Penguins of Madagascar

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Vampire Owl :: I have received a letter from the vampire penguin.

Vampire Bat :: What does it say?

Vampire Owl :: It says that he is happy to announce the release of Penguins of Madagascar, a movie that make all the undead penguins proud, and he wants us to watch it in the name of the Universal Vampire Brotherhood.

Vampire Bat :: But I have already watched it.

Vampire Owl :: What? Then why did I see no opinion?

Vampire Bat :: Because I delayed it so that there would be gap between the posts.

Vampire Owl :: It is totally unfair. Now as the Vampire Penguin has demanded it, I have to watch it alone. What happened to watching The Hunger Games: Mockingjay Part 1?

Vampire Bat :: Skipped it. Waiting for some inspiration for me watch it. Nobody has that much of an opinion and I have already read that book and has less hopes about this one.

Vampire Owl :: And then you watched the Penguins alone. A cruel move against me there.

Vampire Bat :: You can watch it with your zombie minions. It has some good ideas for owlification.

[Leaves for the bus stop].

The background :: Do you remember those penguins of the Central Park Zoo? Skipper, Kowalski, Rico and Private proved to be the smartest creatures around. They have been helping our heroes of the Madagascar series, Alex the lion, Marty the Zebra, Melman the Giraffe and Gloria the hippopotamus. We have had no option, but to love the penguins throughout the series. They have been too good, and it is clear that they always deserved a spin-off movie for themselves. Well, this is not just that spin-off, but also the sequel to Madagascar 3: Europe’s Most Wanted as the action continues from the circus itself as they go on to celebrate Private’s birthday. It is not really the continuation though, as Madagascar 4 is scheduled to be released on May 18th 2018, but as that date is too far away, lets be happy with this arrangement of the penguin characters for now.

What is it about? :: In a flashback, we see that somewhere in Antarctica, three little penguins, Skipper (Tom McGrath), Kowalski (Chris Miller), and Rico (Conrad Vernon), save an egg from seals and end up floating far away on an iceberg. The egg hatches and becomes Private (Christopher Knights). Back to the present, as they go to steal from the United Sates treasury to enjoy Private’s birthday after the events of Madagascar 3: Europe’s Most Wanted, the get caught by Dave (John Malkovich), an octopus who lives in the human costume of Dr. Octavius Brine after having to be transported from zoo to zoo due to new cute penguins coming. He is now looking for revenge on all penguin kind. As they try to escape, the Penguins are saved by a special force known as the North Wind, lead by, a wolf named Classified (Benedict Cumberbatch), a seal named Short Fuse (Ken Jeong), a polar bear named Corporal (Peter Stormare), and an owl named Eva (Annet Mahendru). Due to some differences, the two teams decide to chase the villain through their own paths; will they succeed?

The defence of Penguins of Madagascar :: Once again, just like the other movies of the Madagascar series, this is lots of fun. There are some genuinely funny moments in this one, and they are just meant for evoking the laughter, making this one a big fun ride, and people are certain to be entertained. The penguins as well as the special animal forces are admirable characters, and this is an opportunity for us to know those characters whom we liked a lot in the franchise in a much better way. The family audiences with kids are going to love this one, that is for sure, and might not want to miss this one. The moments which involve the meeting of the two groups as well as the same with the villain along with that moment when all three groups meet are hilarious. The message is also nicely given, about the appearance not being that much of a factor. Even as the movie doesn’t go on to be one of the top three animated movies of the year as expected, it is really a powered entertainer.

The Claws of flaw :: It is pretty much sillier even considering the fact that it is an animated movie, and the predictability factor is once again big. There is nothing like the final extravaganza that the last movie in the franchise had offered, and even in 3D, this one offers much less compared to what was expected. There are ordinary moments in the movie too, and there are scenes which are extremely dumb, and the presence of those moments which fail to click are also present here and there, but they can still be avoided. This one is also weaker than the three other Madagascar movies, all of which are worth an eighty five and above in the score. This movie actually feeds on that impact that those three movies had created, and ends up extending the fanbase of the franchise. There are moments which are just created for the sake of being there, and the plot never really shows much scope, ever. There is repetition, no doubt about it. There is a chance that this will make the penguins less interesting with too much attention given here.

Soul exploration :: The movie’s first attention is on brotherhood for sure. But it is not the major theme here, as it focuses more on appearances as we can see right from the beginning. The penguin named Private is actually considered to be too cute, and the others feel that the only thing that he can do is to distract the opponent for the rest to take the appropriate action. The same is the case of all four penguins as far as the other animals and birds are concerned – they think that the penguins are too cute to do anything strong and significant. Most of the people here base their assumptions based on the looks and nobody really cares to give these people a try. But everything would change in the end, and it is to this finish which says that appearance doesn’t define the quality or brilliance of a person that the movie strives to reach. It is the appearance itself that creates the villain here, and the movie focuses so much on the same. Penguins of Madagascar never retreats from that aim as we see the traits everywhere.

How it finishes :: The big surprise here was that this movie had shows at more multiplexes than The Hunger Games: Mockingjay Part 1. That was surprising because it was clear that it really is the movie that everyone want to watch, its popularity only matched by just another sequel which would be the last part of The Hobbit which is also coming up. I would guess that the multiplexes decided to go completely with the family audiences this time instead of choosing the movie which the youth have been waiting for so long to watch. It is the same reason why the movie has evaded me so far, and another reason is that I know the story and don’t find the first part of the book interesting; even the last book as whole is the least interesting of the series. Yes, I wanted to watch it, but as the time came, I ended up choosing another movie again. Well, there is still time, but I do feel that many others have also done the same, which is why Penguins of Madagascar is doing well here.

Release date: 28th November 2014 (India), 26th November 2014 (USA)
Running time: 92 minutes
Directed by: Simon J. Smith, Eric Darnell
Starring (voice): Tom McGrath, Chris Miller, Conrad Vernon, Christopher Knights, Benedict Cumberbatch, John Malkovich, Ken Jeong, Annet Mahendru, Peter Stormare, Werner Herzog

penguinso

@ Cemetery Watch
✠ The Vampire Bat.

The Equalizer

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Vampire Owl :: So much violence in the human world. Can’t we watch something else rather than this movie with a gun on the poster?

Vampire Bat :: But I thought you liked violence.

Vampire Owl :: I like a violent me, but not people shooting each other. In the end, we will fail to know who shot who and I have to hit my head on the wall hoping for some vampire enlightenment to pour into my brain lighting it up.

Vampire Bat :: Then, there is Bollywood with this weekend’s movie Happy Ending.

Vampire Owl :: No! Shoot me, thats better. Get the tickets! Get the tickets!

Vampire Bat :: But you don’t like the violent stuff.

Vampire Owl :: I don’t want to die a slow, painful death with some Hindi romantic movie showing for nth time whatever they have doing for years.

Vampire Bat :: But we are not sure about it yet. There are some bad opinions…

Vampire Owl :: I shall hear nothing of Bollywood anymore. If you talk about it again, I am deaf. If you talk about it twice, I am dumb too.

Vampire Bat :: I think that it is a pretty good idea.

[Gets the tickets].

What is it about? :: Robert McCall (Denzel Washington) has retired from his busy job as a secret government agent and is living his life in peace after the death of his wife. He spends his time working in a hardware store and giving no clue to anyone about who he has been. He becomes friends with Ralphie (Johnny Skourtis) a trainee whom he helps to become a security guard, and then there is this teenage girl whom she regularly sees at a tea shop he visits. The girl is Teri (Chloë Grace Moretz), a teenage prostitue who reveals her real name as Aleena, is mistreated and beaten up by her pimp ending up in the ICU – Robert decides to take things into his hands, and to give the girl who loves music and books, a better chance at life. He goes to the pimp Slavi (David Meunier), and offers him 9800 dollars to leave her alone. But as he refuses and uses more foul language about her, Robert kills him and his goons. But the leader of this Russian mafia group, Vladimir Pushkin (Vladimir Kulich) sends his right-hand man Teddy (Marton Csokas) to find and eliminate the killer, and here starts another game.

The defence of The Equalizer :: This movie seems to be trying more to be an origin story, and therefore a few problems of the same can be avoided with ease. There is the perfect setup for the sequel which seems to be everywhere on the news. The movie has some nice dialogues, and the action is not overdone – our protagonist doesn’t try anything too much. He just does what he does the best, and continues to excel at it. There are some nice, beautiful shots from the skyline, and the cinematography keeps catching our attention – there is the stylish sequences which are used too; they are all so good, and makes things interesting when things cool down. There is also that dark and gloomy atmosphere that runs through the movie – check out for our protagonist’s attack at the pimp’s room and the warehouse, both of them done with so much of stylish violence and innovation, even as the latter might be a bit too long for some people. The cast also contributes nicely, and the message to do the right thing is strong in here.

Claws of flaw :: There is that drag in between, and makes one wonder why it was so. There are empty slots where something could be used for fill the space. The story is also rather predictable with the hero going on for having revenge due to something bad done to his younger friend, and being awesome as he is, becomes successful in the same – just like John Wick; that was a revenge seeking former assassin for the dark side, while this one being a similar person who was working for the government. It is something we have seen a lot of times in a different manner. There is a lot of violence out here, and some of it might seem unnecessary for a few people. Even then, there are lots of things which seem to be missing, but I would blame the censor board here for that – they should have got rid of some violence. Well, on television, I have seen the scary parts removed from horror movies and bikini scenes removed from James Bond movies. So, I am not surprised even though I understand the difference.

Performers of the soul :: Denzel Washington – sometimes just that name is enough; there are not many people who can doubt that. He goes through The Equalizer with so much power, as if it could be another vigilante movie franchise starting from now. It is once again impressive how he works – this man with a gun, do people need a lot more? Well, there were two in 2 Guns, but one will do here. He is going to turn sixty this year, not something that we can discover without wikipedia. From the first movie I watched with him being part, The Bone Collector; through my favourite movie, The Book of Eli and now standing in The Equalizer; nothing much has changed. It is always great to see Chloë Grace Moretz – she brings such charm to the screen like nobody else. Unfortunately, even as she is undoubtedly the heroine of the movie, our girl is there only for a few minutes in the beginning, and for an even shorter time in the end – it is a case of sadness which we are left with, along with her smile in the end. Marton Csokas is an interesting villain too, just not getting enough of it.

Soul exploration :: The movie’s opening has these lines from Mark Twain – “The two most important days in your life are the day you are born and the day you find out why”. It is the same thing that the protagonist is trying to achieve in this movie – to use his skills to use for the common man. Even in the beginning, we can see that he is trying to help people as much as he can, without going the violent way. For the same, he later transforms, just like the books that he reads – from the retired old man who reads The Old Man and the Sea, through the hopeless knight in Don Quixote and in the end to The Invisible Man who goes through the city unnoticed, and helping the innocents – a Ghost Rider kind of figure who gets rid of the evil souls without any superpowers, but with the skills reminding one of Liam Neeson of Taken. Somewhat Bryan Mills, John Wick and Jack Reacher, this is another guy who has too many skills.

How it finishes :: The end result is that unexpectedly The Equalizer turns out to be better than John Wick, and it is not something that I had expected. Both had their own problem with a certain amount of drag, and the problem of not evolving for the century enough. But even in the troubles, The Equalizer is the superior one; even as there is no doubt about the fact that John Wick will win the box-office battle here, and the credit would go to Keanu Reeves who is more accepted that the big action protagonist more than Denzel Washington, thanks to The Matrix, Constantine and Speed. Gone Girl and Interstellar still stays in our theatres, the latter with so many shows. Dumb and Dumber To won’t pose that much of a challenge though, with lesser opinions and a lot lesser screens. Do give this movie a chance, and as far as you want an action movie without too much of mindless and dumb action, but still doing justice to the genre, this will be the right choice.

