The Raven

Posted on October 1, 2013 by Tennyson

“Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore — While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door”. These are the first few lines of Edgar Allan Poe’s most famous poem, The Raven, which we had to study as a part of our American Literature syllabus for the partial fulfilment of the Masters Degree in English Language and Literature. Even as I found the process of doing seminar about Emily Dickinson more fascinating in this particular paper, my favourite work of that one paper was undoubtedly this poem about this black creature. Later in the poem, we have a better sight of the magnificent dark bird: “In there stepped a stately Raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door — Perched upon a bust of Pallas just above my chamber door — Perched, and sat, and nothing more”. The poem created such a great supernatural environment with the raven’s unexpected visit to a man who is mourning over his lost love.

Even as this movie takes the title from the same poem, and carries over the same darkness which the poem had in itself, the movie is not directly related to the poem, as it rather fictionalizes the final days of Poe’s life until his mysterious death instead of taking the poem’s imagery forward, and at the same time, gives our poet the powerful image of a crime solver. The use of the image of a literary figure can always be interesting, and as this one poet is considered, he was that big an influence in our question papers that it was quite difficult to take a decision to skip his poems – for that would leave us with not much to score in the exams. There might be many differences between a crow and a raven even as they look the same; as we consider the two movies The Crow and The Raven, they also belong to two different worlds, united only be the presence of murders, deaths and the dark side in both the movies. As the 1994 supernatural action movie is concerned, it remains one of my favourites, but I can’t say the same about The Raven with its investigative thriller atmosphere even as I have my own reasons for liking it.

The story takes us back to the nineteenth century, when Poe (John Cusak) lives his life filled with alcohol claiming to have used up all his literary abilities, and the only other thing he is interested in is the love for one woman, Emily Hamilton (Alice Eve). He is loathed by the lady’s rich and influential father (Brendan Gleeson) though. Meanwhile, a group of cops find two dead bodies of a woman and her daughter, and detective Emmett Fields (Luke Evans) finds out that the crime resembles a murder in the short story The Murders in the Rue Morgue written by Edgar Allan Poe. As more incidents follow, Poe is called to the police station and is asked to help the cops in solving the strange case. At the same time, Emily is kidnapped by the killer who asks Poe to publish a new story. The murderer keeps leaving Poe clues until he gets to that one final clue which would reveal what has lead to this situation, and also that mystery behind the killer should be removed. But as Emily is buried under the ground in a coffin and time keeps running out, Poe is left with less to think and more to act.

I might have to agree that this didn’t work as well as I supposed it would, even as John Cusack and Luke Evans have come up with very good performances and so did the villain who shall not be revealed here. Cusak plays the man who invented the detective genre and blessed us with the best of the supernatural, with so much ease, even as the question remains about how much the character in the movie has deviated from the original person except for the mustache. May be the movie tried to bring too much of the characteristics of the man into one movie which is a suspense thriller with an unnecessary romantic background, thus making it a little too much of a mixture. Poe might not have liked it, but as an admirer of his work, I do; and there is no suspense about it. Alice Eve once again gives her best along with being out of the league, making her way towards the character as she should have. She plays more of a lover of Poe as a poet and his ideas, and plans to marry him despite of the disapproval of her father; and this is one love story which doesn’t have a good beginning or a happy ending.

“Prophet!” said I, “thing of evil! – prophet still, if bird or devil! — Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted — On this home by Horror haunted – tell me truly, I implore” – the lines from the poem matches with the depiction of Poe in the movie too, as he accepts his dark imaginations in the movie, and asks if imagining is also a crime. He is shown as a man with no money or fame left, even as The Raven remains one of the most famous works. He finds solace in alcohol as well as his love, and attempts to publish articles instead of fiction which both the editor and the admirers want, and would be something which can bring him fame and fortune again. As he says “Nevermore”, we can see that his character mostly reflects the same man who is the protagonist in his most famous poem. He is there to prove his lines, “And my soul from out that shadow that lies floating on the floor Shall be lifted – nevermore”! So as the title is concerned, we can identify the man more with the protagonist of the poem of the same name, which is more Poe than anywhere else.

The Raven has its own collection of blood and gore, with even a huge mechanical axe-like device used by the murderer to cut a man into two halves, as the machine swings to and fro like a pendulum coming down towards the victim second by second – from Poe’s another work, The Pit and the Pendulum. The whole atmosphere is full of shadows and darkness creating the much needed creepy world. The villain is someone who knows Poe’s imagination more than he himself does, and his characters and stories too well. There is even that question about Poe inspiring those murders. The inspiration for the movie might be many slasher movies which came earlier, that is for sure. There lies the agony, and the sadness which arises due to the fact that this is just a random fictionalized story with lots of areas which could have been better. There could have been further logic and strong connections, but The Raven has taken the easy way out, with three of the skilled leading actors and an addition of the dark atmosphere supported by blood and gore, trying to work the mystery of a literary figure and his works. It does work in parts most of the time, but as a movie which requires that standard of the poem whose title has been taken, there should have been a lot more.

Coming from the man who directed V for Vendetta this is surely a let-down. May be the movie confuses itself a bit about what it tries to achieve, but this is still a good flick for the literature enthusiasts, especially fans of this one poet and his works, even as there can be disappointment about the changes in depiction of the poet, and the lack of anything amazing in the story that made him a crime solver. There was a lot more scope to this idea of the fiction which has been explored here. I liked this movie because I could connect it with Poe’s works which I had to study and it was easy to remember more about him with this movie, even as it would have helped me much better if the movie had released in 2011. This movie is my nostalgia, of my time reading Poe at college. I can’t say the same about others though, and for those who don’t know Poe or haven’t read any of his works, this is better to be avoided. The other choice for you is to read his works, something which might be a tough ask in a world which is ruled by fiction of no real quality. Still, I would suggest you read the poem The Raven, about which I managed to write a lot in my exam, and a reading of Dante Gabriel Rossetti’s The Blessed Damozel with it might prove further interesting.

Release date: 9th March 2012
Running time: 111 minutes
Directed by: James McTeigue
Starring: John Cusack, Luke Evans, Alice Eve, Brendan Gleeson, Oliver Jackson-Cohen, Jimmy Yuill, Kevin McNally, Sam Hazeldine, Pam Ferris, John Warnaby, Brendan Coyle

@ Cemetery Watch
✠The Vampire Bat.

Elysium

Posted on September 29, 2013 by Tennyson

So here comes the movie which I have been waiting for, since the day it released in the United States, and then again starting another big wait from the day in released in the United Kingdom. This was also the movie I was looking forward to watch in 2013, after Pacific Rim. Other than the presence of Matt Damon, the other interesting thing about this movie was what was told in the brief summary associated with it, and surely that name. The name was quite familiar in relation to some of the stories related to Greek mythology which I had come across during my childhood. Yes, that varied vision of paradise had left a mark, and here is that name revisited through this movie, not as what comes after afterlife, but all the same which are enjoyed during this life. The movie is set in 2154, when a group of wealthy people left the Earth after coming to know that their kind had destroyed the planet with greed and lavishness. With all the resources that remained on Earth, they created Elysium, a luxurious space station just outside the planet’s orbit to live a life free of disease and pollution. The lived a life of comfort assisted by robots and superior medical care, while the people of Earth were made to live on a devastated land, policed by robots sent from Elysium and deprived of their rights.

Max Da Costa (Matt Damon) is a former criminal on parole working in Armadyne, the same company which built Elysium. But he is exposed to lethal radiation during an accident and is left with just five days to live. All is not well in Elysium either, as Elysian Secretary of Defense Jessica Delacourt (Jodie Foster) orders a mercenary on her payroll, Kruger (Sharlto Copley) to shoot down civilian shuttles full of illegal immigrants trying to make it to the city of their dreams. Elysian President Patel (Faran Tahir) condemns her action on the basis of human rights which leads to a cold war between the two. As Jessica looks forward to having more power and keeping it, makes a deal with Armadyne’s CEO John Carlyle (William Fichtner) to create a program that can shut down, reboot and override Elysium’s central computer in order to make her the new President. Carlyle creates the program in his office on Earth, encrypts it and uploads it to his brain so that he could take it back to Elysium for secret deployment. With the help of his friend Julio (Diego Luna), Max seeks help from a skilled smuggler Spider (Wagner Moura) to go to Elysium and get cured, to which Spider asks for Max to steal some information from Carlyle. He agrees, and supported by an enforced exoskeleton, he goes on a mission which could change the life of a lot of people.

Coming from Neill Blomkamp who gave us District 9, this movie is somewhat a let-down, and it struggles to keep its standard as high as that wonderful flick. Still, it is certain that the base of both of these movies are the same, and both deals with somewhat the same issue, which is the difference between the oppressor and the oppressed, the privileged and the under-privileged, the powerful and the subaltern. The 2009 movie had aliens coming to Earth and living on the planet only to become second-rate citizens, while our 2013 movie has humans going to a space station and making the rest of their kind second-rate citizens or rather the lesser species – almost the same thing. The protagonist is from the subaltern group this time though. Both are about the horrible divide between people, sometimes about the rich and the poor, and otherwise racial or ethnic in nature. The evil of the multinational corporations as well as the government funded policing of groups which are different in some way or the other, also exists. Elysium makes a good attempt to carry on that idea of divide which formed the skeleton of District 9, and adds more elements of science fiction and powers it using the expensive fuel of post-apocalyptic fiction which sells, and in the process it hurts the inner core.

This is undoubtedly Matt Damon’s movie, and one has to doubt it would have worked this well without him. In the dystopic future where Earth has become nothing more than a big slum of devastated towers and a collection of small ghettos. He plays a former criminal who wishes to go to Elysium so that he could save his own life, but later he transforms into something more, as the saviour of not only his friend’s daughter, but also of millions who can’t afford the riches of the new first world. He is a confused revolutionary and a saviour who doesn’t decide his change, but rather it happens to him. He becomes what the nun who raised him had told him when he was a child – for he became someone special, an act which is supported by flashbacks which works, but not the way the audience might have wanted. This might be his best performance since the first three movies in the Bourne series. The character should have done better with a little more attention to his thoughts and change rather than just making him change as if it was there in him since childhood. Surely, he could have had more to work with, and this movie’s overuse of brain has seriously worked against the character of Max, which could have been drawn from another level.

I am rather surprised that Jodie Foster is not the main villain in the movie, as I thought this was going to be her wonderful performance in the form of another great villain, from what it seemed in the trailer. We wanted that villain, and in the beginning stages of the movie, we also get the feeling that it is how it is going to be. It is a shame that she doesn’t impress at all this time. But there would be Sharlto Copley rather than Jodie in a performance which is quite strange even though good. But this is one character who shouldn’t have had this much screen presence even as the man seems to live in the character and keep it a level above most of the movie. In a movie which is something more than a science fiction, this is not the main villain we want, for this is a more suitable secondary villain character. The need for a more powerful in intellect and yet normal in muscular strength villain was there, and this need is not fulfilled. Its good to see Alice Braga after her last action movie Predators, to which I hope there will be a sequel. She plays the childhood friend of Max, and the one who has a deep impact on him. Despite the smaller screen presence, she makes a very good impact. William Fichtner could have made a great major villain, but his character dies too early for us to get a glimpse of a possible evil. He still symbolizes the corporate evil, the power of the multi-national entities which became inter-planetary entities.

There is action and there is the hidden theme of the lack of humanity and the division between humans. But the action is mostly of inferior quality and the social message is not that powerful as one would expect to. I would consider Oblivion a far better flick intellectually, and District 9 a far more effective movie with its social message. As far as entertainment is considered this won’t be a Star Trek: Into Darkness nor a Prometheus visually. Elysium is another one of those escapist fantasies for sure, but its bridge towards the social message is not that much a perfectly crafted link. Another factor should be that of blood and gore which comes in abundance here, and gets itself an adult certificate with the same, but still doesn’t manage to do it well enough. One has to applaud the visuals though, as the world of Elysium as well as that of Earth are well-detailed, and the robots as well as the flying machines are well-designed and works very fine. The action sequences are lesser, but still not too exaggerated. The movie’s confusion about where it belongs is clearly reflected in all those things which happen throughout its own little world. One has to applaud the idea, but still be confused about its effect on oneself, and how to think about this movie. The emotion couldn’t be felt deep enough, and my friend had recommended a seventy three for this, but I thought I should add a little more to the rating.

While the movie drags a bit, and keeps itself in a loop in which it gently repeats itself, there is still enough in its soul to keep us interested and make a good influence. The only movie of this year to which the action of this movie can be compared is World War Z; yes not to Oblivion which had another post-apocalyptic world with a supposed colony of humans in another place as Earth has gone down due to many forces of destruction (a theory which is proved wrong in a twist of fate which is found later). This drags like World War Z and gets the loop working as the same movie. This could have done with a better route in the script, and Jodie Foster as a different, but still the major villain. It is sad that all the potential had this movie only up-to this level – no, I am still glad to have watched this movie, but this should have been a great work on the screen, but it has missed that opportunity, and that is kind of saddening. May be they could have stuck to one thing in this movie rather than making it a masala social message, or may be there could have been a better balance; I wouldn’t be sure, but let me tell you that I was hoping to come out ready to give an eighty to eighty nine for this movie out of hundred, and seventy seven is a disappoint if we look at it that way.

Release date: 27th September 2013 (India); 21st August 2013 (UK)
Running time: 109 minutes
Directed by: Neill Blomkamp
Starring: Matt Damon, Alice Braga, Jodie Foster, Sharlto Copley, Diego Luna, Wagner Moura, William Fichtner, Brandon Auret, Josh Blacker, Emma Tremblay, Jose Pablo Cantillo, Valentina Giros, Maxwell Perry Cotton, Faran Tahir

@ Cemetery Watch
✠The Vampire Bat.

