MI: Rogue Nation

Posted on August 8, 2015 by Tennyson

Vampire Owl :: We have been missing the impossible.

Vampire Bat :: Well, we haven’t tried anything impossible for some time.

Vampire Owl :: Actually, we take no risks except when watching those terrible movies.

Vampire Bat :: Well, everyone can’t be Tom Cruise!

Vampire Owl :: Somehow, he never really gets old.

Vampire Bat :: May be he is immortal too, in another way.

Vampire Owl :: There is that special feeling when we hear that Mission Impossible music; I don’t know what it is.

[Gets the tickets].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/947-mission-impossible-5-review.html

We return to the super-hit franchise again. Tom Cruise, the Mission: Impossible franchise and the action movie fans have had a very good relationship in the last few years. Even as the third movie of the series was the least impressive of them all, they successfully made things a lot better with the fourth, Mission: Impossible – Ghost Protocol. Inspired by a much older television series, Mission Impossible franchise has been making a very heavy impact on the fans since the first movie in 1996. It is no different in the case of this fifth movie which has everyone’s attention ever since the trailer began to show up in the theatres.

As his adventures continue, Impossible Mission Force agent Ethan Hunt (Tom Cruise) comes face to face against a dangerous criminal organization called the Syndicate. But despite his best efforts, CIA and other organizations completely deny its existence. Meanwhile, the director of the CIA Alan Hunley (Alec Baldwin) gets IMF disbanded and taken into the CIA itself, with a mission to catch Ethan as early as possible. At the same time, Ethan is captured by the Syndicate, and is saved by a former MI6 agent working for the criminal organization, Ilsa Faust (Rebecca Ferguson). As IMF is disbanded and CIA is refusing to believe them, Ethan decides to take things into his own hands.

As Ethan remains on the run with CIA on his tail, he almost gets hold of a Syndicate member while attending an opera, but the Chancellor of Austria is killed at the same venue despite his best efforts. At the same time, Ilsa leaves him with clues which will help him to get to her at Casablanca. With the help of his friends Benji Dunn (Simon Pegg), Luther Stickell (Ving Rhames) and William Brandt (Jeremy Renner), Ethan has to figure this out and confront the leader of the Syndicate, Solomon Lane (Sean Harris). It turns out that the Syndicate is not a regular criminal organization as they thought it was, but something more with origin in secret government organizations.

Mission: Impossible – Rogue Nation is exactly the movie of the series that the fans might have wanted for a long time. It is surely intelligent and has a very interesting story despite having no spectacular sequences to finish it – the ending could have had bigger action and the villain also could have been a more menacing one face to face. The highlight of the movie, the sequence with Tom Cruise hanging outside the airplane comes very early. It is just one of those stylish action highlights of the movie which has others like an interesting sequence at an opera, a high voltage motor-bike chase and an underwater heist. These are also done at some of the best locations possible.

We know how well Mad Max: Fury Road managed to be a wonderful full action movie, and this one follows that path using its strength. The rest of the things are just means to this strength, and you can also admire the fact that the smartness of the plot supports it. You should notice how well things come together as the locations shift between different nations – you will love Morocco shown in this movie more than the rest. The sequences are also more believable. I was still a little disappointed that Jeremy Renner doesn’t take part in much of the big action here. But there is enough here to make up for that, and our cast surely does the job very well.

In a movie which has some nice twists and change of sides, Tom Cruise manages to emerge as the awesome action star once again. There is no difficulty there is making us believe in the impossible with this man around. It was great to see Rebecca Ferguson get a role which is very much on par with him, with just lesser in screen presence only to Tom Cruise. She is the best heroine ever in a Mission: Impossible movie and she has a part in almost every action sequence with our protagonist, and at the same time having no romantic side with the hero. She is perfectly suited for this role. She does those stunts in style and also brings the suspense as the person who is the most difficult to figure out in the whole movie. She is the one complicated person on whom the whole mission depends on. She becomes the big advantage that none of the other movies of the franchise had. Along with Jeremy Renner, Ving Rhames also has a little too less to do in this flick.

The franchise achieves new heights with Mission: Impossible – Rogue Nation, as the latest flick becomes a superior entertainer in the list of movies which have served us for almost twenty years. There is a certain improvement with this movie, which was thought to be a hard task, but it has been done. It won’t be easy to forget this one soon, as the thrilling experience will stay on the mind of viewers for quite a long time. Even though there have been so many movies with big action sequences, you can still take the level of action to an even higher level – it is not impossible, and this movie proves the same with ease. Look out for this movie this weekend, and it can make you forget Mission: Impossible – Ghost Protocol.

