Before I Wake

Posted on January 12, 2017 by Tennyson

Vampire Owl: Do I get to make a sentence with this title?

Vampire Bat: What are you talking about?

Vampire Owl: I really wanted to make a sentence with these words as those school children do.

Vampire Bat: Why do you want to imitate school children when we are self-taught and vampire-learnt?

Vampire Owl: I just want to try it once like they do.

Vampire Bat: Okay, come up with the sentence.

Vampire Owl: Before I wake, I remember that I need to brush my teeth.

Vampire Bat: This is the most ridiculous sentence that I have heard – you never brush your teeth. And you should remember that before going to sleep, not after falling asleep.

Vampire Owl: I do brush my teeth, but I do that only in secret.

Vampire Bat: Secret? It is not like you are planning to bring the end of the world.

[Gets three cups of masala tea with banana chips].

What is the movie about? :: The married couple of Jessie (Kate Bosworth) and Mark (Thomas Jane) Hobson makes the decision to adopt a child after their young child dies all of a sudden, and as they realize that they can’t be parents biologically anymore. They haven’t really recovered from the loss of their only child, but they decide to go on with the adoption anyway hoping that it will make them forget and provide a child with a better life. The one whom they adopt is the eight year old boy Cody Morgan (Jacob Tremblay), who was adopted many times, but had to return to the foster home for a variety of reasons. After not much of a thought, they decide that this is the child for them. Even though Jessie is a lot more concerned with parenting after the unexpected death of her son, she decides to bring all the love to Cody, and so does Mark.

So, what happens next? :: There are just happy moments with the three around, and they get along really well. Cody seems like a good child, and the the couple leaves nothing behind in loving him. One night, the couple are surprised to see beautiful butterflies of different colours fly across the living room. But when Cody wakes up, things get back to how it used to be, and the butterflies suddenly disappear without leaving any trace. Another night, after talking to Cody about their dead son, they find the child standing in front of them at the main hall, and see him disappear when Cody wakes up. Jessie is fascinated by this, and shows him many videos of his son so that there is a better chance that Cody dreams about him when asleep – she also tries to keep him asleep so that he can dream. But there is more to his dreams that they know – and it will be revealed soon.

What all awaits in the dreams and nightmares? :: Cody talks a lot about The Canker Man (Topher Bousquet) who is always with him. As this person is supposed to arrive when he is asleep, he mostly stays awake reading about butterflies and other nice things. He often talks about this creature having eaten his mother, and keeps making sure that this shadowy creature is not present around him just before going to sleep. With all these powers that Cody’s dreams have, there is only more that the powerful nightmares can do, especially during a bad day at school or at home. It is certain that nobody believes him when he talks about it, and not many people who have seen it remains alive, with the rest of them in the mental asylum. With such dark power waiting to be unleashed, does the couple realize what they are going to face?

The defence of Before I Wake :: Well, this is not the horror-fest that we need, but the beautiful horror that could do even better. There are enough scary moments, and along with the same, the main idea is superb – to have a mind that could create things, but good and bad, through the dreams which become reality; you sleep, but what you have in your dreams and nightmares become the reality for the people who are awake. When you are not in control of these, you don’t wish to sleep at all – nobody can blame you for the same. There is a nicely designed creature here, and the same can be said about the environment as well as the world that is created inside the dreams and nightmares. Mike Flanagan has provided us some of the most interesting horror movies including Ouija: Origin of Evil and Oculus, and Absentia and Hush are two highly rated ones from him too, with Gerald’s Game coming up based on the Stephen King’s novel of same name. You can always expect something special when he is around.

The claws of flaw :: This one could have surely added more frightening moments, and also should have picked up the pace faster in the beginning stages. We do have an idea early enough, but things just move rather slowly during those times. The Canker Man, the monster, should have been in the movie for longer too – so could have been the use of his powers, with sleeping and dreaming being part of the action on screen when least expected. With the scope for imagination to run wild as this is about dreams and nightmares, one is sure to say that this movie could have easily made it into the list of favourites on many lists with more attention. There could have been something similar to the magic which Guillermo del Toro had created with his creatures in more than one movie, but this one’s focus keeps shifting from what was its biggest strength among them all – the nightmare creature, or the Canker Man.

How it finishes :: There is one thing that we can be sure about – it is that Before I Wake is more than just a horror movie; it dares to be different in its treatment of its monster and how things change to reach that end which leaves a smile on our faces. It ends with more of a beautiful feeling than anything else – it is something that horror movies don’t usually have. As Kate Bosworth provides with a performance that makes us feel the dreams and nightmares, happiness and sadness, life and death – all at one place, we are made sure that this is the horror movie which is not just about being terrifying, but also about something more than that. It is the success of this kind of a movie that we see here, which is part a fairy-tale and also a horror movie, being the kind of movie that we wish to watch before we go for sleep and have our daily dose of dreams and nightmares. Here we have those which make Crimson Peak and Mama proud.

Release date: 31st July 2016
Running time: 97 minutes
Directed by: Mike Flanagan
Starring: Kate Bosworth, Thomas Jane, Jacob Tremblay, Annabeth Gish, Dash Mihok, Topher Bousquet, Scottie Thompson, Justin Gordon, Kyla Deaver

@ Cemetery Watch
✠ The Vampire Bat.

10 Cloverfield Lane

Posted on January 11, 2017 by Tennyson

Vampire Owl: I have an intense desire to say no to this movie.

Vampire Bat: Why would that be so? Is it your death anniversary?

Vampire Owl: No, it is because I have watched the 2008 movie called Cloverfield.

Vampire Bat: This is the sequel for that movie, but is not really a continuation of the same.

Vampire Owl: That makes things quite bad.

Vampire Bat: A spiritual successor to the 2008 movie, as they say.

Vampire Owl: I couldn’t stand the 2008 movie. It was as terrible as the usual found foootage movies.

Vampire Bat: And we do wonder why the critics like such an immature genre so much.

Vampire Owl: You call it a genre? I call it a disaster.

Vampire Bat: Well, this one is not found footage. The camera is good here and they use it well this time.

[Gets three cups of masala tea with jackfruit chips].

What is the movie about? :: Michelle (Mary Elizabeth Winstead) drives through the countryside after having an heated argument with her lover whom she was hoping to marry, but meets with an accident on the road and losses consciousness. She wakes up with injury on her leg, chained to a bed in a cellar with no idea where is she is or how she reached there. Her questions are answered by a man called Howard Stambler (John Goodman) who comes there and unchains her. He tells her that he saved her life, as it was certain death out there. The world has been devastated by a massive nuclear or chemical attack, most possibly by aliens or maybe even from an enemy country. The air outside is contaminated and people are all dying out there. All those whom she loves should have already died and there is no hope outside.

So, what happens next? :: Michelle finds it difficult to believe him at all. Then she meets Emmett (John Gallagher Jr.), how is Howard’s employee, who had helped him build this bunker and had forced his way in there when something terrible seemed to happen outside. She realizes that Howard has been planning this for a long time, as he got ready to face the apocalypse – he always believed that the world was going to end soon, and he had to surive; this idea from him had even kept his wife and daughter away from him. Howard shows Michelle two dead pigs outside the bunker with terrible sores on their bodies which seemed to prove that the air is contaminated. But at the same time, she sees the pick-up truck which had hit her car causing the accident, and it makes her wonder if it is all something planned to keep her a captive.

The defence of 10 Cloverfield Lane :: There are so many questions in 10 Cloverfield Lane, and there are twists all around, as the suspense is maintained right till those final moments in the bunker. Throughout the movie, there is the question if there is some attack going on outside the bunker, or is it just a lie used to keep the girl a captive – there is also the doubt about what all are outside – are they aliens, demons or an enemy nation bringing the war to the United States? You don’t know the exact answer for most of the movie. Despite this lack of answer, there is always the feeling of danger – we never really get to see the outside world till the final moments, but there is so much tension that we know that something really bad is going to happen, and the only question is if it is from an outside force or from the humans inside. The doubt is if they are safe inside the bunker or outside it. This is the mystery that you need.

The claws of flaw :: There will always be people who wishes for this movie to go the usual way, and there will be the fans of the first movie looking forward for this movie to follows the same path – but both of them are not going to happen here. There are also moments when you feel that the movie is stretched, and also those scenes outside the bunker which won’t do that much justice to this movie as a whole. There could have also been more scares, even without seeing what happens outside. There could be darkness and there could easily be nightmares that could have ruled the world underneath – but 10 Cloverfield Lane takes a more direct approach which is effective in another way, but without the quick and surprise scares. This movie also asks you to get into the setting, which you will need to do to get the maximum effectiveness – with the minimum resources and maximum effect, that may not be possible for everyone.

Performers of the soul :: Mary Elizabeth Winstead is the kind of actress whom you can choose for this kind of a movie without second thoughts – she has been nothing less than amazing in this role which had so much focus on her, as the central character – the leading lady as well as the protagonist; the survivor who needs to make it through the whole thing. Most people must have seen her as Bruce Willis’ popular character John McClane’s daughter Lucy in Live Free or Die Hard and A Good Day to Die Hard, the two of the last Die Hard movies. We remember her more for Final Destination 3 though – yes, the one with the roller coaster ride, and one of those five movies in which they all die a painful death. She is perfectly suited as the horror queen for this kind of a setting. John Goodman also brings a fine work here, and keeps us guessing about his past as well as the intentions. John Gallagher Jr. provides the needed support.

How it finishes :: The best thing about this movie is that it is not a direct sequel to the 2008 movie, Cloverfield. It would have been such pain to watch this one as a similar found footage horror movie which is the cheapest genre available. With this one daring to be different, and developed from a script titled The Cellar, manages to be a movie which has only a supernatural invasion as the one thing that joins the two. There is also the third movie in the franchise coming up in 2017, titled God Particle, which has a team of astronauts on a space station with Earth having disappeared – this one seems to be more or less a spiritual successor too, and lets see how it goes. As we wait for the next movie to come, we can watch 10 Cloverfield Lane and enjoy the variety in horror – there is always the need for the same, and this movie delivers that.

