Tag Archives: Baburaj

Karam

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Vampire Owl: Do you know that we were looking forward to watching this one in theatre.

Vampire Bat: Yes, but we were very busy at that time.

Vampire Owl: The opinions were still not positive.

Vampire Bat: I still have a Thira feeling about this particular movie.

Vampire Owl: I have watched the trailer and it was really good.

Vampire Bat: And I feel that there is more than what meets the eye here.

Vampire Owl: I have wanted Vineeth Sreenivasan with a thriller again.

Vampire Bat: There is something about that change from the feel-good.

Vampire Owl: Well, feel-good has never been a reality.

Vampire Bat: Humans can create a fake infinite realities and live in the same all the time.

[Gets a kadai paneer dosa and three cups of Ceylon tea].

What is the movie about? :: Dev (Noble Babu Thomas) and Salman (John Kaippallil) were in charge of an undercover operation to capture a notorious terrorist who has been threatening India from Pakistan and other nations, but after going against a direct order, gets in trouble, with former being court-marshalled and latter landing in the hospital for quite some time. After his return home, his girlfriend Sana (Audrey Miriam Henest) meets with an accident, leading her father Abdullah (Johny Antony) taking her away, and Dev is blamed for the incident and prohibited from meeting her again. A disappointed Dev who also has problems with his father Mahendran (Manoj K Jayan), decides to get married, and find love in Tara (Reshma Sebastian) and has a son Ayaan (Nazhan Bin Najmal). One day, they have to travel to a country named Lenarco, for Tara’s international conference. It feels like a happy family trip with the help of Kamal (Kalabhavan Shajohn) who remains their driver for the trips, with places to visit and happy moments to be shared with a tour that came after a long time.

So, what happens with the events here as we just keep looking? :: Things seem to go around nicely, but when Dev goes to a night club which also has a brother underneath, he finds Sana there as one of the experienced sex workers displayed for the clients. Confused and disheartened, he chooses her from the display, and she reveals that she was trafficked from India while escaping home in order to find and be with him against the wishes of her father. On the way, she was tracked by a human trafficking gang that kidnapped and trafficked her out of the nation. She was sold, raped and forced into sex work in the organization which runs the most powerful mafia in the land. Andre (Ivan Vukomanovic), a man with high connections and the most powerful group of goons under his control manages the operations. There is no escape for her from there as even the police are in his payroll. A distraught Dev who feels that he could have saved her from this hopeless situation if he had gone after her, decides to save her from the brothel, but it would not be so easy, with his own family at risk in a nation which seems to have less control over its gangs and guns.

The defence of Karam :: We have all waited for a technically polished thriller of international standards, and if you are not watching it despite the same, there is no hope in having more – we remember how much quality could be felt in movies like Ranam and Ivide, which did not have that success that they deserved, and this one gets into that list with ease. The movie is visually stunning, and the fight scenes never feel overdone with no love for that dumb dose of heroism and mass moments. The tension is present throughout the movie, and there are some nicely managed thrilling moments around here. The emotions are really felt here, and there is no shortage of feeling in this world which is dark and has evil hiding underneath. Unlike a few other movies, it does not hesitate to get into that world of chaos and sometimes not checking into that safe side. These kinds of movies should be considered as the true feel-good, and not others that pretend to be so, without any story and keeping on saying the same things again and again to pretend to be feel-good. The release in Amazon Prime Video would surely bring more positive opinions as people would the movie without prejudices.

Positives and negatives :: The movie could have surely used more twists in between and set the whole thing on pure survival mode, and we see that the pace is often lost regarding the attempt to escape. The ending could have also been more classic without what seemed like the deus ex machina which felt not that suitable for the overall tone of the movie. The emotional side despite being there at all times, do not keep up with the overall movie. Then there will always be those people who put negativity in movie in relation to its similarities with Thira, but one has to note that most of them supported Thudarum which was basically Drishyam in a lower quality and unnecessary mass. This movie here is basically an improvement on the technical side compared to Thira, but for some strange reason, people did not seem to go for this one that much. Well, Lokah Chapter 1: Chandra was still running strong at that time, and some others had also joined – maybe it was not the right time to have a release for this particular movie.

The performers of the soul :: Noble Babu Thomas who made his debut as actor in Helen, comes up with fine work here, and he has written this one too – portrays the character with control, unlike the usual superstars who would overdo such a role for the dumb fans. Ivan Vukomanovic is not a name less known among Keralites, as the head coach of Kerala Blasters, and when he is present on the screen, he maintains a certain quality as the main antagonist. Audrey Miriam Henest feels like a fine find for the industry as she maintains strength not just as the strong lover, but also as the damsel in distress, maintaining the emotions in strength and helplessness without holding back. It might not have been easy playing the same character in different life-changing situations, but she seems to have no trouble in doing the same, and is definitely a talent for the future. Reshma Sebastian, on the other side, comes up with a natural and memorable performance opposite the hero, and she seems to have mastered the role so well. I am sure that we will see her around again. Kalabhavan Shajohn and Baburaj adds quite well too. Johny Antony and Manoj K Jayan got some quick, veteran stuff to do nicely again.

How it finishes :: The movie is surely better than what the critics have been talking about, and it surely scores more than most of the overrated movies of the same genre. It is quite surprising that the audience did not support this movie that much, especially when the quality of the movie is so much, and keeps on an engaging route. The movie has so many good moments to remember, and if you liked Thira from the same director, there is no chance that you will feel the need to like this any less. The feel-good nonsense has been getting on our nerves after that and we needed to get out of them which keeps doing the meaningless for such a long time. Reminding us of Thira, this one deals with human trafficking with an international setting, unlike the usual one, and therefore feels not that close to the usual, but this is something of a grander setting. When a movie thrills and keeps one on the edge of the seat, there is not much more that you need. A technically polished work with ambitions and performances set in a classic world is something one would not miss, even with some problems here and there. This kind of movie surely needs to be appreciated to inspire more of the same kind; for now, do check it out on Amazon Prime Video.

