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Moana 2

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Vampire Owl: Do you remember the last time we watched a Moana movie?

Vampire Bat: That was surely an eternity ago.

Vampire Owl: I wonder why it took so much time to release the second one.

Vampire Bat: Maybe they were thinking about how to make this one have an even heavier environmental message.

Vampire Owl: Do you think that there can ever be a message that will work in real life?

Vampire Bat: The environmentalists these days are basically against the nature themselves.

Vampire Owl: Well, the pretenders to the love for environment, aren’t they?

Vampire Bat: They can still act really well as environment lovers.

Vampire Owl: This is a world of actors, who become leaders?

Vampire Bat: The human world rarely has any person who is honest.

[Gets a paneer masala dosa and three cups of elaichi tea].

What is the movie about? :: Three years have passed since Moana (Auliʻi Cravalho) and demigod Maui (Dwayne Johnson had their last adventure together and achieved the impossible, which involved life-threatening situations. With the demigod nowhere to be found, Moana has been on a solo adventure, even though her followers in the form of a pig and chicken continues to be around wherever she wanders to. She has been searching for people living near her home island of Motunui connected to the ocean. On her partially successful return from one of similar explorations, Moana is provided the title of tautai, the master pathfinder – this is a title which has not been bestowed upon anyone from the island in a thousand years. It is then that she has a vision of Tautai Vasa (Gerald Ramsey) who had travelled and discovered the paths of the oceans. He talks to her about the legend of Nalo (Tofiga Fepulea’i).

So, what happens with the events here as we just keep looking? :: He tells her that Nalo, a god that controlled the storms of the oceans had sunk a grand, legendary island called Motufetu, which connected all of the islands, right down to the depths of the ocean. This action had made the people of the islands disconnected, and if the connection is not made in time, her people would not survive to see a future. The choice was now simple, to find a way to raise Motufetu from the depths of the ocean, or face extinction, not just for their people, but also of whoever might exist in other parts of the world. In response to this vision, Moana assembles a crew of people from the island of Motunui — craftswoman Loto (Rose Matafeo), historian Moni (Hualālai Chung) and an expert elderly farmer Kele (David Fane). With the pig and the rooster added to the list as usual, this does not seem like a strong team, but is expected to be the best for the situation.

And what more is to follow in another ocean adventures with an angry god and clueless humans that go all around? :: At the same time, Maui is on his own adventure against the same god, as he moves forward only to be captured by Matangi (Awhimai Fraser), an enforcer of Nalo who controls bats and can even transform into one if needed. Maui had decided to go on this mission alone without asking Moana as it was thought to be a very dangerous one. At the same time, Moana and her team are captured by the Kakamora, a group of savage coconut-like pirates who also wishes for the island to be raised from the depths of ocean, as they are also disconnected from their island. One of the pirates also volunteers to fight with them. Meanwhile, Matangi is not really happy with her dealings with Nalo and Maui has almost escaped. Between them and their mission, stands a giant monster and a long path ahead with terrible creatures controlled by a hateful god. Can they go past all these troubles and save the world?

The defence of Moana 2 :: The visuals of the movie remain stunning, just like the previous ones, and the main characters continue to be solid. We never stop feeling the need to see The Rock around, whether in animated form giving voice, or with that full power as in Hercules, Black Adam, Red Notice, Jumanji, Jungle Cruise, Journey to the Mysterious Island or those never-ending franchises like The Fast and the Furious and spin-offs. Auliʻi Cravalho stays strong as the leading voice yet again. There are also more interesting characters around here, and the danger that they face are more real than ever, as the opponent here is a god that wishes to bring terror upon on humans and stop them from uniting and progressing. The emotional side also seems to be getting stronger and so are the entertaining sides with humour as much as action. One cannot deny the strength of whatever is seen on the screen, as we keep looking, and we keep being entertained.

Positives and negatives :: Comparison to the first movie, the freshness is still not felt and the big villain never really makes a straight attack. Some new characters are also lost, especially the young sister seems to be just a random addition to get more emotional support. I do not remember any mention of her having any younger sister, and with this addition, the movie seems to go a step backward with its ability to go for content and instead makes it feel the Bollywood drama effect for a change. But we know that it was something created for a purpose and not required at all. The first movie’s innovation seems to have disappeared. Family theme remains strong, and the environmental message stays somewhat there, but we know how much Avatar itself came down from the classic first movie. The beauty of the world, even when animated feels so good here, and as long as the sequels hold on to the basics, this one is surely here to stay.

How it finishes :: Among the animated movies that have stayed with us for a long time, this one will stand tall as a sequel. We remember the earlier movie releasing close to another interesting animated flick, Zootopia. Also, among the movies on the seas, with an environmental message, this one holds a fine place. So, while this movie dazzles with its design and continues the titular character’s tale with more emotional layers, it doesn’t quite match the original. It remains enjoyable with all the fun, and maintains its quality. After watching this movie, and seeing the scope for sequel, we know that something big might be coming. We also wonder if such a movie with an environmental message can be made in the God’s Own Country, as nature is all that matters in this part of the world too. One would keep wondering if such a fine myth can be created with focus most on the ancient green past. For now, we will enjoy this world.

Release date: 27th November 2024
Running time: 100 minutes
Directed by: David Derrick Jr
Starring: Auliʻi Cravalho, Dwayne Johnson, Rose Matafeo, David Fane, Rachel House, Alan Tudyk, Gerald Ramsey, Remuera Morrison, Awhimai Fraser

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Murphy

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Vampire Owl: And after a long time, we get to watch another Kannada movie.

Vampire Bat: Well, this is not the usual kind of mass masala movies that comes here from that particular industry.

Vampire Owl: There are so many movies which we have missed, right?

Vampire Bat: Yes, just because some movies were too mass masala, we ignored the rest. And Mythri was bilingual. The other movie which we mistakenly added to the list was actually Telugu – Konda Polam.

Vampire Owl: Some industries just have too much nonsense in the form of mass masala.

Vampire Bat: But such a world feels too relevant for the audience who do not think.

Vampire Owl: In most industries, the best-grossing movies are not the best.

Vampire Bat: I would also add that the best movies are never sent for the Oscars from India.

Vampire Owl: You are surely talking about Kumbalangi Nights now.

Vampire Bat: And many others, which are more relevant to a classic status than most of the others. The movies which have mass masala content should never qualify for any awards, whether of national or state level.

[Gets a paneer masala dosa and three cups of Vagamon tea].

