Author Archives: Tennyson

The Visit

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Vampire Owl :: That reminds me that we haven’t visited Uncle Dracula for a long time.

Vampire Bat :: We are not supposed to do that before submitting a report about The Conjuring 2.

Vampire Owl :: Well, at least we can add new movies to the list of flicks we have watched.

Vampire Bat :: I believe that watching one more horror movie will only do us a lot of good.

Vampire Owl :: Yes, it is a kind of regeneration, I agree.

Vampire Bat :: And this one is from Manoj Night Shyamalan.

Vampire Owl :: Which was the last movie from him that we watched?

Vampire Bat :: That should be After Earth.

Vampire Owl :: Lets forget about the past then.

Vampire Bat :: Yes, I surely have a better feeling about this one.

[Gets three cups of tea with jackfruit chips].

What is it about? :: Two kids, Becca (Olivia DeJonge) and her younger brother Tyler (Ed Oxenbould) decides to go on a five day visit to their grandparents whom they haven’t met before, as their mother Loretta Jamison (Kathryn Hahn) had left the house to live with the man of her dreams, and never talked to them after that. She goes on a cruise with her new boyfriend, as the children leaves to enjoy their holidays with their grandparents. The two kids meet their grandparents (Peter McRobbie and Deanna Dunagan) and they are extremely delighted of this family re-union, calling the two elders, Pop-pop and Nana, and the elders also look very happy to see the children. They even shoot a documentary about their visit to their “reclaimed” grandparents.

So what happens next? :: But things don’t go that smoothly as expected, as there is something really strange about the grandparents. The bed-time is set at half past nine, and whenever they try to go out or even look outside their room, there is something really weird going on with the grandparents, especially their grandmother. Her behaviour only seems to get even more strange as days pass, and their grandfather beats up a random stranger on the streets for no real reason. There is a girl named Stacey (Celia Keenan-Bolger) who had come to visit the couple, but they don’t find her leaving. By hiding a camera, they discover even darker secrets, and they realize that there is something wrong about their grandparents even though their mother doesn’t believe them. They decide to find out what it is.

The defence of The Visit :: The movie has an interesting run throughout, and we are left guessing about what is wrong about these people, and then the twist comes by the end – it works very well. There are some really creepy moments in between, and they actually come out of nowhere, mostly when we are least expecting them. There are also some funny moments in there, and The Visit should qualify as an entertainer in most of the lists due to the same reason. Running for just a little bit more than one and half hours, The Visit makes sure that it keeps us there, very much interested in it. There is not much of blood and gore here, and without using that much of the jump scares, the movie manages to be an interesting horror flick, which means that there is some nice skill going on there.

The claws of flaw :: The movie takes a certain amount of time to get to its thrilling side, and until then, the possibility of terror is not that much ascertained. The found-footage elements were not necessary here either, and we could have actually done without them. It is the kind of thing that I have hated in almost all horror movies, yes even those highly popular ones. The premise could have been better used, as this kind of a story can always bring a high amount of creepiness into play. There are also some silly moments around in this one, and the scary side could have been introduced a lot earlier. One can often compare it to a very strange and gloomy fairy-tale, but it never really gets there in totality – that would have been another interesting thing.

Performers of the soul :: The kids Olivia DeJonge and Ed Oxenbould have done fine job here, even though there is not that much to perform in this horror movie which focuses on the two elders. But the funny side works very well for them. Deanna Dunagan and Peter McRobbie brings the best of a strange couple here, and the former has the best moments in the movie. She has her hide and seek moment, the oven scene, the scene when she is scratching on the walls and those final moments of horror from under the bed which all leave some impact on the viewers varying only in the degree. Above them all, there is one thing that we can be more certain about, and it is that Manoj Night Shyamalan has returned to form, and it will be interesting to see what his next movie is about – 2017 will have the thriller Split with James McAvoy and Anya Taylor-Joy who was earlier seen in The Witch.

How it finishes :: Compared to the rest of the movies of its genre released in the last few years, The Visit surely has managed to come up with a separate identity, even though it doesn’t completely use its premise to the best advantage. The last two movies from Manoj Night Shyamalan including The Last Airbender and After Earth never really got close to keeping me interested. But this one surely brings him back, with certain amount of skill in creating those moments of horror, rather than sticking to the usual formula. My favourites from him will always be The Sixth Sense and Unbreakable, but this one also makes it to the interesting movies list with his name on it. When talking about the movies with story from him, I would go for Devil as my favourite.

Release date: 11th September 2015
Running time: 94 minutes
Directed by: M. Night Shyamalan
Starring: Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn, Benjamin Kanes, Celia Keenan-Bolger, Jon Douglas Rainey, Brian Gildea, Shawn Gonzalez, Richard Barlow, Erica Lynne Marszalek, Shawn Gonzalez, Michael Mariano

thevisit

@ Cemetery Watch
✠ The Vampire Bat.

Te3n

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Vampire Owl :: Remakes and remakes – this trend is going on and on…

Vampire Bat :: This one is an official remake though, with the copyrights for the movie officially purchased from the South Korean thriller Montage, as mentioned.

Vampire Owl :: I would give extra points for that. What I really don’t like are those blind copies without telling anybody else.

Vampire Bat :: Like when you hear that Ek Villain is from I Saw the Devil and Zinda from Oldboy?

Vampire Owl :: Yes, a fair remake is the right remake.

Vampire Bat :: That makes us choose this movie other the others for the weekend.

Vampire Owl :: The fact that we are not watching The Conjuring 2 this weekend will be highly disappointing to Uncle Dracula.

Vampire Bat :: And the fact that we won’t be watching Warcraft can even trigger an Orc invasion on the Vampire Lands.

Vampire Owl :: We need to warn the rest of the team immediately! After watching the movie, of course!

Vampire Bat :: Lets go and check how well the remade thriller stands then!

[Gets the tickets with some cheese popcorn and vegetable puffs].

What is it about? :: John Biswas (Amitabh Bachchan) is an old man who visits the police station almost every day much to the dismay of Sarita Sarkar (Vidya Balan) who tells him that there is no point in doing that for a case which was investigated eight years ago. John is looking to find the kidnapper and murderer of his granddaughter who was abducted by a man who demanded twenty lakhs, but even after the money was delivered, he didn’t get the girl alive. He keeps trying to find the man who is responsible for the same, and keeps searching for clues despite his ill health, making his wheel chair ridden wife Nancy Biswas (Padmavati Rao) a lot worried. Another disheartened person is Inspector Martin Das (Nawazuddin Siddiqui) who joined the seminary and has become a priest, trying to make spiritual amends for his inability to save the kidnapped little girl, Angela.

So what happens next? :: John knows that police will no longer proceed with the same case, and so he asks the help of the new priest, Father Martin Das, but he himself asks John to let go and try to attend the church services some time as one has to accept things as they are, when nothing comes out of the struggle. Martin doesn’t want to be reminded of his guilt of not doing a better job with the case, but things take a twist when another kid is abducted. The way of kidnapping this boy is the same as what happened with Angela, and he is consulted by the police for he was so close in catching the culprit last time. Despite the initial hesitation, he decides to help Sarita with the case. There are no suspects here though, just the hope that the kidnapper can be outsmarted this time, unlike what had happened with the case of Angela. Martin will have his second chance here, but is he good enough for it this time?

The defence of Te3n :: There are a number of movies which Te3n reminds you of, with its style – one of them is the Malayalam movie Memories, and another one is the earlier thriller featuring Amitabh Bachchan – Wazir. There is the deep feeling of sadness prevailing in all these movies, and there is one hurt police officer in each of these. The sadness is the first thing that gets you, with the two main characters hoping against hope, one to find the evil, and the other to keep himself from evil. The emotions are deep, even though not shown on the screen as some terrible Bollywood melodrama; the rest comes later. The intensity goes to a higher level and thrills get stronger, and the suspense is maintained till the end. With some power-packed performances and beautiful visuals, this one touches emotions and also becomes an interesting thriller. When people die, it is the living that suffers the most, and we feel that abiding sadness throughout this movie.

The claws of flaw :: The movie does take some time to get into its thrilling side, and it also doesn’t follow the usual Bollywood style – neither in drama or with its thriller side; it won’t be the movie for the usual masala fans, that is for sure. There is no super-cop here, and we have just the worried people hoping to go through this problem in front of them. The movie could have actually used its central idea with bigger twists, and even though they are there, the big shock isn’t there. Still, there could have been a better flow to the proceedings. The situation demanded things to go straight, rather than depending too much on the flashbacks which arrive at times when they were not required – the time-line of the movie surely could have used some work. A little bit of polishing here and there – maybe that was all that this movie really needed to make it rise a level up, and a certain funny side was there to be taken – but that is left untouched.

Performers of the soul :: Amitabh Bachchan and Nawazuddin Siddiqui completely steals the show there. The former plays a character that reminds us of the one he played in Wazir, helpless against the person who killed his child, but finds a way, and is also friends with a police officer who is also going through a case of depression. With his wife in a wheel chair, riding all around hopelessly on an old scooter that starts at occasions, bothering the cops and doing all his household activities by himself, the legendary actor plays a character whose sadness and never-dying hope is the first thing that we feel, and it will stir our emotions like nothing else. He makes us feel everything; for John Biswas is a simple common man looking for justice with hope. The latter goes through another path of his particular character though, as Martin Das looks to accept things by turning into spirituality. This character is strong in his hands, as he looks well-suited for both sides of Martin. Vidya Balan is left with a lesser role though.

