The Visit

Posted on June 19, 2016 by Tennyson

Vampire Owl :: That reminds me that we haven’t visited Uncle Dracula for a long time.

Vampire Bat :: We are not supposed to do that before submitting a report about The Conjuring 2.

Vampire Owl :: Well, at least we can add new movies to the list of flicks we have watched.

Vampire Bat :: I believe that watching one more horror movie will only do us a lot of good.

Vampire Owl :: Yes, it is a kind of regeneration, I agree.

Vampire Bat :: And this one is from Manoj Night Shyamalan.

Vampire Owl :: Which was the last movie from him that we watched?

Vampire Bat :: That should be After Earth.

Vampire Owl :: Lets forget about the past then.

Vampire Bat :: Yes, I surely have a better feeling about this one.

[Gets three cups of tea with jackfruit chips].

What is it about? :: Two kids, Becca (Olivia DeJonge) and her younger brother Tyler (Ed Oxenbould) decides to go on a five day visit to their grandparents whom they haven’t met before, as their mother Loretta Jamison (Kathryn Hahn) had left the house to live with the man of her dreams, and never talked to them after that. She goes on a cruise with her new boyfriend, as the children leaves to enjoy their holidays with their grandparents. The two kids meet their grandparents (Peter McRobbie and Deanna Dunagan) and they are extremely delighted of this family re-union, calling the two elders, Pop-pop and Nana, and the elders also look very happy to see the children. They even shoot a documentary about their visit to their “reclaimed” grandparents.

So what happens next? :: But things don’t go that smoothly as expected, as there is something really strange about the grandparents. The bed-time is set at half past nine, and whenever they try to go out or even look outside their room, there is something really weird going on with the grandparents, especially their grandmother. Her behaviour only seems to get even more strange as days pass, and their grandfather beats up a random stranger on the streets for no real reason. There is a girl named Stacey (Celia Keenan-Bolger) who had come to visit the couple, but they don’t find her leaving. By hiding a camera, they discover even darker secrets, and they realize that there is something wrong about their grandparents even though their mother doesn’t believe them. They decide to find out what it is.

The defence of The Visit :: The movie has an interesting run throughout, and we are left guessing about what is wrong about these people, and then the twist comes by the end – it works very well. There are some really creepy moments in between, and they actually come out of nowhere, mostly when we are least expecting them. There are also some funny moments in there, and The Visit should qualify as an entertainer in most of the lists due to the same reason. Running for just a little bit more than one and half hours, The Visit makes sure that it keeps us there, very much interested in it. There is not much of blood and gore here, and without using that much of the jump scares, the movie manages to be an interesting horror flick, which means that there is some nice skill going on there.

The claws of flaw :: The movie takes a certain amount of time to get to its thrilling side, and until then, the possibility of terror is not that much ascertained. The found-footage elements were not necessary here either, and we could have actually done without them. It is the kind of thing that I have hated in almost all horror movies, yes even those highly popular ones. The premise could have been better used, as this kind of a story can always bring a high amount of creepiness into play. There are also some silly moments around in this one, and the scary side could have been introduced a lot earlier. One can often compare it to a very strange and gloomy fairy-tale, but it never really gets there in totality – that would have been another interesting thing.

Performers of the soul :: The kids Olivia DeJonge and Ed Oxenbould have done fine job here, even though there is not that much to perform in this horror movie which focuses on the two elders. But the funny side works very well for them. Deanna Dunagan and Peter McRobbie brings the best of a strange couple here, and the former has the best moments in the movie. She has her hide and seek moment, the oven scene, the scene when she is scratching on the walls and those final moments of horror from under the bed which all leave some impact on the viewers varying only in the degree. Above them all, there is one thing that we can be more certain about, and it is that Manoj Night Shyamalan has returned to form, and it will be interesting to see what his next movie is about – 2017 will have the thriller Split with James McAvoy and Anya Taylor-Joy who was earlier seen in The Witch.

How it finishes :: Compared to the rest of the movies of its genre released in the last few years, The Visit surely has managed to come up with a separate identity, even though it doesn’t completely use its premise to the best advantage. The last two movies from Manoj Night Shyamalan including The Last Airbender and After Earth never really got close to keeping me interested. But this one surely brings him back, with certain amount of skill in creating those moments of horror, rather than sticking to the usual formula. My favourites from him will always be The Sixth Sense and Unbreakable, but this one also makes it to the interesting movies list with his name on it. When talking about the movies with story from him, I would go for Devil as my favourite.

Release date: 11th September 2015
Running time: 94 minutes
Directed by: M. Night Shyamalan
Starring: Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn, Benjamin Kanes, Celia Keenan-Bolger, Jon Douglas Rainey, Brian Gildea, Shawn Gonzalez, Richard Barlow, Erica Lynne Marszalek, Shawn Gonzalez, Michael Mariano

@ Cemetery Watch
✠ The Vampire Bat.

Captain America: Civil War

Posted on May 20, 2016 by Tennyson

Vampire Owl :: We have missed too many big Hollywood movies this year. It is a case of heavy disappointment.

Vampire Bat :: You are talking about missing The Jungle Book more than any other.

Vampire Owl :: Yes, we missed the nostalgia. There was the same thing in Malayalam too.

Vampire Bat :: But we won’t miss this one at all. The Captain is here at the local theatres this time. Captain America movies have always been among the best superhero flicks, and you know how Avengers come up with the big action all the time!

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1398-captain-america-civil-war

The two movies which constituted The Avengers series in the Marvel Cinematic Universe had managed to be special treat for the fans. There is no chance for questioning Marvel this time either, with another action-packed movie here which features most of the superheroes excluding the Incredible Hulk and the hammer-wielding Thor. With the Avengers supposed to be grouped into two teams under Captain America and Iron Man, the expectations were set high, and this movie delivers too, following the path of the two earlier Avengers movies as well as the two Captain America flicks, as the story continues from where it had left things, in Captain America: The Winter Soldier and Avengers: Age of Ultron.

As the Avengers are going through one of their routine missions, things don’t really go on as planned and an explosion occurs, killing a number of Wakandans. Later, the U.S. Secretary of State, Thaddeus Ross (William Hurt) tells them about the United Nations plan to come up with the Sokovia Accords signed by 117 nations, which will bring a certain amount of control in the functioning of Avengers to avoid loss of human life and property. Tony Stark (Robert Downey, Jr.) who is saddened by his own creation of Ultron, destruction of Sokovia and isolation from Pepper Potts (Gwyneth Paltrow) comes up with the decision that they have to sign the Accords, and Natasha Romanoff (Scarlett Johansson) supports him on this, along with Vision (Paul Bettany).

But Steve Rogers (Chris Evans) has no faith in the government or an international organization, as Captain America turns from being the patriot to the insurgent while trying to protect his old friend Bucky (Sebastian Stan) who is once again termed as “the Winter Soldier” and is blamed for an explosion which follows. A revenge-seeking T’Challa (Chadwick Boseman) also joins Tony Stark’s team which also has James Rhodes (Don Cheadle) and he recruits a young Peter Parker (Tom Holland). But the truth about Bucky is more than what meets the eye, and to defend the same, Captain America will need the support of his other allies which will include Wanda Maximoff (Elizabeth Olsen), Scott Lang (Paul Rudd), Sam Wilson (Anthony Mackie) and Clint Barton (Jeremy Renner).

Among all the superheroes that Marvel has created, Captain America has remained the most interesting one; the two movies of the Captain has been among the best movies of the Marvel Cinematic Universe, and with Captain America: Civil War, the three movies make a fine trilogy of action thrillers. As it has been in the previous titles, Chris Evans makes an amazing Captain America. Just as the title suggests, this one easily becomes his movie. Elizabeth Olsen once again has a special charm as the Scarlet Witch while Paul Rudd brings more entertainment even though he arrives late. Robert Downey remains solid as Iron Man. The next two characters we notice the most are nicely played by Anthony Mackie and Chadwick Boseman.

Even though The Hulk and Thor are not present here, this movie brings more superheroes, some whom the fans might already know and the others being mostly unfamiliar to most of the audience outside North America and Europe. The new additions include the Black Panther and Spider-Man, while Ant-Man, Falcon and Vision get to be part of some full Avenger action. Ant-Man adds some nice fun as the movie nears the end while the young Spider-Man and all the jokes related to this version of the superhero remains just irritating. There have been many versions of Spider-Man before, and this one here remains the least impressive of them all. The Black Panther remains special though, and the character is a smart addition.

The story doesn’t have the strength here, but the action sequences and the visuals make up for it. Still, the previous Captain America and Avengers movies had better thrills, story-line and there were even bigger action sequences. But this one here has the biggest group of superheroes, and with so many of those interesting characters present, the movie becomes a treat to watch. Unlike the previous movies, the focus too shifts to the relationships between the main characters, from between Captain America and Iron Man to Vision and the Scarlet Witch, there is a powerful emotional side to this flick, and there is also the testing of loyalties as well as old friendships. The battle is not against the villain this time, but between themselves and their own people.

The movie is also thought-provoking to an extent, even though that side never really gets the spotlight. It has all the entertainment that one needs for the weekend, but adds a little bit too much that is not really needed, from Spider-Man who was just there for the sake of being present, to some of those emotional sequences which often seem a little bit too much. The movie never really needed to go childish with Spider-Man. It surely has an advantage over Batman v Superman: Dawn of Justice as expected, but could have still been an even better movie. The potential for this movie was so much, and just enough of the entertainment is delivered here. With two parts of Avengers: Infinity War to come, one has to wonder what all these events will mean for the team of superheroes. You need to be ready 😀

Release date: 6th May 2016
Running time: 147 minutes
Directed by: Anthony Russo, Joe Russo
Starring: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, Daniel Brühl

@ Cemetery Watch
✠ The Vampire Bat.

