Dear Zindagi

Posted on November 27, 2016 by Dr. Tennyson

Vampire Owl: This is not acceptable to the vampire community.

Vampire Bat: I see no problem in some vampire censoring here.

Vampire Owl: There is too much about life here. If they get too much caught up with life, how can we recruit our minions?

Vampire Bat: Consider this life after death.

Vampire Owl: That would be beautiful, even though these people don’t look like zombies.

Vampire Bat: Well, beauty of life after death is more than just about zombies.

Vampire Owl: To that, I can drink tea.

Vampire Bat: We are drinking tea to that.

Vampire Owl: And we are watching this movie only for that.

Vampire Bat: In the end, I am sure that most of us will end up watching this for different reasons.

[Gets the tickets with cheese popcorn and vegetable puffs].

What is the movie about? :: Kaira (Alia Bhatt) is a rising cinematographer who wishes to shoot a full movie instead of the smaller projects that she usually does. Raghuvendra (Kunal Kapoor) is the person who becomes her chance to get to the big scene at New York, and it is with him that she is cheating on her boyfriend, Sid (Angad Bedi). But things don’t go on as planned, and she ends up in Goa, where her parents are – as many other people in her life, she can’t get along with them too. She is unable to sleep and except for her very few friends, she is angry at most of the people. But one day, she comes across Dr. Jehangir Khan (Shah Rukh Khan) whom she figures out as the right choice to solve her problems. She decides to be open to her therapist, and he has a few sessions with her, and life will never be the same for her again.

The defence of Dear Zindagi :: Here you get another inspirational movie. There is no shortage of messages, no matter how they are presented – it is more about claiming back one’s life while getting rid of the ghosts of the past, and the rest of the messages can be discovered by oneself. There is some humour here and there, but nothing that remains memorable enough. The visuals work nicely, and the songs are okay, with “Love you zindagi” being a clear winner. There are also some dialogues which you can use as a quotation on another day. The fact that this movie made this much without much of a plot is actually interesting. Then there is the cast which is another big advantage for this movie. It is also an interesting thing to notice that Bollywood is thinking differently these days – we had many movies with difference this year, and that is a welcome change; but the fact that this was so close to being a lot better movie should be rather disappointing.

Claws of flaw :: Well, we get so many of inspirational movies here; if you take a look back, there are enough of them to keep some extra inspiration for later use – there are separate movies for children like Philips and the Monkey Pen, for women like Rani Padmini and also for many different categories of people. It is near impossible to relate to the character played by Alia Bhatt too, as we get too much of a world which is less ours. This could have been more fun if it felt more real with its happens. We see that something unreal comes up here and there even in an inspirational movie – a bad habit without doubt. This certainly goes exaggerated, and thus that bad quality of Bollywood is also retained. There are slow parts and you know the unconvincing side – not easy to feel for the characters; our protagonist herself has too easy a life and no pain. The drag makes one feel that this an even longer movie, with an already big run-time – too many dialogues there too.

Performers of the soul :: Alia Bhatt’s character does spend a lot of time buying things from e-bay and cleaning the roads with her clothes as she move around in them, but you see that she plays this interesting, but irritating character very well. Her long speech about her childhood might be the boring side of the same though, followed by her anger at her parents. But the energy that she brings to this character is a lot. Still, it is only when Shah Rukh Khan’s character enters the scene after an hour, that things get interesting. After that, things get going, until that climax which is nothing more than ordinary. Even as Alia Bhatt remains the soul of this movie, it is Shah Rukh Khan that holds the parts together, and whemever he is there, we are cent percent glued to the screen. Among the supporting cast, it is Yashaswini Dayama who plays Jackie that scores the most.

Soul exploration :: The protagonist’s problems are also more Bollywood kind, as she keeps falling in love – one has to wonder if she actually does anything else in her life; too much falling in love and leaving them behind. Then she also gets to be rude to her parents living in the past. There are moments when one feel that these kind of people don’t deserve a movie at all, unless provided with a warning in the beginning. But Bollywood’s aversion to common man goes on as it looks only for special people. As usual, for a Bollywood movie, there is also too much melodrama in this one, and the real solution of this problem was there so early – as the problem in this movie for Alia Bhatt’s character is she herself. Some people have to be taught how to be good to others, even when their life is actually going very smooth, and that indeed is the problem of this world, isn’t it?

How it finishes :: There is one thing that we keep wondering about – why is the Bollywood movies too much about the aspirations and disappointments of people of another level? At the same time, the Malayalam movie Kattappanayile Rithwik Roshan is running in the theatres, and this one is closer to the common people despite it focusing more on the comic side without feeding advice with brains. You saw the same with Zindagi Na Milegi Dobara, as the heroes just had to travel all around the world – maybe Bollywood wishes to tell less about the common man and make its stars people with a lot of money or special skills? Meanwhile, movies like North 24 Kaatham and Mili could easily tell such stories of finding oneself, that too with the common people as protagonists. If you have watched Mummy & Me with Archana Kavi being advised by Suresh Gopi on how to get her life better, you will know how such movies can be done with realistic protagonists with whom we can relate to. This one will work, but the theory to “overdo things for attention with less focus on the story” is here with Bollywood.

Release date: 25th November 2016
Running time: 150 minutes
Directed by: Gauri Shinde
Starring: Alia Bhatt, Shah Rukh Khan, Ira Dubey, Yashaswini Dayama, Rohit Saraf, Kunal Kapoor, Angad Bedi, Ali Zafar, Aditya Roy Kapur

@ Cemetery Watch
✠ The Vampire Bat.

Annmariya Kalippilaanu

Posted on November 16, 2016 by Dr. Tennyson

Vampire Owl :: The title itself says that the kid is dangerous. Is it actually safe to watch this particular flick?

Vampire Bat :: What? Now, you are afraid of kids?

Vampire Owl :: Yes, one kid called me bad owl and threw a stone at me when I was doing my owlish meditation.

Vampire Bat :: Owls don’t meditate. This makes no sense.

Vampire Owl :: What are you talking about? Even Kungfu Panda meditates. Why not me?

Vampire Bat :: He does Kungfu. The only thing that you do throughout the day is sleep and worry about the possible devastation of the New Vampire World.

Vampire Owl :: I meditate in my dreams. Sometimes, I even meditate inside the dream within my dream’s dream.

Vampire Bat :: You are my nightmare!

Vampire Owl :: I occasionally dream within nightmares to make them better too.

Vampire Bat :: I am going to declare you the Nightmare Owl, the one true creature of the dark nightmares.

[Gets three cups of tea with banana chips].

What is the movie about? :: Annmariya (Sara Arjun) is the daughter of a doctor couple, Roy (Saiju Kurup) and Teresa (Leona Lishoy). The latter is working with the International Red Cross and Red Crescent Movement at the war-torn nation of Syria, with the former left to take care of their daughter all by herself while working at a private hospital called Nyle. He rarely has time to call, and even when he does, there is not enough time that he spends talking to his wife and child. Annmariya’s dream to get a medal in the fourth standard for long jump just like her father did, and is striving for the same. But she fails to do that as her P.T. teacher David (John Kaippallil) disqualifies her after calling her jump a foul in return for complaining to the principal about him harassing their English teacher, Megha (Anjali Aneesh Upasana).

So what happens next with Annmariya unleashing the fury? :: A disappointed Annmariya wishes for vengeance against the teacher, and for the same, he asks Avinash (Master Vishal Krishna) to help her, and as he has a crush on her, he readily agrees and consults Sarath (Althaf Manaf) who promises to find them a thug to beat up the bad teacher. For the same, they find Gireesh (Sunny Wayne), an idle young man looking for ways to make easy money and his best friend Ambrose (Aju Varghese), an auto-driver who doesn’t go for work. Annmariya gives him the i-phone gifted by her father to beat David, and after some intervention by her uncle Inspector James (Vijayakumar) and another thug Suku (Shine Tom Chako), he agrees to beat up her teacher, but things don’t go as easily as planned.

The defence of Annmariya Kalippilaanu :: It is great to see how another world of a child has been brought to the screen with all the innocence – following the path of the movies like Philips and the Monkeypen. There is sweetness in the way that each incident is shown in this movie, and there is also the presence of that cute funny side which comes in between. Whether it is the good millionaire named Baby who travels with the sign “Baby on board” or the loving servant at home who tries hard to speak good Malayalam, the exaggerated tales about the thug or the combinations of different actors, all come together to make this one a sweet, enjoyable ride to be taken with the family. You will have enough messages to take home too, about family, love for each other, and the bond of friendship, along with the strength that strong belief of other as well as yourself brings to you.

Claws of flaw :: Due to its simplicity, there is not much of the flaws being visible here. Everything in this movie is presented in such a cute way that we don’t feel much of the problems that threaten to come up here and there. There is a certain amount of time that the movie takes to get going in the beginning; also with the first few moments of introduction of Sunny Wayne’s character. The main idea of the movie could have been presented in an even better way – the whole thing could have been even funnier. There is also no attempt to bring anything special. Most of the time, we know what is to happen next, and we are just glad to have them coming here. There is also uncertainty regarding the angel, whether it is a real person or magic realism added. Not all characters are used to their full potential here though. The animation in between was rather strange.

Performers of the soul :: Sara Arjun is one amazing child lead, there is cent percent certainty about it, and it is so clear from this movie. We had seen her in Deiva Thirumagal with Vikram as well as Jazbaa with Aiswarya Rai – we can be confident about seeing more of her work, and that will be great for Malayalam movie industry. Sunny Wayne has a fine run throughout the movie in this role, and this character has him doing the job comfortably. Aju Varghese provides a nice support, and he is good teaming up with Sunny Wayne. Siddique provides some nice support here, and his character is both funny and interesting. Leona Lishoy does some fine work as the mother, and Saiju Kurup is good when he is there. John Kaippallil stays strong as the antagonist too. Shine Tom Chacko has another good role here, which also seems to suit him. Even those in smaller roles do interesting work!

