Monthly Archives: January 2024

Abraham Ozler

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What is the movie about? :: ACP Abraham Ozler (Jayaram) spends most of his time hallucinating and has sleepless nights after his wife Maneesha Ozler (Anju Kurian) along with their daughter are kidnapped and brutally murdered by a drug addict named Vineeth Ram (Arjun Ashokan), whom he had earlier apprehended in a narcotics case. Vineeth does not hesitate to reiterate the fact that he was under the influence of drugs and killed both of them. Yet, he does not reveal where he buried the bodies and keeps saying that he is not able to remember as he had a heavy dose of drugs. Ozler still continues to be in the police force even though he is not of the same strength and sanity that he used to be. Counsellor Varghese Uthup (Sai Kumar) asks him to get himself busy or the hallucination and insomnia will only get worse. It is then that a young man working in the IT field, Naveen Sivakumar (Harikrishnan) is brutally murdered in the hospital after being hit by a pick-up truck. Maya Naveen (Darshana S Nair), his wife, finds him dead in the hospital room with a note saying Happy Birthday and a note.

So, what happens with the events here as we just keep looking? :: Ozler, supported by SI Divya Sreedharan (Aryam Salim) and SI Sijo Venu (Senthil Krishna) takes over the case. They understand that this hospital was the only place where the victim would have ended up after the accident, and it was really the day on which he was born. As they start with the investigation, another man is murdered in a similar pattern in another hospital, but this time it is a thug who usually gets into fights. He is also left with a similar note where he was murdered. The third murder also takes place without delay, and this time, it is someone who runs a successful restaurant business – the hospital chosen here is different, but the pattern remains the same. The media calls the murderer by the name birthday killer, as Ozler and his team continue to search for possible answers. Whenever they seem to come very close to finding the answer, they realize that it is a dead end.

And what more is there to be seen here with a killer on the loose? :: They understand that the quotes which are given by the killer are from a Latin phrase related to medicine which could be seen in only one area in Kerala, and they reach the Kozhikode Medical College. There is also the understanding that the murders were committed by someone who had medical skills, but not someone who has been practicing regularly as asserted by Dr. Satheesh Madhavan (Anoop Menon). Everything seems to point to the medical college and a number of students there, among which Suja Jayadev (Anaswara Rajan) had committed suicide. From all of these, they find Dr. Sevi Punnoose (Jagadish) as the next potential victim, and he seems to be least bothered about it. A man who underwent surgery at the same hospital, Krishna Das (Saiju Kurup) seems to be missing, and they feel that he might have a role in the murders. But he is not a man who is capable of doing all of these, and the police officers know that death awaits more people and they have no time to waste. Can they finish the investigation in time and bring and end to this sensitive case with no more lives lost?

The defence of Abraham Ozler :: Our world of thrillers is strong, as proven by Drishyam and its powerful sequel, and Abraham Ozler gets a chance to be part of that list. This movie’s ability to keep the audience so interested and engaged from the beginning to end needs to be appreciated – it never asks for the unrealistic from its main characters either. The dark shades are used to its advantage, and the power going off becomes the foreshadowing with ease. Even with many things tried by the same director in Anjaam Pathiraa, this movie is a clear improvement from that one which had a struggling flashback and weaker ending in comparison to Abraham Ozler. The visuals are very good with a dark and gory feeling provided all the time – there are almost no moments of positivity in this one. This movie is also an improvement on the struggle for heroism that the earlier thriller Garudan seemed to possess. The background music further powers our movie here so well – it keeps us immersed in the overall mood of the film, and we are left excited all the time. The emotional side has the power to keep the interesting going too.

Positives and negatives :: The movie could have released during the Christmas holidays, and if that happened, it could have given Neru a challenge which would have helped the audience to be in a full celebration mood, but surprisingly this one backed out despite having everything to make that challenge which would mean healthy competition. This feels like the right holiday movie with all the thrills that it provides. The characters of Anju Kurian and Darshana S Nair gets too less presence in the movie, and we hope that the former can come back for more in a possible sequel. The same can be said about the big names, Sai Kumar and Anoop Menon. The extended cameo becomes the big thing in the movie, even though one would not have wanted the secret to be out too soon. A little bit of predictability comes in with the flashback, and it should not have been this long or detailed, as we have an idea about it from the present situation itself. The serial killer motive remains similar this time too.