Release date: 21st November 2014 (India); 26th September 2014 (USA)
Running time: 131 minutes
Directed by: Antoine Fuqua
Starring: Denzel Washington, Chloë Grace Moretz, Melissa Leo, Marton Csokas, David Harbour, Bill Pullman, Haley Bennett, Vladimir Kulich, David Meunier, Alex Veadov, James Wilcox, Mike O’Dea, Anastasia Mousis

thequalizer

@ Cemetery Watch
✠ The Vampire Bat.

John Wick

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Vampire Owl :: May be we should watch Beauty and the Beast instead of this.

Vampire Bat :: Now why should you think so after getting the tickets?

Vampire Owl :: Because you can find more than one John everywhere, but a beauty is so rare to find.

Vampire Bat :: You are beauty-blind. You never appreciate any kind of beauty. Do you know that?

Vampire Owl :: That is not true. I find beauty even in a mortuary.

Vampire Bat :: It is exactly what I am talking about. And this is why you will find more beauty or the strange image of beauty in an action movie like John Wick.

Vampire Owl :: What about Jessabelle? I have heard that she is a beauty.

Vampire Bat :: It has been panned by critics, and might not release here soon. The same is the case of Horns.

Vampire Owl :: See, they don’t release the right movie here. You should arrange a mutiny while I am planning to owlify the world.

Vampire Bat :: Still doing better than the censor board.

[Goes into the theatre].

What is it about? :: John Wick (Keanu Reeves) is spending his life in sadness and depression after the death of his wife Helen (Bridget Moynahan) due to cancer. But he receives a puppy which his wife had left for him and decides to love it a lot. One day, a group of gang members ask him to name a price for his car in which they are interested. But John refuses and leaves them very angry. But at night, lead by Iosef Tarasov (Alfie Allen), they get into his home, beat him up, kills his dog and steals the car. Viggo Tarasov (Michael Nyqvist), the leader of the gang and the father of Iosef scolds him and tells him who John actually is. He was his best assassin, who was nicknamed the boogeyman, and this ruthless killer will come to get the one who attacked him, and there is no force that can stop him. He tries to talk to John, which fails, and therefore places a bounty on him – the two major assassins who seem to take the offer seriously are Marcus (Willem Dafoe) and Miss Perkins (Adrianne Palicki). But John Wick has already started his mission – he has been in the best in the business.

The defence of John Wick :: The world of John Wick is nicely created, and it is a nice and gory one full of action and violence which stands apart. It gives a special feeling as we are guided through that strange and lawless world with its own chaos as the right thing to do. It is stylish work, and its style doesn’t go too much and make it complicated – it is simple and nice, with some melee combat and lots of gunshots, never really trying anything spectacular. We do need a good action movie with a lot of action which doesn’t get overdone with flying bodies, people doing insance stunts and all, and here is it. For those who need a bloody revenge story, here it is. It might be the time to imagine all those who were bad to you this week getting shot – yes, it is a lot like a video game and the one that first comes to mind is Max Payne. There is that kind of a feeling going on, and there is even the shot of a man playing a first person shooter getting shot, all of a sudden. Shoot, shoot and save the movie – I would say that it is the motto of John Wick.

Claws of flaw :: There is drag, and there is absolutely no doubt about it. The slowness of the movie is rather awkward and there are also some uninteresting parts of the action sequences which are uncalled for. The movie does seem to offer a lot in the beginning, but that much is not provided – John Wick is this, John Wick is that, but he is not that smart as it turns out to be, but sometimes goes on like a kind of Chuck Norris, getting rid of people who are in his way. But in melee combat, he gets beaten up a lot, and one has to wonder why he was considered that scary. It is all because of his dog getting killed, and that is also strange considering how much of a murderer the protagonist has been. Then there is the ending, and the final scenes as well as the fights are not the better things in the movie, even as they could have been – and that is a let down. We think that it has ended, and it has not, and then there is the hope for another ending, and finally it ends, it is predictable, keeping us looking on our watches – there are boring moments, and the movie is a little too long.

Performers of the soul :: Here is a movie of Keanu Reeves which is all about him as the name itself suggests. He is once again at his best, and in action, he seems supreme. He has blended into this avatar so nicely that this might be his best performance for some time. There is still nothing like seeing him in The Matrix, Constantine and Speed though – sorry, couldn’t live without mentioning them here. Michael Nyqvist is fantastic as the gang lord. The movie does leave one hoping that Adrianne Palicki had more to do – the only thing she does here is to try to kill John Wick, but she is supposed to be a smart lady assassin, and should do more, and could have controlled a lot more in the movie, and her end is also too cold. I thought she was very good in G.I. Joe: Retaliation as Lady Jaye, and here she has a blunt character, but I liked the way she dealt with it. The same is the case of Willem Dafoe who was needed more – there could have been more with him and that sniper rifle. Lance Reddick is nice indeed in his scenes. Ian McShane also leaves a nice mark. I do wish Bridget Moynahan was out of John Wick’s mobile screen for a little more time.

Soul exploration :: This is a story of revenge, and how it goes in a violent manner – there is no chance for regret in this world of chaos and annihilation. There is the assertion of the truth that one’s past can’t be asked to go away, especially if it is violent in nature. There can be many things that a man can be, but being not influenced at least indirectly by his past is rather not possible – the grave where you hide these tend to come back as zombies, and John Wick is no exception for the same. The Malayalam word for “past” is “bhootham” which means ghost, and it keeps haunting us, thus making that name a worthy one. John’s attempt to escape from his past doesn’t prove to be good for his present, and keeps his future uncertain. Yes, worrying about the past is useless, but not when it is a terrible one, and you do have something left in you to take your mind and body back to it – that means that you have not changed. Unless you have not let go in a way in which there is no return, there is no escape, because ghosts will successfully feed on them some day. There are not many twisted things in this movie, as the plot is direct – find, kill, have your revenge, leave in one piece if possible.

How it finishes :: This weekend’s challengers for John Wick are from Nightcrawler and Beauty and the Beast. The remains from the past include Gone Girl which is still going strong, along with Interstellar, Big Hero 6 and Fury which should be of no challenge for this one. Among this week’s releases too, this one should have the advantage, with Keanu Reeves being back at what he has been doing the best and can accomplish with that certain amount of awesomeness – there will be a lot of Matrix fans who have been hoping for the same. It is also the only hundred percent action movie among all the releases. The releases in other languages also has none that belongs to full action. Lets hope that John Wick will bring a change in the action genre as it hasn’t been doing that well as the situation used to be, unless being mixed with science fiction or some random adventure into the unknown or fantasy. Do give John Wick a chance if you are a strong action fan, otherwise may be you can doubt.

Release date: 14th November 2014 (India); 24th October 2014 (USA)
Running time: 101 minutes
Directed by: Chad Stahelski
Starring: Keanu Reeves, Adrianne Palicki, Bridget Moynahan, Michael Nyqvist, Alfie Allen, Dean Winters, Ian McShane, John Leguizamo, Willem Dafoe, Lance Reddick, Daniel Bernhardt, Omer Barnea, Toby Leonard Moore, Bridget Regan, Keith Jardine, Thomas Sadoski, David Patrick Kelly, Clarke Peters, Kevin Nash, Randall Duk Kim, Scott Tixier

johnwick

@ Cemetery Watch
✠ The Vampire Bat.

Big Hero 6

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Vampire Owl :: I am still suffering from a certain amount of brain damage after watching Interstellar.

Vampire Bat :: Nolan added Physics into that movie because he know that we have all hated our Physics teachers and it is almost everybody’s least favourite subject along with Mathematics. I do feel that the movie has added Physics to my list of degrees without telling me.

Vampire Owl :: Free degree, that is cool. Actually, do you even remember any of our Physics teachers?

Vampire Bat :: No, I don’t, and I shall never remember. Even after I tried harder for the same, I was always let down by it. But Chemistry has worked the other way around for me. I was so shocked by my scores for the subject that I wanted to faint and prove it.

Vampire Owl :: Do you think that this movie will have Physics?

Vampire Bat :: Not as much as Interstellar, I am sure. They will at least speak in English rather than in a nerd language this time.

Vampire Owl :: Thank God that we are partial nerds then.

Vampire Bat :: That should be why we enjoyed Interstellar, especially when our imaginations go to space as well as the other dimensions every day.

Vampire Owl :: Is it just an illusion or does it actually seem like a How to Train your Dragon: Robot Version?

Vampire Bat :: I think we should watch this and check. It has managed to gain so much of critical appreciation.

[Starts the car].

The background :: Big Hero 6 comes from a group of superheroes which were part of Marvel Comics. But the differences are there, no doubt about that. This becomes the first movie to feature characters from Marvel comics and builds hype as from the makers of Frozen and Wreck it Ralph! – something which will draw in plenty of comparisons. This is also the sixth big animated movie released in this year at this part of the world after Mr. Peabody and Sherman, The Lego Movie, How to Train your Dragon, Rio 2 and Planes: Fire and Rescue – I have watched all except the last. People might think that this is not the right weekend to release an animated movie as it has to face the powerful Interstellar in a battle of David and Goliath, especially when in the modern world, David has very less chance to win. But it is not always about one thing or two when it comes to movies, isn’t it? Which is why Big Hero 6 could keep itself working well enough when facing such a big nemesis.

What is it about? :: Set in the fictional world of San Fransokyo (kind of like San Francisco and Tokyo in a combo), Hiro Hamada (Ryan Potter) spends his time attempting to participate in illegal robot fights. He is an expert in robotics, and his brother Tadashi Hamada (Daniel Tenney) feels that he is wasting his potential by doing such worthless things outside law. So, he shows his little brother his university and the robotics laboratory where he and his friends are achieving marvellous things under the experienced Professor Callaghan (James Cromwell). Hiro is highly impressed and is desperate to the get into the university, for which he invents something called microbots which can transform into anything, and can be controlled using telepathy. He is accepted into the university, but a fire breaks out and his brother is killed, which leaves him in permanent grief. But soon, with the help of his brother’s robot Baymax (Scott Adsit), he attempts to find the man who might be responsible for the death of his brother.

The defence of Big Hero 6 :: Here is what you expect from an animated movies in the right quantities, nothing too much and not really missing out anywhere. The comedy works most of the time, but is more limited to the main robot and less to the rest. The movie is all fun and entertainment too, visually looking very good and having some very nice action sequences which are overtaken by the emotional ones which are even better. The world is nicely detailed with different architectural combinations, and the characters are also nice and pretty much likable, with one extremely lovable robot at the centre of everything. The superheroes are nicely created and the supervillain also looks impressive. Well, this one is light, easy to follow and connect, as well as lovely to watch on the big screen, and what more would you need in an animated movie? Big Hero 6 surely scores here, and deserves the whole family in the theatre. Well, it isn’t accompanied by the hype such as Interstellar got, so it can only be a clear winner. I would expect a sequel to hit the theatres soon, as this origin story is now established.

The Claws of flaw :: It follows the usual animated movie policy and doesn’t try to innovate too much, may be due to the fear that it will repel the family audience which is supposed to be its strength. There is too much of a predictable plot, very unlike Mr. Peabody and Sherman which had its nice additions to bring twists to the story. Even the small suspense about the identity of the villain is also predictable up-to an extent, and we almost know most of the things that are going to happen before they do. May be the kids, and those who are new to the genre might not guess that well, but it is so. The usual things that happen include the loss of a loved one, revenge, team of superheroes and a big villain which is the setup too many movies that we have known in this genre. The humour is also not as good as some other animated movies in comparison, and the 3D not that much up-to the mark. Too many movies with similar factors have happened, and our hero with his robot is a lot like another hero with his dragon, and that also happened this year for the second time. May be the villain also could have taken up a better characterization and backstory?