[After the movie]

Vampire Owl :: Well, Rebecca Ferguson does save the day more times than Tom Cruise, and that should be a first.

Vampire Bat :: She is too good! Most of the time, her character surely is the smartest one around!

Release date: 6th August 2015 (India); 31st July 2015 (US)
Running time: 131 minutes
Directed by: Christopher McQuarrie
Starring: Tom Cruise, Rebecca Ferguson, Jeremy Renner, Simon Pegg, Ving Rhames, Sean Harris, Alec Baldwin, Simon McBurney, Jens Hultén, Tom Hollander

@ Cemetery Watch
✠ The Vampire Bat.

NH10

Posted on March 19, 2015 by Tennyson

Vampire Owl :: I heard you were not anywhere close to here, and just a few hours ago, you were watching a movie here?

Vampire Bat :: Yes, I was on a trip, but now I am here, and I am back after watching NH10.

Vampire Owl :: I saw the SMS and thought you were travelling through NH10.

Vampire Bat :: You make too many guesses. You even read conclave as con-cave, and delegate as Delhi Gate. You need to think about this seriously.

Vampire Owl :: Yes, we owls find our own meanings and spellings rather than be dominated by any bat community. Do you know what the werewolves are doing these days?

Vampire Bat :: Don’t you think that we are too divided instead of becoming one Night Creature nation?

Vampire Owl :: Yes, the werewolves were the first to invent the Wolfine tapioca chips maker, which is one of the reasons why they think they are a superior community.

Vampire Bat :: First to invent what?

Vampire Owl :: You won’t understand. It is a complete wolf thingy. I am still working on it with the experts.

Vampire Bat :: Can you just go and watch this movie which I recommend?

[Leaves for the tea shop].

What is it about? :: Meera (Anushka Sharma) and Arjun (Neil Bhoopalam) are part of the metropolis and have their lives among the skyscrapers. But after an incident involving a number of unknown men at night, Meera is traumatized and even gets a gun for protection. But as they go on a trip to make up for the trauma, things only get worse. As they stop at a restaurant, a woman asks Meera for help. But she refuses and the unidentified girl and her lover are soon taken away by a group of goons despite Arjun trying to interfere. As they continue on their trip, Arjun notices the car of these people and gets out of the car to follow them hoping to scare them with the gun and thus stop them, despite Meera’s protests. But things change as they witness a case of honour killing, and it is then they are the ones who are hunted, and there might not be enough bullets in the gun for all villains.

The defence of NH10 :: This is like the first full horror slasher movie of India with a message. The movie keeps asking the question if people are actually safe beyond the lands where law has a role to play – are women safe? Does the weak or the less privileged ones, both men and women has a role to play in a society which is becoming more violent and mindless even in a modern world? How long is the list of the modern age subaltern? Is there a certain kind of automatic mindwashing that goes on which makes one hate the other religion or community? Shouldn’t human life be the most valuable thing and not rules or community/religious beliefs? Yes, the questions are endless. What this movie also brings is some violence which mostly stays off the screen, which is actually a nice idea. The thrills are always present and the twists also arrive to make the desired impact. This is also realistic for most of the run-time.

The Claws of Flaw :: The movie’s ending is rather dull, with just some adrenaline rush and everything finishes with the revenge. I did feel that it should have been better thought out and executed in a more interesting manner than quickly going through it. There are also some dumb actions done by the characters, about which I won’t talk much to give too much of the idea out. The songs are ridiculous, and it is totally unnecessary in a movie like this – why would they even think about putting music in between is totally beyond my comprehension, and if those songs were at least good for something, we could have at least be happy to listen to them separately. The darkness doesn’t look that good too, and it could have been better handled with some of the camera shots.

Performers of the soul :: Anushka Sharma manages to come up with a fantastic job and this is the kind of role that I haven’t seen her playing before. She has that scared look on her face for most of the movie, and then there is the anger, frustration and the moment when she knows that she needs to have that revenge – she looks so good. I haven’t watched all her movies, but I find it easy to say that this might be her best performance, and that much is the mark that she leaves on us. Yes, I can’t claim perfection, because there are dumb things that her character does, just like the others – something that the horror slasher movies cannot live without; Hollywood has its horror character doing similar things. She is too good here, and the rest of the characters seem like those of lesser power.

