Two Countries

Posted on December 28, 2015 by Tennyson

Vampire Owl :: So, which are these two countries? Are they from the time of the World Wars, the Hundred Years’ War, the Thirty Years’ War or the Cold War?

Vampire Bat :: The two countries are India and Canada. But this movie has a more funny side to the title. It says “the story of two country fellas”.

Vampire Owl :: So, it redirects towards the characters and their special qualities. There are two ways of saying it then, I see.

Vampire Bat :: Yes, and do not think on the lines of 2 States.

Vampire Owl :: Well, Dileep has returned to the kind of roles which work for the real family audience, and so, this should be an interesting watch.

Vampire Bat :: I hope for something on the lines of Marykkundoru Kunjaadu, Thommanum Makkalum, Kalyanaraman, and Pulival Kalyanam which were from the same director.

Vampire Owl :: And Dileep and Mamta Mohandas unites for a movie once again years after My Boss.

Vampire Bat :: And it will be some Christmas fun.

Vampire Owl :: Yes, we couldn’t go for a movie yesterday and we will try to make sure that the celebrations get better with this one.

Vampire Bat :: It is all that we will do on this day!

[Gets the tickets with some cheese popcorn].

What is the movie about? :: Ullas (Dileep) is one of the jobless people who wander around his hometown doing some business or indulging in some other activity. His best friend is Avinash (Aju Varghese) who is part of most his adventures and ends up in trouble because of Ullas. Most of the things which they work on, never really bring anything positive; it is not just about business. As they take huge loans from a man at Fort Cochin (Makarand Deshpande), Ullas decides to marry his daughter Simran (Isha Talwar) who is on a wheel chair; he finds this an easy path to getting rich. For the same, he sends his elder brother Ujvalan (Jagadish) to speak for his marriage against the wishes of his parents. But things change as another marriage proposal arrives on the scene.

So what is this suddden change of direction in life about? :: The situation changes with the arrival of the proposal of Laya (Mamta Mohandas) to whom Ullas speaks on phone pretending to be someone else. But as she as well as her parents become very much interested in the man on the other side of the phone and the stories which he tells them, she decides to come to Kerala. It turns out that they knew each other from childhood, and Ullas uses this opportunity to pretend that he has always loved her from the time they were kids so that he can fly to Canada as her husband. So, he chooses Laya over Simran, but after marriage, he understands that things are not like he had thought, and his new wife has a lot of problems, with her family being just one of them.

The defence of Two Countries :: There is no shortage of fun in Two Countries, as it is evident from the scene of introduction itself. The comedy shifts to Canada from India, and it only gets better; the story also reaches a better level then. The strength of the movie remains the humour, as most of us expected. There are also some emotional moments which work pretty well. The cast itself becomes a bonus to this movie as the list which begins with Dileep. The best scenes happen at the party, court and friends’ home. It is a nice flick to watch with family, and the youth will also love the fun provided. The visuals of Canada are good too, even though more could have been utilized. It was clear that people in the theatre enjoyed the comedy and the claps were there. This is also a lot better entertainer than the overrated comedy of the year, Amar Akbar Anthony.

Claws of flaw :: The music never really gets to be that good, and the climax seems to be rushed to an end which comes to a solution which the audience wanted rather than finishing it in the right way. A lot of fun is also directed towards the mindless side, even though it is kept enjoyable. There is not that much of a new story here with predictability running high. Some parts of the movie are also half-baked, and one will wonder if the movie used the whole of its premise to its advantage; for this isn’t that much complete as My Boss with its fun. A lot more of comedy would have been here, and the beginning situation is more like what was there in too many movies. With the names Rafi and Shafi involved with this movie, people would have expected even more; this is surely not as good as Marykkundoru Kunjaadu – but it delivers; no doubt about that.

Performers of the soul :: Dileep is once again at his full form here, as he follows the good run after Chandrettan Evideya, Love 24×7 and Life of Josutty. This is also the complete comedy movie which has full fun without overdoing the comic side, a quality which hasn’t been seen since his My Boss in 2012. This is the kind of role which he can go through with ease, and it is once again proven. His support at home is Aju Varghese and the same is provided by Suraj Venjaramoodu in Canada while Mukesh replaces Jagadish in the second half as the brotherly figure away from home; Aju and Suraj are the big comic support here. We missed Mamta Mohandas for too long with her last big role being in Celluloid. She does her character amazingly well; there are not many actresses who can do this type of comedy so well. Isha Talwar has a small role, and Srinda Ashab just supports in bringing the fun.

How it finishes :: With the support going on to Vijayaraghavan, Lena Abhilash, Asokan and Vinaya Prasad, this one brings Canada into the picture, a change from Life of Josutty which had the heroine based in New Zealand and My Boss which had the heroine as an Australian citizen; it is a welcome variation as there is no journey to United States and United Kingdom here either, which would have been the usual choices. Among the Christmas movies, Two Countries is sure to have a nice status, as it should appeal to different kinds of audience. As it seems, Christmas seems to be a blast with Jo and the Boy, Adi Kapyare Koottamani and Charlie also getting good opinions. Two Countries is surely going to entertain you, and the reviews about this have also been positive! The time period between Christmas and New Year will shine for the Keralite audience; no doubt.

Release date: 25th December 2015
Running time: 155 minutes
Directed by: Shafi
Starring: Dileep, Mamta Mohandas, Aju Varghese, Mukesh, Isha Talwar, Suraj Venjaramoodu, Srinda Ashab, Jagadish, Vijayaraghavan, Lena Abhilash, Makarand Deshpande, Asokan, Vinaya Prasad, Riyaz Khan, Ajmal Ameer, Rafi, Hareesh, Carrie Marston, Megan Weckwerth, Eldon Hunter

@ Cemetery Watch
✠ The Vampire Bat.

Jo and the Boy

Posted on December 24, 2015 by Tennyson

What is the movie about? :: Joan Mary John (Manju Warrier) used to be a kid who loved Mickey Mouse a lot and later took it as her ambition to create a cartoon character like that. When asked at school about whom she wanted to be, she had the answer as Walt Disney. Later, she grows up to be an animator who hopes to make a big series or movie with a character created by her, and for the same, she makes different approaches, but with not much of a result. As she goes above the age of thirty with no job and no interest in marriage, her parents Johnny (Lalu Alex) and Mary (Kalaranjini) become more and more worried. But she continues in her own small world trying to make that big difference to it with one right moment. Then the life changing moment appears, and the story has another direction to proceed.

So what is this sudden change of direction in life about? :: Joan needed something special with her life. Things take a turn with the arrival of a boy called Chris (Sanoop Santhosh) who was adopted by Catherine (Rekha), one of Joan’s relatives. The visit happens at a time when Joan is struggling to make a mark as things continue to work against her. After the initial dislike due to the boy’s attitude, Joan becomes good friends with him, and they become good friends. Later, he becomes the inspiration for the cartoon character whom Joan is planning to create, and she ends up designing her creation just like him. Calling the character Criz, she keeps making the attempt to impress the firm, with the man at its head not interested in her ideas. With the help of her friends and the boy, Joan will try again, as it is her only dream in life.

The defence of Jo and the Boy :: There is a very nice beginning to this movie, with the child and Mickey Mouse; it keeps that level or somewhere around there until the cartoon character gets its own problems. There was the possiblity of this one becoming the right movie embedded in the spirit of Christmas in the beginning stages. The ending is also pretty good, even though the climax has a little bit too much melodrama. This is inspirational and feel-good, that is for sure – there is no shortage of such stuff here and there even though not in totality with the story. The Philips and the Monkey Pen feeling exists right through this one, even though that much strength is not there to be a worthy successor to that amazing movie – don’t keep the expectations that high about this one. There is also the strength of some amazing visuals in this flick. You are going to fall in love with locations used here, and there is no question about that. The performances will be another plus point.

Claws of flaw :: The movie will have problems in connecting to a good number of viewers who might not have expected this from the trailers. The humour here is rather too less. The songs are not that good either, and visuals are the ones which give the feel to the music. There are problems in the middle part and the first part of the second half does have some lagging portions along with cliches. A lot of scenes which were shown in the trailer in a nice way have almost no significance in the movie in its totality. The Philips and the Monkey Pen magic is not really recreated here, with some magical moments here and there, but that connectivity, clarity and emotional strength isn’t that much present here. It should be also why this movie try to be the great overreacher with its story, when it could have stayed on the ground with the common man; instead it does try to fly too high, and becomes the Icarus with burnt wings – unlike the son of Daedalus, this one survives though. A better or even simpler story would have made this a fairy-tale beauty.

Performers of the soul :: As you might have already expected, Manju Warrier is the big performer here, as she once again manages an inspiration role to take it to a fine level, after How Old Are You? and Rani Padmini. All those “different” characteristics of this role comes to life with her, even though common man question the action here – that is explained with the “difference” factor; “divergence” isn’t really a crime, right? Sanoop Santhosh also does an interesting job here as the boy who brings the diversion in life. Even though the character is not that likable as in Philips and the Monkey Pen, he does his character well. It is nice to see Lalu Alex doing the “cool father act” once again. Sudheer Karamana is too underused here as his character disappears after making a nice impact. Sunil Sukhada also has a short appearance in the beginning stages of the movie. Pearle Maaney provides some good support. A point to be noted is that there is no pair for the heroine here, and as you expected, the romance is null.

Soul exploration :: Jo and the Boy is another movie which talks about dreams. The whole story is about the lady protagonist who has a dream in her childhood and keeps going towards it even as she reaches the age of thirty – unmarried and without a job. It is the story of many good men and women who couldn’t achieve a particular thing just because they don’t have enough contacts or blood-relationships with people at good positions – we know how it works in this world, as people with reservations and powerful relatives will get things done easily and earlier while others have to work hard to achieve it. But our protagonist keeps trying, and despite the worries, her parents also supports her. In a world in which sons and daughters of actors/directors/producers become actors without any skill, and children of ministers become leaders and then ministers, Joan is a symbol of everyone who keeps trying without accepting defeat and changing the path.

