The Loft

theloft (1)

Vampire Owl :: Do you know that the Vampire Crocodile was actually taking about this movie?

Vampire Bat :: Why would he talk about this movie? He was never a vampire too interested in movies.

Vampire Owl :: Yes, but he starts fan clubs in the vampire territory.

Vampire Bat :: We also have fan clubs these days?

Vampire Owl :: Well, actually as we are not that dumb as the humans to blindly follow a celebrity, he and the Vampire Hamster are the only members of the organization.

Vampire Bat :: So, what is it this time? A Karl Urban fan club?

Vampire Owl :: No, it is called the Isabel Lucas Friends and Fans Association for the New Vampire World and the Isles of Death.

Vampire Bat :: Well, this is new.

Vampire Owl :: He knows that variety will sell. He has only recently come to know about this movie and is hoping to cheer for her with a huge screen show arranged.

Vampire Bat :: In that case, we can be glad that we are watching it without him.

[Gets a cup of tea].

What is it about? :: Five friends, married men share a loft, which they use for extra-marital affairs. The men are Vincent Stevens (Karl Urban) who is the designer of the building, a psychatrist Dr. Chris Vanowen (James Marsden) who is a reluctant user of the loft, and three others, Luke Seacord (Wentworth Miller), Marty Landry (Eric Stonestreet) and Phillip Williams (Matthias Schoenaerts). When the body of a dead woman is found in that loft, the friends begin to doubt each other as none other than them got the keys to the place; they also wonder if one of their wives or mistresses is involved in the crime. The dead person is Sarah Deakins (Isabel Lucas) who knows them from a bar. Even though it was Vincent who last met the girl, he has no clue of how she ended up like that.

The defence of The Loft :: There is a certain amount of quality and style in how the story is told in this movie. It begins from the murder and the police arrests, and moves on through different timelines to give us clues and finally conclude to a point where everything comes together. There is a intellectual beauty in the narrative style, and you can actually connect these moments well enough while giving attention. There is something here to be suspicious at each of the five characters, their wives, some of the mistresses and even a few businessmen with whom they are involved. It is an entertainer, and there is a big chance that this movie might be remade into one or two Indian languages. So it will only help to have this one watched already instead of having a copy of the feeling that Anwar and Cocktail had original awesomeness when it released, but where just copies of Traitor and Butterfly on a Wheel.

Claws of flaw :: Unlike what some people might think, The Loft is not really an erotic movie; it is very much far away from it and is just the thriller or a mystery, and even with its suspense and the twists, it doesn’t have a huge surprise waiting. Most of the people might have wanted the twists to be even more twisted. The setting could have had more in store, but the finish is just of the quality of an ordinary thriller. The story struggles at some points and it is a missed chance at bringing the mystery to another level. People who are looking at this one as an erotic flick are going to be the more disappointed ones though. Some people can also have trouble with the narrative especially if he or she stops the movie in the middle to watch later. Some of the scenes might have been even made to confuse the viewer into believing that someone with no big relation to the incidents is the murderer.

Performers of the soul :: Karl Urban comes up with a very strong performance here in a movie has most of the characters getting equal importance, and is the pick of them all. It is actually depressing that this movie didn’t get much of box-office collection just like his other good movies – the critical appreciation has also been low. Well, when something like Dredd can’t be a box-office hit, you have to doubt the tastes of the move watchers. He is a very talented actor and needs a better recognition. James Marsden who has been playing Cyclops in the X-Men franchise comes next as he excels in the final moments of revelation. Meanwhile, Wentworth Miller has his moments too as the movie moves towards the finish. The rest of the actors who play the friends also contribute well.

More performers of the soul :: About the actresses who play the wives, they never really gather that much of attention are easily forgotten – still, the one to gather some attention is Kali Rocha. The two main ladies are really good here; Rachael Taylor and Isabel Lucas, both of them making the desired impact despite the weak characterization. The former has done a good number of horror/thriller stuff and looks very much suitable to her role here – I loved her in Shutter. The latter brings a dazzling effect here, and she has never looked prettier – her role is smaller here, but it is the decision-making one; she has always been there with smaller, but noticeable roles like being the pretender decepticon in Transformers: Revenge of the Fallen and the more significant and touching performance as the subsider vampire in Daybreakers.

How it finishes :: The Loft is an interesting thriller which maintains its collection of twists till the end, and it also works as a morality tale if we look at it from another angle. As you go to ending, even though there is nothing tragic, none of the cheaters in a relationship really manages to get a better life except for one exception and one not doing that bad, depending on how you see it. Being faithful should be considered a very important thing in life, not just with love and relationships, but also to oneself. There is no honour is hurting the people we love just for the sake of something temporary and wrong. In an ultra-modern world, all kinds of relationships go nowhere; remember Matthew Arnold’s Dover Beach:
“Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain”

Release date: 14th October 2014
Running time: 103 minutes
Directed by: Erik Van Looy
Starring: Karl Urban, Isabel Lucas, Rachael Taylor, James Marsden, Wentworth Miller, Eric Stonestreet, Matthias Schoenaerts, Rhona Mitra, Valerie Cruz, Elaine Cassidy, Kali Rocha, Margarita Levieva, Madison Burge, Kristin Lehman, Robert Wisdom, Ric Reitz, Graham Beckel, Kathy Deitch

theloft

@ Cemetery Watch
✠ The Vampire Bat.

Honeymoon

honeymoon (1)

Vampire Owl :: I was planning for a Honeymoon with Lady Death myself.

Vampire Bat :: But you are not married yet.

Vampire Owl :: Yet, but it has to happen some day. I am preparing my soul for the same. I have even bought a Suit of Death from Vampire Best Deals.

Vampire Bat :: Do you know that the suit is supposed to prevent death for a few hours?

Vampire Owl :: What? It is not supposed to bring death closer?

Vampire Bat :: No, it is not. The original prototype was used by Uncle Dracula to travel to twenty seventh dimension of eternal death. Vampires and the rest of the undead can’t go through the realms of death without permission from the dead, as it can cause slow disintegration of the vampire body. This suit prevents the same.

Vampire Owl :: What? It is totally unfair. This is going to prevent my Honeymoon from ever happening. Mountain of Death brings death, Isle of Death is known for dealing with death, Valley of Death causes more deaths than any other place, and why is this Suit of Death so much the opposite?

Vampire Bat :: Well, you should have read the full description before buying it. Vampire Raven once bought something and didn’t speak even a word after that.

Vampire Owl :: My honeymoon plans are ruined. You could have at least given me false hope by not letting me know.

Vampire Bat :: Well, we will watch the movie Honeymoon instead.

[Gets a cup of tea].