2 Guns

Posted on September 21, 2013 by Tennyson

There was the need for an oasis of action among the movies of this Onam, among which none of them was of the much needed action genre, even as at least half of the Malayalam movies of this Onam season were very good. Yes, 2 Guns released here yesterday only, and I have to say that it has been delayed quite a bit, and should be glad to have released this week, as a few others like Elysium are still waiting and waiting, and Grown Ups 2 had its chance only the last Friday. The winner of this weekend should still be the Malayalam movie Sringaravelan, and the word of mouth should be in completely in favour of North 24 Kaatham. As both this day and the next are public holidays, most of these movies should have a good time, also expecting the last days of Onam holidays to boost up the revenue a lot. 2 Guns is one of the five English movies still in the theatres this week, along with Rush, The Conjuring, Grown Ups 2 and Riddick. The advantage of 2 Guns is its star cast and the fact that none of these movies actually rival this one in its genre, even as Riddick is only partially a sci-fi movie.

Now we come to the idea of the buddy-cop comedy movies among which the most known and the most popular might be the Rush Hour series with Jackie Chan and Chris Tucker making the most out of it. I would still wonder if Men in Black can come into the same category, and R.I.P.D. and The Heat hasn’t landed here yet. I shall not look into the older movies either. 2 Guns has landed in this area, but still quite unsure if it is an action comedy or comedy action, as it gets quite serious on regular intervals unlike Rush Hour‘s ever-improving funny side. I would guess that this one won’t do that good business here, even as this is the festival-vacation season, with families, the strength of this season expected to pull out of it completely. The hope might be about The Conjuring scaring people out of the theatres and Rush confusing them away. It has the same certificate as Grown Ups 2 and Riddick, and it would depend on how much the star name of Mark Wahlberg will sell around here, with the recently popular R-rated comedy Ted and Max Payne of the computer gamers’ paradise, even as both of them hadn’t released here.

The movie tells the tale of two criminals who turn out to be on the other side of the law later; Robert Trench (Denzel Washington) and Michael Stigman (Mark Wahlberg) as the former is an undercover DEA agent and the latter an undercover Naval Intelligence Officer; both of them thinks that the other one is a criminal though. But their attempt to steal the money of Papi Greco (Edward James Olmos) from a bank ends them in trouble, as they end up losing both the money as well as blowing their cover. Trench’s lover Deb Rees (Paula Patton) who knew about all these also seems to be on another side which they are not aware about. They have to run from more than one group who is after them, which leaves them with no choice but to work together, this time knowing each other’s identity. They even try kidnapping the drug lord, but that too misfires. So the question will be on who will shoot whom, sided with which person and who will get the large amount of stolen money in a world of treachery and complete chaos which follows the fall of two men from their respective forces.

So what do we get? There is one thing we can be sure about, that is lots of fun and action. There are lots of gunshots involved as expected, but not that much of melee combat. The hand-to-hand combat takes the backseat as the guns take over. These kind of movies seem to make sure that there are also a good number of funny lines, and this one is no exception in that case, and one thing which this movie does by its own is making sure that Paula Patton is gorgeous, which is accomplished by just two scenes; that should be new as one wonders if she was there more for those two occasions only (not denying her character the double-crossing), as she doesn’t really get much screen presence compared to her tough role in Mission Impossible: Ghost Protocol. But she is still our dazzling lady in the lead, with not many others around who are there for more than five minutes. What the movie does is nothing not too obvious, and nothing close to being a normal logical story. We still know what might happen next, even as what we know is not really what should be happening without a willing suspension of disbelief. There is not that much power to strengthen the plot either, even as there is the sincere effort to keep it not that simple.

Mark Wahlberg steals the show, and there is absolutely no reason why someone would think otherwise, unless Paula Patton’s moments which contributed to the movie’s rating steals the same for a few seconds. Even as the critics didn’t give that much to his Planet of the Apes and Max Payne, I would say that those were my favourites from him along with Ted, without denying The Italian Job and Shooter their due and this won’t add to it. He comes up with the funniest lines of the movie, and if a character was to bring cheers from the audience, it was his, as the chicken-eating, chicken-loving man who can’t bear to see the chickens being tortured. The last time I watched a Denzel Washington movie was Unstoppable, if not The Book of Eli. He is there for almost the same time as his partner, but a little lesser in impact compared to the Mark Wahlberg show. Even with their jokes as well as the seriousness, it has to be said that this movie goes to none of their top ten list, except for that of Paula Patton. The two cop characters won’t be in any all-time list, and that is one thing we can be pretty much confident about. They shall still stay alive and out of the coffin as long as the fans are concerned.

The movie is violent for sure, and there are lots of blood, along with some of the violence as well as the dialogues, nothing unexpected though. Well, this is one of those movies which you feel longer than what it really is, as the almost-two-hours of action comedy makes you feel like you have been in the theatre a little longer, and that is due to its moments of no fun which exists. But when Mark Wahlberg and Denzel Washington are together, there is more fun guaranteed, and luckily they stay together most of the time. They are surely not going to make you love this genre though. But not many of the regular movie watchers can avoid these two actors together, a rare combination which has such a huge potential which is only partially fulfilled. Based on a graphic novel series of the same name, the movie strives inside its limited scope, with the big names which it has associated with. This is a movie which you can watch without thinking, expecting or hoping.

By the end of the movie, there are only a few things that you are sure about, and the more sad side of it is that Paula Patton’s character is dead, and in the distant possibility of a sequel, she won’t be there, and the happy side is that there is the scope for sequel, not just because of the ending, but also due to the way in which the movie has progressed and also considering the fact that people in the theatre did seem to love it upto an extent. This entertainment is something which keeps you asking for more, and this “more” if delivered, can happen only in a sequel. The Seventy Three out of One Hundred, which I have provided the movie with, is not the exact rating for everyone, as a slightly lesser rating might make most of the common movie watchers happy, but I am going to stick with this one, being at my subjective side. This is a movie which you can watch prepared to take it as the entertainer starring two big names and a gorgeous leading actress, not to forget the typical villains. Yes, there are a few things reminding us of some of those Quentin Tarantino flicks, for this movie doesn’t belong to one category, not of comedy, action, adventure or thriller completely, but still qualifies as action comedy from a distance.

Release date: 20th September 2013 (India); 2nd August 2013 (United States)
Running time: 110 minutes
Directed by: Baltasar Kormákur
Starring: Mark Wahlberg, Denzel Washington, Paula Patton, Bill Paxton, Fred Ward, James Marsden, Edward James Olmos, Allie DeBerry, Robert John Burke

@ Cemetery Watch
✠The Vampire Bat.

Riddick

Posted on September 8, 2013 by Tennyson

Vin Diesel is back in a form which is not at all unfamiliar to his fans, for he is Riddick once again, the intergalactic nocturnal criminal of the worst kind. This movie, just like that well known quote “Government of the people, by the people, for the people” is a “film of Vin Diesel, by Vin Diesel, for Vin Diesel”, but that would decrease the scope by a long margin. So, this is a movie for Vin Diesel fans, lovers of Alien sci-fi horror, those not disturbed by violence, and the ones who can wait for some action sequences despite of an initial drag. Yes, it is a huge improvement over its predecessor, The Chronicles of Riddick and a sight improvement over Pitch Black, the first movie of the franchise. But then, questions shall arise, if this was actually needed; is it just made to create another movie in the series, or is it a pre-matured release of something which could have been far better. The movie keeps the questions active, as it progresses in an attempt to re-create the impact of Pitch Black and make it better. Radha Mitchell was quite unsuitable for that movie and she didn’t bend in like she could in Silent Hill, but in this movie, we also have a better and a more suitable female lead, about whom we shall discuss later.

So, the story follows where the second movie of the series, The Chronicles of Riddick had left the plot. Richard B. Riddick (Vin Diesel), the new Lord Marshall of the Necromongers was fed up with his new life and wanted to return to his homeworld of Furya for which he makes a deal with Commander Vaako (Karl Urban); to get to him to his home planet with Vaako being given the throne in return for the service. Riddick and a group of Necromongers go to a planet which he identifies as not Furya, but is trapped under rubble after the ledge on which he stood is destroyed by one of them and he fell to his doom as they guessed. But Riddick survives, as he gets up from underneath the dust and even manages to thrive, after defeating dog-like alien creatures and getting away from scorpion-like aliens. He becomes a Robinson Crusoe of another planet, living life on his own terms. He catches and trains one of the dog-like creatures and with it, crosses the water which had the scorpion-like things, killing two of them in the process, reaching grasslands from the devastated area he was caught in.

As the next phase of his life begins in the grasslands, he locates an abandoned communication station, and as the final and the only possible attempt to get out of the planet, he activates the station’s emergency beacon which identifies him and sends his photos and bounty details all over the universe. The beacon is answered by two ships, one led by a man named Santana (Jordi Mollà), and another led by another man named Boss Johns (Matt Nable). As the first team seems to be full of bounty hunters, the second seems to be of hunters of another type. They don’t seem to get along at all, as Santana and Johns’ second-in-command Dahl (Katee Sackhoff) gets in serious confrontations, and the presence of a second group of hunters is not entertained by the first group, as they were there first and wanted to claim all the bounty for Riddick’s head. Riddick sends them a message to leave one of the ships and go back to their world if they don’t wish to be killed, which they ignore. Three of Santana’s men are killed in the first night itself, courtesy the intergalactic murderer, his pet alien dog and his traps.

The next phase of his time on the planet begins as he manages to steal a power core from each ship which would destroy the ship’s balance and its ability to traverse as it is supposed to. He then approaches Johns and Santana to work out a deal, the same thing concerning leaving a ship behind for him. But it doesn’t work out as he might have wanted, as Santana kills his pet alien dog and their sniper Dahl takes him down with strong tranquilizers. He is chained as Santana keeps asking for his head in a cage. But when the nightmare creatures of the planet, the highly evolved and lethal aliens, arrive in another black moonless night, to save themselves from the pitch black creatures, they are forced to unleash Riddick. He has the power cores, he can see at night and he is one of the most lethal convicts ever, and there was no other choice for sure. But the question remains if he shall be their saviour or their destroyer, as the first thing he does is to cut off Santana’s head, something which he was planning to do to Riddick. He is lethal, no doubt about that, and will he stick to his word? And will the hunters stick to their word after evading the creatures and getting the ship ready to escape?

Yes, this is Vin Diesel’s movie. How often do you have the same lone leading character in a movie which released nine years after the earlier movie in the franchise? There is nothing in the story that doesn’t concern Riddick – the whole thing is about him, as how good is his survival skills, how well he can adapt, and most of all, how well he can kill. Vin Diesel is once again the perfect Riddick, but slightly lesser in aggression compared to what he was in the previous titles. Just like The Fast and the Furious banks on him, and XXX will bank on him again sooner or later, this movie depends upon the man to get itself working, and to give the franchise that life which he gave to that one dying franchise with Fast Five and Fast & Furious 6. There is no doubt that this will survive due to him, and might even produce sequels, but how much of a success this would be is still a question. I would guess that some moderate success will be in store, but a sequel would do better both critically and also in the box-office. Dominic Toretto, Xander Cage and Richard B. Riddick, these three will be the names with which Diesel shall always be remembered, and this was that golden opportunity to keep Riddick high over the others, but even as he has done nothing wrong, this character would remain second in the Vin Diesel world.

Karl Urban as Vaako has just a small presence, but we can hope for more from him in a possible sequel. Dave Bautista, better known as Batista, The Animal and The Leviathan for the WWE fans also makes an impact as one of the bounty hunters, as he goes on battle with our own anti-hero, but gets killed unlike how the other former WWE and World Heavyweight Champion Dwayne “The Rock” Johnson who jointed Diesel’s character in his most popular franchise. He provides the extra muscle for the movie. Matt Nable as Boss Johns has done a neat job, as the man who has a lot more reasons other than a bounty to come and search for the wanted convict. His character is just the opposite of Jordi Mollà’s Santana, the former matured and showing his experience while the latter showing his greed, ego and recklessness. Both of them has done their characters quite a lot of justice for sure, and the latter upto that extent that the man became extremely annoying. They are all bounty hunters or mercenaries in one way or the another. Katee Sackhoff makes a powerful performance as Dahl, and as she herself is said to have told in an interview that it is one of the toughest characters she has ever played. She is the dazzling badass girl who can play Power Girl or Wonder Woman someday. She is depicted as one of the strongest and able to give away heavyweight punches along with gunshots of extreme accuracy.

Talking more of the Katee Sackhoff character’s strength and durability is certain as she often reminds us of Sigourney Weaver’s Ellen Ripley, and talking about Alien, the creatures of this movie are not so different from those, except for the fact that they don’t come out of the chests, but rather go through it. The creature imagery formed by the CGI is quite superb. They are still not as frightening as expected, but they keep their level. The one thing about the world is that it is heavily detailed, and one can find so much in the environment, which embraces the beauty of another world perfectly. There is darkness which generates alienation and fear, and the shot of Riddick fighting massive number of aliens on a slope with lightning and rain in the background, is a shot worth remembering, and there are some lesser shots of style when he walks on the scorched areas of the planet much earlier and later as he moves around in he grasslands. There is horror for sure, and there is action with lots of blood and gore, but the question remains if this is John Carter’s Die Hard, as this is more like what Bruce Willis might have done in Mars to save the day, not denying the fact that Riddick is one of his kind. Did Riddick say “I’ll be back” in any of the earlier movies, if not, he has surely meant to say it and make it happen with this movie, and my only hope is that they can actually have a good plot and progress of the story next time rather than thinking like Pitch Black again.