How it finishes :: As you might know already, there is no shortage of inspirational movies in Malayalam Cinema; even this year, it is a process which started with Mili, and continued to go on through Rani Padmini, Su Su Sudhi Vathmeekam and My God. Among these five big inspirational movies including this one, three of them are heroine-oriented, one has a person who rises above his disability, and another movie has a kid at the centre of everything. Malayalam movie industry does know how to inspire its audience, that is for sure. With Jo and the Boy, I am glad that there has been a lot of inspiration gained from movies this year, and there are also those feel-good entertainers which have provided us with some more happiness, and some movies are both! I am extremely glad to have watched more Malayalam movies than the flicks in any other language this year, in the theatres.

Release date: 24th December 2015
Running time: 156 minutes
Directed by: Rojin Thomas
Starring: Manju Warrier, Sanoop Santhosh, Pearle Maaney, Kiran, Lalu Alex, Kalaranjini, Rekha, Sudheer Karamana, Sunil Sukhada

@ Cemetery Watch
✠ The Vampire Bat.

Rockstar

Posted on December 7, 2015 by Tennyson

Vampire Owl :: I have absolutely no relationship with music. I have doubts related to the effectiveness of this movie on me.

Vampire Bat :: Your are talking as if I have such a relationship.

Vampire Owl :: Well, the elder vampires say that you did sing a song when you first joined the vampire team.

Vampire Bat :: Yes, the result of that action was eight vampire elders having heart attack, thus losing their immortality. It was the first vampire death due to a heart problem, and the first case of missing immortality by natural reasons.

Vampire Owl :: It should be a record then. I have never witnessed such a thing after I joined the vampire team.

Vampire Bat :: Well, it is because I don’t sing anymore. I am the one responsible for bringing the current elder vampires to power as the great vampire elders as the reigning elders of that time had that heart attack. So, these people appreciate me, but they have begged me not to sing again.

Vampire Owl :: Well, I do come close to having heart attack while listening to some of the new generation music. It should be a natural thing, unless you are the Lich Queen. She has no heart and replaces parts of her brain in five or six days.

Vampire Bat :: This one is a romantic musical comedy. So, you have to be aware that we are going to listen to a lot of music.

Vampire Owl :: I am prepared for it. I just hope that movie will work for me due to my non-musical owlish background.

Vampire Bat :: Lets find that out then.

[Gets the tickets].

What is it about? :: Anand Abraham (Siddharth Menon) is a musician who is part of a popular band and is a very famous personality in Bangalore. The youth, especially girls have some special love for him. Hailing from the Keralite town of Palai and always into music, he spends his life with alcohol and having relationships with many girls with no seriousness or commitment. During a wedding function, he meets Athira Menon (Eva Pavithran), and that changes the situation quite a lot. Athira is against the idea of marriage itself as her parents have been living separately for many years. She is a beauty stylist who wishes to adopt a child without getting into matrimony. So, when their not-so-serious relationship brings pregnancy, both ends up being confused about what to do next. Both have different opinions about what to do next, even though marriage is not the first choice.

So, where does the grand solution come from? :: The problem with Anand is that he wishes to give his son his surname, and still he can’t go into any kind of commitment. His desire is to continue to be the rockstar that he has been. Meanwhile, Eva detests marriage, and wants to take care of the baby herself. She keeps repeating that she doesn’t want to marry him, but Anand wants his son to be known as his own. With a lot of advice coming from their friends and acquaintances, they finally decide to come up with the grand solution, to get married and get divorced later after the baby is born. With this new variety idea, they goes to the registrar’s office and submit the application. What happens after this with their lives as well as what their parents have to say about this is all that movie talks about.

The defence of Rockstar :: There are only a few movies which keeps getting better and better as the movie progresses, and Rockstar is one of them – may be if the movie was longer, this one could have been a better flick? One has to wonder, because the earlier quicker pace of the flick was actually working against the movie considering the genre that it belongs to; a romantic musical should allow the audience to get that feel, and it only arrives later with its strength used to the advantage. The movie is not short of ideas, about freedom and people living their lives their own way, along with understanding the meaning of love and affection. There are some nice, enjoyable moments; with the scenes at the registrar’s office, the grandmother-grandson bonding moments, the final emotional sequences and a few more can be mentioned. Some of the humour will be remembered, and the movie is emotionally touching.

Claws of flaw :: The beginning of the movie is a catastrophe and it will keep telling you that you need to leave the theatre right now. It is more like an inspiration to get yourself out of the theatre – the first thirty minutes are the worst that you might have ever seen for some time, and from there, it slowly begins to get better and with fourty five minutes passed, it begins to get better as you will notice. Rockstar seems to be a movie which could have achieved a lot bigger if focus was there, and with the first few minutes cut. The ideas which the movie talks about don’t really show themselves with the strength that is was supposed to have, and some of them are easily lost. There is also a certain amount of immaturity in the way the movie as a whole comes to the screen. Maybe a better narrated and better edited movie was needed here to bring the ideas to the audience in a better way. The songs are not that good and humour could have been used more. It could have have done without some scenes and predictability.

Performers of the soul :: Siddharth Menon does pretty good as the protagonist on his debut, as he does suit his character very well. There is nothing special for him to do here though. One would have expected a lot more musical stuff from his character though. But the movie often deviates from its musical self, making one wonder if that should have been done with a singer becoming the leading actor here. The character here is focused in the wrong way, if you ask me. By the end, it matters less if he is a rockstar or a businessman, and it still works for the usual audience in another way because he is more of a common man and not a star at that time. The daughter of the director VK Pavithran, Eva Pavithran is really good in her second coming debut here. She seemed amazingly suitable for this role, and she is sure to get bigger roles from now. There will be a few moments from her which you will appreciate very much and keep in your memory.

How it finishes :: It was nice to see Praseetha Menon of Badai Bunglaw fame doing an interesting role. Poornima makes a nice return to Malayalam cinema after a very long time. M Jayachandran had the role of a totally unnecessary character, as there is nothing good in it. Anumol has a notable character and Sona Nair has some good moments along with Mukundan Menon even as they are short. Mallika Sukumaran is seen in Malayalam cinema after a long time and she has some nice moments too. The funniest moments of the movie still belong to Saiju Kurup in his short stay. Most of the remaining support is rather wasted. Rockstar might not be the movie which you expected to watch after having a look at the trailer and hearing a lot about it – this is the advantage as well as the disadvantage of the movie, and it is a watchable flick; just don’t expect something huge.

Release date: 3rd December 2015
Running time: 123 minutes
Directed by: VK Prakash
Starring: Siddharth Menon, Eva Pavithran, Sona Nair, Anumol, Praseetha Menon, Saiju Kurup, Poornima Bhagyaraj, Mallika Sukumaran, Prakash Bare, Mukundan Menon, M Jayachandran, Dinesh Prabhakar

@ Cemetery Watch
✠ The Vampire Bat.

Rajamma at Yahoo

Posted on November 21, 2015 by Tennyson

Vampire Owl :: Vampires don’t have e-mail addresses at Yahoo. We use only the official Immortal Vampire Mail which is approved by Uncle Dracula and the Great Vampire Elders.

Vampire Bat :: But the title of this movie has nothing to do with Yahoo, e-mail, ISP, internet and social media.

Vampire Owl :: There is a clear misunderstanding about this then. The title misleads.

Vampire Bat :: Yes, but the movie is now clear to be watched for the vampire community too. Everything is fine.

Vampire Owl :: But don’t you think that a better title would have done this movie more good?

Vampire Bat :: Yes, that is sure. There is no question about it, especially as there is no shortage of titles around here.

Vampire Owl :: I will try to suggest a better title after watching this movie.

Vampire Bat :: Well, I wouldn’t recommend that. The current title still bring some idea about what to expect in this movie, which is not directly related to the brain.

Vampire Owl :: In that case, I shall not attempt the renaming.

Vampire Bat :: Well, it is never really going to make a difference, is it?

[Gets the tickets].

What is it about? :: Michael Rajamma (Kunchacko Boban) and Vishnu Yohannan (Asif Ali) are brothers who were born to a couple who eloped from their home after an inter-religious love affair. After the death of their parents, they decide to live in their huge house which they can’t sell due to some problems with its records. Called Rajamma and Yahoo respectively by their friends, latter has a love affair with Nessy (Anusree Nair) and former is attracted to Sherin (Nikki Galrani) who is one of the many tenants to whom parts of the big house are given on rent. After becoming good friends with the village officer Pavthiran (Kalabhavan Shajon) and his family to whom another part of the place is rented, the two decide to solve a problem faced by Sherin, and that brings the antagonist Abraham Pothen (Renji Panicker) to the scene and a few things from the past.

The defence of Rajamma at Yahoo :: The moments of fun are surely there in this movie, and they start very early. You can clearly hear the laughter in the theatre and people do find this one enjoyable with its good comic side. The first half does provide the scope to let this one go on as the full comedy entertainer, and even though the completeness is never achieved, Rajamma at Yahoo has memorable jokes. The characters on good side are likable except for the role played by the main heroine. There is also some feel-good related to this movie, even though the portrayal of the same brings certain trouble, and couldn’t tally with the rest of the movie as the mixture struggles to be better. There main lead makes sure that there is always something throughout the movie.

Claws of flaw :: After wasting the opportunity to be a full comedy entertainer or at least a part feel-good movie, this one has struggles which go on to bring a climax will be in no way acceptable to most of the audience. It is as if it is just imposed on this movie without much thinking. One would also wonder if people haven’t had enough of making sculptures of their parents, and how it is considered a noble deed – ask Utopiyayile Raajavu. The movie could have at least known its strengths, which it shows at times and then losses them. This could have been a lot better if the story was more interesting; the dependence on the stereotyped situation of the heroine also works against the movie. Some of the jokes are also not working. Something better was needed in the script, but unfortunately, that is not there. The romance is also half-baked.

Performers of the soul :: Kunchacko Boban and Asif Ali manage their roles in this movie very nicely. They do make a good team, and everything is effectively handled together. There is nothing heavy here though. It does make one wonder what these two could have achieved with more funny situations and a better story brought to them. I would like to see them together in another story where there are more opportunities. The latter was also too unlucky earlier with Kohinoor and Nirnaayakam. With the comic side, Kalabhavan Shajon scores the highest as the village officer, and the others follow his lead. It was also good to see Sneha Sreekumar of the Marimayam fame in this movie, and she did well. Among the heroines, Anusree makes better impact. She has handled the comic side very well too.

