Anarkali

Posted on November 13, 2015 by Tennyson

What is it about? :: Shanthanu (Prithviraj Sukumaran) who arrives at Lakshadweep Islands as a diving instructor actually has another plan in his mind. His old friend Zachariya (Biju Menon) is already on the island and they are joined by Koya (Suresh Krishna) to whom they tell that love story which goes back by many years. The tale is about a girl named Nadira (Priyal Gor) and her love with Shanthanu before being separated by her father. Far away from her, and with no idea where the girl is, Shanthanu hopes to find her through her brother who is an officer at the Naval base at Kavaratti, the capital of Lakshadweep. With her rich and influential father standing on the way, and very less chances to find his lady love, Shanthanu knows that he will need all the help that he can get.

The defence of Anarkali :: The success of Anarkali lies in being direct and not taking the easy way out like many other movies. It is a believable love story with strong presence of the “true love” elements and along with maintaining that status, goes beyond states and languages. The comic sequences are very nicely done, and Biju Menon with his amazing comic timing, makes sure that the funny side is perfect. The visuals are amazing, and if you look deeper into this movie, there are similarities with Mosayile Kuthira Meenukal and there is an abiding sad mood of “impossible hope” throughout the movie which reminds one of Prithviraj’s another flick, London Bridge. But Anarkali manages to soar ahead of all these movies. The visuals here might be the best you can have from an island location and the songs are good. The emotions are strong throughout this movie.

Claws of flaw :: A disadvantage of the movie is its length, even though there is no feeling of drag anywhere – that is quite an achievement for the people behind the flick. The movie’s love story is still cliched up-to an extent with the hero and heroine waiting for the approval of the girl’s father, and making that one last effort defying all odds. It could have also used Sufism more. There is also a little bit of Mosayile Kuthira Meenukal here, but Anarkali does manage to rise above that by being an entertainer and a full love story for all kinds of audience. But aren’t these things which can be forgiven in the case of a true romantic story? There is no romance without cliche, and with a lot of other aspects staying away from the cliches, Anarkali is not going to be just another love story, because it is better! You really don’t need to judge this movie based on the opinions of the others, because this one is for the heart and that changes according to individual.

Performers of the soul :: You see another chance for Prithviraj Sukumaran here, and he has once again provided an amazing performance to make sure that this one will work well along with his other movies in the theatre, Ennu Ninte Moideen and Amar Akbar Anthony. There is a lot of energy from him here, and he has also kept this character close to our hearts. Intensity and tranquility are just two sides of this character, and with Prithviraj’s exceptional skills, reaches the audience really well. Biju Menon is there in the supporting role after playing the lead in Salt Mango Tree, and he has managed to give the right amount of the same; most of the funny side of the movie is handled by him, and you will surely love his character. He brings so many of those memorable comic situations in this one. Meanwhile, Renji Panicker and Major Ravi has notable cameo roles.

Further Performers of the soul :: Coming to the heroines, even though only one fits the exact definition, there are two others who share some nice screen presence. Priyal Gor might be the cutest heroine ever to step into the Malayalam movie industry. Another positive thing is that she could bring the emotions to the scene very well. Meanwhile, Miya George has a strong character to perform here and she manages that very well; she is also the first to arrive on screen. Samskruthy Shenoy who plays the third significant female character brings her best performance here – the abiding sadness of her character is elegantly reflected on her face. The Kerala State Film Award Winner of this year, Sudev Nair does a very nice job. Kabir Bedi is very strong in his role, Suresh Krishna brings a notable performance. As Prithviraj scores his hat-trick success, there nothing negative in the cast.

Soul exploration :: Once again, the symbol of true love is “waiting” – there is something about the romance here. The two lovers are radically determined in this movie, as the sea becomes the metaphor for the distance between them and it is the final obstacle for them just like the girl’s father was the metaphor for the same earlier. As the ocean kept them away, it is the island of loneliness to which the protagonist was restricted to, and it has a form when he reaches Lakshadweep. The sea and the girl’s father are his obstacles among which only one needs to be conquered at a time, and as true love is not without troubles, he goes through them, but not without risking his own life and earning a name on the pages inside the chronicles where the saga of sacrifice is written. True love is near impossible because it demands a lot, and our protagonist runs right through, as the emotional side remains strong.

How it finishes :: Anarkali is above Amar Akbar Anthony and Ennu Ninte Moideen both in content and presentation; the feel-good factor also comes as a nice advantage. Rising above the latter as well as Premam, this is undoubtedly the best romantic story which has released for quite some time. If you don’t blindly adore these three movies, you can easily fall in love with Anarkali, because it is made clear in the beginning itself that nothing other than true love awaits in the flick. There is no need to go for the general opinion in this case because a lot of people are still lost in the other movies from Prithviraj and might find it not that easy to digest a movie which has a better philosophical side. If you place these four movies and think neutrally without consulting anyone else, you will know, and in the end, you will re-assert the fact that true love is beyond all barriers and that there is the need to visit the beautiful Lakshadweep Islands.

Release date: 13th November 2015
Running time: 168 minutes
Directed by: Sachy
Starring: Prithviraj Sukumaran, Miya George, Priyal Gor, Biju Menon, Samskruthy Shenoy, Kabir Bedi, Sudev Nair, Suresh Krishna, Rajeev Menon, Major Ravi, Assim Jamal, Renji Panicker, Madhupal, Shyamaprasad.

@ Cemetery Watch
✠ The Vampire Bat.

Salt Mango Tree

Posted on November 6, 2015 by Tennyson

Vampire Owl :: You had talked about a movie with this kind of a combination.

Vampire Bat :: Yes, about that popular funny dialogue from Mohanlal in the movie Doore Doore Oru Koodu Koottam.

Vampire Owl :: I remember the comedy scenes. Memories come back to me from the hidden spaces of immortality. I hope none of them stay to haunt me forever.

Vampire Bat :: It had also won the National Film Award that year for Best Film on Other Social Issues.

Vampire Owl :: I need to watch that one again.

Vampire Bat :: You should. It should be the best movie with a satirical side from Sibi Malayil.

Vampire Owl :: What about this movie and the possible relation to that flick from the eighties?

Vampire Bat :: The educational system seems to be related, and there are kids, teachers and parents as it seems.

Vampire Owl :: And why did we choose this one over Hotel Transylvania 2?

Vampire Bat :: Well, Biju Menon might create another Vellimoonga here; so this might be the nice and interesting choice! There is also a chance that we might find the animated movie sequel offensive to vampire-kind.

[Gets the tickets].

What is it about? :: Aravindan (Biju Menon) runs a medical shop in the city while his wife Priya (Lakshmi Priyaa Chandramouli) is working as an accountant. The only thing which they think about is to get their son Ashwin (Master Varkichan) admission in one of the best schools in the city. As the two become more and more obsessed with this, they arrange English tuition for the boy, try to ask everyone if there is any chance for the admission one way or the other, and even try to change themselves to become the modern parents. The Malayalam medium or state syllabus doesn’t seem to work for them, but a person named Kumaran (Sunil Sukhada) promises to try to help them. With the admission for only one of those big schools in the city left, can they finally do this?

The defence of Salt Mango Tree :: There are three things that this movie does have, and they are the comedy, messages and the feel-good factor in the end – even with not that much of an effective presence as expected, they are all present. We can say that it is a good attempt at dealing with the modern Malayali aversion for Malayalam, considering it not useful at a time when English and Hindi are running strong outside the state; this love for mother tongue and the message that good score in examinations won’t make one a better person is fine. The fact that nobody becomes a better person by speaking English in style or with fluency, and studying at a school which takes more fees doesn’t make a child something more, is the right message. There are some nice jokes in this movie too, and Biju Menon’s skills once again elevate them to a higher level. The movie is also short in length, and that is also good.

Claws of flaw :: There is nothing that deep in Salt Mango Tree, and its elements are not used to its best advantage. The feel-good factor is just too late to arrive, and a lot of incidents are overdone instead of keeping things realistic. There are parts of the story which were kept believable and without being preachy. The message also struggles to become the moral which it could have been. The songs are not that much making an impact, but can work depending on individual tastes, while the scenes in the village are just half-baked, and so is the attempt at the career guidance school. The story could have focused on its core, and should have brought the significance of learning one’s mother tongue, as well as letting the children following their dreams as a step by step procedure, but this one doesn’t. Even the title itself is not explored as it should have been!

Performers of the soul :: You know the person to look out for! Biju Menon has been the one cool actor whose movies are loved by the people without giving him that superstar status; it is more of the love for simple and funny moments from him which are so much memorable, and he is also one actor who never disappoints within his fortress of simple and family-based entertainment. In his most recent performances, whether it was about providing support in Madhura Naranga and Bhaiyya Bhaiyya, bringing the best of a cameo performance in Kunjiramayanam or leading the way in Vellimoonga, he was right there, strong in the comic side in all these flicks which came right before Salt Mango Tree. In this movie too, things are not much different as he manages the character with ease, and connects to the audience.

Further Performers of the soul :: Biju Menon is undoubtedly the man who saves this movie from going low, as he is in charge of all those dialogues for which the audience provided claps; he often lifts the movie out of nowhere when it gets close to spoiling its main idea with the weak story-line; this is still quite a step down from Vellimoonga for him. Lakshmi Priyaa Chandramouli was last seen in the Malayalam movie industry in Angels with Indrajith Sukumaran; even though she was paired with him, she was not really the leading lady on screen. She has managed her first leading role in Malayalam very well and has excelled in the emotional sequences. The rest of the cast lead by the one who played the character of assistant in the medical shop are all good, including the child actor Master Varkichan and Suhasini who comes late and makes an impact in the climax. But most of the situations focus on to our two leading characters, and the rest has less to do. Maybe a better story could have widened the focus, but the cast manages to be good.