Soul exploration :: Big Hero 6 is not better than Frozen, and it is a clear fact, expect for some irritating fan-boys and girls saying that it is so without any particular reason. It is not better than Mr. Peabody and Sherman which is the best animated movie of 2014 as it stands now, and stands below many other animated titles. But we cannot deny the emotional power of this movie, and its message of friendship and brotherhood, and the call to use one’s skills and abilities for others. The fact remains that the one non-human character in the movie, the robot is the one who spreads all these messages and by influencing the humans around it to heal and not to hurt, that brings out the truth that humans always need someone else to tell them what is right and what is wrong, as they are too much affected by the bad emotions and not that much by the right ones. Yes, this robot is one positive role-model for everyone, and the other movie at the theatres now, Interstellar has none even as it is superior in many ways. May be it is time to get a Baymax robot action figure for a change – we have had too many transforming robots already!

How it finishes :: Big Hero 6 has been the surprise package of the weekend while Interstellar is just doing as it was expected to perform, and there are even some who had expected a lot more from that movie – Christpher Nolan is that kind of person. But our movie is the silent assassin here, coming up our of nowhere and making the impact, overtaking the expectations associated with it. What works against Interstellar is that none of the common man group has gone to space and there is no real idea about how it is, or if anybody has actually gone there or if it is just a conspiracy theory. So when in a science fiction, if science completely devours fiction, there will be a problem for people. If it had dealt with what actually happens with human lives, things would have been direct, but otherwise there was the need to make it less complicated. It is not bad to have things complicated, but it has alienated the family audience here, and that section has been taken over by Big Hero 6 which has one robot with better emotional connection than the whole cast of Interstellar combined, including that of the third rate ghost-contacting father-hating daughter.

Release date: 7th November 2014
Running time: 105 minutes
Directed by: Don Hall, Chris Williams
Starring (voice): Scott Adsit, Ryan Potter, Daniel Henney, T. J. Miller, Jamie Chung, Génesis Rodríguez, Damon Wayans Jr, Maya Rudolph, Stan Lee, James Cromwell

bighero6

@ Cemetery Watch
✠ The Vampire Bat.

Interstellar

interstellar (3)

Vampire Owl :: What if we don’t get the tickets?

Vampire Bat :: Most probably, we won’t get tickets.

Vampire Owl :: Really? Then why are we going?

Vampire Bat :: Because the movie has a wormhole through which may be getting a ticket is possible. It is called Big Hero 6 which should attract all the family audience and spare Interstellar.

Vampire Owl :: If we don’t book the tickets, the only thing that we are going to find should be a black hole. This is the movie of the weekend. Most of the shows at a good number of places are already booked a lot earlier in advance.

Vampire Bat :: Do you know that Big Hero 6 has better reviews than Interstellar?

Vampire Owl :: Yes, but I am allergic to animated movies these days. So, going to the multiplex and watching any available movie won’t work.

Vampire Bat :: Okay, then take out that card and book the tickets. Wait, is that a tattoo on the side of your head?

Vampire Owl :: Yes. I am the owl with the dragon tattoo. Soon, I shall play with fire and then kick a hornet’s nest. It will improve my confidence with owlifier a lot.

Vampire Bat :: Impressive nonsense. Now, can we just book the tickets?

[Goes to bookmyshow website].

What is it about? :: The movie takes into a far future when the world no longer needs engineers or scientists, but farmers as the world has been facing a severe shortage of food as crops are always affected by blight and huge dust storms become a frequent occurence. Cooper (Matthew McConaughey), a former astronaut lives the life of a farmer in the countryside with his father, son and daughter. His daughter Murphy (Mackenzie Foy) seems to have found some presence in her room which she feels is a ghost, and there are messages being sent, which after being decoded, gets them to a secret NASA building which is planning something huge. It is then revealed that the scientists are attempting to find another planet instead of Earth to colonize, by travelling beyond the known solar system, through a wormhole formed near the planet of Saturn. As nobody else has undertaken a space journey outside simulator, Cooper is assigned the job. But the daughter is not happy about it, and as he decides to save humanity, what will happen to Earth as well as his relationship with his daughter?

The defence of Interstellar :: We have to admit that the movie is something of brutal strength. Christopher Nolan has got the balance here between the emotions and intellect as he keeps them together. The movie is heavy in its drama and at the same time, powerful in its action and special effects, and there lies the beauty of making a mixture which can taste good for more than one kind of viewer. The visual beauty remain stunning, and it is a shame that it didn’t release in 3D in this part of the world. We get a nice look at the heavenly objects and realize that they are indeed belonging to heaven. The two planets as well as the wormhole and the black hole catches our attention. The thrills are powerful, and there are enough twists to keep one guessing. There is no dull moment even when the movie is so long, and it keeps us immersed in the flow, not allowing us to drift away. Interstellar becomes an experience here, and not just a movie that we can watch in an objective manner. The sadness of watching something like Transcendence is drained away by this one too.

Claws of flaw :: The movie’s ending is rather less interesting, and especially with such a great setting and happenings, it needed a better finish; there is some lack of imagination there compared to the movie as a whole. There is also too much Physics being explained, and there we can see the failure to realize that we are not attending a science class but a science fiction; and none of those things are related to what we studied or applicable to real life – they could have just gone on with using “English” rather than scientific terms, and for everything else, there is our willing suspension of disbelief. There are times when visuals struggle too, especially with the looks of the spacecraft. Some dialogues are too overdome too, especially concerning the emotions, as the melodrama gets more powerful. The journey to other planets is not completely utilized, and there are lots of ambiguities that can be guessed, and the lack of the right explanations to be found; there is nothing like getting to point – here it is missing.

Performers of the soul :: Matthew McConaughey is brilliant here – no surprises or twists there as he handles the whole thing without even one flaw there. From the beginning itself, he seems to be clearly attached to the character and doing his best every moment. Anne Hathaway also plays her role to beauty, even as there are some dialogues from her which are rather awkward. But the emotional as well as the intellectual moments are nice whenever she is involved. She shares some of the best moments with the protagonist. Jessica Chastain is also good, and that can be said so because she plays a character which should have no love from the audience and she is successful in the same; being smart and educated doesn’t mean good and caring daughters as we can see in this movie – Mackenzie Foy did the role of the younger her very nicely too. David Gyasi was good there, no doubt. Michael Caine adds to it too. The acting department clearly wins those areas.

Soul exploration :: Interstellar shows us how minute we humans are, in a universe that is stretched beyond all imaginations, like the sand on a beach or like the drops of water that make an ocean. There are a few other movies which this one reminds me of, one of them is Event Horizon and the other is Pandorum. The former dealt with creating an aritificial black hole which used the power of gravity to bring together two points in the space to reduce time taken for space travel, the result being the ability to go beyond the known world into a dimension of evil. The latter had a spaceship going on a hundred and twenty three year journey with sixty thousand people to establish a colony on an Eath-like planet during which there are problems between the crew leading to strange turn of events. Interstellar has elements of these two movies, and I would say that I like those two better. But those movies won’t be that much known in comparison to this, thanks to the hype and the fan-boys. There is also the reminder of 2001: A Space Odyssey and Prometheus.

How it finishes :: Interstellar was one of the most anticipated movie for many, and undoubtedly among the most awaited movies in my list, and there is the huge expectation there which has made sure that the shows are full a lot earlier than they usually are. Even the two Malayalam movies released this weekend don’t seem to have that much rush, but there is that case of the presence in local theatres – still, how well Interstellar is doing is nothing less than a surprise considering the fact that this is the kind of response that only superhero movies and superstar stuff gets, but there is that effect that Gravity had created, still running in the minds. Christopher Nolan is also a name that catches the attention, and even people who haven’t understood Inception after watching for the “n”th time should be willing to take the risk. The collection should be big from this part of the world, and may be this can break the record of Transformers: Age of Extinction, the highest grossing movie of the year – who knows?

Release date: 7th November 2014
Running time: 169 minutes
Directed by: Christopher Nolan
Starring: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Bill Irwin, Ellen Burstyn, David Gyasi, Wes Bentley, Josh Stewart, Mackenzie Foy, Ellen Burstyn, Casey Affleck, Timothée Chalamet, John Lithgow, Topher Grace, David Oyelowo, Matt Damon, William Devane

interstellar

@ Cemetery Watch
✠ The Vampire Bat.

Gone Girl

gonegirl (3)

Vampire Owl :: Which girl is gone?

Vampire Bat :: No, it is the name of the movie.

Vampire Owl :: Really? But you are going to a theatre which almost froze us to death last time.

Vampire Bat :: Yes, but it happened only once.

Vampire Owl :: Dude, only a Vampire Penguin can stand such cold. I think they are trying to start a new mortuary freezer at the theatre in collabration with the nearby hospital.

Vampire Bat :: Have you ever been to a mortuary?

Vampire Owl :: Yes, once when I was looking for a zombie to provide assistance to my owlification. Couldn’t find one though. I was freezing to death; no wonder there are no zombies in this part of the world. Even the undead dies in that cold.

Vampire Bat :: But people usually want this cold.

Vampire Owl :: It is already raining outside. Why would they want more cold? See, this is why I should not watch this movie and go back to owlification. Watching a movie here would be like watching Frozen without the visual effects.

Vampire Bat :: Be the Gone Owl then. Best of luck.

[Goes into the multiplex].

What is it about? :: Nick Dunne (Ben Affleck) returns home on the day of his fifth anniversary to find his wife missing. The situation does manage to find a lot of media coverage as she is daughter of the parents who wrote a very popular series of books with Amy Elliott-Dunne (Rosamund Pike) at the centre of it, called Amazing Amy. Soon, the media comes to the conclusion as he is the one who is responsible for the same and has murdered his wife, thanks to the revelations of Noelle Hawthorne (Casey Wilson) who says that he was not a good husband and she was pregnant. Nick acts strange and also sounds weird during the investigations making the cops suspect him, and there are also more evidences that point to him. Then there is his sexual relationship with Andie Fitzgerald (Emily Ratajkowski). Finding Amy’s diary and what seems to be the situation of their marriage, it becomes clear that he is in big trouble, despite the sincere efforts of his twin sister Margo Dunne (Carrie Coon) and attorney Tanner Bolt (Tyler Perry).

The defence of Gone Girl :: The movie has two sides, and the first half is entirely different from what is to follow in the second, and the PVR intermission is nicely created. The two halves are rather like two parts, with first one being an investigation of the mystery of the disappearance of a man’s wife, and the second being how it has been working for the wife, and how it goes on as everything comes together in the end. I found the second half clearly superior to the first, and there is a lot of truth as well as entertainment in the latter division. The first half’s mystery as well as the second half’s black comedy nicely compliments each other. This is comparable to the movies like The Girl with the Dragon Tattoo, Enemy and Prisoners with its content. It brings the questions about modern marriage to light and talks about how it has changed in the recent years – the narrative is as good as it can get, and the plot is nicely managed. There is also that power of the performances.

Positives and negatives :: I have heard some people say that the novel is better than the movie, and I do ponder about it, but I don’t think I am going to read the book any time soon. For now, I can say that the movie is excellent. Some people might find the movie’s going forward and backward in time irritating, but I find it nice. It does have a strange twist in the end, and even as it has a certain beauty about it, some viewers might find it ridiculous – yes, some other usual kind of ending could have been the one for normal audience, but we are always equipped to take something different, aren’t we? Then there is the slow start which can take the interest off you, and the extreme length of the movie which has two and half hours taken away from us, making it a total three hours long with those advertisements – too many commercials and trailers, and I was frozen in the theatre by then. Thank God for the intermission we have here, for a long English movie is not what our audience ask for.

