The Mummy

Posted on June 9, 2017 by Tennyson

Vampire Owl: It seems that finally the mummy has scope to be a real mummy.

Vampire Bat: What are you referring to, here?

Vampire Owl: Usually in the movies, the mummies are men, and so the mummy is usually a daddy.

Vampire Bat: And you are talking like a dummy, for which there is no need.

Vampire Owl: No, you should see the mummy lady in this one. She is cooler than most of the known mummies.

Vampire Bat: You know one mummy which is cooler. You just can’t pronounce his name.

Vampire Owl: Yes, why don’t they have simple names like Count Dracula?

Vampire Bat: Well, mummies are from very ancient Egypt, and going so long back, such names had to exist.

Vampire Owl: I am going to call them Mummy A to Mummy Z.

Vampire Bat: Yes, please do it, as long as they don’t hear the same.

[Gets the tickets with cardamom tea and special popcorn].

What is the movie about? :: In ancient Egypt, Princess Ahmanet (Sofia Boutella) is an expert in almost everything, and is undoubtedly the best warrior, and the next in line for becoming the Pharoah of the lands. The Pharaoh, Menehptre (Selva Rasalingam) also sees his successor in her, strong, courageous and one who doesn’t give up. Things are all going smooth until the Pharoah has a son with a newer, younger wife, which angers her as she realises that all her work has been for nothing, with this young child taking over the kingdom as the Pharaoh of Egypt when he grows up. Frustrated with the situation, she decides to take the throne in one way or the other. Knowing that she can’t do it by himself against the extremely powerful Pharaoh, chooses to worship Set, the god of evil, chaos and war. This particular god who had even killed his own brother Osiris helps her in return for unleashing himself on Earth – but, after killing her father, his wife and the baby boy, she is captured by the guards and mummified.

So, what happens next? :: With the princess mummified, and buried in a land far away, the curse of Set remains, as the promise to him in unleashing the god was not kept. Years later, somewhere in the present Iraq, Nick Morton (Tom Cruise) and his best friend Chris Vail (Jake Johnson) spend their time looking to gather what all antiques they can get from the area of the nation called Mesopotamia, which used to be the cradle of civilisation while having their own trouble with the locals as well as the terrorist organisations operating from there. It is during these times when they accidentally uncover a tomb, which seems to be Egyptian, much to the surprise of the archaeologist, Jennifer Halsey (Annabelle Wallis) who also lands there as part of her excavations. With the approval of Colonel Greenway (Courtney B. Vance), she goes into the tomb supported by Nick and Cris, ending up with a sarcophagus immersed in mercury, which they decide to take home.

And, what is to follow next in the adventure? :: Their trip is rather cut short as the flight is attacked by a huge group of crows, and Cris who was bitten by a spider inside the tomb also turns undead, and Nick has to kill him. The plane ends up crashing, and Nick manages to save Jennifer by using the parachute, but he as well as the others in the airplane are assumed to be killed. But Nick ends up waking up in the mortuary, with a vision of an undead Cris, and he also has visions about the princess. He begins having more and more visions of the princess and undead, and goes to the crash site only to escape from the princess and her newly resurrected undead. It is a secret society headed by Dr. Henry Jekyll (Russel Crowe) that helps them to escape, and after chaining the princess in such a way that there is no way to get away, explains to Nick that he is the key to her finishing the curse, which why he escaped without a scratch from the plane crash. Well, evil would always find a way, and so does the princess to escape and unleash herself – can anyone stop her in time?

The defence of The Mummy :: The movie does begin strongly, and there is certainly a nice beginning to the tale, with the interesting tale of the power-hungry princess of Egypt told and also with the mummy being unearthed, followed by the plane crash – there are also some nice visuals with everything, and the visual beauty is there throughout this movie no matter where things happen. Tom Cruise does a great job as the protagonist, and Sofia Boutella is amazing as the princess of Egypt returning as the mummy – the censor board seems to have worked very well to cover most of her tattooes; maybe they are against Indian culture more than we think they are, and it is not the movie makers who decide what we can watch, it is the current Chairperson of Central Board of Film Certification in India, after himself getting to watch everything because he can – we saw most of it in the trailer, seriously. Russell Crowe is sadly wasted in his role though, and so is Annabelle Wallis, both having characters going nowhere against a powerful, love-seeking mummy and an even more powerful human Cruise.

The claws of flaw :: There is a certain loss of direction regarding this movie – the same can’t be called as positive divergence, because it just goes on and on, even adding the elements of Jekyll and Hyde, and one has to wonder why it had to be done, when enough material is available from the tales of mummies; people end up wondering if they are going to add the Hulk next. It is as if the idea about making good blockbusters by reboot, is leaving Hollywood. Not sure why decided to bring the mummy from Egypt to Iraq and then to England, with not much of Egypt there in the picture – we would have preferred to see the Pyramids whenever the word mummy was associated, and not like what they did with the third of the mummy movies. It was Dracula who really had to come to England, a vampire, not a mummy. The humour is of no use, and the climax is of no strength, with weak twists, and the final sequence not interesting at all. Also, Tom Cruise’s character gets bigger than the mummy on whom the movie is really supposed to be about, and it is also a creature who can be captured with sharp weapons.

How it finishes :: The Mummy brings the tale of the undead creature from Egypt once again, and this time not exactly in the same path. This certainly won’t prove to be a match for the movie of 1999 and its sequel, The Mummy Returns. This is surely better than The Mummy: Tomb of the Dragon Emperor though, and one has to wonder if this stands any chance against Wonder Woman, or even the still running Pirates of the Caribbean: Dead Men Tell No Tales and Guardians of the Galaxy Vol 2. It will certainly not bring three sequels and four spin-offs unless there is a big improvement with a sequel. Even though not a bad movie as it has its interesting moments supported by visuals and thrills, the execution is not that much there, which should give it a disadvantage against the movies which released earlier – but with Tom Cruise around, this should do okay at the box-office. After all, it has been a long time since we saw a Mummy movie, and a female Mummy as the main villain brings more variety to the tale. But where we want Tom Cruise more is in movies like Edge of Tomorrow, Mission Impossible, Jack Reacher, Minority Report, Oblivion and many others. Underworld and Resident Evil franchises, despite being in confusion due to too many movies, could combine action and horror better.

Release date: 9th June 2017
Running time: 107 minutes
Directed by: Alex Kurtzman
Starring: Tom Cruise, Sofia Boutella, Annabelle Wallis, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Russell Crowe, Javier Botet, Selva Rasalingam, Dylan Smith, Rez Kempton, Chasty Ballesteros

@ Cemetery Watch
✠ The Vampire Bat.

Daylight’s End

Posted on February 22, 2017 by Tennyson

Vampire Owl: I know what comes after daylight’s end.