Release date: 25th September 2025
Running time: 126 minutes
Directed by: Vineeth Sreenivasan
Starring: Noble Babu Thomas, Audrey Miriam Henest, Reshma Sebastian, Ivan Vukomanovic, Manoj K Jayan, Baburaj, Kalabhavan Shajohn, Sudev Nair, Vishnu G Varrier, Johny Antony, Shweta Menon, Redin Kingsley, Vineeth Vasudevan, Joji Mundakayam, Nazhan Bin Najmal, John Kaippallil, Basheer Rimmi Singh, Vettai Muthukumar

<<< Click here to go to the previous review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Hridayapoorvam

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Vampire Owl: So, this is the one other movie of the Onam season.

Vampire Bat: Yes, the movie that came up with the second position.

Vampire Owl: And the movie which received what remained at the box office.

Vampire Bat: The second movie of a festival also does well enough.

Vampire Owl: Unless there are movies from other languages also coming in.

Vampire Bat: We have managed to keep it our own this time.

Vampire Owl: This Onam has been pretty well managed as we see it.

Vampire Bat: Onam is for the Malayalam movie industry.

Vampire Owl: What Lokah Chapter One: Chandra achieved has been remarkable.

Vampire Bat: Well, Avengers or Justice League of this world is ready to go.

[Gets a paneer masala dosa and three cups of Ceylon tea].

What is the movie about? :: Sandeep Balakrishnan (Mohanlal) is a wealthy and successful businessman who runs a popular restaurant chain in Cochin named Lunch Box, and has been spending most of his time for the same. This group of restaurants are known to be the cleanest and the tastiest around. But he is forced to keep away from the business as he need to undergo a heart surgery, and receives the heart of a colonel who recently passed away. Even though his brother-in-law OK Panicker (Siddique) and other relatives around, they do not usually visit him except for when there is need, and the hospital assigns him a male nurse Jerry (Sangeeth Prathap) so that things are under control. It is then that a young woman named Haritha (Malavika Mohanan) contacts him as the daughter of the man whose heart was donated. She invites him to Pune for her engagement, and there he meets her mother Devika (Sangita Madhavan Nair). The function is grand, as they family have been settled there for many years, and Haritha is also an established architect.

So, what happens with the events here as we just keep looking? :: But not that much into the ceremony, Haritha declares the ceremony cancelled, leading to a quarrel, and Sandeep sustains a back injury while trying to intervene in the matters. Unable to return to Kochi due to this condition and he has to remain with Colonel’s family and Jerry to support him. Sandeep is not really happy about it in the beginning, as he feels the need to be back to his daily routine. But soon, he starts to get closer with Haritha and Devika. There he meets Haritha’s family friend Jacob (Lalu Alex) and Devika’s brother Manoj (Baburaj), which leads to him knowing more about his life as well as his habits. Despite his early feeling that a heart is just an organ, he feels the love and memories of the heart donor. Maybe this is the change that Sandeep needed, but how long can he stay in Pune and remain like the person who had donated the heart? How far will his world be changed, and how much does it change for the people around her?

The defence of Hridayapoorvam :: The movie goes on well with the feel-good idea. The movie would appeal to the family audience more than any other, and the director himself is reflected around here. There is a certain amount of happiness related to this movie, which stays on with us as we move away from the movie. The emotional side is also pretty strong for most of the time, and the mood with the death of a person and his hearth living inside another person keeps us going. There are also those light moments without even a pinch of dark that works, and the humour has itself moving in the right way. The background music and the songs keep working well for the overall mood of the movie. The people going for this movie because of the other two releases of the time being at the extremes, one becoming the industry hit and the other not getting audience, has kept the audience choosing this movie when the tickets for the all-time blockbuster was not available, getting this one to one of the top hits of the year.

The claws of flaw :: The movie feels a little bit too long for the content that it serves. It keeps on moving on and on even without much happening in between. Many things that happen in between seems to be not too relevant, and even then, they just keep happening in front of us, leaving us not focusing on the whole thing. The predictability factor is too high, and we know what is happening and feel like what could happen next can also be known in advance, with characters also acting in the ways we feel that they are going to act. Some jokes which seem to have been added here might serve no purpose at all, as a few dialogues and situations just fall flat, and were really not needed around here. Some characters just seem to have come out of nowhere, and never really even needed the big names to play them. The emotional loss is also seen at times. There are no real ups and downs here, as the movie keeps on going on in an average level, and sometimes gets just above average during its journey.

The performers of the soul :: Mohanlal, as expected, holds the movie together. His screen presence remains the biggest thing about this movie, and both humour and emotional depth stays strong within his arms it is due to him that simple moments become so strong and situations that would look dumb and absurd are converted into an effective side. His ability to turn the meaningless to the relevant with a certain amount of charm is on display here. Malavika Mohanan is a perfect addition as this character as she seems to blend in with cent percent accuracy. Sangita Madhavan Nair on another appearance after that memorable Anand Sreebala brings the charm of the past and our own nostalgia. Sangeeth Prathap brings the humour after Premalu, and this time, most of it comes smoothly and blends into the usual. Siddique and Lalu Alex, even though going on well, does not get their characters at full potential, and Janardhanan along with Baburaj only have a limited screen presence. The focus never really comes to the side characters, as it remains at one space, and the central character remains the heart.

How it finishes :: Lokah Chapter One: Chandra won the Onam in style, remarkably bypassing Lucifer 2: Empuraan unlike what was predicted, rising above all expectations. It does not bring anything new and with the old model of feel-good factor brought into the new world, manages to keep the audience interested, especially those who like similar flicks. There might be question if the movie could have been something bigger, but it keeps on being stuck to the safe mode – something greater is just kept away because it could be, to keep the family audience happy. If you are into this kind of movies, and stay happy with moments that bring nothing negative, pessimistic and disappointing, this is really the movie that keeps you there, even though that length might pull things back. The Onam mood nicely reflected here for sure, and we stay close to the same due to the mood never getting dark, and there seems to be the happiness that keeps on growing with hope for the better. We see that this is one of those paths that work, and that kind of audience will be watching it on the OTT and survive.

