The Boy

Posted on May 10, 2016 by Tennyson

Vampire Owl :: All I see is a doll. There is nothing much scary about this one’s appearance either.

Vampire Bat :: We have always been taught and trained to believe that there is more than what eyes can see. What you are doing here is just passing judgment.

Vampire Owl :: I am not judgmental. The hypercritical ones are not my people, but yours.

Vampire Bat :: Still, you are judging this one too early.

Vampire Owl :: The critics have already judged it low.

Vampire Bat :: That is what they do, not us who live with these movies.

Vampire Owl :: I have liked Dead Silence’s Billy, The Conjuring’s Annabelle and Child’s Play’s Chucky. Unlike what you think about this, I am not really judgmental about dolls.

Vampire Bat :: Well, Chucky did put a knife on your neck to make you accept that.

Vampire Owl :: Yes, but I have accepted that dolls can be awesome, and that is the point which I intend to bring here.

Vampire Bat :: Whatever it is, just watch the movie.

[Gets three cups of tea with tapioca chips].

What is it about? :: Greta (Lauren Cohan) is caught in an abusive relationship with Cole (Ben Robson) at Montana. She hopes to escape by becoming a nanny for the Heelshire family based in the United Kingdom. After traveling to Great Britain and reaching the place, she introduced to Mrs. Heelshire (Diana Hardcastle) and the man who brings the grocery, Malcolm (Rupert Evans). Mr. Heelshire (Jim Norton) introduces her to their child, Brahms. But she is surprised to find out that the boy here is just a porcelain doll, treated by the family as if it is a living person. Mrs. Heelshire tells her that the boy had rejected many other nannies and they hope that he likes her. She also asks Greta to follow certain rules, as Brahms is like other children, and special care is needed for him.

So what happens next? :: Greta decides to ignore the rules and just spend her time there. She and Malcolm gets a lot interested in each other, and the doll remains neglected. But Greta finds out that there is something strange about the doll. She feels that it moves a little at times, and there are other strange occurences. On one occasion, she gets locked in the attic, and her clothes are also stolen while she is taking shower. She also feels that the doll is staring at her when she is talking to Malcolm, changing clothes or even while doing anything of personal nature. On another day, a sandwich is served at her door, and she also hears voices calling her name. She decides to find out more about the real child who is supposed to have died in a fire at the age of eight, years ago.

The defence of The Boy :: The idea here is working, and had a lot of possibilities towards horror. It does get working early with its central idea, and we get to the moments featuring the doll easily. The setting in the big old house actually helps a lot. There are lots of spooky moments in this movie, and the scene at the attic as well as the final twists worked very well in the end. How they have changed the supernatural idea works very well by the end of the movie too. The Boy does entertain, that is for sure – among the horror movies which released on one of those days around this one, there were not many of them as much entertaining as The Boy, which follows the much expected horror idea. As the movie follows the basic horror elements, there is sure to be some fun watching this movie for everyone. For people who don’t want movies like The Witch and It Follows as the different horror flicks, this would be the usual kind of replacement following the known path.

Claws of flaw :: It is rather strange that the movie doesn’t really use the elements in hand to the best strength. When there is a spooky doll around there, we expect that things get really scary and remain so throughout its run – but there are those weaker moments here and there. The doll could have been a lot bigger thing than it turned out to be. The movie also does remind one of two other movies, the Jocelin Donahue starrer The House of the Devil and Sarah Thompson starrer Babysitter Wanted. This one could have deviated further and should have come up with more innovative ideas. With so much mystery around, I am actually surprised that they have managed only this much – there was so much to be seen and so much more to be developed further. But our movie here manages to work even with all its inability to bring the best out of there.

Performers of the soul :: The performances of the cast here remains really good. Without doubt, Lauren Cohan as Greta comes up with the best of them all. Best known for her part as Maggie Greene in the television series, The Walking Dead, and being part of other series, here she plays the young lady with a troubled past in a lot believable manner, and so does she manage well with those horror sequences. I have to say that she makes a really good addition to the horror movies, and I hope that she will be there in more of such movies belonging to the genre. Her character actually undergoes changes throughout the movie, and she manages the same without any problem. Rupert Evans also makes a good addition in the flick. Jim Norton and Diana Hardcastle who play the old parents also leaves a mark here.

How it finishes :: Well, there has been some impressive dolls in horror movies; Chucky from Child’s Play series might be the most popular of them all, and Billy from Dead Silence has been one scary thing; Annabelle has gained popularity with The Conjuring, and one can never underestimate the strength of a doll when it comes to horror movies. This one here, the Brahms doll is no exception either. It has enough to stay in the minds of the viewers too. There will be something about The Boy that can catch your attention here – from the cast to the setting, and more than everything else, the doll. Unlike what the reviews have mostly said about this movie, The Boy has more strength than most of the other horror movies around here which have somehow managed better reviews.

Release date: 22nd January 2016
Running time: 97 minutes
Directed by: William Brent Bell
Starring: Lauren Cohan, Rupert Evans, Jim Norton, Diana Hardcastle, Ben Robson, James Russell, Jett Klyne, Lily Pater

@ Cemetery Watch
✠ The Vampire Bat.

The Witch

Posted on May 8, 2016 by Tennyson

Vampire Owl :: I once had a chance to talk with the Northern Witches. After that, I haven’t been interested in watching movies like these.

Vampire Bat :: Oh! What did they tell you?

Vampire Owl :: I am not really sure. But I guess I heard it as boomerang, blah blah and abracadabra.

Vampire Bat :: Are you sure that they were not the sirens?

Vampire Owl :: Well, as you are asking, now I am not quite sure.

Vampire Bat :: This is a movie which has 90% rating at the Rotten Tomatoes. Why would you want to bring this while we are going to watch this movie?

Vampire Owl :: There is something about the witch, the lich and the rich that I don’t like.

Vampire Bat :: You mean the itch sound.

Vampire Owl :: It is exactly what they provide me with.

Vampire Bat :: We are such socialist vampires, aren’t we?

[Gets three cups of tea with potato chips].

What is it about? :: In this story set in the seventeenth century, William (Ralph Ineson) and his family are banished from a Puritan plantation in New England; his wife Katherine (Kate Dickie), elder daughter Thomasin (Anya Taylor-Joy), son Caleb (Harvey Scrimshaw), and twins Mercy (Ellie Grainger) and Jonas (Lucas Dawson). Katherine later gives birth to the fifth child, a boy that vanishes while Thomasin plays with him. Katherine blames Thomasin for the disappearance, and spends most of her time in prayer and grief. Meanwhile, Caleb and Thomasin go for hunting, and the former goes missing. Once again, Thomasin is blamed, and at the same time, the twins say that the black goat, Black Phillip speaks to them. The events only get stranger as the presence of evil in the forest is ascertained. Is there a Witches’ Sabbath coming up?

The defence of The Witch :: There are the usual kind of horror movies which use the jump scares to claim that it is worthy of a fine position in the genre – there is the noise and the sudden appearance of the scary face; but The Witch denies the same, and goes not with such familiar scary stuff; instead it goes on to use the mood and the setting to its advantage without trying to make sure that the audience is scared at one exact moment – it tries to create something for which the result will different for everyone, at different points of the movie. It is something bigger than what is seen or heard as part of the regular horror practice, for it goes directly into one’s mind. The elements of mystery go right through the movie too, as we are to keep guessing till that ending, which makes things very clear – that is cent percent the success for this flick.

Claws of flaw :: There is no denying the fact that The Witch is quite a slow movie; it drags in between, and has the characters not doing enough to pick up the pace when they could have done the same. The movie also doesn’t use the image of the witch to its full advantage, when it could have done a lot more with it; the same can be said about the final pact which is too quick to go through. There is the absence of the terrifying imagery which could have been added at some point to do justice to the genre to which The Witch belongs. A lot of people will feel that this is not their kind of movie either, and that is understandable because a lot of fans will surely be looking for something else; for The Witch is a nightmare that feels real within its environment, and it is not the horror flick that arrives with an unparalleled desire to bring the fear into the viewers.

Performers of the soul :: With Robert Eggers making his directorial debut with The Witch, the movie has gathered a lot of appreciation from the critics, and the performances surely has a lot to do with it. Anya Taylor-Joy is amazingly good in this movie. She goes through the situations of her character in the movie in such a way that we never feel that she hasn’t been seen in a big role in any flick before. There is certain transformation going on with her character, and this is not really among the best roles to play, but she nails it here. Ralph Ineson plays the next significant character in a lot realistic and believable manner too. Kate Dickie has her moments here too. The two characters which steal the show otherwise, are the witches of the forest and the black goat.

Soul exploration :: The movie’s focus is on faith, not just on God, but also on each other. Almost everyone in this movie has problems with the same, as the same thing just goes on to break into smaller and smaller pieces as the movie progresses further. It is something that is ready to crumble into dust, and we see that on the faces of the characters. There is the lack of trust that is present, and it develops into something worse. It is the case of unfair judgment that makes things worse, and in the end, leads to the final fall – randomly judging others is a kind of tradition that goes back a long time, right? Due to the same, there are moments when one realizes that it is not God or Devil who are responsible for this fall, and neither is it some witch, for it is themselves and that they can blame in the end.

How it finishes :: The Witch will never be the usual horror movie for you. It is still the variety in horror that we have all wished for. The movie could have surely been better, but the experience that it provides with a difference will surely make it worth a watch. In the world of Sinister, Insidious and The Conjuring, The Witch the one that dares to be different, and for the same, it deserves the applause. There is one thing that you can be sure about, and it is that this movie has everything that is needed to be something that you think it is not. It had won the Directing Award in the US Dramatic category at the 2015 Sundance Film Festival and with all the critical appreciation around, you should surely give it a try!

Release date: 19th February 2016
Running time: 93 minutes
Directed by: Robert Eggers
Starring: Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson, Julian Richings, Bathsheba Garnett, Sarah Stephens, Wahab Chaudhry, Axtun Henry Dube, Athan Conrad Dube

@ Cemetery Watch
✠ The Vampire Bat.

