Category Archives: Action

The Pet Detective

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Vampire Owl: I have heard about a man named Ace Ventura being a pet detective.

Vampire Bat: He is quite a different person even from a distance.

Vampire Owl: Why do the pets even need detectives?

Vampire Bat: Don’t you know that animal lives are more important than human lives these days?

Vampire Owl: I have heard so much related to the strange love towards dogs.

Vampire Bat: Yes, so much that they abandon the dogs in the street and let them bite humans.

Vampire Owl: It is indeed some strange love.

Vampire Bat: Humans even hate each other so much. Strange people.

Vampire Owl: Have you ever met a good human in life?

Vampire Bat: Well, I do not know that many humans.

[Gets a Paneer Patty and three cups of Nuwara Eliya tea].

What is the movie about? :: Tony Jose Alula (Sharaf U Dheen) is a jobless young man who inherits his Mexico-returnee father Jose Alula’s (Renji Panicker) failing private detective agency, and in the process, also hopes to impress his childhood sweetheart Kaikeyi Menon (Anupama Parameswaran) and her disapproving strict father CKP Menon (Major Ravi) who has returned from military service. Rajath Menon (Vinay Forrt), the local police officer is also after Kaikeyi to earn her love, but she does not show that much of interest in him. Meanwhile, Tony and Kayikeyi keeps their relationship with a lot of fighting in between, but they get back to each other every time. But time keeps running out for Tony who really need to get a good job to get a chance to be married to his lady love. Tony and his loyal assistant at the detective agency, Sanoop (Joemon Jyothir) get the first big case in the form of a missing dog, which they are able to solve with relative ease due to some strange turn of events. As they get one lakh rupees from the owner who value the dog a lot, they begin to call themselves Pet Detectives, trying to solve more of similar cases.

So, what happens with the events here as we just keep looking? :: But there are lots of things happening in the background and everything is happening due to some grand evil schemes which have its roots in Mexico and other states of India. There is a criminal racket involved in the smuggling of some exotic aquatic species, with fish worth lakhs of rupees gone missing, and then there are little kids being kidnapped. A mafia leader from Hyderabad named Yaqat Ali (Vinayakan) has also arrived in Cochin, and has brought his own team of goons who are ready to do anything at his request. Tony is forced to take the help of his old school friend Thinkal Thomas (Shyam Mohan), but both are kidnapped along with Kaikeyi. Now, it is still to be seen about what step is to be taken for them to escape from these people who are looking out for them as they have also become entangled in this series of problems. Will the gangsters get what they want, and will the biggest crime lord of all-time come to Cochin from Mexico?

The defence of The Pet Detective :: The movie does focus on the comic side more than anything else. There is the effort to make it feel big, almost in that CID Moosa mood, with complications getting solved due to situations with a touch of humour, and the main characters are able to carry the same well on their shoulders as there is the full-fledged support of veterans. The performances here are energetic and the light feeling never really leaves the movie – the darkness never engulfs the film despite having a Mexican drug lord and gangster in the background ready to make an attack. The silly chaos mode has been activated very well too. The movie’s beginning is of top quality, and has us interested in the proceedings early. There is a certain amount of quality related to the visuals around here too. The movie’s good box-office collection reflects the response of the family audience here, as one feel that there is something for all kinds of audience, with this one being a clean entertainer. The arrival at OTT has also made sure that it will have more fans around.

The claws of flaw :: The inability to get on to the provided opportunities can be seen here. It tries to go big too, but never really reaches that level. The movie did begin with that promise which is only partially fulfilled by the end. There is a certain loss of interest which seems to have come in the middle due to the fact that there does not seem to be enough of an effort from some characters that seem to just wander along. Some characters are just everywhere, and the focus is never really one the right place during times. There are moments which could have been so much funnier, but the movie holds back at times, and keeps on adding complications, but the funny side does not get added there. The ending also feels a little bit too rushed and the final running around in confusion feels amateurish. The ending seems to have been forced to add a happy finish, and one would wonder if it could have just finished normally.

The performers of the soul :: Sharaf U Dheen has already displayed the strength to carry this type of movies on his shoulders, from that antagonist in Anjaam Pathiraa to the horror comedy combination in Hello Mummy. This time, when dealing with action comedy, he shows the skill to carry the whole thing mostly in his own style which works. Anupama Parameswaran makes her way here nicely, even though one would have felt that she deserved more, from how she began here. Vijayaraghavan carries the side of humour so well, and leads to the twists nicely. Shyam Mohan’s avatar keeps us interested as he did in Premalu. Vinayakan handles the negative role with a touch of humour without any difficulty. Vinay Forrt does well, but required more to his particular character here. Joemon Jyothir’s comic side works nicely and adds to the overall humour. Nishant Sagar also adds nicely to the fun while Bhagath Manuel and Jinu Joseph could have had bigger roles to play in here over these contributions.

How it finishes :: The Pet Detective seems to be aimed at heights, but that much is never reached despite opportunities being presented. Just a few months earlier Sahasam had achieved what the chaos comedy thrillers had dreamed of, and the chaos comedy was always best done through movies like Adi Kapyare Koottamani and Kunjiramayanam. If one is still in the mood for some light comedy without using that much of brains, this one provides an energetic and engaging journey, with never going down with its pace. But looking for believable plots, strong story-telling and memorable moments would not be the right choice to here as you need to enjoy the fun and move away, with no questions asked. After all, these kinds of movies are also the need of the times, for not everyone needs the most powerful investigation thrillers with twists that bends the mind to find a terrifying serial killer – for them, there are always movies like John Luther, Anjaam Pathiraa, Forensic, Paappan, Abraham Ozler, Anveshippin Kandethum and others.

Release date: 16th October 2025
Running time: 116 minutes
Directed by: Praneesh Vijayan
Starring: Sharaf U Dheen, Anupama Parameswaran, Vinayakan, Vinay Forrt, Shyam Mohan, Joemon Jyothir, Bhagath Manuel, Renji Panicker, Shobi Thilakan, Nishanth Sagar, P P Kunhikrishnan, Praseetha Menon, Sanju Madhu, Jai Vishnu, Jinu Joseph, Major Ravi, Amey Wagh, Maala Parvathi, Nileen Sandra, Prasanth Madhavan, Sonam Singh

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Identity

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Vampire Owl: I have been thinking about changing my identity.

Vampire Bat: The vampire one or the owl one?

Vampire Owl: The undead one to be exact.

Vampire Bat: You are already dead and returned. That cannot change.

Vampire Owl: Dr. Frankenstein has changed his identity multiple times.

Vampire Bat: He never had any real identity.

Vampire Owl: Yes, Frankenstein, the genius scientist.

Vampire Bat: The pseudo-scientist, to be exact.

Vampire Owl: He is more, for he has invented vampire mechanics.

Vampire Bat: The only thing he has invented is pure nonsense.

[Gets a chilli chicken pizza and three cups of Darjeeling tea].

What is the movie about? :: A recently engaged young woman Emy John (Nilja K Baby) finds herself blackmailed by a man named Amar Felix (Arjun Radhakrishnan) with the help of a techie and occasional hacker Nakul Sachdev (Vishak Nair), as he had recorded her half-naked through a mobile phone kept in a changing room. He threatens to spread her nude videos all over internet unless she gives him three lakhs to which she agrees, but after many blackmails of random people, this time he finds himself facing a mysterious individual who kills him in his own warehouse which looks abandoned from outside. Alisha Abdul Salam (Trisha Krishnan) is the only witness to the murder as she had seen the person coming out of the warehouse after burning it, as she was passing through. CI Allen Jacob (Vinay Rai) is assigned the case, and decides to keep the witness in his home for protection, as advised by DYSP Dinesh Chandran (Aju Varghese). They feel the immediate need to get a sketch of the killer done as Alisha says that she has seen the face clearly, but protecting her is the top priority.

So, what happens with the events here as we just keep looking? :: Allen is helped by his highly influential friend Supriya Gopal (Mandira Bedi) who provide him with much needed information. Meanwhile, Haran Shankar (Tovino Thomas) is a part-time karate instructor and a genius in multiple subjects who suffers from OCD, and lives with his sister Devika Shankar (Archana Jose Kavi) and half-sister Neerja Sudip (Gopika Ramesh). Allen, after seeing a sketch made by Haran, decides that he should be the one to bring the identity of the killer to light. As Allen asks Haran to make a sketch, and as he does so with the help of the description given by Alisha, a few more things come to light, including the fact that Alisha can no longer identify human faces after an accident which followed the murder. This makes things further complicated, as finding the killer seems almost impossible, and Amar’s past also seems to catch up to the situation. It seems that things are just getting more and more complicated, but for how long?

The defence of Identity :: There is a certain amount of style related to how this movie looks, and the visuals remain stunning throughout its run. The technical strength is visible right there. We have not seen such over-reachers among the movies of this industry, unless it is Lucifer and its Empuraan, but this one has managed that extra load quite well. The movie nicely builds the tension, which keeps us interested. The twists are always present, and some of them are rather too nice. The action sequences are maintained well and kept under control without being overdone. The beginning of the movie was so good that we are attached to the proceedings so early. We wonder where the connections would be made, and that happens nicely too. The final fights are also well-executed, maybe qualifying as among the best-done moments. The performances remain of top quality, not really holding back even because of character complications. There is a certain amount of polishing that is visible there, moving further ahead of the usual movies. The background music also remains something of interest.

The claws of flaw :: The movie just seems to have taken so much for granted. After starting so well, and ending with a deviation, but in an interesting way, the middle part seems to have lost in the process. There are so many moments which seems over-stretched, and we feel that there was no need for that much of a detail in between, and the explanations which go long, just gets longer as we see and experience less twists in real-time than what we hear and find in flashbacks. The big reveal about the main character feels like a rather forced addition. The characters are not given the importance that they need, and the hero is just given that push. Many characters just come of nowhere and become part of that world of twists, making us not that interested in them. Even the leading lady is not given that strength and feels misplaced as a character. The other female characters are also not given that much of a background. The emotional depth is not that much there, and the pace is also uneven, often also struggling with the pace. Then the antagonist is also pushed out of nowhere right after a twist.

The performers of the soul :: Tovino Thomas leads the way here in style. When thinking about that one action hero of the industry, he comes first to the mind. We have seen that even with superheroes of Minnal Murali and Lokah Chapter 1: Chandra. Tovino handles this role in a way that we will remember, and gets into the genre really well as expected. Vinay Rai becomes a fine addition around here as he shines in the form of a strong antagonist, someone who aligns with the overall mood of the movie and the twists. Aju Varghese’s serious police role is a joy to watch, and it is to be noted that this time, the character do not follow the stereotypes. Trisha Krishnan comes back to Malayalam after Hey Jude with Nivin Pauly, and here she plays a main character and has just enough to do as the leading actress. Shammi Thilakan and Vishak Nair have some interesting things to do here. Archana Jose Kavi and Gopika Ramesh shine in their comparatively smaller roles, and Nilja K Baby contributes well in a small role too. It was good to see Mandira Bedi around too while Giju John and Sujith Shankar gets the due in the final minutes.

How it finishes :: This one was that opportunity with scope for big heights to become one memorable thriller above many more. Known as The Sketch Artist in Hindi on Jio Hotstar, this one would work better with that particular audience. If you like such stylish thrillers having action, twists, and a lot of ambition behind, this will feel a lot grand, as you remember from movies like Christopher. But that big a plot and well-developed characters would not be there that much for your attention here. Creating characters our of nowhere and using them here and there with twists that sometimes work like boomerang might not be for everyone’s love. But seeing the cast of this movie, you know that the movie will always be capable enough. It is available in Hindi on Amazon Prime Video going by the name, The Sketch Artist, even though one would be wondering why that name even came into picture. Unlike some other movies, this Hindi version is very well-created, and you might wish to have a look at that one.

