Tag Archives: emotions

Split

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Vampire Owl: Sometimes, I feel that I am more than one person.

Vampire Bat: Due to you being unable to keep your promises, we have all felt the same on one day or the other.

Vampire Owl: You are taking this the negative way.

Vampire Bat: I remember you telling us that you were not you, but another you when asked about coming for the vampire exercise.

Vampire Owl: But that was not me, but a shadow of me.

Vampire Bat: You just found a few reasons to run away from everything; that is what happened.

Vampire Owl: I am telling you that all of you haven’t met my most dominant side yet.

Vampire Bat: And that will still be you.

Vampire Owl: My zombie minions clearly understand all these.

Vampire Bat: I don’t see why they wouldn’t try to agree to your theory about yourself, as it is told to your own brainless minions.

[Gets three cups of masala tea with special ghee roast].

What is the movie about? :: Three teenagers, including best friends Claire (Haley Lu Richardson) and Marcia (Jessica Sula), along with another girl Casey (Anya Taylor-Joy), who were part of a birthday party celebration, are kidnapped while returning home. They wake up only hours later, and they realise that they are held in captivity by a man known by the name Dennis. This particular person is actually one of the twenty three personalities present in the mind of Kevin Wendell Crumb (James McAvoy). This man, who was a victim of childhood abuse was having a case of dissociative identity disorder, and has been treated by his psychiatrist Dr. Karen Fletcher (Betty Buckley). The girls soon meet Patricia, which is actually the same person dressed in women’s clothes, and is just a little nicer than Dennis. They also meet Hedwig, who is the third personality, a nine year old boy who is looking for some fun and is afraid of Dennis and Patricia.

So, what happens next? :: The three girls discuss how to escape, and while Claire wishes to pounce on the man and attack him, Casey keeps thinking about a smarter way to get out from there. It is Claire who tries to escape first through the ventillation, and she does get to an open space in the building, but is caught by Dennis who takes over from Hedwig and chases her. She is taken to a room, and is kept there in solitary confinement. Marcia also tries to escape, when Patricia is in charge, but she also finds her, and threatening with a knife, gets her into another room alone. Meanwhile, Casey also tries to make a radio call, outsmarting Hedwig, but that idea also doesn’t work, and Patricia gets hold of her, as she gets locked up again. These two personalities, Dennis and Patricia, who have replaced Barry who was the earlier dominant personality, are planning present the three girls to a rumoured twenty fourth personality, known only as the Beast – can the girls escape before that?

The defence of Split :: After you read the synopsis and summary of this one, you know that something different is in store, and the same has been provided here by M. Night Shyamalan who continues his run after the lesser hyped thriller, The Visit. The movie goes on steadily right from the beginning, and we soon comes to know what is awaiting us as the flick progresses. There are some nice twists, and a fine finish in the end, which makes way for a sequel which could be even better than this one, so much is the potential there. Our director is one man who knows how to keep the balance, between the psychological thriller and the supernatural thriller, and the same is revealed here. We already know how good he can be, and this is the movie that once again proves the same for the non-believers who go on this very interesting journey that will keep you guessing what is coming up next with the unpredictability of not just the antagonist, but also the protagonist who has her own big flashbacks.

The claws of flaw :: Split, with its variety in treatment, might not be the movie for everyone, as M. Night Shyamalan makes the difference again while not following the usual path. With this kind of a premise, people might be expecting something else, but not with this man at the helm. Split, even when there exists not much of a fault, will have to face those strange female reviewers who will also keep looking for the quantity of clothes that the female characters are wearing – something which doesn’t even come close to being anything by even Bollywood standards; well, some reviewers from India are the kind of people who are busy praising Hindi movies, and haven’t seen many movies from the other languages, and don’t intend to. Lets hope that the sequel to this movie is kept away from them as much as possible. Maybe, some people would have also wanted this to go faster, and with more action to go with the same – the need to see all those personalities might also be there with a few viewers.

Performers of the soul :: As expected, it is James McAvoy who leads the way here with one man and his multiple personalities – he shines with each one of them, and you are going to notice the Hedwig one more than any other. He is certainly the one person who can handle even more than this number of people inside him, and the character or rather the characters within the character are very much safe with him; maybe the Oscars next year can try and deserve him. Anya Taylor-Joy is one amazing talent as she continues her run, from The Witch, through Morgan and now into this movie – we see the character through sadness and a depressing past. The two other girls, Haley Lu Richardson and Jessica Sula are not too far away in performances either, as they also leave a mark – both of them surely have a long way to go; more memorable scream queens should be there in store for us. Maybe they could have gotten to battle the rumoured beast a lot too.

How it finishes :: Releasing here a little bit late compared to its United States release, M. Night Shyamalan had showed signs of his return with the interesting thriller which was The Visit, and this one even does better. Unlike After Earth which was one terrible movie without doubt, his three negatively reviewed movies before that were not that terrible when we look at it overall. Lady in the Water, The Happening and The Last Airbender were all movies with so much scope and could have been there, even though they fell short. The same doesn’t happen with Split, as the force remains strong with this one, considering how it progresses, and how the cast is used to maximum impact. This year might be having the best thriller very early itself, as Split has all it takes to go the distance, being quite the improvement from The Visit. M. Night Shyamalan is back for real, and you can tell that to the other movie fans in the neighbourhood! If you liked this movie, also go for 10 Cloverfield Lane.

Release date: 20th January 2017 (USA); 24th February 2017 (India)
Running time: 117 minutes
Directed by: M. Night Shyamalan
Starring: James McAvoy, Anya Taylor-Joy, Haley Lu Richardson, Jessica Sula, Betty Buckley, Brad William Henke, Sebastian Arcelus, Neal Huff, Kim Director, Lyne Renée, M. Night Shyamalan, Bruce Willis (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Kubo and the Two Strings

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Vampire Owl: I know this person, for I remember this name, but just can’t figure out from when and where.