Release date: 28th August 2025
Running time: 151 minutes
Directed by: Sathyan Anthikad
Starring: Mohanlal, Malavika Mohanan, Sangeeth Prathap, Sangita Madhavan Nair, Lalu Alex, Baburaj, Nishan, Janardhanan, Siddique, Sabitha Anand, Saumya Bhagyan Pilla, Chandu Naik, Faheem B

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Little Hearts

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Vampire Owl: Do you remember those days when we were eating Little Hearts without limits? Those were the most approved biscuits.

Vampire Bat: Those were the days of fine nostalgia. We were not even limited to Little Hearts as we continued lives focused on the little moments of joy.

Vampire Owl: So, they have named a movie after a packet of biscuits. It is a good idea to keep the focus on the food.

Vampire Bat: On the greatest packet of biscuits that we will ever know. Not just us, the greatest that humans will ever know.

Vampire Owl: So, you mean to say that the greatest of them all is not Bourbon or Hide and Seek with those classic looks?

Vampire Bat: There is nothing that matches Little Hearts, and there are not many that matches the old model of Milk Bikis.

Vampire Owl: I am assuming that you are going through a biscuit induced nostalgia, not focused on tea for a change.

Vampire Bat: Well, we have been among the people who have eaten so much of biscuits that we are close to breaking records.

Vampire Owl: We have also waited for this movie to release for a little too long.

Vampire Bat: Well, the first proposed date of release was much earlier.

Vampire Owl: The release should have happened during the vacation.

Vampire Bat: Well, the holidays had seen some strange films creating records with collections.

Vampire Owl: I will never know how these new generation and mindless movies make so much of collection.

Vampire Bat: Well, human taste has always been strange.

Vampire Owl: Trusting their taste is the strangest thing a vampire can do.

Vampire Bat: At least the trailer of this movie did a pretty good job in making an impression.

Vampire Owl: You know that making a trailer is often too easy a job if there is not that much of a content to show in the full film

[Gets a box with tomato popcorn and three cups of cardamom tea and moves into theatre].

Vampire Owl: This is an interesting movie, even though there is no attempt at variety. It goes on well, as if it was just determined to move on.

Vampire Bat: After RDX: Robert Dony Xavier and Vela, Shane Nigam seems to have quite a different role here and has nailed this one too.

Vampire Owl: Shane Nigam and Mahima Nambiar team has returned as a pair quite well, even though latter should have been there for more.

Vampire Bat: Well, the romantic side of Shane and Mahima has the least focus among the romances shown in this movie.

Vampire Owl: The three romances here face problems due to different reasons, and none of them seems to be ready to be accepted by the society.

Vampire Bat: Well society, economic well-being and sexuality will always have roles to play in the society forever.

Vampire Owl: Well, I would say that these are rather eternal, like Uncle Dracula.

Vampire Bat: The tale of Baburaj and his relationship with the son played by Shane Nigam makes the biggest impact though.

Vampire Owl: Yes, with both the humour as well as the emotional side has been managed so well, reminding one of those early days of moving into humour from villainy.

Vampire Bat: Yet, it could not further develop on the same, and manages to travel just on the usual and predictable path.

Vampire Owl: The feel-good path is the one road too much travelled, and without trying too much to make things better.

Vampire Bat: There are still those moments with Little Hearts packets, and there is the certainty of tea being shown again and again.

Vampire Owl: The one who played the migrant worker from the North really did a great job, and brings humour being second only to Baburaj. Yet, rest of the humour goes through a struggle at times.

Vampire Bat: Shane’s avatar in a different style works well, even though he should have more of romantic side with Mahima. The deviation was not that much needed, at least with this much of an effect.

Vampire Owl: Well, even in their previous movie together, they had parted way too soon. At least with the feel-good mode one, that would not happen.

Vampire Bat: For the same, it seems that the end was forced to reach that destination of feel-good for the common soul.

Vampire Owl: In a world of viewers where they are strangely addicted to drugs and alcohol like never before, can we ever have enough feel-good?

Vampire Bat: Can you blame them with so many superstars trying to put them into a world of nonsense far away from a righteous reality?

Vampire Owl: Well, I would trust this simple feel-good film with nice green visuals and some interesting songs which are there to stay for long. There is no real danger in the happenings of this one, and the light-hearted side keeps the darkness away.

[Disappears into the darkness of the day because the clouds have done the trick to hide the sun and bring the much needed darkness].

This is the YouTube video with the second film review there. The video reviews have had the focus since the last one, and tries to make interesting comments about the selected movies. The writing will also go on through its path, but the visual side also has its say more than ever, as the YouTube channel “Scholar Nomads” intends to explore more areas of interest. For both blog and vlog, there will be films reviews and even more to be seen.

Release date: 7th June 2024 (Theatre)
Running time: 134 minutes
Directed by: Anto Jose Pereira and Aby Treesa Paul
Starring: Shane Nigam, Shine Tom Chacko, Baburaj, Mahima Nambiar, Renji Panicker, Shammi Thilakan, Jaffer Idukki, Aima Rosmy Sebastian, Ramya Suvi, Maala Parvathy, Parvathy Babu, John Kaippallil

<<< Click here to go to the previous film review.

<<< Click here to go to the previous romantic film review.

<<< Click here to go to the review of our first favourite film of the year.