How it finishes :: The attempt here might have been to create another comedy flick with satirical elements as we had earlier seen in the big solo hit featuring Biju Menon, Vellimoonga. Salt Mango Tree does try and only somewhat reach there. Just somewhere there in its own field, Salt Mango Tree achieves what the other movie of a similar theme Jilebi completely failed to do; to be funny with the message even though everything not coming together reaching the expectations. Taking the title from the literal translation of the food “Uppumavu” which was used by Mohanlal in the 1986 movie Doore Doore Oru Koodu Koottam, the movie should work in a weekend which has less to offer otherwise. Do not expect another Vellimoonga and things should be just okay.

Release date: 6th November 2015
Running time: 124 minutes
Directed by: Rajesh Nair
Starring: Biju Menon, Lakshmi Priyaa Chandramouli, Master Varkichan, Suhasini Manirathnam, Indrans, Saiju Kurup, Sarayu, Sunil Sukhada, Sudheer Karamana, Pradeep Kottayam, Paris Laxmi

@ Cemetery Watch
✠ The Vampire Bat.

Goosebumps

Posted on November 1, 2015 by Tennyson

Vampire Owl: Movie adaptation of children’s horror fiction? What is this? We are the ones who are supposed to scare the children, not some random novels.

Vampire Bat: Not everywhere. There are regional people of darkness who have acquired the opportunity; for example, the rights for the same in Kerala were bought by Sir Kokachi.

Vampire Owl: But I wish to scare kids! I really want to really frighten them! It is my special skill!

Vampire Bat: Well, with Hotel Transylvania’s second part around, may be we will have to retire after all. I hope that this movie can support our cause.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1146-goosebumps-movie-review

Goosebumps is the name for a series of children’s horror fiction works written by Robert Lawrence Stine in the 1990s in the US. Among many such works from the American author, this particular series happened to be the most popular. There were also various spin-off series which emerged out of these works. These stories had the characteristic of being funny along with being scary. A television series was also brought to the fans based on the stories. Even though an attempt was made to create a movie on Goosebumps in the year 1998, it didn’t happen. After many speculations by the fans, on 16th of October 2015, the idea was finally brought to the audience in the form of a movie.

Zachary Cooper (Dylan Minnette) has moved from New York to the small fictional town of Madison with his mother Gale Cooper (Amy Ryan). As he begins his schooling there, his mother joins as the vice-principal at the same educational institution. The new place seems to be calm and quiet, and almost everything seems normal except for their neighbours. Even though Zachary quickly becomes close to the friendly neighborhood girl Hannah (Odeya Rush), her father (Jack Black) doesn’t approve of it, and he doesn’t even like anyone else coming near his house. As he tries to keep everyone away, Zachary only wishes to somehow get closer to the neighbours.

Zachary feels that Hannah is being mistreated by her father, and he calls the police. But that doesn’t go on as planned, with the police officers ending up warning him instead. But another day, he breaks into the house with his newly found friend from school, Champion (Ryan Lee) hoping to find her. In there, they find the girl, but it turns out that she and her father are not just normal people like everyone in the town. There is a mystery hidden in the bookshelves and they will end up unlocking them; it surely won’t do the town any good. A new adventure begins with an abominable snowman and a dummy as they unleash something which they can’t seem to stop.

The movie is sure to provide a good dose of nostalgia to those who have grown up reading the books and watching the television series. The impact will still depend on how people consider the way in which this movie shows the creatures related to their childhood memories. The creatures are all good, the most notable ones being Slappy the Dummy, the abominable snowman, the werewolf and the giant praying mantis. The others including the walking dead, vampire bats, ghost-like creatures, vampire-like monsters, the invisible boy, a circus clown and a number of humanoid creatures – all make a nice combination as they come to life from the books. There is a huge group of them, and fans will surely recognize them better.

Goosebumps is never even close to being scary, and the audience needs to keep that in mind. But it is fun, and the monsters are nice to watch on the big screen in 3D. As a horror comedy, this will prove to a fine watch for family audience. The comedy is good, and there are some memorable funny moments in this one, even though viewers might still ask for more. There is nothing new in the story either, and the movie doesn’t even bring a special sub-plot here. As most of the viewers might have guessed a lot earlier, monsters are all from books written by the author of the original series of books, and these main characters need to team up to get them back into the book before the whole town is ruined and everyone around ends up dead.

Jack Black effortlessly carries this movie as the main character and the only person who is in any manner related to these monsters, and holds the key to getting them back into the books. The audience will find that he blends easily into his character as expected. Dylan Minnette has done good work here in the role which can be categorized into that of the male lead. Ryan Lee has his moments completely on the funny side. Odeya Rush does her job really well, and some might find her somewhat a younger version of Mila Kunis at times. Amy Ryan and Jillian Bell manage to contribute well with the next two significant roles. R.L. Stine, the author of the works, also makes a very small cameo appearance as the movie gets near the end.

Even though people should find Goosebumps very much enjoyable, it does remind us of so many movies from the past. Inkheart had the characters from a book coming to life, while The Cabin in the Woods was a movie which had all the popular horror characters coming together as part of a huge, secret plan. Jumanji had the dangers of the board game coming to life to haunt the players, and Zathura dealt with a similar premise. So, the audience won’t find anything new in these creatures coming to life. But they will surely find Goosebumps to be a nice and interesting because of the way in which it is presented, with nostalgia also having a role to play for a few fans.

Release date: 30th October 2015 (India); 16th October 2015 (USA)
Running time: 103 minutes
Directed by: Rob Letterman
Starring: Jack Black, Odeya Rush, Dylan Minnette, Amy Ryan, Ryan Lee, Jillian Bell, Halston Sage, Ken Marino, Steven Krueger, E. Roger Mitchell, Timothy Simons, Amanda Lund, Keith Arthur Bolden, Benjamin Papac, R.L. Stine

@ Cemetery Watch
✠ The Vampire Bat.

Pyaar Ka Punchnama 2

Posted on October 31, 2015 by Tennyson

What is it about? :: Anshul (Kartik Aaryan), Siddharth (Sunny Singh Nijjar) and Tharun (Omkar Kapoor) are best friends who share a flat. Anshul meets Ruchika (Nushrat Bharucha) during a party, gives her his mobile number and their relationship begins. Siddharth comes across Supriya (Sonnalli Seygall) at a wedding program and immediately falls in love, hoping to get married to her as soon as possible. Tharun meets Kusum (Ishita Raj) while at the gym and with his infatuation, their love story begins. But all these three relationships don’t move forward as expected. They try to make things better, even by going to a trip to Pattaya, but the situation remains the same. It seems almost impossible to get along with each other, with a split ready for all the three couples.

The defence of Pyaar Ka Punchnama 2 :: The comic side of this movie is strong as expected. The same successfully generates a lot of laughter in the theatre. Making the audience laugh a lot is not that easy, and that has been achieved, both in the case of men and women viewers. The songs are okay. The vain love based on infatuation gets the beating here, even when there is absolutely no need to bring a message here or be serious about its idea. The jokes related to online life and the struggles of Siddharth to impress the girl’s parents are the best among them. This movie only does what it is supposed to do, and if anyone wanted it to do something else which it was never planning to come up with, they can hate the movie, but bringing just one point up is more like vendetta. I agree that this could have done differently, and that would have surely improved my opinion, but this product works.

Claws of flaw :: You can see that critics have chosen to degrade this movie, but most you will see that the reason itself is one-sided and prejudiced, as it can only be found by digging the wrong way. But this movie is no big thing either. The flick actually starts with some drag, and it only gets better with the men meeting the women. All the comedy stuff won’t work that well either, and it is not applicable for everyone in the same way throughout the flick. Some dialogues were quite unnecessary, and the movie surely had better scope. The acting department is not that great either, but not much is required in this movie as the cast manages okay. You will also get less out of this movie if you have decided to thrive in the negative idea given to you by the critics, and won’t watch this as a regular movie loving human who thinks not from or in favour of any category.

Soul exploration :: I keep wondering why some critics think that this movie hates women. It makes no sense, because anything against women in this movie is from three male protagonists who are pretty much dumb (nobody needs to believe even a word they say); so if there is anything negative here, it is to be shared between both sexes. I can have problems about how men are portrayed in this movie too! Well, it is a modern take on the relationships which have no value and about those which are too hasty; it is about how decisions taken without base never last – it is also applicable both ways; you can also see a male character whose girlfriend has ditched him, and it is clear that the particular person appears as the mirror image. People are free to come up with opinions, but some people surely need to develop some tolerance – otherwise, these people might not have the right to call the political parties and religions intolerant.

Further soul exploration :: This just a story about a relationship, and not judgment. There are movies with good women and there are others with bad women; sometimes there are those which are full of bad men and otherwise good women. But if you look closely here, are these characters the kind of people who can’t exist in this world? Haven’t you seen the shades of some of them in your life? Don’t try to deny it because of your prejudice. Well, if you are looking for the same story to progress from all angles with just one movie, you are looking at the wrong place. These people who pass judgment in favour of just one side of this flick really need to think again. If they need movies which hate women, Bollywood has many of them along with another Indian flicks, and this movie here is not one of them – you will know if you remove those shades of prejudice. Nobody with sanity will let this movie define their world except for laughing at the jokes! This is never really about true preaching! No characters here are heroes to imitate either!