Performers of the soul :: Ben Affleck is playing a usual unsuspecting man, and it seems to work for him a lot. There is not much to do there for him to do other than being clueless and making at attempt at being better, but he does that nicely to convince us about his character. It is undoubtedly a good role for him as we wait for him to come back to us as the new Batman. I loved how Rosamund Pike played her amazing Amy, as there is as much mystery about it as well as the awesomeness in the portrayal. There is that moment when she reveals her thoughts, and it is one bloody awesome moment, and there is that thing that he does with the climax, and she is simply perfect right there. Neil Patrick Harris is pretty much wasted in his role which is pretty much a dumb one, and does nothing much. Emily Ratajkowski is there as the most gorgeous person around, nothing more about her character, but she is indeed lovely to watch. I did think that Carrie Coon was very impressive there. Tyler Perry was nice, I liked how he did his job. Lola Kirke and Casey Wilson also do their jobs nicely.

Soul exploration :: Gone Girl is a mixture of many genres, as it has its mystery and twist along with humour and crime investigation. There is romance, but one might not want to see that genre at the centre. The movie takes more of a satirical view on the marriages of the modern age, and during the same, black humour is implemented a lot. It also shows how easy it is for the media to manipulate the public opinion and devastate a man in the most disgusting and ridiculous manner, and that it is indeed easy for the woman to put the blame on the man and frame him for her troubles, because the society will always favour a woman as long as she can keep the mask of being in trouble. There will always be at least one stupid person whom a smart one can manipulate. It gives its viewers one more reason why one shouldn’t cheat in a relationship, and your wife might be a psychopath, but you will never know. Both the protagonists are liars, and there lies the strange beauty in the narrative. May be we can put this one into the psychological thriller genre.

How it finishes :: For one second, I thought that this had released here before it did in the United States, and then on the next second, I realized that this month is not October – the time does fly so quickly, and we are indeed coming to the close of this year’s movie watching adventures in less than two months with Christopher Nolan’s already much critically acclaimed Interstellar so close to getting released. Yes, Gone Girl becomes the movie which made a difference in the closing stages, unlike those other movies which were the more awaited ones. Even as I once again almost got frozen to death in the multiplex theatre, it was worth it. Yes, this is one question that I ponder over – why is it too cold in some theatres? What is the need for the same especially when it rains almost every day here? It is a wastage – they should surely keep it low and save some energy rather than creating the mortuary freezer effect which is rather a punishment.

Release date: 31st October 2014 (India); 3rd October 2014 (USA)
Running time: 149 minutes
Directed by: David Fincher
Starring: Ben Affleck, Rosamund Pike, Tyler Perry, Carrie Coon, Kim Dickens, Emily Ratajkowski, Neil Patrick Harris, Patrick Fugit, Casey Wilson, Missi Pyle, Sela Ward, Kathleen Rose Perkins, Lisa Banes, David Clennon, Scoot McNairy, Boyd Holbrook, Lola Kirke, Cyd Strittmatter, Leonard Kelly-Young

gonegirl

@ Cemetery Watch
✠ The Vampire Bat.

Ouija

ouija (3)

Vampire Owl :: Halloween and no horror. Never thought that such a day will come in this century.

Vampire Bat :: There is horror. We can watch Ouija.

Vampire Owl :: Really? The Vampire Panda told me that it was a bad movie and critics gave bloody low ratings to it.

Vampire Bat :: Lets not trust the critics on a horror movie. Besides, that panda is not a vampire. He is just the Kungfu Panda on disguise attempting to sell his noodles and action figures among vampires.

Vampire Owl :: I shall deal with him later. For now, I can surely use a summoned spirit. According to the latest version of the Book of the Dead, the Undead and the Brain dead, they are very useful creatures. We need to get an Ouija Board.

Vampire Bat :: Do you realize that you already create enough problems for yourself?

Vampire Owl :: Absolutely yes. See, I am an evil entity. I am supposed to create problems for the world which includes myself.

Vampire Bat :: You should have a dosa. You turn evil when you need it.

Vampire Owl :: No. I am a dangerous owl. I need to keep it that way.

Vampire Bat :: Yes, dangerous to yourself.

[Gets the tickets].

What is it about? :: The protagonist Laine Morris (Olivia Cooke) is searching for answers as she hopes that she could have done something for her best friend Debbie Galardi (Shelley Hennig) who had committed suicide, and she laments the fact that she was the last one to talk to her and yet couldn’t stop her from doing such an act. As she finds an Ouija board in her house, along with her sister Sarah (Ana Coto) and other friends of Debbie, Pete (Douglas Smith), Trevor (Daren Kagasoff), and Isabelle (Bianca A. Santos) decides to try and contact their recently deceased friend. Soon, they contact a spirit which addresses them as friends, but what they are not aware of is that Debbie already had made a connection to the other world which lead to her death, and they understands that more than one entity is now free. The friends realize that they will just be killed one after the other and there will be no stopping the terror. A relative to the dead people returning as spirits, Paulina (Lin Shaye) who resides in a mental asylum seems to be the key to stopping the evil, but will it work?

The defence of Ouija :: The name would be enough to draw people to the movie, and the Ouija board has always been the centre of curiosity for a lot of people for a good amount of time. We have a lot of curious cats among us, don’t we? This movie banks in the same with the board at the centre, throws the usual stuff at us again and again, and there are some scares as one would expect from it. The sewn mouths are not something new, but they surely work here especially according to the circumstance, and the twist, even if small is a working one. There are possessions, suicides, murders, sewn mouths, blank eyes, with some scares here and there, and a creepy environment of the house. The sound effects are very good and the visual horror has its moments. It is quite a success as a haunted house movie, with the board being found from the home where evil has happened sometime ago. Some moments near the end are good, even as their failure to end the movie with the same surprises me.

The claws of flaw :: The movie doesn’t try anything new at all. Its biggest asset is that one board, but the flick fails to capitalize on the same. There is not much about that one big thing that it could have used to its effectiveness, and instead the same becomes only the means to what is to come next. It only does the job of any other possessed item which could gain the attention of the spirits. The movie should have stuck to its title, explaining more about the board and how things come to this dimension in relation to the same. But it tries to make the movie go on in the usual pattern often forgetting that the movie is about the board, with the existence of a house where something terrible did happen a long time ago and there is a spirit waiting to possess or murder people. Even a good number of scares are not that effective, but there are a few which work nicely. The plot and the narrative could have had some more attention to make the whole thing better.

Performers of the soul :: The movie has a rather cute lead at the top, and the performances are overall decent. Olivia Cooke plays the protagonist here, the lady who is hopelessly trying to connect to her dead best friend, and she has indeed played this role with such expressions of fear and uncertainty which makes this character so much believable here. Her cuteness helps the cause a lot, and she is a perfect one for this role which has more hopelessness and desperation which she could nicely reflect on her face. You will instantly like her, that is for sure. The next one is Shelley Hennig, and even as she dies early, has her moments too, and is not done even with that separation of the soul. She adds to the beauty of the cast and does enough, while the rest of the cast manages to hold on, but not with anything special. Meanwhile, Lin Shaye is here too, and she is once again impressive in another horror movie – catches our attention.

Soul exploration :: In its search for the spirits within the Ouija board and also outside it, the movie losses its soul. It can’t realize what it has in its soul, whether it is to focus on the board or the haunted house and its scary past. When we finally decide that it is on the latter, then comes the board again as if it is Count Dracula who wants to be part of everything vampiric. The spirit also works a lot like the Final Desination series, planning to just kill them all in freaky ways, even as it is not that heartless to make things too violent. Then you realize that Ouija is a mixture which is created to make it a safe bet, and it adds so many things to itself and makes those factors work in parts even as in totality, there is some mess. There is the lack of soul to hold it together, and it is the same reason why we are unable to bring much of it back home – even Annabelle living in the shadows of The Conjuring had more for us. Ouija boards can inspire better horror movies, and this one has the spirits not that powerful.

How it finishes :: The conclusion is still that even with its list of flaws, Ouija is your movie of the Halloween, even as Annabelle does exist at selected theatres with less number of shows. It will be the choice of the Halloween enthusiasts as Ouija board is not something that is not tried that much, and there are not other big Hollywood entertainers released this weekend. I have successfully kept my distance from Bollywood since Diwali as I had sensed certain danger. Meanwhile, I wish all the followers of this blog and the readers of this post a very Happy Halloween, and the November first is also the birthday of the Indian state of Kerala, the occasion known as Kerala Piravi, so I wish all my fellow Keralites a Happy Kerala Piravi too. For more details about the same, visit: http://en.wikipedia.org/wiki/Kerala_Piravi and http://en.wikipedia.org/wiki/Kerala. Happy Birthday, Kerala 🙂

Release date: 31st October 2014 (India); 24th October 2014 (USA)
Running time: 89 minutes
Directed by: Stiles White
Starring: Olivia Cooke, Shelley Hennig, Daren Kagasoff, Douglas Smith, Bianca A. Santos, Ana Coto, Matthew Settle, Lin Shaye, Vivis Colombetti, Robyn Lively, Bill Watterson, Sierra Heuermann

ouija

@ Cemetery Watch
✠ The Vampire Bat.

The Best Offer

thebestoffer (2)

Vampire Owl :: It is such a gloomy Diwali this year. Nothing to be done. I expect this Halloween to be bad too.

Vampire Bat :: I had my own celebrations though.

Vampire Owl :: Really? And you didn’t call me? After all, I am your only officially undead friend.

Vampire Bat :: It was not arranged by me. There was lightning and almost everything in the living room seemed to be enjoying fireworks. Only the stabilizer is working now.

Vampire Owl :: I would need that stabilizer. I can connect it to my owlifier and hope that it works without loss of energy.

Vampire Bat :: Do you know that you often seem to talk like Victor Frankenstein?

Vampire Owl :: Absolutely not. See, you are giving a wrong idea about owlification to the society. This is for their own good, so that they don’t have to face a third world war and a possible extinction.

Vampire Bat :: Have you even read about a world war?

Vampire Owl :: No. Why should I? I read no evil, hear no evil, see no evil. I just create evil – I am an evil mastermind.

Vampire Bat :: I have a movie for you then.

[Grabs of a cup of tea].

What is it about? :: The Best Offer is set in a world of art, where an old expert in art Virgil Oldman (Geoffrey Rush) runs an auction house. He is not a loved person around, as he has very few people around him who likes his way of behaviour and most of his life is spent with the desire to illegally gain the possession of very rare and highly valuable pieces of art, unmarried. He is appointed by a young heiress, Claire Ibbetson (Sylvia Hoeks), who asks for his help to auction off a huge collection of antiques and grand pieces of art which has been passed onto her by the family lines. But as Claire suffer from “a strange disease” as the people she knows tell him, or a certain amount of agoraphobia as she keeps herself confined to a room inside the huge mansion. As curiosity keeps getting into him, he hides himself inside the mansion one day to find that she is young and beautiful and sees her in a compromising position. He is immediately attracted to her beauty, and as they come close to each other, there will be the course of something else that will be set in motion.

The defence of The Best Offer :: Here is a movie which never ceases to enchant you with its visual splendour provided by art rather than anything else. There is a lot of beauty in the way in which the whole thing is narrated. Here is a quote which you can take home — “Emotions are like work of art. They can be forged; they seem just like the original but they are forgery. Everything can be fake: joy, pain, hate, illness, recovery… even love” – it tells a lot about the movie and how it connects art and man. Then there is question of truth and happiness, the things that are not found even in the real thing. The performances are splendid too, especially from the two leading characters. It is indeed a fresh take on the mystery genre, and a different entry to the world of romantic thrillers. There is also the abstinence from the usual formula that can be seen on a number of occasions. One can’t also deny the existence of so many angles from which this movie can be viewed from. I see the hollowness of humanity which can create huge artistic forgeries of the mind.

