Frozen

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Ice and Snow :: Here is something from Robert Frost: “Some say the world will end in fire, Some say in ice. From what I’ve tasted of desire I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate To say that for destruction ice Is also great And would suffice” – I would remember those lines from the poet very often. It is only my second favourite from him after “Stopping by Woods on a Snowy Evening”. Lets leave the fire to any of the fire elementals and fire-breathing dragons as that would be another story. Let bring ice and snow; as the poet would love to watch the woods filling up with snow, and also talk about that destruction by ice, we were given those thoughts about snow and ice, not something people of this part of the world are too familiar with. Yes, the interest in snow was nicely built up to such an extent that I had winter wallpapers on my desktop for a very long time – that started when I was a kid, and we had the latter poem to study in the earlier classes, and the only thing which I liked slightly better was “Daffodils”.

What is Frozen? :: All that talk about ice and snow would take me back to the only one animated movie in the theatre right now. There is nothing repulsive about that feeling, as I am not talking about that 2010 movie when people get trapped in the snow and get eaten by wolves. Well, that was a good movie too, but that kind of atmosphere never comes to the picture this time. I have always felt something about snow, but I have never seen it with my eyes or felt it. I have felt the temperatures close enough to zero degree Celsius, but never snow. Then I decided to experience snow in 3D with a movie, and from the current situation, I am pretty sure that it is the closest to falling snow that I can get. To add to it, this one is also the next brilliant animated movie from Walt Disney after Tangled. Brave was not bad, it was of inferior standard compared to the other Disney movies. The rest didn’t interest me either. But, after a three year gap, Frozen has made me fall in love with Disney yet again. It came in 3D and with the AC in the theatre, it was a world of snow, and it was alive with all the emotions.

The Setting :: The movie is set in the kingdom of Arendelle, a world of magic. It is the story of two sisters, the princesses of the kingdom, Anna and Elsa, with the latter having the powers to manipulate and control the elements of frost. But as the latter’s powers accidently hits the former while playing in snow, her life is only saved by a group of trolls who erase the memory of Anna and warns Elsa of her powers becoming too powerful for her to control. As days pass, Elsa becomes more of a recluse, afraid of herself and unable to control her powers and thus transforming her room into a snow world and keeping away from Anna who doesn’t know what keeps them apart. The doors of the castle are kept closed so that nobody comes to know about the secret. Anna also keeps to herself and the world inside the castle. The king and the queen takes special care to the fact that the balance is not broken, and the world remains the same.

What is it about? :: The action takes place three years after the death of their parents. The children have grown up, and despite the reclusive nature of Elsa, she becomes the default heir to the kingdom and has to fight her inner demons of frost to take over the throne. The gates of the castle are finally opened and people come in. Anna takes this as an opportunity to fall in love, as there would be celebration and she can search for her true love. She meets Prince Hans of the Southern Isles and falls for him. Elsa somehow manages to keep her powers inside until Anna tells her that she wants to marry the prince whom she just met. Elsa refuses to grant her blessings for her sister to marry someone whom she doesn’t really know much about, and as a result, there an argument which leads to the powers of Elsa coming out in the form of ice, and even reaching that extent that the whole kingdom is covered in snow and even the ships get stuck in the ice as she flees to the top of the mountains in the forest. But Elsa is feels herself responsible and is determined to bring her back with the help of a mountain man, a reindeer and a snowman.

The defence of Frozen :: It is the best use of snow and ice in a movie after Rise of the Guardians, and the best animated movie since the release of that one in December 2012. Well, that one had an ordinary box-office performance, but that won’t be the case of Frozen, one can say that. The movie’s most adorable part is its snowman. The movie’s treatment of the story and characters are interesting, as there is no big villain out there, and the snow queen doesn’t go the evil way. There are lesser evil people for sure, but none extreme. The act of true love is no longer romantic, and that is the best part- there should be sacrifice. There is also the stupidity for frail romance and the vain “love at first sight” theory mocked. The songs are beautiful and its visual treat is even more stunning. Frozen makes Brave looks like a little creature who can only say “precious”. How did that creature win the Academy Award for Best Animated Film is still a mystery for me – it was so empty with a lead character who makes people wonder if their sons and daughters are better as reckless, shameless children who defy their parents who know what is better? Well, our heroine here knows the importance of family.

Plus and minus :: There might be too much music for the elder people, even as the humour can keep them attached to the movie. It is also very loosely based on Hans Christian Andersen’s The Snow Queen (similarities are to be created rather than found). The heroine reminds one of Rapunzel of Tangled, not used to going out of her world and being in love with a random person whom she meets on the way while pretending to be courageous and smart. Yes, there is that reindeer instead of the horse and our snowman is indeed better than that chameleon. You will love his ideas about summer, that is for sure. Its a little bit of doing the same thing under disguise, but the fact that it is enjoyable, and there are some good addition makes this fantastic. Elsa is more like X-Men‘s Rogue controlling her powers only with her gloves, and there are trolls who are more like dwarves – funny ones for sure. If Anna catches out attention, Elsa melts our heart! If you don’t like snow, then this movie will lose its awesomeness of 3D snowflakes and everything visual. Yes, it is better than Despicable Me 2, the overrated animated movie of the year which was also very good.

How it finishes :: Frozen comes up with so much goodness, and the message of sisterly love and affection, and it supports one’s right to be different (even as the variation in the character of the so called chivalrous prince was rather too much). Its assertion that love for beauty is so much flawed, and its call for the society to accept the people with differences and also asserts one’s right to choose to be alone. It is only family that can deny the same. It is a true musical fairy tale in the form of an animated movie. Even as there could have been more in store concerning the cold and darkness (as said by Boogeyman in Rise of the Guardians), and there could have been more concerning the frost powers. But for now, we can be satisfied with the power of true love and all that ends well, and as they all live happily ever after – not that much of a spoiler there, as you all know how these movies are to end; even our snowman gets his own snow cloud to follow him during summer. It is our movie of this weekend – The Hunger Games releases here next week!

Release date: 29h November 2013 (India); 27th November 2013 (US)
Running time: 108 minutes
Directed by: Chris Buck, Jennifer Lee
Starring (voice): Kristen Bell, Idina Menzel, Jonathan Groff, Josh Gad, Alan Tudyk, Santino Fontana, Ciarán Hinds, Chris Williams, Jack Whitehall

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@ Cemetery Watch
✠The Vampire Bat.

Men in Black III

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What is MiB3? :: It is the third movie in the Men in Black series which comes as quite a surprise as the first movie released in 1997 and the second in 2002; now with fifteen years gone after the first movie and ten years passed after the second, one would easily think that the series based on Lowell Cunningham’s The Men in Black comic book series might have been done and can return only as a reboot or a perfect remake. But what happened in 2012 was indeed surprising as the alien-dealing protectors of the Earth has returned once again – five years between the first two movies, and ten between the second and the third, and Mathematics doesn’t favour a fourth, but I am not the one who would believe in numbers. One thing about which we can be sure as long as this series is considered, and it is that the movie was a hit even before it was released – I would have been surprised otherwise, and the men dressed in black has scope for even more sequels.

The Setting :: Men in Black (M.I.B) is a top-secret non-government agency that deals with extraterrestrial alien invasions, connections and refugees. It keeps the details of all the aliens who come to Earth and helps those who wishes to make a living on the planet, and at the same time fights any possible alien invasions or other kind of threats to the planet (May be they know about Superman’s presence too). The agency operates from an underground base of operations about which not even any of the world governments or spies are aware of. MIB agents use certain kind of devices called neuralyzers to wipe out the memories of the witnesses who have seen or felt any kind of alien presence, and thus keep their secret alive and away from being noticed. Agent K (Tommy Lee Jones) and Agent J (Will Smith) are the top operatives for this organization and our protagonists once again, with another adventure which comes from outside Earth.

What is it about? :: Boris the Animal, the last of the alien species called Boglodites which consumed all planets in their path, escapes from a prison in moon. He is seeking vengeance on Agent K, who had shot and separated his left arm and imprisoned him in the year 1969. It is seen that one day, K just vanishes and there is no clue about him – it is as if only J remembers that he existed. He finds out that J died in 1969 and Boris the Animal as well as the whole species of Boglodites remain free and ready attack Earth. As it was K who came up with a shield to safeguard Earth and annihilated the Boglodites, it is found out tht Boris went back in time to murder K and thus make sure that he kept his left arm as well as his freedom, along with his race with all the power. Now J has to travel back in time at a time when time-travel is illegal and thus risky, and stop the current age Boris from uniting with the Boris of 1969 and killing K as well as saving Earth from the invasion.

The defence of MiB3 :: Well, this third movie of the series is almost as good as its predecessors, just trailing by may be a few points. It has a lot of fun, and works right as an action comedy. There are also the good special effects an nice CGI, even as there is nothing spectacular, nor there is the need for much. It is one of the best alien comedies too, and as a movie which doesn’t take itself seriously, it scores correctly. It also has a good number of aliens in store, not that you haven’t seen them already, but for those who might have not, and also for those who might have forgotten these two gentlemen in black, there was that “setting” section. Its combination of science fiction with comedy and the introduction of time travel makes it a fine combination of things. There are also those gadgets which looks interesting even if they belong to 1969 which is more of our 2069 in one way or the other. Like it, because even Batman comes only in black, or as they say in that Lego Trailer, very very dark grey.

The claws of flaw :: There is usually a curse associated with the third movie of the series, as they might not be the best of the franchise – I expect such things to happen in case of another sequel to Taken, and it has already happened with Blade 3, Alien 3, Species 3, Jaws 3 and a lot of other movies which you might recollect with a few seconds of thinking. Don’t think like that, for this one survives. But after waiting this long, does this get any better? The answer would be no. And does this offer anything new other than time-travel added? Once again a big no. Couldn’t they have come up with something other than time-travel for this third movie? I did think about it with no answers. There is no new addition or interesting stuff to suit the age, and there are moments when one wonders which direction this is going. Add Alice Eve’s hairstyle to an alien world – thats shocking indeed. The characters of Boris and Griffin were a little less interesting compared to the potential they had.

Performers of the Soul :: Will Smith has another one in his pocket, and a lot of us remember him as Agent J. He goes through the movie with ease, just like the previous movies of the series. Tommy Lee Jones is fine with the time when he is there, as his younger version is played by Josh Brolin who perfects the character. So, there are obviously three of them this time, and joining them is the present version of Agent O (Emma Thompson) and the lady’s 1969 version played by Alice Eve whose hairstyle shocks us to that extent that we wonder if she is actually an alien. But they are both good at what they have been doing in the movie, especially our older version. Jemaine Clement as Boris the Animal is good, but not that awesome a villain as one was expecting. Michael Stuhlbarg’s Griffin add more funny dimensions, but there was scope for more with that character. There is also that twist in the end in which all the cast do a wonderful job.

How it finishes :: Men in Black 3 tries to extend the range of the series, and is successful in it. But with the lack of innovation and repetitive stuff, one has to wonder how far the franchise can stay alive. There is always the Will Smith factor to save it though. He doesn’t seem to age much, and he has the energy in him to bring more out of Agent J. May be one of the later movies in the series can come up with our favourite moment in an alien movie history, and as Griffin says, “unless this is the one where…” – as long as there is scope for aliens, there is hope. This one had no particular aim or reason for existing in an year in which The Avengers and The Dark Knight Rises were always supposed to rule and become the movies of the year, along with a Hobbit and a Bond dropping in. It does finish tenth in the list of highest grossing movies of the year, but I would rather be surprised that it grossed more than the movies like Prometheus, Dredd and John Carter by a big margin. For now, it is yes for Men in Black 4.

Release date: 25th May 2012
Running time: 106 minutes
Directed by: Barry Sonnenfeld
Starring: Will Smith, Tommy Lee Jones, Josh Brolin, Jemaine Clement, Nicole Scherzinger, Michael Stuhlbarg, Bill Hader, David Rasche, Emma Thompson, Alice Eve

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@ Cemetery Watch
✠The Vampire Bat.

The Lorax

thelorax (5)

What is The Lorax? :: Here is a movie based on Dr. Seuss’ children’s book of the same name. Born as Theodor Seuss Geisel, Dr. Seuss has published fourty six books for children, and this one published in 1971 should be the most popular of them all. The book as well as the movie talks about the poor situation of the environment which humanity has brought on by themselves. There are significant differences between the book and the movie, and some might feel that there might have been a little bit too much deviation to suit the standards of Hollywood. But the fact remains that it has a strong message for the environment, something which has not been lost in the adaptation. So who is this guy known as The Lorax? Does he save the environment by making sure that the trees are not cut and the air and water are not polluted? Is he something like the male fairy of the forest of just another wood elf? Lets venture deep into the same.

What is it about? :: The movie begins with the story of Ted Wiggins, a twelve year old boy who lives in an artificial world. Surrounded by a destroyed environment, he lives in a walled city called Thneedville where everything is made of metals, platic or synthetics, and there is not even one tree which is real. There is a price for natural resources and clean air is difficult to get. Our kid wishes to impress a tree-loving young girl called Audrey by getting a real tree for her, but there is no such thing available. His grandmother tells him about Once-ler who can give him enough information about trees if can get that man fifteen cents, a nail, and a shell of a great-great-great grandfather snail. Even as the mayor of Thneedville, Aloysius O’Hare who sells bottled oxygen tries to keep him inside the walls, the boy sneaks out regularly in order to hear the story of the man who will only give him the tree after he finishes his tale. It turns out that the story is more of a history about the trees rather than anything else. Whatever it is, the boy needs his tree.