What is it about? :: A newly married couple, Bea (Rose Leslie) and Paul (Harry Treadaway) finds the right place to celebrate their honeymoon, and it is a cabin in the woods. It seems to be the perfect and extremely peaceful are as they enjoy their time and explore the surroundings. In a small restaurant, they meet Will (Ben Huber) who seems to act strange and his wife Annie (Hanna Brown) who is acts even more weird. One night, Bea goes missing, and later she starts showing some strange behaviour which upsets Paul. She forgets things and write down even basic facts about her life. She often acts opposite to how she had been earlier. Paul sees strange lights at night and feels that a third person is involved. But he finds no real clue anywhere as things don’t get any better.

The defence of Honeymoon :: The movie uses its environment related to the cabin in the woods to come up with the much needed advantage. The two main characters are also made a lot more interesting by the cast. There are a lot of interesting moments between these two characters, and the performances are excellent throughout. The time before the major incident and after that are actually presented in different ways, and it makes us feel the change with a powerful psychological impact. It also leaves a lot of things to our imaginations, and it plays on our mind to know what is wrong, and who is the one actually in trouble here. You feel caught between the two characters, thinking and imagining to recreate what could possibly have gone wrong between the two lovers who seemed so happy and energetic just a few moments ago.

Claws of flaw :: Honeymoon surely drags, and it takes quite a lot of time to get into its more interesting part. Even between the thrills, it goes rather slow. There is a certain amount of beauty about this slowness at times as it adds to the mystery elements, but at some other times, it is not there. The ending is actually a little bit of a let down [A little bit of spoiler stuff to follow even though nothing of heavy dosage] considering the fact that this was going so nice as a psychological thriller-horror movie until the finishing line doesn’t really justify the same, but attributes things to unknown creatures. Even with surprises thrown in here and there, it finally comes to those moments which are rather more predictable, and things become what a good number of people might have thought in the beginning.

Performers of the soul :: The movie needed its performances because it uses them more than anything else due to being a psychological thriller on one side despite being known as a horror movie – may be that ending confused the genres and even added a certain amount of sci-fi to the same. You have to love Rose Leslie in this one, and you once again get to see Game of Thrones‘ own Ygritte doing what she does best; giving the feeling that her husband knows nothing as her character undergoes changes. She has managed two sides of her character so well that we can see the changes clearly and impressively managed. Lets see what she can offer in The Last Witch Hunter – wait for it. Harry Treadaway does a very good job, and the chemistry between them in amazing.

Soul exploration :: The movie asks the basic question if you really know the one who is close to you – it is something that is worth feeling scared about. Well, people do pretend to be someone else, and acting comes naturally to a lot of people. You see those people with profiles on the matrimonial websites with descriptions being God fearing, non-alcoholic and never smoking, but do you think that it is true? Well, even in the case of love marriages, people are blind in love and can’t see through the masks. If people missed this idea, that makes an opportunity gone for this movie. Will someone whom you love undergo so many changes that one day, that you won’t be really sure who he or she is? Well, it is a point to think about, and something that this movie could have focused further on. It is not that the same is not in the movie, but it is not that clear.

How it finishes :: The first movie that comes to my mind when thinking about this, is Under the Skin. They are surely not the same, but some moments do feel similar from a distance. Well, this one keeps the audience wondering though; couldn’t this have been a lot better with the premise? It is good with its stress and intensity, but is this all that this movie could come up with after showing a lot more promise? May be they could have stuck to the psychological side throughout, and in the end, we could have had a minimum of one psychopath or even two. It could have surely achieved better ratings with that. It already has a powerful drama side to power the same. The horror that this movie required was purely psychological, and with the same not being fully there, Honeymoon could have really been the true honeymoon.

Release date: 7th March 2014
Running time: 87 minutes
Directed by: Leigh Janiak
Starring: Rose Leslie, Harry Treadaway, Hanna Brown, Ben Huber

honeymoon

@ Cemetery Watch
✠ The Vampire Bat.

It Follows

itfollows.

Vampire Owl :: You are talking about the Vampire Hamster. He always follows us for no reason.

Vampire Bat :: No, I am talking about a movie.

Vampire Owl :: You mean that you are not talking about those dangerous non-vampires and inexperienced vampire apprentices who stalk us for no reason.

Vampire Bat :: Absolutely not. This is a critically acclaimed horror movie.

Vampire Owl :: I hope that it is not about vampires. If they call us “it”, making a movie about vampires following humans, I am going to be really angry.

Vampire Bat :: No, it is not. I heard that it is about an unknown supernatural entity.

Vampire Owl :: Then, it is okay. I hope that the movie is not about dog spirits either. Then, the fake dog lovers will racially abuse us. The dog lovers have been doing it against their fellow Indian state of Kerala even when it was made clear that there was no mass killing of dogs in the state, and even when government is spending so much to save the dogs in the streets. I read that according to the new scheme, each dog saved will fetch a person five hundred rupees.

Vampire Bat :: Yes, even when they are using images of dogs being killed in their own states and its neighbours and are spreading it as photos from Kerala. They say that Keralites are doing it because their skin colour is black and it makes them demons or rather a lower class.

Vampire Owl :: They really judge people according to their skin colour, don’t they? It is surprising that we are allowing such racism to exist. Some people can’t stand their own fellow countrymen just because the culture and traditions are slightly different.

Vampire Bat :: Well, humans hate their own kind for many strange reasons. They murder their own people and pretend to love animals. We should make sure that we don’t meet many of them.

[Gets a cup of tea].

What is it about? :: The first thing that we see as the movie begins is a girl who runs away from home and gets murdered. Then we are taken to the present story, as Jaime Height (Maika Monroe) goes on a date with a man who tells her that he has infected her. He tells her that an ancient curse has passed on to her through the intercourse and now a supernatural entity will haunt her. It will try to kill her, unless she passes it to another person through an intercourse. She has to try not to die, because after her death, it will come back to him. He hopes that she will increase the number of people in the queue so that his life will be extended. With the help of her sister and friends, she hope to find a solution to this strange problem which makes no sense to her or anyone around.

The defence of It Follows :: There are not many overused horror tactics here, as It Follows takes a different path. It is a simple but effective path which is followed here, as shots are nicely presented and the background score is amazingly good. The creepiness reigns throughout the movie. It knows how to use the horror elements in an efficient manner, without the help of the extra CGI or gore which has come naturally to the horror movies in the last few years. This one proves that it is not that much of a needed thing, as a fine story with interesting moments and good performances can make it work. It might be the scariest simple movie of all-time, with its focus on the uncertainty and the loss of hope. A seemingly unstoppable force will also help to add more to the horror. It succeeds where The Babadook failed.