Vampire Bat: Do you need to go through a memory recovery programme? It is a new method.

Vampire Owl: I know what Doctor Frankenstein does with his new series of programmes. So, let me figure it out myself.

Vampire Bat: It is a simple name, but certainly not common. You should have remembered the person if there was a chance.

Vampire Owl: Yes, I should have at least remembered the two strings.

Vampire Bat: Are you sure that you don’t need at least a memory vial?

Vampire Owl: Don’t ask me to have those chemicals made of dark matter.

Vampire Bat: Then, what would you need instead, to remember?

Vampire Owl: What about some inner peace?

Vampire Bat: The Kung Fu Panda has taken all of the same, after taking the form of the Vampire Panda.

[Gets three cups of ginger tea with a piece of ghee cake].

What is the movie about? :: Kubo (Art Parkinson) is a one-eyed young boy who spends his time in a cave near a colourful village. Living with his ill mother Sariatu (Charlize Theron), he makes a living with art of paper folding known as origami, and music with a three-stringed, Japanese musical instrument known as shamisen, both which he uses to tell the tales of a samurai warrior who is supposed to be his father. They just manage to survive, with his mother’s mental state getting worse, and they having just enough to make a living. But Sariatu keeps warning him about her twin sisters Karasu and Washi (Rooney Mara), as well as her father, the Moon King (Ralph Fiennes) who would take his other eye, as they had killed her husband, the samurai warrior of the tales of bravery, Hanzo (Matthew McConaughey). She forbids him from going out at night, in the moonlight.

So, what happens next in the movie? :: One day, Kameyo (Brenda Vaccaro), an old widow who loves Kubo like her grandchild, tells him about a festival which occurs at night, that involves people talking to their loved ones who had died. So, for a change, Kubo decides to stay through the darkness, and try to find the soul of his dead father, and know more of the story about them. But even with the other villagers seemingly having success over talking to the souls of their beloved, he seems to have no success at all. As he forgets to return home before the sunset, he is found by Sariatu’s evil twin sisters, who waste no time in asking him for his one remaining eye. The realisation is also upon Sariatu though, as she is quick to appear and save the boy, sending him away, while trying to go on a final battle with her sisters who will stop at nothing to get their nephew’s one remaining eye.

And what follows the same in the movie? :: Kubo wakes up later, in a land far away, with only a snow monkey to give him company, which is the last piece of his mother’s magic, and has promised to keep the boy alive at any cost. They go on hoping to find Hanzo’s armour which becomes necessary for their survival as they face a force as strong and hateful as the Moon King. On the way, they also meet a beetle in human form, which believes that it used to be a follower of Hanzo, and had fought many battles with him, even as nothing remains of those memories. But the evil twin sisters are already on their trail, and even after finding the Sword Unbreakable, they are still at a disadvantage against the strongest forces of their world. There is a long way to go, there is danger ahead – can Kubo and his two strange friends be brave and strong enough to face the threat?

The defence of Kubo and the Two Strings :: This one certainly has the story that will appeal to people of all ages. There is the tale of courage, faith, hope and belief which runs right through this movie. The sadness in the movie is beautiful, and the evil twin sisters make some nice villains in the moonlight. There are battles which will remind us that we miss Kung Fu Panda, and all main characters remain lovable, and kids are going to love the Monkey and the Beetle without doubt. There is also that variety in this world, and the visuals make another path, which is also nothing less than beautiful in its own way. There is the quest in the centre of all these, and we have one boy’s tale of courage that will keep things moving. There is also the strength of love, and the ultimate power of memories that humans hold on to, which become significant in the story of Kubo too. As you go deep, this is another animated movie which is not just for kids. There is also some humour here and there, but it is mostly for kids.

The claws of flaw :: The animation doesn’t stand a chance when compared to the other big animated movies like Moana, Zootopia, Frozen, How to Train Your Dragon, Inside Out, Epic and the rest who have made the effect of a spectacle, and Kubo and the Two Strings never even tries to do the same. The tale of the relatives and creatives seems rather too comfortable with how they end up becoming what they are. We are not much interested in the tales with monkey and beetles as warriors in a human world these days, as the turtles had found it the hard way in Teenage Mutant Ninja Turtles and its sequel. There is also that same programme, with everyone coming together and everything being brought together by the end, and there is something rather too comfortable around here. It can also be considered a little too dark for the liking of some people. Even with those strange twists, the movie is also very much predictable within its own tale, as the missing and gaining of parents doesn’t make one feel that much in such a darker animated flick – could have been more imaginative.

How it finishes :: Kubo and the Two Strings could have actually been better, with all the possibilities it has with the myth already there – not just with the story, but also with the rest of the elements, all making this a bigger visual experience. There is a lesson or two which this movie can take from Rise of the Guardians which looks similar with its characters, but is a better movie than this. We usually expect to connect to the main character more, and not as just a random kid who is special because his parents made the choice of a strange union. The movie seems to be more sincere to itself rather than its audience, and even the message sometimes feel strange – it tends to happen when there are talking monkeys and beetles who gets more importance than humans in a tale of a human child. But the importance of relationships with fellow human beings, memories, family and love are those things that come over the rest, it could be the main reason that won the flick, BAFTA for Best Animated Film and why it was nominated for the Academy Award for Best Animated Feature Film, which eventually went to Zootopia.

PS: Have you watched The Mummy, Wonder Woman and Pirates of the Caribbean: Dead Men Tell No Tales, yet at the theatres?

Release date: 19th August 2016
Running time: 102 minutes
Directed by: Travis Knight
Starring: Charlize Theron, Art Parkinson, Ralph Fiennes, George Takei, Matthew McConaughey, Cary-Hiroyuki Tagawa, Brenda Vaccaro, Meyrick Murphy, Minae Noji, Alpha Takahashi, Laura Miro, Ken Takemoto

@ Cemetery Watch
✠ The Vampire Bat.