Release date: 11th March 2016
Running time: 103 minutes
Directed by: Dan Trachtenberg
Starring: Mary Elizabeth Winstead, John Goodman, John Gallagher Jr., Suzanne Cryer, Bradley Cooper (voice)

@ Cemetery Watch
✠ The Vampire Bat.

The Purge: Election Year

Posted on December 27, 2016 by Tennyson

Background to the movie :: This tale, at its background, has the group which is known as the New Founding Fathers of America (NFFA), whom after taking control of the American government, establishes a new state. They go on to legalize what they called “The Purge” which would take place every year from seven in the evening of March the twenty first to seven in the morning of March the twenty second, during which all crime including murder and robbery becomes legal. With an emergency broadcast, the Purge begins, and with the same, unleashes the terror. Only the government officials with the authorization levels that are ten or higher are provided immunity from the Purge, and all police, fire, and emergency medical services remain unavailable for the twelve hours of time. There is only chaos in the streets, and people unleash themselves on others, and most of the time, it is the poor who suffers, with not enough money to pay for their security.

Flashbacks of the Purge :: The first movie was set in the year 2022, with James Sandin (Ethan Hawke), a seller of top security systems, returns home to spend the night of Purge locked inside his home with his wife, Mary (Lena Headey), and their two kids, Zoey (Adelaide Kane) and Charlie (Max Burkholder), but finds themselves in trouble from the purgers who are looking for a wounded man (Edwin Hodge) whom they had given asylum inside their home. The second movie, The Purge: Anarchy was set exactly an year later, with Sergeant Leo Barnes (Frank Grillo) looking for vengeance against the man who killed his son, a married couple Shane and Liz (Zach Gilford and Kiele Sanchez) trying to escape from the purgers as their car breaks down during the beginning stages of the Purge and the mother and daughter duo of Eva and Cali (Carmen Ejogo and Zoë Soul), all whose paths cross at some point on that eventful night of chaos.

So, what is this particular movie about? :: In the year 2022, just after the events of the first movie, we see a family being tied up at their home by a group of purgers. Soon, we are led to a situation, eighteen years later, which is seventeen years after the events of the second movie. Charlie Roan (Elizabeth Mitchell), the girl who was part of the family which was attacked by the purgers in the first sequence of the movie, has grown up to be a senator, and brings the fight against the Purge, as she seems to be the one predicted to win the next presidential elections. The common man has also started to believe that the Purge is part of the economic agenda of the New Founding Fathers who are looking forward to eliminate the poor in favour of the rich. The crowd believes that they are reducing unemployment and poverty, only by replacing the lower class with corpses, and she is only gaining more and more momentum when the next Purge is announced.

So, what is coming up after this situation? :: The NFFA, lead by Caleb Warrens (Raymond J. Barry) knows that she is a threat to their organization, and has to be eliminated, which is why they decide to revoke the Purge rule that protects the government officials above the ranking of 10, keeping nobody immune. Roan decides not to back away into a safe place and stays at home so that she could face the Purge just like common people much to the dismay of her head of security, former police officer Leo Barnes (Frank Grillo). They set up tight security at the house, but mercenaries sent by the NFFA manages to get through into the house, and both of them run away to the streets. Surrounded by purgers, they are saved by a convenience store, owner Joe Dixon (Mykelti Williamson) and his assistant at the place, Marcos (Joseph Julian Soria) who are out to guard their store. Together, they hope to stay alive.

The defence of The Purge: Election Year :: This one surely has the idea strong, and the strength in its core is without doubt. It surely has a lot in its mind and soul, which we can find if we look deeper into the movie. There is also the right use of thrills, and with its violence and twisted world makes one feel that it is more horror than any other genre, and it does look good. The action is good and the thrills feel real – the whole thing is extremely relevant to our current world too, as we see the ruling governments forcing things upon the people which benefit the rich who only gets richer. With such a situation, there is the worry about what the rulers won’t do for the rich and the influential, who power the political parties. A number of dead common people are of no concern to the government, and this is exactly what the idea of Purge talks about, except for the fact that it only happens brutally, and once in an year – in our world, it happens all the time and not many people care.

Claws of flaw :: Unlike expected, this one doesn’t manage to be an improvement on its predecessor – there was the idea which could have powered it to that status, but we see that the movie decides to go on predictable lines on more than one occasion instead of developing completely on the big idea. This could have done more with its theme, as a lot of people were sure to have such an expectation. The movie is also violent and won’t suit the taste of everyone, even though one can be sure that an idea like this can be even more violent. The doubtful will also won’t like this movie that much, and the same is the case of people who are looking to move forward without thinking – I am sure that there are such people around in need of the action mayhem and lots of blood, but despite the bloody background of the idea, this movie holds on to the idea rather than its gore.

How it finishes :: Making its point just like its predecessors, this one also leaves an opening for a fourth movie despite having all in the story to end the franchise as a trilogy. Just like the previous movie, it is powered by the performance of Frank Grillo, and Elizabeth Mitchell is excellent as the other lead character. There is one thing that a person who watch this movie can admit with ease, and it is that there is enough evil in this world for humanity to go for a purge – so much is the hate that each and everyone got for the others. And there is the second thing, and it is that there is nothing that the politicians won’t do to oppress the poor, and provide the rich with all they need to make them richer – we see them all the time, and the always rising petrol and diesel prices are just one example of the same. The purge is always there, in one way or the other, and we are all suffering, going to suffer more.

Release date: 1st July 2016
Running time: 109 minutes
Directed by: James DeMonaco
Starring: Frank Grillo, Elizabeth Mitchell, Mykelti Williamson, Joseph Julian Soria, Betty Gabriel, Terry Serpico, Raymond J. Barry, Edwin Hodge, Kyle Secor, Liza Colón-Zayas, David Aaron Baker, Christopher James Baker, Brittany Mirabilé, Juani Feliz, Christy Coco, Roman Blat, Jamal Peters, J. Jewels, Matt Walton

@ Cemetery Watch
✠ The Vampire Bat.

Lights Out

Posted on December 24, 2016 by Tennyson

Vampire Owl: I often feel that Don’t Breathe is Lights Out.

Vampire Bat: Where does the confusion come from? Why is that so?

Vampire Owl: Because lights are out in Don’t Breathe.

Vampire Bat: And I hear that you don’t breathe in Lights Out.

Vampire Owl: But lights are also out in Lights Out – so we don’t breathe too? So there are two movie titles inside this one.

Vampire Bat: Yes, and with lights being out in Don’t Breathe, there are two of them there too.

Vampire Owl: Such confusion! So many of my friends are confused between these two impressive horror movies.

Vampire Bat: Yes, they end up talking about one movie when asked about the other flick.

Vampire Owl: Why can’t people be better informed about horror movies?

Vampire Bat: Because people just not good enough to know the eternal truth in life, which is undoubtedly horror.

[Gets three cups of masala tea with banana chips].

What is the movie about? :: Paul (Billy Burke) is running a textile warehouse, and is married to Sophie (Maria Bello) who seems to be having certain mental problems, talking to herself in the dark which has their son Martin (Gabriel Bateman) a lot worried. One night, Esther (Lotta Losten), Paul’s assistant sees a dark figure when the lights are turned off, but nothing is seen when the lights are turned on. He warns Paul about the same, but he doesn’t want to listen to her as he is busy with his own problems at home. Left alone in the warehouse, he himself sees the shadowy figure when the lights are out. Despite his best efforts to keep the light turned on, they just keep going out. Even though he manages to lock himself inside his cabin with lights turned on, the figure manages to enter after turning off all lights at the warehouse, managing to murder him.

So, what happens next? :: Paul’s stepdaughter, Rebecca (Teresa Palmer) lives separately, after problems with her mother. But when Martin starts having problems at school and his mother doesn’t pick the phone, Rebecca is called by the authorities and she visits Sophie only to decide that it is better to have Martin move to her place. As they move to her place leaving a depressed Sophie behind, Rebecca sees a shadowy figure at the door which attacks her, but disappears with the light. This reminds her of something that she experienced as a child, and determined to do something about it, with the help of her boyfriend Bret (Alexander DiPersia), she gets the much needed information about this creature of darkness that was referred to as Diana during her childhood. But there is more to it than she thinks, with a long flashback which ties this creature with the memories of Sophie.

The defence of Lights Out :: Are you afraid of the dark? Well, this one makes sure that you stay afraid of darkness no matter how hard you try to escape from that fear, so better be warned. With a creature that vanishes with light and appears with no light or a very low amount of light, this movie manages to bring the best possible scares in a short amount of run-time. There is the creature which one can’t seem to stop, except for hoping that the lights don’t go, and with the realization that the absence of light is darkness, which is the reality as the night arrives, one can’t dare to stop being afraid. With the idea from the director’s own short horror movie, this also manages to be clever just as the short-film. It brings to us variety in horror, and with a run-time of less than one and half hours, it keeps us not breathing for most of the time. If it does bring back to the valiant, the most common fear of the dark, one needn’t be surprised.

Positives and negatives :: Your need to be afraid while switching off the lights is back – this kind of horror movies which uses the basic fears have been missing for long, but has returned for the best. Consider yourself in the theatre watching this movie in the dark, and then the power goes – what would you think? Watching this one late night is surely the better idea. With better attempts from the protagonists to stop this creature, we could have had more here though, but this movie ends too early – less than one and half hours is too less for this kind of a movie at a time when pathetic movies are rather too long. We need movies like this one, to be longer, as this is one creature that we are going to miss except for when the lights are turned off and we misunderstand one of our hanging shirts to be a creature. Maybe a better flashback story and more of it would have helped – maybe we could have had more scares before the family comes together with the creature.