Release date: 6th September 2013
Running time: 118 minutes
Directed by: David Twohy
Starring: Vin Diesel, Katee Sackhoff, Jordi Mollà, Matt Nable, Dave Bautista, Bokeem Woodbine, Raoul Trujillo, Karl Urban, Conrad Pla, Danny Blanco Hall, Noah Danby, Neil Napier, Nolan Gerard Funk, Alex Branson, Andreas Apergis, Keri Hilson

@ Cemetery Watch
✠ The Vampire Bat.

We’re the Millers

Posted on September 7, 2013 by Tennyson

It was a delayed entrance that this comedy movie made to the theatres here and there was a bigger delay in me watching the same. Percy Jackson: Sea of Monsters and The Mortal Instruments: City of Bones had taken over the last weekend, and it was necessary that I had to wait, and therefore I did and took this pill of comedy which is We’re the Millers. The Hangover Part III was the last full-time comedy of this nature which I had watched in the theatre last. Now, here is this movie which overtakes the final movie of a series of a solid fanbase even with its highly predictable setup which comes up with no surprises or moments of absolute brilliance. It is more of a disadvantage of that movie rather than the capability of this movie. But the difference in rating is negligible and the effect is also not that much of a variation, as you can check right here: https://moviesofthesoul.wordpress.com/2013/06/01/thehangover3/ except for the well-known fact that it was The Hangover, and was to be respected for the first movie of the franchise, which was just another Dude, Where’s My Car? if we look at it with eyes uncovered of the glorified mist.

David Clark (Jason Sudeikis) is a drug dealer of a smaller level, a chronic bachelor and still a happy one until he is robbed of his money and stock, on a night of stupidity. His boss, a rich drug lord and gangster Brad Gurdlinger (Ed Helms) forces David to smuggle marijuana from Mexico to the United States in order to clear his debt to be him as well as gain some good carrier fee. As he is known enough as a drug dealer and one man crossing the border is going to be more suspicious, he hires a stripper named Rose (Jennifer Aniston) who is having heavy financial difficulties and loses her job, an arrogant runaway teenage punk girl named Casey (Emma Roberts), and his eighteen year-old neighbor Kenny who is afraid of kissing a girl (Will Poulter) to pose as a typical American family called the Millers travelling in an RV, with that random family name he came across. They are a strange group, but still manage to get through into Mexico and also get the needed goods from a Mexican drug-hold, despite almost getting shot by the gangsters and being caught by the Mexican police.

Due to the presence of a heavy load of marijuana on the RV, the automobile breaks down. They are helped by a family called Fitzgeralds whom they had encountered at the border, and it consisted of Don (Nick Offerman), Edie (Kathryn Hahn), and Melissa (Molly Quinn). As they take the Millers’ RV to a repair shop, Kenny falls further for Melissa. It is then revealed that Don Fitzgerald is a DEA agent as he comes across his badge and the gun. After Edie seems to be highly interested in Rose, and Melissa finds out Kenny kissing both Casey and Rose (as they were trying to teach him the same), a holy mess breaks out and despite the husband and wife being reluctant to leave them, they finally get to the shop only to be greeted by the real drug lord whose package they had been carrying over. But they try to convince him that they are not a real family, and Rose is a stripper, as she strips down to her underwear and do some pole-dancing and attacks him with a steam vent which sets them on the escape route with an angry drug lord and his men behind them. As they try to settle their differences, they are followed by one of the most dangerous gangs and it is to see if they can survive and finish their mission, earning the much needed money.

Jennifer Aniston who seems to look better and better, steals the show in this movie, as the stripper and still the caring supposed-to-be-mother. I haven’t watched many of her movies, and the only one I can remember right now, is Bruce Almighty, possibly because the genres of the films she acted in rarely was part of my to-be-watched list. May be I could find a few more of the movies with her in them, sooner or later. The absence of big male leading actor is solved by her presence, and even as this is more of an opportunity for her to get into her character and look awesome. But it is to be noted that her acting skills as a comedy actress also gets its due, and she never looks out of place and even her character’s job in the movie seems to help her performance highly. She has her charm working out throughout the movie as she triumphs in what she does. Most of the better moments of the movie has her as part of it. She is the biggest star in the movie, and the next one is Ed Helms, the Stu of The Hangover franchise with quite a small screen presence. He comes, make a short impact and then makes small appearances.

Jason Sudeikis as David Clark makes a good central character, and he has his own good moments in an everlasting screen presence. He remains funny throughout, as his dynamic character evolves from the drug dealer who keeps seeking money to a responsible father-to-be. Will Poulter’s Kenny Rossmore is undoubtedly the funniest of all characters in the movie. He is instantly likable even with all the nonsense that he come with up with, adding to the funny side of the movie. Emma Roberts as Casey Mathis, and she provides the right dose of energy or the lack of it at the right moments, creating the much needed contrast with Kenny on one side, while also with David on another side. She is the bad kid, a strange and never caring girl who ran away from her home due to small differences. Nick Offerman’s Don Fitzgerald and Kathryn Hahn’s Edie Fitzgerald are the next funnier characters. Molly Quinn as Melissa Fitzgerald has a cute, beautiful, innocent presence throughout the time she spends on screen. She might even be the best-looking person around in the movie. Tomer Sisley is a fine Mexican drug lord and Matthew Willig makes a good henchman.

The strength of this movie is its cast, as one might expect even before watching the trailer of this movie. But the question remains if they could have had a better, less predictable plots with not much of the repeated comedy scenes. Some of them are too silly and stupid for the common movie watcher who has had a long season of watching comedy movies. It might be more than just okay for the viewers from this part of the world, as adult-comedy is not something you get to watch in theatres too often here, and even if it does attack the big screen or the television channels, there are more to cut than to show, making the whole thing a lot more shorter than what it really is. Jennifer Aniston surely had some of her stripping and pole-dancing cut from the totality, and there has been a lot of dialogues by both the male and the female lead which has been removed. The movie surely felt quite short compared to its total running time given in the internet, but one can also think that it was more because it was funny and entertaining enough, with subtitles to make sure that none of those terms are missed by the usual audience who don’t get to see movies of this genre every day, every month or even every year.

The Heat and Grown Ups 2 hasn’t come to our theatres, but The Hangover Part III had quite a good time here. We’re the Millers also had quite an okay time here, but Jennifer Aniston can’t create that much of an effect here and there all the collection this movie makes here comes from the trailer which was shown before Indian movies, and that trailer was pretty good rising the bar of expectations. The fact that Percy Jackson: Sea of Monsters is having a better word of mouth, and still staying on to have more shows, and Riddick coming to make an impact with a superstar who is loved in this part of the world, the only hope for this movie is to fill the void which The Conjuring might leave next week after scaring enough people. But that might also be filled by new releases in different languages, as the Onam celebrations are coming up and families shall flock into both the normal theatres as well as the multiplexes, not for adult-comedy, but for the family movies, mostly in Malayalam followed by Tamil and Hindi in that order. So the time of this movie has almost ended here, but it has surely created enough impact outside here. For now, I hope that they don’t steal from this movie to make a road trip flick in the form of a Hindi or Malayalam movie, as a whole or in part, as that won’t be tolerable at all.

Release date: 7th August 2013 (United States); 31st August 2013 (India)
Running time: 110 minutes
Directed by: Rawson Marshall Thurber
Starring: Jennifer Aniston, Jason Sudeikis, Emma Roberts, Will Poulter, Ed Helms, Nick Offerman, Kathryn Hahn, Molly Quinn, Ken Marino, Matthew Willig, Tomer Sisley, Thomas Lennon

@ Cemetery Watch
✠ The Vampire Bat.

Texas Chainsaw

Posted on September 6, 2013 by Tennyson

I have always valued The Texas Chainsaw Massacre as one of my favourite horror movie franchises, even as not that high a piece of horror if each of them are taken individually. But, I might change the idea if I watch them again, but I don’t really have that much of information stored about the movies in this series any more, as that movie watching adventure happened too long ago, I didn’t complete watching the series nor did I watch any of the movies of the franchise more than once. I did search for the video game of the same name in vain though. One can’t stop oneself from remembering Leatherface though, as he is one of those classic slasher horror characters along with Freddy Krueger, Jason Voorhees, Michael Myers, ChromeSkull, Jacob Goodnight, Ben Willis, Ghostface and Rusty Nail, not forgetting that there are others whom I keep myself from mentioning right now. One of the first of the large number of slasher horror movies which came to existence in the 1970s, this movie’s great grandfather still has a strong base right there.

I did miss the 2003 version of The Texas Chainsaw Massacre and the 2006 prequel The Texas Chainsaw Massacre: The Beginning. About the rest of the movies of the franchise, I couldn’t be sure, which is why I decided to watch this one. It was time to give Leatherface his due, for he has been kept waiting for long. This movie is a direct sequel to the first of the series, which was the most successful of the series. Not many slasher movies can boast of a critical rating that the original movie had succeeded in collecting, but our movie has a collection of the exact opposite type of reviews, the negative ones, almost interchanging the ratings of rottentomatoes from 91% to 19%, but let not that thing worry us as usual. We know what we are going to watch while going for a slasher horror movie. It is not a blend of intellectually superior greatness and spiritual enlightenment poured into a cup and mixed with everything highly logical and rational to the extreme point. A slasher film shall remain what it is and keep to its genre, and Texas Chainsaw 3D has undoubtedly done that.

As said earlier, we go back to the events of the 1974 movie which started it all. Before the movie starts there are some great visuals from what came to the franchise early, going on at the same time as the credits are rolling; a pretty good start to a franchise which is trying to pick itself up from within the ashes. The whole family of Leatherface is murdered by the locals as the house is burnt down in a quick attack. But a little baby belonging to the family is taken by one of the arsonists after killing her mother, and he raises her as his daughter with his wife who was not able to get pregnant. Heather Miller (Alexandra Daddario) has now grown up without any knowledge about her real existence, until she comes to know that her grandmother, Verna Carson (Marilyn Burns), has passed away and left all of her possession to her which leads her to the realization that she was adopted. Heather and her boyfriend Ryan (Tremaine Neverson), along with two other friends, Nikki (Tania Raymonde) and Kenny (Keram Malicki-Sánchez), decides to travel to Newt to find her roots and collect her inheritance. On the way, the group gives a lift to another man Darryl (Shaun Sipos) whom they mildly hit with their car at a petrol pump.

When they arrive at the place, the grandmother’s family lawyer, Farnsworth (Richard Riehle), reaches there and gives her the keys to the family mansion along with a letter from her grandmother. All of them are exicted about the grand property which she owns, and they look around the house, as Heather’s eyes strike a graveyard on one side of the house and says “Thank You” at her grandmother’s grave while others have some fun and decides to stay there during the night as it is an enormous and beautiful place. As the friends leave to get supplies for the nigh, Darryl decides to loot the house and get out there as soon as possible, but comes across Leatherface as he goes greedy and looks for the big price with a big key to the cellar, even as the fact remains that he could have easily gotten away with what he had already collected. The fact that he tried so hard to be killed by Leatherface remains the usual thing of horror movies. But, the most important thing is that he is dead and the killer is now on the loose, to be unleashed on the four friends. But they would know nothing about the same as they say cheers and enjoy the night, believing that the man had looted them and left already.

Kenny is the next one to die, impaled with a hook, and Heather is knocked out and taken to the domain of Leatherface in the cellar where he is seen to work on the corpse with a chainsaw and murders Kenny who was still alive with he same weapon of his choice. When the killer is distracted, she somehow manages to run outside followed by Leatherface. She jumps into an open grave in the graveyard and hides herself in one of the coffins only to be found out by the killer before being distracted by the two remaining live humans out there. But they don’t realize that she is in the coffin and neither do they know what kind of terror they are calling upon themselves, as they are chased by the same man with the chainsaw. Heather comes back with a van, but they fails to go out through the gate as it neither opens nor gets destroyed. Finally, when the gate opens, the killer is still after them, and as Leatherface manages to scratch two tires on a side with his chainsaw, the van gets out of control and goes upside down, and the chase begins there. Does Leatherface have a plan for them or does he have separate ones for his relative and the rest if he knows about it, that is something which is to be answered. And what would the former arsonists think about all of these?

Well, the movie doesn’t come up with anything to hold its base facing the wind from the critics. Among the two things that do have a say, the first one is about Dan Yeager as Leatherface, who was as menacing as the human skin mask wearing, chainsaw holding murderer. Even as it seemed going down the drains in the beginning, he has held his head high, as the serial killer of ages. The other thing is the performance of Alexandra Daddario as Heather Miller, who evolved between her own existence of working at a slaughterhouse to being in a slaughterhouse of humans created by his own cousin, making some strange choices which reiterates her existence not as the victim, but more as the youngest member of a bloodline which has that gory history of ages. Being one of the most gorgeous choices for a horror movie protagonist, she shares her beautiful presence blended with the terror that her one last relative unleashes, and she herself realizes and to an extent, embraces. After watching Percy Jackson & the Olympians: The Lightning Thief and its sequel Percy Jackson: Sea of Monsters, the first thought would be that she could be nobody other than Annabeth Chase, the daughter of the Goddess of Wisdom, Athena – but time changes and here she is the cousin of Leatherface, the Master of Pain; the Legend of Horror; for she has that kinship with her once again.

Texas Chainsaw is no super movie in any way, and its effects are not far lasting, as it thrives too much on blood and gore. Other than that, it has the legendary villain and Alexandra Daddario’s dynamic character which she perfects, to support its cause. It is to be noted that Alexandra Daddario has come up with great performance in the lead roles for the two of her movies which were released here. Still, both of these characters suffer from the way they have chosen to continue the story from the original. There are moments which make sure that this movie stay on top, but there is no regular flow in its environment which ensures that this would go on to make the world of terror rise and clap. The movie makes an attempt to turn the tide in favour of Leatherface, and his cousin Heather against most of what is left in her world. But its success is only marginal, and both of them remains on the other side, the dark one. But with its graphic violence and the elements of surprise and shocks which are injected at regular intervals, this movie keeps itself on level with what the audience is supposed to expect. It also sets the path for a sequel it is to be seen if such a thing can make it to the theatres.