More of soul exploration :: If you are determined to hate this movie, and looking for points to note down, feel free to write something even before watching this movie. If you think that men in this movie are so awesome and women so bad, you need to look into your viewpoints about the good and the bad; because all that this movie has is a collection of grey characters. You don’t even feel that the women are evil in this movie if you look deeper; what you see here is a case of not finding the right person, as each human being is different. These three men found the wrong women, and they suffer for it – the men are not really angels either, and their choices were just dependent on infatuation or lust. Here is a message for you to take home even if there is none intended – don’t go for looks and don’t fall for what you feel with first looks; go for character. You got the message when there is none; happy? Now, that is a good addition.

How it finishes :: Actually, under normal circumstances, if you are looking to take a message from a full comedy movie, you are looking at the wrong place. What to expect from this movie was pretty much clear. I went for this movie thinking how terrible this would be, thanks to those critics who only saw only one side of this one. But that only helped me to once again understand why I shouldn’t go by the opinions especially when they are focusing on one particular thing which is not even the basic factor of this movie. I haven’t watched the first movie, but about Pyaar Ka Punchnama 2, I am sure that it will make the viewers laugh, and the genre here is comedy – note that down. It doesn’t have anything else, and this is not a movie to be taken seriously. If you thought that this was going to the movie with a grand love message, the problem is on your side and not with the movie makers. Use that side of brain somewhere else, as there are many serious ones and grand superstar movies which work against equality.

Release date: 16th October 2015
Running time: 136 minutes
Directed by: Luv Ranjan
Starring: Kartik Aaryan, Nushrat Bharucha, Sonalli Sehgall, Ishita Raj, Omkar Kapoor, Sunny Singh, Rumana Molla, Sharat Saxena, Manvir Singh

@ Cemetery Watch
✠ The Vampire Bat.

Rani Padmini

Posted on October 23, 2015 by Tennyson

What is it about? :: Rani Padmini tells the story of the journey of two women. Padmini (Manju Warrier) is the wife of Giri (Jinu Joseph) who had settled in North India many years ago. Even though her mother-in-law (Sajitha Madathil) is adamant that she shouldn’t work, her husband tells her to follow her heart, just like he races in mountain rallies against the wishes of his mother. She starts working as a physiotherapist much to the dismay of her mother-in-law who brings up a divorce notice to teach her a lesson when Giri goes for racing. Padmini decides to run away from home and find her husband. Meanwhile, Rani (Rima Kalingal) is facing a financial problem and a gang of criminals is also after her after she revealed their hiding location to the police. She runs away from home with enough problems on her trail.

How it goes on :: Soon, Rani and Padmini will get their roads to converge, as they meet up in a bus, and decide to continue their journey together. Even though they have their differences, they manage to get along well. As her mother-in-law arranges for the police to bring her back, Giri gets into tough competition with a veteran racer who is determined to win it this time. The two ladies get through the problems on the road by using the best of their abilities and also by luck; sometimes being helped by people on the road including journalists, trekkers and even local men and women. With this one interesting journey, there will be the realization of some truths, not only for the two protagonists, but also for the people who are connected to them in one way or the other. A lot of things are sure to change in their lives.

The defence of Rani Padmini :: There is a wonderful working combination in Rani Padmini. It is not just related to the two leading ladies who take this experience to another level, but also about how this movie combines its feel-good factor, messages, funny side and beautiful sceneries together to bring some awesomeness on the screen. The advantage here is that it is applicable to not just a category of people, but for everyone. The humour in this movie is really good, and it makes the presence felt regularly. Unlike what the trailer seemed to suggest, the movie is light-hearted, and there is not much of a dark side to it. The visuals are nothing less than amazing, and it provides the viewer with the desire to travel to those locations far away. The background music adds to the positives, and the songs also have something for the heart and the soul. You will also love the way in which the message takes a path which asserts freedom rather than labels.

Claws of flaw :: Rani Padmini doesn’t bring a lot to the story as the focus is on the idea and what is brought to the viewers on the screen. There could have been many other ways through which this movie had the ability to progress better. Some people might feel slight drag, but it is more dependent on how you see and how you think, that much freedom is provided by Rani Padmini to the viewers. It is also not the usual entertainer, even though it entertains with its moments. The idea could have also been better brought to the audience. It seems that due to the negative opinions from critics and the audience alike for his previous movie that Aashiq Abu decided not to publicize this one like Gangster which almost everyone considers as his worst movie ever. The initial rush might be less for this movie due to the same reason, but it will pick up and is here to stay in the theatres.

Performers of the soul :: The movie is completely dependent on the lady characters who lead the way. The two leading ladies have done an amazing job here, absorbing the soul of the characters into themselves. They are very good together, and makes a perfect team. We have seen Rima Kallingal only once since 2013, with the spoof movie, Chirakodinja Kinavukal this year. This flick is a perfect example of why she needs to be there on screen more. She provides a highly memorable performance as the rebellious young lady who wishes to prove herself to her mother. She excels in the comic side like never before, and got some of the funniest moments in the movie. People can talk about having other actresses in the same role, but not like this, and not in the way Rima has done; for this is special.

Further performers of the soul :: Manju Warrier’s second run is only two movies old, with How Old Are You in 2014 and Ennum Eppozhum in 2015. But here, she has her best performance in her second innings, and this is also the best movie in her second entry. The family audience will love her a lot in this avatar, and others will also love this performance as she has a balanced character providing different levels of experience. She handles both the emotional and comic scenes with fine skill. You should look out for the story which she tells her friend and her interest in a flower and a soap. While Rima excels in showing her anger and frustration in a funny way, she scores with the humour in nostalgia, concerns and affection. Jinu Joseph does a good job even with smaller screen presence, and Sajitha Madathil remains solid as usual.

How it finishes :: Here is a movie which keeps saying that Aashiq Abu is back. He has taken the risk once again, and remembering how the audience reacted to Gangster, this one surely needed the confidence – he scores due to the same, big time. Rani Padmini‘s advantage over other movies is that it doesn’t preach, and what the two leading women characters in the movie manage is to finally become the individuals whom they are and those personalities whom they wish to be. It is a case of embracing the truth and one’s abilities, as they make the others around understand the same. You can ask if Rani Padmini is How Old Are You or Queen, and I will reply that it is better than them both. I actually consider this one Aashiq Abu’s best work ever, the first one which goes directly into the soul rather than towards the brain or the heart.

Release date: 23rd October 2015
Running time: 142 minutes
Directed by: Aashiq Abu
Starring: Manju Warrier, Rima Kallingal, Jinu Joseph, Praveen Jain, Sajitha Madathil, Sreenath Bhasi, Sana Althaf, Srinda Ashab, Soubin Shahir, Kunchan, Ambika Mohan, Dileesh Pothan, Binu Pappu, Rajitha Madhu, Hareesh Khanna

@ Cemetery Watch
✠ The Vampire Bat.

Amar Akbar Anthony

Posted on October 20, 2015 by Tennyson

Vampire Owl :: Are we using the time machine this time?

Vampire Bat :: I don’t understand what you are talking about.

Vampire Owl :: You wanted to watch a Bollywood movie of 1977 in the theatre. It would require a time machine.

Vampire Bat :: I am talking about the Malayalam movie of 2015 with the same name.

Vampire Owl :: That is actually strange because Amar Akbar Anthony was already remade in Malayalam as John Jaffer Janardhanan starring Ratheesh, Ravindran and Mammootty.

Vampire Bat :: Yes, but this is not a remake, but a new story which goes full comedy.

Vampire Owl :: It is a strange title then. With a new story, this name of the movie makes me wonder about the possible reason behind such a choice.

Vampire Bat :: Even the name Jenny makes it to this movie.

Vampire Owl :: I need to consult my zombie minions on this.

Vampire Bat :: Well, this is from Nadirshah, and I am sure that he knows the pulse of the common audience.

[Gets the tickets].

What is it about? :: The movie tells the story of three young men who hope to go to Pattaya and enjoy the pleasures of life. These three men Amarnath (Prithviraj Sukumaran), Akbar (Jayasurya) and Anthony (Indrajith Sukumaran) focus on this one aim while their families hope that they do something for home instead. They keep wandering behind one beautiful lady of the locality, Jenny (Namitha Pramod) without any shame. They have a sister figure in the form of Resmiya (Srinda Ashab). With their parents asking them to become good men like their young neighbour Unni (Ramesh Pisharody), all these three men are looking for is to escape from their current situation. For the same, some time in Thailand seems to be the best option for them. But situations keep delaying their journey all the time.

The defence of Amar Akbar Anthony :: The performances from the three actors remain the big highlight of this movie. Most of the jokes are working, especially when involving these three, and the fans will love them. The best of them includes the dialogues like [indirect translation] “Can we have revenge tomorrow?”, “Its just what people say, I don’t know English at all” [/indirect translation] and the jokes related to their way of life, even though jokes related to drinking and Facebook are repetitive. There is also a message coming in the end, and even though it is not complete, there is something positive about it. The debutante director deserves the applause too, making something out this which could have gone awry without these performances and the way of presentation. Even if it isn’t really Kunjiramayanam with bringing laughter, this is the kind of thing which should attract the mass audience, the fans and the new generation youth. It provides the time-pass.

Claws of flaw :: There is nothing special related to the naming of the characters here. Even if they were with even stranger names, or belonged to a religion which is not known, it wouldn’t have mattered. Those who think that it would have any relation with the 1977 popular Bollywood movie with the same name are going to be disappointed. It was actually a chance to connect that is missed here. A lot of jokes are not really funny, and at times, the quality is significantly reduced. The songs were not really there to make an impact; they will just appeal to the big fans. The movie does deviate from its path in the end too, and this change of direction could have actually arrived a lot earlier, with some unnecessary jokes avoided. The slow motion action sequences in the end also negatively contribute to the movie. The message which comes too late could have also been provided in a better way. The story struggles in totality, and the twists are without effect.

