Nerve

Posted on January 26, 2017 by Tennyson

Vampire Owl: I was playing this online game. You should also try it.

Vampire Bat: Don’t you know that I no longer try these things?

Vampire Owl: But this is very much interesting.

Vampire Bat: I have gone through many more interesting things in the past.

Vampire Owl: You know, there is this game. You get missions, and you need to finish them.

Vampire Bat: It sounds familiar.

Vampire Owl: Yes, it should. There are so many people playing this game. Look, there is even Mr. Werewolf Anger playing it.

Vampire Bat: This reminds me of a movie.

Vampire Owl: This game is more than that.

Vampire Bat: Just watch this movie, and you will know.

[Gets three cups of masala tea with tapioca chips].

What is the movie about? :: Venus Delmonico (Emma Roberts), known to her friends as just “Vee”, spends her time with a small group of friends in an island outside the limits of the city. She wishes to leave her home for studying further in the city but doesn’t want to leave her mother alone after the death of her brother. Venus’ best friend is Sydney (Emily Meade) who is a popular girl around, thanks to an online reality game which goes by the name Nerve. In this popular game which has its gamers enlisted as players or watchers, the latter assigns tasks to the former, and accomplishing the same will bring money and fame to those involved. There is always the chance to become more and more famous in the online world, and this opportunity to become popular is used by most of the youth who has nothing better to do with their life. It is a network which keeps getting bigger and bigger.

So, what happens next? :: This game collects one’s personal data and comes up with three rules: all objectives are to be recorded on the player’s mobile phone, all of the earned money are to be revoked if a player fails or declines a dare in the middle of it, and a player is also not to report anything related to the game to the law enforcement. But the real names of the players are never revealed to the public. It remains anonymous, but the game knows everything. Venus who is rejected by her crush J.P. (Brian Marc) as Sydney proposes in her name, decides to become popular like her and the lover who never happened to be one. The one option that seemed to be easy for her, is to get to play Nerve as a player, and be watched by millions of players all around the world, and the two top players with the most points also get to battle each other to win the game.

So, how do things go from here? :: Her first mission, what they call in the game as dare, is to kiss a random stranger at a diner for five seconds. Venus chooses to kiss Ian (Dave Franco), who spends his time reading her favorite book, Virginia Woolf’s To the Lighthouse. He sings to her revealing that he is also playing Nerve. Interested in the two, the watchers add the dare to go together into the city. But things only get complicated after that, with newer dares added – there are more difficult ones coming, and with the total number of viewers, Venus and Ian gets to the top two places, much to the dismay of Sydney who was the star in their circle. Jealous of Venus being popular than her, Sydney attempts to take more risks, and almost falls to her death. But the watchers are not finished, and they have more plans for the players – will Venus go on or quit? What is the past that Ian is hiding? How will Sydney react to this?

The defence of Nerve :: There is a fast-paced thriller in store in the form of Nerve – there is no dull moment, and from the moment this movie begins, to the end, we are cent percent interested in what is to happen next. The movie also nicely presents the terrible beauty which is present in the form of another reality online, which has caused more trouble in the last few years than during any other period of time – the message is surely to unplug from that different mirage of a reality which is not really anything close to even a distant reality. The thrills are working without doubt, and that too continuously here. What works more than the rest is certainly the pair of Emma Roberts and Dave Franco – the former manages to work the role of the teenager who wishes to bring the attention really well, and the latter with more or less the same motive – not only does the watchers of the game find them a good pair, as the audience of this movie must feel the same too. The movie also looks great on screen.

The claws of flaw :: Nerve could have surely been darker and more threatening with its world, for we all know that the reality about the virtual world can only get much more worse as time progresses – after all, we are having a generation that is interested only in pleasing others, and getting more and more attention, no matter what happens to their own people. Even as it is based on a 2012 novel of the same name by Jeanne Ryan, there could have been more dares added into this one, along with more freaky incidents happening – as a movie, it could have used all that, even though nothing can be said about the book without having read it. The movie could have also used a few faces for Nerve, and justice could have been better served to those unknown names using the game. The scope was further for this movie, and we could have always had a bigger and darker thriller with this one going a safer path.

How it finishes :: Nerve is clearly a reflection of what happens in the current world which is dominated by all kinds of social media which begins from Facebook and Twitter. The strength of online games is another thing which is visible. In a world which has been so much affected by an online world which affects the reality in a way which makes it too difficult to come back, Nerve has a message for each one of the viewers. Nerve is the kind of movie that is certain to make one think, and it is a clear reflection on how bad a simple game can get, and how much lawlessness can be present online – it doesn’t really matter how good or educated a person is, as it is eternally easy to be evil without a face; the movie shows exactly that! As we see all those online abuses happening all around, you know that the nature of the internet is bringing the worst out of people on most occasions. Nerve is just its next stage. Lets be prepared for the worst to happen.

Release date: 27th July 2016
Running time: 96 minutes
Directed by: Henry Joost, Ariel Schulman
Starring: Emma Roberts, Dave Franco, Emily Meade, Juliette Lewis, Machine Gun Kelly, Miles Heizer, Kimiko Glenn, Samira Wiley, Ed Squires, Brian Marc, Eric D’Alessandro, Marc John Jefferies, Casey Neistat

@ Cemetery Watch
✠ The Vampire Bat.

The Huntsman

Posted on August 15, 2016 by Tennyson

What is it about? :: The movie begins a long time before the incidents which were depicted in Snow White and the Huntsman, as Queen Ravenna (Charlize Theron), the dark sorceress finds out that her younger sister Freya (Emily Blunt) has an affair with Andrew (Colin Morgan), and is carrying her child. But the marriage doesn’t happen as Andrew is engaged to someone else, and after giving birth to a baby girl, Freya on a dark night, sees that he has murdered their child. This unleashes an uncontrolled fury in her which brings out the hidden powers of ice and snow from inside her, killing her lover and transforming her love into hate. She abandons her sister’s kingdom and comes up with a new kingdom in the north which is covered in ice and snow under her power.

So what happens next? :: It is a new world of depression and sadness that she creates far north to the kingdom of her sister who unleashes her own evil. She gets children kidnapped so that they could be trained to become remorseless huntsmen, who were to become part of her army. She raises the group to become her soldiers who know no love and has no regret. All of them trains to become the elite group of huntsmen who are feared and fight her battles. Soon she finds the best of them in Eric (Chris Hemsworth) and Sara (Jessica Chastain), but they only fall in love many years later, something that she can never agree to. She successfully separates them, and the former lives in the grief of having watched the latter die.

And then to the present :: Then the scene shifts to many years later, after the incidents of the first movie, as Eric is wandering through the forest only to find that Snow White (Kristen Stewart) is ill and the magic mirror has gone missing. Freya is having an eye on these lands, and the dark magic in the mirror threatens the kingdom. Now it is up-to Eric the Huntsman to save the day and he is joined by Nion (Nick Frost) and his half-brother Gryff (Rob Brydon). Two other dwarves Bromwyn (Sheridan Smith) and Doreena (Alexandra Roach) also join their team. There will be magic and there shall be goblins on their way. Freya has sent her own team of huntsmen, but another big surprise awaits them. What about true love? Does it go beyond death and devastation?

The defence of The Huntsman: Winter’s War :: There is one thing that a person can be sure about here, and it is that The Huntsman: Winter’s War is cent percent a better movie than its predecessor Snow White and the Huntsman which was so empty a movie with empty expressions from its heroine. We also have some of the most amazing visuals here, with all the magic around. The snow and ice on the screen never ceases to be interesting. With magical creatures added, there is the further scope for visual beauty an that is explored very well here. The final scene of battle is also a very good one, which means that the movie manages to finish off really well. It is mostly all that a fairy-tale should be, and is a clear improvement from the predecessor; the lower box-office collection should go to the credit of the terrible predecessor which had already ruined the opinion about what was to follow.

The claws of flaw :: There are those predictable lines going through this movie too. A number of things can be guessed, and there is no real attempt to try differently either. The journey from a prequel to sequel goes rather strange too – it could have been just the sequel with a very small flashback and that could have worked out perfectly. There is also the chance to make use of its potential, which is not fully taken. Charlize Theron is underused, and we needed more battles of magic like the final one. In a movie in which there are two evil sorceresses, we see a little too less use of powerful magic. There is also the case of the mirror which should have been better utilized. There are those times when the direction of the movie is a little doubtful and some of the jokes also go on without making the desired effect.

Performers of the soul :: Even though Charlize Theron is there only for a few minutes, she has that kind of a presence that is strong enough to steal the show. We are sure to ask for more of her. Meanwhile, Emily Blunt shines in her ice and snow avatar while Jessica Chastain remains just okay in her role as the huntswoman. Maybe these two could have switched their roles to bring a better effect as we all know what the former is capable of in such a role with her Rita Vrataski in Edge of Tomorrow. Chris Hemsworth continues the same thing as he did with the earlier movie, and that manages to be okay. The actors and actresses who played the dwarves bring some good fun. It is nice to have gotten rid of Kristen Stewart’s Snow White though, as that certainly made things a lot better.

How it finishes :: As many other fairy-tales, this one also focuses on that one special thing, which is true love. The main idea here itself is about the two main protagonists and the lost love even though the villains do steal the show in between. It is the usual battle between love and hate that goes on here, and the much awaited defeat of evil waiting to happen by the finish. As a whole, The Huntsman: Winter’s War is an entertaining movie which takes those usual elements of fairy-tales and deals them well enough with some interesting messages. It was just too much underrated by the audience and the critics judging it as a part of its predecessor. There are things that fairy-tales could do, and this one thankfully knows that well enough.