The story of Once-ler (You can choose to skip this one if you don’t need more details) :: The man who is hidden from the outside in her mostly destroyed cottage tells the story of a young man who left his family and reached the forest in order to make money. After cutting down the first tree, he meets the guardian of the forest, The Lorax. Even as Once-ler agrees not to cut another tree, but only to take what is needed from a living tree, his Thneed invention becomes a great success, and as his family members join him, there is a horrible attack on the trees with the mass production which needed big deforestation and the final destruction of the forest with not even one single tree left. As the air, water and land remains polluted and nothing left for him to do business with, his people abandons him and he is left with no hope. As all the animals and The Lorax leaves, he becomes a recluse living in an abandoned cottage. Now he needs to make amends for his action, but can he do it, or how will he do the same?

The defence of The Lorax :: I can’t remember a movie which has had this strong an environmental theme for a long time. It has the strong background of a brilliant work, and they have used it well to further strengthen the characters in the movie and make it more suitable for the current age. The looks of the characters are also appealing for the children. Its emphasis on saving the environment and its powerful assertion on the need to save the nature is impressive. As the world is slowly being taken over by the corporates who use the power of science to manipulate nature and create an artificial world out of nowhere, this has a powerful role to play. May be this can keep the newer generation of kids informed about the need to safeguard the world they live in. The preservation as well as the improvement of the natural environment should be taught in the early age itself rather than throwing scientific nonsense doing their brains. The movie can actually do a great job in the same.

The claws of flaw :: The movie surely deviates from the book, and its environmental concern is indeed a bit overdone. There are not many good tunes, and there is not enough fun with this one as compared to the other animated movies. There is a pervading dark tone around it, and the irony about the movie might be too much for an animated movie. It often losses its point as the life in the synthetic world is shown as perfect even in the natural destruction. There is also too much of the life in the artificial world which seems to justify itself without nature. Why does our hero want to grow a tree? Not to save the environment, but to impress a girl. The romantic subplots are getting more and more ridiculous these days, and I would hope that they can do without it whenever not needed. The environment is not part of our need to impress someone, it is the need of our life, not only of ours, but all life forms. It should stay with us forever rather than becoming an instrument to tell others that we did that, and we are awesome!

Nature’s sad loss :: Lets think about all these before we concentrate on sending rockets to Moon, Mars and everything that the scientists claim about. If we can’t save our planet which is moving more and more into chaos, what are we going to do about the future worlds were we live in? How can we even know that such a world exists without seeing them? We hear that they sent the rocket there, but how will we ever know that such things really happened – the plight of the common man who is set to believe everything, and can’t question where all the money disappears. Well, we have an environment to take care of right before our eyes. We can’t care about our habitat and our people; instead we look for a habitat in another world and also for lifeforms in another worlds. I have a lot of respect for the nations who would actually care about their citizens rather than go for space research. The lesser the betterment of other worlds, that much the better.

How it finishes :: With a villain who is almost like all the companies of the present who sells bottled water, and a selfish hero along with a former selfish hero, the movie has its flaws, but with its appealing animation and still powerful environmental message, the movie takes control. The biggest advantage might be that the kids can take a message home, that the trees are good and they should be planted everywhere – with a hope that when they grow-up, the world becomes a better place, even if one has to doubt that seriously seeing how they are exposed to the artificial world in such a young age. The respect for the elders, the parents and the teachers are slowly disappearing, but may be this movie can put a little bit of respect for nature in them. If it does, that should be the success that this movie can boast about. It is quite a short movie lasting less than one and half hours and hope you all give it a try. There is the need for balance between the humanity and the nature, and the the clock is ticking!

Release date: 27th July 2012
Running time: 86 minutes
Directed by: Chris Renaud
Starring (voice): Zac Efron, Danny DeVito, Ed Helms, Taylor Swift, Rob Riggle, Betty White, Jenny Slate

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@ Cemetery Watch
✠The Vampire Bat.

No One Lives

Vampire Owl: Now that is indeed interesting. I might give it a Facebook like even without seeing the movie. So you mean to say that no one lives in the end? Everyone dies? This strange guy kills everyone?

Vampire Bat: No, he keeps the girl alive, but he does say that no one lives as he kills the last guy. But most of us would know that she might get to survive right from the beginning itself, and don’t we all love Adelaide Clemens?

Vampire Owl: Now that is indeed a disappointing side.

[Twenty three blood shakes later]

Count Dracula: Here you are again. I wouldn’t think that your owl friend was completely in favour of the movie. That one is a mystery, and obviously a flying person. But the fact remains that the only thing that we care about a lot is your opinion. You are the flightless Vampire Bat who watches more movies than anyone I ever knew.

Vampire Bat: Vampire Owl’s opinion is gore-infested. There is a clear positive review right there, the only negative being “some one lives”. But I take a different path, and yet both of us go against the usual reviews about the same.

Count Dracula: Doesn’t this come from Ryuhei Kitamura who directed The Midnight Meat Train? It was one of my favourite movies. There was lot of blood and gore involved and there was chilling twist. Vinnie Jones as Mahogany – thats a villain who every vampire Count needs to have as a henchman or even hitman. May be I should emply such a person so that we can have uninterrupted supply of blood? May be we should shift to a place under a city. Mad me think a lot. So this can’t be bad either.

Vampire Bat: Well, that was based on Clive Barker’s 1984 short story of the same name. He is indeed a master of horror, taking one back to the other movies Hellraiser and Candyman, as well as the computer game Undying. Our movie doesn’t seem to be based on anything which might be why it doesn’t have that touch which The Midnight Meat Train had. But it is still a very good treat for the horror fans who are in support of the blood and gore, and also somewhat for the others.

Count Dracula: Yes, even I feel the same. Who is this guy mentioned as Driver? Is he as good as Mahagony. From the trailers, it seemed that he could also make as much good a villain as Mahagony, but I have my doubts if he is the hero or the villain? What is it about?

Vampire Bat: There is a couple travelling in the country area, and this couple is attacked by a group of thieves who captures both, one of them who is Driver. They are both tortured for their credit card and pin numbers and the girl decides to end her life by pushing against the thief’s knife. Driver breaks free and kill the thief. But the other thieves who has the car finds out that there is a young girl tied up and locked in the back of the car. As they take her out, she tells the story of a man who killed her friends and locked her up. The thieves go back to find their dead friend, and when they bring the body back, Driver emerges from inside the body which was stitched from the inside to avenge the death of his lady!

Count Dracula: That grabs my attention, but I guess that he should be almost invisible, a tougher guy than Mahagony. Isn’t the role played by Luke Evans? I remember him mostly for Immortals, even as I have to admit that he surprised me in The Raven and Fast & Furious 6, thanks to your recommendation in that case. I got a feeling that he is going to surprise me further in The Hobbit: The Desolation of Smaug. Does his charm work out with this movie?

Vampire Bat: Yes, he is also going to be there for The Crow reboot as well as in Dracula Untold. He is good in this movie even with those strange expressions at times, and even as his character is too one-dimensional and there is not much explanations like you found in The Midnight Meat Train. He is just the driver who kills, and he indeed has many cruel ways of killing people; and in this story, most of them are bad people. A better character could have served better. But you have to think more about the three main beauties, Adelaide Clemens, Laura Ramsey and America Olivo.

Count Dracula: I guess I know how America Olivo is going to impress us, and yes her presence is a boost in rather an unconventional way, and she is always good in that. I remember her from Friday the 13th, and there is going to be more of her in the 2012 movie Maniac when I watch it. I remember Laura Ramsey from The Ruins too – if there was no Amber Heard, may be she could have suited for such roles. Adelaide Clemens is a cutie indeed, and I can remember her very well from that movie you recommended – Silent Hill: Revelation 3D.

Vampire Bat: Yes, the three of them serve their purpose, and Adelaide Clemens rules the movie, not without being a little irritating at times, but I guess that comes with a character who has suffered. America Olivo seems to be custom fit for her death scene, and she seems to be proving that horror movies might need her a lot – well one has to say that Driver is indeed fond of killing wherever the place is. Laura Ramsey could have had a bigger role to play, even as there is a certain amount of mysterious beauty in her character as she goes on to kill herself to end her suffering. There is also Lindsey Shaw who suffers for no reason.

Count Dracula: Well, one has to guess that this movie is full of suffering. I wonder if Driver going the Mahagony way can come up with anything less. The Vampire Owl had told me that Driver wears a Kevlar vest, and rarely makes a mistake. Now that is too much for a man who doesn’t explain who or what he is. Do you have any idea what on the Earth he is? Why is he called Driver and why does he go around killing people?

Vampire Bat: My first guess was that he is a revenge seeker, but we can’t be sure about that. He does have another name and his actions with the thieves are justified, but there is no point to what he has been doing for a long time – may be there is a long story behind all that which they wanted to leave a mystery. But that doesn’t help much, as this often becomes a movie in which “a random highly skilled person kills a number of random people due to some random reason that we have no idea about”. We can only guess that he is a random serial killer.

Count Dracula: The nameless, aimless ones impress a lot of people, no wonder. They needed someone like me. I could have done better job than Driver and could have even left my card there. I know my motivations too. Someone kills everyone in a mission to kill anyone, and no one lives except one – so said Vampire Owl. The ways of horror movies can only get stranger.

Vampire Bat: Still, there is the gore-fest made in a creative manner, and moments of shock successfully created. As I already said, the three ladies are kind of horror specialists, as they have acted and proved in such movies, and they continue to impress here, with Luke Evans who becomes the serial killer who could gain varied responses. There are also some good dialogues. Only if the movie could tell the viewers what it was actually trying to do…

Count Dracula: Its produced by WWE Studios right? I think they are getting better every time. The blood itself should inspire me to watch this one. There is a party coming up, and it is only by watching the blood that my blood shake making ability get better. I am going to watch this one on a big LED screen!

Vampire Bat: Yes, it is worth your time of blood for sure, and let me know how much you are going to rate it with the blood and without it. Now, it is the time for me to go home and have that cup of tea, and therefore until we collide on a bloody discussion again, good bye, Count.

Count Dracula: Good bye, world’s most efficient movie watching Bat. May the sky never fall on your head.

Vampire Bat (to himself): I am fully in support of this movie mostly due to the surprises that comes with it. Even as I am not much into blood and gore these days, this one has a river of the same. It also has a lot of good moment and dialogues despite the irritation factor staying with it. The lead actor is a brutal killer (Luke Evans Almighty without his ark and the animals) at his best and the ladies look great, plus the murders are innovative enough. I shall sign a petition if there is one about making a sequel to this, for I need to get into the origins of this killer, if they have even thought about him having a life before beginning to do all these things.

✠ If you liked The Strangers, and felt the need for more blood and gore, you might like this one more. This movie also has murders for almost no reason at all. When the excuse of that movie was about the couple being home, our killer makes the excuse that it keeps him fit. Well, I have had better excuses with me when I had failed to do homework during school days. Well, none of these killers are that evil as the fire-breathing demon which is Mathematics. WWE Studios has evolved from making horror flicks like See No Evil which was okay, to this one which is very good. Yes, being a WWE fan (even though I no longer watch the matches) when the movies have that WWE logo before the beginning, it interests me – isn’t WWE also the same as the movie? Well, some of the stories in World Wrestling Entertainment were many times better than some of the stories associated with a few movies. This is a very short movie which takes less than one and half hours too, and that should make one either happy or unhappy.

Release date: 10th May 2013
Running time: 86 minutes
Directed by: Ryuhei Kitamura
Starring: Luke Evans, Adelaide Clemens, America Olivo, Laura Ramsey, Lindsey Shaw, Lee Tergesen, Derek Magyar, Beau Knapp, Brodus Clay

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@ Cemetery Watch
✠The Vampire Bat.

The Amazing Spider-Man

✠ I would be surprised if the loyalties of the fans have not shifted from my favourite superhero of the childhood to what could be termed as the Iron Man mania or the Batman addiction. They have taken over, and my other childhood superhero He-Man is nowhere to be found. The Revival of the interest in Spider-Man can go back to the Tobey Maguire – Kirsten Dunst starring adaptation of the same and its sequels. Still, the favourite actor of the series happened to be James Franco, thanks to Spider-Man 3. As everyone was waiting to watch The Dark Knight Rises, there was a little lack of interest in the same, but I am glad that the movie has managed to survive. Spider-Man was my favourite comic-strip in the Sunday newspaper, and I remember waiting eagerly for it, even as for the cartoons section, the winner was Ducktales. I had a good collection of Spidey’s graphic novels, and I can remember buying despised chewing gums just for getting the Spidey stickers free, giving the gums to my friends. Spider-Man defined my childhood, even as I never tried to climb the walls. I would add that Spider-Man is also the first “typical superhero” video game I played.

Count Dracula: Spider-Man? Seriously? I mean you are the Vampire Bat, always wearing that black costume and pretending that you can fly, and you still like Spider-Man? You should like Batman, he is your kind sharing the “bat” added to your names – he comes in black, while this spider person comes in red and blue. Even Robocop comes in black pretending that he is Judge Dredd, and it is the new trend. Think about it – Spidey boy is too thin for you; it might feel okay for you now, but from the way you are gaining weight, you might become Vampire Bane and not Vampire Bat.