Wrecker

Posted on February 17, 2016 by Tennyson

Vampire Owl :: Do you know that we are appointing a new group called the wreckers for the vampire army?

Vampire Bat :: I don’t know about that, but we are surely going to watch this movie.

Vampire Owl :: The poster does remind me of Joy Ride and its sequels.

Vampire Bat :: Yes, that was what came to my mind the first time.

Vampire Owl :: I liked that series, right up-to the final movie.

Vampire Bat :: Yes, and the big trucks haunting people on deserted roads always make some impact.

Vampire Owl :: They are like the most convenient areas for serial killers.

Vampire Bat :: Well, there is absolutely no doubt about that.

Vampire Owl :: So, another human serial killer movie for today.

Vampire Bat :: Yes, another one from their long list of bad people.

[Gets some tea with tapioca chips].

What is it about? :: Best friends Emily (Anna Hutchison) and Leslie (Andrea Whitburn) are on a road trip, as the former doubts her boyfriend of cheating and has taken a break. As they go on on a joy ride, they decide to take a short-cut which seems to be rather less traveled. During their journey, they come across a tow-truck which doesn’t let them pass. When they do, it is behind them, and later it overtakes them just to keep wandering around their car. It almost makes them hit another car, and continues to torment them throughout their journey. Providing them with no relief, the truck is always around them, and nothing seems to let it go away. As they stop to have food, they see the truck there too, and try to identify the driver, but ends up being angry at the wrong person.

So, how do things go from there and is there a chance for escape? :: They find out that the man giving them the chase is someone else, but they never get to see him. But they continues to travel as the truck has gone long past them. Well, things only get much worse from there, as it is no longer about being chased – everything gets rather direct then. As their car losses one of its tyres, they are forced to run and they separate from each other. The car doesn’t have much of fuel, and only Emily gets back to the vehicle, with no sign of her friend around. A police officer who is found on the way also gets run over the the truck. There seems to be no hope left as the truck driver seems to know the road so well, and is ready to pounce at anyone anywhere. The only chance here might be to get off the road, or is it?

The defence of Wrecker :: There are thrills in abundance in this movie, as most of the movie is focused on the road; there is no time for drama as things only get quicker and the situations become more life-threatening. The truck idea is something that will always work – I recently saw one strange long-haired person on the road riding a modified bike and showing his middle finger to the buses; it is the kind of person whom we wish a psychopath trucker should take to make the society better; those times when we think that serial killers are needed. With Joy Ride‘s Rusty Nail whom we consider among the top killers in a thriller-horror, the scope of such a character has only increased, and Wrecker does make some good use of that. The truck shots are well-utilized, and there are some nice moments here with the vehicle. The movie is kept short too.

Claws of flaw :: This movie could have done a lot better in using this already successful idea – the scope was even more for sure. This could have been more entertaining with horror taking the main stage – a lot more of the scares were possible with a psychopath trucker in the pockets. A bigger story could have also been in store, and a legend could have been easily brought on this. The whole thing needed a better touch in making things more interesting. There could have been a big psycho killer in store here who could make things better in the sequel – the chance is left there in the end! A better thrilling finish could have done this movie a lot of good too. Andrea Whitburn leaves the action a little too early. The destruction which shown to be committed by the truck is also a little too low; the killer also remains too unknown.

Performers of the soul :: The movie clearly depends on Anna Hutchison to make it work better than it really is. She does a very good job here with the same. She is good with this, as we had seen her in The Cabin in the Woods. Most of us would also remember her from Spartacus: War of the Damned – she plays the main character here, and the focus is all on her, which makes sure that the movie gets better. Andrea Whitburn plays more of the supporting role, as there is a lot of time when we don’t get to see her at all. The supporting cast doesn’t really get to do much, and we never really get to see the face of the driver who goes on rampage – so, except for a few people who show their faces and say some dialogues, the whole thing is left to Anna Hutchison and Andrea Whitburn.

How it finishes :: The movie seems to have a lot of similarities with the 1971 flick, Duel; Joy Ride and its two sequels are also quite similar. I have loved the three movies belonging to the Joy Ride franchise, from the Paul Walker and Venna Wilcox Leelee Sobieski starrer to the last one which released in 2014. Wrecker doesn’t go that much of a different way compared to these movies. If I had to choose between Joy Ride and Wrecker, I would choose the former though, as Rusty Nail is already one of the most interesting serial killers around, and the entertainment factor was also high with those movies. But Anna Hutchison is the one person who makes the difference for this movie, and this one also goes somewhat a different way in its treatment – and is surely slower.

Release date: 6th November 2015
Running time: 83 minutes
Directed by: Micheal Bafaro
Starring: Anna Hutchison, Andrea Whitburn, Jennifer Koenig, Don Knodel, Michael Dickson, Ashley Evans, Lori Watt, Kurtis Maguire, Dave Blattler, Celia Reid, Andy Nez, Emily Schutz, Riley Schutz, Dylan Rhymer, Kurt Harder

@ Cemetery Watch
✠ The Vampire Bat.

Jessabelle

Posted on December 21, 2015 by Tennyson

Vampire Owl :: Are you sure that this isn’t related to Annabelle? There is not even a distant relationship that you know about?

Vampire Bat :: Not at all. There is just the name which ends in the same way. There is no relationship with The Conjuring either.

Vampire Owl :: I know many people who thought that they were related, and there are some who thought that there was another doll of the same kind.

Vampire Bat :: We, the people of the horror, shouldn’t fall into such rumors. But the similarity in the name might have attracted more viewers.

Vampire Owl :: Yes, I know. But I just believed that for some time.

Vampire Bat :: We could actually go for it in the name of some nice sequences which are there in the trailer. The poster is quite interesting

Vampire Owl :: And also after looking at the producer’s long list of horror filmography.

Vampire Bat :: Yes, that too. But nothing in the name of Annabelle which is not related at all.

Vampire Owl :: Let it be so then! We shall take on this ghost too.

Vampire Bat :: Okay, now we can proceed for the movie. Keep your mind open for more horror.

[Gets a cup of tea with chocolate chip cookies].

What is it about? :: Jessabelle Laurent (Sarah Snook) and her boyfriend has an accident with their car hit by a truck just before they decide to start a new life together. The pregnant Jessabelle has miscarriage and her lover is dead in the accident, with her limited to a wheel-chair. A few months later, she decides to go and live with her father Leon (David Andrews) at a small town of St Francis as he agrees to pick her up from the hospital. It has been a long time since she last saw her father, as she was raised by her aunt after her mother died of cancer when she was a baby. He takes her to their old home, and provides her with the room of her mother which was kept locked for many years. She doesn’t remember anything about her childhood, and she decides to look around the old house and the beautiful surroundings on her wheel-chair.

So what happens at this new place far away from the city? :: Jessabelle is not a person who will keep herself on the bed all the time. For passing time, she finds some videotapes shot by her mother. She decides to watch them and know more about her mother whom she never met as a kid. Even though, the tapes begin nicely with words of motherly love, it soon gets weird with talks about death, transition to something else and the feeling of a certain presence in the house. Leon says that her mother was getting weird and not herself in the final stages of cancer as he tries his best to stop her from watching these tapes, but as he tries to burn them, gets burnt himself inside the shed. She also has regular nightmares, and feels the presence of something in the house. With her father dead, it is only her old friend Preston Sanders (Mark Webber) who is left with her for help.

The defence of Jessabelle :: There are scary moments in Jessabelle and there is creepiness, even when not fully utilized. The environment contributes to that feeling, and this is done by keeping blood and gore to the minimum. Coming from the director of two movies of the Saw franchise, that might be a surprise for some people. The bath-tub scene is the best one, even though that too could have been better. But the movie manages to maintain a certain mood, not trying to bring anything huge – not a big attempt here at all. The final revelation is a fine one, and the twist is something which can be rather easily guessed only for those who have watched many horror movies. But it keeps us guessing until the movie reaches the final stages. It often becomes a mystery thriller instead of a full horror movie, and there is even some drama – it also works as part of another genre which makes up for what is missed out with the horror side.

Claws of flaw :: There is no denying the fact that this movie has its own dose of cliches. There are moments of such horror which have already been tried, and the story itself reminds oneself of the Kate Hudson starrer movie, The Skeleton Key – especially with the ending; but the difference here being the use of Voodoo while it was Hoodoo in that horror movie which came earlier. The chances of you liking this movie if you liked that one is high, but there will be some repetition associated with this in the final moments. There is also a certain amount of slow movement in the case of Jessabelle, and more horror could have been brought here especially while using the marshy surroundings of Lousiana. The environment was something which could have been better used to the advantage here. The potential was surely there to bring something better than what is on screen.

Performers of the Soul :: As you might have noticed in the movie Predestination, Sarah Snook is very much a talented actress, and she does an excellent job here too. Here, she proves to be the right choice for horror too. If she did a bigger job in that science fiction drama, here the movie is better, without ambiguities or boredom as there is the direct entry into horror and mystery. Mark Webber has very less to do here though, and it is the same with David Andrews and Joelle Carter, as the movie is completely focused on Sarah Snook and her Jessabelle. Amber Stevens West plays the ghostly Jessabelle with the needed intensity, but the number of appearances of the ghost is also too less as far as the horror fans are concerned. The bath-tub scene and the car scene are the two notable ones related to the same.

How it finishes :: When you look at the critical appreciation of this movie and the total rating at IMDb, you will hesitate about watch this one. But this movie is undoubtedly better than what you see everywhere; it has never been easy for the horror movies to get the critics on their side – it is more like a curse which this particular genre has inherited through the ages, even though there are exceptions. Sometimes, most of the critically appreciated movies are not really that good horror at all. So, watching Jessabelle is not a mistake that you make, but an attempt to see how another horror movie will work. You have to note that The Lazarus Effect, The Remaining, The Woman in Black 2: Angel of Death and The Pyramid got lesser rating on IMDb. You can watch this one along with The Skeleton Key which is a similar movie in heart and soul.