Performers of the soul :: The pick of the movie is indeed Indrajith Sukumaran who brings the funniest scenes to us. There is something about him in this movie, and may be this character suited him very well even before the shooting ever started! Then there is Jayasurya who has handled his comic role with terrific control. Prithviraj has improved a lot from his comedy flicks like Teja Bhai and Family, and at moments he makes the biggest impact. The trio makes sure that this movie and its comedy works very well. Namitha Pramod is the biggest disappointment of this movie, and it is so wrong that she is made to play a character who has almost no memorable dialogue – it is a character which would have worked even if nobody played that role. They could have managed this character without even showing the lady! The twist involving her is also clearly a waste of time. She is the female lead, and she is given nothing – it is disappointing.

Further Performers of the soul :: But the good thing is that Srinda Ashab has a more serious role here, but she also has less screen presence because the whole thing is about the three main characters. Baby Meenakshi does a nice and cute job. Among the other female characters, K. P. A. C. Lalitha plays Prithviraj’s mother making the biggest impact followed by Bindu Panicker. Pashanam Shaji has his moments, but some jokes do fo overboard. Asif Ali’s guest appearance is memorable. Meanwhile, Kalabhavan Shajon’s character also goes nowhere, even though the beginning had him at a better status. Akanksha Puri and Mareena Michael Kurisingal makes small appearances as the former lovers of Prithviraj and Indrajith respectively, and Mareena is actually part of two of the funniest moments of the movie. Siddique also makes his small appearance memorable. Ramesh Pisharody nicely does his job too.

How it finishes :: This movie has surely worked with the common audience because of the humour, and one can thank Nadirshah’s display of skills with his first ever directorial venture and also with the three men whom he selected to play the lead roles. A blockbuster status is there to be taken. There is still some disappointment left with how much better the movie could have handled its message; for the social issue could have been worked with in a better way, and it could have been less mindless. There is a lot more which Amar Akbar Anthony could have achieved with some more care. I have a dream, that one day the makers will realize that slow motion action sequences are not fair to the audience, no matter how much the fans will admire them, and I also wish that when bringing a social issue to light, it comes early and with the strength which makes it stay above the rest of the movie! For those who are looking for seriousness and not entertainment, there is Lord Livingstone 7000 Kandi.

Release date: 16th October 2015
Running time: 142 minutes
Directed by: Nadirshah
Starring: Prithviraj Sukumaran, Indrajith Sukumaran, Jayasurya, Kalabhavan Shajon, Namitha Pramod, Srinda Ashab, Baby Meenakshi, V. K. Sreeraman, K. P. A. C. Lalitha, Bindu Panicker, Ramesh Pisharody, Dharmajan Bolgatty, Pradeep Kottayam, Sasi Kalinga, Abu Salim, Pashanam Shaji, Thesni Khan, Siddique, Asif Ali (cameo), Akanksha Puri (cameo), Mareena Michael Kurisingal (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Lord Livingstone

Posted on October 19, 2015 by Tennyson

What is it about? :: A few letters from a survivalist and nature lover Philipose John Varkey (Kunchako Boban) brings a number of people to a forest. The people include Madhumita Krishnan (Reenu Mathews) an expert in guns who is feeling lonely in her life; Beeran (Sunny Wayne), a street magician who is trying to escape his troubled past; CK Menon (Nedumudi Venu), a retired central defence employee who has run away from an old age home; Shanumgan Ilangovan (Bharath), an adventurer who is losing his health and confidence, Professor Neelakandan (Chemban Vinod Jose), a college lecturer who wishes to do something different with his life and Ananthakrishnan Iyer (Jacob Gregory), a science expert who wishes to break away from the chains put on him by his wife.

What is the plan here? :: Most of us know what we are to expect in this movie from the trailer, and it doesn’t try to deviate much from that central idea. These people are those who decided to start the trip and has reached the forest after Philipose had sent one hundred letters to people whom he thought might be interested in joining him or could prove to be of worth. The total head count is six, and with Philipose and his local friend Malavedan (Sudheer Karamana) added makes it eight. There is a mission in front of them though, and it is to save a village in the forest, known only by the name 7000 Kandi. It has this group of people trying to keep the corporate evil away from this village and its people, as modernity threatens to destroy the forest. The battle to save nature begins here.

The defence of Lord Livingstone 7000 Kandi :: As the viewers had expected from the trailer, there is a very nice visual experience guaranteed with this movie. The display of such beauty on screen actually begins from the credits itself The message to save forests and to stop deforestation is right there, in a crystal clear manner. The shots are done in such a way that we are sure to fall in love with nature and it will also inspire the audience to go for an awesome journey. It is like we transported to that world and there is the feeling of being there provided for the audience. There are moments which will make us appreciate the effort taken to bring them to the big screen. The cast is very much suitable for this story, even though one more female character would have made things better. Forget everything else, and we will feel that the intention behind this movie is nothing other than goodness.

Claws of flaw :: With the fight for nature and its people, we are provided the memory of Avatar which doesn’t do much good to this movie – our movie here is different, and it is from another man’s vision as he visualizes something to show his love of nature. But the common audience won’t understand it that well. There is also a struggle in characterization, with none of the characters given what they really deserve. The first half is actually superior to the second, and the finish seems rushed – a problem faced my many movies of these times. The comic side is not that well used with so much of scope, and the same can be said about the story. It is not full on seriousness either. The exploration of the life of the people in the village comes as another negative. The final scenes could have been a lot better planned and a few situations could have been avoided. I am of a strong belief that Lord Livingstone 7000 Kandi could have achieved something a lot bigger with its premise.

Performers of the soul :: In this movie from Anil Radhakrishnan Menon which can be ranked his third after North 24 Kaatham and Sapthamasree Thaskaraha, the names in the cast are strong. Kunchako Boban arrives late in this movie, and he is the pick of the actors here. Nedumudi Venu who has been in all movies from the director, has once again done his job with ease. Chemban Vinod Jose and Jacob Gregory handles the comic side, but the truth remains that they are very much underutilized, and it is a shame. Reenu Mathews seems like the right choice here, and Sunny Wayne is comfortable. Bharath is good even in a character which doesn’t get enough considering the fact that it was the most adventurous one. There were a number of actors and actresses who played the villagers including Rokiya Adam and Priya Lal, and even though not recognizable due to the high level make-up, come up with some nice work.

Soul exploration :: We know that Earth is not the private property of man, but the greed for money has always kept the mankind ready to exploit nature. No, it is not the poor men and women who struggle in the forests who are to be blamed, but the corporate evil. Well, the laws will always favour the man with lots of money, and so nature will only suffer more and more. We will never have the righteous government unless politicians become less political, but if it was to be so, they might never really win. It is surprising that people who vote in the name of religion, community and caste never really vote for saving nature. But even with the promise to save nature, is it not the poor man who is thrown away from home instead of stopping the rich from taking over large amount of land? May be Lord Livingstone 7000 Kandi will go on to become that movie which can add an extra message.

How it finishes :: Lord Livingstone 7000 Kandi is not a movie for everyone, and it is something which needs to be told again and again. But another fact that comes with this realization is that it is a movie which needs to be watched. No, these two sentences don’t contradict each other because you don’t know to which group you belong until you have watched this movie. Still, there is one thing about which you can be sure, and it is that this is not an entertainer. But when we think about the same, Pathemari and Ennu Ninte Moideen were not entertainers either. Still, there is something that I would ask you to bring while going to watch this movie, and it is the love for nature – it is something that you always need, but these days, it is something that you need to be reminded of. Let us hope that even though not close to being the big movie, Lord Livingstone 7000 Kandi manages to do that up-to an extent for the attitude of the people. If you support good message and interesting innovation, there is something here!

Release date: 16th October 2015
Running time: 135 minutes
Directed by: Anil Radhakrishnan Menon
Starring: Kunchako Boban, Reenu Mathews, Chemban Vinod Jose, Jacob Gregory, Nedumudi Venu, Sudheer Karamana, Bharath, Sunny Wayne, Rokiya Adam, Priya Lal

@ Cemetery Watch
✠ The Vampire Bat.

Crimson Peak

Posted on October 18, 2015 by Tennyson

Vampire Owl: I believe that we should sell our castle and buy what they call the Crimson Peak. It looks more Gothic than all our bloody rooms combined.

Vampire Bat: We should write a letter to Uncle Dracula concerning this after watching this movie.

Vampire Owl: I believe that it is from the director who can do the Gothic more justice than anybody else.

Vampire Bat: Yes, it is like Guillermo del Toro weaves his magic wand and this genre reaches new heights.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1130-crimson-peak-movie-review

From the visionary director Guillermo del Toro, the man who brought us movies like Pan’s Labyrinth, Hellboy and Pacific Rim, the latest flick comes in the form of a Gothic Romance Horror called Crimson Peak. It has been one of the most anticipated movies of the year for those who loved the critically acclaimed dark fantasy known as Pan’s Labyrinth. Crimson Peak has also remained a much discussed title among the horror fans. What this movie seemed to try and achieve was to bring the Gothic mystery elements back to the big screen like never before. The trailer also supported the same idea, and so did the costumes and the surroundings featured in it.

The audience is introduced to a little girl who sees the apparition of her mother giving her one warning – beware of Crimson Peak. She grows up with the belief that ghosts are real because she has seen them, and she becomes a beautiful lady who is an aspiring author from Buffalo. This lady, Edith Cushing (Mia Wasikowska) has a desire to show her skill in writing ghost stories even though she is told to write love stories instead. A twist of fate happens when she unexpectedly falls in love with Sir Thomas Sharpe (Tom Hiddleston) who arrives in the US from England, related to business matters. She marries him against the advice of her people after her father dies, and travels with him beyond the Atlantic Ocean to his lands.