How it finishes :: This movie comes from Midhun Manuel Thomas who had recently directed Aadu Oru Bheegara Jeeviyanu, a movie which was so underrated during its release, and so overrated when it released on DVD. After that movie which is more or less average in totality, Annmariya Kalippilaanu is a big step ahead for him, and it leaves us wishing for more of similar movies from him; we see the silliness in the previous movie being replaced by happiness and messages in this movie – it is the kind of stuff that we people need, and the same is delivered by this movie. There will always be something about the movies like this, as we will keep feeling the need for some inspiration, and also get those special messages that are to be kept in heart.

Release date: 5th August 2016
Running time: 127 minutes
Directed by: Midhun Manuel Thomas
Starring: Baby Sara, Sunny Wayne, Aju Varghese, Shine Tom Chacko, Leona Lishoy, John Kaippallil, Siddique, Saiju Kurup, Vijayakumar, Dharmajan Bolgatty, Sethulakshmi, Althaf Manaf, Master Vishal Krishna, Bijukuttan, Anjali Aneesh Upasana, Dulquer Salmaan (Cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Aanandam

Posted on October 23, 2016 by Dr. Tennyson

What is the movie about? :: The leader of the gang Varun (Arun Kurian), lovers Gautham (Roshan Mathew) and Devika (Annu Antony), the seemingly silent but observant Darshana (Anarkali Marikar), Akshay (Thomas Matthew) and Diya (Siddhi Mahajankatti) who has been the girl of his dreams since his first day at the college, and their best friend and photography enthusiast Kuppi (Vishak Nair), makes plans and are part of an industrial visit from a private engineering college which goes through Hampi, Mysore and Goa. As it is a pleasure trip in disguise of the industrial visit, all the students are excited about it, and that has made the teachers extra careful about the same. But the permission is granted, and the trip finally happens.

So, how do things go throughout this trip? :: Akshay really feels the need to talk about his love to Diya, but despite the best efforts of his friends, he is not able to do that, and that keeps bothering him. Varun is a disappointed man as he was rejected by the same girl, and doesn’t want to talk to her anymore. Gautham and Devika finds more of the differences between them as situation changes from the usual stage of their college, its canteen and class rooms. At Hampi itself, there are signs of the same, and by the time they reach Goa, things seem to get out hand with their own personal problems and as they realise that while following the same timetable and doing the same things again and again during the college days, they never knew enough about their best friends at all, a certain distance is felt, but not for long!

The defence of Aanandam :: The movie makes use of the simple incidents that can happen in a trip involving friends, and everything remains light-hearted, without anything huge or threatening in any way happening. It is the cause of success for this movie, as things could be related, even with the very minute exaggerations, which could also be related by some people. There is no doubt about the ability of this movie to connect to the youth, and the funny sequences keep scoring whenever there is a chance. The visuals are really good, and the songs are very much effective. One can be sure that a lot of people have a certain nostalgia about this movie, with where that happens changing for each person. This movie is a safe bet for everyone too, as it begins and ends as a feel-good flick.

Claws of flaw :: There is not much here in the story, as bringing something special was never the idea. The movie has its slow moments here and there, and its love story gets a little bit too much of light over of the friendship factor. The movie could have been better with the romance taking a much lower position in the order of things. This is that kind of a movie that could thrive more on a better focus on college friendship rather than anything else, and even though that is surely touched, this one gets people more focused on the love stories of the protagonists, as one character himself says why he is there – to be there and enjoy with his friends. The movie’s choice of locations also remains a little case of wonder here, but strange decisions happen in life, and so is the case here.

Performers of the soul :: Even though the movie is left without much to bring out anything out of the box, everyone has successfully come up with some natural performances in the roles that seemed to suit them really well. Among the cast, Arun Kurian shows big potential with his serious character while Roshan Mathew has some of the funniest moments with Annu Antony – the tattoo, the metal band, the syringe, the fainting, the thing about knowing each other better; all come together perfectly with them. Siddhi Mahajankatti is the cute side of the movie, and Thomas Matthew also forms the same side. Anarkali Marikar makes the silent assassin, the witness and the narrator of all things, work in the rightful manner. Vishak Nair joins in between with moments of fun too.

Further performers of the soul :: Rony David comes with a memorable performance contributing to the fun – the comedy here works with absolutely no flaw as long as his character is concerned. The moments between the teachers come as the surprise fun in this flick which revolves a lot around six or seven characters, threatening to make everything else non-existent. You can see the presence of Aju Varghese around there too, not as a working character there, but you will see. Renji Panicker is once again there in one of those roles in which you have seen him before multiple times, and that is once again nice, but surely brings no surprise there. Meanwhile, the big surprise comes with Nivin Pauly being there, and he has got some nice moments during his short stay on the screen as the brother of one of the protagonists.

How it finishes :: The debutante director Ganesh Raj has made more than just a fine beginning here, as he had not an easy task with new faces all around, and theatres with superstar movies – but he has succeeded in making this one live up-to its name, and leave us with a happy feeling. Already running with packed crowds, the movie is sure to be the one flick that makes one happy not just with its content, but for the realisation that a movie doesn’t need stars, as what comes a long way above it should be a dedicated team of people working together and working hard to make things happen – the Vampire Bat and the Vampire Owl believe that it is the secret behind the simple, cute, effective as well as charming existence and success of this movie, and with talent and the yearning for the target, that is achieved on this day or the other.

Release date: 21st October 2016
Running time: 134 minutes
Directed by: Ganesh Raj
Starring: Arun Kurian, Thomas Matthew, Roshan Mathew, Vishak Nair, Annu Antony, Siddhi Mahajankatti, Anarkali Marikar, Rony David, Nivin Pauly (Cameo), Aju Varghese (Cameo), Renji Panicker (Cameo)

@ Cemetery Watch
✠ The Vampire Bat.

The Huntsman

Posted on August 15, 2016 by Dr. Tennyson

What is it about? :: The movie begins a long time before the incidents which were depicted in Snow White and the Huntsman, as Queen Ravenna (Charlize Theron), the dark sorceress finds out that her younger sister Freya (Emily Blunt) has an affair with Andrew (Colin Morgan), and is carrying her child. But the marriage doesn’t happen as Andrew is engaged to someone else, and after giving birth to a baby girl, Freya on a dark night, sees that he has murdered their child. This unleashes an uncontrolled fury in her which brings out the hidden powers of ice and snow from inside her, killing her lover and transforming her love into hate. She abandons her sister’s kingdom and comes up with a new kingdom in the north which is covered in ice and snow under her power.

So what happens next? :: It is a new world of depression and sadness that she creates far north to the kingdom of her sister who unleashes her own evil. She gets children kidnapped so that they could be trained to become remorseless huntsmen, who were to become part of her army. She raises the group to become her soldiers who know no love and has no regret. All of them trains to become the elite group of huntsmen who are feared and fight her battles. Soon she finds the best of them in Eric (Chris Hemsworth) and Sara (Jessica Chastain), but they only fall in love many years later, something that she can never agree to. She successfully separates them, and the former lives in the grief of having watched the latter die.

And then to the present :: Then the scene shifts to many years later, after the incidents of the first movie, as Eric is wandering through the forest only to find that Snow White (Kristen Stewart) is ill and the magic mirror has gone missing. Freya is having an eye on these lands, and the dark magic in the mirror threatens the kingdom. Now it is up-to Eric the Huntsman to save the day and he is joined by Nion (Nick Frost) and his half-brother Gryff (Rob Brydon). Two other dwarves Bromwyn (Sheridan Smith) and Doreena (Alexandra Roach) also join their team. There will be magic and there shall be goblins on their way. Freya has sent her own team of huntsmen, but another big surprise awaits them. What about true love? Does it go beyond death and devastation?

The defence of The Huntsman: Winter’s War :: There is one thing that a person can be sure about here, and it is that The Huntsman: Winter’s War is cent percent a better movie than its predecessor Snow White and the Huntsman which was so empty a movie with empty expressions from its heroine. We also have some of the most amazing visuals here, with all the magic around. The snow and ice on the screen never ceases to be interesting. With magical creatures added, there is the further scope for visual beauty an that is explored very well here. The final scene of battle is also a very good one, which means that the movie manages to finish off really well. It is mostly all that a fairy-tale should be, and is a clear improvement from the predecessor; the lower box-office collection should go to the credit of the terrible predecessor which had already ruined the opinion about what was to follow.

The claws of flaw :: There are those predictable lines going through this movie too. A number of things can be guessed, and there is no real attempt to try differently either. The journey from a prequel to sequel goes rather strange too – it could have been just the sequel with a very small flashback and that could have worked out perfectly. There is also the chance to make use of its potential, which is not fully taken. Charlize Theron is underused, and we needed more battles of magic like the final one. In a movie in which there are two evil sorceresses, we see a little too less use of powerful magic. There is also the case of the mirror which should have been better utilized. There are those times when the direction of the movie is a little doubtful and some of the jokes also go on without making the desired effect.

Performers of the soul :: Even though Charlize Theron is there only for a few minutes, she has that kind of a presence that is strong enough to steal the show. We are sure to ask for more of her. Meanwhile, Emily Blunt shines in her ice and snow avatar while Jessica Chastain remains just okay in her role as the huntswoman. Maybe these two could have switched their roles to bring a better effect as we all know what the former is capable of in such a role with her Rita Vrataski in Edge of Tomorrow. Chris Hemsworth continues the same thing as he did with the earlier movie, and that manages to be okay. The actors and actresses who played the dwarves bring some good fun. It is nice to have gotten rid of Kristen Stewart’s Snow White though, as that certainly made things a lot better.