Release date: 7th November 2014
Running time: 90 minutes
Directed by: Kevin Greutert
Starring: Sarah Snook, Mark Webber, David Andrews, Joelle Carter, Ana de la Reguera, Amber Stevens, Larisa Oleynik, Chris Ellis, Brian Hallisay, Lucius Baston, Jason Davis, Vaughan Wilson

@ Cemetery Watch
✠ The Vampire Bat.

The Pyramid

Posted on December 6, 2015 by Tennyson

Vampire Owl :: I have received this letter from this small community living on the side of the undead lands.

Vampire Bat :: I have received a copy too. But I am yet to read it.

Vampire Owl :: It is about better representation on the movie adventures list along with the other communities who are getting all the attention as of now.

Vampire Bat :: Well, sometimes one community gets the attention, and at other times, some other one will. They will have to work hard to get more attention.

Vampire Owl :: But it says here that they are among the oldest existing communities and that they came back from the dead in the impossible circumstances at times when we vampires hadn’t really become the true undead.

Vampire Bat :: What? It is impossible! Look at the final sign. Who are they?

Vampire Owl :: It says “The Friendly Neighborhood Graveyard Mummies”.

Vampire Bat :: Zombies, werewolves and now the mummies. I thought that they were finished when they were sent to China in 2008 with Tomb of the Dragon Emperor.

Vampire Owl :: Well, they were not the same. There are no Pyramids there and so the Mummy existence has to be questioned. I believe that their depiction in that particular movie has also motivated them further to search for the right movie.

Vampire Bat :: That should mean that now we have to find a Mummy movie. I have the perfect movie in my mind.

[Gets a cup of tea and butter cookies].

What is it about? :: While the 2012–13 Egyptian protests are going on in Egypt, a team of archaeologists lead by Dr. Miles Holden (Denis O’Hare) and his daughter Dr. Nora Holden (Ashley Hinshaw) manages to discover a special pyramid from under the desert. As the top part of the structure is excavated, they find out that it is not like the other pyramids and has only three sides instead of the usual four. Using the satellite facility, they find out that the pyramid goes a long way down and that there is a tunnel which goes into its highest point. Due to the possibility of a civil war in the country, they are asked to return home, with no idea of when they can explore more of the pyramid. But as they consider this the biggest discovery of their careers, they hesitate to go back empty-handed.

So, how does the big twist occur? :: Despite a worker being dead due to the toxic gas in the pyramid, they decide to use a remote controlled rover machine from NASA to explore as much of the pyramids they can, and the gadget expert Michael Zahir (Amir K) makes sure that it can be done. But the machine is lots inside the structure, and it turns out that they can’t return home without the expensive thing. So, accompanied by the reporter Sunni Marsh (Christa-Marie Nicola) and the cameraman Terry Fitsimmons (James Buckley), they decide to go and find the machine themselves, with oxygen masks and with ropes tied to their waists making sure that they don’t lose the way. But they will know that what awaits them inside the structure is more than just the difficulty in finding the path.

The defence of The Pyramid :: There are lots of scary moments in The Pyramid, and the setting is very well established right in the beginning itself. It has been a long time since we had a good Mummy movie, and even though this one has none either, the pyramids and the undead brings us close to that feeling which we had while watching the movies with those mummified antagonists. The mythological twist which happens in the movie is a real nice one. The moments which make the most of the movie, until the final creature is shown makes some nice impact as darkness and the creepy atmosphere inside the pyramid is amazingly good – they could have got more attention going for the last few minutes of this movie. There are some nice traps too, even though that side is not used to the full potential. This one is also more serious than your friendlier adventure starring Brendan Fraser and Rachel Weisz.

Claws of flaw :: The Pyramid is in no way close to being the best horror movie of the year. It has an antagonist revealed in the end which doesn’t look scary enough, and thanks to the CGI which is not that effective, we won’t get the desired strength at the end. The creatures needed to look better and more menacing; here they are just the dangerous creatures as we know them to be so. The movie also needed a better development of the mythical story of Anubis and Osiris, working on the tales about the gods and kings of Egypt much earlier and in more detail so that everything could come together in a stronger way by the end of the flick. There is also no perfect ending as one would have expected as this has strong mythological roots. Those who have a lot of knowledge in the Egyptian Mythology might also feel different, with possible innacuracies as I have seen in some forums, but I am not an expert there.

Soul exploration :: There is not much here for the acting department because the movie’s focus is never there. Still, Ashley Hinshaw has a fine presence and does a good job in this movie which asks nothing too much from its cast. Christa-Marie Nicola should come next in grabbing our attention, and the rest also just follows the routine in a horror movie – be in trouble and hope not to die. The feeling of inescapable is right there throughout the movie as we keep having the feeling that the situation is a lot more than the usual supernatural stuff, and nobody can escape death this time. It is the certainty of death that the protagonists are facing, and the inability to find a solution to the early return to the other world means that there is more than all the discoveries science has ever made and religion has ever solved- it is a symbol of human helplessness.

More of the soul exploration and the finish :: The one thing which is special about this movie is that it takes another path while dealing with pyramids, not of the usual mummy story as one would expect. There is a nice reflection of the Egyptian Mythology along with its gods Anubis and Osiris. There is some history and mythology explained in the middle as well as by the finish, and if things were more creative by the end, The Pyramid could have been a lot better movie. There are times when some movies are underrated, and this one is such a movie. We did see such problems with The Lazarus Effect, I Frankenstein, Annabelle and The Woman in Black 2: Angel of Death. This has been happening with horror movies for quite some time and you have to watch these movies to know if they are good – you really can’t go and agree with the rest of the world without thinking, especially the critics.

Release date: 5th December 2014
Running time: 89 minutes
Directed by: Grégory Levasseur
Starring: Ashley Hinshaw, Christa-Marie Nicola, Denis O’Hare, James Buckley, Daniel Amerman, Joseph Beddelem, Amir K, Garsha Arristos, Omar Benbrahim, Philip Shelley, Faycal Attougui

@ Cemetery Watch
✠ The Vampire Bat.

The Lazarus Effect

Posted on December 1, 2015 by Tennyson

Vampire Owl :: The zombie minions have sent us a request signed by four hundred and fifty seven of them.

Vampire Bat :: As Uncle Dracula is in the hospital after watching a few terrible superstar Bollywood movies, I guess that we have to deal with this ourselves.

Vampire Owl :: It is sad. We have to accept their request though, or the Lich Queen will take away all our zombie labour.

Vampire Bat :: Yes, they consider the Lich Queen as a weird revolutionary ruler and we shouldn’t just give her the advantage.

Vampire Owl :: So, what do you think about this? They are asking for the review of a movie, The Lazarus Effect. It is about death and return to life.

Vampire Bat :: Coming back from the dead? I don’t believe that the zombies can come up with a better request.

Vampire Owl :: It is a horror movie, and so it should work for the vampire clan too. The request can be honoured without much trouble.

Vampire Bat :: It is a shame that we have to watch this movie without Uncle Dracula. But it is time he realize that he should choose actors over superstars when watching a movie.

Vampire Owl :: So, we will reply to the minions with a yes?

Vampire Bat :: Yes, and lets have some tea and get ready for a movie adventure.

[Gets a cup of tea and butter cookies].

What is it about? :: Two scientists, Frank Walton (Mark Duplass) and his lover Zoe McConnell (Olivia Wilde) have developed a special serum which they have named Lazarus. They are helped by Niko (Donald Glover) and Clay (Evan Peters), while they are joined by the videographer Eva (Sarah Bolger) as this particular serum attempts to do something huge. Even though it was intended to assist coma patients to give them a second chance at life, it turns out that it actually brings the dead back from life. They do manage to bring a dog back from the dead, and all of a sudden, a major pharmaceutical company buys the firm that funded their research and shuts them down. They decides to repeat the experiment, but Zoe gets electrocuted. Frank decides not to lose her and uses the Lazarus serum on her, but it turns out that the returning lady is not the same as the one who left.

The defence of The Lazarus Effect :: I am sure that most of you can agree to the fact that the movie is scary. It is loaded with the scary moments here and there. The moments of the return from the dead, for both the dog and the human are very well portrayed. Another nice design in relateed to the depiction of hell and the ideas behind the same. There are some jump scares which are very well used to make sure that the audience will feel that there is more horror coming. Not only the visual stuff, but the sound effects and the music contributes well to the frightening situations. It also asks us the relevant questions about life, death, soul and hell. The gore is also kept to the very least, even though a movie like this which combines science fiction and horror could have had a lot of it, especially with the death and return from the dead around. Over everything else, it knows how to entertain.

Claws of flaw :: There is no doubt that this movie could have been a better horror movie because it had all which was needed in its story, even though with similarities to other horror movies – the basic idea is not new and so are the scares. This one could have used the abundant darkness to a more creepy effect instead of using the same for some quick scares. The idea of life, death, hell and soul could have been expanded further more. The battle here between the living and dead is also too one-sided and predictable. With the movie being short in length, more scary and explanatory sequences could have been added here and there. The ending could have also been a little more creative. But it is surely better than what the critics claim that it is, no doubt about that – far ahead of this year’s other big horror; the remake called Poltergeist.

Performers of the soul :: The acting department looks safe around here. The best moments in the movie undoubtedly belongs the one who plays the returning loved one an scientists from the dead – Olivia Wilde as Zoe McConnell is clearly the leader here. She begins as the heroine and returns as the demon, balancing both really well. The transformation that happens is not that gradual either as she turns and embraces the dark side further and further after the return from the other world. She is not someone whom we usually associated with the horror genre, but it has suited her very well. Sarah Bolger plays the lead who doesn’t really belong to the group, and she does that fine enough. Mark Duplass has a good run in the movie, and the rest of the cast does some good job in this flick which mixes two genres effectively.