Performers of the soul :: As Lights Out attempts to use your most possible fears against you, we have our cast which is very well suited for this movie. Teresa Palmer, as expected, leads the way, as she looks less like Kristen Stewart like she did in Warm Bodies and Point Break, and once again performs a lot better than her in Twilight and Snow White and the Huntsman. She does make a fine choice for horror movies, as she has proven in this one. Having her in this one was a big bonus with the creature being too good by itself, and we can say that Maria Bello keeps her character safe. Gabriel Bateman also joins in, and Alexander DiPersia does better than a usual supporting character in a horror movie will do. Before Insidious: Chapter 4 and Annabelle 2 coming up from him, James Wan has produced another gem here, which goes with a long list of fine horror movies.

How it finishes :: This interesting horror movie, Lights Out is based on a 2013 Swedish short-film which had the same concept of a creature of darkness using the same to bring the scares to the viewers. Running for just three minutes, it was one nice scary work from the same director, and the actress featured in the short-film also had a small role in this flick, as the assistant at the warehouse. Among the two movies, the way the short-film brings the scares in such a short amount of time, is just an act of brilliance, and it is sure to scare you more than enough to get you interested in this full-length movie. If you haven’t watched the short-film yet, do watch it below, and then you can understand what this movie is about. Most of the people have already watched this one, as it had went on to become very popular on Facebook and Twitter.

AND MERRY CHRISTMAS!!! 🙂

Release date: 22nd July 2016
Running time: 81 minutes
Directed by: David F. Sandberg
Starring: Teresa Palmer, Gabriel Bateman, Alexander DiPersia, Billy Burke, Maria Bello, Amiah Miller, Alicia Vela-Bailey, Ava Cantrell, Lotta Losten, Andi Osho

@ Cemetery Watch
✠ The Vampire Bat.

Don’t Breathe

Posted on December 9, 2016 by Tennyson

Vampire Owl: Does this movie ask its viewers not to breathe?

Vampire Bat: Even if it does, that would be okay for us, because we are dead already.

Vampire Owl: But we do breathe, all the time.

Vampire Bat: It is an unnecessary thing though. Actually, we can live without that.

Vampire Owl: But I once told my a zombie girl that she took my breath away. From what you said, I realize that what I said then was of no real significance.

Vampire Bat: Why did you have to talk to zombies about life and breath?

Vampire Owl: That wasn’t a planned meeting. I wished to talk about knife and death, but things happened too fast.

Vampire Bat: Where is that zombie girl now?

Vampire Owl: I think that she has joined the army of the Lich Queen.

Vampire Bat: Your adventures are really disturbing, I have to admit.

[Gets three cups of tea with jackfruit chips].

What is the movie about? :: Rocky (Jane Levy), Alex (Dylan Minnette), and Money (Daniel Zovatto) spends their time breaking into houses and stealing things which they sell to make money for their living. Even as they keep doing the same without regret, what they earn by stealing is just not enough, as they are not paid that much money for the stolen goods. Rocky has the worst case, as she wishes to move away with her little sister from her mother and her new boyfriend who are alcoholic and too much bothering. As usual, they look for the easy way out and they find one in a blind Army veteran who lives in the neighbourhood who has a lot of money after a settlement which followed an accident which caused the death of his daughter. Cindy Roberts (Franciska Törőcsik) who had caused the accident had disappeared, and he was left with a lot of money and the house in an abandoned area of the neighbourhood.

So, what happens next? :: Even though Alex is heistant to rob a defenceless blind man, they finally decide to do that as it was supposed to be so easy and there was so much money involved. After looking at the surroundings during the daytime, they finally reach the house at night. After drugging the blind man Norman Nordstrom’s (Stephen Lang) dog, they try to get in, and with all entrances firmly locked, Rocky just manages to squeeze in through a small window and open the door for all of them. But things are not like they had expected. The blind man wakes up, and there are secrets hidden inside the house. There is also someone in chains in the basement, and in the darkness, it is the blind man who has the advantage over them. He is just not the man they thought he was, and they finally realize that they had picked the wrong house to steal from – but not before the death of Money. To add to it, the dog which they had drugged is back on four legs.

The defence of Don’t Breathe :: The success of Don’t Breathe lies on the fact that it is a home invasion movie at the first look, but manages to provide much more than that, as a horror-thriller. With the best use of the atmosphere, the darkness as well as the sounds make sure that we are watching something more than a thriller inside a house. We know what might be coming from the first shot itself, and there was sure to be blood and twists, and they are present for sure. All its elements are cleverly used, and we know that never does this movie misses out on its skill to be brilliant and entertaining. It is not easy to find a horror movie where you struggle to find the flaws, and Don’t Breathe is one of them. The movie is smart and we are satisfied; we had many home invasion thriller, but this is surely the one which you are going to remember longer than any other.

Positives and negatives :: One might still feel that the blind man’s secret is not used to that twisted advantage which the movie could have had and that would have made sure that this movie would stand the test of time for an even longer period of time. Yes, Don’t Breathe could have surely given the viewers an even more twisted experience which would have stayed for all groups of people, but it chooses to stay safe – that might be the smarter decision considering the fact that there are different age groups from different parts of the world watching this, but that was a chance that they could have taken. Instead, this one works with less dialogues and more thrills. The result is that this one makes one holds his or her breath, thus making its title really relevant, even though the name of another horror movie, Lights Out would have also been suitable for this one.

Performers of the soul :: Jane Levy once again establishes herself as a queen of horror, as she once again teams up with the same director after Evil Dead was remade with them being part of the team in the year 2013. Whenever we see a horror movie, we wish for her to be there; a few other names might be there too, but she is someone who comes as a lovely choice. Meanwhile, Stephen Lang is just too good – from the first moment his character is introduced, to the end, we are so much impressed by his work – and we are also looking for a sequel with the ending that the movie brought. There are not many characters out here in this movie as most of the action is restricted to the moments of terror inside the house. Then there is Dylan Minnette who is also there as the third significant character, and stays there for most of the movie for the good. Daniel Zovatto has a rather smaller role, and Franciska Törőcsik is another person with a short role, but we still remember her.

How it finishes :: This movie comes from Fede Alvarez who had given us Evil Dead, the remake of that cult classic movie which we had all watched while growing up. The fourth installment of the franchise was very much an interesting one, and Don’t Breathe successfully overtakes that one. The Uruguayan filmmaker surely knows how a horror movie is made to bring the best effect to us. If you love the genre, you are surely not to miss this one; even otherwise, you can go for this one, as it is that good. This is the kind of movie that we have been looking for since watching The Cabin in the Woods; for this is not the usual horror movie with ghosts, demons and times of haunting, as this is much more. It brings the good news here, as we get back to the ones that matters the most with their immense potential for evil; the humans. You want to see ghosts jumping out of nowhere to bring the cheap scares? Then you should travel another path. Choose The Conjuring or Insidious on another day; this time, go for Don’t Breathe!

Release date: 26th August 2016
Running time: 88 minutes
Directed by: Fede Alvarez
Starring: Jane Levy, Dylan Minnette, Daniel Zovatto, Stephen Lang, Franciska Törőcsik, Emma Bercovici, Christian Zagia, Katia Bokor, Sergej Onopko

@ Cemetery Watch
✠ The Vampire Bat.

Pretham

Posted on December 5, 2016 by Tennyson

Vampire Owl: So, you are saying that the ghost has finally arrived.

Vampire Bat: Yes, it has come to provide us with its presence.

Vampire Owl: I heard that this one even has a mentalist?

Vampire Bat: Yes, one mentalist played by Jayasurya.

Vampire Owl: The looks do seem very interesting.

Vampire Bat: And when it is from the director who has brought us a number of good movies.

Vampire Owl: It has been a long time since we have seen an interesting ghost. I hope that this one will qualify to be there as a good one.

Vampire Bat: There is no reason to think that a ghost can’t be good. It will hurt the creature’s feelings.

Vampire Owl: Yes, we shouldn’t be judgmental towards the poor creatures from the other world.

Vampire Bat: Exactly. We need them too; they bring the balance in a boring human existence as we can’t always do the same.

[Gets three cups of masala tea with tapioca chips].

What is the movie about? :: Three youngsters Denny Kokken (Aju Varghese), Priyalal (Sharafudheen), and Shibu Majeed (Govind Padmasoorya) has begun their own business of a resort after working hard till their thirties. The three are best friends keeps remembering things from the past. They invest most of their money and also what they could manage from their ancestral wealth to buy this resort on which they have placed their hopes. They go through their lives with a crush on Suhanisa (Pearle Maaney) who learns dance at the resort, and doing only those things which are of interest, as they are no longer working under a person as they used to, and are completely out of control of their parents. Living a life full of enjoyment, and doing nothing other than those small things that come upon the resort, the three feels that this could go on forever.

So, what happens next? :: But as strange incidents begin to happen in the resort, they consult John Don Bosco (Jayasurya), a psychic and a mentalist who is referred to them by the local priest (Harish Perady) after failing to bring any change with the use of holy water. After making some attempts, he finds that the person behind all these is the restless spirit of Clara (Sruthi Ramachandran), who has a history that goes back to this resort when she last stayed here. Is John strong enough to get rid of this revenge-seeking ghost? What does she want from the three friends? Are they responsible for her death and the hopeless nature of her spirit? How can a mentalist work with a ghost who is not even interested in contacting and talking with humans? Is there something bigger hidden under the resort that should not be brought out?

The defence of Pretham :: This one successfully gets rid of the white saree idea which was too common in our horror movies – instead it goes for the black churidar which the spirit was wearing while committing suicide, which is fair as there are no shops supplying white sarees in the other world no matter which religious text we look at. The visuals are really good with the resort on the beachside, and we do get the horror comedy as we wanted to. There is just enough of both horror and comedy, not in high doses. The entertainment factor is there, varying for different people according to the tastes. With Jayasurya entering the scene as the mentalist, things get more interesting, and it is from there that the movie gets more engaging as a horror movie. In the end, we also get to see some of the cruel, sadistic face of the new generation youth which looks for success only, as it doesn’t matter for them that whose little dreams are crushed in the process – there is also the social issue.