Positives and negatives :: The movie is slow, and it has lots of art associated with it, not really appealing to everyone. It is easy to find such people who don’t care about antiquity in this part of the world as we see our own centuries old monuments being vandalized by people or even those who claim to be lovers to write their names. There is almost no love for art in our lands, not even to the courses related to the same. So, this movie not releasing her was never a surprise, and people are going to find fault with its setting anyway. There will also be people wondering how such a thing in the movie is even possible with the two – but human mind is indeed strange, and emotions are pretty much ridiculous even for the most skilled ones – that much one has to be aware of. Yes, there are some characters who should have developed further and are lost in this seductive battle between the two main characters. It does give a little bit of too much clue to the viewer’s liking too early, but not everyone will pick them.

Performers of the soul :: Geoffrey Rush steals the show right from the beginning, and even by a bigger margin by the end. We don’t have a character here whom we can easily sympathize with, but here the man has completely made us feel for the character and the emotions that he has, even as he is not that much of a positive character, or someone we can cheer for. He is not a hero here, but we are given a chance to admire him as a tragic hero with this performance, and here he is elevated to the status of someone like Doctor Faustus who has the power of knowledge and yet not the wisdom to make things work in the right way. There is a certain beauty about it. Sylvia Hoeks is stunning here, not just by looks, but with a performance which seems to make her a modern day Rapunzel, caught in the hopelessness of the never-ending loneliness in the middle of nowhere, with no escape and less hair, but still extremely beautiful and having all the traits of her gorgeous and mysterious character.

Soul exploration :: Even as the movie’s focus as well as its background are on art and valuable antiques, its soul is on the gorgeous enigma who is at the centre of everything. She is the one to determine the fate of more than one character in the movie, and the universe which was rather static until then, revolves around her and turns it into a romantic mystery and then into a kind of thriller with the world no longer following a pattern. The life based on art becomes the life based on one lady who is like living art in beauty, and the protagonist soon finds his Helen of Troy and seems to wonder like Faustus if it “Was this the face that launched a thousand ships, And burnt the topless towers of Ilium?” – there comes the radical change in the world, and it sets things in motion, as the centre is clearly the mystery that the mysterious beauty provides, and the protagonist comes directly under the influence of this centre, the soul which changes things.

How it finishes :: The Best Offer is lost to most of our people, and it is not even known to most of our viewers. Another fact is that it might not appeal to everyone with a universe of art and a mystery that is built around the same which is hard to connect for a lot of people belonging to the modern world. As it tells the story of two people who are separated from the usual known world in different ways, the focus is on the search of love and the vanity in the hope that there will be the appearance of such a feeling which is so hard to achieve in this world of materialism. The movie talks about the world of love just as the illusion of art, and forgery is possible with ease, even as the best of forgeries might require skills, and it will take more than just the expertise to look through the fake emotions of love and desire, and that should be an objective vision which should be completely absent when the illusion begins to spread through one’s eyes.

Release date: 1st January 2013
Running time: 124 minutes
Directed by: Giuseppe Tornatore
Starring: Geoffrey Rush, Sylvia Hoeks, Jim Sturgess, Liya Kebede, Donald Sutherland, Philip Jackson, Dermot Crowley, Kiruna Stamell

thebestoffer

@ Cemetery Watch
✠ The Vampire Bat.

Dracula Untold

draculauntold (3)

Vampire Owl :: Do we need extra horror after Annabelle?

Vampire Bat :: No, its Dracula special. We made a promise to Uncle Dracula. Remember?

Vampire Owl :: But we will end up with an overdose of horror here.

Vampire Bat :: There is nothing like an overdose of horror. It is part of our daily lives. And this one won’t scare us at all, as the genre is different.

Vampire Owl :: I hope we can recommend this to Uncle Dracula.

Vampire Bat :: We have to watch it whatever happens. It is the only English movie in the local theatres now.

Vampire Owl :: I wish they had released these movies on different dates. This is more of a collision which will damage both these movies.

Vampire Bat :: Only if there was no stupid Bang Bang! last weekend. Annabelle might have come earlier.

Vampire Owl :: See, this Bollywood is the source of all evil.

Vampire Bat :: I have known it since Dhoom 2 and Besharam made me certain about it with enough support from Dhoom 3 and Krrish 3.

[Gets the tickets].

What is it about? :: The tale of the vampire begins with the man, a prince of Transylvania who is ruling his world in peace as a kingdom giving tribute to the Ottoman Empire. But things change as the Sultan asks for thousand boys from his kingdom as a tribute to be part of their slave army so as to conquer the whole of Europe. Vlad the Impaler (Luke Evans) cannot agree to his demand, and as requested by his wife Mirena (Sarah Gadon), decides to save the boys from doom as he takes up arms against the huge Turkish army. As he understands the stupidity behind his own decision, climbs a mountain which is supposed to have ancient evil within it, and asks the creature inside the cave which had killed a number of Turkish scouts for help. The creature is actually one of the most evil emperors of all time turned vampire, Caligula (Charles Dance), grants him vampirism for three days during which he will have the vampiric abilities and certain weaknesses, but have to control his thirst for blood; in failing to do so will turn him into a vampire forever.

Positives and Negatives :: Dracula is our favourite vampire, at least for most of us, and here we have an origin tale rather than the usual bloodsucker story. Unlike what some people were expecting, Dracula Untold is not packed with horror – one has to wonder why were people so sure about the same? Even the director himself had said that this was more of a drama with elements of action and adventure. The last battle is a little overdone with vampirism, but other than that, the special effects are amazing, especially the effects of bats, dark clouds, impalings, transformations and the Gothic atmosphere that has been successfully created. May be they could have added more innovation and removed the predictability factor, as we know what would happen to the prince already. There have been many types of vampires and Dracula, and there is Luke Evans. It is he who controls this movie with a brilliant performance. Sarah Gadon is also stunningly good in her character of faith and hope, while Dominic Cooper makes a nice villain.

Soul exploration I :: Dracula, the hero against the empire :: The age of empires does sound awesome as a computer game, but otherwise, it is a bloody case of cruelty and brutal subjugation, which doesn’t end in just a conquest. The case of one country extending its domain over another through war is nothing less than a permanent ill-treatment of a future generation, as what the Ottoman Empire does in this movie is nothing different, and there is no empire on Earth which is not built on the blood of the innocent. Here, Dracula is a man of the people, and even as a prince of his small kingdom, he has known the life of someone worse than a common man, as he was taken by the Turks at his early age to be part of the Janissary – an elite infantry unit made of slaves recruited by the Sultan from the Other. He stands up against the ill-treatment of his people in a desire for equal value of human life. He automatically becomes the symbol against imperialism and brutal power.

Soul exploration II :: Dracula, the superhero of the grey side :: Going back to the origins, our villain is still the hero, who has made one fatal decision which would make him a tragic hero, as he ponders over that question which have haunted Hamlet for such a long time, to be or not be (or to drink or not to drink) as he is caught in those stages of transformation into a vampire where he could be immortal in one of the two ways possible. He is neither good or evil there, and in that situation of the grey, he stumbles upon that incident which would turn him into dark grey. He is a man caught in a world of good and evil, where the grey has no position, or has to forcibly embrace the black, or the evil. Dracula is a man of our age, and we know that he could have survived better if lived a long time after his time of existence, and he was not the hero whom his world deserved. History rarely keeps grey characters as it praises only the victors, but we know that there would have been an abundance of them.

Soul exploration III :: Dracula, the villain of the night and darkness :: Dracula’s situation and his descend in forced upon him, but his voluntary decision to choose what he thought was necessary evil against pure evil would become the ultimate evil in more than one way. He becomes a lot like Faustus by selling his soul to the devil, and another Faustian tragic hero has his roots. But with the scope left for a sequel, and those words “let the games begin” reveal to us that we haven’t seen the final shade of this man to which Luke Evans has given another life. Even in his worst situation, Dracula is just dark grey, and his further passing down to the darkness hasn’t occured, which should not be interesting for a lot of people, but my request for such people would be to wait. Dracula is immortal, and this is just the beginning – you have a lot to look out for, and the ending does seems to connect with the style of the 1992 movie Bram Stoker’s Dracula. Yes, this is a good re-telling, and not another copy of whatever you see everywhere these days.

How it finishes :: Dracula Untold is not your typical vampire story, and neither is it something that will give you scares every night. Those who wish to see the fangs of terror riding high, as well as those who were hoping for the eternal Twilight style fake love story are going to be disappointed. This was never a horror movie in its core, and this origin story of the greatest vampire of all time, is rather what you can call Dracula Begins, and will work just like Batman Begins as a beginning and a pillar to bring on something like The Dark Knight. This is not a vampire attack tale either, but a preface to the vampire world to which we are to enter. So, if you needed a lot of blood sucking and marks on lots of necks, you would need to check one of those earlier movies which are closer to the Bram Stoker work, rather than going for this. It should be why the word “untold” is added to the title, not to look for those usual bloodsucker tales here. This is highly recommended for the fans of vampire mythology, and I doubt about its effect on normal people; work your intellect and think differently, may be this can work better.

Release date: 10th October 2014
Running time: 92 minutes
Directed by: Gary Shore
Starring: Luke Evans, Sarah Gadon, Samantha Barks, Dominic Cooper, Art Parkinson, Charles Dance, Charlie Cox, William Houston, Ferdinand Kingsley, Noah Huntley, Dilan Gwyn, Zach McGowan, Ronan Vibert, Diarmaid Murtagh, Thor Kristjansson, Joseph Long, Damien Kivlehan

draculauntold

@ Cemetery Watch
✠ The Vampire Bat.

Annabelle

annabelle (2)

Vampire Owl :: This is the day I have been waiting for.

Vampire Bat :: Are you sure this is the movie you waited for?

Vampire Owl :: Yes, I am hoping that I can adopt that doll soon. I have also written a letter to the Dracula Castle requesting permission from Uncle Dracula for the same.

Vampire Bat :: You don’t need that doll right now. You are pretty much a scary owl as of now.

Vampire Owl :: No, it is part of my plan to owlify the world. I would need a side-kick, like Robin is to Batman. Otherwise, I know that I am scary and dangerous.

Vampire Bat :: Annabelle doll doesn’t play supporting role. She always does the main role. She is a level five demon, not a level zero vampire.

Vampire Owl :: What? Bad doll. What makes it think that it can get the main role outside movies? Especially when super hero-villains like me are alive?

Vampire Bat :: Because she has pride, and also the rest of those seven deadly sins. It is why she is an evil demonic doll.

Vampire Owl :: I shall rate this movie low.

Vampire Bat :: No, it is me who does the rating, and I choose not for an owlified world.

[Gets the tickets].

What is it about? :: The movie has the same beginning as The Conjuring, with people telling the story of a demonic doll. From there, the movie goes to a flashback which shows John (Ward Horton) and Mia Gordon (Annabelle Wallis) expecting the birth of their first child. But they are attacked by a satanic cult which kills their neighbours and causes terror before the cops arrive. Annabelle Higgins (Tree O’Toole), a member of the occult group marks their wall with a symbol and a drop of her blood is left in the eyes of a doll which was in the house. Even as they throw the bloodied doll away, it makes another appearance at the house after a baby is born and they shift the house. They keep it feeling that the doll made its way to the new house during a quick packing and decides to keep it this time. But strange things begin to happen at the new home, and Mia begins to suspect the doll. She contacts the local priest and a detective, but there doesn’t seem to be a way to stop the terror, or is there a solution?