Further performers of the soul :: Nikki Galrani arrives on screen as the movie reaches the one hour mark, and she is there with the looks and not that much with the performance. There is no doubt that she looks really good here. Then there is not much there for her, as she becomes the love interest as well as the one who causes the turn of events without talking much. It is still a lot better than what was seen from her in Rudrasimhasanam. Renji Panicker has a strange character here which makes the antagonist weaker and part-time. He is very good for most of the time, but the characterization gets into the way. Noby Markose of Vodafone Comedy Stars fame is also there after Life of Josutty, and in the smaller role, he brings some nice laughs. Kailash also provides good support in the flick.

How it finishes :: The chance to rule the weekend is not there for Rajamma at Yahoo as the opportunity is spoiled and the movie doesn’t rise up-to the expectations. As they tell a fun story, one has to wonder why it couldn’t have been the same throughout its run-time. Better songs, background music, editing and all could have provided this movie with more strength, but they didn’t. With lesser challenge this week as only Su Su Sudhi Vathmeekam remains the one notable Malayalam release, our movie here will still do good enough. The fun moments will make sure that there are no boredom or lag, as Rajamma at Yahoo can attract those who are looking for some simple mindless fun for the weekend. You will enjoy the movie in parts as long as you don’t think too much about it.

Release date: 20th November 2015
Running time: 138 minutes
Directed by: Reghurama Varma
Starring: Kunchacko Boban, Asif Ali, Nikki Galrani, Anusree Nair, Kalabhavan Shajon, Renji Panicker, Kailash, Noby Markose, Vijayakumar, Sneha Sreekumar, Sethulakshmi, Mamukkoya, Muthumani

@ Cemetery Watch
✠ The Vampire Bat.

Su Su Sudhi Vathmeekam

Posted on November 20, 2015 by Tennyson

What is it about? :: Sudhi (Jayasurya) works as the manager at one of the branches of Karur Vysya Bank at Bangalore. One day, after helping a group of cinema artists to shoot inside his branch, he gets a ride to his hometown with Mukesh (Mukesh), thanks to his old friend Greygon Das (Aju Varghese) who is in the film field. Sudhi talks to him about his life and the interesting incidents related to it. He is a person who has always had a terrible stammering problem. It had alienated him and affected his confidence ever since he was a child. Even when he reaches his youth, he remains a troubled man due to the same. The same disability leads to his engagement being called off, and the people of the village make fun of him even more. But as time progresses, he will manage to rise above his problems and understand that he is better than his troubles.

The defence of Su Su Sudhi Vathmeekam :: If you loved Punyalan Agarbathis, you will surely love this one too; I would consider this one above that flick because our movie here finishes very nicely in a much better way. The feel-good factor is much stronger here because this is more of the common man’s movie. There will be moments when you will feel that this is the story of you or someone you know in a different way. The message is also very clear here, and it will connect with the common man. The fact that the movie is short helps the cause; there is no drag here either. The second half is also better than the first, the movie only improving as it progresses. The emotional side is working all the time and gets stronger in the latter parts. The humour is good when it is present. The songs are okay. It is simple, cute and the right choice for the families.

Claws of flaw :: There is no special ingredient in Su Su Sudhi Vathmeekam. Well, Kung Fu Panda knew that there was no secret ingredient, and this movie also works without the same. There is nothing special with the story as the flick thrives on simplicity and reflecting the common man’s life. More humour could have also been added here too, and more material in the first half. People can also complain about the troubles of the man and his setting to be better shown in another way, asking for more fun or more emotions, but this one takes the middle path. The Punyalan Agarbathis feeling is also there even as this one overtakes that movie in content and presentation. Like what a few people who said about Mili, if you consider the goodness and inspirational stuff as cliche, this won’t be the movie for you; but I believe that they can be infinitely disparate each and every time.

Performers of the soul :: Jayasurya brings a stunning performance here proving his versatility once again. This movie is all about his character and he makes it all about him. The success of this movie will undoubtedly be his success as he thrives, and lives as the protagonist. Whichever be the movie, he has always been there with some exceptional performance – you can do a rewind into his previous movies and clarify the same. With three stages of the protagonist’s life being shown on screen, the man comes in three appearances, clean shaved, with a moustache and with the beard. Like in Premam, this also shows the man in different appearances as the character’s attitude towards others as well as life as a whole changes. This will be his second movie to run with positive opinions at the same time, along with Amar Akbar Anthony.

Further performers of the soul :: You can note that the director Ranjith Sankar has a cameo role in this one. The two heroines in this movie are not that familiar for the Malayalam audience even though only one is the new face. Swathi plays the protagonist’s fiancee whom he was supposed to marry, and the one person to whom he feels really close. If you watch Comedy Super Nite on Flowers channel, you might have noticed her as she was there in one of the episodes. She makes a nice debut as she entered the industry, and there is a certain amount of cuteness right there. The other heroine, Shivada has more to do, and she also has the more inspirational stuff as the speech therapist. She also comes up with a fine performance as the difference maker. Aju Varghese contributes well to the comic side, and Mukesh brings more laughs. Mukesh as Mukesh was actually a very nice move!

Soul exploration :: Su Su Sudhi Vathmeekam inspires you, but it doesn’t ask you to become someone else. The soul of this movie asks you to listen to your own heart and soul rather than the others and society who bring a label for you. The protagonist himself says that everyone is not supposed to become Sachin Tendulkar or Aamir Khan. It is all about us being ourselves, not doing comparisons with others. The movie tells us to be just us, but always to be the best of us, as not to have tried is a terrible thing. If we are not ready to be us, with all the characteristics that belong to us, then what is our significance as individuals? As separate individuals facing different situations, having varying abilities, it is all about making the best use of the talents. This movie is also supposed to be inspired on the real life story of a person. You were inspired by Rani Padmini a few days earlier, and now here is more.

How it finishes :: Don’t expect something huge with a big dose of tings, but as the simple and powerful movie of the weekend, Su Su Sudhi Vathmeekam will provide you with the motivation that is not restricted in any way. It is a path for you to travel in discovering your individuality, and at the same time, realize that everyone is awesome, no matter what disability or trouble is present. Coming from the director who started with Passenger and gave us some really inspiring movies, this one also leaves a mark, and Ranjith Sankar has left the audience with some happiness while touching the emotional side. If you leave the theatre with some positive energy inside, it is the success of the team which brought you Punyalan Agarbathis once again. Once again, you are reminded of what you can do, and why you are also someone who can achieve. You look for goodness and inspiration; you find Su Su Sudhi Vathmeekam.

Release date: 20th November 2015
Running time: 131 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Swathi Narayanan, Shivada Nair, Aju Varghese, Mukesh, Sunil Sukhada, TG Ravi, KPAC Lalitha, Ranjith Sankar, Muthumani, Sarath Das, Irshad

@ Cemetery Watch
✠ The Vampire Bat.

Anarkali

Posted on November 13, 2015 by Tennyson

What is it about? :: Shanthanu (Prithviraj Sukumaran) who arrives at Lakshadweep Islands as a diving instructor actually has another plan in his mind. His old friend Zachariya (Biju Menon) is already on the island and they are joined by Koya (Suresh Krishna) to whom they tell that love story which goes back by many years. The tale is about a girl named Nadira (Priyal Gor) and her love with Shanthanu before being separated by her father. Far away from her, and with no idea where the girl is, Shanthanu hopes to find her through her brother who is an officer at the Naval base at Kavaratti, the capital of Lakshadweep. With her rich and influential father standing on the way, and very less chances to find his lady love, Shanthanu knows that he will need all the help that he can get.

The defence of Anarkali :: The success of Anarkali lies in being direct and not taking the easy way out like many other movies. It is a believable love story with strong presence of the “true love” elements and along with maintaining that status, goes beyond states and languages. The comic sequences are very nicely done, and Biju Menon with his amazing comic timing, makes sure that the funny side is perfect. The visuals are amazing, and if you look deeper into this movie, there are similarities with Mosayile Kuthira Meenukal and there is an abiding sad mood of “impossible hope” throughout the movie which reminds one of Prithviraj’s another flick, London Bridge. But Anarkali manages to soar ahead of all these movies. The visuals here might be the best you can have from an island location and the songs are good. The emotions are strong throughout this movie.

Claws of flaw :: A disadvantage of the movie is its length, even though there is no feeling of drag anywhere – that is quite an achievement for the people behind the flick. The movie’s love story is still cliched up-to an extent with the hero and heroine waiting for the approval of the girl’s father, and making that one last effort defying all odds. It could have also used Sufism more. There is also a little bit of Mosayile Kuthira Meenukal here, but Anarkali does manage to rise above that by being an entertainer and a full love story for all kinds of audience. But aren’t these things which can be forgiven in the case of a true romantic story? There is no romance without cliche, and with a lot of other aspects staying away from the cliches, Anarkali is not going to be just another love story, because it is better! You really don’t need to judge this movie based on the opinions of the others, because this one is for the heart and that changes according to individual.

Performers of the soul :: You see another chance for Prithviraj Sukumaran here, and he has once again provided an amazing performance to make sure that this one will work well along with his other movies in the theatre, Ennu Ninte Moideen and Amar Akbar Anthony. There is a lot of energy from him here, and he has also kept this character close to our hearts. Intensity and tranquility are just two sides of this character, and with Prithviraj’s exceptional skills, reaches the audience really well. Biju Menon is there in the supporting role after playing the lead in Salt Mango Tree, and he has managed to give the right amount of the same; most of the funny side of the movie is handled by him, and you will surely love his character. He brings so many of those memorable comic situations in this one. Meanwhile, Renji Panicker and Major Ravi has notable cameo roles.

Further Performers of the soul :: Coming to the heroines, even though only one fits the exact definition, there are two others who share some nice screen presence. Priyal Gor might be the cutest heroine ever to step into the Malayalam movie industry. Another positive thing is that she could bring the emotions to the scene very well. Meanwhile, Miya George has a strong character to perform here and she manages that very well; she is also the first to arrive on screen. Samskruthy Shenoy who plays the third significant female character brings her best performance here – the abiding sadness of her character is elegantly reflected on her face. The Kerala State Film Award Winner of this year, Sudev Nair does a very nice job. Kabir Bedi is very strong in his role, Suresh Krishna brings a notable performance. As Prithviraj scores his hat-trick success, there nothing negative in the cast.