Vampire Bat: I have no special interest in the character, nor am I interested any spider. I have a fair share of spiders and their webs in my room though. I used to raise a little spider on my motor-bike, but it wasn’t radio active, and went missing on a rainy day. I didn’t have photo of it, which is why I couldn’t ask people if they have seen the little one. Do come here, and count the spiders. I wake up every day, and see a lizard or cockroach, thats how I usually start my day. If you need a centipede though, there are some beautiful pictures right here at Harsha’s place (http://allresourceupdates.wordpress.com/2013/11/23/centipede-they-are-quite-fastarent-they/)

Count Dracula: No, thanks. There was a time when a centipede got into my coffin. I won’t blame it as I am obviously the dead Count walking. It seemed to love the time in my ear, and I had to use drown myself in blood to get it out. I had to run after the local village people with an axe three times a day to reduce the fat that I had gained by taking in too much dark elf blood. Thank God for Goblin Markets, otherwise it would have fed on my brain and the childish zombies would have mocked me. Let me tell you this though, no centipede or a spider will ever become a vampire.

Vampire Bat: But Peter Parker is bitten by the spider, that too a genetically modified one. As you know, the abilities were transferred like vampirism. Peter Parker becomes Spider-Man, along with most of which you already know – of Spider-Man Origins as the man becomes Spider-Man after his uncle’s death. That would leave the question about what are the two different things – they are Gwen Stacy and Dr. Curt Connors a.k.a The Lizard. I would say that they both score better than our heroine and villains of the earlier Spider-Man trilogy. I wouldn’t just judge our hero in comparison yet though.

Count Dracula: Only one villain? That is depressing. I heard that The Amazing Spider-Man 2 will have two of them, The Rhino and Electro. It is usually the number two movie that comes up with the best villain. Now that is going to be a cliche for sure.

Vampire Bat: I doubt that. I know who you are referring to, but I loved Batman Begins, and Liam Neeson’s Ra’s al Ghul is my first preference for a Batman villain in the new trilogy. The Scarecrow could have been so much better too. But we just can’t deny our Lizard his due. We don’t have an evil man there; he is no Joker, as he falls to his tragic flaw rather than anything that motivates a normal villain. He is the victim of science. He succumbs to that feeling that he can use technology to his advantage in doing the right thing, but ends up doing the exact opposite.

Count Dracula: Someone I know said this “Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain”. It was someone I despise a lot. But the situation here demands that to be true.

Vampire Bat: Yes, I remember Van Helsing. But it doesn’t begin or end there. The Lizard’s only possible true comparison is with Doctor Octopus of Spider-Man 2, another experiment gone wrong and another bad man created. The emotional turmoil, the consequences of his actions and the way their minds deviate – lots of things might be similar. Lizard’s clear advantage is the more advanced CGI and the movie being the origins story. Spider-Man 2 was the last good story in a series and this one is the first. I would still think that the Spidey villains need to get better, as Ra’s al Ghul, Joker, Bane, General Zod – they are all scoring for DC. Marvel’s only hope lies in Loki along with Magneto and his side-kicks as long as they are not taken away by Krrish.

Count Dracula: Talk about Andrew Garfield. He is surely Spider-Man, as the one that you might have read in those Sunday comic strips. He looks young and surely looks like the youngest superhero that is popular with us. He is not burdened by experience as Batman, nor is he troubled by his alien existence like Superman; he has not the need to be He-Man and protect a universe of magic either. He is more or less closer to being the comparatively normal superhero than he is. At least he is closer to being what he claims than you are; you still can’t fly.

Vampire Bat: Why should I fly? Even Batman doesn’t fly. I have a logo like him and I even have dark costumes which can scare people at night. Why don’t you concentrate on Wichita instead? I mean Emma Stone. I can’t get over that name at all – thank you Zombieland. She looked so good in it with the black hair, but this character needed this colour change. This movie has a better romance than the former trilogy, thank God. No overdose of crying romance to follow, we hope. But we can only hope that the Venom episode would be handled much better.

Count Dracula: It took them only five years after the trilogy ended to release the first movie of the reboot franchise. I don’t think that this one can offer too much difference from the previous adaptation. Batman and Superman got rid of the style of wearing underwear on the outside, but as Spider-Man never had that practice, that gesture is not possible. The dark style might not suit him either. May be he can dress like me and hold a spider in his hands. The symbol of ‘bat’ worked for Batman, and the alien nature worked for Superman. Neither the spider symbol or the nerdy character can do something like that for Spider-Man.

Vampire Bat: There are a few things that the trio of superheroes, Superman, Batman and Spider-Man can offer, and one of them is great delight in the form of box-office success. There are many others for sure, but along with Wolverine and Iron Man, these three carry immense potential to break records. The only character from the west who might be more well-known than these should be you. You are our synonym for vampire, and if there is something that they relate with sucking good amount of blood that is you, even as I know a few mosquitoes who might disagree.

Count Dracula: That is not right. I have maintained the disguise of a simple farmer here. I just cultivate corpses, and keep the environment undead. Don’t you have your own vampires out there, the vampires of wealth in the form of celebrities and politicians, vampires of food in the form of restaurants, vampires of truth in the form of media and so on? Do not bother me with that – try your superheroes instead. They shall entertain you and make sure that your childhood concepts remain almost the same.

Vampire Bat: The dignity of superheroes was stolen away by Krrish. It has been partially saved by Thor, but only with the next sequel to The Amazing Spider-Man that it can be claimed back completely. It is up-to Andrew Garfield and Emma Stone to keep the work going. The villains will help, and so will the CGI.

Count Dracula: I am not the kind of person who would believe in superhero stuff. But let me tell you a few things I am sure about. The first thing is that Spider-Man will never be my favourite superhero. The second thing is that I still believe in Spider-Man movies. The simple light shade that the Spidey manages gains my respect.

Vampire Bat: Yes, the movie is excellent in many ways. There are not many flaws to be associated with it. We loved the performances and the way in which they have shaped the story. It is still too early for a reboot and there is nothing spectacular tried this time, and no attempt to deviate into another path like what happened with Batman. Get that DVD, my friend.

Count Dracula: Yes, I think I will. Good bye, brother in fangs.

Vampire Bat (to himself): How can we ignore our friendly neighbourhood Spider-Man just because there have been an overflow of superheroes? There is no chance for such a cruelty towards the first Hollywood superhero movie to release in the theatre near my place. There will be no such avoidance. This movie will be more recommended than any other Spider-Man movie. As the origins story has been setup already, the sequel is only going to be better, and I am very confident about it.

The Amazing Spider-Man is another superhero movie which you have to watch. Even without any particular innovation of supreme significance, the movie is a treat to all the fans of the genre as well as the Spidey lovers. The web is stronger than ever this time, even as it will not win any awards in an arachnid competition. Watch this one as the origins story, and there is a lot more to come. You may or may not like spiders, and in most cases loathe them, but lets make sure that this is one creature of the web who gains our attention. Even Count Dracula does that wall crawling stuff very well, and he would indeed love to see something really amazing from the two-legged partial arachnid who just cannot stop itself appearing again and again. Along with the two villains that we have in the upcoming sequel, lets hope for the other interesting villains like Mysterio and Chameleon, as its going to be a long race for the Spidey.

Release date: 3rd July 2012
Running time: 136 minutes
Directed by: Marc Webb
Starring: Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott, Irrfan Khan, Martin Sheen, Sally Field

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@ Cemetery Watch
✠The Vampire Bat.

Dark Shadows

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✠ The rating given to this movie might shock a few mortals, but as this blog written from the Vampire Bat’s perspective, he has decided to take control to fulfill his partially broken promise to that Count who lived as a recluse inside a coffin in a castle. Yes, the Vampire Bat doesn’t broke promises, or rather doesn’t break anything other than may be, his own teeth – blame the root canal offers from local dentists in that case. To add to it, the Vampire Bat shall write this review on a Wednesday, as he was born on such a day. He is mentally depressed after writing a test, and after asserting what he had found out that each and every other person of his world wants the questions from the syllabus while he wants the same from outside. May be he never belonged to the world of humans, and should rather fly away one day. But the depressing side is that he can’t fly – so he will write a bloody review about one of his favourite vampire movies, and undoubtedly his favourite blood sucking movie of 2012. Yes, this is that movie.

Count Dracula: Here you are again. I think that your review of Dark Shadows has been pending for long. Do you have it with you? Its time Barnabas Collins gets his due. He is one of those few vampires who could see McDonalds and feel the presence of Mephistopheles. He is our saviour against Twilight and Mortal Instruments creatures of pseudo-darkness.

Vampire Bat: I can see that you feel the need for some good vampires like Barnabas Collins and Victoria Winters. I love that scene when he sees M for McDonalds: Over 1 billion served. He was accidently quite right about the fast food and the beverages being the demons who suck the soul out of our insides, leaving us nothing of much use. Twilight and Mortal Instruments are the result of the same fast food, as they mess up our brain rather than the stomach.

Count Dracula: So what do you think about this vampire and his family? I did feel the presence of other wonderful forces of the supernatural right from outside the theatre where it was showing – I was wandering around in the mist until I crashed on the wall of that place, it was not good for my fangs, but still felt good for the presence.

Vampire Bat: Barnabas returns 196 years later, after feeling the wrath of unrequited love from a witch, Angelique Bouchard who cursed him into a bloodsucker, killed his parents and also forced his true love to commit suicide. She is a witch who curses his family and gets him buried alive in the middle of a forest, takes over his family business and puts his descendents into ruin. The worst thing is that the witch is still alive, using her magic to identify herself as her own descendants. This love has always been so overrated, right?

Count Dracula: Yes, even with me it is the same. I already feel a lot of love for Angelique Bouchard. Eva Green is that good, and I still can’t forget The Dreamers. I can remember my first infatuation with a witch already. Why would he not return the love baffles me. Whom does he have instead?

Vampire Bat: There is Bella Heathcote taking rebirth, from Josette du Pres to Victoria Winters. She appears as if an enchanting fairy vampire, not as some random Bella. But the two characters you will surely love are Michelle Pfeiffer’s Elizabeth Collins Stoddard and Chloë Grace Moretz’s Carolyn who asks “are you stoned or something” to which the recently risen Barnabas says “they tried stoning me dear, it did not work”. To add to it, he calls a lava lamp “pulsating blood urn”, and the crane as “a giant dragon with millions of teeth and a thousand shining eyes” – you have to love him. His seriousness is awesome!

Count Dracula: I have felt that myself, rising from the grave and seeing the world different. I know you feel the change each and every day. The world is indeed to fast, and I am sure that most of us hope that each and every day we go to sleep, we never wake up again. I wish for the sunlight to disappear, and you hope for the day to end, and there is not much different in how we see the world, and we are as outdated as Barnabas Collins; it is just that we have no lover witch.

Vampire Bat: Yes, I have always thought that, and Dark Shadows makes sure about the same. Moretz is wonderful in the movie, and the way she says “I’m a werewolf, okay? Don’t make such a big deal over it” to her mother, and always special mention needs to be for Michelle Pfeiffer and Helena Bonham Carter. Meanwhile, if you don’t like Bella Heathcote in this movie, you have to be blind – not that closing of eyes you do with sunlight, but the real blindness of the physical world.

Count Dracula: You make the point there. I have read about the many faces of Johnny Depp too, and I shall not doubt him at any moment. This face is my favourite indeed, and then comes that Jack Sparrow followed by the crow-carrying head in The Lone Ranger. Then comes Sweeney Todd and The Hatter – who won’t love Alice in Wonderland by the way, and they were two special characters. I am not going to count the faces of such a versatile actor, as that won’t even please my coffin. Instead tell me more about Eva Green.

Vampire Bat: Her character has angel in her name and some strange love which keeps her in the attitude that “If I can’t have you, my love, I’ll destroy you!” – not that much of hatred as she keeps him alive; should be too much admiration. She tries everything she can, but true love finally wins – not really a surprise, isn’t it? Eva Green is fantastic in the movie, as she is beautiful, charming and perfect as the pretty witch. The cast itself is the real strength of the movie. With such awesome names involved with it, who would not wish to watch this movie? The comedy is also well done.

Count Dracula: That sounds like interesting stuff. A vampire movie with all of these? That should cure me from the death strike which fell on me with Twilight and Mortal Instruments. I shall have a new life of blood. You should have reviewed this one much earlier – remember how long ago I had told you to do the same?

Vampire Bat: Despite the good box-office returns, the ratings haven’t been good with it. I would think that it is the result of an anti-vampire sentiment and possible cruelty which has been unleashed on vampire movies due to terror which was Twilight and all the sequels that followed tried desperately to destroy man’s faith in vampires. No wonder Byzantium didn’t release at this part of the world. There is only one chance for us to reclaim that lost faith, or rather two – release a movie from Anne Rice’s Vampire Chronicles, or create the much needed sequel to this movie which has left a good chance for another story by the end of it.

Count Dracula: It is much needed, that is for sure! These undead creatures are bothering me too much just because they had to watch Twilight. Even the wolves no longer listen to me – they think I am going to wear their skin as clothing and call myself a werewolf. See how these movies are badly affecting my children of the night. We need that, or I might have to turn my whole castle into a one big coffin.

Vampire Bat: There is less hope for both of them. The problem about having a Vampire Chronicles movie is that nothing can live up-to the awesomeness of Interview with the Vampire. The scope of a Dark Shadows sequel is less, due to the lack of need and the not that positive critical reception. One day, we will take over as official undead reviewers with bad teeth, and then we can change the whole thing.