Passengers

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What is the movie about? :: It is a long time into the future with space technology being very much capable of almost anything that has been dreamt about right now. It has reached a state of near perfection that science is now something that cannot fail to deliver the promises which are calculated and made, no matter what the circumstances are. There is the highly advanced spaceship named Avalon which is transporting around five thousand colonists and a crew of two hundred and fifty eight suspended in hibernation pods to the new colony far away in space, the planet Homestead II through a journey that is expected to take one hundred and twenty years. Just thirty years into its journey, the ship comes across an asteroid belt, and despite keeping the shield strength at its highest, hits one of the huge projectiles, and faces multiple errors, all of it the ship repairs by itself while on autopilot, but there is the connection to pod number 1498 which gets struck hard, and the system is unable to repair the same.

So, what happens next? :: This problem awakens the passenger in hibernation inside the pod, a mechanical engineer named Jim Preston (Chris Pratt), ninety years earlier than he was supposed to wake up. After the early briefing and classes, he realises that he is the only one awake, and it is too early considering the fact that he was supposed to wake up only four months before the ship made landfall – at this rate, he was only going to age and die before the ship reached its destination. He tries sending a message to Earth, but not only does it prove expensive, the same is going to take nineteen years to arrive at the home planet, and the earliest reply is estimated to take fifty five years. He tries getting inside the pod again, and even repairing the pod using the instructions and his own technical skills, but there is no hope there. He tries to contact the people responsible, but the only people whom he gets to speak with are the machines and all he receives are automated answers.

And where does things go from there? :: After having tried everything including breaking in to places, Jim gets ready to accept his fate, talking and spending time with Arthur (Michael Sheen), an android bartender on the ship, as well as forcing himself into the areas of higher class passengers and enjoying special privileges. One year goes by, and Jim gets more and more disappointed about his situation, and even thinks about committing suicide, despite finally deciding against it. There is almost nothing new happening out there, and the spaceship just goes on through its path. But one day, while going through the pods, he come across Aurora Lane (Jennifer Lawrence) sleeping in her pod. He watches her profile and video and immediately falls for her, a writer. After thinking deep about it, he makes her pod malfunction, and she also awakens. He tells Arthur not to reveal the truth behind her pod to her.

And where are things heading now? :: Aurora, hopeless at first about the fact that she is going to age and die before reaching her dream destination, goes through the same things that Jim tried, and finally decides to write about her experiences during the journey. Soon, the two become very close to each other. Aurora trusts Jim as the only other person there, and the one last human being she is going to see in her life before she dies. But things don’t go that smooth as expected, and there is no perfect love story coming up here. The secret will be revealed, as Aurora will find out the truth behind her pod failure, and she won’t be the same person after that. At the same time, another pod will malfunction, and the same will awaken Gus (Laurence Fishburne), a Chief Deck Officer. He will reveal a few things about the current situation of the ship, which will threaten the lives of everyone on board. Can the ship be saved from a terrible fate that awaits, and can Jim and Aurora work together for the same?

The defence of Passengers :: Chris Pratt and Jennifer Lawrence are undoubtedly great together – there is a great chemistry going on there. The visuals are nothing less than stunning, and the spaceship is something that will stay in your minds for its splendour not just outside, but also inside. The swimming pool without gravity is among the best. Yes, the space remains amazing, and so do our ship and the leading characters. This is about the two people, their emotions and the space ship – along with all the saving that is needed in the end. Unlike what the reviewers are constantly saying without thinking deeper about there is one act of sacrifice and selflessness that we get to see in the end. Above all, this is also more like the tale of Adam and Eve, with the two protagonists getting to live with themselves, as the spaceship which faces devastation like our planet does, many years later – it can only be told later if the world in space survives, as the rest of the four thousand nine hundred and ninety eight people will get to be born again into a new world.

The claws of flaw :: There could have been better pacing for a two hour long movie, even though it never really brings the boredom to us. It is also not so good that Laurence Fishburne gets to come too late – there is a little too much going on before that, to be exact. We could have gotten this movie to be shorter by at least fifteen minutes, or rather could have had more action rather than extending the lonely life of the protagonist, and the relationship between the two main characters so much. There is even that happy climax which seems to be forced, but as I read some reviews by a few self-proclaimed intellectual reviewers, I feel that that climax and ending is the best, for it should have irritated their stubborn side a lot more. Maybe, you can search for the reviews with a lot of use of the word “selfish”, and then you can find out the flaws which have discovered, or rather created in this movie – most of them don’t really exist if you look at the flick; for I was very much immersed in this movie.

How it finishes :: The reviews on this movie have remained prejudiced, and that is not surprising considering how these people have been degrading the good movies in favour of those particular kind of movies, and try to make these movies score better at the box-office; it has been going on as a trend. The good thing is that a lot of reviewers from India have succeeded in going beyond that prejudice to like this flick. What surprises us the most is that almost all these reviewers who would do the exact same thing when caught up with a situation like this, have chosen to blame the protagonist, as well as the makers of the movie for so many factors related to the same – some people are just too idiotic to take only selected things into heart, when all these have finally come together to save so many lives in the end. We don’t have one selfish person here, but two, as it is evident from the second character, and it is selflessness and sacrifice that wins in the end – lets hope that people who have no idea of love and sacrifice will one day understand that. Well, who needs a more human story in space when there is Interstellar full of science and no humanity? For action, there are the Star Trek movies, Jupiter Ascending, Guardians of the Galaxy and many more. But this one is also worth it! If you liked this, do watch Pandorum.

