Sean Gunn – Movies of the Soul

Vampire Owl: I hope this doesn’t turn out to be something like those experiments from Doctor Frankenstein.

Vampire Bat: Well, Mr. Frankenstein has not equal, and so, there is no relevance for such a question.

Vampire Owl: I have never really liked him. You know how much blood the vampire community has to donate for his cause. A number of blood banks have been left with minimum resources.

Vampire Bat: But, it is for building a better future, of the vampire community.

Vampire Owl: Why would he even try to do that? He is no vampire, and he is not even distantly related to our community.

Vampire Bat: He is a good scientist. He made a monster, and now he wants to make something good.

Vampire Owl: He experimented on himself to keep staying alive for this long!

Vampire Bat: Yes, which is how he became very useful to us.

Vampire Owl: But I doubt his inner motives, which he isn’t showing to us.

Vampire Bat: Even if there is something, it is going to be nothing in front of the Belko Experiment. I am sure about that.

[Gets three cups of Vagamon tea with a piece of green apple cake].

What is the movie about? :: Belko Industries a vey famous American-based non-profit organisation which has branches all over the world, and facilitates American companies in South America in hiring American workers. It is a popular choice among freshers when looking for jobs, and has a high reputation everywhere. It is at one of its lesser known branches, the office building in Bogota, Colombia, which is located at a rural or rather remote setting that Mike Milch (John Gallagher Jr) and his girlfriend Leandra Florez (Adria Arjona) works. They find it strange tha there is a long queue in front of the office with the Colombian local workers being sent back, and new people being in charge of security. The two, along with the other employees including the newest employee Dany (Melonie Diaz) are all there, and when the last of the employees get into the office, things change.

So, what happens next in the movie? :: After the final employee is inside the office, a voice asks everyone to kill two of the co-workers in half an hour of time, or they will randomly chosen and killed. The building is covered by steel shutters from all sides, and all phones including the mobiles stop working – everything is cut off, including the air conditioning. The company’s chief operating officer Barry Norris (Tony Goldwyn) try to tell everyone that there is nothing to panic. But it is him who panics first as the head of four employees are blown, and he, along with two other workers, Wendell Dukes (John C. McGinley) and Terry Winters (Owain Yeoman) decide that it is only fair that they kill a few people if it is all that takes to make sure that they keep living for a longer period of time. Mike tries to take the tracer off with a knife, but the people in control finds out what is being done to the tag, and warns him against doing the same.

And what is to follow with a twist of events? :: They realise that the Colombian workers were sent back home, because only the American employees had the tracer put in them to find them in case they were kidnapped in another nation, and so only they could be manipulated here. The announcement is no longer considered a prank, as things turn too serious – thirty of them are to be dead within two hours in one way or the other, or sixty people will be killed, according to the voice. Barry, along with this newfound friends tries to get the weapons stored within, so that they can kill according to the demands of the voice, while Mike who is against it, along with his girlfriend, and the only remaining security guard Evan Smith (James Earl), as well as the tech worker Keith McLure (Josh Brener), tries to hang banners from the top of the building, only to get shot at, by the special guards outside. With people losing patience as well as hope, how many will be dead, and who all will survive?

The defence of The Belko Experiment :: This is one movie that begins the adventure right from the initial stages itself, and goes on to continue well right into the experiment within the building. There are so many thrilling moments in this movie, and it has us guessing what is to happen next for most of the time – as we know that there is no escape, and with a short run-time, things are surely progressing rather quickly. There is a fine concept at work here, and we once again get to see how much each person wishes to live, at the cost of the lives of others around. It is quite thought-provoking without doubt, and we keep wondering about our situation. Maybe this movie is more human than the rest of the movies, with people looking to earn money, and survive, with that survival getting a new meaning here – some of them just live up-to that too. The cast, as a whole works pretty good for this one, even though there is nothing big.

