Tag Archives: terror

A Cure for Wellness

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Vampire Owl: I hope that they are not trying to find a cure for vampirism.

Vampire Bat: There is no cure to vampirism – it is a one way procedure.

Vampire Owl: It is nice that you said that. I was afraid about the same after hearing about Doctor Frankenstein‘s latest experiments.

Vampire Bat: He is just finding the cure for coffin-o-phobia.

Vampire Owl: What? Who is afraid of coffins?

Vampire Bat: I think that it is the Vampire Panda. He is such a big Kung Fu Panda, and can’t get inside any coffin.

Vampire Owl: Then where does he rest when there is the need?

Vampire Bat: He has planted a noodles tree on the backyard.

Vampire Owl: What does that achieve?

Vampire Bat: Well, our vampire experts are working on the same, an on the possibility of a noodles coffin.

[Gets three cups of elaichi tea with a piece of tea cake].

What is the movie about? :: Lockhart (Dane DeHaan), an ambitious young employee takes the place of a man who had recently suffered a heart attack while working late at work, in a large financial services company, hoping to make a big impact as early as possible. The company board members sends him to Europe to bring back the company’s CEO, Roland Pembroke (Harry Groener), from a wellness centre where he is spending his life in peace, or it is what they believe that he is doing. With the need for his presence for an upcoming company merger, as well as having someone responsible for the recent problems which have occured in the firm. This particular wellness centre is located on the Swiss side of Alps, on a picturesque location supposed to bring peace of mind, and he also finds that the villagers are not really fond of the sanatorium, and the people who visit the place, which is on the top of a hill.

So, what happens next in the movie? :: There he meets Dr. Heinreich Volmer (Jason Isaacs) as well as the other staff there, all of them not that interested in letting him meet the man whom he wants to get home as quickly as possible. He decides to come back after resting at the hotel, at a time when Pembroke is not undergoing treatment. While going down the hill, his car meets with an accident, and he is forced to go back to the wellness centre and get the needed treatment. He does manage to meet Pembroke, but it doesn’t prove to be that useful a meeting, as they are both now in treatment, and are not going to leave soon as planned – you don’t get out that easily. There, he also meets a mysterious young girl named Hannah (Mia Goth) who acts more like a child, and seems to be under the influence of Volmer, keeping on wandering around the premises. She refers to herself as a special case, unlike everyone else who are undergoing treatment at the centre.

And what follows the same in the movie? :: There is a past to the wellness centre that Lockhart learns from the patients and the people of the village. They tell the story of a baron who lived in the castle which was there in the place of the centre many years ago. The particular baron was so proud of his bloodline, and in a desire to keep the pure blood run through the family, married his own sister, an act which didn’t go well with both the villagers and the church. After finding that his sister was infertile, and he won’t be getting his heir of pure blood, he began to experiment on the peasants of the village to find a cure. Even as he is believed to have found a cure, the peasants had risen in revolt, burning the castle down, and supposed to have killed everyone including him, his wife, and the unborn child. The ruins of the castle still lies beneath the wellness centre, and Lockhart finds the need to figure it out. But he is running out of time for sure.

The defence of A Cure for Wellness :: There is one thing absolutely clear about A Cure for Wellness, and it is that the movie stays away from the usual style, and makes no attempt to stay in the safe zone, as the confort is found further away. The viewers are kept guessing, and they will all be wondering what is to happen next, until the big twist finally arrives to make the impact. There is beauty in the way things are shown, and there is the creepy effect going all through this movie with its wellness centre, maybe not that much as Crimson Peak, but is there, in a different way. With the performances, Dane DeHaan who is known the best for the Green Goblin of The Amazing Spider-Man 2, Mia Goth and Jason Isaacs compete with each other, and steal the show as a group of three. Mia Goth is just amazingly suitable for this role, which has her coming out the best way possible – those walks, and the cycle rides, and even that dance – something creepy beautiful about it. Some moments are just a lot creepy, including and more than having eels in the water and even mouth, and people suspended inside big glass containers.

The claws of flaw :: The movie certainly gets too slow in the middle, and it never really gets that pace until in the end, as there is the possibility of getting lost in the middle for those who don’t really have that much interest in this kind of a movie. There is also a certain amount of violence, which will make it not that interesting for some people. It could be disturbing for some people, but it is not that much, if you consider them as essential parts for the movie. Considering the kind of disturbing movies around, this wouldn’t come anywhere close, if you look closely. The length of the movie could have been reduced, and we can say that same about the chance for ambiguities – a two hour movie was the maximum which was needed to improve overall effectiveness. This movie was actually capable of becoming a huge horror thriller that would automatically cater to more of the viewers. Well, not everything on a divergent path is lovely, right? Watch this one, and come up with a conclusion rather than by reading reviews – for it feels personal.

How it finishes :: Along with being the interesting thriller, the movie also shows the hollowness of being rich, as those who has so much money are shown to pay even more to get better, something which even transcends foolishness at times – it is the case of humanity, isn’t it? It is easy to fool men and women who are always looking for something which is proclaimed to be better. Well, A Cure for Wellness in your usual movie, and having said that, we can also name it as one of those flicks which have a big possibility of becoming cult movies. This one is not a simple movie, and has similarities to The Institute starring James Franco and Allie Gallerani which released in the same year – there is the need for a certain kind of sense and thinking to like these kinds of movies, and as our common audience doesn’t possess the same, lets recommend it to all who are able to think differently, and let the others who decide not to think take the risk and watch the flick.

Release date: 17th February 2017
Running time: 146 minutes
Directed by: Gore Verbinski
Starring: Dane DeHaan, Mia Goth, Jason Isaacs, Adrian Schiller, Celia Imrie, Ashok Mandanna, Harry Groener, Godehard Giese, Tomas Norstrom, Magnus Krepper, Carl Lumbly, Lisa Banes, Tom Flynn, Johannes Krisch, Jason Babinsky, Angelina Hsntsch, Jeff Burrell, Annette Lober, Eric Todd, Christian Brauer, Thomas Richter, Chris Huszar, Marko Buzin

@ Cemetery Watch
✠ The Vampire Bat.

The Forest

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Vampire Owl: I once went to this particular forest known for suicides.

Vampire Bat: And then what happened?

Vampire Owl: I just couldn’t live up-to its reputation as I had already died.

Vampire Bat: Even the undead can die, you know.

Vampire Owl: Yes, but the ghosts were against it. They told me that it is cheating.

Vampire Bat: Why did you even have to listen to them?

Vampire Owl: Well, they told me that they would transform me into a human.

Vampire Bat: What? It is so cruel. It would have been better to keep split personalities instead.

Vampire Owl: Yes, I just couldn’t bear being part of an inherently evil species. So, I said no.

Vampire Bat: I have to say that you did the right thing this time. The blood wars are coming, and we have to say no to more than one thing.

[Gets three cups of lemon tea with 50-50 biscuits].

What is the movie about? :: Sara Price (Natalie Dormer) is spending her time with her fiance, Rob (Eoin Macken), and is having some happy moments of her life in her home in the United States of America when she gets an unexpected call from Japan. She is informed that her twin sister, Jess Price (again Natalie Dormer) is dead. The idea is that she was last seen going into Aokigahara forest known more as the Suicide Forest or Sea of Trees, and those who go there alone at night rarely come back as it is a place where people commit suicide. It is rather believed to be the most popular suicide destination in the world which has so many strange tales associated with it. The forest is known to be home to yurei or or rather the ghosts of Japanese mythology. It is also said that long ago, the elderly or unwell people were left to die in the forest, and the place had its dead bodies and ghosts from centuries ago. The place has that kind of a terrifying reputation.

So, what happens next? :: But that doesn’t stop Sara from looking for her sister, and despite the concerns of Rob, she travels to Japan, and after talking to the people at the school where she was teaching, gets to the hotel where Jess was staying. There she meets a man named Aiden (Taylor Kinney) with whom she share a drink and they become friends. After listening to her story, he tells her that he is a photographer and will accompany her to the forest. They are also to be accompanied by a guide named Michi (Yukiyoshi Ozawa) whose presence will help them to get out of the forest if they lose their way or if anything goes wrong. As they go to the forest, Michi tells her that Jess should most probably be dead, and there is nothing changing the same. But Sara says that it is not possible, and as they are twins, she will somehow know if she was dead. She is quite convinced that her sister would never commit suicide.

And, what is to follow next in the adventure? :: After traveling for some time in the forest, they come across the tent which Jess had used, but it was nearing nightfall, and Michi tells them that they have to go back as soon as possible. But Sara is convinced that the best option for them is to stay there, as Jess might come back to the tent by night. But Michi tells her that it is not safe, as the forest has its own ghosts, and they will make her see things which will drive her mad, and it will be she who will be lost on the next day. With their best efforts not seeing anything good in the end, Aiden says that he will stay with her throughout the night, and Michi leaves them to what seems to be a complicated fate. So, by staying in the dark forest which is believed to have more spirits than people, can Sara finally find Jess, and can at least one of the two sisters return home alive from the forest? Well, it is not that simple as it seems to be.

The defence of The Forest :: Aokigahara Forest is a nice location for a change, and with the tales that are told about the same, we become more and more interesting in watching a horror movie based on the same location. Natalie Dormer does a very good job as the twins here, and we are glad to see her in two roles, and she does her job very well. Known the best for her work in Game of Thrones series and also in The Hunger Games, it is great to see the talented actress doing the big role in a horror movie. The forest is also a solid character by itself, as we see possibilities going endless from the beginning itself. It does bring the question about what really is the reality and what is the hallucination – something that the ghosts use to confuse its new preys. The visuals are nicely used to support the same, and we surely have to say that there is an attempt to go different here.

The claws of flaw :: The movie could have surely used more scares, especially with such a mysterious forest at the centre of everything – the site of tragedy and strange beliefs hasn’t got the due that it deserved. The Forest could have used more ghosts than any other movie, and the variety that it could have brought with its scares would have made it close to a masterpiece; but such an effort is certainly not made here. When such creepiness is around, you expect the scary side to hold on and get to be better, and it is something that you never see anywhere around here. This struggle to use the material in hand should feel strange for many viewers. It also has to be noted that other than Natalie Dormer, there is nothing much of a cast to do anything big. Maybe it is the lack of focus that bring the trouble rather than anything else, as we see the struggle towards the end from a movie which began so well.

How it finishes :: You will surely find The Forest to be a rather strange movie, which means that whether you like it or not, it is very difficult to ignore it. With Natalie Dormer in full form, you might expect more and more, and what you get might not satisfy you enough. If you consider the mystery elements more and the scares a little less, you will not find this one to be less interesting. As you think differently, you will find this movie to catch your attention with its divergence. After all, it is one reality that we have in our lives, and the inability to understand what is real and what is unreal, and what is good and what is evil, is something that should be scary even out of the limits of a horror movie. Well, this one is creepy enough, and you just need to read less number of reviews before watching this movie. You remember the movie Pet, which was different in its own way.