Soul exploration :: The three movies that come to your mind when you watch The Lazarus Effect are Event Horizon, Carrie and Lucy even though this flick is no match for all the three – consider the original movie from long ago when I am talking about Carrie this time. Do you know what else this movie is? It is Frankenstein, as here is an even more modern Prometheus than what Mary Shelley had intended. The idea of bringing back someone from the dead hasn’t gone that well for many characters; Victor Frankenstein paid for it. The Biblical Lazarus of Bethany on whom the title seems to be based did have a fine return from the dead after four days, and may be the serum in the movie was also supposed come out positive, but unfortunately for the characters in the movie and fortunately for the horror fans, it didn’t.

More of the soul exploration and the finish :: The movie’s idea of hell is also interesting; it talks about how hell is your worst nightmare repeated again and again. Its journey to hell and back is like Event Horizon, but not that strong. It has the returning person with the powers of Carrie, and also comparable to Lucy – there is also that idea about using more than ten percent of the brain. This movie has those elements which bring the horror about not just what is seen, but also what extends beyond that. Jason Blum who has been behind horror and thriller movies like Insidious, The Purge, Sinister, Dark Skies, Paranormal Activity, Ouija, The Lords of Salem, Jessabelle, Area 51, The Boy Next Door, The Gallows and The Gift along with the sequels of some of them, has produced this one too. With its collections, The Lazarus Effect will make into the list of the successful ones.

Release date: 27th February 2015
Running time: 83 minutes
Directed by: David Gelb
Starring: Mark Duplass, Olivia Wilde, Sarah Bolger, Donald Glover, Evan Peters, Ray Wise, Amy Aquino

@ Cemetery Watch
✠ The Vampire Bat.

Crimson Peak

Posted on October 18, 2015 by Tennyson

Vampire Owl: I believe that we should sell our castle and buy what they call the Crimson Peak. It looks more Gothic than all our bloody rooms combined.

Vampire Bat: We should write a letter to Uncle Dracula concerning this after watching this movie.

Vampire Owl: I believe that it is from the director who can do the Gothic more justice than anybody else.

Vampire Bat: Yes, it is like Guillermo del Toro weaves his magic wand and this genre reaches new heights.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1130-crimson-peak-movie-review

From the visionary director Guillermo del Toro, the man who brought us movies like Pan’s Labyrinth, Hellboy and Pacific Rim, the latest flick comes in the form of a Gothic Romance Horror called Crimson Peak. It has been one of the most anticipated movies of the year for those who loved the critically acclaimed dark fantasy known as Pan’s Labyrinth. Crimson Peak has also remained a much discussed title among the horror fans. What this movie seemed to try and achieve was to bring the Gothic mystery elements back to the big screen like never before. The trailer also supported the same idea, and so did the costumes and the surroundings featured in it.

The audience is introduced to a little girl who sees the apparition of her mother giving her one warning – beware of Crimson Peak. She grows up with the belief that ghosts are real because she has seen them, and she becomes a beautiful lady who is an aspiring author from Buffalo. This lady, Edith Cushing (Mia Wasikowska) has a desire to show her skill in writing ghost stories even though she is told to write love stories instead. A twist of fate happens when she unexpectedly falls in love with Sir Thomas Sharpe (Tom Hiddleston) who arrives in the US from England, related to business matters. She marries him against the advice of her people after her father dies, and travels with him beyond the Atlantic Ocean to his lands.

Everything seems to be perfect with love and affection right at the core. But she soon discovers that the man is more than what meets the eye as he has many secrets. With his sister Lady Lucille Sharpe (Jessica Chastain) who seems to share these secrets, there is a very scary side to their world of two. A large crumbling mansion set in the mountainous region in Cumbria will make sure that her trip to the British Isles won’t be as good as she thought it would be. The house seems to warn her and so do the apparitions which make another appearance there, visible only to her. These creatures are new, but her nightmares have only begun, and she will soon know the truth about the siblings, the house and its bloody violent past.

The first thing that you notice related to Crimson Peak is the beauty that you see on screen. It is a wonderful reminder to the Gothic that the viewers have always read about during our childhood. The environment brings the best effects of horror on screen. It is the kind of world which suits horror like never before. As usual, Guillermo del Toro knows how to do the best with the creature design, as each apparition in this movie is unique, and all of them are scary. With the sound effects added and terrifying sequences well shot to magnify the horror, the whole thing becomes an even better experience. Still, the movie is does not fully fall into the horror genre. The costumes are also amazing, nicely contributing to the style of the movie. All of these are a lot worthy enough to be watched on the big screen.

There are a few scenes which need mention, one of them being a murder scene, surprisingly showing the aesthetics in death like never before. With water pouring out of the sink and getting mixed with blood, this simple scene shows what creativity can bring. Yes, there is violence, but with beauty. The elegance of death has been brought to the next level. The appearance of the apparition of the mother also brings something special. The red apparition is also imaginative, and the mansion remains a live thing all the time. The mixture of red clay from under the ground to snow also provides a creepy feeling to a house and the surroundings which are already scary with its architecture and location. All of them are worthy of bringing a big horror sequel to Crimson Peak.

There is a certain magic spell which is created by the movie on the audience with the visual detail; then there is the magic of performances which guides this movie. Tom Hiddleston steals the show with his dialogues and expressions as a character that seems to reflect love and compassion with eyes, but struggles hard to hide the secrets. Jessica Chastain is more like the personification of terror which is waiting to unleash itself, and she does a good job. Mia Wasikowska once again becomes the Alice here, not lost in Wonderland, but in the wasteland of her dreams, nightmares and newly found mansion. She manages her role remarkably well, and the audience can easily connect with her emotions. Charlie Hunnam is underutilized though, with more action set in England with the three characters.

The movie still takes a little bit more time than needed to get into the Gothic mode. Another fact is that more could have been achieved with what has already been done with the marvelous imagination that the director possesses. This is still brilliant, but is just a little short of becoming that perfect Gothic Horror Romance movie. The viewers who enjoy beauty on screen will find it difficult to take their eyes off throughout this movie, and there is a certain emotional impact which will also stay in minds after the movie ends. It is the kind of tale which makes you think, and it also brings the memories of that enchanting beauty into your mind – Guillermo del Toro once again proves that he knows how it should be done.

Release date: 16th October 2015
Running time: 119 minutes
Directed by: Guillermo del Toro
Starring: Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam, Jim Beaver, Emily Coutts, Leslie Hope, Burn Gorman, Laura Waddell

@ Cemetery Watch
✠ The Vampire Bat.

Honeymoon

Posted on July 29, 2015 by Tennyson

Vampire Owl :: I was planning for a Honeymoon with Lady Death myself.

Vampire Bat :: But you are not married yet.

Vampire Owl :: Yet, but it has to happen some day. I am preparing my soul for the same. I have even bought a Suit of Death from Vampire Best Deals.

Vampire Bat :: Do you know that the suit is supposed to prevent death for a few hours?

Vampire Owl :: What? It is not supposed to bring death closer?

Vampire Bat :: No, it is not. The original prototype was used by Uncle Dracula to travel to twenty seventh dimension of eternal death. Vampires and the rest of the undead can’t go through the realms of death without permission from the dead, as it can cause slow disintegration of the vampire body. This suit prevents the same.

Vampire Owl :: What? It is totally unfair. This is going to prevent my Honeymoon from ever happening. Mountain of Death brings death, Isle of Death is known for dealing with death, Valley of Death causes more deaths than any other place, and why is this Suit of Death so much the opposite?

Vampire Bat :: Well, you should have read the full description before buying it. Vampire Raven once bought something and didn’t speak even a word after that.

Vampire Owl :: My honeymoon plans are ruined. You could have at least given me false hope by not letting me know.

Vampire Bat :: Well, we will watch the movie Honeymoon instead.

[Gets a cup of tea].

What is it about? :: A newly married couple, Bea (Rose Leslie) and Paul (Harry Treadaway) finds the right place to celebrate their honeymoon, and it is a cabin in the woods. It seems to be the perfect and extremely peaceful are as they enjoy their time and explore the surroundings. In a small restaurant, they meet Will (Ben Huber) who seems to act strange and his wife Annie (Hanna Brown) who is acts even more weird. One night, Bea goes missing, and later she starts showing some strange behaviour which upsets Paul. She forgets things and write down even basic facts about her life. She often acts opposite to how she had been earlier. Paul sees strange lights at night and feels that a third person is involved. But he finds no real clue anywhere as things don’t get any better.

The defence of Honeymoon :: The movie uses its environment related to the cabin in the woods to come up with the much needed advantage. The two main characters are also made a lot more interesting by the cast. There are a lot of interesting moments between these two characters, and the performances are excellent throughout. The time before the major incident and after that are actually presented in different ways, and it makes us feel the change with a powerful psychological impact. It also leaves a lot of things to our imaginations, and it plays on our mind to know what is wrong, and who is the one actually in trouble here. You feel caught between the two characters, thinking and imagining to recreate what could possibly have gone wrong between the two lovers who seemed so happy and energetic just a few moments ago.

Claws of flaw :: Honeymoon surely drags, and it takes quite a lot of time to get into its more interesting part. Even between the thrills, it goes rather slow. There is a certain amount of beauty about this slowness at times as it adds to the mystery elements, but at some other times, it is not there. The ending is actually a little bit of a let down [A little bit of spoiler stuff to follow even though nothing of heavy dosage] considering the fact that this was going so nice as a psychological thriller-horror movie until the finishing line doesn’t really justify the same, but attributes things to unknown creatures. Even with surprises thrown in here and there, it finally comes to those moments which are rather more predictable, and things become what a good number of people might have thought in the beginning.

Performers of the soul :: The movie needed its performances because it uses them more than anything else due to being a psychological thriller on one side despite being known as a horror movie – may be that ending confused the genres and even added a certain amount of sci-fi to the same. You have to love Rose Leslie in this one, and you once again get to see Game of Thrones‘ own Ygritte doing what she does best; giving the feeling that her husband knows nothing as her character undergoes changes. She has managed two sides of her character so well that we can see the changes clearly and impressively managed. Lets see what she can offer in The Last Witch Hunter – wait for it. Harry Treadaway does a very good job, and the chemistry between them in amazing.