Release date: 31st December 2024
Running time: 158 minutes
Directed by: Akhil Paul, Anas Khan
Starring: Tovino Thomas, Trisha Krishnan, Vinay Rai, Aju Varghese, Archana Jose Kavi, Sujith Shankar, Nilja K Baby, Giju John, Gopika Ramesh, Shammi Thilakan, Vishak Nair, Major Ravi, Asha Madathil, Mandira Bedi, Arjun Radhakrishnan, Mahima Radhakrishnan, Shinu Shyamalan, Litty Thomas, Vriddhi Vishal, Mohan Thankam, Sethu Lekshmi, Adam Sadiq, Akhil Paul, Anas Khan

<<< Click here to go to the previous review.

<<< Click here to go to the previous South Indian film review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Karam

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Vampire Owl: Do you know that we were looking forward to watching this one in theatre.

Vampire Bat: Yes, but we were very busy at that time.

Vampire Owl: The opinions were still not positive.

Vampire Bat: I still have a Thira feeling about this particular movie.

Vampire Owl: I have watched the trailer and it was really good.

Vampire Bat: And I feel that there is more than what meets the eye here.

Vampire Owl: I have wanted Vineeth Sreenivasan with a thriller again.

Vampire Bat: There is something about that change from the feel-good.

Vampire Owl: Well, feel-good has never been a reality.

Vampire Bat: Humans can create a fake infinite realities and live in the same all the time.

[Gets a kadai paneer dosa and three cups of Ceylon tea].

What is the movie about? :: Dev (Noble Babu Thomas) and Salman (John Kaippallil) were in charge of an undercover operation to capture a notorious terrorist who has been threatening India from Pakistan and other nations, but after going against a direct order, gets in trouble, with former being court-marshalled and latter landing in the hospital for quite some time. After his return home, his girlfriend Sana (Audrey Miriam Henest) meets with an accident, leading her father Abdullah (Johny Antony) taking her away, and Dev is blamed for the incident and prohibited from meeting her again. A disappointed Dev who also has problems with his father Mahendran (Manoj K Jayan), decides to get married, and find love in Tara (Reshma Sebastian) and has a son Ayaan (Nazhan Bin Najmal). One day, they have to travel to a country named Lenarco, for Tara’s international conference. It feels like a happy family trip with the help of Kamal (Kalabhavan Shajohn) who remains their driver for the trips, with places to visit and happy moments to be shared with a tour that came after a long time.

So, what happens with the events here as we just keep looking? :: Things seem to go around nicely, but when Dev goes to a night club which also has a brother underneath, he finds Sana there as one of the experienced sex workers displayed for the clients. Confused and disheartened, he chooses her from the display, and she reveals that she was trafficked from India while escaping home in order to find and be with him against the wishes of her father. On the way, she was tracked by a human trafficking gang that kidnapped and trafficked her out of the nation. She was sold, raped and forced into sex work in the organization which runs the most powerful mafia in the land. Andre (Ivan Vukomanovic), a man with high connections and the most powerful group of goons under his control manages the operations. There is no escape for her from there as even the police are in his payroll. A distraught Dev who feels that he could have saved her from this hopeless situation if he had gone after her, decides to save her from the brothel, but it would not be so easy, with his own family at risk in a nation which seems to have less control over its gangs and guns.

The defence of Karam :: We have all waited for a technically polished thriller of international standards, and if you are not watching it despite the same, there is no hope in having more – we remember how much quality could be felt in movies like Ranam and Ivide, which did not have that success that they deserved, and this one gets into that list with ease. The movie is visually stunning, and the fight scenes never feel overdone with no love for that dumb dose of heroism and mass moments. The tension is present throughout the movie, and there are some nicely managed thrilling moments around here. The emotions are really felt here, and there is no shortage of feeling in this world which is dark and has evil hiding underneath. Unlike a few other movies, it does not hesitate to get into that world of chaos and sometimes not checking into that safe side. These kinds of movies should be considered as the true feel-good, and not others that pretend to be so, without any story and keeping on saying the same things again and again to pretend to be feel-good. The release in Amazon Prime Video would surely bring more positive opinions as people would the movie without prejudices.

Positives and negatives :: The movie could have surely used more twists in between and set the whole thing on pure survival mode, and we see that the pace is often lost regarding the attempt to escape. The ending could have also been more classic without what seemed like the deus ex machina which felt not that suitable for the overall tone of the movie. The emotional side despite being there at all times, do not keep up with the overall movie. Then there will always be those people who put negativity in movie in relation to its similarities with Thira, but one has to note that most of them supported Thudarum which was basically Drishyam in a lower quality and unnecessary mass. This movie here is basically an improvement on the technical side compared to Thira, but for some strange reason, people did not seem to go for this one that much. Well, Lokah Chapter 1: Chandra was still running strong at that time, and some others had also joined – maybe it was not the right time to have a release for this particular movie.

The performers of the soul :: Noble Babu Thomas who made his debut as actor in Helen, comes up with fine work here, and he has written this one too – portrays the character with control, unlike the usual superstars who would overdo such a role for the dumb fans. Ivan Vukomanovic is not a name less known among Keralites, as the head coach of Kerala Blasters, and when he is present on the screen, he maintains a certain quality as the main antagonist. Audrey Miriam Henest feels like a fine find for the industry as she maintains strength not just as the strong lover, but also as the damsel in distress, maintaining the emotions in strength and helplessness without holding back. It might not have been easy playing the same character in different life-changing situations, but she seems to have no trouble in doing the same, and is definitely a talent for the future. Reshma Sebastian, on the other side, comes up with a natural and memorable performance opposite the hero, and she seems to have mastered the role so well. I am sure that we will see her around again. Kalabhavan Shajohn and Baburaj adds quite well too. Johny Antony and Manoj K Jayan got some quick, veteran stuff to do nicely again.

How it finishes :: The movie is surely better than what the critics have been talking about, and it surely scores more than most of the overrated movies of the same genre. It is quite surprising that the audience did not support this movie that much, especially when the quality of the movie is so much, and keeps on an engaging route. The movie has so many good moments to remember, and if you liked Thira from the same director, there is no chance that you will feel the need to like this any less. The feel-good nonsense has been getting on our nerves after that and we needed to get out of them which keeps doing the meaningless for such a long time. Reminding us of Thira, this one deals with human trafficking with an international setting, unlike the usual one, and therefore feels not that close to the usual, but this is something of a grander setting. When a movie thrills and keeps one on the edge of the seat, there is not much more that you need. A technically polished work with ambitions and performances set in a classic world is something one would not miss, even with some problems here and there. This kind of movie surely needs to be appreciated to inspire more of the same kind; for now, do check it out on Amazon Prime Video.

Release date: 25th September 2025
Running time: 126 minutes
Directed by: Vineeth Sreenivasan
Starring: Noble Babu Thomas, Audrey Miriam Henest, Reshma Sebastian, Ivan Vukomanovic, Manoj K Jayan, Baburaj, Kalabhavan Shajohn, Sudev Nair, Vishnu G Varrier, Johny Antony, Shweta Menon, Redin Kingsley, Vineeth Vasudevan, Joji Mundakayam, Nazhan Bin Najmal, John Kaippallil, Basheer Rimmi Singh, Vettai Muthukumar

<<< Click here to go to the previous review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Detective Ujjwalan

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Vampire Owl: So, this was the detective who came to investigate on the missing vampires.

Vampire Bat: There are no missing vampires in our world.

Vampire Owl: What about those vampires who did not come to the feast of Uncle Dracula?

Vampire Bat: They just decided not to come.

Vampire Owl: Nobody decides not to come when Uncle Dracula is around.

Vampire Bat: There has been the rise of free will in the realm.

Vampire Owl: Free will just a myth in the realm.

Vampire Bat: There has always been some free will in the vampire world.

Vampire Owl: Free will is not a thing of our world.

Vampire Bat: Well, you know that free will is only the beginning.

[Gets a chicken samosa and three cups of Ceylon tea].

What is the movie about? :: Ujjwalan (Dhyan Sreenivasan) is a young man without any job and has made himself the only librarian of the only library in the remote village of Plachikkavu. He lives with his father Narayanankutty (Kottayam Nazeer) and mother Leela (Seema G Nair) who only have a shop and mostly lives with their family assets. As Ujjwalan does not go for work and spends most of the time reading detective novels and crime thrillers from his own library, his parents try to get him married to a local girl Snehalatha (Claire C John), but that does not work in their favour. Ujjwalan is a man who tries to solve the crimes of the village, which mostly involves small thefts, fights etc. Local SI Sachin (Rony David Raj) depends on him to solve the simple crimes and mysteries and do not do much of a work. The only criminal of the village is Anthikkurudan (Nihal Nizam) who steals small things and keeps getting caught with some coconuts and bananas. Kurian (Ameen) who has returned from Korea, remains Ujjwalan’s only friend, and does not like going to work anymore either.

So, what happens with the events here as we just keep looking? :: Despite being a fan of detective fiction and even with a skill to find missing clues, Ujjwalan suffers from nyctophobia, the fear of darkness which keeps him locked in his room at night, never even trying to switch on or off the lights of the house. A local television channel even shoots a documentary on how peaceful the village, and reveals that nothing much happens there. But then, the local school principal, Ashokan (Kalabhavan Navas), is killed by a masked man who looked like a scarecrow, brutally with a hammer. But from a slipper and a beedi that Ujjwalan finds from the spot, he feels that it was Anthikkurudan, the usual suspect. The thief claims innocence despite being arrested, but the police are also convinced that he might have been the murderer, maybe a result of trying to steal and not really succeeding. One day, he just escapes from the prison, and is not found afterwards. But the murders do not stop there, and the next one happens at the local festival.

And what more is to follow with the murders that do not seem to stop? :: The second murder really gets the attention of a wider media, and a new police officer is sent to investigate and find the killer as soon as possible. CI Shambhu (Siju Wilson), the new investigating officer, is known to have solved more cases than most of the police officers of his area combined, and he would not stop until he has solved this one. Sachin is not happy that the case has gone out of his control, and Ujjwalan is certainly not happy that someone else is investigating a case in his area. They do not cooperate that much with him and his supporting officers Kunchacko (Nibraz Noushad) and Boban (Shahubas). Ujjwalan soon begins to doubt Shambhu, who says that he has been to the town before and is glad to be there. Kurian who has returned to his hometown to marry his favourite woman finds himself rejected by her. Shambhu earns the trust of villagers and shows steady progress, even though the killer is still on the loose. People remain afraid of going out at night, but can anyone find that killer who leaves no clues behind?

The defence of Detective Ujjwalan :: Dhyan Sreenivasan does a pretty good job, but Siju Wilson and Rony David Raj carry this movie with better written characters who blends in more than the others. The movie with the village setting, remains very good-looking, and the music nicely adds on here to the overall mood. The visuals score with a touch of nostalgia within the overall beauty of a common village of Kerala. Despite the presence of the light-hearted mood, the darkness does come in right between, making this a fine combination of multiple sides. The comedy often works, especially due to the supporting cast that never really hesitates as far as humour is concerned. The movie could connect well to other movies as part of a cinematic universe. The final parts of the area become engaging, especially at those moments when the mystery is somewhat revealed. The ending makes sure that there is scope for more. This would still remain a relaxed watch in comparison to any other movie with a serial killer.