Victor Frankenstein

Posted on May 18, 2016 by Tennyson

Vampire Owl :: None of our undead doctors have approved of this movie.

Vampire Bat :: That will not be a problem at all, because neither have the critics.

Vampire Owl :: So, we should still watch this one?

Vampire Bat :: As long as there is no ban, we can surely do that.

Vampire Owl :: Thankfully, we are not from a realm where there are bans on certain types of food, cinema and clothing.

Vampire Bat :: Yes, unlike these humans who are elected for no reason, Uncle Dracula is a lenient and intelligent ruler. Even the brain-dead Lich Queen knows better.

Vampire Owl :: We should let the clever film makers from the human side to work on their movies here.

Vampire Bat :: Yes, that will also be a big bonus for tourism; all is well as long as they keep their hatred, vanity, greed and envy outside our realms.

Vampire Owl :: And to avoid any temptation for the vampires, they should lock their necks, especially those veins…

Vampire Bat :: Stop! I am going to pretend that I never really heard that!

[Gets three cups of tea with tapioca chips].

What is it about? :: The tale begins and goes through the perspective of a nameless hunchback (Daniel Radcliffe) who works as the clown in a circus. He has been part of the circus for so long, and is more of a property of the circus, treated badly by most of the people there. But he secretly reads books that are stolen, mostly related to science, particularly human anatomy. He has feelings for an aerialist, Lorelei (Jessica Brown Findlay) who is injured during one of the shows. With no hope for her survival after falling from a good height, the hunchback tries his best to do anything, and at that exact moment, is aided by a stranger known by the name Victor Frankenstein (James McAvoy) who was attending the circus performance. Both succeeds in saving the girl who is taken to a hospital. This becomes the turning point in the life of the hunchback.

So what happens next? :: Victor Frankenstein has been a very ambitious medical student who has been working on something special. His aim has always been to make a discovery that would change the future. He has been scarred by his earlier experiences and wishes to make amends with his father (Charles Dance) who thinks that he is good for nothing and will never be anywhere close to his brother. He wanted to create life, and fascinated by a simple, uneducated hunchback’s knowledge in human anatomy, decides to recruit him for the cause as his assistant, and make things better and easier. So, he plans and manages a grand escape for the hunchback whom he names Igor, after his former room-mate. He drains the new assistant’s hump with his expertise and successfully hides him as the room-mate that he once had.

How does the journey go? :: The newly named Igor instantly impresses Victor, and they realize that they can go a long way forward. The police inspector Roderick Turpin (Andrew Scott) who investigates the disappearance of the hunchback realizes that something strange is going on, and it is against God. Considering Victor’s experiments as sins and his creations as unholy, he decides to stop him, whatever it might cost. They also come up against Lorelei once again, but this time as a different person. She also asks them to rethink about going against the natural order of things. But Victor and Igor are so close to their first case of success, but will that bring them glory or terror? What role will Lorelei play in this dangerous attempt at glory? Is it really an act against God, and what danger can this new creation from the grave bring?

The defence of Victor Frankenstein :: The visuals are really good with this one; there is a lot of style associated with the movie, and the cast also saves the day. Daniel Radcliffe and James McAvoy are good, especially the former who seems to have more control over his character. Jessica Brown Findlay also brings some charm while Andrew Scott is a fine opponent to the protagonists. The differences when compared to the original story has been nicely created. The messages are well placed, and they are mostly against vanity and the false ambition which stay strong within the main protagonist – he is so close to becoming Doctor Faustus, not just Doctor Frankenstein. It also asserts that there are things that cannot be changed and we have to accept them. There are some nice dialogues which keep making the point too. It has its own dose of entertainment too, and that matters.

The claws of flaw :: Victor Frankenstein needed a better flow in its story. It surely begins nicely, but gets lost at times. It is quite strange that the movie doesn’t try that hard to deviate from its source material from which it hasn’t really followed – there seems to be an attempt to return but at the same time staying different. The movie needed to be more certain with its story, and also could have dealt with its main characters differently – even though the main actors handle the whole thing well, better characterization and a much better background would have done them all, some more good. More horrors and thrilling moments could have been added to make its central idea about life and death more appealing; for now, they have done well to do that with the dialogues – maybe they could have done so without speaking that much about the same.

How it finishes :: Victor Frankenstein is another interesting movie based on Mary Shelley’s 1818 Gothic horror novel. The different versions of the same story or newly written extensions always bring something that can catch our attention, just like I, Frankenstein which extended the tale very nicely. In another case, there was Dracula Untold which brought another angle to the popular 1897 Gothic horror novel by Bram Stoker. If you are going to judge this one based on the many years old story, this is not the movie for you; but if you are ready to think from another angle, and understand the imagination behind making such a different attempt, you can surely go for this one, as despite not being that big Frankenstein movie, this is a fun movie which also leaves the viewers with some interesting messages to take home.

Release date: 27th November 2015 (India); 25th November 2015 (USA)
Running time: 110 minutes
Directed by: Paul McGuigan
Starring: Daniel Radcliffe, James McAvoy, Jessica Brown Findlay, Andrew Scott, Charles Dance, Freddie Fox, Mark Gatiss, Callum Turner, Daniel Mays, Spencer Wilding

@ Cemetery Watch
✠ The Vampire Bat.

Batman v Superman

Posted on April 1, 2016 by Tennyson

Vampire Owl :: I am not in favour of such people who claim to have powers above our kind. And they call superheroes only to fight each other? Strange, isn’t it?

Vampire Bat :: I don’t think that you should mind; Superman is from far beyond our realm; he is not even part of a known planet.

Vampire Owl :: Still, I think that there is going to be too much of a superhero crowd here.

Vampire Bat :: I had reserved that dialogue for Captain America: Civil War, and when there are X-Men around.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1355-batman-v-superman-dawn-of-justice

There are not many movies which the audience has been waiting for, during this year, as much as Batman v Superman: Dawn of Justice. This follow-up to Man of Steel has taken almost three years to be finally there for the audience to enjoy the weekend, and this time, it is for Easter. With movies like Wonder Woman, Justice League Part One, The Flash, Aquaman and Justice League Part Two lined up to follow, this one had to arrive at least now, to create that much needed base for Justice League and the other lesser known heroes to the fans outside North America and Europe.

Time has passed after the battle between Superman (Henry Cavill) and General Zod (Michael Shannon) which spread chaos and destruction all around the city of Metropolis. There were a lot of casualties, and the wound was not healed with time, as the new superhero had transformed into a controversial figure, with some people appreciating his presence as the savior of mankind while the others finding him as a threat and the false god – someone who is more of an alien than a man for the people on Earth. The television channels take over that particular topic and as it continues to be the hot item for discussion, there is someone who is a lot mad at this superhuman.

Batman (Ben Affleck) is a very unhappy man, as Bruce Wayne had his own troubles with that particular battle between the two aliens. After twenty years of fighting crime in Gotham City, he feels that it is his chance to avenge this alien for the death and destruction which he showered upon humanity with one big battle. At the same time, Clark Kent finds Batman as that kind of dangerous vigilante who should be stopped from taking law into his own hands when police should be handling such cases. With Lex Luthor (Jesse Eisenberg) also feeling the need to get rid of Superman, he will find a way to make the two heroes battle each other while having another plan in his mind.

The number of people waiting for this movie has been very high, even more than the grand wait for Captain America: Civil War. The need to watch the two big superheroes going against each other was what everyone really wanted to see. Even though that surely happens, it is not exactly what the movie is about. There is too much of time taken in this movie to get to that, and the basic idea is also not about their dislike for each other. With Wonder Woman not that much utilized, the movie’s aim just becomes establishing something like a base to bring the Justice League idea into the scene, even though that is not done with full strength either.

The movie is still with some very nice moments, and the action sequences work pretty much fine around here. It is also one of those rare opportunities to see Batman and Superman, along with Wonder Woman together in a movie – there are the others too, like Aquaman, The Flash and The Cyborg, but they are just present there in some videos. Batman also has too many dream sequences to make one wonder what the motive behind the same might be. The viewers do end up wishing that something better was created out of the material with two superheroes having similar thoughts of saving the world, but being so different from each other that it creates tension.

Unfortunately for the movie, the villain played by Jesse Eisenberg is just not menacing enough – this is not the Lex Luthor whom we had wished to see around here. Both Henry Cavill and Ben Affleck plays the too simple superheroes here, as they just go through their plans without much of the thoughts behind them – the audience might have felt that there could be more behind their ideologies, but things seems to go rather straight and clear with this movie, which troubles the cause. Amy Adams as Lois Lane has things going better, and Gal Gadot as Wonder Woman is the one who scores the most as any superhuman – at least her side is rather clear here, and it is one character that never goes down the level in this movie.

This one might also be the worst movie from Zack Snyder who has directed movies like 300, Watchmen, Sucker Punch and Dawn of the Dead. The best thing about this movie though, is that the audience is going to be treated with some bigger movies with roots in this particular flick; Gal Gadot is sure to be an awesome Wonder Woman in the big movie which is to arrive, as that is proven here with ease. Batman v Superman: Dawn of Justice is surely not that bad, but it is not up-to the expectations either. You can still watch this one for the action sequences, and also for having that base for what is to follow with the movies which are on the list to arrive.

Release date: 25th March 2016
Running time: 150 minutes
Directed by: Zack Snyder
Starring: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane, Laurence Fishburne, Jeremy Irons, Holly Hunter, Gal Gadot, Scoot McNairy, Callan Mulvey, Tao Okamoto, Jeffrey Dean Morgan, Lauren Cohan, Michael Cassidy, Kevin Costner, Christina Wren, Michael Shannon, Carla Gugino, Robin Atkin Downes, Patrick Wilson, Ray Fisher, Jason Momoa, Ezra Miller, Patrick Leahy, Neil DeGrasse Tyson, Soledad O’Brien, Anderson Cooper, Nancy Grace, Charlie Rose

@ Cemetery Watch
✠ The Vampire Bat.