How it finishes :: As many other fairy-tales, this one also focuses on that one special thing, which is true love. The main idea here itself is about the two main protagonists and the lost love even though the villains do steal the show in between. It is the usual battle between love and hate that goes on here, and the much awaited defeat of evil waiting to happen by the finish. As a whole, The Huntsman: Winter’s War is an entertaining movie which takes those usual elements of fairy-tales and deals them well enough with some interesting messages. It was just too much underrated by the audience and the critics judging it as a part of its predecessor. There are things that fairy-tales could do, and this one thankfully knows that well enough.

Release date: 22nd April 2016
Running time: 114 minutes
Directed by: Cedric Nicolas-Troyan
Starring: Chris Hemsworth, Emily Blunt, Charlize Theron, Jessica Chastain, Nick Frost, Sam Claflin, Rob Brydon, Alexandra Roach, Sheridan Smith, Sope Dirisu, Colin Morgan, Fred Tatasciore, Sam Hazeldine, Sophie Cookson, Madeleine Worrall, Kristen Stewart

@ Cemetery Watch
✠ The Vampire Bat.

Anuraga Karikkin Vellam

Posted on August 2, 2016 by Dr. Tennyson

What is it about? :: Raghu (Biju Menon) is a police officer who gets angry easily and takes things into his own hands instead of going on to register a case. Despite a lot of advice from his colleague James (Sudheer Karamana) and repeated warnings from his superior officer Irfaan (Irshad), he doesn’t back off and beats up goons. He has to face disciplinary measures, but he just doesn’t care. He keeps a rough and tough image at home too, with his wife Suma (Asha Sarath) and his children. His son, Abhilash (Asif Ali) isn’t too happy about that either, and spends his time with his friends Kichu (Sreenath Bhasi) and Fakruddin (Soubin Shahir) and even though he is an engineering graduate, is not really interested in going for a job related to what he studied. This is more of a Cold War situation, to be honest.

So what happens next? :: Abhilash’s former classmate Elizabeth a.k.a. Eli (Rajisha Vijayan) is madly in love with him, but he is more interested in ending that relationship which he had at college – she doesn’t let go though. As she keeps calling him all the time and even comes to his house, he tells her that he has had enough of her. He decides to get a job at a call centre nearby much to the dismay of his parents who wishes that he made better use of what he had studied. Meanwhile, an old friend and former lover gets into the life of Raghu in the form of Anuradha (Nandhini), and a few phone calls change his life as well as those close to him. There will be a lot of twists in the lives of the main characters, as they will find different meanings of life, and see people more clearly without prejudices.

The defence of Anuraga Karikkin Vellam :: The best thing about Anuraga Karikkin Vellam is that there is almost no dull moment in this movie which doesn’t go on to tell anything out of the ordinary – that is something for which the people behind this movie deserves a lot of applause. The type of simple, happy and funny moments we have here are like those that we had in Maheshinte Prathikaram, even though not that big in fun content. This is another feel-good entertainer of the same kind, dealing with love, family relationships and friendship in such a way that there is not much of sadness, and the assurance is about a smile on your face. There will be characters whom you can relate to, and there will be those whom you are going to meet at some point of your life – they are all simple, and part of this world. There is nothing to pretend here, as people here are just people. And Cochin looks great as usual.

The claws of flaw :: There is nothing special being tried here, and going through things in a steady manner, Anuraga Karikkin Vellam is not for people who are expecting a great story; this is something that moves on to its finish in an entertaining manner instead of making something big with its plot. The one character that wasn’t utilized in the right way was that of Sony, as he plays a genuinely good character in this movie who deserved a better finish. There is a little bit of a struggle in the climax as there is a little too silliness that crawls in there, but things do end in a good way, as you get the message and you have the feel-good factor right where you want it. I was also looking for some better songs in this one considering how things took a turn in the second half.

Performers of the soul :: Biju Menon and his comic timing keeps this movie at a top level as far as the coming timing is concerned. As the hero’s father, he is more like the one who handles things the best as his character does in the household. Asif Ali is very good in this role of the usual youth that he has to play. As Sreenath Bhasi and Soubin Shahir support him nicely, there is some definite laughter in store there too. Asha Sarath keeps it simple and believable throughout the movie. Meanwhile, the newcomer Rajisha Vijayan surprises us with her work. In the beginning, you feel that she is going to be that usual annoying girlfriend, and then she takes her character to another level – even as the other characters might get all the claps, she will be the one face that is certain to stay in your mind. She doesn’t just begin well as an actress, she scores huge, for her Eli is a delight to watch.

Soul exploration :: There is a lot of optimism in this movie. There are broken relationships, problems in the family, confusion between friends and all, but everything around this one happens for the good, and something positive comes out of all these incidents. Every loss in life is a valuable lesson here, and it depends on how we see them – there might be a better chance waiting for us, or a better person who is going to make our lives more colourful. We are defined by our past, and each incident helps to make us better people – we learn from our mistakes and move on, as we try to make things better again with the experience that we have earned; like in a computer game. There is also no presence of those usual cliches that we expect to see in the end, that is fine relief.

How it finishes :: Anuraga Karikkin Vellam is the kind of movie that one needs to watch with family – even with the possible deviation there, it never really goes the other way which was to be not family-friendly; it keeps itself in control at all times, and at the same time, uses all those possible elements which would make this one a full fun ride. It is the kind of movie that a debutante director can be proud of, and Khalid Rahman has a great beginning here. It is as sweet as the name suggests, and successfully maintains that mood, to get to that end with no problem. Even the little kitten scores with its cute expressions – there is no missing there, as we look less for the perfection in its story, and instead leave satisfied with the cuteness. The movie still bringing a big crowd into the theatres almost a month after its release is not fluke, but the result of the realistic and sweet depiction of life which is reflected here.

Release date: 7th July 2016
Running time: 130 minutes
Directed by: Khalid Rahman
Starring: Biju Menon, Asif Ali, Asha Sarath, Rajisha Vijayan, Sreenath Bhasi, Soubin Shahir, Naaji, Aas Mohammad Abbasi, Chinnu Nair, Nandhini, Sudheer Karamana, Irshad, Maniyanpilla Raju

@ Cemetery Watch
✠ The Vampire Bat.

Shajahanum Pareekkuttiyum

Posted on July 17, 2016 by Dr. Tennyson

Vampire Owl :: I am having certain ideas about this movie from the title itself.

Vampire Bat :: Goes back to the history and the movie Chemmeen, right?

Vampire Owl :: Yes, something about love should be there.

Vampire Bat :: And we can also sense comedy.

Vampire Owl :: And it has been more than an year since we saw Amala Paul in a Malayalam movie, I guess.

Vampire Bat :: It is nice to see her on the posters after a long time.

Vampire Owl :: You were a big fan of her second last movie, Mili – I believe.

Vampire Bat :: I don’t see why not. Mili was the one true introvert movie.

Vampire Owl :: And this one should be meant for just some entertainment.

Vampire Bat :: That is exactly my guess too.

[Gets the tickets with tea and cheese popcorn].

What is it about? :: Jiya (Amala Paul) is the single daughter of an ex-military man who owns the Jiya Group of Resorts. One day, she meets with an accident and losses her memory for the last few years. Her fiancee, Ravi (Aju Varghese) is very much disappointed about that she doesn’t recognize him, and searches for a way to solve the problem. For the same, he appoints a private detective Mathews (Suraj Venjaramoodu) to find something from Jiya’s past that could bring back her memory. He manages to do the search in his own strange way, but all he could find out is a clue related to a man whose name starts with “P”. But it is revealed that there are two such men who claims to be Jiya’s lovers – Pranav (Kunchako Boban and Prince (Jayasurya).

So what happens next? :: There seems to be no chance of Jiya getting her memory back. Both Pranav and Prince tries their best to get their love stories to Jiya, and at the same time, Ravi makes attempts to make her interested in him, but fails each and every time. While Pranav seems to be a rich businessman with interest in arts and music, Prince is more like a local goon who creates trouble and shares Jiya’s interest in cars. They have different versions of tales which includes her falling in love with them. The parents leave the answer to this question to Jiya. So, the question remains about who is her true lover, if there is one? One of them seems to have a more complicated intention for claiming to be her lover – who is he and what is he looking for?

The defence of Shajahanum Pareekkuttiyum :: There is some amount of fun in store here, that is for sure. There are references to Thalapathi, Manichitrathaazhu, Titanic, Drishyam, Innale and Ennu Ninte Moideen in the movie too, and they are very well done to evoke laughter. Some of the best ones include Suraj’s Manichitrathaazhu introduction, Aju’s promise as Moideen and the reflection of the incidents of Innale. The cast is nicely used to bring out the funny side, and one can be sure to find some laugh here and there. The movie remains bright and happy though, with no serious or emotional sides. There is also an attempt to bring the twist in the end, and it only somewhat effective. If you are looking for some fun without much of logic during the weekend, Shajahanum Pareekkuttiyum might be the movie for you; in that way, it works great.

The claws of flaw :: The story of this movie is everywhere; it begins somewhere and ends at some other place, with not much of a development in between except for adding those funny elements. Even with such a funny side, there are not many of the moments which are actually memorable – we will find them, and we are just to forget them. There was lot more potential with this story to add more comedy, and the plot itself could have been something worth remembering. Some jokes are also not that effective; they are not done in a way to maximize the effect. There are also a number of meaningless scenes in this movie, especially with stories being told within, and the songs are not that interesting either. There is a certain lack of standard with the proceedings which is clearly visible at times.

Performers of the soul :: Kunchacko Boban and Jayasurya comes together again with a comedy movie after Gulumaal and Three Kings – even though I did like those two movies more than this one, this also remains a funny addition to that list. They do the job really well, but the ones who bring more of the laughter are Aju Varghese and Suraj Venjaramoodu; the former has some of the best moments, and the latter nicely raises the fun level of this movie. Amala Paul, with her next Malayalam movie after Lailaa O Lailaa and Mili, doesn’t leave that much here, as most of the entertainment is carried on their shoulders by the team of four. She is there more as the centre of attraction, and the focus of everything which happens around her character and the memory loss. Nikki Galrani’s cameo in the end was rather unnecessary too.

