the villains, and they only make limited impact. Delhi Ganesh and VK Prakash also do come in some notable roles. Hareesh Peradi also has a character who makes an impression in the short period of time on the big screen. Jude Anthany Joseph is once again there in a small role to come and go quickly.

How it finishes :: Anwar Sadik has his second directorial venture after Ormayundo Ee Mukham which also had the same lead actor in the form of Vineeth Sreenivasan – this one also goes a similar path with the feel-good factor. The tale of a skilled common man, an artist who has a lot to prove, never gets old, and rarely gets outdated as long as there is inequality and partiality in this world – something which is as old as humanity itself, and will go on to the edge of doom. It is the same reason why even without getting near perfection, Manoharam will have a place in the heart and soul of the soul, and can stay there for a longer period of time than those entertainers which have a different kind of path to take after creating the quick impact. Just like Porinju Mariyam Jose and Thannermathan Days have stayed for long, this one should too.

Release date: 28th September 2019
Running time: 122 minutes
Directed by: Anwar Sadik
Starring: Vineeth Sreenivasan, Basil Joseph, Aparna Das, Indrans, Deepak Parambol, Delhi Ganesh, VK Prakash, Nandini Sree, Jude Anthany Joseph, Sree Lakshmy, Hareesh Peradi, Neena Kurup, Ahamed Siddique, Nandhu

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Finals

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What is the movie about? :: Alice Varghese (Rajisha Vijayan) is a cyclist from Kattappana who has evolved to become the national champion under the guidance of his father KP Varghese (Suraaj Venjaramoodu) who has worked as a sports coach in more than one school, and also at his own academy. Varghese is someone who hasn’t achieved much from his career as a trainer, and has all his hopes set on his daughter who is supposed to represent India at the 2020 Summer Olympic at Tokyo from 24 July to 9th August 2020. Before appearing at the event, she is also selected by the National Olympic Committee to have her training in Russia. At the first city in Asia to host the Olympic Games twice, she is supposed to be a clear favourite to gain a medal, finishing far ahead of others in all competitions. Before she leaves for Russia, she hopes to visit her friends and relatives at hometown for the last time, and she returns to Kattappana for the same reason.

So, what happens with the events to follow? :: There she meets her childhood friend Manuel Thomas (Niranj Maniyanpilla Raju) one more time. Manuel has been in love with her since school days, and wanted a reply from her for a long time, but she has been evading that question with ease. She visits the school where she studied, after a very long time, and motivates the students there, along with traveling through those places which provides her with a nostalgic feeling. Varghese who has supported the Olympic dream with everything that he had in his life, never really had anything more than that small house, because the dream was the only thing that he lived for. As she makes her return, there is one last race which she will be participating in, before leaving for the Russian training – but there are twists of events that await her, and her loved ones. Fate had a backup plan to bring the twist – well, fate always finds a way, as it would follow here.

The defence of Finals :: The best thing about Finals is that it decides to change its pattern from the usual stuff which has been followed in almost every known sports movie – there would be a sportsperson or a sports team which is facing some kind of trouble, and someone would help the person or the team to rise up to the occasion and win the competition, or at least come close to doing that so that we feel that there would be a victory next year. We have the sportsperson at the top in the beginning itself in this case, and we see what happens later. But the movie is not limited to her, and the neither is it limited to her family or the people around – the world goes further, as there are many issues being discussed despite the budget and the number of big names being so less. There is the corruption and nepotism which are part of sports, which lead to the athletes from the lower strata of the society suffering – except for cricket in which everyone gets something.

Positives and negatives :: Well, it is only when the interval hits you so hard that you realize that there is a big change coming up, making this a very different sports drama – we love both sides of the interval, as each shows something of beauty, and also feeds our emotional so well, along with providing motivation. We can feel those emotions even after we are finished with the movie, a short one lasting only a little more than two hours. The beautiful visuals of the high-ranges also contribute to the same, with some nice songs to go with them. The struggle that the movie shows feels so real, as we know how the athletes other than cricketers are sidelined with ease. The absence of necessities for the other sports-persons, is something that needed attention a long time ago, especially with those games which more than nine or ten nations of the world are interested in playing. One might still feel that this is not the kind of movie they expected from the trailer, but that indeed is the beauty of it.