Release date: 8th January 2016
Running time: 93 minutes
Directed by: Jason Zada
Starring: Natalie Dormer, Taylor Kinney, Yukiyoshi Ozawa, Eoin Macken, Rina Takasaki, Noriko Sakura, Yûho Yamashita, James Owen

@ Cemetery Watch
✠ The Vampire Bat.

The Wailing

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Vampire Owl: Another Korean movie? I am very much interested in the same.

Vampire Bat: There are so many more movies, and it doesn’t matter how many we watch, as we won’t be satisfied ever.

Vampire Owl: Are we actually running short of immortality?

Vampire Bat: Yes, whenever one such movie begins, the Wheel of Time spins faster.

Vampire Owl: That is a cruel thing, indeed.

Vampire Bat: It is quite natural because a wheel doesn’t really watch any movie.

Vampire Owl: Do you think that we can trick the Wheel of Time to watch this movie if we name it The Wheeling?

Vampire Bat: I don’t think that you understand. You just can’t play with the Wheel of Time. The consequences can be terrible.

Vampire Owl: You mean worse than the kiss of Lady Death?

Vampire Bat: You kissed her? How dead-romantic out of a cemetery!

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: A police officer Jong-goo (Kwak Do-won) is investigating a mysterious disease and the murders that follow in a small town. It all began after a Japanese man (Jun Kunimura) arrived in the secluded village, and there are stories being told about this stranger. A usual rumour is that this particular man from outside the country who stays alone in a cabin in the woods right on the mountains could be nothing less than an evil spirit or a ghost who is haunting the town. The newest one is story of a man having witnessed this stranger eating a deer raw, and that he had red, glowing eyes. Accompanied by a Japanese-speaking pastor who is supposed to translate for him, and another police officer who is to provide him company and support, Jong-goo decides to go for the cabin in the woods, and meet this much talked about personality at home.

So, what happens next? :: There, the man has kept the pictures of those people who are infected and those who were murdered. Among them, is a shoe belonging to Jong-goo’s daughter Hyo-jin (Kim Hwan-hee) which brings him into a state of anger and frustration, and the girl also begins to show the symptoms of the disease, much to the dismay of everyone at the house, as his mother-in-law (Her Jin) and wife (Jang So-yeon) attribute this to an evil spirit requiring an exorcism as the only way to save the girl. It leaves Il-gwang (Hwang Jung-min), a popular shaman with the duty of freeing the girl from the clutches of the evil spirit which is the man in the woods. But can it be done? Is this Japanese man really the one causing all the trouble or is there something more to the tale? Is there the presence of more terrifying truths which are to be unveiled?

The defence of The Wailing :: There will always be something special about the mystery which we pursue in this movie, as it gets deeper and deeper as the flick progresses – the last half an hour or so of this movie becomes the special thing, as we keep wondering who belongs to which side, and where the side of the light is, and who is aligned to darkness and pure evil. As it is with our world, we always tend to put or trust and faith in the wrong person – whether it is on a godman as in Tiyaan, or a priest as depicted long ago in Ekalavyan or Crime File, The Wailing has you in deeper trouble, as there is unspeakable terror from another world waiting to pounce on you and your family. The fear factor rather goes deep, as we feel the horror smoothly and nicely affecting us rather than getting on to scare us quick and sudden. The mystery is always there, and so is the fear of the unknown, and the twists are all ready to unleash themselves, as we can only wait for the best which is to come only by the end.

The claws of flaw :: A ninety nine percent critical appreciation after so many reviews – the expectations have never been this high as you look at it. The movie is just too long to keep us there all the time, and that leaves one with too much of free-time in between. The movie could have actually done without that exorcism sequence by the shaman, and also that infected person going zombie all over the protagonist and friends – these don’t really suit into the overall style of the movie. There is also a chance for the creation of confusion, and that could be avoided only with some good focus in watching this movie in the last thirty to forty minutes – paying attention is a must, which is why we have to spend more than two and half hours with this movie, and nothing else should disturb us as it nears the end. Let all good and evil in our life wait for The Wailing to go for its final hunt. After all, you don’t get to understand a smart movie that easily, you need to keep on.

Soul exploration :: The movie effectively makes us feel the presence of the supernatural right through its run. It is rather sad though, as the shaman can’t help them, and the priest of the local church also says that he can’t help him. There might not be another movie in which the protagonist has to be so confused and hopeless against terror – there is no help for him and no hope. It is the case of ultimate grief in life, that you have been so good with your life, and yet nobody wants to help you, or rather nobody can. When the presence of evil is so much here, you wonder how the good men and women can take a stand against it, but soon you are to realize that you just can’t. The movie clearly shows that evil keeps winning, and the good person’s defence against the strong terror is rather too weak, and it has been the reason why evil has thrived for centuries. Even these days, things such as hate and lies drive people.

How it finishes :: Among the movies which comes close to The Wailing, there is surely The Witch which stands closer than any other, with terror waiting to be unleashing from the woods, and there is one particular suspect as the supernatural one – in both tales, it is evil that has the upper hand, and goodness might never really had a chance; even the neutral alignment had no opportunity to create an impact for it has been all stronger with the dark side. You are left with the realization that evil always finds a way – for it is eternally easy to be evil, and rather too difficult to be good. As easy as spreading lies and hate, is the strength of the hands of evil. The smartest thing evil ones can do is to convince someone to trust the wrong person, and use that fake trust to thrive on it with more and more of all things fake and terrible. You see a lot of examples right in front of your eyes; evil and its lies – they are so smart that you trust them.

Release date: 12th May 2016
Running time: 156 minutes
Directed by: Na Hong-jin
Starring: Kwak Do-won, Hwang Jung-min, Chun Woo-hee, Her Jin, Kim Hwan-hee, Jun Kunimura, Jang So-yeon, Kim Do-yoon, Son Kang-gook, Park Seong-yeon, Kil Chang-gyoo, Jeon Bae-soo, Jeong Mi-nam, Choi Gwi-hwa, Baek Seung-cheol, Kwon Hyeok-joon, Park Chae-ik, Kim Gi-cheon, Yoo Soon-woong, Jo Han-cheol, Kim Song-il, Bae Yong-geun, Im Jae-il, Lee In-cheol, Jo Seon-joo, Lee Chang-hoon, Kim Ji-won

@ Cemetery Watch
✠ The Vampire Bat.

Train to Busan

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Vampire Owl: I had the feeling that you were never going to write on foreign movies.

Vampire Bat: Yes, that was the earlier intention, but there are so many good titles among them. To add to it, I had written about a foreign short film.

Vampire Owl: So you mean to say that you are breaking the rules.

Vampire Bat: Yes, but only this rule. I will not be writing on a movie which gets a score of 70/100 when it is from last year, or 50/100 if it is new. I will also not write on any movies older than the previous year.

Vampire Owl: It is fair enough. So just more categories at Movies of the Soul?

Vampire Bat: Yes, an expansion was needed. These are the days when there is not much of a place for honest reviews.

Vampire Owl: Yes, I see that people take money from the movie makers and write positive reviews, no matter how bad the movie is.

Vampire Bat: It is where we choose to write on only the movies which are good, thus not writing about at least half of the movies that we watch.

Vampire Owl: Well, we need more reviews then, because most of the movie pages and celebrities are only sharing those reviews for which they have paid for.

Vampire Bat: This is an undead movie. So let us start the new saga with this one, and expand our territory.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: Seok-woo (Gong Yoo) a fund manager so obsessed with his work that he rarely think about the rest of the things in his life. Due to the same reason, he rarely get any time to spend with his only daughter, Soo-an (Kim Su-an) who wishes to be with her parents. But that wasn’t going to happen as her father and mother and divorced, and she could consider her lucky enough just to have some moments from her father’s busy schedule. Hoping to see her mother again, Soo-an makes the birthday wish to see her who is at Busan, to her father, who really had no clue what to buy his daughter for her birthday. Even though he really wants to keep on working, Seok-woo takes his daughter to the Seoul railway station to board the Korea Train Express. There seems to be something strange going on in the city with ambulances, police and fire fighters rushing, but they ignore the same.

So, what happens next? :: There they come across Sang-hwa (Ma Dong-seok) and his pregnant wife Seong-kyeong (Jung Yu-mi) who are looking forward to a rather peaceful and undisturbed journey. The journey has two of the strangest passengers, one being a homeless man (Choi Gwi-hwa) who has shut himself inside the lavatory being afraid of something, and there is an injured girl (Shim Eun-kyung) who has run into the train without the ticket checker noticing. While the former had just seen the attack to get scared, the latter had just been bitten by a zombie in the outbreak which had plagued the city causing panic all around. The girl turns into a zombie and spreads the infection beginning with an atttendant, and then on to the passengers. Along with the father, daughter, husband and the pregnant wife, a cheerleader Jin-hee (Ahn So-hee), her lover and baseball player Yong-guk (Choi Woo-shik)are among those who escape by getting them all into one compartment.

And, what is to follow next in the adventure? :: The zombies await the survivors in the very next compartment, but they are not able to get in, as they are not that smart. Sang-hwa is doubtful of Seok-woo as his a corporate man and was hesitant to open the door of the compartment for him and his wife. Seok-woo is not that fond of him either as he is concerned about his daughter more than anything else, and is afraid to do anything that has the slightest possibility of putting her in danger. Then there is the rich and selfish COO Yon-suk (Kim Eui-sung) who just wants to get him safe, even if it means that everyone in the train has to die a painful death. But time keeps running out for them, but hope comes as they are supposed to stop at Daejeon Station, where all passengers are to be quarantined. Seok-woo calls one of his influential colleagues and makes sure that he and his daughter would be able to get through without being quarantined. But you can never be safe as long as there are zombies anywhere, right?

The defence of Train to Busan :: There are not many zombie movies this quick, as this movie goes on as fast as the train itself – there is absolutely no dull moment in this flick which moves forward as if it is a bullet shot right out of a gun, and people used to say that the zombies were slow, or rather the slowest among all of the undead. There are so many thrilling moments here that we get to stop counting – there are so many of the undead, and there are so many occasions when our protagonists need to keep running or even fight back to keep the creatures out. We get to care for so many of characters like never before in a horror movie. All these are so nicely shot, and whatever we see have smartness behind them. There is the corporate evil shown with all brutality here, as we see the man in suit being the most selfish creature, even worse than the zombies. We also see a lot of emotions, and acts which define humanity in one way or the other – there heroes when least expected, and some acts of sacrifice will go very far down deep.