The claws of flaw :: The movie could have had the main character as better written. Some of the other characters also seem to have some problems. The twists are not that strong as one would have wanted, after all that buildup. The movie just seems to take the villain out of the irrelevant and add something extra to it. The mystery should have been solved in a smarter and a more classical way with the antagonist surprising further. The emotional side could have been stronger with better characterization, and could have got the viewers more immersed in the situation with more of that feeling of danger. The humour could have also been stronger instead of just going through. The change of tone also keeps happening, without the movie constantly staying anywhere. The ups and downs might feel a little too much, and there is also too much silliness in smartness and vice versa. The final moments do seem to be just usual, with one forced fight and the added extra complication. If this is to stay close to other movies in a strong cinematic universe, there should surely be more power to be shown. The female characters are not relevant at all here.

How it finishes :: The movie is hailed as a part of the Weekend Cinematic Universe which also has the much-acclaimed superhero movie Minnal Murali in there, and you cannot stop yourself from noting down the similarities, from the scarecrow and the way in which the village setup has been created, not that different from Kunjiramayanam either. It might need some extra-fittings at some other point to make it feel big enough to be fixed in a grand universe, as it does not seem to be ready for the same unlike movies like Lokah Chapter 1: Chandra which came prepared from the beginning itself. The movie did seem to have received a good opening, and therefore, a sequel would be there to be taken at some point – the ending also would mean the same. As of now, it is available on Amazon Prime Video, and this might be a good time to watch the same, as one would not be able to know when a sequel might immediately drop, and there could even be a spin-off. Let us hope to see this one as better.

Release date: 23rd May 2025
Running time: 124 minutes
Directed by: Indraneel Gopalakrishnan, Rahul G
Starring: Dhyan Sreenivasan, Siju Wilson, Rony David Raj, Claire C. John, Kottayam Nazeer, Seema G Nair, Nihal Nizam, Ameen, Shahubas, Nibraz Noushad, Mathew Puthukadan, Jagadish, Kalabhavan Navas, Nirmal Palazhi

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Mirage

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Vampire Owl: I have heard about this movie’s twists over twists.

Vampire Bat: So, it became known in the vampire world too.

Vampire Owl: It has spread to the vampire social media too.

Vampire Bat: That feels absurd as both media are not connected at all.

Vampire Owl: Well, you know these humans who try to control all the media.

Vampire Bat: Nobody can control everything at all times.

Vampire Owl: Uncle Dracula could easily do that.

Vampire Bat: Sir Dracula is that much of a legend.

Vampire Owl: Even the Vampire Elders seem to respect him.

Vampire Bat: I do not that they ever had an options since his reign began.

[Gets a chilli porotta and three cups of Kandy tea].

What is the movie about? :: Abhirami (Aparna Balamurali), who is working as an accountant in a financial consultancy finds herself in depression when Kiran (Hakim Shahjahan) who was engaged to her mysteriously disappears, and is presumed to be killed in a train crash. She is approached by Aswin Kumar (Asif Ali), an online investigative reporter who wishes to reveal some truths about Kiran, whom he does not feel to that straightforward a person. Even though they were engaged, he had left a good number of secrets to himself. At the same time, Abhirami is also approached by SP Aarumugam IPS (Sampath Raj) who wishes to unveil the mystery related to a hard drive which has secrets related to the money laundering in their company, while the owner of the company, Rajkumar (Saravanan) is also looking for her, with Rajkumar’s henchman Riyas (Aruvi Madhan) always on the hunt, even ready to beat up or murder anyone who gets in his way as he also tries to get that hard drive which has too many secrets.

So, what happens with the events here as we just keep looking? :: This drive becomes a big problem as Abhirami even gets attacked at home, and the only person who seems to stand with her is her colleague working in the same department, Rithika (Hannah Reji Koshy). Anandu (Arjun Syam Gopan) is the only person who can decrypt the data in the hard drive, who is also missing, despite going on a field visit to Madurai for the same company. Rithika does not trust Ashwin who seems to be always looking for sensational news. Ashwin feels that Abhirami is still hiding something, and he only considers Kiran missing and not dead, even though his dead body was identified right after the train accident. Abhirami decides to travel to Kiran’s hometown with Ashwin, much to the dismay of Rithika who distrusts the whole situation. Riyas continues to haunt them, coming right out of nowhere, as if he knows their every move. It is revealed that Kiran is a man of many secrets, and it would be rather too difficult to list them out. Can Abhirami get out of these problems with the help of Ashwin and Rithika?

The defence of Mirage :: The way in which the movie starts in simplicity and becomes more and more complex with bigger conspiracies unveiled – this is something that keeps everyone at the edge of the seat, as we keep guessing what would come next. There are so many twists around here that keeps us interested, and we can only keep predicting, but the twists are even more. We would have the feeling that we are in a strange terrain, terrifying not because of the presence of an evil entity or due to corporate evil, but because there are so many twists to come and many people are going to get killed, with most of the twisted world going beyond the usual. The performances nicely complement the same, as villains might not be the main antagonists, as there is negative in the people who seem to be good and supportive. The movie is a twis-producing factory and this process of changing the world we know, continues till the end without fail. The visuals and the music are all nicely contributing with quality here. How the tale goes on to power itself by the interval would also be something we like to see around.

The claws of flaw :: As it could be seen in many memes on the social media, there is the curse of having unbelievable plot twists and too many of them around here – the last time when there were this many absurd and unnecessary twists were shown, was in a movie called Bicycle Thieves, also led by Asif Ali, where the twists and even the story could not be contained in the framework which was already built – this one could contain the story, but not the twists which were like zombies in a bakery selling brains with a small flavour of chocolate. A movie can have twists, but a movie should not be for twists, as we realize the same here. The final double twist was rather dumb, and it felt like the whole purpose of the movie was destroyed. The movie is also too long, and it does not have that material in a script written for twists, going to two and half hours. The intensity is also not felt around here, as in between, the main characters seem to be resigned to their fate and feels like they are doing all of these for namesake. The danger in the movie also feels hesitant, as if everyone is waiting for the twists.

The performers of the soul :: Asif Ali and Aparana Balamurali are known to work together really well, as it was seen in a much-appreciated movie also featuring Vijayaraghavan from last year, and they repeat the same here too. Aparna is very convincing as the girl who is in trouble, but also harbours so many secrets – her reality would be much different, and the same is nicely reflected in her approach here. Asif Ali’s evolution as an actor continues going on from Thalavan, Rekhachitram, Aabhyanthara Kuttavali and others, but here he gets too less in comparison to Aparna on whom the movie is centred – there are times when we feel that her character could have just required minimum help from any unnamed side characters and it was enough for her. Maheshinte Prathikaaram would still remain the greatest movie of Aparna. Still, the one who would catch our attention the most would be Hannah Reji Koshy who brought us that so much unexpected and classic twist of Kooman with ease, after that debut in Darvinte Parinamam and following it up with two entirely different roles in Rakshadhikari Baiju Oppu and Theerppu – she classically blends in here. The villains are all strong here, but struggles by the end, while Sampath Raj remains very strong.

How it finishes :: Mirage just depends on too much of the twists and so many twists, and that strange final unwanted divergence that keeps it down, despite moving so well towards the interval, as the first half really had us interested. There is surely that feeling that there is so much that is to come, but the story struggles in between and comes down by the end with that ordinary flashback and twisting around. This was surely going to be something huge, but does not become the same with that problematic coming down in quality in between. The pace also goes down, as we would hope for this movie to be much shorter and not having that quick end. The skills which are shown in the beginning stages are what carries us towards the end, along with those special twists in between – we are interested in this one for sure. Even though this is not his story, a little bit of Jeethu Joseph touch we had seen in Memories, Drishyam and Drishyam 2 can be seen here, even though that strength is not carried throughout the run even though there was such a great chance in here.

Release date: 19th September 2025
Running time: 150 minutes
Directed by: Jeethu Joseph
Starring: Asif Ali, Aparna Balamurali, Hannah Reji Koshy, Saravanan, Sampath Raj, Hakim Shahjahan, Deepak Parambol, Arjun Syam Gopan, Aruvi Madhan

@ Cemetery Watch
✠ The Vampire Bat.

Maine Pyar Kiya

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Vampire Owl: I have heard this title before.

Vampire Bat: I am sure that everyone in India knows this title.

Vampire Owl: So, an original title was unavailable.

Vampire Bat: This is only meant to make things feel interesting.

Vampire Owl: Well, the Malayalam translated title would not be interesting.

Vampire Bat: I could still suggest a few names.

Vampire Owl: I am sure that Dr. Frankenstein could give some better names.

Vampire Bat: I am more certain that Mr. Frankenstein has names only for himself.

Vampire Owl: It is obvious. He is a hero of different worlds.

Vampire Bat: There is no world that would take this particular pseudo-scientist with a smile.

[Gets a paneer masala dosa and three cups of orange tea].

What is the movie about? :: Aryan (Hridhu Haroon) is a college dropout who had to leave his studies early as he created that kind of a fight in the college with his seniors, which would be remembered in a bad light for very long. The college is also not ready to give him his school certificates before he pays for the damages he caused in the college, which is as high as three lakhs. During one of his visits to college to get the certificates, he comes across Nidhi (Preity Mukhundhan), a young woman from Madurai who studies in Kerala as her mother is working in the railways and had got transferred there. With the advice of his elder friends Nixon (Askar Ali) and Tony (Sreekanth Vettiyar), he tries to make her fall in love with him. But Nidhi does not have any feelings for him, and due to her strict her parents, she tries to keep everyone away from her and focus only on her studies. Aryan continues to stalk her, even though she pleads with him to leave her alone. He even comes to her house, leading to him getting beaten up.

So, what happens with the events here as we just keep looking? :: She finally agrees to just talk to him, and after having food together outside campus on a day of strike, her parents get to know that she, along with many students went out of the campus during the strike and skipped the classes. Nidhi is desperate to make sure that her mother does not know, and hearing about the situation, Aryan arranges for someone who call her home and say that everything is okay, and she was in the college. But as her mother comes to know about it from the college itself and comes to the campus, she realizes that there are stories about her and Aryan being spread. Desperate to escape the situation and the wrath of the parents, she gets into Aryan’s car. They drive away, but the story only gets worse, as a kidnap case is filed against Aryan. The police start searching for them, and they keep going further. But the question remains if Nidhi will ever really fall in love with Aryan. There is also the question of what the two families think about this.

The defence of Maine Pyar Kiya :: The movie seems like it is elevating itself on multiple occasions, especially after the fake call made to the home of leading actress. We will feel that there will twist which will follow, and we go through some relevant moments after that. The movie remains at a higher level until the team of friends get attacked by goons, and there is a good run in between, as we have moments of family, friendship and understanding between people, making the whole thing a pretty well-crafted drama that works. When a movie seems to exist more as multiple identities in one, as signified in the initial moments itself, one would expect such ups and downs. The humour works in here, when there is no stalking involved – those moments are not funny or even romantic like some people might feel. The overall quality is surely felt with what is shown on the screen, and the visuals contribute to the positives. Even though the action is out of place, it is also done well. The ending is justified, and we know that a true romantic movie is never about the lovers uniting, but about them finding happiness in life maybe without each other.

