The Matrix: Resurrections

Vampire Owl: Do you remember the first time that we watched The Matrix?

Vampire Bat: Yes, you understood twenty five percent of the movie then.

Vampire Owl: I am sure that I understood more than fifty percentage of it.

Vampire Bat: You still had to read details about the story a hundred times.

Vampire Owl: I don’t remember having read the plot even once.

Vampire Bat: I remember that you did the same for the makers’ other film, Jupiter Ascending.

Vampire Owl: I don’t even remember watching that movie.

Vampire Bat: It was on the same day that you attended Mr Frankenstein‘s Grand Exhibition.

Vampire Owl: Dr Frankenstein has thousands of exhibitions every year.

Vampire Bat: You are talking about that many fake science exhibitions.

[Gets a paneer fried rice and three cups of white tea].

What is the movie about? :: Thomas Anderson (Keanu Reeves) is a game designer and the creator of a very popular video game series called The Matrix, which already had three games in the franchise. The game is based on his memories as Neo, which is not clear, but he does feel that there is a lot in his head which feels real. He is mostly happy with his life, as living as a famous game designer seems like a pretty good option. He keeps coming across a woman named Tiffany (Carrie-Anne Moss) who is a married woman with two kids, and she seems to be based on a main character whom he had designed for the video game, Trinity. He becomes friendly with her, and he likes him, but doesn’t seem to remember him at all, just like he is not sure how she became a part of his game. He struggles to separate his life and these strange memories, and his therapist gives him some strange pills in support. A young lady named Bugs (Jessica Henwick) finds this game simulation which is running an old code in a loop based on the time when Trinity had found Neo. With the help of a programme which has embodied Morpheus (Yahya Abdul-Mateen II) in a new form, she starts searching for answers, as Neo was supposed to be dead. Two of them combine the forces looking for Neo and finds him in the end.

So, what happens with the events here as we just keep looking? :: The machines sent by Bugs save him, and he is taken to her ship known as the Mnemosyne. He is taken to the new city of the human resistance, where a lot older Niobe (Jada Pinkett Smith) awaits them. She is not happy that Bugs brought Neo to the area which is now a safe house, and tells her that she and her crew of Lexy (Erendira Ibarra, Sequoia (Toby Onwumere), Berg (Brian J Smith) and others are now grounded with the ship. It turns out that sixty years have passed in the real world after the war between humans and machines had ended. Except for Niobe who now takes the decisions around there, mostly adamant and foolish, while everyone else from the original human resistance are now dead, including Morpheus as he was known, and had led the resistance earlier. She tells them that there was some peace achieved through his sacrifice, which lasted for some years, but eventually, things got worse. Now, can Trinity be freed? Can there be peace again?

The defence of The Matrix: Resurrections :: You know the thing about The Matrix, which means that you mostly know what can happen with this version too – the trailer had set the expectations going well. There is a lot of action for sure, and you do enjoy it, even though these are not things which you haven’t seen before – the fights go on in a stylish manner within the movie, and there are also some nice worlds built around here. The advanced special effects and computer generated imagery means that this particular world looks even better than how it used to be earlier. Here we have Keanu Reeves doing what he has been doing the best again, which is always a thing of quality – outside the world of John Wick, Neo is indeed an iconic character and we are never tired of watching him around there. The new additions of the cast are very much suited to this situation of post-apocalyptic science fiction action. After all, we know that this is the kind of situation which could happen at any point of time, with machines taking over being the best option for any apocalyptic event – the extinction of human kind is not something that we can resist. Then, this is a world which has no shortage of style.

The claws of flaw :: The Matrix: Resurrections which comes as the very late addition to the list of movies in a franchise which was far above the others of that time, doesn’t manage to live up to that hype or the grand expectations which were always present. When Neo is coming again after a long time, you expect that this is going to be something above all, but with the lack of innovation, they try to share the qualities that makes Neo with a female characters, which is pretty much the dumbest decision that they can do with some dumb romance added to a film which could have stopped that with the third movie and a few deaths. Actually, the third movie of the franchise served as such a fine ending, and this often keeps feeling a lot unnecessary. One has to wonder if any action sequences in this movie will be remembered much in comparison to the earlier movies, among which all of them had some special moments of fight scenes. The beginning is also too slow, leaving the film too long with so much of initial moments good enough to be cut. One would guess that this one is more intended to make some quick money on the fame which those classic movies had, but that attempt seems to have failed in rising up to the expectations too.

The performers of the soul :: We know that this has been the movie which made Keanu Reeves the huge star all around the world, even though I have always remembered him facing the devil in Constantine and Devil’s Advocate more than any others as well the vampire as Jonathan Harker in Bram Stoker’s Dracula of 1992, and maybe a few older people might go for Speed as the initial big thing from him. The new generation surely had John Wick with its sequels, and I do like his science fiction works like Replicas too. Yet, this is the one role in which almost everyone of my age would have wanted to see him again, and he is here, with the same strength that he had at that earlier point. Carrie-Anne Moss is someone whom we remembers for this franchise itself, and it is always good to see her back – she has become part of this world again really well. Yet, the actress who makes the most impact is Jessica Henwick, who played second fiddle in Underwater nicely, and she is indeed lovely – the baton should be passed on to her soon enough. Yahya Abdul-Mateen II doesn’t stand up to Laurence Fishburne, but remains okay. Erendira Ibarra also has a notable role. Jonathan Groff and Neil Patrick Harris are villains for the sake of being, as machines rule over them. Priyanka Chopra Jonas is there for the sake of being there.

How it finishes :: The big question about this particular movie is whether it was actually needed at all, for these are not the times when the first three movies came into existence, and the adaptation to the new audience who have witnessed all of these already, and then again through other movies would have had some strange feeling about watching this one. You are coming up with a sequel so many years later, and it would require something more than what was already seen, and this one falls flat on innovation. But, there is a lot of entertainment with the action happening all around, and nostalgia is something that sells, which means that we can always watch this version of The Matrix too, and hope that a great worthy sequel will be made at some other point of time. Until then, let us be happy enough with this one, and hope that the Corona virus would stop coming again and again, as watching movies like this at the theatre can mean more, even though I would always prefer the OTT versions. After all, becoming poor by paying so much for the movie tickets, parking and food after being in a traffic jam for such a long time, followed by dumb fans in a theatre is terror, no matter which one is the flick.

Release date: 22nd December 2021 (Theatre); 12th May 2022 (Amazon Prime Video)
Running time: 148 minutes
Directed by: Lana Wachowski
Starring: Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jonas, Jada Pinkett Smith

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@ Cemetery Watch
✠ The Vampire Bat.

Escape Room II

Vampire Owl: I am not that fond of the rooms from where one can escape.

Vampire Bat: Yes, you want those rooms from which escape is impossible.

Vampire Owl: You know that vampires have always wanted to make the best use of their dungeons.

Vampire Bat: The dungeons from which there is no escape; I have heard about them.

Vampire Owl: Almost all those dungeons below the castle are like that.

Vampire Bat: There is one exception though.

Vampire Owl: You are saying that there is a dungeon in the castle which allows people to escape.

Vampire Bat: Well, I don’t see why there wouldn’t be a loop hole.

Vampire Owl: So, there is always a small chance to escape.

Vampire Bat: Yes, there is always that hand of God.

[Gets a vegetable pizza and three cups of ginger tea].

What is the movie about? :: It is shown that a woman is locked within a hot shower room of a huge mansion and is burnt to death as she expresses her desire to leave her husband. She was left with clues to escape while showering, but was too late to use them to her advantage, leading to a painful death. This husband is shown as the man who is responsible for the escape rooms, and is certainly obsessed with the same. Zoey Davis (Taylor Russell) and Ben Miller (Logan Miller) are the only survivors of these escape rooms which were built by the Minos Corporation, and they plany to confront them after finding the coordinates to its headquarters in New York City. Zoey is aeorphobic, and therefore decides to find the corporation by driving all the way to New York, thus getting rid of the uneasy encounter. They do have nightmares about being in escape rooms whenever they are in closed spaces. When they reach the place where the headquarters of the corporation is supposed to be, they don’t find any workers our there, and there is only a vagrant who manages to steal Zoey’s necklace.

So, what happens with the events here as we just keep looking? :: As they chase the thief, they end up in an underground train which has its doors locked and the vehicle on a journey to the next station. The thief manages to get down before the door closes though. Their train car separates from the rest, and finds themselves being redirected to a remote station, as the two along with a few others are trapped in the carriage. They meet the other passengers Rachel (Holland Roden), Brianna (Indya Moore), Nathan (Thomas Cocquerel), and Theo (Carlito Olivero) inside, and it turns out that they are all winners from previous games in escape rooms. As the passengers understand that they are in trouble again, being locked in the train car which also gets electrified, not allowing them to touch anywhere. Now, they are forced to find the subway tokens which will open one of the doors. They keep looking for clues until it almost gets too late, and Theo is killed by electrification. The others do manage to find the clues and the tokens to escape.

And what more is with another escape room or more around here? :: The team finds out that all these survivors were part of groups which had their own type of people, like full of influencers, priests etc. Their next level is a bank which has a deadly laser security system that almost kills Brianna. There is a vault in the end of the bank’s room which seems to be the only way out, but they have to go past the lasers. They do find a certain clues out there, but it seems that they won’t be enough. There are references to a person named Sonya, but none of them are able to find all the necessary clues. Nathan decides to make a walk of faith in between, but that doesn’t seem to work either. This won’t be anything close to the final escape rooms, and getting out of the room is only going to be a small problem in comparison to what is to come next, including some seemingly outdoor rooms well designed in 3D. They are all upset about not being to crack the codes, but that is not going to lead them anywhere in a complicated world of mazes. Can at least one or two of these people make out of these rooms in time? Can anyone if not Zoey can bring this corporation in front of the law?

The defence of Escape Room 2: Tournament of Champions :: There is the continuation of what we had witnessed in the first movie, and we all know that the levels of the first movie was never enough for the eyes. Here, we have some more interesting rooms to escape from, and there is some fine detail related to each of them. There are multiple endings to keep one interested in a sequel, as there is scope for one or two in both of those finishes. The close battles that the participants have with the rooms assigned to them remain engaging, and with the time limits, things only get more interesting. The setting is there for another movie to continue the franchise and the performances are pretty good too. Taylor Russell leads well to continue the franchise, while the others provide support nicely. The special effects are used effectively to add to the efficiency of the rooms too. There are some twists added here and there, and there are indeed some different ones with those multiple endings that we see here.

The claws of flaw :: The movie doesn’t feel that new as we have already seen the establishment of the escape rooms well in the first movie, and it was an interesting venture indeed. There is not that much of an improvement on the design of the escape rooms – the same could have helped better with further innovations; we know that even the computer games need better levels every time, especially those dealing with puzzles and traps like Prince of Persia and Lara Croft: Tomb Raider series. It doesn’t use the possibilities to the best advantage in that case. As this is the second movie in the franchise, we were expecting to see that one grand level design which couldn’t be easily copied. The puzzles of escape could have also been better planned, for some of them don’t really feel interesting, with too much of absurd calculations there – things can be made difficult without adding too much of mathematics, the thing that we all have hated since school days. There can always be some hidden trapdoor or item; even a thing from the past to replace it.

