Tag Archives: space

Borderlands

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Vampire Owl: When was the last time you went near the border?

Vampire Bat: You mean near the werewolf territory.

Vampire Owl: No, the zombie lands on the other side.

Vampire Bat: When did we begin to check the wastelands?

Vampire Owl: I believe that there is something more than the walking dead there.

Vampire Bat: I am sure that the movie is not referring to such borders.

Vampire Owl: Are we going for interplanetary borders then?

Vampire Bat: That has always been a better choice, for they are more open.

Vampire Owl: I have heard about those space vampires.

Vampire Bat: The space does have its own variety of blood-drinking species.

[Gets a blackcurrant shake and three cups of black tea].

What is the movie about? :: It is said that a long time ago, the whole of galaxy was ruled by an alien race known as Eridians, whose power and technology were far beyond the understanding of human race. But human beings were able to find some part of this science and use it to their advantage, thus becoming the reason for bettering their world and making themselves scientifically advanced enough to make an impact in their world above other species. But the best of such scientific knowledge was hidden in a vault in a planet known as Pandora. Corporations, criminals and treasure hunters who made peace impossible in the planet and nearby have been killing each other in an attempt to find the secret vault for no success in the end. Then there was the prophecy about a daughter of Eiridia who would restore peace. More people have died searching for this than all the wars which had occurred in the past. There is almost nothing good happening in the one prosperous planet with enough natural beauty to inspire enough tourists from Earth. But the only tourism event happening there might be a treasure hunt for vault.

So, what happens with the events here as we just keep looking? :: Tiny Tina (Ariana Greenblatt) who is the daughter of Deukalian Atlas (Edgar Ramírez), the richest man around, and one of the most powerful corporate magnates in the galaxy, gets kidnapped by a rogue soldier Roland Greaves (Kevin Hart) and a psychopath Krieg (Florian Munteanu) who is released at the same time by accident. Despite the soldiers trying their best, the group of three manages to get out of the area and travel to the wastelands of Pandora where they do not come in the areas under scan. The job is given to a legendary bounty hunter Lilith (Cate Blanchett) who is almost ready to retire, but the offer is a little too much for her to reject. She is considered the best with a great history of bounty hunting by too many people to avoid her as an option, even though troops of Atlas are also after the kid. As she lands on Pandora to search for the missing girl, she comes across Claptrap (Jack Black), a robot that says that it was programmed a long time ago to assist her. With the help of the robot, she finally traces the location of Tina and embarks on the journey.

And what does this world bring in between all the chaos and destruction? :: There, she finds out that Tina was not really kidnapped, but had decided to escape with the rogue soldier and the psycho intentionally to avoid her father. She attacks Lilith with her two friends, and it is then that the troops sent by Atlas Corporation reaches the same area and attacks all of them. This leads to the strange new team of the teenage runaway girl, rogue soldier, bounty hunter, psychopath and the old robot escaping from there, with the soldier team known as Crimson Lance on their trail. It is discovered that Tina was not human or the corporate daughter as everyone had thought – she was a genetically engineered alien created with the biological parts taken from the Eridians, the ancient race that once lived and bettered Pandora. She was created through experiments by Atlas so that she can open the vault where lost civilization’s advanced science and technology are kept. Atlas Corporation intends to rule the world with the new advanced weapons they intend to gain. Can the one strange team stop him in time? Or will the gates to unlimited technology be opened to a greedy villain who would become invincible?

The defence of Borderlands :: There is some nice world detail that we see here, even though not perfect, there is something to watch out for at every corner here. Ariana Greenblatt adds more to the fun than the others here. The funny side mostly works in this movie, unlike those movies with ridiculous jokes like Deadpool and its strange relations. The battle scenes are truly exciting, and the detailing on small things will catch our attention. A good science fiction movie comes first out of the world where it is set, and this one wins there, and takes it to the side of action, where it secures another win for most of the time. There is also the reminder that this is from a game, with some fine weapons being shown, and explosions as well as stylish chases all around. The post-apocalyptic feeling is also present, like in Mad Max: Fury Road, but this one is surely the much lighter version, without that eternal depression of world going out of hand with no chance for a return. This feels mostly because of the knowledge about the existence of an alien life which would mean more than just giving up for humanity.

The claws of flaw :: The movie should have taken itself more seriously, and we feel the silliness a little too much in between. The main character should have been younger and got someone other than Cate Blanchett to play it, as we get the feeling of having the suitable one for the tale of such a past. The twist used in the movie seems to be rather too comfortable and safe for anyone’s liking too, and it is something about which one feels the need to bother less. The colours of the movie could have been reduced a little bit outside and used more inside the alien world within the portal, as we have too much of an opposite. Jamie Lee Curtis surely feels to have been more wasted than anyone in this particular role. The villain could have also had more to do in the earlier and middle stages of the movie. There could have been more of a journey of a mystery adventure which the movie leaves behind. As the movie came when my gaming times had mostly reached the beginning of the end stages, I could not really comment on a game – movie comparison, but positive reviews in that case were not found.

How it finishes :: As this movie is based on a computer game, the negative reviews were always expected. But like Until Dawn, Need for Speed, Hitman, Doom, Silent Hill, Resident Evil, Warcraft, Mortal Kombat and others, this keeps the gaming side moving well to the cinematic world. I would love to see Mass Effect game made into movie, and it would have similar settings, but considering its capabilities as a game itself, there would be a big movie, with the looks of Jupiter Ascending, but that one would satisfy more critics. For now, for some simple entertainment during the weekends, this is the kind of movie that we would want to watch. Let us not go through too many of those negative reviews, as there are so many positives about this movie, which comes back every time we feel that there would be a problem. Maybe, a sequel could do this one a lot of good, with a lot of worlds to explore in a Star Trek or Star Wars model. Then we go back to the game and come back again to enjoy this.

Release date: 9th August 2024
Running time: 101 minutes
Directed by: Eli Roth
Starring: Cate Blanchett, Kevin Hart, Jack Black, Edgar Ramírez, Ariana Greenblatt, Florian Munteanu, Gina Gershon, Jamie Lee Curtis

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Atlas

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Vampire Owl: I have known others with the name Atlas before.

Vampire Bat: I believe that it was Cloud Atlas.

Vampire Owl: So, you feel that there is nothing common among the two.

Vampire Bat: There should be a little bit of future related things in both.

Vampire Owl: A world of future never gets old in the past or present.

Vampire Bat: Well, the future does seem to be very much different than what we thought many years ago.

Vampire Owl: Yes, third world war is too late in human world.

Vampire Bat: And the space colonization has been delayed too much.

Vampire Owl: What about time travel? I believe that there was going to be a time machine with a rage of 10000 BC to 12000 AD.

Vampire Bat: Well, we do not even have teleportation yet.

[Gets some Paneer 65 and three cups of orange tea].

What is the movie about? :: It is the year 2043, and humanoid artificial intelligence terrorist Harlan Shepherd (Simu Liu) leads a war of machines against humans, which leaves about three million people dead, proving the scientist who adopted him as his son, and the founder of the programme Val Shepherd (Lana Parrilla) wrong in her theories and expectations about a better future with Artificial Intelligence. The group of machines seem to be too powerful a force to counter for any nation and its military power. An apocalyptic event which soon lead to the extinction of humanity seems imminent, with Harlan having full access to all machines and controlling all similar forces. There are talks around and the military forces of the world join together to form a group known as International Coalition of Nations (ICN), and this leads to the humans finally winning many battles against Harlan much to the dismay of the machines. This forces him to escape Earth and locate himself in outer space, with a promise to come back and finish what he had started with determination.

So, what happens with the events here as we just keep looking? :: After twenty-eight years pass without the machines making any direct battles with humans, Atlas Maru Shepherd (Jennifer Lopez), an analyst, the daughter of Harlan’s designer, has been hunting for a chance to find the escaped machines who are responsible for that near-apocalyptic event. After one of Harlan’s AI agents is captured and interrogated by her using special techniques, she finds out that Harlan can be found on a planet in the Andromeda Galaxy. As she provides this information to the others, keeps insisting that she should come along and face Harlan, something which she has wanted to do for a very long time. The military hopes to use AI-assisted giant robots known as ARCs which connect to human rangers through a neural link, but Atlas in not ready for the same as she distrusts all kinds of Artificial Intelligence. But Harlan’s drones attack their spaceship just before entering the planet’s atmosphere, and Atlas is forced to enter an ARC herself and falls right on to the planet’s surface.

And what more can happen between humans and machines now? :: Atlas is not happy about her situation within a machine, but she manages to gain basic control of the ARC despite her distrust of the Artificial Intelligence who introduces itself as Smith in a very friendly manner. As they move, the two combine forces and soon find the rest of the rangers dead, and somehow manages to escape to escape from the humanoids chasing them despite the link between her and the machine being weak. She reluctantly agrees to directly interface her mind with Smith, allowing for greater control of the ARC. This allows them to move on with a hope to escape, as finding and defeating Harlan seems to be almost impossible now as she is no monster hunter and the enemy is too strong. But is there still a chance to stop Harlan, and should they take it instead of going through the route to the escape pod? Is there something they can do, and is there a chance that Harlan will directly come to get them? Is Harlan actually a villain or is there something more to him than what meets the eye?

The defence of Atlas :: The biggest advantage of this movie is its stunning visuals with some fine Computer-Generated Imagery and visual effects that elevates this movie so much that people would have wanted to watch the same on the big screen. The spaceships, visuals of space and the planet in Proxima Centauri, along with the stylish AI machines are joy to watch, often reminding one of some computer games – remembering MissionForce: CyberStorm of 1996. Then we know Pacific Rim and its sequel. The messages of Artificial Intelligence and trust, along with the idea about human future being devastation does keep all the thinking going forward. All the action makes things more interesting, and the alien planet is something that everyone would look forward to. Jennifer Lopez mostly manages to handle this quite well, even though the role would have suited a newer, younger or lesser-known actress better with the tale seemingly going in that path. There are no unnecessary complications of science here though, and without an Interstellar-kind of scientific overdose, the move scores more on the true science-fiction and not that science-reality mode that keeps the viewers struggling. The Mech-AI and bonding feels nice too.

The claws of flaw :: The movie not having a younger main character to suit the situation more does hurt it at times, and there are moments when it seems to go into a silly mode. There is too much focus on one character even when this is about saving the world. It does not feel appropriate to see that the most trained leader of the rangers and his fully matched AI companion falls too easily while the analyst gets to defeat advanced Artificial Intelligence humanoids with powerful weapons with ease – it is quite the disgrace to the soldiers and their battle-hardened commander intending on saving the world. Somehow, their only duty seems to be focused on keeping the seemingly useless emotionally struggling elder lady who might be mostly out control, safe at all times. In that case, they should have kept her back home, as she is nowhere close to as guide as she claimed to be with the Artificial Intelligence leader, with her missing out on the most predictable part of the movie. The basic idea about Artificial Intelligence seems to be overused, even though we do not come to know that it is what we are dealing with, until the movie is somewhat closer to its end.