Release date: 22nd April 2016
Running time: 114 minutes
Directed by: Cedric Nicolas-Troyan
Starring: Chris Hemsworth, Emily Blunt, Charlize Theron, Jessica Chastain, Nick Frost, Sam Claflin, Rob Brydon, Alexandra Roach, Sheridan Smith, Sope Dirisu, Colin Morgan, Fred Tatasciore, Sam Hazeldine, Sophie Cookson, Madeleine Worrall, Kristen Stewart

@ Cemetery Watch
✠ The Vampire Bat.

Deadpool

Posted on June 29, 2016 by Tennyson

Vampire Owl :: Oh! Mr. Pool, Dead. I have heard about him.

Vampire Bat :: No, this is not about that zombie who became part of the undead team by falling into a pool.

Vampire Owl :: Oh! His love for Brain Biriyani had caught my attention. So this is not really him!

Vampire Bat :: He is a mutant. You saw him in X-Men Origins: Wolverine.

Vampire Owl :: Yes, some part of the memory is back, I guess. But this version seems to be the cooler one.

Vampire Bat :: Yes, which is why it has managed all those positive opinions.

Vampire Owl :: I miss the Wolverine claws more though.

Vampire Bat :: Lets see what all can be managed from this one. There should be some interesting mutants.

Vampire Owl :: Lets go for the Pool, Dead then.

Vampire Bat :: I don’t see why not. After that I will find a poster that will make people confused with the genre.

[Gets three cups of tea with jackfruit chips].

What is it about? :: The first person we meet in the movie is a man in red, introducing himself as Deadpool in a taxi. As he gets into a fight, we are taken through the flashback, as Wade Wilson (Ryan Reynolds), who works as a mercenary after years of working with the special forces, meets Vanessa (Morena Baccarin). As they begin a relationship together, he is diagnosed with cancer. He doesn’t want to stay there with Vanessa and die, even though she insists that they can face this together. So when he is approached by a stranger who claims that he is able to not just cure his disease, but also give him extraordinary powers, he decides to give it a try while running out of options. He runs away from home, and reaches the secret laboratory, agreeing to the conditions.

So what happens next? :: There he comes across Ajax (Ed Skrein) who is in charge of the place and attempts to create a mutation in the test subjects. With the support of Angel Dust (Gina Carano), he hopes to create people with superpowers, but not with an aim to help mankind or not even with an objective in favour of the country. The defiance and the choice of words from Wade don’t go well with Ajax, who tries to force a mutation out of him, and even though that provides him with an accelerated healing ability, leaves him disfigured. After escaping the laboratory, he prepares for vengeance, with a red mask and a new choice of name, Deadpool. Now ashamed of facing Vanessa, he looks forward to finding a cure for his scars from the man who caused them.

The defence of Deadpool :: The entertainment never really stops with Deadpool. It is funny, with a lot of action sequences and a fast pace that it maintains till the end. Deadpool chooses to be different, and completely dismantles the rules which brings a certain enjoyable divergence that we can all appreciate. It is obvious that you don’t wish to see the same people saving the world again and again – guess what happens with watching the same for eternity? Change is a necessity, and Deadpool has realized that. It is the energy in this movie that makes sure that it works, and for the same, we can thank the actors. The dialogues in the taxi happen to provide some big boost to the funny side – it is such a nice beginning to this flick, along with the opening credits. Deadpool might not be the hero character to be loved by family audience, but the movie is heroic enough to go the divergent path.

The claws of flaw :: Deadpool could have surely gone forward with a better story, and it should have avoided becoming the same as those superhero movies which it seemed to make fun of. It often becomes what Meet the Spartans was to 300, Vampires Suck was to Twilight and the Scary Movie series was to Scream, Signs, I Know What You Did Last Summer, The Blair Witch Project, The Ring, The Grudge, The Village, War of the Worlds, Saw and so many others. It is nearly impossible to take Deadpool seriously, but it is still pretty much a serious story, and there lies the contradiction that makes one wonder and think about that Deadpool who was there in X-Men Origins: Wolverine. One can also feel that some moments here are supposed to be funny, but they aren’t. With the final moments, Deadpool is not so different as one would expect either, and some blood and gore to that.

Performers of the soul :: Ryan Reynolds has some very nice moments as the new big anti-hero and he never hesitates in stealing the show. We remember Morena Baccarin from Gotham and she makes a great choice for this role – I feel that her character with her there, has a lot more potential. Meanwhile, the one person who brings something special in there is Brianna Hildebrand as Negasonic Teenage Warhead – from that name itself, she provides a lot more to the funny side. From being Daario Naharis in the Season three of Game of Thrones to being the new Frank Martin in The Transporter Refueled, Ed Skrein brings a fine villain here for a change. Coming back to another big movie from Fast and Furious 6, Gina Carano is another right choice – there is nothing to blame in the casting; even with those characters of lesser significance.

How it finishes :: Deadpool is no usual superhero movie, as there is nothing heroic in what he does, as said by the protagonist himself. Consider it as a usual superhero movie might not do it that much good, and I would consider it a harbinger of change in this genre, just like what Batman Begins and its sequels did earlier. But unlike the Dark Knight trilogy, this one leaves the audience with no real inspirational message – you can still dive deeper and maybe come up with something that is buried deep. But even if such a thing can be done, Deadpool is a movie which is made for some fun, and there is not much to taken seriously out of it – that is a fact which we can conclude by just listening to the main character; the conversation in the taxi makes that even clearer. Deadpool could have been a better movie, but they have chosen to keep it funny rather than that!

Release date: 12th February 2016
Running time: 108 minutes
Directed by: Tim Miller
Starring: Ryan Reynolds, Morena Baccarin, Ed Skrein, T. J. Miller, Gina Carano, Leslie Uggams, Brianna Hildebrand, Stefan Kapičić, Karan Soni, Jed Rees

@ Cemetery Watch
✠ The Vampire Bat.

Brooklyn

Posted on June 3, 2016 by Tennyson

Vampire Owl :: Let me see this. Best Picture, Best Actress, and Best Adapted Screenplay; some big nominations right there.

Vampire Bat :: I told you that this is the right movie to be watched.

Vampire Owl :: Based on Brooklyn by Colm Toibin; so the novel is also there to read.

Vampire Bat :: But the last time you read a novel was when global warming hadn’t even started.

Vampire Owl :: Yes, but I make exceptions, like with the Lich Queen.

Vampire Bat :: That was when she wrote the “poem of undead death” and you had to read it or be bitten by animated corpses which were worse than zombies.

Vampire Owl :: Yes, but that still counts as reading.

Vampire Bat :: Saoirse Ronan is your favourite from Byzantium too; lets not forget that.

Vampire Owl :: Things are becoming clearer now…

Vampire Bat :: And City of Ember as well as Atonement which goes further back. Enough reasons there!

[Gets three cups of tea with jackfruit chips].

What is it about? :: In the 1950s, Eilis Lacey (Saoirse Ronan) lives with her sister and mother in a small town called Enniscorthy, along the South East coast of Ireland. As she is unable to find good work, her sister Rose (Fiona Glascott) writes to Father Flood (Jim Broadbent) in Brooklyn who arranges her travel to the United States of America in hope for a better tomorrow for her. Suffering from from seasickness and then homesickness, she has a troubled road to the new city far away. Despite the problems that she faces, there she joins the bookkeeping classes and also comes across Anthony Fiorello (Emory Cohen) whom she meets at a dance, and falls in love. But the sudden death of her sister will call her back to Ireland. The question remains about what she will choose after that incident – Enniscorthy or Brooklyn?

So what happens next? :: With her mother alone and hoping for someone to be there with her, Ellis, who is now Ellis Fiorello after getting married in Brooklyn, will choose not to reveal the news about her marriage to anyone and remain in Ireland. There she will meet again with her old friend Nancy (Eileen O’Higgins) whose wedding she hope to attend by extending her stay there, and she also meets another man, Jim Farrell (Domhnall Gleeson) again. She also manages to find work as an accountant where her sister used to work, and the choice becomes a lot more difficult. Can her love for the man whom she met at her worst times turned into the best make sure that she will go back to Brooklyn, or is it the newly found comfort back at home that works better for her heart and brain? Whatever it is, Ellis will have to make the choice.

The defence of Brooklyn :: There are not many love stories that are so smooth, and so effective, even at such slow pace. You will feel the beauty of the world that we see in this movie, visually for sure, and also otherwise. There has been the lack of good romantic movies in the recent past, as the degradation has always created more and more movies full booze and sex, and no real love. So, it is great to have a movie like this, in which you can feel the love, and enjoy the top level performances from the leading cast. The emotions are effective as well as beautiful here, and as we are taken to that certain time period, we will feel the need to be there too, with the people, the buildings and the nature itself; and there is a certain amount of happiness that the movie that leaves us with.

Positives and negatives :: Brooklyn might feel kind of slow, which can make it seem to be a little bit too long for the interests of some people. It is the old-fashioned love that reflects the nature of the age during which it is happening. It is a fine level of feel-good that we have here, and the fairy-tale love story that everyone would wish for, with all its simplicity. Saoirse Ronan makes that kind of impact, that we will fall in love with the life of this particular Irish girl. In the end, we are left with the much needed idea for the age, that true love succeeds, and returns where it deserves to be. Brooklyn surely has a huge heart, and its soul is at the right place; it is also smart and makes its point perfectly. It should be why an old-fashioned movie gets itself on top, facing all those movies which might seem ahead of it when we look at them. Brooklyn, without doubt deserves all the appreciation that it has earned.