Soul exploration :: The question asked here is about the difference between what is built as an utopia in the cities and the dystopia outside the boundaries of the metropolis, that we see as a universe of development. Are we looking to divide the known world into two, one of development and the other hardly seeing any? I have been thinking about the same during a number of visits that I have made around India – why is the gap too much? Shouldn’t the difference in development be not that much? Shouldn’t we strive to fly high above the differences? And honour killings in this century – it is a strange world, indeed as there is absolutely no honour in killing. Human life should be the most valuable thing of them all. There is no substitute for it; each person has the right to life, no matter how he lives his or her personal life.

How it finishes :: NH10 doesn’t seem to have attracted that many audience here, but that shouldn’t define the quality of this movie. That may be because this was not the kind that they had expected. It has been some time since I watched a movie at the theatre, and tomorrow, it is to be a month since I have reviewed a movie here – I couldn’t let that happen, and so here is the review. This is also the last day on which I can watch this movie because it will change here on Friday and no remains of this movie shall be left here. I would suggest that those who still have this movie at their nearby theatres do give it a try, because it shows that there is promise coming from this year, as we have already watched and were impressed by Baby. It is not flawless, but it is a good and interesting deviation from the regular Bollywood – you don’t get to watch movies like this too often.

Release date: 13th March 2015
Running time: 115 minutes
Directed by: Navdeep Singh
Starring: Anushka Sharma, Neil Bhoopalam, Darshan Kumar, Deepti Naval

@ Cemetery Watch
✠ The Vampire Bat.

I

Posted on January 16, 2015 by Tennyson

*** I is not just another movie as some critics have judged in the form of the random revenge thing coming to the viewers again. We all know that it has received mixed responses from the audience and critics alike, but let’s not fall into that trap to think twice about watching the movie. I might not be as good as some other movies from Shankar, but it is different, and deserves to be seen and treated with respect that it deserves. It is nothing like we see in Indian Cinema, and the way in this one entertains is different and effective. I wouldn’t be surprised if this goes on to become the highest grossing Tamil movie in Kerala, considering the number of theatres where it has released and the number of shows present in each of the multiplexes.

✠ I has got its plus points:
The awesomeness of Vikram: You are introduced into a pure Vikram show here, and personally I feel that I might never see another actor like him in Indian cinema during my age. Even as this is an entertainer with those masala elements, one can’t stop admiring how great a performer he is, in all roles – he keeps making us feel for his character even when the hero is more than a normal man, beating up too many people. Like the most common words which are used in this movie, one has to wonder what stands above everything; a long way above this movie – and it is Vikram. It is this one actor who raises the level of the movie along with himself, and imagining someone else in this role is nothing less than a crime and a sin of the highest level.

The beauty that is Amy Jackson: This lady makes an impression in her way, and there are times when the Magic Mirror chooses a less expected person as the fairest of them all (Tamannaah Bhatia is the one who comes to my mind whenever I hear that) – here it is Amy Jackson who is stunningly beautiful and even cute at times, redefining most of those occasions when the same words were used in the case of a few other actors. She gives aesthetics a new meaning. This is indeed a big role for her, and amazingly suitable; something that we realize very early. There is nothing special for her to do though, and that is understandable considering the nature of the movie and how much it is dependent on Vikram. Lets give some applause to Suresh Gopi too, who also has his moments.

The stunning visuals: The visuals of China’s outskirts are mesmerizing here, and almost everything happens in relation with the natural beauty during those shoots, and it is a big boost to the movie. This is even better with the visuals of songs. It is like another special world for the viewers brought with big splendour. The graphics are also advanced, and the make-up and costumes can be considered as an even bigger boost – they are so good that you will raise your expectation a lot for any other movie. The definition of an entertainer changes here, and you are are surely going to ask for more after this, instead of deciding to watch some random action and romance. These visuals on the screen increases the need to watch this on the big screen even more. The background score nicely supports the visuals.