How it finishes :: So, with the two names immortalized in love don’t really get the romantic side going in this movie, as it is just for some simple fun without logic that we can watch this particular flick. You will find almost no romance here, even though it is what the movie is supposed to be about, even though in a funny way. It becomes another movie to bring the memory loss of the heroine to the space, and the movie makes fun of itself too – Ormayundo Ee Mukham might be the last movie to bring the same. This will be another interesting movie to watch with family, along with Karinkunnam 6s which has gone the inspirational way. There is something about watching movies like these – you can neither like them so much, but neither can you hate them; there will be just enough in them for everyone in the end, for so much is somehow managed.

Release date: 6th July 2016
Running time: 142 minutes
Directed by: Boban Samuel
Starring: Kunchacko Boban, Jayasurya, Amala Paul, Aju Varghese, Lena Abhilash, Suraj Venjaramoodu, Vijayaraghavan, Sunil Sukhada, Vinaya Prasad, Kalabhavan Shajon, Rafi, Nadirshah, Irshad, Nikki Galrani (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Deadpool

Posted on June 29, 2016 by Dr. Tennyson

Vampire Owl :: Oh! Mr. Pool, Dead. I have heard about him.

Vampire Bat :: No, this is not about that zombie who became part of the undead team by falling into a pool.

Vampire Owl :: Oh! His love for Brain Biriyani had caught my attention. So this is not really him!

Vampire Bat :: He is a mutant. You saw him in X-Men Origins: Wolverine.

Vampire Owl :: Yes, some part of the memory is back, I guess. But this version seems to be the cooler one.

Vampire Bat :: Yes, which is why it has managed all those positive opinions.

Vampire Owl :: I miss the Wolverine claws more though.

Vampire Bat :: Lets see what all can be managed from this one. There should be some interesting mutants.

Vampire Owl :: Lets go for the Pool, Dead then.

Vampire Bat :: I don’t see why not. After that I will find a poster that will make people confused with the genre.

[Gets three cups of tea with jackfruit chips].

What is it about? :: The first person we meet in the movie is a man in red, introducing himself as Deadpool in a taxi. As he gets into a fight, we are taken through the flashback, as Wade Wilson (Ryan Reynolds), who works as a mercenary after years of working with the special forces, meets Vanessa (Morena Baccarin). As they begin a relationship together, he is diagnosed with cancer. He doesn’t want to stay there with Vanessa and die, even though she insists that they can face this together. So when he is approached by a stranger who claims that he is able to not just cure his disease, but also give him extraordinary powers, he decides to give it a try while running out of options. He runs away from home, and reaches the secret laboratory, agreeing to the conditions.

So what happens next? :: There he comes across Ajax (Ed Skrein) who is in charge of the place and attempts to create a mutation in the test subjects. With the support of Angel Dust (Gina Carano), he hopes to create people with superpowers, but not with an aim to help mankind or not even with an objective in favour of the country. The defiance and the choice of words from Wade don’t go well with Ajax, who tries to force a mutation out of him, and even though that provides him with an accelerated healing ability, leaves him disfigured. After escaping the laboratory, he prepares for vengeance, with a red mask and a new choice of name, Deadpool. Now ashamed of facing Vanessa, he looks forward to finding a cure for his scars from the man who caused them.

The defence of Deadpool :: The entertainment never really stops with Deadpool. It is funny, with a lot of action sequences and a fast pace that it maintains till the end. Deadpool chooses to be different, and completely dismantles the rules which brings a certain enjoyable divergence that we can all appreciate. It is obvious that you don’t wish to see the same people saving the world again and again – guess what happens with watching the same for eternity? Change is a necessity, and Deadpool has realized that. It is the energy in this movie that makes sure that it works, and for the same, we can thank the actors. The dialogues in the taxi happen to provide some big boost to the funny side – it is such a nice beginning to this flick, along with the opening credits. Deadpool might not be the hero character to be loved by family audience, but the movie is heroic enough to go the divergent path.

The claws of flaw :: Deadpool could have surely gone forward with a better story, and it should have avoided becoming the same as those superhero movies which it seemed to make fun of. It often becomes what Meet the Spartans was to 300, Vampires Suck was to Twilight and the Scary Movie series was to Scream, Signs, I Know What You Did Last Summer, The Blair Witch Project, The Ring, The Grudge, The Village, War of the Worlds, Saw and so many others. It is nearly impossible to take Deadpool seriously, but it is still pretty much a serious story, and there lies the contradiction that makes one wonder and think about that Deadpool who was there in X-Men Origins: Wolverine. One can also feel that some moments here are supposed to be funny, but they aren’t. With the final moments, Deadpool is not so different as one would expect either, and some blood and gore to that.

Performers of the soul :: Ryan Reynolds has some very nice moments as the new big anti-hero and he never hesitates in stealing the show. We remember Morena Baccarin from Gotham and she makes a great choice for this role – I feel that her character with her there, has a lot more potential. Meanwhile, the one person who brings something special in there is Brianna Hildebrand as Negasonic Teenage Warhead – from that name itself, she provides a lot more to the funny side. From being Daario Naharis in the Season three of Game of Thrones to being the new Frank Martin in The Transporter Refueled, Ed Skrein brings a fine villain here for a change. Coming back to another big movie from Fast and Furious 6, Gina Carano is another right choice – there is nothing to blame in the casting; even with those characters of lesser significance.

How it finishes :: Deadpool is no usual superhero movie, as there is nothing heroic in what he does, as said by the protagonist himself. Consider it as a usual superhero movie might not do it that much good, and I would consider it a harbinger of change in this genre, just like what Batman Begins and its sequels did earlier. But unlike the Dark Knight trilogy, this one leaves the audience with no real inspirational message – you can still dive deeper and maybe come up with something that is buried deep. But even if such a thing can be done, Deadpool is a movie which is made for some fun, and there is not much to taken seriously out of it – that is a fact which we can conclude by just listening to the main character; the conversation in the taxi makes that even clearer. Deadpool could have been a better movie, but they have chosen to keep it funny rather than that!

Release date: 12th February 2016
Running time: 108 minutes
Directed by: Tim Miller
Starring: Ryan Reynolds, Morena Baccarin, Ed Skrein, T. J. Miller, Gina Carano, Leslie Uggams, Brianna Hildebrand, Stefan Kapičić, Karan Soni, Jed Rees

@ Cemetery Watch
✠ The Vampire Bat.

Maheshinte Prathikaram

Posted on February 13, 2016 by Dr. Tennyson

What is the movie about? :: Mahesh Bhavana (Fahadh Faasil) owns a small studio named Bhavana, living his life in and around Kattappana in Idukki. He is a simple man who finds happiness in the usual happenings of daily life, and is a popular person in the neighbourhood. His best friends include the older man who runs a shop near his studio, Baby (Alancier Lay) and his employee who is a cheerful young man named Crispin (Soubin Shahir). He has been in love with his childhood friend Soumya Kunjumon (Anusree Nair) for a long time, but it turns out that she decides to marry someone who works abroad instead. At the same time, he also gets into a fight with a group of strangers, and he makes a promise not to wear footwears until he has revenge on Jimson Augustine (Sujith Shankar) who beat him up.

So, how and where will the things be going from there? :: Mahesh is determined to have his revenge as he trains in Kung-fu hoping that he can win a fight against his newly found opponent. As Jimson has moved to the Middle East for a job, he keeps waiting for his moment of return. Meanwhile, Mahesh meets Jimsy Augustine (Aparna Balamurali) who needs him to take a photo for the cover page of a magazine. As they fall for each other, he comes to know that she is the sister of the man whom he wants to beat up. But he decides to go on with the relationship, even though he is determined that he will beat up the man when he returns to India. So, will Mahesh have his revenge? Will he manage to do that and finally wear the chappals? Is the decision not to have revenge as Jimsy wouldn’t want? Or will he just fail in the quest?

The defence of Maheshinte Prathikaram :: This one is more than just a movie; as it is more of life – there is nothing exaggerated in this movie as it uses the simple events of life, which could happen anywhere, and brings everything out of them. The movie’s biggest asset is its ability to make one laugh, and that too without using those silly jokes – even above that, it can bring a certain smile on the face of the viewers. There is a lot of skill in how the comedy is handled in this movie; there is nothing dumb, and there is no words used with hidden meanings. The revenge here is not something of hate, but simple, and out of a simple promise which has been made – nobody gets to suffer for the same; and the movie is that light-hearted. The songs are good and the visuals of the high-ranges are very well captured. Life is rarely reflected on screen this simple and lovable; especially look out for the anthem and the theatre scenes – that’s just two of the long list.

Claws of flaw :: There is nothing huge in the story of this movie; it is just the simple life of the common man in the high-ranges. Well, as Life of Josutty had said in the posters, this one is also just life without twists and suspense. There will be no big melodrama or romance as those exaggerated movies – dealing with a simple man’s life, this movie won’t satisfy the blind fans looking for all which is not there in life. As the movie brings real and natural humour instead of the silliness which is needed for the fans, there will be the group which won’t like it. But the final fight scene could have been shortened, and Aparna Balamurali could have had her entrance much earlier, especially considering the fact that they don’t see each other during their first meeting. But that is no flaw for you to decide not to watch a feel-good movie which is a lot sensible than the rest.

Performers of the soul :: Fahadh Faasil returns to be the crowd-favourite after Monsoon Mangoes which never really got close to connecting with the audience. As always, he is too good – he has taken control of this character and has done a really fantastic job. You have to love how well he manages each of his characters, and this one is simply awesome. Here is the man whose movies have viewers and admirers of movies rather than fans – it means that we can watch his movies without being troubled by the blind fans who are howlers, abusers and haters; how many celebrities can manage to offer a movie without trouble from terrible people? I had even read that he said that fans associations are not needed, and people need to watch his movies only if they are good. It is the kind of policy which every sensible actor needs to follow.