<<< Click here to go to the review of the most underrated film of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Anveshippin Kandethum

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What is the movie about? :: S.I. Anand Narayanan (Tovino Thomas) and his team of police officers (Vineeth Thattil David, Rahul Rajagopal and Pramod Veliyanad) faces two cases in two time periods. The first one is related to the disappearance and murder of Lovely (Anagha Maya Ravi) and the second one is a cold case related to the murder of Sridevi (Arthana Binu) whose death could not be solved by even the best of police officers assigned to the case. Regarding the first case, he faces problems from his seniors who do not wish to see him doing better than them, and neither can they stand him going against a priest Fr. Thomas (Madhupal) who becomes a suspect, but is revered by the locals. When his seniors find another suspect from the available clues, Anand decides the take matters into his own hands unofficially, and even creates situations which would help him to find Lovely, who was returning home from college after receiving her hall ticket. This would lead to a few twists, but can Anand finally catch the real killer?

So, what happens with the events here as we just keep looking? :: The second case which deals with the murder of Sreedevi would seem more twisted and placed at a higher difficulty level, as it occurred much earlier, and the police department is ready to stop the whole investigation. The locals are also very much tired of the investigation due to the earlier police officers pestering them and even resorting to torturing some of them ruthlessly. The panchayath president Philo (Baburaj) and the local landlord Sadanandhan (Shammi Thilakan) are hostile to the presence of any police officer for the purpose of finding anything related to Sreedevi, who is a lost cause for them. In this case, there is no restriction imposed by the seniors, but the unsupportive locals and lack of clues bother them. Yet, the team decides to go on with what they have, and extends their stay in the small village where the incident took place by a few days. But with time running out, can they do it without just randomly writing anything on the report to close the case?

The defence of Anveshippin Kandethum :: There is a certain amount of interest gained from the title of the film itself, as we are reminded of the Bible quote – “Ask, and it will be given you; search, and you will find; knock, and the door will be opened for you. For everyone who asks receives, and everyone who searches finds, and for everyone who knocks, the door will be opened”. We are once again introduced to a world that our audience has embraced really well, that of murder investigations; the search is on for the police officers led by Tovino’s character, and we look forward to finding. This has indeed been the favourite genre of our people, and this one will only reassert the idea that we are more into thrillers and murder mysteries than anything else. The confidence which has been shown by the makers of this movie to keep things realistic enough, and in keeping the protagonist a character without those usual heroic abilities makes sure that this is one of those movies which will not be remembered for the nonsense moments.

Positives and negatives :: If the material like this was put before any of those overrated superstars or directors of Bollywood, the movie would have been unbearable, and except for the kind of audience who likes the terrible exaggeration, this movie will work like a dream. The blending of twists into a world staying so close to realism is not an easy job, but has been accomplished well. The music in the movie works pretty well while the visuals effectively add to the overall quality here. The journey to an earlier time period is nicely arranged without adding too much to make the world become more important than the other elements. The second investigation is more interesting than the first, as the twist is more effective there, even though the flashbacks are very well done – the characters in the first case should have been introduced earlier than we had first noticed them. The supporting police officers should have also been given more to do rather than keeping the focus on the main cop.

The performers of the soul :: Tovino Thomas continues to come up with at least one big movie every year, like 2018 last year, Thallumaala before that, and Minnal Murali in the year before that. He has been continuously impressing us with his variety, and even though we have seen him as an investigator of murders in films like Forensic, this one is indeed special. The way in which he moves through different roles of divergence has been setting an example for all the newcomers in the industry in the last few years. Vineeth Thattil David, Rahul Rajagopal and Pramod Veliyanad who plays his supporting do not get that much to do in comparison to what we had seen in Kannur Squad where almost everyone has something special to do. It does not happen here, even with Azees Nedumangad who was present in that movie here again – he would have blended into a team better than anyone else. Among the veterans, there is the certainty of strength. Baburaj handles the role very well with a touch of humour, while Indrans goes through a completely serious path, while Harisree Ashokan has a certain amount of sadness associated with his character.

Further performers of the soul :: Siddique plays a role with which he is not that much of a stranger. Shammi Thilakan is a fine addition to a world which needs his work to keep things going. The two main girls Arthana Binu and Anagha Maya Ravi who are murdered in different time periods, come up with some fine work, blending into their entirely different roles. One would remember Anagha from another thriller Eighteen Hours, and here the role seems to be so different, and she handles it with perfection. Aadya Prasad also comes up with a nice contribution here even though the role does not last that long, yet plays so well towards the twist. We would have still wanted more female presence among the police officers going through the investigation. Among the better known names, Alencier Ley Lopez only has very less to do too. Nandhu does some fine job from the beginning stages, while the roles of Sreejith Ravi, Prem Prakash and Madhupal are smaller, even though the last two contribute to bringing the twists leading to the conclusion quite well.

How it finishes :: We have not been strangers to thrillers of quality during the last few months, with Kannur Squad coming up as the one classic investigative thriller and Neru making a huge profit and Abraham Ozler following a serial killer with all the thrills that it can provide. The thrillers of the industry have only been gaining in strength during the last few years, a trend which seemed to be triggered by Anjaam Paathira, even though weakened by the corona virus pandemic for a small amount of time – the trend is back now, and the signs are stronger than ever. This particular movie here keeps it realistic and at the same time, has the thrills moving forward stronger than ever. This one is sure to make it to the list of some of the most interesting thrillers in the recent past, while never trying to overdo things to catch the attention of the audience. The same would be the reason why the movie has managed to rise so well in this week of multiple releases.

Release date: 9th February 2024
Running time: 142 minutes
Directed by: Darwin Kuriakose
Starring: Tovino Thomas, Arthana Binu, Anagha Maya Ravi, Baburaj, Indrans, Siddique, Aadya Prasad, Vineeth Thattil David, Alencier Ley Lopez, Harisree Ashokan, Shammi Thilakan, Pramod Velliyanad, Saranya, Nandhu, Sreejith Ravi, Prem Prakash, Madhupal, Rahul Rajagopal, Azees Nedumangad

@ Cemetery Watch
✠ The Vampire Bat.

Nalla Nilavulla Rathri

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Vampire Owl: So, do we finally get a slasher in Malayalam?

Vampire Bat: I don’t see a reason why we should not.

Vampire Owl: This is the season when slasher horror has been struggling.