Positives and negatives :: It Follows is not your usual horror story. There is no big scary monster from the other world which keeps moving things around or jumping out of nowhere to get you out of the seat. There is no real form for the creature as it becomes many people, including those which we love and also ourselves as it try to make way through and get to the victims. It just comes towards you in a form, and then you die; it is as simple as that. The terror in this movie exists throughout even when not on the screen and never goes down in strength. The return of horror to glory is inevitable here. It would still depend on your taste for horror, and what kind of terror you are looking for. If you prefer to have a movie which doesn’t thrive on the jump scares, but creepiness, this will work better. You will feel the slowness too, but it is not always the negative.

Performers of the soul :: This one is Maika Monroe’s movie in many ways, and it only gets better as the film progresses. She has acted in another thriller, The Guest, and she will also be there in Independence Day: Resurgence. In the absence of those big special effects, the performances were going to be vital, and she has done this prefectly as she seems to be very much the best choice. This might be the movie for which she will be remembered for a long time. The rest of the cast just got to support her, and that is what they do. Well, not many movies can strike this well without the scary imagery and having a slow pace. The actors have played a big role in making that happen. It is slow and steady, and so it should win the race for most of the audience.

Soul exploration :: When someone says “it follows” related to a horror movie, it gives the feeling of a certain paranormal stalking. Even though the supernatural dealer of death does stalk its later victims, when we take a detailed look at the title and we see what happens, what follows here is something from which it is almost impossible to escape, and it has more than one feature. The supernatural entity here reflects factors like guilt and regret, about the things we have done and those which we haven’t done. They never leave us, and there will be a haunting experience throughout our lives. It really follows; it chases us through our daily lives. There are things that we do that makes us feel that there is a chance to escape, but we are never really out of it. Sometimes, it takes some time, and still it finds us.

How it finishes :: When I saw the critical appreciation for this movie, I first felt that this was overrated like it was the case for The Babadook. It had almost no real scary moments at all and it is rather irritating for most of its time. But thankfully, It Follows works a lot better. May be the effect of watching that strange movie with irritating characters influenced me to like this movie more. But if you want a horror movie which is completely based on entertainment and jump scares, It Follows, is surely not the movie for you. The strength of It Follows is the inability to escape from the inevitable, and this hopelessness takes the terror to another level – you keep running from it, eternally. There is no safe place as it just follows you everywhere in different human forms. But that also means that there is almost no visual horror. So you have to choose wisely.

Release date: 17th May 2014
Running time: 100 minutes
Directed by: David Robert Mitchell
Starring: Maika Monroe, Keir Gilchrist, Daniel Zovatto, Jake Weary, Olivia Luccardi, Lili Sepe, Bailey Spry, Debbie Williams, Ruby Harris, Leisa Pulido, Ele Bardha, Ingrid Mortimer, Alexyss Spradlin, Mike Lanier, Don Hails, Erin Stone

itfollows

@ Cemetery Watch
✠ The Vampire Bat.

Ant-Man

ant-man!

Vampire Owl :: Are you sure that there is no Vampire Ant?

Vampire Bat :: Yes, it says in all vampire books, that due to the complete absence of alienation, an ant cannot be a vampire. Neither can the bees, wasps and termites. Alienation is the first step to becoming a vampire. The idea of eusociality doesn’t work with vampires at all.

Vampire Owl :: It is good. In the presence of a Vampire Ant, we would have had to sponsor his ticket according to the new Vampire Brotherhood rules and regulations.

Vampire Bat :: Yes, a Vampire Ant seems like an impossible thing, as of now.

[Gets the tickets].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/917-ant-man-movie-review.html

When we consider the superhero movies, Marvel is a name which has proved to be the most trustworthy one in the last few years. All the movies from Marvel Studios have kept a certain standard. Even though Ant-Man is a name which is rather unheard among the common audience outside the English-speaking world, the superhero character has been there for very long. With the reception that this movie has received, we can be certain that it can have a good position among the other movies of the Marvel Cinematic Universe, even though the same can’t be said about how it has managed in this part of the world.

Scott Lang (Paul Rudd) has just been released from prison and is hoping to lead a life away from crime for the sake of his daughter. As he is a post-graduate in electrical engineering, he hopes that he can find a job easily, but things are not easy as his criminal record keeps him away from settling down. A police officer named Paxton (Bobby Cannavale) is engaged to his former wife, which just makes things worse. So, he decides to go on a heist with his former cellmate Luis (Michael Peña) and his friends. They choose the house of a rich old man who is known to have a vault and as Scott has done this before with perfection, they depend on him.

Meanwhile, Hank Pym (Michael Douglas) was part of the S.H.I.E.L.D. and had been responsible for the technology of shrinking sub-atomic particles and making Ant-Man possible. But he had quit because he understood that people were trying to copy and recreate the technology. He knew that such an invention will be incredibly dangerous if gone into the wrong hands. As his daughter Hope van Dyne (Evangeline Lilly), and his former assistant and student, Darren Cross (Corey Stoll) did come so close to duplicating the same technology, he is alarmed again, and hopes to make sure that it never happens. For the same, Hope helps him, and he needs a volunteer to wear the Ant-Man suit.

At a point, the lives of these two people come together, and the story of another superhero officially begins. Actually, the movie takes too much time to get to that new tale. The real Ant-Man is not even there until the second half of the movie – there are just people and two suits. There is too much of a delay here, and it can happen with origin movies, but this one has too much of time without interesting things happening. But things get a lot better in the second half, which is full of action, and there are some very nice sequences in the smaller world involving the ants and the hero himself. Things do get to have a better direction after that.

The final action sequences are very interesting, and the ending is nice. If the theatre won’t stop with the credits, you will surely want to see the scenes which come with the final credits. Even though Marvel has indeed brought us a smaller superhero and destruction is also lesser, the scope of this one is reduced for the same reason. The superhero power itself is weird, and the action makes too much way for drama, as the dialogues are rather a lot. The movie is rather too goofy, and celebrates its inability to provide more to ponder about or even to leave a message. The seriousness never really coming to the front and the absence of a menacing villain may be some of the major reasons for the same.

You can choose to enjoy the humour though, even as it is only partially working. This movie surely needed to be more serious. The ants should not have been portrayed as random cute creatures even when made bigger. This universe of Marvel works better with its chaos and destruction, as it is where the strength should have been derived from. Yes, there are talks about the chaos happening in the world, but that goes on with the light tone of the movie, and we are not really bothered if it happens or not, as there is nothing to make us feel it the same way. Paul Rudd is perfectly suited for the role though, and Evangeline Lilly plays the second biggest character on the good side well.