The claws of flaw :: The movie’s cluelessness after the middle part gets over and also the complication by the end is what gives us the struggle too. Despite starting as one thing and by the end of first half, slowly turning into something else keeps us wonder what exactly are we watching. Then there is that showoff with the good romantic boy going for stalking the girl whom he thinks is good-looking and she is also the one who should tell him that she loves him. This understanding of him is mainly because he knows a lot of filmy dialogues and also because he did not tell a girl that he loved her in school which led to she getting into another relationship. Then there are so may goons who confuse the hero and his friends for somebody else when they are in Madurai and starts beating them up and vice versa? This is indeed a strange parallel universe which is not even good enough to bring the chaos comedy in action. The stalking and the random fights between random gangs just bring nothing around here at all, as we feel that just the subplot and some confused souls would have made the movie shorter and sharper, keeping the main thing relevant. This was not really that difficult to do, with two worlds in two states established easily enough.

The performers of the soul :: Hridhu Haroon feels nicely suited for the role, and seems to do his job well, even though the tale does not allow him to beyond certain limitations – this is that kind of a character, a stalker and disturbance who claims to be in love and wishes to be romantic. If we still like the character, it is just because of his portrayal and body language. Preity Mukhundhan’s entry into Malayalam cinema is a good one, and there is no doubt about that one. Her characterization is very good, and her transformation is also effective, even outside the movie’s limits. Among the friend characters, it is Askar Ali who is the most noticeable. Arjun Sundharesan, Midhutty and Sreekanth Vettiyar remains effective among the friends too. Jeo Baby as the father figure might be one of the best father-figures of the year. Antony Varghese’s cameo was totally unnecessary, and that character is of absolutely no relevance. The reason for his cameo character existing will make even Sisyphus wonder like never before in his life. The friendship side of performance work nicely in favour of the movie.

How it finishes :: Maine Pyar Kiya could have been so many things, but it only ends up becoming a small part of itself, achieving only a little, deviating multiple times, and seemingly coming back, and often confused about its own identity. But it does have its moments, and even when we feel that it is done, the movie survives, and feels like the grandmother of comebacks. The movie does not go into that abyss of eternal chaos as some reviews seem to suggest, for it is like an Assault mode map of Unreal Tournament 99 Game of the Year Edition, for it is never done, as you struggle to complete one objective, then you easily go through the next, then finish the game in style when you feel that it as all going to end badly – maybe saved by that teammate who did not do much in the earlier part of the movie. Well, you know that this one is now available on Amazon Prime Video, and most of us have opted for the Prime option due to the need for buying so many things from the online marketplace – so, watching this one on a free day will not hurt, as there is some fun, and the youngsters around here are indeed good and deserves some attention.

Release date: 29th August 2025
Running time: 147 minutes
Directed by: Faizal Faziludeen
Starring: Hridhu Haroon, Preity Mukhundhan, Askar Ali, Midhutty, Jeo Baby, Arjun Sundharesan, Bibin Perumbillil, Abhimanue Sajeev, Redin Kingsley, Thrikkannan, Mime Gopi, Sai Dheena, Sreekanth Vettiyar, Jagadeesh Janardhan, Jibin Rexa

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@ Cemetery Watch
✠ The Vampire Bat.

Sahasam

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Vampire Owl: I remember watching the song from this movie.

Vampire Bat: Well, that song was a big hit for this Onam.

Vampire Owl: It was more than just a hit indeed, that one earned an entry into hearts.

Vampire Bat: It served Onam like no other song did before.

Vampire Owl: The Onam song was surely like no other.

Vampire Bat: There is surely the feeling of fun with this one.

Vampire Owl: We could have watched this in the theatre instead of Amazon Prime Video.

Vampire Bat: Well, I only knew about the song, not the movie release.

Vampire Owl: Well, that might be the biggest Onam song impact in a long time.

Vampire Bat: With social media at the peak, this was surely going to be.

[Gets a chicken pizza and three cups of Kandy tea].

What is the movie about? :: Jeevan (Ramzan Muhammed) has been in love with Sera (Gouri G Kishan) for a long time, but her family has planned to get her married to Rony (Jeeva Joseph), a wealthy and powerful businessman. On the night of her engagement party, Jeevan comes to visit her with his best friends Pappan (Hari Sivaram) and Sam (Shabareesh Varma) disguised as members of the event management team, only to be discovered by the family members. They almost manage to run away with Sera, only to mess up things at the last moment, and the engagement happens smoothly. At the same time, police informer only known by the name Wolf (Babu Antony) manages to help the government in getting into the notorious Mumbai gangster Victor’s (Yog Japee) hideout and seize his drugs, only to find out that the computer expert Sanjeev (Krishna) has managed to convert Victor’s cash into cryptocurrency. But before he gives the password to Wolf who had planned all of these, he is blackmailed by an unknown figure and he has heart attack and dies, leaving nobody with the password.

So, what happens with the events here as we just keep looking? :: Now, Wolf will have to travel to Cochin to find the new head of the IT company where Sanjeev was working, and as the password is in his official laptop, the IT firm might find a way to open it. As Gayathri (Tessa Joseph) takes over as the new head of the firm, the stakes are now higher than ever. Meanwhile, Sera’s relatives send Babeesh (Baiju Santhosh) to deal with Jeevan and make sure that he does not come for his love again, and with him is Preman (Bhagath Manuel) who has seen the face of one of the people who came to the house for Sera. But they feel that Pappan might be Babeesh’s long-lost brother from childhood due to his similarities with an old photo they had, and change the plan to taking him home. Meanwhile, the police inspector Rajeev Nambiar (Narain) is forced to chase both Wolf and Victor to Kochi all the way from Mumbai. But his bigger priorities are taking credit for others’ achievements and always suspecting his wife Isha (Varsha Ramesh). Meanwhile Sam fights with Satheesh (Sajin Cherukayil) for the attention of Priya (Jayasree Sivadaas), and all these come together with unexpected links leading to chaos.

The defence of Sahasam :: Chaos comedy is not the kind of genre which is easy to create an impact, and neither is the use of silliness in the right manner. There might not have been any movie like Adi Kapyare Koottamani and Kunjiramayanam that could achieve the same in last few years, not considering those older classics. This one rather has the situation as more serious, with deaths, gangsters and underworld dealings involved, and the same has been done with the funny side being incredibly active. Just like the other movies of this category, it is the working humour that raises the level of the movie, and the energy adds to the same. The team that the movie has assembled with the veterans and newcomers is really good. The way in which the movie keeps its central romance going with an active emotional side going, and makes everything come together with some classic connections, is worth mentioning, and it seems to be some special skill taking over, as it leaves no loose ends, even for this kind of a movie which is usually allowed to do the same in its genre of confusions and comical complications.

Positives and negatives :: The movie might feel a little bit too long while dealing with this kind of a topic, but as it moves forward further, we just like that length more than anything else – the fun seems to get into us. Yet, some characters might not have been required here, and at times, it also comes up with scenes that feel extra. But it never losses our interest, and it is where this one becomes a classic complicated collection. The songs, especially the Onam mood song had set the mood for the film, and one wonders why it did not become a bigger success at the box-office. The movie’s use of nostalgia comes out of nowhere, like Babu Antony’s old-style moments, Narain talking about four the people and Krishna looking at that much celebrated song of the past with him in it as youth. Even though there are deaths and seriousness is present, we do not feel that kind of a dark tension, and the anxiety that we feel for the characters is rather different. We feel that the movie could even have sequels, and even spin-offs with some of these characters, who stay with us even when not the main characters.

The performers of the soul :: The movie has strong pillars on the two veteran actors Babu Antony and Narain, and this time, they are into humour, and the latter is almost completely into the same – they keep the world interesting with their presence, moments and even nostalgia. Ramzan-Gouri romantic side does work well too, and the music nicely supports the same. Baiju Santhosh, Shabareesh Varma, Hari Sivaram and Bhagath Manuel make a fine combination of humour here, and the silliness associated with their character is very much enjoyable. A surprisingly great addition is that of Varsha Ramesh, who adds to the humour and the overall proceedings really well, and her scenes with Shabareesh and Narain, both brings some classic fun. Return of Tessa Joseph adds another layer of nostalgia here, as she was one actress who was around only with a short career. Sajin Cherukayil also scores with humour while Jayasree Sivadaas adds on. Yog Japee makes a fine villain too. When all of these performers come together in the final moments, it is indeed a lot of fun.

How it finishes :: The movie has some of the best comic moments in the last few years, and there is a certain amount of skill in how this movie uses its moments, and even adds some nostalgia to it. The director’s previous venture Twenty One Grams was also a fine adventure, a serious one then – this time, the journey is on a different path, but it surely works well. This comedy of errors is surely a lot better than most of those so-called comedy works with even bigger stars, and this is the one movie that makes everyone feels good with its humour and those pieces coming together to make us satisfied by the end. The Onam mood itself is clearly felt in the movie, as it is indeed like a celebration to be done in the theatre. Even though not that much known during its release, with its coming to Amazon Prime Video, this will be a much talked about film for days to come. Some movies depend of superstars and hype, but this one clearly focuses on the entertainment quotient with the right cast, and performers who do not keep hailing as superstars – this absence of such overrated cast makes this an even better flick.

Release date: 8th August 2025
Running time: 144 minutes
Directed by: Bibin Krishna
Starring: Narain, Babu Antony, Gouri G Kishan, Varsha Ramesh, Ramzan Muhammed, Jayasree Sivadaas, Baiju Santhosh, Shabareesh Varma, Hari Sivaram, Bhagath Manuel, Yog Japee, Jeeva Joseph, Ann Jameela Salim, Abhimanyu Shammy Tilakan, Sajin Cherukayil, Tessa Joseph, Vineeth Thattil David, Lishoy, Krishna, Jayakrishnan, Major Ravi, Karthik

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@ Cemetery Watch
✠ The Vampire Bat.

Lokah: Chapter I

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“Lokah Chapter I: Chandra” with Kalyani Priyadarshan in the lead, is the latest superhero movie in this part of the world, and is based on the myths, legends and folklore which had been spreading through the state of Kerala in the distant past and are loved by people of the state. It is the first of a planned cinematic universe. Watch a quicker opinion in the form of video here:

For the detailed written review, please continue below:

Entry of a superhero universe blended with myth and legends :: Among the superhero movies of India, Minnal Murali has been a game changer, and four years later, another film, this time produced by Dulquer Salmaan and directed by Dominic Arun, which brings back the genre to life has released for Onam in the form of Lokah Chapter: 1 Chandra. With we all waiting for Kathanar: The Wild Sorcerer coming back to life with a work of fantasy and folklore, this one comes into the picture, taking the myths and legends into its wings. We had ARM dealing with a folklore depiction, but this one is different, as it establishes a universe. It serves as the origin story for a character that becomes a superhero with a dark side. But it is not the tale of one such a being with superpowers, for it introduces many more. There are characters who make the presence felt here, and we know that we will see them again. We see that a lot of skill is displayed in working with this tale, which would offer more. You know that there is no life in a folklore without the yakshi myth, and that would stay not that distant from the vampire legend from Eastern Europe, through the literary vampire and to the present friendly neighbourhood vampire due to the popular culture effect.

What is the movie about? :: Chandra (Kalyani Priyadarshan) is a mysterious woman who have come to live in the city of Bangalore, and works night shift in a popular café. Her friend and seemingly a mentor Prakash (Nishanth Sagar) keeps asking her to stay low, without letting many people know about her presence, and she makes minimum contact with people. Meanwhile, opposite to her apartment, lives Sunny (Naslen K Gafoor), Venu (Chandu Salimkumar) and Naijil (Arun Kurian), three best friends who have nothing much to do with their lives, and pretend to be still students, even though they are not that much into gaining knowledge or going for a job. While Naijil stays nearby, Sunny and Venu share the same apartment. One day, Sunny comes across this new unfamiliar face living opposite to him. He becomes more and more interested in her, and after he feels that he was saved from an accident as Chandra pushed him away, his infatuation grows.