Soul exploration :: Once again, the symbol of true love is “waiting” – there is something about the romance here. The two lovers are radically determined in this movie, as the sea becomes the metaphor for the distance between them and it is the final obstacle for them just like the girl’s father was the metaphor for the same earlier. As the ocean kept them away, it is the island of loneliness to which the protagonist was restricted to, and it has a form when he reaches Lakshadweep. The sea and the girl’s father are his obstacles among which only one needs to be conquered at a time, and as true love is not without troubles, he goes through them, but not without risking his own life and earning a name on the pages inside the chronicles where the saga of sacrifice is written. True love is near impossible because it demands a lot, and our protagonist runs right through, as the emotional side remains strong.

How it finishes :: Anarkali is above Amar Akbar Anthony and Ennu Ninte Moideen both in content and presentation; the feel-good factor also comes as a nice advantage. Rising above the latter as well as Premam, this is undoubtedly the best romantic story which has released for quite some time. If you don’t blindly adore these three movies, you can easily fall in love with Anarkali, because it is made clear in the beginning itself that nothing other than true love awaits in the flick. There is no need to go for the general opinion in this case because a lot of people are still lost in the other movies from Prithviraj and might find it not that easy to digest a movie which has a better philosophical side. If you place these four movies and think neutrally without consulting anyone else, you will know, and in the end, you will re-assert the fact that true love is beyond all barriers and that there is the need to visit the beautiful Lakshadweep Islands.

Release date: 13th November 2015
Running time: 168 minutes
Directed by: Sachy
Starring: Prithviraj Sukumaran, Miya George, Priyal Gor, Biju Menon, Samskruthy Shenoy, Kabir Bedi, Sudev Nair, Suresh Krishna, Rajeev Menon, Major Ravi, Assim Jamal, Renji Panicker, Madhupal, Shyamaprasad.

@ Cemetery Watch
✠ The Vampire Bat.

Salt Mango Tree

Posted on November 6, 2015 by Tennyson

Vampire Owl :: You had talked about a movie with this kind of a combination.

Vampire Bat :: Yes, about that popular funny dialogue from Mohanlal in the movie Doore Doore Oru Koodu Koottam.

Vampire Owl :: I remember the comedy scenes. Memories come back to me from the hidden spaces of immortality. I hope none of them stay to haunt me forever.

Vampire Bat :: It had also won the National Film Award that year for Best Film on Other Social Issues.

Vampire Owl :: I need to watch that one again.

Vampire Bat :: You should. It should be the best movie with a satirical side from Sibi Malayil.

Vampire Owl :: What about this movie and the possible relation to that flick from the eighties?

Vampire Bat :: The educational system seems to be related, and there are kids, teachers and parents as it seems.

Vampire Owl :: And why did we choose this one over Hotel Transylvania 2?

Vampire Bat :: Well, Biju Menon might create another Vellimoonga here; so this might be the nice and interesting choice! There is also a chance that we might find the animated movie sequel offensive to vampire-kind.

[Gets the tickets].

What is it about? :: Aravindan (Biju Menon) runs a medical shop in the city while his wife Priya (Lakshmi Priyaa Chandramouli) is working as an accountant. The only thing which they think about is to get their son Ashwin (Master Varkichan) admission in one of the best schools in the city. As the two become more and more obsessed with this, they arrange English tuition for the boy, try to ask everyone if there is any chance for the admission one way or the other, and even try to change themselves to become the modern parents. The Malayalam medium or state syllabus doesn’t seem to work for them, but a person named Kumaran (Sunil Sukhada) promises to try to help them. With the admission for only one of those big schools in the city left, can they finally do this?

The defence of Salt Mango Tree :: There are three things that this movie does have, and they are the comedy, messages and the feel-good factor in the end – even with not that much of an effective presence as expected, they are all present. We can say that it is a good attempt at dealing with the modern Malayali aversion for Malayalam, considering it not useful at a time when English and Hindi are running strong outside the state; this love for mother tongue and the message that good score in examinations won’t make one a better person is fine. The fact that nobody becomes a better person by speaking English in style or with fluency, and studying at a school which takes more fees doesn’t make a child something more, is the right message. There are some nice jokes in this movie too, and Biju Menon’s skills once again elevate them to a higher level. The movie is also short in length, and that is also good.

Claws of flaw :: There is nothing that deep in Salt Mango Tree, and its elements are not used to its best advantage. The feel-good factor is just too late to arrive, and a lot of incidents are overdone instead of keeping things realistic. There are parts of the story which were kept believable and without being preachy. The message also struggles to become the moral which it could have been. The songs are not that much making an impact, but can work depending on individual tastes, while the scenes in the village are just half-baked, and so is the attempt at the career guidance school. The story could have focused on its core, and should have brought the significance of learning one’s mother tongue, as well as letting the children following their dreams as a step by step procedure, but this one doesn’t. Even the title itself is not explored as it should have been!

Performers of the soul :: You know the person to look out for! Biju Menon has been the one cool actor whose movies are loved by the people without giving him that superstar status; it is more of the love for simple and funny moments from him which are so much memorable, and he is also one actor who never disappoints within his fortress of simple and family-based entertainment. In his most recent performances, whether it was about providing support in Madhura Naranga and Bhaiyya Bhaiyya, bringing the best of a cameo performance in Kunjiramayanam or leading the way in Vellimoonga, he was right there, strong in the comic side in all these flicks which came right before Salt Mango Tree. In this movie too, things are not much different as he manages the character with ease, and connects to the audience.

Further Performers of the soul :: Biju Menon is undoubtedly the man who saves this movie from going low, as he is in charge of all those dialogues for which the audience provided claps; he often lifts the movie out of nowhere when it gets close to spoiling its main idea with the weak story-line; this is still quite a step down from Vellimoonga for him. Lakshmi Priyaa Chandramouli was last seen in the Malayalam movie industry in Angels with Indrajith Sukumaran; even though she was paired with him, she was not really the leading lady on screen. She has managed her first leading role in Malayalam very well and has excelled in the emotional sequences. The rest of the cast lead by the one who played the character of assistant in the medical shop are all good, including the child actor Master Varkichan and Suhasini who comes late and makes an impact in the climax. But most of the situations focus on to our two leading characters, and the rest has less to do. Maybe a better story could have widened the focus, but the cast manages to be good.

How it finishes :: The attempt here might have been to create another comedy flick with satirical elements as we had earlier seen in the big solo hit featuring Biju Menon, Vellimoonga. Salt Mango Tree does try and only somewhat reach there. Just somewhere there in its own field, Salt Mango Tree achieves what the other movie of a similar theme Jilebi completely failed to do; to be funny with the message even though everything not coming together reaching the expectations. Taking the title from the literal translation of the food “Uppumavu” which was used by Mohanlal in the 1986 movie Doore Doore Oru Koodu Koottam, the movie should work in a weekend which has less to offer otherwise. Do not expect another Vellimoonga and things should be just okay.

Release date: 6th November 2015
Running time: 124 minutes
Directed by: Rajesh Nair
Starring: Biju Menon, Lakshmi Priyaa Chandramouli, Master Varkichan, Suhasini Manirathnam, Indrans, Saiju Kurup, Sarayu, Sunil Sukhada, Sudheer Karamana, Pradeep Kottayam, Paris Laxmi

@ Cemetery Watch
✠ The Vampire Bat.

Rani Padmini

Posted on October 23, 2015 by Tennyson

What is it about? :: Rani Padmini tells the story of the journey of two women. Padmini (Manju Warrier) is the wife of Giri (Jinu Joseph) who had settled in North India many years ago. Even though her mother-in-law (Sajitha Madathil) is adamant that she shouldn’t work, her husband tells her to follow her heart, just like he races in mountain rallies against the wishes of his mother. She starts working as a physiotherapist much to the dismay of her mother-in-law who brings up a divorce notice to teach her a lesson when Giri goes for racing. Padmini decides to run away from home and find her husband. Meanwhile, Rani (Rima Kalingal) is facing a financial problem and a gang of criminals is also after her after she revealed their hiding location to the police. She runs away from home with enough problems on her trail.

How it goes on :: Soon, Rani and Padmini will get their roads to converge, as they meet up in a bus, and decide to continue their journey together. Even though they have their differences, they manage to get along well. As her mother-in-law arranges for the police to bring her back, Giri gets into tough competition with a veteran racer who is determined to win it this time. The two ladies get through the problems on the road by using the best of their abilities and also by luck; sometimes being helped by people on the road including journalists, trekkers and even local men and women. With this one interesting journey, there will be the realization of some truths, not only for the two protagonists, but also for the people who are connected to them in one way or the other. A lot of things are sure to change in their lives.

The defence of Rani Padmini :: There is a wonderful working combination in Rani Padmini. It is not just related to the two leading ladies who take this experience to another level, but also about how this movie combines its feel-good factor, messages, funny side and beautiful sceneries together to bring some awesomeness on the screen. The advantage here is that it is applicable to not just a category of people, but for everyone. The humour in this movie is really good, and it makes the presence felt regularly. Unlike what the trailer seemed to suggest, the movie is light-hearted, and there is not much of a dark side to it. The visuals are nothing less than amazing, and it provides the viewer with the desire to travel to those locations far away. The background music adds to the positives, and the songs also have something for the heart and the soul. You will also love the way in which the message takes a path which asserts freedom rather than labels.

Claws of flaw :: Rani Padmini doesn’t bring a lot to the story as the focus is on the idea and what is brought to the viewers on the screen. There could have been many other ways through which this movie had the ability to progress better. Some people might feel slight drag, but it is more dependent on how you see and how you think, that much freedom is provided by Rani Padmini to the viewers. It is also not the usual entertainer, even though it entertains with its moments. The idea could have also been better brought to the audience. It seems that due to the negative opinions from critics and the audience alike for his previous movie that Aashiq Abu decided not to publicize this one like Gangster which almost everyone considers as his worst movie ever. The initial rush might be less for this movie due to the same reason, but it will pick up and is here to stay in the theatres.