The performers of the soul :: This movie means that Jayaram’s run without making impression in new releases have come to an end, for his last best movies were Lonappante Mamodeesa and Panchavarnathatha, both of them not having the quality to live up to the actor who made our childhood awesome. If I have to go back to a movie with him as the solo hero which I really liked, that would be a long way back in the form of Nadan which released in 2013, even though Makal did make some impact in old style. This time, he is just brilliant in this role, as we see the character of the trouble police officer safe with him, and we know that there is more to come in a possible sequel. Mammootty’s extended cameo makes the movie feel even bigger, even though the big revelation should have come only in the later stages. Anaswara Rajan shines in the flashback scenes, and there seems to be no going back for her. Arya Salim whom we remember the most from Minnal Murali, plays her police character incredibly well, and we have the best lady police officer in some time. Senthil Krishna does the same in another way, while Arjun Ashokan seems to promise to bring an even more interesting character in a possible sequel. Jagadish’s serious character once again has our attention here. Saiju Kurup scores well in between.

How it finishes :: Abraham Ozler is surely a better movie than Anjaam Pathiraa and somewhat ahead of the other thrillers like Forensic and John Luther. The last one might still have more similarities with this one than the rest, as in both cases, we have a troubled police officer tracing the murders back to medical students. Memories had the police officer who lost his wife and daughter, and could seek out the serial killer looking for vengeance, and the similarities end there, with this movie coming up with a twist in the end and setting up things for a sequel. Most people would feel that the sequel would do even better, as the film seems to end to point to its beginning, and has everyone thinking deeper. Abraham Ozler never hestitates to bring that mood of investigation with a serial killer lurking in the shadows – the feeling of danger is always there, and even when looking for revenge, there is always the indirect way of going through the same, leaving the red herrings further away. As the predictability only comes late, and with new twists to come, the movie remains engaging from the beginning to end, and we do not feel it to be long.

Release date: 11 January 2024
Running time: 144 minutes
Directed by: Midhun Manuel Thomas
Starring: Jayaram, Mammootty, Anoop Menon, Anaswara Rajan, Arjun Ashokan, Jagadish, Senthil Krishna, Arya Salim, Dileesh Pothan, Sai Kumar, Harikrishnan, Assim Jamal, Arjun Nandhakumar, Aneesh Gopal, Sreeram Ramachandran, Boban Alummoodan, Benyamin (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Falimy

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Vampire Owl: I think that humans no longer have the concept of ideal family.

Vampire Bat: Are you referring to the change of spelling here?

Vampire Owl: I am referring to the idea of a perfect family.

Vampire Bat: Humans have never been family-oriented by nature.

Vampire Owl: So, the human nature has been missing for long?

Vampire Bat: They are moving away from families as it is not in their nature.

Vampire Owl: So, there are no families anymore?

Vampire Bat: Almost all families of humans are broken now.

Vampire Owl: So, there is no more hope for them?

Vampire Bat: Hope is now a thing of the undead, not of the living.

[Gets a vancho cake and three cups of Darjeeling tea].

What is the movie about? :: Janardhanan (Meenaraj Palluruthy) is an 82 year old man, the eldest person in the family who keeps trying to travel to Varanasi, but every time someone from his family finds him on the way and brings him back. But that does not stop him from trying again and again. On one occasion, he had almost boarded the train itself. His son Chandran (Jagadish) does not go for any job, and had ended up shutting down the printing press owned by the family. He spends most of his time doing nothing except watching television. He has a lack of interest in family matters, and becomes more and more alcoholic as time progresses. Chandran’s wife Rema (Manju Pillai) is working at a press, and tries to keep her family running without problems. She keeps the family together after giving her best efforts. The elder son of Chandran and Rema, Anoop (Basil Joseph) works as a dubbing artist in a nearby studio. Abhijith (Sandeep Pradeep), the younger child spends his time doing nothing, and dreaming about getting out of India, preferably the United Kingdom.