The claws of flaw :: A ninety six percent approved movie from the critics should mean to be something more when you look at it – and there are zombies, which means that you never bring the expectations down. Train to Busan is one of those rare Korean movies which got its release in the multiplex near our place, and we know that it got everyone’s attention by a huge margin. The movie’s biggest predictability is that a lot of people can figure out the two people who are to survive by the end of the movie – it seems like that is meant to make sure that even families are going to like it, even though the horror movie genre rarely make any inroads there. We have also had a lot of zombie movies, and we were looking for something that deviated like no other – there was also the need for an explanation of how zombies came into being; it would help, as it was proven by a franchise like Resident Evil which was rather one-dimensional in its content even though it was three-dimensional on the screen.

How it finishes :: We have had many zombie movies with the outbreak of something resembling a plague, which spread through bite – even if we forget those earlier movies, we have had quite a good number of interesting ones in the last few years, and the biggest money-maker has been the video game inspired franchise which never really seemed to have an end until they released one movie titled the final chapter, Resident Evil. Then there was the most divergent of them all, the one which had a zombie love story which threatened to take away more than just a few Twilight fans – Warm Bodies. Then there is World War Z which might be the most similar to Train to Busan, but we see that this Korean flick here is rather the improved version – a zombie movie which will stay in your minds with not just the action, but with all things combined. Well, the point to be noted is that it is not Hollywood who has come up with this all-rounder zombie flick. Even we had Go Goa Gone.

Release date: 20th July 2016 (Korea); 21st October 2016 (India)
Running time: 118 minutes
Directed by: Yeon Sang-ho
Starring: Gong Yoo, Ma Dong-seok, Jung Yu-mi, Kim Su-an, Kim Eui-sung, Choi Woo-shik, Ahn So-hee, Choi Gwi-hwa, Jung Suk-yong, Ye Soo-jung, Park Myung-sin, Jang Hyuk-jin, Kim Chang-hwan, Shim Eun-kyung

@ Cemetery Watch
✠ The Vampire Bat.

Udta Punjab

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Vampire Owl: I know a few humans who thought that they would never get to watch this movie.

Vampire Bat: There are humans who think that they will never get to see a vampire, but here we are, able to appear whenever we wish to.

Vampire Owl: I heard that they had a problem with censor board.

Vampire Bat: We should be thankful that the movies about the great deeds of Uncle Dracula are not given to them for certification.

Vampire Owl: You mean to say that the great imperial vampire video was uncensored?

Vampire Bat: Yes, you easily get that from the violence.

Vampire Owl: You mean to say that it is violence – what you see in the video feels rather natural than anything else.

Vampire Bat: It is more natural to humans than us, but they censor it, you know.

Vampire Owl: They are so afraid of the inherent evil in them.

Vampire Bat: Yes, and they blame everyone other than them for the same.

[Gets three cups of English tea with special snacks].

What is the movie about? :: The movie tells the tale of four people people in the state of Punjab, a Punjabi musician named Tejinder Singh (Shahid Kapoor), an unnamed Bihari migrant working at a farm known only by the name Bauria (Alia Bhatt), an inspector in the Punjab police department named Sartaj Singh (Diljit Dosanjh), and a doctor who is also a social activist named Preet Sahni (Kareena Kapoor), whose lives get connected to each other due to the smuggling of drugs into the state. Sartaj’s brother Balli Singh (Prabhjyot Singh) is one of those drug addicts who ends up in the hospital, and it turns out that the police officer had almost no idea about his brother using drugs. He is treated by Preet who hopes to bring him back to normal life, through her rehabilitation cenre. At the same time, she tells Sartaj that the drug menace has become too much and the police department is not taking action about the same.

So, what happens next? :: As Sartaj decides to get deep into the drug problem, Tejinder, who is known by the name Tommy Singh, and as Gabru among his fans, is leading a rather clueless life outside the world of music. Throwing parties all the time, and keeping on consuming cocaine, he has no control over his life. His fans are not that different either, as they follow his example, having no responsibility, and trying to be like him. As Tommy takes this troubled path, he ends up in jail, and there he meets his fans inspired by him ending up in prison just like him. Sartaj is also the one to arrest Tommy, and is influenced by Preet to do something against the drug problem which threatens to turn the state into a situation similar to Mexico. He decides that it is time that he does something about this problem against which nobody even dares to talk or take action.

And, what is to follow next in the adventure? :: As this girl known by the name Bauria wanders around in the farm where she is working, she ends up finding a packet. She understands that it is some kind of drug, as her landlord uses agriculture to hide his dealing with drugs. The girl, who had her dreams of playing national level hockey for the nation shattered, decides to sell this, and get some money. But she doesn’t know trouble she is getting herself into, as she is captured by a gang of drug dealers who sexually abuse her, and keep her locked in their farmhouse. It is then that a reformed Tommy decides to take responsibility to change the world, and Sartaj as well as Preet gets further in gathering information about the drug problem and the people behind the same. But with so many powerful people including police and politicians having their hands in the same, can anyone bring a change?

The defence of Udta Punjab :: There is sincerity about this movie, and we are put face to face against an evil which needs to be stopped as soon as possible. The best thing about the movie is that it never glorifies drug abuse – there was the movie Spirit against alcohol, which began with the glorification of the same only to end up with a message against the same as it strived towards the finish. But Udta Punjab begins and ends with the same idea shown on the screen, and chooses the right path. At the same time, we once again notice that it is Alia Bhatt who steals the show with that kind of a character which is to stay with us for long, unlike what she has been doing with ridiculous romantic flicks like Humpty Sharma Ki Dulhania, Badrinath Ki Dulhaniya and Shaandar, or some half-cooked story like Dear Zindagi. Here she scores by playing the role of a commoner going through the struggle, and we know how good she can be, from Highway. Shahid Kapoor, at the same time, seems to live in this role, which is too good to watch. Diljit Dosanjh, whom most of us are seeing for the first time on the screen, has a controlled and memorable performance in store for us here. Kareena Kapoor, compared to the rest, has lesser to do, but remains the big presence.

The claws of flaw :: You will feel that the movie does go too slow in the middle, and it also takes a little too much in the beginning to get going, having you as a doubtful one in the beginning. The movie could have used its tale in a more effective way so that nothing is lost in the middle. There is rather too much of ups and downs in this movie, which could have kept itself at a certain level instead of coming down when not expected. A lot of people are also going to feel the essence of a documentary in this one, as there are no real heroes in this one, but common people who struggle against an evil which threatens to destroy our world – not really the usual Bollywood-ish kind of thing, is it? Well, it also seems to be forced to add a little bit of a romantic side to its main characters, and maybe the inspiration for the same is nothing more than knowing that we still have the Bollywood fans to please and gather support so that the one hundred crore mark could be reached. The seemingly funny side is also as a little bit too strange at times to be called funny.

How it finishes :: Udta Punjab is the movie that you can’t ignore, no matter what you think about it – it is also difficult to end up not appreciating this effort which seems so genuine right from the beginning itself. There is a certain amount of honesty here that we will end up appreciating – even when there is chance, the movie doesn’t pretend to be what it is not. It is surely a lesson, something for the new generation who is taking the easy path out with alcohol and drugs; the question will be whether they will learn enough from the movie to stop being addicted or if they will continue to fall into addiction. No matter what the youth decides, it is up to everyone to unite against the drug menace, and also spread the word against this kind of silent terror which has more strength than any direct act of terrorism to destroy our world as well as what goes beyond the same.

PS: Do watch the movie of the week, Thondimuthalum Driksakshiyum.

Release date: 17th June 2016
Running time: 149 minutes
Directed by: Abhishek Chaubey
Starring: Shahid Kapoor, Alia Bhatt, Kareena Kapoor, Diljit Dosanjh, Satish Kaushik, Suhail Nayyar, Prabhjyot Singh, Harpreet Singh, Manav Vij, Avinash Kumar

@ Cemetery Watch
✠ The Vampire Bat.

Phobia

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Vampire Owl: I hope that she doesn’t have vampirophobia. I really hope that she doesn’t.

Vampire Bat: I believe that the exact term for the same is sanguivoriphobia.

Vampire Owl: What? Who on Earth comes up with such strange names? Who even gets that at first attempt?

Vampire Bat: Well, they call it the fear for blood eaters.

Vampire Owl: How can someone actually eat blood? And we are vegetarian vampires; we have suitable replacements instead.

Vampire Bat: It doesn’t count. Humans are masters of generalisation, and they create opinions based on that.

Vampire Owl: We should have a phobia of them instead – unless they are all dead.

Vampire Bat: You are in no position to call an event which causes human extinction. They have to cause their own downfall.

Vampire Owl: It is something that I have always believed in.

Vampire Bat: Just make sure that Wonder Woman won’t murder you after naming you Ares, the God of War.

[Gets three cups of special tea with Tiger biscuits].

What is the movie about? :: Mehak Deo (Radhika Apte), a talented artist who is quite popular with her friends, attends almost every party in the town, becoming more of the popular girl in the city. But after being molested by a taxi driver on a terrible night, she develops the worst of agoraphobia, which keeps her away from public places and large groups, as she keeps herself inside the house and mostly in her room. Living in the same house as her sister Anusha (Nivedita Bhattacharya), it gets worse for everyone, as her actions remain more and more uncontrollable and unbearable for all. With the eccentric and unpredictable nature affecting Anusha’s little kid too, they all feel done with helping her, because it seems to be of no use, and Mehak herself doesn’t want to be treated, staying inside home without making an attempt to go out for months.

So, what happens next? :: Shaan (Satyadeep Mishra), Mehak’s good friend decides to help her, and gets her to an apartment which is empty for now after its previous occupant decided to move away. He hopes that this change, and life alone will be better for her, and she will start longing to meet people after this. At the new place, she seems to have some visions, and she feels that there is something sinister about these particular visions. She has two neighbours there with whom she gets to talk often, one of them being Nikki (Yashaswini Dayama), who is a graduate student who lives on the flat on the right, while on the left side, there lives Manu (Ankur Vikal) who had anger management issues and is using laughter to fight the same. The latter used to be in a relationship with a woman called Jiah Khurana (Amrit Bagchi) who had left the place.

And, what is to follow next in the adventure? :: It turns out that Jiah was living in the same apartment in which Mahek is living right now. Knowing that the girl had disappeared without telling anyone, and that there is no clue of where she is, Mahek begins to feel that there is a big mystery behind the same. She comes up with the idea that an angry Manu had killed Jiah and has hidden her body in his apartment. Mehak also feels that her visions are from Jiah’s spirit which is trying to tell her something about the demise. Shaan feels that this is all part of her disease, and that she is having so many hallucinations. Her psychiatrist (Faezeh Jalali) also confirms that Mahek’s condition is worsening every day, and there is not much that can be done unless she is taken to a mental asylum. But Nikki is curious, and decides to help Mehak in finding the truth behind the missing girl. Now the question remains about what really is the truth here.