Performers of the soul :: The movie is completely dependent on the lady characters who lead the way. The two leading ladies have done an amazing job here, absorbing the soul of the characters into themselves. They are very good together, and makes a perfect team. We have seen Rima Kallingal only once since 2013, with the spoof movie, Chirakodinja Kinavukal this year. This flick is a perfect example of why she needs to be there on screen more. She provides a highly memorable performance as the rebellious young lady who wishes to prove herself to her mother. She excels in the comic side like never before, and got some of the funniest moments in the movie. People can talk about having other actresses in the same role, but not like this, and not in the way Rima has done; for this is special.

Further performers of the soul :: Manju Warrier’s second run is only two movies old, with How Old Are You in 2014 and Ennum Eppozhum in 2015. But here, she has her best performance in her second innings, and this is also the best movie in her second entry. The family audience will love her a lot in this avatar, and others will also love this performance as she has a balanced character providing different levels of experience. She handles both the emotional and comic scenes with fine skill. You should look out for the story which she tells her friend and her interest in a flower and a soap. While Rima excels in showing her anger and frustration in a funny way, she scores with the humour in nostalgia, concerns and affection. Jinu Joseph does a good job even with smaller screen presence, and Sajitha Madathil remains solid as usual.

How it finishes :: Here is a movie which keeps saying that Aashiq Abu is back. He has taken the risk once again, and remembering how the audience reacted to Gangster, this one surely needed the confidence – he scores due to the same, big time. Rani Padmini‘s advantage over other movies is that it doesn’t preach, and what the two leading women characters in the movie manage is to finally become the individuals whom they are and those personalities whom they wish to be. It is a case of embracing the truth and one’s abilities, as they make the others around understand the same. You can ask if Rani Padmini is How Old Are You or Queen, and I will reply that it is better than them both. I actually consider this one Aashiq Abu’s best work ever, the first one which goes directly into the soul rather than towards the brain or the heart.

Release date: 23rd October 2015
Running time: 142 minutes
Directed by: Aashiq Abu
Starring: Manju Warrier, Rima Kallingal, Jinu Joseph, Praveen Jain, Sajitha Madathil, Sreenath Bhasi, Sana Althaf, Srinda Ashab, Soubin Shahir, Kunchan, Ambika Mohan, Dileesh Pothan, Binu Pappu, Rajitha Madhu, Hareesh Khanna

@ Cemetery Watch
✠ The Vampire Bat.

Amar Akbar Anthony

Posted on October 20, 2015 by Tennyson

Vampire Owl :: Are we using the time machine this time?

Vampire Bat :: I don’t understand what you are talking about.

Vampire Owl :: You wanted to watch a Bollywood movie of 1977 in the theatre. It would require a time machine.

Vampire Bat :: I am talking about the Malayalam movie of 2015 with the same name.

Vampire Owl :: That is actually strange because Amar Akbar Anthony was already remade in Malayalam as John Jaffer Janardhanan starring Ratheesh, Ravindran and Mammootty.

Vampire Bat :: Yes, but this is not a remake, but a new story which goes full comedy.

Vampire Owl :: It is a strange title then. With a new story, this name of the movie makes me wonder about the possible reason behind such a choice.

Vampire Bat :: Even the name Jenny makes it to this movie.

Vampire Owl :: I need to consult my zombie minions on this.

Vampire Bat :: Well, this is from Nadirshah, and I am sure that he knows the pulse of the common audience.

[Gets the tickets].

What is it about? :: The movie tells the story of three young men who hope to go to Pattaya and enjoy the pleasures of life. These three men Amarnath (Prithviraj Sukumaran), Akbar (Jayasurya) and Anthony (Indrajith Sukumaran) focus on this one aim while their families hope that they do something for home instead. They keep wandering behind one beautiful lady of the locality, Jenny (Namitha Pramod) without any shame. They have a sister figure in the form of Resmiya (Srinda Ashab). With their parents asking them to become good men like their young neighbour Unni (Ramesh Pisharody), all these three men are looking for is to escape from their current situation. For the same, some time in Thailand seems to be the best option for them. But situations keep delaying their journey all the time.

The defence of Amar Akbar Anthony :: The performances from the three actors remain the big highlight of this movie. Most of the jokes are working, especially when involving these three, and the fans will love them. The best of them includes the dialogues like [indirect translation] “Can we have revenge tomorrow?”, “Its just what people say, I don’t know English at all” [/indirect translation] and the jokes related to their way of life, even though jokes related to drinking and Facebook are repetitive. There is also a message coming in the end, and even though it is not complete, there is something positive about it. The debutante director deserves the applause too, making something out this which could have gone awry without these performances and the way of presentation. Even if it isn’t really Kunjiramayanam with bringing laughter, this is the kind of thing which should attract the mass audience, the fans and the new generation youth. It provides the time-pass.

Claws of flaw :: There is nothing special related to the naming of the characters here. Even if they were with even stranger names, or belonged to a religion which is not known, it wouldn’t have mattered. Those who think that it would have any relation with the 1977 popular Bollywood movie with the same name are going to be disappointed. It was actually a chance to connect that is missed here. A lot of jokes are not really funny, and at times, the quality is significantly reduced. The songs were not really there to make an impact; they will just appeal to the big fans. The movie does deviate from its path in the end too, and this change of direction could have actually arrived a lot earlier, with some unnecessary jokes avoided. The slow motion action sequences in the end also negatively contribute to the movie. The message which comes too late could have also been provided in a better way. The story struggles in totality, and the twists are without effect.

Performers of the soul :: The pick of the movie is indeed Indrajith Sukumaran who brings the funniest scenes to us. There is something about him in this movie, and may be this character suited him very well even before the shooting ever started! Then there is Jayasurya who has handled his comic role with terrific control. Prithviraj has improved a lot from his comedy flicks like Teja Bhai and Family, and at moments he makes the biggest impact. The trio makes sure that this movie and its comedy works very well. Namitha Pramod is the biggest disappointment of this movie, and it is so wrong that she is made to play a character who has almost no memorable dialogue – it is a character which would have worked even if nobody played that role. They could have managed this character without even showing the lady! The twist involving her is also clearly a waste of time. She is the female lead, and she is given nothing – it is disappointing.

Further Performers of the soul :: But the good thing is that Srinda Ashab has a more serious role here, but she also has less screen presence because the whole thing is about the three main characters. Baby Meenakshi does a nice and cute job. Among the other female characters, K. P. A. C. Lalitha plays Prithviraj’s mother making the biggest impact followed by Bindu Panicker. Pashanam Shaji has his moments, but some jokes do fo overboard. Asif Ali’s guest appearance is memorable. Meanwhile, Kalabhavan Shajon’s character also goes nowhere, even though the beginning had him at a better status. Akanksha Puri and Mareena Michael Kurisingal makes small appearances as the former lovers of Prithviraj and Indrajith respectively, and Mareena is actually part of two of the funniest moments of the movie. Siddique also makes his small appearance memorable. Ramesh Pisharody nicely does his job too.

How it finishes :: This movie has surely worked with the common audience because of the humour, and one can thank Nadirshah’s display of skills with his first ever directorial venture and also with the three men whom he selected to play the lead roles. A blockbuster status is there to be taken. There is still some disappointment left with how much better the movie could have handled its message; for the social issue could have been worked with in a better way, and it could have been less mindless. There is a lot more which Amar Akbar Anthony could have achieved with some more care. I have a dream, that one day the makers will realize that slow motion action sequences are not fair to the audience, no matter how much the fans will admire them, and I also wish that when bringing a social issue to light, it comes early and with the strength which makes it stay above the rest of the movie! For those who are looking for seriousness and not entertainment, there is Lord Livingstone 7000 Kandi.

Release date: 16th October 2015
Running time: 142 minutes
Directed by: Nadirshah
Starring: Prithviraj Sukumaran, Indrajith Sukumaran, Jayasurya, Kalabhavan Shajon, Namitha Pramod, Srinda Ashab, Baby Meenakshi, V. K. Sreeraman, K. P. A. C. Lalitha, Bindu Panicker, Ramesh Pisharody, Dharmajan Bolgatty, Pradeep Kottayam, Sasi Kalinga, Abu Salim, Pashanam Shaji, Thesni Khan, Siddique, Asif Ali (cameo), Akanksha Puri (cameo), Mareena Michael Kurisingal (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Kohinoor

Posted on September 26, 2015 by Tennyson

What is it about? :: The story is set in the late 1980s, as Louis (Asif Ali) is a small-time thief who is looking forward to making it big. With the support of his best friend, Aandikkunju (Aju Varghese), he is hoping to make one huge heist which will mean that he won’t have to be a thief any more. Meanwhile, Haider has arrived in the town from Mumbai and is looking to commit a big robbery, and for the same, he seeks the help of two other thieves Nicholas (Chemban Vinod Jose) and Freddy (Vinay Forrt). As they hope to find a master thief who can pick almost any lock, Aandikkunju comes into the picture, and Louis comes up with a plan to create a twist and big gain for the two best friends. At the same time, Louis falls in love with Daisy (Aparna Vinod) who works at the place where they are to commit the heist. But Haider has more just a heist in his mind.

The defence of Kohinoor :: In an attempt to make an interesting heist movie which never bores, Kohinoor remains a success. There are enough funny moments and good songs to keep things moving forward well. The movie as a whole is a mixture, with comedy always being there and as a heist movie, there are enough twists and turns around. The final moments actually has the best of them, and the best thing about this movie is that it finishes off really well, and manages the entertainment well throughout its run. “Hemanthamen” is the pick of the songs. The use of nostalgia from the early age also works very nicely, with the looks of the times re-created and having references to the hit crime thrillers of the time, Irupatham Noottandu and Athirathram. The movie also nicely maintains a light-hearted feeling throughout it, and nostalgia works very well in favour of this. This is also a big improvement from the director after Kili Poyi.