Vampire Bat: You mean to say that you already watched the end of the movie?

Vampire Owl: I am talking about us coming after the daylight’s end.

Vampire Bat: I am pretty sure that this is not a vampire movie, like the way we want it.

Vampire Owl: Still, daylight’s end is interesting for us too.

Vampire Bat: That doesn’t really make your point have a better meaning.

Vampire Owl: I am talking about what comes from the inner voice of my soul.

Vampire Bat: You mean to say that you have an outer voice for your soul.

Vampire Owl: Yes, I have developed all these through years of meditation.

Vampire Bat: I am going to pretend that you are talking while sleeping and watch this movie.

[Gets three cups of masala tea with jackfruit chips].

What is the movie about? :: Years have passed after a strange and mysterious plague outbreak had turned most of the people on the planet to cannibalistic, blood sucking creatures. As the daylight ends, the time of these creatures begin. They hunt through the remaining humans, whoever is left without shelter. But a person called Thomas Rourke (Johnny Strong) is determined to battle through this situation, and goes on killing these creatures one after the other in an armoured car. On the way, she sees Samantha Sheridan (Chelsea Edmundson) who is attacked by a group of criminals, and saves her. As he is about to leave, she offers him more guns and ammunition if he gets her to their secret hideout before sunset. Despite the initial doubts, he decides to go with them as he needs all that he can get in his never-ending battle with the creatures.

So, what happens next? :: Even as they drive very quickly, they are unable to reach their destination before sunset, but they get very close to the place. The creatures attack them, but they are saved by the survivors from the hideout, and they all manage to get in. Thomas identifies an alpha creature who leads the rest, as the one who was responsible for the death of his wife. The leaders of the gang of survivors include the old and experienced fighter Frank (Lance Henriksen), his son Ethan (Louis Mandylor) and the former police officer Chris (Hakeem Kae-Kazim). Even as they are suspicious of the intentions of Thomas, they let him in to honour the promise made by Samantha. They still keeps him locked in the cell and promises to provide him the weapons and let him leave after the sunrise on the very next day.

What is to follow in this world of chaos and death? :: As the survivors fall asleep, there are strong noises being heard everywhere. Some of them tries to look around, but are killed by some of the creatures who had managed to get in; but the group successfully kills the creatures and survive the night. In the morning, they find out that the door to the outside has been jammed by the creatures who pushed cars over it. It would take them a long time to move them, and without moving those cars, they can’t take their own vehicles outside. Their plan is to escape to an airfield where there is an airplane. With all of them trapped inside the building and the creatures all prepared to come back again next night, Thomas convinces some of the survivors to accompany him to the building which serves as the hive of the creatures, and kill the alpha creature that leads them. But it won’t be that easy.

The defence of Daylight’s End :: For a low budget movie, this one is a nice achievement, as there are lots of action in store, and that too in style. The whole thing is nicely shot, and we have a lot of shooting going on here, which has our attention, and the same is the case of the creatures who seem to be part-vampire, part-zombie, even though it is more on the vampire side. It is not easy to come up with a good movie in this genre, with too many movies of the same kind being there to be seen, but Daylight’s End manages to survive there. Making a low budget post-apocalyptic movie and having it work so well is too good a thing. The pace is very quick, and we don’t ever feel the need to look away. There is intensity in the happenings, and we get to feel the terror in the situations we have here. If you are looking for post-apocalyptic movies, or to see vampires or zombies coming right at you, take this one and join the ride.

The claws of flaw :: One would think that we had too much of the movies like this, with a situation post-apocalyptic, and the creatures roaming around looking for flesh or blood or both. Resident Evil is the biggest name among them with a new sequel currently running in the theatres, and there are flicks like I am Legend, World War Z and 28 Days Later; there is even Zombieland. Well, people who are tired of the same should go for this one – please choose to say nevermore, and get away. This surely does give that feeling that we have all seen this before. A lot more could have been done with the creatures though, especially with their origins, and also with some special scares added in between. With a setting and creatures like we have here, the possibilities are actually endless. There could have also been a big memorable collection of final moments, with some shocks added to make this a terrifying experience.

How it finishes :: Lead by Johnny Strong and supported well by a cast which has Chelsea Edmundson as the best noticeable female lead, Daylight’s End is the kind of movie that will keep your interest in the post-apocalyptic stuff going. It is not going to bring anything that will change the genre, but it is surely something that can keep you entertained till the end. In humanity’s fight to stay alive, it is us who get to see how things happen in style. It could have scored better with something bigger in its script, and some shock along with bigger scares, but as it is now, there is enough strength to be the action thriller with horror elements. It is surely a better choice than some of those overrated high budget movies, as this one manages to be one of the best of its kind made with such low budget. You can choose to travel to the end of daylight with this one. Just like Fender Bender and Shut In, this is too less known a movie, but it needs to be known by more people!

Release date: 1st November 2016
Running time: 105 minutes
Directed by: William Kaufman
Starring: Johnny Strong, Chelsea Edmundson, Lance Henriksen, Heather Kafka, Farah White, Louis Mandylor, Hakeem Kae-Kazim, Krzysztof Soszynski, Chris Kerson, Gary Cairns, Mark Hanson, Sonny Puzikas, Matt Beckam, Susana Gibb, Ed Spila

@ Cemetery Watch
✠ The Vampire Bat.

Rocky Handsome

Posted on December 25, 2016 by Tennyson

What is the movie about? :: Somewhere in the state of Goa, Kabir Ahlawat a.k.a. Rocky (John Abraham) spends his usual boring life running a pawn shop. As nothing much happens in his life, he goes through his routine and has no friends as he is reluctant to talk to people. Despite his lack of interest in being friends with people, a little girl next door, Noami (Diya Chalwad) considers him as a friend and talks to him all the time. Even though he is not that interested in returning that friendship, he remains sympathetic to the girl and helps her or invites her for food at his apartment. Her mother Anna (Nathalia Kaur), is a drug addict and bar dancer and lives alone except for a boyfriend who is not any better. With nothing positive coming from her mother, Naomi looks at Rocky as a friend and guardian and calls him by the name “Handsome”.

So, what happens next in the movie? :: One day, Anna with the help of her boyfriend steals drugs from the drug kingpin, Mantoo (Uday Tikekar). This brings two of his fellow gangsters, the brothers who are into more than just drugs, Kevin and Luke (Nishikant Kamat and Teddy Maurya) to the scene. With a professional assassin Attila (Kazu Patrick Tang), they arrives at Anna’s apartment and tortures her for the drugs. She had hidden the drugs in a camera which she had pawned to Rocky, and both the mother and daughter are kidnapped. This brings Rocky to the scene, and with the desire to take over the whole business from Mantoo, the brothers Kevin and Luke bring a plan which will make sure that both Rocky and Mantoo ends up in the prison or get shot by the police. With an organ harvesting business and also child trafficking in their list, they will stop at nothing to gain more.