How it finishes :: A comparison with the original can’t be made here, as I am sure that a lot of people haven’t watched the South Korean thriller. But it is surely better than the usual stuff that Bollywood has provided in the name of entertainment, which is why people who don’t feel the need to use the brains here, are to be warned from watching this particular flick. The idea is already proved working with an original work which seems to have had a nice reception. The one doubt that people had to have was about how the adaptation would work in an Indian scenario, and I am pretty sure that this has been remade well enough – I don’t doubt the fact that it could have been even better, still this is what we require, and not that mass masala entertainers. When we watch and support movies like this one, that becomes the inspiration for better thrillers to be made, maybe even original ones!

Release date: 10th June 2016
Running time: 136 minutes
Directed by: Ribhu Dasgupta
Starring: Amitabh Bachchan, Nawazuddin Siddiqui, Vidya Balan, Sabyasachi Chakrabarty, Padmavati Rao

te3n

@ Cemetery Watch
✠ The Vampire Bat.

School Bus

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Vampire Owl :: Do you know that I am completely against the idea of school bus?

Vampire Bat :: Because school bus is more of a capitalist idea meant for the schools of the rich, and the normal way is for the kids to go home by public transport and walk through the rest of the distance?

Vampire Owl :: No, it is because centuries ago, when I was a little toothless kid, buses were not invented.

Vampire Bat :: I thought you were going to refer to the nostalgia of walking through the greenery and throwing stones at the mangoes which are about to fall.

Vampire Owl :: Yes, that is also there, but I am more concerned about what I didn’t have in the past.

Vampire Bat :: Well, this movie has Rosshan Andrrews and Bobby-Sanjay teaming up again after How Old Are You? and Mumbai Police. The latter had their interesting Nirnaayakam getting lost in the Premam effect – it didn’t just hurt Ivide, you know.

Vampire Owl :: That makes this school bus better than the usual ones, I believe.

Vampire Bat :: Yes, and a message is certain from this one from the looks of it.

Vampire Owl :: As the humans rarely make use of the messages from movies except for some show-off, lets make better use of them ourselves.

Vampire Bat :: Lets go for the movie then.

[Gets the tickets with some cheese popcorn].

What is it about? :: Joseph (Jayasurya) and Aparna (Aparna Gopinath) lead a normal family life with their children, even both happen to have their own struggles. They are not that much comfortable with the ego that each of them possesses, and there is very less time for them to spend with their children. While Joseph is rather too strict with the children, while Aparna has even lesser time – both has a lot of time for their work though. There is also a legal battle going on between Joseph and his brother over three cents of land, and that takes away the rest of the time. Due to the same reasons, their kids, Ajoy Joseph (Aakash Muraleedheeran) and Angelina Joseph (Angelina Rosshan) gets no attention except for the wrong reasons. Ajoy only gets into more and more trouble at school, and his class teacher as well as the principal are fed up with his tendency to attract all the problems to himself.

So what happens next? :: One day, Ajoy creates that kind of a problem at the school which might not end at the school. This clearly turns the whole department and the parents of other children against him. With everyone screaming for punishment, he bunks classes, and when that is also found out, runs away from all his troubles. It is the soft-spoken and intelligent police officer, the new entrant into the force, Inspector Gopakumar (Kunchako Boban) who is in charge of finding the missing child, with the assistance of Mohan (Nandu). But the investigation only leads them to a forest – how does everything point to that one place where there is no chance of a child in the city reaching? Can the police officers get Ajoy back home? How will things go as the parents seem to have realized that they haven’t been the father and mother whom they should have been?

The defence of School Bus :: The messages are abundant in this movie, for the parents, married couples, children, teachers and that list goes on, as most people are going to take something or the other from here. I would always choose a movie which leaves on with something to think about, over the rest of the flicks. This is actually a shorter movie, extending only for less than two hours, which makes sure that the momentum stays on throughout its run. The visuals are good whether in the forest or the city, and the movie has some funny moments involving the kids to provide the needed light feeling. There is a certain reflection of incidents that might have happened in our lives as well as the lives of people whom we know. It is that reflection that we hope not to happen, and what we wish to deny happening during our busy lifestyles, but there are things which will happen considering how much less time we have for the people we love. Sometimes you think that this is going to go the Malooty way, but it doesn’t.

The claws of flaw :: School Bus is a movie which could have been a lot better, especially with the last few moments; its ending could have left one with a clearer message rather than attempting to go different in a strange way. It has enough moments which could have actually been presented in another way. The predictability also shows its head on too many occasions – it is not really something that we would expect from a thriller that attempts to keep the messages alive at the same time. As the moments featuring the kids stand out, a better option here would have been to keep them there for most of the time, or otherwise give more importance to the older characters – but neither of these happens here. By the time Kunchako Boban enters the story, too much of the interesting moments in the movie has passed. Clearer message, better adult characters, less predictability and a much better ending – these could have improved this flick!

Performers of the soul :: Jayasurya and Aparna Gopinath does a fine job, but as things doesn’t go around their characters, there is not that much to be seen except for a few emotional moments in the second half. Kunchako Boban also makes his appearance only in the second half and does his job as expected, in his very first police role of the career – there is not that much here to do big though. In the end, it is the kids who get all the attention, and it is them who has more of the screen presence. Aakash Muraleedharan who plays the main character here has done his job well. The director, Rosshan Andrews’ daughter Angelina has made her debut in Malayalam cinema with this movie, and she has done a good job – there are some funny moments for her with those cute grins and the fake fainting, with special mention for the question about the toys. Sudheer Karamana and Nandu have some interesting moments in the second half, but that’s all they would get from this particular movie.

How it finishes :: The combination of Bobby-Sanjay and Rosshan Andrrews has had quite a good amount of success and appreciation except for the dismal thing which was Casanovva. Despite the less hype surrounding it, School Bus is another interesting flick with a fine message to go with it, even though it could have been a lot better; the scope was so much there. The messages include the requirement of the love and care for the kids, the need to keep one’s ego away in relationships, and the significance of sibling love. How many parents look forward to knowing what the children wish for? When both are working and has not time, what happens to the children? As history repeats itself, they and the relatives just keep pushing for the next generation to do only what they want. The final message is also to return to nature, and the true world remains there – well, that is one special thing for the World Environment Day.

Release date: 27th May 2016
Running time: 117 minutes
Directed by: Rosshan Andrrews
Starring: Jayasurya, Kunchacko Boban, Aparna Gopinath, Aakash Muraleedharan, Angelina Rosshan, Sudheer Karamana, Nandu

schoolbus

@ Cemetery Watch
✠ The Vampire Bat.

Brooklyn

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Vampire Owl :: Let me see this. Best Picture, Best Actress, and Best Adapted Screenplay; some big nominations right there.

Vampire Bat :: I told you that this is the right movie to be watched.

Vampire Owl :: Based on Brooklyn by Colm Toibin; so the novel is also there to read.

Vampire Bat :: But the last time you read a novel was when global warming hadn’t even started.

Vampire Owl :: Yes, but I make exceptions, like with the Lich Queen.

Vampire Bat :: That was when she wrote the “poem of undead death” and you had to read it or be bitten by animated corpses which were worse than zombies.

Vampire Owl :: Yes, but that still counts as reading.

Vampire Bat :: Saoirse Ronan is your favourite from Byzantium too; lets not forget that.

Vampire Owl :: Things are becoming clearer now…

Vampire Bat :: And City of Ember as well as Atonement which goes further back. Enough reasons there!

[Gets three cups of tea with jackfruit chips].

What is it about? :: In the 1950s, Eilis Lacey (Saoirse Ronan) lives with her sister and mother in a small town called Enniscorthy, along the South East coast of Ireland. As she is unable to find good work, her sister Rose (Fiona Glascott) writes to Father Flood (Jim Broadbent) in Brooklyn who arranges her travel to the United States of America in hope for a better tomorrow for her. Suffering from from seasickness and then homesickness, she has a troubled road to the new city far away. Despite the problems that she faces, there she joins the bookkeeping classes and also comes across Anthony Fiorello (Emory Cohen) whom she meets at a dance, and falls in love. But the sudden death of her sister will call her back to Ireland. The question remains about what she will choose after that incident – Enniscorthy or Brooklyn?

So what happens next? :: With her mother alone and hoping for someone to be there with her, Ellis, who is now Ellis Fiorello after getting married in Brooklyn, will choose not to reveal the news about her marriage to anyone and remain in Ireland. There she will meet again with her old friend Nancy (Eileen O’Higgins) whose wedding she hope to attend by extending her stay there, and she also meets another man, Jim Farrell (Domhnall Gleeson) again. She also manages to find work as an accountant where her sister used to work, and the choice becomes a lot more difficult. Can her love for the man whom she met at her worst times turned into the best make sure that she will go back to Brooklyn, or is it the newly found comfort back at home that works better for her heart and brain? Whatever it is, Ellis will have to make the choice.

The defence of Brooklyn :: There are not many love stories that are so smooth, and so effective, even at such slow pace. You will feel the beauty of the world that we see in this movie, visually for sure, and also otherwise. There has been the lack of good romantic movies in the recent past, as the degradation has always created more and more movies full booze and sex, and no real love. So, it is great to have a movie like this, in which you can feel the love, and enjoy the top level performances from the leading cast. The emotions are effective as well as beautiful here, and as we are taken to that certain time period, we will feel the need to be there too, with the people, the buildings and the nature itself; and there is a certain amount of happiness that the movie that leaves us with.

Positives and negatives :: Brooklyn might feel kind of slow, which can make it seem to be a little bit too long for the interests of some people. It is the old-fashioned love that reflects the nature of the age during which it is happening. It is a fine level of feel-good that we have here, and the fairy-tale love story that everyone would wish for, with all its simplicity. Saoirse Ronan makes that kind of impact, that we will fall in love with the life of this particular Irish girl. In the end, we are left with the much needed idea for the age, that true love succeeds, and returns where it deserves to be. Brooklyn surely has a huge heart, and its soul is at the right place; it is also smart and makes its point perfectly. It should be why an old-fashioned movie gets itself on top, facing all those movies which might seem ahead of it when we look at them. Brooklyn, without doubt deserves all the appreciation that it has earned.