The defence of Phobia :: There is one thing about which you can be cent percent sure, and it is that Phobia won’t be like any other movie which you have seen in Bollywood, and in psychological horror, it explores more territories, and most of these areas are divergent. The story is nicely presented right from the beginning, and it keeps you wondering what is happening, and what is to follow. The visuals nicely match the overall mood of the movie, and there are some scenes which are particularly great and deserves our attention. Radhika Apte is once again too good, as you would expect her to be – she is that kind of an actress who has more in store for us than anyone from Bollywood, and it is a fact that you just can’t ignore. There are moments from her which you are going to remember for so long. The next one to make the impact is Yashaswini Dayama who keep the curious college girl act going on very nicely.

The claws of flaw :: One can say without doubt that Phobia is not a movie for everyone; I am sure that it might have already been established by many others in one way or the other which randomly talking about the flick. There are also logic flaws in this movie, and her living alone in the flat is nothing less than strange, and having a knife near her when she goes into the virtual reality is rather comfortable. The way in which the mystery is finally solved is also rather strange, when it could have taken a rather direct approach. The climax had potential to be something more, and for some reason, it chooses not to live up to the fantastic build-up in the first half, and finish the movie on a high. The audience is left clueless on a lot of occasions, and more scary moments could have been built regarding the neighbour and other residents of the apartments. When you have an apartment where someone with a mental problem living alone, there is always scope for more.

How it finishes :: Phobia demands that you take things differently, and get your thinking procedure to go another way, which has almost no relation with a regular Bollywood movie; all that those movies are, this movie is not. It is where movies like Phobia and Raman Raghav 2.0 scores, and it is also what we strive to have. Otherwise, Bollywood can only focus on biopics, and tales inspired from real life incidents like Neerja, Rustom and Airlift, which they need to keep the ship sailing in the right direction. It is during such times that this movie does go against the flow, and what we can do is to appreciate the effort and watch this movie without second thoughts about how it will make us feel, and how well it can relate when we haven’t watched similar movies before.

Release date: 27th May 2016
Running time: 99 minutes
Directed by: Pavan Kirpalani
Starring: Radhika Apte, Yashaswini Dayama, Satyadeep Mishra, Ankur Vikal, Nivedita Bhattacharya, Amrita Bagchi, Faezeh Jalali, Salone Mehta, Arush Nand, Dinyar Tirandaz, Amit Kumar Pandey, Malhar Goenka

@ Cemetery Watch
✠ The Vampire Bat.

Raman Raghav 2.0

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What is the movie about? :: The movie makes it clear that it is not about Raman Raghav a.k.a. Psycho Raman who was a famous serial killer, who unleashed terror in the city of Mumbai in the 1960s. About fifteen years later, another serial killer named Ramanna (Nawazuddin Siddiqui) who seems to follow the same kind of methods, starts his work in the same city. His way of operating is rather strange, and the police has not much clue about what his operations are. His list of victims only get longer, and it also includes Ramanna’s own sister, Lakshmi (Amruta Subhash) who is living with her husband (Ashok Lokhande) and their only son. She reluctantly lets him stay and cooks him food, only to get into an argument with the family. She leaves the place and comes back to take their money as well as kill them all one after the other.

So, what happens next? :: Ramanna is not the kind of person who has any kind of remorse for his actions, and he is surely not the kind of man who thinks twice about what he is to do. He is the worst kind of serial killer whom one could have on their trail. Even after being caught by the police and questioned, there is nothing that comes out of him, and he even escapes with the help of some local boys, thanks to the natural acting that comes to him. ACP Raghavan Singh (Vicky Kaushal) is in charge of the investigation, and has no real clue until finding the photo of Ramanna on the scene of crime, where Ramanna had murdered his sister. He figures out that the man whom they had apprehended a few days earlier has some kind of connection with these brutal murders which have been happening all around the city, keeping the residents terrified.

And, what is to follow next in this tale of terror in the streets? :: Even as he puts a tough cop act all the time, and seems to be righteous cop looking after criminal when someone looks from outside, Raghavan Singh is a a troubled person in his mind, having an unparalleled addiction to drugs, and has an even more terrible anger management issue. He is in a relationship with Smrutika Naidu (Sobhita Dhulipala) at whose place she is staying. It is another terrible relationship that they are having, with him forcing her to have more than one abortion after she keeps getting pregnant as he has his way as he likes. He also has no shame in beating her, but she stays faithful to him, and refuses to go home even after her family hopes for her return. Raghavan gets obsessed with catching Ramanna to such an extent that his issues deepen, and Ramanna at the same time, keeps an eye on the investigating officer – where does this game end?

The defence of Raman Raghav 2.0 :: The dark and terrifying avatar is given more and more life as the movie progresses, and then there is the other side which gets rather scarier. You feel the power of darkness in this movie, and there is so much of energy throughout the flick, thanks to the two main performers. It successfully makes you depressed and leaves you disturbing, with not much hope in the world of chaos. Humanity is surely capable of terrible things, and a lot of these capabilities are there right from the beginning, and are further powered by upbringing and the society. We keep wondering what is to happen next, and we are always interested to know how it all ends, or reach a new beginning. It takes only one serial killer to inspire more, and lets hope that Ramanna becomes our Hannibal to bring more of such movies which can prove to be even better. The final twist is something that breathes life like no other.

The claws of flaw :: There is no doubt that we had expected more from a movie like Raman Raghav 2.0 with its cast and the people who are the helm. We feel that a certain amount of hollowness do exist at times, and this one isn’t that much focused on what we would have been hoping to see with a police officer after a serial killer – this one has almost nothing about the investigation about the murderer. More focus could have been on the characters, and they could have had origin tales, even at the cost of the movie going longer – there are some parts of the movie which could have been cut down to provide space for more of the tale. This kind of movies should have more action, thrilling sequences and deeper story-line which should make us wish to remember the tale more than once; but the focus of Raman Raghav 2.0 seems to be rather a little too much divergent. Then there is the violence – nobody is a role model here.

Performers of the soul :: There is Nawazuddin Siddiqui and Vicky Kaushal doing a fantastic job in this movie, which surely keeps things going strong. We keep wondering when we will see more of them with movies which get the wider release here. If it was more about the former in the beginning, the latter of Masaan fame takes it to the next level in the second half towards the end. You will also notice Sobhita Dhulipala and Amruta Subhash, as two actresses who brings some great performances in two of the best sequences of the movie. The one thing about Bollywood is that these names which are not regularly talked about as superstars are the real actors and acting stars – I really hope that their movies get release in every theatre here rather than those which brings the crowd; if I was running a theatre, I would run a special show for sure, no matter how much of box-office collection such movies are to bring.

How it finishes :: The movie leaves one with the message that everyone has the tendency to be bad, or rather evil, as it is the inherent evil in man which has more certainty to it than anything else. It is the situation that brings the worst out of people, whether they are branded good or bad. The hopeless state of humanity is directly or indirectly reflected in this movie, which struggles to find goodness which seems to fade away further and further as the flick progresses, and by the end of this, we have lost almost all hope in mankind – it is the ultimate truth, right? We do our best, and still we live in a society which is all about money and power, and the need for it as well as the possession of it, will only turn more people against each other. Evil is so easy, right? Being good is so difficult, especially with a new generation caught inside more than one kind of addiction. Raman Raghav 2.0 has that kind of protagonists, and we know that there is a good chance that we are all going to die an early, terrible death considering where the world is going.

Release date: 24th June 2016
Running time: 127 minutes
Directed by: Anurag Kashyap
Starring: Nawazuddin Siddiqui, Vicky Kaushal, Sobhita Dhulipala, Amruta Subhash, Vipin Sharma, Ashok Lokhande, Harssh A. Singh, Anuschka Sawhney, Hitesh Dave, Rajesh Jais, Kalidas Parthitan, Rhea Pagar, Arun Singh

@ Cemetery Watch
✠ The Vampire Bat.

Rings

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Vampire Owl: This sounds a lot cooler. Does the “s” in the end mean that there are many rings?

Vampire Bat: Why does this feel cooler when the critical appreciation has been so low with this one?

Vampire Owl: Because there seems to be more than one ring. So, there could be more than one spirit in play.

Vampire Bat: Are you going towards talking about the wedding ring that is planned to be given to Lady Death?

Vampire Owl: Yes, something like that too.

Vampire Bat: Dude, don’t you know that being married to Lady Death means that you have to die?

Vampire Owl: Yes, but I am already dead and risen. I am undead, we all are.

Vampire Bat: But the undead can also die in some ways, and you know that too.

Vampire Owl: But death by Lady Death has its special advantages.

Vampire Bat: Well, it is your undead call in the end.

[Gets three cups of masala tea with aloo paratha].

What is the movie about? :: On an airplane, two passengers Carter (Zach Roerig) and Kelly (Lizzie Brochere) discover that it has been seven days since they both had watched the infamous Samara Morgan’s (Zoe Pessin) cursed videotape which has been circulating well to take enough lives all around. The two realise that they are going to die soon, but at some point, it feels that being on airplane provides them some protection as the cursed entity from the video tape can’t reach there as they are so much above the ground and in the presence of many people, but it turns out that they are wrong. There seems to be some problem with all the screens of the airplane whether it is of the pilots or the passengers, as the evil entity arrives on the video, and the plane crashes killing them all, with no evidence of what caused the disaster.

So, what happens next? :: Julia (Matilda Lutz) sends off her boyfriend Holt (Alex Roe) to the college, and after being in contact for months, suddenly has no information about him. One day, she finds Skye (Aimee Teegarden), a beautiful girl on the other side of the video chat, and there is no sign of Holt. So, she decides to search for him all by herself. She reaches the college, and find the professor whom Holt said was an interesting person with whom he was working with projects – Gabriel Brown (Johnny Galecki). But the professor denies having known this particular person, and tells her that she should move on, as people of his age finds something more interesting, or maybe it is about him finding someone better. But she doesn’t give up as she follows Gabriel to a secret area of the college, which is more than what meets the eye.

So, how does the big mystery reveal with its twists? :: There she meets the beautiful girl whom she had seen in the video chat, Skye, who takes her to her apartment, and asks her to watch a video. But Holt who contacts them asks her not to, and then there is the evil entity, Samara arriving, and she takes Skye’s life while Julia locks her inside the bathroom. Holt arrives soon to confirm everything, and she comes to know that he is in trouble. Gabriel, who had bought a VCR with the tape inside, had watched the mysterious video, and was keeping on transferring the curse to another person before the seven days end, a process that has been going on and on, so that nobody died. Gabriel was so much interested in learning about this tape which is the gateway to the other world, so that the process continues. Unable to watch Holt die, Julia watches his copy and carries over the curse to him, but this time, the video is more than the usual one.