Performers of the soul :: Saoirse Ronan has been an amazing actress, and right from her first few movies years ago, she has never failed to create an impression, and Brooklyn is no different. I first noticed her in City of Ember, and Byzantium happens to be my favourite movie featuring her. From the beginning to the end, it is her show that is going on here, going through the changes on her character which such perfection. She makes things feel so real, whether it is about the sadness, the romance or that feeling of happiness – all that twinkles in her eyes. It is into her world that we enters, and leave with bliss! I have felt that this one goes deep, and wished that she had won an Academy Award for this one. Meanwhile, Emory Cohen plays his role with no trouble, as the character becomes one memorable one; Domhnall Gleeson nicely joins in and makes the point.

How it finishes :: Brooklyn takes that beautiful message of true love to another level, as it remains sweet and cute throughout its run. It talks about why it matters to be with the person whom you have always loved no matter what comfort the other things can provide you with. In a new world in which people only look for one’s job, house, money and family name to get married, the movies that follow the old style of love become a lot relevant. These days, whether it is love marriage or arranged marriage, people have been too much focused on money, and living through such an age of self-proclaimed ancient, rich aristocratic people and families, we need movies like Brooklyn – for true love should be what the poets have written about, and not what these sex-romantic-comedies define for the new generation.

Release date: 4th November 2015
Running time: 112 minutes
Directed by: John Crowley
Starring: Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Jim Broadbent, Julie Walters, Bríd Brennan, Jenn Murray, Fiona Glascott, Jessica Paré, Eileen O’Higgins, Emily Bett Rickards, Eve Macklin, Nora-Jane Noone, Michael Zegen, Paulino Nunes, James DiGiacomo, Christian de la Cortina, Ellen David, Eva Birthistle

@ Cemetery Watch
✠ The Vampire Bat.

Crimson Peak

Posted on October 18, 2015 by Tennyson

Vampire Owl: I believe that we should sell our castle and buy what they call the Crimson Peak. It looks more Gothic than all our bloody rooms combined.

Vampire Bat: We should write a letter to Uncle Dracula concerning this after watching this movie.

Vampire Owl: I believe that it is from the director who can do the Gothic more justice than anybody else.

Vampire Bat: Yes, it is like Guillermo del Toro weaves his magic wand and this genre reaches new heights.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1130-crimson-peak-movie-review

From the visionary director Guillermo del Toro, the man who brought us movies like Pan’s Labyrinth, Hellboy and Pacific Rim, the latest flick comes in the form of a Gothic Romance Horror called Crimson Peak. It has been one of the most anticipated movies of the year for those who loved the critically acclaimed dark fantasy known as Pan’s Labyrinth. Crimson Peak has also remained a much discussed title among the horror fans. What this movie seemed to try and achieve was to bring the Gothic mystery elements back to the big screen like never before. The trailer also supported the same idea, and so did the costumes and the surroundings featured in it.

The audience is introduced to a little girl who sees the apparition of her mother giving her one warning – beware of Crimson Peak. She grows up with the belief that ghosts are real because she has seen them, and she becomes a beautiful lady who is an aspiring author from Buffalo. This lady, Edith Cushing (Mia Wasikowska) has a desire to show her skill in writing ghost stories even though she is told to write love stories instead. A twist of fate happens when she unexpectedly falls in love with Sir Thomas Sharpe (Tom Hiddleston) who arrives in the US from England, related to business matters. She marries him against the advice of her people after her father dies, and travels with him beyond the Atlantic Ocean to his lands.

Everything seems to be perfect with love and affection right at the core. But she soon discovers that the man is more than what meets the eye as he has many secrets. With his sister Lady Lucille Sharpe (Jessica Chastain) who seems to share these secrets, there is a very scary side to their world of two. A large crumbling mansion set in the mountainous region in Cumbria will make sure that her trip to the British Isles won’t be as good as she thought it would be. The house seems to warn her and so do the apparitions which make another appearance there, visible only to her. These creatures are new, but her nightmares have only begun, and she will soon know the truth about the siblings, the house and its bloody violent past.

The first thing that you notice related to Crimson Peak is the beauty that you see on screen. It is a wonderful reminder to the Gothic that the viewers have always read about during our childhood. The environment brings the best effects of horror on screen. It is the kind of world which suits horror like never before. As usual, Guillermo del Toro knows how to do the best with the creature design, as each apparition in this movie is unique, and all of them are scary. With the sound effects added and terrifying sequences well shot to magnify the horror, the whole thing becomes an even better experience. Still, the movie is does not fully fall into the horror genre. The costumes are also amazing, nicely contributing to the style of the movie. All of these are a lot worthy enough to be watched on the big screen.

There are a few scenes which need mention, one of them being a murder scene, surprisingly showing the aesthetics in death like never before. With water pouring out of the sink and getting mixed with blood, this simple scene shows what creativity can bring. Yes, there is violence, but with beauty. The elegance of death has been brought to the next level. The appearance of the apparition of the mother also brings something special. The red apparition is also imaginative, and the mansion remains a live thing all the time. The mixture of red clay from under the ground to snow also provides a creepy feeling to a house and the surroundings which are already scary with its architecture and location. All of them are worthy of bringing a big horror sequel to Crimson Peak.

There is a certain magic spell which is created by the movie on the audience with the visual detail; then there is the magic of performances which guides this movie. Tom Hiddleston steals the show with his dialogues and expressions as a character that seems to reflect love and compassion with eyes, but struggles hard to hide the secrets. Jessica Chastain is more like the personification of terror which is waiting to unleash itself, and she does a good job. Mia Wasikowska once again becomes the Alice here, not lost in Wonderland, but in the wasteland of her dreams, nightmares and newly found mansion. She manages her role remarkably well, and the audience can easily connect with her emotions. Charlie Hunnam is underutilized though, with more action set in England with the three characters.

The movie still takes a little bit more time than needed to get into the Gothic mode. Another fact is that more could have been achieved with what has already been done with the marvelous imagination that the director possesses. This is still brilliant, but is just a little short of becoming that perfect Gothic Horror Romance movie. The viewers who enjoy beauty on screen will find it difficult to take their eyes off throughout this movie, and there is a certain emotional impact which will also stay in minds after the movie ends. It is the kind of tale which makes you think, and it also brings the memories of that enchanting beauty into your mind – Guillermo del Toro once again proves that he knows how it should be done.

Release date: 16th October 2015
Running time: 119 minutes
Directed by: Guillermo del Toro
Starring: Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam, Jim Beaver, Emily Coutts, Leslie Hope, Burn Gorman, Laura Waddell

@ Cemetery Watch
✠ The Vampire Bat.

Honeymoon

Posted on July 29, 2015 by Tennyson

Vampire Owl :: I was planning for a Honeymoon with Lady Death myself.

Vampire Bat :: But you are not married yet.

Vampire Owl :: Yet, but it has to happen some day. I am preparing my soul for the same. I have even bought a Suit of Death from Vampire Best Deals.

Vampire Bat :: Do you know that the suit is supposed to prevent death for a few hours?

Vampire Owl :: What? It is not supposed to bring death closer?

Vampire Bat :: No, it is not. The original prototype was used by Uncle Dracula to travel to twenty seventh dimension of eternal death. Vampires and the rest of the undead can’t go through the realms of death without permission from the dead, as it can cause slow disintegration of the vampire body. This suit prevents the same.

Vampire Owl :: What? It is totally unfair. This is going to prevent my Honeymoon from ever happening. Mountain of Death brings death, Isle of Death is known for dealing with death, Valley of Death causes more deaths than any other place, and why is this Suit of Death so much the opposite?

Vampire Bat :: Well, you should have read the full description before buying it. Vampire Raven once bought something and didn’t speak even a word after that.

Vampire Owl :: My honeymoon plans are ruined. You could have at least given me false hope by not letting me know.

Vampire Bat :: Well, we will watch the movie Honeymoon instead.

[Gets a cup of tea].

What is it about? :: A newly married couple, Bea (Rose Leslie) and Paul (Harry Treadaway) finds the right place to celebrate their honeymoon, and it is a cabin in the woods. It seems to be the perfect and extremely peaceful are as they enjoy their time and explore the surroundings. In a small restaurant, they meet Will (Ben Huber) who seems to act strange and his wife Annie (Hanna Brown) who is acts even more weird. One night, Bea goes missing, and later she starts showing some strange behaviour which upsets Paul. She forgets things and write down even basic facts about her life. She often acts opposite to how she had been earlier. Paul sees strange lights at night and feels that a third person is involved. But he finds no real clue anywhere as things don’t get any better.

The defence of Honeymoon :: The movie uses its environment related to the cabin in the woods to come up with the much needed advantage. The two main characters are also made a lot more interesting by the cast. There are a lot of interesting moments between these two characters, and the performances are excellent throughout. The time before the major incident and after that are actually presented in different ways, and it makes us feel the change with a powerful psychological impact. It also leaves a lot of things to our imaginations, and it plays on our mind to know what is wrong, and who is the one actually in trouble here. You feel caught between the two characters, thinking and imagining to recreate what could possibly have gone wrong between the two lovers who seemed so happy and energetic just a few moments ago.

Claws of flaw :: Honeymoon surely drags, and it takes quite a lot of time to get into its more interesting part. Even between the thrills, it goes rather slow. There is a certain amount of beauty about this slowness at times as it adds to the mystery elements, but at some other times, it is not there. The ending is actually a little bit of a let down [A little bit of spoiler stuff to follow even though nothing of heavy dosage] considering the fact that this was going so nice as a psychological thriller-horror movie until the finishing line doesn’t really justify the same, but attributes things to unknown creatures. Even with surprises thrown in here and there, it finally comes to those moments which are rather more predictable, and things become what a good number of people might have thought in the beginning.