Fairy tale and its narrative: The way of narrative is something that I enjoyed a lot. I have always enjoyed these non-linear narratives, and it rightly suits the movie here, even as I doubt how the usual audience would take it. The fairy tale elements also has the charm, and there is the song which seems to a clear tribute to The Beauty and the Beast, even as in totality, our hero is no beast, but someone deformed. That is one awesome song on the screen, just like the one in China. There is the certainty of love thriving against all adversities, and that bad guys getting their due as part of that poetic justice. I is that kind of a revenge-seeking fairy tale with its dark side, as you might be familiar with if you have watched Maleficent. It also has its hunchback of Victor Hugo who deserved to be treated better and in another way, its Frankenstein monster – another deformed person who looks for love.

✠ Where it misses:
It misses out in the second part of the first half, and once our hero and heroine reaches China and finishes their first song, it drags and goes on and on with the usual stuff. Yes, the plot itself is a revenge story, but the latter part of the first half can’t even present things in an interesting manner. Couldn’t some elements be less predictable? The movie is too long too, and they should have cut the romance a bit. There are also too many advertisements shown in the movie – yes, there was the need for a few, but here we see too many; still enjoyable ones there. The beast is also limited to the song, but then the question remains where it could come in when the movie plot is considered. But I had expected a lot more from the beast. The action scenes should have been lesser in number along with the songs. But this movie is beyond all these limitations, as the positives that I mentioned runs through with extraordinary power.

*** The movie becomes a very good lesson on how an entertainer can be made without being dumb and ridiculous. Bollywood can use this for ideas, and learn how not to make a Krrish 4 and Dhoom 4. Anniyan actually managed to be better, years ago, and therefore, I wouldn’t consider this movie as something which changes anything. But I is a movie that could be watched for great entertainment, as well as the great performance that Vikram has put into the movie here. The humour also works and there is a powerful emotional connection that is maintained, which strives to focus on the power of true love that is beyond appearance and money. Don’t go with the reviews, but go with Vikram on this one. Here is a big salute to the actor on how well he has tried and made his transformation, and how much strength he has brought to an ordinary revenge plot. I have given the movie a rating, but I cannot be judged by ratings, and the right method is to watch it in the theatres.

Release date: 14th January 2015.
Running time: 189 minutes
Directed by: Shankar
Starring: Vikram, Amy Jackson, Suresh Gopi, Upen Patel, Santhanam, Ramkumar Ganesan, Mohan Kapoor

@ Cemetery Watch
✠ The Vampire Bat.

Taken 3

Posted on January 10, 2015 by Tennyson

Uncle Dracula :: So do you believe that the Vampire Owl was taken?

Vampire Bat :: I didn’t say that. I was talking about him not going for movies, and not being available for consideration even for watching the movie Taken 3.

Uncle Dracula :: But he could have been taken, nevertheless.

Vampire Bat :: Why are we even having this conversation?

Uncle Dracula :: Because I am giving you a substitute for the Vampire Owl here. Take Igor.

Vampire Bat :: What? Wasn’t he with Doctor Frankenstein?

Uncle Dracula :: Yes, but he was taken. You didn’t know? Even my brides know that.

Vampire Bat :: Yes, they will surely know that, because they have no other job. They don’t even brush their fangs. But taken by whom?

Uncle Dracula :: Taken by me. Who else? I am the only Bryan Mills around here. Now, take my new vampire chariot and leave. You are getting late and there is a chance that you might be taken by Doctor Frankenstein in retaliation.

Vampire Bat :: That is a fair point. And you stop abducting people after transforming into fog, mist, wolves, dogs, potato chips, Cambridge Advanced Learner’s Dictionary, Titanic DVD and all those other things. The age is different now. It is not cool anymore.

[Kick-starts the vampire chariot].

What is it about? :: The two major incidents seem to have cooled down, and nobody seems to be “taken” anymore. Bryan Mills (Liam Neeson) is once again trying to be good with his daughter Kim Mills (Maggie Grace) who is now living with her boyfriend and his ex-wife Lenore Mills (Famke Janssen) who is having problems with her current husband, Stuart St. John (Dougray Scott). But things get turned around as his wife is found murdered, and when he enters the house, he is framed for the murder. As he becomes the prime suspect here due to the evidence, he manages to flee from the scene using his special skills and uses the same to find a way to get to her murderer. The police is on his trail and asks him to surrender and let them investigate, leaving it for the court to decide, but Bryan knows that he can trust his skills better than anything else. Inspector Franck Dotzler (Forest Whitaker) is in charge of the case and decides to go after Bryan.