Performers of the soul :: Saoirse Ronan has been an amazing actress, and right from her first few movies years ago, she has never failed to create an impression, and Brooklyn is no different. I first noticed her in City of Ember, and Byzantium happens to be my favourite movie featuring her. From the beginning to the end, it is her show that is going on here, going through the changes on her character which such perfection. She makes things feel so real, whether it is about the sadness, the romance or that feeling of happiness – all that twinkles in her eyes. It is into her world that we enters, and leave with bliss! I have felt that this one goes deep, and wished that she had won an Academy Award for this one. Meanwhile, Emory Cohen plays his role with no trouble, as the character becomes one memorable one; Domhnall Gleeson nicely joins in and makes the point.

How it finishes :: Brooklyn takes that beautiful message of true love to another level, as it remains sweet and cute throughout its run. It talks about why it matters to be with the person whom you have always loved no matter what comfort the other things can provide you with. In a new world in which people only look for one’s job, house, money and family name to get married, the movies that follow the old style of love become a lot relevant. These days, whether it is love marriage or arranged marriage, people have been too much focused on money, and living through such an age of self-proclaimed ancient, rich aristocratic people and families, we need movies like Brooklyn – for true love should be what the poets have written about, and not what these sex-romantic-comedies define for the new generation.

Release date: 4th November 2015
Running time: 112 minutes
Directed by: John Crowley
Starring: Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Jim Broadbent, Julie Walters, Bríd Brennan, Jenn Murray, Fiona Glascott, Jessica Paré, Eileen O’Higgins, Emily Bett Rickards, Eve Macklin, Nora-Jane Noone, Michael Zegen, Paulino Nunes, James DiGiacomo, Christian de la Cortina, Ellen David, Eva Birthistle

brooklyn

@ Cemetery Watch
✠ The Vampire Bat.

Captain America: Civil War

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Vampire Owl :: We have missed too many big Hollywood movies this year. It is a case of heavy disappointment.

Vampire Bat :: You are talking about missing The Jungle Book more than any other.

Vampire Owl :: Yes, we missed the nostalgia. There was the same thing in Malayalam too.

Vampire Bat :: But we won’t miss this one at all. The Captain is here at the local theatres this time. Captain America movies have always been among the best superhero flicks, and you know how Avengers come up with the big action all the time!

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1398-captain-america-civil-war

The two movies which constituted The Avengers series in the Marvel Cinematic Universe had managed to be special treat for the fans. There is no chance for questioning Marvel this time either, with another action-packed movie here which features most of the superheroes excluding the Incredible Hulk and the hammer-wielding Thor. With the Avengers supposed to be grouped into two teams under Captain America and Iron Man, the expectations were set high, and this movie delivers too, following the path of the two earlier Avengers movies as well as the two Captain America flicks, as the story continues from where it had left things, in Captain America: The Winter Soldier and Avengers: Age of Ultron.

As the Avengers are going through one of their routine missions, things don’t really go on as planned and an explosion occurs, killing a number of Wakandans. Later, the U.S. Secretary of State, Thaddeus Ross (William Hurt) tells them about the United Nations plan to come up with the Sokovia Accords signed by 117 nations, which will bring a certain amount of control in the functioning of Avengers to avoid loss of human life and property. Tony Stark (Robert Downey, Jr.) who is saddened by his own creation of Ultron, destruction of Sokovia and isolation from Pepper Potts (Gwyneth Paltrow) comes up with the decision that they have to sign the Accords, and Natasha Romanoff (Scarlett Johansson) supports him on this, along with Vision (Paul Bettany).

But Steve Rogers (Chris Evans) has no faith in the government or an international organization, as Captain America turns from being the patriot to the insurgent while trying to protect his old friend Bucky (Sebastian Stan) who is once again termed as “the Winter Soldier” and is blamed for an explosion which follows. A revenge-seeking T’Challa (Chadwick Boseman) also joins Tony Stark’s team which also has James Rhodes (Don Cheadle) and he recruits a young Peter Parker (Tom Holland). But the truth about Bucky is more than what meets the eye, and to defend the same, Captain America will need the support of his other allies which will include Wanda Maximoff (Elizabeth Olsen), Scott Lang (Paul Rudd), Sam Wilson (Anthony Mackie) and Clint Barton (Jeremy Renner).

Among all the superheroes that Marvel has created, Captain America has remained the most interesting one; the two movies of the Captain has been among the best movies of the Marvel Cinematic Universe, and with Captain America: Civil War, the three movies make a fine trilogy of action thrillers. As it has been in the previous titles, Chris Evans makes an amazing Captain America. Just as the title suggests, this one easily becomes his movie. Elizabeth Olsen once again has a special charm as the Scarlet Witch while Paul Rudd brings more entertainment even though he arrives late. Robert Downey remains solid as Iron Man. The next two characters we notice the most are nicely played by Anthony Mackie and Chadwick Boseman.

Even though The Hulk and Thor are not present here, this movie brings more superheroes, some whom the fans might already know and the others being mostly unfamiliar to most of the audience outside North America and Europe. The new additions include the Black Panther and Spider-Man, while Ant-Man, Falcon and Vision get to be part of some full Avenger action. Ant-Man adds some nice fun as the movie nears the end while the young Spider-Man and all the jokes related to this version of the superhero remains just irritating. There have been many versions of Spider-Man before, and this one here remains the least impressive of them all. The Black Panther remains special though, and the character is a smart addition.

The story doesn’t have the strength here, but the action sequences and the visuals make up for it. Still, the previous Captain America and Avengers movies had better thrills, story-line and there were even bigger action sequences. But this one here has the biggest group of superheroes, and with so many of those interesting characters present, the movie becomes a treat to watch. Unlike the previous movies, the focus too shifts to the relationships between the main characters, from between Captain America and Iron Man to Vision and the Scarlet Witch, there is a powerful emotional side to this flick, and there is also the testing of loyalties as well as old friendships. The battle is not against the villain this time, but between themselves and their own people.

The movie is also thought-provoking to an extent, even though that side never really gets the spotlight. It has all the entertainment that one needs for the weekend, but adds a little bit too much that is not really needed, from Spider-Man who was just there for the sake of being present, to some of those emotional sequences which often seem a little bit too much. The movie never really needed to go childish with Spider-Man. It surely has an advantage over Batman v Superman: Dawn of Justice as expected, but could have still been an even better movie. The potential for this movie was so much, and just enough of the entertainment is delivered here. With two parts of Avengers: Infinity War to come, one has to wonder what all these events will mean for the team of superheroes. You need to be ready 😀

Release date: 6th May 2016
Running time: 147 minutes
Directed by: Anthony Russo, Joe Russo
Starring: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, Daniel Brühl

captainamericacivilwarr

@ Cemetery Watch
✠ The Vampire Bat.

Victor Frankenstein

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Vampire Owl :: None of our undead doctors have approved of this movie.

Vampire Bat :: That will not be a problem at all, because neither have the critics.

Vampire Owl :: So, we should still watch this one?

Vampire Bat :: As long as there is no ban, we can surely do that.

Vampire Owl :: Thankfully, we are not from a realm where there are bans on certain types of food, cinema and clothing.

Vampire Bat :: Yes, unlike these humans who are elected for no reason, Uncle Dracula is a lenient and intelligent ruler. Even the brain-dead Lich Queen knows better.

Vampire Owl :: We should let the clever film makers from the human side to work on their movies here.

Vampire Bat :: Yes, that will also be a big bonus for tourism; all is well as long as they keep their hatred, vanity, greed and envy outside our realms.

Vampire Owl :: And to avoid any temptation for the vampires, they should lock their necks, especially those veins…

Vampire Bat :: Stop! I am going to pretend that I never really heard that!

[Gets three cups of tea with tapioca chips].

What is it about? :: The tale begins and goes through the perspective of a nameless hunchback (Daniel Radcliffe) who works as the clown in a circus. He has been part of the circus for so long, and is more of a property of the circus, treated badly by most of the people there. But he secretly reads books that are stolen, mostly related to science, particularly human anatomy. He has feelings for an aerialist, Lorelei (Jessica Brown Findlay) who is injured during one of the shows. With no hope for her survival after falling from a good height, the hunchback tries his best to do anything, and at that exact moment, is aided by a stranger known by the name Victor Frankenstein (James McAvoy) who was attending the circus performance. Both succeeds in saving the girl who is taken to a hospital. This becomes the turning point in the life of the hunchback.

So what happens next? :: Victor Frankenstein has been a very ambitious medical student who has been working on something special. His aim has always been to make a discovery that would change the future. He has been scarred by his earlier experiences and wishes to make amends with his father (Charles Dance) who thinks that he is good for nothing and will never be anywhere close to his brother. He wanted to create life, and fascinated by a simple, uneducated hunchback’s knowledge in human anatomy, decides to recruit him for the cause as his assistant, and make things better and easier. So, he plans and manages a grand escape for the hunchback whom he names Igor, after his former room-mate. He drains the new assistant’s hump with his expertise and successfully hides him as the room-mate that he once had.

How does the journey go? :: The newly named Igor instantly impresses Victor, and they realize that they can go a long way forward. The police inspector Roderick Turpin (Andrew Scott) who investigates the disappearance of the hunchback realizes that something strange is going on, and it is against God. Considering Victor’s experiments as sins and his creations as unholy, he decides to stop him, whatever it might cost. They also come up against Lorelei once again, but this time as a different person. She also asks them to rethink about going against the natural order of things. But Victor and Igor are so close to their first case of success, but will that bring them glory or terror? What role will Lorelei play in this dangerous attempt at glory? Is it really an act against God, and what danger can this new creation from the grave bring?