Everything seems to be perfect with love and affection right at the core. But she soon discovers that the man is more than what meets the eye as he has many secrets. With his sister Lady Lucille Sharpe (Jessica Chastain) who seems to share these secrets, there is a very scary side to their world of two. A large crumbling mansion set in the mountainous region in Cumbria will make sure that her trip to the British Isles won’t be as good as she thought it would be. The house seems to warn her and so do the apparitions which make another appearance there, visible only to her. These creatures are new, but her nightmares have only begun, and she will soon know the truth about the siblings, the house and its bloody violent past.

The first thing that you notice related to Crimson Peak is the beauty that you see on screen. It is a wonderful reminder to the Gothic that the viewers have always read about during our childhood. The environment brings the best effects of horror on screen. It is the kind of world which suits horror like never before. As usual, Guillermo del Toro knows how to do the best with the creature design, as each apparition in this movie is unique, and all of them are scary. With the sound effects added and terrifying sequences well shot to magnify the horror, the whole thing becomes an even better experience. Still, the movie is does not fully fall into the horror genre. The costumes are also amazing, nicely contributing to the style of the movie. All of these are a lot worthy enough to be watched on the big screen.

There are a few scenes which need mention, one of them being a murder scene, surprisingly showing the aesthetics in death like never before. With water pouring out of the sink and getting mixed with blood, this simple scene shows what creativity can bring. Yes, there is violence, but with beauty. The elegance of death has been brought to the next level. The appearance of the apparition of the mother also brings something special. The red apparition is also imaginative, and the mansion remains a live thing all the time. The mixture of red clay from under the ground to snow also provides a creepy feeling to a house and the surroundings which are already scary with its architecture and location. All of them are worthy of bringing a big horror sequel to Crimson Peak.

There is a certain magic spell which is created by the movie on the audience with the visual detail; then there is the magic of performances which guides this movie. Tom Hiddleston steals the show with his dialogues and expressions as a character that seems to reflect love and compassion with eyes, but struggles hard to hide the secrets. Jessica Chastain is more like the personification of terror which is waiting to unleash itself, and she does a good job. Mia Wasikowska once again becomes the Alice here, not lost in Wonderland, but in the wasteland of her dreams, nightmares and newly found mansion. She manages her role remarkably well, and the audience can easily connect with her emotions. Charlie Hunnam is underutilized though, with more action set in England with the three characters.

The movie still takes a little bit more time than needed to get into the Gothic mode. Another fact is that more could have been achieved with what has already been done with the marvelous imagination that the director possesses. This is still brilliant, but is just a little short of becoming that perfect Gothic Horror Romance movie. The viewers who enjoy beauty on screen will find it difficult to take their eyes off throughout this movie, and there is a certain emotional impact which will also stay in minds after the movie ends. It is the kind of tale which makes you think, and it also brings the memories of that enchanting beauty into your mind – Guillermo del Toro once again proves that he knows how it should be done.

Release date: 16th October 2015
Running time: 119 minutes
Directed by: Guillermo del Toro
Starring: Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam, Jim Beaver, Emily Coutts, Leslie Hope, Burn Gorman, Laura Waddell

@ Cemetery Watch
✠ The Vampire Bat.

Veronica Mars

Posted on October 15, 2015 by Tennyson

Vampire Owl :: So there is someone called Veronica from Mars? Who is she?

Vampire Bat :: Veronica is not from Mars, but Neptune.

Vampire Owl :: This is really confusing. Is she an alien among the humans? We are not familiar with alien tactics.

Vampire Bat :: The movie is about the lady called Veronica Mars from the fictional American town of Neptune.

Vampire Owl :: That solves a lot of problems. I felt that she was so pretty that she should be from Venus.

Vampire Bat :: I believe that you are too sleepy right now to get into a talk about this movie which is a continuation of a television series with the same name.

Vampire Owl :: Nobody knows about this television series around here. How come you know about it?

Vampire Bat :: I don’t know about it either. But it was positively received by the critics and the audience in its world from what we know about the series.

Vampire Owl :: That feels good because this way, we just have similar kind of information.

Vampire Bat :: We missed an interesting television series, but that is not the case of the movie!

[Gets a cup of tea].

About Veronica Mars and Neptune :: Veronica Mars was a television series which had its run during the years 2004 and 2007, having three seasons of existence. Veronica Mars played by Kristen Bell is a teenage student who helps her private detective father in solving a number of cases. Working as a private investigator along with her usual studies, Veronica solves a number of cases, and goes on to bring more and more mysteries to light. With the story first focusing on the murder of the protagonist’s best friend Lilly Kane, she deals with more cases which follows. Created by Rob Thomas, the whole thing takes place in the fictional town of Neptune in California. The movie’s story begins nine years after the incidents of the television series’ third season.

What is it about? :: Veronica Mars (Kristen Bell) is no longer at Neptune, as she has moved to New York City, and while having a relationship with Stosh Piznarski (Chris Lowell) is looking forward to be a part of the famous law firm Truman-Mann and Associates. One day, she is contacted by her former boyfriend Logan Echolls (Jason Dohring). He is accused of murdering his girlfriend Carrie Bishop (Andrea Estella), who had studied in the same school and was known by the name Bonnie DeVille as a popular musician. He wants her to choose the right lawyer for him. Veronica returns to Neptune to find it more corrupt than ever. She decides to help Logan a little more than just finding him the right lawyer, as she meets her old friends and acquaintances there.

The defence of Veronica Mars :: There is something simple and yet twisted about Veronica Mars. Its run is very smooth compared to the usual investigative thrillers which got its big moments; instead this movie maintains a run with no variations. There is a certain amount of variety in the way in which the movie delivers, and it is something unexpected for those who haven’t watched the television series, I believe. This variety in its simplicity is something which Veronica Mars can be proud about. There is also the presence of some nice humour which runs through this movie. There is entertainment guaranteed with this one, even without much knowledge about the background story of Veronica. You will feel that there is something so interesting about this character that you might ask for a sequel to better this one!

The Claws of Flaw :: Veronica Mars is not the regular story of investigation, and it might not suit everyone. The big thrilling moments and the great twist go missing here. The story that goes through had scope for more than what we have managed to see here. A highly thrilling investigation is replaced by something light-hearted and achieved with ease – may be it is the mode which is expected of this movie by the fans of the television series. The other characters also pale in comparison to the main character Veronica. The people who haven’t watched the television series might wants adjustments here and there, and they contribute to most of the viewership around here. The movie is also somewhat slow in the beginning. There are also some immature moments at parts some being too light, but I would guess that this is was never supposed to be a dark, horrifying, twisted hunt for a murderer!

Performers of the soul :: I am sure that most of the audience might know Kristen Bell more as Anna, the elder sister in the Academy Award winning highest grossing animated movie of all time, Frozen – a role which she retained in the short film sequel, Frozen Fever. Otherwise, she remains mostly unknown in this part of the world, but if one watches this movie, she will be remembered well and for long for her fine, energetic performance as Veronica. So many years after the series, she has played this character to something close to perfection, and has made the non-fans fall in love. The rest of the cast also nicely plays their role, and most of the performance department works within the movie. But everyone surely pales in front of Kristen Bell and her main character, as she remains the one show stealer from the beginning to the end.

How it finishes :: Veronica Mars should appeal to those who have watched the television series as well as those who didn’t, depending on the tastes. But don’t expect a full investigative thriller here as it is more of mystery drama with some comedy. The problem is that people get that idea with the synopsis. But Veronica Mars needs to be watched as what it is and it will be an enjoyable flick. There are also some nice and interesting dialogues which will surprise you. May be, things will get better if we can watch the television series and then go through this movie. From what I have seen, I would say that Veronica Mars deserves more attention than what it has managed in this part of the world. The television series seems to be something we shouldn’t have missed! Well, you don’t get many movies with an actress in the lead as a responsible, determined and intelligent private detective, do you?

Release date: 14th March 2014
Running time: 107 minutes
Directed by: Rob Thomas
Starring: Kristen Bell, Krysten Ritter, Jason Dohring, Ryan Hansen, Francis Capra, Percy Daggs, Chris Lowell, Tina Majorino, Enrico Colantoni, Jamie Lee Curtis, Christine Lakin, Lisa Thornhill, Andrea Estella, Amanda Noret, Kevin Sheridan, Jonathan Chesner, Duane Daniels, Sam Huntington, Daran Norris, Max Greenfield, Ken Marino, Martin Starr

@ Cemetery Watch
✠ The Vampire Bat.

Jazbaa

Posted on October 11, 2015 by Tennyson

Vampire Owl :: Holy Vampire Crocodile! This is Aishwarya Rai, isn’t she?

Vampire Bat :: Yes, it is her only. I don’t understand why you are asking. Did you also lose your eye sight with that werewolf scratch on your arm?

Vampire Owl :: No, it just has been such a long time since I saw her on a movie poster. I am surprised.

Vampire Bat :: You have the right to be surprised and also to watch this movie.

Vampire Owl :: So, you are planning to make me watch this movie.

Vampire Bat :: Yes, and it will be cheapest movie ticket which we would have bought in the last few years. I am sure that it will be worth it, no matter how we see it.

Vampire Owl :: It is good to see Aishwarya Rai returning in a heroine-centric movie. I had a crush on her when I was immortally a little bit younger.

Vampire Bat :: It is quite natural, you know.

Vampire Owl :: Yes, but not for us vampires.

Vampire Bat :: Aishwarya Rai has always been beyond one world.

[Gets the tickets].