What is the movie about? :: David Murphy (Prabhu Mundkur) is a young man who lives a simple life under the care of his grandfather Richard (HG Dattatreya) after his mother left him just years after he was born, post which his father also met with an accident and died. He is in love with Jessie (Ila Veermalla), his best friend for years, now studying in the same college and also hailing from the same small neighbourhood. David only has a few memories of his past, and he wishes that he could repair that one radio which remains a souvenir of the time he had spent with his father, but Richard always keep it locked and do not wish to have anyone touch the same. One day, David manages to sneak through to the room where the radio is kept and using a radio manual makes it work, only to hear voices from the device and also find replies coming from the other side to his own talk. To his surprise, the voice on the other side is that of a girl who tells him that she studies in the same college as he and Jessie do.

So, what happens with the events here as we just keep looking? :: A storm which seems to have caused some electrical event feels like the reason for this as David communicates with Janani Chandrasekhar (Roshni Prakash), who promises to meet him at a specified time and date at the college, but both at baffled by the fact that the other was not found at the same place. While they both accuse each other of not coming to the location in time and of not studying in the same college, Janani’s talk about an ongoing World Cup match between India and Sri Lanka where Sachin Tendulkar was opening the innings makes him feel that she is not from the year where he exists. He understands that she is talking about the Cricket World Cup semi-final match between India and Sri Lanka which was abandoned due to crowd misbehaviour, following which Sri Lanka was declared the winner and advanced to the finals. As he predicts the outcome of the match in clarity, she understands that they are from two timelines, and the story begins to unfold and connect both of them through common thread.

The defence of Murphy :: The movie which seems to bring magical realism in the form of science fiction, is indeed a world of magic that comes to the usual scheme of things uninvited. Into this world, we have those characters whose journey are so beautifully portrayed, and we see them as people who carry the emotional weights, never having a stereotype in store here. The stunning visuals and the soothing music keep us interested at all times, and we see that even in loss and regret, there is that goodness which is never lost. Any other movie with a radio connection between two youngsters from the past and present would have the tendency to make a romantic world with some ridiculous dance scenes and that mass silliness which creeps in out of nowhere, but not in this one. The ability to not think not for a group of movie-watching zombies, but to go for the heart of the true cinelover, makes this one a spectacle of the soul. It also comes up with a satisfying ending which also stays, and so we know this world lives on with joy.

Positives and negatives :: The movie is known to be based on an older Korean movie, but it never provides the feeling that it is not blending into this part of the world. If it is original, this is the kind of movies that should be sent for the Oscars from India. As it released in 2024, the concept also does feel a little bit old as so much of time traveling science fiction with romantic or dramatic additions have been done, and a few things might feel predictable, but the fine visage does hide the same up to an extent. The characters seem to be taken right out a real world with magic realism on one side, something which we have appreciated in movies like Amen and Philips and the Monkeypen in a corner, but here, the science fiction element adds the magical thing directly around here. There is a certain amount of beauty about that, as radio remains the most beautiful and magnificent thing here, as something so powerful to determine fate and destiny, during an age when television and then computer and internet replaced it – that nostalgia of a powerful antiquity will remain with us through this movie, especially for those who were born till the beginning of this century.

The performers of the soul :: Prabhu Mundkur is amazingly good as a man of two ages, going from one to the other as two characters, not the same in any way, but bound together with similar elements of human mind. Both characters differ in priorities, but love unites them both, as we will realize, not just the romantic love, but also that of a father and son. His characters are living feel-good factors in a world which is confused about where the true joy lies. It is his display of vulnerability of a kid who did not have the best of childhoods that brings this movie to a peak with regret and the need to change the past creeping into more than one character through his actions. Roshni Prakash who plays Janani plays an emotional role in such a believable way, and her chemistry on the radio is remarkable, and the abiding sadness is so well portrayed as her love and sacrifice which serves as a guiding light. H G Dattatreya remains a veteran pillar who seems like he is guiding everyone. Ila Veermalla as Jessie should also be appreciated, and her character is one reflection of selfless love, that is not given the deserved importance in comparison.

How it finishes :: I have not watched many Kannada movies, and it can be understood from the list of movies which are provided in the menus and drop-down lists of this website, and it might also be the least watched language of movies among the South Indian movies. This one though, is a movie that would change them all, and that too without any unnecessary appendage meant to make things appeal to the common audience. The beauty of this movie is not just one screen, but also underneath, as we watch this one with our soul rather than anything else. This is the kind of movie that keeps us so much invested in the characters even when this is not at all a new tale by any means. The life in this movie which takes on science fiction is more than any flick that takes the so-called realistic tales. Well, not all realities are for everyone, right? Some of those romantic and drama movies have been too unrealistic, even less close to life than the horror and apocalyptic movies that we watch. But this one is beautifully close to life, and leaves us feeling better than most feel-good movies, with a tear happily in our eyes. Well, anyone with a lot of money can make a spectacle on screen, but only a few can make something like this for the soul.

Release date: 18th October 2024
Running time: 136 minutes
Directed by: BSP Varma
Starring: Prabhu Mundkur, Roshni Prakash, Ila Veermalla, HG Dattatreya, Ashwin Rao Pallakki, Mahantesh Hiremath, Rramprasadd Banavara, BSP Varma, Master Dhawan

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Under Paris

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Vampire Owl: It is a small world, isn’t it? We are now watching a French movie.

Vampire Bat: We have watched and reviewed movies of thirty-one languages.

Vampire Owl: Yes, the last language to be added being Filipino.

Vampire Bat: Those were also the movies which required our attention.

Vampire Owl: Yes, we should actually go for more Filipino movies.

Vampire Bat: Here, the French movies are actually among the biggest categories of foreign language films to be reviewed.

Vampire Owl: Yes, after Korean and Spanish, and just more than Russian.

Vampire Bat: I believe that these would make more than half of the foreign movie collection here.

Vampire Owl: I have seen that the most read foreign movie review here is still of an Italian one.

Vampire Bat: Yes, the one named Don’t Kill Me with fine flesh-eating zombies reminding us of those undead beyond the border.

[Gets an onion vada and three cups of elaichi tea].

What is the movie about? :: A famous marine researcher who is worried about climate migration, Sophia (Bérénice Bejo) and her team have been studying the shark species and the changes that come across them while also checking the garbage which has been spread around as a patch four times the size of France. The focus is near the Great Pacific Garbage Patch and search narrows down on Lilith, a shortfin mako shark which was tagged by them some time ago. They end up seeing similar female sharks hunting together as a pack, which feels quite unusual. They find the shark named Lilith, but also finds out that it has grown in size and is now double the creature it used to be, and makes Sophia wonder what has changed in the oceanic environment. As it des not seem to be aggressive, the team tries to take a sample, only to find it killing her husband and other divers. Sophia jumps into the ocean to hunt it down, but becomes entangled in a net and is dragged into the depths of the ocean, and even though she could break free and come up, there are injuries sustained due to severe alternation of pressure underneath.