Wrecker

Posted on February 17, 2016 by Tennyson

Vampire Owl :: Do you know that we are appointing a new group called the wreckers for the vampire army?

Vampire Bat :: I don’t know about that, but we are surely going to watch this movie.

Vampire Owl :: The poster does remind me of Joy Ride and its sequels.

Vampire Bat :: Yes, that was what came to my mind the first time.

Vampire Owl :: I liked that series, right up-to the final movie.

Vampire Bat :: Yes, and the big trucks haunting people on deserted roads always make some impact.

Vampire Owl :: They are like the most convenient areas for serial killers.

Vampire Bat :: Well, there is absolutely no doubt about that.

Vampire Owl :: So, another human serial killer movie for today.

Vampire Bat :: Yes, another one from their long list of bad people.

[Gets some tea with tapioca chips].

What is it about? :: Best friends Emily (Anna Hutchison) and Leslie (Andrea Whitburn) are on a road trip, as the former doubts her boyfriend of cheating and has taken a break. As they go on on a joy ride, they decide to take a short-cut which seems to be rather less traveled. During their journey, they come across a tow-truck which doesn’t let them pass. When they do, it is behind them, and later it overtakes them just to keep wandering around their car. It almost makes them hit another car, and continues to torment them throughout their journey. Providing them with no relief, the truck is always around them, and nothing seems to let it go away. As they stop to have food, they see the truck there too, and try to identify the driver, but ends up being angry at the wrong person.

So, how do things go from there and is there a chance for escape? :: They find out that the man giving them the chase is someone else, but they never get to see him. But they continues to travel as the truck has gone long past them. Well, things only get much worse from there, as it is no longer about being chased – everything gets rather direct then. As their car losses one of its tyres, they are forced to run and they separate from each other. The car doesn’t have much of fuel, and only Emily gets back to the vehicle, with no sign of her friend around. A police officer who is found on the way also gets run over the the truck. There seems to be no hope left as the truck driver seems to know the road so well, and is ready to pounce at anyone anywhere. The only chance here might be to get off the road, or is it?

The defence of Wrecker :: There are thrills in abundance in this movie, as most of the movie is focused on the road; there is no time for drama as things only get quicker and the situations become more life-threatening. The truck idea is something that will always work – I recently saw one strange long-haired person on the road riding a modified bike and showing his middle finger to the buses; it is the kind of person whom we wish a psychopath trucker should take to make the society better; those times when we think that serial killers are needed. With Joy Ride‘s Rusty Nail whom we consider among the top killers in a thriller-horror, the scope of such a character has only increased, and Wrecker does make some good use of that. The truck shots are well-utilized, and there are some nice moments here with the vehicle. The movie is kept short too.

Claws of flaw :: This movie could have done a lot better in using this already successful idea – the scope was even more for sure. This could have been more entertaining with horror taking the main stage – a lot more of the scares were possible with a psychopath trucker in the pockets. A bigger story could have also been in store, and a legend could have been easily brought on this. The whole thing needed a better touch in making things more interesting. There could have been a big psycho killer in store here who could make things better in the sequel – the chance is left there in the end! A better thrilling finish could have done this movie a lot of good too. Andrea Whitburn leaves the action a little too early. The destruction which shown to be committed by the truck is also a little too low; the killer also remains too unknown.

Performers of the soul :: The movie clearly depends on Anna Hutchison to make it work better than it really is. She does a very good job here with the same. She is good with this, as we had seen her in The Cabin in the Woods. Most of us would also remember her from Spartacus: War of the Damned – she plays the main character here, and the focus is all on her, which makes sure that the movie gets better. Andrea Whitburn plays more of the supporting role, as there is a lot of time when we don’t get to see her at all. The supporting cast doesn’t really get to do much, and we never really get to see the face of the driver who goes on rampage – so, except for a few people who show their faces and say some dialogues, the whole thing is left to Anna Hutchison and Andrea Whitburn.

How it finishes :: The movie seems to have a lot of similarities with the 1971 flick, Duel; Joy Ride and its two sequels are also quite similar. I have loved the three movies belonging to the Joy Ride franchise, from the Paul Walker and Venna Wilcox Leelee Sobieski starrer to the last one which released in 2014. Wrecker doesn’t go that much of a different way compared to these movies. If I had to choose between Joy Ride and Wrecker, I would choose the former though, as Rusty Nail is already one of the most interesting serial killers around, and the entertainment factor was also high with those movies. But Anna Hutchison is the one person who makes the difference for this movie, and this one also goes somewhat a different way in its treatment – and is surely slower.

Release date: 6th November 2015
Running time: 83 minutes
Directed by: Micheal Bafaro
Starring: Anna Hutchison, Andrea Whitburn, Jennifer Koenig, Don Knodel, Michael Dickson, Ashley Evans, Lori Watt, Kurtis Maguire, Dave Blattler, Celia Reid, Andy Nez, Emily Schutz, Riley Schutz, Dylan Rhymer, Kurt Harder

@ Cemetery Watch
✠ The Vampire Bat.

The Man from U.N.C.L.E.

Posted on December 25, 2015 by Tennyson

Vampire Owl :: I believe that they are talking about Uncle Dracula returning to the castle.

Vampire Bat :: I don’t understand why they would do that. It is not possible.

Vampire Owl :: Or may be a man who is the messenger of Uncle Dracula.

Vampire Bat :: Don’t you know that the return of Uncle Dracula is not of concern for the humans these days as they don’t even believe in his existence?

Vampire Owl :: I guess I misunderstood the title then. I thought this would mean his return because the world needs it.

Vampire Bat :: It stands for United Network Command for Law and Enforcement as I have read on the internet.

Vampire Owl :: So, no true uncles are involved. It is actually good because some uncles are so irritating with their comparisons of their nephews and nieces.

Vampire Bat :: It is actually based on an American television series of the 1960s. There was also one called The Girl from U.N.C.L.E. during the same time period.

Vampire Owl :: So, it is clearly new for us. During that period, we were not into television series, and surely none from that part of the world. Do you think that it will be good?

Vampire Bat :: Well, we will surely have to watch and find that out. This comes from Guy Ritchie, the man who brought the two Sherlock Holmes movies to us, and will bring a King Arthur movie next year.

[Gets a cup of tea with chocolate chip cookies].

What is it about? :: At a time when the Cold War was going strong, years after the Second World War, a former professional thief and the present CIA agent Napoleon Solo (Henry Cavill) is on a special mission. He brings Gaby Teller (Alicia Vikander), the daughter of Udo Teller (Christian Berkel), an expert scientist who was working for the Nazis, out of East Berlin, as they manage to go past the KGB operative Illya Kuryakin (Armie Hammer) who gives a big chase. But it turns out that the job is not anywhere close to being finished yet, with the two rich shipping company owning couple Alexander (Luca Calvani) and Victoria (Elizabeth Debicki) Vinciguerra who are Nazi sympathizers have the scientist with them, and Gaby’s uncle Rudi (Sylvester Groth) working with them might be their only chance to get to Udo. The time might be less because the couple might be creating their own nuclear weapons.

So what is the possible solution here and where do they go? :: So, with chaos and destruction staring them right on their faces, CIA and KGB decides to bring their best men together, with Napolean and Illya working together to bring solution to this new problem. Gaby and Illya are to pretend to be engaged as they go to meet her uncle in Italy. Solo also poses as an antiquities dealer and stays in another room in the same hotel at Rome. So, another game begins far away from home, and the question remains if these three can get along. Gaby’s best interest seems to be in finding her father, and the two agents have the interests of their own nations and the agencies to keep steady. With their own agendas being there, what can these people do to ensure world peace in front of an enemy which is more united than they are? Saving the world is not a choice though, isn’t it? Especially when USA and USSR did join forces!

The defence of The Man from U.N.C.L.E. :: One thing which you can be hundred percent sure about this particular flick is that it has some simple, light-hearted fun. The humour that has been used in this movie never crosses the limit, making it appropriate for almost all kinds of audience, a quality which is not easy to maintain for the Hollywood movies of these times as they intend to go for sex and violence instead. Well, that should have made the censor board very happy or they would have been on a grand cutting process around here. The thrills are present and there is one twist and some nice smaller turning of events. The movie also has a fine style going throughout it, and the music used in the flick gives an even better feeling. What surprised me the most is how this flick, even with its simplest scenes, could bring smiles on our faces – a quality which the more appreciated movies like Kingsman: The Secret Service completely lacked and replaced it with boredom.

Claws of flaw :: The fact remains that there might not be anyone who has watched that telvision series around here, as the idiot box presence improved only later around here, and the number of channels only increased even later. So, the case of nostalgia is completely going out through the window for ny person from this part of the world. The movie could have also used a lot more humour here because the possibility was very much there – there were some nice points where it could have added so much more to the movie. The three protagonists could have taken them in easily. The story could have also been more polished to bring the suspense and thrills to the next level – it is something which could have made sure that The Man from U.N.C.L.E. will be the spy movie which worked for a genre-based audience. There could have also been more melee combat here. As this is more like an origin story, a possible sequel should solve the problems!

Performers of the Soul :: The three leading performers in this movie are nothing less than complete fun. Their characters have something special, and they are nicely brought on screen with action and humour. They are the ones who make us wish for a sequel for this one. Among the three, the big performer is undoubtedly Henry Cavill who has the thief turned into CIA agent played with charm; coming right out of Man of Steel – one wonders if he will make a nice James Bond in a parallel universe. His agent makes a fine combination with his former nemesis character Armie Hammer, and both nicely compliment each other. You will love the third one, played by Alicia Vikander too. It won’t be that big a performance or something of very high quality like her work in Ex Machina, but she is cute and full of fun in this movie. You will surely get something a lot better than her Seventh Son though. You will also notice Elizabeth Debicki making a nice lady villain.