Release date: 21st December 2016 (USA); 6th January 2017 (India)
Running time: 116 minutes
Directed by: Morten Tyldum
Starring: Jennifer Lawrence, Chris Pratt, Michael Sheen, Laurence Fishburne, Nazanin Boniadi, Andy García, Aurora Perrineau, Vince Foster, Kara Flowers, Julee Cerda, Conor Brophy, Lauren Farmer, Aurora Perrineau, Emerald Mayne, Kristin Brock

@ Cemetery Watch
✠ The Vampire Bat.

Te3n

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te3n (2)

Vampire Owl :: Remakes and remakes – this trend is going on and on…

Vampire Bat :: This one is an official remake though, with the copyrights for the movie officially purchased from the South Korean thriller Montage, as mentioned.

Vampire Owl :: I would give extra points for that. What I really don’t like are those blind copies without telling anybody else.

Vampire Bat :: Like when you hear that Ek Villain is from I Saw the Devil and Zinda from Oldboy?

Vampire Owl :: Yes, a fair remake is the right remake.

Vampire Bat :: That makes us choose this movie other the others for the weekend.

Vampire Owl :: The fact that we are not watching The Conjuring 2 this weekend will be highly disappointing to Uncle Dracula.

Vampire Bat :: And the fact that we won’t be watching Warcraft can even trigger an Orc invasion on the Vampire Lands.

Vampire Owl :: We need to warn the rest of the team immediately! After watching the movie, of course!

Vampire Bat :: Lets go and check how well the remade thriller stands then!

[Gets the tickets with some cheese popcorn and vegetable puffs].

What is it about? :: John Biswas (Amitabh Bachchan) is an old man who visits the police station almost every day much to the dismay of Sarita Sarkar (Vidya Balan) who tells him that there is no point in doing that for a case which was investigated eight years ago. John is looking to find the kidnapper and murderer of his granddaughter who was abducted by a man who demanded twenty lakhs, but even after the money was delivered, he didn’t get the girl alive. He keeps trying to find the man who is responsible for the same, and keeps searching for clues despite his ill health, making his wheel chair ridden wife Nancy Biswas (Padmavati Rao) a lot worried. Another disheartened person is Inspector Martin Das (Nawazuddin Siddiqui) who joined the seminary and has become a priest, trying to make spiritual amends for his inability to save the kidnapped little girl, Angela.

So what happens next? :: John knows that police will no longer proceed with the same case, and so he asks the help of the new priest, Father Martin Das, but he himself asks John to let go and try to attend the church services some time as one has to accept things as they are, when nothing comes out of the struggle. Martin doesn’t want to be reminded of his guilt of not doing a better job with the case, but things take a twist when another kid is abducted. The way of kidnapping this boy is the same as what happened with Angela, and he is consulted by the police for he was so close in catching the culprit last time. Despite the initial hesitation, he decides to help Sarita with the case. There are no suspects here though, just the hope that the kidnapper can be outsmarted this time, unlike what had happened with the case of Angela. Martin will have his second chance here, but is he good enough for it this time?

The defence of Te3n :: There are a number of movies which Te3n reminds you of, with its style – one of them is the Malayalam movie Memories, and another one is the earlier thriller featuring Amitabh Bachchan – Wazir. There is the deep feeling of sadness prevailing in all these movies, and there is one hurt police officer in each of these. The sadness is the first thing that gets you, with the two main characters hoping against hope, one to find the evil, and the other to keep himself from evil. The emotions are deep, even though not shown on the screen as some terrible Bollywood melodrama; the rest comes later. The intensity goes to a higher level and thrills get stronger, and the suspense is maintained till the end. With some power-packed performances and beautiful visuals, this one touches emotions and also becomes an interesting thriller. When people die, it is the living that suffers the most, and we feel that abiding sadness throughout this movie.

The claws of flaw :: The movie does take some time to get into its thrilling side, and it also doesn’t follow the usual Bollywood style – neither in drama or with its thriller side; it won’t be the movie for the usual masala fans, that is for sure. There is no super-cop here, and we have just the worried people hoping to go through this problem in front of them. The movie could have actually used its central idea with bigger twists, and even though they are there, the big shock isn’t there. Still, there could have been a better flow to the proceedings. The situation demanded things to go straight, rather than depending too much on the flashbacks which arrive at times when they were not required – the time-line of the movie surely could have used some work. A little bit of polishing here and there – maybe that was all that this movie really needed to make it rise a level up, and a certain funny side was there to be taken – but that is left untouched.

Performers of the soul :: Amitabh Bachchan and Nawazuddin Siddiqui completely steals the show there. The former plays a character that reminds us of the one he played in Wazir, helpless against the person who killed his child, but finds a way, and is also friends with a police officer who is also going through a case of depression. With his wife in a wheel chair, riding all around hopelessly on an old scooter that starts at occasions, bothering the cops and doing all his household activities by himself, the legendary actor plays a character whose sadness and never-dying hope is the first thing that we feel, and it will stir our emotions like nothing else. He makes us feel everything; for John Biswas is a simple common man looking for justice with hope. The latter goes through another path of his particular character though, as Martin Das looks to accept things by turning into spirituality. This character is strong in his hands, as he looks well-suited for both sides of Martin. Vidya Balan is left with a lesser role though.

How it finishes :: A comparison with the original can’t be made here, as I am sure that a lot of people haven’t watched the South Korean thriller. But it is surely better than the usual stuff that Bollywood has provided in the name of entertainment, which is why people who don’t feel the need to use the brains here, are to be warned from watching this particular flick. The idea is already proved working with an original work which seems to have had a nice reception. The one doubt that people had to have was about how the adaptation would work in an Indian scenario, and I am pretty sure that this has been remade well enough – I don’t doubt the fact that it could have been even better, still this is what we require, and not that mass masala entertainers. When we watch and support movies like this one, that becomes the inspiration for better thrillers to be made, maybe even original ones!