Release date: 4th January 2013
Running time: 92 minutes
Directed by: John Luessenhop
Starring: Alexandra Daddario, Dan Yeager, Tania Raymonde, Tremaine Neverson, Thom Barry, Paul Rae, Bill Moseley

@ Cemetery Watch
✠ The Vampire Bat.

Spring Breakers

Posted on September 5, 2013 by Tennyson

“I will drink Life to the lees” said the protagonist, the Ithacan king and the Greek hero, in the poem titled with his own name, Ulysses, by Alfred Lord Tennyson. That suspected hedonism in the face of our inescapable mortality found in The Rubáiyát of Omar Khayyám, the Edward FitzGerald translation, going back to the eleventh and the twelfth centuries has found ever increasing rhythm in this generation, but without the octopus hand of death and the ultimate end. “Carpe diem” as they can still say, from our own most mentioned ancient poet, Quintus Horatius Flaccus, known to most of us as Horace – “Seize the Day, putting as little trust as possible in the next day”, an idea which has developed into a lifestyle with loose morals leading to a life of unimaginable pleasure among the new generation. Epicureanism has made a more powerful entry to the new world, and as a kind of hedonism finding pleasure as the only intrinsic good, there is a new environment which is powerful and fast spreading. In an attempt to maximize pleasure, and keeping the pain and worries away, there is this chaos which is the side-effect of this pleasure-seeking, and Spring Breakers deals with such an effect. The loss of values, traditions and religion in the contemporary world is given a shocking reflection. It is also a satire on all those “finding ourselves” nonsense which has been thrown on us. The modern life might be empty enough without these, but are these not another group of visages of vanity?

The movie begins with a spring break beach party and goes back college attended by four friends, Faith (Selena Gomez), Candy (Vanessa Hudgens), Brittany (Ashley Benson), and Cotty (Rachel Korine). Candy, Brittany and Cotty despises their normal life at the college and spend their spare time smoking, drinking and partying, while Faith is part of a religious group for the youth in which she seems to be a reluctant participant and finds her world horribly monotonous. When the spring break arrives, the four friends decide to go on their best ever, and enjoy it like never before, but they find themselves terribly short of money. Candy, Brittany and Cotty commit armed robbery at a restaurant and finds enough money to make the trip. Despite of her religious friends warning her about the three friends, Faith decides to accompany the trio in the trip. After reaching Florida, the girls attend wild beach parties and indulge in various unruly activities, and the scene skips to the present when the situation goes and reaches a girls gone wild environment. So much for the shocking mirror of the so called modernity, which is a disturbing world captured in slow-motion.

But after spending a lot of their time in cocaine and alcohol, they are arrested, and taken to the cell and spends two nights in jail, and when all hopes are lost, they are unexpectedly bailed out by Alien (James Franco), a local rapper, a Brittany Spears fan and a gangster who had become very interested in the girls, and calls them “different from the rest”. But as he takes them to one of his usual hangout places, and Faith becomes more and more uncomfortable with his attitude, lifestyle and his friends. Despite his attempts to convince her to stay telling her that he likes her a lot and they would have fun, she decides to leave. But her friends decide to stay despite her begging them to accompany her. They are introduced into Alien’s criminal world full of glamour and money, as they become his partners in crime or soulmates as he would call them, dressed and maked in pink and armed with guns, performing more and more armed robberies not just for the monet, but also for the fun of inflicting the pain and the thrills and advanture associated with it. All these finally leads to Cotty being shot on the arm by a rival gang and returning home as a result of the trauma. But the two girls and Alien decides to stay, continue what they started and seek revenge even as everyone is going back to school, along with taking their relationship to a new level – so the spring break continues.

So, that is how it goes, depicting spring break as an escape from reality, into another world, and two of the girls decides to continue in it, with one leaving when she realizes what is going to happen and the other when she comes to her senses about what is really happening. Then the question would be about reality, and where would one need to escape into. They girls chose the world of drugs, alcohol, sex and violence, rather than something which could have revived them spiritually. From the words of Faith: “It was really great. I think we found ourselves here. We finally got to see some other parts of the world. We saw some beautiful things here. Things we’ll never forget. We got to let loose. God, I can’t believe how many new friends we made. Friends from all over the place. I mean everyone was so sweet here. So warm and friendly. I know we made friends that will last us a lifetime. We met people who are just like us. People the same as us. Everyone was just trying to find themselves. It was way more than just having a good time. We see things different now. More colors, more love, more understanding. God, it’s so nice to get a break from my uni for a little while. I know we have to go back to school, but we’ll always remember this trip. Something so amazing, magical. Something so beautiful. Feels as if the world is perfect. Like it’s never gonna end.”

Consider this and think about the fact that Selena Gomez’ Faith is the only girl out there with some sense left in her. Even she considers that world as “warm and friendly”, the things there as “amazing, magical and beautiful” and people there as “just like us”. Her concept of “colour, love and understanding” were entirely disturbing for someone with a strong religious background. Her desire was change and escape from the monotonous world, and she needed to be awakened. She herself says “I’m starting to think this is the most spiritual place I’ve ever been”; and what she needed was a spiritual awakening, not a physical one. Despite of knowing that the three girls stole the money for the vacation, she still decides to stay, and needed a bigger jolt of being arrested and taken to the gangster world so as to come to know that she was wrong all the time, and it was not the world which she wished for. Selena’s portrayal of the comparatively good girl has been a sweet one. Right from the beginning, when she gets into the bikini with her friends, it seems clear that she is the misfit with her body as well as the expressions, but her role is that of substance, and her character does something other than being crazy and wild, which is to think. But the question would remain if she needed this much of a backlash to get away from her so called friends?

Cotty (Rachel Korine) is the next person to come into her senses and she required to be shot on the arm for the same. She would seem like the sexually charged person of the gang, as the sole female wet, wearing nothing but her panty and surrounded by males in a room throughout the spring break, while her friends spend their time together. But after getting shot, she shows that everything was just a mask of being the strong, smart and sexy lady to be part of the gang. But Brittany (Ashley Benson) and Candy (Vanessa Hudgens) takes the same to the next level, beginning a sexual relationship with Alien (James Franco) as well as taking the violence to another stage. Vanessa Hudgens seems to have shed her cute Disney image completely with this one, and Ashley Benson seems to rule the movie as the most gorgeous of the gang as well as the most beautiful. The final two form the best of the bad girls, with no remorse about anything they have done, and still hanging onto their idea, of pretending that it is a video game or a movie. James Franco is big revolution, and as the rapping hunk who takes the girls under his wing, he looks so different in his looks, his way of talking and his style that nobody might recognize him if not told. He is the Mephistopheles of this morality tale, and even as Faith lives upto her name and suvives the temptation, and Cotty repents as he realizes the horror, the two remaining ones – the “soulmates” are damned with their soul. In this age when tradition has disappeared, and religion takes the exit, such things tend to be stronger than ever.

Well, this movie might look like just a random party show, but what does this tale come up with? It is a morality tale covered in bikinis, as it gives us a horrifying look into the present day culture which has gone to that path which is nothing less than the worst of all hedonism. It is a twisted allegory towards contemporary culture. It is a take on the contemporary world of loose morals and the absence of faith which they lost with the return of Faith, and remorse which they lose with the return of Cotty. There is a Don Juan and there is a Doctor Faustus in all humans beyond the ability for denial, but there is a limit to how far that takes one, and as long as Spring Breakers are concerned, they have taken it to the limits, from the monotonous life to seeking change, they have taken the forbidden path, but still, they are not judged. The new generation has been lost, as it would say, or the most of it. The inherent evil in man has taken control more powerfully. This one can’t work as a morality tale though, as there is a lot of strong outer covering. But what it can do is that it can shock the audience into taking a look into the contemporary world of late night parties, drugs and booze which has taken over the teenage girls, and its raw reflection is Spring Breakers. This shock has been used in a simple manner in Papilio Buddha, the Malayalam movie, but in Spring Breakers, they use it in an exaggerated, twisted manner, but the result is that they surely shock the audience into understanding the terror that is modern culture, with sadness and depression. They could have done without the repeated uncomfortable images, but this is still a different movie using a different style.

Release date: 22nd March 2013
Running time: 93 minutes
Directed by: Harmony Korine
Starring: Vanessa Hudgens, Selena Gomez, Ashley Benson, Rachel Korine, James Franco, Gucci Mane

@ Cemetery Watch
✠ The Vampire Bat.

Percy Jackson II

Posted on September 1, 2013 by Tennyson

In an overwhelming desire to find myself fair about this movie, I have to confess that I watched The Mortal Instruments: City of Bones right after watching this – it was a back-to-back movie adventure separated only by the desire to have lunch and the need to travel from one mall to the other. If you don’t need to know more about it, and the two movies in relation to each other, you are free to skip the first two paragraphs, an offer of escape from comparisons which includes this paragraph. In a simple comparison of no great intellect, our reviewed movie is more of a follower of the Harry Potter pattern, with a world for the demigods away from the original world, with its major base on magic and the individual and collective inner strength and righteousness which they exhibit while facing big powers; but the second movie has more similarities with Twilight, with a female protagonist who is just a boring ordinary girl who is introduced into another world which is hidden among the known human world and is once again caught in a triangular love between herself and two other guys, both belonging to different species.

So the other fantasy movie of the day has a good amount of Constantine, Underworld and surely, the most of dominant of them all, Twilight. To make it look more of a formidable power, it has added the horror elements, and there was demons, vampires and werewolves, the three creatures whom we never thought would come along in herds in the same movie, an absurd improvement on Underworld and Twilight which has surely backfired, despite of the presence of the lovely leading actress who can act incredibly well, Lily Collins who has done a great job. But with a little visual effects, horror and action, the movie runs out of gas. It is there that Percy Jackson scores. The two movies were released on the same day here, along with We’re the Millers, and the advantage would surely go with Sea of Monsters, as it doesn’t come with an “A” certificate unlike the others, and it is in 3D. The theatres seem to have realized the same too, as they have put more shows for the movie, and it is the only English movie in more than one theatres this week.

Even as it is difficult to set aside the great performance of the beautiful Lily Collins, lets leave the absurdity which was the half-baked bad mixture of all the fantasy works ever produced, which was The Mortal Instruments: City of Bones, and move on to the movie of the week, which is Percy Jackson: Sea of Monsters. Our movie doesn’t deal with forbidden love and has no apples or people with bad tooth unless they are monsters. May be that should be reserved for Twilight copies, and there might be a time when the apples begin to keep the viewers away rather than the doctors. The best thing about Percy Jackson is that it sticks to the basics. It takes the legends from the Greek Mythology, but it maintains a formula which is not at all ambiguous and more true to the core. It doesn’t rely on anything strange or unnecessary to give temporary satisfaction with any teenage fantasy which doesn’t go well with the plot and the flow of the story. It doesn’t try to give pleasure to anyone suffering from the withdrawal symptoms, which is mostly a Twilight withdrawal rather than from the intellectually superior Lord of the Rings or Harry Potter series.

Percy Jackson (Logan Lerman) no longer seems to have the popularity that he might have had with him getting back the lightning bolt, saving both the Olympus and the world, and such great stuff which were to become legends. Clarisse La Rue (Leven Rambin) is his constant rival to glory, as she beats him in almost all the competitions. As Luke Castellan (Jake Abel), announces his plans to destroy Mount Olympus by bringing back Kronos from Tartarus and sends a mechanical bull to attack the demi-god camp after poisoning Thalia Grace (Paloma Kwiatkowski) who is the tree which defends the camp with a magic forcefield. Even as Annabeth Chase (Alexandra Daddario) is the one who finds out that the Golden Fleece could heal and restore the tree, Clarisse is sent to retrieve the artefact much to the dismay of Percy, Annabeth and Grover Underwood (Brandon T. Jackson). But the trio decides to follow the team led by Clarisse, and they are joined by Percy’s half-brother Tyson (Douglas Smith), who is a cyclops. They also have one prophecy and a group of rogue half-bloods supported by a Manticore, and one big cyclops guarding the fleece to deal with.

With no denial of credit to one Lily Collins who had tried in vain to restore order among chaos and absurdity in the other fantasy movie, lets move into our characters. Logan Lerman leads the team as Percy Jackson, a demigod and the son of the God of Ocean, Poseidon. He was there in the 2011 version of The Three Musketeers, and here is he is again, and it surely seems to be a familiar territory for him. It is a honest performance from all angles. Brandon T. Jackson as Grover Underwood makes sure that there is no dull moment in the movie, along with Douglas Smith as Tyson the Cyclops. Most of the funny moments of the movie are from these two, and they are really good, and never inappropriate. Alexandra Daddario plays Annabeth Chase, the demigod daughter of Athena, the Godess of Wisdom, and this is one supporting character that you will remember for a long time, despite of the romantic angle kept away in the movie completely. She does have that look too, of that intensity which is kept in check by the heavenly wisdom. She was that good in Percy Jackson & the Olympians: The Lightning Thief too, and continues the good work.

Leven Rambin is Clarisse La Rue, the arrogant, hot-tempered daughter of the war God, Ares – always looking for combat, and at at the same time finding Percy a threat to her supremacy. After seeing her in The Hunger Games as the District 1 tribute, and the strong contender Glimmer, there was a certainty, that she was going to be great in such roles, and here she is, leading a group of undead who served her father Ares. As the story progresses, her character turns out to be more dynamic, along with adding to the funny as well as the action elements of the movie. There is the suiting depiction of the contrast between the daughter of this God of War and the Goddess of Wisdom. There is no point where the two are similar, and being the daughter of the great War God, she shares nothing in common with all the others out there, with Paloma Kwiatkowski’s Thalia Grace, of the demigod daughter of Zeus still pending. Jake Abel’s Luke Castellan, the demigod son of Hermes is a continuation of what was there in the first part of the movie. Nathan Fillion’s Hermes is a short, but effective presence which stays throughout the movie.