How it finishes :: The Man from U.N.C.L.E. is indeed a fine spy movie with fun. Unlike Kingsman: The Secret Service which was always running out of ideas making it use violence and ridiculous sexual remarks, this movie here knows exactly where it is going. The collections and critical appreciation for that mindless flick is a reflection of how much the quality of the viewers and critics have come down, but thanks to movies like The Man from U.N.C.L.E. that we can have movies which are actually fun and not just claimed to be so. Our movie here shows Kingsman: The Secret Service how it is done, and how it should have been accomplished. On one side, we have interesting spy movies like The Man from U.N.C.L.E. and on the other side, we have boring and clueless spy stuff like Kingsman: The Secret Service; and thankfully, I know that the former was the more successful one where I watch movies!

Release date: 14th August 2015
Running time: 116 minutes
Directed by: Guy Ritchie
Starring: Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, Hugh Grant, Luca Calvani, Sylvester Groth, Simona Caparrini, Misha Kuznetsov, David Menkin, Christian Berkel

PS: Favourite pre-Christmas movie at the theatres right now: Anarkali. Merry Christmas 🙂

@ Cemetery Watch
✠ The Vampire Bat.

Jessabelle

Posted on December 21, 2015 by Tennyson

Vampire Owl :: Are you sure that this isn’t related to Annabelle? There is not even a distant relationship that you know about?

Vampire Bat :: Not at all. There is just the name which ends in the same way. There is no relationship with The Conjuring either.

Vampire Owl :: I know many people who thought that they were related, and there are some who thought that there was another doll of the same kind.

Vampire Bat :: We, the people of the horror, shouldn’t fall into such rumors. But the similarity in the name might have attracted more viewers.

Vampire Owl :: Yes, I know. But I just believed that for some time.

Vampire Bat :: We could actually go for it in the name of some nice sequences which are there in the trailer. The poster is quite interesting

Vampire Owl :: And also after looking at the producer’s long list of horror filmography.

Vampire Bat :: Yes, that too. But nothing in the name of Annabelle which is not related at all.

Vampire Owl :: Let it be so then! We shall take on this ghost too.

Vampire Bat :: Okay, now we can proceed for the movie. Keep your mind open for more horror.

[Gets a cup of tea with chocolate chip cookies].

What is it about? :: Jessabelle Laurent (Sarah Snook) and her boyfriend has an accident with their car hit by a truck just before they decide to start a new life together. The pregnant Jessabelle has miscarriage and her lover is dead in the accident, with her limited to a wheel-chair. A few months later, she decides to go and live with her father Leon (David Andrews) at a small town of St Francis as he agrees to pick her up from the hospital. It has been a long time since she last saw her father, as she was raised by her aunt after her mother died of cancer when she was a baby. He takes her to their old home, and provides her with the room of her mother which was kept locked for many years. She doesn’t remember anything about her childhood, and she decides to look around the old house and the beautiful surroundings on her wheel-chair.

So what happens at this new place far away from the city? :: Jessabelle is not a person who will keep herself on the bed all the time. For passing time, she finds some videotapes shot by her mother. She decides to watch them and know more about her mother whom she never met as a kid. Even though, the tapes begin nicely with words of motherly love, it soon gets weird with talks about death, transition to something else and the feeling of a certain presence in the house. Leon says that her mother was getting weird and not herself in the final stages of cancer as he tries his best to stop her from watching these tapes, but as he tries to burn them, gets burnt himself inside the shed. She also has regular nightmares, and feels the presence of something in the house. With her father dead, it is only her old friend Preston Sanders (Mark Webber) who is left with her for help.

The defence of Jessabelle :: There are scary moments in Jessabelle and there is creepiness, even when not fully utilized. The environment contributes to that feeling, and this is done by keeping blood and gore to the minimum. Coming from the director of two movies of the Saw franchise, that might be a surprise for some people. The bath-tub scene is the best one, even though that too could have been better. But the movie manages to maintain a certain mood, not trying to bring anything huge – not a big attempt here at all. The final revelation is a fine one, and the twist is something which can be rather easily guessed only for those who have watched many horror movies. But it keeps us guessing until the movie reaches the final stages. It often becomes a mystery thriller instead of a full horror movie, and there is even some drama – it also works as part of another genre which makes up for what is missed out with the horror side.

Claws of flaw :: There is no denying the fact that this movie has its own dose of cliches. There are moments of such horror which have already been tried, and the story itself reminds oneself of the Kate Hudson starrer movie, The Skeleton Key – especially with the ending; but the difference here being the use of Voodoo while it was Hoodoo in that horror movie which came earlier. The chances of you liking this movie if you liked that one is high, but there will be some repetition associated with this in the final moments. There is also a certain amount of slow movement in the case of Jessabelle, and more horror could have been brought here especially while using the marshy surroundings of Lousiana. The environment was something which could have been better used to the advantage here. The potential was surely there to bring something better than what is on screen.

Performers of the Soul :: As you might have noticed in the movie Predestination, Sarah Snook is very much a talented actress, and she does an excellent job here too. Here, she proves to be the right choice for horror too. If she did a bigger job in that science fiction drama, here the movie is better, without ambiguities or boredom as there is the direct entry into horror and mystery. Mark Webber has very less to do here though, and it is the same with David Andrews and Joelle Carter, as the movie is completely focused on Sarah Snook and her Jessabelle. Amber Stevens West plays the ghostly Jessabelle with the needed intensity, but the number of appearances of the ghost is also too less as far as the horror fans are concerned. The bath-tub scene and the car scene are the two notable ones related to the same.

How it finishes :: When you look at the critical appreciation of this movie and the total rating at IMDb, you will hesitate about watch this one. But this movie is undoubtedly better than what you see everywhere; it has never been easy for the horror movies to get the critics on their side – it is more like a curse which this particular genre has inherited through the ages, even though there are exceptions. Sometimes, most of the critically appreciated movies are not really that good horror at all. So, watching Jessabelle is not a mistake that you make, but an attempt to see how another horror movie will work. You have to note that The Lazarus Effect, The Remaining, The Woman in Black 2: Angel of Death and The Pyramid got lesser rating on IMDb. You can watch this one along with The Skeleton Key which is a similar movie in heart and soul.

Release date: 7th November 2014
Running time: 90 minutes
Directed by: Kevin Greutert
Starring: Sarah Snook, Mark Webber, David Andrews, Joelle Carter, Ana de la Reguera, Amber Stevens, Larisa Oleynik, Chris Ellis, Brian Hallisay, Lucius Baston, Jason Davis, Vaughan Wilson

@ Cemetery Watch
✠ The Vampire Bat.

The Remaining

Posted on December 18, 2015 by Tennyson

Vampire Owl :: This movie seems to be about the end of the world.

Vampire Bat :: Yes, it is about that and also what happens during this ultimate horror being unleashed on Earth.

Vampire Owl :: Do you think that mankind has a chance to see this possible end before they kill each other with their deadly weapons?

Vampire Bat :: I strongly believe that mankind will destroy itself in wars before God decides to bring his wrath on them.

Vampire Owl :: It is a strange thing, isn’t it? People blame God and sometimes the religions a lot, but can’t even love their own people even when they are outside the beliefs.

Vampire Bat :: A lot of things that these humans do are strange. If we think about them, we will only have a lot of negativity in our lives.

Vampire Owl :: For now, I will only hope that at least this movie happens to be good.

Vampire Bat :: Well, the movies about the end of the world are usually better than those which talk about the things like romance, which are mostly fake and exaggerated.

Vampire Owl :: Lets watch this soon, before mankind kills each other. Otherwise, there will be nobody left to read your review.

Vampire Bat :: Lets go for the movie right now!

[Gets a cup of tea with butter cookies].

What is it about? :: Dan (Bryan Dechart) and Skylar (Alexa Vega) are getting married and the friends are enjoying the occasion. The occasion is well-planned and the wedding ceremony goes great. Among their friends, Tommy (Johnny Pacar) has been in love with Allison (Italia Ricci) for quite some time, but she is in a relationship with Jack (Shaun Sipos) who is another person in their friends circle. Everything after the ceremony also seems to be going on well with an abundance of joy, and while people are having fun, suddenly some people start dropping down dead. With some people in the party dead in a second and the others having no idea what to do, Dan, Skylar and Jack run out of the building, in hope to find Allison who had left earlier. Outside the building, they find terror being unleashed in the streets with chaos and destruction all around.

So what is this sudden death and panic all about? :: The incident is associated with rapture which is related to the Second Coming of Jesus Christ to Earth, and all the believers who are dead as well as the good believers among the living have their souls taken into eternal life. Skylar finds the reference to the same in the Holy Bible, but is attacked by a winged demon which is unleashed on Earth for the end of days. Joined by a girl called Sam (Liz E. Morgan), the find sanctuary in a church where a lot of others including Allison have also found shelter. There they find Pastor Shay (John Pyper-Ferguson) who tells them that he has been a pastor only by name and he has used his title only for his comfort, and took God’s name just for the sake of doing it. Surrounded by demons, and Skylar fatally injured, time runs out here.

The defence of The Remaining :: There is a certain amount of mixture with the genres with the horror elements, the thriller side and the disaster moments which make the most of it. The drama side is also present as the survivors ponder over their lives, the flashbacks and what remains their hope. There are also some elements of the found footage genre which are well-used. Some scary moments will justify the same, and that makes one wonder if this could be made into a video game; something in which survival is impossible – the certainty of death which prevails in this movie works very much in its favour, as death is the safe place to go, as always. The performances are pretty good even though there is nothing extraordinary around here. Italia Ricci is the one who gets the most attention, and I have felt that Liz E Morgan provided the most interesting performance here.