So, what happens with the events here as we just keep looking? :: Things seem to get better when Anoop gets an alliance from Anagha (Raina Radhakrishnan), a school teacher who had earlier rejected the idea of marriage itself. The engagement gets into trouble as a man named Robin (Joemon Jyothir) disrupts the ceremony, claiming to be her lover. Abhijith beats him up, only to be chased by the goons regularly. Anoop who feels cheated decides to go to Varanasi for a change, accompanying his grandfather, and a frightened Abhijith also decides to go with them. Chandran and Rema also decide to go and according to the plan, they get into the train. On the way, at a railway station at night, Chandran finds himself tricked by a tea-selling boy at a railway station, and he is stranded at the station with his wife and two sons. The grandfather is also forced to get out of the train, and the whole family is forced to continue the journey by road. But with tension building between them, can they finally finish the journey? How far will they travel?

The defence of Falimy :: There is a pretty good attempt to display a middle class family with all the small problems that become inflated as members do not understand each other too well. The realizations that come across them are nicely shown here. Having Basil Joseph at the centre surely has worked in favour of the movie, and Antony Varghese withdrawing from the project did not do that much of a damage. The message about importance of being one family and providing values to the desires of the elders could get the attention here. The frustrations in the movie do feel real, as the meaningless existence of a few and the inability to find meaning for others do get some presence here. Living through some habits which lead nowhere would not feel strange to our people, as doing nothing itself has become a habit due to the rise of Youtube – people these days know nothing other than to make videos which are watched by more jobless people, and it is one reason why we need the Terminator-type apocalypse to come and internet to go down. The visuals outside Kerala makes an impact, especially as we get closer to Varanasi with the characters.

The claws of flaw :: The movie does go through its struggles just like the characters within it. There seems to be the feeling that there is comedy when there is none. The comic side often losses its charm as it is lost between reality and the need to add something extra. In the name of showing middle class families, the movie also shows too many brainless people – in a society, we would expect at least one person to have some brain, but this locality and extended family seems to be different, and it is to be noted that this is not a Kuniramayanam or Adi Kapyare Koottamani type of film to move that way. The poverty here seems to be that of intellect rather than anything else. The movie could have used its spirituality at the end to its advantage, or bring back the wedding element to create the feel-good, but this one is caught between the feel-good and the dumb comedy which often prevents film from making the best out of the available potential. There was so much to be done, but this family takes the easy path, and that might have felt like the safer one for them. This is where the struggle feels more real for the movie than the characters.

The performers of the soul :: Basil Joseph remains the major protagonist here, and he adds more to the existing factors like in Enkilum Chandrike. He makes this character so good with the frustration, helplessness and meaningless existence which becomes him – you know that it is very difficult for a young man to get married in this part of the world if you do not have a government job. At the same time, Jagadish and Manju Pillai makes a fine combination and adds to some situational and realistic humour, but the latter do not have a Home-like platform here to get to serious mode. Sandeep Pradeep also comes up with some fine performance in a new generation realistic mode here. Meenaraj Palluruthy has a fine performance which would be remembered for long, and the emotional touch remains strong. Boloram Das who plays the main character outside Kerala also leaves us with some fine moments to cherish, filled with funny elements. Raina Radhakrishnan who is like the main female lead for a few minutes also leaves a mark – the moments have a cute side as well as a tragic one, which sets the world moving forward. It could have been good to have her back at the end of the movie, but it was not to be.

How it finishes :: Falimy is a movie which could have surely been much better, and there could have been better quality associated with different elements present here. The attempts to create comedy out of nowhere do not work at all times, but the simplicity and the plan to remain close to reality would keep it going and gain the positive appreciation that it required. The journey still does not become a Kumbalangi Nights kind of adventure which we could cherish for a longer period of time. It has been strange throughout the movie to see so many opportunities to be wasted. You cannot keep asking the ordinary space to create something special out of situations, and that is where the problem lies. Consistency has not been a quality of this film from the beginning itself. Yet, we watch this one for those moments, the comic ones that work here and there and the emotional ones that struggle even further to create impact. The movie surely manages to be at a higher level than the rubbish that is provided to us in the form of realism, like Angamaly Diaries and Annayum Rasoolum, two of the most miserable nothingness movies in the history of Malayalam cinema.