So, what happens with the events here as we just keep looking? :: But there is something more serious going on in the city, in the darkness of the night. A group of criminals is conducting kidnappings and organ trade, and supporting them is the corrupt and arrogant police officer Inspector Nachiyappa Gowda (Sandy) who believes only in having ultimate power and using them on the weak and subaltern. His path would come across that of Chandra, as she beats up one of the goons associated with these criminal activities for trying to throw acid on her co-worker in the café. At the same time, an elderly man named Daniel (Vijayaraghavan) has been writing about supernatural forces that have lived with humans through the ages, and that most of the tales of folklore are true, and real incidents passed on orally by people who witnessed the same. He believes that many people have superpowers and they would be unleashed in time. With the organ trade mafia running through the city, can there be a superhero to stop it?

The defence of Lokah: Chapter I: Chandra :: Dominic Arun has brought a masterpiece on the big screen, a perfect treat for the Onam holidays. His tale with Santhy Balachandran, the Tharangam star also holding a side of the pen, has taken us to a world of magic with the base so well rooted in the folktales that we are familiar with. The movie thrives on this familiarity and builds on those pillars which might be like some of those ruined but strong pillars that archeologists would find in Rome or Egypt during some excavations – the folktales of Kerala that grows on us. What is a folk-tale without the epic saga of Kadamattathu Kathanar and Kaliyankattu Neeli? And the twist that this movie takes is something that could grow further spin-offs, and for now, to rule the box-office, with contrasting moments that we remember, from the protagonist’s first fight to her human appearance in party, and then the violence that follows in the next night and her final preparation for the impossible – all these are sources of contrasting emotions – then there is the cameo appearance of Tovino Thomas that totally changes the mood to even better. The music by Jakes Bejoy is just impeccable in the case of this movie.

Positives and negatives :: The action here is amazingly good choregraphed by Yannick Ben. The final action sequences inside the café are beyond impressive, and the detailing of that world within that place keeps us enchanted. The humour which might have felt as just a side element often makes the movie a lot more enjoyable even when the dark side is on focus. The cinematography by Nimish Ravi and the editing by Chaman Chakko does a magnificent job in keeping this movie strong, and raising it to a level which would make the whole industry proud. The world detail and the colours are too good to escape our attention, while the flashbacks feel so well placed, and there are those scenes that add on in the end like watching those Marvel movies – they work on excellence to make us interested and not with mass appeal, and that would be the feature that keeps our movies apart. The movie uses its complexities like Minnal Murali used its simplicity to its advantage – nobody becomes a superhero by a lightning, for complexity comes in the darkness and not in the light. Some people might find some mixing to be forced with some moments going on as they would expect, but that is to be decided by nature.

The performers of the soul :: Kalyani Priyadarshan comes up with what might be the greatest of her career, not easy to outdo, and working like a dream. She had this so effective that imagining someone else in this particular role would be very difficult. She shines as a superhero who works on another level as an anti-hero with different shades of her character. There is also an emotional side that comes up, and shows further effectiveness. Naslen K Gafoor adds further emotions and a funny side with Chandu Salimkumar and Arun Kurian nicely contributing to the same. The three keeps the humour alive throughout the run, and this different role of Arun is to be noted, as one would not identify him from that work in Aanandam. Meanwhile, Sandy here makes a perfect antagonist, more menacing that him in Leo, a man to be feared, and someone who keeps bringing more than what meets the eye. Nishanth Sagar and Vijayaraghavan plays two characters who nicely add to the mystery of the overall tale. Then we have Tovino Thomas, Sunny Wayne and Dulquer Salmaan in some big cameo roles, and a few more are also shown, Soubin Shahir, Balu Varghese, Ahaana Krishna, Santhy Balachandran and Vijay Menon.

How it finishes :: As the first installment in a new cinematic universe, this one is a classic beginning. If Minnal Murali was a lighter version of a beginning of a possible large cinematic universe like Marvel, this one here is more like that early version of DC Universe with The Flash, Aquaman, Wonder Woman, Man of Steel and others. Unlike the Tovino-starrer of 2021, the danger here is more felt, and while the villain there was a man of circumstances, we see antagonists as personification of pure evil. With people more wronged in further violent ways, redemption here is not attained by saving a village. There is no lightning striking people to make people better here, as the superpowers are attained by sacrifices. With all the action, classic flashbacks, visual spectacles and added humour with memorable character ready to spawn more sequels, this is one movie that truly begins a perfect superhero universe in India. This is something I had wished for when I watched the Indonesian superhero movie Gundala which was followed by many sequels to extend it. This Onam, it is an honour to watch this one, our newly found prestige on the big screen.

Release date: 28th August 2025
Running time: 149 minutes
Directed by: Dominic Arun
Starring: Kalyani Priyadarshan, Naslen K Gafoor, Sandy, Arun Kurian, Chandu Salimkumar, Nishanth Sagar, Vijayaraghavan, Shivajith Padmanabhan, Nithya Shri, Sarath Sabha, Anna Ben, Tovino Thomas (cameo), Sunny Wayne (cameo), Dulquer Salmaan (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Officer on Duty

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Vampire Owl: How many officers do you know?

Vampire Bat: Not many vampire officers.

Vampire Owl: We would need to appoint a few.

Vampire Bat: You think that an increase in vampire officers can solve ongoing crisis.

Vampire Owl: I do not see why not. The numbers do matter.

Vampire Bat: Not in all cases, for quality is also needed.

Vampire Owl: You can teach quality to the numbers.

Vampire Bat: There is a limit to what we can teach.

Vampire Owl: Not for the immortals. They have an eternity to learn.

Vampire Bat: There is no eternity that we do not know well enough.

[Gets a vegetable cutlet and three cups of Sikkim tea].

What is the movie about? :: It is seen that CI Joseph Chembola (Jithu Ashraf) commits suicide in Bangalore under the influence of a group of drug addicts and dealers, much to the dismay of the police force. The case does not seem to reach everywhere even though a certain mystery seems to go through the same. A few months later, back in Kerala, former DYSP and demoted into CI R Hari Shankar (Kunchacko Boban) gets back to action in the Aluva Police Station. He has not been himself since the death of his elder daughter Nila Harishankar (Meenakshi Anoop), a case of suicide which had sent him to a long period of depression. He remains very angry, and ready to beat up goons, or anyone who breaks the laws. His wife Geetha Harishankar (Priyamani) and younger daughter Minnu Harishankar (Eithal Evana Sherin) are very much concerned about his behaviour but can do nothing about him.

So, what happens with the events here as we just keep looking? :: It is then that Chandrababu (Jagadish), a KSRTC Conductor, has a complaint, but this particular problem related to an imitation gold chain seems to have further implications, and gets things more complicated enough to make it personal for Harishankar, contributing to the tension of his friends in the police force including DYSP Shahul Raj (Vaisakh Shankar) and his other friends like Advocate Rekha Chandrasekhar (Muthumani). It seems that these situations will remind him of a few things from the past he does not want to remember and can lead to those kinds of twists that nobody wants to see happening. But it is too late, as Harishankar finds out that Chandrababu’s daughter had replaced the gold chain with an imitation after being sexually exploited by an unknown man to prevent any further blackmailing over her nude video.

And what complicates things further within chaos? :: As Harishankar asks Chandrababu and his daughter to file a POCSO case as she is a minor, she responds by committing suicide and Chandrababu blames Harishankar for the same. As media also blames him, he is taken off the case but decides to keep searching for answers. He meets ASI Thomas (Manoj KU) who was in prison for the murder of the man who sexually exploited his daughter, and it is revealed that it was Harishankar who murdered the man, and Thomas only took the blame on himself as his daughter was also drugged and raped by the same person. Harishankar is unable to connect the links, but on the same night, Thomas is visited by Christy Savio (Vishak Nair), Celine Joan (Leya Mammen), Anna Louis (Aishwarya Raj) and Sathya Mithiran (Vishnu G Varrier), who claim to have studied with his daughter. But soon, it would seem that they have other intensions – where would this lead Harishankar with a new twist?

The defence of Officer on Duty :: It can be seen that Officer on Duty is one movie that stands tall with its realistic approach and some wonderful performances, led by Kunchako Boban himself in a role we do not usually see him working with. He remains solid within the movie as the police officer on a mission. Jagadish’s return to serious roles like he did in Garudan, Neru etc once again leaves us with something to remember. Vishak Nair’s entry into the antagonistic role feels like something that we would remember for a very long time. Among the rest, it is the debutant Aishwarya Raj who impresses like no other, and the sinister feeling that her character provides has no match among female villains of our industry. Leya Mammen matches the evil up to an extent, even though the character is focused more on an emotional vengeance. Priyamani and Meenakshi Anoop have less to do but manages to be of significance.

Positives and negatives :: The ending might feel forced but is justified well enough to finish the whole thing. It might not feel as something entirely new, but with the technical superiority, it scores like no other. The presence of some strong and interesting antagonists keeps the movie get to an even higher level. The movie also leaves as message against drug abuse, something which have been in the main news and having all schools and colleges forced to do some awareness campaign against the substance abuse which has been turning into bigger problems. Even though there are clear antagonists, it is to be known that the true villain is the drug abuse itself. This might be one of those movies which can be shown during drug awareness campaigns in parts. This is also that kind of a movie which deserves a sequel.

How it finishes :: It is not that easy to find a performance-driven thriller like this one. We still had some fine investigative thrillers last year in the form of Ozler, Anveshippin Kandethum, Thalavan, Anand Sreebala and others which have kept us very much interested in more. This year, we have this particular flick which follows the fine seriousness of Rekhachithram with ease. This year also needs to be a year of the thrillers, as Malayalam cinema has always provided the best of them. The world needs its Memories and other movies with imperfect and troubled police officers. The quality of thrillers like this one will stay with us for long for sure. The movie does seem to have come to the OTT too early, and one wonders if it is the release of Lucifer 2: Empuraan that led to that early entry to the theatres of home.

Release date: 20th February 2025 (Theatre); 20th March 2025 (Netflix)
Running time: 137 minutes
Directed by: Jithu Ashraf
Starring: Kunchacko Boban, Vishak Nair, Jagadish, Priyamani, Aishwarya Raj, Leya Mammen, Meenakshi Anoop, Amit Eapen, Eithal Evana Sherin, Vaisakh Shankar, Vishnu G Varrier, Srikant Murali, Manoj K U, Ramzan Muhammed, Arun Raj, Jithu Ashraf

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

L2: Empuraan

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Vampire Owl: So, finally we have a sequel to Lucifer.

Vampire Bat: This has surely been the one movie hyped more than any other.

Vampire Owl: Well, I remember waiting for an eternity.

Vampire Bat: When a vampire calls a time period and eternity, that should be long.

Vampire Owl: There has been so much of talk about this that it feels like an eternity.

Vampire Bat: Well, it was the biggest movie of its time, so that is indeed natural.

Vampire Owl: So, are we looking for the biggest grossing Malayalam movie of all-time?

Vampire Bat: I don’t see why not. The movie that holds that position now do not deserve the title.

Vampire Owl: Yes, that was a movie with zero content.

Vampire Bat: We will never understand how that strange movie of jobless youngsters on a trip managed to get that much of attention.

[Gets an egg puffs and three cups of orange tea].