Soul exploration :: The movie asks the basic question if you really know the one who is close to you – it is something that is worth feeling scared about. Well, people do pretend to be someone else, and acting comes naturally to a lot of people. You see those people with profiles on the matrimonial websites with descriptions being God fearing, non-alcoholic and never smoking, but do you think that it is true? Well, even in the case of love marriages, people are blind in love and can’t see through the masks. If people missed this idea, that makes an opportunity gone for this movie. Will someone whom you love undergo so many changes that one day, that you won’t be really sure who he or she is? Well, it is a point to think about, and something that this movie could have focused further on. It is not that the same is not in the movie, but it is not that clear.

How it finishes :: The first movie that comes to my mind when thinking about this, is Under the Skin. They are surely not the same, but some moments do feel similar from a distance. Well, this one keeps the audience wondering though; couldn’t this have been a lot better with the premise? It is good with its stress and intensity, but is this all that this movie could come up with after showing a lot more promise? May be they could have stuck to the psychological side throughout, and in the end, we could have had a minimum of one psychopath or even two. It could have surely achieved better ratings with that. It already has a powerful drama side to power the same. The horror that this movie required was purely psychological, and with the same not being fully there, Honeymoon could have really been the true honeymoon.

Release date: 7th March 2014
Running time: 87 minutes
Directed by: Leigh Janiak
Starring: Rose Leslie, Harry Treadaway, Hanna Brown, Ben Huber

@ Cemetery Watch
✠ The Vampire Bat.

See No Evil 2

Posted on June 25, 2015 by Tennyson

Vampire Owl :: I feel that we shouldn’t watch this movie.

Vampire Bat :: Why? You didn’t like the first movie?

Vampire Owl :: No, not that; even if we tell others that we see See No Evil, we actually see the evil which is committed on the screen, but it should be about seeing no evil. So, it implies that we are lying. You will be writing about this movie. So, if you write that you saw See No Evil, that means that you saw all the evil deeds on the screen and in the end, it means that you saw evil instead of not seeing the evil. That is a lie. Vampires don’t lie.

Vampire Bat :: I don’t get this see-saw evil. What are you talking about?

Vampire Owl :: I am saying that this movie asks us not to watch it, and it is a fact.

Vampire Bat :: I don’t really think that you should create a complicated issue out of a horror slasher movie and its title.

Vampire Owl :: How can you say that? I demand the right to use my owlish brain.

Vampire Bat :: Why does it never work when needed?

Vampire Owl :: I can’t help it. I am an evil genius and my needs are different.

Vampire Bat :: So, it is true that the branch of a tree fell on your head?

[A few minutes of silence].

What is it about? :: Amy (Danielle Harris), Seth (Kaj-Erik Eriksen) and Holden (Michael Eklund) are working at a morgue late night. As it is Amy’s birthday and with her getting ready to leave, they get to know that the bodies of nine victims of a murderer are being brought, along with that of the killer, Jacob Goodnight (Kane); and she decides to stay and help them instead of going for a party. Due to her absence, her friends Tamara (Katharine Isabelle), Kayla (Chelan Simmons) and Carter (Lee Majdoub) sneak in to celebrate her birthday along with her brother Will (Greyston Holt) as they begin a party in the morgue. But what will they do when they find out that the killer is alive and is killing one after the other?

The defence of See No Evil 2 :: Coming from the Soska sisters Jen Soska and Sylvia Soska who came up with the movie American Mary in 2012, this is a sure improvement from there – that movie itself had some nice elements, but none that effective. They have also starred in the nice beginning credit scenes as corpses. There is nice treatment of this regular slasher movie which makes it rise above the ordinary. See No Evil 2 is surely going to be something of interest for the WWE fans. There is Kane doing what he has done in WWE for a long time; there is total devastation as he used to do with his opponenets. Jacob Goodnight is sure to become a character to be remembered for a long time, and the setting and the style only adds to the overall terror quality of the movie. The elements of fear nicely focuses on the killer and the environment. It is good fun with thrills.

The claws of flaw :: There are things that go on without reaching anywhere, with the attraction between the co-workers and the brother-sister relationship being just two of them. The return of the villain doesn’t have any explanations, as we can’t stop feeling that it is just an attempt to make things work once again with the same character and the actor. There is a certain supernatural feeling about the character with surely damages things. The flashbacks which go back to the first movie only makes things too strange and less interesting to follow as they break the continuity of the story. The horror elements never really go above a certain limit which has been set by the inability to do anything special. The killings are nothing beyond the ordinary, and the ending is just something which could have been better planned.

Performers of the soul :: Glenn Thomas Jacobs whom we know as the WWE wrestler Kane remains the biggest asset of this movie, and it surely was a good idea to bring the character back for him, as he seems to do this role with certain ease. Working as the brother of The Undertaker and being part of The Brothers of Destruction was a job too good with the mask, and this one has him returning with another mask. Danielle Harris is one of those scream queens who has been there in horror movies doing similar roles for a very long time, mostly related to two movies of Hatchet series and four belonging to the Halloween franchise, and the list doesn’t end there. She is right there with the role, but it is Katharine Isabelle, the other queen of horror who steals the show – the one from Ginger Snaps franchise and American Mary, not easily recognizable in this new style, but this is a different character for her as she adds humour and fun to this movie.

How it finishes :: With some fun and scares here and there, this one is a sure improvement from the first movie. The environment, the leading character and the two leading ladies are those factors which make sure that this works better than the previous movie. We have had some interesing killers including Jason Voorhees, Freddy Krueger, Michael Myers and Victor Crowley; so Jacob Goodnight will only add nicely to that list which has the stranger names like Rusty Nail and Chrome Skull. There is one certain thing about this franchise, and it is that the whole thing has managed to move away from the weaknesses of the first movie. See No Evil 2 works, and how much it works is dependent on the taste.

[After watching the movie].

Vampire Owl :: I think that we should follow the pattern.

Vampire Bat :: What pattern?

Vampire Owl :: This one tells us how to establish a base at the morgue. Why didn’t we ever thing about it?

Vampire Bat :: I am currently thinking that this is better than the predecessor.

Vampire Owl :: Yes, that is established already. What about the pattern?

Vampire Bat :: I don’t think that we should establish new vampire bases without permission from Uncle Dracula.

Vampire Owl :: Yes, the permission has to be taken, but this is one place where we can establish the base without further trouble.

Vampire Bat :: You don’t think that the current cemetery bases will be enough?

Vampire Owl :: No, there is something big coming. I can feel it. We need the morgue.

Vampire Bat :: It is Insidious: Chapter 3. Just make sure that you watch it.

Release date: 21st October 2014
Running time: 90 minutes
Directed by: Jen Soska, Sylvia Soska
Starring: Kane, Danielle Harris, Katharine Isabelle, Chelan Simmons, Michael Eklund, Kaj-Erik Eriksen, Greyston Holt, Lee Majdoub, Sylvia Soska, Jen Soska

@ Cemetery Watch
✠ The Vampire Bat.

The Purge: Anarchy

Posted on June 24, 2015 by Tennyson

Background to the franchise :: Most of you might have watched the first movie of this franchise, and other might have surely heard about it here or there. It is basically about the United States of America of another reality. Unemployment has been successfully brought to a new low. As the number of people below poverty line decreases every year, crime becomes something which is rather not known. All thanks to the Purge, which has made all crime legal with all police, fire and rescue, and hospital emergency services closed down for one night a year, for twelve hours, from seven pm to seven am – anything goes at that time period. This idea by a totalitarian party called The New Founding Fathers of America makes sure that there is catharsis, and also that there is a certain amount of population control of the poor, as the wealthy rarely become victims of the twelve hours of crime.

What is it about? :: We know from the last movie of the franchise that the most successful Purge happened in the year 2022. Here, we are in the very next year, as 2023 gets ready for the year’s big festival of brutality and chaos. It is March 21, 2023, and as the time comes closer, everyone wishes the other “Stay safe”. There are only two things to do for people, to go on a murder spree or hide themselves somewhere indoors with enough security added. At the same time, there is the anti-Purge revolutionaries hoping to strike back in defence of the poor. There is one armed police officer looking for revenge on the streets as he was denied justice by the law that he trusted, a husband and wife are left on the road with car trouble and a mother and a daughter are trying to escape from a group that captures them. The rest of the movie is what follows on the day of the Purge.

The defence of The Purge: Anarchy :: There is a lot more to this sequel than the predecessor. There is a certain expansion on what was there in the first movie, especially with the idea. The bloody images that the movie shows are extremely powerful, and this is also the first time that we get the clear view of what happens outside in the streets during the Purge instead of how it turns out to be inside one house and maximum, a neighbourhood. There is an even clearer picture what happens outside the rich neighbourhood and how the poor or even the middle class are treated during the Purge. and it moves out of the possibility of being caught in the stereotype. You can say that it better expresses what the first movie had in mind. The ending is really good too, and it is a real positive whichever way you look at it.

Positives and Negatives :: The true nature of people that The Purge: Anarchy brings is not going to be nice for all kinds of viewers. There is the loss of humanity, and the cruelty that is sponsored by the government as well as the corporates, as the wealthy also hopes to have their right to purge without risking that much. The right to life has been replaced by the right to kill – new fundamental right. So, one needs to prepare to be shocked. As things get further revealed, it is not just what is on the screen that brings the shock, but also what hides behind which is even more. It is how the whole thing is designed that has more power than what stays on the screen for the viewers to watch. It is about what might happen in many forms, and its brings that realization that all violence has a few bigger master plan that hides behind a mask. But the premise could have had even further development!

Performers of the soul :: The second part has more characterization involved, and the limitations of the first one are overcome as the Purge goes wider and with more opportunities for terror. Frank Grillo is the one who leads the way with the performance just like he did with the Purge in the movie. He played Brock Rumlow (comic book character Crossbones) in Captain America: The Winter Soldier and will make the grand return in Captain America: Civil War. He reminds one of Eric Bana. Zoë Soul and Carmen Ejogo nicely plays the next significant characters in the movie. The rest of the cast including Kiele Sanchez and Zach Gilford also does fine in their respective roles, but the hero still remains the theme – with the support there in the performances.