Further performers of the soul :: Anusree manages her role here with ease, as she plays Fahadh’s love interest in the first half. The second half has Aparna Balamurali whom we remember from Oru Second Class Yathra in which she played the character Amritha Unnikrishnan; it is related to the song “Ambazham Thanalitta” with Vineeth Sreenivasan rather than the movie. Here, she is the one to look out for, after our protagonist. She has a simple and charming way of playing her character here, and it is a lovable performance in store here. I am sure that she will go a long way after this performance. 2015 had some interesting new female faces in Malayalam movies, and 2016 has one more promising star, even though not that much of a new face – she has her first big role and she has done a really good job; this work feels so real and energetic.

And the rest of the movie :: The combination of Alancier Lay and Soubin Shahir is really good in this movie, and they handle the funny side here amazingly well. In a movie which has a lot of new faces, another newcomer Lijomol also has some nice funny moments here. The debut from the director Dileesh Pothan is a wonderful one, and he has also played one role. The supporting cast is really strong here, even with so many new faces. This different kind of revenge story is the kind of movie which you should really watch. It is something like a simple and humorous page taken right out of the book of life. Maheshinte Prathikaram is the kind of movie which could have been made more, but only people who have the ability to notice the simple things in life with skill, can come up with such a creation, and for the same, this movie needs the appreciation as it becomes the best of the year so far! These are good times for movie-watchers, with options of Action Hero Biju and Puthiya Niyamam also there!

Release date: 5th February 2016
Running time: 121 minutes
Directed by: Dileesh Pothan
Starring: Fahadh Faasil, Aparna Balamurali, Anusree Nair, Soubin Shahir, Alancier Lay, Lijomol, KL Antony, Jaffer Idukki, Dileesh Pothan, Sujith Shankar, Saiju Agustine

@ Cemetery Watch
✠ The Vampire Bat.

Rockstar

Posted on December 7, 2015 by Dr. Tennyson

Vampire Owl :: I have absolutely no relationship with music. I have doubts related to the effectiveness of this movie on me.

Vampire Bat :: Your are talking as if I have such a relationship.

Vampire Owl :: Well, the elder vampires say that you did sing a song when you first joined the vampire team.

Vampire Bat :: Yes, the result of that action was eight vampire elders having heart attack, thus losing their immortality. It was the first vampire death due to a heart problem, and the first case of missing immortality by natural reasons.

Vampire Owl :: It should be a record then. I have never witnessed such a thing after I joined the vampire team.

Vampire Bat :: Well, it is because I don’t sing anymore. I am the one responsible for bringing the current elder vampires to power as the great vampire elders as the reigning elders of that time had that heart attack. So, these people appreciate me, but they have begged me not to sing again.

Vampire Owl :: Well, I do come close to having heart attack while listening to some of the new generation music. It should be a natural thing, unless you are the Lich Queen. She has no heart and replaces parts of her brain in five or six days.

Vampire Bat :: This one is a romantic musical comedy. So, you have to be aware that we are going to listen to a lot of music.

Vampire Owl :: I am prepared for it. I just hope that movie will work for me due to my non-musical owlish background.

Vampire Bat :: Lets find that out then.

[Gets the tickets].

What is it about? :: Anand Abraham (Siddharth Menon) is a musician who is part of a popular band and is a very famous personality in Bangalore. The youth, especially girls have some special love for him. Hailing from the Keralite town of Palai and always into music, he spends his life with alcohol and having relationships with many girls with no seriousness or commitment. During a wedding function, he meets Athira Menon (Eva Pavithran), and that changes the situation quite a lot. Athira is against the idea of marriage itself as her parents have been living separately for many years. She is a beauty stylist who wishes to adopt a child without getting into matrimony. So, when their not-so-serious relationship brings pregnancy, both ends up being confused about what to do next. Both have different opinions about what to do next, even though marriage is not the first choice.

So, where does the grand solution come from? :: The problem with Anand is that he wishes to give his son his surname, and still he can’t go into any kind of commitment. His desire is to continue to be the rockstar that he has been. Meanwhile, Eva detests marriage, and wants to take care of the baby herself. She keeps repeating that she doesn’t want to marry him, but Anand wants his son to be known as his own. With a lot of advice coming from their friends and acquaintances, they finally decide to come up with the grand solution, to get married and get divorced later after the baby is born. With this new variety idea, they goes to the registrar’s office and submit the application. What happens after this with their lives as well as what their parents have to say about this is all that movie talks about.

The defence of Rockstar :: There are only a few movies which keeps getting better and better as the movie progresses, and Rockstar is one of them – may be if the movie was longer, this one could have been a better flick? One has to wonder, because the earlier quicker pace of the flick was actually working against the movie considering the genre that it belongs to; a romantic musical should allow the audience to get that feel, and it only arrives later with its strength used to the advantage. The movie is not short of ideas, about freedom and people living their lives their own way, along with understanding the meaning of love and affection. There are some nice, enjoyable moments; with the scenes at the registrar’s office, the grandmother-grandson bonding moments, the final emotional sequences and a few more can be mentioned. Some of the humour will be remembered, and the movie is emotionally touching.

Claws of flaw :: The beginning of the movie is a catastrophe and it will keep telling you that you need to leave the theatre right now. It is more like an inspiration to get yourself out of the theatre – the first thirty minutes are the worst that you might have ever seen for some time, and from there, it slowly begins to get better and with fourty five minutes passed, it begins to get better as you will notice. Rockstar seems to be a movie which could have achieved a lot bigger if focus was there, and with the first few minutes cut. The ideas which the movie talks about don’t really show themselves with the strength that is was supposed to have, and some of them are easily lost. There is also a certain amount of immaturity in the way the movie as a whole comes to the screen. Maybe a better narrated and better edited movie was needed here to bring the ideas to the audience in a better way. The songs are not that good and humour could have been used more. It could have have done without some scenes and predictability.

Performers of the soul :: Siddharth Menon does pretty good as the protagonist on his debut, as he does suit his character very well. There is nothing special for him to do here though. One would have expected a lot more musical stuff from his character though. But the movie often deviates from its musical self, making one wonder if that should have been done with a singer becoming the leading actor here. The character here is focused in the wrong way, if you ask me. By the end, it matters less if he is a rockstar or a businessman, and it still works for the usual audience in another way because he is more of a common man and not a star at that time. The daughter of the director VK Pavithran, Eva Pavithran is really good in her second coming debut here. She seemed amazingly suitable for this role, and she is sure to get bigger roles from now. There will be a few moments from her which you will appreciate very much and keep in your memory.

How it finishes :: It was nice to see Praseetha Menon of Badai Bunglaw fame doing an interesting role. Poornima makes a nice return to Malayalam cinema after a very long time. M Jayachandran had the role of a totally unnecessary character, as there is nothing good in it. Anumol has a notable character and Sona Nair has some good moments along with Mukundan Menon even as they are short. Mallika Sukumaran is seen in Malayalam cinema after a long time and she has some nice moments too. The funniest moments of the movie still belong to Saiju Kurup in his short stay. Most of the remaining support is rather wasted. Rockstar might not be the movie which you expected to watch after having a look at the trailer and hearing a lot about it – this is the advantage as well as the disadvantage of the movie, and it is a watchable flick; just don’t expect something huge.

Release date: 3rd December 2015
Running time: 123 minutes
Directed by: VK Prakash
Starring: Siddharth Menon, Eva Pavithran, Sona Nair, Anumol, Praseetha Menon, Saiju Kurup, Poornima Bhagyaraj, Mallika Sukumaran, Prakash Bare, Mukundan Menon, M Jayachandran, Dinesh Prabhakar

@ Cemetery Watch
✠ The Vampire Bat.

Rajamma at Yahoo

Posted on November 21, 2015 by Dr. Tennyson

Vampire Owl :: Vampires don’t have e-mail addresses at Yahoo. We use only the official Immortal Vampire Mail which is approved by Uncle Dracula and the Great Vampire Elders.

Vampire Bat :: But the title of this movie has nothing to do with Yahoo, e-mail, ISP, internet and social media.

Vampire Owl :: There is a clear misunderstanding about this then. The title misleads.

Vampire Bat :: Yes, but the movie is now clear to be watched for the vampire community too. Everything is fine.

Vampire Owl :: But don’t you think that a better title would have done this movie more good?

Vampire Bat :: Yes, that is sure. There is no question about it, especially as there is no shortage of titles around here.

Vampire Owl :: I will try to suggest a better title after watching this movie.

Vampire Bat :: Well, I wouldn’t recommend that. The current title still bring some idea about what to expect in this movie, which is not directly related to the brain.

Vampire Owl :: In that case, I shall not attempt the renaming.

Vampire Bat :: Well, it is never really going to make a difference, is it?

[Gets the tickets].

What is it about? :: Michael Rajamma (Kunchacko Boban) and Vishnu Yohannan (Asif Ali) are brothers who were born to a couple who eloped from their home after an inter-religious love affair. After the death of their parents, they decide to live in their huge house which they can’t sell due to some problems with its records. Called Rajamma and Yahoo respectively by their friends, latter has a love affair with Nessy (Anusree Nair) and former is attracted to Sherin (Nikki Galrani) who is one of the many tenants to whom parts of the big house are given on rent. After becoming good friends with the village officer Pavthiran (Kalabhavan Shajon) and his family to whom another part of the place is rented, the two decide to solve a problem faced by Sherin, and that brings the antagonist Abraham Pothen (Renji Panicker) to the scene and a few things from the past.

The defence of Rajamma at Yahoo :: The moments of fun are surely there in this movie, and they start very early. You can clearly hear the laughter in the theatre and people do find this one enjoyable with its good comic side. The first half does provide the scope to let this one go on as the full comedy entertainer, and even though the completeness is never achieved, Rajamma at Yahoo has memorable jokes. The characters on good side are likable except for the role played by the main heroine. There is also some feel-good related to this movie, even though the portrayal of the same brings certain trouble, and couldn’t tally with the rest of the movie as the mixture struggles to be better. There main lead makes sure that there is always something throughout the movie.