The defence of Victor Frankenstein :: The visuals are really good with this one; there is a lot of style associated with the movie, and the cast also saves the day. Daniel Radcliffe and James McAvoy are good, especially the former who seems to have more control over his character. Jessica Brown Findlay also brings some charm while Andrew Scott is a fine opponent to the protagonists. The differences when compared to the original story has been nicely created. The messages are well placed, and they are mostly against vanity and the false ambition which stay strong within the main protagonist – he is so close to becoming Doctor Faustus, not just Doctor Frankenstein. It also asserts that there are things that cannot be changed and we have to accept them. There are some nice dialogues which keep making the point too. It has its own dose of entertainment too, and that matters.

The claws of flaw :: Victor Frankenstein needed a better flow in its story. It surely begins nicely, but gets lost at times. It is quite strange that the movie doesn’t try that hard to deviate from its source material from which it hasn’t really followed – there seems to be an attempt to return but at the same time staying different. The movie needed to be more certain with its story, and also could have dealt with its main characters differently – even though the main actors handle the whole thing well, better characterization and a much better background would have done them all, some more good. More horrors and thrilling moments could have been added to make its central idea about life and death more appealing; for now, they have done well to do that with the dialogues – maybe they could have done so without speaking that much about the same.

How it finishes :: Victor Frankenstein is another interesting movie based on Mary Shelley’s 1818 Gothic horror novel. The different versions of the same story or newly written extensions always bring something that can catch our attention, just like I, Frankenstein which extended the tale very nicely. In another case, there was Dracula Untold which brought another angle to the popular 1897 Gothic horror novel by Bram Stoker. If you are going to judge this one based on the many years old story, this is not the movie for you; but if you are ready to think from another angle, and understand the imagination behind making such a different attempt, you can surely go for this one, as despite not being that big Frankenstein movie, this is a fun movie which also leaves the viewers with some interesting messages to take home.

Release date: 27th November 2015 (India); 25th November 2015 (USA)
Running time: 110 minutes
Directed by: Paul McGuigan
Starring: Daniel Radcliffe, James McAvoy, Jessica Brown Findlay, Andrew Scott, Charles Dance, Freddie Fox, Mark Gatiss, Callum Turner, Daniel Mays, Spencer Wilding

victorfrankenstein

@ Cemetery Watch
✠ The Vampire Bat.

Inside Out

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Vampire Owl :: I have a certain feeling that I am going to love this one.

Vampire Bat :: Even though the movie is critically acclaimed I don’t think that you are going to love it that much; I also feel that you have got it wrong here.

Vampire Owl :: Well, the insides are out, so this should be a slasher horror movie, right?

Vampire Bat :: What? This is rather too much even for you while being sleepy.

Vampire Owl :: I had myself thought about giving this name to a story which I was about to right. It was supposed to be about serial killers.

Vampire Bat :: Mr. Owl, it won the Academy Award for the Best Animated Movie of the year.

Vampire Owl :: Holy Vampire Crocodile! It won the Oscars?

Vampire Bat :: Which planet where you residing in the last few months?

Vampire Owl :: Ever since the teleportation device started working, I haven’t been sure about my location.

Vampire Bat :: I see what the problem is. You have been deprived of your daily dose of tea.

[Gets three cups of tea with jackfruit chips].

What is it about? :: Riley Andersen (Kaitlyn Dias) is born, and five of her basic feelings get active – Joy (Amy Poehler), Sadness (Phyllis Smith), Disgust (Mindy Kaling), Fear (Bill Hader) and Anger (Lewis Black); they all become part of her mind and affects her life in various ways from the mind headquarters. The incidents in her life becomes memories as time progresses, and her happy core memories are stored carefully. There are also the personality islands which reflects different and significant parts of her life as an individual, and they keep her emotional state steady. Joy takes the leading role hoping to keep the girl happy, while Sadness as well as the others keep wondering what her role really is. They could never really find anything positive out of her presence in the girl’s mind.

So what happens next? :: Things seemed to be going smoothly until one day when Riley moves to a new city with her parents (Diane Lane and Kyle MacLachlan) – the whole thing gets disrupted here. Not liking the new house is only the beginning of things getting worse. As life at the new city continue to be not so good, one day, when a sad core memory is created, Joy tries to dispose it, but Sadness attempts to prevent that from happening; this struggle leads to them being caught with the memories and along with them, gets thrown out of the mind headquarters. Fear, Anger, and Disgust tries to manage things in their absence, but they only end up making things worse, and the personality islands start crumbling. With Riley going more and more unpopular in school, neighbourhood and at home, can Joy make it back in time to make things right for her again?

The defence of Inside Out :: An intelligent, fun movie is what we get here in the form of Inside Out, something that will keep one entertained as well as thinking. With the smartness that becomes an inherent quality in this movie, it becomes a fine watch for people of all ages. There is the message that stays strong, or rather a collection of such messages. It remains highly appealing for children, but at the same time, maintains a strong philosophical side – a skill that a number of animated movies have developed in the recent past, but most of them haven’t been this much balanced in achieving the same. The movie’s world is also visually very good; there is skill in the design of this universe inside the mind and the characters are also a lot likable. We can connect to the emotions as well as the characters, and them both at the same time – that is new.

Claws of flaw :: There should be questions about the movie fully using its potential though, and even if not that much visible on the outside, it is often too smart for children, and at other times, too childish for adults – it often depends on how you are going to view this one. Inside Out is surely not the usual animated movie, and there are moments when the audience can doubt its ability to balance the two sides. There is also the predictability that comes in, and it is something that this movie could have left behind. I am also not that glad that the other emotions are not given that much importance; anger, sadness and fear – I have felt them more than joy and sadness in my entire life! So, it is once again rather subjective, isn’t it? I don’t believe that joy and sadness will ever have more significance; they never did even when I was a kid.

Soul exploration :: The movie’s message is more about balance rather than anything else, and we often need sadness as much as the happiness in our lives. Anger, disgust, fear and everything else are just integral parts of our lives. There are moments during which each of these will produce something special; there are beautiful songs and poems inspired by sadness or bringing that effect, most of them even more popular than those joyful ones. As the movie brings out, sadness is surely that significant; if you ask me, I would go for sadness over joy as it is one emotion that makes a person understand the world and the other people as what they are. Joy is more like fog that blurs our vision and is often a lie, but sadness and the rest of the team makes us see everything as they are; these bring us back on Earth and shows us the true faces of people. I will choose disgust as the strongest of them all.

How it finishes :: The last movie from Pixar which I really liked was Up, in the year 2009. Inside Out brings that kind of an emotional connection even though I would still prefer that 2009 movie as well as WALL-E, with Brave being the worst. What I will be looking for the most from Pixar, shall be Finding Dory though. Some movies just go so much childish, and it is a trap that has been set for the animated flicks; Inside Out successfully escapes that one with the skills of Prince of Persia through the Sands of Time or Tomb Raider through one of those undiscovered ruins of an ancient civilization. It is what clever movie-making is all about. The one big advantage that you will have with Inside Out is that after those emotional moments, you can show your feelings and blame Miss Sadness for the same.

Release date: 26th June 2015 (India); 19th June 2015 (USA)
Running time: 94 minutes
Directed by: Pete Docter
Starring: Amy Poehler, Phyllis Smith, Richard Kind, Lewis Black, Bill Hader, Mindy Kaling, Kaitlyn Dias, Diane Lane, Kyle MacLachlan, Paula Poundstone, Bobby Moynihan, Paula Pell, Dave Goelz, Frank Oz, Josh Cooley, Flea, John Ratzenberger, Carlos Alazraqui, Lori Alan, Rashida Jones

insideout

@ Cemetery Watch
✠ The Vampire Bat.

The Boy

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Vampire Owl :: All I see is a doll. There is nothing much scary about this one’s appearance either.

Vampire Bat :: We have always been taught and trained to believe that there is more than what eyes can see. What you are doing here is just passing judgment.

Vampire Owl :: I am not judgmental. The hypercritical ones are not my people, but yours.

Vampire Bat :: Still, you are judging this one too early.

Vampire Owl :: The critics have already judged it low.

Vampire Bat :: That is what they do, not us who live with these movies.

Vampire Owl :: I have liked Dead Silence’s Billy, The Conjuring’s Annabelle and Child’s Play’s Chucky. Unlike what you think about this, I am not really judgmental about dolls.

Vampire Bat :: Well, Chucky did put a knife on your neck to make you accept that.

Vampire Owl :: Yes, but I have accepted that dolls can be awesome, and that is the point which I intend to bring here.

Vampire Bat :: Whatever it is, just watch the movie.

[Gets three cups of tea with tapioca chips].

What is it about? :: Greta (Lauren Cohan) is caught in an abusive relationship with Cole (Ben Robson) at Montana. She hopes to escape by becoming a nanny for the Heelshire family based in the United Kingdom. After traveling to Great Britain and reaching the place, she introduced to Mrs. Heelshire (Diana Hardcastle) and the man who brings the grocery, Malcolm (Rupert Evans). Mr. Heelshire (Jim Norton) introduces her to their child, Brahms. But she is surprised to find out that the boy here is just a porcelain doll, treated by the family as if it is a living person. Mrs. Heelshire tells her that the boy had rejected many other nannies and they hope that he likes her. She also asks Greta to follow certain rules, as Brahms is like other children, and special care is needed for him.

So what happens next? :: Greta decides to ignore the rules and just spend her time there. She and Malcolm gets a lot interested in each other, and the doll remains neglected. But Greta finds out that there is something strange about the doll. She feels that it moves a little at times, and there are other strange occurences. On one occasion, she gets locked in the attic, and her clothes are also stolen while she is taking shower. She also feels that the doll is staring at her when she is talking to Malcolm, changing clothes or even while doing anything of personal nature. On another day, a sandwich is served at her door, and she also hears voices calling her name. She decides to find out more about the real child who is supposed to have died in a fire at the age of eight, years ago.