Release date: 15th December 2023 (Hotstar); 17th November 2023 (Theatre)
Running time: 127 minutes
Directed by: Nithish Sahadev
Starring: Basil Joseph, Jagadish, Manju Pillai, Abhiram Radhakrishnan, Raina Radhakrishna, Joemon Jyothir, Boloram Das, Amith Mohan, Meenaraj Palluruthy, Sandeep Pradeep

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<<< Click here to go to the previous movie with a trip.

@ Cemetery Watch
✠ The Vampire Bat.

Tholvi F C

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Vampire Owl: I would like to sponsor this football club.

Vampire Bat: We are not allowed to sponsor clubs of humans.

Vampire Owl: But I have the money, like human cash.

Vampire Bat: It has never been about the money.

Vampire Owl: Well, for humans, it has always been about the money.

Vampire Bat: Uncle Dracula has never talked about money.

Vampire Owl: This is about survival in an evil human world.

Vampire Bat: You can try sponsoring any drink some vampire business instead.

Vampire Owl: We shouldn’t do business, for we lose money.

Vampire Bat: Well, we live in a vampire welfare society. There is no need of too much cash.

[Gets a chicken pizza and three cups of Bagdogra tea].

What is the movie about? :: Oommen (Sharaf U Dheen) is an engineer who quit his job in IT industry at Bangalore to start his own business in the form of a grand tea shop known as Chai Nation Private Limited, which he established close to an It park. But the venture is not successful, and his plans to expand the business gets nowhere. His father Kuruvila (Johny Antony) is only interested in making profit by investing in cryptocurrency, and he miserably fails in doing the same like he had earlier did with share market. Thambi (George Kora), Oommen’s brother is running a football club for children known as Thambi FC, based out of Kadavanthra. But the team has always been losing matches, especially to their newfound nemesis Bolgatty FC. Shoshamma (Asha Madathil Sreekanth) is not happy about her jobless husband Kuruvilla or the two sons who are also of no use. During one of the games, he gets to meet Mariyam (Meenakshi Raveendran), who is very much interested in football, and has returned to her sister Shahana (Anju Abraham) and brother-in-law Feroz (Abraham Joseph) who forms a typical orthodox family. She had only recently divorced her husband at Qatar, which has led to her living a lonely life.

So, what happens with the events here as we just keep looking? :: The struggles of Oommen, Thambi and Kuruvilla comes together with the failed attempts of Shoshamma to get her book published while going through her life as a librarian. Her psychological thriller keeps getting rejected by different publishers. Oomen is in love with Sharmin (Poonam Gurung) from Tibet who used to work with him, while Thambi and Mariyam gets closer to each other as much as they go keep the passion for football. Oomen’s attempts to impress a potential sponsor Althaf (Althaf Salim) fails miserably, while Thambi F C losses its players after a fight which breaks out after a match. Both Thambi F C and Chai Nation continues to be in trouble as the latter forms the main sponsor for the team. Kuruvilla is forced to get out of home as he losses more of the money earned by Shoshamma. Oomen’s relationship with Sharmin also gets into trouble. The family struggles to keep things going, as life gets more and more difficult for them to remain normal. Can they finally go past the struggles and get what each of them wishes to achieve in their lives?

The defence of Tholvi F C :: We have always looked for some fine family movies which we can relate to, and finish the movie with some happiness that can be kept with us for long. The message about gaining success in life is asserted strongly again and again. We are never short of the need to have some inspirational movies as long as they do not overdo their ideas with impossible or useless ideas which lead us to trouble. This movie knows where it stands in relation to that, and even though the investment and innovation mode might feel extra, the overall thing remains interesting and connectible to all of us. There are only a few feel-good movies with family and children that have managed to make a good impression on me, and this is surely one of them. Unlike some other overrated families in Malayalam movies, this is surely one family that we can love better than other. The comic side is very good, and they also feel realistic and close to our lives, sometimes reminding us of the pathetic state of affairs all around us, serving as satire too. Some of the dialogues are nicely written to stay in our minds and situations are created in the same way too. The significance of tea is also asserted so well, and a dream come true for all tea lovers to see the drink taking centre stage at times.