How it finishes :: Atlas could have surely been a better movie with less predictability, with more of a consideration on its basic strengths, but it remains an entertainer, and for that much there is no doubt. The repetition itself holds it down, but the same seems to be the one thing that would drive movies like this forever. The film was surely not well-received by the critics and Jennifer Lopez was even nominated for the Worst Actress category at the Golden Raspberry Awards – but you know that critics often make no sense, as they recently did with Madame Web, and we know that even the best movies do not make money, like John Carter. This movie could have at least received some accolades for its graphics and visuals, for the settings in space need not always be this good, and not all science fiction are spectacles of this quality, not even those much-famed superhero movies of Marvel. You watch this one for the beauty on the screen and another world of future with an emotional and classic touch. Well, you need movies like these at regular intervals to keep the love for science fiction going, and not those silly stuff which deviates from the genre’s core.

Release date: 24th May 2024 (Netflix)
Running time: 120 minutes
Directed by: Brad Peyton
Starring: Jennifer Lopez, Simu Liu, Sterling K Brown, Mark Strong, Gregory James Cohan, Abraham Popoola, Lana Parrilla

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Guardians of the Galaxy 3

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Vampire Owl: We have not been watching enough movies in the last few months.

Vampire Bat: We have surely been affected by vlogging taking over blogging too.

Vampire Owl: Yet, there have not been enough videos put in YouTube.

Vampire Bat: Well, we will never have enough of them.

Vampire Owl: There can always be enough videos and we slow down.

Vampire Bat: We do not slow down without a reason.

Vampire Owl: Old age always makes us slow down.

Vampire Bat: We have only recently slowed down with this blog.

Vampire Owl: Still, we are watching less movies.

Vampire Bat: The theatres have turned into nonsense with some dumb movies.

[Gets a blueberry cake and three cups of mango smoothie].

What is the movie about? :: As the Guardians of the Galaxy remains at Knowhere which serves as their new headquarters, things seems to go smooth without much of a crisis that used to be always there providing a sense of danger. Everything seems to come easy for them at the new place, with no need to even train for a possible coming adventure. It is then that a powerful artificial being named Adam Warlock (Will Poulter) arrives there and starts attacking them. He easily defeats Star-Lord (Chris Pratt), Drax (Dave Bautista), Groot (Vin Diesel) and Mantis (Pom Klementieff) before severely wounding Rocket (Bradley Cooper). He is finally defeated by Nebula (Karen Gillan) who returns after being run through a series of buildings. They are not able to heal Rocket with the medical packs which they have as he has kill switches implanted in him by an organization known as Orgocorp, whom the Guardians intend to target and find the override codes which can save Rocket’s life.

So, what happens with the events here as we just keep looking? :: The new version of Gamora (Zoe Saldana) who does not recognize Star-Lord also joins the group, coming from the Ravagers. They manage to infiltrate Orgocorp, but after a long fight and some injuries, they find out that they have to travel further to the area known as Counter-Earth which was built in the image of Earth, mostly focusing on New York model, having even its own Statue of Liberty on the image of High Evolutionary (Chukwudi Iwuji) who has been chasing Rocket, and is responsible for his present situation. But High Evolutionary feels that the world is not perfect yet and intends to destroy it in a period of time. He feels that finding Rocket is necessary in his quest for attaining perfection through evolution, something for which he had been striving for so long. But Star-Lord and his team are determined to save their friend, and Gamora is interested in what she can earn in the process. Can the team win their battle?

The defence of Guardians of the Galaxy Vol. 3 :: There is always that interest in seeing new worlds and exploring them being fulfilled – the world detail here remains interesting, and the same can be said about the aliens who wander around here. The Computer-Generated Imagery remains interesting around here, and adds to the total visuals that do not hold back. The emotional side often works well, especially with the bonding among friends. The backstory of another interesting character has been built with the emotional touch, and one would expect to see these characters separately in different movies from Marvel. There are some nicely created action scenes around here too, and with aliens involved, there is always something more to be seen. There are some fight scenes in some interesting environments that we will remember too, along with a comic side.

The claws of flaw :: Guardians of the Galaxy Vol. 3 does not raise the bar at all, even though we often have the feeling that it is going to, and there were also many reviews which seemed to suggest the possibility of the same. The run-time feels a little more than needed, as the whole movie itself focuses on just one thing, not having that much to spread the wings. The emotional side does not work at all times, as there are moments when it seems to be created just for the sake of creating sympathy for a main character. There are moments which needs to be serious, but not emotional – this kind of a difference needs to be better understood by the makers from Marvel. The ending seems to be forced and repeated at times rather than bringing the innovation or the spectacle as one would have wanted. The formula really needed to have something special this time.

The performers of the soul :: The performers feel usual for us as these people have been playing these characters for quite a long time. These are not different from what all have been witnessed in the last two chapters. The one notable new addition here is Will Poulter, who plays one new character that seems to go through interesting changes, and the powers also remain interesting. Chukwudi Iwuji as the High Evolutionary makes a strong and interesting villain with the motives that never seems to end as far as evil keeps going in this world, trying to find one way or the other. Among the Guardians, it is Karen Gillan who has our attention the most, and keeps the base strong. Chris Pratt does the usual job with ease. Dave Bautista who has been keeping us interested from the WWE days remain a joy to watch on the big screen. Bradley Cooper and Vin Diesel with their voices manage to contribute nicely around here as we have been hearing them in the series. Pom Klementieff brings some fine humour. Sylvester Stallone becomes a fine addition around here too.

How it finishes :: Guardians of the Galaxy series of movies have never mean among the best quality superhero movies that we have known in the last few years. This one does not manage to be that great as the reviews say either. Marvel could not maintain that strength that they had by the end of Avengers: Infinity War and Avengers: Endgame. It is still very much entertaining with the content, despite the bigger run-time than it should have had. With the tag of a fine entertainer, the movie will keep its audience interested, as they have been deprived of some good entertainment ever since Avengers decided to end and the fans had to depend on some strange series instead of the regular movies to get their entertainment. Considering the kind of movies that Marvel has been making with unnecessary deviation and dumb characters who never deserved to be superheroes, this movie is very much ahead on many different angles.

Release date: 5th May 2023
Running time: 150 minutes
Directed by: James Gunn
Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel, Bradley Cooper, Will Poulter, Sean Gunn, Chukwudi Iwuji, Linda Cardellini, Nathan Fillion, Sylvester Stallone

<<< Click here to go to the previous review.

<<< Click here to go to the greatest superhero of India.

@ Cemetery Watch
✠ The Vampire Bat.

Venom 3

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Vampire Owl: I have always believed in the capability of Venom to be a future vampire.

Vampire Bat: We are not taking applications from aliens right now.

Vampire Owl: So, we are receiving applications from the demons, but not aliens.

Vampire Bat: There are exceptions when both are just the same.

Vampire Owl: It was first talked about by Doctor Frankenstein, right?

Vampire Bat: I am sure that Mr Frankenstein had nothing to do with it.

Vampire Owl: He is the greatest scientist of the realm, and he has something to do every time.

Vampire Bat: He creates fiction works out of nothing really well.

Vampire Owl: So, you think that great discoveries can only be fictional.

Vampire Bat: Well, there is realistic fiction, but not in his case.

Vampire Owl: You fail to have respect for such great men.

Vampire Bat: If he is a great man, there is not much to say about greatness.

Vampire Owl: You should stop even talking about him. He has ears everywhere.

Vampire Bat: I know that he can do nothing.

Vampire Owl: He has not come this far by doing nothing in his eventful life.

Vampire Bat: Creating that useless Frankenstein monster do not count.

Vampire Owl: Not all monsters are forever.

Vampire Bat: Yet, we are immortals and monsters for humans.

Vampire Owl: Yet, that was one fine monster of science.

Vampire Bat: Science itself is a monster and murderer of many species.

Vampire Owl: Do you feel that it is soon bringing the apocalypse here too?

Vampire Bat: That is indeed a nearby possibility, not a distant one.

Vampire Owl: So, the humans will kill themselves and even take us with them to the grave.

Vampire Bat: We have come out of the grave. It is our chance to live again and again.

[Gets a box with cheese popcorn and three cups of ginger tea and moves into theatre].

Vampire Owl: The series remains a fine one, but I am not sure about this particular entry.

Vampire Bat: There was a lot more that a Venom movie could do.

Vampire Owl: This is basically supposed to be an epic conclusion.

Vampire Bat: Well, for this to be epic, there should have been such grandeur and a classic final battle, and in both cases, the movie struggles.

Vampire Owl: The battles here, despite scoring in between, often becomes a struggle.

Vampire Bat: It reminds me of X-Men: Days of the Future Past, where the mutants had no chance of survival against the newly created robots and keep dying. The case is the same with the symbiotes facing these monsters.

Vampire Owl: The performances have been really good though, especially from Tom Hardy.

Vampire Bat: Juno Temple also has a certain amount of mystery running through.

Vampire Owl: The different symbiotes seem to have a variety of attributes too.

Vampire Bat: The terror brought by the ruination of humans continues to work.

Vampire Owl: This time, there is a fine villain, but does not come to the front enough. He keeps sitting there like a hermit when imprisoned.

Vampire Bat: The terror of infinity of villains from space never ceases to amaze us.

Vampire Owl: Well, the idea that varieties of hell might me somewhere in space keeps everyone going to discover more out there through unparalleled creativity.

Vampire Bat: You are going back to the good old computer games in outer space. We remember even those shooting tournaments in other worlds of space, don’t we?

Vampire Owl: And those game to movie adaptations with Resident Evil scoring the highest with those box-office collections and never-ending fame.

Vampire Bat: You were not that much of a fan of those particular adaptions, and fought against the creation of game-based movies.

Vampire Owl: We see all these aliens, different types, coming right out of space, and symbiotes and transformers are only a few of them.

Vampire Bat: The human imagination has been everywhere these days, wandering through the stranger worlds and often not making that much of sense.

Vampire Owl: Human creativity has been messed up whenever sequels are involved.

Vampire Bat: Still, the details on the creatures are good, and the powerful villain leaves scope for more in the future.

Vampire Owl: There is no future for humanity and this film is supposed to be the end.

Vampire Bat: But we see the possibility for continuation in the end with the post-credits scene.

Vampire Owl: In a world where humans are bigger monsters than symbiotes, there is the infinite possibility of evil to bring new movies.