Percy Jackson: Sea of Monsters has taken over at a time when the book-based fantasy novels are on the decline. The Mortal Instruments: City of Bones has proved to follow the path of The Host, and clearly stay with Twilight. The Harry Potter series have finished and Lord of the Rings and Narnia are taking a slow path. There is the need for something similar to fill in, and here is Percy Jackson. With its superior and appropriate 3D effects and the well done action sequences supported by the visual imagery, there is no loss of moments spent for watching this movie. There are also the funny lines, but it denies itself a big chance to take some risks, as it follows the conventional path, never to stray away from it. But, there is a huge amount of honesty in this path which is without any ambiguity, and there is absolutely no attempt to complicate things. The whole thing is kept simple, and as the endoskeleton comes from the Greek Mythology and a little bit of the Harry Potter series, this is a bankable movie which most of the critics need to stop overthinking. It is time to have some fun and at the same time, recollect those days of learning the Greek Mythology.

Release date: 7th August 2013 (United States); 30th August 2013 (India)
Running time: 107 minutes
Directed by: Thor Freudenthal
Starring: Logan Lerman, Alexandra Daddario, Leven Rambin, Brandon T. Jackson, Paloma Kwiatkowski, Jake Abel, Stanley Tucci, Nathan Fillion, Douglas Smith, Anthony Head, Robert Maillet, Derek Mears, Aleks Paunovic, Missi Pyle, Yvette Nicole Brown, Mary Birdsong

@ Cemetery Watch
✠ The Vampire Bat.

The Smurfs 2

Posted on August 5, 2013 by Tennyson

There are times when people think that a sequel is necessary for every successful movie. Such sequels often go bad, as they are more of repetitions and imitations of the first – but this one manages to hold its ground, not with full strength; just marginally. It has forced itself on the viewers, and has often succeeded with its funny dialogues and the incredible cuteness which it has developed, with an inherent goodness and a little stupidity which gets overshadowed by their aversion towards evil, unlike the minions of Despicable Me 2. That should make this the perfect movie for kids, as there is the moral side which is strong, and everything else goes on depending on this side of the good. Well, The Smurfs 2 is highly dependent on what the first movie had given the viewers, and in the process of making this sequel, it has copied almost everything from The Smurfs and has presented it in a slightly different manner. The advantage that we achieve with the same is that this one is an even better story in morals, and it is further preachy in nature as it goes on and on. There is divine justice as well as the poetic justice, but not without the actions from our little and bigger heroes does fate and destiny dare to intervene.

The Smurfs 2 is a collection of escapism and childish fantasy. It has done enough to have almost every child drag their parents into the theatres to watch some cute little blue creatures. They have also tested the same on the older one very well, as there is a certain amount of nostagia of childhood that seem to affect the grown ups too, and if this was released before Despicable Me 2, the scope would have been higher. They had taken on New York earlier, and now they are at Paris. The little blue creatures have tried their best, but lacking in bringing innovation and originality, this movie had to try and bring a smile to the face of all the viewers, and once again, the result is effectiveness of a lesser scale. If one didn’t watch the first movie, the probability of liking this movie might even go higher. There is a good explanations of the things that go on with this world even in this movie. There are so many occasions when a predecessor’s shoes are good enough, but shouldn’t they have tried to remove the dirt in the same instead of throwing more on it, in a huge variety of colours? May be colourful dirt is good – at least its not bad or evil, and there is a little more time to be sure about that.

Years have passed after the group of smurfs got sucked into a gigantic vortex which brought them to the new world of New York City. Smurfette is shown to suffer from an identity crisis, as she is having nightmares about betraying her fellow Smurfs and getting them captured by Gargamel. At the same time, the Smurfs are preparing a surprise birthday party for Smurfette. But as nobody talks about her birthday and keeps it a secret, she feels that they have forgotten the day and don’t consider her as one of them. She feels that she is neither here nor there, as neither the daughter of Gargamel or Papa Smurf, created by one and given the life of a Smurf by Papa Smurf. She had been an instrument to distract and trap the Smurfs, but now she is claimed as one of them, but the doubts in her mind never ends. She wanders away from the village thinking about the same. Meanwhile, Gargamel has become a famous magician in Paris, but he is running out the Smurf essence and thus losing his magical powers. With his new Smurf-like creations, who are called the Naughties – Vexy and Hackus, Gargamel plans on opening a portal to the Smurf village and get the Smurf formula by kidnapping Smurfette who joined the other side. But he doesn’t have the magical powers to create a portal big enough for him to enter, and he sends Vexy who goes through it and successfully tricks the first Smurf lady through the portal as she wanders around alone.

The Smurfs are alerted, and Papa Smurf uses his magic to create crystals that would allow some of his best Smurfs to go back to the human world, but through an accident, Clumsy, Grouchy and Vanity ends up travelling to the modern world rather than Brainy, Hefty, and Gutsy. The four Smurfs arrive in the apartment of Patrick Winslow (Neil Patrick Harris) right after the birthday celebration of his son Blue (Jacob Tremblay) who has been named after them. They also meet Patrick’s stepfather Victor Doyle (Brendan Gleeson), whom Patrick hates and wishes to keep away from his family. The Smurfs join with them as well as Patrick’s lovely wife Grace Winslow (Jayma Mays) and goes to Paris where the sorcerer has set up his abode. The team manages to sneak through the backside of the magic arena of the villain, but fails to find Smurfette. Meanwhile, she joins with Vexy and Hackus in fun, and almost forget the Smurf life. Gargamel and his cat Azrael try their best to get information out of the Smurf lady, and at the same time, the human gang and the Smurfs tries to get through to the secret lair of Gargamel. In the battle for Smurf identity and Smurfy existence, there is a lot at stake including the Smurf lady as well as the whole Smurf village.

So, this movie running just a minute more than its predecessor, is no entity which can be considered different from the first movie. Its twelve percent approval rating at the Rotten Tomatoes comes as no surprise, even as that is a little harsh considering how much goodness this movie carries, or at least attempts to hold in itself. Its best moments are recreated from the first movie, and it fails to exist as a thing of innovation. With the large number of animated movies releasing these days, this half-an-animation might be a little repetitive in a less interesting manner. We already saw The Croods, Despicable Me 2, Monsters University, Epic and Turbo making impact this year, and this movie tries to impress kids in the same way. But how much can the kids take? They have a similar movie coming up each month which gives them their good time in the theatre. It is us horror fans who have less for our liking. We are fed with one movie, once in five months or so, in the form of The Conjuring, and that too should have been cut so much that there is that new question about what the horror really is. I guess we don’t count anymore, and the animated movies are the new, profitable trend – if the superhero movies don’t have anything to say against that claim; ask our beloved Man of Steel who lost his underwear in his effort to match a Dark Knight who rises.

Smurfette is the central character of this movie, and the second significant one is Vexy, voiced by Katy Perry and Christina Ricci respectively, bringing the whole new sisterly Smurf relationship to the movie series. The best moments though, belong to Vanity Smurf and Azrael bringing good laughter through their pride and fall. Neil Patrick Harris as Patrick Winslow has a lesser role to play in this sequel as his character looks more hammered into the middle of the world as a misfit, and Jayma Mays as Grace Winslow has even lesser to do this time. Brendan Gleeson as Victor Doyle brings some fun right into the middle of chaos. Hank Azaria as Gargamel continues to keep us interested even as the villain seems to be more of a clone of what he was in the first movie. But we can’t avoid Gargamel and his sorcery that easily, as the man continues to be the villain that he was in the first movie. Azrael the cat could have had a little more screen-time to make the most out of it. The movie should have found something smurfantastic, but it takes the easy way out, as the movie starts in an ordinary manner and ends in a predictable manner. Whatever happens in the middle tries to hold this world together.

Even with some good 3D effects, The Smurfs 2 fails to get rid of all those things which might have added negatively to the first movie. But all the good things are still there. With The Conjuring on the other screen, this would attract the families with kids, that’s for sure. But the fact remains that Pacific Rim, The Wolverine and Man of Steel haven’t disappeared yet as expected. Therefore, the choices are there, and this movie has to strive hard. The big shock might be that there is the little presence of Despicable Me 2 somewhere around. But The Smurfs 2 is new and they got style, colour and a cute and easy to pronounce title which rhymes with Surf Excel, our common detergent powder which has attacked the television screens without mercy. With its ordinary moral story which keeps you smurfed, smurfized and smurfined, the question would remain if they could have waited a little more and come up with a better sequel of excellent content. The little blue creatures have more potential than this, and we can only hope that the third movie of the series would fulfill it. Until then, one has to adjust with this movie, and I am sure that it won’t bore you to death – it doesn’t make you feel awesome either.

Release date: 31st July 2013 (USA); 4th August 2013 (India)
Running time: 104 minutes
Directed by: Raja Gosnell
Starring: Hank Azaria, Jayma Mays, Neil Patrick Harris, Brendan Gleeson , Jacob Tremblay, Nancy O’Dell & a big number of voice actors including Katy Perry and Christina Ricci

@ Cemetery Watch
✠ The Vampire Bat.

The Conjuring

Posted on August 4, 2013 by Tennyson

We are all going to die – I would hope that the same would happen as fast as possible. I watched The Conjuring and it was scary, and I am hundred percent sure that it can give anybody sleepless nights. But what has happened to me? Why am I not afraid of the supernatural movies? There should be something wrong with my intellect that all these supernatural things have become such an integral part of my life that humanity and its inherent evil scares me more than the dead. Death has always been more beautiful than the living, and with its presence among the humans, the evil makes its score ahead by a long margin, and the good waits for death. Death makes us even, being the great leveller that it is, and as the dead stays dead, it is the living that suffer in their memories, but if they come alive, then too, it is the living who are tormented by their unrest. Being tormented both by the living and the dead, the human life is a vessel full of Sulphuric acid, and we lack adamantium, both in the soul and the body, for we get broken by the supernatural as well as those which are super and natural. They are all part of the big shame of that torment which is brought down upon us not by the dead, but by the living. The dead are indeed better, for they do what they are supposed to do, and it is just the living creatures that contradict themselves.

Believe in the world of the dead and not of the living, for the latter is full of pathetic fools who know nothing about the other world, and it is from their lack of knowledge and extreme stupidity that I would indeed discourage each and everyone of you from doing anything on the supernatural, at least in India. In the name of science, some have denied their own roots, and how can they even look into the dead and the undead worldwide? Do they think that everything can be answered? Some questions have no answers, and others have many. There are some others which should be found out. Some of them can’t be explained, and some of them need to have a life of their own, and make more out of themselves. I would want most of you to know this before you go and watch this movie, and please be prepared to be scared; otherwise you might end up like some arrogant people who despise this world of horror and think that they are inferior works of art. They belong to that category which loves butterflies and despises bats. I am a Vampire Bat myself, but I can’t help it and I shall never choose to be not a crocodile even if I live in Lake Placid surrounded by hunters. I can tell you what an inferior work of art is, but I shall do that later. For now, let me assure you that this is one of the best works, both as an art of horror and also as fantastic entertainment.

The first thing I would like to make clear about this movie is that it has a great build-up. It has its humble beginnings of horror in the form of the supernatural in one of the most interesting dolls which has ever graced the big screen since the Child’s Play series, Annabelle doll – it should have had a significant role in The Demonologist: The Extraordinary Career of Ed and Lorraine Warren by Gerald Brittle; from page 39 to 53, it seemed to have a presence which can only be confirmed by someone who has seen this book outside the Amazon preview. Annabelle is not just another doll, as it is that thing which was part of what the famous paranormal investigators Ed and Lorraine Warren faced during the early 1970s. The Conjuring is more about what the name suggests, but what do we conjure, or summon? Can the spirits summon themselves? In Annable’s case, it was summoned into the doll, but the same can’t be said about the others, especially the haunted house we are dealing with. The story and presence of Annable is more important as the symbol of everything evil that exists within the movie. It is also the scariest image which exists without the help of an visual or sound effects, as the doll itself becomes the visual representation of all the evil that tries to break free in the human world.

The story goes back to 1971, when Carolyn (Lili Taylor) and Roger Perron (Ron Livingston) move into an old house in the middle of nowhere, with their five daughters – Andrea, Nancy, Christine, Cindy and April (Shanley Caswell, Hayley McFarland, Joey King, Mackenzie Foy and Kyla Deaver). Their dog refuses to enter the house and is later found dead, and they also come across a cellar which might have been supposed to be hidden. Carolyn has strange bruises on her body and Christine is pulled down from her bed on multiple occasions. Cindy begins to sleep-walk a lot. April, the youngest of the girls become friendly with one of the spirits. One night, the spirits get more aggressive, as Carolyn is locked in the cellar and the spirits indulge in direct attacks. Even as they don’t believe in that kind of stuff, they are forced to contact paranormal investigators Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) for a solution. The Warrens conduct an initial investigation and find out the existence of spirits, for which an exorcism might be required. They try to get evidence for the same, so that they could get authorization from the Catholic Church.