Count Dracula: Then we shall stick with this Barnabas as the vampire hero of this century so far. The last century’s control was disputed, but for this one, it has become pretty clear, the only challenge being from Selene and the next closest was indeed Rayne, but they were rather the heroines who enchanted us. I shall pray for the rise of more vampire in movies and literature which are as good as Barnabas.

Vampire Bat: Yes, it is worth your time for sure, especially as you have not much to do, and all the souls are going to love it. Now, it is the time to go home and have that cup of tea, and therefore until we collide on a hunt again, good bye, Count.

Count Dracula: Good bye, best of my winged brethren; for now. May the shadows be with you, especially the dark shadows if you got what I meant.

Vampire Bat (to himself): I am fully in support of this movie mostly due to the great performance of Johnny Depp in his new avatar, and then due to the good work put into it by Eva Green with great support from the rest, especially Bella Heathcote, Chloë Grace Moretz, Michelle Pfeiffer and Helena Bonham Carter. Here, we have that true vampire comedy movie which adds almost every ingredient correctly, thus making this a great choice, and the reason why you need to go back in time and check the theatres.

✠ I don’t know about that television show or soap opera on which this movie is based, and that might not be necessary, but if you love vampire flicks and bloodsuckers in literature, you will like Dark Shadows which keep the worlds of Twilight and Mortal Instruments away. Even if you don’t care much about the same, the comic side of the movie will keep you interested. Still, there is so much seriousness underneath striving for true love, which makes this a wonderfully layered movie. I am pretty sure that whatever you like and wherever you are from, most of you will at least like this one as an average movie, and there are not many places where you can have this much vampire fun along with looking at such a great cast. Behold the beauty of the shadows of this movie, and you might end up loving it along with Bella Heathcote. This one won’t even make Count Dracula think twice, and in that case, long live Barnabas Collins, who has survived a witch’s love and watched his own dark shadows in a coffin for such a long time.

Release date: 11th May 2012
Running time: 113 minutes
Directed by: Tim Burton
Starring: Johnny Depp, Bella Heathcote, Eva Green, Chloë Grace Moretz, Michelle Pfeiffer, Helena Bonham Carter, Jackie Earle Haley, Jonny Lee Miller

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@ Cemetery Watch
✠The Vampire Bat.

Insidious II

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It was in 2011 that we were treated with one of the “different” horror movies in the name of Insidious which was partially copied to Hindi by Bollywood’s last sequel to Raaz. Now we have its sequel, in the same year as two horror big-shots release, including The Conjuring and Carrie. Never before did more than one horror movie release here in the same year, and I almost thought that this was never going to release, just like The Chainsaw 3D, Evil Dead and The Haunting in Connecticut: Ghosts of Georgia. But here we are, with this sequel, even as the original never released on the big screen here and we had to strive to get to it. It didn’t release on that original date of a Friday the 13th though, as it just released here on a Friday 15th, about two months later. Its trailer had reached here long ago, and was well received by the audience who had a great experience with The Conjuring which itself had delayed – all three horror movies releasing late here – something with the censor board or looking forward to their performances in other parts of the world before the risk is taken here? May be they underestimate the audience quite a lot. They can end their devotion to the series if there was any, and look for cheap gore.

After a small flashback into the childhood of our major father character during the time of his encounter with the Lady in Black, the Bride, the movie takes over the story from where it had left off, with Elise (Lin Shaye) dead, and the demon from the other world taking over the body of Josh Lambert (Patrick Wilson). There is a lot of mystery over the death too. With Josh doubted by Renai Lambert (Rose Byrne) and his children, Lorraine Lambert (Barbara Hershey) goes to visit Elise’s friends and partners in finding the supernatural after feeling strange occurences in the house and even seeing a woman in white. The same mysterious woman knocks out Renai after abducting their little kid for a few moments. The piano playing by itself is just one of the strange things occuring in the house. Lorraine meets up with Carl (Steve Coulter), one of the old friends of Elise, who is another paranormal investigator using his dices to contact the spirits from the other world. Through the dices, after contacting Elise, they find out that they will know something from Our Lady of Angels hospital where Lorraine used to work as a nurse during her young days.

There Lorraine remembers the story of Parker Crane (Tom Fitzpatrick), a patient who committed suicide by jumping from the top of the hospital, as he appeared to her after his death. They are guided to his home, and they soon find out that the spirit which is leading them might not be of Elise at all, and it is not a good one nor is it friendly. They come across the story of a serial killer and his mother who used to terrorize him throughout her life as well as after it. It becomes clear to them that Josh is possessed and not himself, even as the detective couldn’t find him guilty of the murder of Elise. Renai and the kids are in danger, and so are they themselves. There are only a few ideas left for their survival, and one of them might be to drug Josh and bring the original person back to his body; the other one might be to find him in the other world itself. With time running out, and a serial killer ready to come back to this world through Josh’s body, this time more powerful than before, can they make the right decision and succeed or does the demon killer take charge start its killing procedure?

So where does the sequel stand in front of the original? I would consider it as slightly better than the original, even as most of the critics seemed to have found it negative if not average. I was surprised by the same though. The movie has an unsettling atmosphere supported by a truly phenomenal settings which has been used to support the same, and give us a truly paranormal feeling. The tricks to scare the audience might feel a little repetitive, but are used in the right manner with correct effects. Yes, it i genuinely scary, and undoubtedly scarier than its predecessor. There is the presence of more scary moments and it explains most of the things which were left unexplained in the first, and also contributes to the horror of the same. The spirits are pretty much good both in the real world and the other. The Lady in White and the Bride in Black are just two of those figures which rule the screen. There is nothing like the man possessed though. Insidious: Chapter 2 undoubtedly becomes the next best horror movie to The Conjuring here, and it is still insignificant as there are only two English horror movies released here. Yes, it is effective and undoubtedly very creepy and successfully scaring people. But do not watch this if you are not a horror fan or you are pseudo-horror fan who says that this isn’t enough for “the great ME” – the things pride can do to you, my dear vain man.

Patrick Wilson is the star here, and he plays the astral traveler possessed by the demon with so much ease. We can see his transformation as he becomes more and more of the demon who has taken over his body. He seems to be a person perfectly fitting horror movies – loved his performance in The Conjuring too. He was a gifted spirit walker, but is now kept out of his body by the demon, both roles well done. There is a little bit of The Shining’s Jack Torrance in him for sure. Rose Byrne has a sweet and innocent screen presence, and Barbara Hershey is no stranger to such things, tracing back to playing that victim of supernatural sexual liasions in The Entity – her presence itself is a real boost to the movie. Jocelin Donahue plays Lorraine’s younger self to perfection, and Lin Shaye’s Elise is very good, and her younger self played by Lindsay Seim is no different. Leigh Whannell and Angus Sampson as Specs and Tucker provides the comic relief which is very less throughout this serious movie. Tom Fitzpatrick’s villain is strong and ruthless, yet made scary more by the visual imagery and effects rather than anything else, and so is the case with Danielle Bisutti’s Lady in white, or the Mother of Crane. The kids have limited role this time, and are no longer the focus of the movie.

Thanks to James Wan for giving us this fine sequel, the third of his brilliant horror collection beginning from Insidious and going through The Conjuring. It is very much a necessary sequel and it only adds to the value of its predecessor even as it doesn’t reach above The Conjuring. None of the two movies of the series are to be looked at alone, as they perfectly compliments each other, adding something which perfects the other. There has been nothing wrong with the badly reviewed horror flicks of the year, The Chainsaw 3D, The Haunting in Connecticut: Ghosts of Georgia, and this one – but the critics choose to devalue them for almost no real reason. They can’t understand that the Lady in White or the mother was mentally not right. I wonder why would they feel bad about people in the other world being white, and how the people in this world are able to fight with the demons in the spectral world. People are looking for strange questions while it is not the movie that makes sense, but their questions. They can’t find the answers, but it doesn’t mean that they can take the creativity of the viewer as a big zero, for nowadays it is the common arts graduate who has the right imagination. But still, The Conjuring might be the horror movie of the decade if we consider The Cabin in the Woods as not just horror.

It is the season of demons, that is for sure – just because of one thing, that Krrish 3 has been given four out of five by some strange people. Such acts of evil has forced me to keep the rating of this movie a little higher than I intended to. There are weird people in this part of the world who rate the movies of their language high, and the others low – and some of them follows the foot steps of those who reviewed it from America and Europe, but in that case, one has to consider the fact that what third rate movies like Krrish 3 would get if they review the same would be zero out of five if no negatives are allowed. So following their rating for English movie is pure hopelessness as long as they are going to rate horrible Bollywood movies with a consistent four out of five just because it has superstar sons acting in it or the same will make the pathetic fan-boys and girls incredibly happy. May be they can learn something from the Malayalam movie critics who give a maximum of three out five for the best movie of the year. Our world will only get better when the demonic fans disappear and all actors are considered as equal performers – hope Insidious could do that.

Release date: 15th November 2013 (India); 13th September 2013 (US)
Running time: 106 minutes
Directed by: James Wan
Starring: Patrick Wilson, Rose Byrne, Lin Shaye, Ty Simpkins, Barbara Hershey, Steve Coulter, Leigh Whannell, Angus Sampson, Lindsay Seim, Jocelin Donahue, Andrew Astor, Danielle Bisutti, Tom Fitzpatrick, Michael Beach

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@ Cemetery Watch
✠The Vampire Bat.

Thor II

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***The first three paragraphs have details of a few Indian superhero movies; skip if you are not interested – I had to say this before the review as it was something I owed to real movies and true movie fans; I was asked to write about a ridiculous Hindi movie, not something I am ready for. Well, as I begin here, I dedicate this review to all of my friends who suffered with a painful poison which was sent into the theatres of India packed inside a horrible catastrophe which is commonly called Krrish 3. There were too many of them to be named here, and I am glad that most of my friends are sensible ones. But that was more of a movie for Hritik Roshan fans and little kids which is the only reason it could be forgiven despite of copying from too many Hollywood movies and adding horrible melodrama and pathetic graphics to it. From my friends and the internet, I could collect the names of a number of movies from which it copied. X-Men, Man of Steel, The Avengers, Iron Man and The Matrix are the major ones. Toad, Mystique, Sabretooth, Professor X – Magneto Hybrid they are all there; and Jean Grey you are always there! Okay, do copy; I have known a good number of nice copied movies in Hindi, but this kind of copying is absurd. Why lift from this many movies and why even copy when you have so much scope for great ideas right in our nation!

Now the others, who will never be my friends – the ones who liked this movie, and coming up with the typical lie that “they at least they tried” – to be frank, they didn’t try; they copied and instead of concentrating on what is Indian, and on the values and traditions that the nation has, they concentrated on style, glamour and pathetic graphics, to make it interesting for no sensible person. Don’t try what you can’t do right and show off your weaknesses, stick to the strengths instead! These people who come up with such pathetic excuses of “trying” for a third movie of a cent percent copied series, don’t deserve to be talked to. Please don’t like a movie just because your favourite actor is in there or the characters talk your language or as it is from your state or nation, but look at the merits. Ever heard about a romantic comedy in Malayalam called Amen? See how CGI is used to perfection in that low budget movie which could have done fine without it, but it contributed immensely and really well. May be the movie makers could learn from Shaktimaan, India’s only real superhero who is rooted in its rich traditions and teaches something good to its citizens and children. There was actually a lot original about it, even as it is not a flawless or a pure innovation. It was a great thing for its age, but Krrish 3 is outdated for this age just like its two predecessors which copied from E.T. and Superman. Please, my dear movie makers, stop making bad movies just because you need to make a lot of money – you owe something to the viewers, or come up with a notice “stupid, retarded movie”.

Krrish 3 has succeeded though, with high scores at the box-office, and it shows our inability to accept the good and reject the bad, and I have decided to skip all the Hritik Roshan movies until there is redemption. I actually had enough of him with that horrible Agneepath itself, and it is a shame that the talent is wasted. His first movie, Kaho Naa Pyar Hai will always be his best. Even as some of my friends said that Shaktimaan was better, the rest told me about the stories in some of the Malayalam books for children, Balarama, Poombaatta and Balamangalam were better. There were a few superheroes there – two of them were monkeys, one of them a little devil and another a rat. All of these were better superheroes in heart and also in the brain. My question is about why people go for movies which has trailers like this one? This movie is a curse on the Indian movie industry and I shall not watch such nonsense even for bashing it. I shall stick to those movies which doesn’t bring shame when there is a lot of potential for greatness. See innovation in the form of Go Goa Gone and Madras Cafe. They could have made a good innovative sequel to Krrish, but they spoiled it, and congratulations to all who are making it a blockbuster, and thanks to the paid reviews. Just don’t copy from Thor for Krrish 4 – it is a humble request.***

So we know that why the world is going to end and why my hope in humanity is fading. Now lets leave the movie of kids and fans which came to existence to destroy good movies. Lets get to the movie which has become my second favourite Marvel movie ever, and also become my favourite superhero movie of the year 2013. Yes, lets back to this wonderful sequel of Thor which has restored our hope in superhero movies. Let me deal with the first question that comes to the mind of any viewer. Is it better than its predecessor? The answer is surely yes. There is a lot about this movie which does a great job in fitting not only into the Norse mythology, but also into the Marvel universe. There is a lot of great graphics and special effects which beautify this movie which is a treat to watch in 3D even as the 3D possibilities could have been developed even further. Its visual beauty is comparable to not many movies. There is a little more needed from the story-line too, but not much. There is a good flow of the plot, and there is nothing lost, and Thor: The Dark World is a real good addition to the Marvel cinematic universe. The only good Avenger hero movie I like better would be Captain America: The First Avenger.