Vampire Bat: Well, Venom needs fear factor with humour, and the second one somewhat works in this particular movie.

Vampire Owl: I keep wondering why this movie could not improve from the previous movie, even when there were so many deviations that could have been chosen.

[Disappears into the darkness of the day because the clouds have done the trick, and awaits the darkest bloody night of the week].

Release date: 25th October 2024
Running time: 109 minutes
Directed by: Kelly Marcel
Starring: Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Stephen Graham, Peggy Lu, Clark Backo, Alanna Ubach, Andy Serkis

<<< Click here to go to the previous review.

<<< Click here to go to the previous English film review.

@ Cemetery Watch
✠ The Vampire Bat.

Alien: Romulus

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Vampire Owl: Do you remember those days when we watched alien movies and believed in them? Those were the wonderful days with alien fear, right?

Vampire Bat: We still do not deny their existence. Aliens are the kind of creatures who are not limited to any shells.

Vampire Owl: So, we are going with the parallel world theory. We might end up finding some interesting creatures that we are not aware of.

Vampire Bat: We already have that discovery of the shadow world, and so this is also possible.

Vampire Owl: It was discovered by Doctor Frankenstein, right? Isn’t the great scientist responsible for all the great inventions and discoveries?

Vampire Bat: It was discovered by the vampire scouts, not that fake doctor.

Vampire Owl: The scouts just discovered the portal, and Mr. Frankenstein discovered the rest.

Vampire Bat: It was actually a work of fiction on real discoveries.

Vampire Owl: You should know that the shadow demons come from a portal to another planet.

Vampire Bat: Well, these are surely not the same kind of aliens.

Vampire Owl: I have known these aliens since the first movie too.

Vampire Bat: People seem to like the second, but for me, the first scores the best.

Vampire Owl: And the newer versions – Prometheus and Covenant.

Vampire Bat: I would not deny their strength either.

Vampire Owl: So, we will trust them to do well again. As they have always done, making us more and more interested in the franchise which has so many secrets to unveil and worlds to witness.

Vampire Bat: Which is why we take the struggle to find the theatres showing this film.

Vampire Owl: I hope they show this is in more theatres.

Vampire Bat: I am sure that this will survive and go through a long run.

Vampire Owl: Even with those Onam releases coming up?

Vampire Bat: Well, we only a have a few Onam releases this time.

Vampire Owl: So, the biggest names are not releasing their films?

Vampire Bat: That is indeed a surprise, but I feel that they are not.

Vampire Owl: So the biggest Onam release would be ARM: Ajayante Randaam Moshanam.

Vampire Bat: I do not see why it should not be. The fantasy movies also deserve to have their due, not just in the form of magic realism.

[Gets a box with cheese popcorn and three cups of ginger tea and moves into theatre].

Vampire Owl: The series remains a classic indeed and there are not many people who can patiently wait for another sequel.

Vampire Bat: This is why I always trust this franchise. This is indeed a science-fiction marvel that continues from its base so well.

Vampire Owl: The aliens in the such a terrifying atmosphere within a space station serves well.

Vampire Bat: Well, we have the castles and they have space stations and ships. You remember the movie when Dracula actually visited a space ship, and was considered an alien species from a much far away planet.

Vampire Owl: Yet, we are scarier, with a certificate attained from the nearby cemetery.

Vampire Bat: Yet, being in space with nowhere to go brings the terror further.

Vampire Owl: The performances have been really good too.

Vampire Bat: Well, science fiction seems to bring better monsters than the Gothic these days.

Vampire Owl: The monsters from outer space got their merits.

Vampire Bat: The terror brought by the ruination of humans works every time whether as demons of space or of the graves.

Vampire Owl: This time, there was so much of details with the outer space as much as inside. The world has managed to get its due.

Vampire Bat: The terror of infinity of space never ceases to amaze us.

Vampire Owl: Well, the idea of hell might me somewhere in space.

Vampire Bat: You are going back to the good old Doom game.

Vampire Owl: And also its movie adaptations.

Vampire Bat: You were not that much of a fan of those particular adaptions. You were always against games being made into movies, even though you did not considered the same vice versa to be that much a negative thing.

Vampire Owl: Well, these genres are all mixed, and we see the demons in space, gods in space, aliens in mythology and humans everywhere.

Vampire Bat: The human imagination is basically everywhere these days. You look at them imagining the impossible, the beautiful and the absurd, all coming out of the same brain that fails to stop being creative, sometimes even for the wrong reasons.

Vampire Owl: How many aliens did you count? How many were killed by those guns? Did too many of them manage to escape.

Vampire Bat: They come in hordes, like the zombies and werewolves, as if a witch or sorcerer is controlling them with a magic wand.

Vampire Owl: There are still some repetitions and reminders of earlier movies.

Vampire Bat: Yes, they still work effectively enough. Movies like these would require some repetition as these are the right elements that make the franchise better.

Vampire Owl: In a world where viewers fear humans more than monsters will this work well enough? Do they count as scary enough in comparison?

Vampire Bat: Well, with so many effective scares, yes. They keep the franchise going, strong and sharp as they are intended to be.

Vampire Owl: This has surely worked well with the scares for me.

[Disappears into the darkness of the day because the clouds have done the trick, and awaits the darkest night of the week].

This is the third YouTube video dealing with film review. The movie has been reviewed as part of a vlog below, and with the YouTube Channel Scholar Nomads gaining the advantage, there is always much more to be said.

Release date: 23rd August 2024 (Theatre)
Running time: 119 minutes
Directed by: Fede Alvarez
Starring: Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, Aileen Wu

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Stowaway

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Vampire Owl: Do you know that Doctor Frankenstein had a stowaway on his Ultimate Machine of Nightmares?

Vampire Bat: Why would someone want to have a ride of nightmares?

Vampire Owl: I guess they wanted to witness the greatness of this invention by the greatest scientist of all times?

Vampire Bat: Why are you not understanding that he is not a real scientist at all?

Vampire Owl: You are saying this because you studied arts only.

Vampire Bat: I am well aware of the way of science. Mr Frankenstein has no role in it.

Vampire Owl: You should understand that he can teleport you in a second or two.

Vampire Bat: Even those witches of the north can do that.

Vampire Owl: I am talking about teleportation to another realm.

Vampire Bat: He just creates a virtual reality within his laboratory and pretends that it is another realm. He cannot even teleport Uncle Dracula’s lost fangs.

[Gets a paneer masala dosa and three cups of elaichi tea].

What is the movie about? :: A two year mission to Mars has been approved for the spaceship, MTS-42, which has the mission commander Marina Barnett (Toni Collette), biologist David Kim (Daniel Dae Kim), and the ship’s doctor and researcher Zoe Levenson (Anna Kendrick) on board. They are taking the first steps to call Mars the second home, and each of them is very good with the needed abilities and extended training. Everything seems to go fine with the launch, and they are all glad to be on the way to a great expedition. Soon after the takeoff, they discover a launch support engineer, Michael Adams (Shamier Anderson), an unexpected traveler who seems to be caught and fallen unconscious between the two modules of the ship. As he falls down, the device that scrubs carbon-di-oxide from ship’s air is destroyed. They use use emergency lithium hydroxide canisters to get rid of the carbon-di-oxide from the air, but it doesn’t seem to be enough. Marina is not sure about what has happened here, and wonders if something strange is going on in the background.

So, what happens with the events here as we just keep looking? :: Michael wakes up and wants to go home, but everyone knows that a return is not possible now. He slowly adapts to the situation, as the company promises to help his sister to go through her life in his absence with guidance and monetary support. David begins cultivating his algae experiment of the ship before reaching Mars, as there is the need for some extra oxygen, but it is also not that much effective. The damage done to the carbon-di-oxide scrubbing device seems to be permanent, and their life support seems to be in trouble. If they are not able to find another method for the supply of oxygen, they are going to fall short of breathable air. The only option seems to be a spacewalk to climb the tethers of the spaceship and recover liquid oxygen from the upper stage of the rocket. Even though the other two are okay with it, Zoe is not ready to sacrifice Michael to make sure that they have enough oxygen for their journey, and the commander decides to wait for ten days to come up with a solution. But can they have one in time?

The defence of Stowaway :: The space and the spaceship around here are indeed well-detailed, and there is one final adventure to be done as the movie gets near its end, which provides a charming view of space. The world here has good detail, both outside and inside the spaceship. There is always the question about the significance of life of a person when it would mean the death of three others who are more important not just for one mission, but for the entire humanity. This something about the talks here, as there seems to be no clear solution for a problem. There are many routes which this movie seems to take too. The movie does talk about the importance of faith, belief and hope in life, even though it is indeed a double-edged sword which can end up ruining everything like a person too much motivated by a motivational speaker. Well, after all, we know that the life itself is about some tough choices that we make, and in the end, we are all just going to die a terrible death and lie a few feet under.

The claws of flaw :: The movie is surely slow, and never does it even try to get any faster, which is rather strange, as we look at all those possibilities which have been avoided. It doesn’t try to be that entertaining either, as the speed is never that much to keep us that much engaged with the possible thrills. There is that drag which is felt because the film has too many moments and dialogues which could have been avoided – a two hour movie was not needed to deal with this kind of a theme which never chooses to go bigger. The movie’s question does feel strange too, about humanity and all, because science has already brought extinction upon humanity, and most of the human beings do not deserve to saved. And, we all know that humans are not going to make that much of a sacrifice after thinking too much – so much of thoughts better lead to brutal murders. We don’t know that much about mission being undertaken here either, except for where it is headed, and related to some of the possibilities after reaching the destination.

The performers of the soul :: Among the performers, Anna Kendrick is the only one face that we seem to recognize at first sight. We have seen her in very less number of movies in the last few years, but as we see her again, she seems to be another actress who seems to get younger as time progress – we recognize her as almost the same as in those much earlier movies. Despite not being the commander, she is the true protagonist and heroine of the movie, and the one who is ready to make a different at any cost – she does the lady with the most conscience in a wonderful way. Toni Collette has been there for longer, but most of us have seen her in movies which are rather too old, which means that recognizing her would be difficult. She says good as the commander who has to take some very difficult decisions. Daniel Dae Kim plays the man with his own assumptions about success of the mission quite well. The only other character and the one who brings the change to the mission is Shamier Anderson, a job quite well done.

How it finishes :: There has been no shortage of interesting journey through space which Hollywood has undertaken – it was at times complicated like Interstellar, with great visual splendour of space like in Gravity, hope for colonization of another world like in The Martian, horror inside the spaceship like in Life, terror in space colonies like in Doom: Annihilation, searching for secrets of humanity like in Prometheus, more on drama and romance like in Passengers or even going the fully entertaining in Star Trek way. The Chinese had The Wandering Earth and the Koreans had Space Sweepers, now we have this one. Stowaway is closer to the genre of drama instead of becoming the thriller. It still has enough of the engaging moments, and also has the moral questions running through. Even though most of us will not get to space and will face the human extinction event, we will clap to the rich people going to space and living happily ever after, following the discoveries similar to that in this movie are made. Until then, we will watch similar movies again and again, adjusting to the interesting moments that they provide, as the apocalyptic event awaits with a terrible beauty ready to be unleashed.