Ant-Man still continues to keep the Marvel Cinematic Universe going. It just can’t go on without the regular problems of an origin story, and is not without repetitions. The basic formula remains the same, and the differences are made only according to the character of the new superhero. But still, it should interest the regular viewer of superhero movies. It does seem a little overrated right now, as it is nowhere close to being the best from Marvel. Captain America: The Winter Soldier remains the most seriously awesome movie of the universe, and Ant-Man is just some good entertainment without many thrills and no twists. I watched this movie as one of the seven people in the theatre, out of which four came only later. The multiplexes do have been attendance though – still not that much as a usual Marvel movie.

Release date: 24th July 2015 (India); 17th July 2015 (USA)
Running time: 117 minutes
Directed by: Peyton Reed
Starring: Paul Rudd, Evangeline Lilly, Corey Stoll, Bobby Cannavale, Michael Peña, Tip Harris, Anthony Mackie, Wood Harris, Judy Greer, David Dastmalchian, Michael Douglas, John Slattery, Hayley Atwell, Abby Ryder Fortson, Gregg Turkington, Martin Donovan

ant-man

@ Cemetery Watch
✠ The Vampire Bat.

Bajrangi Bhaijaan

BajrangiBhaijaan (2)

Vampire Owl :: How come you decided to watch this movie all of a sudden?

Vampire Bat :: There is too much hate all around. I thought I could escape from it through whichever movie that proclaims universal brotherhood.

Vampire Owl :: But we don’t officially trust these kind of movies.

Vampire Bat :: Yes, I have been reading the hate messages on social networking sites. People need movies like this to bring down the hate.

Vampire Owl :: But are you sure about this choice of movie?

Vampire Bat :: Yes, mostly because I don’t see any other. The reviews are also positive like the box-office collections.

Vampire Owl :: Whatever the collections are, I hope this one collects more than the depressing things like Krrish 3, Dhoom 3 and Chennai Express.

Vampire Bat :: Lets see what we can get from this one to contribute to the reviews.

Vampire Owl :: Yes, I hope that you are right about this one.

Vampire Bat :: Well, even the Vampire Oracle has favoured me on this choice.

[Gets the tickets].

What is it about? :: Pawan Kumar Chaturvedi a.k.a Bajrangi (Salman Khan) has a love story going on with Rasika (Kareena Kapoor), and as he is considered not good enough for anything, he got to prove his worth to her father (Sharat Saxena) with six months left. He has been traditionally declared as such a failure that his first success brought a heart attack to his father. Meanwhile, Shahida (Harshaali Malhotra), a speech-impaired little girl from Pakistan gets lost in India during a pilgrimage trip and ends up with him because she had to get down from the train and do a “Mary had a little lamb”. As everyone comes to know that she from Pakistan after she claps with a Pakistani win over India in a cricket match, he decides to get her to Pakistan in one way or the other. But he might have to break more than a few rules for the same.

The defence of Bajrangi Bhaijaan :: Strong in its messages and emotions, Bajrangi Bhaijaan does manage to keep people positively interested in the movie. The elements which would please the crowd and even bring them to tears are interestingly intertwined to create a nice effect in totality. There is comedy added here and there and a light tone is maintained. The actions scenes are less, but are there to make sure that the usual crowd will like the stuff. The visuals are very nice, and the second half does have a big advantage over the first because of getting rid of the silliness, and the ending, even though a little overdone, is okay and the movie finishes off with an emotional touch which seemed to be very much enjoyed by the audience in the theatre. The performances led by Salman Khan and the little kid also work very well.

The claws of flaw :: The movie is still old wine in a new bottle up-to an extent. The story is something rooted in many others of the past, and even with the current changes, the soul remains the same. Yes, there is more care taken in how certain things are managed here, but the melodrama comes up at times, and some jokes are not really effective either. The plot is just ordinary, and it is treated with all those which could make an impact on the audience. The love for truth displayed by the main character is rather overdone, and so are those songs, among which none makes an impression. The chicken song was rather too irritating. The romantic angle is completely out of order, and the flashback in the bus was the lowest point of the movie. There are also too many predictable events happening in the first half and things are not that much believable. Well, the end does justify the means up-to an extent.

Performers of the soul :: My favourite movie from Kabir Khan remain the more realistic Kabul Express. Salman Khan continues to bring the crowds into the theatres, and along with the same, he manages this character with skill. Even though the character becomes just “the good brother”, he has given the same some interesting moments which are going to stay in the minds of the viewers. Harshaali Malhotra, the kid remains the big star of this movie, and she is the one making the biggest impact, as one would expect; that too with no words spoken. Kareena Kapoor was totally unnecessary in this movie and so was the whole sub-plot related to her, but she does okay here. Nawazuddin Siddiqui provides great support.

Soul exploration :: The message of universal brotherhood is nicely used here. There has been too much hate going on these days, and if you look on the social media, it is crystal clear. The movie gives a lesson about how important it is to love the others beyond the borders, with respect for other religions, races and traditions. Patriotism and nationalism shouldn’t be about hating people of other nations. People should be free to support any nation when a sporting event is happening. Cricket is not a test of hate-based patriotism. The right patriotism should be about love for one’s country and not based on hate. It should be about working for the development of the nation and not to tarnish its image by intolerance and prejudice. At a time when even state-based hate is propagated and even dogs have better status than humans, can one hope for a better situation?

How it finishes :: People have been actually judging this movie by its title. I have actually heard people saying no to the movie due to the same. I don’t know about the Bollywood audience, but it has given a strange feeling in this part of the world. So, it is not easy to guess why I had almost nobody local in the theatre. People judge a movie by its title, but this movie is a fair watch. It is nowhere near perfect, but is enough to provide an entertaining and emotional ride. With its core, what it reminds me of, is about Picket 43, a movie about the relationship between two soldiers on the two sides of the border – there is no relation with the stories, but in the soul, both seems to have a similar connection, of people and their families.

Release date: 17th July 2015
Running time: 159 minutes
Directed by: Kabir Khan
Starring: Salman Khan, Harshaali Malhotra, Nawazuddin Siddiqui, Kareena Kapoor, Meher Vij, Najeem Khan, Kamlesh Gill, Om Puri, Sharat Saxena, Alka Kaushal, Adnan Sami, Atul Srivastava

BajrangiBhaijaan

@ Cemetery Watch
✠ The Vampire Bat.