So, what happens with the events here as we just keep looking? :: Three years later, Sophia is still scarred by that incident for which she blames her own calculations, and works in an aquarium in Paris, explaining to the visitors about the oceans of the world and the marine life that inhabits it. She comes across Mika (Léa Léviant), and environmentalist who is looking forward to saving marine life which has been hunted vigorously by greedy humans, and also has a group that tries to do the same all around the globe. She tells her that the tracker which was set on Lilith is still active, and that the shark has travelled all the way from the Pacific Ocean to the River Seine of Paris. As it is not a freshwater creature, she feels that the shark might end up dying underneath the city if it is not found and diverted to the ocean. The police officer Adil (Nassim Lyes) who had found shark bites on a man found dead in the river, and hopes that Sophia can help him to kill it, but just like any other environmental and animal lover who do gives least value to human life, Mika switches off the tracker on the shark, leaving any human near the river prone to death.

And what more is going to happen with the shark right there in the river? :: Sophia knows how devastating the shark can be, and is reminded of her dead husband. Mika remains a third-rate animal lover who does not care for human lives, and stands by her idea that sharks do not attack without a valid reason, but Sophia knows better. Mika is still too good in making emotional pleas to save the shark as if she really means it. But for some reason, she is infatuated with just one shark and not bothered about anything else. She wonders how dare they try to attack that shark and not vice versa. She feels like a student who skips classes regularly for some environmental indoctrination as she is beyond logic. Her friend Ben (Nagisa Morimoto) who realizes that Mika is an environmental extremist who cannot be reasoned with, decides to meet Sophia and tell her that the shark even has underground sewage access. At the same time, Sophia and Adil request the Mayor of Paris to postpone the upcoming triathlon which would invite a large number of athletes to the area. The mayor refuses as billions of euros have already been spent on the event, and it is necessary for a build-up to Olympics. Now, one wonders what can happen next and who all will die.

The defence of Under Paris :: The movie manages to be a thrilling journey with a shark under water and people not realizing its danger. The most satisfying moment of the movie is the death of the one activist who brought all these upon humans and other living beings by unleashing an apex monster adaptation of the original shark. Even though human extinction is not that bad a thing for nature conservation, this one was a nature terrorist, and seems to be taken right out some people whom we regularly find on the media. The character shows the activist who lives without doing any other job, and seems to be interested in being in the spotlight and show face in the videos all the time. This one is surely not like the dedicated people working for environment, not looking for reels and selfies. The fear element is always present in the waters, and you keep wondering who is going to get the worst of the shark attacks. The shark attacks are all effective, and the final moments take the terror to the next level. In the end, we see that there is no hope left at all, unless there is that powerful a sequel which changes everything like a fantasy dream of wonderland. Bérénice Bejo and Nassim Lyes make a good team at the same time.

The claws of flaw :: The movie could have focused more on the shark rather than those activists, with more movements within the shots of the city to induce further fear. Due to the lack of any thinking people among those who are looking for conservation, a good message is lost. Just feeling that others are responsible for stealing dreams of the younger generation and doing some nonsense in the name of saving nature and oceans would never even come close to being somewhat sane. There could have been more chilling visuals of the shark hunting, and also more action in the ocean instead of just switching so quickly. The catacombs and sewers could have a scarier world in store for us. Paris could have also had more stylish shots to support its glamour, after all, everyone wishes to visit the city one day. The movie has been rather less known in this part of the world, and that is a disappointment because there is more appreciation to come for tales of shark horror with Netflix widely used.

How it finishes :: Among the European movies featuring sharks as the main nemesis, this one surely has maintained a space for itself. It will surely have a sequel, as the ending seems to suggest that the sharks have spread all over the world with oceans connecting to the rivers and lakes, and with the ability to live in saltwater as well as freshwater. The second part is surely going to be grand, like an alien invasion A Quiet Place or 10 Cloverfield Lane, with people having less areas to find shelter, as flooding could also follow. Well, we know how the Resident Evil films defined survival, and let us see how far this franchise can go. This first movie sets the tone nicely, and we know that there is much more to come. In the movie, we find that things go much similar to how real-life situation would go, with all these activists and the authority acting as if they know everything, until the world around them collapses due their acts of foolishness, and it is their own people that suffer, even though they would not live long enough to witness the same. This could indeed be the revival of the shark-themed movies, even though it might not become as good as the first Deep Blue Sea, which extended the Jaws mode really well and 47 Meters Down up to an extent.

Release date: 5th June 2024 (Netflix)
Running time: 101 minutes
Directed by: Xavier Gens
Starring: Bérénice Bejo, Nassim Lyes, Léa Léviant

<<< Click here to go to the previous European film review.

<<< Click here to go to the previous horror thriller review.

@ Cemetery Watch
✠ The Vampire Bat.

Old

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Vampire Owl: I wonder if they are trying to say that Uncle Dracula is old.

Vampire Bat: Everybody knows that he is very old.

Vampire Owl: But nobody ever dares to mention that.

Vampire Bat: Why should they keep mentioning that when it is well-known?

Vampire Owl: There might be vampire apprentices who wish to know.

Vampire Bat: They are have joined as vampire apprentices because they know.

Vampire Owl: They still don’t know enough, do they?

Vampire Bat: Well, you can’t expect them to know that much until they reach the next level.

Vampire Owl: You know that Uncle Dracula is planning to dismiss those partial vampires before reaching the next level, so that he doesn’t have to give them a bigger salary.

Vampire Bat: It is expected from the oldest miser in the realm. His habit goes back by so many centuries and vampire resurrections.

[Gets a green apple cake and three cups of mint tea].

What is the movie about? :: Guy Cappa (Gael Garcia Bernal) and Prisca Cappa (Vicky Krieps) are going through a situation which makes a divorce on the way. They decide to go on a vacation with their children Maddox Cappa (Thomasin McKenzie and Embeth Davidtz) and Trent Cappa (Alex Wolff and Emun Elliott) for the one last time, and then talk to them about the upcoming separation. Prisca does seem to have a medical condition, but is adamant about the divorce. The family is treated very well at the beach resort which they visit, and the children are really happy to be there, despite having to listen to their parents shouting at each other regularly. The next morning, the manager of the resort invites the family to a beach located further away, where not many people goes. They are taken to the area with a few others, who also join them on the journey. The others are also really happy to be there, as it seems like a really beautiful area, with no rush at all, a world where they could actually do whatever they wanted.