Claws of flaw :: There has been certain love for thieves with Sapthamashree Thaskaraha releasing last year and the recently released Urumbukal Urangarilla – the audience might think that there is a little too much of the same, but Kohinoor is surely ahead of the recent flicks with the same theme. The movie could have also done without a few scenes which are meant for the masses, because this could have remained simple fun with just realistic twists. The romantic angle doesn’t really work either, as it only seems to stretch the movie and gives the opportunity for the hero to have a heroine, along with one extra song. One can also think that this could have gone full comedy, and also that there could have been more twisted heists added. Yes, there was even more scope. Some actors who were there only for a short time could have stayed there for a longer period of time.

Performers of the soul :: I would consider this as the best performance of Asif Ali in a movie having him as the leading actor. Some people will praise Nirnaayakam, but it was just a movie which had no direction, and that had affected Asif in return. But Kohinoor knows what it is and towards which direction it is moving, and it is its strength and also of the actors associated with the movie. Being self-aware is one the things that can make a movie better and its actors do better, and this movie clearly has that awareness. Asif is in full control, and Aju Varghese makes sure that the movie is a lot of fun with new looks and his impeccable comic timing. Chemban Vinod Jose and Vinay Forrt joins in taking the fun get to the next level. These three actors have been the difference makers for quite some time, and they have done the same here too.

Further Performers of the soul :: While Asif Ali has made this work in his own style beginning from that nice entry, Indrajith Sukumaran brings a top level performance. He has some very nice dialogues in the movie, and the way in which he handles things during trouble at the heist scene is the pick here. There will be moments to remember from him, that is for sure. There is rarely a movie in which Indrajith doesn’t bring the big impact, and we all know that. Aparna Vinod has just so less to do with the smiles, looking cute and remaining so till the end – instead the one who makes the impact is one of the twist-bringers, the lady who brings more to the heist out of nowhere; the name of the actress is not mentioned anywhere, but she is the beauty who manages to do a very nice job in this movie. If you find the name, let me know so that I can add her to the cast.

Soul exploration :: Most of the characters in this movie remains on the grey side, with only the shades of light and dark grey being available. Unlike Sapthamashree Thaskaraha which has more of the thieves made by situations, this one has people skilled in the profession in one way or the other. But almost all of them are still likable, no matter which side they are on. The world in this movie has a certain shortage of people on the good side, but there are still some nice moments of goodness in this movie. If there is a mixed genre called feel-good comedy heist, this one can fit right in there. When everything comes together, things only get better, in more than one way. Just as the name of the movie, there is something “Kohinoor”istic in this movie, majestic and like the mountain of light, and it is something which is rare if we consider only those heist movies.

How it finishes :: Kohinoor goes battling against Life of Josutty and Ennu Ninte Moideen this weekend which is a tough job, even though it has more creativity and smartness behind it compared to these two movies. It replaces Urumbukal Urangarilla, and has enough in it for a long run. The best thing about this movie is that it is not overrated like Ennu Ninte Moideen; I watched the Kohinoor with less expectations and ended up with a certain happy feeling. This is one advantage of not overrating movies and not putting stuff about the movie everywhere on Facebook while copying from others. There is a certain nice feeling when someone reads different opinions from different people about a particular movie and come up with an opinion by oneself – it is how things are to be done, and not by keeping on telling others about one movie and forcing others to watch it.

Release date: 24th September 2015
Running time: 143 minutes
Directed by: Vinay Govind
Starring: Asif Ali, Indrajith Sukumaran, Aju Varghese, Chemban Vinod Jose, Aparna Vinod, Vinay Forrt, Pradeep Kottayam, Sudheer Karamana, Riza Bava, Mamukkoya, Saiju Kurup, Kundara Johny, Bijukuttan, Bhavana (cameo), Harikrishnan (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Life of Josutty

Posted on September 24, 2015 by Tennyson

What is it about? :: The movie goes through the life of Josutty (Dileep) from his childhood till the age of fourty. His childhood friend is Jessy (Rachana Narayanankutty) whom he wants to marry when she finishes her degree. But as he has no education or job, her father rejects the proposal. Despite the best efforts of the two, she gets married to someone else. Meanwhile, Josutty and his family goes into deeper trouble due to loans. To get rid of these problems, he decides to marry a nurse working in New Zealand, Rose (Jyothi Krishna) whose family offers to pay his loans. Even though it is her second marriage, his good friends Geevarghese (Noby Marcose), Rameshan (Pashanam Shaji) and other well-wishers tell him that it is the right or the only decision. So he gets married to the lady and soon gets the visa to New Zealand. Another stage of his life begins there.

The defence of Life of Josutty :: The first fear that the audience will have is if this will be something like Kadal Kadannu Mathukkutty due to its theme, but that is averted very early itself. The movie’s life is in the first half as there is a lot of humour right there. The best comic scenes come with the three, Dileep, Noby and Suraj, joined also by Pashanam Shaji at times. The scene during the wedding is the best of them all, and it will remain in your minds for long because it is more of a reality shown in a comic way. The emotional sequences are also very much effective, even without the depth. There are some messages which are given at regular intervals, and this movie is sure to be effective for the families. The best thing about the movie is still the cinematography. There is some CGI added, but the shots are really breath-taking, both from the hilly areas of Kerala and the landscape of New Zealand. The songs are mostly good. It is Jeethu Joseph whose way of creating magic that saves this movie when there is struggle in the story.

Claws of flaw :: Facing challenges from fans of other actors and movies due to the presence of too many movies at the theatres, Life of Josutty will have its collection of blind haters. But if one understands where the focus of the movie is, and that it is close to reality in the form of an autobiography, you can’t deny the movie its due. The movie still has a certain amount of identity crisis with its half-baked elements, the biggest of them being the idea to bring some magic realism, which was not needed – surely not in the way it was shown in this movie. The ending also fails to deliver what seemed to the purpose of this movie’s soul, and it is more like finding a comfortable ending to what was so close to life. The second half is no match to the first half, as the scenes in New Zealand lags related to the comic side, and often takes the easy way out. It seems that there is a little misconception here about what should have been the strength of the movie – otherwise, this would have been a lot deeper.

Performers of the soul :: This debut production venture from Eros International in Malayalam has Dileep joining Jeethu Joseph for the second time, and their earlier combination was pure comedy in the form of My Boss which never ceased to entertain, and Dileep has also been moving away from mindless comedies to become closer to the regular family audience with Chandrettan Evideya and Love 24×7. This one actually gets a lot closer to his title “Janapriyanayakan” as he maintains that tranquility in his performance which makes the innocent protagonist of the movie a reflection of humanity’s lost goodness. Rachana Narayanankutty surprisingly has just a short stay while Jyothi Krishna plays her role very well. The new face, Renjini Rupesh leaves a mark as the third heroine of the movie, but she is the one who makes the biggest impact in the story.

Further performers of the soul :: In this movie which comes with lesser hype and a lot less social media promotion compared to its rivals Ennu Ninte Moideen and Kohinoor, there is no shortage of strength concerning the actors delivering the comedy as they joins Dileep. Among them, the most noticable one is Noby Marcose who plays the protagonist’s childhood friend, and this man who made the big impact in Vodafone Comedy Stars show provides us with his best comic performance in this one. It is always fun when he is around, and this time he has a lot more to do than in most of the other movies; we miss him when the scene shifts to New Zealand. Suraj Venjaramoodu comes in and gets a lot of claps as he offers some nice one-liners. Pashanam Shaji and others also add to the same, and Chembil Asokan comes later to bring the comedy. Hareesh Peradi makes the best emotional impact here.

Soul exploration :: One often wonders what life is all about. Most of the time, there is almost no point in living. But there is no shortage of things that life teaches us. The movie’s big message remains that “life is a text book from which you keep learning all the time”, and as the autobiography of the protagonist is shown, everything comes back to where it started, and our hero has managed to learn a lot in the end. This one just progresses as if it is just a reflection of life, with the protagonist’s life going on and on. The movie remains very much close to the common man’s problems and insecurities even though the ending just adds that unnecessary cliche. The reality could have been enforced better with the assertion that there are no happy endings in life. As it is already said on the poster, there is no twist or suspense, but just life itself on the screen.

How it finishes :: Life of Josutty comes from the man who hasn’t done much wrong with his works yet. Starting with one of the more complicated investigative thrillers of all-time called Detective, and following it with Mummy and Me which provided a nice lesson for both the youth and the parents, Jeethu Joseph had those humble and powerful beginnings; and the real fun movie which was My Boss continued the same. Then the magic of the psychological crime thriller Memories and the great family drama Drishyam followed, which inspired four remakes in Tamil, Hindi, Telugu and Kannada. This sixth Malayalam movie and the seventh from Jeethu Joseph is another interesting work from him, but it is still not anywhere near the Drishyam – Memories level. The point to be noted is that this is the first time that he hasn’t written the story for his movie.

Release date: 24th September 2015
Running time: 165 minutes
Directed by: Jeethu Joseph
Starring: Dileep, Rachana Narayanankutty, Jyothi Krishna, Renjini Rupesh, Aqsa Bhatt, Suraj Venjaramoodu, Noby Marcose, Sunil Sukhada, Saju Navodaya, Sasi Kalinga, Hareesh Peradi, Krishna Prabha, Sudheer Karamana, Chembil Asokan, Vijayakumari

@ Cemetery Watch
✠ The Vampire Bat.

Urumbukal Urangarilla

Posted on September 20, 2015 by Tennyson

Vampire Owl :: I see the title about ants not sleeping. I have to say that just like them, neither do we sleep at night.

Vampire Bat :: But I do sleep most of the night.

Vampire Owl :: What? Why do you sleep that much? We, vampires are not supposed to sleep that much at night.

Vampire Bat :: You should actually think about it. Lady Death and her evil twin sister have stopped walking around at night after someone said that it is against our great tradition. After we made a pact with them related to the blood and souls of the dead people, it is useless for us to walk around at night because anything we do could be a violation of that agreement.

Vampire Owl :: Oh! That is very sad. I don’t really read newspapers and listen to news because they are so depressing. I was hoping to go on a blood dinner with Lady Death some time.

Vampire Bat :: You can go for a dinner with her in the morning. Choose to follow the time zone of some other country which has night at that time, and call it a dinner.

Vampire Owl :: This is so complicated! I hope that there are exemptions at the graveyards!