How it finishes :: Escape Room 2: Tournament of Champions does remind us of the world that we are in, with no escape – that is one a philosophical note, even though there is a lot of truth in such a statement which serves more as warning than anything else. The movie does have more than version, which leads to different endings and divergent possibilities which can come later in a possible sequel. It does feel difficult to wonder about the better ending without watching both of them. This also makes one wonder which sequel we are all going to have at some later point of time. If the corona virus is not going to come back that strong again, maybe we are going to see a sequel of this franchise in the theatres too – after this rush of movies looking for screens end at a later point. With the puzzles leading to and beyond danger with twists, this is the kind of franchise that we are all looking for. After all, there are lots of puzzles and riddles that we face in every day life, as humans are all creatures of their own dangerous rooms of the mind with intrusions.

Release date: 16th July 2021 (Theatre); 20th September 2021 (Netflix)
Running time: 88 minutes
Directed by: Adam Robitel
Starring: Taylor Russell, Logan Miller, Deborah Ann Woll, Holland Roden, Indya Moore, Thomas Cocquerel, Carlito Olivero, Isabelle Fuhrman, James Frain

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@ Cemetery Watch
✠ The Vampire Bat.

Stowaway

Vampire Owl: Do you know that Doctor Frankenstein had a stowaway on his Ultimate Machine of Nightmares?

Vampire Bat: Why would someone want to have a ride of nightmares?

Vampire Owl: I guess they wanted to witness the greatness of this invention by the greatest scientist of all times?

Vampire Bat: Why are you not understanding that he is not a real scientist at all?

Vampire Owl: You are saying this because you studied arts only.

Vampire Bat: I am well aware of the way of science. Mr Frankenstein has no role in it.

Vampire Owl: You should understand that he can teleport you in a second or two.

Vampire Bat: Even those witches of the north can do that.

Vampire Owl: I am talking about teleportation to another realm.

Vampire Bat: He just creates a virtual reality within his laboratory and pretends that it is another realm. He cannot even teleport Uncle Dracula’s lost fangs.

[Gets a paneer masala dosa and three cups of elaichi tea].

What is the movie about? :: A two year mission to Mars has been approved for the spaceship, MTS-42, which has the mission commander Marina Barnett (Toni Collette), biologist David Kim (Daniel Dae Kim), and the ship’s doctor and researcher Zoe Levenson (Anna Kendrick) on board. They are taking the first steps to call Mars the second home, and each of them is very good with the needed abilities and extended training. Everything seems to go fine with the launch, and they are all glad to be on the way to a great expedition. Soon after the takeoff, they discover a launch support engineer, Michael Adams (Shamier Anderson), an unexpected traveler who seems to be caught and fallen unconscious between the two modules of the ship. As he falls down, the device that scrubs carbon-di-oxide from ship’s air is destroyed. They use use emergency lithium hydroxide canisters to get rid of the carbon-di-oxide from the air, but it doesn’t seem to be enough. Marina is not sure about what has happened here, and wonders if something strange is going on in the background.

So, what happens with the events here as we just keep looking? :: Michael wakes up and wants to go home, but everyone knows that a return is not possible now. He slowly adapts to the situation, as the company promises to help his sister to go through her life in his absence with guidance and monetary support. David begins cultivating his algae experiment of the ship before reaching Mars, as there is the need for some extra oxygen, but it is also not that much effective. The damage done to the carbon-di-oxide scrubbing device seems to be permanent, and their life support seems to be in trouble. If they are not able to find another method for the supply of oxygen, they are going to fall short of breathable air. The only option seems to be a spacewalk to climb the tethers of the spaceship and recover liquid oxygen from the upper stage of the rocket. Even though the other two are okay with it, Zoe is not ready to sacrifice Michael to make sure that they have enough oxygen for their journey, and the commander decides to wait for ten days to come up with a solution. But can they have one in time?

The defence of Stowaway :: The space and the spaceship around here are indeed well-detailed, and there is one final adventure to be done as the movie gets near its end, which provides a charming view of space. The world here has good detail, both outside and inside the spaceship. There is always the question about the significance of life of a person when it would mean the death of three others who are more important not just for one mission, but for the entire humanity. This something about the talks here, as there seems to be no clear solution for a problem. There are many routes which this movie seems to take too. The movie does talk about the importance of faith, belief and hope in life, even though it is indeed a double-edged sword which can end up ruining everything like a person too much motivated by a motivational speaker. Well, after all, we know that the life itself is about some tough choices that we make, and in the end, we are all just going to die a terrible death and lie a few feet under.

The claws of flaw :: The movie is surely slow, and never does it even try to get any faster, which is rather strange, as we look at all those possibilities which have been avoided. It doesn’t try to be that entertaining either, as the speed is never that much to keep us that much engaged with the possible thrills. There is that drag which is felt because the film has too many moments and dialogues which could have been avoided – a two hour movie was not needed to deal with this kind of a theme which never chooses to go bigger. The movie’s question does feel strange too, about humanity and all, because science has already brought extinction upon humanity, and most of the human beings do not deserve to saved. And, we all know that humans are not going to make that much of a sacrifice after thinking too much – so much of thoughts better lead to brutal murders. We don’t know that much about mission being undertaken here either, except for where it is headed, and related to some of the possibilities after reaching the destination.

The performers of the soul :: Among the performers, Anna Kendrick is the only one face that we seem to recognize at first sight. We have seen her in very less number of movies in the last few years, but as we see her again, she seems to be another actress who seems to get younger as time progress – we recognize her as almost the same as in those much earlier movies. Despite not being the commander, she is the true protagonist and heroine of the movie, and the one who is ready to make a different at any cost – she does the lady with the most conscience in a wonderful way. Toni Collette has been there for longer, but most of us have seen her in movies which are rather too old, which means that recognizing her would be difficult. She says good as the commander who has to take some very difficult decisions. Daniel Dae Kim plays the man with his own assumptions about success of the mission quite well. The only other character and the one who brings the change to the mission is Shamier Anderson, a job quite well done.

How it finishes :: There has been no shortage of interesting journey through space which Hollywood has undertaken – it was at times complicated like Interstellar, with great visual splendour of space like in Gravity, hope for colonization of another world like in The Martian, horror inside the spaceship like in Life, terror in space colonies like in Doom: Annihilation, searching for secrets of humanity like in Prometheus, more on drama and romance like in Passengers or even going the fully entertaining in Star Trek way. The Chinese had The Wandering Earth and the Koreans had Space Sweepers, now we have this one. Stowaway is closer to the genre of drama instead of becoming the thriller. It still has enough of the engaging moments, and also has the moral questions running through. Even though most of us will not get to space and will face the human extinction event, we will clap to the rich people going to space and living happily ever after, following the discoveries similar to that in this movie are made. Until then, we will watch similar movies again and again, adjusting to the interesting moments that they provide, as the apocalyptic event awaits with a terrible beauty ready to be unleashed.

Release date: 22nd April 2021 (Netflix)
Running time: 92 minutes
Directed by: Joe Penna
Starring: Anna Kendrick, Daniel Dae Kim, Shamier Anderson, Toni Collette

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@ Cemetery Watch
✠ The Vampire Bat.

Outside the Wire

Vampire Owl: The area beyond the Greater Cemetery is now considered outside the wire.

Vampire Bat: Do you feel that there is a war coming soon?

Vampire Owl: Well, humans are building more weapons of war.

Vampire Bat: You are thinking that those weapons are meant for us.

Vampire Owl: After they are done with most of their own, yes.

Vampire Bat: I don’t think that most of their weapons will have any effect on us.

Vampire Owl: The weapons of mass destruction will erase the world as we know it.

Vampire Bat: Such a destructive and disappointing species.

Vampire Owl: I will ask Doctor Frankenstein to come up with an invention which can go back in time and brutally murder all those human scientists whose inventions led to these new generation of weapons.

Vampire Bat: Mr Frankenstein‘s time machines made of vampire steel are as much fake as humanity’s love for each other.

[Gets a vancho cake and three cups of orange tea].

What is the movie about? :: The year is 2036, and there is a violent civil war going on in Eastern Europe between pro-Russian fighters and the local resistances in Ukraine, a struggle which seems to be nowhere close to reaching an end. After years of war, the United States has finally deployed their peacekeeping forces, and among them are the robotic soldiers known as GUMPs. But the team is ambushed, much to the dismay of the human soldiers. While disobeying a direct order, a drone pilot, Lieutanant Thomas Harp (Damson Idris) deploys a Hellfire missile against a suspected enemy missile launcher. The commander on the ground wanted time to save two marines who were caught in the danger zone, but Harp had felt that if he choose to delay the drone strike, all forty of them would die, and an attack would actually save thirty eight of them. But the senior officers do not believe in the same and considers him responsible for the death of those two soldiers.

So, what happens with the events here as we just keep looking? :: Despite not being court-martialed, Harp is redeployed to on-site combat duty at Camp Nathaniel, where the United States military forces have set a base of operations for the war in Ukraine. He is supposed to work with Captain Leo (Anthony Mackie), who seems to be very strict as well as experienced, but turns out to be a very advanced android super soldier, the first of his kind – experimental, but a seemingly perfect prototype machine masquerading as a top level human officer. At the base, this is a secret known only the the commander of the camp, Colonel Eckhart (Michael Kelly), and now Harp. Leo has come into existence only five years ago, but is already programmed to be an effective killing machine. Their ultimate aim is to stop the terrorist known as Victor Koval (Pilou Asbaek) from gaining control of a vast network of nuclear missile silos which were left in the Ukrainian SSR possessing most of the nuclear weapons of the Soviet Union.

And what more does the future hold in a world of chaos and destruction? :: Russia has lost any control which they had over the rebels, and the new powerful terrorist is very close to controlling most of Ukraine and also those missile launcher facilities – it would prove lethal for world peace as much as it would mean for Ukraine and its remaining resistance. It could be the end of the world with nukes in the hands of such a terrorist who doesn’t even have religion or any of the morals to control him. They come across a reported attack on a truck with was providing aids, leading to a stand-off between the United States soldiers and the local militias. But the armed locals and the pro-Russian insurgents are the least of their problems as the trained spies and snipers of Victor Koval are there, which means that the possible event which could lead to the end of the world is closer than they thought. Then, what if the most dangerous man in that part of the world also manages to get the secret codes to the nuke? After all, he would do anything to get them – paying in billions, using brutal force or anything.

The defence of Outside the Wire :: We notice that Outside the Wire has created a fine world for the science fiction elements to start working effectively, early enough. The visuals are really good in this war-torn world In the beginning, there is the feeling that this one would go through action-war mode, but that idea which was earlier challenged with a few machines and later made clear, has a few interesting points for everyone to ponder about. It talks about war and the human need for the same with effectiveness, and we do understand that all sides are almost the same and loves to see collateral damage with the death of so many civilians. There is the fine display of hidden hatred being displayed around here, and we see a lot of the true nature of humans, even the machines who are created by them. These are also the kind of things which would happen at some point of time in future, and we are all with knowledge about the world descending into chaos sooner or later. The action is very good for most of the time with melee combat and gunshots being there, and we are glad to see different elements coming together. Anthony Mackie and Damson Idris do some good work here.

The claws of flaw :: The movie doesn’t make the best use of its resources, as we see a world in not so distant future, with advanced technology and interesting weapons. The war machines could have been used with more effectiveness, as we see a lot of fights struggling to go big on different occasions. The world of war which has been created here could have more of similar products of science and technology at work. The basic idea that the movie was trying to prove could have been clearer, but here they choose to make things rather easy. There is no big action moment that stands out around here, even though there are so many human and machine soldiers around here. At times, the movie just seems to move around without much of a clue, and the ideas about the use and effectiveness of Artificial Intelligence never really gets as strong as it should have been. It does keep one wonder about how well Will Smith has performed in so many science fiction action movies in the past, the one man who would have fit in here so well, and even brought a lot of audience to this lesser known film.