So, what happens with the events here as we just keep looking? :: But the place doesn’t seem to be that serene as they had thought earlier, and earlier told by the van driver (M Night Shyamalan), who is not ready to come to the beach with them, even though the tourists surely need some help. They find a fully naked woman (Alejandra Useche) in the sea, and they soon realize that it is a dead body. Agnes (Kathleen Chalfant), who is oldest member of the group dies, and the children quickly turn into teenagers, making them difficult to recognize even for their parents. Kara (Eliza Scanlen), the smallest among children come up with the biggest surprise. At first, it seems like a problem with the kids, and the old woman seems to be just having those old-age diseases. But it soon seems that everyone there are aging rapidly, like one year in every thirty minutes. They try to get out of there, but ends up having blackouts and waking up where they had started. Almost everyone out there seems to have a medical condition out there. When they have injuries, they quickly heals. The dog out there also dies.

What more would happen in a situation from where there might be no escape? :: Jarin Carmichael (Ken Leung) and Patricia Carmichael (Nikki Amuka-Bird) are from the medical field, but they don’t seem to have any clue about what has been happening. Brendan (Aaron Pierre), a famous rapper is also there, but it seems that he has been there for longer than any of them, and has no clue about what is happening around there. Prisca is revealed to have cancer in her stomach, which also grows very quickly, and it has to be taken out. Charles (Rufus Sewell), a surgeon with schizophrenia is the only person who seems to be qualified enough to save her, but is not in a state which will prove to be helpful to anyone. His wife and Kara’s mother Chrystal (Abbey Lee) has low calcium level and is continuously suffering as she gets older. They think about swimming all the way around the beach, but that seems to be a really difficult task, and a person had already died while swimming.
Climbing the steep hills also seems to be a difficult task, as they are not really the healthy adults required at the stage. Now, is there a way out before all of them will be dying soon enough?

The defence of Old :: M Night Shyamalan always has something different for us, and he seems to choose from such topics or materials which possess such a scope. This seems like a divergent thriller for sure, and has some interesting moments in the form of not just an adventure and struggle for survival, but also as a distant science fiction. As it nicely moves towards what awaits us, we are surely engaged early. The strange incidents at the beach also keeps us guessing, and the characters from different backgrounds nicely adds to the same. Along with the same, the scenery is nothing less than enchanting, and it surely feels like that unexplored beach which we really needs to explore, even if it means that we are all going to get older quickly and die around there. Well, all of those rich celebrities having crores which they need to somewhere might really want to check out this place – after all, they escape nicely from India whenever there is a problem here. In the current situation, being a big film star, cricketer, politician or political businessman is necessary to survive around here, unless you are a government-salaried employee.

Positives and negatives :: The execution cannot be considered as that perfect, as there seems to be some problem with how it has been edited, and regarding how a few things seems to be intentionally left out, but as we see the aging process done so well, there is a lot of smartness involved. Some dialogues also seem to be strange, and a few male characters seem rather unnecessary in comparison to the female characters who come up with something to note throughout the movie’s run. There could have also been something special added around here, as it is a movie set on a strange beach. But none of these seem to matter when we look at the entertainment level of the flick. The best performers here are the children jumping to their teenage – Thomasin McKenzie, Alex Wolff and Eliza Scanlen are the ones we look out for, as they deal with their too quick a jump. Vicky Krieps and Gael Garcia Bernal makes a good couple around here too. Abbey Lee’s work is also notable, as she plays one character who has always been in trouble. In the end, the movie seems to come up with the message that we don’t really have that much time as we think in our lives, and it is always best to do what we need to do as early as possible – instead of gaining regret late.

How it finishes :: M Night Shyamalan seems to be the right kind of director who comes up with the movies which feels so beautifully strange – the last one I remember is The Visit, a movie which remained divergently different in its own way and style. We also remember how well he managed to finish with the two movies of one interesting series, Split and Glass, with some special qualities. This one is based on Sandcastle by Pierre Oscar Levy, which he received as a gift for the Father’s Day a few years ago. Even though most of us do not know that much about the original work, we can be sure that he has managed to recreate the world in his way, as he has done in many other films. Well, if Shyamalan would do a movie on Corona virus pandemic, that would be very special, unlike any other film on the same topic. When we consider the same, we know that this movie surely has something special from his imagination, adding to the original material – as we won’t be reading that one, for now we will just have to think it is so, and enjoy the very interesting adventure here.

Release date: 23rd July 2021
Running time: 108 minutes
Directed by: M Night Shyamalan
Starring: Vicky Krieps, Gael Garcia Bernal, Abbey Lee, Rufus Sewell, Alex Wolff, Thomasin McKenzie, Nikki Amuka-Bird, Ken Leung, Eliza Scanlen, Aaron Pierre, Embeth Davidtz, Emun Elliott, Alejandra Useche, M Night Shyamalan

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Beach House

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Vampire Owl: This is certainly not the right time to go to a beach.

Vampire Bat: We, vampires have always preferred the hills.

Vampire Owl: That is a tradition left for us by Uncle Dracula.

Vampire Bat: Even the Corona Virus has struggled to make it all the way to the hills under his control.

Vampire Owl: Historically, vampires have only caught bacteria, not virus.

Vampire Bat: That won’t be a statement approving our immunity.

Vampire Owl: There is nothing in a vampire that attracts a virus.

Vampire Bat: Doctor Frankenstein has said otherwise though.

Vampire Owl: All mad scientists try to prove it the other way around.

Vampire Bat: Mr Frankenstein is still a successful scientist in our realm.

[Gets a strawberry cake and three cups of black tea].

What is the movie about? :: Emily (Liana Liberato) and Randall (Noah Le Gros) arrives at the beach house which belonged to latter’s father, and as it is not the time when the tourists make a visit, they feel that it could be found empty, just like many other buildings in the area which is supposed to be a travel destination at a certain period of time. After getting into the beach house, and spending some time together, Emily is surprised to see someone else in the house. Jane (Maryann Nagel) and Mitchell (Jake Weber) identifies themselves as friends of Randall’s father, and according to them, latter knew his father from the university. A confused Emily who is upset about almost being caught be strangers without her pants, offers that they can move out somewhere, but the elderly couple asks them to stay with them, as they have known Randall whom they addressed as Randy from those times when he was a little kid. They offer them that the youngsters could stay there in their room as much as they wanted to.

So, what happens with the events here? :: The four get along really well, and Emily comes up with her plans to study astro-biology and become a scientist, while Randall is not at all fond of studies, comes up with a packet of cannabis which they share. Emily does have doubts about what it could do to the elder couple, but Randall is sure that it is just a little, and will only help them. At the same time, there is also some heavy fog outside, and it seems rather out of this world. Jane goes out to see the same, while Mitchell follows her later. The next morning, the young couple wakes up, and Emily finds Jane in a strange state. They also find Mitchell, and he is also not in a good shape. Emily follows him, as he doesn’t come back after walking into the sea, and finds something strange catching her legs. At the same time, Randall who tries to gelp Jane finds that there is something seriousy wrong with her, and it is not something that they can understand. What is it that is haunting the area? Is it of this world or is it from another planet or dimension?