So, what is coming up after this situation? :: This does put Dilip Sangodkar (Sharad Kelkar), a cop from Anti-Narcotics Bureau on Rocky’s trail. He will stop at nothing to clean the city from drugs and those who deal with the same. After murdering Mantoo and Anna, and sending Rocky to police custody, Kevin and Luke thinks that everything is done, but that is surely not the case. Kevin might be the new kingpin of all crime in the city with Luke on his side, but that might not be enough to save him from what is coming to him. Rocky has a past that will make him almost impossible to keep down and he will stop at nothing to find the missing girl. He has a depressing past involving Rukshida (Shruti Haasan) and has had that kind of training which will make sure that he is going to have his way, in one way or the other. With his first loss, Kevin will understand he has made the wrong person angry, but the question remains if Rocky can save the girl in time despite all his skills.

The defence of Rocky Handsome :: The best thing about this movie is the action – the action sequences are all neatly done, with no exaggeration, but a lot of fights which even when having the protagonist a lot outnumbered, are believable for a character whom the hero is claimed to be. There is enough style here, and it is not overdone; unlike the usual dumb Bollywood action movie – there are weapons and sequences in the rain, and there is a powerful emotional side that we can feel right into our hearts rather than going the path of a ridiculous melodrama which Bollywood always brings for the viewers, like they did in thousands of movies, even in Dear Zindagi at a time when things were to get better for the movie. There are the thrills, and this an adventure that takes us through without giving chance for second thoughts as long as we get into it. It surely welcomes us into that world of chaos which has more chance for the evil to gain at least one small victory.

Claws of flaw :: For some reason, Rocky Handsome gets too lazy in between. Along with that predictable and boring flashback that comes in between, there are also those moments which won’t go well with the rest of the movie. The connection between the two main stars, even though one of them is only there for a cameo, is missing – she makes us feel that the scenes are outside the movie, and even our hero at those moments is in trouble. The movie will lack in connection with those who were looking for mass masala, as a certain amount of working brain is needed to go with this – it is more of a flaw as most of the people who watch Bollywood need flicks for the brainless, and Rocky Handsome won’t provide them that. We can’t ask for a Masaan everyday, but things can be better for sure. There is also the violence and sometimes the talk about the violent ways, which people can also choose to criticize. As an official adaptation of the 2010 Korean movie, The Man from Nowhere, I won’t be able to judge this one, but the original had 100% fresh rating earlier.

Performers of the soul :: John Abraham continues to impress with those fight sequences in the movie, especially those with the knives and fists. Nishikant Kamat has done nice to bring the looks and style of the evil druglord, but villain is still not that strong except when he is threatening, and the same is the case of most of the people on the dark side, except for Kazu Patrick Tang’s assassin who is not there for the words – still the whole darker setting makes sure that all of them work out better for the viewers; pure evil has to be stronger in any case. Shruti Haasan is there for one full song and also in the memories of John Abraham’s character, and does almost nothing, bringing no positives in a role which could have played by anyone else in a cameo – we come close to feeling that right at the first shot when she is shown. The kid, Diya Chalwad does a nice job for sure. Sharad Kelkar has a smooth run in this movie too.

How it finishes :: John Abraham does provide a similar performance in Force 2, and if you watch two of these movies together, you might end up confused with the action sequences except for those moments when this one chooses to go violent – it is the official remake of a South Korean movie, and so that was always supposed to happen. This one will also remind one as the other side of the highly realistic Madras Cafe starring John Abraham, all of these produced by the same man himself. Even as the remake, Rocky Handsome has been nicely converted from its Korean model and has been worked on well enough to make itself another movie that evokes our interest despite having a story-line that has almost zero difference. This one is a good mix of all things, and never tries to overdo its strengths, which is why Rocky Handsome deserves your attention.

Release date: 25th March 2016
Running time: 119 minutes
Directed by: Nishikant Kamat
Starring: John Abraham, Diya Chalwad, Nishikant Kamat, Nathalia Kaur, Sharad Kelkar, Yash Tonk, Shiv Kumar Subramaniam, Suhasini Mulay, Teddy Maurya, Kazu Patrick Tang, Uday Tikekar, Shruti Haasan (cameo), Nora Fatehi (special appearance)

@ Cemetery Watch
✠ The Vampire Bat.

Chappie

Posted on March 26, 2015 by Tennyson

Vampire Owl :: I thought you were going to watch Cinderella.

Vampire Bat :: Yes, but then Chappie was there and that show started earlier by ten minutes.

Vampire Owl :: That name actually makes me depressed.

Vampire Bat :: It happens when you say that in Malayalam.

Vampire Owl :: Do you know that India actually lost against Australia?

Vampire Bat :: Did they? I thought some extra-efficient online Keralites once again saved India by abusing Mitchell Johnson and the Australian Cricket Team.

Vampire Owl :: Yes, just like Maria Sharapova lost to Serena Williams and the Pakistan Hockey Team played bad after the abuse by Keralites.

Vampire Bat :: Dude, everybody losses to Serena Williams. It is quite natural. And Asia is not a hockey powerhouse anymore.

Vampire Owl :: Damn! The cent percent literacy is wasted.

Vampire Bat :: Cent percent literacy! It is the literacy for abuse!

[Leaves for the tea shop].

What is it about? :: As the South African police at Johannesburg a group of advanced robots from weapons and ammunition manufacturer called Tetravaal, the crime rates are brought to a new low, and as expected the criminals and their bosses are concerned. The inventor is Deon Wilson (Dev Patel) who seems to be getting most of the appreciation much to the dismay of another engineer, Vincent Moore (Hugh Jackman) who wishes to send his own robot model named Moose into operation. But as it is very costly and is highly equipped with too much firepower needing full human control, it is rejected until further notice. But when our inventor creates an artificial intelligence which is rather too human, things take a twist, and things are no longer in his control. A group of criminals also decide to take control of a robot.

The defence of Chappie :: There are some good ideas running through this movie, and it becomes evident right after the first few minutes of Chappie. The robot instantly becomes interesting even with the scope for improvement always there. There are lots of action sequences in the movie, and there is a certain amount of emotional strength whenever a different kind of thing comes to existence and tries to cope with the world around, which works in this one too. There are thoughts left behind, and there is the social message which we can take home, even though it rarely becomes the big thing in this movie. There are surely some good performances to support this one.