Claws of flaw :: This one still happens to be predictable, and the message is also not brought to the screen in the best way. It is also not for the people who have watched so many horror movies and are looking for big scares – they are not much there for some reason. There were so many moments which could have had them, and we think that they are going to arrive, but that doesn’t happen at all. This one doesn’t really go on to become a special one with big difference, even with a mentalist as its main character, and that is a disappointment that Pretham doesn’t even try hard enough for the same. The comedy is also flawed at parts, with the adult jokes getting nowhere and some of them won’t connect with anyone at all. With a cast that has full ability to bring the fun, one has to wonder why that was not utilized to the maximum.

Performers of the soul :: As expected, Jayasurya is the pick of them all – it was already clear in the trailer, and it is reiterated very often in this movie from the first moment he shows up on the beach. Just like a wide variety of characters that he has played throughout his career, this one also leaves a mark, and it is due to him that the movie gets to be at a better strength all of a sudden. He comes, and delivers as it was expected of him – there is no question of doubting this man and the character played by him. He is no Sunny Joseph of Manichithrathazu, but a mentalist is indeed something new in a Malayalam movie. Among Aju Varghese, Sharafudheen and Govind Padmasoorya, it is the first two that create the fun here. Pearle Maaney looks strangely uncomfortable with the whole situation. Harish Perady is sadly limited to a smaller existence.

How it finishes :: One can be pretty sure that this won’t get to the level of Su.. Su… Sudhi Vathmeekam which was the last effort from the same director, but I would consider this to be surely better than Punyalan Agarbathis; in these three movies, it was all Jayasurya, and he is the pick yet again. This is surely a big escape from the past this year that had what might be Jayasurya’s worst movie which was IDI – Inspector Dawood Ibrahim. If you are looking for an enjoyable horror comedy, you are sure to have it; but there won’t be anything more than that – there is enough for some fun, and we get to take the messages home. Well, we don’t get many horror movies in Malayalam; and there are surely not enough ghosts. The Prithviraj Sukumaran-Tovino Thomas starrer Ezra might change this in a very different way, but until that, lets watch Pretham as we are not looking for The Conjuring or Insidious here.

Release date: 12th August 2016
Running time: 126 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Aju Varghese, Sharafudheen, Sharanya Menon, Govind Padmasoorya, Sruthi Ramachandran, Pearle Maaney, Dharmajan Bolgatty, Sunil Sukhada, Sathi Premji, Harish Perady, Devan, Vijay Babu, Nyla Usha, Arya Rohit, Anjana Appukuttan

@ Cemetery Watch
✠ The Vampire Bat.

Kill Command

Posted on July 1, 2016 by Tennyson

Vampire Owl :: I remember having made such a command.

Vampire Bat :: Yes, I totally understand. To your zombie minions?

Vampire Owl :: No, to the Frankenstein Monster.

Vampire Bat :: No wonder nobody gets killed by that command.

Vampire Owl :: My question is about why nobody has told me anything about this movie yet.

Vampire Bat :: Nobody I know have heard about this movie either.

Vampire Owl :: But I have a feeling that we will like this one. The poster is so nice.

Vampire Bat :: A science fiction action thriller will only do good at this time. We never really get much of such movies.

Vampire Owl :: We are going to make Dr. Victor Frankenstein proud by watching such movies.

Vampire Bat :: And we have Vanessa Kirby as the central character.

[Gets three cups of tea with bananachips].

What is it about? :: The story set a long way into the future, as technology has gone beyond human expectations, transforming lives as well as combat. Captain Bukes (Thure Lindhardt) and his team of marines are off to a training facility in a remote island. They are joined by Mills (Vanessa Kirby), a human who is genetically enhanced by robotic technology, being part of one of the many types of machines and hybrids who are supposed to replace the human soldiers later. The idea is simple, to finish off the machines which were designed by Mills and get out of the facility, as she herself will observe the whole thing. The soldiers don’t really trust Mills, and hesitate to consider her as one of them. But they trust themselves to go through this training with ease, as the opponents are just mindless machines who have always been there as part of the programme.

So what happens next? :: Even though things seem easy in the beginning, soon they find out that the machines are copying their battle style, and are learning how to counter the human soldiers, using the human idea against themselves, and steadily becoming the superior force with better skill acquired through the experience of fighting with the marines. This no longer remains a training programme, but a battle for survival, as there are more effective killing machines on the island than they had imagined. So, with marines getting killed one after the other, what are the chances of them completing the training or at least getting out of the island? What role does Mills play in this newly declared war, and on which side does her loyalties lie? Where did this simple training programme go wrong and how can the marines make their last stand with machines everywhere?

The defence of Kill Command :: The movie has great CGI; it was rather unexpected for a lesser known movie which seems to be made from a lower budget. It is the kind of movie that you can watch instead of all those high budget movies which keep coming for you, with almost nothing inside them other than the repetition of what we have been seeing for many years. The machines look really good and environment including the surroundings and the insides of the buildings are all nicely designed. There is also a lot of action going on here. There are some nice thrilling moments with the machines around, and you can look forward to a big adventure. This is also a short movie and things go on smoothly throughout its run, leaving no boring moments behind. The acting is also good, and there is something special about how it turns out on the screen – you see even a few nice scares to go with it.

The claws of flaw :: There will be similarities to be found when in comparison with other movies, with its central idea. A better treatment of the same subject could have been done with more entertainment and further twists. This one often takes its progression straight, taking things for granted, and not making the best use of everything. There is also a certain amount of predictability that comes in, and it hesitates to go as the movie progresses towards the end – a better finish would have also been nice, as everything seemed to be moving towards the big final moments, but that never really happens. There are the nicely designed machines, there is the partially machine character, there is a special environment which can bring mystery and horror, and also a lot of action, but all these are not used to create the maximum impact, which would have raised the level of this flick.

Performers of the soul :: The best of this movie are its machines; we will get to love how they look and work. This whole thing can be compared to one big video game that you might have played during your childhood – there is that kind of a feel throughout this flick. The cast includes mostly unknown names as far as people in this part of the world are concerned. The best among them, and the one who leads the way as the protagonist, is great to watch – Vanessa Kirby who has played Estella Havisham in the BBC version of Great Expectations, makes her half-human, half-machine character work with ease. Genetically enhanced characters or cyborgs are not really the best characters had to be that good, and I would consider this particular one to be another memorable mixed existence. The rest are there in support, which they manage well.

How it finishes :: Kill Command is that kind of a movie which can create a great video game out of itself – it is like a perfect setting for a First Person Shooter, especially one featuring some arena battles following games like Unreal Tournament and Quake III Arena. As a sci-fi action thriller, it makes a nice impact, even without trying too hard. With the kind of material that exists here, I would want to have a sequel, and I am pretty sure that it can surpass this one. Kill Command provides you with that feeling that some nice sci-fi movies can be made without the big names and those huge action sequences that destroy everything around. Just a few machines, some people and a remote location is enough to make the whole experience better with some nice CGI and performances, as long as the resources are used nicely. I would consider this movie to be a fine addition to those simple, but effective sci-fi movies – this is no Ex Machina, but still a fine work.

***This is the 300th movie review on this blog!!!

Release date: 13th May 2016
Running time: 99 minutes
Directed by: Steven Gomez
Starring: Vanessa Kirby, Thure Lindhardt, David Ajala, Bentley Kalu, Tom McKay, Kelly Gough, Deborah Rosan

@ Cemetery Watch
✠ The Vampire Bat.

Victor Frankenstein

Posted on May 18, 2016 by Tennyson

Vampire Owl :: None of our undead doctors have approved of this movie.

Vampire Bat :: That will not be a problem at all, because neither have the critics.

Vampire Owl :: So, we should still watch this one?

Vampire Bat :: As long as there is no ban, we can surely do that.

Vampire Owl :: Thankfully, we are not from a realm where there are bans on certain types of food, cinema and clothing.

Vampire Bat :: Yes, unlike these humans who are elected for no reason, Uncle Dracula is a lenient and intelligent ruler. Even the brain-dead Lich Queen knows better.

Vampire Owl :: We should let the clever film makers from the human side to work on their movies here.

Vampire Bat :: Yes, that will also be a big bonus for tourism; all is well as long as they keep their hatred, vanity, greed and envy outside our realms.

Vampire Owl :: And to avoid any temptation for the vampires, they should lock their necks, especially those veins…

Vampire Bat :: Stop! I am going to pretend that I never really heard that!

[Gets three cups of tea with tapioca chips].

What is it about? :: The tale begins and goes through the perspective of a nameless hunchback (Daniel Radcliffe) who works as the clown in a circus. He has been part of the circus for so long, and is more of a property of the circus, treated badly by most of the people there. But he secretly reads books that are stolen, mostly related to science, particularly human anatomy. He has feelings for an aerialist, Lorelei (Jessica Brown Findlay) who is injured during one of the shows. With no hope for her survival after falling from a good height, the hunchback tries his best to do anything, and at that exact moment, is aided by a stranger known by the name Victor Frankenstein (James McAvoy) who was attending the circus performance. Both succeeds in saving the girl who is taken to a hospital. This becomes the turning point in the life of the hunchback.

So what happens next? :: Victor Frankenstein has been a very ambitious medical student who has been working on something special. His aim has always been to make a discovery that would change the future. He has been scarred by his earlier experiences and wishes to make amends with his father (Charles Dance) who thinks that he is good for nothing and will never be anywhere close to his brother. He wanted to create life, and fascinated by a simple, uneducated hunchback’s knowledge in human anatomy, decides to recruit him for the cause as his assistant, and make things better and easier. So, he plans and manages a grand escape for the hunchback whom he names Igor, after his former room-mate. He drains the new assistant’s hump with his expertise and successfully hides him as the room-mate that he once had.