How it finishes :: When we look close, Outside the Wire seems to be a movie which has predicted the Russian invasion of Ukraine in another form. The movie deals with the interesting scientific concepts and also talks about the human greed and their never-ending need for more wars, even though the fact that the film has focused only one side feels rather strange – humans have always wanted war, and they have always hated each other, which means that this is not something restricted to a nation or two and their allies. We have always been looking for science-fiction doing their best, as we never stop wondering about a post-apocalyptic future with science playing a major role in ending the world as we know it. As science has been continuously contributing to making the global warming worse and developing enough weapons of mass destruction, along with helping the Artificial Intelligence and other machines to take over, we are all looking for the apocalyptic event, and this one surely has shades of the same.

Release date: 15th January 2021 (Netflix)
Running time: 115 minutes
Directed by: Mikael Hafstrom
Starring: Anthony Mackie, Damson Idris, Emily Beecham, Michael Kelly, Pilou Asbaek, Kristina Tonteri-Young, Henry Garrett, Enzo Cilenti

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@ Cemetery Watch
✠ The Vampire Bat.

The Soul

Vampire Owl: Do you think that vampires can have an extra soul?

Vampire Bat: I don’t understand why one would require one as extra.

Vampire Owl: What if a soul is lost? We can use the other one.

Vampire Bat: The souls are not lost as long as we are living dead.

Vampire Owl: When did we start referring to the undead as living dead?

Vampire Bat: I am sure that we have always been the living dead.

Vampire Owl: Well, I wouldn’t argue as death is only the beginning.

Vampire Bat: There is no undead without the appropriate kind of death.

Vampire Owl: Maybe humans will also understand that death is the true solution.

Vampire Bat: They are less afraid to kill than to die, which is strange.

[Gets a mango cake and three cups of Munnar tea].

What is the movie about? :: Wang Shi-Cong (Samuel Ku), a very rich man and the founder of a medical firm developing cancer treatment based on ultra-modern technology is found murdered. His wife who has also remained a respectable figure, Li Yan (Sun Anke) is discovered to be holding the weapon used for the brutal murder, quite a strange knife-like blunt thing indeed. There are also some strange writings on the door and all over the walls. At the same time, Ah-Bao (Janine Chang), a detective is expecting a child very soon. Liang Wen-Chao (Chang Chen), her husband is having an advanced stage of cancer, and it doesn’t seem to get any better. His cancer seems to be spreading and resisting the existing modes of treatment, and the doctor gives them the advice to consider doing a RNA restoration technology. Liang, who has been working as a prosecutor, decides to join back, as a lot of money is required for his treatment – he had asked her to let him skip that costly treatment, but she has been very adamant in keeping him alive.

So, what happens with the events here as we just keep looking? :: Ah-Bao is assigned the case of Wang’s murder, and Liang goes on to become the prosecutor once again, much to the surprise of his wife who was expecting him to take rest. Li Yang tells them that it was their son, Wang Tian-You (Erek Lin) who committed some strange rituals in the same room and murdered his father who had earlier disinherited him because of his strange and unacceptable behaviour. They remember that he only comes back home rarely, and has the same symbol which was seen in the room, tattooed on his body. He has a lot of magical symbols tattooed on his body, and talks about some particular gods and spirits which are not that well-known. He was heartbroken after his mother, the first wife of Wang died, and has been talking about vengeance since then. It seems that other than his wife, the dead man had left another inheritance as the next in line. The detective also understands that the dead man used to have different affairs with many women, which had ruined their world. The first wife also had enough information about hier husband’s life.

What lies beneath the secrets which are unveiled around here? :: There is also the talk about the first wife placing a curse on Wang before death, and about the second wife coming out of an orphanage, with no roots. But they do understand that this particular woman had changed a lot after coming to the mansion. In the beginning, she was very nice to everyone around, and very careful in her behaviour. It felt as if she wanted to be good to make an impression. But that seems to change soon, as they look through the CCTV cameras for some old footages. She wasn’t the person whom she used to be, as she even started talking to nothingness, which she understood as ghosts. They wonder if it was a case of possession or the result of some drugs which were introduced by the medical firm. A bigger surprise is that she who was a right-hander is now a left-hander. Is it science or some dark curse which is behind all of these? After all, isn’t science the modern necromancy? How many secrets can this particular world hold? There seems to be something really strange going on around here, and is anyone good enough to find the truth?

The defence of The Soul a.k.a. Ji Hun :: The movie never stops keeping us interested in the mystery of science or magic, whichever seems to surround a grand investigation. It does keep us guessing through its run, and is very much effective in doing the same. The twists are very much unpredictable, and with so many red herrings around, one only keeps wondering about how good are the characters who have figured it out inside the tale. At a specific point, you make a guess about the characters, and then you have to think differently about them. At one point, you feel that there is the talk about soul in its original form, but then all you see is science. You wonder about psychological problems and demonic possession at the same time. In the end, it is not anywhere close to what you were thinking in the early stages, and there is so much going on around there. Any more revealing would annihilate the beauty of the surprise and twists in here. The movie moves forward beautifully, as if it is poetry in motion, and the level of immersion of the audience that it provides is simply magnificent. The emotional side does help further in its movement forward – you do feel them running strong. The visuals and the music also remains extraordinary and contributes well to the dark beauty.

Positives and negatives :: The movie’s slowness also has a certain amount of beauty related to it, and we watch it move as if part of an elegy written in memory. Well, there is no doubt that it could have traveled somewhat a quicker path as it seems to be in need of being called a thriller rather than anything else – yet, it can be said that The Soul keeps us immersed around here, even without picking up the pace that much when it could have done the same. The details in each moment will still make sure that you are always attentive around here, and there are some top performers to support the same. Chang Chen gets into this character so well that we become attached to the same – there is a lot of immersion into the plight of the character taking place here, and that feels unbelievably realistic. In the beginning, one feels that Janine Chang is the one playing the protagonist, and even though she is not the one doing that, blends in perfectly, and excels in the emotional moments. Then there is Sun Anke who plays the woman in identity crisis with a lot of perfection – it is a role which requires a lot of dedication, and her different expressions are so much of the reflection of her calibre.

How it finishes :: The movie has one of the most complicated plots than any film has had in a long time, and it makes sure that we are always guessing. There has not been many movies which had our guesses going wrong by such a long way. By the end of the film, you are standing on a lot different ground than where you found yourself in the beginning. Well, the world of science and spiritual beliefs can both be strange enough, and this one makes use of both, while placing them in a corporate world where the only thing that reigns supreme is selfishness and a display of a fake “normal” image. I would consider this to be the best movie of the year and also the best film which I have found on Netflix among the last few years’ releases. Then, there is also those final questions which the movie leaves for all of us – what makes one a person? Is it the soul? In that case, where does the soul lie? In the memories of the brain or the emotions of the heart? Or is it something which has no real shape or size to be seen? Well, we will never know, that seems to be a surety. Until then, there are some fine Chinese movies to watch.

Release date: 29th January 2021 (China); 14th April 2021 (Netflix)
Running time: 130 minutes
Directed by: Cheng Wei-hao
Starring: Chang Chen, Janine Chang, Sun Anke, Christopher Lee, Baijia Zhang, Erek Lin, Samuel Ku, Daniel Chang, Lu Hsueh-feng

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@ Cemetery Watch
✠ The Vampire Bat.

The Forever Purge

Vampire Owl: I have always been support of the purge.

Vampire Bat: This is not about the purge unleashed on the werewolves.

Vampire Owl: Well, there is no purge without enough blood.

Vampire Bat: Blood is just a motive, nothing more.

Vampire Owl: You have to spill the blood. Otherwise, there is no purge.

Vampire Bat: Well, I have enjoyed all the movies of this franchise with or without it.

Vampire Owl: It is natural, as the evil human nature is shown there.

Vampire Bat: The never ending love for hatred and violence.

Vampire Owl: My disappointment is that they are still not extinct.

Vampire Bat: The hate helps them to survive at the expense of others of their kind.

[Gets a blueberry cake and three cups of iced tea].

What is the movie about? :: The year is 2048, and after the incidents of the previous movie, the New Founding Fathers of America regained control of the United States government – as some had predicted, the first thing which happened was that they brought back the annual purge. The annual event during which all crime is legal and emergency services remain suspended gets its say again. According to them, this would keep the United States mostly crime-free with less unemployment as well as hatred, and despite the many protests against it, the purge goes strong. With only a few days left for the purge, people are worried that the rising racial feeling would make this purge worse than it has ever been – some feel that it just won’t be over by the end of the day. There are people buying a lot of weapons, and there are special offers on gun stores as the event gets closer. Most of the immigrants are not that worried about the purge as they don’t really know what it is really about. Juan (Tenoch Huerta) and Adela (Ana de la Reguera) are such a couple who have come all the way from Mexico, and have found work in Texas.

So, what happens with the events here as we just keep looking? :: Juan and Adela join a group of migrants who have taken refuge within a walled area with security guards. It seems to be pretty much a safe place, but is not perfect. As all crimes including murder becomes legal and the siren is set off, the migrants are somewhat upset, but on another side, there are lots of people who are rather too happy. Soon enough, a nationalist group calling themselves the real patriots of America – the Purge Purification Group passes through the area with intentions to kill people whom they feel as non-American. Adela finds out that there are people being tortured inside the vehicles, and wishes to save them, but is stopped by the mercenaries who know that it would lead these people to attack them instead. Much to the surprise of most of the Americans, the purge seems to get over without many incidents of terror reported. It seems to be one of the most peaceful purges ever despite happening after such a long time.

And what more can a purge bring for us? :: Next day, Adela who returns to her work, doesn’t find anyone there, and it seems rather strange. As she opens a cage, she finds her locked in a precarious position with her neck and arms brutally squeezed within steel bars. As she struggles to break free, purgers attack her, and plays with her helplessness, threatening to kill her. At the same time, the family which had employed Juan at their farmhouse is captured by some of their employees who tells them that the purge will never be over, and that this is a “forever purge”. The helpless family is tied up and gagged, while they declare themselves the owners of the place. They also threaten to murder the pregnant Cassie Tucker (Cassidy Freeman) when Juan decides to interfere. But even if both Juan and Adela escape with this particular family, how far can they go? Two neighbouring countries, Canada and Mexico have temporarily opened the borders for the unarmed civilians of the United States looking for refuge, but with the martial law already declared, can they reach one of those areas at the edge and find a path out of death?

The defence of The Forever Purge :: This is a very well made movie about purge, and they have managed to create something more efficient with its tale and full of more action in comparison to its predecessor. The movie has some fine moments of Mad Max: Fury Road action in the final moments too, but the action here is surely kept more realistic than in any other action movie in such a setting. The movie’s best part is the initial trap scene – it came at a time when everything seemed very normal; that was one fine innovation with the previous movies didn’t have. We might end up asking for more traps after that one. There are other scenes of surprise too, and this struggle for survival keeps us interested at all times. The extension of the brutality here seems to assert that violence is forever, and until extinction, humans will continue to be hostile to their kind, directly or indirectly. The message of unity reminds us that the same might not be possible at all, and despite the movie’s focus country this is spread all over the world in a more terrible manner. Evil is displayed as the reality that exists in the form of humans – the realistic world will approve of the same and give a salute.