Claws of flaw :: The special effects are kept minimal here, and one might think that there is not enough disaster here for a disaster movie, and not that much horror that such evil mentioned in the movie could bring. A collection of better horror and disaster elements might be required by many. People might also have problems with its idea, and it won’t always be easy to take the right point of the theme for everyone. There is also the presence of some cliche elements here and there, but horror needs them up-to an extent. In the end, you will ask why this one couldn’t be better, especially as it has the theme and everything else ready right here. There seems to be a problem here about understanding what exactly should be the focus, but that only shows at times; there are questions like we had gone through in The Lazarus Effect.

Soul exploration :: The movie’s idea of rapture is rather far-fetched for most of the main Christian congregations. I haven’t heard about this myself except for the meaning of that word in the dictionary. But lets leave that behind and take the right point out of it, and take the secular meaning here. We know that unlike the Western idea about secularism which goes for the separation of the religion and the state, the concept of secularism in India has equal participation of all religions instead. Taking the exact meaning of this movie through its context might be easier, but what I have thought about more is about what I can take out of it for use in the common man’s life. The questions that we can take back home are about being the good person related to all religions – are we really good just because we keep visiting the religious places?

Further soul exploration :: No, the questions don’t end there, as more needs to be asked. Does goodness come naturally by saying that we believe in God and are part of certain religious groups? What does it take to be a good person in a materialistic world which has comfort written all over it, and people are just by the monetary gains rather than the goodness factor? Do we have what it take to be a good person instead of being the great achiever – why are stories of achievers considered inspiring instead of tales of good men and women? Shouldn’t good people be given all the attention rather than those who are branded as achievers only to mock and abuse those who are struggling in their lives? How many people go for a good man or a good woman in wedding without looking for the high salary, family status and dowry? Lets give these questions a few thoughts.

Release date: 5th September 2014
Running time: 88 minutes
Directed by: Casey La Scala
Starring: Alexa Vega, Italia Ricci, Johnny Pacar, Shaun Sipos, Bryan Dechart, Liz E Morgan, Kimberley Drummond, John Pyper-Ferguson, Erin Murphy, Kim Pacheco, Hayley Lovitt, Mary Austin, Judd Lormand, Rusty Martin Sr, Katie Sawhill, Defecio Stoglin, Kaitlyn Christian

@ Cemetery Watch
✠ The Vampire Bat.

The Guest

Posted on December 17, 2015 by Tennyson

Vampire Owl :: Do you mean to say that we have guests at the castle? Is it for the Christmas vacations?

Vampire Bat :: Not at all. I am just referring to the next movie which were going to watch.

Vampire Owl :: But I have never heard about it.

Vampire Bat :: It has Dan Stevens and Maika Monroe in the lead.

Vampire Owl :: I can recollect the latter name; count me in.

Vampire Bat :: I was pretty sure that you will remember Maika from that horror movie.

Vampire Owl :: Yes, this even reminds me of that headless guest that we had last year. It was one guest that we should have never had.

Vampire Bat :: I believe that this one will be even more mysterious.

Vampire Owl :: Well, there is no limit to the strength of mystery.

Vampire Bat :: And that is some truth clearly spoken.

[Gets a cup of tea with chocolate chip cookies].

What is it about? :: David Collins (Dan Stevens) has arrived at the home of his friend in the military, Caleb Peterson (Chris Harding) who had lost his life at the war in Afghanistan. His grieving mother Laura Peterson (Sheila Kelley) is soon attached to the newcomer and his stories about her son, as she asks him to stay with them for a few days in her son’s room because it will make her feel better after the loss her son. Despite some initial doubts, her husband Spencer Peterson (Leland Orser) also approves of his presence as they get along over some drinks. Their son Luke (Brendan Meyer) becomes good friends with the man as he helps the boy in dealing with the bullies who keep haunting him. The daughter Anna (Maika Monroe) also manages to have a positive opinion about him in spite of the early disapproval which she had.

So, what is this person all about? :: With him being the new best friend to Luke, David has all the members of his family in his pockets. But he is there for another reason. He is still the good guy there, even with Anna’s friend Kristen (Tabatha Shaun) who is attracted to the new friend and everyone seems to like him. He knows how to get along with all kinds of people. But as Anna wishes to know more about him after overhearing certain talk on phone, she calls the military base for more information – but curiosity makes things different, and the situation take a twist. More about David will be revealed, but this new knowledge won’t do that good for anyone around. Some things are better left unknown, but unfortunately for them, this one comes to light.

The defence of The Guest :: There is one thing absolutely clear about this movie, and it is that The Guest is a lot entertaining, and right from the beginning, you get the feeling about it. There is the shot of a person running with a backpack, and then suddenly there is the music indicating possible horror and you will see the title. The next forty minutes go smoothly, with some drama and only small signs of the big change coming up; and as we go through it, the last thirty minutes become deadly. The music used in the movie is really good, and its idea to reveal things in a slow and steady manner makes sure that we get more and more interested in the whole thing. There is another smart movie to use some Halloween stuff here, and it helps a lot in the final stages. Those scenes just feel so good, and this is how the movie ends well.

Positives and negatives :: There is one thing that will bother some viewers, and it is that the movie doesn’t really come up with a relevant flashback and leaves questions unanswered – as on one side, it keeps one guessing even after the movie with further conspiracy theories, and at the other, it makes one wish for it to be there. Most of us surely love a flashback, but we won’t find it here, and there won’t be that much explanation from the protagonist either except for some acceptance; and a little change in the ending would have been better. There is also a certain amount of interesting humour in the movie, as The Guest qualifies with a mixture with thrills, action, psychological elements, suspense factor and all that is needed in the right entertainer. The Guest knows the many ways and the different sides of making the viewers interested. The fact that it manages to be an entertainer with brain is even more satisfying for the audience not to go through just the masala.

Performers of the soul :: Dan Stevens is deadly as the protagonist, the man with his own collection of mysteries – and we are left with this memorable performance to ponder about. One can notice how well he adapts to each situation as the character demands. He is too good almost everywhere, and this character is to be remembered by the fans of the genre or rather the genres – the mystery stays as he performs great. His next big movies include Criminal Activities, Oppenheimer Strategies and Colossal, three thriller movies along with the romantic musical fantasy, Beauty and the Beast – these should be too good. I haven’t watched much of his performances, and so hoping to see more. Maika Monroe has the next big performance here, and you will find her lovable from the beginning itself. We loved her in It Follows and she is excellent here too – would love to see her in Independence Day: Resurgence.

How it finishes :: There will be so many things that you will love about this movie, and you don’t need to be the fan of a particular genre to like the flick. There will be variation only in the degree of interest here. You will surely want to see more works of Dan Stevens and Maika Monroe after watching this one. The Guest also comes from Adam Wingard who directed You’re Next and so you know that you can expect something interesting, and it is the same which is delivered here. If you think about what other movie this one reminds you about, that should be The Stepfather, and the 2009 remake had Amber Heard as the leading lady, but the similarity is minimum; The Guest is also ahead here. You will certainly find your needs for an entertaining thriller satisfied here.

Release date: 17th September 2014
Running time: 100 minutes
Directed by: Adam Wingard
Starring: Dan Stevens, Maika Monroe, Leland Orser, Sheila Kelley, Brendan Meyer, Lance Reddick, Tabatha Shaun, Chase Williamson, Ethan Embry, Joel David Moore, Steven John Brown, Brenden Wedner, Alex Knight, Frank Bond, Jesse Luken, Kelsey Montoya, Justin Yu, A. J. Bowen, Chris Ellis, Candice K. Patton, Chris Harding

@ Cemetery Watch
✠ The Vampire Bat.

The Shaman

Posted on December 10, 2015 by Tennyson

Premise of The Shaman :: For thousands of years, men have undergone vigorous training to become the Shamans. These well-trained people have traveled into the other world, finding and healing the souls of people. In the beginning of the twenty third century, they are no longer the healers, but mankind’s deadliest weapon, as there is more that they can do during a war. The year is 2204, after seventy three years of continuous war and destruction. There is a long battle going on between The Atlantic Alliance and The White Federation and the world is in chaos. According to the Shaman’s school of thought, every creature or object has a soul. As the Shamans go into the other world known as the Netherworld and convert or destroy the souls of their enemies’ huge battle machines, both sides come up with defensive strategies against the Shaman attacks.

What is it about? :: These intelligent machines are widely used for battles during the times, and they are the toughest opponents which are better to be dealt with indirectly, as direct confrontation is leads to too many casualities. As a Shaman called Joshua (Danny Shayler) tries to convert the soul of one enemy battle colossus which has destroyed about two thousand men, this one is ready for him. The soul of the colossus (Susanne Wuest) knows that he is coming, and has read information about him. Joshua has a troubled past which can be used against him if known. In the other world, the machine will use his own strength, the manipulation against him. He will have four minutes to deal with this machine or he will die with the troops and his squire Lene (David Sayers). Can he come up with something special here?

The defence of The Shaman :: The short film gets you into the story right in the beginning with an introduction and some interesting information about the premise – it makes sure that we have the idea what is to come next. Then, we are introduced into the movie’s story-line related to the Shaman called Joshua and his battles. There are some stunning visuals to go with the story. The visual splendour is the kind of thing which can challenge those big Hollywood movies, as the futuristic world devastated by wars will immediately catch your attention – the explosions add to it. The idea is no different as it is worth making a full length movie which runs for at least two hours. There is strength in the core, and we can be sure that it can be developed into big movie, and we can only hope that if it does, it releases at this part of the world.