Release date: 22nd April 2021 (Netflix)
Running time: 92 minutes
Directed by: Joe Penna
Starring: Anna Kendrick, Daniel Dae Kim, Shamier Anderson, Toni Collette

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Dune

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Vampire Owl: A movie set in the future is the need of the hour.

Vampire Bat: There is no future that Uncle Dracula hasn’t seen.

Vampire Owl: Yet, he decides not to share the vision of future with us.

Vampire Bat: There is no future that we need to know.

Vampire Owl: You are more afraid of the future than the past now?

Vampire Bat: Everything except the present is to be feared.

Vampire Owl: You feel the need to prepared for a future you don’t know.

Vampire Bat: I am always prepared for that fearful future.

Vampire Owl: You can never be enough prepared for the same.

Vampire Bat: Which is why you need to be afraid of the future.

[Gets a blueberry cake and three cups of ginger tea].

What is the movie about? :: The year is 10191, and in Caladan, the homeworld of House Atreides, Duke Leto Atreides (Oscar Isaac), the Duke of House Atreides is asked by the emperor of the Known Universe to replace House Harkonnen as the rulers of Arrakis, a desert planet which serves as the only source of spice, an incredibly valuable substance that improves human abilities and helps them to go on interstellar travel faster than light safely. But the brutal race of Harkonnens in their homeworld, Giedi Prime won’t be that happy about it as they had held the area for about eighty years. Beast Rabban Harkonnen (Dave Bautista), the leading fighter among them is certainly not happy, but it turns out that the emperor means something else with these actions. Leto does feel that there is something wrong about all of these, and that the emperor has some sinister motives, but decides to form an alliance with the native fighters known as Fremen instead of enslaving them, thus bringing a twist to the plans.

So, what happens with the events here as we just keep looking? :: Paul Atreides (Timothee Chalamet) is the heir to the throne of House Atreides, and is worried about the recent happenings, as he had also come up against many nightmares about the planet which his people were going to invade. Paul’s mother Lady Jessica Atreides (Rebecca Ferguson) is a part of the Bene Gesserit, a group meant only for women, whose members have advanced physical and mental abilities – the group is not happy about Jessica having a male child instead of the female one which she was supposed to have. They are hoping for a perfect messiah-like superhuman who can guide humanity to a better future, and wonders if Paul is the one, even though he surely has a long way to go. House Atreides takes control and arrives on Arrakis, and the people there seems to appreciate them, especially Jessica and Paul. The terrain and the buildings in the place seems to be completely different, and Paul feels that Bene Gesserit is planting unnecessary superstitions about a messiah there too.

And what more can we expect in this world which has so many secrets in store? :: Paul understands more and more about the planet, its deep-rooted trees, sandworms and strongly held strange beliefs. Dr Liet Kynes (Sharon Duncan-Brewster) who serves as the judge of the change and the imperial ecologist talks to them about the dangers which exist there. Leto has a talk with Stilgar (Javier Bardem), the leader of the Fremens, and it goes on well. During a flight above the sands, they come against one of the sandworms coming towards a spice harvester which had almost finished harvesting. The group rescues the crew members, as the sandworms take the harvesting machine. They understand that the equipment out there are not good enough, and will not help them to bring the spice production back strong – they feel that they are destined to fail, and then someone else will take over. Meanwhile, at Salusa Secundus, the Imperial Army Planet, certain preparations are going on, and certain terror awaits.

The defence of Dune :: This movie, as any other story in a future set in another planet would come up with, has a grand spectacle in store, as far as the visuals are concerned. These worlds become part of you as it would do each and every time in Star Trek, Alien or the computer games like Mass Effect – space exploration never gets old. The special effects are used very effectively and the world detailing is really good – the details do not stop at the world with its buildings and people as it goes further with so many things established in this first movie which seems to serve as the pillars to what is to come later. There are also lots of action sequences, and we have that feeling of Game of Thrones coming back here after such a long time – well, War of the Roses can keep showing up in many movies and series in style. Based on one of the world’s best selling and the most appreciated science fiction novels, you would have always known what this movie would be capable of, with the use of new technology. The movie also serves as a reminder that the wars are forever, as long as any humanoid is alive in this galaxy or the others.

Positives and negatives :: The movie does remind you of a few others, but that is understandable as the story of human greed for power has remained the same throughout years. The film is also long, and the run-time might not be acceptable to most people as there are many scenes which seems to slow down things much. The movie is also not an easy movie to follow if you keep your eyes off the screen during regular intervals – there are many characters who are to be remembered and there are so many dialogues coming not just in English. The movie feels like that kind of a movie which will require you to have a bigger screen. This is also like a few drops of water in an ocean, as the world here seems to be huge, and there are so many books in this series which can be made into spectacular movies. The movie did have its own adaptations earlier, but this one right here might be the biggest of them all, even though one does feel at times that things could have been more direct – Jupiter Ascending, Valerian and the City of a Thousand Planets and John Carter, two highly underrated inter-planetary movies could do that.

How it finishes :: Dune begins the journey of an epic really well, and has us waiting for the next movie in the series. As it is based on a 1965 epic science fiction novel by the American author Frank Herbert, there will always be questions about how much the adaptation had done justice to the original work. As I haven’t read the book, that wouldn’t be on my list of things to do, but I am sure that this movie is indeed a remarkable work that one will remember and shall wait for a possible sequel. The book did have five sequels after the first one – Dune Messiah, Children of Dune, God Emperor of Dune, Heretics of Dune and Chapterhouse: Dune. The sequel to the first movie and featuring the second half of the first book, Dune: Part Two will be releasing next year. So, this is not the end, but the beginning, and we can always hope for the tale to be continued in a better way as the basic origin story has been established well. The same would be in theatres unless corona virus will have another ride on its pale horse.

Release date: 22nd October 2021; 25th March 2022 (Amazon Prime Video)
Running time: 156 minutes
Directed by: Denis Villeneuve
Starring: Timothee Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgard, Dave Bautista, Zendaya, Stephen McKinley Henderson, Charlotte Rampling, Chang Chen, Sharon Duncan-Brewster, Jason Momoa, Javier Bardem

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@ Cemetery Watch
✠ The Vampire Bat.

Space Sweepers

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Vampire Owl: I have a history of sweeping space for years.

Vampire Bat: I don’t think that this is the kind of space which you think it is.

Vampire Owl: Yes, how many spaces can there be?

Vampire Bat: This is certainly not about the space which you cleared in the cemetery.

Vampire Owl: I was talking about the space in Doctor Frankenstein‘s laboratory.

Vampire Bat: I don’t think that is going to count as space in science fiction.

Vampire Owl: The laboratory has been part of science fiction movies for a long time.

Vampire Bat: Mr Frankenstein himself is part of fictional programmes only.

Vampire Owl: I just hope that the Frankenstein monster doesn’t hear you.

Vampire Bat: There is no such monster. You are now taking characters out of stories.

[Gets a mango cake and three cups of Darjeeling tea].

What is the movie about? :: The year is 2092, and the world that we know of, is no longer a suitable place for living. All the greenery of the forests have vanished, and deserts have spread. Fading sun and acidic soil has caused the plants to disappear. It was like Earth was on life support. But most of the people are forced to remain on the planet and live through is polluted ecosystem. The UTS Corporation has arranged an orbiting space habitat for people who can afford them, and only a few elite people are able to enjoy this Earth-model ecosystem which assures a happy living space for everyone who becomes part of it. The place is completely governed by UTS Corporation who defined the laws, and decided who came in and went out of there. Earth which used to be the symbol of life has become what space used to be – a symbol of death. James Sullivan (Richard Armitage) serves as the CEO of the corporation, and has his own collection of the best of the world, and is also cultivating life on Mars using a super plant.

So, what happens with the events here as we just keep looking? :: James intends to open a colony in Mars too, and considers it as New Eden. He considers humans responsible for the situation of Earth, and assures everyone that the new world will not be like that. Ninety five percent of the total human population fail to find a spot in the new world, and many non-citizens are forced to survive as space sweepers, collecting space debris floating in Earth’s orbit and then selling it to the company factory. One of the main space ships which try to do so and become very successful is the Victory. The team is led by Captain Jang Hyun-sook (Kim Tae-ri) who was earlier on the other side, but is now against UTS after knowing its true motives. She had even tried to assassinate its CEO, but failed miserably. Kim Tae-ho (Song Joong-ki) who is also a part of the team, used to be on the other side too, and is looking for the body of his daughter who was ejected into space after some debris collided with their station some time ago, and he is running out of time. The others are Tiger Park a.k.a. Park Kyung-soo (Jin Seon-kyu) and Robot Bubs (Yoo Hae-jin).

And what else is to follow in this adventure in space? :: All of the crew seems to have their own story, but has to come up with a new tale of their own now. The space ship Victory picks up a space shuttle floating in space, with a little girl inside. This girl named Dorothy (Park Ye-rin) is supposed to be a weapon of mass destruction which was created by the notorious terrorist group named Black Fox. As Dorothy’s bag has a phone with a number of missed calls, they call and connect to Kang Hyeon-u (Kim Mu-yeol), and make a deal with him to return her for a grand price. It is also assumed that she is also a robot, and that despite her appearance, she is very dangerous. But it seems that what they knew about the girl and the Black Fox might not be true, and there are some sinister motives that UTS might be having. Soon, their mission would change to something else, because James Sullivan likes to keep his own secrets about Mars, Earth and the orbital station. Dorothy will also have to play a part in the same, a very disastrous one.

The defence of Space Sweepers :: The story of the movie is nicely set with a fine premise, and the setting of a future world is nicely done. We are immersed in this world which is sure to come, as Earth is surely going to fall at some point, and a world without human extinction itself is a surprise. This new world is nicely detailed, not just with the newly created eco-system, but also related to space and everything around. Along with being the visually spectacular thing as expected, it is almost emotionally strong with its content. There are moments which keep us going with action, thrills as well as the drama. Kim Tae-ri also comes up with the best of performances among the cast, and other follow well – there is something about her as the captain, and the rest are only glad to continue the good work. We have been in short of some good space adventures after missing the Star Trek movies in the theatre, and this one adds well here. We did get to watch the Chinese movie, The Wandering Earth as a space odyssey, and now we have this one, strong enough to compete with the Hollywood movies based on future’s space.