The claws of flaw :: There is a certain kind of predictability that comes in through the middle, going on, and there is also the limitation coming in, with not that much tried with its setting right inside a building. With people caught inside a huge building without any option to escape, and having chips inside their heads ready to be blasted, there was not that much of an option left – if there was at least one path left free, it would have been more interesting; without escape routes, this is rather one-sided, thus the movie removing its own options. There is a certain amount of sadism in this movie, which puts people against one another, and in the situation which make them kill or be killed, we feel the survival of the fittest in an office. The inherent evil in man comes out with a number of people here too. In this movie, we are without hope, and its sadistic experiment on human nature is something that not many people can stand. Better execution to keep the balance, maybe?

How it finishes :: The Belko Experiment is another one of those movies involving experiments, but not on the lines of Morgan or Ex Machina, as this one looks out for social behaviour rather than anything else. But in the end, we humans just got to give in to one thing or the other, whether it is is science, politics, religion or whatever else. There is all the action that happens in a building, the thrills, and along the violence, this movie leaves you with something to think about. Those people who are looking for some different horror or more of thrillers, are surely going to love this one. Among those movies which seem to go rather the same way, there is The Belko Experiment which travels a strange and depressing path, which is is more or less a reflection of human nature – darkness falls into humanity too easily when facing terror, doesn’t it? You don’t need much of an experiment to prove the same on most occasions.

Release date: 17th March 2017
Running time: 88 minutes
Directed by: Greg McLean
Starring: John Gallagher Jr, Adria Arjona, Melonie Diaz, Tony Goldwyn, John C. McGinley, Josh Brener, Michael Rooker, David Del Rio, Stephen Blackehart, Rusty Schwimmer, Owain Yeoman, Sean Gunn, Abraham Benrubi, David Dastmalchian, Gail Bean, Valentine Miele, Joe Fria, Benjamin Byron Davis, James Earl. Cindy Better, Kristina Lilley, Maruia Shelton, Brent Sexton, Mikaela Hoover, Lorena Tobar, Gamal Dillard, Gregg Henry

PS: The best of lesser known horror is at The Autopsy of Jane Doe.

@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl: Are they as cool as our guardians?

Vampire Bat: But we haven’t really appointed any guardian for the New Vampire World.

Vampire Owl: I was referring to ourselves as the guardians.

Vampire Bat: I don’t think that we are qualified enough to take over as the guardians anywhere.

Vampire Owl: It is relevant that we refer to each other as guardians.

Vampire Bat: Does that accomplish anything?

Vampire Owl: Well, with great power comes great responsibilities.

Vampire Bat: You haven’t been responsible since the last red moon.

Vampire Owl: Which is exactly why I need this.

Vampire Bat: You really don’t need a reason for that, and there is absolutely no need for prior experience in the same.

[Gets the tickets with masala tea and cheese popcorn].

What is the movie about? :: Star-Lord Peter Quill (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper), and Baby Groot (Vin Diesel) have improved their positions as the Guardians of the Galaxy, and are more famous than ever. Due to the same, Ayesha (Elizabeth Debicki) the leader and the high priestess of the golden people known as the Sovereign, assigns to them, the task of protecting their high-powered batteries from a monster out of space – she assigns the same to the Guardians as she hesitates to waste the life of anyone belonging to their high class species. In return, the high priestess had offered Nebula (Karen Gillan), Gamora’s sister who was caught trying to steal the same batteries. The Guardians are successful in stopping the monster finding its weakness, and are given the thief in return, along with a display of high priestess’ contempt for them. Nebula does maintain her hatred for her sister and continues to thrive on the same.