The defence of The Boy :: The idea here is working, and had a lot of possibilities towards horror. It does get working early with its central idea, and we get to the moments featuring the doll easily. The setting in the big old house actually helps a lot. There are lots of spooky moments in this movie, and the scene at the attic as well as the final twists worked very well in the end. How they have changed the supernatural idea works very well by the end of the movie too. The Boy does entertain, that is for sure – among the horror movies which released on one of those days around this one, there were not many of them as much entertaining as The Boy, which follows the much expected horror idea. As the movie follows the basic horror elements, there is sure to be some fun watching this movie for everyone. For people who don’t want movies like The Witch and It Follows as the different horror flicks, this would be the usual kind of replacement following the known path.

Claws of flaw :: It is rather strange that the movie doesn’t really use the elements in hand to the best strength. When there is a spooky doll around there, we expect that things get really scary and remain so throughout its run – but there are those weaker moments here and there. The doll could have been a lot bigger thing than it turned out to be. The movie also does remind one of two other movies, the Jocelin Donahue starrer The House of the Devil and Sarah Thompson starrer Babysitter Wanted. This one could have deviated further and should have come up with more innovative ideas. With so much mystery around, I am actually surprised that they have managed only this much – there was so much to be seen and so much more to be developed further. But our movie here manages to work even with all its inability to bring the best out of there.

Performers of the soul :: The performances of the cast here remains really good. Without doubt, Lauren Cohan as Greta comes up with the best of them all. Best known for her part as Maggie Greene in the television series, The Walking Dead, and being part of other series, here she plays the young lady with a troubled past in a lot believable manner, and so does she manage well with those horror sequences. I have to say that she makes a really good addition to the horror movies, and I hope that she will be there in more of such movies belonging to the genre. Her character actually undergoes changes throughout the movie, and she manages the same without any problem. Rupert Evans also makes a good addition in the flick. Jim Norton and Diana Hardcastle who play the old parents also leaves a mark here.

How it finishes :: Well, there has been some impressive dolls in horror movies; Chucky from Child’s Play series might be the most popular of them all, and Billy from Dead Silence has been one scary thing; Annabelle has gained popularity with The Conjuring, and one can never underestimate the strength of a doll when it comes to horror movies. This one here, the Brahms doll is no exception either. It has enough to stay in the minds of the viewers too. There will be something about The Boy that can catch your attention here – from the cast to the setting, and more than everything else, the doll. Unlike what the reviews have mostly said about this movie, The Boy has more strength than most of the other horror movies around here which have somehow managed better reviews.

Release date: 22nd January 2016
Running time: 97 minutes
Directed by: William Brent Bell
Starring: Lauren Cohan, Rupert Evans, Jim Norton, Diana Hardcastle, Ben Robson, James Russell, Jett Klyne, Lily Pater

theboy

@ Cemetery Watch
✠ The Vampire Bat.

The Witch

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Vampire Owl :: I once had a chance to talk with the Northern Witches. After that, I haven’t been interested in watching movies like these.

Vampire Bat :: Oh! What did they tell you?

Vampire Owl :: I am not really sure. But I guess I heard it as boomerang, blah blah and abracadabra.

Vampire Bat :: Are you sure that they were not the sirens?

Vampire Owl :: Well, as you are asking, now I am not quite sure.

Vampire Bat :: This is a movie which has 90% rating at the Rotten Tomatoes. Why would you want to bring this while we are going to watch this movie?

Vampire Owl :: There is something about the witch, the lich and the rich that I don’t like.

Vampire Bat :: You mean the itch sound.

Vampire Owl :: It is exactly what they provide me with.

Vampire Bat :: We are such socialist vampires, aren’t we?

[Gets three cups of tea with potato chips].

What is it about? :: In this story set in the seventeenth century, William (Ralph Ineson) and his family are banished from a Puritan plantation in New England; his wife Katherine (Kate Dickie), elder daughter Thomasin (Anya Taylor-Joy), son Caleb (Harvey Scrimshaw), and twins Mercy (Ellie Grainger) and Jonas (Lucas Dawson). Katherine later gives birth to the fifth child, a boy that vanishes while Thomasin plays with him. Katherine blames Thomasin for the disappearance, and spends most of her time in prayer and grief. Meanwhile, Caleb and Thomasin go for hunting, and the former goes missing. Once again, Thomasin is blamed, and at the same time, the twins say that the black goat, Black Phillip speaks to them. The events only get stranger as the presence of evil in the forest is ascertained. Is there a Witches’ Sabbath coming up?

The defence of The Witch :: There are the usual kind of horror movies which use the jump scares to claim that it is worthy of a fine position in the genre – there is the noise and the sudden appearance of the scary face; but The Witch denies the same, and goes not with such familiar scary stuff; instead it goes on to use the mood and the setting to its advantage without trying to make sure that the audience is scared at one exact moment – it tries to create something for which the result will different for everyone, at different points of the movie. It is something bigger than what is seen or heard as part of the regular horror practice, for it goes directly into one’s mind. The elements of mystery go right through the movie too, as we are to keep guessing till that ending, which makes things very clear – that is cent percent the success for this flick.

Claws of flaw :: There is no denying the fact that The Witch is quite a slow movie; it drags in between, and has the characters not doing enough to pick up the pace when they could have done the same. The movie also doesn’t use the image of the witch to its full advantage, when it could have done a lot more with it; the same can be said about the final pact which is too quick to go through. There is the absence of the terrifying imagery which could have been added at some point to do justice to the genre to which The Witch belongs. A lot of people will feel that this is not their kind of movie either, and that is understandable because a lot of fans will surely be looking for something else; for The Witch is a nightmare that feels real within its environment, and it is not the horror flick that arrives with an unparalleled desire to bring the fear into the viewers.

Performers of the soul :: With Robert Eggers making his directorial debut with The Witch, the movie has gathered a lot of appreciation from the critics, and the performances surely has a lot to do with it. Anya Taylor-Joy is amazingly good in this movie. She goes through the situations of her character in the movie in such a way that we never feel that she hasn’t been seen in a big role in any flick before. There is certain transformation going on with her character, and this is not really among the best roles to play, but she nails it here. Ralph Ineson plays the next significant character in a lot realistic and believable manner too. Kate Dickie has her moments here too. The two characters which steal the show otherwise, are the witches of the forest and the black goat.

Soul exploration :: The movie’s focus is on faith, not just on God, but also on each other. Almost everyone in this movie has problems with the same, as the same thing just goes on to break into smaller and smaller pieces as the movie progresses further. It is something that is ready to crumble into dust, and we see that on the faces of the characters. There is the lack of trust that is present, and it develops into something worse. It is the case of unfair judgment that makes things worse, and in the end, leads to the final fall – randomly judging others is a kind of tradition that goes back a long time, right? Due to the same, there are moments when one realizes that it is not God or Devil who are responsible for this fall, and neither is it some witch, for it is themselves and that they can blame in the end.

How it finishes :: The Witch will never be the usual horror movie for you. It is still the variety in horror that we have all wished for. The movie could have surely been better, but the experience that it provides with a difference will surely make it worth a watch. In the world of Sinister, Insidious and The Conjuring, The Witch the one that dares to be different, and for the same, it deserves the applause. There is one thing that you can be sure about, and it is that this movie has everything that is needed to be something that you think it is not. It had won the Directing Award in the US Dramatic category at the 2015 Sundance Film Festival and with all the critical appreciation around, you should surely give it a try!

Release date: 19th February 2016
Running time: 93 minutes
Directed by: Robert Eggers
Starring: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Julian Richings, Bathsheba Garnett, Sarah Stephens, Wahab Chaudhry, Axtun Henry Dube, Athan Conrad Dube

thewitchh

@ Cemetery Watch
✠ The Vampire Bat.

Sinister II

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Vampire Owl :: Here is the name we have been looking for; on page number eighty nine thousand four hundred and twenty seven.

Vampire Bat :: Yes, Mr. Bughuul, supposed to be the devourer of the souls of children, even though not proven in any scientific or magical manner. Please refer another book in which there are references to this particular person. What nonsense?

Vampire Owl :: That is all from the Great Vampire Archives. I have send a letter to the Imperial Vampire Archives, but I doubt if they will reply.

Vampire Bat :: And why do you think so?

Vampire Owl :: They have gone for the blood-moon festival.

Vampire Bat :: But it is certainly not now. What is wrong with these people?

Vampire Owl :: Well, they created an earlier date because it is the wedding of the sister of the Vampire High Priestess in a few days.

Vampire Bat :: And who exactly in this realm is that?

Vampire Owl :: A new position was created to perform blood magic, and the same was filled after putting an advertisement at a website.

Vampire Bat :: Bloody humans and their websites! Lets find this Mr. Bughuul in the movie then.

[Gets three cups of tea with tapioca chips].

What is it about? :: The first movie had the writer Ellison Oswalt (Ethan Hawke) moving into a house where a family was murdered, along with his wife, Tracy (Juliet Rylance), and their two children, seven year old Ashley (Clare Foley) and twelve year old Trevor (Michael Hall D’Addario). Despite the best efforts, Bughuul or “Mr. Boogie” did take what he wanted at that time, as he remains seemingly unstoppable. The creature that had shown its existence from very long ago, Bughuul (Nick King), was always there to murder full families and take the souls of children, only leaving one particular symbol behind. This time, the scene shifts to Courtney Collins (Shannyn Sossamon) and her two children, Dylan Collins (Robert Daniel Sloan) and Zach Collins (Dartanian Sloan).