The defence of Annabelle :: The scares that this movie provides are impressive, just like it was for The Conjuring, even if lesser in a comparison, which should be avoided at each and every moment of this one. There is a very nice creepy environment and chilling atmosphere already created for the thriving of this doll and its scary demons. The way in which the lighting and the darkness are managed can be considered pretty much admirable. The sound effects support the visual horror in an impressive manner. There is one scene when an elevator keeps stopping at one floor full of darkness, and when you think you can avoid this moment by taking the stairs, there is a demon waiting downstairs. There is the moment when a young girl appears and runs towards you and when the door closes and opens, she transforms into something else. There is the bloody guarantee to scare the audience here, and it is something which is not easy to provide. It is time you respect the dolls, and may be after watching this movie, you will.

The claws of flaw :: There are those expectations which make things a lot worse than they really are, and what people expect after watching The Conjuring should be something not less than marvelous, and even as that movie’s fans will surely watch this one, the same has badly affected the opinions which have come out. Considering how much of a big level that movie had left for all the horror movies which were to follow, especially for a flick which claims to be its prequel. Annabelle lags behind The Conjuring with its ideas and the repetition of things that we have seen so many times in our horror watching life, as its plot gets thinner. Even as the end is satisfying, it is rather too predictable and not something that was wanted by those who wanted the evil to end or for the same to thrive. There is no grand success in a pure evil manner, or the end of evil with an exorcism, and also the movie takes a little bit too time to get into full flow of horror and those who are looking for ghosts end up getting restless early itself.

Performers of the soul :: Annabelle Wallis is lovely in her role (with the name of the doll for herself – that’s a nice surprise in the credits section and makes one wonder if it was intentional), but being scared becomes the more important part of her presence, and that indeed seems to work well with her character. Ward Horton and the rest of the cast are left with not much to do, except for a little bit from Alfre Woodard and Tony Amendola. Otherwise, there is not much to do for the actors and actresses, and that is no surprise from a horror movie. Its ddependenceon the performance of its cast is pretty low, as it keeps bringing those moments of terror now and then to minimize the focus on everything else. But the question remains if some more for the acting department would have been good, as this is nothing like The Conjuring, and needed more doses here and there to elevate its status.

Soul exploration :: Annabelle reinforces the faith in the supernatural, and it is always a good thing to have, in a world where people live with the false pride of being everything and believing to the be the centre of the world. Such movies are necessary for the realization that we can’t always know everything, and there will always be things beyond our comprehension. The more we remember about our minuteness, the better the world gets. There might be too many supernatural horror movies which are better than Annabelle, including the two parts of Insidious, Sinister and The Conjuring, and the dolls of Curse of Chucky and Dead Silence surely seems to do better than our demonic doll here. But Annabelle has life of her own, and despite the need to take a few lessons from Chucky, her power as the demonic doll will also stay. Do watch those other two doll movies I mentioned if you missed them. For a review of the former: https://moviesofthesoul.wordpress.com/2014/09/01/curseofchucky/

How it finishes :: People will obviously want to think low of Annabelle due to the high expectations which haven’t come down even after the bad reviews. A number of reviewers from this part of the world had given even better ratings to below average movies like Pizza just because it was produced by Bollywood – is it how the quality is to be decided? Yes, one has to wonder how such a thing should even happen. Lets not come to any conclusions here though, as there is the certainty that Annabelle scares the audience, and any denial of the same directly takes the viewer with such an opinion into the demonic realm where he or she can join the devil. No, Annabelle is nowhere close to being perfect, and it has its moments of struggles. You can ask for many things extra in this movie, but that it clearly a direct result of your deadly high expectations which had ventured too high and as a result had gone to Mars with Mangalyaan. Just remember that there is chance for another movie between this one and The Conjuring 😀

Release date: 10th October 2014 (India); 3rd October 2014 (USA)
Running time: 98 minutes
Directed by: John R. Leonetti
Starring: Annabelle Wallis, Ward Horton, Alfre Woodard, Tony Amendola, Kerry O’Malley, Brian Howe, Eric Ladin, Ivar Brogger, Tree O’Toole, Keira Daniels, Morganna May

annabelle

@ Cemetery Watch
✠ The Vampire Bat.

Deliver Us from Evil

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Vampire Owl :: You are obviously talking about me.

Vampire Bat :: No, I am not. Why should I talk about you now when I am going to watch a horror movie?

Vampire Owl :: You said “deliver us from evil”. I am evil.

Vampire Bat :: No, you are not evil, not even remotely close to being a bad guy.

Vampire Owl :: But I am bad. Super evil.

Vampire Bat :: Owls are not evil. It is impossible. Bats are evil.

Vampire Owl :: You cannot take my right to be evil. I am going to owlify the world and establish my greatness.

Vampire Bat :: As if that is going to happen. You said you would do it before Mangalyan reached Mars.

Vampire Owl :: Damn. It all happens too fast. These strange space related things are not covered by the vampire newspapers.

Vampire Bat :: I would say that it is more due to your brain’s clock working so slow.

[Gets into the theatre].

What is it about? :: A cop Ralph Sarchie (Eric Bana) is going through some strange situations, as weird incidents happen in the city, and some of them has almost no reason or solution. A Spanish priest Mendoza (Édgar Ramírez) tries to convince the police officer that these incidents have something with it than what meets the eye. There are three former soldiers from Iraq who seems to be involved with the crimes that has occured in the city, and the priest warns Sarchie that it is beyond the human comprehension as there are two types of evil, primary and secondary, and it is only the second about which the humanity can find answers with its ability to understand things in the scientific way. At first, the cop refuses to believe that the three men are possessed, but he might not be able to hold on with that viewpoint for too long, as things go out of control, and it affects even his own relationships with his wife and daughter.

The defence of Deliver Us from Evil :: The scares are surely working, especially with a number of scenes in the basement which brings the best out of horror. The atmosphere is creepy, and is successfully kept that way and the tension is efficiently maintained. The darkness and the rain are two elements that nicely supports the shocks that the movie dares to come up with. The movie nicely manages to stay in control with the blood and gore elements as well as the horror, and this intermediate path which it has taken can make it a safer bet. There is an attempt to explain evil with the need for faith, and there is some skill in the characterization of the two leading characters who go on to fight evil. The moments in the zoo and the basement of a family with a complaint are two very nicely done scenes, invoking terror as well as mystery, and a certainty that there is something yet to come. The cast is also a fine boost for this movie.

The claws of flaw :: The movie needed a lot more explanations about what is happening around with demons possessing people and making them do things, and by passing through the portal into this world from the other dimension, the question would remain about what they achieve other than scaring people and in the process, killing a few. There had to be a plan which isn’t seen anywhere here. A comparison to The Exorcism of Emily Rose and Sinister which comes from the same director is not possible as this belongs to a lower level, and any comparison to The Conjuring is clearly impossible. The movie should have used more special effects, and it could have given a much needed boost to the scary sequences. The end scene is also weaker with a usual exorcism performed in not that powerful manner as it was expected from the way the movie was working with its creatures from the other world. The second half is weaker compared to the first which was an impressive start.

Performers of the soul :: Eric Bana is in full control of things here in one of my favourite performances from him ever. There is something about him that makes him good with this character, and I would guess that his looks and style is pretty much best suited to playing this role. Édgar Ramírez also has left a mark as the new generation priest who has kept himself modern, but has still remained within his priestly world. I remember him mostly as Ares from Wrath of the Titans, and here he seems to fit in better. The prettiest one around, Olivia Munn has an admirable stay, and her character has presence, but she is left is not much to do in a world of demons repelled by one priest and a police officer. Sean Harris as Santino is impressive with his possessions and nicely compliments the horror elements of the movie with his performance. Meanwhile, Joel McHale is also good in his supporting role. Olivia Horton also delivers some terror with her role as the possessed lady.

Soul exploration :: The movie is based on the real life experiences of Ralph Sarchie recorded in his book, Beware the Night also co-written by Lisa Collier Cool. I would guess that it would add to the spookiness and surely has me wishing to read the work some day – it would be difficult to get it here, but there will be a way. The title of the movie is the ending of the Lord’s Prayer. It is that need to be saved from evil that we can see in this movie. There will always be things which are not in our control, and humanity’s minuteness and vulnerability are among those factors which will solidify the same fact. It is a clear thing that we can’t know everything, and no mater how or to whom we pray, there is something that prayer can always do. There is evil in this world, and however we categorize them, there is the need for God’s grace to save ourselves. The free will is there, but it is not the permission to do evil; as there is the presence of sinister forces at work, and only by goodness and faith that one can be redeemed.

How it finishes :: The reviews from critics which were negative, has now improved and the movie has come close to getting a fifty percent, and I would expect it to increase further as the opinions from most of my acquaintances have been quite positive. The other movie of the week happens to be November Man which should have its own audience due to the presence of Pierce Brosnan. Surprisingly, Lucy and The Maze Runner are the movies which stay on to this week, and I wonder more about the former, as it seems to have stayed there so much longer than it was expected to thrive. Deliver Us from Evil should be the movie of the week, and it is going to be replaced by Annabelle as the most awaited horror movie of the year. There is also that expectation for Haider the Hindi contemporary adaptation of William Shakespeare’s Hamlet along with the seemingly dumb remake of Knight and Day which has been named Bang Bang! which attempts to repeat what Besharam did during last year’s Gandhi Jayanthi. Let’s hope that horror will find a way to thrive!

Release date: 26th September 2014 (India); 2nd July 2014 (US)
Running time: 118 minutes
Directed by: Scott Derrickson
Starring: Eric Bana, Édgar Ramírez, Olivia Munn, Sean Harris, Joel McHale, Chris Coy, Olivia Horton, Dorian Missick, Rhona Fox, Valentina Rendón

deliverusfromevill

@ Cemetery Watch
✠ The Vampire Bat.

The Maze Runner

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Vampire Owl :: We are here at the exact time.

Vampire Bat :: How many times do I have to tell you that we have to reach the theatre before the movie begins?

Vampire Owl :: I am punctual with an awesome timing. So we should be here only when the movie starts. Otherwise, we will be bombarded with stupid commercials.

Vampire Bat :: There are no Vicco ads at this multiplex. This is Vicco-free

Vampire Owl :: There will still be a Katrina Kaif with a juice or chocolate.

Vampire Bat :: Stop solving the maze. You haven’t even seen her bathroom ad yet.

Vampire Owl :: What? You don’t tell me anything. You didn’t even talk to me about the uncensored version of 300 part two.

Vampire Bat :: But you did notice in the theatre that something was cut.

Vampire Owl :: Damn. I thought it was the blood and the flying body parts that they cut.

Vampire Bat :: This is why you are never promoted in the vampire ranks. You solve the maze before it is ever built.

[Gets the tickets].

What is it about? :: A boy wakes up in a box carrying supplies in an elevator, and is joined by a group of other boys who welcome him in an open area and makes him a member of their group. This boy whose name is discovered as Thomas (Dylan O’Brien), soon finds out that they are all trapped in an area surrounded by a maze with just one opening. They are all trapped in a rounded area filled with vegetation, which they call the glade. A new boy is send up in the elevator with supplies every month, and only when it is emptied that the elevator goes back down. Now they have started a small civilization there, and remembering only their own names, the boys are hoping that they can one day find a way out through the maze which is filled with dangers, including the consistently shifting mechanism of the maze which can squeeze whoever is inside, and the creatures of the night known as Grievers who roam around inside the structure. They train runners and make them travel through the maze during the day to be back at night, hoping to find a way out.