The story beings with talks about the legendary story of Malekith (Christopher Eccleston), the leader of the Dark Elves who are on a mission to destroy the world with a weapon known as the Aether, but were defeated by Odin (Anthony Hopkins)’s father, Bor. But our leader and a group of Dark Elves escape from their home world of Svartalfheim, and knowing not about the same, Bor hides the weapon deep in an unknown world. During the present day, Loki (Tom Hiddleston) is imprisoned for his crimes on humans, and Thor (Chris Hemsworth) is on a mission to restore peace in the nine realms with his friends, and is haunted by the memories of the one human he loved, Jane Foster (Natalie Portman). Meanwhile, Jane makes attempts to contact Thor and in the process, gets teleported to another world where Aether was hidden, and is infected with the same. Seeing the trouble, Thor takes her to Asgard, but doesn’t succeed in taking the thing out of her as it defends itself and the story of Aether and Dark Elves were too long forgotten too.

The Dark Elves come to know about it and attacks the city both from inside and outside in an effort to get to Jane and get their dark material. They end up killing Thor’s mother, Frigga (Rene Russo) and escape before help arrives. Asgard is left without its shields, most of its soldiers and a good number of turrets after the surprise attack by the Dark Elves who used brutal dark energy as well as stealth as their weapons. But striken by grief over the death of his wife, Odin decides to wait for the Darl Elves at Asgard and strike with all he got and fight until death. But seeing the devastation of their capital city, Thor decides to take the attack to the Dark Elves with the help of Loki who also agrees in order to avenge their mother. They decide to take Jane with them and get rid of the Aether, even as Odin had completely prohibited it and it would be treason. It is obvious that the Dark Elves would also target Earth, and as Jane found signs of it in London, it would surely be there. Can Thor and Loki work together to save more than one world or will the trickster take his own side? Now there are some good surprises in wait right there. The talks about them not being gods, and still living five thousand years is interesting.

Chris Hemsworth saves the day again as Thor, as if he is custom made for that role. We love this character, and we see the man again in good form after that great performance in Rush. Natalie Portman contributes significantly, and I would wonder if I can resist any of her movies. Tom Hiddleston’s Loki is as good as ever, but needed more screentime. Anthony Hopkins is good as usual, and Jaimie Alexander could have had more to do. I have to say that I loved the comic releief Kat Dennings and her intern provided when Loki is not around. Christopher Eccleston’s villain is also a wonderful pure evil creature, who will come to our minds, every time we play a computer game involving mythical creatures and races. I used to choose Dark Elves in most of them. Another thing I loved was the way they showed the hypocrisy of the people who had chosen not to believe the man who spoke the truth – it is true, for science has indeed become the modern man’s superstition, and we will be force fed by many things which are supposed to have proven, but are actually not. Actually, what all are really experimented and proven, is something that common man will never know. They will tell us that they landed on Moon, Mars and everything, and we will just believe them because scientists are the new kings and clergy of the medieval ages, and the only thing we will know for sure is that the sun rises in the east and sets in the west.

Release date: 8th November 2013
Running time: 112 minutes
Directed by: Alan Taylor
Starring: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Stellan Skarsgård, Idris Elba, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Kat Dennings, Ray Stevenson, Zachary Levi, Tadanobu Asano, Jaimie Alexander, Rene Russo

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@ Cemetery Watch
✠The Vampire Bat.

Sinister

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There was a time when I had a longing for movies of pure horror rather than the ones with blood and gore. My prayers were answered this year with The Conjuring, but I later came to know that there was a movie in 2012 which I missed, that was also dependent less on the blood and gore and more on the shocks and thrills. That movie was Sinister, and even as I almost confused it with Insidious for apparently no specific reason, here is another addition to my long list of favourite horror movies which can extend beyond any long paper. This is one of those movies which got released before our theatres had the courage to release horror movies here – lack of cowardice which they gained with The Conjuring and its long run in the theatres here. There was the pure absence of horror movies in the theatres before that, with the exception of hybrid movies like those of Resident Evil series. It is a strange thing, because they could have had a lot of success with Silent Hill last year and Evil Dead this year, but they decided to keep both out of theatres just like they did to Sinister. But there would be not many people who wouldn’t know of this movie, and that is a certainty.

We have the director of Hellraiser: Inferno and The Exorcism of Emily Rose working on this one – that was inspiring even as I can’t recollect the first movie and I never did watch the second. He would also direct Deus Ex, a movie based on the awesome computer game of the same name. The presence of Ethan Hawke was also interesting, as the last time I saw him was in an action-horror mix of a movie called Daybreakers, and I loved his performance in it. The movie also had a very interesting poster almost giving us the feeling of presence of a serial killer more and of a supernatural entity less. But what it gives us would be another result, a mixture of horror which has evolved into something innovative and new compared to the other horror movies of the year. I had also expected a lot of blood and gore, but this one has not much of it, and that works mostly to its advantage rather than against it. From what we see, it is just a simple horror film with innovation inside it. But it might be more than that, as there is a lot to this movie than what meets the eye. We have a lot of interesting things in the movie which arouse our curiosity by a good margin.

The movie begins with a Super 8 footage depicting a family of four standing under a tree with heads covered, hands tied and nooses around their necks, and someone causing their deaths by hanging. We can later see that a true crime writer Ellison Oswalt (Ethan Hawke) moves into the house with his family of his wife, daughter and son. He was not having a good run as a crime writer for sometimes, and believes that this might change his situation. He doesn’t tell his family that this was the house where the murders took place. By staying there, he hopes to unveil something about the murders and write about it in his book thus bringing him back to fame and fortune. As he tries to mix fact and fiction without much hope, he soon discovers a projector and several reels of Standard 8 mm footage under the label of home movies. To his shock, he discovers that they are rather snuff movies, and it shows different families being brually murders in several ways: being burnt in a car, drowned in a pool, throats being cut, being run over by a lawn mower and finally the hanging which was shown in the beginning of the movie.

He actually notices a figure with a demonic face witnessing all these murders from some part of the screen. He also discovers childish drawings showing the murders, along with sketches of a demonic figure, whose name is written as Mr. Boogie. He finds out that the sketches are made by the one member of the family who went missing in the case of each murder which took place at different places during different time periods, with the helps of a deputy at the nearby station. He feels that there is some killer specialized in the occult or demon worship behind it after seeing a sign and knowing that it is a little kid who went missing all the time. He feels that he is on to something huge this time. Trying to decipher the symbol seen in the films, he comes to know that it is relate to a pagan Sumerian deity named Bughuul (Nick King), who would usually kill entire families before he takes their children into his world and consume their souls. Meanwhile, strange things happen at his house, as he has visions of dead, decaying children as well as the monster. His son has night terrors and his daughter draws strange things on the wall. So the game is on – are they hallucinations, an extremely smart killer or something supernatural at work?

Ethan Hawke is the star of the movie, as the man who investigates for money and fame, and almost feels that he has got something about a serial killer which the police didn’t, but later realizes that by moving into that house and searching for information, he has put the lives of himself and his family in trouble. We can see him making a sincere effort to portray his character who is determined at first, hopeful later and beyond all expectations by the end. The character himself is the tragic flaw which has them in peril, or accurately talking about it, there is the desire to unravel a mystery which was not supposed to be known to him. In one way or the other, this writer becomes another Doctor Faustus and even without signing a deal with the demons, brings about bleeding dagger on the head of his family and himself. His idea of hiding this information from his family, and telling his wife that the place is nowhere near any house where any murders took place doesn’t help at all. He might have been a best-selling author with a lot of fans, but not everyone would care about the same. He needs this work to be done so badly, and we can see his feelings, and well done Ethan Hawke in bringing the same to us.

Our director also bounces back from a not that good remake of The Day The Earth Stood Still with Keanu Reeves, and gives us a lot to expect from Deus Ex. The movie shocks with its child images itself [Spoilers Ahead – you may skip to the last paragraph] One of the most shocking things in the movie is the realization about the children, as they wanders around in their decaying state – as if the result of the evil that has befallen them in the form of Mr. Boogie. Yes, the children are damned, and taken to the other world of the evil deity whom we can interpret as a demon. Before they are taken, there is the manipulation by the creature they call Mr. Boogie who makes them kill all their family members themselves before taken into the other dimension inside that movie. The process repeats very often as the creatures takes his own collection of souls to feed on. We do remember the 2008 horror movie The Children, don’t we? Yes, the children are the evil ones, manipulated out of their supposed innocence, like William Golding depicted in Lord of the Flies. This movie also asserts the fact that they can be easily corrupted – by circumstance or by a villain; or even by the circumstance which is the villain.

One has to wonder if Sinister gives a little too much and fails to keep the suspense glowing till the end. But it is a clear fact that they have rightly added those shocks to help the procedure. It does remind one of many movies, but none directly and therefore it is quite fresh for most of the audience. This could rather be a predecessor to what awesomeness which was to come next year in the form of The Conjuring. I did feel that keeping the creature from the other world as simply the devil would have been much better, as it is more of an entity whom we can attribute taking human souls with. With its theory of goodness plagued by the branches of evil, and the multiple shocks involving decaying children as well as that shadowy figure that is Mr. Boogie, Sinister does something that most of the horror movies fail; that is to bring a powerful plot with lots of brains behind it. The creepy atmosphere rightly ornate this movie with such an ease, and if someone other than Ethan Hawke scores, it is our own monster from the movie with right support from the kids who have turned into his own children.

PS: Thanks to Simon (http://simonsayswatchthis.wordpress.com/) for the recommendation 😀

Release date: 12th October 2012
Running time: 110 minutes
Directed by: Scott Derrickson
Starring: Ethan Hawke, Juliet Rylance, Michael Hall D’Addario, Clare Foley, Fred Thompson, James Ransone, Vincent D’Onofrio, Nick King, Victoria Leigh, Blake Mizrahi, Cameron Ocasio, Ethan Haberfield, Danielle Kotch

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@ Cemetery Watch
✠The Vampire Bat.

Captain Phillips

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There are only two a few movies which delivers almost in the same manner as the critics say; and we have had two in the gap on one month, which were Rush and Gravity; to that list, here comes Captain Phillips. It is easy to brand a movie as bad and the flick can easily live up-to that bad reputation; but when the critics say a movie is exceptional, there are only a few movies which actually prove them right for the common audience, and Captain Phillips is such a movie. There are so many movies branded as bad by the critics which were actually either good or bad, and there were others which were somehow branded good; but when we talk about this movie along with the other two I mentioned earlier, there would be a uniformity in this branding, and they are exceptional, no matter how we look at them; and who looks at them from which angle and on which day. Welcome to the thirty days of awesomeness from Hollywood, with the exception of Runner Runner – this was a month which started with the first two movies rating 57/200 together, and the last two rated 177/200; it is a strange month indeed!

Our first idea was to leave this movie behind, but that had to change. It was not just the reviews that did it, as it was more about the brilliance of Rush which we had earlier ignored brought to me. It almost completely took away the need to watch a movie which worked on familiar or more interesting background. So this is more of a biopic of Captain Richard Phillips, who was taken hostage by Somalian pirates in the Indian Ocean in 2009; we used to wonder – how is it going to work out? We had already watched a Tamil movie in the form of Maryan which had a hostage situation involving armed men from Sudan. Even as it turned out to be good, there were lot of things lacking in there as it scored just with the visuals, music and the right cast. It had stuck to the love theme in quite an unrealistic manner, and there it lost the footing a bit. Here we have another situation, and here we have Tom Hanks, along with the most realistic portrayal which is more focused on one thing rather than too many unnecessary exaggerated things which were praised to the heavens in the form of love and a lot like the same.

Richard Phillips (Tom Hanks) is the captain of MV Maersk Alabama in its journey from Oman to Kenya. There is the high chance of being attacked by pirates of Somalia, and they take enough precautions, even keeping two groups of pirates away as they use deception of an airstrike arriving and also the waves of the ship itself to keep the groups away. The first group gets frightened and the second gets the boat’s engine out of order. One of the two groups of pirates return on the next day led by Abduwali Muse (Barkhad Abdi) in a faster boat, carrying a quickly prepared ladder. In spite of the valiant efforts of the crew with pumps and waves, they get on board with the rusty ladder, after taking advantage of a faulty pump, capturing the captain and two others while the rest of the crew keeps themselves safe in the ship’s engine room. Muse hopes to keep the ship for asking for insurance money from the shipping company, and in case of a failure he has to answer to his bosses. About fourty or fourty five minutes into the movie, the ship has already been captured by the pirates.

As the crew capture the pirate leader, they are able to get the pirates into the ship’s lifeboat, but they manage to take Phillips with them as they go into the water in hope for getting some ransom money for the captain. The second half of the movie is about the life in that one orange boat and the efforts of the navy to get the captain back. The ship keeps following the lifeboat until the U.S. Navy destroyer USS Bainbridge arrives, followed by two other ships of combat. The pirates also lose contact with their mother boat and decides to go all the way to Somalia which the U.S. Navy ships can’t allow. As the pirates know that they have come too far to quit right now, the navy is ordered not to let them get to the land at any cost. Phillips’ efforts to reason with the pirates is in vain and so is his effort to swim away from them to one of the ships. They ask for money in millions for which the navy asks for time. Meanwhile, the SEAL shooters are trying to get shots to take down the pirates. The hostage situation gets worse as the pirates gets impatient and restless. The question would be about how they take care of the situation keeping the hostage alive and how the captain himself manages to keep him alive and in his senses.