The claws of flaw :: There are moments when Tholvi F C tries to force some feel-good factor when the chance was not really there. The elements of football could have been taken in a better way. Some parts of the movie seem to be added just for the sake of having them there, even though no movie needs to focus on giving equality and liberty ideas all the time. There are moments when quick solution achieved despite going deeper, as humour takes over fast enough to overtake the tension. The problems of motherly figure also get a little too less attention here, as the character was the one who could have had much more to display here. The scattering of the elements of the movie is surely uneven, as it struggles to combine them at times. Sometimes, the movie does try too hard all of a sudden, but then we also realize that it is moving towards that aim of being full feel-good, to which tireless striving and the requirement not to yield is to be asserted, and we also let it go and move along. Still, a better title would have inspired more people to watch this one for sure.

The performers of the soul :: The main role of the movie is handled well by Sharaf U Dheen, who had already done a similar job well with Madhura Manohara Moham, providing the image of the family man who is not that successful in life. In this case, the bigger struggle belongs to him rather than the others around him, even though the problems belong to all of them. Johny Antony plays the father figure with his own long-lasting troubles well, as his transformation to the hardworking man is well-portrayed and combination scenes with Asha Madathil Sreekanth work really well. George Kora, the director plays the other character that undergoes transformation from the irresponsible to the better man with the touch of humour that keeps the movie getting better as it progresses. What strikes us more is Meenakshi Raveendran in a serious role which never ceases to be impressive. From Naayika Nayikan days and the later Udan Panam days with Dain Davis, we knew that she was a talent to be remembered, and she re-iterates the same even though she has not been provided which that many roles in the industry. The emotional side is as much safe with her as the humour. Althaf Salim and Anuraj O B nicely adds to the overall humour with some fine funny moments, and the child actors are really good here.

How it finishes :: Tholvi F C never really moves away from its feel-good factor, and the possibilities that it can achieve with simple family humour. This is one movie which is powered by its female lead more than any other even though it is not that much marketed in the same way, as Meenakshi Raveendran keeps scoring so well with multiple sides of life. There is no doubt about the fact that the movie could have been better with the progression of a tale which intends to be inspiring, but the purpose is nicely served in the end. For a new year, we should be looking for movies which would motivate us to do better, and this movie in Amazon Prime Video now, does the same with effectiveness. This drama about dysfunctional families never gets out of the light mood, even though some dark shades and a feeling of real danger comes in the end. We have some beginning to 2024 through the OTT platform, and we can only hope that the same can be there in the theatres too, as we wish another fine year for Malayalam movie industry which brings more collections and even more viewers than last year with bigger getting ready for release.

Release date: 4th January 2024 (Amazon Prime Video); 3rd November 2023 (Theatre)
Running time: 120 minutes
Directed by: George Kora
Starring: Sharaf U Dheen, Johny Antony, Meenakshi Raveendran, George Kora, Asha Madathil Sreekanth, Althaf Salim, Rahul Riji Nair, Poonam Gurung, Anuraj OB, Ashlee Issac Abraham, Joemon Jyothir, Amith Mohan Rajeshwari, Srikanth Mohan, Abraham Joseph, Anju Abraham, Ayden Abraham

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<<< Click here to go to a fine previous feel good.

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<<< Click here to go to the biggest movie of last year end.

<<< Click here to go to the biggest movie of last year.

@ Cemetery Watch
✠ The Vampire Bat.

Phoenix

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Vampire Owl: I take this as an opportunity to rise from the ashes.

Vampire Bat: Vampires have already risen from the grave.

Vampire Owl: Rising from the ashes like a phoenix is different.

Vampire Bat: There will never be a Vampire Phoenix.

Vampire Owl: An owl is bird enough to be a phoenix.

Vampire Bat: So, you are going to be burned on a stake?

Vampire Owl: I can always hide in the ashes and rise from it.

Vampire Bat: Does this mean that you only need that title and nothing more?

Vampire Owl: Once I become a phoenix, my vampire powers will surely be different.