The Claws of Flaw :: Chappie doesn’t really use its strengths to its advantage, and has problems with dealing with its central ideas – not really there in making them work completely and bringing things to the right finish. Instead, the movie is too addicted to consciousness, a lot more than Transcendence did, and it is like one can never die as the same keeps getting transferred from one body to the other. The character of our dear robot never really gets to display the awesomeness, and the criminal characters are not really up-to the mark either. Along with reminding us of Transcendence, this one has its own Robocop elements to add to the same. It is a big surprise that still this couldn’t better than what it really is.

Performers of the soul :: Sharlto Copley gives voice to biggest performer of the movie, which is the one robot with its name as the film title. He was there in the same director’s District 9, Elysium and now this one – here in the non-human form for the first time. Hugh Jackman is good, but in a different avatar, and doesn’t impress at all times – still, makes a fine villain. Dev Patel is so natural in this movie, and as he plays the second most significant character in the movie after our own protagonist robot, does very well. This role seemed to suit him so well, and he manages it with ease. Yolandi Visser was nice in a special avatar, and Sigourney Weaver leaves no impact in her less significant role.

Soul exploration :: Chappie does focus so much on the soul elements. There seems to be questions asked, but none of them are direct, and the answers are never really there. There is the talk about making the robot which is more like a human, and also the transfer of human consciousness to robots as well as the consciousness of one robot to the other – they seems to get things working all of a sudden and keep doing the same without fail. The idea of the robot consciousness developing from nothing to a new thing is interesting, but one has to wonder if that was given enough significance in the right manner and was portrayed with enough attention to the details. It is like they speeded up a few things to reach the desired end, which is not what the viewers really wanted.

How it finishes :: Chappie doesn’t finish that strong as expected, and it leaves me with the thought that may be Cinderella or Focus might have been a better choice. They are still running though, and the choice stays. As the maker of District 9 and Elysium, this is another step downward for the director, Neill Blomkamp – it is also evident in the opinion of the critics. In the movie poster, they label Chappie as humanity’s last hope, but that makes one wonder if that really matches the movie. No, this robot is not really humanity’s last hope; there is no point at which he proves to be that unless you take a few characters as “the world” – yes, there are things that he can do, but in his absence, may be things would have just gone on and on. You can watch this one for the ideas, and not for many other things.

Release date: 20th March 2015 (India); 6th March 2015 (US)
Running time: 120 minutes
Directed by: Neill Blomkamp
Starring: Sharlto Copley, Hugh Jackman, Dev Patel, Watkin Tudor Jones, Yolandi Visser, Jose Pablo Cantillo, Sigourney Weaver, Brandon Auret, Anderson Cooper

@ Cemetery Watch
✠ The Vampire Bat.

NH10

Posted on March 19, 2015 by Tennyson

Vampire Owl :: I heard you were not anywhere close to here, and just a few hours ago, you were watching a movie here?

Vampire Bat :: Yes, I was on a trip, but now I am here, and I am back after watching NH10.

Vampire Owl :: I saw the SMS and thought you were travelling through NH10.

Vampire Bat :: You make too many guesses. You even read conclave as con-cave, and delegate as Delhi Gate. You need to think about this seriously.

Vampire Owl :: Yes, we owls find our own meanings and spellings rather than be dominated by any bat community. Do you know what the werewolves are doing these days?

Vampire Bat :: Don’t you think that we are too divided instead of becoming one Night Creature nation?

Vampire Owl :: Yes, the werewolves were the first to invent the Wolfine tapioca chips maker, which is one of the reasons why they think they are a superior community.

Vampire Bat :: First to invent what?

Vampire Owl :: You won’t understand. It is a complete wolf thingy. I am still working on it with the experts.

Vampire Bat :: Can you just go and watch this movie which I recommend?

[Leaves for the tea shop].

What is it about? :: Meera (Anushka Sharma) and Arjun (Neil Bhoopalam) are part of the metropolis and have their lives among the skyscrapers. But after an incident involving a number of unknown men at night, Meera is traumatized and even gets a gun for protection. But as they go on a trip to make up for the trauma, things only get worse. As they stop at a restaurant, a woman asks Meera for help. But she refuses and the unidentified girl and her lover are soon taken away by a group of goons despite Arjun trying to interfere. As they continue on their trip, Arjun notices the car of these people and gets out of the car to follow them hoping to scare them with the gun and thus stop them, despite Meera’s protests. But things change as they witness a case of honour killing, and it is then they are the ones who are hunted, and there might not be enough bullets in the gun for all villains.

The defence of NH10 :: This is like the first full horror slasher movie of India with a message. The movie keeps asking the question if people are actually safe beyond the lands where law has a role to play – are women safe? Does the weak or the less privileged ones, both men and women has a role to play in a society which is becoming more violent and mindless even in a modern world? How long is the list of the modern age subaltern? Is there a certain kind of automatic mindwashing that goes on which makes one hate the other religion or community? Shouldn’t human life be the most valuable thing and not rules or community/religious beliefs? Yes, the questions are endless. What this movie also brings is some violence which mostly stays off the screen, which is actually a nice idea. The thrills are always present and the twists also arrive to make the desired impact. This is also realistic for most of the run-time.

The Claws of Flaw :: The movie’s ending is rather dull, with just some adrenaline rush and everything finishes with the revenge. I did feel that it should have been better thought out and executed in a more interesting manner than quickly going through it. There are also some dumb actions done by the characters, about which I won’t talk much to give too much of the idea out. The songs are ridiculous, and it is totally unnecessary in a movie like this – why would they even think about putting music in between is totally beyond my comprehension, and if those songs were at least good for something, we could have at least be happy to listen to them separately. The darkness doesn’t look that good too, and it could have been better handled with some of the camera shots.

Performers of the soul :: Anushka Sharma manages to come up with a fantastic job and this is the kind of role that I haven’t seen her playing before. She has that scared look on her face for most of the movie, and then there is the anger, frustration and the moment when she knows that she needs to have that revenge – she looks so good. I haven’t watched all her movies, but I find it easy to say that this might be her best performance, and that much is the mark that she leaves on us. Yes, I can’t claim perfection, because there are dumb things that her character does, just like the others – something that the horror slasher movies cannot live without; Hollywood has its horror character doing similar things. She is too good here, and the rest of the characters seem like those of lesser power.

Soul exploration :: The question asked here is about the difference between what is built as an utopia in the cities and the dystopia outside the boundaries of the metropolis, that we see as a universe of development. Are we looking to divide the known world into two, one of development and the other hardly seeing any? I have been thinking about the same during a number of visits that I have made around India – why is the gap too much? Shouldn’t the difference in development be not that much? Shouldn’t we strive to fly high above the differences? And honour killings in this century – it is a strange world, indeed as there is absolutely no honour in killing. Human life should be the most valuable thing of them all. There is no substitute for it; each person has the right to life, no matter how he lives his or her personal life.