The defence of Rings :: This is the tale that becomes more of an origin story than anything else. This could have easily been a reboot, or the tale of another girl who is not the popular horror character who has been there for so long. The mystery factor gets the advantage over the horror side. Also, among the cast, it is Aimee Teegarden who seems to be able to become the best scream queen, and they could have used her throughout the movie, while Matilda Lutz brings enough of the same. There is something that we can always be sure about though; it is that a movie from The Ring franchise will always be that, and no matter how much people try to degrade a movie from the series, there will always be something in it, as the continuation of one of the most loved horror movies of all-time, and what might be the best horror adaptation from the Japanese.

The Claws of flaw :: You would expect that a movie like this which has a powerful foundation can do very well to make this franchise even better, but that is not the case, as there is no symbol of improvement everyone, and at times, one has to wonder if this has deviated so much that Rings is a movie which has not much to do with the franchise except for the antagonist proclaiming the same. The movie also has a certain shortage of scares, which is surprising, because the antagonist here is someone who has attained an iconic status, not just with the movies of this franchise, but also with the Scary Movie franchise, most notably Scary Movie 3 which had used the scary moments to evoke laughter brilliantly. The expectations were so high, but what was delivered was just a movie just manages to do enough because we had forgotten most of that movie which released fifteen years ago, and the gap here is so much to bring a comparison without watching the original again.

How it finishes :: A lot of things have changed since the first movie had released, and there is no doubt that we have a different world for the entity to enter right now. It was like fifteen years ago when the horror genre hadn’t become this huge as far as the common audience are concerned. These are the days when even Malayalam movie industry which focuses so less in horror, thought that bringing a superstar horror movie with high quality special effects was required, and Ezra came into being. Rings might not be anywhere close to bringing justice to the series of novels wriiten by Koji Suzuki, the Japanese versions of the movies, or the first movie which made the big impact and brought alive the other remakes from the Japanese including The Grudge, Dark Water and Pulse. But Rings still remain a movie which can keep the franchise moving forward, and it surely has those moments which will keep you wish for a sequel that could do even better. Just don’t look for a Don’t Breathe, Lights Out or It Follows, as this is the sequel to a big horror movie, and it will be fine enough.

Release date: 3rd February 2017
Running time: 102 minutes
Directed by: F. Javier Gutiérrez
Starring: Matilda Lutz, Alex Roe, Johnny Galecki, Vincent D’Onofrio, Aimee Teegarden, Bonnie Morgan, Chuck David Willis, Patrick R. Walker, Zach Roerig, Laura Wiggins, Lizzie Brocheré, Karen Ceesay, Dave Blamy, Michael E. Sanders, Randall Taylor, Drew Grey, Kayli Carter, Jill Jane Clements, Adam Fristoe, Zoe Pessin

@ Cemetery Watch
✠ The Vampire Bat.

The Mummy

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Vampire Owl: It seems that finally the mummy has scope to be a real mummy.

Vampire Bat: What are you referring to, here?

Vampire Owl: Usually in the movies, the mummies are men, and so the mummy is usually a daddy.

Vampire Bat: And you are talking like a dummy, for which there is no need.

Vampire Owl: No, you should see the mummy lady in this one. She is cooler than most of the known mummies.

Vampire Bat: You know one mummy which is cooler. You just can’t pronounce his name.

Vampire Owl: Yes, why don’t they have simple names like Count Dracula?

Vampire Bat: Well, mummies are from very ancient Egypt, and going so long back, such names had to exist.

Vampire Owl: I am going to call them Mummy A to Mummy Z.

Vampire Bat: Yes, please do it, as long as they don’t hear the same.

[Gets the tickets with cardamom tea and special popcorn].

What is the movie about? :: In ancient Egypt, Princess Ahmanet (Sofia Boutella) is an expert in almost everything, and is undoubtedly the best warrior, and the next in line for becoming the Pharoah of the lands. The Pharaoh, Menehptre (Selva Rasalingam) also sees his successor in her, strong, courageous and one who doesn’t give up. Things are all going smooth until the Pharoah has a son with a newer, younger wife, which angers her as she realises that all her work has been for nothing, with this young child taking over the kingdom as the Pharaoh of Egypt when he grows up. Frustrated with the situation, she decides to take the throne in one way or the other. Knowing that she can’t do it by himself against the extremely powerful Pharaoh, chooses to worship Set, the god of evil, chaos and war. This particular god who had even killed his own brother Osiris helps her in return for unleashing himself on Earth – but, after killing her father, his wife and the baby boy, she is captured by the guards and mummified.

So, what happens next? :: With the princess mummified, and buried in a land far away, the curse of Set remains, as the promise to him in unleashing the god was not kept. Years later, somewhere in the present Iraq, Nick Morton (Tom Cruise) and his best friend Chris Vail (Jake Johnson) spend their time looking to gather what all antiques they can get from the area of the nation called Mesopotamia, which used to be the cradle of civilisation while having their own trouble with the locals as well as the terrorist organisations operating from there. It is during these times when they accidentally uncover a tomb, which seems to be Egyptian, much to the surprise of the archaeologist, Jennifer Halsey (Annabelle Wallis) who also lands there as part of her excavations. With the approval of Colonel Greenway (Courtney B. Vance), she goes into the tomb supported by Nick and Cris, ending up with a sarcophagus immersed in mercury, which they decide to take home.

And, what is to follow next in the adventure? :: Their trip is rather cut short as the flight is attacked by a huge group of crows, and Cris who was bitten by a spider inside the tomb also turns undead, and Nick has to kill him. The plane ends up crashing, and Nick manages to save Jennifer by using the parachute, but he as well as the others in the airplane are assumed to be killed. But Nick ends up waking up in the mortuary, with a vision of an undead Cris, and he also has visions about the princess. He begins having more and more visions of the princess and undead, and goes to the crash site only to escape from the princess and her newly resurrected undead. It is a secret society headed by Dr. Henry Jekyll (Russel Crowe) that helps them to escape, and after chaining the princess in such a way that there is no way to get away, explains to Nick that he is the key to her finishing the curse, which why he escaped without a scratch from the plane crash. Well, evil would always find a way, and so does the princess to escape and unleash herself – can anyone stop her in time?

The defence of The Mummy :: The movie does begin strongly, and there is certainly a nice beginning to the tale, with the interesting tale of the power-hungry princess of Egypt told and also with the mummy being unearthed, followed by the plane crash – there are also some nice visuals with everything, and the visual beauty is there throughout this movie no matter where things happen. Tom Cruise does a great job as the protagonist, and Sofia Boutella is amazing as the princess of Egypt returning as the mummy – the censor board seems to have worked very well to cover most of her tattooes; maybe they are against Indian culture more than we think they are, and it is not the movie makers who decide what we can watch, it is the current Chairperson of Central Board of Film Certification in India, after himself getting to watch everything because he can – we saw most of it in the trailer, seriously. Russell Crowe is sadly wasted in his role though, and so is Annabelle Wallis, both having characters going nowhere against a powerful, love-seeking mummy and an even more powerful human Cruise.

The claws of flaw :: There is a certain loss of direction regarding this movie – the same can’t be called as positive divergence, because it just goes on and on, even adding the elements of Jekyll and Hyde, and one has to wonder why it had to be done, when enough material is available from the tales of mummies; people end up wondering if they are going to add the Hulk next. It is as if the idea about making good blockbusters by reboot, is leaving Hollywood. Not sure why decided to bring the mummy from Egypt to Iraq and then to England, with not much of Egypt there in the picture – we would have preferred to see the Pyramids whenever the word mummy was associated, and not like what they did with the third of the mummy movies. It was Dracula who really had to come to England, a vampire, not a mummy. The humour is of no use, and the climax is of no strength, with weak twists, and the final sequence not interesting at all. Also, Tom Cruise’s character gets bigger than the mummy on whom the movie is really supposed to be about, and it is also a creature who can be captured with sharp weapons.

How it finishes :: The Mummy brings the tale of the undead creature from Egypt once again, and this time not exactly in the same path. This certainly won’t prove to be a match for the movie of 1999 and its sequel, The Mummy Returns. This is surely better than The Mummy: Tomb of the Dragon Emperor though, and one has to wonder if this stands any chance against Wonder Woman, or even the still running Pirates of the Caribbean: Dead Men Tell No Tales and Guardians of the Galaxy Vol 2. It will certainly not bring three sequels and four spin-offs unless there is a big improvement with a sequel. Even though not a bad movie as it has its interesting moments supported by visuals and thrills, the execution is not that much there, which should give it a disadvantage against the movies which released earlier – but with Tom Cruise around, this should do okay at the box-office. After all, it has been a long time since we saw a Mummy movie, and a female Mummy as the main villain brings more variety to the tale. But where we want Tom Cruise more is in movies like Edge of Tomorrow, Mission Impossible, Jack Reacher, Minority Report, Oblivion and many others. Underworld and Resident Evil franchises, despite being in confusion due to too many movies, could combine action and horror better.

Release date: 9th June 2017
Running time: 107 minutes
Directed by: Alex Kurtzman
Starring: Tom Cruise, Sofia Boutella, Annabelle Wallis, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Russell Crowe, Javier Botet, Selva Rasalingam, Dylan Smith, Rez Kempton, Chasty Ballesteros

@ Cemetery Watch
✠ The Vampire Bat.

Alien: Covenant

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A Flashback to Prometheus :: The predecessor was set in the year 2089, when the scientific vessel named Prometheus decided to make a long journey to a distant moon LV-223 to find the truth behind the creation of mankind. Their ultimate aim is to find the ones called “engineers”, the humanoid aliens who are supposed to have come before humans who were created on their image. Peter Weyland (Guy Pearce), a billionaire, founder and CEO of Weyland Corp is funding this journey. Meredith Vickers (Charlize Theron) is in charge of the expedition, and the archaeologists who found the signs for these, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) are also part of the journey. Always helping them is the android David (Michael Fassbender). But things get messed up as they realize that there is some biological weapon at work and the engineers are dead, with some other strange creatures ready to be unleashed.

More of the Flashback :: There are just signs of what might have been a huge and thriving civilization a long time ago. But it is what lies beneath the same that bothers them more, as more and more members of the crew seems to be infected by some strange disease. Those who are not killed by one creature or the other, had to be killed due to the infection either by their own people or by creatures that came out from inside. Elizabeth herself who is sterile, is found out to be pregnant and she has to use an automated surgery table to take out a creature which has been growing fast, right from inside her. Everyone except Elizabeth and David have met with a terrible end as the movie finishes, and that includes Peter Weyland who was also in that spacecraft searching for an answer to live forever. There is only the search for that unanswered question about the origin of man that remains.