Positives and negatives :: The movie possesses a fine cast for an action movie. Ana de la Reguera who played a similar role in Army of the Dead, seems to be owning the roles with action and thrills with great skills, and along with Ana de Armas of Deep Water who shares the first name with her, only seems to be getting younger as we watch more and more of their movies. The two from Mexico and Cuba are among the favourites now. Tenoch Huerta and Josh Lucas make a good action team too. There were many more twisted moments which could have been added here though, as purging is not really the thing which can have any positive elements – people around here do try the same with those harthals and bandhs though, even though the strikes are given some reasons for sure. There could have been the presence of more purgers though, and some fine methods of torture and execution being used by them – after all, they are shown as some of the most brutal people around who enjoy punishing and murdering the others whom they think do not belong with them, and that calls for further violence.

How it finishes :: Among the movies about purge, I would consider this to be the third best, after The Purge and The Purge Anarchy. The First Purge was a forced film. This is also the most action-filled and has a wider level of application with its basic idea. It also leaves scope for a sequel, which can serve as something like a post-apocalyptic movie. One another day, there could have been a post-apocalyptic science fiction dystopia with a similar world. This is the kind of movie which wouldn’t fit into horror directly, but surely generates enough fear about the reality about human mind. The franchise continues to make us realize again and again that the humans are not to be trusted, and in the absence of law and order, they would do worse than the children of Lord of the Flies – it was one thing which William Golding got perfectly correct about humanity and their evil children. Well, you wait for that day when all chaos will break out, and then purge will be a natural thing like the bandh and harthal where people rejoice in attacking others and public property. You think about it, and you realize that the purge is already here.

Release date: 2nd July 2021
Running time: 103 minutes
Directed by: Everardo Valerio Gout
Starring: Ana de la Reguera, Cassidy Freeman, Tenoch Huerta, Josh Lucas, Leven Rambin, Will Patton, Alejandro Edda, Will Patton, Will Brittain, Sammi Rotibi, Zahn McClarnon, Veronica Falcon

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@ Cemetery Watch
✠ The Vampire Bat.

Halloween Kills

Vampire Owl: So we are having Halloween two times again.

Vampire Bat: We have the movie as much as we have the festival.

Vampire Owl: I don’t even remember much about the earlier movies.

Vampire Bat: Well, that was indeed too long ago for anyone to remember.

Vampire Owl: Well, we vampires remember things from hundreds of years ago.

Vampire Bat: That won’t include things like these.

Vampire Owl: These are all parts of life too.

Vampire Bat: World within movies don’t count as part of life.

Vampire Owl: What about the realistic ones which stay close to life?

Vampire Bat: Maybe we can say so about a few vampire movies.

[Gets a strawberry cake and three cups of orange tea].

What is the movie about? :: Deputy Frank Hawkins (Will Patton and Thomas Mann) is left for the dead, but is found by Cameron Elam (Dylan Arnold) who seems to be coming right out of a break-up. Forty years earlier, he had accidentally shot his partner dead while trying to save him from the psycho serial killer, Michael Myers (James Jude Courtney and Nick Castle). Even though he was against the execution earlier, this time he hopes to finish him off. Meanwhile, the survivors are celebrating the fortieth anniversary of Michael being caught, and all of them surviving against all odds. As he seems to be spotted in a car again, Tommy Doyl (Anthony Michael Hall) with the other survivors, supported by the people of the town, comes together to try and hunt him. Allyson Nelson (Andi Matichak) and Karen Nelson (Judy Greer), along with the heavily injured Laurie Strode (Jamie Lee Curtis) are left in the hospital, and seems to be an easy target for Michael, but the town tries to rely on the strength in numbers to find and kill the killer.

So, what happens with the events here as we just keep looking? :: It seems that Michael is going towards his childhood home, but on the way, he leaves a trail of bodies including those who had started hunting for him. The bodies keep coming to the hospital where Frank and Laurie are admitted, and they also come to know that Michael is on the hunt again. The people of the hospital also promises to come together and end the legend of Michael Myers for the last time despite the police officers telling them that they got this under control. At the same time, Michael murders the present owners of his house who were expecting children for the Halloween night. Meanwhile, people misunderstands another person who escaped with Michael as the killer and goes on a rampage against him. But Laurie and Karen are sure that this person is not him – nobody can stop Tommy though, who is determined to stop what he calls ultimate evil. Are any of these people good enough to stop the danger that lurks in the shadows with a white mask?

The defence of Halloween Kills :: Even though the full essence of a slasher movie is not here with Halloween Kills, there is enough of kills to give some justice to the genre – the elements of old style horror has been mostly lost with the new generation horror, and so that is not something new for our eyes. Having a killer for Halloween never gets old, and after all, Michael Myers is a serial killer of legendary status along with Jason Voorhees of Friday the 13th, Freddy Krueger of A Nightmare of Elm Street, Ghostface of Scream, Jesse Cromeans of Chrome Skull, Ben Willis of I Know What You did Last Summer, Rusty Nail of Joy Ride and Leatherface of The Texas Chainsaw Massacre. All these killers belong to a league of their own, and we enjoy watching them do what they do the best. The background music is effective, and there are some fine creepy scenes which lift the movie. The setting of night and the atmosphere are well created too, and the elements of nostalgia will work very well for the older fans.

The claws of flaw :: It is disappointing to see that this movie depends too much on nostalgia – getting old people to fight the seemingly invincible antagonist is a dumb idea; bringing the old woman back for Terminator: Dark Fate was as foolish as we know it; brining Arnold Schwarzenegger was okay as he was at least a machine from the future and not a human. Now, if this movie is going to have Jamie Lee Curtis kill the murderer in a sequel, that is going to be as foolish as Linda Hamilton – Sarah Connor nonsense. The movie could learn something from My Bloody Valentine which used its modern makeover with its scream queens Jaime King and Betsy Rue so effectively, leaving some iconic scenes which could rise above even that original film from 1981. Halloween franchise actually have had so many earlier movies to learn from and bring innovation, but has none of these done, not even close to getting as much as Friday the 13th and A Nightmare on Elm Street could do with the sequels and reboots. You cannot live with a well-known killer alone. There’s Someone Inside Your House, Malignant and Nobody Sleeps in the Woods Tonight made it clear.

The performers of the soul :: Andi Matichak and Judy Greer who plays daughter and mother steals the show here. The former seems to have a fine path ahead of her to become a scream queen of high quality, as she seems to have been enrolled into the slasher world effectively through this franchise. She would shine in an action and adventure movie with the same effectiveness, seeing her determination and attraction towards action. Judy is not far behind in that case, and as an actress whom we have been seeing for long, gets into the genre well too. Jamie Lee Curtis remains useless as the character who remains in the hospital all the time, and the makers should stop putting old people like her and Linda Hamilton in front of serial killers just because they were featured in earlier horror movies of the same franchise – the antagonist Michael Myers is ageless, but these people are not, and nobody is going to believe that the senior citizens are the only ones who can stop of a nearly supernatural serial killer who can kill as many people whenever he likes. Will Patton’s role is also limited into the hospital soon enough.

How it finishes :: The movie manages to manage as another pretty good slasher with its antagonist, kills, use of darkness and some nice music in the background. But the movie that one would be worried about might be Halloween Ends, which will be the final film of the franchise as it seems. From the description, it seems to bring a senior citizen against the seemingly unstoppable serial killer – if you ask me, it is something which is really cruel, unless she somehow defeats the killer, which calls for that much of a willing suspension of disbelief as in the mass masala movies. It is also disappointing to see that a grand serial killer like Michael Myers is not given the story that he deserves. It makes me wonder if this is the worst film of the whole slasher series. The reboots can learn some thing from the new Wrong Turn. Yet, we have this one becoming a natural serial killer journey with lots of murders and bodies piling up everywhere. If that is all which we need, there is no need to look further. We can watch the terror which started a long time ago unleashing again.

Release date: 15th October 2021
Running time: 105 minutes
Directed by: David Gordon Green
Starring: Andi Matichak, Judy Greer, Jamie Lee Curtis, Will Patton, Thomas Mann, Anthony Michael Hall, Kyle Richards, Dylan Arnold, Charles Cyphers, Nancy Stephens, James Jude Courtney, Nick Castle, Airon Armstrong, Christian Michael, Carmela McNeal, Michael Smallwood

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@ Cemetery Watch
✠ The Vampire Bat.

Antlers

Vampire Owl: I haven’t seen a more interesting poster in a very long time.

Vampire Bat: Horror does need such posters to show divergence in fear.

Vampire Owl: Fear should always be the same, right?

Vampire Bat: Unless you are a vampire, or maybe zombie.

Vampire Owl: You are talking about a different smell of fear.

Vampire Bat: You should be aware of the fear potions of the witches.

Vampire Owl: Those potions never really work.

Vampire Bat: I know that you trust the pseudo-scientific elixirs of Mr Frankenstein better.

Vampire Owl: Doctor Frankenstein has opened portals with elixirs.

Vampire Bat: Those were ancient portals found hidden in the caves beneath the castle!

[Gets a red velvet cake and three cups of cardamom tea].

What is the movie about? :: In the beginning, there is a warning that Mother Earth has been pillaged, with her life’s blood taken away, and this terrible act has awakened a spirit which needs to be feared – it would seek the lost, frail and the depraved, and asks the viewers to hope and pray that it won’t take one among them. The scene cuts to Cispus Falls, a small town in Oregon which feels dark with an eerie feeling. There, in an inactive mine, Frank Weaver (Scott Haze) runs a meth lab within an inactive mine which used to serve the town’s economy a long time ago. Frank and his co-worker hears some strange noises from within the mine, and goes on to check the same. As they doubt that it is an animal and tries to escape, find themselves attacked by an unseen creature. Frank’s son Aiden Weaver (Sawyer Jones) waits for him outside the mine, failing to understand what has happened inside. His elder brother as Lucas Weaver (Jeremy T Thomas) is considered to be strange by his classmates and teachers, but Julia Meadows (Keri Russell) who teaches about myths and fables is determined to help him.

So, what happens with the events here as we just keep looking? :: Julia remembers the abuse she suffered as a child in the hands of her alcoholic father who was also mentally ill – she feels that he is also suffering from something similar. Paul Meadows (Jesse Plemons), her brother is the local sheriff – she had abandoned him a long time ago, but has now returned home from California following the death of their father. She feels that she shouldn’t have left the place, and tries to help another person as she can, this time, Lucas. She tries to bond with him, but there is no success at all – she tries to visit his house, but leaves after hearing some strange noises from inside. Lucas seems to have some some mystery locked within his house, and also takes dead animals and birds to his home. He stays awake at night and makes strange drawings. Julia feels that she really needs to get to the bottom of this, and also informs her brother, who reaffirms that Frank was considered fit to be the guardian of the two children after the mother’s death – now, what would she do?

The defence of Antlers :: It can be seen that Antlers does take the deviation from the usual horror, and this divergence is taken seriously throughout its narrative – it lets the surroundings contribute to the same really well. The environment and the setting serve effectively for the movie too. The small town with its dark and wet weather really suits the situation presented around here, and there is enough of the woods to keep one going in the mood of terror. The idea of the “diabolic wickedness that devours humans”, the spirit that takes many forms, makes a powerful myth around here. There is also a connection made to the destruction of nature which the humans managed to come up with. One wouldn’t be able to blame the monsters considering how evil the humans happen to be at every point. We also have the moments of scares, and that gets stronger with the understanding that there is a seemingly unstoppable force of nature at work. Add the performance, especially from children, and things only get much darker and scarier in nature.