The defence of The Maze Runner :: The movie has the strength of some scares, especially with that great environment that it creates, and it is a significant thing that it is generated even without much strain but from the premises. The situation is about being locked in the middle of a maze, with no contact with the outside world, or the hope to escape and see what happens around. In the case of an escape, there is painful death awaiting, and that much they make clear. The maze is nicely designed with the addition of scare elements and the creatures which look a lot like mechanized spiders, and the atmosphere is a success. The suspense element stays strong too. The progress of the tale is nice, with the maze and the glade nicely explained and the incidents happening like they should. The best thing is that even as there is only one girl in the glade, there is the absence of a love triangle (or even rectangle) – not going there itself is a gain, and there is no romance as one would expect from a movie like this, keeping its mystery and terror alive without side-effects. The actors do their job, but almost everything is about the central character.

The claws of flaw :: The movie leaves with more questions than answers with which it struggles to provide, something which can get better only with the sequel. We don’t know much about most of things in this movie, and also about what is the right information, and what the wrong one is. The emotional side is pretty much weak, with no real attachment between the characters other than what is implied. Most of the characters including the heroine remains less interesting characters, and there are parts of the plot where things are rather rushed; the fans of book will surely complaint about possible deviations too. The movie could have used the maze more, especially in providing more mystery as our people unlock parts of it as we come to know about it. The scary stuff could have also had some boost with the darkness and the trees better twisted. There should have been more running in the maze suiting the title, and the need for more theories about the maze, its working and surprise attacks from the creatures, all would have boosted this movie, especially when it has that shortage of steam in the middle.

Soul exploration 1: Dystopian world :: The Maze Runner leaves us with a maze to think about. It is a lot like that labyrinth which was built by Daedalus for King Minos of Crete, which had that mythical Minotaur waiting to claim its victims. The half-man half-bull creature was slain by Theseus with the aid of Ariadne, and here, the story of monsters lives on. But what remains outside is the story of a dystopia, like what we had seen in Divergent and The Hunger Games, as a group of people are left in a world detached from the rest, controlled by some unknown people. There is also something from the Lord of the Flies as the boys struggle between themselves and their beliefsThey fight for survival here too, somewhat like in the games, but supporting each other and fighting an external force. Here, the divergent is the protagonist called Thomas, and he finds a way even as he is another newcomer like Beatrice Prior who becomes dauntless, and also showing the courage of Katniss Everdeen. Another fact is that there is another possible dystopia waiting for them outside, or is it extinction? Only those who have read the next books will know.

Soul exploration 2: Need for travel :: The glade is more like home, and we can see that there is reluctance from some members of the group to leave the place and enter the maze of troubles, which reflect what we see in out world. The maze of life is a difficult place to be, as we struggle to go through the same and nobody gets out of life alive, as we know it. The dangerous place that is life, calls us, but our reluctance to go into the world will only save our lives from the trouble that awaits us. Meanwhile, the glide protects its inhabitants and provides the people with the much needed safety of home. But can we be sure about the same? What if something better awaits us on the other side of the tricky and dangerous maze? It is only by travelling that we come to know about the same. Yes, the movie somewhat reflects the same, as we have the chance to go out there and explore, and only then, there will be choices. Such an uncertainty awaits us, and if we wait like the boys in the glade, we will never know; it is the risk factor that will define us.

How it finishes :: The Maze Runner ends the season of English movies coming late to this part of the world, along with A Walk Among the Tombstones which was my first preference for the weekend due to the presence of Liam Neeson. But thanks to the stupid timings that the multiplexes have kept for this movie, I might not be able to watch it, but I might still think abut giving it a try if circumstances are more favourable. For now, The Maze Runner seems to be the only movie of the week for me, and I am pretty much happy that I had chosen to watch it. It has also inspired me to read The Maze Runner by James Dashner some day, as there have been talks about some differences which are there and has affected the movie both positively and negatively. Lets also wait for that sequel which has a lot of things to tell us – here we await those answers to the questions which naturally springs up in the mind and leaves us not satisfied enough. Lets hope that this won’t get degraded like the Mortal Instruments and Twilight franchises or even as The Host.

Release date: 19th September 2014
Running time: 113 minutes
Directed by: Wes Ball
Starring: Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster,Will Poulter, Ki-hong Lee, Blake Cooper, Chris Sheffield, Aml Ameen, Alexander Flores, Jacob Latimore, Dexter Darden, Randall D. Cunningham, Joe Adler, Patricia Clarkson

themazerunner

@ Cemetery Watch
✠ The Vampire Bat.

Sin City II

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Vampire Owl :: Didn’t this release long ago?

Vampire Bat :: No, there was a delay. I think the Indian censor board was concentrating heavily on this for many days, and they have finally managed to cut a lot of this movie and released it last Friday.

Vampire Owl :: They waited all these days to release this on Onam?

Vampire Bat :: Yes, as Onam has colourful flowers, they would balance it with this colourless movie.

Vampire Owl :: I wonder how much they would have cut.

Vampire Bat :: I would guess, half of it. They have very good scissors, and from what they have been doing, I shall not dare to doubt their skills.

Vampire Owl :: So, they want us to watch this movie on the computer, right?

Vampire Bat :: That should be the reason. Otherwise, I see no reason why they cut too much and still give a movie the adult rating. May be they can have a 21+ and 25+ rating for the movies too.

Vampire Owl :: My question is about that dame for whom it is to kill. May be we can collect blood for her too.

Vampire Bat :: Lets watch this and find out about her then.

[Gets the ticket].

What is it about? :: Sin City 2 has three stories, all of the happening at the same place and having relation to each other. One is the tale of Johnny (Joseph Gordon Levitt) who beats Senator Roark (Powers Boothe) in game of cards and the loser is not really happy about it. The powerful man wishes to get back to Johnny and his new girlfriend Marcie (Julia Garner) for humiliating him in the game. At the same time, Nancy Callahan (Jessica Alba) is seeking vengeance from the same man who had killed the man he loved. She lives an alcoholic life, being a bar dancer and at the same time, hoping to murder the evil man. The third story has Dwight McCarthy (Josh Broslin) attempting to free his former lover Ava Lord (Eva Green) who seems to be in a terrible relationship with her husband. In the middle of all these, there is Marv (Mickey Rourke) who seems to be part of the whole thing like the blood is to the veins. As things happen in Sin City, there will be blood, death and more vengeance.

The defence of Sin City: A Dame to Kill For :: This sequel should be a much awaited one for the fans, and it is nice to have one after nine years after the first adaptation of Frank Miller’s comics on the big screen. This was even a longer wait than one had to do for 300, and as some people might have forgotten about the same, a few others might have been still eagerly waiting. The return of the franchise is with a more powerful cast, even as Bruce Willis’ presence is minute. The style of the original continues in this movie, as there is lot of violence even as most of them are not really shown directly on the screen (can’t comment that much on the sex and violence and the censor board has been working its scissors so well with this one). The colourless world and the slight infiltration of the colours that we see in this movie, is something that I like a lot. There is a visual beauty in this absence of colours and the sudden appearance of some of it at certain point, catching our attention; may be its nostalgia or the love for such variation, for I am not sure.

The claws of flaw :: I haven’t watched the first movie of the franchise, but it seems that the original was better, as said by a number of people I know. There are problems in the story for sure, at moves on without any aim, and the inter-linking is not that awesome as one would think that it would be. There is the way in which it is presented, and the absence of colours might not be good for most of the regular viewers, and I could feel that in the theatre. The movie also dares to slow down, and at the same time not give enough for the viewers to ponder about. The action could have been nicer too, and the protagonists should have had more to do rather than moving along in predictable lines. At the end of the movie, one ends up wondering if he or she has got enough of the idea behind this movie, or did most of it go with the scissors of the censor board – it is clear that they have cut again and again in this movie, and the same has affected and disfigured this movie further at this part of the world. May be this can work better without those scenes cut, but can’t say that now.

Performers of the soul :: One can only accept that he loved Eva Green on the screen like no other. She is sensational as well as sensuous on the screen as the woman who seems to be at the centre of Sin City, creating enough to make that name sound truer as well as better for the human ear, for she was that good there. She is a wonder case of twisted evil here, and as Powers Boothe is excellent also a powerful villain, Eva takes over in a more serene manner. Jessica Alba was also impressive, but her score is more with her stunning looks and expressions rather than the rest. Mickey Rourke is perfect fit for this role, and one ends up clapping for him more than any other. Josh Brolin is also very good, and one has to admit that he is also a nice one for this movie. Joseph Gordon-Levitt is okay, but that story had nothing much. Rosario Dawson and Jamie Chung looked not that much needed for the tale. Bruce Willis wanders around as a ghost, for which there is no appropriate reason. Among the rest, I would vote for Juno Temple, even though it was rather a small presence.

Soul exploration :: Sin City 2 successfully creates its world, the monstrous city of sin and crime. The images and the colours that it uses catches our attention well, and helps us to relate well with the crime universe which exists inside the movie, and this time it is in 3D. There is too much evil going on in this movie, and the mood for the same is nicely created, the feeling is that we are really watching a very dangerous and crime infested place. It is a world to be transported into, and if you don’t want to feel that the same, it is to be avoided. There is a certain amount of admiration required for this genre as well as the action movies as a whole, and otherwise you might not want to watch this. It might be easy to choose not to watch this one if you prefer the Bollywood masala movies full of colour and music. You needn’t watch this movie if you didn’t like the first movie either. I have known many people expecting something else and watching this movie, not really liking it. I would say that you have to know what you are going to watch on the screen.

How it finishes :: Sin City: A Dame to Kill For becomes that comic on screen like not many movies have achieved before except for may be its prequel, but I haven’t watched that yet. You can watch this movie just for its variety in style and the cast, especially Eva Green, Jessica Alba, Mickey Rourke and Josh Brolin. It is not often that you will manage to watch such a movie, and considering the reactions and the box-office collections of this movie, as well as situation at the theatre, I would wonder if such a movie will set foot at this part of the world. There is the need for colour in this part of the world, and especially this is that week of Onam which demands colourful flowers, but this is more of a black and white movie with slight colours in between. One has to wonder if anyone other than me would watch a non-Malayalam movie for Onam; even I doubted the same myself, but decided to go for this one as timing of the show as well as the situation was more suitable for Sin City: A Dame to Kill For.

Release date: 5th September 2014 (India); 22nd August 2014 (US)
Running time: 102 minutes
Directed by: Robert Rodriguez, Frank Miller
Starring: Mickey Rourke, Jessica Alba, Eva Green, Jaime King, Jamie Chung, Josh Brolin, Joseph Gordon-Levitt, Juno Temple, Rosario Dawson, Bruce Willis, Powers Boothe, Dennis Haysbert, Ray Liotta, Christopher Lloyd, Jeremy Piven, Christopher Meloni, Alexa Vega, Julia Garner, Lady Gaga, Marton Csokas, Jude Ciccolella, Crystal McCahill

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@ Cemetery Watch
✠ The Vampire Bat.

Curse of Chucky

curseofchuckyy

Vampire Owl :: Chucky who?

Vampire Bat :: Chucky of Child’s Play? The doll that kills?

Vampire Owl :: Okay, I need one.

Vampire Bat :: It is not available in the market yet. That thing is just in the movie for now.

Vampire Owl :: This is unfair. I don’t even have an Annabelle doll yet.

Vampire Bat :: I shall tell the Lich Queen to gift you one for Halloween.

Vampire Owl :: Can I have her crocodilia animiatia spell with it? She likes me, right?

Vampire Bat :: I have to ask her for the Halloween offers, unless the day is re-located to the Valentine’s Day as both of them are the same in spirit.

Vampire Owl :: It is time they make such dolls locally available. I can’t even have a doll; this is why the world is going to end.

Vampire Bat :: Watch this and be prepared, then.