Vampire Bat: That is in Hollywood which has gone weaker in content.

Vampire Owl: We have always required the best of all genres.

Vampire Bat: After all, slasher horror is closer to reality than any other genre.

Vampire Owl: Especially the categories like romance which is far away from truth.

Vampire Bat: And we also have the realization that there is no true feel-good.

Vampire Owl: I can suggest a few feel-bad movies.

Vampire Bat: We just have to live among humans to get the feel-bad.

[Gets some paneer momos and three cups of Darjeeling tea].

What is the movie about? :: Rajeev (Nithin George) and Peter (Rony David) are partners in an organic farming business in the hilly terrain of Idukki. The two have been good friends and collegemates, and two more old friends Dominic (Jinu Joseph) and Joshi (Binu Pappu) join, only two begin a rift between them with a certain ideology conflicting with the need to make profit. The four friends remain a group of two within the team. Kurien (Baburaj) is their old friend who used to be a senior at college, and is into real estate business which has left him in need for a lot of money. The moneylender is all prepared to make a move on his property. The old friends meet on an unexpected day, and decides to work together, along with Kurien’s relative, Paul (Sajin Cherukayil), as if to expand the business, for which Kurien will provide the land. Kurien intends to sell them the land in Shivamogga, which he had brought with a small amount, and through the process, he intends to make them believe that he is doing them a favour. He assures them that this land will help them better.

So, what happens with the events here as we just keep looking? :: As the location is deep into Karnataka, and some help with the language and locals is required, they call another old friend Irumban (Chemban Vinod Jose) who is now living in Mysore and has a certain influence in the area. Both Peter and Rajeev are not happy with this deal, as new plot would mean them losing control over the land which was originally under their names. Dominic understands that there is something about Kurien, and this deal will profit him more than anyone else. As Peter’s daughter needs a surgery soon, he is also reluctant to leave his home. But as the tension builds between them, the four partners decide to go with Kurien and Paul and see the area and make a decision. They also call Aneesh (Ganapathi S Poduval) as their driver, and are soon joined by Irumban at the mansion which is located at the centre of the 200 plus acres of land in the middle of nowhere. But soon they understand that they are not alone, and that someone is stalking them, with Rajeev being murdered. Who could be after them? What would anyone have to do in an area where nobody lives?

The defence of Nalla Nilavulla Rathri :: It is always good to see slasher horror getting something to do in the Malayalam film industry. There are some moments of brilliance in relation to genre, and this has worked differently from the Hollywood slashers. The movie still in the Hollywood style, with the possibility of a sequel kept alive with the open ending. The camera angles and the visuals add nicely to the quality of the film. The chosen setting for the adventure is really good in the middle of nowhere, and the darkness nicely adds to the suspense as safety is never guaranteed for the characters here. The evil human nature to get hold of what is desired is shown here from the beginning itself, and the final moments are also reflections of the same. The inherent evil in man comes out during different moments of the film, as for most people, success and money at the cost of others is the key. Most of the characters never really seem to deserve any sympathy, as they are not straight-forward or righteous in any manner.

The claws of flaw :: As a slasher, the movie could have achieved more, and a better backdrop for the sequence of violent events was also possible. The transformation into a slasher in the form of home invasion thriller often feels complicated as the struggle gets more intense. With this case, the script often makes way for too much of swearing words which could have been avoided – it seems to be a fashion to use these during our times. A bigger and better ending could have also been nice, and some of the action sequences have a little more than required. Slashers can actually use different kind of endings rather than the usual horror. There is some dragging effect which can be seen here, and the struggle towards the end does not help. The predictability factor is also present around here. Those who are looking for serial killers like in Forensic, Anjaam Paathira, John Luther, Twenty One Grams and Paappan might be disappointed.

The performers of the soul :: The movie does not focus on any one character or put the spotlight on anyone who plays any role. Baburaj and Chemban Vinod Jose are the biggest names in the movie, and manages to carry the movie on their shoulders. Chemban surely has that menacing strength which adds to the dark side of the movie. Nithin George of Luca fame and Rony David of Aanandam fame plays the two characters with whom we would feel some sympathy. Binu Pappu plays a solid role among the friends, as we have seen him do earlier in Thallumaala with ease. Jinu Joseph’s negative side is something which we have seen since Iyobinte Pusthakam and he continues to do the same. Sai Kumar’s role is something with power as much as a certain amount of mystery about his nameless character that stays. Ganapathi makes a quick, interesting appearance when least expected. Sajin Cherukayil adds a certain amount of humour around here, but it is also not that much. The female characters do not have much to add to this film – they just come, show their faces and leave as fast as they can.

How it finishes :: Nalla Nilavulla Rathri is the first movie from Sandra Thomas Productions which separated from Friday Film House. This has brought some more spark into the horror genre in the form of a slasher inception. At a time when horror struggles to make an impact, the slasher element can nicely support the process. The movie is progress towards the variety which Malayalam movie industry required in a separate field. There should be no question about the industry’s ability to frighten its audience with blood and gore even more than the usual scares right out darkness and the elements of nature. This can be considered as a positive step towards brining back horror with all its possibilities – with or without the presence of the supernatural. We can always have more than one simple horror film with a ghost wandering around. A supernatural slasher addition can always do wonders to a new generation of scary movies.

Release date: 30th August 2023 (Amazon Prime Video); 30th June 2023 (Theatre)
Running time: 126 minutes
Directed by: Murphy Devasy
Starring: Baburaj, Chemban Vinod Jose, Jinu Joseph, Rony David, Binu Pappu, Nithin George, Sai Kumar, Ganapathi S Poduval, Sajin Cherukayil, Shravan Satya

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✠ The Vampire Bat.

Kooman

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Vampire Owl: This man might be familiar to us.

Vampire Bat: I am sure that he is not the kind of night rider whom we can call here.

Vampire Owl: But he is surely an owl like me.

Vampire Bat: Well, you have to check for the meaning which is intended here.