The claws of flaw :: There is no doubt about the fact that Antlers had the premise to be something greater, but doesn’t use the same to the best of advantage. We do see the moments which we feel could have been better. When you have such a near-unstoppable monster at the centre, there are many things that can be done – it could have surely been designed better too. The emotional side doesn’t seem to work that much, even though we are waiting for those elements to be effective too. The myth could have also been given a boost with certain elements from the past, and a history to be remembered. One can generate enough fear out of that too. The scope for sequel at the end seems to be forced, as if there was a certain need rather than anything else. One can feel the need to remind the viewer of a myth that goes missing, but that requires more of a better origins story with roots in a mysterious past – let the horror run through there too.

The performers of the soul :: Keri Russell has been among my favourite actresses from a long time ago – she carries a certain amount of charm with her roles, even though horror hasn’t been the genre we would remember her the most for. She would make it to the list of performers who don’t seem to age much as years pass. She blends in really well as this protagonist who has her own problems from childhood itself. Jesse Plemons supports her really well as the brother figure and the policeman. Jeremy T Thomas gets his moments as the struggling child who is forced to make too many decisions at such a young age. Scott Haze gets into the terrifying moments around here well. Sawyer Jones plays the other child of significance in a role which brings a fair challenge to him. Amy Madigan ends up having a smaller role to work with than what was expected. Rory Cochrane’s work is another thing of support here. The monster when shown, works as a performer by itself.

How it finishes :: Antlers keeps on moving the world of horror forward in a different path for a change, and the world of fear continues to make its points in one way or the other. One does feel that the Malayalam movie Odiyan could have learned a few things from this one with the creature attacks and the atmosphere to make it darker – if you see the looks, there seems to a visual connection. The earlier divergent horror movies like Malignant, Lights Out, It Follows and Don’t Breathe had scored better, but this one tries to make it count. Maybe, something like the creature in this movie is the need of environment itself to take care of the humans who are destroying nature as we have known it. Well, Corona virus did try, but they were not successful in getting rid of humanity and its use of science to destroy environment. It does make us feel that there can be the moment when nature can get it back running – The Blackout surely made us think about human extinction. Until something like that happens, let us enjoy this horror out of nature.

Release date: 29th October 2021 (Theatre); 15th December 2021 (Hotstar)
Running time: 99 minutes
Directed by: Scott Cooper
Starring: Keri Russell, Jesse Plemons, Jeremy T Thomas, Graham Greene, Scott Haze, Rory Cochrane, Amy Madigan

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@ Cemetery Watch
✠ The Vampire Bat.

Army of Thieves

Vampire Owl: And now we are talking about some thieves.

Vampire Bat: We are not talking about the thieves who raided the vampire outpost.

Vampire Owl: There are other thieves who should be of our concern?

Vampire Bat: They don’t break into the Dracula castle, so not our concern.

Vampire Owl: Well, they can steal from the zombies and werewolves.

Vampire Bat: What would they steal from a zombie? A lost brain?

Vampire Owl: There is always something to steal for those who want to.

Vampire Bat: Okay, like stealing a witch’s heart.

Vampire Owl: A vampire thief would go for blood instead.

Vampire Bat: Vampires have never been real thieves. We steal only the appreciation with some special claps.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Sebastian Schlencht-Wohnert (Matthias Schweighofer) is living a common, boring life, working in a bank in the German city of Potsdam. He is used to coming up with Youtube videos about safecreacking that has no viewers and zero comments until someone leaves a comment on his most recent video, about a safecracking competition. He has nightmares about zombies after watching news about the creatures unleashing themselves in Las Vegas, forcing the United States government to send the military forces there, only to mess up the whole thing, leading to a final quarantine of the whole area. He goes on to win the competition, shocking everyone. The very nexy day, Gwendoline Starr (Nathalie Emmanuel) introduces herself, a skilled jewel thief who had commented upon his YouTube video. Gwendoline then introduces herself to the man, a skilled and Interpol wanted jewel thief who had commented upon his YouTube video so that she could recruit him for one grand heist which nobody has done before, after which they will have the perfect life without the mundane bothering them again.

So, what happens with the events here as we just keep looking? :: She would have Sebastian as the safecracker, she would be thief, Korina Dominguez (Ruby O Fee) their expert hacker who has been doing it from the age of ten, Rolph (Guz Khan) their getaway driver and Brad Cage (Stuart Martin) their gunman to keep them safe during the whole heist which is going to be one grand adventure. Rolph doesn’t like Sebastian at all, while Brad hopes that he doesn’t mess this up. For meeting up and as a safe house, they have chosen a house which is off the grid. They have to break into three banks which have three safes created by a legendary locksmith. The first one is in Paris, and has the least amount of money. They feel that this might be the easiest of them all, but it might be more difficult than they think, and the other two are long way ahead as far as the difficulty level is concerned. The last two will be in two other European countries, Czech Republic and Switzerland, and shall require better planning than the one in French, with even better team work, but the question remains if they are good enough to pull up those heists as a team – then there is Interpol after them.

The defence of Army of Thieves :: There has been the shortage of some good heist movies, and the biggest release of the genre was Red Notice – it was focusing more on its superstars rather than the act of heist itself, and we have this one which basically focuses on the act in a much better way. There is some quick action with the heist going on with some fine plans in the background – each heist is basically a different thing, as we look at them, and there are some fine detail associated with them too. Also, in comparison to the earlier movie, Army of the Dead, this is a much light-hearted version, and there is also the presence of some nice humour here, suiting the heist genre. The safecracking is nice to watch in all cases, and there is a certain amount of humour and some information being added to each of them. It serves as a stepping stone to the next movie well, and has the origin story of one particular character, as we wait for the same with the others too. We know that how things turn around with the next movie!

Positives and negatives :: As this movie goes back from the zombies to humans, there is surely the feeling of relegation, even though it does its job as it was supposed to do. The film also lacks a power-packed hero like Dave Bautista who had held the previous movie on his gun point with the muscles. The female characters do hold on well enough though. This movie, even if shorter than the other film of the franchise, does feel longer, as this one does have some random time in the beginning, and also some romance to go with it, which means that there is a stretch, even though the interesting way of telling this story makes sure that we are past it. The visuals are also really good, with locations in three European countries – France, Czech Republic and Switzerland. The beauty of Europe does get the due, and the focus is not just on the big cities, but also nature, with the final moments having one grand truck journey through a beautiful world, which is to be remembered too. Well, a heist movie without zombie horror means that this is also for the less valiant.

The performers of the soul :: Matthias Schweighofer leads in the movie, even though he doesn’t do the same with team, taking time to get into it, and manages to come up with a fine job as he goes through the whole thing. He is also the director of this movie, and it seems that he has a lot to do in different fields. Yet, with the performance, it is Nathalie Emmanuel who steals the show, and it is very unlike her in the Fast and Furious as well as The Maze Runner series of movies, as this time, she plays the best character around here. It is also the one with the most skills, and the person who leads and decides things, a role which Dave Bautista did in Army of the Dead. Ruby O Fee who plays the other female member of the team doesn’t fall behind either, as she plays the hacker who does most of the background work for the team. Stuart Martin and Guz Khan are secondary in this team, even though they seem to take over in the beginning stages of the mission in the movie. Jonathan Cohen and Noemie Nakai do add nicely here too.

How it finishes :: Army of Thieves doesn’t have the strength as the earlier movie of the franchise, Army of the Dead had, for one particular reason – it doesn’t have the zombies, and is thus missing the horror elements, but still manages to be a very entertaining heist movie with quality action and humour being the necessary part of it. Some people might not like the fact that this is a prequel, and it doesn’t mention the zombies enough, but we know that dealing with thieves and their heists mean that there can only be a little bit of the monsters of Las Vegas. It does connect to the events of the second movie in the end nicely, and we can actually come out of this movie as having watched an entertainer which sticks to the plan. Well, we have had many films being marketed as big entertainers, and so many of them didn’t live up-to the expectation, or at times managed to overdo and mess up things. But, this one stays strong as the prequel that it was supposed to become, and joins the smart heist movies list in style.

Release date: 29th October 2021 (Netflix)
Running time: 127 minutes
Directed by: Matthias Schweighofer
Starring: Matthias Schweighofer, Nathalie Emmanuel, Ruby O Fee, Stuart Martin, Guz Khan, Jonathan Cohen, Noemie Nakai, Barbara Meier, Peter Hosking, Fanette Ronjat, Amy Huck, Peter Simonischek, Dave Bautista, Ana de la Reguera, Bly Tanaka

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@ Cemetery Watch
✠ The Vampire Bat.

Antakshari

Vampire Owl: This reminds us of the great game that we had in the castle.

Vampire Bat: The human game was indeed interesting.

Vampire Owl: Yet, humans play more of the evil games.

Vampire Bat: It is just a part of their evil nature.

Vampire Owl: Evil is part of their nature more than ever these days.

Vampire Bat: Can you guess how many evil humans are in this movie?

Vampire Owl: I am guessing that at least ninety five percent of them will be evil.

Vampire Bat: It is not really a big percentage for any group of humans.

Vampire Owl: Doctor Frankenstein has determined it be as high as ninety nine most of the time.

Vampire Bat: I don’t think that this has anything to do with Mr Frankenstein and his fake experiments of no meaning.

[Gets a chicken samosa and three cups of orange tea].

What is the movie about? :: Circle Inspector Das (Saiju Kurup) is the officer in charge of a police station in the remote area of a hilly terrain, where Srinivas (Sudhi Koppa) joins as a probationary officer while hoping to solve a big case as soon as possible. Das gets into a fight with Vasudevan (Vijay Babu), who is a local leader of a prominent party, and also has multiple business interests. On the very next day, Das’ daughter is almost strangled to death by a man wearing a paper mask, saved only because of his wife Chitra (Priyanka Nair) noticing it at the right time. Despite threatening Das and his family before, Vasudevan denies any kind of involvement in the act, affirming that his problems are solved face to face, and there will be no hiding. Das has the habit of playing antakshari where each person sings a song, and the next person begins with the letter on which the previous person’s song ended. On the day on which his daughter was attacked, he had also received a call from an unknown number asking him to sing a song, or his daughter will be singing instead.

So, what happens with the events here as we just keep looking? :: Their senior officer Jayachandran (Binu Pappu) and the local head constable Hariharan (Kottayam Ramesh) are not really fond of Das, as they are on the side of Vasudevan, and do not want him to solve too mysterious a case. He also comes against a strange, mute girl named Nayana (Ishita Singh) who has come to her grandparents’ home from Delhi. There is something about her, as she also seems to be hiding some secrets which nobody would want to know. Das and Srinivas slowly, but effectively connects the dots and finds out that similar murders have happened before, but police had closed the cases. Some of those murders were also considered to be accidents, and the deaths of the fathers after the murders of their children were considered to be accidents or suicides as a result of alcoholism and depression. The two officers end up finding a chain of events which lead a long way back, but will they be able to find the person behind it in time or is there another murder on the path?