Vampire Bat: Well, vampires are real, but phoenix birds are not.

[Gets a butterscotch cake and three cups of Darjeeling tea].

What is the movie about? :: Advocate John Williams (Aju Varghese) moves away from his hometown, choosing an abandoned house in the middle of nowhere, after having some problems in the court where he was practicing as a lawyer. This new house has been deserted for too long, and the owners ask for an advance rent payment of six months. John is happy about it as nobody will evict them for six months even if he creates some unnecessary problems. He is accompanied by his wife Daisy John (Nilja K Baby) and three children who are not really that happy to be in this strange place where nobody is present to help them. Ameer (Bhagath Manuel) is John’s only friend as he keeps making enemies out of people he knows. He does not try to meet the parish priest Fr. Geo Kuttikadan (Zhinz Shan), the local shop owners, or the village authorities. He begins practicing at a local court, even though that also does not become a successful adventure for him.

So, what happens with the events here as we just keep looking? :: But the new house becomes a strange place for John and family as they feel that there is somebody else living with them. They ask around and understand that the place where they lived used to be a graveyard where so many people were buried underneath during the time of a cholera outbreak. They discover that the letters come from Anna Rose George (Abhirami Bose), an orphan girl who died during a cholera pandemic in the 1970s, who was in love with Freddy Mathew (Chandhunadh), son of an aristocratic businessman who was proud of his lineage and money power. The alliance is not a widely accepted one, as Margaret Tharakan (Aradhya Ann) is chosen as the right choice, as she is the daughter of a doctor who is studying for MBBS. It turns out that Freddy has to finish his research in marine engineering, for which he leaves to Madras. At the same time, cholera spreads in the village, and Anna is affected. What follows is a twist of events which would separate the two lovers, but for how long? How is this related to the sinister events?

The defence of Phoenix :: From a distance, the movie might look like a horror flick, but it is basically a tale of doomed love having an emotional touch told with the presence of spirits that haunts a family. The requirement for the past to be dug up makes the horror not more terrifying, but more emotionally relevant. The quality of all of these elevates the movie to a new level, as the location as well as the settings of the past never ceases to amaze us. The tale is nicely told with right focus on the necessary elements at all times. The movie never lets us keep away from the proceedings here. The divergent approach towards the genre brings the refreshing feeling here. Despite not focusing that much on special effects, the terrifying feeling never really goes away. The music is really good here, and songs remain touching. The experience of Phoenix would move away from the usual trends, and could bring new life to the genre of horror which has not done the best work during the last year, not just in this part of the world, but also outside.

Positives and negatives :: There is something about the movie that runs the emotional undercurrents so well in this movie, while the side of horror is always ready to move to the backseat to let the emotions rise about the rest. When the people behind the movie are associated with Twenty One Grams, Anjaam Paathira and Garudan, you know that there has to be more than just horror about this particular movie which impressed with the trailer itself. The deviation from horror is still there, and some people might not like the same. We focus on a longing for lost to be more than having vengeance on people, and in that case, horror will have taken the side seat. Vishnu Bharathan who is directing his first film, has made us feel a veteran touch, and for the same, the performances especially from the new face in the industry, Abhirami Bose has the biggest role to play. The ghosts of the past have the roles to play in this movie in a beautiful manner, and with the spirits, we have the blending of multiple genres, and with the same, the movie only gets better as time progresses. The worlds of the living and the dead is connected by the eternal love which stays strong in both.

The performers of the soul :: Aju Varghese in a serious role works like a dream in this movie, as he impresses us in a different way, in the form of a character which would not be loved by many people who watch this. Nilja K Baby plays the character of the wife with a certain amount of sadness always present on her face, and it is more like reflecting the overall mood of the film. Bhagath Manuel’s supporting role also remains a notable one. But the tale that remains the soul of this movie is that of a forgotten past, where Chandhunadh shines as the Shakespearean tragic hero who brings about his own fall out of grace and Abhirami Bose who becomes the lovely Ophelia who is destined to meet the unexpected but awaiting doom. Abhirami’s work as the doomed lover who is stuck in a Waiting for Godot situation even after death which comes to her after being proclaimed death, is one of the most tragic situations which calls for a spirit to return to life. The way in which she blends into this character is remarkable. Anoop Menon’s priest role is smaller, but more relevant to the proceedings of the long-lost past. Zhinz Shan’s priest also makes a point.