Release date: 10th June 2016
Running time: 136 minutes
Directed by: Ribhu Dasgupta
Starring: Amitabh Bachchan, Nawazuddin Siddiqui, Vidya Balan, Sabyasachi Chakrabarty, Padmavati Rao

te3n

@ Cemetery Watch
✠ The Vampire Bat.

Inside Out

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Vampire Owl :: I have a certain feeling that I am going to love this one.

Vampire Bat :: Even though the movie is critically acclaimed I don’t think that you are going to love it that much; I also feel that you have got it wrong here.

Vampire Owl :: Well, the insides are out, so this should be a slasher horror movie, right?

Vampire Bat :: What? This is rather too much even for you while being sleepy.

Vampire Owl :: I had myself thought about giving this name to a story which I was about to right. It was supposed to be about serial killers.

Vampire Bat :: Mr. Owl, it won the Academy Award for the Best Animated Movie of the year.

Vampire Owl :: Holy Vampire Crocodile! It won the Oscars?

Vampire Bat :: Which planet where you residing in the last few months?

Vampire Owl :: Ever since the teleportation device started working, I haven’t been sure about my location.

Vampire Bat :: I see what the problem is. You have been deprived of your daily dose of tea.

[Gets three cups of tea with jackfruit chips].

What is it about? :: Riley Andersen (Kaitlyn Dias) is born, and five of her basic feelings get active – Joy (Amy Poehler), Sadness (Phyllis Smith), Disgust (Mindy Kaling), Fear (Bill Hader) and Anger (Lewis Black); they all become part of her mind and affects her life in various ways from the mind headquarters. The incidents in her life becomes memories as time progresses, and her happy core memories are stored carefully. There are also the personality islands which reflects different and significant parts of her life as an individual, and they keep her emotional state steady. Joy takes the leading role hoping to keep the girl happy, while Sadness as well as the others keep wondering what her role really is. They could never really find anything positive out of her presence in the girl’s mind.

So what happens next? :: Things seemed to be going smoothly until one day when Riley moves to a new city with her parents (Diane Lane and Kyle MacLachlan) – the whole thing gets disrupted here. Not liking the new house is only the beginning of things getting worse. As life at the new city continue to be not so good, one day, when a sad core memory is created, Joy tries to dispose it, but Sadness attempts to prevent that from happening; this struggle leads to them being caught with the memories and along with them, gets thrown out of the mind headquarters. Fear, Anger, and Disgust tries to manage things in their absence, but they only end up making things worse, and the personality islands start crumbling. With Riley going more and more unpopular in school, neighbourhood and at home, can Joy make it back in time to make things right for her again?

The defence of Inside Out :: An intelligent, fun movie is what we get here in the form of Inside Out, something that will keep one entertained as well as thinking. With the smartness that becomes an inherent quality in this movie, it becomes a fine watch for people of all ages. There is the message that stays strong, or rather a collection of such messages. It remains highly appealing for children, but at the same time, maintains a strong philosophical side – a skill that a number of animated movies have developed in the recent past, but most of them haven’t been this much balanced in achieving the same. The movie’s world is also visually very good; there is skill in the design of this universe inside the mind and the characters are also a lot likable. We can connect to the emotions as well as the characters, and them both at the same time – that is new.

Claws of flaw :: There should be questions about the movie fully using its potential though, and even if not that much visible on the outside, it is often too smart for children, and at other times, too childish for adults – it often depends on how you are going to view this one. Inside Out is surely not the usual animated movie, and there are moments when the audience can doubt its ability to balance the two sides. There is also the predictability that comes in, and it is something that this movie could have left behind. I am also not that glad that the other emotions are not given that much importance; anger, sadness and fear – I have felt them more than joy and sadness in my entire life! So, it is once again rather subjective, isn’t it? I don’t believe that joy and sadness will ever have more significance; they never did even when I was a kid.

Soul exploration :: The movie’s message is more about balance rather than anything else, and we often need sadness as much as the happiness in our lives. Anger, disgust, fear and everything else are just integral parts of our lives. There are moments during which each of these will produce something special; there are beautiful songs and poems inspired by sadness or bringing that effect, most of them even more popular than those joyful ones. As the movie brings out, sadness is surely that significant; if you ask me, I would go for sadness over joy as it is one emotion that makes a person understand the world and the other people as what they are. Joy is more like fog that blurs our vision and is often a lie, but sadness and the rest of the team makes us see everything as they are; these bring us back on Earth and shows us the true faces of people. I will choose disgust as the strongest of them all.

How it finishes :: The last movie from Pixar which I really liked was Up, in the year 2009. Inside Out brings that kind of an emotional connection even though I would still prefer that 2009 movie as well as WALL-E, with Brave being the worst. What I will be looking for the most from Pixar, shall be Finding Dory though. Some movies just go so much childish, and it is a trap that has been set for the animated flicks; Inside Out successfully escapes that one with the skills of Prince of Persia through the Sands of Time or Tomb Raider through one of those undiscovered ruins of an ancient civilization. It is what clever movie-making is all about. The one big advantage that you will have with Inside Out is that after those emotional moments, you can show your feelings and blame Miss Sadness for the same.

Release date: 26th June 2015 (India); 19th June 2015 (USA)
Running time: 94 minutes
Directed by: Pete Docter
Starring: Amy Poehler, Phyllis Smith, Richard Kind, Lewis Black, Bill Hader, Mindy Kaling, Kaitlyn Dias, Diane Lane, Kyle MacLachlan, Paula Poundstone, Bobby Moynihan, Paula Pell, Dave Goelz, Frank Oz, Josh Cooley, Flea, John Ratzenberger, Carlos Alazraqui, Lori Alan, Rashida Jones

insideout

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Wazir

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What is it about? :: After a personal tragedy strikes the family of a police officer Danish Ali (Farhan Akhtar) in the form of the death of his daughter in the hands of terrorists, he is blamed for it; separating him from his wife Ruhana Ali (Aditi Rao Hydari). He is later suspended from service as he murders a terrorist who was the only key for the cops to find a minister linked with the terrorist. As he is extremely depressed and thinks about ending his life, he meets Pandit Omkarnath Dhar (Amitabh Bachchan), an old chess master on a wheel chair who used to teach chess to the cop’s daughter. They come across each other again and a friendship is formed between the two. Omkarnath had also lost his daughter only some time ago, and he suspects that a popular politician, Izaad Qureshi (Manav Kaul) is behind the murder even as the police records it as an accident.