So, what happens next? :: But it turns out that they are chased by a group of drones remotely controlled from Sovereign, as Rocket had stolen a few batteries for himself, much to the dismay of Peter Quill and Gamora. They are very much in trouble, but are saved by Quill’s father, Ego (Kurt Russell) who destroys each and every drone before the Guardians crash on to a nearby planet. There, Ego accompanied by Mantis (Pom Klementieff), an alien with empathic powers, greets the Guardians and reveals to Peter who he is. Quill, Gamora, and Drax travels with him to his planet, while Rocket, Groot, and Nebula in bondage stays behind with the ship being repaired. Yondu Udonta (Michael Rooker) who is living a life in exile, is contacted by Ayesha to punish the Guardians for their crime. With his team, he makes a quick visit to Rocket and captures him, only to be replaced as the leader by Taserface (Chris Sullivan) in a mutiny supported by Nebula who gets herself free.

And, what is to follow next in the galaxy? :: Ego’s planet is revealed to be his own, and seems to have no other life form other than him and Mantis. He reveals himself as a celestial creature, something like a god, and shows his ability to manipulate matter to his son. He tells Peter that despite assigning Yondu to deliver him as a boy, that never happened, which is why their meeting took so long. Ego lets him know that he had been searching for his son all around for a very long time, but couldn’t find any success with the same until then. Meanwhile, Drax gets closer to Mantis who seems to have something to tell him. At the same time, at the other planet, Rocket, Groot and Yondu are imprisoned by Taserface as he kills the men loyal to Yondu. Nebula takes a spacecraft to go and find Gamora and kill her, while Taserface decides to finish off the executions on the next day. Gamora also feels that there is something strange about Ego – what would that be? Can the other guardians escape captivity in time?

The defence of Guardians of the Galaxy Vol. 2 :: The best thing about this flick is that it can stand alone, and not just as the volume two. The visuals are undoubtedly great, and the fact that it is in 3D adds to the same. The music is also really good, and it keeps the whole thing going along with the humour which scores even better than the previous movie. With some wonderful action sequences to go with everything else, you are certain not to miss the entertainment factor in this one. Running just over two hours and a quarter, this movie has absolutely no moment which makes you think about not having watched this one. The emotional side is also too good, and it is also another improvement from its predecessor. The most interesting characters in this one are Karen Gillan’s Nebula and Michael Rooker’s Yondu – there is no prize for guessing which one is the cutest one, for that one rules the poster at more than one place.

The claws of flaw :: One has to say that three years means a little too much of a gap between two superhero movies, especially with this tale and heroes not that much popular ones at least in this part of the world – people seems to have forgotten most of the action from the first part, but thankfully, this one can stand alone except for very few occasions. The regular viewer is certain to wonder who was defeated in the first part and for what reason was there for the same to happen. Also, the movie hesitates to explore the universe beyond, and it was something that could have been easily done with Sovereign added – more is always possible in this case when we see the premise again. We know what the game Mass Effect had achieved with a universe like this, and that proves the same – even though there is the comic book base, more could have surely been done differently in a world without boundaries.

How it finishes :: Guardians of the Galaxy Vol. 2 is certain to be a very entertaining superhero movies to all kinds of audience, with the world or rather the galaxy needing to be saved once again. There are so many interesting superhero movies coming up, some of which we have already seen the trailer including Thor: Ragnarok and Wonder Woman, we are certain to have a big year here. This remains one immortal genre, and with superheroes all around, we will keep having more movies to follow. As they keep coming, this movie improves on the original Guardians of the Galaxy, and becomes the entertainer that needs to be watched in 3D on the big screen to get the maximum effect. Visually too good a movie and with good humour and emotional side, Guardians of the Galaxy Vol. 2 becomes one the rare sequels which become better than the first movie – it is something which superhero movies have struggled to even as there are exceptions. Well, it is the time when Alien Covenant is running the show on other planets.

Release date: 5th May 2017
Running time: 136 minutes
Directed by: James Gunn
Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Michael Rooker, Karen Gillan, Pom Klementieff, Elizabeth Debicki, Chris Sullivan, Sean Gunn, Sylvester Stallone, Kurt Russell