What is it about? :: Anuradha Verma (Aishwarya Rai Bachchan) is a very successful lawyer who can gets any person free from prison, no matter what kind of case he is involved in. She has that kind of a reputation which can make anyone jealous. She is a single mother and her only relation in this world is her little daughter Sanaya (Sara Arjun). One day, her daughter is kidnapped and the kidnapper asks her to save a rape accused even though the proof is clearly against him. Meanwhile, her good friend Yohan (Irrfan Khan) is an officer on suspension who needs her help. As Anuradha tries to find something that could save the accused, Yohan helps her, but it turns out that things are not what they seem to be, and other people are involved in the chain of incidents.

The defence of Jazbaa :: A stylish thriller take its form in Jazbaa with its twists and the way in which the whole thing is shot. I have loved how the camera moves around the city and captures the same in a beautiful way. The return of Aishwarya Rai Bachchan should be what defends this movie for the audience more than the rest though. The movie’s final twist is working, and it also leaves the audience with a good message, even though it could have been used frequently within the movie itself. Whenever the movie threatens to go down, the cast successfully keeps it working at a good level, and it leaves us free to make our guesses with its suspense. No, I haven’t watched the original, and so further comment on how well it was adapted, is not possible. From what I have read, it seems to be a lot the same.

Claws of flaw :: With story already there as this is an adaptation of the South Korean movie Seven Days, there was a fine platform for Jazbaa, which it hasn’t used to full potential. A number of twists are predictable concerning a politician and his interest in the case. There is also an extension of the ending after we feel that the movie has ended, and that was rather unnecessary. The movie’s focus is also not always there in the same way. With the return of Aishwarya, the movie could have accomplished more with smartness in action rather having sequences like the heroine running, screaming and even crying in slow motion. In a movie which otherwise leaves exaggeration, doesn’t make the best use of the court room scenes either. A better second half could have brought things to another level. The melodrama should have also been reduced. It should have gone full thriller, and there is loss of strength.

Performers of the soul :: Aishwarya Rai Bachchan is back after the 2010 movie Guzaarish with Hritik Roshan. After five long years, she returns and makes an impact in this movie. Most of the time, she remains strong, but one has to wonder about those melodramatic moments and the slow motion sequence. There is no doubt about that fact that she has made her return a memorable one. But that is not all, as Irrfan Khan and Shabana Azmi often makes a bigger impact. The former’s dialogues are those which make the day instantly better. He plays the kind of cop who is not a hero, villain or a side-kick; he is much more, and he pulls that off in style. The latter is completely at ease here too. Priya Banerjee has a few moments in her short stay. The veterans Jackie Shroff and Atul Kulkarni are unfortunately used less.

Soul exploration :: The movie talks about the complications that the law has, and how justice is rarely fair for the person who suffers. It also talks about justice for a rape victim, and how too many factors affect the proceedings of a case. There is actually the need for change in attitude among the people, and it is to be the first thing. Otherwise, nothing that much positive comes to the scene. Movies will have its stars doing the job, but otherwise, it is in the hands of the common man to make a difference. But as evil is a lot easier, and so is not reacting to evil committed, such a situation is too far away. The movie’s soul could have been the social message which follows a full thriller, and with that kind of a progress, this movie could have got there as the social thriller. Such movies can make the difference.

How it finishes :: Talvar had very less number of shows here which meant that I ended up missing it. Thankfully for Jazbaa, it does get enough screens here, and the credit to the same should go to Aishwarya Rai Bachchan making the grand return in a heroine-centric movie, making the audience clearly interested. The movie has its positives and negatives, but what it surely manages to be, is a movie is worth watching this weekend. There is enough in this flick to inspire a one-time watch, and I am saying this with an attempt at the original still pending a try. I would like to hear from someone who has watched Seven Days, and I am sure that some of the people who are reading this should have had the opportunity for watching the Korean version.

Release date: 9th October 2015
Running time: 122 minutes
Directed by: Sanjay Gupta
Starring: Aishwarya Rai Bachchan, Irrfan Khan, Shabana Azmi, Priya Banerjee, Chandan Roy Sanyal, Jackie Shroff, Atul Kulkarni, Siddhanth Kapoor, Sara Arjun

@ Cemetery Watch
✠ The Vampire Bat.

Pathemari

Posted on October 10, 2015 by Tennyson

What is it about? :: Pathemari is a movie of struggle and survival through an unfair world. Pallikkal Narayanan (Mammootty) is a man who left for the Middle East with his friend Moideen (Sreenivasan) and many others on a boat defeating the waves of sea to swim and reach UAE at a time when the border laws were not as strict as it is now. Becoming part of that exodus from Kerala to the Gulf area at that time when unemployment was at its peak, Naranan becomes the symbol of the journey that one has to undertake to make sure that the whole family survives. He is someone who struggles for not just one’s own family, but the extended relatives as he keep working to see life getting better for them while his youth as well as the existence beyond that disappears. But he continues to do the same without complaints.

The defence of Pathemari :: There is a lot of truth and sincerity on display in Pathemari. It is certain that a lot of NRIs, not just of the Middle East, but also belonging to the United States, United Kingdom, Canada, Australia and may be even other nations can relate to the story here. It doesn’t change according to circumstances, but instead stick to the common man. The movie’s second half and the ending are the more powerful ones; the finish might be the most touching one – simple, but easy to be connected and with significant power to touch one’s emotions. It is sad, and with its sadness, the movie becomes lovable; with the depressing truth which it shows on the screen, it becomes more beautiful – it is a poetry of lost hope and desire which brings tears to the eyes of the audience; this is what the ending of the movie is truly about. There are also some nice visuals for support.

Claws of flaw :: Pathemari doesn’t bring anything new to the most part of its story-line. There is the usual problems of a man who has left home reflected here. It follows the sacrifice model of movies like Vatsalyam and the problems of the man who returns from the Middle East with the relatives as in Varavelpu, even though this one follows a more realistic path and passes through the ages. There is also some drag here and there, even though the emotional side hides it for most of the time. The movie could have shown some more of the life in the Middle East too, how the protagonist had struggled there throughout the ages with how the others have lived and faded around there; it would have been a fine boost; after all the movie is also shot there – but we have to appreciate the fact that they have kept the movie not too long. The songs are not interesting, but other music is catchy.

Performers of the soul :: Even though Mammootty takes some time to appear in this flick, he becomes the heart and soul of Pathemari as soon as that happens. Most of us have been complaining about his choice of movies with Acha Din and Utopiayile Rajavu, but he gives no chance for us to complain this time. As the director had earlier said, what we see is the just the character through ages, and not Mammootty as he lives as this character who becomes not just Pallikkal Narayanan, but many other people who really exist. It is his grand return to the class role that we see here, and it is something worth the applause that even the multiplex never hesitated to provide. What has to be admired more about this movie as the commercial thing is that it didn’t overdo its promotions, and the fans have also been self-controlled in their actions in favour of this movie.

Further Performers of the soul :: This is also the debut movie of Jewel Mary who was first seen in Utopiayile Rajavu which released first because of the delay on Pathemari. She is good on her debut, and her performance is clearly above what was seen in the movie which first released. Sreenivasan has a memorable role in this one, and so does Siddique who has a smaller but interesting character to play. Salim Kumar just has a small presence while Joy Mathew brings another good performance on screen. The actresses Anju Aravind and Anu Joseph gets to play the sisters of Mammootty, and it good to see them back on the big screen out of those serials. Siddique’s son Shaheen Siddique also makes a good debut in this movie. All of them make sure that Pathemari is indeed driven by performances.

Soul exploration :: There is something about the life of the NRIs that people here won’t know about. Even though the people who leave for the foreign nations these days have better status, it was not the case during the early days. As the situation here was so bad, they just wanted to get there so that things could only get better if they survived. But people here would think that they live a happy life there and are sending only a small amount of money after spending like they wish to. It might be so in the case of some people these days, especially the youth, but in most cases, when we consider people who have left to save their families, it has always been about survival and saving the family. There are lots of people who haven’t gained much for themselves or their children, but have managed to make sure that their brothers, sisters and cousins have managed to do better – aren’t they winners too?

How it finishes :: As far as NRIs who have left not for glory, but due to the problems at home are concerned, this one will be a big reflection. It will also be effective for the rest, and it won’t be easy for anyone to leave the theatre without being touched by the emotions, and this abiding sadness is an achievement for the movie. In the end, we know that there are good men and bad men, and with both types among the achievers, we further feel that most of the people who have failed are actually very good men who have sacrificed a lot for others – but it is actually an achievement in itself to have suffered and gained victories for others in a world where only the rich are officially considered the achievers even by the relatives and friends of the poor. It is an achievement often forgotten, as the rich write their own names into the history; but God knows, and so does nature.

Release date: 9th October 2015
Running time: 109 minutes
Directed by: Vinay Govind
Starring: Mammootty, Sreenivasan, Joy Mathew, Jewel Mary, Siddique, Anu Joseph, Anju Aravind, Salim Kumar, Shaheen Siddique, Saju Navodaya, Yavanika Gopalakrishnan, Hashik TK, Kalabhavan Haneef, Viji Chandrasekhar, Santosh Keezhattoor, Safin, Nyla Usha (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Everest

Posted on October 6, 2015 by Tennyson

Vampire Owl: We have always been beyond Everest. There has been a certain amount of satisfaction with the Carpathians among our people.

Vampire Bat: I don’t think so. We are just happy with what we have, and are too immortally old for a new adventure.

Vampire Owl: Yes, but still we are very much satisfied.

Vampire Bat: We are mostly free from desire and ambition which are human qualities; but we are never completely out of it before we live among them.

[Gets the tickets and some caramel popcorn].