Performers of the soul :: The movie needed its performances because it uses them more than anything else due to being a psychological thriller on one side despite being known as a horror movie – may be that ending confused the genres and even added a certain amount of sci-fi to the same. You have to love Rose Leslie in this one, and you once again get to see Game of Thrones‘ own Ygritte doing what she does best; giving the feeling that her husband knows nothing as her character undergoes changes. She has managed two sides of her character so well that we can see the changes clearly and impressively managed. Lets see what she can offer in The Last Witch Hunter – wait for it. Harry Treadaway does a very good job, and the chemistry between them in amazing.

Soul exploration :: The movie asks the basic question if you really know the one who is close to you – it is something that is worth feeling scared about. Well, people do pretend to be someone else, and acting comes naturally to a lot of people. You see those people with profiles on the matrimonial websites with descriptions being God fearing, non-alcoholic and never smoking, but do you think that it is true? Well, even in the case of love marriages, people are blind in love and can’t see through the masks. If people missed this idea, that makes an opportunity gone for this movie. Will someone whom you love undergo so many changes that one day, that you won’t be really sure who he or she is? Well, it is a point to think about, and something that this movie could have focused further on. It is not that the same is not in the movie, but it is not that clear.

How it finishes :: The first movie that comes to my mind when thinking about this, is Under the Skin. They are surely not the same, but some moments do feel similar from a distance. Well, this one keeps the audience wondering though; couldn’t this have been a lot better with the premise? It is good with its stress and intensity, but is this all that this movie could come up with after showing a lot more promise? May be they could have stuck to the psychological side throughout, and in the end, we could have had a minimum of one psychopath or even two. It could have surely achieved better ratings with that. It already has a powerful drama side to power the same. The horror that this movie required was purely psychological, and with the same not being fully there, Honeymoon could have really been the true honeymoon.

Release date: 7th March 2014
Running time: 87 minutes
Directed by: Leigh Janiak
Starring: Rose Leslie, Harry Treadaway, Hanna Brown, Ben Huber

@ Cemetery Watch
✠ The Vampire Bat.

Cinderella

Posted on March 27, 2015 by Tennyson

Vampire Owl :: You know that I can’t watch Cinderella.

Vampire Bat :: What? From where did you find a reason this time?

Vampire Owl :: It is one of those Happily Ever After stories. I don’t believe in that. And vampire owls don’t read fairy tales.

Vampire Bat :: But it has enough changes making the movie different.

Vampire Owl :: I have known changes, like in Snow White and the Huntsman, Jack the Giant Slayer, Maleficent and Hansel and Gretel: Witch Hunters.

Vampire Bat :: No, not like them. There is no darker interpretation for this one, and there are no monsters or black magic.

Vampire Owl :: I think you should have watched Focus instead of this one. Without the dark side, this is like children’s movie.

Vampire Bat :: No, the story has evolved; it is made better without losing the core.

Vampire Owl :: I have absolutely no idea what you meant by that.

Vampire Bat :: I say that you read my review and see if you still want to skip this movie.

[Leaves for the tea shop].

What is it about? :: The great fairy-tale gets another treatment as things change for Ella (Lily James) with the death of her mother and everything gets a lot worse with her father’s second marriage which is followed by his death. The new step-mother Lady Tremaine (Cate Blanchett), who comes to reside with them along with the two daughters of her own, Drizella (Sophie McShera) and Anastasia (Holliday Grainger) turns out to be very unlike someone they were expecting as a mother figure. The two sisters were not any better either, as they detested her and the new house; even their new cat Lucifer proves to be an enemy for Ella’s rat friends. As the attitude of the new mother gets worse everyday, Ella who is now called Cinderella due to her life close to the cinders, our protagonist only has the faith in magic, as well as her belief in courage and kindness to bring her the twist to her tale.

The defence of Cinderella :: Among the fairy-tales, Cinderella is surely not the easy one to adapt and come up successful because the idea of a Prince Charming and the thoughts about the evil step-mother won’t sell that easily these days for the adults, and it is too simple a story and not something that can have too many additions without affecting the essence. This is a season when the new age evil want to shoot down Prince Charming because he is a good person; some people really can’t stand extra goodness because it is not in them. During such a season, this movie manages to rise and fly high, for which a lot of applause is deserved. With an amazing world already made with splendour, what you should keep in mind is that this is still a fairy-tale, and the soul goes directly to the original story. You have to keep that in mind, and keep a part of your mind for believing in magic.

Positives and Negatives :: Unless you have had a highly uninteresting and ridiculous childhood, you are going to love this movie. Yes, Cinderella is also nostalgia, and you have to repsect your own past without which you are nothing – remember and admire those tales which shaped your early lives. It is a fairy tale and if you want Cinderella to be too much like a modern age character, go and stick to your limited list of movies – but let me tell you; this is the best portrayal of Cinderella ever. Yes, the fairy godmother needed more screen-time and polishing, and there could have been a little more of interactions between Cinderella, sisters and the step-mother added. But then you see the costumes, especially that of Cinderella going for her moment with the prince – it is stunning, and how good Lilly James looks in the same makes one wonder if Cinderella is indeed real.

Performers of the soul :: Lily James is stunning as Cinderella, and it is like she beautifully carves herself into the character. There is the scene when she is magically dressed in that stunningly beautiful blue dress, and you need to think of nobody else as the titular character. Then there is her again in another blue dress, this time a normal one by the end – here she is the happy young girl and she looks amazing there. She completely takes over all those emotional moments, whether it is of sadness, joy, hopelessness, love or sympathy, and it is a blessing for the audience to see her as Cinderella on the big screen. Then there is Cate Blanchett with a believable step-mother role which she does to perfection, and the two sisters are also very good here. Richard Madden is a fine Prince Charming and Helena Bonham Carter needed to be there for more, but is fine when she is there, and the narration is interesting.

Soul exploration :: Selflessness, sympathy, forgiveness and simplicity which Cinderella displays in this movie are something rarely seen in this world. The tale once again tells the story of the protagonist who is mistreated, rising above the limitations. No, this is not a story of one girl, but of a large number of men and women who are mistreated because of any reason. Prince Charming is just a symbol of glory in attainment; it could have been anybody else, like Princess Beautiful or any other thing which can be personified into something else. But the fact remains that the movie brings that idea to us only by polishing this movie and keeping the soul of this fairy tale alive. It could have gone darker like in Snow White and the Huntsman, Jack the Giant Slayer, Maleficent and Hansel and Gretel: Witch Hunters, but chooses to keep the soul the same, and still make that great impact. And yes, do believe in some good magic.

How it finishes :: Along with all those things for which you admire Disney, add this one to that list. There was also a short animation movie called Frozen Fever which worked like a little sequel to Frozen – it was shown before this movie, and there were no usual trailers. As it comes with Cinderella, Anna and Elsa makes things perfect with the birthday pary of the former. “Making Today a Perfect Day” is not “Let it Go”, but it is still so much fun with out favourite characters right there on the screen. Disney never ceases to bring more and more magic to us, right? This was such a nice pleasant surprise for the audience and everyone seemed to love it. You can add Cinderella to your list of best Disney movies without much thinking twice about it. The fact that it still stays at the theatres even after two big Malayalam movies released, points to the truth that it is special. Courage and kindness – take these two things home from Cinderella.

Release date: 20th March 2015 (India); 13th March 2015 (US)
Running time: 113 minutes
Directed by: Kenneth Branagh
Starring: Lily James, Cate Blanchett, Richard Madden, Stellan Skarsgård, Holliday Grainger, Derek Jacobi, Ben Chaplin, Sophie McShera, Hayley Atwell, Helena Bonham Carter

@ Cemetery Watch
✠ The Vampire Bat.

About Time

Posted on December 22, 2014 by Tennyson

Vampire Owl :: I waited so long for this movie to get released in India that I got very old.

Vampire Bat :: May be it just didn’t release in Cochin or we were on a trip when it released.

Vampire Owl :: But I got very old, nevertheless.

Vampire Bat :: Aren’t we already centuries old?

Vampire Owl :: Yes, but I still got a lot older, and this time it is depressing.

Vampire Bat :: Didn’t your great ancestors have the power to go back in time and change the release date and screens of a movie?

Vampire Owl :: Yes, he could predict the situation that the worst movies will get released and there was nothing that we could do. He used to be a fan of an old form of vampire theatre. It was like, for tragedy everybody laughed and then he tried to change the meaning of tragedy and they just cut his head. He could travel in time no longer.

Vampire Bat :: So, he was the first revolutionary against bad drama, that theatre which represents movies now.

Vampire Owl :: Yes, but the point is that he got his head cut off. You know the fans these days and what can happen to us.

Vampire Bat :: That is a fair point.

[Starts the car].

What is it about? :: Tim Lake (Domhnall Gleeson), a young man is told a family secret at the age of twenty one – that all the men of their family have a special gift, which is the ability for time travel, something which he needs to unlock and try now. But he will only be able to go back to his own experiences, those memories which he can remember well enough. He decides to use this newly found ability of his, to improve his chances of getting a lover. As he falls for his sister’s friend, Charlotte (Margot Robbie) who spends her holidays with them, he uses the time travel ability to make her fall in love with her, but understands that it will never happen as she will just keep making excuses as she already made her decision on him. But later, he would meet Mary (Rachel McAdams) by fate and both are interested in each other, but losses her while trying to help his friend by time travel. But he would use his skills to recreate some events which will take him back to meeting her and both once again fall in love with each other. But his time travel adventures doesn’t end there.