How is The Shaman special? :: The Shaman has a special place among the short films, and it is one of the best which I have watched. As Hollywood comes up with too many remakes, it is always nice to see a new idea instead of bringing the same thing again and again. The idea which is used in this short film is also something which got a lot of potential. There is absolutely no dull moment in this one, and you are completely into the idea of Shaman, soul, Netherworld and the connections being made. The Shaman has that kind of a universe which can be developed a lot. There can be a prequel as well as a sequel in the form of full length movies, because the theme will catch the audience attention with ease. The science fiction fans are sure to love the basic idea and its development.

Soul exploration :: This is my first attempt at reviewing a short film, and The Shaman is a good flick to start doing the same. Throughout this movie and as the film ended, I was hoping that this was longer, even as a short film, I wished for at least ten to fifteen more minutes. When the idea is great and it also looks fantastic, I would wonder why one won’t want the movie to go on for a very long time. You can watch the trailer of the movie below to understand what this short film is going to be about. I am sure that you will find it an interesting trailer, and it gives a nice idea about what the movie is about. It should have you interested to watch the complete short film which is shared in the end.

Performers of the soul :: There are two characters who get most of the attention, and there are three who are the main characters – the Shaman, the Squire and the Soul of the Colossus. The performances in The Shaman were actually very good, especially with Danny Shayler who plays the titular character and Susanne Wuest who plays the Soul of the Colossus. The sequence between them is well done, which is why one would want to have them again if there is a full length movie getting made. A more detailed sequence between them would do a longer movie a lot good, and it will be the first thing I expect along with the tales of the Shaman as a person. David Sayers as Lene also does a good job here. We can be sure that the talent does exist here, and there will be more to come if there is a full length movie.

Further details about The Shaman :: The Shaman premiered at the New York based Tribeca Film Festival earlier this year and was also screened at many other film festivals around the world. The trailer of the movie had over four million views on Youtube. The whole movie is now available on Youtube to watch, and has subtitles in English, Russian, Spanish, German, Japanese and Chinese. It is also online on Vimeo as of now and was also selected into the Vimeo Staff Picks. It was also featured in Short of the Week. The movie has a rating of 7.5 on the IMDb, and it is surely ahead of most of the short films that you watch these days. It is mentioned as one of the best short films of the year, and one can be sure that it is deserving of that description. You can watch the full short film at the Youtube link below and come up with an opinion.

Release date: 17th November 2015 (Online); 18th April 2015 (Premiere)
Running time: 17 minutes
Directed by: Marco Kalantari
Starring: Danny Shayler, David Sayers, Susanne Wuest, Edmund Jäger, Adam Thomas Wright, Anton Noori, Stefan Bernhard, Samuel Jung

@ Cemetery Watch
✠ The Vampire Bat.

The Pyramid

Posted on December 6, 2015 by Tennyson

Vampire Owl :: I have received this letter from this small community living on the side of the undead lands.

Vampire Bat :: I have received a copy too. But I am yet to read it.

Vampire Owl :: It is about better representation on the movie adventures list along with the other communities who are getting all the attention as of now.

Vampire Bat :: Well, sometimes one community gets the attention, and at other times, some other one will. They will have to work hard to get more attention.

Vampire Owl :: But it says here that they are among the oldest existing communities and that they came back from the dead in the impossible circumstances at times when we vampires hadn’t really become the true undead.

Vampire Bat :: What? It is impossible! Look at the final sign. Who are they?

Vampire Owl :: It says “The Friendly Neighborhood Graveyard Mummies”.

Vampire Bat :: Zombies, werewolves and now the mummies. I thought that they were finished when they were sent to China in 2008 with Tomb of the Dragon Emperor.

Vampire Owl :: Well, they were not the same. There are no Pyramids there and so the Mummy existence has to be questioned. I believe that their depiction in that particular movie has also motivated them further to search for the right movie.

Vampire Bat :: That should mean that now we have to find a Mummy movie. I have the perfect movie in my mind.

[Gets a cup of tea and butter cookies].

What is it about? :: While the 2012–13 Egyptian protests are going on in Egypt, a team of archaeologists lead by Dr. Miles Holden (Denis O’Hare) and his daughter Dr. Nora Holden (Ashley Hinshaw) manages to discover a special pyramid from under the desert. As the top part of the structure is excavated, they find out that it is not like the other pyramids and has only three sides instead of the usual four. Using the satellite facility, they find out that the pyramid goes a long way down and that there is a tunnel which goes into its highest point. Due to the possibility of a civil war in the country, they are asked to return home, with no idea of when they can explore more of the pyramid. But as they consider this the biggest discovery of their careers, they hesitate to go back empty-handed.

So, how does the big twist occur? :: Despite a worker being dead due to the toxic gas in the pyramid, they decide to use a remote controlled rover machine from NASA to explore as much of the pyramids they can, and the gadget expert Michael Zahir (Amir K) makes sure that it can be done. But the machine is lots inside the structure, and it turns out that they can’t return home without the expensive thing. So, accompanied by the reporter Sunni Marsh (Christa-Marie Nicola) and the cameraman Terry Fitsimmons (James Buckley), they decide to go and find the machine themselves, with oxygen masks and with ropes tied to their waists making sure that they don’t lose the way. But they will know that what awaits them inside the structure is more than just the difficulty in finding the path.

The defence of The Pyramid :: There are lots of scary moments in The Pyramid, and the setting is very well established right in the beginning itself. It has been a long time since we had a good Mummy movie, and even though this one has none either, the pyramids and the undead brings us close to that feeling which we had while watching the movies with those mummified antagonists. The mythological twist which happens in the movie is a real nice one. The moments which make the most of the movie, until the final creature is shown makes some nice impact as darkness and the creepy atmosphere inside the pyramid is amazingly good – they could have got more attention going for the last few minutes of this movie. There are some nice traps too, even though that side is not used to the full potential. This one is also more serious than your friendlier adventure starring Brendan Fraser and Rachel Weisz.

Claws of flaw :: The Pyramid is in no way close to being the best horror movie of the year. It has an antagonist revealed in the end which doesn’t look scary enough, and thanks to the CGI which is not that effective, we won’t get the desired strength at the end. The creatures needed to look better and more menacing; here they are just the dangerous creatures as we know them to be so. The movie also needed a better development of the mythical story of Anubis and Osiris, working on the tales about the gods and kings of Egypt much earlier and in more detail so that everything could come together in a stronger way by the end of the flick. There is also no perfect ending as one would have expected as this has strong mythological roots. Those who have a lot of knowledge in the Egyptian Mythology might also feel different, with possible innacuracies as I have seen in some forums, but I am not an expert there.

Soul exploration :: There is not much here for the acting department because the movie’s focus is never there. Still, Ashley Hinshaw has a fine presence and does a good job in this movie which asks nothing too much from its cast. Christa-Marie Nicola should come next in grabbing our attention, and the rest also just follows the routine in a horror movie – be in trouble and hope not to die. The feeling of inescapable is right there throughout the movie as we keep having the feeling that the situation is a lot more than the usual supernatural stuff, and nobody can escape death this time. It is the certainty of death that the protagonists are facing, and the inability to find a solution to the early return to the other world means that there is more than all the discoveries science has ever made and religion has ever solved- it is a symbol of human helplessness.

More of the soul exploration and the finish :: The one thing which is special about this movie is that it takes another path while dealing with pyramids, not of the usual mummy story as one would expect. There is a nice reflection of the Egyptian Mythology along with its gods Anubis and Osiris. There is some history and mythology explained in the middle as well as by the finish, and if things were more creative by the end, The Pyramid could have been a lot better movie. There are times when some movies are underrated, and this one is such a movie. We did see such problems with The Lazarus Effect, I Frankenstein, Annabelle and The Woman in Black 2: Angel of Death. This has been happening with horror movies for quite some time and you have to watch these movies to know if they are good – you really can’t go and agree with the rest of the world without thinking, especially the critics.

Release date: 5th December 2014
Running time: 89 minutes
Directed by: Grégory Levasseur
Starring: Ashley Hinshaw, Christa-Marie Nicola, Denis O’Hare, James Buckley, Daniel Amerman, Joseph Beddelem, Amir K, Garsha Arristos, Omar Benbrahim, Philip Shelley, Faycal Attougui

@ Cemetery Watch
✠ The Vampire Bat.

Mockingjay II

Posted on December 2, 2015 by Tennyson

Vampire Owl: So, this is the name of the movie in reality. It was written here on this newspaper as Mocking Hay and I was wondering what it was about.

Vampire Bat: Here, on this other newspaper, it is written as Mockway. It is a more distant spelling. I do wonder what they might have called Goosebumps.

Vampire Owl: It is because of this wrong spelling that we felt that this was a movie which we knew nothing about, and made the choice not to watch it earlier! I don’t understand why they can’t have people who are able to spell this. I am beginning to doubt how they choose the people behind this.

Vampire Bat: They make such mistakes and still we read them. Then, we see that at some other editions of the same newspaper, and even at some other columns of the same, it is correct and then we are made sure that this particular title is another movie. I don’t understand why we are like this, looking at the mistakes, being mislead, understanding that it was too silly a thing and then continuing to read the same newspapers – actually, we even watch the same news channels which we don’t like.

[Gets the tickets with some cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://kiagia.co/index.php/current-film-releases/1200-the-hunger-games-mockingjay-part-2-movie-review

A science-fiction dystopian adventure book from the US author Suzanne Collins was made into a movie in 2012, with Jennifer Lawrence playing the protagonist, Katniss Everdeen. This movie adapted from the first book of The Hunger Games series was very successful. With The Hunger Games and its sequel Catching Fire becoming grand success at the box-office, the third book in the series, Mockingjay was divided into two movies. Here we have the second part of the two, and this movie finishes the franchise. There was one movie in the franchise releasing each year from 2012 onwards, and the last three movies of the franchise have all released in the latter half of November.