The defence of The Beach House :: This one is surely not your usual kind of movie, and it is only the name of the setting, as you look at it, without providing a chance to explore the place more – but horror does gets its significance here. The horror here is mostly based on the strange fog and the worms which get into people followed by movement inside them until a complete transformation occurs. The setting is really good, and there is terror being created by the atmosphere, even though one does wonder if it has been taken a little too lightly for this type of a movie – yet it does get to somewhat the expected level during the final stages. We get to know the terrifying situation even when that much is not shown, even though we know that there could have been more. It is Liana Liberato who lifts this movie higher, and I would say that the performances have all been pretty good, even though it is Liana who gets the chance to do much. Whether it is with the relationship or horror itself, she makes it work.

The claws of flaw :: The Beach House does have a struggle with some of its elements, and it could have used more of horror in a better way. This is not the kind of idea which we haven’t seem before, especially with the creepy little worm-like things. The scares of the fog or the mist are not that new, or used with the best possible effect. The movie does feel a little bit too long even with its short total run-time, as there is a little bit too much time spent talking, and all those talks become not too relevant for what is to follow later, a the film changes the mood almost completely. The beginning stages had already given us one kind of impression, but later stages mean something else. Creating a movie like this required more of a different kind of horror to be added to it. You see that there is a beach and the sea which are central to the tale, but the main characters don’t even jump into it or get close to thinking about at least wetting their feet, which is strange, even under these circumstances.

Performers of the soul :: Liana Liberato plays the protagonist in this movie, as she is the girl who wishes to be an astro-biologist here. It is not really the face that we have seen much, and I am sure I haven’t come across her movies before. She makes a fine scream queen, with very good job being done in between all the chaos and terror that is unleashed there. Horror, as a genre seems to suit her, and the other one which seems to be good enough to work out for her feels like romance. In the beginning, there is the case of a fading relationship, which is done with ease, and when horror comes, the same level is maintained. Noah Le Gros supports well, playing her lover. Jake Weber and Maryann Nagel plays the older couple, and their performance is also believable, but we are left without themselves before the half-time itself. But a movie like this doesn’t demand much of them, except for more from the girl who seems to go on towards the end, as people are not the ones who provide the much needed elements of horror.

How it finishes :: The Beach House makes another movie which goes divergent in pursuit of horror. It is to be noted that the movie does remind us of the short story The Colour Out of Space by HP Lovecraft as well as its fine adaptation in which Nicholas Cage stars. There is that same strange feeling that we have here, even though this one is not that colourful, and we understand that it has been made on a low budget. With Corona Virus said to be spreading by air too, we do feel that this kind of a terror is always possible too. After all, we are the ones who will be responsible for the end of this planet, speeding up the upcoming extinction event like never before, in the last few years. Therefore, we await the extinction event or just the human extinction in one way or the other. Before that, we do have movies like this one which seems to bring the end closer than ever, and that is also done in a way that it moves away from the usual stuff with ease.

Release date: 9th July 2019
Running time: 88 minutes
Directed by: Jeffrey A Brown
Starring: Liana Liberato, Noah Le Gros, Jake Weber, Maryann Nagel, Michael Brumfield, Matt Maisto, Steven Corkin, Veronica Fellman, Dan Zakarija

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@ Cemetery Watch
✠ The Vampire Bat.

Velipadinte Pusthakam

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What is the movie about? :: Pheonix College of Arts and Science was established ten years ago as a result of the efforts of Vishwanathan (Anoop Menon), a local man who was killed on a terrible night after he made this possible. The location of this college is at a coastal village, where most children stop education at the school level itself, and a few don’t even bother to get to the verandah of nursery. There have been the presence of rich people like Mathan Tharakan (Siddique) and his right hand man, a criminal Kakka Ramesh (Chemban Vinod Jose) who don’t want the local youth to attend college, as it would deprive them of the workers for their fishing business. The college did develop into a popular institution ten years after its inception though, and people from city also joined in to make the campus a mixture of different kings of students, as the number of students from the village doesn’t get any higher, with fishing being a traditional job for the locals.

So, what happens with the events to follow? :: Into this college where the memories of Vishwanathan is more treasured that anything else, there has been the entry of violence – there is nothing political or religious in nature with the quarrels being rather social. With more students filling in the vacant seats left by the locals, there are two groups which can’t afford to see each other. The first one is led by Franklin (Sarath Kumar), as the son of the best friend of Vishwanathan, coming from the local fishing community – proud and not backing away from a fight. They ridicule those coming from outside as rich beggars who have been trying to take away their opportunities and buy seats with cash. The second one has their leader in Sameer (Arun Kurian) who is an angry young man coming from a rich family in the city, and wastes no time in getting into fights and ridicule his rivals for being poor and doing fishing.

And what else is to follow with the book of revelation? :: The two gangs find one reason or the other to fight it out at open spaces or inside the college auditorium when there is the need for some privacy. Supporting the city gang against the village team is the vice principal of the college, Prem Raj (Salim Kumar) who has become an irritation to the female students as well as the teachers, earning him the nick name Kamaraj. Franklin and his team gets rid of him with a nicely executed plan which exposes him in front of the principal. He manages to continue as a professor, while the post of vice principal goes to Michael Idicula (Mohanlal), a happy and easy-going professor who teaches Malayalam. With a grand entry, he manages to be a favourite of all students, and even manages to win the trust both Franklin and Sameer at the same time. But there is one more thing that he will need to do, and by doing the same, he will make sure that there will be some revelations, not just about himself, but also about Vishwanathan and his death.

The defence of Velipadinte Pusthakam :: The movie is entertaining for sure, and the first half has a lot of funny moments to add to the cause – whenever there is something related to the college and its people, there is the comic side that comes up; it is Salim Kumar who handles that all the time. The visuals of the coastal village is very good, and there are some dialogues to remembered, some as serious ones, and a few from the comic side – this is never the complete with its funny side though. With its ups and downs, the movie depends on Mohanlal to save it, and it is his presence that makes the audience miss some of the troubles that this movie has. There are some twists in this movie, some are on the funny side, and the rest are on the more serious angle – some of the thrills come not that strong, but they are surely present there. The most interesting song remains the one you have already listened, and had become the big hit.

The claws of flaw :: The movie’s trouble is with its second story, which makes one wish to return to the college, and keep things there. The thrilling side is not used as one would have wanted it to be, and the revelation of the suspense could have been done in a much better manner. There is also the lack of focus on a number of characters that could have done wonders. The second half becomes inferior to the first, and the curse of the second half tightens its grip on rather too many occasions. We also think that there would be some relevant social theme being taken about the rich and the poor, which is not there – with those early clashes, that could have been on the list of things to show for sure. Also, Mohanlal as a lecturer could have become the perfect lecturer to transform this college through a series of interesting events, rather than skipping through all that. This one is also too long a movie, which is why there is the feeling of dragging in between.