✠ This was recently posted by me at Kiagia.com: http://kiagia.com/index.php/current-film-releases-movie/1118-everest-movie-review

Based on the Mount Everest disaster of 1996, Everest tries to become that disaster movie and thriller which the audience would love to watch. There has been something special about the disaster movies as almost every movie of the genre has created some impact, no matter who all have acted on it and not depending on the time of its release; people have always been interested in such themes. As it is based on that deadliest season on Mount Everest during its time of happening, it had enough strength to create something commercially positive even before the release of the movie.

The story takes place in March 1996 when climbers arrive at Lukla and then at the base camp to conquer the big one, Mount Everest. Rob Hall (Jason Clarke), a guide for the mountaineering company “Adventure Consultants” with his clients including Beck Weathers (Josh Brolin), Doug Hansen (John Hawkes), and Yasuko Namba (Naoko Mori), is trying to do this while Scott Fischer (Jake Gyllenhaal), the guide for another trekking firm “Mountain Madness” attempts the same with his own team. Things seem to go fine until some unfortunate twists of events happen, and with a blizzard striking when least expected, they are surely in trouble. It turns out that this journey is the last for some of them.

Everest is less of a movie and more of an experience, which means that the effect of this movie can vary significantly for the audience depending on what they are looking for in a movie. This experience is kept as realistic as possible, lacking in exaggerations and going through what seems to be more or less of the real-life situations. It is not really something on the lines of an action movie, and never does it try to overdo the stuff. The result is that there is no special stylish ingredient here. But the tension and the thrills are nicely boosted, and there is also some good emotional strength here. There also exist a lot of such moments, and they relate to the audience really well.

The shots of Everest become another amazing addition to this movie which uses them to perfection. The snow and the danger combines together to create the desired effect on the audience, thanks to the way in which the shots are taken. The viewers are given a nice opportunity to go through a ride through the route which inspired a lot of adventurers and has claimed many lives. Maybe they could have added more shots from the lower areas of the mountain too. The 3D is mostly not needed though, except for a few moments, one has to wonder why it had to be added. As this is kept more realistic, the opportunity to use the 3D is limited quite a lot.

The movie also feels a little long, even when it doesn’t extend much more than two hours. It is because there is not much of a story about it, and it is the experience of the adventure that Everest depends on. The beginning also has a certain amount of drag caused by early dialogues and the delay in getting into action. But as the movie is based on a true story and close enough to the truth, the difficulties are kept to minimum. The movie explores two sides of the same incident; disaster for one side and survival as well as adventures on the other side. There are no human heroes and villains here as it becomes the “humans against nature” story.

The performances are nothing less than terrific, lead by Jason Clarke and the moments with Keira Knightley might surely be the most moving moments in a disaster movie. One does hope for more of Jake Gyllenhaal and Sam Worthington even though they make something good out of their presence on the screen. The cast works smoothly, and Josh Brolin has the next big moments with the snow, survival and the family members. As these characters make their way through the snow, the viewers give the full support, and they also do shed a few tears on the loss of life, while the great mountain with the support of Mother Nature manages to have the last laugh.

Even though Everest doesn’t bother much on the plot, it has used its biggest strengths, of visuals and of emotions to the full extent. By the end of the movie, along with feeling sad for those depressing moments of loss, one also wonders about the cost of adventure and also on who wins in the end, whenever there is the feeling of need for the conquest of nature and its elements are concerned. Everest is a direct movie, and it doesn’t preach or try to add something that will send the viewer to deep thinking, but it still lingers on one’s mind with its emotional strength and what it has brought to screen as a realistic experience.

Release date: 25th September 2015 (USA); 18th September 2015 (India)
Running time: 122 minutes
Directed by: Baltasar Kormákur
Starring: Jason Clarke, Josh Brolin, John Hawkes, Robin Wright, Emily Watson, Keira Knightley, Sam Worthington, Jake Gyllenhaal, Thomas Wrigh, Martin Henderson, Elizabeth Debicki, Naoko Mori

@ Cemetery Watch
✠ The Vampire Bat.

The Martian

Posted on October 5, 2015 by Tennyson

Vampire Owl: I have always wanted to have a pact with the Martians. The Earthlings are too evil for our taste.

Vampire Bat: Well, Dejah Thoris has been a fine Martian.

Vampire Owl: I hope that the presence of an Earthling on Mars will mean that he is free of the ambitions of Earth.

Vampire Bat: It shall be so, as there is no real need for money and power on Mars as of now.

[Gets the tickets and cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1115-the-martian-movie-review

Based on Andy Weir’s novel of the same name from 2011, The Martian is a much awaited movie which has already received a lot of positive opinions. The stories of survival outside the planet Earth has had the attention of the audience with Gravity and Interstellar, and The Martian tries to make further impact in the same area during this weekend. Directed by Ridley Scott and having Matt Damon in the lead, the movie is sure to attract the audience of all types, as the trailer did manage to catch the attention, bringing it to a large number of screens on this October 2nd.

A human mission to Mars goes terribly wrong and the astronaut Mark Watney (Matt Damon) is presumed to be dead and left on the planet as commander Melissa Lewis (Jessica Chastain) has to make the choice not to risk the return of the whole crew for searching for him. But he is alive and has become the first lone man on a planet seemingly without life. The first and the best option for the astronaut would be to wait for death considering how difficult or rather near impossible it should be to survive in Mars without any contact with Earth and possessing not enough supplies until the next mission can arrive. But Mark decides to try, and make that attempt not to die.

As Mark is a botanist, he finds a way to grow some potatoes inside, after creating a favourable atmosphere for the plants. The chances of survival still remain too low, until NASA engineers Vincent Kapoor (Chiwetel Ejiofor) and Mindy Park (Mackenzie Davis) find out from the photos of the Mars station taken, that he is alive. They communicate using a Mars Pathfinder which Mark finds on the planet, and NASA begins the programs to send him supplies and get him home. But it is not that easy, as the probe which they sends explode and Mark himself has his own disasters at his place decreasing his chances of survival by many days.

Matt Damon is the man to look out for. He was also there in the last year’s space movie Interstellar, in a role which included being rescued from a planet too. But it never really had much there, and the planet sequence itself was more like a need to have a human character that is somewhat closer to the villainy. But here, there are no heroes and villains, and there is just the need for survival, that too in a fair way. The movie focuses on him, and so do the viewers, and he delivers an outstanding performance as the lone man who fights to survive where a normal person would have lost all hope. He has the most screen time, and makes a very fine use of the same.

The Martian remains ahead of both Interstellar and Gravity in many ways, making things more entertaining for the audience. The 3D of this movie might not be that heavy, but with the other aspects, The Martian clearly rises high. The environment is also a joy to watch. There is a perfect blend of emotional, intellectual and funny side here, the final side which was completely absent in Interstellar. The Martian is also straight to the point, but it never really fails to touch the audience. The movie knows where to stop being too much scientific and weird. It is the strength of the movie that the main character of the movie always remains someone whom the audience can connect with, instead of being someone special.

There is a strong, inspirational message in The Martian, and it is something which never lets go. It is the adventure that inspires the viewers never to lose hope, and it is also the kind of path which Interstellar could have followed. Another interesting thing about the protagonist of this movie is that he finds a lot more than just hope – he takes the opportunity to take the optimism to another level and even have some fun with his situation. The Martian has laughter, and that too when facing the possibility of death in a world far away from Earth. It is an adventure without any trace of pessimism, and almost everyone associated with it believes in their optimism, and this is a strange fact as the present world clearly lacks it, with so much of evil prevailing around the wars, terrorism, racial and religious hatred along with the other terrible things.

The Martian clearly has what it takes to be the big winner, and this is a good weekend to score among the viewers. This battle for escape from Mars is something that the fans of science fiction and survivor movies shouldn’t dare to miss. This has enough entertainment; some nice intelligent ideas and philosophy, along with making sure that the common man can easily understand the science here, as well as avoid whatever scientific term which they needn’t follow. The Martian is that kind of a movie, and by being the same, it will be a better, smooth experience for the brain and the heart than Interstellar, and easily overtakes the previous movie from Ridley Scott, Exodus: Gods and Kings.

Release date: 2nd October 2015
Running time: 141 minutes
Directed by: Ridley Scott
Starring: Matt Damon, Jessica Chastain, Kate Mara, Sean Bean, Mackenzie Davis, Kristen Wiig, Jeff Daniels, Michael Peña, Sebastian Stan, Aksel Hennie, Chiwetel Ejiofor, Donald Glover, Benedict Wong, Naomi Scott, Lili Bordán, Nick Mohammed

@ Cemetery Watch
✠ The Vampire Bat.

Kohinoor

Posted on September 26, 2015 by Tennyson

What is it about? :: The story is set in the late 1980s, as Louis (Asif Ali) is a small-time thief who is looking forward to making it big. With the support of his best friend, Aandikkunju (Aju Varghese), he is hoping to make one huge heist which will mean that he won’t have to be a thief any more. Meanwhile, Haider has arrived in the town from Mumbai and is looking to commit a big robbery, and for the same, he seeks the help of two other thieves Nicholas (Chemban Vinod Jose) and Freddy (Vinay Forrt). As they hope to find a master thief who can pick almost any lock, Aandikkunju comes into the picture, and Louis comes up with a plan to create a twist and big gain for the two best friends. At the same time, Louis falls in love with Daisy (Aparna Vinod) who works at the place where they are to commit the heist. But Haider has more just a heist in his mind.

The defence of Kohinoor :: In an attempt to make an interesting heist movie which never bores, Kohinoor remains a success. There are enough funny moments and good songs to keep things moving forward well. The movie as a whole is a mixture, with comedy always being there and as a heist movie, there are enough twists and turns around. The final moments actually has the best of them, and the best thing about this movie is that it finishes off really well, and manages the entertainment well throughout its run. “Hemanthamen” is the pick of the songs. The use of nostalgia from the early age also works very nicely, with the looks of the times re-created and having references to the hit crime thrillers of the time, Irupatham Noottandu and Athirathram. The movie also nicely maintains a light-hearted feeling throughout it, and nostalgia works very well in favour of this. This is also a big improvement from the director after Kili Poyi.