The defence of Taken 3 :: You know what to expect in a sequel to the kind of movies that the predecessors were. Even with a change in the basic plot as nobody is “taken”, this one tries to use the same protagonist to its advantage nicely. Yes, it chooses not to follow that idea and comes up with something different, even as it is not something which hasn’t been tried before. The action sequences involving our protagonist are once again good, even as not raising the level. This is also more of the action movie than thriller, even as some suspense is there trying to make smaller impacts. The stunts mostly involve some melee combat, more shoot-outs and a lot more car chase action. The fans might still love this one up-to an extent, and too much expectation will kill this one. Yes, the franchise ends here, and may be that will also work in favour of this in your mind, even as one his the last dialogues might make one feel otherwise.

The claws of flaw:: Taken 3 fails to give a great ending to the franchise which has to be satisfied with the average finish compared to how it has been going. There is no coming anywhere near the first movie, that is for sure. A comparison with the predecessors is going to devastate this movie, and the place of this one is below the previous two. This is not even that well edited, or even developed as something that brings the thrills to the viewers. It even hesitates to go full swing action, and one has to wonder why. The final scenes also lack the power, and the villains as well as the gang remains not just weak, but also uninteresting. Even the twist could have used more power. It needed more action and thrills, but Taken 3 tries to hang on to the power of the previous movies and bring this franchise to an end which neither Liam Neeson or the audience deserved. After watching this one, may be you will feel that this should have been a movie out of Taken franchise – like Non-Stop, Unknown and The Grey.

Performers of the soul :: You see a Liam Neeson movie here again, and he takes the avatar of one of his best known characters, even as I don’t consider his characters in Non-Stop, The Grey and Unknown with any less reverence – same goes to Hannibal of The A-Team. Being the action hero that everyone wants to see beating up the bad people, he once again doesn’t fail to deliver. There are signs of old age for sure, but he still got it as the man who got the special skills that he acquired. Here, he is bigger than the movie – no doubt about that. You know that Famke Janssen’s character gets killed early, but Maggie Grace is once again very good, but is left with not that much to do in this movie. Forest Whitaker was impressive during his stay, but the villains were too weak. The Russian villain idea never really came close to working, and the other villain twist was another weak addition. There could have been better ideas about it, but we find none here.

Soul exploration :: Taken 3 has its heart at the family, and once again the father-daughter relationship gets a good chance in the middle. But if it was given better thoughts or at least shown with more humour, that would have actually worked in favour of this movie, considering how much this movie has struggled to keep up with its predecessors. Even in what has made this franchise such a big name, this one struggles to make the expected impact. I have actually heard my friends saying “does this guy’s family still have members who are to be kidnapped? How big a family is that?” – when they heard about the release of a third movie. Taken 3 is more like The Hangover III considering the fact that it had no hangover as this one had nobody being taken, but the after-effects of the earlier hangovers and those abductions in the earlier movies still stay.

How it finishes :: Taken 3 doesn’t seem to make much impact in the theatres, even as the initial crowd is there due to the fame of the previous movies, and it is only a matter of time until the advantage is lost. There is a long list of Hollywood movies from the previous weeks though, like Exodus: Gods and Kings, The Woman in Black 2: Angel of Death, Interstellar, Night at the Museum: Secret of the Tomb, The Hobbit: The Battle Of The Five Armies and Penguins of Madagascar along with the other language movies, all of them with better opinions received than this one. The advice here would be not to go for Taken 3 with the expectation of another Taken. Think about it as another action movie coming from Liam Neeson, and the characters as just the reflections of the situation in the flick. Watch this one for Liam Neeson, and think not much about the franchise or the rest of the things.

Release date: 9th January 2015.
Running time: 108 minutes
Directed by: Olivier Megaton
Starring: Liam Neeson, Maggie Grace, Famke Janssen, Forest Whitaker, Dougray Scott, Sam Spruell, Leland Orser, Jon Gries, Jonny Weston, Dylan Bruno

@ Cemetery Watch
✠ The Vampire Bat.

Lucy

Posted on August 27, 2014 by Tennyson

Vampire Owl :: Cruel people here. How can they delay a Scarlett Johansson movie so much?

Vampire Bat :: May be the Indian censor board was busy. They have been concentrating on chopping things off from Finding Fanny. Even the dialogue that one is a virgin is to be cut off.

Vampire Owl :: So they were having a tough time with Lucy? But it is still given that “A” certificate.

Vampire Bat :: The censor board is making sure that we end up watching adult movies which have children’s content, so that we realize that we have grown up so much.