[Gives the DVD].

What is it about? :: Nica Pierce (Fiona Dourif) suffers from paraplegia and lives with her mother Sarah Pierce (Chantal Quesnel) in a big house away from the busy life of the city. One day, the Chucky doll (Brad Dourif) arrives at home by mail, and there is no idea why it is there and who sent it. But they decide to keep it anyway as it is just a cute little toy. The next day, she finds her mother dead and it is thought to be a suicide. The very next day, her sister Barbie Pierce (Danielle Bisutti) arrives, accompanied by her husband Ian (Brennan Elliott), their daughter Alice (Summer H. Howell), the kid’s nanny Jill (Maitland McConnell) and a priest named Frank (A Martinez). Alice develops an instant liking for the doll, and Nica is happy that it could be use to someone. But strange things happen, as the poisoned priest dies as he goes back home driving his car, and Jill is electrocuted to death. Meanwhile, Nica finds some information about the doll from the internet which details the doll’s connections to murders and a serial killer. But will anyone believe her?

The defence of Curse of Chucky:: This movie comes after nine years of wait by the fans of the genre, and only one movie within the fifteen years of two movies. It is the result of such a long wait which was finally fulfilled. This might be the best appearance of Chucky too, as he is back with a clear mission, something which he executes with so much focus and vigour. There is more creepiness with the doll this time, and there is not much for a funny side as he takes over the objective with seriousness. There is lot of blood out there and there is the much needed creepy atmosphere nicely worked out. The plot is nicely reinforced by the addition of a flashback and there is more logic in how this tale goes. The whole world of the group of people in a house in the middle of nowhere, fighting for survival from a doll which they don’t know as the villain – it is a treat. It is Chucky, and he will keep coming back for you until he gets your attention, because he wants to play 😀

The claws of flaw :: The long wait after the last movie of the series also works against the same, because not many people remembers about the previous one. The effect that The Conjuring 2 has, won’t be that much if the title is delayed for too much time. There is also a lot of stuff that you are familiar with, and this is after all, just another slasher movie at its core. There could have been more variety in the killings too, and a more suspense could have been used with the doll and the murders that it committed instead of letting the viewers know how it got into actin so early – but it won’t be a suspense in manner as we all know that Chucky is the one doing all, right? But that should work for the people new to the franchise. There was also the scope for Chucky to be more evil, and hope it is used better in the case of another sequel. Chucky should always do more, because he has that kind of a legacy to keep, as one of the first dolls ever to scare me during my childhood – it took me long to be interested in a doll again; and then there were little toy racing cars for me.

Performers of the soul :: It is impressive how well Fiona Dourif played the damsel in distress who fought back to be only damsel causing distress to Chucky. From her wheel chair, she causes more trouble to the doll than the others who claimed to be smarter, and she has done that role which so much power, and she carries that throughout the movie. Not many killer souls will be happy about being beaten up by such a girl, and here Fiona Dourif does that in such a convincing manner. She doesn’t do the same throughout though, as she varies in her situations, from the cute pretty girl on the wheel chair to the sad daughter and the frightened girl in trouble and finally to that lady fighting for survival against a serial killer doll. With the same, we also have one of the most frightening dolls of all time at work, and who needs humans when we have such awesome killing dolls? Sorry, Freddy Krueger and Jason Voorhees, for the latest slasher score goes to the doll character.

Soul exploration :: Curse of Chucky, just like most of the movies of the franchise, is horror right from the soul. There is the soul of serial killer in a doll, and there are not many better souls that a doll can have to create trouble. A person caught in a doll is pretty bad, and this one is a serial killer, not a regular ghost who would just be terrifying – but here the killer chooses to be his sadistic self, and this is where the movie has the potential to be so wonderful, and this is why Chucky is special. The only other movie which used the dolls so well was Dead Silence, and there it was the ventriloquist doll. Remember that it also had a doll coming by mail and nobody knowing where it came from. They might have been more of puppets, but they were dead scary, and no one can deny them that. Dolls might be cute gifts for the kids, but they can be nicely used in the horror genre, and lets hope that the upcoming movie Annabelle uses it well as the spin-off should be as good as The Conjuring itself. The real name of the heroine of that movie is also Annabelle – now that is strange 😀

How it finishes :: I have been a big fan of the Child’s Play franchise and its awesome doll. This franchise which has celebrated its silver jubilee and having six movies, all of them being fine, even as I don’t have that much high an opinion about the last two before this. It was going through a rather comic route at times, but here we have it back in the full horror. The movie had all the potential to be another bad horror movie hoping to have success by the name of the franchise itself. But Curse of Chucky brings it back up to the powerful horror side where it belongs. It is a case of happiness for the horror fans to have their favourite doll back in all its horror glory. It is the highest rated movie in the franchise by the critics, and it is well deserved, because it would have been easy to go the wrong way at this age, being just another horror movie which doesn’t scare. I am looking for the android game Chucky: Slash & Dash right now, hoping to get it some day 😀

Release date: 8th October 2013
Running time: 97 minutes
Directed by: Don Mancini
Starring: Fiona Dourif, Danielle Bisutti, Brennan Elliott, Maitland McConnell, Chantal Quesnel, Summer H. Howell, Jennifer Tilly, A Martinez, Brad Dourif, Kally Berard, Anne Leveille, Kyle Nobess, Kevin Anderson, Alex Vincent

curseofchucky

@ Cemetery Watch
✠ The Vampire Bat.

TMNT

Teenage_Mutant_Ninja_Turtles (2)

Vampire Owl :: So we are going to watch Megan Fox.

Vampire Bat :: We are going to watch some mutated turtles who got ninja training and claims to be teenagers.

Vampire Owl :: Okay. We are going to watch one fox and four turtles. Still, I will watch the Fox more.

Vampire Bat :: It is quite obvious that we will watch Megan Fox more. But this movie is still about turtles.

Vampire Owl :: But the real turtle movie was in Malayalam. It was called Annayum Rasoolum. But it was neither for teenagers or mutated.

Vampire Bat :: That was the snail movie. Turtles are actually faster. The movie might even lose a race to a random snail.

Vampire Owl :: How can you be sure that turtles are faster? What if there is a turbo mode?

Vampire Bat :: Because turtles have legs?

Vampire Owl :: Why are we even talking about turtles when there is Megan Fox?

Vampire Bat :: Because we have to remember the name at the counter.

[Goes to the ticket counter].

What is it about? :: April O’Neil (Megan Fox) is a reporter who keeps looking for some big story which can take her status at the news office to a higher level. For the same, she attempts to gather some information about a criminal gang called the Foot Clan, but ends up seeing the goons being defeated by some shadow-like figures which comes out of nowhere and disappears. As she has no proof about the same, nobody really believes her, and she sets out to find more information about the same. The Turtles Leonardo (Johnny Knoxville), Michelangelo (Noel Fisher), Donatello (Jeremy Howard), and Raphael (Alan Ritchson) soon come in contact with her and she is caught in a battle between Foot Clan lead by The Shredder (Tohoru Masamune) and his wealthy and influential student Eric Sacks (William Fichtner) and the turtles. But the evil plan of the gang seems to be much more than just random robbery, smuggling and other criminal activities, as it turns out that the major objective is much more than all of those. But are the turtles and April good enough to stop the same?

The defence of Teenage Mutant Ninja Turtles :: The movie’s title itself explains what is to be expected from it, as there is basically nothing else about this movie other than the four crime-fighting reptiles with one heroine. The action sequences are very well done here, and there are lots of nice ones, even as some of them might be a bit difficult to follow with the pace. The special effects are very good and the turtles are nicely detailed even as there can be the doubt about it suiting the current creative imagination. The funny side works up-to an extent. The stunts are very good in 3D and they look even better when the action takes place with such a such a great background atmosphere – the tunnels, the rooftop and the scientific laboratory with its surrounding snow covered world are those premises where the stylish fights take place. There is lot of style involved along with the destruction and particles being thrown at you in 3D making good use of the technology. Three of the turtles other than the flirt are okay, but may be they wanted to prove that even turtles love Megan Fox, the most gorgeous one?

The claws of flaw :: This movie is basically about talking reptiles which can talk and turtles which can move faster than trained humans. But this movie made about walking humanoid turtles turns out to be immature for the adult viewers. I am pretty sure that I would have enjoyed this movie if I had this opportunity about fifteen years ago, and that would have been the right moment for me to go for this. But for an average adult audience, this should look pretty much stupid and silly for most of the time. The turtles are also somewhat irritating, while the Michelangelo one completely destroys the name of that Italian Renaissance painter with too much ridiculous dialogues. The characterization is just made to differentiate between the turtles and nothing else is worked on, including the roles of the villains as well as our heroine. The movie also goes on predictable lines, with an investigator looking for news, and a few heroes being trained by someone, and the villains who wish to spread chaos in the city for making money and fame. The movie needed more attention in its working, and the turtles needed re-working for the age.

Performers of the soul :: Even as this is all about the four turtles, Megan Fox becomes that leading lady and the one human character which steals all the attention. She plays the only positive non-CGI character that is there to catch our sight. She looks extremely good throughout the movie and there is no doubt about the fact that there is only one gorgeous lady who gets all the attention. It is just another role which follows the usual stereotype stuff, and yet it is clear that she has done what was expected from her in such a movie. I doubt if something more was actually expected when such a shallow character was given to her. Yes, everybody knows why she is there, and the obvious fact that she is a reason for people to be happy even if everything goes terribly wrong. Meanwhile, William Fichtner turns out to be a good villain there. Then there are the turtles and one rat, plus the villain in the armour, all of them going in a typical comic book style, with nothing special there – add one possible boyfriend there too for the lovely young lady.

Soul exploration :: When we say Teenage Mutant Ninja Turtles has no soul, it should be mainly about the characters in this movie, especially the major protagonists, and that is indeed the case here. There is just that collection of names of the Italian Renaissance painters which is not going to make Florence any happier. The movie attempts to go through their characters, and the one rat father figure, but that doesn’t work too well. The turtles remain weird and leaves not much to relate, while Megan Fox has a character to play with all the one-dimensional qualities reflected clearly. This should be a major reason why the rabbit might actually win the race for a change, and can we not bet on him for going past such lazy turtles with ease? Wasn’t that always supposed to happen? There was always that long lost animated series which we used to watch as kids, and loved – but this one doesn’t live up-to the strength of those works. May be we can somehow watch them and also get those comics which I never had the opportunity to read.

How it finishes :: Twenty one days after its release in the United States, Teenage Mutant Ninja Turtles finally releases in India. It has been a long wait, and considering the time spent thinking that it will release tomorrow, or another tomorrow, this didn’t prove to be worth it. This is also the highest rate I have paid for a movie in the last few months, and it did make me wonder if it was money well spent. Step Up: All In has also released here, and its fate is yet to be known. Teenage Mutant Ninja Turtles has still managed to bring in its own audience, including children, families and the youth, and it is quite surprising with the reviews it had got, not many positive ones there. There is a sequel coming up in 2016, and one has to wonder what fate it will bring, even as box-office seems to be bright for this movie – that is one thing it can boast about, being a financial success, something which can be safely associated with almost all the superhero movies with all the action and special effects. Otherwise, you can always watch a movie like this for Megan Fox – the centre of this solar system.

Release date: 29th August 2014 (India); 8th August 2014 (US)
Running time: 101 minutes
Directed by: Jonathan Liebesman
Starring: Megan Fox, Alan Ritchson, Jeremy Howard, Pete Ploszek, Noel Fisher, Will Arnett, Danny Woodburn, William Fichtner, Johnny Knoxville, Tony Shalhoub

teenagemutantninjaturtles

@ Cemetery Watch
✠ The Vampire Bat.