How does the journey go? :: The newly named Igor instantly impresses Victor, and they realize that they can go a long way forward. The police inspector Roderick Turpin (Andrew Scott) who investigates the disappearance of the hunchback realizes that something strange is going on, and it is against God. Considering Victor’s experiments as sins and his creations as unholy, he decides to stop him, whatever it might cost. They also come up against Lorelei once again, but this time as a different person. She also asks them to rethink about going against the natural order of things. But Victor and Igor are so close to their first case of success, but will that bring them glory or terror? What role will Lorelei play in this dangerous attempt at glory? Is it really an act against God, and what danger can this new creation from the grave bring?

The defence of Victor Frankenstein :: The visuals are really good with this one; there is a lot of style associated with the movie, and the cast also saves the day. Daniel Radcliffe and James McAvoy are good, especially the former who seems to have more control over his character. Jessica Brown Findlay also brings some charm while Andrew Scott is a fine opponent to the protagonists. The differences when compared to the original story has been nicely created. The messages are well placed, and they are mostly against vanity and the false ambition which stay strong within the main protagonist – he is so close to becoming Doctor Faustus, not just Doctor Frankenstein. It also asserts that there are things that cannot be changed and we have to accept them. There are some nice dialogues which keep making the point too. It has its own dose of entertainment too, and that matters.

The claws of flaw :: Victor Frankenstein needed a better flow in its story. It surely begins nicely, but gets lost at times. It is quite strange that the movie doesn’t try that hard to deviate from its source material from which it hasn’t really followed – there seems to be an attempt to return but at the same time staying different. The movie needed to be more certain with its story, and also could have dealt with its main characters differently – even though the main actors handle the whole thing well, better characterization and a much better background would have done them all, some more good. More horrors and thrilling moments could have been added to make its central idea about life and death more appealing; for now, they have done well to do that with the dialogues – maybe they could have done so without speaking that much about the same.

How it finishes :: Victor Frankenstein is another interesting movie based on Mary Shelley’s 1818 Gothic horror novel. The different versions of the same story or newly written extensions always bring something that can catch our attention, just like I, Frankenstein which extended the tale very nicely. In another case, there was Dracula Untold which brought another angle to the popular 1897 Gothic horror novel by Bram Stoker. If you are going to judge this one based on the many years old story, this is not the movie for you; but if you are ready to think from another angle, and understand the imagination behind making such a different attempt, you can surely go for this one, as despite not being that big Frankenstein movie, this is a fun movie which also leaves the viewers with some interesting messages to take home.

Release date: 27th November 2015 (India); 25th November 2015 (USA)
Running time: 110 minutes
Directed by: Paul McGuigan
Starring: Daniel Radcliffe, James McAvoy, Jessica Brown Findlay, Andrew Scott, Charles Dance, Freddie Fox, Mark Gatiss, Callum Turner, Daniel Mays, Spencer Wilding

@ Cemetery Watch
✠ The Vampire Bat.

The Boy

Posted on May 10, 2016 by Tennyson

Vampire Owl :: All I see is a doll. There is nothing much scary about this one’s appearance either.

Vampire Bat :: We have always been taught and trained to believe that there is more than what eyes can see. What you are doing here is just passing judgment.

Vampire Owl :: I am not judgmental. The hypercritical ones are not my people, but yours.

Vampire Bat :: Still, you are judging this one too early.

Vampire Owl :: The critics have already judged it low.

Vampire Bat :: That is what they do, not us who live with these movies.

Vampire Owl :: I have liked Dead Silence’s Billy, The Conjuring’s Annabelle and Child’s Play’s Chucky. Unlike what you think about this, I am not really judgmental about dolls.

Vampire Bat :: Well, Chucky did put a knife on your neck to make you accept that.

Vampire Owl :: Yes, but I have accepted that dolls can be awesome, and that is the point which I intend to bring here.

Vampire Bat :: Whatever it is, just watch the movie.

[Gets three cups of tea with tapioca chips].

What is it about? :: Greta (Lauren Cohan) is caught in an abusive relationship with Cole (Ben Robson) at Montana. She hopes to escape by becoming a nanny for the Heelshire family based in the United Kingdom. After traveling to Great Britain and reaching the place, she introduced to Mrs. Heelshire (Diana Hardcastle) and the man who brings the grocery, Malcolm (Rupert Evans). Mr. Heelshire (Jim Norton) introduces her to their child, Brahms. But she is surprised to find out that the boy here is just a porcelain doll, treated by the family as if it is a living person. Mrs. Heelshire tells her that the boy had rejected many other nannies and they hope that he likes her. She also asks Greta to follow certain rules, as Brahms is like other children, and special care is needed for him.

So what happens next? :: Greta decides to ignore the rules and just spend her time there. She and Malcolm gets a lot interested in each other, and the doll remains neglected. But Greta finds out that there is something strange about the doll. She feels that it moves a little at times, and there are other strange occurences. On one occasion, she gets locked in the attic, and her clothes are also stolen while she is taking shower. She also feels that the doll is staring at her when she is talking to Malcolm, changing clothes or even while doing anything of personal nature. On another day, a sandwich is served at her door, and she also hears voices calling her name. She decides to find out more about the real child who is supposed to have died in a fire at the age of eight, years ago.

The defence of The Boy :: The idea here is working, and had a lot of possibilities towards horror. It does get working early with its central idea, and we get to the moments featuring the doll easily. The setting in the big old house actually helps a lot. There are lots of spooky moments in this movie, and the scene at the attic as well as the final twists worked very well in the end. How they have changed the supernatural idea works very well by the end of the movie too. The Boy does entertain, that is for sure – among the horror movies which released on one of those days around this one, there were not many of them as much entertaining as The Boy, which follows the much expected horror idea. As the movie follows the basic horror elements, there is sure to be some fun watching this movie for everyone. For people who don’t want movies like The Witch and It Follows as the different horror flicks, this would be the usual kind of replacement following the known path.

Claws of flaw :: It is rather strange that the movie doesn’t really use the elements in hand to the best strength. When there is a spooky doll around there, we expect that things get really scary and remain so throughout its run – but there are those weaker moments here and there. The doll could have been a lot bigger thing than it turned out to be. The movie also does remind one of two other movies, the Jocelin Donahue starrer The House of the Devil and Sarah Thompson starrer Babysitter Wanted. This one could have deviated further and should have come up with more innovative ideas. With so much mystery around, I am actually surprised that they have managed only this much – there was so much to be seen and so much more to be developed further. But our movie here manages to work even with all its inability to bring the best out of there.

Performers of the soul :: The performances of the cast here remains really good. Without doubt, Lauren Cohan as Greta comes up with the best of them all. Best known for her part as Maggie Greene in the television series, The Walking Dead, and being part of other series, here she plays the young lady with a troubled past in a lot believable manner, and so does she manage well with those horror sequences. I have to say that she makes a really good addition to the horror movies, and I hope that she will be there in more of such movies belonging to the genre. Her character actually undergoes changes throughout the movie, and she manages the same without any problem. Rupert Evans also makes a good addition in the flick. Jim Norton and Diana Hardcastle who play the old parents also leaves a mark here.

How it finishes :: Well, there has been some impressive dolls in horror movies; Chucky from Child’s Play series might be the most popular of them all, and Billy from Dead Silence has been one scary thing; Annabelle has gained popularity with The Conjuring, and one can never underestimate the strength of a doll when it comes to horror movies. This one here, the Brahms doll is no exception either. It has enough to stay in the minds of the viewers too. There will be something about The Boy that can catch your attention here – from the cast to the setting, and more than everything else, the doll. Unlike what the reviews have mostly said about this movie, The Boy has more strength than most of the other horror movies around here which have somehow managed better reviews.

Release date: 22nd January 2016
Running time: 97 minutes
Directed by: William Brent Bell
Starring: Lauren Cohan, Rupert Evans, Jim Norton, Diana Hardcastle, Ben Robson, James Russell, Jett Klyne, Lily Pater

@ Cemetery Watch
✠ The Vampire Bat.

The Witch

Posted on May 8, 2016 by Tennyson

Vampire Owl :: I once had a chance to talk with the Northern Witches. After that, I haven’t been interested in watching movies like these.

Vampire Bat :: Oh! What did they tell you?

Vampire Owl :: I am not really sure. But I guess I heard it as boomerang, blah blah and abracadabra.

Vampire Bat :: Are you sure that they were not the sirens?

Vampire Owl :: Well, as you are asking, now I am not quite sure.

Vampire Bat :: This is a movie which has 90% rating at the Rotten Tomatoes. Why would you want to bring this while we are going to watch this movie?

Vampire Owl :: There is something about the witch, the lich and the rich that I don’t like.

Vampire Bat :: You mean the itch sound.

Vampire Owl :: It is exactly what they provide me with.

Vampire Bat :: We are such socialist vampires, aren’t we?

[Gets three cups of tea with potato chips].

What is it about? :: In this story set in the seventeenth century, William (Ralph Ineson) and his family are banished from a Puritan plantation in New England; his wife Katherine (Kate Dickie), elder daughter Thomasin (Anya Taylor-Joy), son Caleb (Harvey Scrimshaw), and twins Mercy (Ellie Grainger) and Jonas (Lucas Dawson). Katherine later gives birth to the fifth child, a boy that vanishes while Thomasin plays with him. Katherine blames Thomasin for the disappearance, and spends most of her time in prayer and grief. Meanwhile, Caleb and Thomasin go for hunting, and the former goes missing. Once again, Thomasin is blamed, and at the same time, the twins say that the black goat, Black Phillip speaks to them. The events only get stranger as the presence of evil in the forest is ascertained. Is there a Witches’ Sabbath coming up?