How it finishes :: NH10 doesn’t seem to have attracted that many audience here, but that shouldn’t define the quality of this movie. That may be because this was not the kind that they had expected. It has been some time since I watched a movie at the theatre, and tomorrow, it is to be a month since I have reviewed a movie here – I couldn’t let that happen, and so here is the review. This is also the last day on which I can watch this movie because it will change here on Friday and no remains of this movie shall be left here. I would suggest that those who still have this movie at their nearby theatres do give it a try, because it shows that there is promise coming from this year, as we have already watched and were impressed by Baby. It is not flawless, but it is a good and interesting deviation from the regular Bollywood – you don’t get to watch movies like this too often.

Release date: 13th March 2015
Running time: 115 minutes
Directed by: Navdeep Singh
Starring: Anushka Sharma, Neil Bhoopalam, Darshan Kumar, Deepti Naval

@ Cemetery Watch
✠ The Vampire Bat.

Ek Villain

Posted on July 1, 2014 by Tennyson

Vampire Owl :: Didn’t someone say that Riteish Deshmukh was very goood in this movie?

Vampire Bat :: Just a little better than Arjen Robben with a dive, I guess.

Vampire Owl :: If it is better than most of the football actors, we should surely watch it because it will be worthy of many awards.

Vampire Bat :: I heard it was just like I Saw the Devil.

Vampire Owl :: Well, I didn’t see that saw.

Vampire Bat :: Neither did I.

Vampire Owl :: Then I would say that watching this villany is necessary.

Vampire Bat :: As long as he doesn’t bite.

Vampire Owl :: That shouldn’t be a problem as this is not in 3D.

Vampire Bat :: Shraddha Kapoor in 3D was actually too good to be true!

[Enters the movie hall].

What is it about? :: Guru (Sidharth Malhotra) is a former gangster and assassin who has retired from his dangerous life of crime to live with his new found love Aisha (Shraddha Kapoor), but things take a big turn as she is murdered by an unknown assailant who enters her home, uses a screw driver and pushes her through the window. A CBI officer Aditya (Shaad Randhawa) takes charge of the situation being aware of what the former assassin is capable of, but that doesn’t prevent Guru from going after the clues. He first go to his former boss Ceaser (Remo Fernandes), but realizes that he didn’t have anything to do with the same. As he sits in a church looking at the crucifix, he notices a boy coming up and presenting a few of his toys to the statue which involved something from his house. By following the boy, he reaches the place of Rakesh Mahadkar (Riteish Deshmukh) who is the henpecked husband of Sulochana (Aamna Sharif) and an unsuccesful employee who is always scolded both at home and the office. But he doesn’t seem to be capable of anything like that, as he is always the victim, not someone who can harm even a mosquito. But such a visage was never going to confuse a professional killer like Guru, or was it?

The defence of Ek Villain :: The cast remains strong in the movie, especially the male leads, and it is good enough to draw the audience. The fact that it has enough material to work on from the South Korean flick is more of an advantage as not many people have watched that one. The movie successfully establishes a nice environment to work on, right in the beginning, and the point they stop at the interval is pretty nice. The romantic side has its good moments, most of them related to God and otherwise when they are in a song. Even though not really the kind of thing that suits a movie like this, the songs are actually good and are worthy of being in one’s USB device in the car. The cinematography is nice and the world around are nicely captured to the delight of the viewer’s eye. There is not much slow motion used and it is a good thing because there was going to be tendency. Our hero surely has some nice moments in a mental asylum, a hospital and a railway station where he scores in style. The thrills are mostly around our villain though, and the message of good being rewarded and bad being punished, along with the plight of the common man in a society which has nothing for him are nicely shown.

Claws of flaw :: The movie has not much idea about how the suspense is to be maintained and the thrills are to be boosted, as we know the killer too early as well as his motives. The story could have developed better, especially as the material of I Saw the Devil already available and ready to inspire. The path taken by the narrative to go back and forth doesn’t work that well with this one either, as this is the kind of movie which should work when the things to be revealed are not hidden and vice versa. Even the killings are taken care of without too much violence, may be fearing that the family audience will stay away. The director’s earlier venture of Murder 2 could handle the darker shades better, but not this one which tries to be too cute, even cuter than its own heroine. Shraddha Kapoor kind of ruins some significant light moments with a certain kind of overacting which makes one wonder if she is playing a mentally challenged girl, but not all the time for even she has her very small moments. Riteish’s character is also not without its flaws, but it is him who manages to handle it well within the limitations. He could have surely had better dialogues, after all he can do this villain stuff nicely.

Performers of the soul :: Among the star cast, Riteish Deshmukh was the one whose performance stood above the rest, not by much, but enough to be the star of the movie. I did expect some transformation like Vikram in Anniyan on a smaller scale, but that was not to be, but still his different character had moments to remember for the viewers. Sidharth Malhotra was good with his romantic side and just a little behind in the action scenes, but still lacked a bit in energy. Shraddha Kapoor is cute, and seems to think that she is acting in a possible Ashiqui 3, with that hangover which she still seems to show with some Ashiqui 2. I was confident that she will be a lot better in this movie, but it was sad to see that she decided to stick to the stereotype – it does suit her immensely, but not the character she was playing nor the style of the movie. I was particularly impressed with how well Aamna Sharif did so well with her role opposite our bad guy, the first time I was seeing this lady on the screen. Prachi Desai’s item number was pretty much beautiful. Remo Fernandes was okay in the smaller screen presence that he had, and Shaad Randhawa could have surely done nice with some more to do on screen.

Soul exploration :: One major question remains about what lead to the creation of the villain of Ek Villain. If it is about our hero-villain, we can say that it was the childhood situations, but for our real complete villain, it is the wickedness of the so called civilized section of the society who finds it nice to take on the people who are not as fortunate as they are. As said in Animal Farm, “All animals are equal, but some animals are more equal than others”, and this is the situation that becomes the cause, and this inequality in his own class gives rise to this one serial killer who murders people who used bad words against him or even accuses him of not being good enough, including the situations when he just feels so due to his mood. The need for the words of love from his wife despite her yelling at him all the time becomes his anger which he brings out with the murders rather than being angry at her or anyone else. It is the need to get rid of the frustration which brings the villain to the point of no return, and changes him from a simple man to a serial killer, but as most of the other movies, here too bad deeds never go unpunished, and good deeds have some advantages. The movie does assert the need to be good and not to be abusive or use bad words at others, especially those who struggle to succeed in life.