So, how and where does things take a big turn? :: Former Deputy So & So (James Ransone) makes a return from the first movie. Here, he is burning down the houses where the brutal murders have taken place, but in this particular case, he finds Courtney and her children staying there. They have run away from her abusive husband Clint Collins (Lea Coco) and are hiding there. He befriends them and realizes that he has to find another way to get rid of the demon who ends families. Meanwhile, there are ghostly children who visits Dylan and forces him to watch videos of families being murdered in brutal ways, and these seemingly new friends providing him with videos makes his brother a lot jealous and angry. So, can the demon be stopped this time before once again taking control of the children and using them against their own families leading to another unfortunate twist of events?

The defence of Sinister 2 :: There is something about the antagonist, the demon that we have here, which has the strength to cast a spell on the movies of this genre, and once again it is the creature and its methods that score more than anything else. The use of children once again brings further advantage, and the setting of the family here is just about perfect for unleashing the terror. The protagonists are likable, and we will find it easier to support them more. Even though we do expect this a lot, the movie keeps us interested as there is delay in bringing the horror to the screen. The scenes of death makes the desired impact as expected too. It was actually so close to making things work, and that closeness is both its boon and bane. The lead cast of James Ransone and Shannyn Sossamon are also very much good together, and the emotional sequences work fine too.

Claws of flaw :: This sequel is absolutely no match for the original, as the idea was well brought to the screen and nicely executed there. This one just tries to follow the same path, but just does the same rather too much. If you have seen the first movie, you will surely see a lot of similar things in the second, and adding something special never seemed to be the idea around here. An improvement from the first movie was needed, but that also seemed to be not on the list of things to do. With the demon at hand, better innovation would have made sure that this sequel could achieve new heights; for this is that kind of mystery that prevails over the existence of this particular creature, and I have found it a surprise that this one never really uses the same to its full advantage – it works in its current form, but couldn’t it have been a lot better with what was already established?

Soul exploration :: This movie handles the idea of its predecessor very well – a demon who corrupts the soul of a child, causing him or her to do the worst, and then owning that soul for himself; it is the kind of idea which takes one back to William Golding’s Lord of the Flies. The demon uses its resources in the best way to utilize the inherent evil in man to its own advantage, and in the case of children, it is just too easy. The demon always knew the easiest way to find a soul, and it is the kind of creature who understand the ease in getting into the newer generation. We see such humans who are reflections of this demon in our lives, don’t we? For them, taking advantage of the weak is the easy way out. Demons among humans and also the other way around – the difference is becoming rather too little, isn’t it? Maybe it is the time of the hybrids.

How it finishes :: I am sure that a lot of fans would have wished for a better sequel to this movie, but can be assured that this one is also an interesting work on the idea of the demon looking for his soul property. I wish that this one had tried better, for bringing more out of its demon and also the sequences between its leading actors; maybe if there is another sequel, they will look forward to make things better. As of now, Sinister 2 will work because of its antagonist and the idea of working with the children. Just like the Insidious sequels, this one is no match to its predecessor, but if you haven’t watched the original, this is sure to be a very new experience for you. As I have said many times, there is something about Bughuul, as he is the one supernatural creature who stands different by a distance.

Release date: 21st August 2015
Running time: 97 minutes
Directed by: Ciaran Foy
Starring: James Ransone, Shannyn Sossamon, Robert Daniel Sloan, Dartanian Sloan, Lea Coco, Tate Ellington, John Beasley, Lucas Jade Zumann, Jaden Klein, Laila Haley, Caden M. Fritz, Olivia Rainey, Nicholas King

Sinister2

@ Cemetery Watch
✠ The Vampire Bat.

Jacobinte Swargarajyam

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Vampire Owl :: Quite a lot of things happened this year, you know; with the Malayalam movies.

Vampire Bat :: Only a few months have passed, and so you can’t really say a lot!

Vampire Owl :: Well, Darwin completed his evolution and Mahesh had his vengeance. Now, Jacob wants his kingdom of heaven.

Vampire Bat :: Yes, Darwinte Parinamam and Maheshinte Prathikaram; now Jacobinte Swargarajyam – note the “NTE” sound in the middle of the title of every movie.

Vampire Owl :: I am sure that this one has worked so well too. I couldn’t get tickets for the movie at the multiplexes.

Vampire Bat :: Well, it is Vishu. Theatres were supposed to be full.

Vampire Owl :: Is that the same reason why we are here so early?

Vampire Bat :: Yes, you see the large number of people in the queue behind us.

Vampire Owl :: And I am glad that we parked our car early.

Vampire Bat :: This one should work for us too.

[Gets the tickets with cheese popcorn].

What is it about? :: Jacob (Renji Panicker) is a successful businessman who made Dubai his home after striving hard to reach his current position. With his wife Sherly (Lakshmy Ramakrishnan) and four children, Jerry (Nivin Pauly), Abin (Sreenath Bhasi), Ammu (Aima Sebastian) and Chris (Stacen), they go through some of the happiest times of their life. Jerry is in love with Chippy (Reba Monica John), a medical student, and Ammu leaves to study the same course. Abin spends his time with music. But as Jacob is cheated by one of his trusted people, he is left in a lot of trouble and also in dire need of money, disturbing the momentum of the family. With consistent threats from Murali Menon (Ashwin Kumar) and others who had invested in his venture, he decides to travel to Liberia to find bring a deal and come up with a solution to his present problem.

What is it actually about? :: The absence of his father required the rise of Jerry to the vacant position, and it is what the movie is really about. It is about Jerry trying to bring things back together with the help of his family of his brothers and his mother. With his father stuck in Liberia, he will find new ideas and will bring new plans to minimize and later get rid of the damage completely. With the help of the old friends of his father, Unni (T.G. Ravi) and Philip (Sai Kumar), and also the newly found people in his life, Yousuf (Vineeth Sreenivasan), he will rise to the occasion, and with the help of the situation and fate, shall go on to become the person whom he never thought he would be. But the question remains about the timing – with time running out so fast, will he really be able to do that when needed? Can he be the saviour for his family when it matters the most?

The defence of Jacobinte Swargarajyam :: Clean, and staying close to the realities of life, this movie makes a good use of its cast which has come up with some natural performances. The scenes which depict the relationship between the members of the family gives that special and yet beautiful feeling – it provides anyone who values family with that special reflection to life. The funny scenes are simple and from everyday life, but working very well. The emotional scenes are very much touching, but still kept in control. There is so much positivity in this movie even when facing lots of trouble, and the feel-good factor here is rather tremendous. There are also some very nice visuals; the songs are interesting, and “Ee Shishirakaalam” is the pick of them all. The messages left here are also beautiful, of working hard without any shortcuts, supporting one’s family and being there for the ones you love the most.

Claws of flaw :: Yes, undoubtedly, this movie could have been better; the scope was there, and such a wonderful cast was present. This emotional family story goes through a little bit too much of a predictable path too. We can guess a lot of things around here easily. A story at the Middle East and the tale of a family facing financial crisis – these are two things that can appeal to the Malayali audience so well, which is why a better story with a rather slower transformation of the protagonist would have done better for the movie. The film is also a little bit too much focused on money, and it is the capital, the profit and the money that drives too many things in this movie – well, it is still not the primary focus, but the fingers are often pointed towards that, even though not many people might see that. Well, capitalism was always supposed to be there, considering the setting.

Performers of the soul :: Nivin Pauly requirest a lot of appreciation here – for he surely knows how to become the hero, and otherwise stay there waiting for the opportunity; it has been the case with his character here. Renji Panicker takes the glory in the beginning stages, and Lakshmy Ramakrishnan dominates at times, and Nivin is there exactly as his character demands, and I consider that a wonderful thing here. After Action Hero Biju, he once again has a realistic portrayal of his character here, and it only gets better. Meanwhile, Aima Sebastian has a small but amazingly cute presence in this movie, and Reba Monica John leaves a mark even with her shorter presence – that could have been explored further. Renji Panicker does his job with ease, and Lakshmy Ramakrishnan has her character becoming one of the best strong mother/wife characters that we have seen for a long time. The other most notable person here is Sreenath Bhasi who is a lot likable.

How it finishes :: Do note that Vineeth Sreenivasan and Aju Varghese make notable cameos here, the former making a bigger impact in the story. The child artist Stacen also does a good job. This movie could have been stronger with its story, but the feeling that it provides is really good. It is something that is perfect for a family watch for the weekend, as it is a movie with faith, hope and values. It is a movie that reminds the viewers of their family and how much the blood keeps us together, binding us. The significance of the family is something that has been part of our movie industry for a long time, and this one becomes a welcome addition to the same. Vineeth Sreenivasan does four in a row, after Malarvadi Arts Club, Thattathin Marayathu and Thira. The Thira sequel won’t be here soon though, I guess.

Here is a song from the movie; you should love it 🙂

Release date: 8th April 2016
Running time: 145 minutes
Directed by: Vineeth Sreenivasan
Starring: Nivin Pauly, Reba Monica John, Renji Panicker, Aima Sebastian, Lakshmy Ramakrishnan, Sreenath Bhasi, Stacen, Sai Kumar, Ashwin Kumar, T. G. Ravi, Dinesh Prabhakar, Vineeth Sreenivasan (cameo), Aju Varghese (cameo)

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✠ The Vampire Bat.

Batman v Superman

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Vampire Owl :: I am not in favour of such people who claim to have powers above our kind. And they call superheroes only to fight each other? Strange, isn’t it?

Vampire Bat :: I don’t think that you should mind; Superman is from far beyond our realm; he is not even part of a known planet.

Vampire Owl :: Still, I think that there is going to be too much of a superhero crowd here.