Vampire Owl: I decide the meaning around here for all owls.

Vampire Bat: They belong to a different world though.

Vampire Owl: Yes, the world which goes for terrible evil while pretending to be good.

Vampire Bat: You mean like Mr Frankenstein.

Vampire Owl: Dr Frankenstein has always been a decent man.

Vampire Bat: Chucky has been more decent than him.

[Gets a choco-marble cake and three glasses of orange juice].

What is the movie about? :: Civil Police Officer Giri Shankar (Asif Ali) is a respected member of the police station in the village of Nedumpara who is known for finding those clues to the cases which nobody else is able to find. Circle Inspector Soman Pillai (Renji Panicker) and Sub Inspector Sukumaran (Meghanathan) appreciate his skills as a young detective, but not everyone in the police station likes him showing better skills than the rest. The others feel that all the focus on him means that they mostly go unnoticed, despite doing some good job as expected from them. Despite his skills which can be put to good use, Giri is also an egoistic individual, who becomes angry for simple reasons and holds grudges against people as if his life depends on taking revenge on them. He is that kind of a person who could become a psychotic serial killer bigger than the ones whom he might catch in his long career as the policeman which is to follow. He would get enough advice from his senior officers, but that would not bring that much of a change on him.

So, what happens with the events here as we just keep looking? :: As Soman retires, the new Circle Inspector is Harilal Dev (Baburaj), and the situation becomes tense between him and Giri. As Harilal pushes him into the dirt in front of his childhood friend Lakshmi (Hannah Reji Koshy), Giri becomes really angry, and promises himself that he would have his vengeance against Harilal one way or the other. But that would take some time as his other opponents include Thampi (Baiju) and Suresh (Deepak Parambol) among a few more. To deal with the policemen, he seeks the help of the retired thief Maniyan (Jaffar Idukki). They decide to make the police circle feel the heat by increasing the crime rate. As more and more robberies happen in the area, Harilal feels the pressure, and Giri feels that he can nicely manipulate the situation to get back on his opponents. But as he takes one wrong step due to his ego, things go out of control. He understands that it is not really about him, as there are some other forces at work. There are deaths, and he needs to get to the bottom of a number of deaths which have happened in the last few years.

The defence of Kooman :: The movie works really well with its flawed hero who blends in to the situation with ease. The first half sets up things really well to that the second one which brings the mystery further. The weaknesses of the hero are explored well, but it does not bring the villainy to him, as he walks through the thin bridge that connects the two sides. It reminds one of the films like Salute which moves slowly with the protagonist who finds it difficult to solve cases due to his own limitations. The elements of darkness is nicely used, and there are enough red herrings around here to mislead those who make the guesses. The final twist gets another one attached to it, and the revelation reasserts that there is more than what meets the eye around here. As it points to something which has made the headlines in Kerala, the movie seems to have some prophetic skills too, with a release having a two week gap after the incidents became part of the television discussions.

Positives and negatives :: This movie is not for those people of the mass masala who who wishes to make all the nonsense happen on the big screen in the form action mass masala disguised as thrillers with all the dumbness. But it has managed be of better intellect in comparison. It does makes one feel that there is the need to explore the past of the protagonist further. Maybe, in a distanct future, some of these police officers in Jeethu Joseph’s universe played by Asif Ali, Prithviraj Sukumaran and Suresh Gopi could come together to investigate a case in a realistic manner, unlike the Bollywood cop universes where people fly around for reason and gravity gets no chance to prove its existence – much to the dismay of Newton. It is a fine relief that on this side, we have movies like Kooman which keeps its world realistic. We can always feel safe when a movie like this is taken at this corner of the country, and for those who want such films to happen elsewhere, would have the remake option to mint some money. Still, this might feel a little too lengthy in the absence of humour, and the robbery element gets a little overdose.

The performers of the soul :: Asif Ali gets a much different role to perform, and it can be seen that he embraces the changes to perfection. He was caught on the wrong side in Innale Vare, and this time, he is on that side where he can dictate terms, even though while staying within the struggles of a well-written character, the policeman with flaws, something the director created well with his another classic thriller, Memories. When we look at further performances, Hannah Reji Koshy has been a much underrated actress, someone who is capable of coming up with some big performances – she had supported well in Darvinte Parinamam, Theerpu and Rakshadhikari Baiju Oppu, something which she does nicely in this film too. Renji Panicker plays the likable police officer with ease, and it comes as no problem for someone like him. Jaffar Idukki continues to make an impression in supporting roles, and here we have no exception to him leaving a mark. Baburaj and Meghanathan are not far behind in being part of some moments to remember.

How it finishes :: After 12th Man which did not reach the director’s usual level, Jeethu Joseph gets strong with the genre of thrills and mysteries yet again, outside Drishyam 2 and its remake of Drushyam 2, creating something to remember outside the franchise which created the magic like no other. Kooman is a solid work which gets to the list of interesting investigative thrillers with ease. Even though Jeethu Joseph has not written the script in this case, there are high quality thriller elements still present here. I would feel that there are more indigenous elements elements added here. With its thrills, the movie is close to enough to horror and also connected to some of the incidents which were reported in news recently, making it having further contemporary relevance in this part of the world than one would think about it. There serves the reminder that even in the modern world, there will be people who are rooted in the ancient and the supernatural, which always find a way to reach the present with all the strength.

Release date: 2nd December 2022 (Amazon Prime Video); 4th November 2022 (Theatre)
Running time: 153 minutes
Directed by: Jeethu Joseph
Starring: Asif Ali, Hannah Reji Koshy, Baburaj, Renji Panicker, Baiju, Meghanathan, Pauly Valsan, Nandhu, Rajesh Paravoor, Karate Karthi, Adam Ayub, Deepak Parambol, Jaffar Idukki, Jayan Cherthala, Vinod Bose, Prasant Murali, Riyas Narmakala, Abhiram Pothuval, George Maryan, Ramesh Thilak, Pradeep Kottayam

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@ Cemetery Watch
✠ The Vampire Bat.