Vampire Owl :: But people will still think that we watch only adult movies.

Vampire Bat :: I would think that even Home Alone and Baby’s Day Out will be rated “A” if released these days.

Vampire Owl :: They are violent movies. The poor adult robbers and kidnappers are mistreated by kids. It sets a bad example for the new generation. They will not just give an “A”, they will just ban them.

Vampire Bat :: There is a conservative world coming up. I thought they would have at least found “being virgin” as a good thing.

Vampire Owl :: This is why I drop ice buckets at people.

Vampire Bat :: Can we just proceed for that adult movie?

[Goes to the ticket counter].

What is it about? :: Lucy (Scarlett Johansson) is studying and enjoying her life in Chinese Taipei, but she is tricked into working as a drug smuggler by her new boyfriend. But she is captured and a bag of drugs is put in her her abdomen so that she can carry them back home for the drug mafia. But while in captivity, a lot of drugs are released into her system as she is kicked again and again by her captors. As a result, she has improved mental abilities including mind reading, brain control, telepathy, telekinesis and many others, but the indirect result of the same being a possible death in hours. She gets the bag removed from inside her, and contacts the expert Professor Norman (Morgan Freeman) to know what is there for herself and the future of mankind. As time passes, she gets more and more powerful, and easily go through the drug mafia and gets their drug carriers captured. The mafia as well as the police are too weak in front of her, and the question remains for whom she is going to be beneficial and to whom she will turn out to be catastrophic.

The defence of Lucy :: Along with Scarlett Johansson’s wonderful performance as the protagonist, the movie can boast about taking that idea which is more of a myth and developing into something big. It has nice special effects and good, controlled action sequences which are taking in a more stylish manner – the whole thing is visually very good, and one has to admit that if the willing suspension of disbelief is rightly implemented and considered as a whole, there is not just a lot of fun, but there is also something for the intellect as it does keep the audience thinking within its own universe. It is difficult not to like Lucy, and no matter how hard you try, that option just isn’t there, unless you are short of the capacity to understand and follow – now that will make you not so human, right? There will always be people who fails to understand, and it is mostly with the bloody audience coming in groups and talking rubbish throughout the movie. It is surprising that they would go on to talk through the slide which tells them not to talk and disturb the movie experience for others.

The claws of flaw :: There is no huge action sequence which has our heroine transforming into the Black Widow and go Avenger on everyone. Except for some gunshots between the mafia and the police, the rest of the action remains of the mind. The movie’s idea of the ten percent of the human brain being used is rather weak in the circumstances, as without it and the supporting clips, the movie could have gone on losing nothing in the process. It is also too short, lasting almost one and half hours and nothing more than that unless you include the advertisements (look out for the awesome Dracula Untold trailer that comes before this if it does). There could have been more time taken here for the finish, and the possibilites of such immense mind power should have been further explored – but this one chooses to be short, but due to the same, drags nowhere. The violence is there, not much, but can be considered unnecessary by a few. The movie also needs the viewers who can use some part of brain when needed, and even in the multiplexes, it is difficult to find such people – they all want mindless action making no sense, right?

Performers of the soul :: Lucy is pure Scarlett Johansson show of the highest quality in a character which brings no challenge to her, and due to the same, she seems to blend effortlessly into that character which reminds the viewer of two others, Carrie White and Jean Grey who possessed similar powers. But Lucy is different because her powers are not part of her, and is causing her own destruction – Scarlett Johansson scores there, as you see her transformation from the victim to the all-powerful entity and also with those emotional elements. Known more for being the gorgeous one and among the sexier women alive, she comes up with an all-round performance here along with looking good. There was Natasha Romanoff a.k.a Black Widow, but this one is all-round all powerful. Morgan Freeman also comes in with an avatar that we can easily identify him with – a man of great knowledge and wisdom, who can be a guide as well as the one who deals with the explanations nicely. Choi Min-sik as Mr. Jang is a nice villain, and Amr Waked is good.

Soul exploration :: Scarlett Johansson needs a movie on Black Widow, and it is crystal clear that she can handle it, as she proves the same with Lucy. Yes, the movie is highly dependant on her, and what Angelina Jolie did for Maleficent, she is doing here. She takes full control of things, and one has to admit that this is a lot better than what Jolie came up with in that twisted fairy tale there. With the only other well known actor being Morgan Freeman, the movie was totally dependant on our superstar lady. It reminds us of Transcendence with its idea about that all powerful person who turns into something beyond human comprehension, and Morgan Freeman was the scientist Joseph Tagger there too. Then the movie is also a bit Carrie, with the central character, the lady getting immense mental capabilities beyond anyone’s comprehension. But this one is a lot faster and smarter than the former, and also quicker and with more happenings than the latter. Our heroine is also Jean Grey, but not being the mutant who is blessed wth powers.