During a background check, Ed and Lorraine discover that the house and the plot once belonged to a lady who was accused to be a witch, Bathsheba, who killed herself after cursing all those people would try to take her land, and the Perrons were among them. A lot of murders and suicides have already occured in those houses that have since been built upon the property, and the house of Perrons was just a part of the big cursed neighbourhood. Bathsheba’s speciality has been about possessing the mother and making them kill their children, as she herself had sacrificed her child to the dark powers already during her lifetime. There are so many spirits around, and they belong to those mothers who were possessed and forced to kill their own children. There are also the spirits of dead children who were killed. There is rather a soul collection in the house, and considering the strength which Bathsheba has possessed through the years of doing the will of darkness, the Lorraines might be up against more than what they could handle with ease. Bathsheba is also able to move out of the house and follow Lorraines to their world involving the Annable doll which they have kept in their house. Even as Carolyn is to be possessed only to kill her daughters Christine and April, the Warrens has the fight brought to them at their house, and it turns out to be a battle which is beyond a house and a family.

How does this movie score over The Haunting in Connecticut 2: Ghosts of Georgia and Evil Dead, the other two much expected horror movies which graced us with their presence this year? Well, this is the exact opposite of Evil Dead in its portrayal, as it is no gore fest, and not much blood is shed. There are no body parts being thrown at you and the insides never come out. There is no use of bad words, and even with so much less use of special effects, this movie creates a world which is no less creepier than Evil Dead. This one has powerful microseconds of thrill and suspense, for this quiet one is a beautiful world of the supernatural, the world of infinite horror. The use of silence is worth mentioning, and the sound effects are not extravagantly wasted. When Evil Dead tried to sell blood and gore, The Conjuring tries to sell artistic horror of high quality even as the end is slightly lesser in effect after an excellent climax. The Haunting in Connecticut 2: Ghosts of Georgia could have been this movie, as both have similar settings and stories of history which involves random evil people and victims. But our movie scores in its treatment of the subjects and some wonderful acting. It is smartness and creativity that should define our movie which will continue to score and scare more people. Check for Evil Dead anyway: https://moviesofthesoul.wordpress.com/2013/08/01/evil-dead/

Vera Farmiga as Lorraine Warren and Patrick Wilson as Ed Warren steals the show, and from the beginning itself, we are given the power to feel that they can be nothing other than the paranormal investigators. They don’t try to be heroic at any moment, and the movie doesn’t try to take any heavy load from the earlier movies which it can’t carry. The ghosts may be familiar, but they are not similar enough, and they are surely not the same. We know that there is also a sequel in development. You can enjoy it with a willing suspension of disbelief or by stopping being a moron. You have to accept that you are not that kind of person who knows everything, and feels that the supernatural is a lie. There is God, the devil, the demons and the witches – there are demonic possessions and there exist the need for exorcisms, the earlier you come to know about it, that much the better. But there are no real romanticized versions of the vampires in reality, and the title “vampire” is the cultural construct. The more you know that, the better it is for you – there is a world which you shall never know; embrace the same, and stop asking questions. Your disbelief shall be your end, and it shall lead you to your doom, an annihilation which you might have deserved by them with your lack of belief and that basket of nonsense you always carry in the name of science, logic and reason.

Release date: 19th July 2013 (USA); 2nd August 2013 (India)
Running time: 112 minutes
Directed by: James Wan
Starring: Vera Farmiga, Patrick Wilson, Ron Livingston, Lili Taylor, Shanley Caswell, Hayley McFarland, Joey King, Mackenzie Foy, Kyla Deaver, Shannon Kook, John Brotherton, Sterling Jerins

@ Cemetery Watch
✠ The Vampire Bat.

Evil Dead

Posted on August 1, 2013 by Tennyson

It was a long time ago that we witnessed five college students having their vacation in a cabin the woods. They manages to find an audiotape which releases a large number of demons, and as the creatures possess the people, there is complete chaos all around. It was just last year that another story of five friends travelling to another remote cabin for another vacation becoming victims of the same stereotypical horror movie plot came in the form of The Cabin in the Woods. This time, in 2013, we have the right remake of what scares us more than most of the things during our childhood, and what formed the basis of that 2012 horror movie starring Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, and Jesse Williams. The two sequels of the movie, Evil Dead II (1987) and Army of Darkness (1992), along with all the comics and the video games had combined with the first movie to make a powerful horror impact which has been almost uncomparable. It is towards that legacy that this movie is making a claim. So this can be considered as the fourth installment of that terrifying series, even as the story is completely new with the same premises. As there are so many things in common, this could be a reboot, but as the possiblities are endless with a story like this, any guess made would be an ineffective one.

The success of the original was due to the fact that it wandered through the fears of our minds with that simplicity which can create a direct impact. The tree scene might have been a bit radical, but other than that, everything else have been perfectly clear horror supported by blood and gore. Being demonically possessed and creating the atmosphere of fear with the power of sounds than anything else, The Evil Dead (note the “The” as with The Invisible Man and Invisible Man) is the legend among all horror movies, and this one has to fit into that wonderful space which has been created and maintained by the same. It was a favourite of the greatest kings of horror, like Stephen King. It continues to have great critical acclaim from the modern critics at 98 percent in the Rotten Tomatoes, and IMDb having a 7.6/10. It is 62 percent and 6.6/10 for this new version though, and it is still much expected, as greatness of the original has been creating problems for the remakes in the form of Total Recall and Conan the Barbarian earlier. The objective of surpassing greatness is not always a choice, and this time, greatness has to be forced upon them, and this 2013 has reacted well, but not on par with the original. This is still very good, and nobody can question that – but still it is the case of a legendary cult movie.

Our new Evil Dead begins with a good strike, as an injured girl (Phoenix Connolly) is tied up in a basement, and in spite of her cute little pleas begging to untie her, they keep her tied to a pole. When all the pleading and crying seems ineffective, she takes another route with curses and bad words, and it is revealed that she is demonically possessed. Her father is forced to set fire on her and shoot through her head. The present situation involves a group of friends, Mia Allen (Jane Levy), her brother David (Shiloh Fernandez), his friends Eric (Lou Taylor Pucci) and Olivia (Jessica Lucas), and his girlfriend, Natalie (Elizabeth Blackmore), arrange a journey to a remote cabin in the woods, in order to assist Mia in getting rid of her severe drug addiction which had almost killed her. The rest is predictable for most of the horror fans, as they find a Book of the Dead, and Eric reads it out aloud. The dead evil has been summoned right there. It is Mia who becomes the easy target for the released demons as she wanders in the woods alone in a weak state; one demon enters her body after she is ravished by a number of possessed tree vines which come out of a demon’s mouth. She manages to get her way back to the cabin and begs the others to leave, but they just see it as an excuse to get back to her ways of drugs. They feel that it is rather psychological and she is just hallucinating. David and Elizabeth are determined to make her completely drug-free.

After killing David’s dog, Mia burns herself by standing under boiling hot shower, which fulfills another one of the prophecies from the book, following the tree attack which was also predicted. David rushes to get her to a hospital, but a flood has blocked all the roads. Mia gets worse, and the demon takes over her body further, and she shoots David in the arm with a shotgun. Her human side disappears almost completely, and her demonic side takes on the group until she is locked in a cellar. She manages to possess Olivia and Natalie, both of them continuing the work of the demons, attempting to fulfill the further prophecies of the book. Meanwhile, all the attempts to destroy the book fails, and the demon needs to devour five souls in an attempt to free the Abomination from hell and unleash inferno on Earth. After killing the two possessed girls on the outside, there is no other way left for them than to burn her, bury her alive, or dismember her body. Now David has to come out his affection towards his little sister for whom he never really was able to do anything. With the demonic side using the human side to gain the advantage over the big brother, can the responsible elder sibling finish her sister off or find another way to save her, themselves and the world from the demons? All of these would sound practical in such a movie.

If you are ready to take a little bit of the spoilers, and won’t make that much of a fuss about it, there is one thing that you can be sure about, that is, David (Shiloh Fernandez) doesn’t go on to become the new Ash and create the Bruce Campbell effect. He leads the attack against the undead for most of the time though. But as we near the end of the second half, it is Mia who comes back from her possession and put up an awesome show, and that should make this a Jane Levy horror spectacle. Right from the beginning itself, Mia shows the signs of the victim and survivor. Along with being ravished by a tree and possessed by a demon in her soul, even after saving both her body and soul from the demonic powers, she forced to rip off her hand when it becomes pinned under David’s Jeep with the Abomination chasing her. When she uses the chainsaw on the creature, it clearly gives an impression about who might be the next Ash, this one’s a girl – a Lady Ash who is ready to finish off whatever the demons has in store for her next. She has gone through the worst with both with her body and her soul, and being the last one of her family and the last woman standing among the group of friends, there is a lot of scope for her character in the next movie in the series, for she is the female Ash, and she has a chainsaw with a place to fit it into. The demons won’t like it though.

As we notice Amber Heard, Briana Evigan and Odette Annable with all their attractive existence in some of the most interesting horror movies, there is this Lady Ash who scores big time. These three names, or Elisha Cuthbert would have been great to have been in a movie of this series, and Lily Collins dropping out due to a scheduling issue was sad, but our leading lady has carried on with this very well. But, it is still not something which can be expected to match Bruce Campbell, and this story of expectations got to move on to the next movie of the dead evil. Mia has surely made the dead evil more dead than undead, and ended the misery for now. Now the question would remain if she has done it well enough, or there is something of that evil which still remain in her, as she was the first to be infected, that too in a brutal manner. As she is left alone in the wilderness, with one hand and a chainsaw, there is surely a lot to expect. We know that the evil cannot stay dead, and the demons need to possess; they needs those souls as badly as the vampires require blood and the zombies seek to devour brains. Now, who can deny them their dinner and upset the demon lovers? The Twilight fans might not complain about it, but the fact remains that they are all the same in their roots, and the need to feed would continue and give rise to another movie which can provide more for the viewers.

With the help of the new age technology and all the techniques that is in the pocket, this version of the movie has more scary elements, but considering the time when the original was released, that one is indeed the legend – this one uses a huge amount of blood and gore, and almost depends on it completely to create an impact; the only area where it restricts itself and tries to make it lighter in effect is with the tree scene. Otherwise, the movie is a collection of everything which is related to blood and gore; it injects that big dose of terror into the minds of the readers less through surprises and more through flowing blood, horrifying wounds and dismembered body parts. This is quite high for this kind of a movie, unless this becomes a part of Hostel or Saw series. Therefore, it is a red signal for those who are looking for horror without being a little disgusted. There is also nothing funny about this one, as this is pure horror using all the elements of slasher movies combining it with the good old terror policy. A little more carefully done special effects could have added to the score of this movie, as we know how far it can be stretched. Well, Evil Dead without the “the” is almost everything that you would expect from this movie, and it has to be watched in the dark – the absence of light in the theatres or a big LED television when it comes in a channel; even with some edits, this can prove good. Meanwhile, do use your “willing suspension of disbelief”, and try not to complain.

Release date: 5th April 2013
Running time: 92 minutes
Directed by: Fede Alvarez
Starring: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore, Jim McLarty (cameo), Phoenix Connolly (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Dredd

Posted on July 29, 2013 by Tennyson

It was in 1995 that Sylvester Stallone had impressed us as Judge Dredd, even as most of us watched it much later. That was a movie which was fine, but was a commercial and critical failure; here the story of the same Dredd has been remade, even as the plot is entirely different and so is the style – but the result in the box-office was the same. The critical success it received was well deserved though. The British comics of 2000AD has surely done us a favour with this character, as proved by this movie. Its financial disappointment is quite depressing, to be honest. Knowing that it was released in the year when The Avengers grossed so much, leads to further despair. It is due to the same reason that I chose to like the page for its sequel (https://www.facebook.com/MakeADreddSequel) and also signed the official 2000AD petition (http://2000adonline.us5.list-manage.com/subscribe?u=a6e40236aa24d482cfff600d2&id=62906ebdcc) as we never really had enough of Dredd in the one and half hours of mayhem which this movie provided us with. There had to be the demand for more, and there is; if you see the number of likes and the number of petitions – the movie has risen, but as it didn’t rise when it was in the theatres, the effect will be so much less. This realization about the awesomeness of the movie has made people know what they have missed.

We have to bring back Dredd, and watch Dredd 2 in the theatres first show. It is a hope, considering the box-office failure that it was. But why should we cheer for that sequel? The reasons are supplied unlimited. When the judge, jury, police and executioner are all the same, during a distant future when America is an irradiated wasteland, with one city surrounded by deserts beyond its walls; the cursed Earth supporting a cursed city stretching from Boston to Washington DC, an unbroken concrete landscape, 800 million people living in the ruins of the old world and the mega structures of the newer world, it is Mega City One – The place where the judges are everything when it comes to the law. These men from the Hall of Justice are the only group fighting for order among the chaos and destruction as the crime rates go up. They serve justice hot, at the right place at the right time, with no remorse or regret – like the man said in the 1995 movie, “It’s impossible! I never broke the law, I AM THE LAW!” Dredd is a legend, and he is a Robocop in many ways, still human enough to be liked and loved. The movie didn’t get that love from the audience, but there is a lot more than just the viewers that define this movie. Living in an uninhabitable wasteland with huge Mega-Cities in the middle, taking his awesomeness to the world of evil, Dredd needs all the attention!

Along with so many crimes reported daily there is also a new drug in the market called Slo-Mo has been introduced, and it slows the user’s perception of time to one percent of the normal one. These drugs are slowly becoming more and more viral. The Chief Judge has given Judge Dredd (Karl Urban) the job of evaluating a new recruit Cassandra Anderson (Olivia Thirlby), a powerful psychic who had just failed the aptitude tests to become a Judge, and she asserts that her failure was only marginal. Among the large number of crimes, Dredd lets Anderson choose one scene, which had the drug lord Madeline Madrigal (Lena Headey), a.k.a Ma-Ma’s men throwing three rogue drug dealers down from the top floor of a 200 storey residential building, after having them skinned and infused with the Slo-Mo drug. They arrest a man named Kay (Wood Harris) whom Anderson finds out to be the murderer who had tortured and thrown the people down. But the drug lord seals the building down and stops all communications, leading to Dredd and Anderson being caught among the criminals who are asked to take them down by the drug lord. They manages to call for some help, but the help is unable to get in, and what they would get are in the form of a group of corrupt judges paid to take them down, and to add to it, Anderson is captured, leaving Dredd in a situation against all odds.