Claws of flaw :: After wasting the opportunity to be a full comedy entertainer or at least a part feel-good movie, this one has struggles which go on to bring a climax will be in no way acceptable to most of the audience. It is as if it is just imposed on this movie without much thinking. One would also wonder if people haven’t had enough of making sculptures of their parents, and how it is considered a noble deed – ask Utopiyayile Raajavu. The movie could have at least known its strengths, which it shows at times and then losses them. This could have been a lot better if the story was more interesting; the dependence on the stereotyped situation of the heroine also works against the movie. Some of the jokes are also not working. Something better was needed in the script, but unfortunately, that is not there. The romance is also half-baked.

Performers of the soul :: Kunchacko Boban and Asif Ali manage their roles in this movie very nicely. They do make a good team, and everything is effectively handled together. There is nothing heavy here though. It does make one wonder what these two could have achieved with more funny situations and a better story brought to them. I would like to see them together in another story where there are more opportunities. The latter was also too unlucky earlier with Kohinoor and Nirnaayakam. With the comic side, Kalabhavan Shajon scores the highest as the village officer, and the others follow his lead. It was also good to see Sneha Sreekumar of the Marimayam fame in this movie, and she did well. Among the heroines, Anusree makes better impact. She has handled the comic side very well too.

Further performers of the soul :: Nikki Galrani arrives on screen as the movie reaches the one hour mark, and she is there with the looks and not that much with the performance. There is no doubt that she looks really good here. Then there is not much there for her, as she becomes the love interest as well as the one who causes the turn of events without talking much. It is still a lot better than what was seen from her in Rudrasimhasanam. Renji Panicker has a strange character here which makes the antagonist weaker and part-time. He is very good for most of the time, but the characterization gets into the way. Noby Markose of Vodafone Comedy Stars fame is also there after Life of Josutty, and in the smaller role, he brings some nice laughs. Kailash also provides good support in the flick.

How it finishes :: The chance to rule the weekend is not there for Rajamma at Yahoo as the opportunity is spoiled and the movie doesn’t rise up-to the expectations. As they tell a fun story, one has to wonder why it couldn’t have been the same throughout its run-time. Better songs, background music, editing and all could have provided this movie with more strength, but they didn’t. With lesser challenge this week as only Su Su Sudhi Vathmeekam remains the one notable Malayalam release, our movie here will still do good enough. The fun moments will make sure that there are no boredom or lag, as Rajamma at Yahoo can attract those who are looking for some simple mindless fun for the weekend. You will enjoy the movie in parts as long as you don’t think too much about it.

Release date: 20th November 2015
Running time: 138 minutes
Directed by: Reghurama Varma
Starring: Kunchacko Boban, Asif Ali, Nikki Galrani, Anusree Nair, Kalabhavan Shajon, Renji Panicker, Kailash, Noby Markose, Vijayakumar, Sneha Sreekumar, Sethulakshmi, Mamukkoya, Muthumani

@ Cemetery Watch
✠ The Vampire Bat.

Pyaar Ka Punchnama 2

Posted on October 31, 2015 by Dr. Tennyson

What is it about? :: Anshul (Kartik Aaryan), Siddharth (Sunny Singh Nijjar) and Tharun (Omkar Kapoor) are best friends who share a flat. Anshul meets Ruchika (Nushrat Bharucha) during a party, gives her his mobile number and their relationship begins. Siddharth comes across Supriya (Sonnalli Seygall) at a wedding program and immediately falls in love, hoping to get married to her as soon as possible. Tharun meets Kusum (Ishita Raj) while at the gym and with his infatuation, their love story begins. But all these three relationships don’t move forward as expected. They try to make things better, even by going to a trip to Pattaya, but the situation remains the same. It seems almost impossible to get along with each other, with a split ready for all the three couples.

The defence of Pyaar Ka Punchnama 2 :: The comic side of this movie is strong as expected. The same successfully generates a lot of laughter in the theatre. Making the audience laugh a lot is not that easy, and that has been achieved, both in the case of men and women viewers. The songs are okay. The vain love based on infatuation gets the beating here, even when there is absolutely no need to bring a message here or be serious about its idea. The jokes related to online life and the struggles of Siddharth to impress the girl’s parents are the best among them. This movie only does what it is supposed to do, and if anyone wanted it to do something else which it was never planning to come up with, they can hate the movie, but bringing just one point up is more like vendetta. I agree that this could have done differently, and that would have surely improved my opinion, but this product works.

Claws of flaw :: You can see that critics have chosen to degrade this movie, but most you will see that the reason itself is one-sided and prejudiced, as it can only be found by digging the wrong way. But this movie is no big thing either. The flick actually starts with some drag, and it only gets better with the men meeting the women. All the comedy stuff won’t work that well either, and it is not applicable for everyone in the same way throughout the flick. Some dialogues were quite unnecessary, and the movie surely had better scope. The acting department is not that great either, but not much is required in this movie as the cast manages okay. You will also get less out of this movie if you have decided to thrive in the negative idea given to you by the critics, and won’t watch this as a regular movie loving human who thinks not from or in favour of any category.

Soul exploration :: I keep wondering why some critics think that this movie hates women. It makes no sense, because anything against women in this movie is from three male protagonists who are pretty much dumb (nobody needs to believe even a word they say); so if there is anything negative here, it is to be shared between both sexes. I can have problems about how men are portrayed in this movie too! Well, it is a modern take on the relationships which have no value and about those which are too hasty; it is about how decisions taken without base never last – it is also applicable both ways; you can also see a male character whose girlfriend has ditched him, and it is clear that the particular person appears as the mirror image. People are free to come up with opinions, but some people surely need to develop some tolerance – otherwise, these people might not have the right to call the political parties and religions intolerant.

Further soul exploration :: This just a story about a relationship, and not judgment. There are movies with good women and there are others with bad women; sometimes there are those which are full of bad men and otherwise good women. But if you look closely here, are these characters the kind of people who can’t exist in this world? Haven’t you seen the shades of some of them in your life? Don’t try to deny it because of your prejudice. Well, if you are looking for the same story to progress from all angles with just one movie, you are looking at the wrong place. These people who pass judgment in favour of just one side of this flick really need to think again. If they need movies which hate women, Bollywood has many of them along with another Indian flicks, and this movie here is not one of them – you will know if you remove those shades of prejudice. Nobody with sanity will let this movie define their world except for laughing at the jokes! This is never really about true preaching! No characters here are heroes to imitate either!

More of soul exploration :: If you are determined to hate this movie, and looking for points to note down, feel free to write something even before watching this movie. If you think that men in this movie are so awesome and women so bad, you need to look into your viewpoints about the good and the bad; because all that this movie has is a collection of grey characters. You don’t even feel that the women are evil in this movie if you look deeper; what you see here is a case of not finding the right person, as each human being is different. These three men found the wrong women, and they suffer for it – the men are not really angels either, and their choices were just dependent on infatuation or lust. Here is a message for you to take home even if there is none intended – don’t go for looks and don’t fall for what you feel with first looks; go for character. You got the message when there is none; happy? Now, that is a good addition.

How it finishes :: Actually, under normal circumstances, if you are looking to take a message from a full comedy movie, you are looking at the wrong place. What to expect from this movie was pretty much clear. I went for this movie thinking how terrible this would be, thanks to those critics who only saw only one side of this one. But that only helped me to once again understand why I shouldn’t go by the opinions especially when they are focusing on one particular thing which is not even the basic factor of this movie. I haven’t watched the first movie, but about Pyaar Ka Punchnama 2, I am sure that it will make the viewers laugh, and the genre here is comedy – note that down. It doesn’t have anything else, and this is not a movie to be taken seriously. If you thought that this was going to the movie with a grand love message, the problem is on your side and not with the movie makers. Use that side of brain somewhere else, as there are many serious ones and grand superstar movies which work against equality.

Release date: 16th October 2015
Running time: 136 minutes
Directed by: Luv Ranjan
Starring: Kartik Aaryan, Nushrat Bharucha, Sonalli Sehgall, Ishita Raj, Omkar Kapoor, Sunny Singh, Rumana Molla, Sharat Saxena, Manvir Singh

@ Cemetery Watch
✠ The Vampire Bat.

Welcome Back

Posted on September 5, 2015 by Dr. Tennyson

Vampire Owl :: Thank You. I appreciate it.

Vampire Bat :: What do you appreciate? Why?

Vampire Owl :: You said welcome back when I entered the theatre.

Vampire Bat :: I was telling the name of the movie when you entered. Why do you talk as if the theatre is my ancestral property?

Vampire Owl :: Actually, as you spend a lot of time here, I had the feeling that this is really your home. You should actually think about shifting here. This way, you can sleep in the queue and when you wake up, you will be the first one on the queue.

Vampire Bat :: This is why nobody listens to your ideas.

Vampire Owl :: Or you can marry the daughter of a theatre owner, or ask for some kind of season ticket for movies. See, I am giving you free advice which nobody else can offer.

Vampire Bat :: You can do me a favour by not giving me any idea.

Vampire Owl :: You are going to make me watch a Hindi comedy movie after you got me to watch Humshakals and Main Tera Hero. You will be forced to return to my ideas in return.

Vampire Bat :: That was because we missed the movies which we were actually going to watch on those days. Now you have ruined the day already by talking about those movies.

[Gets ready for the movie].

What is it about? :: Uday Shetty (Nana Patekar) and Majnu Pandey (Anil Kapoor) have ceased being dons and are running big hotel business in Dubai, as they try hard to control themselves from going back to their life of crime again. But they are finding a certain amount of loneliness in their lives, and the realization that even their low level henchmen are happily married with kids makes them very depressed. They look for the right person to marry as they find Nandini (Ankita Shrivastava), a stunningly good-looking girl who is also a princess from some royal family. With beauty and royalty there in store, both men falls for the same girl, and hopes to have the happy ending for themselves. Her mother, the royal mother, the Maharani (Dimple Kapadia) makes arrangements for the wedding.