As you might have already guessed, this is the movie of Tom Hanks. He depicts his character with such sincerity which is rarely seen on screen. I have known him for Forrest Gump, Cast Away, Appollo 13, Catch Me If You Can, Saving Private Ryan and The Terminal, but from now on-wards I shall know him first for this movie than any other. Yes, there are many other movies of class, but this is the one for now, to be discussed a lot and to be thought about a lot along with all that admiration which it gained with the claps in the theatre, even as it was not that loud as what Rush has managed even with a lesser audience. Tom Hanks is Richard Phillips, a man in charge of a ship and the captain who is taken as a hostage in a lifeboat, beaten up and almost killed by the pirates. There is no doubt left in the mind of the viewers about that. He lives through that experience rather than act with the tide. The portrayal of the leading character is worth the applause as he is a common man, an average person who does nothing heroic to be exact, just what is necessary and what was indeed the right thing. He doesn’t create a spectacle, but lives through that perfectly.

Even as we would never come to know the exact events of the Maersk Alabama hijacking and the Richard Phillips hostage crisis of 2009, the film’s version shall stand as the version that we know. It might not be perfect or close enough that perfection which one can imagine while watching such a movie inspired by true events. The movie has to be applauded for how much it has kept close to a realistic depiction of a ship hijacking and a hostage crisis though, without any exaggeration or stuff for the fans. In spite of the same, the movie is still thrilling, something I had my doubts about. The movie does have the moments of slowing down and repetitions, which can’t be denied, but those moments are very less. The climax scene is really good, and Tom Hanks as well as the actors who played the pirates go through that tense situation very well. The movie does put a strong value on the lives of one human, and places it as the central point. One would be left to wonder how many governments of the world would value the lives of their citizens this much. By the end, the humanity shall turn out victorious as most us already know from what we read from the internet.

Taking the action back from the thrilling climax, I would say that the moments in the ship was the best. What came between the time from the arrival of the SEALs and the negotiation with the pirate leader was a bit of slow and slightly dragging – still not something worth putting the blame on. Here we also have the realistic depiction of piracy, and it is a good reminder to those pirate loving fans of Pirates of the Carribean fans. There is no Captain Jack Sparrow when talking about it, and its time one stops heavily romanticizing vampires, werewolves and pirates just because some books or movies had such depictions. But the movie doesn’t fail to bring out how much of a situation the pirates are caught within, between their bosses and the risk of being murdered or caught by the armed forces. Piracy might remain a cause of concern for a long time, and this movie takes a realistic look into it, asserting the need to get rid of it. One last word would be about Barkhad Abdi who played the pirate leader Abduwali Muse – a great effort indeed; smart, intense and still funny at times; saying that he loves America and wants to live there for the rest of his life. This one is surely a strong contender for some Academy awards next year – along with Gravity and Rush.

Release date: 11th October 2013
Running time: 134 minutes
Directed by: Paul Greengrass
Starring: Tom Hanks, Catherine Keener, Barkhad Abdi, Barkhad Abdirahman, Faysal Ahmed, Mahat M. Ali, Michael Chernus, David Warshofsky, Corey Johnson, Chris Mulkey, Yul Vazquez, Max Martini, Omar Berdouni, Mohamed Ali, Issak Farah Samatar

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@ Cemetery Watch
✠The Vampire Bat.

Rush

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✠ I have never been a fan of Formula One Racing, and my expectation about this movie has been very low due to the area on which this movie works, but this actually turned out to be a pleasant surprise. There are only a few sports movies which have caught my attention including Goal, Bend it Like Beckam and Dhan Dhana Dhan Goal – all three dealing with the same soccer game, and therefore I have a little bit of aversion towards sports drama movies despite of liking a good number of biographical movies. Now the question would remain – how come Rush turned out to be so different that I decided to watch the same? What is in the movie which features a s sport which I am hundred percent not interested in, and what was there before I watched it? It was one of my friends who made that decision for me, even as I was thinking about Captain Philips which was newer with better critical ratings and adjustable show timing – but we decided to choose this one, and that turned out to be a very good decision in the end, a happy finish indeed.

Count Dracula: Here you are again. I think that your review of Dark Shadows has been pending for long. Do you have it with you? But from the way you have driven all the way here, it seems that you have something about racing with you. I thought you were a slow driver, and I rarely see you go above fifty five kilometres per hours – don’t you usually stay below fifty?

Vampire Bat: I can see that you feel the need for some good vampires like Barnabas Collins and Victoria Winters. But that would take some waiting, and I am hoping to write about it in November if possible, otherwise in December. And you guessed it right. The whole thing is all about racing, and it is the movie Rush, which took me almost a month to watch after I came to knew how good it is, and thanks to the new multiplexes it still had just one show remaining in all the multiplexes and local theatres together and I successfully pounced on the same.

Count Dracula: Do you mean to see that you watched a Formula One movie and understood something? Is it based on real life characters? How much exaggeration is put into it so that they could blur the reality?

Vampire Bat: Lets leave that exaggeration to Bollywood nonsense like Chak De! India. Rush scores a million times better than any of the pseudo-sports movies of Bollywood. If you haven’t seen this movie, you are missing something of the real sports drama, of fine quality. I might never rate any sports movies this high, ever. It takes us to the 1976 Formula One season with all the emphasis on the rivalry between the two drivers, McLaren’s James Hunt and Ferrari’s Niki Lauda which begins with a smaller race in the 1970s and going on to the 1976 season with incredible power.

Count Dracula: What do you know about Formula One and a race which actually happened before you were born? Even after you were born, when was the first time you really knew something about a car? When was the first time you really liked a sport, especially something other than cricket and may be football and wrestling in the form of that British Bull Dog – Undertaker starring entertainment?

Vampire Bat: I have known not much expect for a few names like Lewis Hamilton, Michael Schumacher, Kimi Raikkonen, Fernando Alonso and Sebastian Vettel. I had one of my friends with me who explained a lot, and the rest I had read a lot before going for the movie. I have no real job these days and I can afford to read a lot, including a lot of blogs and a lot of information on sports, this time including Formula One racing which never really interested me even as a computer game, but this movie did.

Count Dracula: How did you enjoy the movie then? Didn’t you feel like a vampire out of his coffin or like a Count out of his castle? What you read is not what you like, and for someone who hasn’t watched even one motor sport fully, how will that turn out? Don’t put me into the equation though, as I am against all these things which pollute environment. The humans have their superstition called science, and I have my own supernatural abilities, and they don’t run on some non-renewable resource which you waste with such things instead of reserving them for daily travel only.

Vampire Bat: Yes, I have always thought that they should rather decrease the price of petrol and diesel rather than wasting all these fuel contributing to the rise in fuel prices which steals the life out of the common man and throws a lot into the pockets of the rich. It is surely one of those sports of the rich and for the rich; more against the whole concept of equality and socialism becoming the rich man’s game, even more than Golf. You already know that I am personally against speed, as I do not like this concept of driving fast and racing which negatively inspires the brainless new generation to drive too fast and cause all those accidents along with burning all the fuel.

Count Dracula: You get the point for sure, but most of these people won’t. Isn’t it dangerous enough too? I heard about that ten seconds advertisement which comes before the movies, telling people about driving. I would say that this driving fast is more of the troublemaker than anything else. I would say that you must drive slowly rather than get inspired by all these racing stuff.

Vampire Bat: It is one of such danger that the movie itself talks about. There are these two people, both looking for the big prize, and one of them is the hedonist and the other the perfectionist, and as the former takes the big risk and races against the worst conditions, the latter realizes that winning isn’t everything after having a big accident and makes a quick comeback even in the immense pain and suffering, a moment when he takes the big decision to choose life over danger, that decision which might have made him comeback next year with a big championship win while the former never won again and finally retired too soon. It is the victory of the man who wanted to win it once and prove his worth, while it is also the victory of the man who could know his passion and his life rather than just winning.

Count Dracula: That sounds like powerful stuff. I never really believed in winning myself – there has never been any point. It should be really worthless for mortals; at least I can keep it with me forever – what would these people do with all these?

Vampire Bat: To die and be dust, but to live in fame, that is for sure. James Hunt and Niki Lauda have been incredibly well portrayed by Chris Hemsworth and Daniel Brühl respectively. I especially loved the latter, both the character and the portrayal, as it is that character who has left his whole for the racing and even in all the pain and suffering, he came back to race with his burns and bruises, and makes one wonder if the former would have won any championship if the latter was active throughout – a lot of respect for the latter and the way in which he is shown – we fall in love with the characters rather than the Formula One Racing; there lies the irony in it. I won’t like the game, and I shall never even have a look into it. But I admire Niki Lauda for what he has done despite what he has gone through, and for James Hunt, it is a wonderful portrayal by Chris Hemsworth, but not a character of my preference. Still, we like them both and the actors who do the job well.

Count Dracula: Too much for me, thats for sure. I would rather watch some horse racing or bullock-cart racing without bring cruel to any vampire horse or vampire bull. But, let me tell you that I feel the need to watch the movie even as I might never get to do the same. Thank you for bringing this to me, and I shall think about going on a race with the wind the next time I go out. Did you like the racing sequences, by the way?

Vampire Bat: I didn’t really find any interest i them, and that is negative thing about watching such a movie when not being a fan. I liked almost everything outside the racing though, especially the one when Niki Lauda gets his fans to get him and his future wife a lift after an engine trouble, when he decides to marry her and when James Hunt gives the reporter some beating in support of his rival. Alexandra Maria Lara was also excellent in her role, even as Olivia Wilde had lesser role to play.

Count Dracula: So, this one is a must watch, and another one which adds to your good run along with Gravity and Escape Plan. I shall keep that in mind, just for the sake of it. May be I can also talk about it to some lost human soul who comes this way.

Vampire Bat: Yes, it is worth your time for sure, and all those souls are going to love it. Now, it is the time to go home and have that cup of tea, and therefore until we collide on a hunt again, good bye, Count.

Count Dracula: Good bye, best of my winged brethren; for now. May the shadows be with you.

Vampire Bat (to himself): I am fully in support of this movie mostly due to the great performance of Daniel Brühl, and then due to the good work put into it by Chris Hemsworth whom we know more as Thor who beats up people with a hammer and complete with all the supernatural traits. Here, we have that true sports drama which wins both the hearts and the brains with its depiction of a sports rivalry which scores with its realistic depiction and the closeness to the facts. I wish this was a sport which I followed, or rather liked a bit; but that is not the case, but there are not many other movies which shall overtake this movie, and I am more than just confident about that.

Rush might be thought as a movie just for the Formula One fans, but I would not feel so. It may be heaven for them, but it is still the next best thing for the rest. The movie is not just about racing, and those are the moments in the race track which I don’t really like – the other things include achieving your goal as if it is the only thing you need to do in your life, like James Hunt or living for something which is not really a goal but an everlasting passion in which winning isn’t everything, a lesson taught by Niki Lauda. There are always two sides to everything, to live for the moment or to live in the moments – when winning once is all that one tries for, or be ready to give up with the realization that winning is not everything, as there is always another way as life and your loved ones are more important. But there is no judgement or the perfect good or bad. Even as Chris Hemsworth is there in more posters and it is his character that wins, the applause is a lot more and much deservingly for Daniel Brühl and Niki Lauda, even as the portrayal is more honest and not exaggerated in any manner.

Release date: 20th September 2013
Running time: 122 minutes
Directed by: Ron Howard
Starring: Chris Hemsworth, Daniel Brühl, Olivia Wilde, Alexandra Maria Lara, Pierfrancesco Favino, David Calder as Louis Stanley, Natalie Dormer, Stephen Mangan, Christian McKay, Alistair Petrie, Julian Rhind-Tutt, Colin Stinton, Jamie de Courcey, Augusto Dallara, Ilario Calvo, Sean Edwards, Martin J Smith, Rob Austin, Tom Wlaschiha

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@ Cemetery Watch
✠The Vampire Bat.

Escape Plan

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There are only a few occasions which none of the action movie fans would wish to miss, and one of them is when Sylvester Stallone and Arnold Schwarzenegger come together in a movie, not as part of an over-packed action movie like The Expendables, but in a flick which is carried on the shoulders by these two actors together. Now that the Rocky and Demolition Man meets The Terminator and Predator again, there is that expectation which brings so many people into the theatres even in the presence of such a visual magnificence like Gravity which hasn’t yet managed to disappear even a little. This is more or less like Freddy vs Jason in disguise, as Terminator with Rambo rather than against; it is that nostalgia which this movie brings to the viewers, even as these two actors might be judged too old by a few people we are familiar with. Yes, Escape Plan is not The Expendables, that is for sure; and it is that one thing which makes this better, even as a few of the action movie fans won’t like this one that much for the same reason.