The movie’s strength is clearly Karl Urban. He fights through his duties as the masked keeper of justice with so much power. Even after covering most of his face with that mask, he still displays a lot of his acting skills. When he is done, one has to agree that he is the law and there is no other law. He has been provided an ideal world here, and without doubt, it has been utilized. His performance in Pathfinder had gone unnoticed, and Doom and And Soon the Darkness didn’t add that much. There is a lot of bad luck involved with Dredd too, as the movie had to share the screen with many other movies when it was released. But that wouldn’t make him as Dredd, an unnoticed hero – for he is indeed brilliant as the provider of infinite justice. He has made Dredd the hero which one had expected. Sylvester Stallone’s Dredd had his own style, and this one has another, and I have to say that I am able to consider this one as the more suitable Judge, even as the one from the 1995 movie was also strong enough to make the needed impact. As that movie failed in what it wished to achieve, it was necessary that this leading actor do a splendid job, and thanks to Karl Urban, that problem is solved. One has to respect the fact that he has kept the helmet on throughout the movie, unlike the previous Dredd. The only scene where he is without it is in the beginning, and then too, there is no face, as the shot is from the back. Still, he has been that good that we can now recognize a masked Karl Urban.

Olivia Thirlby’s Judge Cassandra Anderson is exceptional. There is the need for a warm applause as this performance is considered. The Darkest Hour‘s Natalie has come a long way to become a character who needed not the damsel in distress tag nor the punisher lady tag, but a huge amount of dynamic transformation opposed to a more static character of Judge Dredd. Being beautiful is just one of those exceptional things, and the beauty with the gun goes through a world of bildungsroman throughout this battle. As Dredd has conquered his remorse and regret to become the one true upholder of law with all his experience, the young lady, the rookie has to deal with all the emotional sides in this movie. Anderson is a lovable character from the beginning itself, as even when she is said to be a psychic, the look in her eyes show how much of struggling character she is, and there is no wonder she couldn’t keep up with the other cadets in the tests. The presence of psychic abilities might have made her more of the same. Each and every time, she is forced into the minds of others, and has to live with it, a pain which she has to endure and keep with her as a souvenir. One has to wonder what the pain of being a psychic is, and Anderson is its beautiful personification.

She is there to help in the battle of good v/s evil, but has to suffer as she has to live with the memories, and has to go through alien worlds which has secrets which she doesn’t want to reveal, and the horror which she doesn’t want to face. In the battle with Kay’s mind, she has to come out victorious fighting his erotic imaginations of violent sexual liaisons with her; fighting her own naked and helpless images in his own homeland of mind; his own self-proclaimed messed up head which scores in the beginning by makes her undress. But she fights and succeeds, thus proving her superiority as a psychic, and throws away the thoughts about her as the weak link, in the first step of her move towards being a judge. The second step is achieved when she escapes from her captors and the third when she arrives at the right moment when the corrupt judge is about to shoot Dredd. By that time, she has evolved, and Dredd himself realizes that she is ready. She is no longer that person who hesitated to shoot, and failed to use her psychic powers to the maximum advantage. She had become the most extreme of the dynamic characters, and the true Judge Cassandra Anderson, the upholder of justice. Olivia Thirlby has gone through that transformation in such a way that makes one feel the need to watch her in the same role in a sequel – another reason to get Dredd 2.

Meanwhile, Lena Headey’s Madeline Madrigal is a charming evil villain who has a devilish beauty associated with her even with the scars on her face. She is a villain one would love to watch on the screen. The use of 3D is efficient, and the presence of slow motion sequences with the help of the Slo-Mo drug further helps the movie. These are still not the usual pathetic slow motion stunts, as they are designed to work with the drug in such a way that both the action sequences and the plot involving drugs benefit. The action scenes without the drugs are also equally good. The villain’s introduction throwing the drops of water from a bath-tub shows how well the slow motion sequences can be used and how much it can add rather than take away. In simple words, this is how a Dredd movie should be, and this is how a superhero of truth should be depicted. There should be more to follow, even as there is only some hope left of a sequel. There should be Karl Urban and Olivia Thirlby in that sequel, as they have made themselves that part of this movie that cannot be avoided. They have given this movie life, and this work already had so much life which means that it is more alive than most of the movies out there. We are being bombarded with those superhero movies, but actually what we need is this story of Dredd. Just remember that he is the law, and he needs his time.

Release date: 21st September 2012
Running time: 95 minutes
Directed by: Pete Travis
Starring: Karl Urban, Olivia Thirlby, Lena Headey, Wood Harris, Domhnall Gleeson, Warrick Grier, Deobia Oparei, Langley Kirkwood, Edwin Perry, Karl Thaning, Michele Levin, Francis Chouler, Daniel Hadebe, Rakie Ayola

@ Cemetery Watch
✠ The Vampire Bat.

The Wolverine

Posted on July 27, 2013 by Tennyson

The sixth movie of the X-Men film series has been released on that day on which I had to submit my thesis, which I found to be a reason to identify myself with the Wolverine; with immortality reigning both in my that thesis of mine and also through the blood of our leading character in this movie. The fact that this movie follows the events of the 2006 movie and the worst one of the series, X-Men: The Last Stand was depressing, but not many people can deny Wolverine a.k.a Logan a visit after how well X-Men Origins: Wolverine turned out to be. It was when X-Men: First Class released, that the realization about how much we miss this character flashed through the mind which was full of absurdity. The movie was still good, and if we think about how much bigger that movie would have become with this character, there might be shocking box-office figures expected. This is the impact Wolverine brings with him, and he is that character who has the status that almost rivals most of the individual heroes like Spider-Man, Superman and Batman, and clearly makes an impression which none of the X-Men can make alone. This is that movie which can take all the other English movies out of the theatres here, and from the bookings happening right now, that is quite likely.

So, this installment of the movie series comes up without the X-Men tag added to its title, and it is clear that this is more about Wolverine than anything else, and there is enough power in it to survive without that tag. Chronologically, this is to be considered X-Men 4 though, as this doesn’t follow X-Men Origins: Wolverine as some had thought it would. Logan (Hugh Jackman) has been living the life of a recluse after the death of Jean Grey which was a major part of the events of X-Men: The Last Stand which practically ended the need for the existence of X-Men as there was a period of relative peace which followed. But there is no peace of mind for Logan as is frequently troubled by hallucinations nightmares about Jean, whom he was forced to kill, and a lesser memory from the Nagasaki bombing of 1945 where he saved the life of a Japanese soldier. He maintains very less contact with the human world, and stays in the wilderness most of the time. One day, during a fight with a group of hunters in a bar, he is found by Yukio (Rila Fukushima), another mutant, representing Ichirō Yashida, the man whom Logan had saved earlier. He is asked to go to Tokyo so that the dying man can possibly thank him and bid adieu, to which Logan reluctantly agrees.

After reaching Japan, Logan comes across Yashida’s son Shingen (Hiroyuki Sanada)and his grand daughter, Mariko (Tao Okamoto), both seemingly having problems with the relationship with eachother. Yashida offers Logan the opportunity of a transfer of mutant powers to get rid of his immortality and die in peace instead of living in nightmares and pain. Logan refuses to transfer his powers to the dying man, and is later informed that Yashida has died. During the funeral, he saves Mariko from the assassins of an enemy clan with help from Kenuichio Harada (Will Yun Lee), an archer and Mariko’s lover. They get onboard a train and more opponents are encountered in a fighting sequence which involves combat even on the top of the train. While fighting, Logan is shot multiple times and finds out that he is not healing instantly as he used to, and has to be taken care of by a doctor. With another mutant, Viper (Svetlana Khodchenkova) chasing him for his powers, and Mariko being hunted by her own father for the control of the family business empire, Logan has more to deal with this time, at a time when he is losing his powers and has become incredibly close to mortality. But this would lead to that moment which he needs to get rid of the psychotic monster that his lover was, from his head. It might be worth fighting for.

It is fair to say that Hugh Jackman controls this movie and makes the whole thing work as if he is playing that much of a superhero as Spider-man, Superman or Batman. Wolverine has turned out to be the one mutant who can work out alone and be the saviour of the world alone. Hugh Jackman has achieved all these alone, and from what it seems, this could get a better box-office collection that X-Men: First Class which had so many more mutants with interesting powers. I would consider that one the better movie, but this one has Hugh Jackman and he has done magic with his character, something which would depress the audience if someone else was to play the Wolverine, from what it seems right now. The possibility of a stand-alone expansion to X-Men has been wonderfully done through his character. X-Men: The Last Stand might have dminished the scope of the whole franchise, and had made X-Men: First Class suffer; but the case of the movies featuring Wolverine as the hero would be different, and Hugh Jackman scores again and again right there. He was there as Leopold in Kate & Leopold, as Gabriel Van Helsing in Van Helsing, and as our favourite robot-controlling boxer in Real Steel. But what Wolverine does, stays not only with one movie, as the man has made the character bigger than what one mutant could ever be, and that is worth all the respect.

Haruhiko Yamanouchi as Ichirō Yashida brings surprises, and be ready for it. Tao Okamoto as Mariko Yashida brings a kind of serenity to the world which is otherwise full of heavy action and hidden evil. Rila Fukushima as Yukio adds to the martial arts segment of the movie, and as a mutant, she is one of the main three gifted people in the movie, and may be the more physically trained and skilled one among them. Will Yun Lee as Kenuichio Harada and Hiroyuki Sanada as Shingen Yashida also adds to the martial arts powered action sequences. Meanwhile, Svetlana Khodchenkova makes an entrance as Viper, a poisonous mutant immune to toxins, resembling a snake in many ways. She is seen as the most powerful and the most vigorous enemy of Wolverine and Mariko until the Silver Samurai finally shows up covered in adamantium armour and holding an adamantium sword of immense power. Famke Janssen is also there as Jean Grey, but more as a hallucination or nightmare for the protagonist, but still the character portrayed better than X-Men: The Last Stand. This is hundred percent a better Jean Grey than that of the third movie of the X-Men franchise. It is a vital presence, even as it is not real. There is also a post-credits scene involing Patrick Stewart and Ian McKellen as Professor Charles Xavier and Magneto respectively.

Even in the presence of the psychological elements, the movie runs on its action sequences, and some of the one-liners as the others lack innovation. The battle of the claws against the swords of the samurai makes an impact, but I would still prefer the usual mutant battles, or the Wolverine v/s Sabretooth head-to-head combats. The action sequence on the bullet train came as no surprise, and it was indeed powerful. The most interesting thing is that all these action sequences and interesting dialogues happen around Wolverine, and the whole situation is about him, just like the title suggests. Everyone else just revolves around the character, and with Hugh Jackman holding one end strongly, there is no need for anything spectacular. There was always the need for balance, and it is attained by the Wolverine suffering from that pain which Louis de Pointe du Lac seemed to suffer in Interview with the Vampire, the only difference being the lack of need for blood which is replaced by the need for combat. As Louis wished for death as he hated his inability to act, Wolverine hated his life as he had acted in such a way that he lost control of his world even as he saved the same. Both were reborn as hunters, weren’t they? Both were seemingly indestructible, and both were clear misfits in a world which had no place for them.

There are a few things one has to be aware of; this one is not an origin story, but still it moves on like one, with a good amount of slower moments. The 3D was almost unnecessary. It also has a predictable climax and not too surprising twist which supports it. There is the absence of an imposing villain, as the one expected challenge for Wolverine is unleashed only the end, but that too within limitations. There is so much left on the shoulders of Hugh Jackman. But still the man with the claws cannot be resisted. X2: X-Men United would still be the best of the franchise, followed by X-Men: First Class, the first entry of the series, and X-Men Origins: Wolverine. But there will be more hope about X-Men: Days of Future Past which combines the cast of all these movies. For now, The Wolverine will do just fine at the box-office, as this week doesn’t have many powerful competitors around here, which has caused Pacific Rim to bounce back. Turbo, Despicable Me 2 and Man of Steel hasn’t left the theatres too, but they should worry this one less. We need X-Men, and we need Wolverine, and therefore we will need to watch this movie – even with varying thoughts about the X-Men movies which we can agree to disagree on. I would still miss Nightcrawler and Shadowcat, and that fact diminishes this X-Men world.

Release date: 26th July 2013
Running time: 126 minutes
Directed by: James Mangold
Starring: Hugh Jackman, Svetlana Khodchenkova, Hiroyuki Sanada, Tao Okamoto, Rila Fukushima, Famke Janssen, Will Yun Lee, Brian Tee, Patrick Stewart (cameo), Ian McKellen (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

RED 2

Posted on July 21, 2013 by Tennyson

There are a few movies which reduce the chance of White House Down doing a good job, and among them the one which is the most similar in what happens on the screen, is RED 2, which can take out the take-over movie with its big cast. The closeness in the Rotten Tomatoes and IMDb ratings might also help in creating that big doubt in the minds of the viewers which is affected by Bruce Willis to attract them to this one, and I would say that even without that drag, this holds a clear edge over its only “same genre competitor” around here. You might already know that Red means “Retired Extremely Dangerous”, as a group of retired secret agents try to make an impact when forced out of retirement by several reasons, the most prominent one being them or their best friends being hunted to be shot at sight. While having such a title thrown towards the protagonists, they do the same designation of being extremely dangerous, a favour – they do what they do the best and what they were always expected to do throughout their lives. They react in such a way that the tables are turned on their enemies, and in the process, saves the day. This one will not have Karl Urban as William Cooper and that is a shame. But the entry of Anthony Hopkins, Lee Byung-hun and Catherine Zeta-Jones would add something else.