Love 24×7

love24x7 (1)

What is it about? :: Roopesh Nambiar (Dileep) is a well-known television presenter and anchor working for a popular channel called Naalamidam. He enjoys almost a celebrity status among the people with his special shows. Kabani Sugathan (Nikhila Vimal) is a trainee who joins the channel, and very soon, the two become very close to each other, falling in love. Umar Abdullah (Sreenivasan) is a godfather kind of figure for them, and also their superior. Dr. Sarayu (Suhasini) is a family friend of Roopesh and Kabani’s stay is arranged with her. With her husband dead and son living the United States of America with his wife and child, she feels lonely, but is happy with the company of her old friend Dr. Satheesh (Sashi Kumar) who is a divorcee. Things seem happy, but is it really so?

The defence of Love 24×7 :: The biggest advantage of this movie is the first half which never drags or bores even for a second. There is a happy feel-good thing going on here and with some nice jokes within the limits, this movie keeps our interests high going into the second half. The first one hour and a few minutes can be considered as realistic and charming happy hours which do this movie a lot of good. The performances make sure that things work as expected. There is the presence of not many cliches here, and despite a big tendency, this one doesn’t go the way of another movie with Dileep and the same theme – Swa Le. There is a certain message against the coporate culture and capitalism, and even though that too struggles, it is the better one among them all; the rest are incomplete and meaningless.

The claws of flaw :: The characters are not without faults. Kabani remains the most developed character here, but that too is not without a struggle. The second half starts going down, and the latter part of the second half goes a lot further down. The climax has the incompleteness of the main plot, and chooses to complete the secondary plot and gives us the idea that it will complete like the secondary one some day later. It is like completing the secondary mission in a computer game and failing to finish the main objective, which will be considered a loss in that case. Well, the message that the life repeats itself has very rare chance of happening, and so this incompleteness waiting for a complete flourish and finish later is unreal. The messages which seem to be incompletely told are all pretty much ridiculous.

Performer of the soul :: I had missed Dileep’s earlier movie, Chandrettan Evideya due to having some exams, but I did hear from my trusted sources that it was a nice change for Dileep, and this one also proves to be the same. His last movies from Kammath & Kammath through Sringaravelan and Nadodimannan reaching Villali Veeran and Ivan Maryadaraman is not kind of Dileep that we wanted. They were all too repetitive, and going down in quality even as simple comedy movies – terrible jokes were increasing. But this movie bring the man back to the audience with that change which is readily acceptable. There is no need for big performances here, and it is a role which should have come easy for an experienced actor like Dileep, and he just manages things. Yes, Dileep is back and has moved away from the fake entertainers brought to the audience in the name of comedy.

The lady soul :: The rest of the cast also evokes our interest. Among them, you notice a beautiful face you have never seen before. The newcomer Nikhila Vimal does very well in a role which demanded more than one mode of performance, and in every case she manages her side with utmost sincerity, as it seems – a quality rarely found with a new actress. She is there are the struggling newbie from a rural background and then as the news anchor in a leading channel; the former remains her finer territory. Emoting without any impediment and the slang working very well for her, she adds to the list of the interesting new faces in the Malayalam movie industry. Seemingly very natural in her beauty and the performance, her only problems come from the story and the characterization, because it is clear that she has given a notable performance. The final few moments do her as well as her character no favour though.

The other performers of the soul :: We have Suhasini back in Malayalam movies again; even though she was there in Kalimannu, she hasn’t been that much present in a big way in the Malayalam movies since 2009 flick Makante Achan. It is good to see her doing an interesting and emotional role again. Sashi Kumar also looked so good in his performance, as with him, there was a certain amount of charm even to a character which was going to go unnoticed in a normal situation of events. There is a certain search about the cast done whenever the actors list is provided, and this one has lead me to a movie called Kaya Taran directed by this same actor, and reading on the same gives a feeling to know more about the work. Sreenivasan and Lena Abhilash has the roles which are no trouble to them.

How it finishes :: The director of this movie, Sreebala K Menon is also an author who won the Kerala Sahitya Akademi Award for ‘Best Humor’ for her work – 19, Canal Road in 2005. She is also known to come up with some socially relevant short films and documentaries. She has worked as the assistant director in a number of movies, and it is time to welcome her to the Malayalam movie industry and Love 24×7 will do just fine. Love 24×7 should do okay this weekend because none of the Malayalam movies have managed to really meet the expectations. There are movies which can be watched, but none to create that impact which should be part of the festival season. Let us hope that these Malayalam movies stay enough for people to watch at the theatres itself.

Release date: 18th July 2015
Running time: 137 minutes
Directed by: Sreebala K Menon
Starring: Dileep, Nikhila Vimal, Anjali Aneesh Upasana, Idavela Babu, Lena Abhilash, Suhasini Maniratnam, Manju Pillai, Thesni Khan, Sashi Kumar, Krishna Prabha, Shankar Ramakrishnan, Sudhi Koppa, Sidhartha Siva

love24x7

@ Cemetery Watch
✠ The Vampire Bat.

Madhura Naranga

madhuranarangaa

Vampire Owl :: Do you know that there are three other Malayalam movies to watch as interesting choices are there?

Vampire Bat :: Yes, it is why we are standing here in the queue from the morning itself.

Vampire Owl :: Tough times, isn’t it? Malayalam movies haven’t been doing well enough since that big Premam and Ivide weekend.

Vampire Bat :: Yes, non-Malayalam movies are taking away all the glory. But this might be the weekend on which we fight back.

Vampire Owl :: But are you sure about this choice?

Vampire Bat :: Yes, even if this movie is not good enough, we will watch another movie after this and make sure that we leave for home as happy vampires.

Vampire Owl :: If the second movie is not goo too, then what will we do?

Vampire Bat :: We will watch another one. Actually there are four shows at the theatres here; 11:30, 2:30, 6:15, 9:15. We can always try four different movies today. If you are ready to go to a mall with multiplex, we can do even better.

Vampire Owl :: You are seriously trying to feed me brain damage in the form of too many movies on a day.

Vampire Bat :: I have come very close so far, haven’t I?

[Gets the tickets].

What is it about? :: After a few early minutes in Sri Lanka, the movie takes a flashback to Sharjah. Jeevan (Kunchako Boban), Salim (Biju Menon) and Kumar (Neeraj Madhav) are just three among the large number of Malayalis working in the UAE and are sharing a house. One day, as Jeevan driving his cab, he finds a girl in trouble and brings her home. The girl is Thamara (Parvathy Ratheesh), a Sri Lankan Tamil who has escaped after being trafficked from her home country. Even though she has almost killed someone while trying to escape, Jeevan is attracted to her, and decides not to let her go in spite of being aware of the consequences. They hope to arrange a fake passport and get her back to Sri Lanka, but things were only going to get further complicated.