The defence of About Time :: This movie manages to be the smart and cute, happy and heart-warming love story that stands above most of the romantic love stories with its theme as well as its presentation, which is closer to true love and family relationships that it can get, making one wonder if Hollywood actually cares about such things when making movies of this genre – but About Time says, it was about time. The movie is powered by its powerful emotions, and leaves one with a sense of responsibility towards life and also to one’s own family. The movie flourishes in its emotions and runs strong like a river during the monsoon, whenever the family stuff comes to the scene. The romantic comedy is not far behind, as there are moments there, which makes us remember that it is not far away either. The movie has its layers, and each one has something there, hiding some messages which we can take home. The combining of sci-fi-, rom-com and family drama works like a dream here.

Positives and Negatives :: Yes, finding negatives with this movie has not been too difficult with the critics, but it is not easy as far as I am concerned. Yes, the combination of three genres might be strange at times, and the movie not be what some people had expected with its family drama which overtakes the romance and the science fiction most of the people wanted to watch. You can find the time travel paradox and also ask a few question about that, but that is never expected to take the centre stage. The exact central point of the movie is its message for life. About Time is powerful in its heart and soul, and that much you have to give to the movie, no matter what else good or bad you can find here. Keep your own heart and soul at the right place while watching this movie, and these are the kind of movies which can rise above the limitations of a usual romance-sex-comedy.

Performers of the soul :: The movie has a brilliant performance from Domhnall Gleeson, but wait till Rachel McAdams arrives to take your beath away, and the chemistry between the two works like a true love dream. This lady was also there in The Time Traveler’s Wife, but I would say that this is a lot better movie and she is too good in this one. She might have looked better as the younger self in that movie, but look out for her performance in this one. Yes, the presence of the same lady lead might have confused a few, but About Time reigns supreme if there is a war of the romantic time travel fiction. Then there is the surprise package in the form of Bill Nighy as the father, that dad that everybody would want to have, and I would die and be reborn to have. He is someone who has known to love his son and has always found the little joys of his time with his son worth living. He has wonderfully portrayed the perfect father for whom we reserve our tears. Margot Robbie also gets attention in her smaller role, and Lydia Wilson as the sister of the protagonist – Kit Kat is lovable.

Soul exploration :: About Time leaves us with a strong message to live in the moment, and there are things that cannot be changed. Even if you had a certain time travel ability, the things that are to happen, will happen; those things that you have changed were supposed to be changed, and this knowledge whether it can be changed or not can be obtained only by trying, and it is a need to try. It is never late to appreciate life, and the best things come to those who wait, and not those who feel the emergency and hurry up on life. It shows that true love waits, and no matter how much you think that some thing are less important, they are not. It is our responsibility to know that family always comes first, especially with the kind of parents who have cared for you. This is as close to a righteous romantic comedy as one can get, with emotional, love for family and true love. This tale uses the science fiction elements to support this cause.

How it finishes :: Even as this is a romantic comedy, I would advice watching this one with family – it is because its message of love transcends and chooses to rise higher as well as deeper, making it a powerful family movie in its core. It take its elements of true love and science fiction and it digs deep, and comes out of it as a movie for everyone who loves one’s family. I suggest you get a fictional time machine which you can use to erase your questions about many things and replace it with a positive attitude about life. I thought I could do that, but I have come too far to do that. I haven’t listened to myself enough for that throughout my past. But this movie reminds me that, it is never too late, and may be, I will have a chance at everything when the wheel of time turns. Life will give you that opportunity, and I can choose to listen to those idiots, backstabbers and supposed to be successful people (or parents of successful people), waiting for my opportunity. It has to come, because life goes on and you shouldn’t worry too much about the past.

Release date: 3rd November 2013
Running time: 123 minutes
Directed by: Richard Curtis
Starring: Domhnall Gleeson, Rachel McAdams, Lydia Wilson, Margot Robbie, Bill Nighy, Tom Hollander, Lindsay Duncan, Richard Cordery, Joshua McGuire, Tom Hughes, Vanessa Kirby, Will Merrick, Lisa Eichhorn

@ Cemetery Watch
✠ The Vampire Bat.

Gone Girl

Posted on November 3, 2014 by Tennyson

Vampire Owl :: Which girl is gone?

Vampire Bat :: No, it is the name of the movie.

Vampire Owl :: Really? But you are going to a theatre which almost froze us to death last time.

Vampire Bat :: Yes, but it happened only once.

Vampire Owl :: Dude, only a Vampire Penguin can stand such cold. I think they are trying to start a new mortuary freezer at the theatre in collabration with the nearby hospital.

Vampire Bat :: Have you ever been to a mortuary?

Vampire Owl :: Yes, once when I was looking for a zombie to provide assistance to my owlification. Couldn’t find one though. I was freezing to death; no wonder there are no zombies in this part of the world. Even the undead dies in that cold.

Vampire Bat :: But people usually want this cold.

Vampire Owl :: It is already raining outside. Why would they want more cold? See, this is why I should not watch this movie and go back to owlification. Watching a movie here would be like watching Frozen without the visual effects.

Vampire Bat :: Be the Gone Owl then. Best of luck.

[Goes into the multiplex].

What is it about? :: Nick Dunne (Ben Affleck) returns home on the day of his fifth anniversary to find his wife missing. The situation does manage to find a lot of media coverage as she is daughter of the parents who wrote a very popular series of books with Amy Elliott-Dunne (Rosamund Pike) at the centre of it, called Amazing Amy. Soon, the media comes to the conclusion as he is the one who is responsible for the same and has murdered his wife, thanks to the revelations of Noelle Hawthorne (Casey Wilson) who says that he was not a good husband and she was pregnant. Nick acts strange and also sounds weird during the investigations making the cops suspect him, and there are also more evidences that point to him. Then there is his sexual relationship with Andie Fitzgerald (Emily Ratajkowski). Finding Amy’s diary and what seems to be the situation of their marriage, it becomes clear that he is in big trouble, despite the sincere efforts of his twin sister Margo Dunne (Carrie Coon) and attorney Tanner Bolt (Tyler Perry).

The defence of Gone Girl :: The movie has two sides, and the first half is entirely different from what is to follow in the second, and the PVR intermission is nicely created. The two halves are rather like two parts, with first one being an investigation of the mystery of the disappearance of a man’s wife, and the second being how it has been working for the wife, and how it goes on as everything comes together in the end. I found the second half clearly superior to the first, and there is a lot of truth as well as entertainment in the latter division. The first half’s mystery as well as the second half’s black comedy nicely compliments each other. This is comparable to the movies like The Girl with the Dragon Tattoo, Enemy and Prisoners with its content. It brings the questions about modern marriage to light and talks about how it has changed in the recent years – the narrative is as good as it can get, and the plot is nicely managed. There is also that power of the performances.

Positives and negatives :: I have heard some people say that the novel is better than the movie, and I do ponder about it, but I don’t think I am going to read the book any time soon. For now, I can say that the movie is excellent. Some people might find the movie’s going forward and backward in time irritating, but I find it nice. It does have a strange twist in the end, and even as it has a certain beauty about it, some viewers might find it ridiculous – yes, some other usual kind of ending could have been the one for normal audience, but we are always equipped to take something different, aren’t we? Then there is the slow start which can take the interest off you, and the extreme length of the movie which has two and half hours taken away from us, making it a total three hours long with those advertisements – too many commercials and trailers, and I was frozen in the theatre by then. Thank God for the intermission we have here, for a long English movie is not what our audience ask for.

Performers of the soul :: Ben Affleck is playing a usual unsuspecting man, and it seems to work for him a lot. There is not much to do there for him to do other than being clueless and making at attempt at being better, but he does that nicely to convince us about his character. It is undoubtedly a good role for him as we wait for him to come back to us as the new Batman. I loved how Rosamund Pike played her amazing Amy, as there is as much mystery about it as well as the awesomeness in the portrayal. There is that moment when she reveals her thoughts, and it is one bloody awesome moment, and there is that thing that he does with the climax, and she is simply perfect right there. Neil Patrick Harris is pretty much wasted in his role which is pretty much a dumb one, and does nothing much. Emily Ratajkowski is there as the most gorgeous person around, nothing more about her character, but she is indeed lovely to watch. I did think that Carrie Coon was very impressive there. Tyler Perry was nice, I liked how he did his job. Lola Kirke and Casey Wilson also do their jobs nicely.

Soul exploration :: Gone Girl is a mixture of many genres, as it has its mystery and twist along with humour and crime investigation. There is romance, but one might not want to see that genre at the centre. The movie takes more of a satirical view on the marriages of the modern age, and during the same, black humour is implemented a lot. It also shows how easy it is for the media to manipulate the public opinion and devastate a man in the most disgusting and ridiculous manner, and that it is indeed easy for the woman to put the blame on the man and frame him for her troubles, because the society will always favour a woman as long as she can keep the mask of being in trouble. There will always be at least one stupid person whom a smart one can manipulate. It gives its viewers one more reason why one shouldn’t cheat in a relationship, and your wife might be a psychopath, but you will never know. Both the protagonists are liars, and there lies the strange beauty in the narrative. May be we can put this one into the psychological thriller genre.

How it finishes :: For one second, I thought that this had released here before it did in the United States, and then on the next second, I realized that this month is not October – the time does fly so quickly, and we are indeed coming to the close of this year’s movie watching adventures in less than two months with Christopher Nolan’s already much critically acclaimed Interstellar so close to getting released. Yes, Gone Girl becomes the movie which made a difference in the closing stages, unlike those other movies which were the more awaited ones. Even as I once again almost got frozen to death in the multiplex theatre, it was worth it. Yes, this is one question that I ponder over – why is it too cold in some theatres? What is the need for the same especially when it rains almost every day here? It is a wastage – they should surely keep it low and save some energy rather than creating the mortuary freezer effect which is rather a punishment.