What is the movie about? :: It is the year 2104 and a certain colony ship Covenant is on a journey towards a distant planet Origae-6 with two thousand colonists and one thousand embryos aboard, all set to begin a new settement. There is an incident on the way, and affected by the solar flares, the ship sustains major damage and some beyond repair – a number of colonists are killed, and Captain Branson’s (James Franco) stasis chamber catches fire causing his death. This breaks his wife, Daniels (Katherine Waterston) who vows to stay strong despite the setback. The most senior officer in the ship, Oram (Billy Crudup) assumes the role of captain despite his own doubts about himself. But as the ship intercepts a signal which has human voice coming from a planet which is supposed to have no life, it is him who sees the need to help whoever is left on the planet.

So, what happens next? :: The new destination also seems to have a fine chance of being home to the new colony with its similarities to Earth. In their search for the signal’s location, two of the crew members are affected by an alien spore to which they make contact without knowing. One of them who reaches the landing vehicle has an alien coming off him, and the eventual result is the destruction of the vehicle. The other one has an alien coming out of him in the open space, and leads the group being attacked by more aliens from all sides, until David makes his appearance again with a gun. With his help, they contact the spaceship which responds and offers assistance in getting them back again. But there is more than what it meets the eye with David, who knows more about engineers and the creatures on the planet than anybody else, and has plans for everyone. Are they going to do humanity good or bad in the long run with necessary sacrifices planned?

The defence of Alien Covenant :: There is some nice use of darkness in this movie, and we also get to see the tale go nicely forward with hope for another sequel. We can also be sure about the presence of some nice scary moments, even though they are not that much lasting – the shower scene in which you had seen a screaming Callie Hernandez is certainly the scariest, followed by many scenes, but that creature in the end is certainly the reminder of how majestic a franchise this one is. With the performances, it is Michael Fassbender who excels as David and does a great job as Walter, with two androids being safe in his hands. Then there is Katherine Waterston, the real protagonist of this one replacing Noomi Rapace, and we hope that her character’s tale is not over with this title in the franchise, as we need Daniels to be there unlike Shaw who was gotten rid of. There are also some nice special effects to go with the same, and the creatures look great as usual – the visuals of the world also has your attention.

The claws of flaw :: We do miss the protagonist of Prometheus, and we also needed better explanations and more answers to how the creation was made. The possibilities were so much with how the earlier film had ended. There were mysteries going to come to light, and more worlds to be explored, but that doesn’t happen here. Except for the main characters, the rest are also rather less recognised, and even if some characters are intended to die early with smaller alien infections, or get into the shower and be killed by an alien later, memorable moments for all would have been better in a movie franchise which is supposed to go on and on – we need them to be distinct to know and understand when one dies, whether it is with an alien off the spine, stomach, chest or mouth. We could connect to Noomi Rapace’s character as well as Charlize Theron’s, and so being a sequel to Prometheus brings some certain damage to Covenant‘s journey, as it doesn’t build on what was left, and never tries to bring anything revolutionary to the franchise, and not even more of horror that could have been there.

How it finishes :: With a better explanation for its universe and its creatures, as well as more twists and terror from the creatures, Alien Covenant could have done even better, but it is a fine product as it is now, for it has something or the other from the previous movies of the franchise which have all entertained us in one way or the other. It has begun connecting things together, and is certain to finish the franchise some day as a complete product. As a whole, this one here is also a product that will make certain that there will another movie in the franchise, one that is even more interesting – you will know once you see how this one ends. The truth is that possibilities are endless with a franchise like this one, with the first Alien being the reason why I really developed love for alien movies when I was a child – I wasn’t born at that time, and it wasn’t the most popular movies among youth here, and so I had to wait more until I got to watch that – I hope that the next Alien movie doesn’t bring any more waiting.

Release date: 12th May 2017 (India); 19th May 2017 (USA)
Running time: 122 minutes
Directed by: Ridley Scott
Starring: Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Callie Hernandez, Demián Bichir, Amy Seimetz, Carmen Ejogo, Jussie Smollett, Nathaniel Dean, Alexander England, Benjamin Rigby, James Franco (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Iru Mugan

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Vampire Owl: I have heard that two-faced humans are really dangerous.

Vampire Bat: But this movie just has Vikram playing two different characters, and it is about the two faces of the actor as two different people.

Vampire Owl: That wouldn’t justify the title from within the movie.

Vampire Bat: Well, movies have become more about actors these days rather than being about itself.

Vampire Owl: It only gets worse when a movie is so bad and a superstar is acting in it.

Vampire Bat: And in some cases, movies just get the hype and rise above everything else – over-hyped movies are no lesser evil.

Vampire Owl: Yes, I have heard that the fans of such over-hyped movies have been abusing people for not liking the movie, and even for not watching the flick.

Vampire Bat: You see why we can’t take over the human world – they are just too evil; they do this with just some overrated movie. It is so hard to believe as movies are just for entertainment for the viewers and for the makers to make money.

Vampire Owl: According them, one particular flick is the greatest movie of all-time, and there will be another “greatest” later.

Vampire Bat: Yes, and the idiots don’t even know that there is a thing called opinion, and their greatest movie could be just third rate nonsense in someone else’s eyes.

[Gets three cups of cardamom tea with Hide and Seek biscuits].

What is the movie about? :: In a strange turn of events, an unknown old man goes out of control and kills many officers unleashing an attack at the Indian embassy at Kuala Lumpur, Malaysia. A criminal scientist codenamed Love is figured out to be behind the attack, and this psychotic lover of science is known to have created a terrible mess before he was declared dead years ago. Now, as the unpredictable science terrorist threatens to unleash himself out of the dead, it is Akhilan Vinod (Vikram), a former RAW agent who was responsible for messing up the terror plans and killing Love who is entrusted with the task to bring the dead man to justice. But he has been living a life outside the grid after his wife, RAW’s senior computer analysist Meera George (Nayantara) was killed by Love at the time of that operation. The RAW chief Malik (Nassar) has a feeling that something bigger is coming up, and they need this expert officer’s service.

So, what happens next in the movie? :: Malik finds Akhilan and by telling him about the return of his old nemesis and convinces him that he has to be of service again. He is to work with a junior RAW agent Aayushi (Nithya Menen), who is in charge of the case, and the two of them leave for Kuala Lumpur to go further with the strange case at the Indian embassy. There they are helped by a Malaysian police inspector of Tamil origin, Muthaiah (Thambi Ramaiah) who remains rather scared of what is to happen next. More of investigations lead them to Peter (Karunakaran), a scientist who is working under the instructions of the evil mastermind, but decides to help the police. He tells them that the man who was thought to be dead is very much alive, and is responsible for the embassy attack, which was only the beginning. They are actually manufacturing a drug, which has the ability to create chaos and destruction by hiding them inside asthma inhalers.

The defence of Iru Mugan :: Iru Mugan can be listed among those movies which have tried to be different, and has tried something which can’t be done with ease – you see everything including the settings, they are all so good. If some other movies which are termed as the greatest could be that, just because they have brought something which hasn’t been seen before, this movie here has done the same too, without that much of ridiculous hype; well, it is the lack of confidence on a movie that brings the need for this extra hype, and if one particular movie was that great, it would have come and fought the battle without boasting and abusing. This is where Iru Mugan becomes everyone’s movie as the silent assassin, being a more righteous choice than those which claim to be among the greatest. There is so much of a stylish making here, and we see a lot of beauty of the place right on the screen. This quality is something which we can cherish for long. It even reminded me of the game Half-life, and its levels visually.

Claws of flaw :: There is the lack of attention right here, in how the movie has gone forward as a science fiction tale, with more seemingly spent on style and action than anything else. There was so much else that this movie could have done within one specific genre. There was a grand award to be taken here, as one of the best scienc fiction movies in Indian cinema, but that is not taken at all. There might be the feeling of knowing similar stories otherwise, but these days people just find a movie to claim that it is the greatest movie in the history of Indian cinema; so Iru Mugan, without such overdose of claims and third rate hype, is certainly there as a fine one. Then there is that “mass” effect, which should have been reduced to minimum, even though there is certain control in this movie. Also the name of the movie does little justice to the main character unlike what was expected, as there are just two characters.

Performers of the soul :: Here is another Vikram movie which depends on him more than anything or anybody else to do what he does the best on the big screen, as he once again comes up with the grand performance, and it is once more in more than one role. We had him in three different looks for one character in I, and here we have him in two different looks for two different characters, and once again, he is at the top of the game, and you remember Anniyan too which had him playing the character with three different personalities. It is his movies that I have always trusted to watched without second thoughts, and so despite missing this at the theatres due to the month of September last year being extremely busy, I managed to watch this on Mazhavil Manorama – that was more like a twist, and it is the one that I am glad about. He is there to bring both roles to the maximum effect. Nayanthara shines in her stylish avatar and Nithya Menen’s shortened stay was okay.

How it finishes :: There are only a few movies which you watch with the whole family, and everyone ends up liking it – Iru Mugan is that kind of a movie that has come up at such a safe position; this also reminds me to watch another missed science fiction thriller the Suriya movie, 24. We have a situation when it is impossible not to cheer for Vikram at each and every moment; and there is not just one, but there is two. There is also the great chemistry that work out between Vikram and Nayanthara, whether it is with the action sequences or with those song scenes. This surely wasn’t a movie with that much critical appreciation or hype as expected though. But with the bigger hyped movies, why would the one who know that the movie is so good keep talking about it all around the social media, mostly with fake profiles and abuse everyone? Thankfully, Iru Murugan never seemed to have such pathetic fans, which is why I decided to go for it despite having other things to do. I agree that we need all kinds of movies; but we need movies which doesn’t boast all the time, and those which don’t have their base and pillars built on hype, abuse and hatred – we need those which support free opinion, and unite us in difference rather than divide us. The fans of a movie are also a reflection of what a movie is, as superstar fans also symbolise their heroes. So, definitely choose to watch Iru Murugan, an amazingly stylish thriller with beautiful songs, even though its science fiction side needed some revival and the “mass” needed to go a bit down.

Release date: 8th September 2016
Running time: 154 minutes
Directed by: Anand Shankar
Starring: Vikram, Nayanthara, Nithya Menen, Nassar, Thambi Ramaiah, Karunakaran, Riythvika, Jasper, Karthik Nagarajan, Balaji Venugopal

@ Cemetery Watch
✠ The Vampire Bat.

Shut In

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Vampire Owl: I am used to hearing a part of this title.

Vampire Bat: You mean to say that you have heard of this movie title?

Vampire Owl: No, I am used to listening to “shut up”.

Vampire Bat: That should happen naturally to you in a growing vampire community which is building a new code of conduct.

Vampire Owl: Do you know that the critics don’t like this movie?

Vampire Bat: Is that a reason why we shouldn’t like them?

Vampire Owl: Well, they liked I Am Not a Serial Killer.