What is the movie about? :: The movie starts in the year 2002, a flashback of events during a communal event where the innocents are killed, and murders happen without remorse. In between, we see a Muslim family taking refuge in the home of Subhadra Ben (Nikhat Khan), a local political activist and member of a royal family. They feel that they are safe when within this stronghold, but it would soon be revealed that they are wrong. The nephews of the same person would take hold of the situation and brutally attack and murder everyone whom she had provided refuge to, also killing her in the process. The two men involved, Munna (Sukant Goel) and Balraj (Abhimanyu Singh) get the crowd support as well as the support of the political party that found its roots stronger with this riot, and they find themselves good enough to be major part of the same political party, while the scars of this situation remain in the minds of everyone.

So, what happens with the events here as we just keep looking? :: Back in Kerala, the Chief Minister and the head of Indian Union Front (IUF) Jathin Ramdas (Tovino Thomas) struggles to keep things going due to him being investigated upon by multiple intelligence agencies for money laundering and financial scams. It is then that a new opposition party, Akhanda Shakthi Morcha (ASM), with its roots in North India, gains prominence in Kerala under the leadership of Sajanachandran (Suraj Venjaramoodu). Jathin seeks the help of the new force in Kerala, as he feels that the central investigative agencies could help him escape from the cases going on against him. At the same time, Priyadarshini Ramdas (Manju Warrier) fights against the dam which has come up at Nedumpilly, from where her family has seen growth within the political party. She sides with the common people there, much to the dismay of Jathin who finds himself on the other side.

And what more happens here to add to the chaos? :: Meanwhile, Stephen Nedumpally (Mohanlal) has not been around in Kerala for quite a long time as he has been focusing on handling the bigger businesses under the name Khureshi Ab’raam, with the help of Zayed Masood (Prithviraj Sukumaran) and other loyal companions. The incidents back in Kerala does not seem to concern him anymore, much to the dismay of Govardhan (Indrajith Sukumaran), Father Nedumpilly (Fazil), Murukan (Baiju Santhosh), Aparna (Shaun Romy), Murukan (Baiju Santhosh), Sanjeev Kumar (Giju John), Arundhathi Sanjeev (Nyla Usha) and others. Meanwhile, MI6 agents like Boris Oliver (Jerome Flynn) and Michele Menuhin (Andrea Tivadar) are on the hunt for the Khureshi gang. But there is another gang from Africa involved, as things get more complicated. But the two gangs might not be all that Stephen should be worried about. Can he handle his multiple problems well enough? Or will God’s Own Country fall to a new world order too?

The defence of L2: Empuraan :: The second part of Lucifer seems to keep a quality in the making that is beyond the usual films that we come across. With Mohanlal and Prithviraj Sukumaran, Tovino Thomas also steals the show, and it is sad that we won’t see his character anymore. Suraj Venjaramood comes with a strong performance and so does Abhimanyu Singh as a villain to be noted, except for the last few minutes. The visuals are just too good to forget, and we will remember a few moments for how well it was shown on the big screen. One would feel that this kind of a spectacle might not be made in Malayalam cinema any time soon, which justifies so many people watching it on the big screen only. Some of the classic shots remind us that we are watching something beyond the usual, showing the quality like never before in Malayalam industry. The stage for sequel is nicely set, and we would feel that it would surely be a better one than this. The feeling that there is something beneath all of these remains around.

The claws of flaw :: The movie often forgets the most important factor, that of telling a story in a believable manner while trying to make it feel bigger and international. In the process, it wastes some of its main characters. Mohanlal arrives rather late, and Prithviraj comes like two hours later. Manju Warrier’s moments would have been better if it was part of the first movie, but in this one, it seems repetitive and forced. The worst part comes when there are so many subordinates with guns and the hero decides to do the fight so many people himself. Almost all the fights are rather too long and slowed down further with slow-motion sequences. Other seemingly important characters like the ones played by Andrea Tivadar just walk around in this movie dominated by male heroes and villains. Indrajith Sukumaran and Saniya Iyappan should have had bigger roles, but that was not to be. The same is the case of Baiju Santhosh. It is to be noted that unlike the first movie, there is no dialogue here that we will remember, and have to look back to the original for the same.

How it finishes :: L2: Empuraan has proven to be strong sequel to a movie which made the difference like no other. It depends on the first film to extend the impact and keeps itself in a struggle to make the canvas a lot bigger. It is successful in making the whole thing feel bigger, but not that bigger in the quality of content. The mystery of the main character has already been revealed, and in this one, he is too powerful to be in any kind of danger and for us to feel for the person. As a treat for the fans, and for the high quality making, this would stay on for longer. The success of this movie is a certainty and we hope that it would get more collections than the movie which leads the list of Malayalam movies which managed to get the highest collections. The effort that has been put in here would need our appreciation, and it deserves to be at its top. We would be waiting to see how far it goes after breaking all records.

Release date: 27th March 2025
Running time: 180 minutes
Directed by: Prithviraj Sukumaran
Starring: Mohanlal, Tovino Thomas, Manju Warrier, Prithviraj Sukumaran, Indrajith Sukumaran, Andrea Tivadar, Saniya Iyappan, Jerome Flynn, Suraj Venjaramoodu, Fazil, Sai Kumar, Sukant Goel, Baiju Santhosh, Nandhu, Nikhat Khan, Sachin Khadekar, Eriq Ebouaney, Shivaji Guruvayoor, Aneesh G. Menon, Manikuttan, Nyla Usha, Giju John, Satyajit Sharma, Oziel Jivani, Aishwarya Ohja, Nayan Bhatt, Shubhangi Latkar, Alexx O’Nell, Mikhail Novikov, Murugan Martin, Behzaad Khan, Sshivada, Jaise Jose, Shaun Romy, Antony Perumbavoor

<<< Click here to go to the previous review.

<<< Click here to go to the previous Malayalam review.

<<< Click here to go to the previous thriller review.

<<< Click here to go to the previous visual extravaganza.

@ Cemetery Watch
✠ The Vampire Bat.

ARM

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Vampire Owl: What do you know about the Vampire Arm?

Vampire Bat: This is not really about the Arm of the Vampire.

Vampire Owl: I do know about the secret nuclear weapon known as the Vampire Arm.

Vampire Bat: We are certainly not talking about that magical weapon right now.

Vampire Owl: It was invented by Doctor Frankenstein, right?

Vampire Bat: It is a thing of magic, not science.

Vampire Owl: Mr. Frankenstein missed that opportunity, I see.

Vampire Bat: There is nothing special that a pseudo-doctor can do.

Vampire Owl: You should not disrespect the greatest scientist of our world.

Vampire Bat: Well, he is not even a vampire.

Vampire Owl: We are a free society with a policy of inclusion for all.

Vampire Bat: We are unlike humans who are divided by caste, race, religion and more.

Vampire Owl: I heard that this movie also has similar elements.

Vampire Bat: Well, the division has been with humans all the time.

Vampire Owl: They never had hesitation to even kill their own people.

Vampire Bat: I cannot wait to see the hate displayed in this particular film.

Vampire Owl: There is the certainty of hate when humans are around.

Vampire Bat: And here we watch our first theatre movie outside Kerala.

Vampire Owl: So, you mean to say that Birla Planetarium will not count?

Vampire Bat: That never counted as a real movie.

Vampire Owl: What about that show in Science City?

Vampire Bat: That was never a regular film.

Vampire Owl: We should have watched that Bengali film in Kolkata.

Vampire Bat: Well, we did have just enough time, but not the support of fate.

[Gets a box with caramel popcorn and three ice creams and moves into theatre].

Vampire Owl: The strength of fantasy is displayed so well.

Vampire Bat: The three main characters belonging to three different time periods are portrayed well.

Vampire Owl: Yet, there could have been more focus on the first one, which ends too quickly.

Vampire Bat: Fantasy was to take root and spread during that time, but was not to be seen.

Vampire Owl: Fantasy has not limits, I would say, as we have seen where it has led Hollywood and gained followers from all ages.

Vampire Bat: We are the fans of the genres in other languages, and now we have one of ours executed well.

Vampire Owl: And that too without too much of heroism attributed to the main character.

Vampire Bat: The last character does remind us of someone we might usually see with the helplessness and troubles following him.

Vampire Owl: Well, they have made a fine mix, it seems.

Vampire Bat: It also seems to have borrowed elements from some folk-tales.

Vampire Owl: I have also seen the power of myths and legends on display here.

Vampire Bat: The magic has its own way of dealing with things. Sorcery is often the common part of these worlds.

Vampire Owl: The action is too good, especially with the visuals in support.

Vampire Bat: I am doubtful whether someone other than Tovino could have managed this so well.

Vampire Owl: The three roles and middle one stands out above the rest.

Vampire Bat: And among the leading actress, Surabhi Lakshmi comes out on top.

Vampire Owl: All of a sudden, this became the right fantasy movie.

Vampire Bat: Something to rise above the combinations of myth and history that we have already seen.

Vampire Owl: This is what Odiyan could have been.

Vampire Bat: Even Kayamkulam Kochunni and Mamangam could have been like this.

Vampire Owl: Well, they did not have Tovino for sure.

Vampire Bat: Tovino has been continuously evolving as an actor; we know Minnal Murali well.

Vampire Owl: The romantic side goes through a weaker journey though.

Vampire Bat: That makes the fairy-tale element go out of the equation.

Vampire Owl: Still, this is a “once upon a time” story.

Vampire Bat: Yes, with focus less on the story and more on the rest. There were times when we wondered that this would be a reverse fairy-tale.

Vampire Owl: There are many things that this movie reminds me about, and those reminders are not limited to movies.

Vampire Bat: The computer games are some of them. As long as we remember Prince of Persia and Tomb Raider series which are also movies now. There were more advanced in traps in science fiction movies too.

Vampire Owl: These kinds of traps are rarely seen in Malayalam movies. It seems to show the further evolution of Tovino into something more than the usual action hero of our times.

Vampire Bat: This is an evolution in the right path.

Vampire Owl: We were limited to watching such traps in Hollywood movies only, and now there is the change.

Vampire Bat: Still, one is left with the feeling that there could have been even more.

Vampire Owl: Yet, it works so well as a risky attempt with effectiveness. We do not see that much courage these days among our film-makers.

[Disappears into the darkness of the day with clouds bringing the cover, as drops of rain slowly started pouring down].

This is the YouTube video with the fourth film review there. The video reviews have had the focus by attracting more viewers, and tries to make interesting comments about the selected movies. The writing will also go on through its path, but the visual side also has its say more than ever, as the YouTube channel “Scholar Nomads” intends to explore more areas of interest. For both blog and vlog, there will be film reviews and even more to be seen with new styles.

Release date: 12th September 2024 (Theatre – Onam Release)
Running time: 142 minutes
Directed by: Jithin Laal
Starring: Tovino Thomas, Krithi Shetty, Aishwarya Rajesh Surabhi Lakshmi, Basil Joseph, Aju Varghese, Jagadish, Sanju Sivram, Pramod Shetty, Kabir Duhan Singh, Madhupal, Santhosh Keezhattoor, Rohini, Harish Uthaman, Nisthar Sait, Biju Kuttan, Sudheesh, Parvathi T

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Thalavan

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Vampire Owl: So, you are going to do a video film review this time. How did we come to that from all the series of long writings which never seemed get even close to finishing?

Vampire Bat: Well, the YouTube channel has started. More videos are to be done. Otherwise, we will be left far behind.

Vampire Owl: So, something related to cinema has to be done?

Vampire Bat: Yes, we have travelled through other areas of interest already. There should be no area where we cannot touch.

Vampire Owl: So, the channel, Scholar Nomads has gone through multiple worlds? The different realms where strange creatures thrive?

Vampire Bat: It is interdimensional. It talks not just about cinema. The YouTube channel is like a creature of multiple worlds seeking energy and sustaining in all of them.