The defence of Madhura Naranga :: There is an interesting mix of comedy, romance and drama in this one without having any overdose. The fun mostly rests with the middle part of the movie. The presence of a humane touch in the movie is interesting. The ending scenes are touching and performances are of good quality. The beauty of UAE and also Sri Lanka up-to an extent are nicely captured – I would have wished for more shots in the island country. It is also fair not to have an India-Pakistan love story here because it has been used to death in Bollywood and was also used before in Malayalam movie industry to not that much effect. There were a few claps in the end; it asserts that the ending was effective.

The claws of flaw :: This might not be exactly the kind of movie which most of the audience would be expecting. There is no full comedy movie for which our heroes here are specialized in. There are just too many songs too than needed, and there is no improvement in quality over that quantity. The basic plot could have been better developed if it had gone on among the migrant workers, and if the focus was more on the problems which they faced. Instead, they have taken the easy way out in introducing the girl. There is also no real cinematic beauty in the romance; it progresses okay, but it begins in a weak manner. May be some thrills could have been added here and there too; it is too predictable in the current form. The medium could have been better used to bring a message.

Performers of the soul :: Kunchako Boban once again plays a role which is not new to him, and his team with Biju Menon does show signs of former glory even as it is not completely there. It is not fair to expect something like Ordinary which had a full half of comedy or Seniors which was just a complete comedy movie. Biju Menon has some nice comic dialogues, and Neeraj Madhav has a few interesting ones even though not many. Parvathy Ratheesh is a good addition to the Malayalam movie industry. Even as she doesn’t have to speak even one Malayalam word in this movie, she is right there with the emotions and expressions. It will be nice to see her in roles with more variety. Suraj Venjaramoodu has a smaller, but funny character which he manages with ease. There is no struggle there.

How it finishes :: The movie which deviates from a usual Kunchako Boban-Biju Menon comedy entertainer has its biggest enemy as the rain. It has been heavy downpour throughout the day, and the audience presence was quite low. Even though they might feel strange about not getting exactly what they wanted, they can be satisfied with how the movie ends and how it manages to be emotionally strong with some fine performances, even from Parvathy Ratheesh who doesn’t really show the signs of a newcomer. The performance of this movie should depend on how the other flicks work. They could have sacrificed the overall clean stuff and the songs here for some twists and some extra comedy. They have said that this is based on a true story, but little liberties would have only made this one more engaging.

Theatre situation :: There are three other Malayalam movies challenging this one – Dileep’s Love 24X7 seems to have the crowd favourite star in a different role, and Acha Din will have Mammootty trying to work in a movie which has its own difference. KL.10 Pathu has Unni Mukundan in his own new style, and he also has a new face accompanying him as the leading actress just like the other movies. All four of these movies have female faces new to Malayalam movie industry, and even though the promotions have been less, the competition is going to be very high. Baahubali stays and so does Premam. It will be a big task to battle these two movies, and the continuing presence of Minions in the multiplexes will take a portion of the family audience with them and the new Salman Khan starrer also got the high capability to attract.

Release date: 17th July 2015
Running time: 144 minutes
Directed by: Sugeeth
Starring: Kunchacko Boban, Parvathy Ratheesh, Biju Menon, Neeraj Madhav, Aparna Nair, Suraj Venjaramoodu, Niyaz Becker, Saddique

madhuranaranga!

@ Cemetery Watch
✠ The Vampire Bat.

I, Frankenstein

I, Frankenstein)

Vampire Owl :: This movie was approved by Doctor Victor Frankenstein and his monster.

Vampire Bat :: It is still a risk. Just like his experiments. Last time, when he came up with such an experiment, I got teleported to different planets one hundred and twenty seven times. You know what happened with the monster.

Vampire Owl :: Still, I thought that there would be enough reasons to watch this movie. You keep coming up with something.

Vampire Bat :: Yes, the Frakenstein monster gets a special treatment, even though it is based on the graphic novel by Kevin Grevioux. Mary Shelley’s Frankenstein gets a twist.

Vampire Owl :: What about the fact that the trailer had looked very good?

Vampire Bat :: I watched the trailer more than an year ago. So, can’t remember.

Vampire Owl :: It still looks good.

Vampire Bat :: Do you know that the chances of good trailers leading to good movies are rare?

Vampire Owl :: Yes, but so are the chances of Uncle Dracula reclaiming his vampire throne as the ruler of all vampires.

Vampire Bat :: Okay, just don’t tell him.

[Waits at the bus station].

What is it about? :: It has been a long time after Doctor Victor Frankenstein (Aden Young) created a monster (Aaron Eckhart) from the dead. This story takes over from the finishing of Mary Shelley’s Frankenstein and has the monster wandering through the world of men unnoticed. During an attack by demons, he is helped by Ophir (Mahesh Jadu) and Keziah (Caitlin Stasey) of the Gargoyle Order. He is named Adam after the first man on Earth, as he is also the first and the only one of his kind, and is informed that there is a battle between good and evil going on, and it is only the Gargoyle Order created by Archangel Michael that stands between the demons and them taking over the world of men. Meanwhile, a demon Naberius (Bill Nighy) exists on Earth in the form of a billionaire and an influencial business man; he hopes to find Adam and use the secret of Frankenstein to bring back corpses to life.

The defence of I, Frankenstein :: You know what kind of a story this movie is telling. I have always loved to know what happened to the monster after the Gothic novel had ended. So, this continuation should be a welcome thing for most of the fans of the work. There is a certain amount of mysterious beauty with this movie which is carried forward regularly. The movie is full of action, and the battles are very well taken. It has quite an interesting idea and how the story develops grabs the attention of the viewers with ease. The CGI and special effects are very good, and the transformation of stone gargoyles between what is seen on the cathedrals and into various make another thing of interest. The cathedral and the mythical world detail are really nice. There is a battle that take place around the building which is nothing less than a visual action treat. If you liked Underworld, liking this should come naturally.

The claws of flaw :: They could have established the universe better, and not just telling that there has been a war going on for centuries, along with putting our protagonist right between the factions. This has almost no horror at all; the demons are there, but they are not scary enough to make that much of an impact as the creatures from the depths of hell. This could have even worked as another story without our monster in between as demons fighting angels and some human with special power being the difference maker. They should have added something special for the monster, and his emotional and spiritual conflicts could have been displayed in connection with the choices that he has to keep making. But this one manages not to take many risks and goes on to make this the action movie that it manages to be; there is very less characterization, and the attempt to establish a mythology is only partially there.