Vampire Bat: That is absolutely ridiculous. They really need the word “shut up” instead of “shut in”.

Vampire Owl: It is time for us to bring the balance by supporting the correct movie.

Vampire Bat: This is indeed that movie to support!

[Gets three cups of masala tea with banana chips].

What is the movie about? :: Richard Portman (Peter Outerbridge) and his son Steven Portman (Charlie Heaton) meets an accident while leaving home after a fight between the two – their car crashes into a truck as the differences between the two continue even inside the vehicle on the road. After the accident takes the life of her husband and leaves the son paralysed, Richard’s second wife and Steven’s step-mother, a psychologist by profession, Mary Portman (Naomi Watts) decides to care of the boy, even though it means being isolated from her own friend circle and spending most of her time with him. Separated from her own people, and often questioning her own decisions, she keeps herself going against all odds. But there is one thing that she is sure about, and it is that she has to take care of the boy.

So, what happens next? :: There is also a young kid Tom Patterson (Jacob Tremblay) who was her patient, but has gone missing. This ten year old child is deaf, and she had seen him for the last time at her own home. She does hear strange noises in her home, and there are also stranger happenings around, for which she can find no explanation. She also has her own nightmares, and the only rational explanation seems to be her inability to sleep during nights, which is bringing these hallucinations to her – but she is not satisfied with the same. Then, later, during a storm, on a strange dark night, she begins to believe that someone else is inside the house trying to harm her and Steven. Who or what is this that has come to her home without an invitation? Why does it/him/her want to haunt her and her paralysed son? Then the bigger question is about the missing child!

The defence of Shut In :: There is a strong line of mystery going right through Shut In, as it keeps us guessing from the very early stages itself. There are those moments of scare and there is suspense, as we get to that twist in the end. If you are going to ask why the protagonist didn’t figure out this or why she didn’t act like that, I am sure that I can ask why the protagonist in your favourite movie acts in such an unbelievable manner – well, it is different for each person, and being a psychologist like the main character of this movie won’t help at all; for you will never become the master of others’ minds, as each person is different as an individual and not as a robot whose “metallic emotions” could be treated by science. It is also the message of this movie – it doesn’t matter how much you think you know about others and their minds, and there is no point about claiming that you have studied it scientifically: you just can’t predict human nature.

The claws of flaw :: There are similarities to another movie which released in the same year, The Boy which also had problems with the critics, who might have decided that these movies were bad even before watching them – it is a clear reflection of the fact that some people are not qualified enough to judge horror movies, for such flicks surely need separate reviewers who understand the soul of horror, hopefully none of them includes those who reviews Bollywood drama. There is something strange going on with these people who keep rating the scarier horror movies low, and give a better score to horror movies which are not horror at all – even the thriller genre suffers from the same. This movie surely had the potential to develop better with its basic idea, and there are some points when things are not that smooth, but the shorter length makes sure that the movie survives that.

Performers of the soul :: From the beginning to the end, Naomi Watts remains the heart and soul of this movie. Seemingly getting younger every time, she is the kind of actress that everyone would love to have a in a horror movie or a mysterious thriller. You remember watching her in Children of the Corn IV: The Gathering a long time ago, but we all better recognise her from the much loved horror movie The Ring and its less acclaimed sequel, The Ring Two. But the best of her for me is the 2007 version of Funny Games – she has been perfectly suited to this genre which has the thrills and scares in store. It is the same that she makes sure in this movie, as once again does her job in the perfect way – we appreciate seeing her on the screen in this flick too. Charlie Heaton and Oliver Platt also scores in between, but Jacob Tremblay only gets less to do unlike in that nice horror movie named Before I Wake.

How it finishes :: This is another nice thriller movie which has been wronged by the critics. It is a thing about them to combine and build flaws on some movies, and the critics in India usually have the tendency to copy those in the United States without shame, unless there is someone from Bollywood performing in that movie [then it will be, watch the movie for him or her]. Some people really needs to know what “bad” and “terrible” movie means, and some of those flicks include those which they have been praising so much in the last few years. Maybe they were watching another movie instead of this one – who knows? Or they do judge in a way that only their group of people understands. Shut In is worth a watch; it is no big horror thriller, but it is surely something in which you can try and spend your time – it has enough in store.

Release date: 11th November 2016
Running time: 91 minutes
Directed by: Farren Blackburn
Starring: Naomi Watts, Oliver Platt, Charlie Heaton, Jacob Tremblay, David Cubitt, Clémentine Poidatz, Crystal Balint, Alex Braunstein, Peter Outerbridge

shutin

@ Cemetery Watch
✠ The Vampire Bat.

Ezra

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ezra-2

Vampire Owl: Malayalam movies have always needed more horror movies.

Vampire Bat: This has come after a long wait too.

Vampire Owl: Do you remember the last time we really loved a Malayalam horror movie?

Vampire Bat: I am not sure about that. We have been loving the Hollywood horror only.

Vampire Owl: I heard that it has a little bit of Jewish culture in Kerala.

Vampire Bat: And that it was also going to be dubbed into more than one other language?

Vampire Owl: I hope one or two vampire languages are added.

Vampire Bat: I am sure that this one will be different. It is evident from the poster and also from what people talk about it.

Vampire Owl: Ghosts need to be shown different, because they are all not the same.

Vampire Bat: Well, maybe this is the answer to the prayers of many such spirits.

[Gets the tickets with masala tea and caramel popcorn].

What is the movie about? :: Ranjan Mathew (Prithviraj Sukumaran) is an orphan and a successful professional working in Mumbai. After falling in love with an interior designer Priya Raghunathan (Priya Anand) who is also based in Mumbai, they get married against the wishes of her parents. One and half years later, he gets a transfer to Cochin, and despite Priya’s reluctance to move from the city which had become a part of her, they relocate to the new place, which is a mansion-like old house rented to them upon the recommendation of Father Samuel (Vijayaraghavan) who is not just a priest, but also Ranjan’s uncle. Ranjan’s company is dealing with disposing the nuclear waste from the nuclear reactors in South India, and he is in charge of the operations. Meanwhile, A.C.P. Shafeer Ahammed (Tovino Thomas) is tired of investigating a strange murder in an antique shop which leaves no clue.

So, what happens next? :: As Priya has a lot of free time, she tries to do some interior work for their new house and buys some interesting items from the shop of Moosa (Alencier Ley Lopez) who had managed to bring a few new things of interest from the house of a Jew who died without a heir in the country, as everyone had left for Israel. After getting a box from the shop and opening it, things begin to change, as Priya sees a creepy figure in the mirror as well as the wardrobe, and Ranjan hears footsteps from the roof – and more spooky things follow. As Father Samuel finds Jewish inscriptions on a strange box, he advises Ranjan to consult Rabbi David Benyamin (Babu Antony) who resides in Mumbai. As Ranjan comes to know that Priya is pregnant, he becomes more desperate, but David’s death follows, and now the only hope seems to be in the form of Rabbi Marcus (Sujith Shanker) who has arrived at Cochin.

The defence of Ezra :: There is variety without doubt in Ezra, and the same can be said about the quality displayed in this movie. The visuals are really well-used here to create the advantage, and the darkness as well as some spooky elements are created well with the use of sound effects, and these work really well in the first half to make us interested in the second. There is also a lot in the story told here, unlike the other horror movies, and the creature that this flick chooses here is not among the usual ones, as the myth used is something not many people around here have known before. The use of a perfect setting and antiques happen to be something that works for this flick more than any other horror movie. There is also one twist that happens by the end, even though it is the only big surprise in the movie, and could have been presented in a better way. The songs are good, especially “Lailakame”.

The claws of flaw :: The movie does get a curse, and it happens in the second half, as many other movies – this evil spirit doesn’t really make that much impact as it should in the latter part, and the final exorcism, brings nothing huge. There were so many possibilities with this movie, and the infinite chances are not used at all – it is kind of strange that the movie doesn’t bring the special ingredient; there were so many opportunities and Ezra hesitates to think out of the box, even with a spirit from inside a box. As we see the characters watching The Conjuring 2 on television, one has no doubt about one movie which has inspired this one. But Ezra has so much of hesitation in unleashing the terror – the viewers find so many situations which could have been scarier, but the movie doesn’t seem to find the need to bring huge scares. Also, at one point, you feel that this is the Odette Annable starrer The Unborn, but then it is not; there is just the dybbuk and the pregnancy in common.

Performers of the soul :: In a movie that has Prithviraj as the protagonist, it is him who leads the way – it is the first half that gets the best of him with a simple and rather natural touch to the proceedings – not that much with the final scenes though. Priya Anand makes a Malayalam debut which the Keralites will remember. Sujith Shanker makes a surprising entry here, and in this role, most of us might not even recognise that he is the same person from Njan Steve Lopez and Maheshinte Prathikaram – it is quite solid work. Tovino Thomas, even though he is there for less amount of time, has his moments. Vijayaraghavan is fine there, but Babu Antony’s stay is cut short; the same is the case of Pratap K. Pothen and Alencier Ley Lopez who leaves the proceedings rather too early. Sudev Nair and Ann Sheetal has a nicely created flashback scene which is done fine.

How it finishes :: There is a little shortage of horror movies in Malayalam movie industry, and there is a lot of shortage in the case of good horror movies – the latter is also applicable to the Bollywood film industry too, which is why, for the Indian cinema as a whole, the requirement is for more good horror. There is no need for more drama and more romance – there is too much of the same already, and there is nothing closer to life than horror, in one way or the other. Therefore, Ezra‘s presence is something which has to be appreciated, and despite not using all the possibilities in the scary side, manages to be a horror movie with a difference as far as the Malayalam movie industry is considered. It is evident that the Malayalam movies are back after that break – and each release this year, including Munthirivallikal Thalirkkumbol, Jomonte Suviseshangal, Fukri and Ezra have stayed different from each other.

Release date: 10th February 2016
Running time: 147 minutes
Directed by: Jay K
Starring: Prithviraj Sukumaran, Priya Anand, Tovino Thomas, Sudev Nair, Vijayaraghavan, Sujith Shanker, Pratap K. Pothen, Babu Antony, Alencier Ley Lopez, Ann Sheetal

ezra

@ Cemetery Watch
✠ The Vampire Bat.

Fender Bender

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Vampire Owl: A movie on a minor collision? How minor is that?

Vampire Bat: It is not really minor, as you consider what happens after the collision. You should read the synopsis of the story somewhere.

Vampire Owl: Yes, that person is a serial killer. It is quite natural.

Vampire Bat: It is not natural! Are you thinking Joy Ride, Wrecker or Duel?

Vampire Owl: No, people drive like serial killers these days.

Vampire Bat: It is a human thing. The whole humanity finds it difficult to drive. It is because they have lost all their magic to science.