Soul exploration :: The Purge: Anarchy has a dark soul. Even without the blood and gore as some other movies, it isjust brutality in store. It has a government which allows the same, and a media which celebrates it. The wishes are for the success of the Purge as if it is a need. There are also government officials granted immunity from the horror of the pledge. It doesn’t give humanity a place. There is class divide, and it is on the blood of the lesser privileged human that the Purge thrives. It is also a reflection of the truth that basically nobody likes the other. So the basic idea is to save oneself from the other or kill the other. In case of a communal riot, it is not so different in the present world too, isn’t it? There are occasions when people descend into so much of chaos, and Purge is just an example of the same. Things only get worse when people in power need this to happen.

How it finishes :: The Purge: Anarchy is more thriller with a message rather than the horror-slasher. It nicely explores the human nature and its tendency for violence even against their own people. It shows how government joins in to take advantage of the same, and use it to their political advantage and the ease of administration. Then there are the corporate rich who hopes to take advantage of the poor, making sure that their deaths happen to the rich Purge satisfaction, as it is also an opportunity for them to become richer through selling arms and ammunitions as well as the security systems to those who can afford them. When seeing wars, terrorists attacks and communal riots, there is question of who is to blame, and there are many answers in this movie, and no, you can’t blame religion, things are much bigger than that.

Release date: 18th July 2014
Running time: 103 minutes
Directed by: James DeMonaco
Starring: Frank Grillo, Zoë Soul, Carmen Ejogo, Kiele Sanchez, Zach Gilford, Michael K. Williams, Justina Machado, John Beasley, Jack Conley, Noel Gugliemi, Castulo Guerra, Edwin Hodge, Keith Stanfield, Roberta Valderrama, Brandon Keener

@ Cemetery Watch
✠ The Vampire Bat.

NH10

Posted on March 19, 2015 by Tennyson

Vampire Owl :: I heard you were not anywhere close to here, and just a few hours ago, you were watching a movie here?

Vampire Bat :: Yes, I was on a trip, but now I am here, and I am back after watching NH10.

Vampire Owl :: I saw the SMS and thought you were travelling through NH10.

Vampire Bat :: You make too many guesses. You even read conclave as con-cave, and delegate as Delhi Gate. You need to think about this seriously.

Vampire Owl :: Yes, we owls find our own meanings and spellings rather than be dominated by any bat community. Do you know what the werewolves are doing these days?

Vampire Bat :: Don’t you think that we are too divided instead of becoming one Night Creature nation?

Vampire Owl :: Yes, the werewolves were the first to invent the Wolfine tapioca chips maker, which is one of the reasons why they think they are a superior community.

Vampire Bat :: First to invent what?

Vampire Owl :: You won’t understand. It is a complete wolf thingy. I am still working on it with the experts.

Vampire Bat :: Can you just go and watch this movie which I recommend?

[Leaves for the tea shop].

What is it about? :: Meera (Anushka Sharma) and Arjun (Neil Bhoopalam) are part of the metropolis and have their lives among the skyscrapers. But after an incident involving a number of unknown men at night, Meera is traumatized and even gets a gun for protection. But as they go on a trip to make up for the trauma, things only get worse. As they stop at a restaurant, a woman asks Meera for help. But she refuses and the unidentified girl and her lover are soon taken away by a group of goons despite Arjun trying to interfere. As they continue on their trip, Arjun notices the car of these people and gets out of the car to follow them hoping to scare them with the gun and thus stop them, despite Meera’s protests. But things change as they witness a case of honour killing, and it is then they are the ones who are hunted, and there might not be enough bullets in the gun for all villains.

The defence of NH10 :: This is like the first full horror slasher movie of India with a message. The movie keeps asking the question if people are actually safe beyond the lands where law has a role to play – are women safe? Does the weak or the less privileged ones, both men and women has a role to play in a society which is becoming more violent and mindless even in a modern world? How long is the list of the modern age subaltern? Is there a certain kind of automatic mindwashing that goes on which makes one hate the other religion or community? Shouldn’t human life be the most valuable thing and not rules or community/religious beliefs? Yes, the questions are endless. What this movie also brings is some violence which mostly stays off the screen, which is actually a nice idea. The thrills are always present and the twists also arrive to make the desired impact. This is also realistic for most of the run-time.

The Claws of Flaw :: The movie’s ending is rather dull, with just some adrenaline rush and everything finishes with the revenge. I did feel that it should have been better thought out and executed in a more interesting manner than quickly going through it. There are also some dumb actions done by the characters, about which I won’t talk much to give too much of the idea out. The songs are ridiculous, and it is totally unnecessary in a movie like this – why would they even think about putting music in between is totally beyond my comprehension, and if those songs were at least good for something, we could have at least be happy to listen to them separately. The darkness doesn’t look that good too, and it could have been better handled with some of the camera shots.

Performers of the soul :: Anushka Sharma manages to come up with a fantastic job and this is the kind of role that I haven’t seen her playing before. She has that scared look on her face for most of the movie, and then there is the anger, frustration and the moment when she knows that she needs to have that revenge – she looks so good. I haven’t watched all her movies, but I find it easy to say that this might be her best performance, and that much is the mark that she leaves on us. Yes, I can’t claim perfection, because there are dumb things that her character does, just like the others – something that the horror slasher movies cannot live without; Hollywood has its horror character doing similar things. She is too good here, and the rest of the characters seem like those of lesser power.

Soul exploration :: The question asked here is about the difference between what is built as an utopia in the cities and the dystopia outside the boundaries of the metropolis, that we see as a universe of development. Are we looking to divide the known world into two, one of development and the other hardly seeing any? I have been thinking about the same during a number of visits that I have made around India – why is the gap too much? Shouldn’t the difference in development be not that much? Shouldn’t we strive to fly high above the differences? And honour killings in this century – it is a strange world, indeed as there is absolutely no honour in killing. Human life should be the most valuable thing of them all. There is no substitute for it; each person has the right to life, no matter how he lives his or her personal life.

How it finishes :: NH10 doesn’t seem to have attracted that many audience here, but that shouldn’t define the quality of this movie. That may be because this was not the kind that they had expected. It has been some time since I watched a movie at the theatre, and tomorrow, it is to be a month since I have reviewed a movie here – I couldn’t let that happen, and so here is the review. This is also the last day on which I can watch this movie because it will change here on Friday and no remains of this movie shall be left here. I would suggest that those who still have this movie at their nearby theatres do give it a try, because it shows that there is promise coming from this year, as we have already watched and were impressed by Baby. It is not flawless, but it is a good and interesting deviation from the regular Bollywood – you don’t get to watch movies like this too often.

Release date: 13th March 2015
Running time: 115 minutes
Directed by: Navdeep Singh
Starring: Anushka Sharma, Neil Bhoopalam, Darshan Kumar, Deepti Naval

@ Cemetery Watch
✠ The Vampire Bat.

Saaradhi

Posted on February 13, 2015 by Tennyson

Vampire Owl :: Happy Friday the 13th. May the vampire force bring us all the vampiric awesomeness that we can imagine.

Vampire Bat :: You were waiting for this day to scare some humans, right? But considering the present situation, you should make sure that they don’t scare you with their deeds lacking any humanity.

Vampire Owl :: I shall power myself with a movie today. Choose a movie for me this weekend. I am owlified ready on this special day.

Vampire Bat :: There are no Hollywood movies releasing this weekend here.

Vampire Owl :: What? No! What is horror without Hollywood? After all, it is where all ghosts, vampires, werewolves, demons, zombies and even aliens visit first during their journey from the other world.

Vampire Bat :: I think that Hollywood actually scared the censor board here with their horror for the weekend.

Vampire Owl :: Lets go for some local thriller then. Anything available in that category?

Vampire Bat :: There is the Hindi movie Roy and the Malayalam movie Saaradhi.

Vampire Owl :: No Hindi on a Friday the 13th. They don’t match intellectually. These people release bad movies even for National Holidays and so no Bollywood for now. Lets go for Saaradhi.

Vampire Bat :: Let it be so then. Get the horror popcorn!

[Gets the tickets].

What is it about? :: An ambulance driver named Christy (Sunny Wayne) gets another one of the duties, and he has to deliver a dead body to a place which is not correctly mentioned. Three men and two women accompany the corpse, but strange things happen on the way and things are not as clean as it looks. One man has a gun, and none of them are really as sad as they seemed to be outside the mortuary. Christy had thought that he could visit his lady love on the way back too, but now, the whole thing is so complicated and he has to escape with the dead body. Sathyanathan (Baiju), a corrupt police officer seems to have something planned about this corpse, and a powerful politician known by the nickname JJ (Madhupal) also has some relation to this. There is police chasing him as well as some criminals and it is forest all around him.

The defence of Saaradhi :: Saaradhi comes to the screen working on that genre which has too many risks associated with it considering our audience whose tastes cannot be combined with all kinds of thrillers. But the movie had already managed to catch our attention with the trailer. The script is actually very good in parts as it seems, even if not that much as a whole – there is some intelligence used, but it needed to stay all the way. Coming from a debutante director, this is a fair effort too, and there is sincerity in the way in which the social message is given here, and it is for the common audience that it has been provided – remember Passenger and Arjunan Sakshi with the idea here. The latter part of the second part is actually the best part of the movie, and the thrills reach the right level there. There are some nice shots of the high-ranges to help the viewers too.