The defence of The Witch :: There are the usual kind of horror movies which use the jump scares to claim that it is worthy of a fine position in the genre – there is the noise and the sudden appearance of the scary face; but The Witch denies the same, and goes not with such familiar scary stuff; instead it goes on to use the mood and the setting to its advantage without trying to make sure that the audience is scared at one exact moment – it tries to create something for which the result will different for everyone, at different points of the movie. It is something bigger than what is seen or heard as part of the regular horror practice, for it goes directly into one’s mind. The elements of mystery go right through the movie too, as we are to keep guessing till that ending, which makes things very clear – that is cent percent the success for this flick.

Claws of flaw :: There is no denying the fact that The Witch is quite a slow movie; it drags in between, and has the characters not doing enough to pick up the pace when they could have done the same. The movie also doesn’t use the image of the witch to its full advantage, when it could have done a lot more with it; the same can be said about the final pact which is too quick to go through. There is the absence of the terrifying imagery which could have been added at some point to do justice to the genre to which The Witch belongs. A lot of people will feel that this is not their kind of movie either, and that is understandable because a lot of fans will surely be looking for something else; for The Witch is a nightmare that feels real within its environment, and it is not the horror flick that arrives with an unparalleled desire to bring the fear into the viewers.

Performers of the soul :: With Robert Eggers making his directorial debut with The Witch, the movie has gathered a lot of appreciation from the critics, and the performances surely has a lot to do with it. Anya Taylor-Joy is amazingly good in this movie. She goes through the situations of her character in the movie in such a way that we never feel that she hasn’t been seen in a big role in any flick before. There is certain transformation going on with her character, and this is not really among the best roles to play, but she nails it here. Ralph Ineson plays the next significant character in a lot realistic and believable manner too. Kate Dickie has her moments here too. The two characters which steal the show otherwise, are the witches of the forest and the black goat.

Soul exploration :: The movie’s focus is on faith, not just on God, but also on each other. Almost everyone in this movie has problems with the same, as the same thing just goes on to break into smaller and smaller pieces as the movie progresses further. It is something that is ready to crumble into dust, and we see that on the faces of the characters. There is the lack of trust that is present, and it develops into something worse. It is the case of unfair judgment that makes things worse, and in the end, leads to the final fall – randomly judging others is a kind of tradition that goes back a long time, right? Due to the same, there are moments when one realizes that it is not God or Devil who are responsible for this fall, and neither is it some witch, for it is themselves and that they can blame in the end.

How it finishes :: The Witch will never be the usual horror movie for you. It is still the variety in horror that we have all wished for. The movie could have surely been better, but the experience that it provides with a difference will surely make it worth a watch. In the world of Sinister, Insidious and The Conjuring, The Witch the one that dares to be different, and for the same, it deserves the applause. There is one thing that you can be sure about, and it is that this movie has everything that is needed to be something that you think it is not. It had won the Directing Award in the US Dramatic category at the 2015 Sundance Film Festival and with all the critical appreciation around, you should surely give it a try!

Release date: 19th February 2016
Running time: 93 minutes
Directed by: Robert Eggers
Starring: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Julian Richings, Bathsheba Garnett, Sarah Stephens, Wahab Chaudhry, Axtun Henry Dube, Athan Conrad Dube

@ Cemetery Watch
✠ The Vampire Bat.

Wrecker

Posted on February 17, 2016 by Tennyson

Vampire Owl :: Do you know that we are appointing a new group called the wreckers for the vampire army?

Vampire Bat :: I don’t know about that, but we are surely going to watch this movie.

Vampire Owl :: The poster does remind me of Joy Ride and its sequels.

Vampire Bat :: Yes, that was what came to my mind the first time.

Vampire Owl :: I liked that series, right up-to the final movie.

Vampire Bat :: Yes, and the big trucks haunting people on deserted roads always make some impact.

Vampire Owl :: They are like the most convenient areas for serial killers.

Vampire Bat :: Well, there is absolutely no doubt about that.

Vampire Owl :: So, another human serial killer movie for today.

Vampire Bat :: Yes, another one from their long list of bad people.

[Gets some tea with tapioca chips].

What is it about? :: Best friends Emily (Anna Hutchison) and Leslie (Andrea Whitburn) are on a road trip, as the former doubts her boyfriend of cheating and has taken a break. As they go on on a joy ride, they decide to take a short-cut which seems to be rather less traveled. During their journey, they come across a tow-truck which doesn’t let them pass. When they do, it is behind them, and later it overtakes them just to keep wandering around their car. It almost makes them hit another car, and continues to torment them throughout their journey. Providing them with no relief, the truck is always around them, and nothing seems to let it go away. As they stop to have food, they see the truck there too, and try to identify the driver, but ends up being angry at the wrong person.

So, how do things go from there and is there a chance for escape? :: They find out that the man giving them the chase is someone else, but they never get to see him. But they continues to travel as the truck has gone long past them. Well, things only get much worse from there, as it is no longer about being chased – everything gets rather direct then. As their car losses one of its tyres, they are forced to run and they separate from each other. The car doesn’t have much of fuel, and only Emily gets back to the vehicle, with no sign of her friend around. A police officer who is found on the way also gets run over the the truck. There seems to be no hope left as the truck driver seems to know the road so well, and is ready to pounce at anyone anywhere. The only chance here might be to get off the road, or is it?

The defence of Wrecker :: There are thrills in abundance in this movie, as most of the movie is focused on the road; there is no time for drama as things only get quicker and the situations become more life-threatening. The truck idea is something that will always work – I recently saw one strange long-haired person on the road riding a modified bike and showing his middle finger to the buses; it is the kind of person whom we wish a psychopath trucker should take to make the society better; those times when we think that serial killers are needed. With Joy Ride‘s Rusty Nail whom we consider among the top killers in a thriller-horror, the scope of such a character has only increased, and Wrecker does make some good use of that. The truck shots are well-utilized, and there are some nice moments here with the vehicle. The movie is kept short too.

Claws of flaw :: This movie could have done a lot better in using this already successful idea – the scope was even more for sure. This could have been more entertaining with horror taking the main stage – a lot more of the scares were possible with a psychopath trucker in the pockets. A bigger story could have also been in store, and a legend could have been easily brought on this. The whole thing needed a better touch in making things more interesting. There could have been a big psycho killer in store here who could make things better in the sequel – the chance is left there in the end! A better thrilling finish could have done this movie a lot of good too. Andrea Whitburn leaves the action a little too early. The destruction which shown to be committed by the truck is also a little too low; the killer also remains too unknown.

Performers of the soul :: The movie clearly depends on Anna Hutchison to make it work better than it really is. She does a very good job here with the same. She is good with this, as we had seen her in The Cabin in the Woods. Most of us would also remember her from Spartacus: War of the Damned – she plays the main character here, and the focus is all on her, which makes sure that the movie gets better. Andrea Whitburn plays more of the supporting role, as there is a lot of time when we don’t get to see her at all. The supporting cast doesn’t really get to do much, and we never really get to see the face of the driver who goes on rampage – so, except for a few people who show their faces and say some dialogues, the whole thing is left to Anna Hutchison and Andrea Whitburn.

How it finishes :: The movie seems to have a lot of similarities with the 1971 flick, Duel; Joy Ride and its two sequels are also quite similar. I have loved the three movies belonging to the Joy Ride franchise, from the Paul Walker and Venna Wilcox Leelee Sobieski starrer to the last one which released in 2014. Wrecker doesn’t go that much of a different way compared to these movies. If I had to choose between Joy Ride and Wrecker, I would choose the former though, as Rusty Nail is already one of the most interesting serial killers around, and the entertainment factor was also high with those movies. But Anna Hutchison is the one person who makes the difference for this movie, and this one also goes somewhat a different way in its treatment – and is surely slower.

Release date: 6th November 2015
Running time: 83 minutes
Directed by: Micheal Bafaro
Starring: Anna Hutchison, Andrea Whitburn, Jennifer Koenig, Don Knodel, Michael Dickson, Ashley Evans, Lori Watt, Kurtis Maguire, Dave Blattler, Celia Reid, Andy Nez, Emily Schutz, Riley Schutz, Dylan Rhymer, Kurt Harder

@ Cemetery Watch
✠ The Vampire Bat.

Jessabelle

Posted on December 21, 2015 by Tennyson

Vampire Owl :: Are you sure that this isn’t related to Annabelle? There is not even a distant relationship that you know about?

Vampire Bat :: Not at all. There is just the name which ends in the same way. There is no relationship with The Conjuring either.

Vampire Owl :: I know many people who thought that they were related, and there are some who thought that there was another doll of the same kind.

Vampire Bat :: We, the people of the horror, shouldn’t fall into such rumors. But the similarity in the name might have attracted more viewers.

Vampire Owl :: Yes, I know. But I just believed that for some time.

Vampire Bat :: We could actually go for it in the name of some nice sequences which are there in the trailer. The poster is quite interesting

Vampire Owl :: And also after looking at the producer’s long list of horror filmography.

Vampire Bat :: Yes, that too. But nothing in the name of Annabelle which is not related at all.

Vampire Owl :: Let it be so then! We shall take on this ghost too.

Vampire Bat :: Okay, now we can proceed for the movie. Keep your mind open for more horror.

[Gets a cup of tea with chocolate chip cookies].

What is it about? :: Jessabelle Laurent (Sarah Snook) and her boyfriend has an accident with their car hit by a truck just before they decide to start a new life together. The pregnant Jessabelle has miscarriage and her lover is dead in the accident, with her limited to a wheel-chair. A few months later, she decides to go and live with her father Leon (David Andrews) at a small town of St Francis as he agrees to pick her up from the hospital. It has been a long time since she last saw her father, as she was raised by her aunt after her mother died of cancer when she was a baby. He takes her to their old home, and provides her with the room of her mother which was kept locked for many years. She doesn’t remember anything about her childhood, and she decides to look around the old house and the beautiful surroundings on her wheel-chair.