So, what happens next in the movie? :: Omkarnath tries to get the attention of the police department, the media and the government. But nothing really happens except for bringing more fury into the mind of the politician and his supporters. This is where the henchman known only by the name Wazir (Neil Nitin Mukesh) comes into the picture. But this person seems to be something more than a henchman, as he stays in the shadows and creates situations of terror for the old man, becoming more like a shadow assassin. Danish is mostly helpless as he is suspended from service, but makes the promise to protect his new best friend and play his part in the battle for justice as if it is his own. Their fates are going to join together and soon, the shadows of darkness which are cast on their lives shall converge. Can Danish stand this big test?

The defence of Wazir :: It always feels good to have a Bollywood movie with an interesting plot especially as there are too many of the flicks which don’t have one at all, and there are movies which asks “why always the same story” and while saying that, it comes with the exact same plot told in a miserable way. This is where Wazir uses its intelligence as well as the strong emotional side to become a better and different movie. I do wonder at times why Bollywood movies and good plots are never friends enough. But if you look here, Wazir shows how to become an interesting emotional thriller bringing the breath of fresh air which makes the beginning of the year a nice one indeed, as there are no mindless flicks floating around anymore. The thrills are present and so is the suspense factor. There is also variety and style in how the whole thing is handled. The action sequences are done in a smart way, no overdoing and no slow-motions; believable as well as exciting.

Claws of flaw :: Even though its short length will save some time, people will want more here. Well, we ask ourselves if this is the kind of protagonist whom we want in the investigative thriller flicks, and there are moments when we will think about having a sequel to complete this movie. The usual Bollywood fans who love the entertainment and masala elements are also going to like this one less too; for there is nothing of such kind in here. Even when I visited the theatre, there was so much less interest for this movie there, but I hope to see it get better in the coming days. The movie surely has some points when it becomes slower, especially as a certain emotional side tries to play its role. The fact that some actors are there for only an extended cameo or special appearance will also put some people into lesser interest for the proceedings. The movie could have done better with the thrills overtaking everything else; no doubt about that – but it works well as it is!

Performers of the soul :: Amitabh Bachchan and Farhan Akhtar makes a highly impressive team here. One man in sorrow has his mind game going strong while the other one is physically fit and has been one of the best police officers of the department – both roles are played with such passion here. The intensity that Farhan Akhtar shows here should be the one thing for which you wouldn’t want to miss this one. Aditi Rao Hydari has a beautiful and at the same time, a happy-transformed-into-sad presence in this movie, and you will feel that even the absence of words speak in favour of her as seen with her expressions. I am pretty sure that she is a lot better than the overrated actresses of the industry. As I turn back the pages, I remember that I had seen her on screen, in the Malayalam movie Prajapathi in which she made her debut as well as in Murder 3; the rest I had missed.

Further performers of the soul :: Neil Nitin Mukesh makes the best out of what he has in this movie, even though it is more of a special appearance. He reminds one of the character “Musafir” in the Malayalam movie The Tiger, who has been an agent and contract killer for the terrorists; but it turns out that even with the essence and soul being the same, the existence is different, and you will know that by the end of the movie with that one final twist – your love for the movie is going to be ultimately decided by that. John Abraham stays strong while doing another special appearance, something which reminds us of him in Madras Cafe; his character will be a reason for us to ask for a sequel to this one – he can always excel in this kind of a role. Manav Kaul as Izaad Qureshi is a really strong presence in this movie. He makes quite a big impact here as the villain who needs to be brought down for the two protagonists.

How it finishes :: Wazir is a movie which begins well as well as ends well. The slowing down in the middle can be forgiven, and the shorter run-time will make sure that you will have an engaging experience with this thriller. Even when viewing it from here, Wazir is no Memories, but it is an engaging journey. The game of chess is also nicely used in parallel with the story-line. It was used not as part of the story-line in the Malayalam movie, the Mohanlal starrer Grandmaster, but here, it comes in as part of the plot; in a smart way of course. You will know better about the relation between life and chess as the movie gets towards the end; one of the protagonists do talk about a few things which relates them much earlier though. The songs are also pretty much okay here. I loved the director’s earlier movie David, and Wazir is the movie which becomes a fine start to the new year, and it is the movie that needs to watched; not those one hundred crore gaining movies, most of which never deserved to be there in the 100-crore club!

[Edit – This review was also later published at: http://kiagia.com/index.php/current-film-releases-movie/1275-wazir-movie-review-2]

Release date: 8th January 2016
Running time: 103 minutes
Directed by: Bejoy Nambiar
Starring: Amitabh Bachchan, Farhan Akhtar, Aditi Rao Hydari, John Abraham, Neil Nitin Mukesh, Manav Kaul, Anjum Sharma, Mazel Vyas

wazir

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Su Su Sudhi Vathmeekam

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What is it about? :: Sudhi (Jayasurya) works as the manager at one of the branches of Karur Vysya Bank at Bangalore. One day, after helping a group of cinema artists to shoot inside his branch, he gets a ride to his hometown with Mukesh (Mukesh), thanks to his old friend Greygon Das (Aju Varghese) who is in the film field. Sudhi talks to him about his life and the interesting incidents related to it. He is a person who has always had a terrible stammering problem. It had alienated him and affected his confidence ever since he was a child. Even when he reaches his youth, he remains a troubled man due to the same. The same disability leads to his engagement being called off, and the people of the village make fun of him even more. But as time progresses, he will manage to rise above his problems and understand that he is better than his troubles.