Positives and negatives :: This doesn’t move that much away from what we have seen before including the theme and the visuals, but latter does get a special touch. It doesn’t raise itself to a complete fun movie, even though it doesn’t become a preachy film with Elysium-like content. With such open space, the opportunities were endless though, and all are not taken. There could have also been a Korean touch with this one, while this one goes close enough to Hollywood instead. It is also a lesser known movie, even though it basically stands taller than so many overrated Hollywood movies. The villainy in this movie is also a little bit too predictable, and there could have been some twist related to that, despite taking the safe side there. People do tend to expect more from a film like this, as the trailer looked to be of top class, and there are not many Korean space movies which I know about – so many of them have been about horror instead. I do feel that there is always scope for more of this kind of movies from South Korea.

How it finishes :: Space Sweepers deals with a future which is not that far away, and it is also the one which we are to expect sooner or later. Even though the facts about orbital stations and colonization of other planets might not be that accurate, the ultimate end of Earth and the escape of the richest among them – the quickly science-loving millionaires and billionaires to other planets remain true. Consider it in that manner, this movie is a fine prediction of a terrible future, which we have seen in other movies too, with or without the shots of space. I have also given it a chance in my novel, Wrath of the Future, which was published in 2020, after the first wave of COVID-19 had seemed to come down. Well, you always need a little bit of the future’s possible horror to think about, but that hasn’t really helped to make humanity better, has it? Well, it doesn’t seem to come close, and thinking about that, let us enjoy this movie the most for its entertainment value, as it creates that grand spectacle on the screen.

Release date: 5th February 2021 (Netflix)
Running time: 136 minutes
Directed by: Jo Sung-hee
Starring: Song Joong-ki, Kim Tae-ri, Jin Seon-kyu, Yoo Hae-jin, Richard Armitage, Kim Mu-yeol, Park Ye-rin, Oh Ji-yul, Christian Lagahit, Kim Hyang-gi, Anupam Tripathi

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@ Cemetery Watch
✠ The Vampire Bat.

Oxygen

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Vampire Owl: I had earlier heard that vampires no longer required oxygen to survive.

Vampire Bat: Is this a result of one of the experiments of Doctor Frankenstein?

Vampire Owl: Yes, he has actually found a substitute this time.

Vampire Bat: You shouldn’t really trust him about controversial inventions.

Vampire Owl: You have been talking about our best scientist for so long.

Vampire Bat: I wonder why you are not able to understand the difference between a scientist and an alchemist.

Vampire Owl: Well, alchemist degree is no longer a valid one.

Vampire Bat: He has passed only BSc. Alchemy, I am telling you.

Vampire Owl: When he cleared the degree, it was a valid subject.

Vampire Bat: You are going to be struggling for survival, if you go with what he provides.

[Gets a blueberry cake and three cups of black tea].

What is the movie about? :: Elizabeth Hansen (Melanie Laurent) wakes up in a medical cryogenic unit with no memory of who she is, and how she got there. The Artificial Intelligence machines which was supposed to take care of the system informs her that the oxygen level is low, and her request to go out of the unit will not be accepted. She is also informed that despite the failure of the unit being reported, nobody has come up with a reply. The advanced Artificial Intelligence with which she communicates is named MILO (Medical Interface Liaison Officer) tells her that she is identified as Omicron 267, and is not known by any other name. Her medical report is not available, even though she is there to get better after being sick after some point of time. External communication is not available, but she is finally able to transmit the details of her situation outside the unit through emergency services. The police are confused as she can give them no information of use about herself or her present location. She is able to provide them with the unit’s model and serial number, which are printed on the interior. But she is told the unit was destroyed three years prior.

So, what happens with the events here as we just keep looking? :: A DNA analysis provides a match for her though, and it shows pictures of her, which helps her to identify her name as well as an an idea of her work, and up-to an extent, some idea about her family. She is told that she has forty three to seventy two minutes remaining with her Oxygen level. When her medical report finally becomes available, she is shown as perfectly healthy, much to her dismay. She does find the number of her husband, but another woman answers, and that doesn’t help her cause at all. Some of the memories seem to come back to her, but she is not certain about them. Soon, palliative care is ready to be deployed, but she stops the same, even though threatened against doing the same. She tries to cause destruction to the unit, but gets an electric shock in return. With only a few minutes of oxygen left, how long can she stay strong enough, and alive? Is there something sinister behind her being locked in the cryo unit? Who could be find all the trouble that she has to face? Is there some secret which only she knew before being locked in there, or is there an even bigger mystery that involves many people?

The defence of Oxygen :: The movie keeps us interested in the protagonist, as we hope for information about her, and it moves between optimism and pessimism at regular intervals, with more and more knowledge about the person coming to light. There are questions being asked here, about life, what is means to be human, and how memories make a person or destroy one. There is always more and more doubts about the nature of humanity and its existence, and one is reminded of minuteness with one grand shot of the whole space with the chamber unit – it is a thing of glory, well-designed and of quality. We do make many guesses about what is happening out there, and where the protagonist is, but there are twists which are good enough to bring another series of guesses – only a very few of those guesses come true in this case. There is the mystery to be solved and revelations to be made, as we look forward to finding the truth and hoping that our protagonist is saved. The progression of this movie a reminder to many people on how to use the minimum materials to the maximum effect – as long as you have a leading actress who can do wonders.

Positives and negatives :: The movie can feel a little too long because all the action is set in the chamber unit which feels like a coffin. Some of the initial moments are the ones which provides that particular feeling, and the rest has us discovering more and more about the protagonist well enough. The pace is never really increased as we look at it, and there are similarities with other movies, even though this has the feeling of a perfect new space which is not explored as it is, ever before. People might have also wanted this movie to progress in some other ways instead how it has gone forward. There could have also been more visuals of the world by the end, but I would guess that they didn’t want the scenes to move outside much at all. One also feels the need to see the life on the new planet instead of just one scene – there have been many films which have people traveling to another planet, but there is not even one which shows what happens after they reach there and start a civilization. Well, we are the fans of Age of Empires, Age of Mythology, Warcraft and others – we need to see that one in another world, and we are yet to see the same on the screen with effectiveness.

Performers of the soul :: We know Melanie Laurent the most from two movies, the critically acclaimed Enemy and the crowd favourite Now You See Me, both being films which can be watched many times. She has been part of other movies to remember, and this one is going to have bigger status among such films, with a performance which is focused on her. Even though there are some people being shown in flashback memories, the present is all about her, and she makes sure that there is perfection when it is about her. The other people whom we notice are one in the form of the Artificial Intelligence and the other is the person who are regular in the flashbacks. The success of this performance from Melanie lies in the fact that she makes us go through the different emotions of her with ease. We are able to relate to the person and what she is going through, thanks to her perfect run through the emotions, the journey from not knowing to what she comes to know, as well as what she comes against, as wrong information. We also have the doubts that she has, and sometimes even more than what she comes up against, in a small world resembling a coffin. It is not just her character battling out there, as we are also part of the same.

How it finishes :: The director of this movie is known for some of the most memorable thrillers, with the last one being Crawl, with one crocodile on the hunt – you remember that his first English film was The Hills Have Eyes, and movies like Mirrors and Maniac provide further testimony to his skills, even though those were closer to horror rather than any other genre of significance. This one comes as a science fiction thriller, and it is also one effective thing in the genre, adding to Gravity, The Interstellar and The Martian from one angle, while it is also a survival thriller like The Shallows and Buried. Yet, one movie which this one reminds us of, is Meander, considering being locked in small spaces, and having almost no idea of what is happening around. Related to these movies, our movie here also has a solid status for sure. With its surprises, and possessing a fine performance from one person at the centre of all of these, the movie is a thing of quality. It might feel long due to being located at one place at all times, but this is one film which you feel the need to keep going as you hope for a person’s survival against all odds.

Release date: 12th May 2021 (Netflix)
Running time: 101 minutes
Directed by: Alexandre Aja
Starring: Melanie Laurent, Mathieu Amalric, Malik Zidi

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Skylines

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Vampire Owl: We have been looking at the sky for too long.

Vampire Bat: I don’t understand why you do that though.

Vampire Owl: I am awaiting the great vampire prophecy to become true.

Vampire Bat: I am not a fan of the prophecies of the new age.

Vampire Owl: The Vampire Oracle still has sixty five percent success rate.

Vampire Bat: But there are a few things which we know well enough that we are sure about it not happening in any way.

Vampire Owl: You really need to have more faith in the Vampire Oracle.

Vampire Bat: You should read the Vampire Chronicle to know about the failures of the Oracle who has struggled throughout history.

Vampire Owl: The Vampire Chronicle was written by a fake vampire, a non-believer of the vampire legacy.

Vampire Bat: Okay, let us see where this can lead you.

[Gets a paneer burger and three cups of elaichi tea].

What is the movie about? :: Captain Rose Corley (Lindsey Morgan), the daughter of the man whose conscience was transferred to a machine, but still maintained his human characteristsics, was the one who was born in the alien spaceship, making her grow very fast. Her powers had freed every human-alien hybrid from the alien control, keeping the aliens away from Earth. She continued to lead the Earth Defense fleet against the invaders with her brother, until the alien harvesters unveiled their ultimate weapon known as the Armada Vessel supposed to harvest all life on a planet with a single, powerful blast like no other. Rose had one chace for a shot and try to stop it, but froze at the exact moment, leading to her next shot running through one of her own ships, murdering thousands of her own people. The price that she paid for this victory with the life of her soldiers made her turn away from the battles, and the harvesters had also failed to show during the same time period.

So, what happens with the events here? :: Rose, believing that the war is now over, lives as an outsider in an almost ruined London, but finds out that there are still people looking for her. But as she is captured by the authority, she realizes that the war is still not over, with the human-alien hybrids going by the name of Pilots are having some problems, as they are going back to their basic needs, their biology of hunting and draining Earth and its inhabitants. They feel that finding the core of the Alien Armada is the key to changing the situation. To keep the hard earned peace and to ensure of human survival against the aliens, it was necessary to find that core which is now on a planet known as Cobalt One. They will be doing the first manned mission to an alien planet, and Rose will be in charge of detaching the core from the Armanda, but it wouldn’t be an easy thing to do by any means. Now the question remains if the newly formed team is good enough to do the same.

And what more happens here as things go out of control for humanity? :: Rose also meets her brother has turned into one of the aliens, but with his human conscience intact – Trent Corley (Jeremy Fitzgerald), and he is just one of the people who will accompany her to the new, undiscovered planet about which nobody has any idea except for the fact that the armada had crashed there, and there lies the one hope ahead. But getting it might not be as direct a mission as they think that it is. There is more than what meets the eye with the planet, as they are attacked by some strange creatures which are different from the aliens they had known earlier. Meanwhile, at home, Dr Mal (Rhona Mitra) continues to try to find a cure for the Pilots. But the Pilots have already started attacking the human survivors in a large scale, and there is even less time left on Earth in comparison to the other planet. There is more than one path to follow here, and may be one of these can mean success.