Release date: 31st October 2014 (India); 3rd October 2014 (USA)
Running time: 149 minutes
Directed by: David Fincher
Starring: Ben Affleck, Rosamund Pike, Tyler Perry, Carrie Coon, Kim Dickens, Emily Ratajkowski, Neil Patrick Harris, Patrick Fugit, Casey Wilson, Missi Pyle, Sela Ward, Kathleen Rose Perkins, Lisa Banes, David Clennon, Scoot McNairy, Boyd Holbrook, Lola Kirke, Cyd Strittmatter, Leonard Kelly-Young

@ Cemetery Watch
✠ The Vampire Bat.

The Best Offer

Posted on October 26, 2014 by Tennyson

Vampire Owl :: It is such a gloomy Diwali this year. Nothing to be done. I expect this Halloween to be bad too.

Vampire Bat :: I had my own celebrations though.

Vampire Owl :: Really? And you didn’t call me? After all, I am your only officially undead friend.

Vampire Bat :: It was not arranged by me. There was lightning and almost everything in the living room seemed to be enjoying fireworks. Only the stabilizer is working now.

Vampire Owl :: I would need that stabilizer. I can connect it to my owlifier and hope that it works without loss of energy.

Vampire Bat :: Do you know that you often seem to talk like Victor Frankenstein?

Vampire Owl :: Absolutely not. See, you are giving a wrong idea about owlification to the society. This is for their own good, so that they don’t have to face a third world war and a possible extinction.

Vampire Bat :: Have you even read about a world war?

Vampire Owl :: No. Why should I? I read no evil, hear no evil, see no evil. I just create evil – I am an evil mastermind.

Vampire Bat :: I have a movie for you then.

[Grabs of a cup of tea].

What is it about? :: The Best Offer is set in a world of art, where an old expert in art Virgil Oldman (Geoffrey Rush) runs an auction house. He is not a loved person around, as he has very few people around him who likes his way of behaviour and most of his life is spent with the desire to illegally gain the possession of very rare and highly valuable pieces of art, unmarried. He is appointed by a young heiress, Claire Ibbetson (Sylvia Hoeks), who asks for his help to auction off a huge collection of antiques and grand pieces of art which has been passed onto her by the family lines. But as Claire suffer from “a strange disease” as the people she knows tell him, or a certain amount of agoraphobia as she keeps herself confined to a room inside the huge mansion. As curiosity keeps getting into him, he hides himself inside the mansion one day to find that she is young and beautiful and sees her in a compromising position. He is immediately attracted to her beauty, and as they come close to each other, there will be the course of something else that will be set in motion.

The defence of The Best Offer :: Here is a movie which never ceases to enchant you with its visual splendour provided by art rather than anything else. There is a lot of beauty in the way in which the whole thing is narrated. Here is a quote which you can take home — “Emotions are like work of art. They can be forged; they seem just like the original but they are forgery. Everything can be fake: joy, pain, hate, illness, recovery… even love” – it tells a lot about the movie and how it connects art and man. Then there is question of truth and happiness, the things that are not found even in the real thing. The performances are splendid too, especially from the two leading characters. It is indeed a fresh take on the mystery genre, and a different entry to the world of romantic thrillers. There is also the abstinence from the usual formula that can be seen on a number of occasions. One can’t also deny the existence of so many angles from which this movie can be viewed from. I see the hollowness of humanity which can create huge artistic forgeries of the mind.

Positives and negatives :: The movie is slow, and it has lots of art associated with it, not really appealing to everyone. It is easy to find such people who don’t care about antiquity in this part of the world as we see our own centuries old monuments being vandalized by people or even those who claim to be lovers to write their names. There is almost no love for art in our lands, not even to the courses related to the same. So, this movie not releasing her was never a surprise, and people are going to find fault with its setting anyway. There will also be people wondering how such a thing in the movie is even possible with the two – but human mind is indeed strange, and emotions are pretty much ridiculous even for the most skilled ones – that much one has to be aware of. Yes, there are some characters who should have developed further and are lost in this seductive battle between the two main characters. It does give a little bit of too much clue to the viewer’s liking too early, but not everyone will pick them.

Performers of the soul :: Geoffrey Rush steals the show right from the beginning, and even by a bigger margin by the end. We don’t have a character here whom we can easily sympathize with, but here the man has completely made us feel for the character and the emotions that he has, even as he is not that much of a positive character, or someone we can cheer for. He is not a hero here, but we are given a chance to admire him as a tragic hero with this performance, and here he is elevated to the status of someone like Doctor Faustus who has the power of knowledge and yet not the wisdom to make things work in the right way. There is a certain beauty about it. Sylvia Hoeks is stunning here, not just by looks, but with a performance which seems to make her a modern day Rapunzel, caught in the hopelessness of the never-ending loneliness in the middle of nowhere, with no escape and less hair, but still extremely beautiful and having all the traits of her gorgeous and mysterious character.

Soul exploration :: Even as the movie’s focus as well as its background are on art and valuable antiques, its soul is on the gorgeous enigma who is at the centre of everything. She is the one to determine the fate of more than one character in the movie, and the universe which was rather static until then, revolves around her and turns it into a romantic mystery and then into a kind of thriller with the world no longer following a pattern. The life based on art becomes the life based on one lady who is like living art in beauty, and the protagonist soon finds his Helen of Troy and seems to wonder like Faustus if it “Was this the face that launched a thousand ships, And burnt the topless towers of Ilium?” – there comes the radical change in the world, and it sets things in motion, as the centre is clearly the mystery that the mysterious beauty provides, and the protagonist comes directly under the influence of this centre, the soul which changes things.

How it finishes :: The Best Offer is lost to most of our people, and it is not even known to most of our viewers. Another fact is that it might not appeal to everyone with a universe of art and a mystery that is built around the same which is hard to connect for a lot of people belonging to the modern world. As it tells the story of two people who are separated from the usual known world in different ways, the focus is on the search of love and the vanity in the hope that there will be the appearance of such a feeling which is so hard to achieve in this world of materialism. The movie talks about the world of love just as the illusion of art, and forgery is possible with ease, even as the best of forgeries might require skills, and it will take more than just the expertise to look through the fake emotions of love and desire, and that should be an objective vision which should be completely absent when the illusion begins to spread through one’s eyes.

Release date: 1st January 2013
Running time: 124 minutes
Directed by: Giuseppe Tornatore
Starring: Geoffrey Rush, Sylvia Hoeks, Jim Sturgess, Liya Kebede, Donald Sutherland, Philip Jackson, Dermot Crowley, Kiruna Stamell

@ Cemetery Watch
✠ The Vampire Bat.

The Fault in Our Stars

Posted on July 23, 2014 by Tennyson

Vampire Owl :: Why do you have a beard?

Vampire Bat :: Do I need a reason for that?

Vampire Owl :: I think you are having a beard because you don’t want anybody to recognize you getting tickets for bad movies.

Vampire Bat :: How bad? I can even stand a movie with a zombie falling in love with a corpse.

Vampire Owl :: They have already made that in Bollywood. I think they put it in the romantic comedy genre and people seemed to enjoy it a lot. A box-office hit. Something worse was made in Malayalam. It was called Annayum Rasoolum. Another hit there.

Vampire Bat :: But this will be good.

Vampire Owl :: If it is good, the show will be cancelled. Nobody will watch it. They only want to watch dumb romance and superstar movies. I heard you watched Pizza in 3D?

Vampire Bat :: Yes, you mean to say you actually read my Facebook status?

Vampire Owl :: Yes, I am making a list of the bad movies you watch. Now go and watch a movie. Meanwhile, I will create an evil plan to owlify and take over the universe.

Vampire Bat :: And that is the evil Vampire Owl prototype.

[Begins the journey].

What is it about? :: Hazel Grace Lancaster (Shailene Woodley) is a cancer patient who is loved and cared by her parents Michael (Sam Trammell) and Frannie (Laura Dern) who decides to send her to a support group at the local church, feeling that she is depressed and need friends. There she meets Augustus Waters (Ansel Elgort) who also had cancer and had to lose one of his legs. They form an instant liking to each other, and soon their relationship develops. As it goes on, things get stuck at Hazel’s favourite novel which doesn’t seem to have a conclusion and she desires to know the ending of this story which is about a cancer-striken girl whose life parallels her. But the author of the book, Peter van Houten has moved to Amsterdam and not replying to fan mails. As Augustus tracks down Houten’s assistant, Lidewij and they finds out that the answer will be provided in Netherlands, they decide to travel to Europe together. Even as she is unhealthier, her parents and Augustus decides to make her dream come through. Through all these, a romance also develops.

The defence of The Fault in Our Stars :: There are many stupid romantic movies that are thrown at us thinking that we viewers have no brain, and this is one beautiful exception that we have here. It is not an exaggerated display of teenage romance that we have here, and it is not terribly realistic to the core, but it has kept away from exaggeration as much as possible consider the limitations of a movie which is to appeal to the viewers and more people are to know about the feelings that the patients have. The two major characters are beautifully portrayed, and Hazel is awesome. Almost every dialogue and every interaction concerning her catches our attention and we feel for her right from the beginning to the end, and when she replies “thank you” to the compliments that are given to her in a cute tone, it gives a lot of happiness to oneself considering the way she is going through her life. The beautiful young lady gives us silver lining to our life, finding hope with an extraordinary amount of faith while going through pain and being stalked by death, the certain visitor who is being delayed by prayers and medical treatment. The romance is also beautiful, and hundred percent of the soul rather than some retarded movies which only claim to be so.