Performers of the soul :: Mohanlal, in his usual style, manages to cover the limitations of the script here. Due to the same, this movie also becomes a treat for the fans, who will get to clap here and there, especially with his entry and more in the second half. Munthirivallikal Thalirkkumbol from this year, and Oppam and Pulimurugan from last year have all been doing wonders for him. Anoop Menon has much to with flashbacks, and he remains pretty much suitable, but has not many dialogues. You will find out that Sarath Kumar as well Arun Kurian finds themselves limited as their characters’ rivalry is lost rather too easily. The work here is no challenge for them. Even Anna Reshma Rajan fades away in the process, and so does almost every female character including Priyanka Nair and Sneha Sreekumar. Salim Kumar here has one a full swing comedy attack as he launches one funny dialogue after the other, and with ups and downs, some of them misses by a long distance, but there are a few others which are close to target. The two negative characters played by Chemban Vinod Jose and Siddique are solid, without doubt.

How it finishes :: How much Velipadinte Pusthakam would work for you, certainly depends on your expectations. The expectations were also so high for this one – this was also the movie I was looking for, with Lal Jose and Mohanlal coming together, and the cast from Angamaly Diaries, Sarath Kumar and Anna Reshma Rajan doing some memorable roles. Yes, even more expectations than what was there for Njandukalude Nattil Oru Idavela and Adam Joan. If that much is your expectation, there will be some trouble. The movie is actually quite far away from what you might have expected from the trailer. I was surely surprised by how much the movie has deviated from what I had thought about it, and it is due to the same, that I have crafted the story in such a way that none of the twists, whether serious or funny, are revealed. If you are watching Veilpadinte Pusthakam, be prepared for the deviation. You can’t deny the presence of fun though, especially if you are watching it with family.

Release date: 31st August 2017
Running time: 157 minutes
Directed by: Lal Jose
Starring: Mohanlal, Anoop Menon, Anna Reshma Rajan, Arun Kurian, Sarath Kumar, Chemban Vinod Jose, Alencier Ley Lopez, Priyanka Nair, Siddique, Salim Kumar, Jude Anthany Joseph, Sneha Sreekumar, Shivaji Guruvayoor, Krishna Kumar

@ Cemetery Watch
✠ The Vampire Bat.

The Shallows

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Vampire Owl: There is nothing as shallow as an human heart.

Vampire Bat: I don’t know why you said that now.

Vampire Owl: The title reminded to use this particular word in the best way possible.

Vampire Bat: You are not in a school anymore – they don’t ask you to construct sentences using a word.

Vampire Owl: Yes, it is a human thing. We construct life out of words instead.

Vampire Bat: Have you been reading the wrong book in that library?

Vampire Owl: Not at all, my friend. Whatever I read is the right book. It is the book’s honour to be read by me.

Vampire Bat: Do you really read much these days? You are at the cemetery most of the time.

Vampire Owl: I am teaching my zombie minions, some English grammar.

Vampire Bat: Well, it is nice that vampires don’t have UGC NET, and neither do we have those reservations.

[Gets three cups of masala tea with banana chips].

What is the movie about? :: A medical student Nancy Adams (Blake Lively) has a journey to a small, isolated beach in the interiors of Mexico – it is the same place which her mother Mrs. Adams (Janelle Bailey) had visited when she was pregnant with her; now with her mother no more, she takes a break to go through the past. The beach is so less known that she has to get the help of a local man named Carlos (Oscar Jaenada) to find it. She spends her time at the beach surfing with two local people and talking to her father Mr. Adams (Brett Cullen) and her sister Chloe Adams (Sedona Legge) regarding the things that are worrying her concerning the demise of her mother. After the two newly found friends leave, she finds herself surfing for one final round as the day is slowly beginning to end. She notices the corpse of a whale floating around at the same time.

So, what happens next in the movie? :: This place, even though looking more beautiful than ever at this time of the day, isn’t what would catch Nancy – it is a great white shark that get the honours, as she is taken off the board and is forced to climb on to the whale’s dead body, but with the shark getting through, gets to a rock away from the sea shore. Her leg injured, and a few hundreds of metres to the beach, Nancy is stranded on the rock which is also supposed to go under water with the high tide. As she is a medical student, she manages to use the available resources including the surfboard straps as well as her jewelry to stop bleeding from her wounds and keep the torn flesh stitched together. She survives for now, but how long can she go on? Can she get help from the locals in one way or the other? Is it possible to swim now considering the condition of her legs?

The defence of The Shallows :: The movie has a beautiful setting right here, as it is more like one of those beaches which everyone should visit once in a life-time. Maybe, they can include it in those lists which go around in the internet, wherever it is. When you see all that beauty around, and you are clearly immersed in the thoughts of writing the perfect poem, comes the shark – all of a sudden, and what follows is a sequence of thrilling moments, and attempts at survival, as once against the human meets the beast in a one on one battle, just this time not on land, and it is in the territory of the animal that asserts its strength again and again. The way of nature, and the survival of the fittest – bound to battle against the same, our protagonist is played by Blake Lively who has done an amazing job here. It is to be noted that her Green Lantern co-star turned Deadpool, and her spouse Ryan Reynolds had already worked in a similar movie of survival, Buried, with a tragic end to that story. She surely proves her to be too good, as she has a lot more to do in this movie set in the sea, hunted by a shark.

Positives and negatives :: There is no other actor in this one doing much of a job, as everything is fitted on the shoulders of Blake Lively. It seems that she has been provided with the best opportunity at performing right here, and she has taken it with both arms, without hesitation. One might have problems with the final scenes of climax, and how the shark trouble is dealt with – people would have wanted a better solution to all these, or some help from anything, anyone or anywhere rather than luck. There is a little bit of the feeling of repetition, but with us on the edge of the seat, it can be passed. There is no doubt that the movie could have made this even better, and that too without her backstory – it is more like a harmless thing that wouldn’t hurt when you look at it as a whole, but when you feel that you get to leave it out too, that is indeed a wonderful feeling, even better by a very small distance, for there is not much of a height to climb for The Shallows that it hasn’t.

Soul exploration :: Just like those other survival movies, The Shallows is also about surviving against all odds – when everything seems to be against you, and it seems that you have no chance here, you keep going. Failing without trying would be the worst thing, and when death awaits you, the need for struggle and survival automatically comes. Our protagonist here has nicely balanced her needs, and using her limited resources and her knowledge about human body, keeps herself alive. There is always some danger of being in a less explored place alone, and a shark is only one of those that could happen to bring the danger. There can be trouble in the roads itself, as shown in NH10, and it is sad that some places which are so unexplored and beautiful don’t get to be as safe as the rest. It once again comes to the survival of the fittest, right? And then there is the inherent evil in man which comes in too, making a terrible impact at other places.