How it finishes :: Ek Villain had the usual Bollywood things added to an otherwise rough and tough theme, which could have been avoided. There is one villain in every love story as they say, but this is still not a love story, and it surely should not have gone through that path – romance is not always a necessity, as it can always make way for many other things according to the genre and style of the movie. In a more violent and bloody movie, the thing more needed might be a screw driver, one would say. Zinda which released years ago had a better idea about it, which is why we can still afford to watch it with Oldboy of South Korea as well as Oldboy of the United States of America. Murder 2 with similar theme also holds an advantage over this. As Ek Villain had to make it romantic in its base just like the Malayalam movie Anwar did while copying The Traitor from Hollywood, it lost its most important part, which was the generation of fear which had to rise above everything else including romance. But with the success that the movie have managed in places with the exception of this part of India, one has to say that it did work in favour of them even as not for the same as a work. Still, next time may be the can innovate a lot more when coming up with such stuff.

Release date: 27th June 2014
Running time: 130 minutes
Directed by: Mohit Suri
Starring: Sidharth Malhotra, Shraddha Kapoor, Riteish Deshmukh, Aamna Sharif, Kamaal R Khan, Remo Fernandes, Shaad Randhawa, Prachi Desai

@ Cemetery Watch
✠ The Vampire Bat.

Transformers IV

Posted on June 28, 2014 by Tennyson

Vampire Owl :: Isn’t this the movie in which your Chevrolet Beat transforms?

Vampire Bat :: No, it doesn’t. The best it can do is to transform into a Titanic on on our roads on a monsoon season giving company to the other cars.

Vampire Owl :: Shouldn’t the movie at least feature you?

Vampire Bat :: Why me? When was the last time I transformed?

Vampire Owl :: It is named Age of Extinction. I think Vampire Bats are going extinct. Nobody really likes you. Even Poe prefers a raven at night.

Vampire Bat :: No, that is not true. There are people who like me, like Count Dracula, Batman, the cute zombie girl next door and twelve thousand two hundred and fifty three normal vampires. I might even have a candlelight dinner with Countess Dracula.

Vampire Owl :: I hope you take this lightly, but Countess Dracula is dead.

Vampire Bat :: What? When?

Vampire Owl :: I am not sure, but that should be about four hundred years ago or so?

Vampire Bat :: It is difficult being immortal; you have to watch good people suffering and bad people thriving.

[Enters the movie hall].

What is it about? :: Years have passed since the last battle between autobots and decepticons which left the city in ruins and so many people dead, making it difficult for the government to rebuild it again, and as a result, all the aliens were declared fugitives and there was not going to be any combined efforts between humans and the autobots anymore. Another transformer called Lockdown who belongs to neither of the two factions is shown to help the government in doing the same, with a promise of something in return for the capture of the autobot leader, Optimus Prime. Meanwhile, the human research on dead transformers is progressing, and there was the discovery of transformium, a metal which is unstable and can transform, creating more of such robots which can replace human soldiers in the case of a war. With the help of a captured Brains, they are slowly using this metal to build transformers which accept command from the humans, including Galvatron, Stinger and Junkheap. At the same time, Cade Yeager (Mark Wahlberg) and his friend Lucas Flannery (T. J. Miller) purchase an old truck in hope of helping Tessa Yeager (Nicola Peltz) in her studies with the money they can get from selling the parts. But that truck would be Optimus Prime in hiding and things will take a turn.

The defence of Transformers: Age of Extinction :: The movie has great battles, as robots collide and fight against each other in a war which lets sparks fly and makes things come towards you in 3D which is a nice visual extravaganza. The special effects nicely compliment the action sequences, and the chaotic world is nice to watch with transformations to come with the same. There are the nice cars to which the robots transform which look better than ever. The best scene is that which involves the huge spaceship which wanders in the sky, and also uses its powers with all the possible awesomeness as far as a movie like this is concerned. The destruction is also taken to another level. The transformations also take a twist, with dinobots having robots transforming into giant dinosaurs as well as the human constructed transformers having their own way of changing, all of them contributing in a different manner. The three machines which are better than the others are the Optimus Prime and Galvatron (Pacific Rim‘s Gypsy Danger’s evil twin) trucks along with the cars of Lockdown and Stinger. There is a lot for the Transformers fans to cheer about, as the awesome heroes once again go on their mission to save planet Earth with the support of a very few human allies. The human greed and the inherent evil are also nicely shown.

The claws of flaw :: The movie suffers from the usual problems with the plot which we can associate with all the Transformers movies which try to follow the path of the original with one villain at a time, Megatron, Fallen and Sentinel Prime who were in the previous movies make way for Lockdown, and Megatron is once again here being the secondary villain, just in another form. There is also the old truck Optimus Prime who refuses to stay in the grave and comes back from the dead as the metallic zombie which I have always hoped to have stayed dead or refusing to die at all. Bumblebee continues to be overrated and lives, while the kill off the last interesting robot from the first movie, Ratchet, something which they already did to Jazz and Ironhide. The robot design is also more complicated, but at the same time, horribly flawed, as we no longer see the usual robot faces, but creatures with face of Japanese Samurai and those with beard and smoking cigars, something which looks so dumb in the detail. The plot gets predictable by the second half, and the addition of dinobots is nice variety, but the way in which they are introduced is lame. The movie is also too long and has too many repetitive fights which often makes the viewers wonder if they had already seen all these. The characterization is another case for downfall.

Performances of the soul :: Mark Wahlberg is rock solid in this movie, and it is good to see him instead of the usual cast that we had, because he is always one of those nice action stars who are suitable to play this kind of role which involves being the hero and yet not being the strongest one around. Here he is, being the mechanic, father and action hero all at the same time, and makes it work even as his character is not without flaws. Nicola Peltz is more about being the beauty among the population which are mostly robots or action heroes, and being the one with teenage girl problems and having problems with her father. She looks great and proves that one thing. Sophia Myles and Li Bingbing also contributes to the overall beauty, having nothing too much with their characters. T. J. Miller provides some comic side which is there only for some time. Stanley Tucci’s partially villainous character also provides some comic relief during the intense action, but it only works partially – not something which the Transformers franchise haven’t tried before and often succeeded; other times proving the inherent dumbness. Jack Reynor has a nice presence, as what can be called the supporting actor, but as a need for our girlfriend to have a love interest. Kelsey Grammer is a nice villain, but not fully utilized and forced to come second. Titus Welliver also comes up with a strong performance.

Soul exploration :: The movie leaves with hope for a sequel, but the question remains if it has a soul to work on. It had the always-ready-to-die Optimus Prime with an ideal, but that is actually less worked on now. The autobot-decepticon enmity has also gone the wrong way. At the same time, the movie has given us an idea about how bad the effects of science and technology can be, and there are secrets that should be left alone, for there are other things that humanity should focus on, as they are that species which are infested by greed, hatred, lust and envy. The technology is rarely safe in the hands of man, as they are incapable of handling the same due to the presence of their inherent evil nature. When the movie goes on to be a massive success story at the box-office, the one thing we have to think about is how well it has portrayed humanity and the problems caused by its pride. Even a robot knows better than humans who are blessed with better teachers throughout the centuries, and even with all the knowledge that they have gathered, man fails to be good, and it is a case of shame. Then in finding the creators, they are indeed Prometheus infested.