Ray Breslin (Sylvester Stallone) is a former lawyer who owns a security firm which tests maximum security prisons for their quality and reliability and is helped by Abigail Ross (Amy Ryan) and Hush (Curtis “50 Cent” Jackson). He spends his life getting himself into prisons and escaping from them, mentioning that his total escape count is fourteen. He is shown to observe the routine and habits of prison guards, create distractions, and also get help from the outside to get himself out of captivity. One day, they are offered a big deal by CIA agent Jessica Miller (Caitriona Balfe) to test a top secret prison used to keep the worst of all criminals of the world. Breslin is reluctant at first, but agrees to the deal and gets himself captured in New Orleans under the name of a terrorist named Portos, but as his tracking micro chip is removed and he is drugged before he is taken into a prison in an unknown location, the plans go out of range and the objective seems nearly impossible.

Breslin wakes up in one of the many glass cells where the prisoners were kept, with no sight of the outside world to know the location. Their world is limited to what can be seen in that area. They even have bar codes attached to their clothes to automatically make sure about their presence at the places where they are supposed to be during the time. There are masked guards all around making sure that nobody gets to know who is working on which day, and to add to that, they rarely talks or shows any remarkable characteristic for them to be remembered. After befriending another inmate Emil Rottmayer (Arnold Schwarzenegger), he tries getting into two fights with him, the second involving another prisoner, and the latter attempt, he gets out of his cell and reaches the outside, but finds out that he can’t just run away from the prison, and it is not that simple. So they team up with another inmate Javed (Faran Tahir), and under constant guard and strict watch, the question remains if they can make it out of there.

[Spoiler alert for this paragraph] The best moments of the movie include when Breslin makes out of the prison and finds out that he is standing on an oil tanker, in the middle of nowhere, and is forced to go back to his cell the same way he came out. The moment when Rottmayer’s real identity is revealed, is another good twist. One of the other moments have to include that moment when Breslin wakes up to find the kind of twisted maze that the prison is. The escape sequence and the shooting on the deck shows that Arnold Schwarzenegger still manages to make a powerful impact with whatever action sequence he is performing. Now that was the moment which received the most claps in the theatre, and I won’t wonder why it was that sequence which managed them. Well, both of them have a lot of life in them, and even as Stallone is undoubtedly the hero, there is no credit taken away from Schwarzenegger, as right from the moment he lands in prison, the team work begins, and they share the action.

Sylvester Stallone keeps coming back again and again with his days of glory, and here he is as good as he has been. There is nothing lost from his performance, even at this age. But the man who stole the applause was once again Arnold Schwarzenegger, who has been loved so much in this part of the world even by those generations who had known only a little about him, thanks to The Terminator, Predator, Commando, Conan the Barbarian, Total Recall, Collateral Damage, The 6th Day, The Running Man, End of Days, Conan the Destroyer, True Lies, Eraser and so many others which still bring a case of nostalgia to the minds of a few, and for others too, they are gems. I can’t really say that Rocky and Rambo had that much of an effect at this part of the world, and Demolition Man as well as Judge Dredd came to the picture pretty late, along with The Specialist. Even as I have admired Arnold Schwarzenegger throughout most of my life, I have to admit that Sylvester Stallone is slowly taking over that admiration with the way in which he has been handling his performance.

Yes, the claps for Schwarzenegger was much awaited, and Stallone deserves his own, even as there was nothing much there from the audience, which might have been surprising for a few. He was incredibly solid throughout the movie, and the way in which he depicted Breslin was more than just good. We remember the former’s earlier comeback as the lone hero in The Last Stand, and people had loved that. Here we see both in the way we always liked them, as action stars, supposed to be old, but still punching much younger people on the nose and shooting them right on the forehead. We might not have dreamed about such moments in the 1990s, but here is the treat for you, as they does what they always did the best. Here are two actors, belonging to the same genre, having acted in somewhat similar kind of movies, with names quite difficult to pronounce for an average man or woman from this part of the world. Well, you can think about many people when they talk about action, including Brad Pitt, Tom Cruise and Will Smith, but these two are still our best.

So as Sylvester Stallone would say in Judge Dredd, what would the judgement be? Well, it is already almost houseful at this part of the world, and shall run for another week or two for sure, with Insidious: Chapter 2 ready for its release here. This should make way only for Thor: The Dark World only, and none of the regional releases nor the big national releases should threaten its position. With its impressive trailer and the posters, along with the two men who make this movie of clever, but slightly ineffective plot, creates a lot for the audience who should feel that these two are enough to go for this movie. There is no bigger name than Arnold Schwarzenegger here, even after so many years; and after watching this movie, Sylvester Stallone shall be my favourite actor of that age group – and I shall never miss any of his movies, as I expect entertainment to be guaranteed without the lack of too much logic and without the presence of much nonsense. Well done, dear veterans; you haven’t let us down.

Release date: 18th October 2013
Running time: 115 minutes
Directed by: Mikael Håfström
Starring: Sylvester Stallone, Arnold Schwarzenegger, Jim Caviezel, Amy Ryan, Sam Neill, Curtis Jackson, Vinnie Jones, Vincent D’Onofrio, Faran Tahir, Caitriona Balfe, Matt Gerald

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@ Cemetery Watch
✠The Vampire Bat.

Gravity

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I have to agree that the wait for gravity has been much long, as the trailer came to the theatres quite early, with not much information available about it. No, it was not one of those movies which I was waiting for, but it became a movie worth waiting for, after having its own transformation from nothing to everything with those highly positive reviews and good word of mouth, and remained in the support of nearly 97% positive reviews in Rotten Tomatoes and 8.9 in IMDb, something which had to result in a rise in the number of viewers in the theatres, and because of that, we had to book our tickets online, not really something we had to do this year in spite of the fact that Iron Man 3 made us do the same, even as Man of Steel had threatened to do the same again and The Wolverine had succeeded in it. Yes, Gravity was to be watched at any cost, and we decided to waste no time, as we approached it the very next day after it was released here to positive reviews.

It has to be noted that the story for this movie is quite simple and lasts no more than one and half hours. We are introduced to Dr. Ryan Stone (Sandra Bullock) on her first space mission, and the veteran space traveller Matt Kowalski (George Clooney) who have almost finished their job when the space waste from a destroyed Russian satellite hits them and everyone except the two are dead. Matt saves Ryan from being lost in the space forever with low level of oxygen, but cuts himself off from her when he feels that it will endanger them both. After getting into the semi-destroyed International space station from their damaged shuttle, she has to use one of the damaged modules to somehow get to a chinese space station, from where she can go back home in their modules. As someone new to the whole thing, and with no communcations to advice her, she has to use more than what she knows to survive and make it back to Earth. It is not the most interesting plots around, but you have to love it for what is shown on the screen.

In the world of extreme science fiction, all these would seem too simple, but not for the realistic environment that the director has attempted to create right here. In an extended world of reality, there would be questions about reality, and one might wonder if this is also real enough. None of us did go to space already, and so this is no lesser unreality than most of the other things which are exaggerated, but the helplessness of the man and the lack of the scientific “supernatural” keeps this close enough to be defined real, even as I consider this to be that much of a work of imagination as any fantasy movie around there, and the chance of all these happening is as much as that of a Hobbit helping a group of Dwarves and a wizard against a dragon, or a young wizard with a scar going to a school hidden from reality. The one thing that denies sorcery here is that there are no superhumans here, and there is no deus ex machina. There is certain amount of role that fate has to play, but more of the job is done by the humans themselves.

There are only two actors in the movie, who are alive and shows their living faces. There are other astronauts for sure along with the voices, and there are dead bodies, and we see one of them floating around in space with almost a transparent face and a few others inside the space-shuttle, providing some moments of small shocks which work quite fine. Sandra Bullock is there or almost the whole time, and she comes up with what might be her best performances so far. She makes this survival movie her own, right from the beginning to the end. The fact that her character is too simple and ordinary, and none of her decisions come from the text books, make this one a dynamic character of infinite proportions in the infinite space of nothingness. George Clooney’s presence is small compared to our protagonist, but when he is there, one can think about, and can feel the awesomeness. The one memorable thing about this character is that there is the knowledge about when to let go and how to make not only his fellow characters in the screen, but also those outside the screen comfortable enough.

The life in infinite space has immense possibilities, and the survival in such a world with nothing to hold onto and and no hope to call or inform anyone for help is more than just another usual distress situation. Open Water and Open Water 2: Adrift made such worlds possible with their protagonists left hopeless in the middle of the ocean, but Gravity takes further steps into such helplessness when there is not even water, earth or any living creature nearby, and there is not even that distant hope of someone coming to help or trying to swim in order to reach somewhere. So, here comes the use of 3D. The Hindi movie Warning which was inspired from Open Water 2: Adrift tried some luck with it, but as we have seen before, it is rarely used effectively. But Gravity scores there with its spectacular use of 3D and all the resources which are available. It creates that connection with the audience with its 3D and visual effects, and it is that beauty on the screen and the technology that makes this one close enough to a beautiful thriller.

It is an experience worthy of being watched on the big screen. It is indeed one of the best visually stunning 3D experiences ever. The first person shots and the detail of the world requires special mention, as it takes the viewers closer to that experience of space, its beauty and its terrors. The magic of cinema in the theatre begins here, again with this “cine-magic”, or rather it started with the trailer of The Hobbit: Desolation of the Smaug. In spite o all these, Gravity will struggle to impress most of the viewers if watched on television or DVD, and that is a sure thing. If I had waited and watched this on another smaller medium, I might have just given this something around sixty five to sixty nine out of one hundred. There is that need to watch this with all its powers, and a smaller screen and the lack of 3D can only create that situation of being handicapped, and I would wonder why anyone would wish to watch a movie that is restricted to being half the flick that it is, when all its power lies in something and is stripped of the same.

There are still more that the viewers can ask for. On the local level, it is the presence of more shows, as it was there in just two multiplexes here; not something expected for such a movie; may be they scrapped it for movies which had stars who were more famous in this part of the world. On a more global needed, there was the need for more of George Clooney, a little bigger plot and thus a longer movie. But those are more of desires rather than needs. Gravity is pretty much exceptional in what it has achieved, even if it has done so not in a way that most of the viewers might have wanted it to. The movie itself works on the lack of gravity than gravity itself, just like it denies itself the opportunity to be just another exaggerated science fiction or a violent thriller. It defies all conventions and keeps faith on technology and the magic that is cinema, and thus honours all its viewers as well as its predecessors. There is the need for movies like Gravity, as without it, we might fail to understand the power of a medium such as cinema.

Release date: 11th October 2013 (India); 4th October 2013 (US)
Running time: 90 minutes
Directed by: Alfonso Cuarón
Starring: Sandra Bullock, George Clooney (+emptiness, darkness, void and corpses)

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@ Cemetery Watch
✠The Vampire Bat.

Runner Runner

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✠ This was a week blessed by no releases which came out with a good critical reception, and the after-effects of that movie Besharam was haunting me. It re-iterated the need for a good movie, and I had high expectations about this flick, but those waxen wings were burnt yet again, and therefore it is necessary that Count Dracula take over half of those expectations. This has been a bad beginning to a month which starts with Mahatma Gandhi’s birthday right on the second day, and considering the fact that I had to watch Besharam on that day was sad, and as I add this movie’s score to, the total should be 57/200 which is undoubtedly the worst beginning I ever had to a month this year. With that sadness concerning a month which might not rise in quality much if an average is taken, I have to take you back to the legendary vampire.

Count Dracula: So you are back. You had Jumper, Sinister, Offender, Parker, Looper and now Runner; that too twice. The names of the movies are indeed strange. Among those movies ending with -er I would have preferred those less complicated ones like Hellraiser, Dreamcatcher, Outlander and the inverted version ending with -re, possibly with the word “vampire”.

Vampire Bat: I can see that the absence of Twilight movies are bringing you back into this world. Yes, the title is Runner Runner, and it is good that they had chosen such a title, as the movie drags a lot in between and it is a good thing that people get to know that it is running.

Count Dracula: Do you mean to see that a movie which was so much awaited, a flick which has Ben Affleck, Justin Timberlake and Gemma Arterton is quite bad and doesn’t deserve to be watched?

Vampire Bat: That would be pure nonsense. I am surely recommending this one, even as not that much as most of those other movies of the earlier weeks; and this movie might be the winner of this week which was plagued by Besharam and is not supported by any superstar movies from Malayalam industry. Runner Runner might not win by a big margin considering the number of people who were present in the theatre even during the best time of a semi-holiday, but if there is a movie which needs some appreciation among those released this week, it is this movie. The critics might have panned it a little too much in my opinion, for this is no Ghost Rider 2: Spirit of Vengeance.

Count Dracula: Why did you have to remind me of that movie? Wasn’t the reminder about Twilight and Besharam enough for the day. You always ruin my day like those wood elves. I need to eat a hobbit, but that would take some time too.

Vampire Bat: That should be mainly because I am not here to make you listen to what you want to hear. But let me tell you that this movie scores with its cast. Its greatest advantage remains Justin Timberlake. He was good in Bad Teacher, and I loved his performances in Friends With Benefits and In Time. Here also, he is really good, but his character is let down by the story which goes on through the predictable lines and even as they seem to promise for some surprises at times, there is nothing risky in a gambling movie, and when they don’t dare to do that in a movie which is all about taking risk and gambling, that is a real shame.

Count Dracula: It doesn’t make any sense that you have not started talking about Gemma Arterton. What about her? Her presence in Byzantium makes me wish to go back to the civilized world again. I had heard that they didn’t release that movie in your land. They should be really evil, as it is one of the best things which has happened to the vampire world since my last bloodbath.