Performers of the soul :: Aaron Eckhart comes up with quite a controlled and yet powerful performance as the creature without a soul. You can feel the effort that has been put there, even though further development of the character could have made it even better. Still, this might be the best which could have been done with all are available. The monster’s situation is actually made clear with one quote from the movie: “You’re only a monster if you behave like one”, and the depiction keeps us close to the character. Yvonne Strahovski looks very good in the role, and she does her job very well, despite having much lesser to do than expected considering the significance of her character. Bill Nighy manages to bring the villainy nicely, and very much working. Miranda Otto fits her role too, even though it is a strange character at times. Jai Courtney could have been better used.

Soul exploration :: The centre of all action is a creature who has no soul, as he is an animated corpse. This itself is his absence or imperfection, similar to what people lack; in this case, it is the soul itself, as he is not a combination of body and soul like a normal human being. As a creation of the dead, he is more a zombie, but with a working brain. [***Spoilers ahead] – The interesting point that this movie manages to make is that the creature does finally manage to grow a soul. Here, a monster who was close to the dead than the living manages to develop a soul with his deeds, but as we read the newspaper every day, some humans really doesn’t have at least part of the same and don’t strive for the same. The question remains if the people of our world who lives without heart and soul can finally manage to grown something, but as we see in the movie, it is easier for a corpse to grown one rather than the humanity driver by hate.

How it finishes :: I have seen many kinds of reviews, but nothing like this 3% on Rotten Tomatoes which told me why I shouldn’t trust these critics. I have known movies which are so unbearable getting better appreciation. The difference between these and those at Metacritic is almost 30% though, which surely makes me feel where I should be checking more; it has not just been the case of this movie! Well, this movie doesn’t bring anything huge that was going to change the movie world forever, but it did exactly what it was supposed to do, and I am surprised that some people couldn’t really have the sight to see that. Well, even all movies of Underworld franchise which moves on in a similar manner got better reviews along with those terrible movies which got positive reviews – critics would prefer to see Kate Beckinsale with her vampires and werewolves rather than being caught with a monster between demons and gargoyles, it seems.

Release date: 24th January 2014
Running time: 92 minutes
Directed by: Stuart Beattie
Starring: Aaron Eckhart, Bill Nighy, Yvonne Strahovski, Miranda Otto, Jai Courtney, Socratis Otto, Nicholas Bell, Kevin Grevioux, Steve Mouzakis, Caitlin Stasey, Aden Young, Chris Pang, Deniz Akdeniz, Goran D. Kleut, Mahesh Jadu, Penny Higgs

i,frankenstein

@ Cemetery Watch
✠ The Vampire Bat.

Papanasam

papanasam()

Vampire Owl :: We have missed two remakes of Drishyam and might miss another one after watching this movie.

Vampire Bat :: Yes, if and only if there are no more remakes of the same movie.

Vampire Owl :: I don’t think that there will be another remake as the Bollywood version is coming this month-end.

Vampire Bat :: Yes, Bollywood is the finishing line for all copies and remakes, I guess.

Vampire Owl :: Absolutely. Wait! What is the notice that you are carrying?

Vampire Bat :: It is a mandatory statement which I recreated for this movie. It says that as we have watched the original so many times and as it is the one more related to our lifestyle, it is possible that the rating which we give here might not be suitable to be compared to the oiriginal, or with any other movie which is not a remake.

Vampire Owl :: I like that statement. With this warning, we can be sure that the brainless fan-boys won’t go psycho.

Vampire Bat :: Not just the fan-boys, but also the pseudo-intellectuals.

Vampire Owl :: Yes, the judges on the other side of the river of blood who think that they are the only intelligent people on the surface of Earth. I understand.

Vampire Bat :: The statement will work as long as they read at least the beginning and the end of this review.

[Waits in the queue].

The defence of Papanasam :: Even though I had watched all these before multiple times, I felt very good, and it is the success of Papanasam. Jeethu Jospeph once again has things running well, and we can see shots of his other movie Memories when the protagonist is thinking about saving his family – another shot is from the movie Anwar. I could actually go through that wonderful feeling that I had while watching the original without losing strength at any moment. The suspense and the thrills are abundant, and there are some beautiful shots of nature too. The story of the man who tries to save his family from breaking down after an unintentional murder committed by a member out of hopelessness, goes on to work wonders once again. I am not going to go through the story again; you can read it from my review of the original at Drishyam Movie Review. Outside the review which I wrote at that time, I don’t need to say much in defence here because the story is the biggest hero and you know that plot.

Positives and Negatives :: Papanasam happens to be a remake which had a tough task to meet the quality of that amazing original. So, what we have here is a nice achievement, but unless the remake manages to come up with something special which was not there in the original, I wouldn’t consider it as good as the original. The original felt more original to me, with no bones broken during the beatings and slightly better for me as it was less brutal, less emotional and still having the same intensity. But still, if I say that one of them is better than the other, it might not do justice, which is why I am using “me” a lot. Drishyam was better for me, and I am sure that a lot of people who have watched the original and about ninety five percent of the Malayalis will think so. But from a neutral point of view, they might be the same. I did feel that the songs were just bad though. The first half was too stretchy too. I am also personally against the title change.

Soul of the movie :: Kamal Haasan was the right choice to do the role which Mohanlal did to perfection in the original. I do wonder why there was a doubt about the same – if someone had asked me, I would have told the same much earlier, despite an initial doubt about the same. But in that case, if you ask for the same about the Bollywood version, I would have chosen Aamir Khan. But that was never to happen, and Ajay Devgan and Akshay Kumar were to be my next best choices considering the need to cater to the audience. I haven’t watched many Kamal Haasan movies in the last few years, and I am glad that this is the movie which I had chosen to spend my money for. I loved his performance the most in the last few minutes, and if someone else was chosen instead of him, that would have left me not just disappointed, but angry – I can feel that.

Performers of the soul :: There is no comparison between Mohanlal and Kamal Haasan in their roles, because they have managed things in their own ways, in such a way that fault finding is not there as a property to be taken. You know when you see class, and you know the same in both these movies. Even though Gauthami was good, Meena has a slight edge over her, when we look at it without second thoughts. Niveda Thomas is undoubtedly a step ahead of Ansiba Hassan; there was a lot of emotion and power in her portrayal of the character. It is nice to see her doing this role; this should help her a lot in the future. I haven’t found such a fine performance from a very young supporting actress for a very long time. Winner of the Kerala State Film Award for Best Child Artist in Veruthe Oru Bharya has now reached this stage.