How it finishes :: The best thing about Phoenix is that it does not try to limit it to the usual jump scares despite it being known as a horror flick. It is like Crimson Peak, as the words which are told in that movie about the spirits of a particular type – “Others that hold onto an emotion. A drive. Loss. Revenge. Or love. Those, they never go away”. We know that by end of the movie, and we wonder how we can separate love from horror and hope from loss, as they are all interconnected; often one rests on the other to provide the substance. The film creates the bond of eternity which binds and curses people through love, and the emotional side only grows. I would safely say that this one of the most underrated romantic horror movies of all-time in Malayalam movie industry, as this stretches the arms towards the eternity which both romance and horror searches for in a world of modernity. The movie does what Ezra could not, as it found the possibility of multiple dimensions in a tale of horror, characterizing both the living and the dead beautifully.

Release date: 22nd December 2023 (Amazon Prime Video); 17th November 2023 (Theatre)
Running time: 132 minutes
Directed by: Vishnu Bharathan
Starring: Aju Varghese, Bhagath Manuel, Abhirami Bose, Nilja K Baby, Anoop Menon, Chandhunadh, Jess Sweejan, Babi Avani, Abram Ratheesh, Asha Aravind, Aji John, Sini Abraham, Devendranath, Aradhya Ann, Rajan Pootharakkal, Zhinz Shan, Paul D Joseph, Premananandan, Aroop Sivadas, Rahul Nair R

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<<< Click here to go to the last review of the year.

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@ Cemetery Watch
✠ The Vampire Bat.

Pendulum

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Vampire Owl: I have heard a lot about this movie being different.

Vampire Bat: One of the most divergent movies in Malayalam indeed.

Vampire Owl: I earlier had the feeling that this would be horror.

Vampire Bat: A mystery thriller need not be horror in any way.

Vampire Owl: Nothing would be better than a combination of all of these.

Vampire Bat: When it comes in Malayalam, there is a special feeling.

Vampire Owl: We need all the variety that we can have.

Vampire Bat: Let us thrive on such variety like never before.

Vampire Owl: The acceptance of audience would remain a question though.

Vampire Bat: The best movies would not be accepted well by our audience.

[Gets a marble cake and three cups of ginger tea].

What is the movie about? :: A truck driver named Antony (Shobi Thilakan) finds a strange man named Amir (Binoj Villya) on his vehicle, and despite his best attempts, the man does not get down, and seems to be mentally challenged and without most of his memories. Alex (Sunil Sukhada), the owner of the warehouse to which the truck supplied the goods tells them to keep him with them, and let him get down where he wanted to. Antony is surprised to find a number of snails around when Amir is there. Amir also predicts a number of things which would happen including heavy rains and hitting a dog on the way. Antony becomes more careful as Amir continues to reveal more. At the same time, Dr. Mahesh Narayan (Vijay Babu), a reputed surgeon returning from Australia after many years of service, joins a famous hospital in Kerala. He is accompanied by his wife Shwetha (Devaki Rajendran) and daughter Thanmayi (Aavani) who are happy to be back home from the concrete jungles of Australia’s cities. One day, he meets an old man in the hospital who tells him to find out where his son is, a case which he refers to the psychiatrist, feeling that the man is crazy.

So, what happens with the events here as we just keep looking? :: As Mahesh and his family goes on a short trip to Marayur, he gets a feeling of déjà vu for no reason, and Thanmayi locks the key of the car inside the trunk while they were having tea on a roadside shop. They decide to stay there, and while he was trying to get signal for his mobile phone, gets hit by a truck, and this is proven to be the one driven by Antony with Amir in it. Shweta finds him unconscious on the side of the road, and only he remembers that he was hit by a truck. Just before he was hit, he had found him in a dream of Amir and his friend Angel without invitation, and the old man had also asked him to find his son again. There seems to be something strange about all of these, but only he feels that all these have actually happened. His friend Dr. Jain Joseph (Ramesh Pisharody) seems to have some belief in what he has been saying. He asks Mahesh to talk to a man named John Master (Prakash Bare) who has had some interesting explanations for strange events which have happened all around the world. But as the incidents of the dreams have happened with a huge time gap in between, can there be an actual solution and a chance to extract what is required from the dreams?