How it finishes :: It is to be noted that Hollywood got so many tales of survival in life, whether it is on Everest, Mars, or anywhere else. We do have one from Bollywood too – the one which is not that popular; Trapped – it has the protagonist getting locked inside an apartment where nobody else lives, and even though the situation might seem better in it, there is more than what meets eye with being somewhere without any means of communication, electricity, food and water for a number of days. A few years ago, Liam Neeson had to battle wolves to survive in The Grey, but never did seem to have a good result out of it for the character – so, will Blake Lively’s character be smart enough to get through the shark, and emerge as the smart one and the winner of the battle? You will once again know what survival is all about, as you go through another movie which will have you hoping for the protagonist to make it to the shore one way or the other. It is so good in working with the genre, you will know.

Release date: 24th June 2016
Running time: 86 minutes
Directed by: Jaume Collet-Serra
Starring: Blake Lively, Oscar Jaenada, Brett Cullen, Sedona Legge, Pablo Calva, Diego Espejel, Janelle Bailey, Ava Dean, Chelsea Moody, Sully Seagull

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@ Cemetery Watch
✠ The Vampire Bat.

Moana

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Vampire Owl: I have heard that the name Moana means ocean.

Vampire Bat: This movie is all about ocean.

Vampire Owl: I have even heard that Moana is a Polynesian sea god.

Vampire Bat: What do you know about sea gods?

Vampire Owl: They do not interest me. I am no person of the sea.

Vampire Bat: But we will watch this Oscar nominated movie.

Vampire Owl: Yes, this is also for The Rock. I am looking forward to what he is cooking again.

Vampire Bat: He cooks really well, as we have seen in Hercules and The Fast and the Furious series.

Vampire Owl: Lets see if this one is worth the Vampire Oscars.

Vampire Bat: I am already prepared to nominate this one.

[Gets three cups of masala tea with sweet puffs].

What is the movie about? :: The famous demigod Maui (Dwayne Johnson) steals the heart of the island goddess Te Fiti, which seems to be the key to all life. But he is attacked on the way by a lava demon Te Ka, resulting in him losing his magical fish hook which gives him his powers, and the same also leaves him stranded at an unknown location. This is how the legend goes, and for the Polynesian island of Motunui, this is a common tale that the children are told. They are also forbidden from going beyond a certain point into the sea. Tui (Temuera Morrison), the chief of the island has the opinion that the island has all that they need, and that they should stick to the land. Moana (Auli’i Cravalho), the daughter of the chief is someone who really wants to explore, but she is also prevented from doing the same.

So, what happens next? :: Soon, the food becomes scarce, as the landscape seems to be dying. There is almost no good fruit to eat, and not much of fish to be caught. Still, sailing beyond the reef remains an act prevented from happening. But Moana’s grandmother Tala (Rachel House), who is supposed to be just a crazy old woman, leads her to a secret cave which shows them that they used to be explorers who traveled through the sea to find new islands. After Maui stole the heart of Te Fiti, the journeys had stopped though, with monsters wandering around the ocean. With Te Ka’s lava and ashes spreading through the islands, there is only one hope – to get the heart to where it really belongs, with the help of Maui. Can she find and persuade the demigod in time to save the islands from the darkness that is spreading?

The defence of Moana :: The big advantage of this movie is that how well it connects and works for both children and the adults. It is the main characters that steal the show in this movie too, with Auli’i Cravalho and Dwayne Johnson creating the big impact – the latter is a lot funny, closely followed only by the pet that gets into the boat with Moana. The bond between the two leading characters is emotional as well as cute, as you will notice right from the first time they meet. Moana is surely one or more steps ahead of the other animated characters of the same type. The movie nicely uses the Polynesian myth, and it is great to see more and more gods who are parts of different culture, especially those rather unknown. The songs are interesting, just like the simple heroine who keeps making an impact along with her partner in sailing. All the characters and the world look really nice.

The claws of flaw :: There is nothing that is entirely new about its tale though, and with its source in the myth, we see the heroine who goes beyond the limitations that are imposed on her. The movie could have also used its beautiful world to an even better effect – we know that we love this world, and it is certain that we need more of it. After all, the scope is limitless with a world full of islands awaiting exploration. The message could have also been even more direct, with the wander lust and the need for adventure to be getting a better spot over mythology. The twist about the demon doesn’t go on to be that effective either. This one doesn’t have that much of flaws to make the viewer wonder, and there is nothing much to complain related to this adventure!

Soul exploration :: The movie’s main message is to search for the unknown, explore, and find new places. Moana goes through faith, belief and hope, and the courage and determination that is required to keep them all there. There is no longer the need for the heroine to chase love, and without romance, the focus is on all adventure and the clear objective that is to be gained for the common good. With sea making the call, and caught up on an island, there is always the need to go out there, and to be with the rest of the world. There are dangers that stay ahead, but it is up to us to go far beyond all of them with the strength that is gained from the experience that is added on the way. We are all caught with one thing or the other, and it seems so difficult in this world with the restrictions and the so called duties that come to us at one point or the other, but we need to go on.

How it finishes :: There is one thing that we can be sure about, after watching Moana. It is that the flick is surely better than the eventual winner of the Academy Award for Best Animated Feature after being a tough contendor – Zootopia. I guess that the judgment went in favour of the cuter one this time; animals get to win over humans. I would consider this one to be better than the last two years’ winners Inside Out and Big Hero 6. The best animated movies of the year rarely get to be the best in the academy awards section, do they? There are only a few exceptions like Frozen. Toy Story 3 won when there was How to Train Your Dragon; Rango won when there was Kung Fu Panda 2; Big Hero 6 won when How to Train Your Dragon 2 was existing; Brave won when Rise of the Guardians was there. Well, Moana also has its list of accolades received – lets try watching it again and again!

Release date: 23rd November 2016
Running time: 107 minutes
Directed by: Ron Clements, John Musker
Starring: Auli’i Cravalho, Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, Alan Tudyk, Oscar Kightley, Troy Polamalu, Puanani Cravalho

@ Cemetery Watch
✠ The Vampire Bat.