Claws of flaw :: As the adaptation of the novel of the same name by John Green, the movie might have its points missing out, but I haven’t read the book yet, and so it is not up-to me to talk about that. The movie has certain coating to make sure that it doesn’t go uninteresting to the viewers, and the extra bit of sugar-coated romance added also adds to make sure that the teenagers flock to the theatres – yes, I could see a lot of them dying for more and more romance and left without the satisfaction of seeing what they needed in a stupid romantic movie, but this movie has given them more than enough in my opinion – this is not to be considered as just a romantic movie, and that much we owe to the real people who suffer from the disease. Well, how can we find fault with a wonderfully acted movie having two people trying to live their life in a beautiful manner despite having the knowledge that they are going nowhere other than the ultimate death, or “doom” or “oblivion” as the characters do call the end in a funny way? I guess there is no need to go deep down into it. Romance is actually an intruder into the seriousness, and I wonder how this would have turned out without it – got to have been better.

Performers of the soul :: Shailene Woodley as Hazel is the spirit and soul of this movie and she makes this movie even more than what is should have been. We did see her in Divergent where she matched Jennifer Lawrence – taking Beatrice Prior to the the level of Katniss Everdeen in a lesser movie, but this is an entirely different situation. We love the attitude of her character, and Hazel is not just Hazel, and as her lover calls her, she is Hazel Grace, proving herself to to be in the grace of God or the grace herself by being a wonderful person against all her thick walls of troubles. Ansel Elgort played Shailene’s brother in Divergent, and here she plays the next best character and one has to admire the way both of these characters are written, and these two have played them to perfection. They provide the viewers with some abiding sadness along with happiness and heart-break that comes. But they are within the limits of seeing the beauty of the world. There are two things that the characters do teach us, one is that “The world is not a wish-granting factory”, and the other is that “Funerals aren’t for the dead, they are for the living” – prayers are the ones for the dead, aren’t they?

Soul exploration :: The title alludes to “The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings.” from William Shakespeare’s Julius Caesar Act I Scene II. It has human situation, either good or bad, as the result of one’s own actions rather than by the power of the divine, or that human condition itself such a flawed one that divinity can play no role in it. But it is not true on most occasions, right? There are things beyond our control, and a desire to control our own fate can only be successful up-to an extent or not close to having any success at all. No, it is not our fault that we don’t achieve something or ends up on the losing side. There is always the element of luck or fate, and the existence of God’s grace that changes things. There is indeed the fault in our stars, and there is the society and the world around us that shapes us and define our lives – just too many factors which control our lives on which we sometimes have no knowledge and at other times no control, and things to do fall apart. We are all subject to the fault in the stars, and it is just that for some people, it is less visible on the outside. In some other cases, we know. We have to live through the faults, our characters did.

How it finishes :: Even as there this released last month in the United States, it has the presence here at the right time at theatres with Planes 2: Fire and Rescue 3D not creating the usual animated impact out there – only wish remains that it had more shows. For Keralites, some memory of Akasadoothu inspired by Who Will Love My Children? will be there in this movie and there is the feeling that these movies carry far beyond its own realm of existence on a big screen. The Fault in Our Stars is nicely romantic along with being tragic and still, it creates that effect which none of the movie can really create. We can only hope that people will support beautiful movies like this instead of fake and dumb romantic movies like Humpty Sharma Ki Dulhaniya which attracts audience so much. Unfortunately, for some people, they think that love is all about physical attraction and exaggerated fake romance – Bollywood continues to teach that very long story which it uses again and again without any shame or regret, just with the addition of something on bed. Sadly, such are the movies which come good at this part of the world.

Release date: 18th July 2014 (India); 6th June 2014 (USA)
Running time: 126 minutes
Directed by: Josh Boone
Starring: Shailene Woodley, Ansel Elgort, Nat Wolff, Laura Dern, Lily Kenna, Sam Trammell, Willem Dafoe, Lotte Verbeek, Mike Birbiglia, John Green (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Dark Shadows

Posted on November 21, 2013 by Tennyson

✠ The rating given to this movie might shock a few mortals, but as this blog written from the Vampire Bat’s perspective, he has decided to take control to fulfill his partially broken promise to that Count who lived as a recluse inside a coffin in a castle. Yes, the Vampire Bat doesn’t broke promises, or rather doesn’t break anything other than may be, his own teeth – blame the root canal offers from local dentists in that case. To add to it, the Vampire Bat shall write this review on a Wednesday, as he was born on such a day. He is mentally depressed after writing a test, and after asserting what he had found out that each and every other person of his world wants the questions from the syllabus while he wants the same from outside. May be he never belonged to the world of humans, and should rather fly away one day. But the depressing side is that he can’t fly – so he will write a bloody review about one of his favourite vampire movies, and undoubtedly his favourite blood sucking movie of 2012. Yes, this is that movie.

Count Dracula: Here you are again. I think that your review of Dark Shadows has been pending for long. Do you have it with you? Its time Barnabas Collins gets his due. He is one of those few vampires who could see McDonalds and feel the presence of Mephistopheles. He is our saviour against Twilight and Mortal Instruments creatures of pseudo-darkness.

Vampire Bat: I can see that you feel the need for some good vampires like Barnabas Collins and Victoria Winters. I love that scene when he sees M for McDonalds: Over 1 billion served. He was accidently quite right about the fast food and the beverages being the demons who suck the soul out of our insides, leaving us nothing of much use. Twilight and Mortal Instruments are the result of the same fast food, as they mess up our brain rather than the stomach.

Count Dracula: So what do you think about this vampire and his family? I did feel the presence of other wonderful forces of the supernatural right from outside the theatre where it was showing – I was wandering around in the mist until I crashed on the wall of that place, it was not good for my fangs, but still felt good for the presence.

Vampire Bat: Barnabas returns 196 years later, after feeling the wrath of unrequited love from a witch, Angelique Bouchard who cursed him into a bloodsucker, killed his parents and also forced his true love to commit suicide. She is a witch who curses his family and gets him buried alive in the middle of a forest, takes over his family business and puts his descendents into ruin. The worst thing is that the witch is still alive, using her magic to identify herself as her own descendants. This love has always been so overrated, right?

Count Dracula: Yes, even with me it is the same. I already feel a lot of love for Angelique Bouchard. Eva Green is that good, and I still can’t forget The Dreamers. I can remember my first infatuation with a witch already. Why would he not return the love baffles me. Whom does he have instead?

Vampire Bat: There is Bella Heathcote taking rebirth, from Josette du Pres to Victoria Winters. She appears as if an enchanting fairy vampire, not as some random Bella. But the two characters you will surely love are Michelle Pfeiffer’s Elizabeth Collins Stoddard and Chloë Grace Moretz’s Carolyn who asks “are you stoned or something” to which the recently risen Barnabas says “they tried stoning me dear, it did not work”. To add to it, he calls a lava lamp “pulsating blood urn”, and the crane as “a giant dragon with millions of teeth and a thousand shining eyes” – you have to love him. His seriousness is awesome!

Count Dracula: I have felt that myself, rising from the grave and seeing the world different. I know you feel the change each and every day. The world is indeed to fast, and I am sure that most of us hope that each and every day we go to sleep, we never wake up again. I wish for the sunlight to disappear, and you hope for the day to end, and there is not much different in how we see the world, and we are as outdated as Barnabas Collins; it is just that we have no lover witch.

Vampire Bat: Yes, I have always thought that, and Dark Shadows makes sure about the same. Moretz is wonderful in the movie, and the way she says “I’m a werewolf, okay? Don’t make such a big deal over it” to her mother, and always special mention needs to be for Michelle Pfeiffer and Helena Bonham Carter. Meanwhile, if you don’t like Bella Heathcote in this movie, you have to be blind – not that closing of eyes you do with sunlight, but the real blindness of the physical world.

Count Dracula: You make the point there. I have read about the many faces of Johnny Depp too, and I shall not doubt him at any moment. This face is my favourite indeed, and then comes that Jack Sparrow followed by the crow-carrying head in The Lone Ranger. Then comes Sweeney Todd and The Hatter – who won’t love Alice in Wonderland by the way, and they were two special characters. I am not going to count the faces of such a versatile actor, as that won’t even please my coffin. Instead tell me more about Eva Green.

Vampire Bat: Her character has angel in her name and some strange love which keeps her in the attitude that “If I can’t have you, my love, I’ll destroy you!” – not that much of hatred as she keeps him alive; should be too much admiration. She tries everything she can, but true love finally wins – not really a surprise, isn’t it? Eva Green is fantastic in the movie, as she is beautiful, charming and perfect as the pretty witch. The cast itself is the real strength of the movie. With such awesome names involved with it, who would not wish to watch this movie? The comedy is also well done.

Count Dracula: That sounds like interesting stuff. A vampire movie with all of these? That should cure me from the death strike which fell on me with Twilight and Mortal Instruments. I shall have a new life of blood. You should have reviewed this one much earlier – remember how long ago I had told you to do the same?

Vampire Bat: Despite the good box-office returns, the ratings haven’t been good with it. I would think that it is the result of an anti-vampire sentiment and possible cruelty which has been unleashed on vampire movies due to terror which was Twilight and all the sequels that followed tried desperately to destroy man’s faith in vampires. No wonder Byzantium didn’t release at this part of the world. There is only one chance for us to reclaim that lost faith, or rather two – release a movie from Anne Rice’s Vampire Chronicles, or create the much needed sequel to this movie which has left a good chance for another story by the end of it.

Count Dracula: It is much needed, that is for sure! These undead creatures are bothering me too much just because they had to watch Twilight. Even the wolves no longer listen to me – they think I am going to wear their skin as clothing and call myself a werewolf. See how these movies are badly affecting my children of the night. We need that, or I might have to turn my whole castle into a one big coffin.