Joji

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What is the movie about? :: Joji Panachel (Fahadh Faasil) is the youngest son of Panachel family, an engineering drop-out who has now failed in his latest attempt in the tourism field due to the COVID-19 pandemic. Living somewhere in the isolated part of the highlands, where his father Kuttappan PK (Sunny PN) owns many acres of land around their house, Joji condemns the fact that everyone considers him as a failure. Kuttappan’s other two sons Jomon Panachel (Baburaj) and Jaison Panachel (Joji Mundakayam) fear him as much as Joji does, and the terrifying head of the family is ruthless in his attitude towards his family members. He keeps all the money to himself, and the sons are ever dependent on him. Jaison and his wife Bincy Jaison (Unnimaya Prasad) are highly obedient towards him, while Jomon also has his son Popy Panachel (Alister Alex) living with him after just recently completing the procedures of his divorce.

So, what happens with the events to follow? :: It is a world where Kuttappan maintains full control, and Jomon is a son who seems to be becoming just like his father. Joji is upset about nothing positive happening in his life, while Popy is a hopeless young boy himself. Bincy also has no hope for future, while her husband the son in the middle, Jaison has no courage to do anything that could change the sequence of events for everyone in the family. But when Kuttappan has a stroke while once again trying to show his strength in front of everyone else, the regular sequence of events is disturbed. The doctors and most family members feel that there is no comeback for him, and even the local priest Fr Kevin (Basil Joseph) believes that now only prayers can save him. But to everyone’s surprise, the 74 year old man survives death and comes back to them in a wheelchair. The fear factor is back, but now there is a chance for everyone to have a deviation here.

The defence of Joji :: Joji thrives on the realistic feeling that it generates with the thrills, something which Dileesh Pothan carries over from Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum, with setting coming back to the highlands yet again. The time, from a Google search, the location seems to be more Kottayam than Idukki, and the atmosphere here is nicely set – could even serve as a lesson for anyone who makes a film based on the Koodathayi cyanide murders. This kind of a world is something that could take Malayalam cinema further, especially considering the fact that this flick is no longer limited to the local theatres, but gracing many nations of the world. The build-up is really nice, even though a little bit slow, and it has us expecting a lot to follow, considering the fact that a good number of main characters have certain secret motives. The film does make us remain suspicious at all times, even though some of those doubts are really without any reason. The camera work is excellent, and you also get to see some spectacular shots.

The claws of flaw :: The ending here is not that effective, and there we can see a big opportunity gone missing in a movie which was going to be far more efficient in divergence. One would expect one master twist in the end, but the final moments were just predictable and without the strength that such a movie needed to have. Seeing a top quality psychopath running out of ideas, and nobody stepping into take his place creates a struggle in the end. Even though there is the talk of this being an adaptation from William Shakespeare’s Macbeth, one would find that to be an unnecessary addition to the details about the movie, because the protagonist whom we see here is none like that particular character. I wouldn’t connect that Elizabethan age drama to this one because it feels like not doing justice to both – this one works separately, and could have achieved more with this premise. Also, the female character representation is too low here.

The performers of the soul :: Just like the earlier Dileesh Pothan movies which had Fahadh Faasil as the main character, this one also depends on him to bring the magic, which he does with a certain amount of ease, as he has done before in multiple occasions as part of many different movies. We can also find traces of what was seen in Kumbalangi Nights with his psychotic character that brought the twist in the end. That was a movie which should have been sent for the Oscars, and Fahadh has another performance here that follows the much appreciated self-proclaimed hero of Kumbalangi. Unnimaya Prasad is also here doing a really interesting character, someone who seems to have hidden dark shades, even though the same is not explored further. An opportunity to bring the Macbeth element with a guilt-filled Lady Macbeth is not taken here, against expectations. We had seen her most memorable role in Anjaam Paathira, and this is the next most memorable thing.

Further performers of the soul :: Baburaj’s performance in this movie serves as a big boost too, as he excels in the serious as well as the funny moments. In the end, we feel the character as a person who holds on to his own values, and the same differentiates him from others, even though he is still an alcoholic with not control over his tongue – a character nicely executed. Shammi Thilakan’s character also catches our attention, and it is also as realistic a character as we can get. Sunny PN who plays the controlling father character will also have our attention from the beginning itself. Basil Joseph’s role of the priest is a welcome addition too, even though it doesn’t directly affect the storyline. It is to be noted that the director of movies like Kunjiramayanam and Godha has played a good number of interesting roles until now. The lesser characters are also nicely added to the film, as we see them contributing really well in what seems to be nice roles for them.

How it finishes :: During the continuing time of COVID-19 pandemic, this movie has released in Amazon Prime Video, and that has been a nice idea indeed, at least for most of us who haven’t really started visiting theatres again as the cases of infections are still going up. This one is another winner for Dileesh Pothan as a director, as he scored three out of three with simple, realistic movies. I would place this movie between Maheshinte Prathikaaram and Thondimuthalum Driksakshiyum, better than the latter, but not that much of an interesting thing as the former. It seems that a pandemic like this version of mutating Corona virus has given us more thriller movies than those films with hope which were filling up the theatres before we went into that lock-down, an example being seen in Kilometers and Kilometers starring Tovino Thomas which served as a light-hearted feel-good film. We are surrounded by horror and suspense, and it is a fine change.

Release date: 7th April 2021
Running time: 155 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Unnimaya Prasad, Baburaj, Basil Joseph, Shammi Thilakan, Joji Mundakayam, Sunny PN, Alister Alex, Renjith Rajan, Dhaneesh A Balan, Renjith Gopali

<— Click here to go to the previous review.

<— Click here to go to the previous full OTT release.

<— Click here to go to the previous full TV release.

@ Cemetery Watch
✠ The Vampire Bat.