The defence of Antakshari :: The movie has a police officer who is rather ordinary, and it has his struggles in finding the psychotic murderer, who is really that crazy as in Forensic, and very unlike the non-psychotic revenge seeker in Anjaam Pathira. The cop doesn’t have that much of a flaw as the protagonist of Memories, but is very much relatable with a usual kind of family and personal problems. The movie is shot nicely, and with some fine performances, leaves scope for a possible sequel – despite the low chances, we hope that such an attempt is made; there are also other similar trials of investigation which can be combined with this one to create a shared universe. Such a sequel can also talk about those elements of this movie which seems lost, and maybe, it can be a serial killer universe instead of a cop universe. This is the kind of movie which Bollywood would use to make a super-cop, but thankfully, we don’t leave it in their hands. The movie doesn’t take the predictable path either, as there seems to be the possibility of fun discovered in taking the road less taken, on the lines of Robert Frost.

The claws of flaw :: Antakshari is quite slow in its progression, and there are characters who don’t really play much of a role in moving the tale forward. A few things also go without explanations. The whole saga of one family with an abusive father, frustrated mother, music-playing son and cat-loving daughter facing a mysterious girl don’t fit in here at all – neither do the broken guitar and dead cat. This is that kind of a family which could have been there for namesake, but so much of time is wasted on them. If a red herring was intended, that should have been a part of the storyline – there was another villain out there who could have served the same. The young engineering student who is in love with a mysterious mute girl makes no sense, even if the vampires were to turn cent percent vegetarian. Without these moments, the movie could have been shorter, and the pacing could have surely been better. This one lets the lost moments go lost rather than get it back and link them. There were so many paths that this film could have taken, that is for sure.

The performers of the soul :: Saiju Kurup shines really well as the police inspector who has this investigation on a personal level rather than anything else, like Joju George of Joseph. He has been one actor who didn’t get enough opportunities to lead, but this is one chance which he holds on to. He is someone who suits this kind of a police officer really well. Sudhi Koppa plays the role of the supporting officer well, and it is also not a role he is stranger to. He is another performer whom we need to see very often, as there seems to be a lot of requirements for quality actors rather than entertainers. Binu Pappu doesn’t have that good and understanding police officer role here, but does this shade with ease. Priyanka Nair who did have some fine roles years ago has another one to remember here. Among all the roles being performed here, Ishita Singh’s role remains the one which doesn’t seem to give us any idea of its purpose of existence – feels like an absurd side around here, even though she suits the character. The rest of the characters mostly just have to play along here, but more notable are the woman and child from the flashback. Vijay Babu has a small role.

How it finishes :: Like Salute, Antakshari is another movie which doesn’t depend on the foolish mass masala to go through investigations by police officers. It is very good and effective because it doesn’t cater to those brainless fans who visit the theatres and get a movie crores of business while losing all their money to petrol, parking fees, highly expensive food and others. This movie is for the others, who look out for the new releases on OTT platforms, as the Corona virus pandemic has shown us that it is indeed the right thing to do. Well, you have the choice not to go to the theatre and watch those foolish dance and music to which insanity is unleashed in between a story – I would call for the lack of the same every time. The mass masala genre itself is a fake thing created for the superstars and their children to call their fans to the theatres and by creating the fake vibes, they make the rest of the audience feel that the movie is fantastic – lets see how long these star kids who fly around beating people and doing dumb romance will go. After that, you can come back to good movies like this one.

Release date: 22nd April 2022 (Sony LIV)
Running time: 122 minutes
Directed by: Vipin Das
Starring: Saiju Kurup, Priyanka Nair, Sudhi Koppa, Vijay Babu, Binu Pappu, Thomas Kunnampuzha, Shabareesh Varma, Sruthy Suresh, Kottayam Ramesh, Boban Samuel, Sandeep Pradeep, Ishita Singh

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@ Cemetery Watch
✠ The Vampire Bat.

Snake Eyes

Vampire Owl: I remember a time when all vampires played with GI Joe toys.

Vampire Bat: Well, that was a very short period of time.

Vampire Owl: Yet, those were some wonderful days.

Vampire Bat: If I remember correctly, those were nights. When we were awake.

Vampire Owl: Both days and nights belonged to games.

Vampire Bat: You mean to include computer games too.

Vampire Owl: Yes, that would make this a very long list.

Vampire Bat: I would start with Age of Empires and Age of Wonders for that.

Vampire Owl: Yet, there was no game like Unreal Tournament 99.

Vampire Bat: Only to be permanently addicted to Mass Effect later.

[Gets a milk peda and three cups of cardamom tea].

What is the movie about? :: A young boy witnesses his father being murdered by a group of armed people, after their leader determines his fate by rolling a dice. Many years later, he has grown up to a skilled martial arts fighter Snake Eyes (Henry Golding). As he keeps winning all the fights and changing cities, a rich Yakuza boss named Kenta Takamura (Takehiro Hira) disovers him in a fighting arena in Los Angeles. Even though he doesn’t like the offer in the beginning, the idea of being able to find the people who killed his father makes him interested. But when he is asked to murder Tommy (Andrew Koji), who despite being Kenta’s cousin, had broken trust, he refuses, and even helps him to escape. Both Tommy and Kenta were next line to become leader of their clan, and the latter tried to have the former killed. Kenta’s plan was discovered before it could materialize, and Tommy had him banished. As Snake Eyes cannot go back to Los Angeles as he would be hunted by the Yakuza, he is taken to Tokyo instead.

So, what happens with the events here as we just keep looking? :: Tommy who feels that he owes a blood debt to Snake Eyes, takes him to his ninja world. Sen (Eri Ishida), Tommy’s grandmother who leads the ninja clan agrees to let him join the group under some conditions, even though the head of secutiy, Akiko (Haruka Abe) is not fond of anyone from outside joining them, as it would be an unusual practice. He is supposed to go through three challenges, first two challenges to cleanse him of ego, anger and fear, and get him ready for the third one. Tommy also lets him know that failure means death. He will only has a few days to train for the same. With no recorded history about him and being known only by a strange alias, Akiko continues to doubt him. But she is still confident that Snake Eyes will fail the first test itself, as at least eighty percent of them fail every time. Tommy feels confident that Snake Eyes will be among the passing twenty percent, but there is certainly more than one twist to it.

The defence of Snake Eyes :: There is a lot of fighting going on in this tale inspired from a toy line, and the reboot has started off pretty well with hope for something big to be seen in a sequel with so many characters to come. Four of the most interesting characters, Storm Shadow, Snake Eyes, Scarlett and Baroness have been introduced, and we can keep hoping for more. The sword fights show a certain amount of quality here, and it is not all that we see here, as we have something more in an year which provided us with Mortal Kombat. The final battle is a big one, and it has everyone going after one another. The location of the ninjas is nicely chosen too. Well, one always feel happy about watching Japan on the screen – Tokyo is nothing less than a dream city. When you look at origin stories, starting with the tale of the two ninjas seem to be the right choice, especially as the earlier movies didn’t focus enough on the two. From this beginning, the movie seems to assert that it won’t go the Transformers way, bringing more confusion as the film franchise progresses.

The claws of flaw :: Even with its twists, there is a certain amount of predictability associated with it. The hero here is the one whom we wish to have on the side of the Cobra though, as Storm Shadow is hundred percent a better person of quality than Snake Eyes by any means – it is how things are shown here. We would have wished for Snake Eyes to stay in the Cobra even as the toy storyline states otherwise. Well, just one person is responsible for all these, and he seems to be the good guy in the end. A better introduction for the characters of GI Joe and Cobra would have been better – just having Scarlett and Baroness is not good enough, and the two ninja brothers have only started. Cobra could have actually had a better job to do here too. The idea of vengeance could have been portrayed better, and instead this one seems to go here and there, not sticking to a particular plan, just like the main character himself who seems to be the most clueless one. Maybe, he intends to set things right with a sequel if there is one.

The performers of the soul :: The two leading actors, Henry Golding and Andred Koji seems to be perfectly suited for the roles, and they seem to go on with the action sequences with relative ease, especially the latter who seems to blend in from the beginning itself. Rachel Nichols who played Scarlett has been replaced by Samara Weaving, and it does seem to be a nice change – there is still only a little to be done for her here, even though she gets some of the action. Sienna Miller has been replaced by Ursula Corbero, and let us hope that this time the story won’t have the dumn romance angle, and what was ridiculous about the character played by Sienna won’t be repeated here – Ursula does make a fine entry here, and there is some nice action for her too. Haruka Abe nicely blends into her role of the security in charge of the ninjas, while Takehiro Hira has his interesting moments as the antagonist. The two masters played by Iko Uwais and Peter Mensah remains interesting too. Along with the same, Eri Ishida as the grandmother comes as a surprise package in the action scenes too.

How it finishes :: It seems that this movie will serve as a new beginning, with the origins stories coming one’s way. The earlier movies of GI Joe were entertaining for sure, but it never really used the strengths to the best advantage, and there was even some strange romantic sides to them. This movie could serve as a better beginning for a franchise reminding us of all the toys that we had during our childhood – I still have them in the showcase of the house. Well, there are not many movies which can bring such a nostalgia from figures – actually, there is no other which I can remember. In that case, this film would serve nicely to bring more into the series. Let us hope that this new coming won’t be confused as the earlier journey with the toys. But as this is based on toys, we can only hope for the best, not for it to haunt us. Until then, let us be prepared by watching this movie on Amazon Prime Video in advance. You always have space for movies like these, at least as the big entertainers full of action and style.

Release date: 22nd July 2021
Running time: 121 minutes
Directed by: Robert Schwentke
Starring: Henry Golding, Andrew Koji, Ursula Corbero, Samara Weaving, Haruka Abe, Takehiro Hira, Iko Uwais

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@ Cemetery Watch
✠ The Vampire Bat.

Out of Death

Vampire Owl: I am sure that this is about us. We are the undead.

Vampire Bat: This is not really about coming out of death as undead.

Vampire Owl: I don’t see any other way for anybody to come out of death.

Vampire Bat: Your favourite doctor might have some plans about that.

Vampire Owl: Doctor Frankenstein is not a doctor, but a scientist.

Vampire Bat: Mr Frankenstein is a duplicate scientist, and a half-doctor.

Vampire Owl: Well, he has created undead out of nothing.

Vampire Bat: They were pretty much undead already.

Vampire Owl: There has been a difference in the two states.

Vampire Bat: An undead being killed and revived won’t make much of sense.

[Gets a paneer masala dosa and three cups of Munnar tea].

What is the movie about? :: Shannon Mathers (Jaime King), a journalist who is trying to scatter her father’s ashes on the top of a mountain witnesses Billie Jean (Lala Kent) going through a drug deal with a gangster. It doesn’t go right, as the latter is shot by the former after he is found recording their deal on the phone. After the murder, she gets rid of the body too. Shannon also has photos of the incident on her camera. At the same time, Retired cop Jack Harris (Bruce Willis) seems to be having some relaxed moments with his niece Pam Harris (Kelly Greyson). Soon enough, Billie realizes that there is someone else in the area where the murder was committed, and Shannon barely manages to run away. She calls the other corrupt police officers, Hank Rivers (Michael Sirow) and Tommy Rivers (Tyler Olson), who decide to lock all the exits from the area that leads outside, along with getting rid of the body in time. Soon, it seems that there are too many of corrupt officers out there, and they are all after Shannon.