Vampire Bat :: Zombies there got no brains. We should contact a yakshi so that more information can be obtained.

Vampire Owl :: But what bothers me a lot is if the ants really sleep?

Vampire Bat :: We shall send a message to their world to confirm.

[Gets the tickets for the movie].

What is it about? :: A man called Manoj (Vinay Forrt) meets a retired thief and master of the art, Kelu (Sudheer Karamana) who decides to help him in becoming the awesome thief that he could be. As Kelu has retired from the profession, he asks his former disciple and another experienced player in the field, Benny (Chemban Vinod Jose) to guide the new thief on his way to becoming the pride among the thieves. Benny is a man who keeps certain principles related to stealing. On his way to finding the new tricks, Manoj will know more than what he needs to, but it will prove necessary, as there more than one thing to accomplish for him. They will meet other thieves like Rajappan (Sreejith Ravi) specializing in robberies during the rainy season and Karlose (Kalabhavan Shajon) who will do anything for the riches. Sheela (Ananya) will also have an interesting role to play in these situations.

The defence of Urumbukal Urangarilla :: The interest of the audience in this movie should begin with the name of this movie itself, and there is a certain skill in how ants are made related to the main protagonists; I can’t dare to say that the process is complete, but there is a good finish to the “ant world” in the end. The story nicely begins and ends with most of the things that come in between justified. The climax sequence is the strongest point of the movie, and the flick also successfully leaves the audience with some interesting messages about being good as well as how evil gets punished in the end; the cast nicely supports the same with their dialogues. There are moments which give the audience more hope, for sure. The thrills, even though not there through most of its run-time, makes a fine return by the end.

Claws of flaw :: With such a talented cast around, one has to surprised that a lot of comic moments and opportunities to create such situations go missing. The movie is also too long and comes up with many uninteresting sequences which can’t be enjoyed by people who regularly watches movies. There are so many half-baked moments in this movie, which makes it struggle, and even drag. This movie which lasts just a little less than two hours and twenty minutes should have been limited to about one and half hours after removing some of the unnecessary sequences. The songs are not at all interesting, and just elongates this movie further. It is certain that this movie wanted to be Sapthamashree Thaskaraha, but couldn’t be there because of the clueless feeling here and there. The situations to create fun just disappear too quickly!

Performers of the soul :: Even with not that many opportunities to make the audience laugh as in Sapthamashree Thaskaraha, Chemban Vinod Jose manages to do so all by himself; he makes the wonderful thief yet again – still one ends up wishing that the character was used a lot better to evoke laughter as the chance was there. Vinay Forrt comes up in a different role here, and manages things with ease. Aju Varghese has a smaller role even though bigger than what he had in Jamna Pyari, and he does that well. Ananya remains strong even though her presence is limited to the beginning and the end. Innocent has a smaller presence and so does Sreejith Ravi. Kalabhavan Shajon makes a late entry into the movie, but leaves a very nice mark. Sudheer Karamana’s character evokes mixed response. Janaki Krishnan has a small role which she manages with a certain amount of inherent cuteness.

Soul exploration :: Even though the revenge factor does have the biggest role to play in the end, what comes here as the message is that poetic justice will be served in the end. There has to be honour in whatever we do, even if it is not the most appreciated job. The crimes of war seems to say the same thing. The truth is that some people who do lesser jobs and earning less usually has more honour than the rest; at least they are not slaves to the vanity which comes with money and fame. We all listen to those vain men and women as well as their parents who provide us classes on how good they are and how pathetic we are. They should also suffer for their sins, may be a little more because they are surely worse than the people who do something wrong because there is no other choice. We hear about corruption in crores, and the question this movie asks is about who the real thieves are.

How it finishes :: Those who steal our lives are the worst criminals, aren’t they? Those who don’t allow us to do anything with our lives and lock us in a cage of meaninglessness – they are a lot like those involved in corruptions; it is just that they corrupt our lives instead. So, it is not really hard to love the characters in this movie. They required a little more polishing and won’t be like those in Sapthamashree Thaskaraha or Meesa Madhavan, but they can have some appreciation for trying things differently. One thing I am very happy about is that this doesn’t go the way of the Malayalam movie of 2013, called Bicycle Thieves. It was one of the most terrible movies as almost all of my friends have confirmed, and Urumbukal Urangarilla rises to the occasion as it decides to win with the climax and make up for its other troubles. There is Kunjiramayanam still running in full power and the new release Ennu Ninte Moideen to bring the tough competition.

Release date: 19th September 2015
Running time: 139 minutes
Directed by: Jiju Asokan
Starring: Chemban Vinod Jose, Kalabhavan Shajon, Vinay Forrt, Aju Varghese, Innocent, Janaki Krishnan, Ananya, Sudheer Karamana, Sreejith Ravi, Vettukili Prakash, Santhosh Keezhattoor, Vanitha Krishnachandran, Thesni Khan

@ Cemetery Watch
✠ The Vampire Bat.

Kunjiramayanam

Posted on September 1, 2015 by Tennyson

What is it about? :: Kunjiraman (Vineeth Sreenivasan) and Laalu (Dhyan Sreenivasan) are cousin-brothers who have turned out to be enemies, as one incident changes their lives forever. While the former leaves to the Middle East to make money, the latter keep failing the tenth standard and ends up as being the assistant of the village’s tailor, Kuttan (Aju Varghese). Along his friends Sasi (Deepak Parambol) and Kunjoottan (Neeraj Madhav), Kunjiraman has a fun-filled time during his holidays from the Middle East and gets engaged to Sajitha (Srinda Ashab) who makes him promise that he will not drink, ever. Before the marriage date, he would leave for his job only to return and find the situation different. Meanwhile, Mallika (Arya Rohit) and Reshma (Sneha Unnikrishnan) also will have some say in his future, as well as that of Laalu.

The defence of Kunjiramayanam :: It is easy to defend this movie as we did for Vellimoonga as the soul of both is in light-hearted, clean comedy. But the similarities end there, in the way of approaching the comic side and making it interesting and appealing for the family audience. The movie creates that kind of situations which has the ability to evoke laughter without second thoughts. The song Salsa is an amazing addition to this movie, and gives us the idea what to expect. It might be one of the funniest and the most catchy songs of recent times, and if you watch the movie, you will understand its relevance better. It is the master idea, and all the characters shown in the song come together here – to be frank, there is no real hero in this movie as all of them contributes in a similar manner with only slight variations in the degree.

Claws of flaw :: It is not in the story that the movie tries to assert its strength, and due to the same, there is nothing much there if you look at it. If you are searching for logic all the time, you shouldn’t be here either; but if you look for smartness in film-making, it is right here; of which reflections are strong. The movie also doesn’t begin that well or ends that nice as one would expect considering the middle part. I would have wished for a more feel-good ending rather than the somewhat funny one. In a movie which has this kind of a setting, the upstanding use of robust feel-good factor could have been not just a gemstone, but the Philosopher’s Stone for the totality which would have in return, made the rating better. The situations created in this movie are not all right there with the requisite strength, but stands the test of time due to the execution and the performances of the actors.

Performers of the soul :: There is no particular hero in this movie, if you look at it. Yes, the central character is played by Vineeth Sreenivasan and his Kunjiraman the is part of the title too. The movie’s ability to create laughter has been shared here, and so is the whole plot. As the titular hero spends a lot of his time not being part of his village, the others are forced to take control, and this radical transposition of control surprisingly brings the equilibrium. This transfered control from Vineeth in full form is taken over by a team of actors who handles the comic side amazingly well. Consider the senior actor himself, Mamukkoya who has some of the most memorable dialogues in this movie, and the biggest of them is related to death, and there is the veteran hitting the Bull’s Eye.

More performers of the soul :: Among the young faces, Aju Varghese is once again the biggest asset; he was restricted to a very small presence in Jamna Pyari, but he is here, making full impact. He is the heart of the comic side, and his best moment is related to the night before the marriage of the character played by Sneha Unnikrishnan – she has also done a small, but impressively funny job in what I believe to be her second movie. You can’t forget his moment with the crow either, as you might have seen in the Salsa song – it is also mostly his song. Neeraj Madhav and Deepak Parambol basically shares their glory; they work together really well – these two with Aju got the comic side to the perfect strength; add Bijukuttan to it and you have no reason not to laugh.

Further performers of the soul :: With all of them doing their jobs so well and Vineeth Sreenivasan reminding us of some of those nice and funny characters played by his father, we have Dhyan Sreenivasan doing a fair job – I am sure that I liked him a lot better in Thira; he is still a lot of fun here, and got some hilarious moments. Biju Menon’s voice introduces the characters and he as well as Rimi Tomy has smaller appearances in this movie. Srinda Ashab has her moments of laughter, but she is only repeating what she has already done. Arya has a smaller role too, but her presence makes three heroines here. Sneha is the more charming one among the three because the comic side takes a little bit too much of the rest. Well, they don’t even show the most significant female character for most of the movie and keeps it as a surprise!

How it finishes :: I am not the one to talk about collections right now, because the certainty is only in the fact that Kunjiramayanam is the movie to win the hearts with its light-hearted comedy for the family audience. It basically has two things which it converts into its comic side, and they are alcohol and marriage – they have also kept these things in control. Well, we can be sure that Basil Joseph is a director with a lot of skill right there, as we notice what he has created through this movie which had to fight bigger flicks during this Onam, starting from the most awaited Loham itself – may this debut be the stepping stone to the heights which are waiting for him. Once again, I wish you Happy Onam as the festival season fades away!

Release date: 28th August 2015
Running time: 123 minutes
Directed by: Basil Joseph
Starring: Vineeth Sreenivasan, Dhyan Sreenivasan, Aju Varghese, Arya Rohit, Neeraj Madhav, Bijukuttan, Sneha Unnikrishnan, Srinda Ashab, Mamukkoya, Deepak Parambol, Sudheer Karamana, Indrans, Seema G Nair, Sasi Kalinga, Biju Menon (cameo), Rimi Tomy (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Jamna Pyari

Posted on August 29, 2015 by Tennyson

What is it about? :: Vasoottan (Kunchako Boban) is an auto-rickshaw driver and the son of a man who died trying to rescue a kid from inside a bus which crashed into river during heavy monsoon. He is a person who follows his father’s footsteps and never tries to back away from helping someone in need – he has been the helping hand of the common man at his town for a long time. One day, he meets a girl Parvathi (Gayathri Suresh) and she asks for his help. What her family needs is a total of one hundred Jamnapari goats for their farm, so that they can meet the deadline for a contract or lose their property. There are big shots who are standing in their way. Vasoottan decides to help them with the support of his friends Prakash (Joy Mathew) and Sabu (Suraj Venjaramoodu) along with Tony (Neeraj Madhav) who later joins them. But there are some problems which they have to overcome on their way to success.