Thrissivaperoor Kliptham

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What is the movie about? :: David Pauly (Chemban Vinod Jose) and Joy Chembadan (Baburaj) have been enemies since childhood. There was a certain incident over a girl in their school which had turned the two against each other on an eventful rainy day. The two have fought each other for so long that the city of Thrissur knows their rivalry very well, and knows what would happen if the two were to come face to face. With Joy being accused of messing up David’s betrothal ceremony, the latter decides that it is time to settle the scores by dealing the final blow which will be fatal for his opponent from school days. For the same, he calls up his friends, but ends up being in a fight with Joy’s hired goons. It is during that time that Girija Vallabhan (Asif Ali) enters the situation. He is a young man who lives in the outskirts of Thrissur city, and is in a struggle with his uncle Chandu Menon (Sunil Sukhada) who doesn’t allow him to take the profit from their family property, or sell it.

So, what happens with the events to follow? :: Bhageerathy (Aparna Balamurali), a bold and angry young lady and auto rickshaw driver also become part of their lives, as she is seen almost everywhere in the city. Vallabhan who visits the city, also ends up meeting her, as well as David, as part of some not so pleasant events. He decides to join the gang of David, and after being hit by a flying stick during a fight between David and Joy’s team, gets the chance, and he has never been happier. But it is short-lived, as they are caught by OK Sehladhan (Sreejith Ravi), who is a friend of Joy, and had studied in the same school. After getting out of the police station, the gang decides to have revenge on Joy by messing up his jewellery shop inauguration, for which he has invited a famous movie star from North India, Nilina Mehndi (Shilpi Sharma). With no chance to match up with Joy who deals with gold, David’s team tries to use both brain and brawn to mess up the enemy. But are they good enough for that?

The defence of Thrissivaperoor Kliptham :: There is some nice humour in between here, which brought the theatre alive on a number of occasions. We see a lot of interesting moments in the early rivalry between the characters, and the first few minutes are among the best, and this one surely knows how to begin nicely, and catch the interest of the audience early enough. You will find even a few messages in this one, which come at the end. There is the need to forgive, and the realization that what you are luckier than you think you are, in life, and those who are deprived of what you have, are so many – a few things which we wanted were just trivial; the movie asserts. The first half is superior to the second by a long way, and the expectations are high at the interval. An effort at feel-good elements is also there by the end, when you look closer. The visuals of the city are really good, as the essence is nicely captured here. The songs are just okay, and there is not that much to gain there.

The claws of flaw :: There is the curse of the second half which troubles this movie, and the problems begin right when the latter half starts. It seems to be everywhere, not certain about which direction it is heading to. Even in the climax, except for coming up with that message for not just the audience, but also for the characters in the movie which undergo change, there is not that much to talk about. There is also the presence of some irritating sequences, and also those which could have been just avoided – that way, the movie could have gone with a run-time less than two hours, making this a little, funny movie with a message in the end. One also has to wonder where this movie would have reached if it had maintained that funny side it had displayed in the first few minutes – but Thrissivaperoor Kliptham had chosen to be cursed in the second half, and it had to come down; which sorcerer or witch had cursed a movie which had so much potential? Well, it might be a wizard that we don’t know.

Performers of the soul :: Aparna Balamurali is surely having a nice run, with fine performances in Sarvopari Palakkaran and Sunday Holiday already in the theatres with a fine feel-good run, extending from her work in Oru Muthassi Gada and Maheshinte Prathikaaram. Here, once again, she is good, playing a strong character, and she successfully rises above the flaws in making of the character – she also has rather less presence here with the focus being on the gangs. Asif Ali’s adventure goes back to Adventures of Omanakuttan and that smaller role in Take Off, and Avarude Raavukal. Both Asif and Aparna had their combination working in Sunday Holiday. The point to be noted here is that despite him being claimed as the hero, he is not really one, and as the hero who is not really the hero, he has nicely managed his work in the movie. Shilpi Sharma has less presence here, with a few scenes and one song, and looks very good throughout, in her first Malayalam movie.

Further performers of the soul :: Chemban Vinod Jose continues his journey through Thrissur which was going great in the satirical fun movie Varnyathil Aashanka. One can say that he is the one hero that this movie has, more heroic in character than anyone else. It is him who deserves the best applause in this particular flick, whether it is about the serious scenes or those funny moments – these days, whatever be the character, we love to have his presence. Unlike a few years ago, we see very less of Baburaj in movies these days, and it is very good to see him back, and for some reason, he is also given lesser of the funny side. You will also find Vineeth Mohan of Adi Kapyare Kootamani fame here in a good, smaller role. Rony David and Irshad provides some good company to the protagonist, while Vijayakumar and a few others nicely work on the other team. Rachana Narayanankutty and Zarina Wahab are in one scene each, and if you miss those scenes, you miss them.

How it finishes :: Movies based on Thrissur has been many more this year, with Georgettan’s Pooram and Varnyathil Aashanka there with this particular movie, and even Sarvopari Palakkaran was set mostly in Thrissur despite beginning from the Kottayam side; Jomonte Suvisheshangal was also based there. Among all these movies, this is surely the movie which has captured Thrissur in the best way. After drawing some good audience even further away from the city in which it is based, there is something about this movie that has attracted the audience to watch it. Thrissivaperoor Kliptham is surely a movie which could have improved itself in the second half on its journey towards the climax, but beginning so well, and with help of humour, this one manages to keep itself as a movie which provides some entertainment, and the performances from the cast support the whole thing very well.

Release date: 11th August 2017
Running time: 139 minutes
Directed by: Ratheish Kumar
Starring: Asif Ali, Aparna Balamurali, Chemban Vinod Jose, Shilpi Sharma, Vineeth Mohan, Baburaj, Vijayakumar, Rachana Narayanankutty, Rony David, Zarina Wahab, Sunil Sukhada, Jayaraj Warrier, Sreejith Ravi, Sudheesh, Meghanadhan, Nandhu, Irshad, Neeraja Rajendran, TG Ravi, Sneha Sreekumar, Manju Sunichen

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.