Vampire Owl: We could provide them with more magic. Then there will be more necromancers than serial killers. We will be doing them a favour.

Vampire Bat: Necromancers are really not that good for them under the current circumstances either.

Vampire Owl: Then they should really learn how to drive.

Vampire Bat: Well, I hope that they do.

[Gets three cups of masala tea with jackfruit chips].

What is the movie about? :: A girl named Jennifer (Cassidy Freeman) is alone in her house, and after talking on phone about some random incident during the day, gets the message from an unknown number – the person on the other side seems to know what she is doing though. Even though she feels uncomfortable in the beginning, she just dismisses it as one random guess becoming correct. Soon, she is attacked by a masked figure right out of darkness, and while trying to escape through the window, is stabbed to death by the man in the mask. Then there is Hilary (Makenzie Vega), a teenager has just found out that her boyfriend Andy (Harrison Sim) is cheating her with another girl whom he kisses in front of her. Just a few days after getting her driving license and driving her mother’s new car for the first time, it happens that some random car just hits her vehicle on the back.

So, what happens next? :: She provides all of her information to the driver of the car (Bill Sage) who also shares his information – from address and phone number to taking photos, they keep the information, which Hilary uses to contact the insurance company that tells her to wait till they process the data. Her boyfriend apologizes to her, but she goes with what her friends had said, and dumps him. When she returns home, her parents are really angry about her relationship with the recently dumped boyfriend, and it gets worse that she has ruined the new car. They decide to go on their intended trip without her, and despite her repeated requests, they leave her alone in house after declaring her grounded. She notices that the car which had hit her earlier was moving on the road in front her home too. But it does disappear soon enough, and she gets back to doing her things.

So, how do things go from here? :: But strange things begin to happen as she finds her own photo in her mobile which was taken by someone else, and the photos of the car and the driver which she had taken were deleted. She hears a knock at the door, and is relieved to find that it is her friends Erik (Kelsey Montoya) and Rachel (Dre Davis) who have come to check if she is okay. The ex-boyfriend, Andy also comes at the door, and they blame him for the pranks on her phone, but it is certainly not the case, as it turns out to be. A late call from the insurance agency reveals the truth about the owner of the car, and the killer soon begins his game. Can Hilary escape from this madness, or will she become another victim on the long list? How can her friends help, and what role will the ex-boyfriend play with death sneaking around the dark corners?

The defence of Fender Bender :: Even though we know who the killer is and who the next victim is supposed to be, there is no shortage of thrills in this flick. The scary moments come in very well, and we will like this as a slasher movie too, with all the gore. As a home invasion movie, this one gets to a good position in the list too. There is also one other costume, which can nicely establish this villain as another big name like Jason, Freddy, Chrome Skull, Rusty Nail, Michael Myers, Harry Warden or Victor Crowley – if there is a sequel, that could work really well to establish a new franchise; the ending also makes sure that the scope is there to do the same. We can make sure that people will drive more responsibly if one such antagonist is unleashed only on those creepy ones on the road. Among many things, one thing that the leading lady Makenzie Vega proves here though, is that she can be in more of similar movies – a future scream queen in store here for sure.

The claws of flaw :: For some reason, Fender Bender just tries to keep close to what has been tried before, and doesn’t bring anything that new, even when there was a solid chance in store. There could have surely been more intensity with what the movie deals with – there is one serious serial killer right here, and the movie’s inability to make the maximum use of the same is rather confusing. We could have also done without the antagonist making his intentions clear too early – more suspense could have been added there. After it is made clear, the movie delays too much to get into the killing spree, which is really a bad idea. Also, the characters other than the leading lady gets killed too fast, and these characters are also there for a less amount of time for us to get to know them. This story could have gone deeper too, with the antagonist more established, but this should work pretty well for most people with all that is present in the movie.

[Walks into a bakery after the movie].

Vampire Owl: It was not bad as I expected.

Vampire Bat: Your expectations have been flawed for some time.

Vampire Owl: Do you know what kind of people need to be taught a lesson by some fender bender people?

Vampire Bat: Those who drive like maniacs, especially those on those huge motorbikes riding like psychos, right? You were talking about them last day.

Vampire Owl: Yes them too. But more than that, it is about those people who cause traffic jams. A few days ago, I was traveling from Aluva to Perumbavoor, and there is this auditorium on the way at Thottumugham which has very less parking space, and people are parking everywhere on the road. Disgusting, anti-social creatures who have no respect for others. At least, if they can’t arrange enough parking, these people shouldn’t invite this many people for wedding receptions.

Vampire Bat: I faced the same thing near Muvattupuzha on the Arakuzha road which has an auditorium which seems to have not enough parking. These people have everyone parking on the sides of the road – actually both sides on a road which is not a big enough one. Along with the same, they had buses for this particular wedding reception, and it was held in the evening. There was almost no hope to escape from this traffic trouble – it was so long.

Vampire Owl: The same was the case of the wedding reception I am talking about. When will the auditoriums provide enough parking space, or will these idiots have the brain to park responsibly?

Vampire Bat: We should note down those who repeat the offence and send the list to the responsible humans.

Vampire Owl: They all need their fender benders.

Vampire Bat: Yes, they do.

[Gets one sweet porotta, one blackcurrant shake and a glass full of grape juice].

Release date: 23rd May 2016
Running time: 91 minutes
Directed by: Mark Pavia
Starring: Makenzie Vega, Cassidy Freeman, Dre Davis, Kelsey Leos Montoya, Harrison Sim, Bill Sage, Lora Cunningham, Steven Michael Quezada

fenderbender

@ Cemetery Watch
✠ The Vampire Bat.

Before I Wake

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beforeiwake-2

Vampire Owl: Do I get to make a sentence with this title?

Vampire Bat: What are you talking about?

Vampire Owl: I really wanted to make a sentence with these words as those school children do.

Vampire Bat: Why do you want to imitate school children when we are self-taught and vampire-learnt?

Vampire Owl: I just want to try it once like they do.

Vampire Bat: Okay, come up with the sentence.

Vampire Owl: Before I wake, I remember that I need to brush my teeth.

Vampire Bat: This is the most ridiculous sentence that I have heard – you never brush your teeth. And you should remember that before going to sleep, not after falling asleep.

Vampire Owl: I do brush my teeth, but I do that only in secret.

Vampire Bat: Secret? It is not like you are planning to bring the end of the world.

[Gets three cups of masala tea with banana chips].

What is the movie about? :: The married couple of Jessie (Kate Bosworth) and Mark (Thomas Jane) Hobson makes the decision to adopt a child after their young child dies all of a sudden, and as they realize that they can’t be parents biologically anymore. They haven’t really recovered from the loss of their only child, but they decide to go on with the adoption anyway hoping that it will make them forget and provide a child with a better life. The one whom they adopt is the eight year old boy Cody Morgan (Jacob Tremblay), who was adopted many times, but had to return to the foster home for a variety of reasons. After not much of a thought, they decide that this is the child for them. Even though Jessie is a lot more concerned with parenting after the unexpected death of her son, she decides to bring all the love to Cody, and so does Mark.

So, what happens next? :: There are just happy moments with the three around, and they get along really well. Cody seems like a good child, and the the couple leaves nothing behind in loving him. One night, the couple are surprised to see beautiful butterflies of different colours fly across the living room. But when Cody wakes up, things get back to how it used to be, and the butterflies suddenly disappear without leaving any trace. Another night, after talking to Cody about their dead son, they find the child standing in front of them at the main hall, and see him disappear when Cody wakes up. Jessie is fascinated by this, and shows him many videos of his son so that there is a better chance that Cody dreams about him when asleep – she also tries to keep him asleep so that he can dream. But there is more to his dreams that they know – and it will be revealed soon.

What all awaits in the dreams and nightmares? :: Cody talks a lot about The Canker Man (Topher Bousquet) who is always with him. As this person is supposed to arrive when he is asleep, he mostly stays awake reading about butterflies and other nice things. He often talks about this creature having eaten his mother, and keeps making sure that this shadowy creature is not present around him just before going to sleep. With all these powers that Cody’s dreams have, there is only more that the powerful nightmares can do, especially during a bad day at school or at home. It is certain that nobody believes him when he talks about it, and not many people who have seen it remains alive, with the rest of them in the mental asylum. With such dark power waiting to be unleashed, does the couple realize what they are going to face?

The defence of Before I Wake :: Well, this is not the horror-fest that we need, but the beautiful horror that could do even better. There are enough scary moments, and along with the same, the main idea is superb – to have a mind that could create things, but good and bad, through the dreams which become reality; you sleep, but what you have in your dreams and nightmares become the reality for the people who are awake. When you are not in control of these, you don’t wish to sleep at all – nobody can blame you for the same. There is a nicely designed creature here, and the same can be said about the environment as well as the world that is created inside the dreams and nightmares. Mike Flanagan has provided us some of the most interesting horror movies including Ouija: Origin of Evil and Oculus, and Absentia and Hush are two highly rated ones from him too, with Gerald’s Game coming up based on the Stephen King’s novel of same name. You can always expect something special when he is around.

The claws of flaw :: This one could have surely added more frightening moments, and also should have picked up the pace faster in the beginning stages. We do have an idea early enough, but things just move rather slowly during those times. The Canker Man, the monster, should have been in the movie for longer too – so could have been the use of his powers, with sleeping and dreaming being part of the action on screen when least expected. With the scope for imagination to run wild as this is about dreams and nightmares, one is sure to say that this movie could have easily made it into the list of favourites on many lists with more attention. There could have been something similar to the magic which Guillermo del Toro had created with his creatures in more than one movie, but this one’s focus keeps shifting from what was its biggest strength among them all – the nightmare creature, or the Canker Man.

How it finishes :: There is one thing that we can be sure about – it is that Before I Wake is more than just a horror movie; it dares to be different in its treatment of its monster and how things change to reach that end which leaves a smile on our faces. It ends with more of a beautiful feeling than anything else – it is something that horror movies don’t usually have. As Kate Bosworth provides with a performance that makes us feel the dreams and nightmares, happiness and sadness, life and death – all at one place, we are made sure that this is the horror movie which is not just about being terrifying, but also about something more than that. It is the success of this kind of a movie that we see here, which is part a fairy-tale and also a horror movie, being the kind of movie that we wish to watch before we go for sleep and have our daily dose of dreams and nightmares. Here we have those which make Crimson Peak and Mama proud.

Release date: 31st July 2016
Running time: 97 minutes
Directed by: Mike Flanagan
Starring: Kate Bosworth, Thomas Jane, Jacob Tremblay, Annabeth Gish, Dash Mihok, Topher Bousquet, Scottie Thompson, Justin Gordon, Kyla Deaver

beforeiwake

@ Cemetery Watch
✠ The Vampire Bat.