How it finishes :: Lucy comes late to India, but it was never as much a much awaited movie as Teenage Mutant Ninja Turtles which might release on this Friday here, but knowing what delayed Hercules, we can’t be sure yet. Lucy has a much silent sojourn here as not many people knows that it is present in the theatres with less number of shows. It should still enjoy limited success, as it doesn’t go on the Transcendence path and bore us beyond the limits of all kinds of boredom, and at the same time, it has Scarlett Johansson. It is still caught in a competition with The Expendables 3, and the shadows of Guardians of the Galaxy and Hercules, as it runs through the course. For those who wishes to watch a nice Hollywood movie which has its own identity, and even in its comparisons with many other movies, could stay different, there is always Lucy. There was always Carrie, and now there is Lucy, coming up with some improved mental capabilities, being another version of that mutated Jean Grey without the X-Men or any superpowered creature around.

Release date: 22nd August 2014 (India); 25th July 2014 (US)
Running time: 89 minutes
Directed by: Luc Besson
Starring: Scarlett Johansson, Morgan Freeman, Amr Waked, Choi Min-sik, Julian Rhind-Tutt, Pilou Asbæk, Analeigh Tipton, Nicolas Phongpheth

@ Cemetery Watch
✠ The Vampire Bat.

Brick Mansions

Posted on April 27, 2014 by Tennyson

Action promised and provided :: This movie had given me the feeling that it is the last time I should be seeing Paul Walker on the big screen (pending what is to come in Fast & Furious 7, of course). Here, what seems to be a higher rating for some of those who have watched this movie is more of the result of my personal admiration for the actor and of course considering the fact that how well the movie has delivered what it had promised. This is the English remake of one of the most admired action movies of the 2000s, the French flick, District 13 – released in 2004 and not many moments without me hearing something about it whenever action movies were mentioned. There was absolutely no doubt about which movie I was to watch this weekend, thanks to Brick Mansions. I haven’t watched the original yet, and I guess that helps to like this movie much better. To add to it, Brick Mansions is a movie completely set in the future, and a situation which a dystopia. Thus, even though not focused, I would say that it not short of its themes. But, as there is no real surprise, the movie depends a lot on its action sequences and breath-taking stunts, something which hasn’t been this efficiently used for quite a long time. So here is the much awaited movie for the fans of the genre.

What is it about? :: The setting is the dystopian Detroit, in the distant future, when the brick mansions of the city become home to the city’s biggest criminals. In a complete absence of law and order and the ever increasing power of the criminal gangs, the police is forced to construct a containment wall outside the area so that nobody comes in or goes out unnoticed. The people inside the containment are separated from the rest, and this is hailed as an innovative and effective step to prevent the normal citizens of the city who live outside the Brick Mansions. To that situation comes Damien Collier (Paul Walker) who is attempting to free the city of crime and corruption, and also have revenge on the man who killed his father, as he remains an undercover cop. Meanwhile, Lino Dupree (David Belle) is a man different from the others in Brick Mansions, attempting to live a good life and hoping to prevent the community from degrading further into chaos. As his girlfriend Lola (Catalina Denis), working as a waiter in a restaurant is kidnapped by the drug lord to get even with him who causes troubles for their illegal business, he combines forces with Damien who is looking forward to settle scores with the same man – Tremaine Alexander (RZA).

The defence of Brick Mansions :: The movie has Paul Walker in his last movie doing a wonderful job, David Belle with his great acrobatics and the beautiful Catalina Denis getting to take part in some action too. You have to love the aerial shots of the area. Then there are the action sequences which are lead by David Belle, master of the art of parkour. We get into the action right in the beginning itself as he runs, climbs, rolls, swings and jumps to avoid the guys chasing him, and at the same time, beating up anyone who comes in direct contact with him. He is easily identified as the one to look out for. There is the need not to drag, and having the action sequences at most priority as far as movies like this are concerned, because that is what the viewers expect and that is what the movie delivers. There is no dull moment in this movie, and there are a few lighter scenes too despite the total nature of the movie. But at the same time, the theme of dystopia is not abandoned, and it exists with the car chases, shooting and melee combat scenes. The setting of the movie plays a big part in defining the progress. Brick Mansions is a great way to remember Paul Walker, even as it won’t create any magic like the Fast and Furious franchise did.