The defence of Pendulum :: The ideas of time travelling and lucid dreaming come as new concepts to Malayalam cinema, and they have been used with effectively to create an impact like never before. This entry of the elements of science fiction into our movies with quality is to be remembered for long, as we hope for more of similar movies after watching this one. We should always be looking for experimentation here, and hope that this is only the beginning of some fine variety which is to follow soon enough. Maybe such movies will be made in big budget instead. The quality of making is also to be noted here as we move forward. The dreams are presented very well, and nice visuals support them. The mystery that prevails in this movie keeps us going, like no other similar film. After all, we are all set in a series of time loops in our own lives, and there seems to be no end or chance to escape – the realities that we create do not come to our help. The film often feels like a reflection of our meaningless lives which seem like busy realities. The music serves the purpose well enough as the mystery only gets sharper and thicker as we move forward.

Positives and negatives :: There is no doubt about the fact that the movie could have used more refining as some more of attention to details would have helped this one to connect to its audience better. There are times when the film seems to be confused about where it is heading. After all, there was the need for more explanation as the concept is new for the audience – we do have a lot of explanation here for sure, but not in the way that there is a perfectly defined conclusion to things. As time is not linear in this movie, such an explanation could have done a lot of good to the non-complicated, unsuspecting viewers. There is still the need to understand how the main character is involved in all of these, and how things have actually turned out in the end. It leaves us with the feeling that we have watched something special, but the chance to become a classic movie is not there because of the absence of some focused writing in relation to the complication between time and dreams in a world that walks on a bridge between real and unreal.

The performers of the soul :: Vijay Babu nicely leads a complicated movie with twisted characters all around. The sinister and seemingly unsolvable problems faced by the character is nicely shown by Vijay Babu who seems to blend in to the doctor facing unexpected terror. He has to go through an Inception-like world living through magically created world, and at the same time, relive his life multiple times like in Edge of Tomorrow. The helplessness is displayed really well by the actor. Ramesh Pisharody comes up with an interesting role here, as a doctor and support. Devaki Rajendran plays the main lady character here, and keeps us hoping to see her more around. Anumol is playing the other lady character of relevance, and handles her moments really well with a touch of mystery following her. Prakash Bare has another strong role well played here as we go deep into a world of mystery. Indrans plays a strange character without enough attention provided to characterization, but it is nice to see him in another classic role. Shobi Thilakan also has a strong presence here. Sunil Sukhada and Neena Kurup also have some small, but notable roles.

How it finishes :: With lucid dreaming and time travelling making its way nicely in here, this becomes a landmark movie in Malayalam movie industry. It is just strange that it had gone unnoticed among the common audience – one can blame the absence of the required kind of advertisement and also the missing superstar at least in the form of a leading lady for the same. The cast that we see here is surely able to hold the movie universe together, but we needed that special ingredient which could have appealed better to our audience, and in its absence in advertising has left this film mostly unwatched, which is rather disappointing. Maybe some people still fail to understand the basic idea behind this movie. Yet, it is brilliant as the attempt, and I would say that this is a fine New Year movie which one could watch with the presence of what seems to be a blend of science fiction and magic. So, we go on and watch this one and wish each other a Very Happy New Year. May this new year bring the best moments in your life, as world never ceases to have enough to offer.

Release date: 8th December 2023 (Saina Play); 16th June 2023 (Theatre)
Running time: 106 minutes
Directed by: Rejin S Babu
Starring: Vijay Babu, Ramesh Pisharody, Devaki Rajendran, Anumol, Prakash Bare, Indrans, Shobi Thilakan, Deepu Navaikulam, Sunil Sukhada, Neena Kurup, Jolly Chirayath, Aseem Ibrahim, Biju Sopanam

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@ Cemetery Watch
✠ The Vampire Bat.