Katniss Everdeen (Jennifer Lawrence) continues to be the Mockingjay and the one grand symbol of revolution as the districts unite against President Coriolanus Snow (Donald Sutherland). The attack from a brainwashed Peeta Mellark (Josh Hutcherson) did affect her, but she is back there on the warzone with her speeches and charisma only to be shot by a loyalist from District Two. Even though Katniss wishes to kill President Snow herself, President Alma Coin (Julianne Moore) asks her not to risk her life again, and advices her to remain as the inspiration and the symbol of their defiance. As she is someone who can motivate the crowd with her presence, she agrees to Coin’s idea.

But Katniss is not the one to keep away from her ultimate aim, as she sneaks into an aircraft leaving to join Commander Paylor (Patina Miller) who is planning a huge assault. There, she is told to be part of a squad lead by Boggs (Mahershala Ali) as they have to evade the booby traps or the pods on the streets which are left by game-makers of the Hunger Games. Thus the journey will be more of less like the seventy sixth Hunger Games. They will be joined by Peeta as they are to go through the streets facing the unexpected threats which await them. The Capitol and Snow will think that she is dead, not once but many times, but Mockingjay is not someone who is going to stay dead as the squad keep going towards the big destination.

The problems caused by breaking down one book into two like Harry Potter and Twilight can be seen. The fans will surely prefer this because they can watch more of their favourite franchise. More of Katniss Everdeen will be there for them to see. But as the last book is divided into two, this movie surely has been cursed with a certain amount of drag. This certainly wouldn’t have been there if Mockingjay was just one movie instead of two stretched movies. But there is one advantage that this movie does possess, and it is the ability to finish the franchise in the right way. The finish is all about that climax which has one shot from the bow of the protagonist that determines everything, even though there are some predictable sequences after that.

The second part of Mockingjay is surely ahead of its predecessor because of the quality of the material in the latter part of the book. If you have read the book already, you will feel that this movie is a good adaptation even with the stretched parts. There are some nice conversations to go with the interesting action sequences, even as there is nothing much here to compete with those which we have seen in the first two movies. There are some traces of what was seen in the games earlier, but there is no big combats shown here. The special effects are good, and the dystopian world will once again grab your attention. The weapons as well as the other gadgets will also catch your eyes.

The movie has its touching moments and thrills which are surely present. There is also some reflection of the real effects of war on the common man which is nothing more than destruction and chaos. The lives of the civilians and morality are two things which are used to one’s advantage as shown here. But the movie does end with hope, despite the deaths, and we know this factor as something which was too far away in the previous movies of the franchise. For those who are new to this franchise, they will find themselves in trouble as the movie goes directly into the story, but with some focus, a certain clue about the dystopian idea and some understanding on what this franchise is about, they can still go through this movie.

As it was in the case of the previous movies, Jennifer Lawrence still remains the biggest asset as the Mockingjay. It is a pleasure to watch her as Katniss Everdeen once again, as she does her job with no trouble at all. As expected, she has and handles those best moments of movie; there is one other point which comes with a sudden impact, related to mutant creatures in the sewers – that was a grand one too. Josh Hutcherson and Liam Hemsworth provide the needed support very well. Maybe, the movie could have finished better without using the epilogue from the book, even though that would be ignoring the faithful fans of the book. Here ends another movie based on another Young Adult Novel, and despite the flaws, it is a good finish to the franchise.

Release date: 27th November 2015 (India); 20th November 2015 (USA)
Running time: 137 minutes
Directed by: Francis Lawrence
Starring: Jennifer Lawrence, Julianne Moore, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Jena Malone, Natalie Dormer, Willow Shields, Philip Seymour Hoffman, Jeffrey Wright, Sam Claflin, Gwendoline Christie, Stanley Tucci, Evan Ross, Donald Sutherland, Mahershala Ali, Patina Miller, Stef Dawson, Paula Malcomson, Meta Golding, Wes Chatham, Elden Henson, Michelle Forbes, Omid Abtahi, Misty Ormiston, Kim Ormiston

@ Cemetery Watch
✠ The Vampire Bat.

The Lazarus Effect

Posted on December 1, 2015 by Tennyson

Vampire Owl :: The zombie minions have sent us a request signed by four hundred and fifty seven of them.

Vampire Bat :: As Uncle Dracula is in the hospital after watching a few terrible superstar Bollywood movies, I guess that we have to deal with this ourselves.

Vampire Owl :: It is sad. We have to accept their request though, or the Lich Queen will take away all our zombie labour.

Vampire Bat :: Yes, they consider the Lich Queen as a weird revolutionary ruler and we shouldn’t just give her the advantage.

Vampire Owl :: So, what do you think about this? They are asking for the review of a movie, The Lazarus Effect. It is about death and return to life.

Vampire Bat :: Coming back from the dead? I don’t believe that the zombies can come up with a better request.

Vampire Owl :: It is a horror movie, and so it should work for the vampire clan too. The request can be honoured without much trouble.

Vampire Bat :: It is a shame that we have to watch this movie without Uncle Dracula. But it is time he realize that he should choose actors over superstars when watching a movie.

Vampire Owl :: So, we will reply to the minions with a yes?

Vampire Bat :: Yes, and lets have some tea and get ready for a movie adventure.

[Gets a cup of tea and butter cookies].

What is it about? :: Two scientists, Frank Walton (Mark Duplass) and his lover Zoe McConnell (Olivia Wilde) have developed a special serum which they have named Lazarus. They are helped by Niko (Donald Glover) and Clay (Evan Peters), while they are joined by the videographer Eva (Sarah Bolger) as this particular serum attempts to do something huge. Even though it was intended to assist coma patients to give them a second chance at life, it turns out that it actually brings the dead back from life. They do manage to bring a dog back from the dead, and all of a sudden, a major pharmaceutical company buys the firm that funded their research and shuts them down. They decides to repeat the experiment, but Zoe gets electrocuted. Frank decides not to lose her and uses the Lazarus serum on her, but it turns out that the returning lady is not the same as the one who left.

The defence of The Lazarus Effect :: I am sure that most of you can agree to the fact that the movie is scary. It is loaded with the scary moments here and there. The moments of the return from the dead, for both the dog and the human are very well portrayed. Another nice design in relateed to the depiction of hell and the ideas behind the same. There are some jump scares which are very well used to make sure that the audience will feel that there is more horror coming. Not only the visual stuff, but the sound effects and the music contributes well to the frightening situations. It also asks us the relevant questions about life, death, soul and hell. The gore is also kept to the very least, even though a movie like this which combines science fiction and horror could have had a lot of it, especially with the death and return from the dead around. Over everything else, it knows how to entertain.

Claws of flaw :: There is no doubt that this movie could have been a better horror movie because it had all which was needed in its story, even though with similarities to other horror movies – the basic idea is not new and so are the scares. This one could have used the abundant darkness to a more creepy effect instead of using the same for some quick scares. The idea of life, death, hell and soul could have been expanded further more. The battle here between the living and dead is also too one-sided and predictable. With the movie being short in length, more scary and explanatory sequences could have been added here and there. The ending could have also been a little more creative. But it is surely better than what the critics claim that it is, no doubt about that – far ahead of this year’s other big horror; the remake called Poltergeist.

Performers of the soul :: The acting department looks safe around here. The best moments in the movie undoubtedly belongs the one who plays the returning loved one an scientists from the dead – Olivia Wilde as Zoe McConnell is clearly the leader here. She begins as the heroine and returns as the demon, balancing both really well. The transformation that happens is not that gradual either as she turns and embraces the dark side further and further after the return from the other world. She is not someone whom we usually associated with the horror genre, but it has suited her very well. Sarah Bolger plays the lead who doesn’t really belong to the group, and she does that fine enough. Mark Duplass has a good run in the movie, and the rest of the cast does some good job in this flick which mixes two genres effectively.

Soul exploration :: The three movies that come to your mind when you watch The Lazarus Effect are Event Horizon, Carrie and Lucy even though this flick is no match for all the three – consider the original movie from long ago when I am talking about Carrie this time. Do you know what else this movie is? It is Frankenstein, as here is an even more modern Prometheus than what Mary Shelley had intended. The idea of bringing back someone from the dead hasn’t gone that well for many characters; Victor Frankenstein paid for it. The Biblical Lazarus of Bethany on whom the title seems to be based did have a fine return from the dead after four days, and may be the serum in the movie was also supposed come out positive, but unfortunately for the characters in the movie and fortunately for the horror fans, it didn’t.

More of the soul exploration and the finish :: The movie’s idea of hell is also interesting; it talks about how hell is your worst nightmare repeated again and again. Its journey to hell and back is like Event Horizon, but not that strong. It has the returning person with the powers of Carrie, and also comparable to Lucy – there is also that idea about using more than ten percent of the brain. This movie has those elements which bring the horror about not just what is seen, but also what extends beyond that. Jason Blum who has been behind horror and thriller movies like Insidious, The Purge, Sinister, Dark Skies, Paranormal Activity, Ouija, The Lords of Salem, Jessabelle, Area 51, The Boy Next Door, The Gallows and The Gift along with the sequels of some of them, has produced this one too. With its collections, The Lazarus Effect will make into the list of the successful ones.

Release date: 27th February 2015
Running time: 83 minutes
Directed by: David Gelb
Starring: Mark Duplass, Olivia Wilde, Sarah Bolger, Donald Glover, Evan Peters, Ray Wise, Amy Aquino

@ Cemetery Watch
✠ The Vampire Bat.