And welcome back the problems and confusions :: There is the tough decision to make, based on which of the two to marry. Ever since they were shot on the heart with one sight of the girl in bikini at the beach, both of them are not ready to back-off. Meanwhile, Uday’s father comes to the scene with another daughter in his third marriage, Ranjhana (Shruti Haasan) and hopes that the former underworld dons try to get her married too. The mother-daughter team who are not really of royal blood, but con women who are hoping to steal as much money from the two friends as much as possible, come up with the condition that their sister has to be married off at first, because it is the tradition. This is where Doctor Ghungroo (Paresh Rawal) and his step-son Ajay Barsi a.k.a Ajju Bhai (John Abraham) comes to the picture.

The defence of Welcome Back :: There is no moment when this movie pretends to be smart, and you know what to expect here right from the beginning and throughout the movie. The visuals are stunning, and they have used Dubai to give some of the best treats for the eyes of the audience. The laughs are there, and most of the jokes are delivered through some interesting dialogues – the path is lead by the trio of Paresh Rawal, Nana Patekar and Anil Kapoor as expected. With these three around, there is the certainty of fun; the comic timing is right there as even the more simpler situations are turned into scenes of comedy. The pick of all the funny scenes is the one at the cemetery. There is also no shortage of style and good-looking people in this movie. There are only a few comic situations which goes down in effect; otherwise the comedy, despite being mindless is right there.

Claws of flaw :: The silliness of the movie is heavy, and it gets more ridiculous by the end. There is a strange mayhem going on in the end along with some extra meaninglessness added as if to make things come together. There are big SUVs, helicopters, remote controlled copters which explode, gangsters shooting, people running around, random people falling – there is even a sand storm and running camels making no sense even with nothing in the mind. The songs are not much interesting, and the source material surely had scope for better development and even more fun. May be they never really needed another big don here, and may be the focus could have always been with how the former underworld dons are manipulated into agreeing to the marriage, with mother and daughter playing interesting parts in it happening. But this has chosen to keep any trace of logic out of the scene, and has also stretched the flick.

Performers of the soul :: John Abraham proves to be good – he is not the show-stealer here, but he has done his part with sincerity, and here he is showing some skills with the comic side. He has managed this avatar just the way one would expect it to be. Shruti Haasan looks very cute throughout the movie, and doesn’t have much to perform. The big performances go into the hands of Nana Patekar and Anil Kapoor who steals the show along with Paresh Rawal. These three make this movie the fun that it has managed to be. They just can’t be replaced, not even a twenty sequels later (who knows how many more will come this way). The new comer Ankita Shrivastava might be the most beautiful person around, and she has some skills for the comic side – there is future. Dimple Kapadia joins the fun well and Rajpal Yadav has some short, but funny moments. Naseeruddin Shah and Shiney Ahuja get a few such moments too.

How it finishes :: About the special appearances, only Surveen Chawla makes some impact. This one actually has similarities with Main Tera Hero, but doesn’t go that way to become a disaster. The credit for the same goes to how things are managed without heroism and the overacting which was abundant in that movie no longer exists here in the case of Welcome Back. The cast itself is the big boost to this movie as Wecome Back can provide something to those looking for this type of mindless comedies. This could have still been shorter, and getting rid of some of the cliches and repetitions would have been nice – one has to wonder what is hindering the innovation when not much trouble has been taking with other departments including the script. What we need here is not to think and just to enjoy the comic side. The South actually got Kunjiramayanam to enjoy more at the same time.

Release date: 4th September 2015
Running time: 152 minutes
Directed by: Anees Bazmee
Starring: John Abraham, Shruti Haasan, Nana Patekar, Anil Kapoor, Ankita Shrivastava, Dimple Kapadia, Naseeruddin Shah, Shiney Ahuja, Paresh Rawal, Supriya Karnik, Sakshi Maggo, Rajpal Yadav, Surveen Chawla (cameo), Lauren Gottlieb (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Brothers

Posted on August 14, 2015 by Dr. Tennyson

Vampire Owl :: But wasn’t the original called Warrior?

Vampire Bat :: Yes, but this is called Brothers. Family sells more than the others in Bollywood. So, having it in the title itself is a positive to bring the audience.

Vampire Owl :: So, tell me about the original.

Vampire Bat :: But I haven’t watched the original.

Vampire Owl :: What? Why? I don’t believe it. There is no reason why you might have missed that movie.

Vampire Bat :: Yes, I understand that there was no reason, but some things happen for no reason, and this one didn’t happen for some reason which was not there.

Vampire Owl :: You should watch it some time.

Vampire Bat :: May be, but these days, I am not sure what I should watch and what I shouldn’t.

Vampire Owl :: That is a heavy crisis.

Vampire Bat :: Well, I have watched so many movies at the theatres, and I wonder what is the point other than to lose your existence in this world and live thinking about those flicks which can erase you sooner or later with no benefits.

[Gets the tickets].

What is it about? :: This official remake of the 2011 movie Warrior begins with talks about starting a new fighting league in India giving the fighters the right to fight, and meanwhile, Gary Fernandes (Jackie Shroff), an old man and a former fighter is released from prison. He is welcomed by his younger son Monty Fernandes (Sidharth Malhotra) who is hoping to prove himself in the world of street-fighting. His other son, David Fernandes (Akshay Kumar) is not in terms with his brother and father though, and lives separately with his wife Jenny Fernandes (Jacqueline Fernandez) and their little daughter who is suffering from kidney failure. He is working as a teacher, but can’t find enough money for the treatment of his daughter, and decides to go fighting as he used to do a long time ago.

Where it goes :: With the new league being formed, the two brothers try in their own ways to get into the competition, as the younger one has a viral YouTube video in his favour and the elder takes over the spot which was left open by an injury inflicted to a star fighter by the younger one. While Monty enters the tournament as the brute with strength, aggression and a never give up attitude, David enters the same with experience and a defensive strategy, using counter-attack, grapples and evasion as his strengths – he is powered by his family’s needs and the support of his students while Monty has the strength of his willpower and hate for his brother who abandoned him. With international fighters also being part of the tournament, can one of these brothers win it without going on to destroy the other? Where will the father stand in this battle of brothers?

The defence of Brothers :: There are many levels in which the movie works, and first and the most efficient one is the emotional side, which exists throughout the movie. It is powerful with the beginning, and gets stronger only to reach its zenith by the climax and the finish. The second one is the message about the family which also exists strong enough. The third is the action which is also powerful and gory, even though more could have been considering the stage. The transformation into the action stage is quite good, with the arena setting which is of high quality – the details related to this are very well done. The background is also well established, and the family man’s problems are well portrayed to create another level of emotional sequences. Brothers surely is successful in creating the desired effect on the audience, no matter where it stands in comparison with the original – the adrenaline rush is huge.

Claws of flaw :: The worst thing that has happened for this movie is the item song from Kareeena Kapoor which is not only bad, but also not suitable for this movie. One has to wonder why Bollywood thinks that it is important to bring an item song everywhere, even when the material is officially remade from Hollywood. There is also that flashback which is too long, and the relationship could have been established easily without this long a background. The movie could have been kept shorter that way, or some more fights could have been added; there is also scope for adding more to the elder’s teaching life and the younger’s daily lamentations. There are clichés, and you can predict when these two will come against each other, and may be even about how it will end; yes, without reading the story-line in Wikipedia. There was more scope for the action scenes, instead of rushing through Monty’s sequences too quickly.

Performers of the soul :: As expected, do look out for Akshay Kumar in this movie as is right there with full strength as one of the two protagonists. His sequences with his wife and daughter are very well created to make that big impact with the families, and he excels throughout, a lot more than the rest of the cast – Only Jackie Shroff comes up with a similar intense performance, as you can see the performance in his eyes itself. Akshay Kumar does very well with all sides, as the family man, as the teacher and the fighter. Jacqueline Fernandez has a smaller, but noticable role which does very well. Sidharth Malhotra has less to talk and has more chance to be part of the action as he is the tough angry young man here. He does that well, but there is nothing much to his character. Shefali Shah and Ashutosh Rana are good too. You already know about Kareena Kapoor in her worst item dance.

How it finishes :: I apologize for not agreeing with most of the reviews out there, even though there is absolutely no need for that. I am just doing it because this movie had a powerful emotional impact on me, which I am releasing in a positive way. I loved the movie’s emotional impact, and the way in which the stage is set for the action which makes the second half better than the first. Well, I haven’t watched Warrior, and so that should be taken into consideration when you look at how I have felt related to this movie. May be, if you have watched that original movie, you will consider this in a different way, but let me tell you that this has a lot for the family as well as the young audience as I see it; I am also sure that Bollywood had a big chance of messing up this remake, but I am glad that they didn’t.

Release date: 14th August 2015
Running time: 159 minutes
Directed by: Karan Malhotra
Starring: Akshay Kumar, Sidharth Malhotra, Jacqueline Fernandez, Jackie Shroff, Shefali Shah, Ashutosh Rana, Kiran Kumar, Kareena Kapoor (special appearance in an item song)

@ Cemetery Watch
✠ The Vampire Bat.

Ayal Njanalla

Posted on August 1, 2015 by Dr. Tennyson

Vampire Owl :: Then who is he?

Vampire Bat :: We have to watch to find out who he is and also about who the others are.

Vampire Owl :: With a title saying “he is not me”, I have to think that he is worried of his own existence. May be he has taken the place of someone else, or another person has taken his place. Otherwise why would he need to say that?

Vampire Bat :: May be he has an evil twin, like Lady Death having an evil twin sister.

Vampire Owl :: Why are we not watching Drishyam this time? We have already watched it in two languages. There is seems to be not much rush for that too.

Vampire Bat :: Well, everyone in the South has watched at least one version of the movie, and most of the Indians have also given one of them a watch. There are not many people left to watch a Drishyam.