The defence of Skylines :: This movie’s biggest advantage is its extravagant visuals bringing the magnificence of a post apocalyptic as well as other worldly feeling, and one can trust the quality of the same here. You wouldn’t expect such grand CGI concerning movies like this, but we have to say that the graphics do score very highly. The creatures are all good, and the alien planet is a joy to watch which its stylish looks, and it seems that new things just get added to the franchise every time. Lindsey Morgan is a nice choice here for the hybrid creature of a protagonist, even though she gets going only a little bit later, after the armada is found. She does score with those action sequences with such ease, and also has some emotional moments to go with it. The rest just provide good support. The opening for the next movie in line is well-thought too.

The claws of flaw :: The film doesn’t really keep us interested in the beginning as one would expect in a movie like this. The scenes on Earth are not that interesting with the content either. Most of the cast left on Earth go wasted, as there is only a little bit of action for them. Rhona Mitra doesn’t get that much to do too, and it is a disappointment. There is the feeling of trying to connect to that District 9 model without the undercurrents, but the same doesn’t go that far. This goes through as too much of a usual science fiction with aliens, as we get memories of many other movies with similar content, and that includes even the good old Alien franchise and a bit of Independence Day. We would actually begin thinking about some alternative scenarios for the storyline to progress all the time, because there are surely so many more things that this film could have done.

How it finishes :: Skylines could have surely achieved more coming out of the shadows of two films which had set things going through the alien invasion. The first two movies were fun for sure, and the second one had managed to think in a divergent manner, which has led to this movie coming up later – without the changes which came up, this one might not have been possible at all. The movie is still pretty good in its entertainment factor, and there is a lot of action in this adventure set on another, unknown planet, as we keep asking for more. The movie does leave an option for a sequel, and we do get the feeling that this can get better if they add something more to the usual work of the franchise. You do see more possibilities at every turn of the film, and with the fourth movie in the series, this can achieve the divergence which it has always deserved.

Release date: 18th December 2020
Running time: 110 minutes
Directed by: Liam O’Donnell
Starring: Lindsey Morgan, Jonathan Howard, Daniel Bernhardt, Rhona Mitra, James Cosmo, Alexander Siddig, Yayan Ruhian, Ieva Andrejevaite, Samantha Jean, Jeremy Fitzgerald, Giedre Mockeliunaite, Naomi Tankel, Cha-Lee Yoon, Phong Giang

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@ Cemetery Watch
✠ The Vampire Bat.

Sputnik

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Vampire Owl: The title does remind everyone to get vaccinated.

Vampire Bat: It should originally inspire people to go to space.

Vampire Owl: It has surely inspired me to watch the movie.

Vampire Bat: Despite the name, this is a horror film.

Vampire Owl: So there is nothing about the achievements in space programmes.

Vampire Bat: Well, horror is the best genre for movies in space.

Vampire Owl: Horror is the best genre for vampire movies.

Vampire Bat: Horror is more effective in reality though.

Vampire Owl: COVID-19 had already brought that.

Vampire Bat: Doctor Frankenstein is already having new experiments regarding the same.

[Gets a chocolate cake and three glasses of mango shake].

What is the movie about? :: In 1983, as the Cold War has reached its last stages, two cosmonauts who are exploring space come up against something strange on their way back. As there is some problem with their spacecraft, they crash lands in Soviet Kazakhstan. Konstantin (Pyotr Fyodorov) is the only survivor of the crash, and he is taken to an isolated military facility for observation. Dr Tatyana Yuryevna Klimova (Oksana Akinshina) who is known for some unorthodox methods of psychological treatment including almost drowning a young boy doesn’t accept that she was wrong, and for the same, she is not considered a good choice. But that changes when she is given another mission by Colonel Semiradov (Fyodor Bondarchuk) who is in charge of the facility where Konsantin is kept. This scientific research facility is located far away from civilization, and she feels that there is more to this than what meets the eye, but in a different way.

So, what happens with the events here as some twist is coming up? :: The psychologists at the facility had already tried a lot with him, but there is not much progress about anything, and it is up to Tatyana to make a difference. She talks to the man, but doesn’t find anything out of the ordinary – yet, talking is only the first step, as she would realize later. It turns out that the cosmonaut has been affected by something terrifying, an alien creature which lives inside him. The creature has formed a symbiotic relationship with the man, and it comes out at night when he is asleep. It feeds on whatever he eats, and uses his body as if it is a spacesuit for survival. It had helped him to survive the crash, and helped him regenerate very quickly, making him fit in about two days. Her mission is to separate the host and the creature which lives inside him, and it has to be done without causing him any problems. The man never knew about such an existence inside him as he was feeling even healthier than before, and this seems to be an impossible task.

The defence of Sputnik :: The tension and anxiety is built from the beginning itself, when we see the film. The beginning scenes in space are reminders of what is to come, a foreshadowing of the monstrous entities to be unleashed later. Even though similarities with other alien films are there, this film doesn’t focus on the same, but generates its own monstrosity. The creature design is good, and the deviation from other similar aliens are managed well too. The environment here is also really good, and being at the Cold War Soviet facility does feel different from the usual secret scientific facilities. There is also some fine music going in the background that supports things on the screen, and we also see no shortage of blood and gore. There are also some interesting revelations made in between, and as a Russian film, it seems to have some tranquil quality which the loud alien films from Hollywood don’t usually display.

Positives and negatives :: The film stays further away from the Hollywood style, and therefore if you are looking for people to go around fighting aliens and defeating them in face to face battles, this will not be that much satisfying for you. This one is a rather slower thing, but it still has these moments to be enjoyed – the slowing down does add some beauty to it. You remember that it is usually the United States that is shown as experimenting with aliens, but here we have the change. It is to be noted the film also manage a certain amount of realism even with an alien at the centre here. It also has a small subplot with a child which was totally unnecessary in a film like this – the same was more suited to a flick like Proxima, and here it is out of bounds. One also wonders if it could have had a little bit of more time spent in space, with Gravity-like effects. The ending could have also been stronger, as there are ideas running through here too.

Performers of the soul :: Oksana Akinshina leads the film as a strong character who is more of a person than what meets the eye. She is steady in her role, and has some special moments in store too. The scene with her meeting the alien face to face, and her moments during the alien feeding all provide her with shots to remember in the film. Pyotr Fyodorov has some good work as the cosmonaut who was affected by the alien, and there are some solid moments with him and the leading actress. He fits into the role nicely, and each moment seems to have something for him. Fyodor Bondarchuk plays the antagonist who is planning something sinister with the alien inside human, and he has that determined soldier played to perfection. Anton Vasiliev’s character stand differently, and it is nice to see that one working on a divergent path compared to the others. If alien was more human in nature, that would have made a fine character too.

How it finishes :: This is one Soviet-age film with aliens from space, and that is a special change, unlike X-Men and Captain America which could be set in the same time period – horror has a certain advantage while dealing with the time period, and this Russian film make good use of the same. You can find similarities with another alien film from Hollywood, Life, and surely the references to Alien and its sequels can be seen, as that particular alien life-form has been the model for many more which followed. As sputnik means fellow traveler, the film nicely alludes to the alien as much as the successful Soviet space programme of the space race time period. Now, it has also come to refer to the vaccine looking forward to end the COVID-19 pandemic, and here it is the alien that needs to be taken care of instead of the virus. If you have liked films space travel films with aliens coming to Earth, this is another movie to grab your attention, and with this setting, it has much more of an advantage above the other movies.

Release date: 23rd April 2020
Running time: 113 minutes
Directed by: Egor Abramenko
Starring: Oksana Akinshina, Fyodor Bondarchuk, Pyotr Fyodorov, Anton Vasiliev, Vitaliya Korniyenko, Anna Nazarova, Aleksey Demidov, Aleksandr Marushev, Albrecht Zander, Pavel Ustinov, Natalya Shvets, Vasiliy Zotov

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@ Cemetery Watch
✠ The Vampire Bat.

Color Out of Space

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Vampire Owl: Does space have preference for any particular colour?

Vampire Bat: The colour here does look pink during the alien invasion.

Vampire Owl: Oh! I had considered it to be blue after the release of Avatar.

Vampire Bat: So, you didn’t think that it is black after Alien released.

Vampire Owl: No, blue just gave a better feeling, and nothing could rise over Avatar until Avengers: Endgame broke its box-office records.

Vampire Bat: But here, we have a pinkish colour which is almost pink.

Vampire Owl: We can take that for now, and leave it after the movie ends, because then it will always be blue.

Vampire Bat: Well, this one is from a story by HP Lovecraft, a master of horror. So, it is better to accept this colour as the alien shade.

Vampire Owl: I can’t do that. I have tried the same before with Stephen King.

Vampire Bat: Well, you can at least watch the movie and make the final decision.

[Gets an orange cake and three cups of black tea].

What is the movie about? :: Theresa Gardner (Joely Richardson), a financial advisor has been losing her clients after she was diagonised with breast cancer, and had a long treatment. As she settled down in a rural are with a farm where the family attempted to grow tomatoes and have alpacas for milk, she also had limited access to the internet, leading to a further problems in her career. Her husband Nathan Gardner (Nicolas Cage) had received the huge farm from his father, covering a grand area which extended towards the river on one side, and one the other side, it was almost impossible to find the borders. Their son Benny Gardner (Brendan Meyer) has been hanging around with Ezra (Tommy Chong) a local recluse who has been drinking a lot of alcohol and smoking weed all the time after he stopped being an electrician, and settled down in an area surrounded by woods. Nathan and Theresa are disappointed at the same, but there is nothing they can do.

So, what happens with the events here? :: Benny is not the only one affected by her mother’s disease and their move to the ancestral property, as their youngest son Jack Gardner (Julian Hilliard) is not even interested in talking to anyone else other than his pet dog Sam as he kept to himself all the time. Their only daughter Lavinia Gardner (Madeleine Arthur) becomes a Wiccan, and starts pagan witchcraft with the help of guides on black magic, hoping that one of those rituals close to nature can cure her mother’s remaining cancer cells completely. She keeps wearing strange and revealing Wiccan or Gothic clothing, and has coloured her hair in shade of violet, often traveling on a horse, much to the dismay of her parents. It is then that Ward Phillips (Elliot Knight) a hydrologist, surveying the water for an upcoming hydroelectric dam arrives there, and meets Lavinia in the middle of a pagan ritual involving a lock of hair.