So what happens at this new place far away from the city? :: Jessabelle is not a person who will keep herself on the bed all the time. For passing time, she finds some videotapes shot by her mother. She decides to watch them and know more about her mother whom she never met as a kid. Even though, the tapes begin nicely with words of motherly love, it soon gets weird with talks about death, transition to something else and the feeling of a certain presence in the house. Leon says that her mother was getting weird and not herself in the final stages of cancer as he tries his best to stop her from watching these tapes, but as he tries to burn them, gets burnt himself inside the shed. She also has regular nightmares, and feels the presence of something in the house. With her father dead, it is only her old friend Preston Sanders (Mark Webber) who is left with her for help.

The defence of Jessabelle :: There are scary moments in Jessabelle and there is creepiness, even when not fully utilized. The environment contributes to that feeling, and this is done by keeping blood and gore to the minimum. Coming from the director of two movies of the Saw franchise, that might be a surprise for some people. The bath-tub scene is the best one, even though that too could have been better. But the movie manages to maintain a certain mood, not trying to bring anything huge – not a big attempt here at all. The final revelation is a fine one, and the twist is something which can be rather easily guessed only for those who have watched many horror movies. But it keeps us guessing until the movie reaches the final stages. It often becomes a mystery thriller instead of a full horror movie, and there is even some drama – it also works as part of another genre which makes up for what is missed out with the horror side.

Claws of flaw :: There is no denying the fact that this movie has its own dose of cliches. There are moments of such horror which have already been tried, and the story itself reminds oneself of the Kate Hudson starrer movie, The Skeleton Key – especially with the ending; but the difference here being the use of Voodoo while it was Hoodoo in that horror movie which came earlier. The chances of you liking this movie if you liked that one is high, but there will be some repetition associated with this in the final moments. There is also a certain amount of slow movement in the case of Jessabelle, and more horror could have been brought here especially while using the marshy surroundings of Lousiana. The environment was something which could have been better used to the advantage here. The potential was surely there to bring something better than what is on screen.

Performers of the Soul :: As you might have noticed in the movie Predestination, Sarah Snook is very much a talented actress, and she does an excellent job here too. Here, she proves to be the right choice for horror too. If she did a bigger job in that science fiction drama, here the movie is better, without ambiguities or boredom as there is the direct entry into horror and mystery. Mark Webber has very less to do here though, and it is the same with David Andrews and Joelle Carter, as the movie is completely focused on Sarah Snook and her Jessabelle. Amber Stevens West plays the ghostly Jessabelle with the needed intensity, but the number of appearances of the ghost is also too less as far as the horror fans are concerned. The bath-tub scene and the car scene are the two notable ones related to the same.

How it finishes :: When you look at the critical appreciation of this movie and the total rating at IMDb, you will hesitate about watch this one. But this movie is undoubtedly better than what you see everywhere; it has never been easy for the horror movies to get the critics on their side – it is more like a curse which this particular genre has inherited through the ages, even though there are exceptions. Sometimes, most of the critically appreciated movies are not really that good horror at all. So, watching Jessabelle is not a mistake that you make, but an attempt to see how another horror movie will work. You have to note that The Lazarus Effect, The Remaining, The Woman in Black 2: Angel of Death and The Pyramid got lesser rating on IMDb. You can watch this one along with The Skeleton Key which is a similar movie in heart and soul.

Release date: 7th November 2014
Running time: 90 minutes
Directed by: Kevin Greutert
Starring: Sarah Snook, Mark Webber, David Andrews, Joelle Carter, Ana de la Reguera, Amber Stevens, Larisa Oleynik, Chris Ellis, Brian Hallisay, Lucius Baston, Jason Davis, Vaughan Wilson

@ Cemetery Watch
✠ The Vampire Bat.

The Pyramid

Posted on December 6, 2015 by Tennyson

Vampire Owl :: I have received this letter from this small community living on the side of the undead lands.

Vampire Bat :: I have received a copy too. But I am yet to read it.

Vampire Owl :: It is about better representation on the movie adventures list along with the other communities who are getting all the attention as of now.

Vampire Bat :: Well, sometimes one community gets the attention, and at other times, some other one will. They will have to work hard to get more attention.

Vampire Owl :: But it says here that they are among the oldest existing communities and that they came back from the dead in the impossible circumstances at times when we vampires hadn’t really become the true undead.

Vampire Bat :: What? It is impossible! Look at the final sign. Who are they?

Vampire Owl :: It says “The Friendly Neighborhood Graveyard Mummies”.

Vampire Bat :: Zombies, werewolves and now the mummies. I thought that they were finished when they were sent to China in 2008 with Tomb of the Dragon Emperor.

Vampire Owl :: Well, they were not the same. There are no Pyramids there and so the Mummy existence has to be questioned. I believe that their depiction in that particular movie has also motivated them further to search for the right movie.

Vampire Bat :: That should mean that now we have to find a Mummy movie. I have the perfect movie in my mind.

[Gets a cup of tea and butter cookies].

What is it about? :: While the 2012–13 Egyptian protests are going on in Egypt, a team of archaeologists lead by Dr. Miles Holden (Denis O’Hare) and his daughter Dr. Nora Holden (Ashley Hinshaw) manages to discover a special pyramid from under the desert. As the top part of the structure is excavated, they find out that it is not like the other pyramids and has only three sides instead of the usual four. Using the satellite facility, they find out that the pyramid goes a long way down and that there is a tunnel which goes into its highest point. Due to the possibility of a civil war in the country, they are asked to return home, with no idea of when they can explore more of the pyramid. But as they consider this the biggest discovery of their careers, they hesitate to go back empty-handed.

So, how does the big twist occur? :: Despite a worker being dead due to the toxic gas in the pyramid, they decide to use a remote controlled rover machine from NASA to explore as much of the pyramids they can, and the gadget expert Michael Zahir (Amir K) makes sure that it can be done. But the machine is lots inside the structure, and it turns out that they can’t return home without the expensive thing. So, accompanied by the reporter Sunni Marsh (Christa-Marie Nicola) and the cameraman Terry Fitsimmons (James Buckley), they decide to go and find the machine themselves, with oxygen masks and with ropes tied to their waists making sure that they don’t lose the way. But they will know that what awaits them inside the structure is more than just the difficulty in finding the path.

The defence of The Pyramid :: There are lots of scary moments in The Pyramid, and the setting is very well established right in the beginning itself. It has been a long time since we had a good Mummy movie, and even though this one has none either, the pyramids and the undead brings us close to that feeling which we had while watching the movies with those mummified antagonists. The mythological twist which happens in the movie is a real nice one. The moments which make the most of the movie, until the final creature is shown makes some nice impact as darkness and the creepy atmosphere inside the pyramid is amazingly good – they could have got more attention going for the last few minutes of this movie. There are some nice traps too, even though that side is not used to the full potential. This one is also more serious than your friendlier adventure starring Brendan Fraser and Rachel Weisz.

Claws of flaw :: The Pyramid is in no way close to being the best horror movie of the year. It has an antagonist revealed in the end which doesn’t look scary enough, and thanks to the CGI which is not that effective, we won’t get the desired strength at the end. The creatures needed to look better and more menacing; here they are just the dangerous creatures as we know them to be so. The movie also needed a better development of the mythical story of Anubis and Osiris, working on the tales about the gods and kings of Egypt much earlier and in more detail so that everything could come together in a stronger way by the end of the flick. There is also no perfect ending as one would have expected as this has strong mythological roots. Those who have a lot of knowledge in the Egyptian Mythology might also feel different, with possible innacuracies as I have seen in some forums, but I am not an expert there.

Soul exploration :: There is not much here for the acting department because the movie’s focus is never there. Still, Ashley Hinshaw has a fine presence and does a good job in this movie which asks nothing too much from its cast. Christa-Marie Nicola should come next in grabbing our attention, and the rest also just follows the routine in a horror movie – be in trouble and hope not to die. The feeling of inescapable is right there throughout the movie as we keep having the feeling that the situation is a lot more than the usual supernatural stuff, and nobody can escape death this time. It is the certainty of death that the protagonists are facing, and the inability to find a solution to the early return to the other world means that there is more than all the discoveries science has ever made and religion has ever solved- it is a symbol of human helplessness.

More of the soul exploration and the finish :: The one thing which is special about this movie is that it takes another path while dealing with pyramids, not of the usual mummy story as one would expect. There is a nice reflection of the Egyptian Mythology along with its gods Anubis and Osiris. There is some history and mythology explained in the middle as well as by the finish, and if things were more creative by the end, The Pyramid could have been a lot better movie. There are times when some movies are underrated, and this one is such a movie. We did see such problems with The Lazarus Effect, I Frankenstein, Annabelle and The Woman in Black 2: Angel of Death. This has been happening with horror movies for quite some time and you have to watch these movies to know if they are good – you really can’t go and agree with the rest of the world without thinking, especially the critics.

Release date: 5th December 2014
Running time: 89 minutes
Directed by: Grégory Levasseur
Starring: Ashley Hinshaw, Christa-Marie Nicola, Denis O’Hare, James Buckley, Daniel Amerman, Joseph Beddelem, Amir K, Garsha Arristos, Omar Benbrahim, Philip Shelley, Faycal Attougui

@ Cemetery Watch
✠ The Vampire Bat.

The Lazarus Effect

Posted on December 1, 2015 by Tennyson

Vampire Owl :: The zombie minions have sent us a request signed by four hundred and fifty seven of them.

Vampire Bat :: As Uncle Dracula is in the hospital after watching a few terrible superstar Bollywood movies, I guess that we have to deal with this ourselves.

Vampire Owl :: It is sad. We have to accept their request though, or the Lich Queen will take away all our zombie labour.