Vampire Owl: I am assuming that there is a lot of travel involved. You have been the best-known vampire traveler in our history.

Vampire Bat: Well, travel has always been a top priority among video makers. There is just no time travel in this particular channel though.

Vampire Owl: I am also confident that it will have literature. What is a Vampire Bat without language and literature in any form?

Vampire Bat: Yes, literature, as well as food journeys and cooking are part of it. I am still extending my world as we know it.

Vampire Owl: Well, I agree to the fact that you deserve more support. You have worked hard in the online human world for so long.

Vampire Bat: I am not going to get that because there are too many celebrities out there. Whatever they do, they get the support, and even if they do nothing, they gather the same.

Vampire Owl: I know a few computerized vampires through Uncle Dracula. We will try to get some subscribers and regular viewers.

Vampire Bat: There have not been enough vampires in the cyber world to be of support to an undead cause – not even Dark Elves could gather that.

Vampire Owl: You have been a faithless vampire for rather too long. You should understand that this goes against our ideology of faith, belief and hope.

Vampire Bat: I am just having some travel fatigue just like last week. I was almost dead last week and had to use two and half coffins for rest.

Vampire Owl: You traveled from one castle to the other within one forest which makes less than twenty-five kilometres.

[Gets a vegetable samosa and three cups of masala tea and moves into theatre].

Vampire Owl: This is undoubtedly a fine movie. It deserves more audience than it has managed to have in these theatres.

Vampire Bat: I am sure that this is better than the other bigger grossing films which have come during this leap year.

Vampire Owl: Those movies run due to superstars or fake word-of-mouth. Some people manage to turn the fake side to something more.

Vampire Bat: It is a shame that 2018 is no longer the highest grossing Malayalam movie. It had always deserved to stay at the top as one movie that is close to human hearts, inspiring them to survive against all possible odds.

Vampire Owl: And it is further shame when we understand what kind of movies overtake it in a disappointing manner – a terrible beauty indeed.

Vampire Bat: Then we have those mindless action, comedy and romance doing well. This seems to be the pattern this year.

Vampire Owl: Well, human taste has gone down the drains these days.

Vampire Bat: But at least we can support movies like this, and Anveshippin Kandethum and Abraham Ozler – two thrillers which will stay in memory for long. Then there are those even older thrillers which have made a mark, a group led by Memories and Drishyam.

Vampire Owl: Yes, this is a movie powered by performances. The thrillers have seen the best performances in the last few years.

Vampire Bat: Biju Menon and Asif Ali have done some really good job as the protagonists. They play two police officers who are not perfect, but are indeed straightforward. They have their egos and cannot stand each other, but need to come together in the end to solve a case, or it will cause the worst for the department itself.

Vampire Owl: Then they are not superhero-like officers who randomly beat up everyone because the dumb fans will like to see that.

Vampire Bat: And the supporting cast is a nice one, and unlike those big grossers, women also get something to do around here. Those big grossers had denied the existence of actresses. Then there are those superstars who seem to deny the existence of everyone else.

Vampire Owl: Then the twists are so well-managed, for we would not guess them that easily. And the final twist works even better. The villain is not someone whom we had expected, as so many other suspects were there to be taken.

Vampire Bat: Well, we are given those red herrings, and the divergence that comes in between works like a dream.

Vampire Owl: Thrillers in Malayalam have always deserved better due to their grand quality and memorable serial killers; more accolades would do.

Vampire Bat: Well, humans relate to strange things which are less real than we are. They do not realize the evil within them and the inherent terror.

Vampire Owl: They are strangely addicted to romance, drugs and alcohol, considering them to be forever to guide their lives.

Vampire Bat: Can you blame them when so many films show these terrible things to be feared as things of greatness?

Vampire Owl: They will need a cautionary warning to be displayed every time. These humans are too young a species to know. In a few centuries, if they continue to exist, they will know more about all of these in detail.

[Disappears into the darkness of the night because both are more nocturnal than ever].

This is the YouTube video with the first film review there.

Release date: 24th May 2024 (Theatre)
Running time: 131 minutes
Directed by: Jis Joy
Starring: Biju Menon, Asif Ali, Miya George, Anusree, Joji John, Dileesh Pothan, Jaffar Idukki, Shankar Ramakrishnan, Ranjith, Kottayam Nazeer, Bilas Chandrahasan

<<< Click here to go to the previous film review.

<<< Click here to go to the film review before that.

@ Cemetery Watch
✠ The Vampire Bat.

Abraham Ozler

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What is the movie about? :: ACP Abraham Ozler (Jayaram) spends most of his time hallucinating and has sleepless nights after his wife Maneesha Ozler (Anju Kurian) along with their daughter are kidnapped and brutally murdered by a drug addict named Vineeth Ram (Arjun Ashokan), whom he had earlier apprehended in a narcotics case. Vineeth does not hesitate to reiterate the fact that he was under the influence of drugs and killed both of them. Yet, he does not reveal where he buried the bodies and keeps saying that he is not able to remember as he had a heavy dose of drugs. Ozler still continues to be in the police force even though he is not of the same strength and sanity that he used to be. Counsellor Varghese Uthup (Sai Kumar) asks him to get himself busy or the hallucination and insomnia will only get worse. It is then that a young man working in the IT field, Naveen Sivakumar (Harikrishnan) is brutally murdered in the hospital after being hit by a pick-up truck. Maya Naveen (Darshana S Nair), his wife, finds him dead in the hospital room with a note saying Happy Birthday and a note.

So, what happens with the events here as we just keep looking? :: Ozler, supported by SI Divya Sreedharan (Aryam Salim) and SI Sijo Venu (Senthil Krishna) takes over the case. They understand that this hospital was the only place where the victim would have ended up after the accident, and it was really the day on which he was born. As they start with the investigation, another man is murdered in a similar pattern in another hospital, but this time it is a thug who usually gets into fights. He is also left with a similar note where he was murdered. The third murder also takes place without delay, and this time, it is someone who runs a successful restaurant business – the hospital chosen here is different, but the pattern remains the same. The media calls the murderer by the name birthday killer, as Ozler and his team continue to search for possible answers. Whenever they seem to come very close to finding the answer, they realize that it is a dead end.

And what more is there to be seen here with a killer on the loose? :: They understand that the quotes which are given by the killer are from a Latin phrase related to medicine which could be seen in only one area in Kerala, and they reach the Kozhikode Medical College. There is also the understanding that the murders were committed by someone who had medical skills, but not someone who has been practicing regularly as asserted by Dr. Satheesh Madhavan (Anoop Menon). Everything seems to point to the medical college and a number of students there, among which Suja Jayadev (Anaswara Rajan) had committed suicide. From all of these, they find Dr. Sevi Punnoose (Jagadish) as the next potential victim, and he seems to be least bothered about it. A man who underwent surgery at the same hospital, Krishna Das (Saiju Kurup) seems to be missing, and they feel that he might have a role in the murders. But he is not a man who is capable of doing all of these, and the police officers know that death awaits more people and they have no time to waste. Can they finish the investigation in time and bring and end to this sensitive case with no more lives lost?

The defence of Abraham Ozler :: Our world of thrillers is strong, as proven by Drishyam and its powerful sequel, and Abraham Ozler gets a chance to be part of that list. This movie’s ability to keep the audience so interested and engaged from the beginning to end needs to be appreciated – it never asks for the unrealistic from its main characters either. The dark shades are used to its advantage, and the power going off becomes the foreshadowing with ease. Even with many things tried by the same director in Anjaam Pathiraa, this movie is a clear improvement from that one which had a struggling flashback and weaker ending in comparison to Abraham Ozler. The visuals are very good with a dark and gory feeling provided all the time – there are almost no moments of positivity in this one. This movie is also an improvement on the struggle for heroism that the earlier thriller Garudan seemed to possess. The background music further powers our movie here so well – it keeps us immersed in the overall mood of the film, and we are left excited all the time. The emotional side has the power to keep the interesting going too.

Positives and negatives :: The movie could have released during the Christmas holidays, and if that happened, it could have given Neru a challenge which would have helped the audience to be in a full celebration mood, but surprisingly this one backed out despite having everything to make that challenge which would mean healthy competition. This feels like the right holiday movie with all the thrills that it provides. The characters of Anju Kurian and Darshana S Nair gets too less presence in the movie, and we hope that the former can come back for more in a possible sequel. The same can be said about the big names, Sai Kumar and Anoop Menon. The extended cameo becomes the big thing in the movie, even though one would not have wanted the secret to be out too soon. A little bit of predictability comes in with the flashback, and it should not have been this long or detailed, as we have an idea about it from the present situation itself. The serial killer motive remains similar this time too.

The performers of the soul :: This movie means that Jayaram’s run without making impression in new releases have come to an end, for his last best movies were Lonappante Mamodeesa and Panchavarnathatha, both of them not having the quality to live up to the actor who made our childhood awesome. If I have to go back to a movie with him as the solo hero which I really liked, that would be a long way back in the form of Nadan which released in 2013, even though Makal did make some impact in old style. This time, he is just brilliant in this role, as we see the character of the trouble police officer safe with him, and we know that there is more to come in a possible sequel. Mammootty’s extended cameo makes the movie feel even bigger, even though the big revelation should have come only in the later stages. Anaswara Rajan shines in the flashback scenes, and there seems to be no going back for her. Arya Salim whom we remember the most from Minnal Murali, plays her police character incredibly well, and we have the best lady police officer in some time. Senthil Krishna does the same in another way, while Arjun Ashokan seems to promise to bring an even more interesting character in a possible sequel. Jagadish’s serious character once again has our attention here. Saiju Kurup scores well in between.

How it finishes :: Abraham Ozler is surely a better movie than Anjaam Pathiraa and somewhat ahead of the other thrillers like Forensic and John Luther. The last one might still have more similarities with this one than the rest, as in both cases, we have a troubled police officer tracing the murders back to medical students. Memories had the police officer who lost his wife and daughter, and could seek out the serial killer looking for vengeance, and the similarities end there, with this movie coming up with a twist in the end and setting up things for a sequel. Most people would feel that the sequel would do even better, as the film seems to end to point to its beginning, and has everyone thinking deeper. Abraham Ozler never hestitates to bring that mood of investigation with a serial killer lurking in the shadows – the feeling of danger is always there, and even when looking for revenge, there is always the indirect way of going through the same, leaving the red herrings further away. As the predictability only comes late, and with new twists to come, the movie remains engaging from the beginning to end, and we do not feel it to be long.

Release date: 11 January 2024
Running time: 144 minutes
Directed by: Midhun Manuel Thomas
Starring: Jayaram, Mammootty, Anoop Menon, Anaswara Rajan, Arjun Ashokan, Jagadish, Senthil Krishna, Arya Salim, Dileesh Pothan, Sai Kumar, Harikrishnan, Assim Jamal, Arjun Nandhakumar, Aneesh Gopal, Sreeram Ramachandran, Boban Alummoodan, Benyamin (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Kannur Squad

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Vampire Owl: We have taken a little too much of time to watch this one.

Vampire Bat: Well, as people say, better late than never.

Vampire Owl: I have heard that this is among the best of the year.

Vampire Bat: We have all heard a lot about this movie in a positive manner.

Vampire Owl: I hope it is not from some fan boys.

Vampire Bat: We do not talk to the human fan boys anymore.

Vampire Owl: It could be a vampire fan boy, like the Vampire Penguin.

Vampire Bat: None of the vampires are fans of any human.

Vampire Owl: I am sure that there are exceptions.

Vampire Bat: This movie itself is an exceptional one.