Ex Machina

Posted on November 26, 2015 by Tennyson

What is it about? :: Bluebook is the most popular search engine in the world, handling more than ninety percent of the internet user search. It is one of the most powerful companies in the world, and maintains a certain amount of control over the internet. Caleb Smith (Domhnall Gleeson), a programmer working at the same company, wins a one-week visit to the home of the CEO of the same company. Nathan Bateman (Oscar Isaac) lives in a secluded building surrounded by greenery, an environment providing beautiful views and assuring separation from the busy life of the cities where the search engine offices are based. The only other person at home is a maid known as Kyoko (Sonoya Mizuno) who doesn’t understand English and just does her job.

So what happens in this environment? :: So, this home of the CEO is actually more than what meets the eye. One would have guessed the same considering the fact that he has almost no contact with anyone else. He has a secret, and the place is more of a secret research facility than a house. He has developed something which needs to be tested, and Caleb is the man to administer the test to a special humanoid robot with Artificial Intelligence. This robot named Ava (Alicia Vikander) develops a good friendly relationship with Caleb, but it seems that she is a lot more than what he knows about, and there is a long history behind the robot and also beyond her. There are things that will be uncovered in the environment, but not many facts can go outside that world.

The defence of Ex Machina :: An intelligent science fiction movie takes form as Ex Machina, as it slowly, but steadily moves on to become more and more interesting, from a rather normal beginning. It has the good looks right from the beginning as the scene shifts to a world close to natural beauty. There, the insides of the home are also well done. There is elegance all around, and then we see the robot with the Artificial Intelligence and we feel that it might be the best we have seen with the design. Then, things go on to become rather tense, a feeling which comes along with the intellectual and creepy side going forward together. Sooner or later, this one asks you about whose side you are on, and most of the time when facing the question, you will have no answer; but you might not need to take sides – you can grab the messages instead. Then there is Alicia Vikander as the lady robot who will simply take your breath away with her performance; not human or robot, she is right there as the Artificial Intelligence.

Positives and negatives :: The other two main actors, Domhnall Gleeson and Oscar Isaac do their job really well. In this movie, you can see no action sequences or frightening scenes on screen, making this no sc-fi action and absolutely no sci-fi horror. But it is still a thriller and a drama, filled with messages in the core. A certain slow pace in the movie never really feels as we are too much interesting in the situation that is presented in this movie; sometimes one feel that it makes us more restless and unsettled. But whichever way the movie takes the turn, it keeps working so well. It keeps us engaged in the flick, and keeps providing us with those moments to memorize and think about. The twists in this movie are not heavily presented, but they are all result of some very clever work. As it moves towards a more haunting side, you will feel that this might be the best science fiction movie made without much of a heavy budget.

Soul exploration :: There are many messages in Ex Machina, and they can affect different people in different ways. Most of us are familiar about the Latin term “Deus ex machina” which means “god from the machine”. As I missed that during a literary quiz programme and this one will stay on my mind forever. It refers to a plot device by which a seemingly insolvable problem is solved all of a sudden by an unexpected thing – it is often a rather convenient method. Here, the title should mean “from the machine”. The movie deals with the insides of a machine here, with how the Artificial Intelligence makes the change, and brings something more out of a machine than what was expected of it. The one difference here is that it is the human who plays the God.

More soul exploration :: The problem in the movie arises from the human playing the role of God. He thinks that he can be in control all the time, but he just can’t do that. There are limitations to his abilities, and there are a few people who don’t really deserve to do such things. Man is no God and with power and money corrupting the brain, morality and any compassion takes the backseat. The robot here is not just a symbol of the specific character here, but that of a lot of people in the world who have restrictions imposed on them. Only a few people get lucky, and the rest are enslaved in one way or the other. The rich and the influential ones play God while the rest are made to be obedient robots. But if there will be change, and it might all be about one moment, just like Ava’s case.

How it finishes :: Ex Machina is the directorial debut of the man who wrote screenplay for 28 Days Later, Sunshine and the cult flick and favourite 2012 action movie Dredd. Here, we are provided with more questions than ever, about where humanity begins and ends, what is consciousness and how it can be defined, the influence of technology and its control over us, the limits which should be established – and many more. It is not something which you can hope to get with this much clarity as well as simplicity from the Hollywood movies. What this movie reminds me about is the 2011 Spanish psychological thriller movie, The Skin I Live In (La piel que habito) starring Antonio Banderas and Elena Anaya. Ex Machina leaves one with a similar feeling; there is no visible horror and moments to make you scream, but it provides that special unsettling feeling.

Release date: 10th April 2015
Running time: 108 minutes
Directed by: Alex Garland
Starring: Alicia Vikander, Domhnall Gleeson, Sonoya Mizuno, Oscar Isaac, Symara A. Templeman, Elina Alminas, Gana Bayarsaikhan, Tiffany Pisani, Claire Selby, Corey Johnson

@ Cemetery Watch
✠ The Vampire Bat.

Angel of Death

Posted on November 19, 2015 by Tennyson

Vampire Owl :: Uncle Dracula was very much shocked that we missed Hotel Transylvania 2. The Vampire Panda had told me that he was on leave from the vampire throne for too many days.

Vampire Bat :: Which is why we are bringing this older horror movie right up.

Vampire Owl :: If this Woman in Black is the Angel of Death, why don’t we just call her by that name itself? Why were we not talking much about her?

Vampire Bat :: Well, there are other angels of death who might decide to protest if we do that. After all, each creature has rights.

Vampire Owl :: Yes, but still at this moment, this is the Angel of Death.

Vampire Bat :: We should publish a notice about the usage if we are to do it widely. But it should be okay for now.

Vampire Owl :: Do you know that Sinister 2 might never really release here?

Vampire Bat :: Yes, disappointing. Even Dark Places didn’t arrive.

Vampire Owl :: This is why world needs the Angel of Death.

Vampire Bat :: Yes, even the Angel of Half-death will do.

[Grabs a cup of tea with chocolate chips biscuits].

What is it about? :: A long time has passed since the events of the first movie. The time shifts to the season of death and devastation, during the Second World War. The Blitz was happening at London as Nazi Germany was showering bombs on the United Kingdom. With death wandering over their heads on planes, Eve Parkins (Phoebe Fox), a deputy headmistress along with the children of the school and the headmistress, Jean Hogg (Helen McCrory), leaves towards the small town of Crythin Giffor which was to be a safe place away from the bomber planes targeting cities. They reach a mansion which is abandoned and surrounded by no signs of human existence. Then you have to wonder if this new place away from civilization is really safe.

The defence of The Woman in Black 2: Angel of Death :: The movie nicely begins and has a dark and depressing atmosphere until the first moment of horror occurs with twenty minutes being over. There are some very nice dark sequences in this movie which bring us the elements of horror very well; the terror exists all the time here, not just when there is the direct attempt to scare the viewers. There is always something waiting to happen, and you can feel that. The movie is also sad, and it is something that will haunt you more than the horror which you expect to be there. It can also be considered as a strong drama, with emotions running high. There is a message here, and it is of death, which is brought about by none other than the actions of humans themselves.

Claws of flaw :: You will feel that The Woman in Black 2: Angel of Death is a lot like its predecessor, rather too much of that kind. The darkness is also used a lot to the inconvenience of some people. This one is also slower if we consider the pace that is expected from a movie of this genre. Talking more about the genre, this is not completely horror either, which will make some fans wonder where exactly their horror movie deviated from the cause. It could have surely used better appearances of the Woman in Black to make the desired impact for the hardcore horror fans. Even though the predecessor was a rather unknown movie at this part of the world, the second one surely had better attention, and so the viewers did deserve more from this as far as the genre is considered.

Performers of the soul :: Phoebe Fox is the protagonist here for the year 1941, replacing Daniel Radcliffe who was there during the Edwardian-era. There is torment and so much sadness which is reflected on her face, making Phoebe a nice choice for this particular character with a troubled past which the woman of the other world needs to exploit and use to her advantage. She surely has her exceptional moments in this one. Jeremy Irvine makes a nice appearance in the flick, and he does the job of another person with past troubles very well. They do make a fine pair together in the movie. Meanwhile, Oaklee Pendergast does a fine job as the kid in distress. Helen McCrory also does some good work. Even then, the atmosphere remains the grand performer.

Soul exploration :: It is no surprise that the title Angel of Death works at a time when the Second World War was at its peak. With chaos and destruction all around, one has to wonder what kind of death humans have brought upon their own kind. The humans themselves are the angels of death due to the never-ending desire for more. In the current world, where intolerance has risen to a new level, may be there are too many angels of death waiting to rise. It is by selflessness and sacrifice that the acts of hatred for the other can be averted. The message of forgiveness is the one thing which is needed more than any other. There is death awaiting each and everyone in this movie, in one way or the other, by war or by supernatural ways, but it is not the certain end.

How it finishes :: The sequel to The Woman in Black is no Crimson Peak, even though the frightening elements which are delivered comes directly out of the supernatural. You can actually watch this one without trying the original. The creepiness of the atmosphere once again helps this one to become an interesting experience as long as you don’t keep asking for more of the usual kind of horror. The Woman in Black 2: Angel of Death is that kind of a movie which is more horror for the soul than for the brain. The idea to put this story to the Second World War setting was the right one, and even though this is not for everyone, a lot of people are sure to like this one depending on their priorities and their admiration for the different kind of horror. You might have to watch this one to be sure.

Release date: 2nd January 2015
Running time: 98 minutes
Directed by: Tom Harper
Starring: Phoebe Fox, Helen McCrory, Jeremy Irvine, Adrian Rawlins, Leanne Best, Ned Dennehy, Oaklee Pendergast, Jude Wright, Amelia Pidgeon, Casper Allpress, Amelia Crouch, Leilah de Meza, Pip Pearce, Alfie Simmons, Eve Pearce