More Performers of the soul :: Esther Anil plays the younger daughter in three out of the five versions of the movie, and here also, she is so good. Bollywood should have had her in the cast too, but I guess that they were not looking for a fine proven supporting cast, but to make use of the power of the script which is always there as the winner. Esther might be the best available child actress at this time, and it has been made clear again and again. It is time to give her even more chances. Asha Sarath maintains the same intensity, just with more emotions this time, and Anant Mahadevan also becomes more emotional character compared to the sensible and stable one played by Siddique in the original. I loved Kalabhavan Shajon’s character in the original for it was balanced, but Kalabhavan Mani is rather ruthless here and it also works. Roshan Basheer also reprises his role as the bad boy.

[After the show].

Vampire Owl :: Why were those people sitting behind us comparing Mohanlal and Kamal Haasan?

Vampire Bat :: They are just clueless. They don’t know anything. Just think about how can we compare Lord Ruthven and Lord Dracula?

Vampire Owl :: Yes, both are legendary vampires with great skills, even though we are closer to Uncle Dracula – it won’t affect the quality of the performance.

Vampire Bat :: I hope that the fans won’t find our vampire comparisons offensive though.

Vampire Owl :: I am sure that those with even a small part of the brain active won’t. This is the best comparison that we can come up with because we are vampires with root-canaled fangs.

Vampire Bat :: You can never predict the living humans. If you want to predict behaviours, go and predict that of a dead human.

Vampire Owl :: I like that idea. May be we will watch the Bollywood version too.

Vampire Bat :: We have come so far. I don’t see why not.

Vampire Owl :: I shall call the whole team for that.

Vampire Bat :: Well, do that if it is even remotely possible.

Release date: 3rd July 2015
Running time: 181 minutes
Directed by: Jeethu Joseph
Starring: Kamal Haasan, Gauthami, Niveda Thomas, Esther Anil, Kalabhavan Mani, Asha Sarath, Anant Mahadevan, M. S. Bhaskar, Roshan Basheer, Charle, Delhi Ganesh, Ilavarasu, Arul Dass, Sree Raam

papanasam

@ Cemetery Watch
✠ The Vampire Bat.

Terminator: Genisys

terminator5 (1)

Vampire Owl: I feel the nostalgia already. Do you?

Vampire Bat: Yes, I do. It has powered today’s movie journey. There is also our favourite Dragon Lady here. This a must watch!

Vampire Owl: Let’s just watch it then!

Vampire Bat: With no hesitation. He has to be back for real this time.

[Gets the tickets with extra popcorn and Mango flavoured ice cream].

✠ This was recently posted by me at Kiagia.com where I handle the Hollywood movie reviews division: http://kiagia.com/index.php/current-film-releases-movie/890-terminator-genisys-movie-review.html

There are many types of nostalgia, but there might be nothing like The Terminator for the movie fans of the 1990s. Arnold Schwarzenegger had become a lot bigger name with the movie and its sequel, Terminator 2: Judgment Day. The success meant that there were five movies in the franchise which has now reached Terminator Genisys despite the lesser impact that its predecessor Terminator Salvation had created. Due to the never ceasing power of the franchise, Arnold Schwarzenegger had to come back and give it another push, hoping to bring back some of the lost glory, and Terminator Genisys is the product of a need and a desire.

Years after the Judgment Day and machines taking over the planet, John Connor (Jason Clarke), leader of the Human Resistance against Skynet hopes to end the threat from the machines with two big assaults. The first one is to attack Skynet’s main core base, and the second to destroy a time machine located hidden and away from the main base. But despite what seemed to be a defeat for the machines at the main base, a T-800 killing machine was sent back to 1984 though the time-machine to kill John’s mother, Sarah Connor (Emilia Clarke) so that he or the Resistance wouldn’t be born. Kyle Reese (Jai Courtney) volunteers to go after the terminator and defend the lady.

This much is more like the expected side, as most the audience is familiar with the franchise so far, or at least until the second movie. The twist happens as the terminator as well as Kyle reaches the past. Now, in this timeline, it seems that Sarah is not someone who needs to be defended. She is already skilled with the guns and is protected by another T-800 machine called Guardian (Arnold Schwarzenegger) who has protected her right from her childhood and prepared her for what was to come. They easily get rid of the T-800 and finish off T-1000 with a trap much to the surprise of Kyle. But with this change to the past, what is it that the future has in store for them?

There are many twists in store in this movie along with the altered timeline. It is regarding Skynet and Genisys, John Connor, the working of the machines and our old T-800 model. It is more like a desperate effort to make the most out of all that is available, and the positive thing is that it is mostly successful in doing that. The problem is that it might seem repetitive, and this problem called Skynet and time travel has such big relationship that it can tire the viewers at times. The same also means that this is not simple action movie anymore and things are only prepared to get even more complicated. It is better for the intellect, but not that much for the regular fan.

Arnold Schwarzenegger still has a big fan-base even in this part of the world, and it was clear with those claps which were heard inside the theatre. Even after these many years, people still wish to watch him on the big screen, doing action roles – he has been a symbol of the genre for the common man, a lot more than Sylvester Stallone could ever be. Time has passed, and new action heroes have emerged, but as far as Hollywood is concerned, people like to stick to this man. It is the same which the movie has utilized, for Arnold and Terminator is a combination that works better than anything else, and as he does what he has always done the best, this sequel stays powered.

Game of Thrones’ own Khaleesi, the Mother of Dragons, Emilia Clarke joins him on this battle against the machines, calling him Pops and making him her own personal Guardian Angel. You have to love her in this role too; the fans certainly will. With the rest of them also contributing very well, the cast is a fine reason why you can watch this one. The movie’s biggest strength is still nostalgia, and the action sequences are nice; the plot related to the timelines also leaves us something to ponder about. There are some moments of laughter too, most of them related to Arnold himself. Yes, it is visually very good too.

The alternate timeline meant that there was more freedom here, and the advantage of having things reset is that you don’t need a real reboot or remake to continue a franchise, and a sequel will always attract more people because it is supposed to recreate a lot more rather than remake or somewhat recreate the content. Still, just like Jurassic World, this one also doesn’t manage to become the grand remake which could use all the resources to make things better than how it was with the original. It is not that we were expecting such a thing to happen, but there are people who have waited so eagerly for this movie. This is still the best you have had since Terminator 2: Judgment Day.

Release date: 3rd July 2015 (India); 1st July 2015 (USA)
Running time: 126 minutes
Directed by: Alan Taylor
Starring: Emilia Clarke, Arnold Schwarzenegger, Jason Clarke, Jai Courtney, J. K. Simmons, Lee Byung-hun, Wayne Bastrup, Matt Smith, Courtney B. Vance, Dayo Okeniyi, Gregory Alan Williams, Sandrine Holt, Michael Gladis, Griff Furst, Teri Wyble, Nolan Gross

terminatorV

@ Cemetery Watch
✠ The Vampire Bat.