And what else is to follow in this rural setting, making things different and divergent? :: One night, they are woken up by a Pinkish colour and a huge sound, which seems to be not of this world. While Lavinia feels it to be something magical, Benny finds it to be something from another planet, and they all finally agree that it is a meteorite after seeing a pink piece of the same lying on their lands. It is not exactly pink, with the colour feeling to be rather unearthly, and there is also a foul smell related to it. The very next morning, the meteorite is no longer glowing and is crumbling to dust. The mayor and the sheriff of the nearby town of Arkham also arrive to see it, followed by the television channels. But by that time, there is not much of the alien object remaining, seemingly having crumbled to death, leading to nobody taking it seriously. But on the next day, it is continuously struck by several bolts of lightning. Ward finds something wrong with the water there. How has the meteorite influenced the land, water and people around there? Is it safe anymore?

The defence of Color Out of Space :: HP Lovecraft is known to have blended science fiction with horror well, and it can be seen here too – use of science to reinforce the terror can be seen here, and it is displayed well in the movie. Use of recognizable monsters, jump scares and gory stuff is not longer the case, as a we go for the weird. It leaves a lot to be imagined too, as the fear feels more than what is seen here. The primordial forces from different worlds are stronger and beyond control, with no chance to escape, as no conceptions of reality can go beyond them. We are left with no power in front of things we don’t understand at all – it is the kind of horror from where nobody leaves alive. The colours are beautiful to watch on screen, adding to the lovely visuals of the countryside, but is supposed to be terror inside. Nicolas Cage does the usual job here and nothing more, but he is the one we trust every time. Madeleine Arthur remains cute even when going on the witch mode, and comes up with the next best performance, followed by Elliot Knight in this different horror thriller science fiction with colour itself as the alien life-form.

The claws of flaw :: As you already know, Colour Out of Space is not your usual type of horror thriller with a science fiction background present too – it is not for everyone, with all the weirdness, and a certain amount of disgust related to the same. The strangeness that one can feel in this movie goes rather too much for many people, and for Lovecraftian works transformed into movies, this might be found to be natural. This is the kind of tale which came before Alien and its sequels, and so, right now, we expect this movie adaptation to be even better – we don’t see that much of an extra effort which is put in here. The horror could have been added with something more, making it even more suitable for the age. There are times when one feels a comic effect, which should have been avoided, considering how terrifying, an inescapable this situation seems to be. One also has to doubt the use of Nicolas Cage here, who is not at his usual self. The final moments could have been better managed too.

How it finishes :: The movie is based on The Colour Out of Space, which is a science fiction as well as horror short story by the famous American author HP Lovecraft, who has come up with special interpretations in his tales regarding humanity’s place in the universe. His popular tales like The Call of Cthulhu, The Rats in the Walls, At the Mountains of Madness, The Shadow over Innsmouth, and The Shadow Out of Time have all been needing film adaptations, due to them bringing something a lot different than what we have had during those times. There has been many previous adaptations of his works, especially this particular story, but most of them haven’t been that popular, at least at this part of the world. This one has the ability to be more popular, even after some time after its release, because it has Nicolas Cage at the centre of things, and supported well, this one will rise above the others – this surely is one interesting journey, and you can go through that Lovecraft divergence nicely here.

Release date: 7th September 2019
Running time: 111 minutes
Directed by: Richard Stanley
Starring: Nicolas Cage, Madeleine Arthur, Joely Richardson, Q’orianka Kilcher, Tommy Chong

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✠ The Vampire Bat.

Doom: Annihilation

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Vampire Owl: Do you remember Doom? The only and only Doom?

Vampire Bat: Doom is not one and only. There are many Dooms.

Vampire Owl: What do you mean? How many do you know as of now?

Vampire Bat: I played the video game named Doom, in the 1990s.

Vampire Owl: Okay, the game which you played before you had Unreal Tournament, Warcraft, Age of Empires, Resident Evil, Silent Hill, Hitman and Need for Speed.

Vampire Bat: Yes, and then I had a little bit of Doom II until it was replaced by Unreal Tournament and later adding some Quake 3 Arena.

Vampire Owl: I remember you having said something about Quake and Quake II. You had quite a metamorphosis with the computer games then.

Vampire Bat: There were others from the same video game developers, id Software including Wolfenstein, Heretic and Hexen.

Vampire Owl: So, your memories go beyond The Rock starrer movie of the same name.

Vampire Bat: Yes, those PC gaming memories are beautiful, and there was no reason why I wouldn’t watch this particular movie. Doom is like a legendary game during those days when I first had a computer. It was first love.

[Gets some french fries and three cups of masala tea].

What is the movie about? :: United Aerospace Corporation (UAC) has established a base on Phobos, the innermost and the larger one among the two natural satellites of Mars. Dr. Malcolm Betruger (Dominic Mafham), after years of research, tries to teleport a volunteer from a UAC lab in Nevada to their lab on Phobos by using teleporters. Even though the experiment seems to be successful in the begining, with the subject travelling all the way to Phobos and returning in one piece, there seems to be some problem with him – there are some deformities with him, not just outside, but also inside, with nothing much normal about him. Against the wishes of the other scientists inclduing the senior Ahmed Kahn (Hari Dhillon), Malcolm decides to make one more teleportation, this time with himself on the portal. But things don’t go as planned, and there is a problem with the power supply, and things don’t go as planned.

So, what happens with the events here? :: On a UAC transport vessel, a group of Marines on a mission to guard the Phobos base wakes up from cryo-sleep. Joan Dark (Amy Manson), a disgraced lieutenant is among the first to wake up and go through the procedures. She is someone whom nobody in the team wants to work with, except for her former boyfriend Bennett Stone (Luke Allen-Gale), a scientist who is excited to be sent to that high tech facility on a moon far away from Earth. The team is led by Hector Savage (James Weber Brown) who is not happy about the fighting going on inside the team, and hopes that they will work together well during their next mission on Phobos, which could be more or less about making sure that nobody steals from the high-tech facility, as almost everything in there is supposed to be worth millions of dollars. Unable to communicate with the base, they enter through the emergency entrance only to find trouble. Can they survive the horror inside the facility and restore it, or will they perish?

The defence of Doom: Annihilation :: This movie brings that long gone video game feeling back, as it is something that we fans of the first person shooters have always wanted, getting that much needed nostalgia too. Even with a low budget, the movie has brought the looks of a moon and space station into believable mode. With the usual first person shooter look written into it, there are maps in the helmets of the marines which they can access, and the characters move accordingly – they also have different access cards, and entering some areas are prohibited just like in those good old video games. This movie is more or less deserving a gamer’s love rather than of the others. Still, you can’t deny its quality shooting sequences, creatures attacking all of a sudden and continuing to create a world of terror, simple but effective work of a facility in space, a hell being designed and looking pretty effective and above all, the idea which we know from the game itself. The movie also has its heart and soul at the right place, while it also adds some humour and hope for an even better sequel.

The claws of flaw :: Doom: Annihilation does suffer from the low budget, and the signs can be seen here, and with some of the demons and places showing missing links in the design. It could have actually had more demons, with some more locations inside the facility – each creature and space could have been different, with one grand antagonist in the end. But the movie doesn’t try that, and neither does it have as many weapons as the game, only trying to get one big gun before the ending moments. They could have brought some fine effects into place here with variety in demons and also the action sequences. Instead the movie chooses to go the straight path, which was too easy, considering the fact that a good number of games established the path a long time ago. It also has to be noted that some people had already declared this to be a bad movie because they didn’t like the previous movie, and because this is based on a video game, especially a first person shooter – that seems to have affected the number of people watching this.

Performers of the soul :: When a movie tries to live by the name of the highly successful, magnificent, nostalgic first person shooter gaming franchise, it would provide more action, thrills and even horror than dialogues, and we have the same here. The Scottish actress Amy Manson is in the lead here, and she has undoubtedly done a fantastic job here, as the marine punished for disobeying a direct order from the higher authorities. From the moment she gets out of the cryo-sleep chamber, we know that she is to play the determined marine is a very much believable manner – she keeps that level throughout the movie’s run. She has an emotional side, and is perfectly suited to action, making us hope that the movie’s possible sequel would also have her in the lead. After Amy, Jemma Moore is the next one we see early, among those marines, but she is not there to stay, while most of the marines follow the same pattern, except three who stays further, and you know who has to survive till the end, as it is no surprise. Dominic Mafham reminds one of Event Horizon, and does well.

How it finishes :: If you have played any of the games in the Doom franchise, there is a certain amount of nostalgia related to this particular movie. As far as I can remember, Doom was the first of the first person shooter games which I had played. There we fought our way through demons from the other world, playing the game which would be considered as a pioneer among the titles of the same kind. It had also inspired me to buy Quake, another video game built on the style of Doom. For all of us who have played computer games in the 1990s, this is a dose of nostalgia, and for others, there is that memory of the 2015 version – the one which had quite a star cast including The Rock, Karl Urban and Rosamund Pike. With the negative reviews all around, it was not quite a success, and even with a cast which is not that famous, this one manages to be a better adventure. It might have something to do with my love for the game franchise, but I did enjoy watching this movie very much.

Release date: 1st October 2019
Running time: 96 minutes
Directed by: Tony Giglio
Starring: Amy Manson, Dominic Mafham, Luke Allen-Gale, Nina Bergman, Katrina Nare, Clayton Adams, James Weber Brown, Jemma Moore, Gavin Brocker, Amer Chadha-Patel, Chidi Ajufo, Hari Dhillon, Arkie Reece, Louis Mandylor, Cassidy Little, Plamena Bozhilova, Lorina Kamburova, Nathan Cooper

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@ Cemetery Watch
✠ The Vampire Bat.

Proxima

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Vampire Owl: Have you heard about the vampire team planning to travel to Proxima Centauri?

Vampire Bat: No, such a plan was discarded after Doctor Frankenstein created a portal and ended up being crazy for three weeks.

Vampire Owl: It is depressing, because vampire space travel was only beginning to get popular.

Vampire Bat: You could have some temporary relief by watching a movie on space travel.

Vampire Owl: This one seems to be drama and not really science fiction.

Vampire Bat: Drama is more close to life than science fiction as far as humans are concerned.

Vampire Owl: I wouldn’t disagree with that statement. They always create some drama.

Vampire Bat: It is also the one reason why humans stopped evolving.

Vampire Owl: I do feel that they can still evolve like some of the alien species which we had met while traveling through one of those portals.

Vampire Bat: Well, lets see how far they can go and fight their own upcoming extinction.

[Gets a carrot cake and three cups of masala tea].