So we know that “the best never rest”, and once again Frank Moses (Bruce Willis) is hunted and prevented from leading a normal life. Marvin Boggs (John Malkovich) is still by him as the old best friend who saves Frank after faking his own death. Sarah Ross (Mary-Louise Parker) is with them, and after falling for Frank’s adventures, she is now eagerly looking forward to more dangers which could make her feel special. The gorgeous Katya (Catherine Zeta-Jones) getting back to his life, and being mentioned as “Frank’s Kryptonite” makes Sarah jealous and possessive and she herself tries to get into the middle of the action. He is supposed to be hunted, but actually supported by Victoria Winters (Helen Mirren), and is followed by Han Jo-Bae (Lee Byung-hun) who has taken the contract to murder Frank. In their mission, they come across the information about Dr. Edward Bailey (Anthony Hopkins) who would be needed in for their objective to be a success, but is currently in a lunatic asylum. Frank would need to bring them all together, and know who is on his side, how can be with him, and who might end up trying to kill him in order to survive the battle, thus creating a complicated situation, nothing that a retired, extremely dangerous man can’t solve again.

Bruce Willis continues with what he has been doing in the best way, and the triangle featuring him, Mary-Louise Parker and Catherine Zeta-Jones makes the funnier scenes of the movie. Jason Statham’s Frank Martin might be proud of this Frank, the older and the funnier one who has got no car to race. This Frank is there beating up people quite a lot, shooting them and bombing a lot of the world around him. Do they get stronger when they get older? Some might wish to ask so, and Die Hard fans would have to wonder if this is the series which might take Bruce Willis away from them in a crisis of retirement. There is no need to be doubtful though, as this is one man who might be retirement-proof in his real life too. Mary-Louise Parker’s character has only gotten funnier in this sequel, and comes up with some of the funniest moments, sometimes with the dialogues, but mostly just with the expressions. Her character makes so many attempts to prove her better than the possible weakness of her man, and by doing the same, she does the stranger things which adds to the fun element.

Catherine Zeta-Jones would have been not that easy to recognize for her earlier fans, of The Mask of Zorro and Entrapment, and seems to have qualified for being still extremely dangerous, doesn’t matter if retirement is knocking at the door. A few memories do keep coming back from those days of early movie watching experience in the absence of the big screen. Those were the days, and she was there on the small screen. Despite of the loss of her older self, she still competes with Helen Mirren with the screen presence, but not with the action sequences. Marvin Boggs’ character continues the job John Malkovich did in the first part, but unfortunately there is no pig this time and we miss him saying “Frank, I never thought I’d say this again. I’m getting the pig!” But, the man still carries the movie forward with his funny one-liners and those comic scenes which never look out of place. There might be no occasion that won’t suit him, and if there is any character who can use a spin-off movie, here is one.

Lee Byung-hun remains the Storm Shadow in essence here too, and may be even as the better ninja than G.I. Joe: The Rise of Cobra and its sequel which was released earlier this year. He remains the character that he has been in that movie and as the assassin, he continues the same. Anthony Hopkins, our own Hannibal Lecter makes a personal impact on this one, not that big as The Silence of the Lambs, Hannibal or Red Dragon, but still something that comes as a pleasant, evil surprise of good quality. Being in the lunatic asylum is one of those common things, and here there are more characteristics for him, of qualities strange enough to be another man of surprising variations. In many ways, these two were needed, as the movie is too much inclined to the funny side otherwise, not that they are completely against contributions to the comic side, but there is the need for the twists, thrills and awesome action. This is Expendables with such a huge cast, but in many ways funnier and the comic side being very effective, if not too effective. May be that movie could have been called with something similar to being retired, and extremely dangerous again.

Even as the movie keeps scoring with its action sequences and the funny dialogues, there is that feeling of the imitation of the first movie, and the predictability keeps on getting higher and higher. Even the climax is too predictable for the usual movie watcher’s liking. As our characters are played by those celebrities who are basically more royal than the others, they keep the viewers interested, but this kind of movie needs its own dose of little shocks, and RED 2 does have it, but not that powerful a thing of the royalty’s standard. There is no situation where the audience is supposed to be terrified or feel for the heroes. There are frequent one-liners which clear any doubt in the minds of the viewers, and with Bruce Willis, John Malkovich and Anthony Hopkins guiding the gang, and Lee Byung-hun following the path in a majestic manner, there is the reconquest of whatever is lost, and whenever the movie is about to drop down in its level, something new comes up, once in the form of Catherine Zeta-Jones and at another occasion in the form of Anthony Hopkins; the rest is well managed by the one-liners which drops a comic bomb which handles and stabilizes the situation.

RED 2 is stretching its arms towards that weekend box office victory here, but surely on a limited level. The movie edges over White House Down, and can pretend to be competent against Pacific Rim, Despicable Me 2 and Man of Steel as this is the new entrant in the game and the reviews are not completely out yet, and Turbo belongs to an entirely different genre and attracts another type of viewers. There was still hope for more, that is for sure; RED had come up with the right platform of origins which could have been exploited further. At the same time, it had also used up a lot of resources, and the need of this sequel was for creativity, which has successfully arrived partially. But when one is looking for fun, there is hardly any opportunity to care and think more, and RED 2 gives that unlimited fun which is not without the flaws list. If this movie belongs to that genre which is pure entertainment, you are welcome to forgive its flaws. I would say that I have forgiven and forgotten the same and got into that roller coaster ride of entertainment which this movie hides behind its pillars of old age. May be it is time for most of you to give it a try, and the rest can wait for the year has a lot more in store.

Release date: 19th July 2013
Running time: 116 minutes
Directed by: Dean Parisot
Starring: Bruce Willis, John Malkovich, Mary-Louise Parker, Catherine Zeta-Jones, Lee Byung-hun, Anthony Hopkins, Helen Mirren, Brian Cox, David Thewlis, Neal McDonough

@ Cemetery Watch
✠ The Vampire Bat.

White House Down

Posted on July 20, 2013 by Tennyson

So here is the fight we have been talking about for a long time, as the 120 minute long Olympus Has Fallen has finally met its archenemy, its evil twin brother who is longer by 17 minutes. The ruler of the underworld compared to the shorter one’s claim over Mount Olympus, has arrived in the form of White House Down. As I had already written about Olympus Has Fallen (https://moviesofthesoul.wordpress.com/2013/04/06/olympus-has-fallen/), and it was the first one to be released, it is that movie which I would consider the prototype for the list of White House attacking movies which can get a little longer as long as this one is not annihilated in a battle here against the opponents RED 2 and Turbo, along with already existing Pacific Rim and Man of Steel; not to forget the movies in all those languages including Malayalam, Tamil and Hindi. The former had no tough competition when it was released though, with a few weeks delay after the United States release. The delay has followed this movie too, along with the image of white building going down and only one man standing as a barrier in front of the ultimate success of the terrorists. It had fallen earlier, and now it is down, and there is no doubt about the fact that the first of the two had the best title, but the second has got the name which can connect better with the audience and stays close to action.

So the seat of the President of the United States of America needs to be saved again. Mike Banning (Gerard Butler) was the former secret service agent in our last adventure of this type and here, John Cale (Channing Tatum) is a U.S. Capitol Police officer looking to be part of the secret service. John already has trouble connecting with his daughter Emily (Joey King), and believes that he can impress her by getting a job with the Secret Service and also by taking her to the place, but fails in the interview is conducted by Carol Finnerty (Maggie Gyllenhaal), a former college acquaintance of his who knew him to be disrespectful to the authority and irresponsible, unable to stick to what he is doing and thus not good enough for the job. He tells Emily that there is still chance and they join with a tour group around the White House. Soon, there is a bomb explosion which separates the father and daughter, followed by a group of armed mercenaries taking control of the White House. The President James Sawyer (Jamie Foxx) is in trouble, and we know that his only hope is the man who was refused his chance to be the saviour once, and the action begins in a few minutes. The situation is pretty much similar to Olympus Has Fallen, as one might have figured it out by now.

That fictional protagonist portrayed by Bruce Willis in Die Hard, John McClane doesn’t really seem to leave this world of the one-man shows, as here comes another one of too similar a name, John Cale – what he does is no different either. McClane’s marriage and the relationship with his children in a constant state of crisis, and his disregard for authority keeps him close enough to trouble – not the kind of things Cale can disagree with. Here, we have the typical Die Hard protagonist who is just at the wrong place at the wrong time, and continues to be there so that he can save the day with almost no outside support at all. Being the lone wolf who is the right person to do it, the two Johns are one and the same, and if this new John is a cheap imitation of the old, that is for the audience to decide. Strangely enough, Channing Tatum has to battle Bruce Willis in the multiplexes here for the supreme position, as RED 2 is surely attracting enough people, and the elder legend is surely the more popular and the more talked about figure in this part of the world. It is louder and less interesting than the first four Die Hard movies most of the time, but it is better than the fifth movie of the series by a long distance. This could have been Die Hard 5, if Olympus Has Fallen can’t be the same, and even if that position is abdicated, there is always the chance to call itself Die Hard 6.

6.5 out of 10 in IMDb and 48% rating in Rotten Tomatoes for Olympus Has Fallen, and 6.3 out of 10 in IMDb and 48% rating in Rotten Tomatoes for this one clearly describe these two movies, and gives a vague report about how close their impact has been, and how much such a theme can affect the audience and the critics. It is a good thing that they are three weeks apart in their attack on the brains of the viewers, as they could have even destroyed one another if released close enough. Gerard Butler’s 300 + Gamer effect would surely give the former an advantage, but Aaron Eckhart and Morgan Freeman would not stand a chance against the invisible fan club of Jamie Foxx which is bigger than it would seem to be from the surface, thanks to that strange effect which Django Unchained had created. This is how these movies come so close to being the same on impact. But our new movie seems to be struggling to fight against this week’s wave as well as the existing waves. There are less number of shows, and there is the need for a twist of fate for this one to bring the fight of money to its twin brother. But it has already proved that fight is on, even as victory is not within sight; the battle shall go on even as the causalities won’t be that interesting for this side.

This is closer than the similarities between the volcanic eruption related Volcano and Dante’s Peak, and the Earth-bound asteroids showing their power in Deep Impact and Armageddon. Even as Gerard Butler wins the battle as the hero and gets all the attraction, Channing Tatum does a great job in this one, but the movie remains lesser than him and Jamie Foxx. The two actors are undoubtedly bigger than the movie as they do defy the movie in what they do and so does the whole world inside the movie in one way or the other. The whole scenario might be stranger in this movie, but Foxx handles it so well that even the situations which seems to be going the wrong way turns out to be funny and interesting – those moments when Olympus Has Fallen takes the back seat. But there is still too much about his character, and there is too much of a strange ruler in the person, may be being closer to Django than the President of the United States. But people do love that kind of a President in the movies, that is for sure. Joey King’s character is cute and interesting most of the time, but annoying at times; there is no controlled environment out there and in the middle of such a hostage situation, that should be more than just agreeable, for kids no longer remain kids these days, and Lord of the Flies was never belonging that much to fiction.

Jason Clarke does manage to make a powerful impact at the same time, and being the stylish evil guy who takes over the place, he comes with some very good fight sequences with the hero. His presence would seem to extend the world from beyond the two-man show. James Woods works his villainy as the mastermind behind all these next. This movie also loses in violence, something which was not expected in the beginning, as right from the bomb explosion, something nasty was expected to come up, but it goes on more as destruction for the sake of demolishing rather than creating that impact of shock in the senses. There is no shortage of action sequences though, and the attempt to escape with a presidential limousine, the fall of the airplane and helicopters and tank v/s rocket launcher battle, they all make the destruction list go high. With the former Duke from G. I. Joe: The Rise of Cobra and Django of Django Unchained has held this one from falling deep, but its success in its genre won’t reflect in its box-office collection. That episode of the life of this movie is with the audience and until now, from what can be read, there is trouble for this one in catching up-to Olympus Has Fallen, or even most of the much expected movies of this season. These are bleak times indeed, but this movie has wasted its chance and therefore, blaming the audience or other movies is not the thing – a little adjustment might have saved this one as it is a good addition to its genre.

The movie lacks in a number of things compared to Olympus Has Fallen, as the most important thing is patriotism, and the next but almost equally important thing may be in being clever – there has been more silliness in this one, but there has still been enough control between the two sides of mindless action and saving the world. Emmerich’s works have been interesting, from Independence Day to The Day After Tomorrow and 2012 and my personal favourite, The Patriot. But he had to deal with being there second, and that would have been difficult. To add to it, the movie’s need to match up with the other White House take-over would have created a situation from where there is no escape. This movie is thus a wasted opportunity on one side, and a work which could live even with all its flaws on the other hand. It is on this dual nature that this movie can work on, but that won’t help its cause. It needed something special, and it has managed to achieve the same only through its leading actors, but even in their case, this is not their best performances. When White House Down looks up from its world deep down the underground, Olympus Has Fallen might be looking from the top of the Mount Olympus which it had created from its success at the box-office, and in the OHF v/s WHD battle, the war of the down-fallen houses, we have only one winner, and its name starts with O.

Release date: 19th July 2013 (India); 28th June 2013 (United States)
Running time: 137 minutes
Directed by: Roland Emmerich
Starring: Channing Tatum, Jamie Foxx, Maggie Gyllenhaal, Jason Clarke, Richard Jenkins, James Woods, Michael Murphy, Joey King, Rachelle Lefevre, Nicolas Wright, Jimmi Simpson, Lance Reddick, Barbara Williams