The defence of Su Su Sudhi Vathmeekam :: If you loved Punyalan Agarbathis, you will surely love this one too; I would consider this one above that flick because our movie here finishes very nicely in a much better way. The feel-good factor is much stronger here because this is more of the common man’s movie. There will be moments when you will feel that this is the story of you or someone you know in a different way. The message is also very clear here, and it will connect with the common man. The fact that the movie is short helps the cause; there is no drag here either. The second half is also better than the first, the movie only improving as it progresses. The emotional side is working all the time and gets stronger in the latter parts. The humour is good when it is present. The songs are okay. It is simple, cute and the right choice for the families.

Claws of flaw :: There is no special ingredient in Su Su Sudhi Vathmeekam. Well, Kung Fu Panda knew that there was no secret ingredient, and this movie also works without the same. There is nothing special with the story as the flick thrives on simplicity and reflecting the common man’s life. More humour could have also been added here too, and more material in the first half. People can also complain about the troubles of the man and his setting to be better shown in another way, asking for more fun or more emotions, but this one takes the middle path. The Punyalan Agarbathis feeling is also there even as this one overtakes that movie in content and presentation. Like what a few people who said about Mili, if you consider the goodness and inspirational stuff as cliche, this won’t be the movie for you; but I believe that they can be infinitely disparate each and every time.

Performers of the soul :: Jayasurya brings a stunning performance here proving his versatility once again. This movie is all about his character and he makes it all about him. The success of this movie will undoubtedly be his success as he thrives, and lives as the protagonist. Whichever be the movie, he has always been there with some exceptional performance – you can do a rewind into his previous movies and clarify the same. With three stages of the protagonist’s life being shown on screen, the man comes in three appearances, clean shaved, with a moustache and with the beard. Like in Premam, this also shows the man in different appearances as the character’s attitude towards others as well as life as a whole changes. This will be his second movie to run with positive opinions at the same time, along with Amar Akbar Anthony.

Further performers of the soul :: You can note that the director Ranjith Sankar has a cameo role in this one. The two heroines in this movie are not that familiar for the Malayalam audience even though only one is the new face. Swathi plays the protagonist’s fiancee whom he was supposed to marry, and the one person to whom he feels really close. If you watch Comedy Super Nite on Flowers channel, you might have noticed her as she was there in one of the episodes. She makes a nice debut as she entered the industry, and there is a certain amount of cuteness right there. The other heroine, Shivada has more to do, and she also has the more inspirational stuff as the speech therapist. She also comes up with a fine performance as the difference maker. Aju Varghese contributes well to the comic side, and Mukesh brings more laughs. Mukesh as Mukesh was actually a very nice move!

Soul exploration :: Su Su Sudhi Vathmeekam inspires you, but it doesn’t ask you to become someone else. The soul of this movie asks you to listen to your own heart and soul rather than the others and society who bring a label for you. The protagonist himself says that everyone is not supposed to become Sachin Tendulkar or Aamir Khan. It is all about us being ourselves, not doing comparisons with others. The movie tells us to be just us, but always to be the best of us, as not to have tried is a terrible thing. If we are not ready to be us, with all the characteristics that belong to us, then what is our significance as individuals? As separate individuals facing different situations, having varying abilities, it is all about making the best use of the talents. This movie is also supposed to be inspired on the real life story of a person. You were inspired by Rani Padmini a few days earlier, and now here is more.

How it finishes :: Don’t expect something huge with a big dose of tings, but as the simple and powerful movie of the weekend, Su Su Sudhi Vathmeekam will provide you with the motivation that is not restricted in any way. It is a path for you to travel in discovering your individuality, and at the same time, realize that everyone is awesome, no matter what disability or trouble is present. Coming from the director who started with Passenger and gave us some really inspiring movies, this one also leaves a mark, and Ranjith Sankar has left the audience with some happiness while touching the emotional side. If you leave the theatre with some positive energy inside, it is the success of the team which brought you Punyalan Agarbathis once again. Once again, you are reminded of what you can do, and why you are also someone who can achieve. You look for goodness and inspiration; you find Su Su Sudhi Vathmeekam.

Release date: 20th November 2015
Running time: 131 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Swathi Narayanan, Shivada Nair, Aju Varghese, Mukesh, Sunil Sukhada, TG Ravi, KPAC Lalitha, Ranjith Sankar, Muthumani, Sarath Das, Irshad

SuSuSudhiVathmeekam

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✠ The Vampire Bat.

Angry Babies

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Vampire Bat :: Did you just say Angry Birds at the ticket counter?

Vampire Owl :: Yes, but he heard Angry Babies.

Vampire Bat :: How can you be so sure?

Vampire Owl :: Because he gave me tickets. Angry Babies sounds dumb. I am not going to say that with Angry Birds in my mobile.

Vampire Bat :: But what if there are real babies in it and justifies the title?

Vampire Owl :: I have watched the trailer. It didn’t seem like the protagonists were ever going to have a baby.

Vampire Bat :: It should have been Angry Babes then, unless they act like babies.

Vampire Owl :: I am afraid this will remind me of What Happens in Vegas.

Vampire Bat :: I think it will be like Just Married.

[Enters the movie hall].

What is it about? :: The rich and the poor love story begins in the highranges of Kerala as Sarah Thomas (Bhavana), daughter of a wealthy businessman and Jeevan Paul (Anoop Menon), a still photographer decides to run away on the day of the lady’s betrothal. They arrives in Mumbai and starts a Coffee Shop with name Sarah Jeevan by selling the ornaments she was wearing for her engagement function. As Sarah is more into the shop and Jeevan rarely goes there and attempting to get a job as a photographer, they slowly moves away from each other; his photographing beautiful models acting as a powerful catalyst for the same. They slowly begins to detest the presence of each other, and files a divorce only to be asked to wait for six months which seems longer to them than ever. After failing in an attempt to push the other person out of their flat, they decide to share the place until the legal separation, and their problems are mediated by Madhavan (P. Balachandran). Sarah attempts to take over things by appointing a servant Selvi (Anusree) and being close to Alex (Joju) much to Jeevan’s dismay. But as their friends who helped them elope comes to Mumbai, they decide to act like all is well so that they are not hurt.