The Claws of Flaw :: The first few minutes are nothing less than torture. There is Sreenivasan catching a thief in a sequence which was not needed, and the item song is a mess. The only watchable moments are about the lady wearing the lungi – otherwise the song stays at the deepest area of the abyss. This is also not the final product that this script deserved, as it struggles to thrill all the way, and the interesting moments come too late. It is safe to say that the first half drags, and the characterization also faces a struggle. It is also time people realize that dead people talking in visions or hallucinations is bad, especially when there is some serious stuff going on. The weaker parts of the script needed the polishing, and then one can’t imagine how much better this could have been. This one also needs a Wikipedia page – is it a very difficult thing to attain? See all those movies inferior to this one having that kind of publicity. Ambiguities and slight lack of logic are there too with predictable moments.

Performers of the soul :: I don’t feel anything of high quality here. There are no big stars here either. The best performance was from Sreenivasan and it is something of no doubt. He has done another Passenger kind of character here, but with more power in the role. Sunny Wayne has his highs and lows in this movie – you have to avoid those phone talks and some of the highly emotional scenes, and he has done fine. Nedumudi Venu’s character looked like a ridiculous creation, but even then he seemed to have managed it as much as he could. The female characters make almost no impact in this movie, and those moments which have them at the centre rather makes things dull. Madhupal is very good while Dharmajan has too small a role. The small moments of comedy comes from Sunil Sukhada and up-to an extent from Sreenivasan. Baiju has a role like he played in Angels, just a lot more on the bad guys’ side. Sunil Sukhada surely needed a bigger role.

Soul exploration :: Saaradhi has an ambulance driver who makes its title worthy. He is not just the driver of a random vehicle, but also the one who drives forward a few lives. There is the story of the common man that goes on here. On its background, there is the continuous struggle of the common man to make things happen – it should have been focused more here, but we can think about that as an after-effect. This should have reached that Passenger level with that, but it is not there. But what we can see once again is a decent, average thriller which has managed to rise above its limitations and also score on the social message side. With lesser expectations, this movie can actually manage to be much more. A regular dose of thrillers and those which give the good and interesting message are the ones which we need. Also remember that this also about one man making the difference.

How it finishes :: Saaradhi comes from a debutante director who seems to has dared to come up with some experimentation and due to the same reason, has also taken some risk here. It is the kind of people who tries to think different that we need in our industry, and in that case, this movie needs to be applauded. Another new director would have taken a safer formula, but this one has chosen that difference, a variation which might not work with everyone. This effort in bringing something something that doesn’t follow the usual easy path, even when on his debut is the factor that we need to see here. At the same time, there is also the same at work here. The expectations that I had while watching the trailer had me hoping for a lot more, but I am expecting that the usual movie audience will end up liking this more than I did. I really hope that this movie becomes a success, because only then can more “different” movies can be made in a better way.

Release date: 13th February 2015
Running time: 138 minutes
Directed by: Gopalan Manoj
Starring: Sunny Wayne, Sreenivasan, Nedumudi Venu, Vinutha Lal, Vishnu Raghav, Sruthibala, Baiju, Sunil Sukhada, Madhupal, Thalaivasal Vijay, Dharmajan

@ Cemetery Watch
✠ The Vampire Bat.

Darling

Posted on February 2, 2015 by Tennyson

Vampire Owl :: You mean Darling Darling?

Vampire Bat :: No Darling just once, unless you want to create an echo.

Vampire Owl :: Vampire Owls don’t echo. We are immune to such inferior special effects.

Vampire Bat :: Then its easy to follow. This is the remake of the Telugu horror comedy romance, Prema Katha Chitram.

Vampire Owl :: That movie in which Nanditha Raj plays a Nanditha?

Vampire Bat :: Yes, and here Nikki Galrani plays someone not Nikki.

Vampire Owl :: You mean Nikki Galrani of Om Santhi Oshaana, 1983 and Vellimoonga, the not-so-owlish movie?

Vampire Bat :: Yes, with no doubt. How many other Nikkis do you know?

Vampire Owl :: Well, what about Nikki of Neal ‘n’ Nikki?

Vampire Bat :: That ruins my day. Why did you have to even try to mention that movie?

[Gets the tickets].

What is it about? :: Kathir (G. V. Prakash Kumar) is looking to commit suicide and for the same, he is joined by two other people consisting of his friend and another girl, seemingly leading to a nice small group suicide. Kumaran (Bala Saravanan) and Nisha (Nikki Galrani) who become part of the suicide gang, try to make their last wishes happen before committing the awesome act of self-destruction. There are things which they do, like having a new car which they steal and slapping an MLA in front of the news channels. They escape from the police and goons and go to a house accompanied by another man trying to suicide, Athisaya Raj (Karunas). Nisha is in love with Kathir, and her real plan is to stop him from killing himself, and Kumaran is also hoping to stop his friend from doing the act. But the house where they are staying has a back-story and things won’t go as planned.

The defence of Darling :: There are some improvements on Prema Katha Chitram that this movie has made here as the remake. The best of them is the climax and the ending which has some interesting changes. It is quite faithful to the original, but not a blind copy. The movie is funny and scary in parts, and does full justice to its genre of horror-comedy which hasn’t been an easy thing to do. It is time Bollywood also has some horror-comedies of this quality. There is ghost, romance, comedy, mystery and even the ghost slayer Ghost Gopal Varma. All four of the main actors are very good, and one thing that you can’t fail to notice from the posters of the movie in Kerala is that Nikki Galrani is the Queen of Luck or the Goddess of Fortune – judging from the Malayalam movies which she has acted in: Om Santhi Oshaana, 1983 and Vellimoonga; the three big hits – can we dare to disagree?

The Claws of Flaw :: As a remake of Prema Katha Chitram, the movie might seems redundant for a few. There are some scenes which doesn’t improve the original, and there is no big improvement in quality here. The original was a movie which a lot of people had watched here too, but Darling should still be a new experience for another good number of people. The movie does have some of the same problems as the original, with some misplaced jokes and some loss in the horror department, but those were expected as the remake. One big change which they could have done was with the face of the ghost, and even the first possession moment was no surprise. A scarier ghost could have been there, and the total spooky atmosphere should have been enhanced. Some innovation could have only done this move good, with a shorter flashback and more elements of mystery. Yes, more scares would have brought the awesomeness here, and there was the need to match the comedy.

Soul exploration :: The resurrection of horror genre in the right manner is a need among all the Indian movie industries. Bollywood seems to combine it too much with erotica and spoil the whole thing, or just copy something from Hollywood and add below average things here and there. Horror no longer seems to a genre that is interested in being spoken in Hindi. But a better working combination at this part of the world is horror with comedy and simple romance as it has been proven here. It is a good form for the horror genre to exist, without the extra seriousness that comes in and often fails to connect with the audience. There will always be people who want to laugh at the horror movies, and may be what people deserve more is the horror comedy. I would expect better times for horror with this mixture of genres in work, and I hope for such a movie in Malayalam too, without going too stupid or absurd.

How it finishes :: It is surprising how well the movie has attracted the audience here even as there is only one popular face for the people here, which is Nikki Galrani. It has come to only selected theatres here and at some places just to fill in the blanks, and may be that is a reason. The multiplexes hadn’t had much shows. I would say that Darling was a movie which could have done wonders here with some better promotion – after all, Nikki is one of the favourite actresses of the common movie fans here, and that has been accomplished by her presence in just one year – 2014. It is a sure entertainer and has its existence at a number of theatres in Kerala – you might have to search for them, but if you haven’t watched Prema Katha Chitram, this a movie that you should give a chance for the effort and the difference that it brings to the screen.

[After the movie]

Vampire Owl :: You didn’t tell me about the special 3D effects in the theatre.

Vampire Bat :: 3D at that theatre? We were in the same theatre, right?

Vampire Owl :: Yes, didn’t you see those effects?

Vampire Bat :: What exactly are you talking about?

Vampire Owl :: Didn’t you see the black kitten and the smoke outside the screen?

Vampire Bat :: That actually seemed like a rat. The smoke was just people with the cigarettes. This is why you should go to local theatres more often.

Vampire Owl :: It is still a special effect. We should have brought the Vampire Cat.

Vampire Bat :: So do you think that the hiking of ticket price by twenty rupees was justified?

Vampire Owl :: Absolutely not. These conditions deserve a maximum of fourty five rupees, thats all. We have better effects at the Dracula Castle.

Vampire Bat :: Then lets hope for another theatre next time.

[Runs to the Indian Coffee House].

Release date: 15th January 2015
Running time: 126 minutes
Directed by: Sam Anton
Starring: G. V. Prakash Kumar, Nikki Galrani, Karunas, Bala Saravanan, Srushti Dange, Rajendran

@ Cemetery Watch
✠ The Vampire Bat.

In Fear

Posted on December 12, 2014 by Tennyson

Vampire Owl :: But I do not know the meaning of Fear.

Vampire Bat :: Then what do you call that expression when you were chased by a dog last month?

Vampire Owl :: I was simply giving the dog a lesson in running.

Vampire Bat :: Then when you jumped over the wall, it was a lesson in high jump?

Vampire Owl :: Yes, but it was a poor little creature with such a small brain. It couldn’t jump over the wall.

Vampire Bat :: You didn’t take the flying classes when all the other owls were doing that, and now you want to pretend to teach others running.

Vampire Owl :: It is actually okay because you can’t fly either. You should attend my classes too. It will help you to run away from a bad movie.

Vampire Bat :: But this is still a good movie. This is simple, raw horror.

Vampire Owl :: I have watched this and won’t approve. I am bigger horror than this little movie.

Vampire Bat :: I would have made a bet for three hundred zombies that you can only say that about this movie.

[Goes to watch ISL].

What is it about? :: Tom (Iain De Caestecker) and Lucy (Alice Englert) are on their first trip after falling for each other, and even as they are planning to go to a music festival with friends, Tom suggests that they rest in a hotel on the way, to which Lucy agrees, despite having promised her friends that she would be there early. They follow a vehicle to the hotel where they were planning to stay, and after showing them the directions, that person drives off. They move on and looks for directions, but following them doesn’t lead them anywhere and it seems that they have seen the same place again and again – it is as if they are trapped in a maze. The rain starts pouring and Lucy keeps seeing a masked figure while going through the path and they are attacked once. They end up giving lift to another person called Max (Allen Leech) who claims to have been attacked too, but the tension only gets higher as there seems to be no way out of there.