Vampire Owl :: Still, we will watch it?

Vampire Bat :: Yes, may be later, depending upon how long that movie stays here.

Vampire Owl :: Well, it has been some time since we saw Fahadh Faasil.

Vampire Bat :: Well, his movies this year have been Mariyam Mukku and Haram. It is not fair for a person of his calibre.

[Gets the tickets].

What is it about? :: Prakashan (Fahadh Faasil) is a young Malayali who migrated to a village near the Rann of Kutch when he failed in the tenth standard, and is living with his uncle (TG Ravi), as they work with tyre repair in a small shop on the side of the road. After the death of his uncle, he is left with a big amount to pay to a moneylender who lock down the shop and gives him just one week to pay the money before he unleashes hell with the help of the police who are in his pocket. Prakashan decides to pay by selling his ancestral property in Kerala which he hasn’t seen for years, and return to Gujarat to go back to Esha (Mrudula Murali) whom he loves. He goes to Bangalore to find his old friend who has offered to help him, and there he will know that he looks a lot like a Malayalam actor.

Performers of the soul :: Fahadh Faasil’s performance once again become the highlight, and he scores the most in the Kutch sequences. His comic side gets the better score in the middle part of the movie though, as he gets misunderstood as someone else. His performance is actually far above the level of this movie, as you have seen with many other flicks. Yes, he is back after Haram and Mariyam Mukku, the two flicks of the year with him in the lead and had failed to leave a mark. Unlike what people think, there is no two of him on the screen, as him acting as the actor who is himself, never really comes to the picture. There are two phases of his life for sure, and he has done both of them very well with the versatility that he has always displayed. Even when put in the worst movie, he does his part so well – you have seen that in Olipporu.

More performers of the soul :: There seems to be a lot of less seen faces in this movie, but the most significant one is Mrudula Murali who plays the role of the Gujarati damsel and the love interest of the protagonist. She looks stunning in that traditional clothing, and she does seem to be suited for comedy as well as romantic roles, from the time for which she is there – could have been there for more. Actually, none of the actresses have much time on the screen. The next heroine Divya Pillai might have a little more screen time, and just looks very good but with no scope in there to make any impact and she doesn’t. Aileena Catherin Amon, who was crowned Miss South India 2015 also comes in a noticeable role which she manages well. There are a lot of good new faces in this movie as the fans of the actor and friends of the leading lady.

Further performers of the soul :: Tini Tom and Noby Marcose provides some interesting funny moments, and it is good to see that the latter is getting a significant role which he plays throughout the Kerala side of the story in this movie. I have always loved his performances more than the others in Vodafone Comedy Stars. Sreekumar is a big bonus to the comic side here, and he has his moments which gets the cheer. We need to see him on the big screen more often. Akshat Singh who is known with his performance in India’s Got Talent makes his film debut here, and also does a small dance performance in the movie – he will be better known to the Malayali audience now, and they will love him if they watch the movie. Ranji Panicker does the predictable here, with the role like Pratap K. Pothen has done in a number of movies.

The defence of Ayaal Njanalla :: The movie has comedy which works well, and all the actors have contributed directly or indirectly to the same. There are moments which are nicely used to get good effect on the audience, and the repetitive story is made interesting by adding the fun and also with the performances. The shots of Kutch are very beautiful, and there is no shortage of good looking people in this movie. This the debut movie of the actor Vineeth Kumar turning director, and he has a nice beginning here – may be he could have asked for a bigger story to work on; still he manages to make this work with the feel-good factor which has been utilized to give the viewers the needed feeling; still more jokes could have been added and the romantic side should have been gone better.

Claws of flaw :: The movie often struggles to keep its level throughout. The situations are those which we have seen before in some way or the other. There is not much of a story here, as everything seems to be just a small work stretched beyond its capabilities, and still it finishes off too fast in the end, without adding an interesting climax – a happy ending is just brought and forced out of nowhere. They were surely in a hurry to finish this one after making too long for the content – wonder why! The visuals outside Gujarat is ordinary, and so are the songs and the background music. At times, it does make the audience where it is actually heading for. The movie never really had much hype even though it has Fahadh Faasil returning in a different avatar, and that could really affect the collections – even Jilebi had better promotions around.

Release date: 31st July 2015
Running time: 148 minutes
Directed by: Vineeth Kumar
Starring: Fahadh Faasil, Mrudula Murali, Diya Pillai, Aileena Catherin Amon, Tini Tom, Noby Marcose, Sreekumar, Ranji Panicker, Akshat Singh, TG Ravi, Dileesh Nair, Jins Baskar, Sreekanth Menon, JK Nair

@ Cemetery Watch
✠ The Vampire Bat.

The Loft

Posted on July 30, 2015 by Dr. Tennyson

Vampire Owl :: Do you know that the Vampire Crocodile was actually taking about this movie?

Vampire Bat :: Why would he talk about this movie? He was never a vampire too interested in movies.

Vampire Owl :: Yes, but he starts fan clubs in the vampire territory.

Vampire Bat :: We also have fan clubs these days?

Vampire Owl :: Well, actually as we are not that dumb as the humans to blindly follow a celebrity, he and the Vampire Hamster are the only members of the organization.

Vampire Bat :: So, what is it this time? A Karl Urban fan club?

Vampire Owl :: No, it is called the Isabel Lucas Friends and Fans Association for the New Vampire World and the Isles of Death.

Vampire Bat :: Well, this is new.

Vampire Owl :: He knows that variety will sell. He has only recently come to know about this movie and is hoping to cheer for her with a huge screen show arranged.

Vampire Bat :: In that case, we can be glad that we are watching it without him.

[Gets a cup of tea].

What is it about? :: Five friends, married men share a loft, which they use for extra-marital affairs. The men are Vincent Stevens (Karl Urban) who is the designer of the building, a psychatrist Dr. Chris Vanowen (James Marsden) who is a reluctant user of the loft, and three others, Luke Seacord (Wentworth Miller), Marty Landry (Eric Stonestreet) and Phillip Williams (Matthias Schoenaerts). When the body of a dead woman is found in that loft, the friends begin to doubt each other as none other than them got the keys to the place; they also wonder if one of their wives or mistresses is involved in the crime. The dead person is Sarah Deakins (Isabel Lucas) who knows them from a bar. Even though it was Vincent who last met the girl, he has no clue of how she ended up like that.

The defence of The Loft :: There is a certain amount of quality and style in how the story is told in this movie. It begins from the murder and the police arrests, and moves on through different timelines to give us clues and finally conclude to a point where everything comes together. There is a intellectual beauty in the narrative style, and you can actually connect these moments well enough while giving attention. There is something here to be suspicious at each of the five characters, their wives, some of the mistresses and even a few businessmen with whom they are involved. It is an entertainer, and there is a big chance that this movie might be remade into one or two Indian languages. So it will only help to have this one watched already instead of having a copy of the feeling that Anwar and Cocktail had original awesomeness when it released, but where just copies of Traitor and Butterfly on a Wheel.

Claws of flaw :: Unlike what some people might think, The Loft is not really an erotic movie; it is very much far away from it and is just the thriller or a mystery, and even with its suspense and the twists, it doesn’t have a huge surprise waiting. Most of the people might have wanted the twists to be even more twisted. The setting could have had more in store, but the finish is just of the quality of an ordinary thriller. The story struggles at some points and it is a missed chance at bringing the mystery to another level. People who are looking at this one as an erotic flick are going to be the more disappointed ones though. Some people can also have trouble with the narrative especially if he or she stops the movie in the middle to watch later. Some of the scenes might have been even made to confuse the viewer into believing that someone with no big relation to the incidents is the murderer.

Performers of the soul :: Karl Urban comes up with a very strong performance here in a movie has most of the characters getting equal importance, and is the pick of them all. It is actually depressing that this movie didn’t get much of box-office collection just like his other good movies – the critical appreciation has also been low. Well, when something like Dredd can’t be a box-office hit, you have to doubt the tastes of the move watchers. He is a very talented actor and needs a better recognition. James Marsden who has been playing Cyclops in the X-Men franchise comes next as he excels in the final moments of revelation. Meanwhile, Wentworth Miller has his moments too as the movie moves towards the finish. The rest of the actors who play the friends also contribute well.

More performers of the soul :: About the actresses who play the wives, they never really gather that much of attention are easily forgotten – still, the one to gather some attention is Kali Rocha. The two main ladies are really good here; Rachael Taylor and Isabel Lucas, both of them making the desired impact despite the weak characterization. The former has done a good number of horror/thriller stuff and looks very much suitable to her role here – I loved her in Shutter. The latter brings a dazzling effect here, and she has never looked prettier – her role is smaller here, but it is the decision-making one; she has always been there with smaller, but noticeable roles like being the pretender decepticon in Transformers: Revenge of the Fallen and the more significant and touching performance as the subsider vampire in Daybreakers.

How it finishes :: The Loft is an interesting thriller which maintains its collection of twists till the end, and it also works as a morality tale if we look at it from another angle. As you go to ending, even though there is nothing tragic, none of the cheaters in a relationship really manages to get a better life except for one exception and one not doing that bad, depending on how you see it. Being faithful should be considered a very important thing in life, not just with love and relationships, but also to oneself. There is no honour is hurting the people we love just for the sake of something temporary and wrong. In an ultra-modern world, all kinds of relationships go nowhere; remember Matthew Arnold’s Dover Beach:
“Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain”

Release date: 14th October 2014
Running time: 103 minutes
Directed by: Erik Van Looy
Starring: Karl Urban, Isabel Lucas, Rachael Taylor, James Marsden, Wentworth Miller, Eric Stonestreet, Matthias Schoenaerts, Rhona Mitra, Valerie Cruz, Elaine Cassidy, Kali Rocha, Margarita Levieva, Madison Burge, Kristin Lehman, Robert Wisdom, Ric Reitz, Graham Beckel, Kathy Deitch