Thira

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What is Thira? :: On a vague translation, it is what the fifth century Greek dramatist heard on the Aegean Sea, and what Matthew Arnold felt on the English coast and wrote down in his Dover Beach. What do we have here though? Thira is the latest addition which joins Vineeth Sreenivasan’s success as a director, as this is another add-on to Malarvadi Arts Club and Thattathin Marayathu, two of his earlier success stories. Lal Jose brings us no bad movies, so there is the guarantee yet again. Instead of the terrible loss of faith in Dover Beach, we have the loss of humanity, its righteousness which has been quickly disappearing with its belief in God. The situation is yet again that of the darkling plain, for the situation of the Victorian Age was more of faith, belief and humanity than it is now. This flick from Vineeth Sreenivasan is not light as his other two crowd-pulling ventures, as this is dark and on the other side of humanity, where there is no happiness of friendship or the beauty of love, rather the bad or the evil side of society which leaves us with nothing but disgust about a lot of things that is happening in this world, but not without a ray of hope – remember the movie Passenger.  When Shobana says “have faith” in the movie, remember…

What is it about? :: Thira tells the story of Dr. Rohini Pranab (Shobana) who is a cardiac surgeon trying to find the mystery behind the death of her husband. But as she tries to unravel one mystery, another one comes forward, as girls from her welfare home are kidnapped, and she herself is brought under suspicion by the media. Meanwhile, Naveen (Dhyan Sreenivasan) comes to meet his younger sister after a long time, as he had run away from his house a few years ago. But just before he get a chance to get to her, she is kidnapped by a group of people in a car, vanishing before he could do anything. As police refuses to help him, he picks up clues and reaches a place where he finds two girls held captive and releases them until he is captured by the goons along with Rohini who comes searching at the same place. They escape and join forces to find the missing girls with the help of an honest cop and Rohini’s co-workers. Naveen is told that he has a maximum of twenty four hours to save his sister, as Rohini finds out that there were some clues left behind by her dead husband who was after the same group of human traffickers.

The success of Thira :: There are not many other actor or actresses that we have noticed before in another movies except for Shobana (releasing at a time when the half-a-sequel to her classic Manichitrathazhu also came to the theatres in the same weekend and struggled). But still, this one has managed to get the best out of the rest, supported by its wonderful narrative and background score, supported by the right use of its partially adapted story-line. Its theme might be too much used, but the treatment here is different, as in the movie Passenger, this one also takes the path of the common man who fights against the system and those people who tries to take advantage of the corrupt system with their illegal works. To add to it, the movie never bores, as it is fast – may be too fast that it often forgets to create suspense and create the thrilling moments; but that still works. It takes on a social message very well, and successfully creates the much needed objective correlative with its connection rightfully established. For that, it is three out of three for Vineeth Sreenivasan, and the ratings from me would be 59 out of 100 for Malarvadi Arts Club, 80 out of 100 for Thattathin Marayathu and 81 out of 100 for this one, that is how I personally see the improvement.

Flaws of victory :: The camera shakes – that is the first thing I didn’t like. That doesn’t really make the scenes more realistic or interesting, and it is a major flaw whatever the movie is. The beauty on the screen can’t be loved that easily with so much shaking around. Meanwhile, this is going to be trilogy, and with the expectations high, and the second part of movie never really becoming as good as the first, we have to bite our nails a lot. Yes, there are too many movies to which this movie seems related, mostly with the theme and the outline plot. The movie also delivers less as a thriller, as a good number of moments becomes predictable and defy common logic, even as that doesn’t affect the flow or the totality of the story. Fighting against such a huge racket supported by politicians and police seemed to be too easy, and once they get together, almost all their ideas go in the right direction. It makes us sad about the state of the kidnapped, but it doesn’t add enough suspense or enough twists to make this the thriller which rules its genre. But how many people can claim about a flawless victory? Not even Liu Kang or Kitana can achieve the same with ease, in a Mortal Kombat game.

Performers of the soul :: This is Shobana’s movie as one would expect. She plans and takes steps as a lighter female version of Taken‘s Liam Neeson, who doesn’t care who she has to fight to get her girls back (Remember “I will look for you, I will find you, and I will kill you” from Taken). It is a fantastic return to our favourite leading actress of 1980s and 90s. She plays the strong protagonist, while Dhyan Sreenivasan plays the weaker one who still has to take on the goons physically due to the love for his sister – like Suresh Gopi’s character in Rudraksham. One has to say that he is very good as a newcomer too. With Vineeth Sreenivasan directing, I did wonder if this was one of those roles which could have perfectly suited the only leading actor he had in his movies, Nivin Pauly. May be we can have him in the sequel, as Dhyan’s character is done with this one, and that should be great, and very interesting indeed. There are so many other characters, but none of them really getting the needed screen time to be talked about much. The only exception might be the girl who played the sister role, and she’s good indeed. Thira rests on two performers, and as they scores, the movie takes off.

Details with spoilers :: I don’t know about its alleged borrowing from Amazing Grace and The Whistleblower, and it being the unofficial remake of the 2007 film Trade. But it will remind people about the 2012 action thriller Karmayodha which was rather a weak attempt on the same subject of human trafficking, especially of women. This movie is rather a very good reminder about how good Karmayodha could have been and how badly it missed out. Well, there are two other movies which I would like to mention – they are the 1994 Malayalam movie Rudraksham and 2009 English movie Taken. The former deals with a man (Suresh Gopi) looking for his younger sister in a strange city and ends up in the abode of a gangster who runs a brothel. The latter is the story of one man (Liam Neeson) who uses all his skills to save his daughter and her friend. The former could be Dhyan who tries to save his sister as a one-man army and the latter could be Shobana who tries to save more than one girl with her skills. The hopelessness of the former and the determination of the latter combines here. The dark tone of these movies seems to make them blood-brothers.

How it goes :: Vineeth Sreenivasan has surely come a long way from Malarvadi Arts Club, but even as the first thriller from him, this won’t be a Thattathin Marayathu in the box office, despite the comparative richness in content. Geethanjali‘s failure to live up-to the expectations will help this one a lot though. It is a clear winner at the box office, and may even exceed our expectations if the next releases doesn’t work that well. To add to it, we have the ability to accept the different, unless it doesn’t become Olipporu – our audience accepted Traffic, Chaappa Kurishu, Amen and North 24 Kaatham (about Annayum Rasoolum and Kili Poyi, God knows why they were praised). Just like they say in Neram, there is good time and bad time, and this is indeed the good or even the best time for Thira. What it makes out of it is up-to the viewers, but so far it has been good. Now waiting for Salaam Kashmir – if it has stopped its procrastination, a procedure it has followed for such a long time and made the movie lovers wonder if it is a “mission impossible” or going to release on a future possible “6th day”.

Release date: 14th November 2013
Running time: 120 minutes (estimate)
Directed by: Vineeth Sreenivasan
Starring: Shobana, Dhyan Sreenivasan, Deepak Parambol, Gaurav Vasudev, Sijoy Varghese, Amritha Anil

thira copy

@ Cemetery Watch
✠The Vampire Bat.