[Gets a Kadai chicken pizza and three cups of cardamom tea].

What is the movie about? :: ASI George Martin (Mammootty) and his team of CPO Jayakumar P. Vasu a.k.a. Jayan (Rony David Raj), CPO Jose Skaria (Azees Nedumangad) and CPO Muhammed Shafi T A (Shabareesh Varma), popularly known as Kannur Squad go on a search for some political goons in the forests of border area between Kerala and Karnataka, only to find a partially decayed body hanging from a tree. Even though the first idea is to leave it as a suicide, George is not ready to leave it behind. His idea is that this not a random suicide. They are able to find the culprit with ease, but is struck by the allegation against Jayan for working with sand mafia, seemingly ending the Kannur Squad with a certain amount of unexpected dishonour. But when an NRI businessman from Kasaragod named Abdul Wahab (Manoj K U) is murdered with no clue to be found, the police officers are forced to bring them back, as the other team of Kannur Squad is on a mission in North India.

So, what happens with the events here as we just keep looking? :: Krishnalal T K IPS (Vijayaraghavan) finally agrees to have them investigate the case in ten days as SP Manu Needhi Cholan IPS (Kishore) also supports them after reading about them. By tracing the calls, they get to Riyas (Deepak Parambol) who had supplied the sim cards on his name. They understand his role in the robbery and murder, while also figuring out that there is involvement from people outside Kerala. But the other people involved could not be found out as they seem to have reached safe havens in the north of India. Farha (Afsana Lakshmi), Wahab’s daughter who was brutally beaten up and sexually assaulted, provides them with better details of what happens during the night and one of the assailants in revealed to be Ameer Shah (Arjun Radhakrishnan) who gave his name before strangling her father in front of her. Kannur Squad also gets an image of Ameer from social media and the search leads them to Mumbai. But it is still to be found if the investigation can be finished in ten days.

The defence of Kannur Squad :: The movie goes through an interesting set of proceedings from the beginning itself, and some fine music supports the same at all times. There is no moment in the movie which is not interesting, and we become part of the whole thing as the journey proceeds from one place to the other, from one end of the nation to the other. All of the performers seem to be perfectly chosen for their respective roles, including those who do not speak Malayalam – the choice of cast is one of the best things about this particular movie. There are moments that we remember, and some of them are there to stay for a longer period of time. As the fans of the mass masala avoids this movie, we can watch this one in peace, and hope for more of similar films to come. The emotional side do appeal to us, even though there is no overdose of emotions to make melodrama come forward. The movie focuses on the essential, and not the exaggerated, and it is the beauty of the world that has been created here – you feel that the police universe here is real, and not the unreal chaos that we see in Bollywood. Among the best of realistic police works, Kannur Squad is here to stay.

Positives and negatives :: The movie could have surely had more interesting moments in between in relation to the villains and their journey, but we have the police officers’ journeys nicely documented through some fine visuals. The determination of the righteous police officers and the difficulties that they come across on the way can be seen in a realistic manner rather than in the exaggerated ways which are often preferred by industries like Bollywood. A little bit of mass moments is added only in the end, but that would also be limited to suit the realistic nature of the film. The ending nicely finishes all things well. Maybe, they could have added some moments from back home by the end, but they have done well without it. The idea of the squad itself is inspired by a real-life police team of the same name, which makes the investigation even more interesting. The real-life police officers who investigated similar cases were also contacted. The shooting locations also stay close to the incidents and the journey feels very much real.

The performers of the soul :: Mammootty leads another fine team of police officers, and he does the job with ease, as he has always done, whether it was about brutal power as shown in Christopher or something classic in nature. His character would remain an iconic one here to be remembered for long, along with the squad itself. Rony David Raj plays another fine police officer here, as he continues the good form in similar roles. It is also nice to see Azees Nedumangad in a serious role, and he does his police role incredibly well – coming out of the usual in Star Magic, he has been doing so well in films these days. The team from that show of Flowers will have our attention at all times. Shabareesh Varma makes the next police officer really well, and blends into the team nicely. Kishore’s police role is also notable, while Vijayaraghavan plays the veteran police officer job with ease. Sunny Wayne and Shine Tom Chacko has small cameos to add to it. The women do not have much to do in this film, but the notable performance here is from Afsana Lakshmi who surely has a bright future in front of her. The villains led by Arjun Radhakrishnan and Dhruvan leave a mark with their remorseless and brutal presence with villainy.

How it finishes :: When talking about police investigations which keep close to a realistic mode, Operation Java is the only other film that seems to bring some comparison as relevant. Related to Mammootty and his team of policemen, that would be Unda that would call for the comparison. The visuals keep us going as much as the controlled emotional side and procedure of investigation. The movie’s journey to one of the highest grossers in Malayalam movie industry is very much justified, and as 2018 and RDX: Robert Dony Xavier have already done so well, the year has been a fine one. As we welcome the new year, we look forward with hope for an even better 2024. As of now, I wish you a very happy new year, and hopefully, this will be the one grand year to look out for. Maybe we are hoping for no reason, but that is what we do for every new year. Then we also wish to watch more movies which will stay with us for long.

Release date: 17th November 2023 (Hotstar); 28th September 2023 (Theatre)
Running time: 161 minutes
Directed by: Roby Varghese Raj
Starring: Mammootty, Rony David Raj, Azees Nedumangad, Shabareesh Varma, Kishore, Vijayaraghavan, Sunny Wayne, Arjun Radhakrishnan, Dhruvan, Sarath Sabha, Afsana Lakshmi, Manoj K U, Resh Lamba, Nalneesh Neel, Ankith Madhav, Sivadas Kannur, Mullai Arasi, Sajin Cherukayil, Shebin Benson, S P Sreekumar, Manohar Pandey, Susmita Sur, Saraswat Pandey, Gibin Gopinath, Benzi Mathews, Seju K Eapan, Anoop Trivedi, Avinash Pandey, Catherine Maria

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<<< Click here to go to the previous thriller review.

<<< Click here to go to the previous realistic thriller review.

@ Cemetery Watch
✠ The Vampire Bat.

Vela

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Vampire Owl: Are we going for another investigative thriller?

Vampire Bat: I am sure that this will not be the usual murder investigation.

Vampire Owl: There have been some interesting investigations in a short period of time.

Vampire Bat: Yet, this movie came out with less hype.

Vampire Owl: The trailer was pretty much interesting.

Vampire Bat: We would not have a serial killer here though.

Vampire Owl: I miss those serial killers a lot.

Vampire Bat: Humans can have millions of serial killers among them.

Vampire Owl: I would expect that with the evilest species ever created.

Vampire Bat: The devil has too many similarities with them.

[Gets an oreo shake and three cups of Bagdogra tea].

What is the movie about? :: Ullas Augustin (Shane Nigam) is a newly appointed civil police officer appointed at the control room, and he is someone who is determined to do his job very well, as his father was also a police officer who died only a few months before the end of his service. One day, he receives a call about a minor and his friends consuming drugs in his room – the information is passed on to the nearest police unit doing patrol. It is the boy’s father who made the call, and Ullas understands that this case might ruin the minor’s life – he asks them to escape, but the police officer in pursuit, Mallikarjun Mannar (Sunny Wayne) has already reached the place and started chasing the boy. Mallikarjun abuses Ullas through the transmitter and from the very next day, it is heard that they boy has gone missing. Ullas finds himself on the receiving end of a suspension order. But that does not stop Ullas from searching for the boy, whom he feels that Mallikarjun kidnapped or murdered to help his partners in crime who deals with the drugs.

So, what happens with the events here as we just keep looking? :: The only police officer who seems to care about him is SI Ashok Kumar (Sidharth Bharathan), and he asks him to get back to the control room, as he is the only person who is serious about the work. He decides to get back to work, but ends up with strained relations with Smitha Varadarajan (Namritha MV), who hopes that they can get married soon. Ullas is only concerned with providing justice to the missing boy, and finally decides to get back to the control room with all the evidences that he managed. But he would not be able to get an audience with higher ranking officers. At the same time, Manapullikavu Vela is the annual festival of the area is all set to take place. The festivities have the whole area of police officers distracted, and Mallikarjun, despite being part of the Vela, decides to teach Ullas a lesson with the help of his goons and police officers who are under his control. Can Ullas go beyond all these problems and help the boy’s father receive justice at some point of time?

The defence of Vela :: Here, we can see an attempt to move beyond the usual plot, and the narrative is really effective. The movie is not the usual police action masala and neither is it the police procedural stuff. The unpredictability is maintained at all times, and the stylish side is kept to an optimum level, never overdoing the same. There is never the overdose of elements to exaggerate the presence of the protagonist and the antagonist. The initial scenes have us interested in the film, and the interval is shown at the right point. The aesthetic side guides us well, as we see the beauty of the place with night making it even better with the shades of darkness with some fine colours added. The emotional side of the movie remains effective, and the helplessness against the system is shown with full strength. It shows how the common man, even with a police uniform is not able to make an impact to bring the truth to light. There is also a certain amount of casteist and racist angle being shown around here, as the antagonist attempts to thrive on his roots from many years ago. The dialogues are as much effective as the other elements.

The claws of flaw :: The movie is too long, stretching beyond the two and half hour border when we add those advertisements to the time we spent at the theatre. The length negatively affects the film in totality more than expected. There is some struggle to reach that end, and we feel that some parts should not have been extended too much. Some parts of the movie just seem to have been added to be present there as an extra addition, yet does nothing much. There could have also been more exciting moments here. There could have more control room calls and solutions to be shown here, and some cases where the unexpected happens, with better touch of humour or elements of possible terror that could only be stopped with that particular call. The romantic side remains very less explored too. The ending should not have been this quick either, as something more should have been told about what happens after that finish. The possibility of continuity that is seen in the end could have got a better touch. The music remains somewhat effective.

The performers of the soul :: Shane Nigam who had the biggest hit of Kerala’s grand festival in the form of RDX: Robert Dony Xavier, makes his mark again, and seems to be perfectly suited in the role of the youngster hopelessly trying to bring out the truth. His helplessness and angst while facing the supreme political and other faces of extreme power can be clearly seen here. His shades of excellence are often repeated through interesting moments. Sunny Wayne is a very admirable antagonist here, as he is one villain who has many shades of villainy. His dialogues remain very memorable, and he is clearly seen as the menace that we do not want to face. Sidharth Bharathan plays the third most important character in the film, and he has a much different avatar than we had seen him in, and he will also remain with us in the form of this character. Namritha MV, the new face leaves a lovely mark, and we expect to see her in more roles in future. We would have wanted to see her as part of the romantic side further, but the film remains focused on two main characters for most of its time. Aditi Balan’s small role will also be remembered for the timing itself.

How it finishes :: Vela seems to get less response at the theatres, but it is rather a strange thing because this is a classic story of unauthorized investigation with twists and turns having suspense maintained well at all times. The female characters in the movie could have had more screentime, at least the main heroine, and it could have been shorter with a smarter ending, but we know that this is one classic and mostly realistic tale about two sides of law and justice that never ceases to make us wonder what is going to happen next. The movie came without much hype, but has gained enough positive reviews to keep it going and gain the pace. After all, we have had our love for investigations before corona virus through Anjaam Paathira and Forensic, and the same effect has continued during these days too, as we have hoped for the police to do the right thing every time.

Release date: 10th November 2023
Running time: 148 minutes
Directed by: Syam Sasi
Starring: Shane Nigam, Sunny Wayne, Sidharth Bharathan, Aditi Balan, Namritha MV, Bipin Perumbilli, M Sajas

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<<< Click here to go to the previous non-Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.