So, what happens with the events here as we just keep looking? :: Shannon had also came there to prove her father wrong, that she could hike through this place unlike what her father had thought. Now, this is not what she had actually thought she would be facing. Jack also feels that it is not what he should be doing, as he comes across Billie trying to shoot Shannon, and rescues her. As they keep running, Shannon ends up stabbing Billie. As Tommy and Hank find no hope for Billie to survive as she bleeds out, they put her out of her misery, and hopes that they can pin that on Shannon, as there is the knife with her fingerprints. As she also manages to shoot Tommy, the only way out of her now seems to be with the evidence that she had captured with her camera, as she has almost become labelled as a junkie who has killed two police officers. Now, Hank won’t step back on vengeance as Tommy was also his brother. Now, it seems that the only way out for him is through Pam. But how will that work out for him now?

The defence of Out of Death :: The movie serves as a survivor thriller which is better than the other one movie with survival of a witness in the woods, Those Who Wish Me Dead which had Angeline Jolie saving the target – that one also released in the same year, and had one veteran performer trying to get into action. With Jaime King around, things only get better. There are some nice visuals of the woods, and we have some nicely planned dialogues in here too. The movie can boast about that strong female protagonist as much as the carefully picturized antagonist who seems to be the only man around there with a perfect plan which seems to work. The lesser known cast also deliver so well, and unlike what one feels in the beginning, Lala Kent is a fine surprise. The movie can also be considered as one of the least violent movies with a theme like this, as there is no more than three people who dies around here, even with so many possibilities of danger being present here – things go further away from death like the title suggests.

The claws of flaw :: There is nothing special that gets added here, and even with Bruce Willis all prepared to go big action, you don’t really get that here either. Most of the events of the movie are also predictable, and that feeling goes on with the ending too. A few twists being added here and there could have helped the film’s purpose better. The police officers being smarter and tougher would have done the trick better – the lady police officer is left to mess up thing more and more as the story progresses. The gunshots effects are badly used, and the change for some big action with guns and hands are not used. The possibility of adding some terrifying sequences is also not taken – after all this is more or less like the forest area in countryside with a vast amount of woods. The drama in the movie moves on the usual lines too, and the main characters struggles could have also been shown in a better way. After all, she is someone who could contribute more at all times. The nature does look beautiful enough, but could have added more here.

The performers of the soul :: With Bruce Willis around, this could feel like a Die Hard in the woods, even though he is not of that much of a strength here. There is also not much of a strength for fighting for him as Sylvester Stallone and Arnold Schwarzenegger in Escape Plan, The Expendables or the latter as The Terminator in Genisys and Dark Fate. He seems much more tired in comparison, and he also leaves to the fighting to Jaime King, as he is left with holding the gun and pointing it at people, along with some nice dialogues added to it. This is more or less the shadow of the action king whom we have seen in the past. Jaime King is left to do all the action instead, and we know her from enough action and horror movies, as she is very much capable here, outdoing herself in the second half of the movie. Lala Kent plays the next most notable character here, and the film could have actually done more with here, instead of getting rid of the character too early. Tyler Olson is fine, while Tyler Olson who is a fine antagonist could have been used better with action scenes added to her rather than limiting him to talks.

How it finishes :: As one of the most non-violent movies belonging to the survival and crime thriller genre, this one makes fine use of the available resources in a seemingly low budget setting. It never tries too hard at anything, but manages to be interesting with what it has in hand. You are not supposed to expect a full action movie, as there is the main character trying to escape from trouble all the time, and having police officers on the hunt. Even though Bruce Willis remains mostly non-violent, you have to love how Jamie King steps into this one. Having a movie without Bruce Willis beating up, shooting or injuring anyone even when there were so many chances – feels strange, but it is indeed true. Well, change is inevitable, even though we expect the same thing from a superstar all the time, no matter how old he is – well, the curse of the Indian movies, isn’t it? But this one has the superstar of the past going through the more believable path.

Release date: 16th July 2021
Running time: 95 minutes
Directed by: Mike Burns
Starring: Jaime King, Bruce Willis, Lala Kent, Kelly Greyson, Mike Burns, Michael Sirow, Tyler Olson

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@ Cemetery Watch
✠ The Vampire Bat.

Army of the Dead

Vampire Owl: We are the Army of the Dead. This movie should be about us.

Vampire Bat: We are not the Army of the Dead. We are the Army of the Undead.

Vampire Owl: You mean to say that they are different from each other.

Vampire Bat: Yes, there is also an Army of Darkness, you know.

Vampire Owl: Okay, still it is the dead that becomes the undead.

Vampire Bat: Well, death is a beginning, and for the undead, it has already begun.

Vampire Owl: I think that you are pointing to the zombies as the dead.

Vampire Bat: Yes, without full brain acitivity, they are to considered dead rather than undead, as we look closer at them.

Vampire Owl: Well, not all of the dead are undead, we can be sure about that.

Vampire Bat: I am sure that this one has some fine zombies though.

[Gets a vegetable pizza and three cups of iced tea].

What is the movie about? :: A convoy coming from Area 51, the highly classified United States Air Force facility located within the Nevada Test and Training Range collides with the car of a newly married couple on a highway near Las Vegas. The high level of secrecy surrounding the base had already brought enough conspiracy theories to the scene including UFOs and aliens which are regular part of such talks. This time, the package which was part of the convoy is revealed to be a zombie, a very strong muscular creature which escapes, and during the process kills all the soldiers, among which some of them are infected and transformed into similar creatures, seeking to attack more humans. The zombies do head to the city, and infect most of its population. The United States military faces suffer heavy casualities, and is forced to retreat while facing the ever increasing hordes of zombies which are not that easy to kill as they only get stronger. The government decides to do what they considers to be the last resort, to deploy a tactical nuclear strike on the city to end the zombie threat forever, even though there are protests against the same.

So, what happens with the events here as we just keep looking? :: Later, the very rich and influencial Japanese casino owner Bly Tanaka (Hiroyuki Sanada) and his associate Martin (Garret Dillahunt) asks a former resident of Las Vegas and earlier mercenary, Scott Ward (Dave Bautista) who is currently working at a burger joint to take over a job to recover two hundred million dollars from his casino vault in the quarantined Las Vegas. The time is running out, with the nuclear strike coming up. Ward agrees and recruits his former teammates Maria Cruz (Ana de la Reguera) and Vanderohe (Omari Hardwick) as the maim mercenaries, along with a helicopter pilot Marianne Peters (Tig Notaro), a safecracker Ludwig Dieter (Matthias Schweighofer), and a sharpshooter Mikey Guzman (Raul Castillo), who also brings his associate Chambers (Samantha Win). Martin also joins them to make sure that there is access. They have a thirty two hour window to do what they have done the best in history, and even though they cannot fly in due to flight restrictions, they can fly out in one of the rescue helicopter located at the top of the casino.

And what is with the humans and the zombies which we have around here? :: As they are not able to find a way inside, Scott searches and finds his daughter Kate Ward (Ella Purnell), and offers her his share of the millions, asking her to help him get into the city. Kate directs them to Lilly (Nora Arnezeder) or coyote, a smuggler who knows the city. Burt Cummings (Theo Rossi), an abusive security guard who knows exactly what happens inside with the zombies. When Kate understands that Geeta (Huma Qureshi) also went into Las Vegas with two others, she feels that she should also be inside. Being the badly raised dumb kid that she happens to be, she stops at nothing to get what she wants, and the returned father figure can only agree. When inside, the common zombies are not the only ones that they have to face, for there are zombie animals too, including a zombie tiger. There are also a different kind of zombies, which are not the usual mindless ones. They are smarter, faster and better organized, with a mark on their territories. It won’t be that easy to dupe these zombies. Can they get what they want and make it out?

The defence of Army of the Dead :: It is clear that we haven’t had a full fun zombie movie like this one for a long time, and there is a lot of entertainment with the action, thrills and even a certain amount of horror that has been going on with the undead creatures. It also has some humour in between, and a fine detail of the post-apocalyptic world as well as the zombie attacks with descriptions to support them. Among the performers, Dave Bautista and Ana de la Reguera are at the top, with Nora Arnezeder and Matthias Schweighofer following closely. The man who is known as Batista in WWE is another one of those ring performers who has done so well in cinema, after Dwayne Johnson’s classic performance, and also John Cena up-to an extent. Ana de la Reguera and Nora Arnezeder are perfect lady soldiers who know exactly what they are doing. The movie, with its ending, also leaves something for a possible film in the future. Even though it is pretty much a long movie, you don’t really feel the length, as there is so much of action going on at all times, and we are indeed taken to this world of post-apocalyptic chaos.

Positives and negatives :: There are moments which this movie could have avoided to cut down the length, and it also kills one of its interesting characters too early – Samantha Win played quite a strong soldier who is lost before the big battles begin. Ella Purnell, even if meant to be irritating, plays the character that causes the death of most of the character – one of the most foolish characters ever in an action movie, for only horror films have dumber characters suiting them. Huma Qureshi is also here, but she is also wasted in a character which provides nothing good to the movie – without her, the film could have been shorter as there was no need to spare some time for the unnecessary. At least half of the characters are not made to be memorable either. This is also a movie about which not many people knows, and that is a disappointment – it could have had some advertisements in this part of the world, as it is something which will appeal to our audience too. Zombies will catch our attention as much as any undead creature rising from the dead.

How it finishes :: With the title, one wouldn’t really know if this is about vampires, zombies or ghosts, but the zombie idea also does work that effectively as any other monster, proven already in Warm Bodies, World War Z and so many Resident Evil films which kept coming back again, one after the other. This one makes a fine progress with the story, even with some predictability in store, and as it does have a lot of action to go with it. The movie is indeed an all-rounder, and you can feel that quite early itself. Even though the corona virus pandemic didn’t create the zombie apocalypse as a gamer or zombie-movie lover would have anticipated, it is only safe to say that there is always hope for something like it in the future. When that zombie pandemic happens, we will have watched some quality undead hunting movies like this one, and we will be ready. After all, Zombieland already has us partially prepared for the big event. For the rest of the procedure, the next sequel of this particular movie will keep us prepared.

Release date: 14th May 2021 (Netflix)
Running time: 148 minutes
Directed by: Zack Snyder
Starring: Dave Bautista, Ana de la Reguera, Ella Purnell, Nora Arnezeder, Omari Hardwick, Theo Rossi, Matthias Schweighofer, Hiroyuki Sanada, Tig Notaro, Raul Castillo, Huma Qureshi, Garret Dillahunt

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@ Cemetery Watch
✠ The Vampire Bat.

Night Drive

Vampire Owl: Do you remember the last time when the vampire team was on a night drive?

Vampire Bat: We only have night drives around here. We don’t go for morning drives.

Vampire Owl: Yes, but the night drives have been rare too.

Vampire Bat: That is because we don’t drive, but fly.

Vampire Owl: Not all vampires can fly, or even glide.

Vampire Bat: Yes, but we bats and owls do.

Vampire Owl: Yet, we can go for a drive in the vampire-mobile.

Vampire Bat: It is a bat-mobile, and it is my private property.

Vampire Owl: You don’t use it as you can fly.

Vampire Bat: It will not be used for night drives, and that is final.

[Gets a vegetable samosa and three cups of Vagamon tea].