Vampire Bat :: I had reserved that dialogue for Captain America: Civil War, and when there are X-Men around.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1355-batman-v-superman-dawn-of-justice

There are not many movies which the audience has been waiting for, during this year, as much as Batman v Superman: Dawn of Justice. This follow-up to Man of Steel has taken almost three years to be finally there for the audience to enjoy the weekend, and this time, it is for Easter. With movies like Wonder Woman, Justice League Part One, The Flash, Aquaman and Justice League Part Two lined up to follow, this one had to arrive at least now, to create that much needed base for Justice League and the other lesser known heroes to the fans outside North America and Europe.

Time has passed after the battle between Superman (Henry Cavill) and General Zod (Michael Shannon) which spread chaos and destruction all around the city of Metropolis. There were a lot of casualties, and the wound was not healed with time, as the new superhero had transformed into a controversial figure, with some people appreciating his presence as the savior of mankind while the others finding him as a threat and the false god – someone who is more of an alien than a man for the people on Earth. ­The television channels take over that particular topic and as it continues to be the hot item for discussion, there is someone who is a lot mad at this superhuman.

Batman (Ben Affleck) is a very unhappy man, as Bruce Wayne had his own troubles with that particular battle between the two aliens. After twenty years of fighting crime in Gotham City, he feels that it is his chance to avenge this alien for the death and destruction which he showered upon humanity with one big battle. At the same time, Clark Kent finds Batman as that kind of dangerous vigilante who should be stopped from taking law into his own hands when police should be handling such cases. With Lex Luthor (Jesse Eisenberg) also feeling the need to get rid of Superman, he will find a way to make the two heroes battle each other while having another plan in his mind.

The number of people waiting for this movie has been very high, even more than the grand wait for Captain America: Civil War. The need to watch the two big superheroes going against each other was what everyone really wanted to see. Even though that surely happens, it is not exactly what the movie is about. There is too much of time taken in this movie to get to that, and the basic idea is also not about their dislike for each other. With Wonder Woman not that much utilized, the movie’s aim just becomes establishing something like a base to bring the Justice League idea into the scene, even though that is not done with full strength either.

The movie is still with some very nice moments, and the action sequences work pretty much fine around here. It is also one of those rare opportunities to see Batman and Superman, along with Wonder Woman together in a movie – there are the others too, like Aquaman, The Flash and The Cyborg, but they are just present there in some videos. Batman also has too many dream sequences to make one wonder what the motive behind the same might be. The viewers do end up wishing that something better was created out of the material with two superheroes having similar thoughts of saving the world, but being so different from each other that it creates tension.

Unfortunately for the movie, the villain played by Jesse Eisenberg is just not menacing enough – this is not the Lex Luthor whom we had wished to see around here. Both Henry Cavill and Ben Affleck plays the too simple superheroes here, as they just go through their plans without much of the thoughts behind them – the audience might have felt that there could be more behind their ideologies, but things seems to go rather straight and clear with this movie, which troubles the cause. Amy Adams as Lois Lane has things going better, and Gal Gadot as Wonder Woman is the one who scores the most as any superhuman – at least her side is rather clear here, and it is one character that never goes down the level in this movie.

This one might also be the worst movie from Zack Snyder who has directed movies like 300, Watchmen, Sucker Punch and Dawn of the Dead. The best thing about this movie though, is that the audience is going to be treated with some bigger movies with roots in this particular flick; Gal Gadot is sure to be an awesome Wonder Woman in the big movie which is to arrive, as that is proven here with ease. Batman v Superman: Dawn of Justice is surely not that bad, but it is not up-to the expectations either. You can still watch this one for the action sequences, and also for having that base for what is to follow with the movies which are on the list to arrive.

Release date: 25th March 2016
Running time: 150 minutes
Directed by: Zack Snyder
Starring: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane, Laurence Fishburne, Jeremy Irons, Holly Hunter, Gal Gadot, Scoot McNairy, Callan Mulvey, Tao Okamoto, Jeffrey Dean Morgan, Lauren Cohan, Michael Cassidy, Kevin Costner, Christina Wren, Michael Shannon, Carla Gugino, Robin Atkin Downes, Patrick Wilson, Ray Fisher, Jason Momoa, Ezra Miller, Patrick Leahy, Neil DeGrasse Tyson, Soledad O’Brien, Anderson Cooper, Nancy Grace, Charlie Rose

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✠ The Vampire Bat.

Darwinte Parinamam

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Vampire Owl :: Strange name for a movie, this one.

Vampire Bat :: Well, I have heard stranger names of flicks other than something that translates as The Evolution of Darwin.

Vampire Owl :: It is actually surprising that the humans haven’t stopped evolving yet. I don’t even remember the last time our kind evolved.

Vampire Bat :: We don’t evolve. We are dead; the undead can’t evolve!

Vampire Owl :: Oh! I was misguided by Imhotep once saying that death is only the beginning.

Vampire Bat :: I am cent percent sure that he surely never meant to talk about evolution in that case.

Vampire Owl :: When I look at the werewolves, I see what the evolution is really about.

Vampire Bat :: That is actually a case of transformation.

Vampire Owl :: A shameless one, if you ask me.

Vampire Bat :: Which is why you should skip wandering around the werewolf territory.

[Gets the tickets with cheese popcorn].

What is the movie about? :: Darwin a.k.a. Gorilla Darwin (Chemban Vinod Jose) is one of the most feared names in the city. He happens to be the one gangster king who makes things happen in the city, and has police as well as the the goons under his control. Except when concerning a young lady whom he is attracted to, Ancy (Hannah Reji Koshy), he knows how to be strong and merciless. One day, Anil Anto (Prithviraj Sukumaran) and his wife Amala Anil (Chandini Sreedharan) moves from Kottarakkara to the city after having some family problems. Both of them find jobs in the city and are expecting a child. But a series of incidents gets ready to happen, as the paths of Darwin and Anil will meet at a certain point, and it will change their lives soon. The process of evolution will follow for both these men as the struggle for being the better person shall begin. What does future bring for the two?

The defence of Darwinte Parinamam :: There is the fine feel-good effect and some interesting messages in this movie. They are the ones which you can take home without thinking a lot – as the same happens to be right there to be seen. The first half of the movie could make the audience interested in providing a good feeling and make them prepared for a fine flow. There are also some nice comedy sequences which are handled by different actors together – you have to look out for the story-telling and the kidnapping scenes more than the rest. The emotional moments also work, even though they are not used completely for the movie’s advantage. You will be able to connect a certain amount of unpredictability to the proceedings too. The songs are interesting even though not that memorable, and there are some nice emotional moments to go strong with the same. There is also a little big of magic realism in the movie.

Claws of flaw :: There seems to be a certain amount of confusion in experimentation with the path that Darwinte Parinamam follows. There is the hero who tries to get back to the villain, even though the assertion is made that the hero is the villain and vice versa – but that is really a pointless thing. With some slow-motion action sequences added in the second half, one is reminded of Prithviraj’s Puthiya Mukham too. There seems to be the easy way taken for the finish, and throughout the second half, there is rather too much of staying away from the strengths of the movie, as it often depends on sequences without logic. The movie should have stayed close to the path followed in the first half, and the evolution should have been the focus on a personal level rather than anything else. It should have been something which happened over a long time, and not just arriving in the end!

Performers of the soul :: Prithviraj Sukumaran and Chemban Vinod Jose, the hero and the villain go on to bring some big performances in this movie. The former’s nice run continues after Ennu Ninte Moideen, Amar Akbar Anthony, Anarkali and Paavada – even though this one won’t be for every kind of audience with its limitations in catering to the demands of our viewers as a whole. He will be there for James and Alice with Vedhika and also for Jeethu Joseph’s Uzham; so we can safely guess that the successful journey will continue. The latter has an awesome introduction, and here we once again realize how big an asset to the Malayalam movie industry this man has become – whether it was in smaller roles like in Charlie and North 24 Kaatham or lasting the full movie like in Lord Livingstone 7000 Kandi, Kohinoor, Iyobinte Pusthakam and Sapthamashree Thaskaraha, he has made that impact; in this case, he is just as big as the hero.

Further performers of the soul :: Chandini Sreedharan also brings something memorable in her second Malayalam movie, as she excels in those emotional moments, and does a fine job in the happy ones too; that smile is rather contagious too. I have felt that she is really suitable for this particular character here. Hannah Reji Koshy plays the gangster’s love interest, and she does a very neat job here – it is her first movie, and she manages really well in this smaller role. I would love to see a lot more of these two actresses in the Malayalam movie industry. You will also find Soubin Shahir bringing the fun as if there is no end to the entertainment which he provides – we just had him at his best in Maheshinte Prathikaram just some weeks ago; Balu Varghese could have had a longer stay in the movie though. Shammi Thilakan’s kidnap sequence will also bring a lot of laughter for sure. A few others like Mamukkoya and Jaffer Idukki have too small roles in this one.

How it finishes :: The movie doesn’t really go on the lines of what was expected with the trailer. As a lot of people had guessed, this is not really a full-entertainer, and depends too much on experimentation using the cliche elements. A lot of expectation will do this movie not much good, but it can still win this weekend considering the fact that it has the feel-good factor and the messages along with the star power of Prithviraj. It is up-to your likes and dislikes to come to a decision about how much you like this movie, but Darwinte Parinamam is surely that flick which could have been a lot better if it had treated its material in a more realistic manner throughout its run rather than becoming a seemingly confused movie on more than one occasions. It could have been a big comedy thriller too, but you won’t see that working here as the movie tries many things!

Release date: 18th March 2016
Running time: 149 minutes
Directed by: Jijo Antony
Starring: Prithviraj Sukumaran, Chandini Sreedharan, Chemban Vinod Jose, Balu Varghese, Soubin Shahir, Nandhu, Shammi Thilakan, Mamukkoya, Dharmajan Bolgatty, Jaffer Idukki, Sajid Yahya, Hannah Reji Koshy

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Knock Knock

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Vampire Owl :: It has been a long time since we saw a movie starring Keanu Reeves.