The defence of Angry Babies :: The one thing which was guaranteed from the beginning and delivered with ease was the fun. The movie has clean entertainment and comedy, unlike the new generation comedy which laughs at things or use multiple double meaning words in an attempt to evoke laughter. This is where the has been quite an attention, and even if there is some loss of fun, such tidy status is to be managed if families are to watch this one, and the flick manages some security there. This is lots of fun right from the beginning to the end, but as it moved towards the climax, it doesn’t fail to give some message about adjustments in marriage, and the weaknesses that the love marriages will show sooner or later as long as there is no support from the families of the bride and groom. The blessings of one’s parents is always a major factor in marriage. There is difference between love and marriage and it is easier to talk stupid things about love and wander around together doing nothing, but wedding takes it to another level, and this one deals with the problems in Ivar Vivahitharayal in a funny and sometimes stupid manner – the same director handles this one too. There are lots of funny situations, and the beauty of Mumbai is nicely captured too.

The claws of flaw :: Angry Babies doesn’t have that much of an innovation, and the story is mostly predictable except for the smaller details. The story has is own dose of exaggeration, but nothing that thrives on inflammation to the wrong emotions like Bangalore Days had been trying; why do you need to over-think Angry Birds though, for it serves it purpose and do what it is supposed to do, with no unnecessary additions to make it something it is not. The ending is also a bit forced with the love returning to the life like a boomerang quickly remembering that it was actually supposed to come back – well, this was supposed to maintain that comic factor throughout the movie and the ending is no different as it ends up in another funny moment. This is not for the people who are not looking forward to such a movie, and if someone feels the need to inject anything other than just fun into this movie, it is their problem and needs to stop watching movies in the theatre. There is no denying that it could have created a few more funny moments, and the flashback story of love needn’t even exist – it never bores with such stuff, and then why not the creation of a little more funny moments like What Happens in Vegas and Just Married could come up with?

Performances of the soul :: Most of the screen time is reserved for Anoop Menon and Bhavana, and there is almost no moment which doesn’t include one of them and most of the time, they spend together. Anoop Menon shows his skill for comedy like never before, especially in the first half and in the end works well with the emotional stuff. Bhavana is a beauty; not just with the looks, but with her handling of both comic and emotional scenes. She plays a character which reminds one of Mamtha Mohandas in My Boss, and yet keeps so many good elements with her unlike that “boss”, and this middle path that she has taken for her character is rather a smart idea by the director not making her the more egotic person, and gives enough to Anoop’s character too. None of these characters preach though, and keeps things simple, fighting and getting over with it. Anusree’s character is a little overdose at times, but manages to funny throughout the movie, and she is one actress who can thrive in simplicity. The Vodafone Comedy Stars fame Noby was the funniest one in the second half, and it makes one extremely happy to see him coming up with so much to make us laugh, and Joju comes next in the comic contribution. Noby needs a lot more chances, for he has earned it. Meanwhile, Nishanth Sagar makes a nice come back looking so much younger, and Parvathy Nair looks beautiful in her short stay. Kalabhavan Shaju also contributes to the fun.

Soul exploration :: One thing is very clear about this movie, and it is the lack of pretending to be something. Unlike our most recent pretender to the throne of awesomeness called Bangalore Days, this movie knows where it stands and where the strengths lie. This one also doesn’t depend on a hufe starcast to hide its weaknesses, but it uses very good use of the resources available. The disadvantages of a multi-starrer cast has always been its special ability to hide its weaknesses; just like what was evident from the early opinions about Bangalore Days. The people would be staring at their favourite stars and it will be impossible for them to tell the truth that the movie had problems, and will say that the movie is awesome just because they are typical fanboys and fangirls. The real movies shouldn’t have too many superstars because it spoils its essence even as there will be a good amount of box-office collections, and there will no real review about it as nobody wishes to go against the fans because people only need to read what they want to read, and this case, they are intoxicated just because their favourite actor or actress looks great on the screen. When those involved with the movie other than the cast are also popular, the movie needs zero substance. This movie moves away from such lies, and that is a point for the soul.

How it finishes :: Coming from the director who has handles the funny side nicely, like in Ivar Vivahitharayal, Happy Husbands and Husbands in Goa, this was expected to be interesting stuff which is certain to make the audience laugh as long as it kept close to the genre. This is his sixth movie and the first one without Jayasurya being a part of the cast. This would be his first movie with Anoop Menon and the second with Bhavana as a part of it. In a weekend when movies like Koothara released, it was good to have this movie from Saji Surendran, with a movie that doesn’t think that the audience are stupid and the flick is too intellectual. As I was not a part of the Mermaid Welfare Association of India, I wasn’t happy at all with Koothara, but that is one story I am not going to talk about now. For now, what we need to remember is that Angry Babies is the movie which promises and delivers what it is supposed to come up with, as anything else would have been an unnecessary overdose which the superstar movies come up with, and not a movie which has an identity of its own rather than wearing a fake visage intended only for making money. Now, for the question about the title of the movie, the protagonists are indeed like babies in both love and hatred 😀

Release date: 14th June 2014
Running time: 130 minutes (estimate)
Directed by: Saji Surendran
Starring: Bhavana Menon, Anoop Menon, Noby Tharian, Joju George, Parvathy Nair, P. Balachandran, Kalabhavan Shaju, Nishanth Sagar, Anusree Nair

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