What is the movie about? :: Georgy Jacob (Roshan Mathew) works as an Uber driver and hopes to migrate to the Middle Easy for a better future. He is in love with Riya Roy (Anna Ben), a very popular news reporter, and they used to be childhood friends for a very long time. They do keep a certain amount of distance between them, as Riya’s father, Roy Mathew (Renju Panicker) who has retired from the military forces is not fond of Georgy. For Riya’s birthday which is also the Christmas evening, they decide to go on a night drive without her father knowing anything about it. At the same time, Rajan Kurup (Siddique) is caught in a gold smuggling scandal which was discovered by Riya and her channel, a case which has been transferred to NIA. He expects to be arrested by the squad on the very next day, and asks Chacko Cherian (Kalabhavan Shajohn) to find a way to get rid of the gold in his home before NIA comes for the raid. Rajan’s trusted aid Jaleel (Sudheer Karamana) assigns the minister’s personal assistant Balu (Kaliash) to get the gold to a safe house.

So, what happens with the events here as we just keep looking? :: Meanwhile, Riya who was driving the car gets into a fight with Circle Inspector Benny Moopen (Indrajith Sukumaran) who was doing routine vehicle checking. Benny lets them go so that he can avoid any of the people there spreading the news about him bothering a lady in the middle of the night, but is clearly angry about the incident. Riya who keeps arguing with Georgy over the earlier incident suddenly spots someone in front of their car, and the vehicle seems to have hit that person, who is revealed to be Balu with a bag full of gold. The two manages to take him to the hospital, which brings Francis (Prasanth Alexander) who owns the car they were driving and Ammini (Sreevidya Mullachery) handles that particular Uber fleet operations to the hospital too. The police officer in charge of the case is Benny, who is only happy to torment Riya and Georgy over the incident. He decides to keep them in the hospital, but the arrival of Chacko at the hospital with other motives complicates things.

The defence of Night Drive :: The movie seems to move forward naturally in the beginning stages, with likable characters and the incidents which can be related by different people from various stage of their lives. The beginning stages go on with the usual, and feels like the natural order of things. It does have some fine twists, and a few red herrings are also there to make sure that one doesn’t guess it the right way. The different characters in the movie are not really what they seem to be, as the visages tend to show differently on diferent occasions. There are moments which keep you at the edge of the seat, as these are characters whom you like. The cast has been chosen well here, as you feel that there would have been tendency to go for a few others, but here we have characters getting equal importance instead of the focus shifting to one person. The visuals of Cochin are really good around here. This is the kind of movie which should have released directly on OTT, as there is a certain possibility of this going popular among the audience outside Kerala if it was first released online.

The claws of flaw :: Even though the movie had built up so well, the final scenes are not that much up to the mark. There is the plan to bring some mass action in the end, but it doesn’t suit the overall mood of the film – a darker version of the final moments would have done better for this particular movie. Let the outdated superstars do the mass action for their brainless fans, and the new generation of actors should go for class and perfection. These are not the times of such fan nonsense in the theatres, as we have the post-corona virus OTT loving audience as a strong force, and this is the flick which will be watch more on such platforms rather than anywhere else. It had a certain realistic side to the proceedings until the makers decided to go full action in the last few minutes with a specific background story added to the main characters. The first few minutes could have been shortened too, as there seems to be an extension of the less important happenings then. The conclusion could have also been kept at a higher level.

The performers of the soul :: Roshan Mathew has been continuously working hard to come up with some memorable performances, last seen in the Amazon Prime Video release, Kuruthi, a thriller with many messages. Coming out of the first big role in Aanandam and the earlier smaller ones in Adi Kapyare Kootamani and Puthiya Niyamam, he has evolved a lot to reach this higher level. His performance in this movie is realistic for most of the time, and something to be appreciated, until the mass moments come in the end. Kumbalangi Nights and Helen has already let Anna Ben set a bar which is difficult for her to overcome – even with a film like Sara’s having her as the life and soul. Indrajith Sukumaran is solid as the police officer who seems strict as well as menacing, and at the same time, likes to have a strong grip on his investigation. Siddique once again plays the corrupt politician with sinister motives well, and reminds one of Jagathy Sreekumar of Passenger. Kaliash once again has a good supporting role and so is Kalabhavan Shajohn, while it is nice to see Sreevidya Mullachery of Star Magic fame playing a memorable role here – she is indeed a lovely talent, and the fair reason for anyone to watch the popular show in Flowers television channel.

How it finishes :: Night Drive becomes a movie of interest without that much of a hype associated with it. It has some fine moments of interest, and successfully deviates from the tendency to go full nonsense like in that Shane Nigam – Shine Tom Chacko film of misery and shame, the pariah of a movie called Ishq. When two lovers are on a night drive, the situation can be tackled well to make a thriller of quality beyond the usual and the expected, as shown around here. This movie seemed to have Roshan instead of Shane, Indrajith instead of Shine and Anna instead of Ann, with the main characters going for a night ride as part of celebrating the lady love’s birthday, and in the process being stopped by the man claiming to be the police officer – seems so familiar for those who have watched that movie, but this one takes a completely different route, and also involves other characters in a journey of twists which are not about just two, three or four people. Night Drive is successful and delivers nicely when we take a fine look.

Release date: 11th March 2022 (Theatre); 10th April 2022 (Netflix/Manorama Max)
Running time: 118 minutes
Directed by: Vysakh
Starring: Roshan Mathew, Anna Ben, Indrajith Sukumaran, Kalabhavan Shajohn, Sreevidya Mullachery, Kailash, Muthumani, Prasanth Alexander, Santhosh Keezhattoor, Siddique

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@ Cemetery Watch
✠ The Vampire Bat.

Naradan

Vampire Owl: I am glad to find this one finally coming to the OTT.

Vampire Bat: Yes, especially as it is on Amazon Prime Video.

Vampire Owl: With Minnal Murali on Netflix, Tovino has risen to be an even bigger star.

Vampire Bat: Yes, we don’t really need the local theatre stars anymore.

Vampire Owl: It has always been difficult to watch the superstar movies in theatre.

Vampire Bat: I am sure that the corona virus changed that up to an extent.

Vampire Owl: There are too many things that the virus has changed.

Vampire Bat: Smarter movies getting better appreciation all around India through OTT should surely be one of them.

Vampire Owl: Let there be more skills displayed in films.

Vampire Bat: It is all about watching the right movie and avoiding the others. In the case of some movies, we know that they are to be avoided, whatever happens.

[Gets an onion vada and three cups of cardamom tea].

What is the movie about? :: Fr Daniel Purambokkil (Jaffer Idukki) is an activist who provides sensational news for the media while trying to help the poor people in need. He is a regular part of the telvision channel talks. Chandraprakash (Tovino Thomas) is one of those new age journalist who wishes to do those kind of stories which increases the rating of his channel – he is always forced to take it to another level by the channel, News Malayalam, but decides to keep it going naturally as he has been doing for quite a long time. Pradeep John (Sharafudheen) is part of a less popular channel, Vartha 24 X 7, and manages to come up with sone interviews to improve its viewership all of a sudden. Shivadas Kurup (Joy Mathew), Chief Editor of News Malayalam is not happy about the viewers choosing another channel instead of them who have better infrastructure and has had a bigger audience throughout history. Vartha 24 X 7 seems to get debates based on maoists and related news which would bring more of the audience into interest.

So, what happens with the events here as we just keep looking? :: Pradeep John joins News Malayalam, much to the dismay of Chandraprakash, who feels that he has been sidelined by a new person who gets the same position and salary, along with better options to excel in the media field. Babuji (Vijayaradhavan) who has different special interests in politics and business comes up with an idea to make the best use of this particular opportunity. With his business partners, he plans to start a news channel which can attract the best revenue options from advertisers. Chandraprakash who is now known as CP, begins the channel with a big news related to Thomman Varghese (Kunchan), the Minister of Finance. The minister accused of being part of a sex scandal, and is forced to resign. Despite the best attempts of News Malayalam, it soon losses the number one spot among news channels. Narada News goes through the paths less taken – it is basically without moral principles as the focus is only one being the number one; where does that lead CP and his team?

The defence of Naradan :: The journalism that goes too hungry for TRP gets a dose here, as that side has been explored without any second thoughts to go with it – with a better ending, things could have been more in the movie’s favour. When Swantham Lekhakan released in 2009, this was a lot more relevant, and when Run Baby Run came into the picture in 2012 and Love 24×7 released in 2015, it continued to stay relevant – despite the YouTube channels gaining a little too many viewers, this one manages to establish the TRP hunt well, thanks to the leading performance from Tovino Thomas. There are some interesting moments related to the field, and we are all taken to this particular world from the beginning itself. One can also find some relations to incidents which happened in real life, but with the corona virus pandemic after that Jio revolution, things seem to have changed even further. Still, one would agree to the fact that news is not to be made for emotions, but discovered for the truth that it happens to be. Maybe, the movie would have been more relevant, releasing a few years ago.

The claws of flaw :: The problem with Naradan is that despite keeping on showing the mirror to media as a whole, it doesn’t show the same with the Youtube channels which do the same – except for a very few channels of high quality, there has been the lack of truth in Youtube, a case which will affect the common man’s senses more than the usual television channels, as the Jio revolution has made sure that anyone can say anything in the name of video blogging or vlogging. Unlike the usual media, the control is so much less there. The ending of Naradan is also not that convincing – there is a certain lack of power around there too. There could have also been a better show of the fight between the channels. In movies like this one, emotional side is also important, but the same doesn’t get to rise in its level either. The movie could have been strong with its pillars, but it decides to just go on without setting the base, which is why it seems to come down with its score here and there – the strong foundation is surely missing around here, along with the overall quality being low.

The performers of the soul :: Tovino Thomas once again comes up with some excellence here, but his role should have been closer to what he had played in Kaanekkaane instead of coming up with that change all of a sudden. Forensic had him in the thrillers, but Naradan has him with the negative side effectively. Anna Ben has a short period of time to perform here, even though the Kumbalangi Nights, Sara’s and Helen star remains solid during those moments – a better finish would have helped her cause more though. Vijayaraghavan and Joy Mathew have those smaller, but effective roles, even though they should have been there for more. Sharafudheen’s controlled role is really good. Balachandran Chullikkad and Jayaraj Warrier also have those smaller, but notable roles, which could have been expanded too – they just seem to disappear in between. Jaffer Idukki comes up with another role of a priest after Bro Daddy, and that seems to work really well for him. Renji Panicker and Lukman Avaran makes some good lawyers here too.

How it finishes :: Naradan would have been more effective if it came a few years earlier – the media that we know has been replaced by YouTube these days, and the common man seems to believe what is seen on the internet more than the television channels, and with so many such content in YouTube, the real Narada News would be one of the online channels. We do see so many channels which contradict with the news that they come up with, and we have also seen so many fights going on between these people. One would keep wondering where the truth lies with these channels, as there seems to be not much which can be trusted in the online world of chaos with social media being in the front to spread such news – Whatsapp universities and Facebook colleges do that more than anything else, but that is one blame which the films forgets with convenience, but we find some truth and engaging moments here. This is also not an easy task to deal with this topic, but the director of some of my favourite films like Rani Padmini, Mayaanadhi and Virus could have surely done better.

Release date: 3rd March 2022 (Theatre); 8th April 2022 (Amazon Prime Video)
Running time: 149 minutes
Directed by: Aashiq Abu
Starring: Tovino Thomas, Anna Ben, Joy Mathew, Vijayaraghavan, Sharafudheen, Balachandran Chullikkad, Raghunath Paleri, Jayaraj Warrier, Kunchan, Rafi, Dileesh Nair, Rajesh Madhavan, Indrans, Lukman Avaran, Jaffer Idukki, Renki Panicker, Vijaykumar Prabhakaran, Koottickal Jayachandran, Navas Vallikkunnu

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@ Cemetery Watch
✠ The Vampire Bat.