Vampire Bat :: Yes, they consider the Lich Queen as a weird revolutionary ruler and we shouldn’t just give her the advantage.

Vampire Owl :: So, what do you think about this? They are asking for the review of a movie, The Lazarus Effect. It is about death and return to life.

Vampire Bat :: Coming back from the dead? I don’t believe that the zombies can come up with a better request.

Vampire Owl :: It is a horror movie, and so it should work for the vampire clan too. The request can be honoured without much trouble.

Vampire Bat :: It is a shame that we have to watch this movie without Uncle Dracula. But it is time he realize that he should choose actors over superstars when watching a movie.

Vampire Owl :: So, we will reply to the minions with a yes?

Vampire Bat :: Yes, and lets have some tea and get ready for a movie adventure.

[Gets a cup of tea and butter cookies].

What is it about? :: Two scientists, Frank Walton (Mark Duplass) and his lover Zoe McConnell (Olivia Wilde) have developed a special serum which they have named Lazarus. They are helped by Niko (Donald Glover) and Clay (Evan Peters), while they are joined by the videographer Eva (Sarah Bolger) as this particular serum attempts to do something huge. Even though it was intended to assist coma patients to give them a second chance at life, it turns out that it actually brings the dead back from life. They do manage to bring a dog back from the dead, and all of a sudden, a major pharmaceutical company buys the firm that funded their research and shuts them down. They decides to repeat the experiment, but Zoe gets electrocuted. Frank decides not to lose her and uses the Lazarus serum on her, but it turns out that the returning lady is not the same as the one who left.

The defence of The Lazarus Effect :: I am sure that most of you can agree to the fact that the movie is scary. It is loaded with the scary moments here and there. The moments of the return from the dead, for both the dog and the human are very well portrayed. Another nice design in relateed to the depiction of hell and the ideas behind the same. There are some jump scares which are very well used to make sure that the audience will feel that there is more horror coming. Not only the visual stuff, but the sound effects and the music contributes well to the frightening situations. It also asks us the relevant questions about life, death, soul and hell. The gore is also kept to the very least, even though a movie like this which combines science fiction and horror could have had a lot of it, especially with the death and return from the dead around. Over everything else, it knows how to entertain.

Claws of flaw :: There is no doubt that this movie could have been a better horror movie because it had all which was needed in its story, even though with similarities to other horror movies – the basic idea is not new and so are the scares. This one could have used the abundant darkness to a more creepy effect instead of using the same for some quick scares. The idea of life, death, hell and soul could have been expanded further more. The battle here between the living and dead is also too one-sided and predictable. With the movie being short in length, more scary and explanatory sequences could have been added here and there. The ending could have also been a little more creative. But it is surely better than what the critics claim that it is, no doubt about that – far ahead of this year’s other big horror; the remake called Poltergeist.

Performers of the soul :: The acting department looks safe around here. The best moments in the movie undoubtedly belongs the one who plays the returning loved one an scientists from the dead – Olivia Wilde as Zoe McConnell is clearly the leader here. She begins as the heroine and returns as the demon, balancing both really well. The transformation that happens is not that gradual either as she turns and embraces the dark side further and further after the return from the other world. She is not someone whom we usually associated with the horror genre, but it has suited her very well. Sarah Bolger plays the lead who doesn’t really belong to the group, and she does that fine enough. Mark Duplass has a good run in the movie, and the rest of the cast does some good job in this flick which mixes two genres effectively.

Soul exploration :: The three movies that come to your mind when you watch The Lazarus Effect are Event Horizon, Carrie and Lucy even though this flick is no match for all the three – consider the original movie from long ago when I am talking about Carrie this time. Do you know what else this movie is? It is Frankenstein, as here is an even more modern Prometheus than what Mary Shelley had intended. The idea of bringing back someone from the dead hasn’t gone that well for many characters; Victor Frankenstein paid for it. The Biblical Lazarus of Bethany on whom the title seems to be based did have a fine return from the dead after four days, and may be the serum in the movie was also supposed come out positive, but unfortunately for the characters in the movie and fortunately for the horror fans, it didn’t.

More of the soul exploration and the finish :: The movie’s idea of hell is also interesting; it talks about how hell is your worst nightmare repeated again and again. Its journey to hell and back is like Event Horizon, but not that strong. It has the returning person with the powers of Carrie, and also comparable to Lucy – there is also that idea about using more than ten percent of the brain. This movie has those elements which bring the horror about not just what is seen, but also what extends beyond that. Jason Blum who has been behind horror and thriller movies like Insidious, The Purge, Sinister, Dark Skies, Paranormal Activity, Ouija, The Lords of Salem, Jessabelle, Area 51, The Boy Next Door, The Gallows and The Gift along with the sequels of some of them, has produced this one too. With its collections, The Lazarus Effect will make into the list of the successful ones.

Release date: 27th February 2015
Running time: 83 minutes
Directed by: David Gelb
Starring: Mark Duplass, Olivia Wilde, Sarah Bolger, Donald Glover, Evan Peters, Ray Wise, Amy Aquino

@ Cemetery Watch
✠ The Vampire Bat.

Crimson Peak

Posted on October 18, 2015 by Tennyson

Vampire Owl: I believe that we should sell our castle and buy what they call the Crimson Peak. It looks more Gothic than all our bloody rooms combined.

Vampire Bat: We should write a letter to Uncle Dracula concerning this after watching this movie.

Vampire Owl: I believe that it is from the director who can do the Gothic more justice than anybody else.

Vampire Bat: Yes, it is like Guillermo del Toro weaves his magic wand and this genre reaches new heights.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1130-crimson-peak-movie-review

From the visionary director Guillermo del Toro, the man who brought us movies like Pan’s Labyrinth, Hellboy and Pacific Rim, the latest flick comes in the form of a Gothic Romance Horror called Crimson Peak. It has been one of the most anticipated movies of the year for those who loved the critically acclaimed dark fantasy known as Pan’s Labyrinth. Crimson Peak has also remained a much discussed title among the horror fans. What this movie seemed to try and achieve was to bring the Gothic mystery elements back to the big screen like never before. The trailer also supported the same idea, and so did the costumes and the surroundings featured in it.

The audience is introduced to a little girl who sees the apparition of her mother giving her one warning – beware of Crimson Peak. She grows up with the belief that ghosts are real because she has seen them, and she becomes a beautiful lady who is an aspiring author from Buffalo. This lady, Edith Cushing (Mia Wasikowska) has a desire to show her skill in writing ghost stories even though she is told to write love stories instead. A twist of fate happens when she unexpectedly falls in love with Sir Thomas Sharpe (Tom Hiddleston) who arrives in the US from England, related to business matters. She marries him against the advice of her people after her father dies, and travels with him beyond the Atlantic Ocean to his lands.

Everything seems to be perfect with love and affection right at the core. But she soon discovers that the man is more than what meets the eye as he has many secrets. With his sister Lady Lucille Sharpe (Jessica Chastain) who seems to share these secrets, there is a very scary side to their world of two. A large crumbling mansion set in the mountainous region in Cumbria will make sure that her trip to the British Isles won’t be as good as she thought it would be. The house seems to warn her and so do the apparitions which make another appearance there, visible only to her. These creatures are new, but her nightmares have only begun, and she will soon know the truth about the siblings, the house and its bloody violent past.

The first thing that you notice related to Crimson Peak is the beauty that you see on screen. It is a wonderful reminder to the Gothic that the viewers have always read about during our childhood. The environment brings the best effects of horror on screen. It is the kind of world which suits horror like never before. As usual, Guillermo del Toro knows how to do the best with the creature design, as each apparition in this movie is unique, and all of them are scary. With the sound effects added and terrifying sequences well shot to magnify the horror, the whole thing becomes an even better experience. Still, the movie is does not fully fall into the horror genre. The costumes are also amazing, nicely contributing to the style of the movie. All of these are a lot worthy enough to be watched on the big screen.

There are a few scenes which need mention, one of them being a murder scene, surprisingly showing the aesthetics in death like never before. With water pouring out of the sink and getting mixed with blood, this simple scene shows what creativity can bring. Yes, there is violence, but with beauty. The elegance of death has been brought to the next level. The appearance of the apparition of the mother also brings something special. The red apparition is also imaginative, and the mansion remains a live thing all the time. The mixture of red clay from under the ground to snow also provides a creepy feeling to a house and the surroundings which are already scary with its architecture and location. All of them are worthy of bringing a big horror sequel to Crimson Peak.

There is a certain magic spell which is created by the movie on the audience with the visual detail; then there is the magic of performances which guides this movie. Tom Hiddleston steals the show with his dialogues and expressions as a character that seems to reflect love and compassion with eyes, but struggles hard to hide the secrets. Jessica Chastain is more like the personification of terror which is waiting to unleash itself, and she does a good job. Mia Wasikowska once again becomes the Alice here, not lost in Wonderland, but in the wasteland of her dreams, nightmares and newly found mansion. She manages her role remarkably well, and the audience can easily connect with her emotions. Charlie Hunnam is underutilized though, with more action set in England with the three characters.

The movie still takes a little bit more time than needed to get into the Gothic mode. Another fact is that more could have been achieved with what has already been done with the marvelous imagination that the director possesses. This is still brilliant, but is just a little short of becoming that perfect Gothic Horror Romance movie. The viewers who enjoy beauty on screen will find it difficult to take their eyes off throughout this movie, and there is a certain emotional impact which will also stay in minds after the movie ends. It is the kind of tale which makes you think, and it also brings the memories of that enchanting beauty into your mind – Guillermo del Toro once again proves that he knows how it should be done.

Release date: 16th October 2015
Running time: 119 minutes
Directed by: Guillermo del Toro
Starring: Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam, Jim Beaver, Emily Coutts, Leslie Hope, Burn Gorman, Laura Waddell