Vampire Bat :: Well, John Wick and 47 Ronin proved okay, but nothing huge for us.

Vampire Owl :: Nothing since The Matrix Revolutions for me.

Vampire Bat :: Actually, I consider it since Constantine.

Vampire Owl :: Yes, those were the best times.

Vampire Bat :: And John Wick: Chapter Two is also coming. I believe that it will be better than the first.

Vampire Owl :: The female leads look very much new though.

Vampire Bat :: I have noticed that too. But I am more looking forward to how this story will progress.

Vampire Owl :: I read that it is a remake of Peter Traynor’s 1977 movie called Death Game. Any knowledge of it?

Vampire Bat :: Not at all.

[Gets three cups of tea with tapioca chips].

What is it about? :: Evan Webber (Keanu Reeves) is a happily married man, and an architect living with his wife and children. Due to a shoulder injury and a lot of work, he is unable to go to a trip to beach which was planned earlier; so his wife Karen (Ignacia Allamand) leaves with the children and he is left alone in the big house. He decides to spend his time working and waiting for Louis (Aaron Burns), the assistant of Karen who works as an artist who will move a particular sculpture to an art gallery. When he is busy with the job, he hears someone at the door and sees two girls, Genesis (Lorenza Izzo) and Bel (Ana de Armas) outside. They claim that they were here for a party, but lost the address to the place and their mobile phones are also dead which left them stranded with nowhere to go.

So, how and where does things take a big turn? :: Evan invites them in, and offers them internet and computer for them to locate the place. They get fresh at his home and he also arranges the closest available driver for them, but that would also take forty five minutes to arrive at his place. The girls make themselves at home, and more is revealed about them. But soon, Evan will come to know another side of them, and it is not really that beautiful as what they seem to be. Almost everything which they had told him would prove to be just lies and nothing else. He almost gets away, but these two won’t stay away until they have their sadistic games imposed on him. There is no hope for him except for Louis who won’t be expecting this kind of trouble.

The defence of Knock Knock :: There is a certain message here in the movie, and there is the next level of morality tale stored inside – the need to resist temptations despite the situation is shown here. Powered by performances and moments of thrill, the movie is an interesting mixture of things; a home invasion movie with a certain amount of dark humour which is present throughout, and a little bit of the erotic side also being there – it also doesn’t go the way of the director’s two most known movies, Hostel and Hostel: Part II. It is a welcome change that we have here, as the environment has been changed, and the blood and gore gets a lot down by a long way. The torture porn does go away this time, and this movie surely has its moments. There is no way that one will end up finding this one not entertaining; that is for sure.

Claws of flaw :: This is another thriller which surely had a lot of scope, and that is not used as one would have wanted. It could have explored the psychological side better, but it decides just to go weird without much of explanations. It also has too much of the ups and downs throughout its run. If you are looking for the erotica elements, that is going to be a disappointment, because it is also rare. A number of scenes also feel repetitive, and without the idea to bring the needed change and variety through the material which has already been used many times in a good number of ways. There was better chance to use the moments in the first half to reach a big climax and finish in the end which is unfortunately not that much there. The Naomi Watts starrer Funny Games from 2007 could do a home invasion thriller with a psychological side better, and You’re Next as well as The Strangers had their own ways of handling the horror with the home invasion!

Performers of the soul :: If you wanted to see Keanu Reeves as the chosen one or in the form of the chaser of demons, you are not going to have that here; this gets not even close, as his character remains hopeless for most of the time. The thoughts of the hero from The Matrix trilogy and Constantine takes the back-seat, as he once again brings a fine performance here as the protagonist completely in distress throughout the movie, starting from a few minutes into it. Never will you see the tendency to go John Wick around here, and there will be no samurai effect. The girls are good, and I would like to mention Ana de Armas more, as she manages to take a certain amount of cuteness to the wicked side; Lorenza Izzo has the evil side working strong in the movie too. I surely had my doubts, but they worked really well here!

How it finishes :: You have to admit that unlike most of the people, both the critics and the general audience had said, this is surely a good one – most of them surely had problems with how things went around with this movie only because they wanted something else, and it is from this strange and somewhat detestable want that the hate for this movie could rise. You have to watch this one to know that the same won’t affect your ability to like this flick. Unlike some mentions here and there, you can’t consider this one horror; for the same, you can look into the recent horror movie reviews including It Follows, The Vatican Tapes, Jessabelle, The Remaining, The Pyramid, The Lazarus Effect and The Woman in Black: Angel of Death; plus there is my personal favourite Gothic horror romance, Crimson Peak.

Release date: 9th October 2015
Running time: 99 minutes
Directed by: Eli Roth
Starring: Keanu Reeves, Lorenza Izzo, Ana de Armas, Ignacia Allamand, Aaron Burns, Colleen Camp

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Vettah

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What is the movie about? :: The City Police Commissioner, Sreebala IPS (Manju Warrier) is investigating a case about one missing actress and her old friend; the possibility of a kidnap and a murder is there, and all signs lead to one man only, Melvin Philip (Kunchacko Boban) who claims that he killed both of them and has buried the corpses at a certain location which he cannot remember. Further questions don’t reveal much as he keeps repeating one particular part of his tale. ACP Xylex Abraham (Indrajith Sukumaran) helps Sreebala in the case, and is troubled by his own family problems. The story of Melvin goes back to his own life, and his relationship with his wife Sherin (Kaadhal Sandhya) after an inter-faith marriage and the loss of their daughter, finally leading to the death of her too.

So, where does the investigation go from there? :: Here, during the questioning, Melvin talks to the police officers about trust and its role in life. With the case of Melvin, it is not incident of two people missing that comes to the light, but many facts which were rather hidden. There is the case the accident of Sreebala’s father (Vijayaraghavan), the relationship between Xylex and his wife as well as a lesser known past of Melvin, all coming to light, and each of these being connected to the other, the past to the present and the future, all things being revealed as the story progresses towards the end. So, will Sreebala and Xylex find the missing people, and are they really dead as Melvin says? Is Melvin really the culprit, and has he killed these people or is he just some random person who lost his sanity after the death of his wife and daughter?

The defence of Vettah :: The mind game factor remains the core of the movie, as manipulations make the most impact around here; the intelligent entertainer comes to the picture here. There is nothing of masala here though; for there exists no comedy and no action sequences at all as the brain game keeps going here. The final twist is a working one and does justice to the rest of the movie. The suspense is maintained well throughout the movie and we will keep guessing about how it will go towards the end. As this one released without a trailer, and a lot less known about the flick, there was a certain amount of mystery surrounding this one, and that brings the surprise to light. There are also some messages related to how the world works, as the movie takes one through the darker side where justice is rather difficult, and revenge becomes the more realistic option. The visuals are also very good.

Claws of flaw :: I am pretty much sure that a lot of people will have problems in following this movie due to its choice of following a different and more complex path. Some people would surely ask for more explanations, and if you miss some points, you will miss a lot. The movie also leaves a few occasions without making much impact, even though the moments could have been better. There is also a certain amount of slowness that you feel in here, and the pace could have actually increased better in the earlier stages too. A number of scenes could have been avoided or presented in another way, but it still works in the way that we see them. The story of each main character could have been separately developed, and that of Indrajith’s character could have used a lot more of ideas too. There is nothing much in the music.

Performers of the soul :: We haven’t seen Kunchacko Boban as someone with this much negative shades on that many occasions; and he has managed this one really well – he comes up with the biggest score here. There is a certain amount of wicked beauty about his character on a number of occasions, and it works really well for him. His smile is something that gives you the clue about what you are witnessing, which is part of a bigger plan, and it has the nice dark side waiting to unleash itself. It is a lot his movie rather than of any other. The idea that many people might have had earlier with the investigation belonging to the two police officer characters will take a u-turn related to this one. It is Kunchako’s biggest and the most interesting role in a commercial movie for a long time. He makes a lot happen here in style.

Further performers of the soul :: Manju Warrier has a good run in the first police role in her career, and the one role which remains serious through the run-time – it also becomes her only full serious role during her return, as Vettah allows no comedy as it goes direct and is strictly a serious flick. Coming right out of Rani Padmini and Jo and the Boy which were heavy in messages as well as Paavada which had her in a special appearance, she leaves a mark with the first flick with her as the leading actress. Beginning her second innings with How Old Are You?, I will say that she has had a very good run which continues – there is too much jealousy on the same as far as the fans of the rest are concerned though, which explains a certain amount of dislike or hate. Well, she is surely a lot better than the other other fake lady superstars who claim such a title!

How it finishes :: The final lead here, Indrajith Sukumaran is solid, but the character is left to less importance, and that is a case of something interesting gone missing. The one sad thing here is that with his demise, Vettah will be Rajesh Pillai’s last movie, and it is a terrible loss to the Malayalam movie industry. His Traffic was undoubtedly one of the best with the narrative, and also brought an amazing change at a time when Malayalam movie industry had more terrible movies than the good ones. His Mili was also one of the best of its kind, the only real movie to bring the introvert opinion to light in the right way – it was so good that it bothered a lot of people who couldn’t stand seeing an introvert as the leading character; which is why I consider it as the one righteous movie which gave voice to the lesser shown “others”. We will miss the visionary director.

Release date: 26th February 2016
Running time: 114 minutes
Directed by: Rajesh Pillai
Starring: Kunchacko Boban, Manju Warrier, Indrajith Sukumaran, Sandhya, Deepak Parambol, Rony David Raj, Prem Prakash, Vijayaraghavan, Kottayam Nazir, Baby Akshara Kishore, Baby Nandana Sajan, Akash Keralan, Jith Pirappancode

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✠ The Vampire Bat.