Vampire Bat: Yes, she has been an unavoidable force for me from the days of Clash of the Titans, Prince of Persia: The Sands of Time and finally Hansel and Gretel: Witch Hunters this year. But I didn’t like her that much in this movie as I expected. She was pretty and did all that she was supposed to do, but one has to wonder what purpose has her character really served in the movie by coming out of nowhere at regular intervals. Yes, she makes me ask for sequels to both Prince of Persia and Hansel and Gretel, but not for this one.

Count Dracula: You don’t need to say that Ben Affleck was good, as I have known that already. I am not predicting what you saw in the theatre, or what was to happen, but I am pretty much confident about that. I am not sceptical about his upcoming role as Batman in the sequel to Man of Steel either, as most of the people are. He has been Daredevil and he can be Batman. Matt Murdock can be Bruce Wayne, and not every Batman needs to be the same.

Vampire Bat: You are very good at taking words out of the mouth of others, and this is no exception. Yes, the three people forms the pillars of the movie, and the two male characters run the show. Gemma’s character could have had a lot more to do, but I guess we can’t have a Gretel or Tamina every time. Still, there is no denying that the scope for such a character in a movie like this is almost limitless.

Count Dracula: I am not a gambler, my friend. Neither am I a gangster. So, my interest in such a movie is limited. I am rather a vampire who often forgets to brush my teeth and visit a dentist. How did the gambling side work out with you? And does it have enough blood?

Vampire Bat: No, it is far behind in action, and therefore also the blood. Its adult certificate is for the sexual content which is censored at this part of the world, and the near absence of clothes is more of fashion, and I didn’t see those people who came to watch the movie with families leaving, and therefore the lingerie stuff should be okay with them. I would wonder if the gambling side worked at most of the theatres in this part of the world though, as most of us are not aware of the thing properly. But did Justin Timberlake’s character narrate between action to make it known better? I don’t think so.

Count Dracula: So tell me how does it end? Don’t throw the spoiler at me, but still let me know about it. I shall buy only the DVD of that movie, and I have to know the whole thing a little better.

Vampire Bat: Well, it is about a student who loses all his money to an online gambling game, and after coming to know that he was cheated, goes to Costa Rica to find the owner of the site and confront him only to taken to his side. He is romantically linked to the former lady love of the man and is bothered by the FBI to assist them in finding proof for taking the lord of gambling into custody. There are enough suspicions and double-crossing stuff to deal with, and the climax is pretty good.

Count Dracula: So, Runner Runner is worth a watch, and I surely have to get that DVD. I shall look for it the next time I go to the goblin market. If I can’t find it there, it shall be upon you to get that to me.

Vampire Bat: I shall still recommend this one if you are going for a movie this weekend. Now, it is the time to go home and have that cup of tea, and therefore until we collide on a hunt again, good bye, Count.

Count Dracula: Good bye, best of my winged brethren; for now. May the shadows be with you.

Vampire Bat (to himself): I am fully in support of this movie in the form of a DVD, as an uncut version, and if you also live in such a part of the world where the options are the same as mine, go for this movie in the theatre. The beauty of Costa Rica and the three leading actors might be enough to make your day as this is a shameless week for us as far as movies are considered.

✠ For a Malayalam movie fan, this flick brings back the memories of Jose Praksh’s “muthala kunjungal”, for our dear antagonist has crocodiles as pets and feeds them very well, and there is a scene involving him almost feeding his opponents to the creatures in water. Well, this movie doesn’t go to crocodiles of Lake Placid, nor does it goes to the dinosaur of Jurassic Park. With a better plot and a better characterization of Gemma’s character, the three could have done wonders here. Do keep the ears ready for some good lines in the movie, and be prepared for half a fun ride which might be enough for some and not at all working for others. The movie is that much of a gamble that you have to take as it happens inside, and there is a big chance that this will come up okay, and a slight chance that this won’t work at all – there is much lesser chance of this impressing you to the core. Next time, I hope that when they make a thriller, there would me more risks taken and big twists explored, rather than going in a straight path as if it is a drama movie. It is a short movie, both in content and in running time, and may be it is for the good.

Release date: 4th October 2013
Running time: 87 minutes
Directed by: Brad Furman
Starring: Justin Timberlake, Ben Affleck, Gemma Arterton, Anthony Mackie, David Costabile, Sam Palladio, Oliver Cooper, Ben Schwartz

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@ Cemetery Watch
✠The Vampire Bat.

The Hobbit

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✠ This shall be the second review that features the major excerpts from the fictional interview with Count Dracula by the Vampire Bat during the last unreal full moon night. Any relation to any person living, dead, undead, going to die, half-dead, partially alive or those is not intentional, and if you are looking for an original review of serious nature, do not read. To add to it, I once again add that no vampires, werewolves, zombies, demons, monsters or aliens (both Avatar blue and general green) were harmed while this interview was going on. These are one of those movies about which Count Dracula should surely have a say considering its nature. The format of my earlier review of Hotel Transylvania (https://moviesofthesoul.wordpress.com/2013/06/12/hotel-transylvania/) is to be used here, but as the world has changed, both the Vampire Bat, Count Dracula and the nature of the dialogues between them are prone to undergo some changes. They are still brethren, and of the same race which have blood shake quite often.

Count Dracula: Welcome, brother bat. Its been a long time. I am still suffering from the effects of Twin-date, New Moan, Ellipsis and Breaking Teeth with a constant fear of a Midnight Bun which might release some day. Every time I think about those books and movies, I feel so weakened and depressed that I want to go and watch that recently released Bollywood movie Besharam and throw myself from the top of a cliff. It is a sad thing that I can fly and I might never reach the ground, otherwise it would have been an awesome idea.

Vampire Bat: I can see that you have gotten better as the Twilight movie series has ended. Your kind do have a small role to play in Mortal Instruments: City of Bones, and it is a pathetic depiction for sure, but as the story itself is so bad, and there are too many creatures taken right out of nonsense, you might not be affected by that.

Count Dracula: Don’t talk about that, for it burns so much – just the name of that series itself. I was in good terms with the Shadow Demons until this series of novels came into existence. Now they won’t talk to me because orcs and goblins are laughing at them after watching the movie and reading the novels, and the demonic version is that it is my dirty plot against them to create a future unholy alliance with humanity.

Vampire Bat: I had to watch that movie City of Bones. Most of the people in the theatre wanted to get out and run for their lives, but just because the AC was good and most of them had already ordered food, they stayed. The others just wanted to make efficient use of their tickets and the rest just wanted to see the lovely Lily Collins. Did you just talk about orcs and goblins? That reminds me of something; even as this was actually supposed to be a secret talk about the Mortal Instruments: City of Bones which was not to come to light, why can’t this be a discussion about The Hobbit: An Unexpected Journey, one of the best movies of the year 2012, even as I know that you find The Cabin in the Woods as the best of them all? Then, I can also publish this review rather than just keep it for further reference.

Count Dracula: I know why you are changing the topic. With The Hobbit: The Desolation of Smaug right around the corner, you wish to write about this movie so that you can remember that movie which you watched last year, and be prepared for this upcoming sequel. You can also make sure that you have written about the first movie before getting into this sequel, the same reason why you wrote about The Hunger Games earlier. I am such a bloody genius with awesome fangs, right?

Vampire Bat: That should be partially right. I watched The Hobbit just a few days ago in Sony Pix, as I missed it in the theatres due to reasons that I can’t remember. I had to miss a few parts of the movie due to frequent power cuts and some disturbing phone calls, and therefore I would like your help to fill the empty spaces; even if you use some random thing there, that should be okay.

Count Dracula: It doesn’t make any sense that you are asking me about this movie, as I am repelled by the existence of orcs, dwarves, hobbits (halflings), goblins, elves and dragons. But I have to tell you something, this is surely one of my favourite movies of the year too, and therefore you can add it to the list of Dracs Certified, or Certified by Dracula list. That shall give no credit to any non-vampire mythical creature though.

Vampire Bat: Talking about the non-mythical involvement, I was interested about the involvement of Guillermo del Toro, even as he didn’t direct the movie as planned. It was still great the same person who directed The Lord of the Rings trilogy had come back. But the fact remains that I can’t remember much about that series, as I watched it so long ago, at a time when I was less interested in English movies and I cared not much. But as I recollect them in parts and after I watched the second part of The Hobbit, I shall go and watch that much critically acclaimed and financial successful trilogy again.

Count Dracula: You have to watch them, for sure. I have always loved the types of mythical creatures in the series, and I know you can connect them with Age of Wonders, especially with the availables races in that game which includes Halflings (Hobbits) Orcs, Goblins, Elves, Humans, Dwarves and a lot more along with those dragon units and magical creatures. I would have loved to play that game, but I have no computer with me right now. I used to have a magical device which supports more realistic games which includes vampires drinking the blood of evil humans, but I am a little low in magic right now, and has to replenish it during the next time the Dark Elf merchants pass through this way.

Vampire Bat: The creatures are the major reason why I love the series, and The Hobbit is no different. It has our own gollum along with the goblins, orcs, dwarves, elves and of course the humans and our great little hobbit. I was actually quite suprised about Bilbo Baggins going on a dangerous journey with the great wizard Gandalf and thirteen dwarves, led by their king Thorin Oakenshield to reclaim the lost dwarf kingdom of Erebor, and its riches from a fire-breathing dragon. Actually it is a pleasant surprise, as the underdog gets another chance, and this time with the little fighters who are almost same as his size, but different in attitude and bravery plus ability to combat.

Count Dracula: I like that hobbit, much more than I like the guy in The Lord of the Rings. I got a feeling that I am going to love Smaug the dragon too, when the sequel comes. The orcs and goblins are pretty awesome too. It is just sad that so many of them got killed. I remember going to a goblin market to buy some mechanical devices and to the orc armouries to buy some defence for my castle. I liked their depiction though, and their nature is also rightly shown, in my opinion.

Vampire Bat: I would agree to what you said last. But I have to say that the major reason I like this one is because the whole thing is so clear. There are no ambiguities in the story or in the screen. The visuals are so beautiful and crystal clear. I can’t remember seeing such a visually magnificent movie for such a long time. I am quite sad that I missed it on the big screen. It was surely a great honour for my television, as the whole thing looked so good on it, not a usual thing for my normal LED TV and the local cable tv network. Glory be to its visual effects, make-up and the twin feelings of light and dark which the movie managed to portray.

Count Dracula: I am more in support of its darker side, as I feel that the lighter side was meant to keep the dark world within control, as they always do. It is the same thing that they try in my case too, for most of these human audience are not prepared to face all these darkness at once, especially the kind of people whom they target with this type of movies. So, such combination was a must, and they have done well in combining both.

Vampire Bat: We can do nothing other than admire J.R.R. Tolkien for what he has provided us with, unlike what kind of teenage nonsense which has taken over the literature and movie world these days. May be I should write some fiction myself; well I do write something, and it is still fair nonsense. I love this world which the man has created. There is so much in it, not only to see for its visual beauty, but also a lot to think about. We are all hobbits or halflings in this world run by the so called influential people of the higher race, I guess. Therefore, we are all both Frodo and Bilbo in one.

Count Dracula: Except for me, as I am rather that orc person living in an elvish world with my inherent undead qualities, and thus rather a kind of Undead Dark Elf rather than a Wood Elf or a High Elf. But as we consider The Hobbit, I suggest you heavily recommend it.

Vampire Bat: I shall do the same and have to watch it many more times in my immortal hours, Count. Now, it is the time to go home and have that cup of tea, and therefore until we collide on a hunt again, good bye, Count.

Count Dracula: Good bye, best of my winged brethren; for now.

Vampire Bat (to himself): It might have been sad for such a legendary Gothic horror character to live through something like Twilight, but The Hobbit is one of those movies which can cheer him up. He has that opportunity to remember those beautiful days of magic and sorcery and the telepathic connections to the mythical world before science took over and branded all of them as vague imaginations, thus ending the connection. The Hobbit is for all vampires and good humans, that is for sure.

✠ There a few things which are to be kept in mind while going for this movie. It has great visual imagery, and the way in which each person of different races is detailed needs special mention, especially the dwarves. As the beauty of worlds are considered, the elf world stays incredibly beautiful. The collision of the worlds of light and darkness, and the assertion of faith exists with strength in this movie. It can also be considered a fable for the modern world and its life, as a group goes to claim glory, or rather try to get back their nostalgia, whichever is more applicable. So do they go and steal the gold or do they claim what is rightfully theres? Such remains the moral questions of the movie. Yes, I am looking forward to the sequels, The Desolation of Smaug (2013) and There and Back Again (2014). There would still be the question if these movies can stand the horrible weight of expectations, or will those strengthen the movie to such a huge extent that there is awesomeness. I do wish that Guillermo del Toro comes back for the final movie, even if that would make revolutionary changes in the movie making that last one entirely different from the rest.

Release date: 14th December 2012
Running time: 169 minutes
Directed by: Peter Jackson
Starring: Ian McKellen, Martin Freeman, Richard Armitage, James Nesbitt, Ken Stott, Cate Blanchett, Ian Holm,Christopher Lee, Hugo Weaving, Elijah Wood, Graham McTavish, Manu Bennett, Barry Humphries, Sylvester McCoy, Lee Pace, Benedict Cumberbatch, Andy Serkis

thehobbit copy

@ Cemetery Watch
✠The Vampire Bat.