The performers of the soul :: Rajisha Vijayan is fantastic in a movie which brings more than one face of her, and its a step forward from the State Award winning Anuraga Karikkin Vellam, the two lesser known Georgettan’s Pooram and Oru Cinemakkaran as well as the most recent charming bildungsroman adventure, June. There is deep feeling in her performance, whether in happiness or in grief, whether in determination or in the absence of the same – the emotions can be seen going very deep here, and we are happy to see that she is always one step ahead of the character, with her preparations as well as the final work. The character here is so natural and close to life, further ahead of anything she has played in the past. If Rajisha could’nt pull this off, nobody else could have, and we see that she never struggles in doing the same – she is that good as of now. This could be another award winning performance, and we wouldn’t doubt that.

Further performers of the soul :: Suraaj Venjaramoodu in serious roles has been a revelation in the past, whether it was about a small role in Action Hero Biju or a full role in Thondimuthalum Drikshakshiyum. This is another character which carries a certain amount of melancholy, from which there is no escape – we are also part of those emotions which go deep, as the struggling coach tries to successful at at least some point. There are those emotional undercurrents which we can feel in such a way that they return to us when we are sitting idle and thinking about those moments. Meanwhile, Niranj doesn’t just shine, but glitters in this world, coming with a performance close to life, as a commoner from the hilly side of Central Kerala. We have him touching both heart and soul here with the feelings running heavy. There are those dialogues and his combination scenes with both Rajisha and Suraaj that tests our emotional strength. Tini Tom and Sona Nair provide fine support as his parents too.

How it finishes :: Even though it is announced earlier that the movie is a fictional story, the credits in the end dedicate the movie to the cyclist Shiny Siles who died in a road accident while participating in the State Road Cycle race at Manjeri in the year 2002. With or without it, this movie happens to be one of the best sports drama flicks ever produced in the country, and not watching it will be a crime, if not a cardinal sin. You feel the frustration, hopelessness, anger, fear, determination, hope, and everything else just like the characters do, and as we live a life with these characters, our second and the most realistic part of life, Finals easily becomes the best movie among the Onam releases, rising above the fighting thriller Brother’s Day and the not-so-serious comedy flicks following the same pattern – Love Action Drama and Ittymaani. The number of viewers as of now is surely low for the movie, but if we don’t support a movie like this at the theatre, we would be the barbarians, unless we are cacodemons. Here, I leave you with a song from the movie. Why you would stop yourself from falling in love with this movie and feel deep with it, is beyond me, as Finals come up with that kind of a lovely feeling in multiple ways.

Release date: 6th September 2019
Running time: 122 minutes
Directed by: PR Arun
Starring: Rajisha Vijayan, Suraaj Venjaramoodu, Niranj Maniyanpilla Raju, Tini Tom, Sona Nair, Muthumani, Kunchan, Nisthar Sait, Dhruvan

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Brother’s Day

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What is the movie about? :: Ronnie (Prithviraj Sukumaran) is your average handsome guy next door, leading a catering service, taxi, hotel and restaurant run at Fort Cochin by Joy (Kottayam Nazir). His sister Ruby (Prayaga Martin) has been paralysed from waist down, and is undergoing treatment at an ayurvedic centre. He is helped by Munna (Dharmajan Bolgatty), a chronic bachelor spending his leisure time looking for a suitable match so that he can get married at least this year. During a wedding reception, he meets Jema (Madonna Sebastian), the daughter of George (Spadikam George) who is getting married at an old age after his wife left him. Even though their initial introduction is rather messed up, they become good friends later. Ronnie and Jema have their own saddening stories to tell, but both find happiness visiting the old age homes and spending a few moments together.

So, what happens with the events to follow? :: He is also comes across Chandy (Vijayaraghavan), a businessman whom he meets by accident and lands in the police station as well as the hospital. He become good friends with Ronnie, Jema, Munna and Joy after a series of incidents. Ronnie is also introduced to Santa (Aishwarya Lekshmi), Chandy’s beautiful daughter who seems to be a cheerful and energetic young lady from outside, but seems to be holding a secret or two. They also come across Thaneesha (Miya George), a woman whose wedding ceremony was cancelled, and is searching for the reason behind her father’s suicide. Then there is Shiva (Prasanna), a mastermind behind many events involving the rich families and politicians of the city. The question remains about how these people are linked, but their paths are going to cross at some point.