How it finishes :: I had considered Transformers: Dark of the Moon as the worst Transformers movie of all time, and I will stick to the same, but I would still think that our movie here has got more problems in its story-line than the others, but it does make up with the better special effects and action sequences, plus Mark Wahlberg who looks very well suited for this kind of role. Still, except for the first Transformers movie which I have watched so many times already, I wouldn’t dare to watch another one of this franchise again. I would suggest you watch the robots of Pacific Rim rather than watch the aliens of this movie if given a choice. But there is no denying that this movie is pure entertainment, except for the fact that its lack of brain and the repetition, along with the terrible length makes the situation a bit intolerable to a few. Transformers fans should like this movie a lot, and the new additions can impress a number of viewers. This is one of those non-superhero Hollywood movies which are running houseful right from the day it was released, and one can be sure that this is not the end for this franchise, and this sequel is going to collect a lot of money.

Release date: 27th June 2014
Running time: 165 minutes
Directed by: Michael Bay
Starring: Mark Wahlberg, Nicola Peltz, Kelsey Grammer, Stanley Tucci, Jack Reynor, Sophia Myles, Li Bingbing, Titus Welliver, T. J. Miller, Melanie Specht, Victoria Summer

@ Cemetery Watch
✠ The Vampire Bat.

Godzilla

Posted on May 17, 2014 by Tennyson

From W.B. Yeats’ The Second Coming
“The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?”
The first thing that came to my mind while looking at that Godzilla poster was this poem, and not Pacific Rim or that movie of the same name from 1998. The same was rather justified by watching the movie, as there was something special about this creature this time, and the deviation from the master of destruction which it was supposed to be, is something which adds more mystery to the same. The mystery about the beast which is mentioned in this poem has kept me thinking throughout my studies of English Literature, and now there is the monster, Godzilla who comes up with the element of mystery and surprise.

What is it about? :: Getting out of that 1919 poem by the Irish poet and coming back to our present scenario, the movie begins with some film reels involving atomic explosion and a huge creature partially rising from under the water. The story belongs to Ford (Aaron Taylor-Johnson) though, a military officer specialized in bomb disposal married to his beautiful wife and a nurse wife Elle (Elizabeth Olsen), having one son. When his father Joe Brody (Bryan Cranston) is arrested in Japan for trespassing into a quarantined area, he travels there and gets him out of prison, only to join him in the mission to find how his mother died at the same place long ago. But as they get inside the area, they find out that there is actually nothing like the radiation at a place when a nuclear disaster had taken place, and it is not quarantined to save people, but to hide a huge secret which can change the future of mankind forever. The secret will soon be revealed inside a secret complex area, but as it comes to light, there might actually be no real hope for humanity. There will be chaos and destruction unleashed on the world as monsters awaken, and the beginning of all this was years ago.

The defence of Godzilla :: I can’t remember much from the 1998 movie, but from what I can recollect, this is surely a big improvement. Well, as I was a kid at that time, it wouldn’t have been of much use if I had an opinion at that time too. Well, this Godzilla is different, and a big change is that the humanity is not really fighting Godzilla this time, even as there is no denial of confrontations and rockets fired, with destruction caused. Now, that should be a surprise, and the number of monstrous entities should be more than you expect. Unlike Pacific Rim, the movie also has a dark style and there is the more powerful terror element at work. The creatures are designed to look terrifying, and they serve their purpose as they become harbingers of death and destruction with their size and lethal power. There is absolutely nothing funny about their presence or the whole movie as it keeps the seriousness and the atmosphere of horror throughout, between great action supported by the special effects and background score. It is a nice introduction that has been given to the younger audience about this monster who hasn’t graved the screen for sometime. They goes on with the story really well, and there is a lot of suspense built around what is happening around.

The claws of flaw :: Godzilla has released after Pacific Rim; it is not much of a flaw as both deals with the monsters in a different way, but that should hurt a bit for the audience. If this had come before Pacific Rim, that might have actually helped both movies. This should still gross more than the 2013 monster-robot extravaganza, thanks to the title referring to the king of monsters, already running houseful here. There is also no denying a certain amount of slow start to the things unlike Pacific Rim which pounces directly into the action scene. The human characters don’t really impress, and there is no dialogue which will cause an adrenaline rush. The nature-related theme is not fully explored, and this could have actually had a message about the need to preserve environment and get rid of the nuclear warheads. There is a certain amount of uncertainty on what the director was actually planning to bring to the audience; Pacific Rim was certain about it, but not this movie. If it had focused better on the human characters or kept the focus completely on the creatures, this surely would have worked even better. After all, everybody wants to see the giant creatures on the big screen.

Performers of the soul :: Our main hero is played by Aaron Taylor-Johnson and it seems to work on most occasions except for a few when he turns wooden. One would still feel that the character has come alive just because there was the need for a hero in this movie. Elizabeth Olsen plays the less explored character of his wife and doesn’t get much attention; neither should be anything memorable. They will be seen together as siblings, or the super-powered evil twins in The Avengers 2 as Quicksilver and Scarlet Witch; she played a character attracted to her father in Oldboy – she surely is having a strange combination of characters to play; but unlike Oldboy, she has almost nothing to do that actually affects the movie here, and that should be a let down. The rest of the cast also has very less to do, as this is the world of the monsters where humans become spectators most of the time, and even when they are doing something, the effects are minimal. Even as the monsters come quite late, this slow and steady sacrifice of human characters start very early in the movie and goes on to the end. Well, the monsters need to scare and kill a lot of people, so there is that purpose.

Soul exploration :: The movie shows Godzilla as a force of nature, something that is beyond humans to stop, but the same can also be said about the other creatures. The fact that these creatures feed on radiation is something to be noted. Thus the movie is indirectly a message against the problem that the nuclear power can cause, and the creatures of radiation are rather the symbols of the evil that can be brought upon the current society by the development of science and technology which have been used in such a manner that it makes things convenient, but not better. Godzilla is referred to as a force of nature (that reminds me of what an article called the cricketers Virender Sehwag, Adam Gilchrist and Shahid Afridi a long time ago), and he becomes that force of nature which will bring balance on Earth, whether its enemies are other creatures or the human beings themselves. Well, Godzilla is nothing like the other two creatures which belong to one species, one being the smaller male with wings and the other being the bigger female, stronger without wings. The force of nature is rather the great equalizer, which makes its own choices and takes sides. That is what makes this monster so different and gives the viewers so much to look forward to. Yes, men think that they can control nature with science, but it is indeed the other way around!