Claws of flaw :: There has been certain love for thieves with Sapthamashree Thaskaraha releasing last year and the recently released Urumbukal Urangarilla – the audience might think that there is a little too much of the same, but Kohinoor is surely ahead of the recent flicks with the same theme. The movie could have also done without a few scenes which are meant for the masses, because this could have remained simple fun with just realistic twists. The romantic angle doesn’t really work either, as it only seems to stretch the movie and gives the opportunity for the hero to have a heroine, along with one extra song. One can also think that this could have gone full comedy, and also that there could have been more twisted heists added. Yes, there was even more scope. Some actors who were there only for a short time could have stayed there for a longer period of time.

Performers of the soul :: I would consider this as the best performance of Asif Ali in a movie having him as the leading actor. Some people will praise Nirnaayakam, but it was just a movie which had no direction, and that had affected Asif in return. But Kohinoor knows what it is and towards which direction it is moving, and it is its strength and also of the actors associated with the movie. Being self-aware is one the things that can make a movie better and its actors do better, and this movie clearly has that awareness. Asif is in full control, and Aju Varghese makes sure that the movie is a lot of fun with new looks and his impeccable comic timing. Chemban Vinod Jose and Vinay Forrt joins in taking the fun get to the next level. These three actors have been the difference makers for quite some time, and they have done the same here too.

Further Performers of the soul :: While Asif Ali has made this work in his own style beginning from that nice entry, Indrajith Sukumaran brings a top level performance. He has some very nice dialogues in the movie, and the way in which he handles things during trouble at the heist scene is the pick here. There will be moments to remember from him, that is for sure. There is rarely a movie in which Indrajith doesn’t bring the big impact, and we all know that. Aparna Vinod has just so less to do with the smiles, looking cute and remaining so till the end – instead the one who makes the impact is one of the twist-bringers, the lady who brings more to the heist out of nowhere; the name of the actress is not mentioned anywhere, but she is the beauty who manages to do a very nice job in this movie. If you find the name, let me know so that I can add her to the cast.

Soul exploration :: Most of the characters in this movie remains on the grey side, with only the shades of light and dark grey being available. Unlike Sapthamashree Thaskaraha which has more of the thieves made by situations, this one has people skilled in the profession in one way or the other. But almost all of them are still likable, no matter which side they are on. The world in this movie has a certain shortage of people on the good side, but there are still some nice moments of goodness in this movie. If there is a mixed genre called feel-good comedy heist, this one can fit right in there. When everything comes together, things only get better, in more than one way. Just as the name of the movie, there is something “Kohinoor”istic in this movie, majestic and like the mountain of light, and it is something which is rare if we consider only those heist movies.

How it finishes :: Kohinoor goes battling against Life of Josutty and Ennu Ninte Moideen this weekend which is a tough job, even though it has more creativity and smartness behind it compared to these two movies. It replaces Urumbukal Urangarilla, and has enough in it for a long run. The best thing about this movie is that it is not overrated like Ennu Ninte Moideen; I watched the Kohinoor with less expectations and ended up with a certain happy feeling. This is one advantage of not overrating movies and not putting stuff about the movie everywhere on Facebook while copying from others. There is a certain nice feeling when someone reads different opinions from different people about a particular movie and come up with an opinion by oneself – it is how things are to be done, and not by keeping on telling others about one movie and forcing others to watch it.

Release date: 24th September 2015
Running time: 143 minutes
Directed by: Vinay Govind
Starring: Asif Ali, Indrajith Sukumaran, Aju Varghese, Chemban Vinod Jose, Aparna Vinod, Vinay Forrt, Pradeep Kottayam, Sudheer Karamana, Riza Bava, Mamukkoya, Saiju Kurup, Kundara Johny, Bijukuttan, Bhavana (cameo), Harikrishnan (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Life of Josutty

Posted on September 24, 2015 by Tennyson

What is it about? :: The movie goes through the life of Josutty (Dileep) from his childhood till the age of fourty. His childhood friend is Jessy (Rachana Narayanankutty) whom he wants to marry when she finishes her degree. But as he has no education or job, her father rejects the proposal. Despite the best efforts of the two, she gets married to someone else. Meanwhile, Josutty and his family goes into deeper trouble due to loans. To get rid of these problems, he decides to marry a nurse working in New Zealand, Rose (Jyothi Krishna) whose family offers to pay his loans. Even though it is her second marriage, his good friends Geevarghese (Noby Marcose), Rameshan (Pashanam Shaji) and other well-wishers tell him that it is the right or the only decision. So he gets married to the lady and soon gets the visa to New Zealand. Another stage of his life begins there.

The defence of Life of Josutty :: The first fear that the audience will have is if this will be something like Kadal Kadannu Mathukkutty due to its theme, but that is averted very early itself. The movie’s life is in the first half as there is a lot of humour right there. The best comic scenes come with the three, Dileep, Noby and Suraj, joined also by Pashanam Shaji at times. The scene during the wedding is the best of them all, and it will remain in your minds for long because it is more of a reality shown in a comic way. The emotional sequences are also very much effective, even without the depth. There are some messages which are given at regular intervals, and this movie is sure to be effective for the families. The best thing about the movie is still the cinematography. There is some CGI added, but the shots are really breath-taking, both from the hilly areas of Kerala and the landscape of New Zealand. The songs are mostly good. It is Jeethu Joseph whose way of creating magic that saves this movie when there is struggle in the story.

Claws of flaw :: Facing challenges from fans of other actors and movies due to the presence of too many movies at the theatres, Life of Josutty will have its collection of blind haters. But if one understands where the focus of the movie is, and that it is close to reality in the form of an autobiography, you can’t deny the movie its due. The movie still has a certain amount of identity crisis with its half-baked elements, the biggest of them being the idea to bring some magic realism, which was not needed – surely not in the way it was shown in this movie. The ending also fails to deliver what seemed to the purpose of this movie’s soul, and it is more like finding a comfortable ending to what was so close to life. The second half is no match to the first half, as the scenes in New Zealand lags related to the comic side, and often takes the easy way out. It seems that there is a little misconception here about what should have been the strength of the movie – otherwise, this would have been a lot deeper.

Performers of the soul :: This debut production venture from Eros International in Malayalam has Dileep joining Jeethu Joseph for the second time, and their earlier combination was pure comedy in the form of My Boss which never ceased to entertain, and Dileep has also been moving away from mindless comedies to become closer to the regular family audience with Chandrettan Evideya and Love 24×7. This one actually gets a lot closer to his title “Janapriyanayakan” as he maintains that tranquility in his performance which makes the innocent protagonist of the movie a reflection of humanity’s lost goodness. Rachana Narayanankutty surprisingly has just a short stay while Jyothi Krishna plays her role very well. The new face, Renjini Rupesh leaves a mark as the third heroine of the movie, but she is the one who makes the biggest impact in the story.

Further performers of the soul :: In this movie which comes with lesser hype and a lot less social media promotion compared to its rivals Ennu Ninte Moideen and Kohinoor, there is no shortage of strength concerning the actors delivering the comedy as they joins Dileep. Among them, the most noticable one is Noby Marcose who plays the protagonist’s childhood friend, and this man who made the big impact in Vodafone Comedy Stars show provides us with his best comic performance in this one. It is always fun when he is around, and this time he has a lot more to do than in most of the other movies; we miss him when the scene shifts to New Zealand. Suraj Venjaramoodu comes in and gets a lot of claps as he offers some nice one-liners. Pashanam Shaji and others also add to the same, and Chembil Asokan comes later to bring the comedy. Hareesh Peradi makes the best emotional impact here.

Soul exploration :: One often wonders what life is all about. Most of the time, there is almost no point in living. But there is no shortage of things that life teaches us. The movie’s big message remains that “life is a text book from which you keep learning all the time”, and as the autobiography of the protagonist is shown, everything comes back to where it started, and our hero has managed to learn a lot in the end. This one just progresses as if it is just a reflection of life, with the protagonist’s life going on and on. The movie remains very much close to the common man’s problems and insecurities even though the ending just adds that unnecessary cliche. The reality could have been enforced better with the assertion that there are no happy endings in life. As it is already said on the poster, there is no twist or suspense, but just life itself on the screen.

How it finishes :: Life of Josutty comes from the man who hasn’t done much wrong with his works yet. Starting with one of the more complicated investigative thrillers of all-time called Detective, and following it with Mummy and Me which provided a nice lesson for both the youth and the parents, Jeethu Joseph had those humble and powerful beginnings; and the real fun movie which was My Boss continued the same. Then the magic of the psychological crime thriller Memories and the great family drama Drishyam followed, which inspired four remakes in Tamil, Hindi, Telugu and Kannada. This sixth Malayalam movie and the seventh from Jeethu Joseph is another interesting work from him, but it is still not anywhere near the Drishyam – Memories level. The point to be noted is that this is the first time that he hasn’t written the story for his movie.

Release date: 24th September 2015
Running time: 165 minutes
Directed by: Jeethu Joseph
Starring: Dileep, Rachana Narayanankutty, Jyothi Krishna, Renjini Rupesh, Aqsa Bhatt, Suraj Venjaramoodu, Noby Marcose, Sunil Sukhada, Saju Navodaya, Sasi Kalinga, Hareesh Peradi, Krishna Prabha, Sudheer Karamana, Chembil Asokan, Vijayakumari