What is the movie about? :: Sarah Loreau (Eva Green) is preparing herself for a one-year mission aboard the International Space Station, after different stages of training on Earth, and a final quarantine which would follow. She is very excited about it, as she finally had the chance which she was waiting for, throughout these years. She had kept so many things away just for this special opportunity which rarely comes to her field. But her daughter Stella Akerman Loreau (Zelie Boulant-Lemesle) is certainly not even close to being happy about it. She does like the idea that her mother is going to the stars, but hates the fact that she has to leave her for such a long period of time, first out of the nation and then far away from Earth itself. This would mean that Stella and her cat would have to stay in a new house in a new neighbourhood in a distant city, with her father Thomas Akerman (Lars Eidinger) as the parents had separated, despite falling in love while working at the same space agency.

So, what happens with the events here? :: But things have to go as planned, and they have to follow the procedure, as she has qualified with great difficulty, and now there will be no replacement in her place. Sarah leaves for further training, much to the dismay of Stella who is left to adjust with the new home and the new school were she keeps struggling with Mathematics and also in making new friends, being a new loner. At the same time, Sarah has some initial struggles with keeping up, and her colleague from the United States, Mike Shannon (Matt Dillon) considers her to be more of a space tourist, as he is a war veteran who has served in Irag and Afghanistan. But he does appreciate her hard work as time progresses, but as she develops an infection in a new wound, Sarah has further struggles to go with. At the same time, the bond between the mother and daughter which was very strong and special seems to be having some cracks here and there. Now, Sarah has to keep up both her lives going, and it is a question whether she can do the same.

The defence of Proxima :: As one would expect, the movie thrives in the work of Eva Green, who excels as the astronaut mother who struggles to keep the two sides of her life going. The movie serves as a reflection of anyone who is trying to seek new heights, but cannot let go of the old world to which the person belongs to. The training sequences are nice, and the emotional moments are all in control, with everything safely handled by Eva herself, for this is her movie. As the movie was shot in different original training facilities of the European Space Agency, everything feels more real, just like the feelings. The movie’s progress is also steady, even though we are given the idea of what to expect in the beginning stages itself. As the movie chooses to go realistic over everything else, we do have the interesting family drama which depicts the mother-daughter relationship without much of a trouble. In the same, there is quality guaranteed.

The claws of flaw :: Proxima had scope to be something more, with both its dramatic side and it could have been an action thriller of a lesser level too, with more twists being added to the training sessions and time of quarantine. People who are looking for some science fiction are going to be disappointed, because the same is not there, and we can say the same about the action and thriller side too. It could have also had more of emotional moments together, and there could have been more of bonding scenes between the astronauts in the facility. The fact that it keeps changing the language in between is a little bit strange, as it remaining a French movie with English subtitles would have been fair enough. It could have also used some flashback to add to the tale, because our protagonist here does seem to have had a long interesting past. If it had used all the elements perfectly, there was chance for a flawless film here, but Proxima does come somewhat close.

Performers of the soul :: With birthday on the 6th of July, it is a good time to give Eva Green some lovely birthday wishes, as she is one actress who has been special throughout her career, reminding us of some fine roles which she had played so well – this movie is not that much of an exception in that case too. The lovely actress has that kind of movies in her list which I have loved to watch, with the last few being my personal favourite Dark Shadows, the grand sequel 300: Rise of an Empire, the much different Sin City: A Dame to Kill For and Miss Peregrine’s Home for Peculiar Children to be added to the list. She is fantastic in this movie, and we see the emotions running wild on one side, and the determination of the character on the other – Eva is delightful to watch in this film too, and she carries the movie on her shoulders with so much of ease. Zelie Boulant who plays the daughter also comes up with a fine performance. Matt Dillon does a fine job in the supporting role too. The rest just working along, as this one is indeed the Eva Green show from the first moment to the time when the credits starts rolling.

How it finishes :: It is no surprise that Proxima‘s biggest asset is Eva Green, and the same is reflected throughout the flick, with the focus never really shifting from her, as she brings the magnificent performance to elevate this movie to where it would have been, with another actress in her place. But those who watch this movie should note that it is not science fiction unlike some idea being given here. As the movie stays as close to a realistic world as possible even with an upcoming space travel, Proxima does deliver a strong drama which works with the mother-daughter relationship very well. It is the kind of movie that one can choose to watch during Eva Green’s birthday week, and the French actress’ work is reason enough to go for it. If you are going for science fiction in space or other planets, we do have those other titles, and expecting a Gravity, Interstellar or The Martian in this case will be wrong, as the tendency will be there as people see the lady wearing the spacesuit on the poster, but that is just one side of the tale.

Release date: 27th November 2019
Running time: 107 minutes
Directed by: Alice Winocour
Starring: Eva Green, Matt Dillon, Zelie Boulant, Lars Eidinger, Sandra Huller, Aleksey Fateev, Nancy Tate, Svetlana Nekhoroshikh, Anna Sherbinina, Vitaly Jay, Lionel Ferra, Manuela Aguzzi, Gregoire Colin, Trond-Erik Vassal

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✠ The Vampire Bat.

The Wandering Earth

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Vampire Owl: Do you think that Earth can wander?

Vampire Bat: I have never known about Earth being a wanderer. Can it go to tourist destinations and see places?

Vampire Owl: This movie has Earth wandering around with he help of human technology to escape the solar system to save all life.

Vampire Bat: So, you mean to say that extinction is delayed in this case too.

Vampire Owl: Yes, this time it is the Chinese that saves the day.

Vampire Bat: So, after The Monkey King 2 and The Mermaid, it is time for another full-length Chinese movie.

Vampire Owl: Yes, and we haven’t had something like Interstellar, Gravity or The Martian in a very long time.

Vampire Bat: Yes, we have missed space as well as the possible end of the world.

Vampire Owl: There are not many things that I have missed so much.

Vampire Bat: This one looks grand. So, it could assure fine quality science fiction during the possible end of the world.

[Gets a plum cake and three cups of ginger tea].

What is the movie about? :: The Sun which is getting older is about to turn into a red giant and would engulf Earth’s orbit very soon, and this realization forces the world nations to form a United Earth Government, an act of unity which never happened in the long history of humanity. The plan here is to take Earth out of the Solar System to the Alpha Centauri system which is many light-years away, so that mankind can be saved from extinction which seems to be very close. For the same reason, grand thrusters known as the Earth Engines, are built across the planet to keep Earth moving, after stopping its rotation. Many people die due to grand tsunamis that occured after the rotation stopped. As Earth moved away from the sun using the newly formed Earth Engines, the surface was frozen, forcing the remaining people to live in huge underground cities. These areas were built near the engines to make sure that there is enough power.

So, what happens with the events here? :: As this plan to keep Earth moving for many years, almost taking one hundred generations to finish the mission, a young man named Liu Qi (Qu Chuxiao) takes his younger sister Han Duoduo (Zhao Jinmai) on a journey at the surface. It happens to be an unauthorized trip to the surface, but as they travel in a heavy transport vehicle using fake IDs from criminal gangs and also using their grandfather Han Zi’ang’s (Ng Man-tat) heavy vehicle clearance pass. But their journey is halted by the security forces who takes them to prison, and they are soon joined by their grandfather who tries to bribe the authorities to get them out. Liu Peiqiang (Wu Jing), Liu Qi’s father is an astronaut who is at an international space station that is supposed to help navigate the Earth on its journey that would last thousands of years, and also has DNA of animals and seeds of plants stored to ensure better life in the next solar system.

And what is to follow later in this tale? :: Liu Peiqiang’s mission in space is finally going to end and is all set to return to Earth after the Chinese New Year, and meet his son who has been very unhappy about leaving him behind. Liu Qi’s only happiness in the world is his adopted teenage sister Han Duoduo who was saved during the tsunamis by his grandfather. But the plans of a possible family reunion is soon destroyed, as huge earthquakes occur on Earth, as the planet has a gravitational spike during its journey close to it, instead of gaining a gravitational assist, and the Earth Engines are disables as a result. This would get Earth much closer to Jupiter, setting it on a collision course with the giant gas giant, which is many times bigger, and would mean the end of human life on all cities. With all the destruction around, the family escapes from the prison along with a fellow prisoner named Tim (Mike Sui) who is half-Chinese and half-Australian, as they get caught in a mission to save Earth. But can they do it and move Earth away from the largest planet in the solar system?

The defence of The Wandering Earth :: The movie does manage to have some good performances from Qu Chuxiao in the lead, Wu Jing as the father figure, Li Guangjie as the captain, Zhao Jinmai as the sister figure, Ng Man-tat as the grandfather figure, and others who support pretty well. But the movie is never that much about people, even though the emotional side is awakened at times, especially related to the family relations – the big advantage of the movie remains with the action-filled adventure set in the future, nicely managed in a world which is very well designed. There is a fine world that we see here, giving our eyes some beauty which is there to stay even after we finish watching the movie. The post-apocalyptic world is among the best, and the designs of the underground cities, the grand engines with the view of Earth and Jupiter, the new frozen world on the surface, and the message of hope are all nicely delivered. The thrills are delivered well.

The claws of flaw :: Even though the emotional touch is surely there, the characters remain underdeveloped, and the sister character, even though becomes one that catches our attention, doesn’t have that depth – the father-son relationship also struggles to move on, and the final sacrifice is the one thing that saves it, as its background remains too strained to be likable. There is also a certain amount of predictability related to that, and even with a new idea of using the Earth to go to another solar system instead of a spaceship to take people to another planet, the idea is not that much explored to the full potential. Even with the final attempt being something of zero chance of survival, when people go for it instead of supporting the survival of the species, one has to wonder what kind of astronauts and scientists are these people. At least the Artificial Intelligence did loss hope in mankind by then. This one surely needs a sequel to let us know how it goes after that fine finish, and I hope that it arrives soon.

How it finishes :: The Wandering Earth is undoubtedly the best Chinese full-length movie which I have watched so far, but it has to be noted that I haven’t watched many of those movies. It is a visually stunning spectacle which takes you on an apocalyptic as well as post-apocalyptic journey through a world which needs to be saved, and this is where the science fiction wears it action-adventure boots, and gets you on a thrilling adventure. It might not make you feel that it is entirely new inside, but what you see on the outside with its idea, is innovative. It might feel familiar at times, but also impressive, when you witness this grandeur on the screen. It is China’s third highest-grossing movie of all-time, and it might be their first full-scale space adventure, with apocalypse written all over it. Loosely based on the 2000 novel with the same name by Liu Cixin, the movie has you immersed in that world from the future.

Release date: 5th January 2019
Running time: 125 minutes
Directed by: Frant Gwo
Starring: Qu Chuxiao, Li Guangjiem, Ng Man-tat, Zhao Jinmai, Wu Jing, Qu Jingjing, Zhang Yichi, Yang Haoyu, Li Hongchen, Yang Yi, Jiang Zhigang, Zhang Huan

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✠ The Vampire Bat.