How it finishes :: We were given two Malayalam movies with big stars this weekend in the form of How Old Are You and Mr. Fraud and it is a big decision to choose this one over them, but that won’t be too difficult at many places as they would be already booked. The crowd for Godzilla assures the success of the movie, but also makes sure that the two movies I mentioned are already houseful. Godzilla might have lesser audience in the weekdays, but seems to be good enough to stay above par. If you liked Pacific Rim, you will surely like this one too, and the degree of the liking shall depend on what you need, a light action thriller with style or a dark horror thriller with action, Godzilla fitting to the latter detail. Lets take some time to spare some time for these creatures from the depths of Earth, not just the alpha predator which is Godzilla, but the other two mentioned as MUTO (Massive Unidentified Terrestrial Organism)! Yet there is one more thing to remember, and that is about the minuteness of humanity against the universe and its secrets, and lets not consider science and technology as the greatest achievement of humanity; it is rather the respect of the fellow humans, environment and the other creatures that should interest us.

Release date: 16th May 2014
Running time: 123 minutes
Directed by: Gareth Edwards
Starring: Aaron Taylor-Johnson, Elizabeth Olsen, Ken Watanabe, Juliette Binoche, Sally Hawkins, David Strathairn, Bryan Cranston

@ Cemetery Watch
✠ The Vampire Bat.

The Lorax

Posted on November 28, 2013 by Tennyson

What is The Lorax? :: Here is a movie based on Dr. Seuss’ children’s book of the same name. Born as Theodor Seuss Geisel, Dr. Seuss has published fourty six books for children, and this one published in 1971 should be the most popular of them all. The book as well as the movie talks about the poor situation of the environment which humanity has brought on by themselves. There are significant differences between the book and the movie, and some might feel that there might have been a little bit too much deviation to suit the standards of Hollywood. But the fact remains that it has a strong message for the environment, something which has not been lost in the adaptation. So who is this guy known as The Lorax? Does he save the environment by making sure that the trees are not cut and the air and water are not polluted? Is he something like the male fairy of the forest of just another wood elf? Lets venture deep into the same.

What is it about? :: The movie begins with the story of Ted Wiggins, a twelve year old boy who lives in an artificial world. Surrounded by a destroyed environment, he lives in a walled city called Thneedville where everything is made of metals, platic or synthetics, and there is not even one tree which is real. There is a price for natural resources and clean air is difficult to get. Our kid wishes to impress a tree-loving young girl called Audrey by getting a real tree for her, but there is no such thing available. His grandmother tells him about Once-ler who can give him enough information about trees if can get that man fifteen cents, a nail, and a shell of a great-great-great grandfather snail. Even as the mayor of Thneedville, Aloysius O’Hare who sells bottled oxygen tries to keep him inside the walls, the boy sneaks out regularly in order to hear the story of the man who will only give him the tree after he finishes his tale. It turns out that the story is more of a history about the trees rather than anything else. Whatever it is, the boy needs his tree.

The story of Once-ler (You can choose to skip this one if you don’t need more details) :: The man who is hidden from the outside in her mostly destroyed cottage tells the story of a young man who left his family and reached the forest in order to make money. After cutting down the first tree, he meets the guardian of the forest, The Lorax. Even as Once-ler agrees not to cut another tree, but only to take what is needed from a living tree, his Thneed invention becomes a great success, and as his family members join him, there is a horrible attack on the trees with the mass production which needed big deforestation and the final destruction of the forest with not even one single tree left. As the air, water and land remains polluted and nothing left for him to do business with, his people abandons him and he is left with no hope. As all the animals and The Lorax leaves, he becomes a recluse living in an abandoned cottage. Now he needs to make amends for his action, but can he do it, or how will he do the same?

The defence of The Lorax :: I can’t remember a movie which has had this strong an environmental theme for a long time. It has the strong background of a brilliant work, and they have used it well to further strengthen the characters in the movie and make it more suitable for the current age. The looks of the characters are also appealing for the children. Its emphasis on saving the environment and its powerful assertion on the need to save the nature is impressive. As the world is slowly being taken over by the corporates who use the power of science to manipulate nature and create an artificial world out of nowhere, this has a powerful role to play. May be this can keep the newer generation of kids informed about the need to safeguard the world they live in. The preservation as well as the improvement of the natural environment should be taught in the early age itself rather than throwing scientific nonsense doing their brains. The movie can actually do a great job in the same.

The claws of flaw :: The movie surely deviates from the book, and its environmental concern is indeed a bit overdone. There are not many good tunes, and there is not enough fun with this one as compared to the other animated movies. There is a pervading dark tone around it, and the irony about the movie might be too much for an animated movie. It often losses its point as the life in the synthetic world is shown as perfect even in the natural destruction. There is also too much of the life in the artificial world which seems to justify itself without nature. Why does our hero want to grow a tree? Not to save the environment, but to impress a girl. The romantic subplots are getting more and more ridiculous these days, and I would hope that they can do without it whenever not needed. The environment is not part of our need to impress someone, it is the need of our life, not only of ours, but all life forms. It should stay with us forever rather than becoming an instrument to tell others that we did that, and we are awesome!

Nature’s sad loss :: Lets think about all these before we concentrate on sending rockets to Moon, Mars and everything that the scientists claim about. If we can’t save our planet which is moving more and more into chaos, what are we going to do about the future worlds were we live in? How can we even know that such a world exists without seeing them? We hear that they sent the rocket there, but how will we ever know that such things really happened – the plight of the common man who is set to believe everything, and can’t question where all the money disappears. Well, we have an environment to take care of right before our eyes. We can’t care about our habitat and our people; instead we look for a habitat in another world and also for lifeforms in another worlds. I have a lot of respect for the nations who would actually care about their citizens rather than go for space research. The lesser the betterment of other worlds, that much the better.

How it finishes :: With a villain who is almost like all the companies of the present who sells bottled water, and a selfish hero along with a former selfish hero, the movie has its flaws, but with its appealing animation and still powerful environmental message, the movie takes control. The biggest advantage might be that the kids can take a message home, that the trees are good and they should be planted everywhere – with a hope that when they grow-up, the world becomes a better place, even if one has to doubt that seriously seeing how they are exposed to the artificial world in such a young age. The respect for the elders, the parents and the teachers are slowly disappearing, but may be this movie can put a little bit of respect for nature in them. If it does, that should be the success that this movie can boast about. It is quite a short movie lasting less than one and half hours and hope you all give it a try. There is the need for balance between the humanity and the nature, and the the clock is ticking!

Release date: 27th July 2012
Running time: 86 minutes
Directed by: Chris Renaud
Starring (voice): Zac Efron, Danny DeVito, Ed Helms, Taylor Swift, Rob Riggle, Betty White, Jenny Slate