The defence of Jamna Pyari :: For this Onam, what comes to the screen in the form of Jamna Pyari is a simple family movie with drama and comedy factors being there. There are mostly no ups and downs with this movie as the major focus is on the protagonist’s goodness, and also to provide the viewers with a feel-good effect. It is just the life of common man depicted with the help of an incident which centers around the goat. The mixture that forms part of the movie are mostly of a family drama, and also the light-hearted comedy, light romance and the typical feel-good movie. The Vasoottan song is very good and sets the mood for the movie. There are also good visuals of different parts of Kerala along with some areas of Tamil Nadu. The humour comes up interesting here and there. The Thrissur slang is interesting throughout the movie.

Claws of flaw :: The movie doesn’t really have a new thing here except for having a goat at the centre of everything. It does remember one of having watched Polytechnic which starred Kunchako Boban and he was there solving his own problems, and here he is like Jayasurya of Mathai Kuzhappakkaranalla, as an auto-rickshaw driver ready to help others. Most of the characters in this movie are under-used, and so is the goat idea. The hesitation to use more of the goats to create further comedy was surprising – there is a little too less amount of comedy in this one rather than what was expected. The final use of deus ex machina just arrives as if to bring us to an end. There are too many easy paths taken in this movie when things could have been nicely detailed with full humour, also adding further beauty to the romantic side!

Performers of the soul :: With Kunchako Boban who has been the first big romantic hero whom we remember, and also with Gayathri Suresh who was the Miss Kerala in 2014, couldn’t this movie explore the romantic side better? The romantic hero and the beauty are there, and the movie just misses out too much with those opportunities. Kunchako Boban is excellent in this avatar too, even when his character is often let down by the situations. This is a comfortable role for him, and he never falters. Gayathri is here doing a very good debut, and might be the prettiest face for a very long time. Her dialogue delivery was so cute in this one. May be she could have had even more screen presence, because the true setting is around the family of her character, and twist of events begin with her journey in the auto-rickshaw.

More performers of the soul :: So we welcome the new heroine Gayathri Suresh to the Malayalam movie industry during this Onam, and take this opportunity to wish her best of luck as the number of new heroines with charm and high potential increase by one. Along with the same, we see the large number of known faces being there as the supporting cast. But the depressing side is that they are so less used. You see actors like Sudheer Karamana and Pashanam Shaji for just a few minutes, and even though Aju Varghese is there on most of the posters, he has a very small role in this movie as a friend of the protagonist who comes in the beginning and the end. Neeraj Madhav is the one who comes up with the funniest moments, but we ask for even more.

Further performers of the soul :: Joy Mathew remains rock solid here all the way, and Suraj Venjaramoodu has his moments of comedy, even though he too should have been used for a full comedy character. The big surprise here is Renji Panicker’s different avatar – this might be the first time that he comes to the big screen as a villain. He remains a fine negative character throughout the movie, and you can expect more roles with negative shades coming up for him considering the fact that he did so well in this movie which doesn’t focus that much on characterization. I consider this a true pleasant surprise! Meanwhile, it was good to see Muthumani providing nice support to Suraj in the comic side. You will get another surprise in the form of Roja’s cameo, and Anumol is also there in a smaller role

How it finishes :: Sometimes I think that I am lenient with this movie which doesn’t bring anything huge, but thinking deeper about this, this movie leaves us with beautiful messages, to help people in need, and work hard to achieve what we love and need the most. I consider this a fine message for this Onam, and this message raises the level of this movie further, and it is always better to have something wonderful to think about and let it have a positive effect on our lives. I am a pessimistic person, and some of the dialogues and messages in the movie did bring a smile on my face. Therefore, lets continue to enjoy this festival season of Onam and add this movie to the list of flicks to watch! What is an Onam if we don’t watch all the big Malayalam releases for the season? May be you can start with the feel-good factor of this movie.

Release date: 27th August 2015
Running time: 126 minutes
Directed by: Thomas Sebastian
Starring: Kunchacko Boban, Gayathri Suresh, Joy Mathew, Muthumani Somasundaran, Neeraj Madhav, Suraj Venjaramoodu, Aju Varghese, Maniyanpilla Raju, Anju Aravind, Sudheer Karamana, Pashanam Shaji, Anumol, Roja Selvamani

@ Cemetery Watch
✠ The Vampire Bat.

Ayal Njanalla

Posted on August 1, 2015 by Tennyson

Vampire Owl :: Then who is he?

Vampire Bat :: We have to watch to find out who he is and also about who the others are.

Vampire Owl :: With a title saying “he is not me”, I have to think that he is worried of his own existence. May be he has taken the place of someone else, or another person has taken his place. Otherwise why would he need to say that?

Vampire Bat :: May be he has an evil twin, like Lady Death having an evil twin sister.

Vampire Owl :: Why are we not watching Drishyam this time? We have already watched it in two languages. There is seems to be not much rush for that too.

Vampire Bat :: Well, everyone in the South has watched at least one version of the movie, and most of the Indians have also given one of them a watch. There are not many people left to watch a Drishyam.

Vampire Owl :: Still, we will watch it?

Vampire Bat :: Yes, may be later, depending upon how long that movie stays here.

Vampire Owl :: Well, it has been some time since we saw Fahadh Faasil.

Vampire Bat :: Well, his movies this year have been Mariyam Mukku and Haram. It is not fair for a person of his calibre.

[Gets the tickets].

What is it about? :: Prakashan (Fahadh Faasil) is a young Malayali who migrated to a village near the Rann of Kutch when he failed in the tenth standard, and is living with his uncle (TG Ravi), as they work with tyre repair in a small shop on the side of the road. After the death of his uncle, he is left with a big amount to pay to a moneylender who lock down the shop and gives him just one week to pay the money before he unleashes hell with the help of the police who are in his pocket. Prakashan decides to pay by selling his ancestral property in Kerala which he hasn’t seen for years, and return to Gujarat to go back to Esha (Mrudula Murali) whom he loves. He goes to Bangalore to find his old friend who has offered to help him, and there he will know that he looks a lot like a Malayalam actor.

Performers of the soul :: Fahadh Faasil’s performance once again become the highlight, and he scores the most in the Kutch sequences. His comic side gets the better score in the middle part of the movie though, as he gets misunderstood as someone else. His performance is actually far above the level of this movie, as you have seen with many other flicks. Yes, he is back after Haram and Mariyam Mukku, the two flicks of the year with him in the lead and had failed to leave a mark. Unlike what people think, there is no two of him on the screen, as him acting as the actor who is himself, never really comes to the picture. There are two phases of his life for sure, and he has done both of them very well with the versatility that he has always displayed. Even when put in the worst movie, he does his part so well – you have seen that in Olipporu.

More performers of the soul :: There seems to be a lot of less seen faces in this movie, but the most significant one is Mrudula Murali who plays the role of the Gujarati damsel and the love interest of the protagonist. She looks stunning in that traditional clothing, and she does seem to be suited for comedy as well as romantic roles, from the time for which she is there – could have been there for more. Actually, none of the actresses have much time on the screen. The next heroine Divya Pillai might have a little more screen time, and just looks very good but with no scope in there to make any impact and she doesn’t. Aileena Catherin Amon, who was crowned Miss South India 2015 also comes in a noticeable role which she manages well. There are a lot of good new faces in this movie as the fans of the actor and friends of the leading lady.

Further performers of the soul :: Tini Tom and Noby Marcose provides some interesting funny moments, and it is good to see that the latter is getting a significant role which he plays throughout the Kerala side of the story in this movie. I have always loved his performances more than the others in Vodafone Comedy Stars. Sreekumar is a big bonus to the comic side here, and he has his moments which gets the cheer. We need to see him on the big screen more often. Akshat Singh who is known with his performance in India’s Got Talent makes his film debut here, and also does a small dance performance in the movie – he will be better known to the Malayali audience now, and they will love him if they watch the movie. Ranji Panicker does the predictable here, with the role like Pratap K. Pothen has done in a number of movies.

The defence of Ayaal Njanalla :: The movie has comedy which works well, and all the actors have contributed directly or indirectly to the same. There are moments which are nicely used to get good effect on the audience, and the repetitive story is made interesting by adding the fun and also with the performances. The shots of Kutch are very beautiful, and there is no shortage of good looking people in this movie. This the debut movie of the actor Vineeth Kumar turning director, and he has a nice beginning here – may be he could have asked for a bigger story to work on; still he manages to make this work with the feel-good factor which has been utilized to give the viewers the needed feeling; still more jokes could have been added and the romantic side should have been gone better.

Claws of flaw :: The movie often struggles to keep its level throughout. The situations are those which we have seen before in some way or the other. There is not much of a story here, as everything seems to be just a small work stretched beyond its capabilities, and still it finishes off too fast in the end, without adding an interesting climax – a happy ending is just brought and forced out of nowhere. They were surely in a hurry to finish this one after making too long for the content – wonder why! The visuals outside Gujarat is ordinary, and so are the songs and the background music. At times, it does make the audience where it is actually heading for. The movie never really had much hype even though it has Fahadh Faasil returning in a different avatar, and that could really affect the collections – even Jilebi had better promotions around.

Release date: 31st July 2015
Running time: 148 minutes
Directed by: Vineeth Kumar
Starring: Fahadh Faasil, Mrudula Murali, Diya Pillai, Aileena Catherin Amon, Tini Tom, Noby Marcose, Sreekumar, Ranji Panicker, Akshat Singh, TG Ravi, Dileesh Nair, Jins Baskar, Sreekanth Menon, JK Nair