The defence of In Fear :: Most of the movie is in the middle of nowhere and we have so much action inside the car which turns into a claustrophobic world, especially with the third person around. There is already a spooky atmosphere created as the darkness falls and the rain pouring, with nowhere to go. It is smart in its anxiety and tension, and the feeling of being nowhere in hopelessness is disturbing. Being in small pocket road with no lights and no signs of civilization around, having no idea how to get anywhere? Everyone needs to be scared about this, especially as some masked villain is ready to pounce if you stop the car – he might even find a way to stop the vehicle. You have the right to be scared here. The stuff is believable too, as this goes on without anything out of the world added to it. There is less stupidity from the characters as they seem to act more as anyone would have, if caught in such a situation. It is good to see something different being tried in the horror genre.

Claws of flaw :: The movie is not for everyone, especially as there is almost no jump scare at all. There is no big scary killer who keeps coming at you and creating all those gory scenes out of nowhere. The locations are limited, and there is darkness around. There is not much of a backstory, and things happen straight. There are minimum resources used here, and there is no murder shown happening on the screen – there is not even a cut on the screen even as there is blood after the cut. There are just three people in this movie and for most of the time, we see only two of them. Some horror fans can find this method uninteresting, and a few others might be more disappointed about the same. The power of the villain is not much, and the ending is actually a little too uninteresting, even as it has the mind not to bring something up in hope for a sequel. The inside the car setting might also disturb a few. There are still a few things unanswered, and the moments of stupidity does come into play when the protagonists are out of the car. There is nothing big in the plot either.

Performers of the soul :: There are just three people acting in this movie, even as there are others who we do from a distance; nothing much here is about another person other than what we hear our leading actors talk about them or contact them through the mobile phone – yes there is a scarecrow if you want to add him to the actors. Among the three, Alice Englert is the pick. The last time I had seen her was in Beautiful Creatures, and even as I did think that she was good, I doubted about her being in a horror movie – but then, I was wrong, and this young lady who was just nineteen when this movie premiered, has just nailed the role of the young damsel in distress in a believable manner. I couldn’t feel anything else but be surprised about the fact that she had made her character so much believable rather than becoming another lady in a horror movie. Iain De Caestecker comes only second, and becomes the weaker character leaving him with less scope. Allen Leech is good, but still not up-to the movie’s power.

Soul exploration :: The soul of the movie is in its atmosphere, and the success of the same is in creating that situation which can haunt any other person. It is a case of genuine fear, as it makes way into our known world. Ever got your car’s tyres punctured in the middle of nowhere at night, or have you ever got lost your way somewhere while taking a shortcut and there are no lights anywhere? There is no range in your phone with GPS already stopped working and rain also stops pouring down. So where do you go from there? In Fear has that situation and successfully drops us into the world of fear and nothing else. Fear might want many things, but this movie proves that what it actually needs is a realistic situation and happenings that can be connected by the audience. A better working of the plot and a better development of the situation could have done a even more for this movie, but for now, there is some realistic horror in its core.

How it finishes :: In Fear is a movie so much less known, and its existence might be something that so many people are unaware of, unless Alice Englert’s filmography keeps catching too much attention. It is a movie which has pretty much low rating at IMDb, but is something which has good ratings from critics. That should explain a few things. No, this doesn’t have the entertainment side working much, and its horror is something of the mind. It has less for the majority of the viewers who would hope for something that thrills outside the borders of realism. But this movie doesn’t have that, as the choice to go with realistic things can gain more critics and lose more viewers. But In Fear still maintains enough to gather the usual fans, at least in my opinion. For the same, one has to think more than what is seen on the screen.

Release date: 20th January 2013
Running time: 85 minutes
Directed by: Jeremy Lovering
Starring: Iain De Caestecker, Alice Englert, Allen Leech

@ Cemetery Watch
✠ The Vampire Bat.

Ouija

Posted on November 1, 2014 by Tennyson

Vampire Owl :: Halloween and no horror. Never thought that such a day will come in this century.

Vampire Bat :: There is horror. We can watch Ouija.

Vampire Owl :: Really? The Vampire Panda told me that it was a bad movie and critics gave bloody low ratings to it.

Vampire Bat :: Lets not trust the critics on a horror movie. Besides, that panda is not a vampire. He is just the Kungfu Panda on disguise attempting to sell his noodles and action figures among vampires.

Vampire Owl :: I shall deal with him later. For now, I can surely use a summoned spirit. According to the latest version of the Book of the Dead, the Undead and the Brain dead, they are very useful creatures. We need to get an Ouija Board.

Vampire Bat :: Do you realize that you already create enough problems for yourself?

Vampire Owl :: Absolutely yes. See, I am an evil entity. I am supposed to create problems for the world which includes myself.

Vampire Bat :: You should have a dosa. You turn evil when you need it.

Vampire Owl :: No. I am a dangerous owl. I need to keep it that way.

Vampire Bat :: Yes, dangerous to yourself.

[Gets the tickets].

What is it about? :: The protagonist Laine Morris (Olivia Cooke) is searching for answers as she hopes that she could have done something for her best friend Debbie Galardi (Shelley Hennig) who had committed suicide, and she laments the fact that she was the last one to talk to her and yet couldn’t stop her from doing such an act. As she finds an Ouija board in her house, along with her sister Sarah (Ana Coto) and other friends of Debbie, Pete (Douglas Smith), Trevor (Daren Kagasoff), and Isabelle (Bianca A. Santos) decides to try and contact their recently deceased friend. Soon, they contact a spirit which addresses them as friends, but what they are not aware of is that Debbie already had made a connection to the other world which lead to her death, and they understands that more than one entity is now free. The friends realize that they will just be killed one after the other and there will be no stopping the terror. A relative to the dead people returning as spirits, Paulina (Lin Shaye) who resides in a mental asylum seems to be the key to stopping the evil, but will it work?

The defence of Ouija :: The name would be enough to draw people to the movie, and the Ouija board has always been the centre of curiosity for a lot of people for a good amount of time. We have a lot of curious cats among us, don’t we? This movie banks in the same with the board at the centre, throws the usual stuff at us again and again, and there are some scares as one would expect from it. The sewn mouths are not something new, but they surely work here especially according to the circumstance, and the twist, even if small is a working one. There are possessions, suicides, murders, sewn mouths, blank eyes, with some scares here and there, and a creepy environment of the house. The sound effects are very good and the visual horror has its moments. It is quite a success as a haunted house movie, with the board being found from the home where evil has happened sometime ago. Some moments near the end are good, even as their failure to end the movie with the same surprises me.

The claws of flaw :: The movie doesn’t try anything new at all. Its biggest asset is that one board, but the flick fails to capitalize on the same. There is not much about that one big thing that it could have used to its effectiveness, and instead the same becomes only the means to what is to come next. It only does the job of any other possessed item which could gain the attention of the spirits. The movie should have stuck to its title, explaining more about the board and how things come to this dimension in relation to the same. But it tries to make the movie go on in the usual pattern often forgetting that the movie is about the board, with the existence of a house where something terrible did happen a long time ago and there is a spirit waiting to possess or murder people. Even a good number of scares are not that effective, but there are a few which work nicely. The plot and the narrative could have had some more attention to make the whole thing better.

Performers of the soul :: The movie has a rather cute lead at the top, and the performances are overall decent. Olivia Cooke plays the protagonist here, the lady who is hopelessly trying to connect to her dead best friend, and she has indeed played this role with such expressions of fear and uncertainty which makes this character so much believable here. Her cuteness helps the cause a lot, and she is a perfect one for this role which has more hopelessness and desperation which she could nicely reflect on her face. You will instantly like her, that is for sure. The next one is Shelley Hennig, and even as she dies early, has her moments too, and is not done even with that separation of the soul. She adds to the beauty of the cast and does enough, while the rest of the cast manages to hold on, but not with anything special. Meanwhile, Lin Shaye is here too, and she is once again impressive in another horror movie – catches our attention.

Soul exploration :: In its search for the spirits within the Ouija board and also outside it, the movie losses its soul. It can’t realize what it has in its soul, whether it is to focus on the board or the haunted house and its scary past. When we finally decide that it is on the latter, then comes the board again as if it is Count Dracula who wants to be part of everything vampiric. The spirit also works a lot like the Final Desination series, planning to just kill them all in freaky ways, even as it is not that heartless to make things too violent. Then you realize that Ouija is a mixture which is created to make it a safe bet, and it adds so many things to itself and makes those factors work in parts even as in totality, there is some mess. There is the lack of soul to hold it together, and it is the same reason why we are unable to bring much of it back home – even Annabelle living in the shadows of The Conjuring had more for us. Ouija boards can inspire better horror movies, and this one has the spirits not that powerful.

How it finishes :: The conclusion is still that even with its list of flaws, Ouija is your movie of the Halloween, even as Annabelle does exist at selected theatres with less number of shows. It will be the choice of the Halloween enthusiasts as Ouija board is not something that is not tried that much, and there are not other big Hollywood entertainers released this weekend. I have successfully kept my distance from Bollywood since Diwali as I had sensed certain danger. Meanwhile, I wish all the followers of this blog and the readers of this post a very Happy Halloween, and the November first is also the birthday of the Indian state of Kerala, the occasion known as Kerala Piravi, so I wish all my fellow Keralites a Happy Kerala Piravi too. For more details about the same, visit: http://en.wikipedia.org/wiki/Kerala_Piravi and http://en.wikipedia.org/wiki/Kerala. Happy Birthday, Kerala 🙂

Release date: 31st October 2014 (India); 24th October 2014 (USA)
Running time: 89 minutes
Directed by: Stiles White
Starring: Olivia Cooke, Shelley Hennig, Daren Kagasoff, Douglas Smith, Bianca A. Santos, Ana Coto, Matthew Settle, Lin Shaye, Vivis Colombetti, Robyn Lively, Bill Watterson, Sierra Heuermann