Claws of flaw :: Finding fault with this movie might be rather too easy, and it is evident from a good number of negative reviews. There haven’t been many action movies which got the critical appreciation that they deserved. The first major assault on this movie might be about it being a little too unrealistic and not trying to be smart enough. Yes, Brick Mansions might not be smart and surely not original considering that it is a remake, and unrealistic as a whole. But unlike some of the other movies, for example, Transcendence, this movie doesn’t try to make the claim or does it try to look realistic when it is not really that. I would have liked to have a better twist added to the movie’s ending, not as part of finding fault, but making it better. Then you are welcome to feel that the plot is a little predictable, but that should happen because this is the remake of that older movie. It could have been a better allegory given its setting. Something to ponder over in the middle of those action sequences wouldn’t have hurt much, after all the action sequences seems to have come naturally to all the actors and actresses involved with the scenes. The movie might feel a little bit like a video game for a few, with so much of non-stop action involved, but this is not made for such people.

Performers of the Soul :: Paul Walker remains charming and the more silent assassin in this movie, as he is wonderful in this performance too. He is like a more human version of Judge Dredd with all the simplicity. He has less action sequences to perform than David Belle who starts with the action sequences right from the beginning, being the more aggressive and a lot more acrobatic of the two. He played the same character in the original, and has come up with a breath-taking performance in this one, as far as action sequences are concerned. Meanwhile, RZA make a fine dystopian villain, even as the element of evil is rather weak except for shooting his own people and threatening to launch a rocket towards the city. In being evil, Ayisha Issa plays his sidekick and overtakes him in being bad, whether in her sadness in not getting to kill Lino or to murder millions by destroying the city or whether it is in tormenting the kidnapped Lola, her character becomes the bigger villain. Catalina Denis is gorgeous as Lola and the best thing about her is that she comes up with some sylish action sequences of her own, when not being beaten up by the lady villain. I hope we see a lot more from the beautiful and talented Colombian actress in future.

Soul exploration :: Brick Mansions might seem to give nothing to think about, for most of its viewers, but the movie has its own versions of the abuse of power which the men with power exert on the marginalized, and also that division of people which has made the situation more suitable for a dystopian government. There is too much inequality, and Lino’s attempt to become a better man in a society of crime which is rather helped by the containment walls would rather land him in prison and his girlfriend in the captivity of his enemies. There will always be more than one kind of people in all sides, both good and evil, and also grey. There will always be angels, fallen angels and the demons, and it is an inescapable fact of life. Containment walls were never supposed to be a solution. If people can’t change, there is no point in exile, and the government’s choice of dividing its own people instead of attempting fight crime in an efficient manner will finally go against itself, as depicted against the movie. There will sometimes be heroes who help the process, and otherwise it is just pain luck that goes against the oppression. The movie’s heroes have their own beliefs only to be tricked by the dystopian environment that is around them.

How it finishes :: Here is what might be your last chance to see Paul Walker on the big screen, and you won’t wish to miss it. But it does deserve to be seen for its action sequences too, as far as you can enjoy them without thinking about how something was possible and what is the logic behind the same. After that scene in which David Belle is running away in the beginning, a few other interesting sequences include Paul Walker teaming up with him to beat up a much stronger man, the two car chasing scenes, Catalina Denis’ fight with Ayisha Issa and the final dealing of her lady foe problem and Paul’s early drug bust (that shouldn’t lead to the underestimation of the other fight scenes though). This should be the week of Brick Mansions, thanks to Transcendence being bad and no big Hollywood release here this weekend. Even the regional movie releases haven’t worked that well. Most of you do need to watch Brick Mansions for those reasons, and I have a feeling that even those who don’t want might just end up watching it. If this can’t convince you, there is still the original District 13 with the subtitles to be watched, and I hope that you get the taste of it in one way or the other.

Release date: 25th April 2014
Running time: 90 minutes
Directed by: Camille Delamarre
Starring: Paul Walker, David Belle, Catalina Denis, RZA, Ayisha Issa, Robert Maillet, Carlo Rota, Kwasi Songui