The defence of Brother’s Day :: The movie which begins in a happy, funny mood, gets to the darker mood in the second half, even though there are traces of the same already seen in the beginning, right after the opening credits, and also in parts during its early run. The early comedy is nice, and unlike some of the other movies which pretend to be entertainers using cheap and vulgar jokes, there is none of such kind here. Then we have the twists happening, the suspense, and we also see how the characters and events come together nicely. The songs are good, and the background music is catchy. There are some fine visuals to go with the same too. Unlike the other movies which deal with the similar themes, there is no over-use of style here, and it also maintains a direct approach rather than trying to keep projecting the protagonist as the great hero all the time. The importance given to the antagonist is nice, and the use of red herring and foreshadowing are worth mentioning.

The claws of flaw :: It can be seen that some of the characters do disappear in the second half, and at least some them deserved to have a better role in the latter stages. There could have been some investigation going on here too, with the missing parts being found out rather than revealed. The second half of the movie goes in an entirely different path in comparison with the first half – even though movies like Drishyam also did the same, the core had remained the same in that case. The movie could have also been better if the small details were taken care of, and if there was not that much of predictability in the final stages. The movie also reminds one of the flicks like Mikhael and The Great Father with the dark mood and the kind of problems as well as the antagonists that the main characters have to deal with – but this one has the same one step better, and has a comic side which those movies completely lacked. There is also some violence to make some people uncomfortable.

The performers of the soul :: Prithviraj goes through the movie smoothly with his character – there is a certain special quality in his movies, as 9, Ranam and Koode had something more than what a usual Malayalam movie would have; not just with the settings, but with the feelings that it reflected on the audience. This one is no exception. Dharmajan handles the comedy with ease here. Vijayaraghavan’s character is a mixture of many things, and we see him doing what he has been doing the best once again. Vijayakumar plays another police officer role in his usual style. Kottayam Nazir and Shivaji Guruvayoor have lesser roles to play here. At the same time, Prasanna makes a fine, menacing villain, psychotic in nature and with no remorse even when he sees possible death in front of him. The presence of such a strong, and mysterious antagonist leaves the movie with further effects.

Further performers of the soul :: Madonna Sebastian was so close to becoming the main heroine of the movie, but then comes Aishwarya Lekshmi to take away the honours. This is still Madonna’s best after that fine introduction in Premam. Aishwarya has a similar character as she did in Varathan, as she is stalked by a different figure this time, something which she can’t ask to go away. In the second half, Madonna passes the heroine tag to Aishwarya, and towards the end, the latter handles it very well. Prayaga Martin and Miya George are just sidelined as their characters are rather minor. Both don’t have any sequences together even though each get about fifteen minutes each in different parts of the movie. Even with four heroine-like figures present in the movie, there is no real romantic angle for the protagonist, which is a good thing considering how the overall mood of the movie changes at the interval, and through the second half.

How it finishes :: As Brother’s Day finishes as a fine entertainer touching all aspects, it can be said that Kalabhavan Shajon books his seat as a director for many more to come – an interesting debut can be seen here, and he also makes a cameo appearance as the police officer in the end. Even though there can be opinions that it could have been a better thriller, this one is strong enough as it is, and maintains the comic side so clean and elevated that, it brings the lower level but self-proclaimed big entertainers like Amar Akbar Anthony and Kattappanayile Rithwick Roshan to shame with those little moments of fun. Brother’s Day has a full entertainer packed in there, and even though the family audience won’t be that happy with the violence, the rest can easily go through the same and celebrate Onam. As long as you are expect the Malayalam movie industry to have its necessary turns, you will like this one enough. Happy Onam and continue enjoying the vacations! 🙂

Release date: 6th September 2019
Running time: 164 minutes
Directed by: Kalabhavan Shajohn
Starring: Prithviraj Sukumaran, Madonna Sebastian, Aishwarya Lekshmi, Prayaga Martin, Miya George, Prasanna, Aima Rosmy Sebastian, Vijayakumar, Vijayaraghavan, Dharmajan Bolgatty, Maala Parvathi, Kottayam Nazir, Spadikam George, Ponnamma Babu, Shivaji Guruvayoor, Kochu Preman, Anil Murali, Jayasankar Karimuttam, Vinod Kedamangalam, Kalabhavan Shajohn (cameo)

Also check the reviews of other Onam releases, Ittymaani and Love Action Drama.

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