Vampire Bat: There is less hope for both of them. The problem about having a Vampire Chronicles movie is that nothing can live up-to the awesomeness of Interview with the Vampire. The scope of a Dark Shadows sequel is less, due to the lack of need and the not that positive critical reception. One day, we will take over as official undead reviewers with bad teeth, and then we can change the whole thing.

Count Dracula: Then we shall stick with this Barnabas as the vampire hero of this century so far. The last century’s control was disputed, but for this one, it has become pretty clear, the only challenge being from Selene and the next closest was indeed Rayne, but they were rather the heroines who enchanted us. I shall pray for the rise of more vampire in movies and literature which are as good as Barnabas.

Vampire Bat: Yes, it is worth your time for sure, especially as you have not much to do, and all the souls are going to love it. Now, it is the time to go home and have that cup of tea, and therefore until we collide on a hunt again, good bye, Count.

Count Dracula: Good bye, best of my winged brethren; for now. May the shadows be with you, especially the dark shadows if you got what I meant.

Vampire Bat (to himself): I am fully in support of this movie mostly due to the great performance of Johnny Depp in his new avatar, and then due to the good work put into it by Eva Green with great support from the rest, especially Bella Heathcote, Chloë Grace Moretz, Michelle Pfeiffer and Helena Bonham Carter. Here, we have that true vampire comedy movie which adds almost every ingredient correctly, thus making this a great choice, and the reason why you need to go back in time and check the theatres.

✠ I don’t know about that television show or soap opera on which this movie is based, and that might not be necessary, but if you love vampire flicks and bloodsuckers in literature, you will like Dark Shadows which keep the worlds of Twilight and Mortal Instruments away. Even if you don’t care much about the same, the comic side of the movie will keep you interested. Still, there is so much seriousness underneath striving for true love, which makes this a wonderfully layered movie. I am pretty sure that whatever you like and wherever you are from, most of you will at least like this one as an average movie, and there are not many places where you can have this much vampire fun along with looking at such a great cast. Behold the beauty of the shadows of this movie, and you might end up loving it along with Bella Heathcote. This one won’t even make Count Dracula think twice, and in that case, long live Barnabas Collins, who has survived a witch’s love and watched his own dark shadows in a coffin for such a long time.

Release date: 11th May 2012
Running time: 113 minutes
Directed by: Tim Burton
Starring: Johnny Depp, Bella Heathcote, Eva Green, Chloë Grace Moretz, Michelle Pfeiffer, Helena Bonham Carter, Jackie Earle Haley, Jonny Lee Miller

@ Cemetery Watch
✠The Vampire Bat.

Warm Bodies

Posted on July 3, 2013 by Tennyson

Welcome to Zombieland – not as the name of the movie, but as a world with is not only a “zomcom” like Go Goa Gone, or “romcom” like all those pathetic movies which have eaten the brains of Bollywood and still continues to do so; for this one from Hollywood is everything at once, “zomcom”, “romcom”, “zomrom”, or even “zomromcom”. This movie is a pleasant surprise, in a world where teenagers wish to lose their humanity and be the Twilight vampires, this one comes up with something different. It is the story of a zombie who reclaims his humanity, and leads to a transformation among his own zombie people. The first question that should come to one’s mind is about how much it would work in a world of movies and literature where the vampires are glorified, and the werewolves are also given their due with the cross-connections (thanks Underworld and Twilight), and zombies are still shot on the heads with no hesitation. As the question remains about this prejudice, this movie comes with a pleasant surprise which reverses both the zombie situation as well as the supernatural glorification giving the world back to humans. There might still be no zombie wishing for a human to bite them and turn them human, but as we have seen in Daybreakers, there is always the scope to try the reverse transformation.

There is the direct, secure packing and sending of the viewers into a post-apocalyptic world instead of any explanation of what caused the same, which is actually a good movie, as there are always the logic-seekers who would find something wrong in turning these zombies into human. The human survivors who keeps getting lesser in numbers have retreated and have barricaded themselves inside a walled area surrounded by our dear little protagonist zombie and his friends. Most of them are still in comparatively human phase compared to the horrid skeletal structures called Boneys attacking anything that lives, which they become after they lose all hopes (another moment of reminder about Daybreakers, where vampires degenerate into subsiders, the psychotic bat-like creatures). So when the zombies increase in population to infect most of the world and the human supplies get low; Julie Grigio (Teresa Palmer) and her trained friends go out to the zombie world to get something from the abandoned buildings. They are attacked by a group of zombies, but she is saved by R (Nicholas Hoult), a zombie who narrates to us, and from whose angle we see the world (not before he eats her boyfriend’s brain though).

So, this R who has been trying quite hard to seem more and more human, has now a girl with brain for company; a brain he doesn’t want to chew on. He keeps her safe in a permanently grounded airplane and the bond makes him move even further towards humanity. Affected by the fact that R killed her boyfriend, the girl of brain leaves the brain eater and manages to reach home safely. But the problem remains that the whole thing has caused such a chain reaction in the zombie society that more of them seem to show the signs of humanity including R’s best zombie friend M. But the Boneys seem to detect this life and is all set to attack both the remaining zombies with their superior strength, agility and the lack of humanity. It is up-to R to get to the human world and find the girl, along with using all the memories from that brain of her boyfriend which he has been chewing on for quite a while. As vampires and zombies are practically the same, and there has been quite a lot of popularity for Twilight, this should have been received better, but these coffin-less, fang-less poor corpses haven’t got the attention they deserved in this part of the world, and it is our supernatural duty to give it to them. I would believe that there are many different ways to read this movie. [Preachy-philosophical stuff ahead: Uninterested people are expected to skip to the third-last line of the last paragraph after the next].

✠ As the reversal of situation: It is the reversal of the vampire addiction and the overdose of humanity in vampire fiction. As the zombies have been portrayed as the most mindless attackers even in the recent World War Z as well as in the collection of Resident Evil movies and games, this could inject an amount of thoughts which might make people value their human existence. Daybreakers couldn’t achieve this and there was no attempt either, as the vampires were more powerful, intelligent and also always winning. Teresa Palmer has looked more like a blonde Kristen Stewart throughout the movie and there are times when she sounded similar enough, but this is undoubtedly better characterization and a better performance in a well created movie. This character is surely one of brains, and not Bella, and can thus create a good replacement for her, and surely there are expressions – the character doesn’t fall for the supernatural like Bella did, as she is clever enough to value her humanity, and neither does she asks him to turn her into a zombie; may be she realizes how gorgeous she is too. Nicholas Hoult’s R is a more hardworking type of undead, even as this one also worries incredibly about keeping his girlfriend safe. When blood-drinking is replaced with brain-eating, there is another psychological impact which brings people back to their human nature.

✠ The old Shakespare and the Fairy Tale: The R should surely stand for Romeo and Julie for the one Juliet, with forbidden love set in motion. R just remembers the first letter of his name, and the lady can surely use a “T” if needed. They do see each other by the balcony, and trust me, there is no sad ending this time. In one way, it is the drama of the dead and in another way, this is the fairy tale of the dead/undead. There has been so much the need for the superman and the knight in shining armour that here, the need to be alive takes that place, and the need to have a beautiful girl with brains. This tale involves the brain used for thinking instead of satisfying the hunger, and the drams taking over the void initiated by one huge nightmare. It is up-to the zombies to connect with the human world, as the humans would do about the Supreme Being, and the ones who give up the hope and belief would be left with their skeletal structures, with no faith and no real life. There is always the hope for a better place, and for the zombies, humanity is one of them, and one man-zombie gets connected to that world by chance.

✠ When most of us are zombies: The middle group represents most of us, when we move on through life doing what the others, the zombie friends do; when we join the course they join, and when we study what we don’t want to study, and live a life of survival which everybody does. But when we choose to be different, we are the zombies for the others, and in our own point of view, we are the chosen ones to be alive. We are not them, and what they feel important can’t be of any significance to us, and vice versa. R became alive when he chose to be different, and one has to wonder if he is one of those people who had chosen to pursue arts instead of the professional courses, and made him realize how important it is to be different, and how much is there to know and understand instead of feeding on those brains symbolizing logic. He understood what creativity is, and its pure awesomeness above logic. It is choosing that good path to be different that matters, and for all the others who take that different evil path, there is the world of the walking skeletons. The advantage of this gained humanity is that one would know its value and it won’t be wasted on anything silly. It is our choice, and out of the knowledge of the Supreme Being, and the world would become more of truth and wisdom. The opportunity to reclaim the lost humanity is to be embraced.

✠ The value of humanity and faith: By the end of the movie, it is the human contact and never ending faith that saves the day. There is always the need to take that leap of faith at some point of life, and the strong belief in God and being humane are all that matters. If a zombie could go beyond his needs and prevent himself from devouring what he needed for diets, where does the humanity lie? Does the zombie’s need to feed strike lower than the human need for war and destruction? When an undead creature could come up with so much faith, why is it that humans fail miserably? This is where the questions begin and answers hide behind the bushes. The movie might not interest those who are looking for quick undead action, but this clever twist to the old myth of undead is a must watch for all those who feel like a zombie, or has the desire to see humanity in action at its base level in the most humane way. After watching this movie, some of you might surely hesitate a second before shooting an undead during the next zombie apocalypse. From what this movie has achieved, that much I am sure about; the rest is for you to decide.

Release date: 1st February 2013
Running time: 97 minutes
Directed by: Jonathan Levine
Starring: Nicholas Hoult, Teresa Palmer, Analeigh Tipton, Rob Corddry, Dave Franco, Cory Hardrict, John Malkovich